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Speaker 1: You're listening to Matt Connorton Unleashed on WM and H

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ninety five point three.

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Speaker 2: And now the world radio premiere of the new single

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from Rivia, Something in the Water.

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Speaker 3: See me now fated out of mate, you proud tell

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you so far from Mama yesterday.

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Speaker 4: One thing still not clear? How the hell are we

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get here? The lasting years? I'm sun and suehe.

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Speaker 2: N oh, there's nothing for me the soul.

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Speaker 5: I don't want to.

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Speaker 6: Tie frick, gotta go train?

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Speaker 5: What you want to the free? Just a cry.

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Speaker 4: Something. It's not always chasing something. You got to something

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in of you And I'm going on my way.

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Speaker 6: Not want to hear the awful look that you never

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thought that you.

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Speaker 5: I am lunch to you and all you'll my games.

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Speaker 3: Mean all.

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Speaker 4: There's nothing for me.

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Speaker 5: So I don't wanna tell.

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Speaker 4: Frick gotta got the train, go to the free?

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Speaker 5: Just a cry?

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Speaker 4: The Sultan.

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Speaker 3: Not.

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Speaker 5: I don't want to talk.

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Speaker 4: I got about that train away?

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Speaker 5: You want to do free?

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Speaker 4: It's just a dot of cry, The Sultan.

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Speaker 5: Not, I don't want it.

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Speaker 4: This this something.

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Speaker 2: Here's another exclusive, the new single by the Forensics. This

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is called not giving Up.

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Speaker 3: This is nothing near from the old storing breaches is

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not a thing that they could try to see us. Well,

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the will this changed, chasy.

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Speaker 4: Go we this something.

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Speaker 3: I stay on her, he said.

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Speaker 4: We've always meet me, so never lend gay shais him

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say he decide honestly then.

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Speaker 3: Si no one not you think us take your mind

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chance day it's my head and some model never comes

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at least to stay up tonight.

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Speaker 4: And John fas thing.

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Speaker 3: It's not even though I sin to see the one

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I never figure out, saying to mother never comes the

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last to stands.

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Speaker 4: Out tonight.

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Speaker 7: S oh no, why DoD if the uh say, I

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said something that's funding about it.

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Speaker 3: Some monther cobs the muster stay out around tonight.

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Speaker 5: Way know best.

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Speaker 4: It's not a guys don't walk sit you.

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Speaker 5: It's some mode on other.

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Speaker 4: Times then used to stay out.

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Speaker 5: Out to dine.

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Speaker 3: Knows it's the dogs.

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Speaker 4: The kid said, some ls the stays that the stays.

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That's some of.

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Speaker 2: Here's another exclusive premiere for you this week, the new

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single from Paul nasal Nebu Cadnezzar.

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Speaker 4: Wounded Forever. Like member Canza, I know that wherever you go.

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Speaker 6: That is the distance, and you find the difference so

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much less than you know.

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Speaker 4: I said the dunda the cognation under.

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Speaker 2: Sir, and that you are in stead.

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Speaker 6: And my life father, break the ships that I still

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sing the thoughts left to say. It's let me read

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of distance between us and still I cannot let you go.

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Speaker 4: Drops making notions.

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Speaker 5: And sicklical motions. See how the waters got move.

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Speaker 6: Mean my love on the shop home, all to answer

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the cold days of confusion, the love the us quidest

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to push on through from my desitation to see revelation

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the bat it is open to you.

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Speaker 8: I want to live a life so full blah love,

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and life's so full of righteous fight so well I die,

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y'all have no regrets?

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Speaker 5: Why because I tried my best. Don't right? Just hang

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out and my president live.

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Speaker 1: I want to drinks, guys, taking the industry over with decency,

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cleaning up, seeing through the drenking be cealy streaming while

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shaking up thieves of complacency, change and the way that

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we see the whole coderie from spirit.

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Speaker 5: Just start just through corn O, the conscience of longer consciousness.

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Speaker 1: Like they had a conference had and with the plan

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that was handed up on us, but we took it

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for never can in this contest, o, sa.

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Speaker 9: We cant live forever and oo say we can't live

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life better.

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Speaker 1: Or making the difference in this world diseasey creating influence

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the harm THO wistlazy, don't need to be greedy, you're sneaky,

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You're basically just three people. They will then be with

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their needing. Believe in your reasons and screaming them a lot.

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Don't deceive your respective beseechy about keep keeping the ailing,

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be feeling.

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Speaker 5: As proud as I'm feeling right now with my head

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in the clouds.

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Speaker 8: Let's come together and make a place that is forever

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never advertiser left birch life will win the issue together

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where there will be basically they just plant to see

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the ideas the life will never bet their people grab

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their brains and maybe it would be my pleasure.

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Speaker 1: Let's just so win down up bits will take a

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break from all this.

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Speaker 5: We'll have oh mint with kids, so you have some

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one good night kiss. So let's not okay, hold on

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this path. The whole reason four this that's the present

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is a gift to half of the work we put

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in the good.

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Speaker 8: In the path that and with the nothing and crying

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because the guest. Thing is buying the trying to see

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you and be seen, bedave with something till.

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Speaker 5: The day you were dying. Breaking the boundary set up

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by somebody sell up to selling ups. It's nobody's business.

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Speaker 1: It's simple and difference. It's making no difference. In fact,

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it's like physics, gravity versus somebody. If we stack them up,

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flatten doutter, stick them in bases. I'm good with those

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placements on one and in case me that you can

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look into one down through the age and just treats

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me you and placed on my throne turning pages.

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Speaker 2: I love it. That is brand new from six Minds Combined.

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And he is here with us in studio. We're gonna

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talk with him in just a moment. Welcome everybody, Here

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we go. It is that time again, Matt Connorton Unleashed

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and we are live from the studios of w M

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n H ninety five point three f M and Glorious Manchester,

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New Hampshire. Of course, you can stream the show from anywhere.

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I go to Matt connorton dot com slash live for

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all you're live streaming options, social media links, contact Infosho, archives,

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et cetera, et cetera. Today is Saturday, November twenty second,

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two thousand and twenty five. Let me get that mic on.

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Rick Everhard is here and he is a six Minds

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combined Welcome sir, Hello, Hello, Hello, It's good to have

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you back on the show. It's been a little while. Yeah,

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it has been been a little while. You've been busy.

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That track, of course, the sixth sonata great.

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Speaker 7: I love that, thank you, thank you so much.

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Speaker 2: I got a question about that right off the top. So,

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and I've noticed this was some of your other songs too,

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like is it is it difficult to cause your your

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flow your style is so like how do you have

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time to breathe while you're you know, especially like like

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the song starts and that first verse comes in and

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it's like, oh my god, like how does he even

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do that?

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Speaker 7: Yep.

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Speaker 1: So, so first I have to write the songs, obviously,

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and I try to I try to write it as

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like a single a single burse at like the first

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set of time or course at a time, and I

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try to try to make that as complicated as I

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can a.

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Speaker 7: Lyrically.

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Speaker 1: And then I'll practice it over and over and over again,

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find where to put the breaths. So I take a

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lot of really fast, sharp breaths. Yeah, if you listen

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really closely, sometimes you can hear them.

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Speaker 2: Ok. Yeah, yeah, No, it's impressive when you're writing these,

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because I mean that song is just one example I've noticed.

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I mean, that's your style and a lot of these,

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like I said, when you're writing them, do you ever

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do you ever think this might be too much? I

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don't know, or do you just write it and then

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it's like, Okay, now now I have to live up

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to the challenge that I've created for myself and I

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wrote it. Now I got to do it.

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Speaker 7: That's that's exactly it.

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Speaker 2: Yeah.

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Speaker 1: I love to challenge myself. I love to to push

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myself past my boundaries. And I mean that's that's the

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reason that I've gotten this far in my musical career

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is because of that pushing and pushing.

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Speaker 2: Yeah. Yeah. Another thing too, I've noticed about a lot

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of your songs is you know, there seems to be

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a theme. You know, there's a lot of empowerment positivity,

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but but without being preachy, which is cool because you can,

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you know, you can beat somebody over the head with

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it and then and actually push them away with that

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stuff too, but but you present it in a way

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that is fun, for lack of a better word, I mean,

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it's just kind of fun to The songs are fun,

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they're fun to listen to, but also but they're not preachy.

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They're just more like kind of encouraging and and and

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unity too. That seems to be a theme too. There's

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a lot of you know, like in that track, in

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the lyrics, there's a lot of you know, we're in

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this together, you know.

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Speaker 7: Yeah.

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Speaker 1: I mean so there's there's just so much negativity and

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and like segregation and division, and there's just there's so

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much of that apparent in every industry, and I just

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want to, you know, I want to bring a different message,

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you know, that's that we don't have to versus each other.

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You know, we can we can work together and work

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off of each other. And and I mean obviously I

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feel really strongly about those ideals. So it it's it

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comes through I wouldn't say easily, but but it flows

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into the musical creation.

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Speaker 2: Yeah.

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Speaker 1: You know, like I'll get I'll get a basic idea

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and then like I try to, I try to give

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myself a subject and then along with that that subject

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I like to keep that, you know, the togetherness and

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the community and the positivity and try to wrap it

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all up into to one, you know, nice little package.

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Speaker 2: Yeah. So since the last time we talked, it sounds like,

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you know, we talked a little bit off air. It

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sounds like you've been pretty busy.

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Speaker 7: Oh yeah, yeah, super super busy.

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Speaker 1: I've done I've done at least two shows a month

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since since the since the last radio show. Yeah, and uh,

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I still host an open mic once a month. Excellent

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through Positive street Art. Okay, we talked about them before. Yeah, Yeah,

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they're they're still going super strong too. Yeah, we got

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we got big moves we're making this year excellent.

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Speaker 2: Well, that's a lot there. Can you actually, can you

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tell us a little bit more about Positive Street Art?

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And I know we've talked about it before, but for

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newer listeners who right now know because this is a

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this is a great thing that a lot of people

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probably aren't aware, so.

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Speaker 1: That it's a it's a nonprofit based out of nash,

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New Hampshire. We've we've kind of spread our wings a

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bit and we do a bunch of stuff in Manchester. Yeah,

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and Excellent and and a few other places too. But

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it's our mission is to inspire passion for the the

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urban arts in a productive way through community workshops, artistic

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services and and community events. And we had we had

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this the Summer Stroll that we Nashville in Newmpshire that

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we teamed up over over the summer.

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Speaker 7: Yeah, and and it's was the second year we did it,

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and it was it was a big hit.

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Speaker 2: Nice.

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Speaker 1: I think eventually it might but it'll keep expanding, you know,

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kind of like the Winter Stroll in in in Nashua.

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It you know, it started out as as whatever and

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now it's grown too. You know, ten thousand or more

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people show up every year for it. So I'm we're

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we're hoping that the Summer Stroll, you know, kind of

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it builds momentum and we can grow every year. But

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it's you know, it's a it's a great it's a

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great organization to get into not only for just you know,

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to get a mural painted on your wall or whatever,

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but we have tons of programs for for different communities,

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you know, for for painting and for for uplifting and

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you know, the whole community thing. I also run the

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I host open mics through Positive Street art, and and

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that's you know that that part of it is it's

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it was you know, part of it was was a

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way for me to to expand my my ability to

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get on the mic or get on the stage. I was,

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I was at the beginning of the of the of

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the the whole music thing that I've been doing. Yeah,

254
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and uh, and I you know, I kind of decided,

255
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you know, if I don't just have random places, you know,

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a lot of times I went to a few open

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mics over the years and stuff, and and I I

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like the I like the feel of it and everything,

259
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and and I was like, you know, I could I

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could probably do something myself like this through positive street art,

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you know, because it's you know, it's a music is

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is intertwined and and and and everything, right, you know,

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it's just as much part of the the urban culture.

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Speaker 7: As anything else.

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Speaker 1: Absolutely so, so yeah, you know, I felt I wanted

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a place where I could you know, improve my craft, yeah,

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and build up my stage presence.

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Speaker 2: Yeah, and smart smart way to go about it, yeah.

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Speaker 7: Yeah, exactly yea.

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Speaker 1: And then and then at the same time, it's giving

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a place for other people with the same mindset as me,

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where where they don't. They're not ready for a big

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crowd or something like that, and they want to start,

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you know, honing their craft. So you know, you get

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on the mic in front of a very very limited crowd.

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You know, not a lot of people show up to it.

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So so a lot of times it's just, uh, it's

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just a six Minds Combined jam session.

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Speaker 2: Okay, okay, where does this happen? Where do you do?

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Speaker 1: It's at a Positive shoot Out headquarters Okay in nash, Newmpshire.

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Speaker 7: It's at forty eight Bridge Street, third floor.

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Speaker 2: Okay, Oh, very cool.

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Speaker 7: Yeah.

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Speaker 1: If you look us a Positive Shootout dot org, we're

285
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always posting different things that we're doing, and we we curate.

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Speaker 7: A bunch of.

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Speaker 1: Like artists and uh, not just at our headquarters, but

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at different places. I know there's a couple of places

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in Manchester that wee things that I don't I don't

290
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know all the names of the program. There's so much

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which is that's good.

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Speaker 2: There's a lot going on there that's excellent.

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Speaker 7: Yeah, yeah, exactly.

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Speaker 2: So So was that was positive street art before? Like,

295
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in other words, were you doing that before Six Minds

296
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Combined became?

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Speaker 7: Yeah? So I've been I've been doing.

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Speaker 1: I've been making music and I had the whole six

299
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minds combined Moniker for years and years and years. Okay,

300
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but I wasn't doing anything. I just made music for

301
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fun for myself, yeah, and uh and friends or whatever.

302
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And you know, I I I always had the hope that,

303
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you know, someday it would become something, but but it wasn't.

304
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It wasn't the drive, okay, you know. And then I

305
00:22:03,279 --> 00:22:06,559
had I had gotten into some trouble and I had

306
00:22:06,599 --> 00:22:10,720
to do community service. Yeah, my friend Gillian Anderson pointed

307
00:22:10,839 --> 00:22:15,319
me towards positive street art and and at the time

308
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my very good friend to this day, Tom Lopez, he

309
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was the vice president and he kind of took me

310
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under his wing, and and uh, and I screamed through

311
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all the community service hours, and they were like, hey,

312
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you know you you're you've been doing this. You want

313
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to continue to do this. And then shortly after that

314
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I was like, of course I do. And then shortly

315
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after that They're like, hey, well you want to join

316
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our board, and so I've been. I've been on their

317
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board of directors for for a bunch of years now.

318
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I think it's fantastic. I think it's you know, coming

319
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on ten years part of that organization.

320
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Speaker 7: Yeah, oh wow.

321
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Speaker 2: And so.

322
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Speaker 7: You know, we've we've had dance.

323
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Speaker 1: Programs, we've had we've had all sorts of stuff, and

324
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I was, you know, just hit me at one point,

325
00:23:00,039 --> 00:23:01,960
I was like, you know what, why don't I Why

326
00:23:02,000 --> 00:23:06,240
don't I, you know, introduced the musical side of this

327
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to to the to you know what, because there was

328
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dancing and you know, things like that, and I was

329
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I was like, you know, but like like at Core,

330
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I'm a musician and and I felt like that needed

331
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to be a part of the whole positive street art thing.

332
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So yeah, So that I came up with the idea

333
00:23:24,400 --> 00:23:27,240
for the the open mic and and the rest of

334
00:23:27,240 --> 00:23:29,759
the board loved it. Yeah, and they they jumped on it,

335
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and and we've been doing it ever since.

336
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Speaker 2: So when you started doing the open mics, was that

337
00:23:34,799 --> 00:23:38,039
what kind of like did you already have the idea

338
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that if if these open mics go well and I

339
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feel confident in front of an audience, maybe I'll kind

340
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of start to do more with six Minds.

341
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Speaker 1: That's yeah, it was basically hand in hand, you know.

342
00:23:50,880 --> 00:23:55,960
I I I had the idea for for the open mic. Yeah,

343
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and then it was, you know, facilitating the equipment to

344
00:24:00,200 --> 00:24:04,160
do that. Originally they were thinking about buying the stuff,

345
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and I was then I I I had a conversation

346
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with the person I was making music with at the time.

347
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They wanted to go off and do a different project

348
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and sat down with me and was like, hey, you know,

349
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we've been making all this stuff together. He's like, I don't.

350
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I don't expect anything out of it, you know, I don't.

351
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I don't need to get paid. I don't need royalties

352
00:24:27,000 --> 00:24:28,839
or anything like that. He's like, he's like, you take

353
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this and do whatever you want with it.

354
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Speaker 7: Do something with it.

355
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Speaker 1: I was like, you know, that's a great idea. I

356
00:24:32,599 --> 00:24:35,720
should do something with it. And so I made that

357
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decision that I was going to start working on music.

358
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Then I met Eleanor and it just it just cascaded

359
00:24:42,880 --> 00:24:45,680
from there, and but it kind of happened at the

360
00:24:45,680 --> 00:24:48,359
same time, you know, I made that decision.

361
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Speaker 7: After deciding.

362
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Speaker 1: So it was so the open mic decision came first,

363
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and then I decided to do the six Minds thing

364
00:24:59,440 --> 00:25:02,640
well to start pushing it. Yeah, and then I was like, well,

365
00:25:02,799 --> 00:25:05,279
I'm going to need equipment for this to do my performances.

366
00:25:05,440 --> 00:25:07,720
So why don't I just get the equipment for the

367
00:25:07,799 --> 00:25:10,759
open mic and then that'll start me right on my path,

368
00:25:11,000 --> 00:25:14,839
right' I'll have no excuse not to move forward.

369
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Speaker 2: There you go, There you go, exactly. Yeah, which is

370
00:25:17,160 --> 00:25:18,960
a great way to motivate yourself, right, I put yourself

371
00:25:18,960 --> 00:25:20,440
in a position where you got to do it.

372
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Speaker 7: Yeah. I mean I spent I spent a few thousand

373
00:25:22,759 --> 00:25:25,240
dollars on the on the performance equipment.

374
00:25:25,400 --> 00:25:28,160
Speaker 2: Yeah. Yeah, so once to spend that kind of money, yeah,

375
00:25:28,200 --> 00:25:28,799
you gotta do it.

376
00:25:28,920 --> 00:25:29,559
Speaker 7: Yeah, exactly.

377
00:25:29,640 --> 00:25:33,400
Speaker 1: It's like, look looking at a big hole in my waile, like, well,

378
00:25:33,759 --> 00:25:35,759
did I just shoot a hole in my pocket? Or

379
00:25:36,319 --> 00:25:38,759
am I going to do something with this? And and uh,

380
00:25:38,920 --> 00:25:42,359
it's been it's been so worth it. Yeah, you know, I've,

381
00:25:42,720 --> 00:25:45,759
like I said, I've I've I've performed at least two

382
00:25:45,799 --> 00:25:48,559
shows a month since I've started, so it's been over

383
00:25:48,599 --> 00:25:49,079
a year now.

384
00:25:49,319 --> 00:25:52,079
Speaker 7: Yeah, and just pushing and pushing.

385
00:25:52,160 --> 00:25:54,920
Speaker 1: I got the released the first album with the seven

386
00:25:55,000 --> 00:25:58,599
songs last year September ish I think it was, and

387
00:25:58,680 --> 00:26:03,279
then I have uh three three songs released singles since then.

388
00:26:03,680 --> 00:26:03,880
Speaker 2: Yeah.

389
00:26:04,160 --> 00:26:06,680
Speaker 1: One I just released last last week or the week before.

390
00:26:07,759 --> 00:26:10,440
It was very very recently. It just it just jumped

391
00:26:10,480 --> 00:26:14,759
on the platforms a couple of days ago. Okay, okay, yeah,

392
00:26:14,839 --> 00:26:19,759
so yeah the sixth Sonata. Yeah, have tongueswire.

393
00:26:20,000 --> 00:26:22,279
Speaker 2: Yeah, we were talking off air. I can't say I've

394
00:26:22,359 --> 00:26:26,359
never been able to say anything with an x th

395
00:26:26,839 --> 00:26:29,319
at the end sixth. I guess I can kind of

396
00:26:29,359 --> 00:26:31,039
do it, but I have to slow it down, like

397
00:26:31,319 --> 00:26:33,160
I can't say it fast. But I think a lot

398
00:26:33,160 --> 00:26:34,640
of people are like that, Like if I say it fast,

399
00:26:34,680 --> 00:26:37,519
I'm just gonna say the sixth Sonata. So I'm literally

400
00:26:37,640 --> 00:26:39,680
just saying six. If I slaw it down, I can

401
00:26:39,759 --> 00:26:42,759
do it the sixth Sonata. But even that, that sounds

402
00:26:42,839 --> 00:26:45,359
very awkward. I sound like I'm listening. Yeah, that sounds

403
00:26:45,440 --> 00:26:47,359
very awkward. But yeah, I've always had trouble with that.

404
00:26:47,680 --> 00:26:51,799
But no, that's that's that's great. I'm curious too when

405
00:26:51,839 --> 00:26:56,200
you started performing live, because you write, you write these songs.

406
00:26:56,319 --> 00:26:58,119
You know, as we talked about a few minutes ago,

407
00:26:58,160 --> 00:27:01,480
the lyrics are complex. And you know, something I've always

408
00:27:01,480 --> 00:27:05,000
said to something that rappers never get enough credit for

409
00:27:05,960 --> 00:27:10,960
is the memory skills needed for that. Because any rock song,

410
00:27:11,559 --> 00:27:14,160
you know, unless it's something extremely wordy like I don't

411
00:27:14,200 --> 00:27:16,920
know one week by Bare Naked Ladies, right, But but

412
00:27:17,200 --> 00:27:19,759
almost any rock song, you know, it's pretty easy to

413
00:27:19,839 --> 00:27:25,160
learn the words, right, you know, but but something like

414
00:27:25,720 --> 00:27:29,680
especially like what you're doing, there's some pretty serious memory

415
00:27:29,720 --> 00:27:32,680
skills involved there, right to remember all of that. Oh yeah,

416
00:27:32,960 --> 00:27:35,240
Like when you started performing live, was that a challenge

417
00:27:35,279 --> 00:27:35,519
at all?

418
00:27:35,680 --> 00:27:38,240
Speaker 1: It was definitely and it still is now. You know,

419
00:27:38,400 --> 00:27:43,200
I'm every every show if you pay close attention. I

420
00:27:43,240 --> 00:27:46,640
don't want to say every show, but ye, but very

421
00:27:46,720 --> 00:27:50,039
often you'll find that I'll pause for a couple of seconds. Yeah,

422
00:27:50,160 --> 00:27:53,799
and that'll be me completely forgetting Oh no, yeah, yeah.

423
00:27:54,440 --> 00:27:58,480
It happens more often than anybody notices, right, right, because

424
00:27:58,480 --> 00:28:01,039
when you're right, when you're writing during the performance and

425
00:28:01,079 --> 00:28:04,720
you just keep going, you know, uh, nobody Noticebody knows

426
00:28:05,160 --> 00:28:08,680
unless they really really know the songs. My close friends

427
00:28:08,759 --> 00:28:12,240
that come to every single show, they're like, they give

428
00:28:12,279 --> 00:28:16,640
me the look like, oh you messed up. Yeah, but yes,

429
00:28:16,720 --> 00:28:20,359
it's it's it's very very difficult to remember the lyrics.

430
00:28:21,640 --> 00:28:23,680
I've always had memory issues ever since I was a

431
00:28:23,720 --> 00:28:25,559
little kid. It's really hard for me to memorize things.

432
00:28:26,000 --> 00:28:26,799
Speaker 10: So so.

433
00:28:28,920 --> 00:28:31,559
Speaker 1: When I was a kid, I found that the easiest

434
00:28:31,640 --> 00:28:36,240
way for me to remember something is have a jingle

435
00:28:36,359 --> 00:28:39,160
to it. Okay, you know so, so no matter what

436
00:28:39,319 --> 00:28:41,160
it was, you know, like if if I had.

437
00:28:41,039 --> 00:28:42,000
Speaker 7: To remember.

438
00:28:43,119 --> 00:28:46,559
Speaker 1: Two plus two is four, you know, things like that,

439
00:28:46,680 --> 00:28:48,839
it just it made it so much easier for me

440
00:28:49,039 --> 00:28:52,480
to retain interesting knowledge. Yeah, it's it's almost like like

441
00:28:52,640 --> 00:28:58,599
a sound pattern, and I practice in order in order

442
00:28:58,680 --> 00:29:03,279
to to can to remember them. I practice, I won't

443
00:29:03,279 --> 00:29:05,359
say every single day, but pretty close to every day.

444
00:29:05,359 --> 00:29:07,640
I listen to my music every day. Yeah, and I

445
00:29:08,200 --> 00:29:11,160
try to perform them even whether I'm in my car

446
00:29:11,759 --> 00:29:15,000
or at work. I try to perform them every time

447
00:29:15,079 --> 00:29:18,079
I listen to them, and so so that helps.

448
00:29:18,160 --> 00:29:19,200
Speaker 7: But I have to I do.

449
00:29:19,279 --> 00:29:22,279
Speaker 1: I have to practice every every single day. Every couple

450
00:29:22,359 --> 00:29:24,599
of days, if I have a show coming up, I'll

451
00:29:24,640 --> 00:29:27,960
practice two or three times a day, just just to

452
00:29:28,559 --> 00:29:31,960
to create the habit. And you know what's funny is

453
00:29:32,000 --> 00:29:34,960
I actually find I'll be driving in my car, I'll

454
00:29:35,000 --> 00:29:37,920
be I'll be playing the performance track so it doesn't

455
00:29:37,960 --> 00:29:39,640
have all the words on it. Yeah, I'll be singing

456
00:29:39,680 --> 00:29:42,519
along with it, and then I'll start daydreaming and I'll

457
00:29:42,519 --> 00:29:46,119
start thinking about something else, and then I'll remember that

458
00:29:46,240 --> 00:29:50,400
I was singing and I sang every single word. Because

459
00:29:50,440 --> 00:29:54,519
it's it's become a habit net, right, So, so muscle memory,

460
00:29:55,319 --> 00:30:00,839
vocal memory, and breathing memory. It's so it's so embedded

461
00:30:00,960 --> 00:30:04,160
in my habits now that I can do it without

462
00:30:04,160 --> 00:30:05,240
even thinking about it sometimes.

463
00:30:05,400 --> 00:30:09,160
Speaker 2: Yeah, and your memory has probably improved over time because

464
00:30:09,240 --> 00:30:11,880
of what you're doing. I just saw it too, a study,

465
00:30:13,039 --> 00:30:16,079
a little bit of a side street, but it does

466
00:30:16,160 --> 00:30:19,400
relate to what we're talking about somewhat. Is about how

467
00:30:19,880 --> 00:30:23,480
if you make creating music, whether even if you're just

468
00:30:23,559 --> 00:30:26,640
practicing scales on a guitar or whatever you're doing, as

469
00:30:26,680 --> 00:30:30,400
you get older, it actually helps to stave off things

470
00:30:30,480 --> 00:30:32,119
like dementia and such.

471
00:30:32,319 --> 00:30:36,440
Speaker 1: Yeah, yeah, yep that there's been studies that that prove that. Yeah, yeah, yeah,

472
00:30:36,480 --> 00:30:39,839
it's amazing. Another thing I do to to help myself

473
00:30:39,880 --> 00:30:44,920
with my my alertness and quick thinking, and it really

474
00:30:45,000 --> 00:30:48,079
helps for me waking up fully in the morning too.

475
00:30:48,200 --> 00:30:51,960
I have the alarms on my phone. I have to

476
00:30:52,359 --> 00:30:55,960
solve a math problem to turn off the alarm. Interesting,

477
00:30:56,400 --> 00:30:58,440
So the first couple of weeks I did it, I

478
00:30:58,480 --> 00:31:01,279
would wake up super groggy and I would get I

479
00:31:01,359 --> 00:31:04,519
would get heated because I couldn't think straight enough to

480
00:31:04,920 --> 00:31:06,119
do four plus sixteen.

481
00:31:06,200 --> 00:31:06,359
Speaker 9: You know.

482
00:31:06,680 --> 00:31:08,160
Speaker 7: Wow, it wasn't computing.

483
00:31:08,519 --> 00:31:10,440
Speaker 1: But after those first couple of weeks, it started getting

484
00:31:10,480 --> 00:31:13,240
easier and easier and easier. And now years into it,

485
00:31:13,960 --> 00:31:16,880
my alarm goes off. I'm instantly wide awake. Oh wow,

486
00:31:16,920 --> 00:31:18,880
And I can solve complicated math problems.

487
00:31:19,240 --> 00:31:19,880
Speaker 2: That's cool.

488
00:31:19,960 --> 00:31:20,240
Speaker 7: I can.

489
00:31:20,599 --> 00:31:23,000
Speaker 1: I can make the decision to get up and do

490
00:31:23,119 --> 00:31:24,599
my thing or go back to sleep and get a

491
00:31:24,640 --> 00:31:25,400
little bit more sleep.

492
00:31:25,799 --> 00:31:26,000
Speaker 7: Yeah.

493
00:31:26,039 --> 00:31:29,240
Speaker 1: But but there's no like groggy wake up period now,

494
00:31:29,319 --> 00:31:31,359
so I'm either asleep or I'm awake.

495
00:31:31,519 --> 00:31:32,359
Speaker 2: Oh that's interesting.

496
00:31:32,559 --> 00:31:33,200
Speaker 7: Wow, Yeah it is.

497
00:31:33,319 --> 00:31:36,839
Speaker 1: It is, And I recommend it to people all the time. Yeah,

498
00:31:36,960 --> 00:31:39,039
if you if you can, if you can deal with

499
00:31:39,160 --> 00:31:42,759
it for that first part of it, because like I said,

500
00:31:42,839 --> 00:31:47,759
like I was waking up and I was getting so mad, right,

501
00:31:49,400 --> 00:31:55,880
But yeah, that that and and and the the the

502
00:31:56,680 --> 00:31:58,720
trying to remember the songs practicing them all the time.

503
00:31:59,759 --> 00:32:07,480
It's also that that is, uh, given me motivation to

504
00:32:07,880 --> 00:32:10,160
do everythings. Like I'm really I'm really bad at remembering

505
00:32:10,160 --> 00:32:15,319
people's names, So I do another vocal practice when I

506
00:32:15,440 --> 00:32:18,480
meet somebody and they say their name, repeat it right away,

507
00:32:19,000 --> 00:32:21,079
and then I try to repeat it one more time

508
00:32:21,240 --> 00:32:24,319
so that I'm hearing it once and then saying it twice. Yeah,

509
00:32:24,599 --> 00:32:29,599
and it's it's been helping, Yeah, but mostly with people

510
00:32:29,640 --> 00:32:31,799
that I already know, Like Matt is an easy one

511
00:32:31,839 --> 00:32:33,519
to remember because I know thirty thousand maths.

512
00:32:34,039 --> 00:32:34,759
Speaker 2: Yeah, very common.

513
00:32:35,039 --> 00:32:40,000
Speaker 1: Yeah, yeah, but yeah, it's uh, it is a memory.

514
00:32:41,039 --> 00:32:44,000
It is a memory task, and I gotta constantly be

515
00:32:44,119 --> 00:32:46,519
on top of it or or or off all behind.

516
00:32:46,559 --> 00:32:48,599
I notice, like if I go three or four days

517
00:32:48,640 --> 00:32:51,119
without practicing my songs, yeah, and I go to practice,

518
00:32:51,359 --> 00:32:54,079
I'm stumbling over the like the first couple of words,

519
00:32:54,160 --> 00:32:58,279
or I'm getting to the complicated part of the song, yeah,

520
00:32:58,359 --> 00:32:59,960
and then like getting all tongue twisted.

521
00:33:00,720 --> 00:33:02,319
Speaker 7: Yeah. So it's it's it's.

522
00:33:02,240 --> 00:33:06,640
Speaker 1: Really and not only remembering the words, but being able

523
00:33:06,759 --> 00:33:10,519
to say them in in in a speedy fashion, you know,

524
00:33:10,559 --> 00:33:13,640
because and like the breathing and everything, I have to

525
00:33:13,839 --> 00:33:15,920
I have to remember where all my breaths are. I

526
00:33:16,000 --> 00:33:18,119
have to take them at exactly the same time, exactly

527
00:33:18,160 --> 00:33:18,839
the same speed.

528
00:33:19,000 --> 00:33:21,200
Speaker 2: Oh that's interesting, Okay, so you commit that to memory

529
00:33:21,200 --> 00:33:24,519
as well, exactly where you're taking. Oh interesting, Okay.

530
00:33:24,440 --> 00:33:27,400
Speaker 1: I do a lot of cadence change with with my

531
00:33:27,559 --> 00:33:30,160
lyrics as well, so I have to memorize all that

532
00:33:30,319 --> 00:33:30,680
as well.

533
00:33:32,039 --> 00:33:34,160
Speaker 2: How long does it take you to like, after you've

534
00:33:34,160 --> 00:33:36,519
written it and you're and then you have to learn it,

535
00:33:36,880 --> 00:33:38,359
you have to to be able to perform it, Like,

536
00:33:38,440 --> 00:33:40,160
how long does that take? I mean I must take

537
00:33:40,240 --> 00:33:40,920
some time, right.

538
00:33:40,920 --> 00:33:41,960
Speaker 7: Oh yeah, yep.

539
00:33:42,119 --> 00:33:45,839
Speaker 1: So I'm I have a song completely written and I've

540
00:33:45,960 --> 00:33:50,000
practiced it, you know, one hundred two hundred times before

541
00:33:50,160 --> 00:33:52,599
I even perform it in front of somebody at an

542
00:33:52,640 --> 00:33:55,960
open mic. Okay, yeah, so I'm And one thing I

543
00:33:56,079 --> 00:33:59,640
like to do as well is I'll make the song. I'll,

544
00:34:00,000 --> 00:34:02,480
I'll record it and then I'll listen to it and

545
00:34:02,599 --> 00:34:06,119
I'll read the lyrics and and that that seems to

546
00:34:06,200 --> 00:34:11,159
help train me to remember them. But then once I

547
00:34:11,239 --> 00:34:13,760
get to the point where it's memorized, if I pull

548
00:34:13,800 --> 00:34:17,039
out those lyrics, I just it messes me up stumbling

549
00:34:17,079 --> 00:34:17,320
over it.

550
00:34:17,440 --> 00:34:17,599
Speaker 7: Yeah.

551
00:34:18,039 --> 00:34:21,280
Speaker 1: So there's like there's like a period of time where

552
00:34:21,360 --> 00:34:25,960
I have to stop with the note. So so I'll i'll,

553
00:34:26,719 --> 00:34:29,920
I'll practice for a couple of weeks, I'll write the song,

554
00:34:30,480 --> 00:34:33,400
practice for a couple of weeks, I'll record it and

555
00:34:33,559 --> 00:34:35,559
then and then, like I said, I'll sing along with

556
00:34:35,639 --> 00:34:40,159
it and then and then I just have to put

557
00:34:40,199 --> 00:34:43,960
the notebook aside and try to remember the lyrics as

558
00:34:44,000 --> 00:34:46,559
I'm going, and then, like if I get stuck at

559
00:34:46,599 --> 00:34:48,840
a point, you pull it out real quick, look at it.

560
00:34:49,239 --> 00:34:55,440
Speaker 7: And then I tend to my my mind tends to

561
00:34:56,559 --> 00:34:58,679
create like patterns.

562
00:34:59,199 --> 00:35:03,639
Speaker 1: So if you if you asked me to sing any

563
00:35:03,679 --> 00:35:06,280
part of my song right now, like like even the

564
00:35:06,320 --> 00:35:10,039
start of a verse, if I didn't start at the beginning, okay,

565
00:35:10,199 --> 00:35:12,719
I'll have a hard time remembering. I have to start

566
00:35:12,760 --> 00:35:14,840
from the beginning of the song and then sing through

567
00:35:14,880 --> 00:35:16,800
it like ABC's you know.

568
00:35:17,679 --> 00:35:19,599
Speaker 2: If you don't start from the beginning, it's hard to

569
00:35:19,719 --> 00:35:21,320
just pick up in the middle of the alphabet and

570
00:35:21,480 --> 00:35:22,440
got right, yes.

571
00:35:22,239 --> 00:35:25,840
Speaker 7: Exactly, yep, yep, yep. So it's like that with my lyrics. Yeah, oh,

572
00:35:26,840 --> 00:35:27,599
what did you say?

573
00:35:27,800 --> 00:35:32,960
Speaker 1: You're on your third verse in in halfway through you

574
00:35:33,079 --> 00:35:34,880
talked about this, this, this, I I have to think

575
00:35:34,880 --> 00:35:36,400
about it and I have to go, what did I

576
00:35:36,519 --> 00:35:37,039
talk about that?

577
00:35:37,239 --> 00:35:37,440
Speaker 2: Yeah?

578
00:35:37,679 --> 00:35:42,239
Speaker 1: And then and then reread it and then remember what

579
00:35:42,480 --> 00:35:45,880
the what the metaphor meant? To me at the time,

580
00:35:46,119 --> 00:35:49,559
or or or what I was trying to portray with

581
00:35:49,760 --> 00:35:53,000
the with the the selection of words that I use.

582
00:35:53,239 --> 00:35:54,679
Speaker 7: Yeap, yeah, yeah, so it is.

583
00:35:55,199 --> 00:35:57,679
Speaker 2: That makes sense. That makes sense if you're just joining us,

584
00:35:57,679 --> 00:36:00,840
we're talking with six Minds Combined. Give you your real name?

585
00:36:00,840 --> 00:36:03,679
Of course is Rike Everheart. Where does the name six

586
00:36:03,760 --> 00:36:04,840
Minds Combined come from?

587
00:36:05,079 --> 00:36:08,119
Speaker 7: So that was that was the story.

588
00:36:08,239 --> 00:36:09,800
Speaker 1: You know, so way back in the day when I

589
00:36:09,840 --> 00:36:11,679
first started making music, I started when I was eighteen.

590
00:36:12,000 --> 00:36:15,199
I listened to eminem second album and and lost my mind.

591
00:36:15,239 --> 00:36:18,360
I was like this, this, this thirty year old white

592
00:36:18,400 --> 00:36:20,400
dude from Detroit can do this. I was like, I'll

593
00:36:20,400 --> 00:36:22,280
give it a try. So I tried it, and you know,

594
00:36:22,360 --> 00:36:27,440
and now we're here today. But repeat the question real quick.

595
00:36:27,599 --> 00:36:29,119
Speaker 2: Well the name where where does the name?

596
00:36:29,199 --> 00:36:29,440
Speaker 7: Okay?

597
00:36:29,559 --> 00:36:29,840
Speaker 2: Okay?

598
00:36:29,920 --> 00:36:32,280
Speaker 1: So, so I started out, I was like, oh, well,

599
00:36:32,400 --> 00:36:33,920
what kind of name can I use? And I was

600
00:36:34,079 --> 00:36:36,639
super into ICP at the time. Okay, and the whole

601
00:36:36,639 --> 00:36:40,840
Psychopathic Records thing, so so, and I really liked the

602
00:36:42,280 --> 00:36:44,119
I'm gonna give you one of the names.

603
00:36:44,159 --> 00:36:44,400
Speaker 8: It was.

604
00:36:44,800 --> 00:36:47,480
Speaker 1: So the first name I picked was Psycho Dragon. I

605
00:36:47,599 --> 00:36:50,679
really like the the aspect of the dragon, the powerful,

606
00:36:51,960 --> 00:36:55,920
you know, like the mythological power behind it. Yeah, and

607
00:36:56,039 --> 00:36:58,239
then and now I'm a little psycho, you know, And

608
00:36:58,320 --> 00:37:02,159
I was listening to that that, you know, like crazy

609
00:37:04,320 --> 00:37:08,079
killing Spree, all sorts of awesome, great, great music. But

610
00:37:08,559 --> 00:37:10,320
it's all for fun, you know, of course. And so

611
00:37:10,559 --> 00:37:14,400
that was a way for me to get all my

612
00:37:15,119 --> 00:37:18,800
aggressions out without doing things actually aggressive.

613
00:37:18,840 --> 00:37:19,039
Speaker 7: I can.

614
00:37:19,440 --> 00:37:22,440
Speaker 1: I can put my thoughts and my feelings and way

615
00:37:22,519 --> 00:37:24,480
over exaggerate them and then put them into a song

616
00:37:24,559 --> 00:37:31,320
and have fun with it. So I realized in while

617
00:37:31,360 --> 00:37:33,920
I was making that music that that's not all I

618
00:37:34,000 --> 00:37:36,599
wanted to do. I wanted to make other kinds of music.

619
00:37:36,639 --> 00:37:39,880
And I was like, the name psycho dragon doesn't really

620
00:37:40,000 --> 00:37:45,320
work with all the stuff that I'm doing. So so

621
00:37:45,440 --> 00:37:48,159
I've had a couple of nicknames given to me people

622
00:37:48,719 --> 00:37:51,039
from people over the years. So so I pulled one

623
00:37:51,079 --> 00:37:52,719
of those nicknames in and I was like, oh, this

624
00:37:52,840 --> 00:37:56,960
can be this can be like the the younger, happier,

625
00:37:57,440 --> 00:37:58,519
funnier version of me.

626
00:37:59,239 --> 00:37:59,719
Speaker 2: And then.

627
00:38:01,079 --> 00:38:03,840
Speaker 1: And then it just it just went from there, you know,

628
00:38:03,920 --> 00:38:09,239
And and eventually it became six different characters that I've

629
00:38:09,320 --> 00:38:14,440
created based on certain aspects of my personality and and

630
00:38:16,440 --> 00:38:19,159
and what I want to put out there. And the

631
00:38:19,519 --> 00:38:23,920
the really fun thing with this is I'm pushing this

632
00:38:24,119 --> 00:38:26,280
style and the type of music that I'm making. Now

633
00:38:26,360 --> 00:38:29,400
this is it's not all I make. I'm all over

634
00:38:29,480 --> 00:38:36,199
the board. And eventually, you know, those other characters are

635
00:38:36,239 --> 00:38:40,360
going to start popping up and the fans will get

636
00:38:40,400 --> 00:38:45,360
to see other sides of of the whole Six Minds combined.

637
00:38:47,079 --> 00:38:51,800
A universe really will put it there. So so I

638
00:38:51,840 --> 00:38:54,079
don't wanna. I don't want to say like I'm biting

639
00:38:54,159 --> 00:38:56,639
off of I c. P. And there's six Jokers cards

640
00:38:56,719 --> 00:38:59,199
or anything like that, but but that that sparked the

641
00:38:59,320 --> 00:39:03,679
idea it's not Six Minds combined because of the Six

642
00:39:03,800 --> 00:39:07,119
Jokers cards, that it's not related. It just I just

643
00:39:07,239 --> 00:39:12,679
happened to come up with the six different names and

644
00:39:12,800 --> 00:39:15,679
actually went with Schizo for a little while, you know,

645
00:39:16,400 --> 00:39:19,159
like schizophrenic schitzo. I was like, that's easier than trying

646
00:39:19,159 --> 00:39:24,360
to tell everybody all my names. And oh, because my

647
00:39:24,480 --> 00:39:27,440
friend that I was working at the time, Lunchbox, He's like,

648
00:39:27,480 --> 00:39:29,440
I'm sick of trying to remember all these names, dude,

649
00:39:29,440 --> 00:39:31,599
I'm just going to call you schizo. But at the

650
00:39:31,639 --> 00:39:33,360
time there was somebody else that was going by that

651
00:39:33,440 --> 00:39:33,880
same name.

652
00:39:34,079 --> 00:39:35,800
Speaker 2: That's it. That's the exact thought I had when he

653
00:39:35,840 --> 00:39:38,039
said that. It's like somebody else is already probably usn't

654
00:39:38,039 --> 00:39:41,840
it anyway? I mean, it's too obviously exactly exactly.

655
00:39:42,000 --> 00:39:46,920
Speaker 1: So I had Actually I wrote a song and I

656
00:39:47,119 --> 00:39:50,880
was I was singing through the lyrics, and in the

657
00:39:51,000 --> 00:39:54,559
lyrics it said with these six minds combined, and it

658
00:39:54,800 --> 00:39:58,360
clicked right there. So I wrote the name before I

659
00:39:58,440 --> 00:40:00,440
ever even decided that that was going to be my

660
00:40:00,559 --> 00:40:03,280
new name. Interesting, and then and then it all just

661
00:40:03,760 --> 00:40:06,880
it all just fell together, you know, like the whole

662
00:40:07,000 --> 00:40:10,760
six MC thing, six minds combined. But then I'm an

663
00:40:10,880 --> 00:40:14,159
m C and oh yeah, yeah, So it's so it's

664
00:40:14,199 --> 00:40:18,559
all you know, it's I love multiple meanings, yes, multiple

665
00:40:18,639 --> 00:40:21,000
layer meanings of things, and I do that a lot

666
00:40:21,039 --> 00:40:24,000
with my lyrics to they they call them like double

667
00:40:24,159 --> 00:40:27,079
entendres or whatever. You take in the same word and

668
00:40:27,159 --> 00:40:29,679
you're using two different meanings, but you're putting it together

669
00:40:29,760 --> 00:40:32,199
and it sounds it sounds good together, it sounds smooth.

670
00:40:32,840 --> 00:40:33,039
Speaker 7: Yeah.

671
00:40:33,199 --> 00:40:35,760
Speaker 2: The great thing about it my name like six minds combined,

672
00:40:35,840 --> 00:40:38,320
as as opposed to something like schizo is. You know,

673
00:40:38,440 --> 00:40:41,480
the the chances are are probably infinitesimally small that you're

674
00:40:41,480 --> 00:40:43,719
gonna come across somebody else who says, hey, I've already

675
00:40:43,760 --> 00:40:45,280
got that name six minds combined, you.

676
00:40:45,320 --> 00:40:48,559
Speaker 1: Know exactly nobody, nobody has that name. Yeah, and I

677
00:40:48,679 --> 00:40:51,960
actually I get complimented on it all the time. They're like, wow,

678
00:40:52,039 --> 00:40:54,960
that is that's a really interesting name. How'd you come

679
00:40:55,039 --> 00:40:57,280
up with it? Yeah, you know, and and it's it's

680
00:40:57,679 --> 00:41:00,159
it's so great to say that, like it just came

681
00:41:00,280 --> 00:41:03,400
up with itself, you know, like I didn't choose that name.

682
00:41:03,519 --> 00:41:05,039
Speaker 7: It chose me, you know.

683
00:41:05,199 --> 00:41:08,840
Speaker 1: So it's it's really like one of those serendipitous things

684
00:41:09,360 --> 00:41:11,480
that you know, it was it was if you believe

685
00:41:11,480 --> 00:41:14,280
in fate or whatever, it was meant to be. Everything

686
00:41:14,440 --> 00:41:16,760
just just kind of happened the way it did, you know.

687
00:41:16,920 --> 00:41:22,119
And uh, the same thing with the music doing something

688
00:41:22,199 --> 00:41:22,400
with it.

689
00:41:22,880 --> 00:41:23,039
Speaker 10: You know.

690
00:41:23,239 --> 00:41:26,280
Speaker 1: I met Eleanor at the perfect time when I was

691
00:41:26,360 --> 00:41:28,719
ready to do this, and and she was like I

692
00:41:29,679 --> 00:41:31,840
need to do this with you, you know, and it's

693
00:41:32,079 --> 00:41:37,039
we've we've we've got a great partnership. She often asks me,

694
00:41:37,880 --> 00:41:39,000
are you getting your money's worth?

695
00:41:39,000 --> 00:41:39,480
Speaker 7: Because I pay.

696
00:41:39,599 --> 00:41:44,599
Speaker 1: I pay a subscription to to New Hampshire Underground for

697
00:41:44,760 --> 00:41:50,880
the services, and I definitely at this moment I pay

698
00:41:51,000 --> 00:41:54,719
in more then I get financially out of it. Like

699
00:41:54,800 --> 00:41:58,199
I don't book enough shows to to get paid enough

700
00:41:58,280 --> 00:42:01,960
to cover that. But but that's the immediate go. You're building, right,

701
00:42:02,320 --> 00:42:05,920
You're building a career. And and you know, once I,

702
00:42:06,480 --> 00:42:09,119
once I get past that that thing where I'm where

703
00:42:09,159 --> 00:42:11,199
I'm getting paid for every show as opposed to doing

704
00:42:11,400 --> 00:42:13,880
free shows often because I tend to do a lot

705
00:42:13,920 --> 00:42:18,519
of free shows, Yeah, then that'll pay for itself.

706
00:42:18,880 --> 00:42:19,000
Speaker 10: You know.

707
00:42:19,039 --> 00:42:21,679
Speaker 1: I spend one hundred and sixty bucks a month for

708
00:42:22,000 --> 00:42:27,320
the the VIP membership, and I get I get a

709
00:42:29,199 --> 00:42:31,480
weekly meetings. We meet for an hour or two hour,

710
00:42:31,599 --> 00:42:34,960
three hours. Sometimes we go over our plans, our goals.

711
00:42:36,119 --> 00:42:40,679
We we decide, you know, what's the next step we

712
00:42:40,760 --> 00:42:44,199
want to take. And and then while we're doing all

713
00:42:44,239 --> 00:42:47,440
that stuff, she's she's reaching out and she's booking me shows.

714
00:42:48,000 --> 00:42:49,800
And like I said, I've done two shows a month

715
00:42:50,280 --> 00:42:53,639
if not more since I started working with her. And

716
00:42:54,599 --> 00:42:57,000
and I've gotten so much exposure. I've met so many,

717
00:42:57,559 --> 00:43:02,639
so many other artists and and uh, it's just it's

718
00:43:02,880 --> 00:43:05,280
it's like a steady wave, dude. It keeps growing and

719
00:43:05,360 --> 00:43:08,800
growing and that's excellent. So I'm I'm leaps and bounds

720
00:43:09,119 --> 00:43:13,320
farther than I expected to be a year into into

721
00:43:13,400 --> 00:43:17,719
this career. And if it keeps going the way it's going,

722
00:43:17,920 --> 00:43:21,599
I'm gonna be You're gonna be fighting with with with

723
00:43:21,920 --> 00:43:27,239
like uh like Fox News on who's on Who's going

724
00:43:27,320 --> 00:43:32,760
to interview six? But h But it's like I said,

725
00:43:32,760 --> 00:43:35,079
it's all about the community. It's all about you know,

726
00:43:35,639 --> 00:43:39,039
bringing the people that we we have in our circle

727
00:43:39,480 --> 00:43:41,280
up with us. You know, if if I make it,

728
00:43:41,400 --> 00:43:44,199
I'm not the only one making it. It's it's everybody

729
00:43:44,639 --> 00:43:47,239
who's had a part in in this in my life.

730
00:43:47,400 --> 00:43:50,360
And you know, it's it's and you notice I do

731
00:43:50,480 --> 00:43:55,960
that all the time. I'm always plugging my friends. Yeah,

732
00:43:56,039 --> 00:44:01,320
So it's it's, uh, it's an experience and going places excellent.

733
00:44:01,760 --> 00:44:05,360
Speaker 2: Absolutely, let's play another track. We're gonna play let's see

734
00:44:05,440 --> 00:44:08,880
intense intense. Yeah, this is good, This is good.

735
00:44:09,000 --> 00:44:10,440
Speaker 7: I actually I got something to say about this.

736
00:44:10,599 --> 00:44:10,800
Speaker 4: Yeah.

737
00:44:11,559 --> 00:44:14,280
Speaker 1: My sister who lives in Wisconsin, she wanted to do

738
00:44:14,960 --> 00:44:20,239
a song with me. Yeah, she's she's my younger, younger sister.

739
00:44:21,360 --> 00:44:23,400
I was twelve years old when she was born, and

740
00:44:23,840 --> 00:44:27,360
I was really into music throughout most of my adolescents

741
00:44:27,400 --> 00:44:29,719
and everything. So she kind of picked that up from me,

742
00:44:30,199 --> 00:44:33,000
and she really really got into like chorus and singing

743
00:44:33,039 --> 00:44:34,639
and everything like that. And she I think she's a

744
00:44:34,840 --> 00:44:37,559
in a professional chorus right now, Oh okay, and she's

745
00:44:37,920 --> 00:44:39,679
I forgot how. It's like twenty four to twenty five.

746
00:44:39,559 --> 00:44:39,920
Speaker 7: Something like that.

747
00:44:40,119 --> 00:44:41,840
Speaker 2: Okay, but she.

748
00:44:44,840 --> 00:44:47,119
Speaker 1: Actually she might be older than that now I don't know. Anyways,

749
00:44:47,920 --> 00:44:50,760
she is featured on this now song.

750
00:44:50,920 --> 00:44:53,719
Speaker 2: Oh nice, all right, check this out. This is six

751
00:44:53,800 --> 00:44:56,239
minds combined and the track is intense.

752
00:45:16,519 --> 00:45:25,719
Speaker 1: What I'm well aware, I'm barely there. I'm scared, but

753
00:45:25,760 --> 00:45:27,679
I can't be the bearer fairly wearing you about what

754
00:45:27,719 --> 00:45:29,639
I'm sharing, which there went back into the past to

755
00:45:29,719 --> 00:45:31,559
the facts that I've been trying to change elected truth

756
00:45:31,599 --> 00:45:33,039
is this on this but you won't see me, but

757
00:45:33,119 --> 00:45:35,480
I won't see the danger change yourself, which if appears

758
00:45:35,480 --> 00:45:37,480
and sees this stuff before religious here. I need to

759
00:45:37,519 --> 00:45:39,559
be the fearless, be the leader that the experience they

760
00:45:39,599 --> 00:45:42,320
bring us into the future, futures fading into memory. My

761
00:45:42,519 --> 00:45:45,000
enemies are me believing I'm just sleeping. Dreams are within reach,

762
00:45:45,039 --> 00:45:46,920
but reaching that will mean no, that will be the reason.

763
00:45:47,119 --> 00:45:49,199
But the seam that's bringing these unseemly demons to the

764
00:45:49,280 --> 00:45:50,840
fraik and change it faith. This made the state of

765
00:45:50,920 --> 00:45:53,440
state the stakes a verson, no decision made, but it's

766
00:45:53,480 --> 00:45:54,239
a given.

767
00:45:54,760 --> 00:45:59,440
Speaker 5: T consensus. Answering my questions, You just claiming the same thing, perfection,

768
00:46:00,000 --> 00:46:02,559
breaking waves in great lakes and break into.

769
00:46:02,480 --> 00:46:06,639
Speaker 1: Change nothing guys and racing sailing new seas to please

770
00:46:06,719 --> 00:46:07,360
the senses.

771
00:46:07,559 --> 00:46:10,440
Speaker 5: Soon we too may be doomed to trenches. So we

772
00:46:10,639 --> 00:46:13,840
do what we do to wend this head This violence,

773
00:46:14,239 --> 00:46:15,039
it's senseless.

774
00:46:15,239 --> 00:46:21,039
Speaker 4: Why can't wait? Just read those to change it?

775
00:46:25,159 --> 00:46:27,920
Speaker 1: Intensify the estify the lens to find defense against the

776
00:46:27,960 --> 00:46:30,920
sensitive that sentence, the sentences insensitive to what they need

777
00:46:30,960 --> 00:46:33,320
their supper bring that suffocate those best to ring and downing,

778
00:46:33,400 --> 00:46:35,519
crownding up the rabbl grappling with how to get a

779
00:46:35,559 --> 00:46:38,119
gripping This existence in this instant it's assistanced by your

780
00:46:38,159 --> 00:46:40,280
sisters and our brothers, holding us up by the courts,

781
00:46:40,320 --> 00:46:43,440
connected enough, select enough to maybe start erecting collective bove

782
00:46:43,480 --> 00:46:45,360
E collected clubs invested in the next above.

783
00:46:45,480 --> 00:46:47,159
Speaker 5: We're gonna make the world a better place. We're not

784
00:46:47,280 --> 00:46:48,159
a waste of time.

785
00:46:50,519 --> 00:46:53,679
Speaker 4: We're gonna make gold the better place. We'll not a

786
00:46:53,760 --> 00:46:54,920
waste of time.

787
00:46:56,079 --> 00:46:59,639
Speaker 10: Take insenses, answering my questions, and you just streaming the

788
00:46:59,719 --> 00:47:00,239
same thing.

789
00:47:00,360 --> 00:47:04,079
Speaker 8: Perfection makes waves and great lakes and breaking you chains,

790
00:47:04,119 --> 00:47:07,519
offing gas and racing, sailing new seas too.

791
00:47:07,639 --> 00:47:10,039
Speaker 5: Please. The sense is soon we too. It may be

792
00:47:10,239 --> 00:47:11,239
June to trenches.

793
00:47:11,360 --> 00:47:15,119
Speaker 4: So we do we do to wend this and this violence?

794
00:47:15,519 --> 00:47:16,239
Speaker 3: It sends this.

795
00:47:16,559 --> 00:47:22,280
Speaker 4: Why can't we just be the ones June change?

796
00:47:35,679 --> 00:47:38,480
Speaker 2: I love it. That is intense six minds combined with

797
00:47:38,599 --> 00:47:42,280
his sister very cool. That is so cool. Yeah, I

798
00:47:42,320 --> 00:47:43,079
love that track.

799
00:47:43,239 --> 00:47:44,000
Speaker 4: Hey by the Way too.

800
00:47:44,119 --> 00:47:47,199
Speaker 2: Something I wanted to ask you and almost frolling about

801
00:47:47,239 --> 00:47:48,519
this and then but I was singing about it the

802
00:47:48,559 --> 00:47:50,920
other night when I was listening to these Are you

803
00:47:51,000 --> 00:47:55,280
a fan of Nate Dog? Yes, yea, because sometimes when

804
00:47:55,320 --> 00:47:57,440
you're singing, when you're not rapping but you're doing more singing,

805
00:47:57,840 --> 00:48:00,400
remind me of him his case, because he had a

806
00:48:00,559 --> 00:48:03,559
unique way of singing. So for people who don't remember

807
00:48:03,639 --> 00:48:05,719
Nate Dog, because I think he's passed away, I think

808
00:48:05,760 --> 00:48:07,960
a while ago. Maybe I don't know, but they're like

809
00:48:08,239 --> 00:48:11,239
like in the nineties and early two thousands, he would

810
00:48:11,280 --> 00:48:13,840
he would sing the hook on a lot of hip

811
00:48:13,840 --> 00:48:16,039
hop songs, a lot of big hip hop songs. So

812
00:48:16,320 --> 00:48:18,400
even if you don't know who Nate Dog is, if

813
00:48:18,440 --> 00:48:19,920
you're a fan of hip hop at all, trust me

814
00:48:19,960 --> 00:48:22,960
you've heard him. He's on a lot of those tracks.

815
00:48:23,360 --> 00:48:27,000
And uh, but your your cadence when you sing reminds

816
00:48:27,039 --> 00:48:27,480
me of him.

817
00:48:27,559 --> 00:48:28,480
Speaker 7: That's cool. I appreciate that.

818
00:48:28,599 --> 00:48:30,639
Speaker 2: Yeah, yeah, your voice isn't as deep as his, because

819
00:48:30,639 --> 00:48:34,599
nobody's voice was as deep as as But yeah, I

820
00:48:34,639 --> 00:48:38,039
was thinking about that the other night. Yeah, yeah, absolutely absolutely.

821
00:48:38,320 --> 00:48:41,119
So you know, the time does go quickly, and we

822
00:48:41,199 --> 00:48:42,480
do have one more track to play in a couple

823
00:48:42,519 --> 00:48:44,880
of minutes. But I want to make sure too that

824
00:48:45,039 --> 00:48:47,480
everybody knows, well, first of all, when's your next show?

825
00:48:47,800 --> 00:48:50,840
Speaker 1: So my next show is going to be in downtown

826
00:48:50,920 --> 00:48:55,599
Nashua during the Winter Stroll. Okay, I am taking over

827
00:48:55,960 --> 00:49:00,840
Poties Restaurant. Okay, and I think that time slot is

828
00:49:00,920 --> 00:49:02,039
five forty five to nine.

829
00:49:02,239 --> 00:49:02,559
Speaker 2: Okay.

830
00:49:03,920 --> 00:49:06,559
Speaker 1: I was gonna be performing with a couple other acts,

831
00:49:06,599 --> 00:49:09,840
but uh, they they backed out for some reason or

832
00:49:09,840 --> 00:49:11,639
they couldn't make it or whatever. So so I was

833
00:49:11,679 --> 00:49:17,119
asked by the director h executive, the director of the

834
00:49:18,199 --> 00:49:21,280
the Winter Stroll, yeah if I could fill the time,

835
00:49:21,360 --> 00:49:23,039
and I was like, yeah, I'll figure it out. So

836
00:49:23,360 --> 00:49:25,920
so I'm gonna, I'm gonna get a couple other artists

837
00:49:26,079 --> 00:49:28,760
and I'm gonna we're gonna, we're gonna be there at

838
00:49:28,880 --> 00:49:31,440
uh at the Winter Stroll excellent at photies from five

839
00:49:31,559 --> 00:49:32,760
forty five till nine.

840
00:49:32,960 --> 00:49:35,000
Speaker 2: Okay, and w when when is that again?

841
00:49:35,079 --> 00:49:36,360
Speaker 7: That is November twenty ninth.

842
00:49:36,440 --> 00:49:39,760
Speaker 2: November twenty ninth, okay, yeah, excellent, excellent, And uh oh

843
00:49:39,800 --> 00:49:41,920
you should remind people too about the open mic because

844
00:49:41,960 --> 00:49:42,880
that happens every week, right.

845
00:49:43,079 --> 00:49:45,239
Speaker 1: Uh no, it's once a month, once a month, yes, sorry,

846
00:49:45,320 --> 00:49:47,840
one once a month a positive street art Okay. I

847
00:49:47,960 --> 00:49:51,039
usually try to post something about it, but yeah, usually

848
00:49:51,199 --> 00:49:55,039
the the middle of the month on a Friday. Yeah,

849
00:49:55,320 --> 00:49:58,880
from six to nine pm. I'm really looking for for

850
00:49:59,079 --> 00:50:02,880
audience for for and for uh So, if if you

851
00:50:03,039 --> 00:50:04,719
do perform things, yes, I would love to have you,

852
00:50:04,800 --> 00:50:07,239
but I also want your friends, yes, and your family

853
00:50:07,320 --> 00:50:09,760
and everything, and you know, bring everybody. It's it's it's

854
00:50:09,840 --> 00:50:14,159
really laid back experience. You know, there's no pressure. You know,

855
00:50:14,280 --> 00:50:16,599
I make mistakes all the time, and that's that's the

856
00:50:16,639 --> 00:50:18,639
best place to do it because because you're there with

857
00:50:18,719 --> 00:50:21,679
your friends exactly, you know, and and and and everybody

858
00:50:21,760 --> 00:50:23,639
is going to make mistakes, and and that's how we learn,

859
00:50:23,719 --> 00:50:24,880
that's how we grow exactly.

860
00:50:25,360 --> 00:50:25,559
Speaker 7: Yeah.

861
00:50:25,719 --> 00:50:30,039
Speaker 1: So I I would really love for for anybody, uh

862
00:50:31,079 --> 00:50:33,079
any age. You know, it's an all ages thing. So

863
00:50:34,039 --> 00:50:36,800
and we we try to be uh age appropriate with

864
00:50:37,159 --> 00:50:39,440
with our content as well. So yeah, so if you

865
00:50:40,039 --> 00:50:43,920
if you are a gangster rapper and you're talking about

866
00:50:44,000 --> 00:50:46,760
killing people and all that kind of stuff, let's let's

867
00:50:46,840 --> 00:50:50,440
leave those those songs at home and we'll bring the

868
00:50:50,519 --> 00:50:53,880
family friendly songs. But yeah, yeah, so Positive Street Art

869
00:50:55,360 --> 00:50:58,159
forty eight Bridge Street, third floor. Once a month we

870
00:50:58,239 --> 00:51:01,760
do we do the open mic there. It's called vicas Fox.

871
00:51:02,159 --> 00:51:05,480
Speaker 2: Okay, very good, very good. And where should people go

872
00:51:05,559 --> 00:51:08,119
to find out more about about you? About six minds combined?

873
00:51:08,159 --> 00:51:09,079
Where's the best place to go?

874
00:51:09,960 --> 00:51:12,639
Speaker 1: You can hit up Facebook, you can hit up Instagram.

875
00:51:12,719 --> 00:51:17,159
I have an Instagram, I have my music is on

876
00:51:17,360 --> 00:51:20,960
all the platforms. I go through the distributor CD Baby

877
00:51:21,599 --> 00:51:24,360
and so there's over two hundred platforms that they uploaded to.

878
00:51:24,480 --> 00:51:28,639
Speaker 7: You can use my music on reels, on tiktoks, on

879
00:51:28,760 --> 00:51:29,559
Facebook reels.

880
00:51:32,000 --> 00:51:36,000
Speaker 2: Yeah, so excellent, excellent, what else? What else?

881
00:51:36,400 --> 00:51:36,639
Speaker 7: Yeah?

882
00:51:37,320 --> 00:51:39,760
Speaker 1: I have a six Minds combined Facebook, but I also

883
00:51:39,840 --> 00:51:41,119
have a Rick everheard Facebook?

884
00:51:41,239 --> 00:51:41,800
Speaker 2: Okay, and.

885
00:51:43,400 --> 00:51:45,480
Speaker 1: You can follow both of them. You can follow them.

886
00:51:45,920 --> 00:51:48,320
Reach out to me, you know, talk to me. I

887
00:51:48,400 --> 00:51:53,559
love I love collaborating with people. If if somebody would

888
00:51:53,679 --> 00:51:55,199
like to do some work with me or book me,

889
00:51:55,840 --> 00:52:00,239
they can contact eleanor Luna at New Hampshire Underground.

890
00:52:00,239 --> 00:52:05,039
Speaker 2: Yep, New Hampshire Underground dot org. This is the website. Yeah, yeah, yeah,

891
00:52:05,039 --> 00:52:07,320
and also too, you know, if you're a musician, obviously

892
00:52:07,360 --> 00:52:09,039
a lot of people, a lot of musicians, a lot

893
00:52:09,079 --> 00:52:10,599
of people in the industry listen to the show. Yeah,

894
00:52:10,679 --> 00:52:12,199
check out New Hampshire Underground yep.

895
00:52:12,239 --> 00:52:15,360
Speaker 1: Oh definitely, yeah, absolutely, they're yeah, they're they're pushing great

896
00:52:15,400 --> 00:52:17,679
bands all the time. They have they have a venue

897
00:52:17,719 --> 00:52:18,440
called Terminus.

898
00:52:18,679 --> 00:52:19,760
Speaker 2: Oh yeah, Terminus.

899
00:52:20,280 --> 00:52:23,320
Speaker 1: It's it's so great and they're expanding their their space

900
00:52:23,920 --> 00:52:27,159
this coming year. So so yeah, yeah, Jack, definitely check

901
00:52:27,159 --> 00:52:30,000
out New Hampshire Underground. Check out Terminous. Yeah, and uh,

902
00:52:30,559 --> 00:52:32,039
and you can find me everywhere.

903
00:52:32,159 --> 00:52:35,559
Speaker 2: So yeah, absolutely, your name is very googleable. Six mind

904
00:52:35,639 --> 00:52:37,840
is combined, which is like we talked about earlier, it's

905
00:52:37,840 --> 00:52:38,800
important to have a name like that.

906
00:52:39,039 --> 00:52:39,199
Speaker 7: Yep.

907
00:52:39,920 --> 00:52:41,800
Speaker 2: Very good, very good. Well, thank you so much in

908
00:52:41,840 --> 00:52:45,039
a moment. So we're gonna play this track flow with

909
00:52:45,360 --> 00:52:45,880
who I Am?

910
00:52:46,199 --> 00:52:46,639
Speaker 7: Who I Am?

911
00:52:46,840 --> 00:52:49,360
Speaker 2: Friend lazy, Yeah, what can you tell us about this collaboration?

912
00:52:49,760 --> 00:52:53,719
Speaker 1: So I actually I made the song. I wrote the

913
00:52:53,800 --> 00:52:55,880
song and there was some open spots in it, and

914
00:52:56,000 --> 00:52:58,280
I was thinking. I was like, I was like, who

915
00:52:58,400 --> 00:53:01,000
would sound the best in these places?

916
00:53:01,320 --> 00:53:02,360
Speaker 7: It just it just hit me.

917
00:53:02,440 --> 00:53:04,519
Speaker 1: I was like I was at a show or something

918
00:53:05,360 --> 00:53:08,679
listening to to Lacey perform ye, and I was like,

919
00:53:09,039 --> 00:53:10,800
just the sound in the groove, it would just sound

920
00:53:10,920 --> 00:53:12,559
so good in the song flow.

921
00:53:12,840 --> 00:53:13,079
Speaker 2: Yeah.

922
00:53:13,239 --> 00:53:15,400
Speaker 1: So so I I hit her up and she she

923
00:53:15,840 --> 00:53:17,440
jumped on it. She's like, yeah, I'll have some I

924
00:53:17,559 --> 00:53:19,639
have some keys for you and all some lyrics. Within

925
00:53:19,760 --> 00:53:22,400
days she came back with with with that, and then

926
00:53:22,440 --> 00:53:25,159
we hooked up. She she came over. I recorded her

927
00:53:25,199 --> 00:53:29,239
stuff on my my home studio and then and then

928
00:53:29,360 --> 00:53:32,559
brought it to mister Goodbars at Toy Box Studios and

929
00:53:32,920 --> 00:53:35,480
and he worked as magic and excellent and uh and

930
00:53:35,599 --> 00:53:37,880
we created we created Flow.

931
00:53:38,239 --> 00:53:39,199
Speaker 7: Yeah, who I Am?

932
00:53:39,480 --> 00:53:41,840
Speaker 2: Love it, love it. So we will end the segment

933
00:53:41,920 --> 00:53:44,880
with this. But if you are listening live on Saturday,

934
00:53:44,960 --> 00:53:47,400
stick around. We've got plenty more show to come. Jamie

935
00:53:47,440 --> 00:53:48,800
Higgs is going to be joining us at the top

936
00:53:48,840 --> 00:53:50,800
of the hour. Uh, and we're gonna be talking with

937
00:53:51,199 --> 00:53:53,320
with him, and uh. We we've got a We've got

938
00:53:53,320 --> 00:53:55,480
a lot of a lot a lot to the show today,

939
00:53:55,559 --> 00:53:58,039
so stick around. But we're gonna end this hour with

940
00:53:58,199 --> 00:54:01,679
this again. This is Flow. This says six Minds combined

941
00:54:01,719 --> 00:54:04,440
featuring Who I Am. I love this a lot and Reck.

942
00:54:04,480 --> 00:54:06,400
Thank you again so much, Thanks so much for having me.

943
00:54:06,480 --> 00:54:07,840
Man absolutely.

944
00:54:23,039 --> 00:54:32,760
Speaker 5: Breaking down my mood, faith to crowd round, my food

945
00:54:34,199 --> 00:54:39,039
in place found in my home. I'm getting stones so

946
00:54:39,320 --> 00:54:40,000
I can.

947
00:54:40,199 --> 00:54:45,880
Speaker 1: Breathe, so I can see you around the smoke. I

948
00:54:46,239 --> 00:54:54,400
focus on the best and let the world flow. Sometimes

949
00:54:54,480 --> 00:54:57,800
I feel like I'm waiting for life, kneeling, freaking patience

950
00:54:57,840 --> 00:55:01,639
poll inside my mind is breaking, my it's waning, fading greatness.

951
00:55:02,199 --> 00:55:06,880
Speaker 10: Mistakes were made, chances a wasted.

952
00:55:10,000 --> 00:55:11,280
Speaker 5: Has sticks were.

953
00:55:11,199 --> 00:55:20,239
Speaker 10: Wasted, chances clay Man, Oh, the game was staged I

954
00:55:20,400 --> 00:55:21,320
had to play.

955
00:55:21,599 --> 00:55:32,519
Speaker 4: Yeah, hope's worth the pain. You might have to waigh yet, Yeah, we.

956
00:55:32,679 --> 00:55:37,199
Speaker 11: Flow through life through strife, through pain, We go through

957
00:55:37,440 --> 00:55:41,400
thinking we can fight the rain in spite. The rain

958
00:55:41,880 --> 00:55:45,639
washes all away, the water streams down the street and

959
00:55:45,840 --> 00:55:49,800
into the drain. But where does it go from there?

960
00:55:49,920 --> 00:55:51,679
And where do we go from here?

961
00:55:51,840 --> 00:55:54,639
Speaker 5: And who is it that will care if we become

962
00:55:54,840 --> 00:55:56,079
something unclear?

963
00:55:56,320 --> 00:55:59,559
Speaker 1: Who is really on the sad when the tram comes,

964
00:55:59,760 --> 00:56:01,239
when our arm comes to.

965
00:56:01,440 --> 00:56:03,519
Speaker 5: The end, who will send it with us?

966
00:56:03,599 --> 00:56:08,280
Speaker 12: Sinner, she's flowing, They're showing us there, and Dean is

967
00:56:08,440 --> 00:56:12,159
growing with no lights to fight back the darkness and

968
00:56:12,320 --> 00:56:15,400
golfing us whole as the bricks stack these.

969
00:56:15,280 --> 00:56:18,960
Speaker 5: Walls that we built with no seals for the knickknacks.

970
00:56:26,400 --> 00:56:30,559
Speaker 13: Sit back, listen to the sick track with the metal

971
00:56:30,679 --> 00:56:33,760
kid knap the sinners out, you give back, don't let

972
00:56:33,800 --> 00:56:37,079
them without you beIN met them with that bird trap,

973
00:56:37,280 --> 00:56:40,639
that power flowing in attack, the metal bit of cake

974
00:56:40,920 --> 00:56:41,960
back a kid that.

975
00:56:42,320 --> 00:56:45,199
Speaker 1: Look inside and try to see the lab with Pinner's

976
00:56:45,360 --> 00:56:47,960
like a seed that Biden's up and the right's the

977
00:56:48,159 --> 00:56:51,760
tough enough to take the lead. I agree to believe

978
00:56:51,840 --> 00:56:54,239
that we can be the greatest team. The way the

979
00:56:54,360 --> 00:56:56,400
seams all tighter, dreams of feats.

980
00:56:56,159 --> 00:56:58,199
Speaker 5: Compete with master Jeep, that we fall.

981
00:56:58,559 --> 00:57:02,400
Speaker 1: The deeper creeping sneaks inside your mind, depleting yourself worth,

982
00:57:02,480 --> 00:57:04,519
increasing fortunes for the fearless.

983
00:57:04,880 --> 00:57:08,679
Speaker 5: Be fearless, steer us towards a more conclusive future. Suit

984
00:57:08,760 --> 00:57:11,159
you up like melan haa haa than the.

985
00:57:11,360 --> 00:57:15,079
Speaker 1: Double no Hell's kitchen, dismissing paths, the fact that violence

986
00:57:15,159 --> 00:57:17,440
the active side, thats won't stall the tyrants, won't halt

987
00:57:17,480 --> 00:57:20,280
the virus behind the eyelids. Try this for the side,

988
00:57:20,320 --> 00:57:23,440
the difference assistance between the sides. For instance, your instinct

989
00:57:23,480 --> 00:57:26,599
sorts always in synct's distinct, thinking like and they this link,

990
00:57:26,639 --> 00:57:27,719
don't sink to depths that.

991
00:57:27,840 --> 00:57:29,760
Speaker 5: Tests the break, don't drink they're COOLID.

992
00:57:29,440 --> 00:57:31,880
Speaker 1: But with the deep dist think but whether the deep

993
00:57:31,920 --> 00:57:35,320
distinct don't drink they're cool aid, But with the dentist think, well,

994
00:57:35,360 --> 00:57:37,719
whether the distink you are.

995
00:57:40,719 --> 00:57:43,400
Speaker 4: Let's take a lot with success.

996
00:57:52,039 --> 00:57:56,119
Speaker 1: Coming up with nothing, I aim to become something, telling

997
00:57:56,280 --> 00:57:59,079
myself I'm not enough, just take what c Z coming.

998
00:57:59,480 --> 00:58:01,000
Speaker 5: But nothing was easy coming.

999
00:58:01,239 --> 00:58:04,320
Speaker 1: I had to work to just be someone getting vibe

1000
00:58:04,360 --> 00:58:08,039
by dealing pies and dreaming out the dungeons. Bleeding of

1001
00:58:08,239 --> 00:58:12,039
my thumbs when I should be pumping and elbows draining up.

1002
00:58:12,119 --> 00:58:15,199
My funds went up nothing but a swelled nose from

1003
00:58:15,280 --> 00:58:17,599
walking into walls that stole in.

1004
00:58:17,760 --> 00:58:20,880
Speaker 5: So my dead grows, my bank rolls non existent. I

1005
00:58:21,079 --> 00:58:23,719
almost just let go. My chest throws.

1006
00:58:23,800 --> 00:58:26,559
Speaker 1: I couldn't breathe. I needed to run, I needed to flee.

1007
00:58:26,719 --> 00:58:29,320
I needed to see my family. I needed to be

1008
00:58:29,559 --> 00:58:33,400
disseminately immediately, I ceased to be, and we became what

1009
00:58:33,639 --> 00:58:36,199
you all see, six minds alike but not just right,

1010
00:58:36,320 --> 00:58:40,199
combined eternal lead. We won the fight by changing the rules.

1011
00:58:40,280 --> 00:58:43,199
The duels become a draw. We own the night by

1012
00:58:43,320 --> 00:58:45,480
being the light, the brightest of them all.

1013
00:58:45,760 --> 00:58:46,760
Speaker 5: If we scream.

1014
00:58:46,559 --> 00:58:49,360
Speaker 1: Aloud the strawbell failed, we can be that piece of straw.

1015
00:58:49,840 --> 00:58:52,320
The camel begs us for a break. Who are reached

1016
00:58:52,400 --> 00:58:53,440
and either call.

1017
00:58:54,800 --> 00:58:54,840
Speaker 5: You?

1018
00:59:02,239 --> 00:59:03,679
Speaker 2: You came to fire?

1019
00:59:06,079 --> 00:59:13,280
Speaker 4: Do you hear you? Get me? Go ahead, said yourself

1020
00:59:14,239 --> 00:59:14,440
free