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<v Speaker 1>Welcome Friend podcast podcast Jack Again. They're talking about I'm

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<v Speaker 1>a driver and I'm a flyer that waited a long

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<v Speaker 1>time for a shot like this. What do you think? Well,

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<v Speaker 1>what do you know? You got a line on a ship?

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<v Speaker 2>Yeah? I know, guy, he's the best smuggler round.

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<v Speaker 1>I heard a story about you.

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<v Speaker 2>I was wondering if it's true everything you right about me,

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<v Speaker 2>It's true.

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<v Speaker 1>If you come with us, you're in this life for good.

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<v Speaker 1>Might want to buckle up, baby.

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<v Speaker 2>Welcome to a movie film commentary track. My name is

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<v Speaker 2>that son. I'm here with Brian Hall.

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<v Speaker 1>Hey, how's it going, Zachi.

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<v Speaker 2>I'm doing fantastic. I'm really excited about this.

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<v Speaker 1>Me too, Me too. This movie holds a special place

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<v Speaker 1>in my heart with you specifically, So I'm really excited

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<v Speaker 1>to be talking through this movie with you.

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<v Speaker 2>Well, we're here to talk through solo, a Star Wars

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<v Speaker 2>story and a couple points number one. I'm excited because

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<v Speaker 2>it means we're back to our tradition of when a

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<v Speaker 2>Star Wars movie is about to come out, we do

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<v Speaker 2>a Star Wars commentary track.

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<v Speaker 1>Yeah. Well, and we were mentioning this off air, but

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<v Speaker 1>I saw in my Facebook memories it reminded me that

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<v Speaker 1>eight years ago, exactly to this day, you and I

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<v Speaker 1>watched this movie together for the first time.

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<v Speaker 2>Yeah, a couple of weeks before it came out.

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<v Speaker 1>Yeah. Yeah. You being a prestigious film critic, you get

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<v Speaker 1>invited to all the early screenings, especially for highly anticipated things,

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<v Speaker 1>and you are generous enough to say, hey, I can

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<v Speaker 1>get a plus one you want to join me? And

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<v Speaker 1>so I drove up to the Bay Area and you

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<v Speaker 1>flew up for this one. You flew Oh, I flew up.

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<v Speaker 1>Oh good memory Indie Indie five.

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<v Speaker 2>That when you drove up.

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<v Speaker 1>Yeah. Yeah, but it was great. It was very exciting

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<v Speaker 1>because there was a lot of anticipation and curiosity about

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<v Speaker 1>this movie. This was when Star Wars was doing kind

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<v Speaker 1>of like new things, theatrically doing well.

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<v Speaker 2>Well up until this movie as a matter of fact.

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<v Speaker 1>But yeah, but I mean this was like a big

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<v Speaker 1>curiosity and highly anticipated and it was really exciting get

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<v Speaker 1>to getting to see this early with you. So and

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<v Speaker 1>I mean, we can get into it when we start

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<v Speaker 1>the movie, but you know, we had our feelings and

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<v Speaker 1>then we saw the world's feelings and that was fascinating.

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<v Speaker 2>The two did not intersect, No, Yeah, as as with

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<v Speaker 2>Indy five, we were able to see it and have

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<v Speaker 2>our thoughts before the discourse took over, which I found

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<v Speaker 2>helpful in both instances. But hey, you know, it has

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<v Speaker 2>been eight years now since this movie came out, and

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<v Speaker 2>plenty of folks have seen it since, and you know,

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<v Speaker 2>I feel like there's lots of interesting conversations to be

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<v Speaker 2>had about about well, shoot, everything surrounding Solo a Star

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<v Speaker 2>Wars story. There are plenty of of making of stories

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<v Speaker 2>about this Star Wars story.

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<v Speaker 1>Yep, yep. I definitely went on a deep dive.

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<v Speaker 2>Well, well, I'm looking forward to hearing what you what

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<v Speaker 2>you dug up for me? This was it had been

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<v Speaker 2>I don't know about you, but it had been a while.

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<v Speaker 2>I think the last time I saw this was just

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<v Speaker 2>before Rise of Skywalker, so it felt very fresh. This

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<v Speaker 2>is probably the Star Wars movie I've seen the least.

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<v Speaker 1>Yeah, maybe me too, Yeah yeah.

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<v Speaker 2>But if you want to watch along with us, feel

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<v Speaker 2>free to do that. Of course, I got to say

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<v Speaker 2>the best way to experience our movie commentary tracks is

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<v Speaker 2>watching along with us. And with that mind, Brian, I'm

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<v Speaker 2>going to say our Patreon page is the way to

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<v Speaker 2>go there.

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<v Speaker 1>Oh, definitely, if you head over to patreon dot com

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<v Speaker 1>slash Movie Film Podcast, you'll find a special feed there

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<v Speaker 1>for only five dollars a month, where you can hear

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<v Speaker 1>all of our episodes and most importantly today, all of

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<v Speaker 1>our commentaries add free. So if you want to play

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<v Speaker 1>this and watch along with us, you won't have any

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<v Speaker 1>ads or interruptions butting in and chopping up the conversation.

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<v Speaker 1>You want have to frequently pause the movie whenever an

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<v Speaker 1>AD starts, and then started up again when we return.

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<v Speaker 1>If you listen to the special feed over on Patreon,

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<v Speaker 1>there we go.

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<v Speaker 2>And so I'm ready to go. How about you, Brian?

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<v Speaker 1>I'm ready all right.

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<v Speaker 2>So we'll do the usual thing. One two three play

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<v Speaker 2>and here we go one two three play.

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<v Speaker 1>Yeah, I gotta say, Zachi, I hadn't seen this in

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<v Speaker 1>a while either, but watching it, even right when it started,

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<v Speaker 1>I just got kind of a warm, fuzzy feeling. I

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<v Speaker 1>hear you even this opening here, right, I mean, we

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<v Speaker 1>get the long time ago in a galaxy far far away, but.

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<v Speaker 2>And then we get the crawl without a crawl exactly exactly.

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<v Speaker 1>It is a crawl, but it's not crawling exactly. And

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<v Speaker 1>I remember in this moment when all this new stuff

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<v Speaker 1>was so like unknowable, like, okay, so we're gonna get

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<v Speaker 1>a story that's not part of the Skywalker socker like

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<v Speaker 1>Rogue one I'm talking about, Yeah, is it going to

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<v Speaker 1>you know, open the same way like will it have

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<v Speaker 1>the big star wars and yell letters and then the crawl?

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<v Speaker 1>And then it didn't And that was kind of interesting,

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<v Speaker 1>and so with this it's like what are they going

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<v Speaker 1>to do with this? It was so what a time?

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<v Speaker 1>What an exciting to miss it? Not gonna lie? Yeah? Yeah,

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<v Speaker 1>So I think I did really kind of go back

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<v Speaker 1>to those giddy feelings of when this was all fresh

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<v Speaker 1>and new and so much was possible.

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<v Speaker 2>Well, and I think that's going back to what I

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<v Speaker 2>was saying before. I mean, the fact that I have

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<v Speaker 2>seen this one less it it There was that sense

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<v Speaker 2>of like it's all the familiar stuff, but it still

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<v Speaker 2>felt new ish.

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<v Speaker 1>Yeah yeah, yeah, Like I remembered that he had to

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<v Speaker 1>talk to this sort of I don't know, like he

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<v Speaker 1>he being an orphan and he has this woman who

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<v Speaker 1>kind of runs all these orphans doing crimes for her.

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<v Speaker 1>I remembered that that happened in this movie. But I

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<v Speaker 1>kind of forgot what she looked like and the setting

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<v Speaker 1>and things like that. So yeah, it still felt kind

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<v Speaker 1>of new ish fresh.

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<v Speaker 2>So one thing I will say is the movie fails

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<v Speaker 2>to establish the significance of those dice, right.

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<v Speaker 1>Well, it is amazing how many inserts they do of it.

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<v Speaker 2>Yeah, Like, it's clearly meant to mean something. And my

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<v Speaker 2>understanding is that there was like a failure of communication

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<v Speaker 2>between this movie and Last Jedi or Last Jedi and

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<v Speaker 2>this movie, and the two were meant to tie together

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<v Speaker 2>in somewhere or force awakened, certainly because there was a

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<v Speaker 2>deleted scene where Han puts the dice back in the falcon.

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<v Speaker 1>You know, it's so funny. I remember that so vividly.

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<v Speaker 1>I forgot it was a deleted scene exactly.

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<v Speaker 2>I mean really, in the original trilogy, the only time

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<v Speaker 2>we really see them clear is in the first film,

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<v Speaker 2>in a New Hope, I mean when Chewy, when we

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<v Speaker 2>see Chewy going into the bridge of the falcon.

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<v Speaker 1>Yeah, like, I mean, he doesn't like acknowledge them or anything, right,

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<v Speaker 1>They're just kind of dangling like they would over a

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<v Speaker 1>rearview mirror or something.

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<v Speaker 2>Yeah, no insert shot there, you know.

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<v Speaker 1>Yeah. No, by the way, well, no, go ahead, gohad, sorry.

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<v Speaker 2>No, I mean that's all I just it's like, maybe

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<v Speaker 2>just give us something like what they mean to him,

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<v Speaker 2>you know, like, why are they significant?

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<v Speaker 1>Yeah, I yes, I agree with that. I know some

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<v Speaker 1>people give the dice a hard time, you know, where

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<v Speaker 1>it's like, oh, all of a sudden, this thing is

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<v Speaker 1>the most meaningful thing that Han owns. But then in

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<v Speaker 1>the movies, we know he just never even looks at them. Yeah,

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<v Speaker 1>And I just have to say that's never bothered me.

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<v Speaker 1>I kind of like the idea of they caught something

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<v Speaker 1>in the frame of the original movies and you know,

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<v Speaker 1>just added them as texture to the earlier story. These

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<v Speaker 1>are the later stories. I like that idea.

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<v Speaker 2>So so, you know the original Marvel comic books, which

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<v Speaker 2>which are non canon obviously, but you know they were.

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<v Speaker 2>They they were published at the same time as the films,

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<v Speaker 2>And I remember reading the issue of the Marvel comic

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<v Speaker 2>which is right after Return of the Jedi, and you

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<v Speaker 2>have Han going into the bridge of the Falcon and

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<v Speaker 2>and he says, hey, they're still here, the dice that

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<v Speaker 2>I won the Falcon with.

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<v Speaker 1>Oh.

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<v Speaker 2>Interesting, So in my head, that's what they always were.

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<v Speaker 1>Yeah, yeah, yeah, which would make a lot of sense too,

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<v Speaker 1>hanging from the ship and.

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<v Speaker 2>They right, you know, and so they they went a

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<v Speaker 2>different way with this, and that's fine. But yeah again

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<v Speaker 2>it's I'm just like, well, maybe just tell us what

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<v Speaker 2>they why, why they're significant, that's all, you know.

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<v Speaker 1>Yeah, I could even have something to do with Kira, like,

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<v Speaker 1>because he hands them to her at one point. That's right.

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<v Speaker 1>I don't know. By the way, this this I forgot

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<v Speaker 1>this creature's name, but I'm getting major dark Crystal vibes.

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<v Speaker 1>Oh yeah, right right, just this kind of ugly muppet

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<v Speaker 1>puppet looking thing. I mean, it's off putting, but I

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<v Speaker 1>kind of like it.

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<v Speaker 2>Mm hmm.

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<v Speaker 1>It reminds me of what was really exciting in this moment.

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<v Speaker 1>I remember I am gonna pat myself on the back

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<v Speaker 1>a little bit here. When we started the podcast and

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<v Speaker 1>everything was going so cgi heavy, I remember saying, some

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<v Speaker 1>filmmakers are gonna make a movie and they're gonna use

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<v Speaker 1>puppets again and practical stuff, and everyone's going to say

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<v Speaker 1>they're a genius. And then jj Abrams did and which

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<v Speaker 1>was great because it did make a Star Wars sequel.

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<v Speaker 1>Still feel like it was a part of the movies

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<v Speaker 1>that had come before it, well, most especially the original trilogy.

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<v Speaker 1>Maybe not so much the prequels, but I liked that

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<v Speaker 1>with this and the sequels, and in this here they

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<v Speaker 1>stuck to that, and we get a lot of animatronic masks,

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<v Speaker 1>you know, and this big puppet creature that looks weird.

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<v Speaker 1>It looks like a puppet, but it works. It's in

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<v Speaker 1>the room. It feels unsettling.

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<v Speaker 2>Yeah, yeah, I mean there there is a physicality to

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<v Speaker 2>it that is appreciated.

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<v Speaker 1>And even in its dangly awkwardness. Yeah, something about it. Yeah,

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<v Speaker 1>just being in the room makes it work with our

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<v Speaker 1>brains in a way that we almost forgive the awkwardness

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<v Speaker 1>of it because it's there.

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<v Speaker 2>Physics.

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<v Speaker 1>Physics. So we get the thermal detonator here, we get

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<v Speaker 1>a lot of like little things items that we get.

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<v Speaker 2>There's quite a few callbacks, fun little callbacks, nothing too obnoxious,

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<v Speaker 2>I don't think.

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<v Speaker 1>See, you know, this is what's interesting. I was going

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<v Speaker 1>to remark on how dimly lit that den is. Yeah, uh,

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<v Speaker 1>and then I forgot when he throws the thing that

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<v Speaker 1>he lets the light in and it burns the creature.

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<v Speaker 1>Apparently these creatures can't be in light, and it's like,

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<v Speaker 1>oh right, that's like a story thing. However, the rest

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<v Speaker 1>of the movie is pretty dimly lit anyway, that is true.

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<v Speaker 2>Yeah, the the lighting scheme is is very different from

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<v Speaker 2>from what we what we expected from Star Wars up

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<v Speaker 2>to this time. I think I think the more recent

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<v Speaker 2>stuff kind of looks similar to this, you know, I

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<v Speaker 2>mean and or.

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<v Speaker 1>Yeah, in a strange way, they were almost ahead of

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<v Speaker 1>the time of their time, with everyone kind of complaining

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<v Speaker 1>about Netflix aesthetics, you know, like Netflix TV. Yeah, I

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<v Speaker 1>gotta say, it's like here, it looks okay, but there

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<v Speaker 1>are moments where I'm like, this is really really dark,

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<v Speaker 1>you know, like well maybe and muddy looking.

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<v Speaker 2>Yeah, well, specifically when when they meet Lando for the

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<v Speaker 2>first time. Yes, yeah, I'm not I'm not crazy about that.

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<v Speaker 2>I was thinking here, by the way, this all this

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<v Speaker 2>all feels very American graffiti.

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<v Speaker 1>Yeah, sure, which seems.

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<v Speaker 2>Appropriate not only for the Ron Howard factor, but also

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<v Speaker 2>the Harrison Ford factor.

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<v Speaker 1>Yeah right, yeah. Well and just Lucas of course, you know,

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<v Speaker 1>just all all the Star Wars films are just filled

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<v Speaker 1>with so many of the things that are going on

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<v Speaker 1>in his brain.

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<v Speaker 2>You have speeders that look like nineteen fifties cars, you know.

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<v Speaker 1>Yeah, I like that too. That moment I was thinking,

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<v Speaker 1>you know, when you make a movie, it's like it's

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<v Speaker 1>you don't just pick up a camera and point very often,

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<v Speaker 1>like you have to set things up and get lights

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<v Speaker 1>and have a whole crew with chairs behind the camera,

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<v Speaker 1>like it's a big deal. And I love that they

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<v Speaker 1>took the time to have that droid at that stop

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<v Speaker 1>point just to be like hey, wait stop and then

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<v Speaker 1>it gets run over and its head kind of flies

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<v Speaker 1>off like that just feels very Star warsy to me,

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<v Speaker 1>like it makes the world feel very alive and chaotic.

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<v Speaker 1>And I thought that was a like it popped out

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<v Speaker 1>to me as a cool inclusion. Look at this, so

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<v Speaker 1>this seems so good, Like this looks like a real location,

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<v Speaker 1>real explosions, real.

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<v Speaker 2>Knocked over the frame is very lively. Yeah, and I

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<v Speaker 2>appreciate that. I you know, I said for a long

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<v Speaker 2>time and as most people did, I'm sure, oh, you know,

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<v Speaker 2>around Howard it would be a great Star Wars director,

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<v Speaker 2>and and I think I think he did. He did

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<v Speaker 2>a great job. It's just unfortunate that like his experience

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<v Speaker 2>is one of like oh and it's this massive flop,

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<v Speaker 2>you know.

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<v Speaker 1>Yeah, I mean, he walked into a really complicated situation. Yeah,

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<v Speaker 1>you know, so it wasn't like he like nurtured this

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<v Speaker 1>whole thing from the beginning. He kind of stepped in

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<v Speaker 1>and saved the day in a way. But I mean

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<v Speaker 1>he he was offered the gig for Phantom Menace at

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<v Speaker 1>one point, right where it was considered at least I believe, so, Yeah,

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<v Speaker 1>and he turned it down, And I thought I read

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<v Speaker 1>that when this was presented to him coming in and

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<v Speaker 1>you know, taking over solo, he wasn't so sure about

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<v Speaker 1>doing it. But it was his wife that eventually convinced

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<v Speaker 1>him something. Maybe it's just one of those things that's

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<v Speaker 1>like I don't know, like do I really want to

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<v Speaker 1>touch I mean again, at this point, this was they

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<v Speaker 1>were still very I don't know that we had very

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<v Speaker 1>many shows at this point, if at all.

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<v Speaker 2>ZO zero shows. Mandalorian was still a year away.

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<v Speaker 1>So yeah, Star Wars was still very very precious, right,

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<v Speaker 1>And it's like you wouldn't want to be one of

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<v Speaker 1>the few people that like ruined it. Now.

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<v Speaker 2>This project was something that from the earliest days after

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<v Speaker 2>the sale was like, oh, and we want to do

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<v Speaker 2>a Han solo origin story, and you know that was

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<v Speaker 2>something Lauren's cast and really pushed for. And I always

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<v Speaker 2>thought it was a good idea. I know, I know it.

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<v Speaker 2>You know, there were people who critiqued it, and there

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<v Speaker 2>was that like, oh, nobody but but Harrison Ford could

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<v Speaker 2>play Han solo. And I never felt that in terms

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<v Speaker 2>of like, well, no, I mean, it's the younger version

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<v Speaker 2>of the character, and it seems fine, you know, and

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<v Speaker 2>at least for me, I I love Alden Aaron Reich

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<v Speaker 2>in this part. I think he did a great job. Yep,

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<v Speaker 2>you know I said this at the time. I think

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<v Speaker 2>I think he manages to become the character with that

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<v Speaker 2>imitating Harrison Ford. You know, there's certain soloisms that he

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<v Speaker 2>works in and and certainly as the film progresses, you know,

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<v Speaker 2>by the time we're up to the showdown with Dryden Voss,

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<v Speaker 2>I'm like, that's Han solo.

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<v Speaker 1>You know, I agree. I mean, I guess to make

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<v Speaker 1>it clear right off the bat, I really like this movie,

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<v Speaker 1>and not having watched it a lot and revisiting it

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<v Speaker 1>the other night, this is just a darn good story.

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<v Speaker 1>And like a darn good Han Solo story, like seeing him,

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<v Speaker 1>he's he's got traits that we recognize, but he is

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<v Speaker 1>a little different because the world hasn't beaten him down

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<v Speaker 1>quite yet, you know. But we watch him have all

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<v Speaker 1>these you know, key moments happen kind of all at once,

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<v Speaker 1>and they sort of pound him into the becoming the

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<v Speaker 1>cynic that we know him from, you know, in the

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<v Speaker 1>in the other films, and it's kind of a I

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<v Speaker 1>think it's done really well.

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<v Speaker 2>Yeah, yeah, I think it fits very neatly with with

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<v Speaker 2>everything we've seen of the character to this point. And

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<v Speaker 2>and you know, I think both this and Rogue One

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<v Speaker 2>do prequels better in some ways than the Star Wars

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<v Speaker 2>prequels did, because I felt like the Star Wars prequels

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<v Speaker 2>often sort of hit you over their head over the

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<v Speaker 2>head with the the the prequelness of it, like the

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<v Speaker 2>the references, you know what I mean.

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<v Speaker 1>Like like like callbacks and things like, oh this person

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<v Speaker 1>did you didn't know this, but they actually all knew

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<v Speaker 1>one another even thirty years ago, or the yeah, you know,

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00:16:53.759 --> 00:16:55.960
<v Speaker 1>their ancestors actually interacted, and.

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<v Speaker 2>Baby Boba Fett is most egregious, and you know out

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<v Speaker 2>and and you know and again one day you will

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<v Speaker 2>be the death.

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<v Speaker 1>Of me, you know.

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<v Speaker 2>Sure, sure, sure, I think I think when references are

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<v Speaker 2>a little more subtle or you know, it plays better.

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<v Speaker 2>That's just me me personally.

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<v Speaker 1>No, I'm with you on that. It At one point

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<v Speaker 1>I think in Revenge of the Sith they were going

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<v Speaker 1>to have Han solo in there as a boy right on.

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<v Speaker 2>Kashik Yeah, which thank you know, but bullet dodged there.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, that's a real thing that was concept art for

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<v Speaker 2>so so somebody intervened, you know, yeah, Rick.

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<v Speaker 1>McCollum, perhaps, I don't know. By the way, just this

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<v Speaker 1>scene here again, I mean.

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<v Speaker 2>I just feel like this is just a tight, real

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<v Speaker 2>quick Brian.

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<v Speaker 1>This right here.

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<v Speaker 2>We hear the Imperial March in major key, which for

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<v Speaker 2>the recruiting video, and that as our Star Wars music

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00:17:50.799 --> 00:17:53.559
<v Speaker 2>on our show years before this movie came out.

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<v Speaker 1>That's right, that's right.

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<v Speaker 2>Sorry, go ahead, No, no, no, I'm just kind.

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<v Speaker 1>Of all admiring. What do we what was this thirteen

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<v Speaker 1>minutes in and just so much has happened already, yeah,

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<v Speaker 1>you know, like I don't know anyway, I'm just admiring. Well,

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<v Speaker 1>of course it's written by the Kasden's, so we know

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<v Speaker 1>we're in good hands, right, Yeah, But I just a

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<v Speaker 1>little trivia tidbit I thought was kind of interesting. Apparently,

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<v Speaker 1>Ron Howard always puts his wife Cheryl in his films,

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<v Speaker 1>like as a good luck charm, gives her a cameo,

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<v Speaker 1>and she had saught it shot a scene for this movie,

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<v Speaker 1>but it got deleted. And so one day Howard was

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<v Speaker 1>telling the ILM people like, I'm bummed. You know, I

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00:18:35.200 --> 00:18:36.960
<v Speaker 1>have this great track record of doing that. It's something

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<v Speaker 1>special between us, and too bad it didn't work out

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<v Speaker 1>for this one. And they're like, oh, well, let's just

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<v Speaker 1>shoot her against the green screen and throw her in somewhere,

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<v Speaker 1>and so they did under the hologram Empire recruitment hologram.

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<v Speaker 1>How funny. Yeah, so she's in there, just kind of

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<v Speaker 1>walking around, and so got to keep up the tradition.

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<v Speaker 2>I like that, and obviously Clint Howard, his brother's also

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<v Speaker 2>a tradition. And yep, now, now the the naming of

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<v Speaker 2>Han solo, Oh yeah, yeah, yeah yeah, Ellis Island style.

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<v Speaker 1>Now I know this.

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<v Speaker 2>This came in for a whole bunch of criticism when

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<v Speaker 2>the movie came out, and you and I have had

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<v Speaker 2>this discussion before. Well, for me, when I was a

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<v Speaker 2>little kid, I read the Return of the Jedi story book.

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<v Speaker 2>And in this scene after they leave Tattooin and after

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<v Speaker 2>the whole Java sequence, you have Luke and his X

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<v Speaker 2>Wing thinking about Han and he says and it says

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<v Speaker 2>something to the effect of Luke always wondered if Han

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<v Speaker 2>took on the name Solo because he was alone. But

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<v Speaker 2>he's not alone anymore or I'm paraphrasing right, So like

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<v Speaker 2>in my head it was always like like an alias

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<v Speaker 2>because of that book I read as a kid.

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<v Speaker 1>Interesting, Oh okay, okay, so you've had that already.

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<v Speaker 2>Right, so it never bothered me. I mean, it wasn't

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<v Speaker 2>even something I really gave much thought to, you know,

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<v Speaker 2>but like it was like, oh, and it's not even

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<v Speaker 2>his real name, and you know, all the critique I

381
00:20:08.319 --> 00:20:12.119
<v Speaker 2>was like it felt excessive to me. That's just me.

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00:20:12.839 --> 00:20:16.680
<v Speaker 1>I can literally go both ways with it. Like there's

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<v Speaker 1>part of me that it's just like, oh okay, you know,

384
00:20:19.799 --> 00:20:21.720
<v Speaker 1>it's sort of like a young indie and the whip

385
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<v Speaker 1>and the scar on the chin, like like I can

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<v Speaker 1>chuckle and go okay and just roll with it and

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00:20:26.039 --> 00:20:28.160
<v Speaker 1>go to the next scene. And then there's another part

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00:20:28.160 --> 00:20:29.839
<v Speaker 1>of me. And I've heard people sort of say this

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00:20:29.880 --> 00:20:33.119
<v Speaker 1>where it's like like, so some guy that wasn't being

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00:20:33.200 --> 00:20:35.720
<v Speaker 1>very nice to you, just as like a lark, gives

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00:20:35.720 --> 00:20:37.759
<v Speaker 1>you this like nickname, you know, like if you're in

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<v Speaker 1>prison and some guard is just like, you know, all right,

393
00:20:40.799 --> 00:20:44.640
<v Speaker 1>pork chop, you know, and then shoves you in line

394
00:20:44.720 --> 00:20:46.799
<v Speaker 1>or something, and you're like, well, I guess that's me now,

395
00:20:46.880 --> 00:20:50.079
<v Speaker 1>Brian pork Chop. You know, like you take the nickname

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00:20:50.119 --> 00:20:53.119
<v Speaker 1>that he gives you and put it on all your identification.

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00:20:53.319 --> 00:20:55.480
<v Speaker 1>I could see, like I can see why people feel

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<v Speaker 1>that way.

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00:20:55.759 --> 00:20:59.200
<v Speaker 2>But well, I'll have two responds to that. Number One

400
00:20:59.759 --> 00:21:04.319
<v Speaker 2>so is like pretty cool sounding a true h and

401
00:21:04.319 --> 00:21:09.599
<v Speaker 2>and and two uh that therees me doing like buzz

402
00:21:09.640 --> 00:21:10.240
<v Speaker 2>from home alone.

403
00:21:11.160 --> 00:21:12.920
<v Speaker 1>I didn't even catch it. Sorry, I was like half

404
00:21:13.039 --> 00:21:14.839
<v Speaker 1>this is always the funny thing is like I'm half

405
00:21:14.880 --> 00:21:17.200
<v Speaker 1>watching a movie, half having a conversation with you when

406
00:21:17.279 --> 00:21:17.960
<v Speaker 1>we do these.

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00:21:18.960 --> 00:21:23.799
<v Speaker 2>No but but but two, the imperial was not being

408
00:21:23.799 --> 00:21:26.799
<v Speaker 2>that mean to him. He was being actually as imperials go,

409
00:21:27.640 --> 00:21:30.119
<v Speaker 2>like just like okay.

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00:21:30.319 --> 00:21:34.319
<v Speaker 1>Yeah, yeah, yeah. He could have been like han loner, yeah,

411
00:21:34.720 --> 00:21:37.200
<v Speaker 1>move along, like what are you doing? Dipshit?

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00:21:37.319 --> 00:21:39.960
<v Speaker 2>You know, like he like you want to join okay,

413
00:21:40.000 --> 00:21:44.799
<v Speaker 2>you know, like yeah, so it's at at at worst

414
00:21:44.799 --> 00:21:46.400
<v Speaker 2>a net neutral for him, you know.

415
00:21:46.559 --> 00:21:49.599
<v Speaker 1>Yeah. Yeah, And he doesn't have a last name and

416
00:21:49.640 --> 00:21:51.720
<v Speaker 1>he needs one, and maybe at some point it's just

417
00:21:52.279 --> 00:21:55.160
<v Speaker 1>it's stuck and then it becomes a part of you.

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00:21:56.119 --> 00:21:57.839
<v Speaker 2>Solo is as good as any.

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00:21:58.200 --> 00:22:02.880
<v Speaker 1>Yeah, that's true. If the prison guy gave me like

420
00:22:02.920 --> 00:22:06.279
<v Speaker 1>a cool name, like exactly, like, all right, move it's

421
00:22:06.319 --> 00:22:09.440
<v Speaker 1>skull Crusher, I'd be like, whoa, that's a cool name, right, Brian,

422
00:22:09.519 --> 00:22:11.240
<v Speaker 1>skull Crusher. Right.

423
00:22:11.319 --> 00:22:13.680
<v Speaker 2>But if it's like hey, hershey squirts.

424
00:22:14.440 --> 00:22:17.160
<v Speaker 1>Right right, and you're at the DMV, you don't want

425
00:22:17.160 --> 00:22:19.119
<v Speaker 1>to be like hershey squirts, Brian. Yeah.

426
00:22:19.240 --> 00:22:23.960
<v Speaker 2>Yeah.

427
00:22:24.359 --> 00:22:27.480
<v Speaker 1>By the way, So that battle so basically out of

428
00:22:27.519 --> 00:22:29.240
<v Speaker 1>desperation because he wants to be a pilot so he

429
00:22:29.240 --> 00:22:31.319
<v Speaker 1>can get back to Kira. He joins the Empire so

430
00:22:31.359 --> 00:22:34.039
<v Speaker 1>he can, you know, learn how to fly or whatever,

431
00:22:34.160 --> 00:22:36.200
<v Speaker 1>or he already knows how to fly, but he needs

432
00:22:36.240 --> 00:22:38.440
<v Speaker 1>to get a ship. Anyway, he gets uh, he disobeys.

433
00:22:38.440 --> 00:22:40.160
<v Speaker 1>I guess that's a deleted scene, right, and he gets

434
00:22:40.400 --> 00:22:44.160
<v Speaker 1>demoted and becomes infantry. Yeah, and so we cut to

435
00:22:44.240 --> 00:22:48.000
<v Speaker 1>him in the middle of this chaotic battle, and I

436
00:22:48.039 --> 00:22:51.880
<v Speaker 1>really love how that's captured it's just this, you know,

437
00:22:52.160 --> 00:22:56.359
<v Speaker 1>insanity like Battle Doaled to eleven where you can't see

438
00:22:56.359 --> 00:22:58.880
<v Speaker 1>what's going on. There's a laser blasts going past their head,

439
00:22:58.920 --> 00:23:02.079
<v Speaker 1>everything's exploding, you can't see five feet in front of you.

440
00:23:03.359 --> 00:23:05.359
<v Speaker 1>Just the chaos and the scariness of that I thought

441
00:23:05.400 --> 00:23:12.160
<v Speaker 1>was captured really well. Yeah, and his persistence trying to

442
00:23:12.240 --> 00:23:14.559
<v Speaker 1>join this team Beckett.

443
00:23:16.000 --> 00:23:18.319
<v Speaker 2>I kind of love that. Throughout the whole movie. You

444
00:23:18.400 --> 00:23:20.680
<v Speaker 2>never quite know what to think of Beckett.

445
00:23:21.119 --> 00:23:26.440
<v Speaker 1>Yeah, he's a great sort of mentor to Han, and

446
00:23:26.559 --> 00:23:29.519
<v Speaker 1>you know he'll take some lessons from him, some good things,

447
00:23:29.559 --> 00:23:30.240
<v Speaker 1>some bad things.

448
00:23:31.039 --> 00:23:33.640
<v Speaker 2>I think it helps that it's Woody Harrelson, and I

449
00:23:33.720 --> 00:23:37.200
<v Speaker 2>think people have a general affinity for Woody Harrelson.

450
00:23:38.319 --> 00:23:42.119
<v Speaker 1>Well, I was gonna ask you, does it take you

451
00:23:42.240 --> 00:23:45.960
<v Speaker 1>out at all? Having Woody Harrelson in a Star Wars movie?

452
00:23:46.799 --> 00:23:48.079
<v Speaker 1>That is a great question.

453
00:23:50.000 --> 00:23:56.960
<v Speaker 2>It does not, because he's done so many different franchises

454
00:23:57.039 --> 00:23:59.559
<v Speaker 2>that you're just sort of you know, to me, it's

455
00:23:59.559 --> 00:24:02.480
<v Speaker 2>no different than having like a like a Mad's Michelson

456
00:24:02.559 --> 00:24:03.799
<v Speaker 2>or something in a Star Wars movie.

457
00:24:03.839 --> 00:24:07.519
<v Speaker 1>You know. Oh see, I agree with that in theory,

458
00:24:07.519 --> 00:24:11.400
<v Speaker 1>But for me specifically, Woody Harrelson is so Woody Harrelson,

459
00:24:11.400 --> 00:24:12.799
<v Speaker 1>like when he's in Now You See Me, when he's

460
00:24:12.799 --> 00:24:16.480
<v Speaker 1>in twenty twelve, when he's in whatever else he's in. Yeah,

461
00:24:16.559 --> 00:24:20.160
<v Speaker 1>it's just like Woody Harrelson is playing Woody Harrelson. And

462
00:24:20.200 --> 00:24:24.319
<v Speaker 1>so I think he's doing a great job in this movie.

463
00:24:25.000 --> 00:24:27.480
<v Speaker 1>I think he's very good in this role. But there

464
00:24:27.599 --> 00:24:31.960
<v Speaker 1>is a slight part of me that is a little

465
00:24:32.000 --> 00:24:33.319
<v Speaker 1>taken out. I gotta be honest.

466
00:24:33.640 --> 00:24:37.599
<v Speaker 2>See, I remember back when the prequels came out, people

467
00:24:37.680 --> 00:24:39.200
<v Speaker 2>saying that about Sam Jackson.

468
00:24:39.359 --> 00:24:41.799
<v Speaker 1>You're sure, yeah, yeah.

469
00:24:41.279 --> 00:24:45.920
<v Speaker 2>And I'm like, well that worked out fine, So it did,

470
00:24:46.240 --> 00:24:48.759
<v Speaker 2>I think, right. I think after that, I'm just like, well,

471
00:24:49.759 --> 00:24:52.039
<v Speaker 2>we're gonna see familiar faces in these movies, you know.

472
00:24:52.200 --> 00:24:54.480
<v Speaker 1>Yeah, well at some point, yeah, you just have to.

473
00:24:55.920 --> 00:24:57.599
<v Speaker 1>And like I said, he I think he does a

474
00:24:57.599 --> 00:24:58.119
<v Speaker 1>great job.

475
00:25:01.000 --> 00:25:03.279
<v Speaker 2>I mean, when you think about it, he's playing a

476
00:25:03.359 --> 00:25:07.400
<v Speaker 2>character very similar to DJ, the Benizio del Toro character.

477
00:25:07.799 --> 00:25:12.119
<v Speaker 2>Oh interesting, Yeah, you know he occupies that that particular

478
00:25:12.960 --> 00:25:14.440
<v Speaker 2>part of the spectrum.

479
00:25:14.519 --> 00:25:16.160
<v Speaker 1>Yeah.

480
00:25:16.240 --> 00:25:19.880
<v Speaker 2>I love how this this sequence it well, it calls

481
00:25:19.920 --> 00:25:22.440
<v Speaker 2>back to two things to me. Number one, it's kind

482
00:25:22.440 --> 00:25:25.359
<v Speaker 2>of like the Rank Corps. You know. Yeah, oh good.

483
00:25:25.599 --> 00:25:27.640
<v Speaker 2>I didn't even think about that. Yeah, right, tossed into

484
00:25:27.680 --> 00:25:30.640
<v Speaker 2>the pit, so that the monster deed. But it also

485
00:25:30.680 --> 00:25:34.359
<v Speaker 2>reminds me of Return of the Jedi when well that

486
00:25:34.440 --> 00:25:35.640
<v Speaker 2>rank War is also returned to the Jedi.

487
00:25:35.720 --> 00:25:36.880
<v Speaker 1>But when when Han.

488
00:25:38.319 --> 00:25:41.160
<v Speaker 2>Uh, you know when he's when he when he's captured

489
00:25:41.200 --> 00:25:45.400
<v Speaker 2>by Java. Mm, well he's already been captured by Job. Okay,

490
00:25:45.400 --> 00:25:45.799
<v Speaker 2>I'm doing.

491
00:25:48.279 --> 00:25:49.319
<v Speaker 1>I understand what you're saying.

492
00:25:49.359 --> 00:25:54.920
<v Speaker 2>Yeah, where Chewy has been purchased by Jaba and after

493
00:25:55.039 --> 00:25:59.480
<v Speaker 2>Han is out of the carbonite, but he doesn't have

494
00:25:59.519 --> 00:26:01.079
<v Speaker 2>his eyes back, and we see Chewy kind of come

495
00:26:01.079 --> 00:26:01.799
<v Speaker 2>out of the shadows.

496
00:26:01.839 --> 00:26:07.160
<v Speaker 1>Anyway, it just reminds me of that it looks very similar. Yeah, yeah,

497
00:26:07.200 --> 00:26:07.759
<v Speaker 1>but this is.

498
00:26:07.680 --> 00:26:11.480
<v Speaker 2>Fun, right, we can see a bromance is born exactly

499
00:26:11.680 --> 00:26:12.319
<v Speaker 2>for the ages.

500
00:26:12.759 --> 00:26:17.000
<v Speaker 1>Yeah, all right, now I gotta ask. I mean, this

501
00:26:17.039 --> 00:26:19.359
<v Speaker 1>is the first time I think we've seen a human

502
00:26:19.519 --> 00:26:25.359
<v Speaker 1>type character speak Wookie. Yeah, like work for you? Or

503
00:26:25.400 --> 00:26:33.880
<v Speaker 1>does it feel slightly silly? Yes? To both? Agreed? I

504
00:26:33.920 --> 00:26:37.720
<v Speaker 1>actually I agree, I am very much. I'm always you know,

505
00:26:37.839 --> 00:26:40.880
<v Speaker 1>ABC or d if D is roll with it. Yeah,

506
00:26:40.920 --> 00:26:42.480
<v Speaker 1>when it comes to any of those sorts of questions

507
00:26:42.480 --> 00:26:44.480
<v Speaker 1>with this movie, I'm going to be going with roll

508
00:26:44.519 --> 00:26:49.400
<v Speaker 1>with it, but slightly silly too.

509
00:26:51.440 --> 00:26:55.599
<v Speaker 2>Yeah, but I see, to me, there's something about the

510
00:26:56.000 --> 00:27:01.839
<v Speaker 2>fact that Han is the only one who who was like, well,

511
00:27:01.839 --> 00:27:02.960
<v Speaker 2>why don't we just talk to him?

512
00:27:03.119 --> 00:27:05.920
<v Speaker 1>You know? Yep, yep, And he can't have that sort

513
00:27:05.960 --> 00:27:08.200
<v Speaker 1>of connection with him he knows a little bit about

514
00:27:08.240 --> 00:27:11.759
<v Speaker 1>his his uh ways exactly.

515
00:27:12.039 --> 00:27:15.599
<v Speaker 2>It's it's like you know Chief in that the Simpsons

516
00:27:15.599 --> 00:27:18.640
<v Speaker 2>that's doing the the one floor with the cuckoos nest thing.

517
00:27:19.720 --> 00:27:23.559
<v Speaker 2>Oh yeah, numbers he talks, well, nobody ever said anything

518
00:27:23.599 --> 00:27:23.839
<v Speaker 2>to me.

519
00:27:24.720 --> 00:27:26.960
<v Speaker 1>Right, yeah, yeah, sure. They just treat him like a

520
00:27:26.960 --> 00:27:31.720
<v Speaker 1>beast chained in a little dungeon thing exactly. Wise, and

521
00:27:31.759 --> 00:27:37.000
<v Speaker 1>he asks him his name. What a concept. Yeah, but man,

522
00:27:37.079 --> 00:27:39.200
<v Speaker 1>this movie is murky looking.

523
00:27:39.960 --> 00:27:46.839
<v Speaker 2>I I wish it looked a little more, I don't know,

524
00:27:46.960 --> 00:27:52.200
<v Speaker 2>you know, like a little more like traditional Star Wars.

525
00:27:52.440 --> 00:27:57.319
<v Speaker 1>Yeah. I can appreciate it for some moody atmosphere from

526
00:27:57.319 --> 00:28:02.400
<v Speaker 1>time to time, depending on where they are. But the thing,

527
00:28:02.519 --> 00:28:05.000
<v Speaker 1>you know, I'll just speak for myself. I sort of

528
00:28:05.039 --> 00:28:08.079
<v Speaker 1>complain a little bit these days when people only build

529
00:28:08.279 --> 00:28:09.720
<v Speaker 1>parts and it has been going for a long time,

530
00:28:09.720 --> 00:28:11.640
<v Speaker 1>but I think they've taken to extreme these days where

531
00:28:11.640 --> 00:28:15.880
<v Speaker 1>they build parts of sets and then they fill out

532
00:28:15.880 --> 00:28:19.160
<v Speaker 1>the rest either through like the volume or CGI or whatever,

533
00:28:19.319 --> 00:28:22.079
<v Speaker 1>And so there really doesn't feel like there's any depth,

534
00:28:23.079 --> 00:28:26.079
<v Speaker 1>you know, or or anything to a lot of locations

535
00:28:26.119 --> 00:28:29.680
<v Speaker 1>anymore in big budgeted movies, unfortunately. And this movie appears

536
00:28:29.720 --> 00:28:32.319
<v Speaker 1>to have that depth. It has the locations, it has

537
00:28:32.400 --> 00:28:34.319
<v Speaker 1>the sets that they built, and I kind of hate

538
00:28:34.319 --> 00:28:37.599
<v Speaker 1>that they're obscured by all this murkiness. But you know,

539
00:28:37.920 --> 00:28:39.279
<v Speaker 1>that's not to say that I don't like that as

540
00:28:39.279 --> 00:28:41.079
<v Speaker 1>a style. I mean, I think of The Godfather or

541
00:28:41.079 --> 00:28:45.039
<v Speaker 1>even Amadais, you know, movies that were lit by literal

542
00:28:45.119 --> 00:28:50.000
<v Speaker 1>candlelight in some instances, I think it can fit sometimes,

543
00:28:50.000 --> 00:28:54.160
<v Speaker 1>but even Amideis is more brightly lit than this movie. Yeah.

544
00:28:54.519 --> 00:28:58.240
<v Speaker 1>So it looks kind of like the settings on your

545
00:28:58.279 --> 00:29:01.160
<v Speaker 1>TV got you know, put back to factory setting and

546
00:29:01.200 --> 00:29:03.559
<v Speaker 1>you need to readjust them or something. Yeah, I know.

547
00:29:03.680 --> 00:29:07.279
<v Speaker 2>I mean as I was rewatching, I was monking around

548
00:29:07.279 --> 00:29:10.319
<v Speaker 2>with my settings just so just trying to figure out, like,

549
00:29:10.480 --> 00:29:12.720
<v Speaker 2>is my my monitor burning out?

550
00:29:12.880 --> 00:29:13.960
<v Speaker 1>You know? Interesting?

551
00:29:16.480 --> 00:29:20.759
<v Speaker 2>So, I know, Brian, you've been waiting to see Han

552
00:29:20.799 --> 00:29:22.599
<v Speaker 2>and Chewy shower together for a long time.

553
00:29:22.759 --> 00:29:24.640
<v Speaker 1>So I was so I was like, where's this going.

554
00:29:25.200 --> 00:29:27.880
<v Speaker 2>I remember, excitedly you were punching my arm as we

555
00:29:27.920 --> 00:29:28.519
<v Speaker 2>were watching this.

556
00:29:28.759 --> 00:29:31.079
<v Speaker 1>Yeah. I pulled up my Bengo car and crossed the

557
00:29:31.119 --> 00:29:32.319
<v Speaker 1>little X off a box.

558
00:29:32.519 --> 00:29:36.839
<v Speaker 2>You excitedly pulled out a scroll of your Chewy Han

559
00:29:37.039 --> 00:29:41.599
<v Speaker 2>shower fan fix and and rubbed them in my face.

560
00:29:41.640 --> 00:29:44.519
<v Speaker 2>And I was like, okay, yeah, I got.

561
00:29:48.359 --> 00:29:51.119
<v Speaker 1>Speaking of the dice, do you remember that we we

562
00:29:51.119 --> 00:29:53.400
<v Speaker 1>we I brought up some dice for us when we

563
00:29:53.440 --> 00:29:56.000
<v Speaker 1>saw this, just to mark the occasion, because I thought

564
00:29:56.000 --> 00:29:57.880
<v Speaker 1>it was really fun and special, and so I have

565
00:29:57.960 --> 00:30:03.799
<v Speaker 1>them actually right next to me here in my car. Yeah.

566
00:30:04.359 --> 00:30:07.599
<v Speaker 1>This is nice, a nice. You know. It's that's another

567
00:30:07.640 --> 00:30:11.960
<v Speaker 1>thing too, you notice, Like movies, I think as the

568
00:30:12.039 --> 00:30:13.680
<v Speaker 1>years go on, I mean, I know people have been

569
00:30:13.680 --> 00:30:16.839
<v Speaker 1>complaining about MTV editing for the longest time, and movies

570
00:30:16.880 --> 00:30:19.680
<v Speaker 1>have been speeding up. But you know, I've spoken with

571
00:30:19.839 --> 00:30:23.920
<v Speaker 1>editors and they're like, oh yeah, like they executives, whoever

572
00:30:24.000 --> 00:30:27.519
<v Speaker 1>the powers that be that ultimately make the decisions. It's

573
00:30:27.519 --> 00:30:29.799
<v Speaker 1>like they just don't trust an audience is willing to

574
00:30:29.880 --> 00:30:32.920
<v Speaker 1>sit and listen for very long, right, And so you

575
00:30:32.960 --> 00:30:35.799
<v Speaker 1>know scenes where two characters are just kind of talking

576
00:30:35.839 --> 00:30:38.079
<v Speaker 1>and maybe it's not progressing the story, but it is

577
00:30:39.519 --> 00:30:42.519
<v Speaker 1>illuminating something, you know, it is helping us to understand

578
00:30:42.559 --> 00:30:44.920
<v Speaker 1>the characters better. It's they get nervous about those types

579
00:30:44.960 --> 00:30:47.039
<v Speaker 1>of scenes. And I thought about that during that moment

580
00:30:47.079 --> 00:30:51.119
<v Speaker 1>where Han and Chew we are just standing on that

581
00:30:51.160 --> 00:30:54.039
<v Speaker 1>little balcony sort of area, just so, what's your name,

582
00:30:54.160 --> 00:30:56.119
<v Speaker 1>you know, just kind of talking to each other, and

583
00:30:56.160 --> 00:30:59.839
<v Speaker 1>it it makes their relationship, you know, more believable in

584
00:30:59.880 --> 00:31:03.279
<v Speaker 1>meaningful later in the movie. So I I admire the

585
00:31:03.279 --> 00:31:08.400
<v Speaker 1>movie for having the patience for those quieter moments too. Yeah.

586
00:31:08.599 --> 00:31:11.680
<v Speaker 2>Well, I think this is where, you know, to some extent,

587
00:31:11.880 --> 00:31:14.119
<v Speaker 2>you know, you can switch up certain aspects of Star

588
00:31:14.160 --> 00:31:19.079
<v Speaker 2>Wars films, but you are behold and to the storytelling

589
00:31:19.119 --> 00:31:22.960
<v Speaker 2>approach of of the films up to this time, right,

590
00:31:23.519 --> 00:31:25.599
<v Speaker 2>And I think that's where it works in this movie's favor.

591
00:31:26.000 --> 00:31:26.400
<v Speaker 1>Hmmm.

592
00:31:26.559 --> 00:31:29.279
<v Speaker 2>Sure, you can't mix it up too much. And maybe

593
00:31:29.319 --> 00:31:31.480
<v Speaker 2>you know, as we record this, we have not seen

594
00:31:31.519 --> 00:31:35.000
<v Speaker 2>Mandalorian and Grogu yet. Maybe you know that's they're just

595
00:31:35.039 --> 00:31:38.200
<v Speaker 2>gonna They're just gonna Michael Bay Armageddon, that thing. I

596
00:31:38.279 --> 00:31:42.440
<v Speaker 2>have no idea, I suspect not. I mean it's John Favreau,

597
00:31:42.440 --> 00:31:42.599
<v Speaker 2>you know.

598
00:31:42.880 --> 00:31:44.519
<v Speaker 1>Yeah, I was just about to say, yeah, you.

599
00:31:44.480 --> 00:31:47.680
<v Speaker 2>Know, but but but you know, I think that works

600
00:31:47.680 --> 00:31:51.000
<v Speaker 2>in his favorite Star Wars is meant to be old

601
00:31:51.039 --> 00:31:52.039
<v Speaker 2>fashioned in some way.

602
00:31:52.240 --> 00:31:55.720
<v Speaker 1>M m. That works in his favor. Well, And that's

603
00:31:55.720 --> 00:31:57.920
<v Speaker 1>what I kept thinking as I was watching this, and

604
00:31:57.960 --> 00:32:00.039
<v Speaker 1>even you know, by the time it was over, this

605
00:32:00.160 --> 00:32:04.880
<v Speaker 1>is a very old fashioned story. Yeah, you know, a

606
00:32:04.920 --> 00:32:11.359
<v Speaker 1>real hero's journey and just lessons learned. And I don't know,

607
00:32:11.400 --> 00:32:13.640
<v Speaker 1>I just it doesn't feel like it needs to subvert.

608
00:32:13.880 --> 00:32:15.640
<v Speaker 1>I mean, there are twists and turns, but it doesn't

609
00:32:15.680 --> 00:32:18.680
<v Speaker 1>need to like subvert for the sake of subverting to

610
00:32:18.759 --> 00:32:22.000
<v Speaker 1>try to get you know, triple fake out the audience

611
00:32:22.079 --> 00:32:26.119
<v Speaker 1>or anything like. It's just a good, solid story about

612
00:32:26.160 --> 00:32:28.319
<v Speaker 1>a guy we like and are interested in. And I

613
00:32:28.440 --> 00:32:32.680
<v Speaker 1>just really admire it. It just feels old fashioned as

614
00:32:32.880 --> 00:32:36.599
<v Speaker 1>and I say it as a high compliment, confident in

615
00:32:36.640 --> 00:32:39.119
<v Speaker 1>its story and that we will go on that ride

616
00:32:39.119 --> 00:32:44.960
<v Speaker 1>and and you know, enjoy going on it with him.

617
00:32:45.279 --> 00:32:50.559
<v Speaker 2>Well, and and this sequence gets us as close to

618
00:32:50.920 --> 00:32:54.039
<v Speaker 2>you know, Indie with the whip and the you know,

619
00:32:54.519 --> 00:32:58.799
<v Speaker 2>sure with him getting his blaster, and I was I

620
00:32:58.880 --> 00:33:02.680
<v Speaker 2>was thinking, later, you know when you see him wielding

621
00:33:02.720 --> 00:33:05.759
<v Speaker 2>the blaster, you know, during the Kessel sequence, then later

622
00:33:05.880 --> 00:33:08.799
<v Speaker 2>like that blaster does a lot of the lot of

623
00:33:08.839 --> 00:33:13.799
<v Speaker 2>the lifting to give us like the silhouette of Han solo,

624
00:33:13.920 --> 00:33:17.880
<v Speaker 2>you know. Yeah, yeah, it's kind of remarkable. It's a

625
00:33:17.960 --> 00:33:19.759
<v Speaker 2>it's a hell of an iconic gun.

626
00:33:20.359 --> 00:33:24.759
<v Speaker 1>Definitely, and we get the iconic pose, you know, when

627
00:33:24.799 --> 00:33:29.960
<v Speaker 1>he's holding people off when there's that robot slave revolt. Yeah,

628
00:33:30.000 --> 00:33:31.480
<v Speaker 1>which is funny because when I think, well, no, I

629
00:33:31.480 --> 00:33:33.160
<v Speaker 1>guess it does happen in the movies. I was gonna say,

630
00:33:33.160 --> 00:33:36.279
<v Speaker 1>I mostly know what I think from promotional materials, but

631
00:33:36.359 --> 00:33:36.920
<v Speaker 1>that's not true.

632
00:33:38.960 --> 00:33:42.279
<v Speaker 2>Well, like in A New Hope when exactly when he's

633
00:33:43.160 --> 00:33:47.480
<v Speaker 2>when he's about to board the falcon and on indoor, Yeah,

634
00:33:47.480 --> 00:33:48.400
<v Speaker 2>I'm doing that exactly.

635
00:33:48.759 --> 00:33:55.759
<v Speaker 1>Yeah. It is interesting though it seems people understand Chewy.

636
00:33:55.880 --> 00:33:58.599
<v Speaker 1>Maybe they can't speak, well he doesn't, as I said that,

637
00:33:59.480 --> 00:34:03.279
<v Speaker 1>but other characters seem to pick up on what he's saying.

638
00:34:03.400 --> 00:34:05.359
<v Speaker 1>Or am I wrong? Well, I I just sort of

639
00:34:05.359 --> 00:34:06.279
<v Speaker 1>miss it the whole time.

640
00:34:06.839 --> 00:34:08.320
<v Speaker 2>Han is translating for him.

641
00:34:08.599 --> 00:34:13.519
<v Speaker 1>Yeah, but in the other films, I mean, do people

642
00:34:13.559 --> 00:34:15.159
<v Speaker 1>actually know what he's saying or are they just rolling

643
00:34:15.159 --> 00:34:16.960
<v Speaker 1>with his mood.

644
00:34:17.760 --> 00:34:22.559
<v Speaker 2>I think for the most part, they don't direct, like,

645
00:34:22.599 --> 00:34:24.840
<v Speaker 2>they don't converse with Chewy like Han does.

646
00:34:25.239 --> 00:34:27.840
<v Speaker 1>I'm like having a moment where I'm like realizing this now,

647
00:34:27.960 --> 00:34:30.119
<v Speaker 1>sort of like usual suspects, Like I'm seeing all the

648
00:34:30.159 --> 00:34:32.280
<v Speaker 1>scenes again in my head, like, wait, were they not

649
00:34:32.440 --> 00:34:34.400
<v Speaker 1>understanding him? Yeah?

650
00:34:34.440 --> 00:34:38.400
<v Speaker 2>Because if you remember in the Force Awakens, when Han

651
00:34:38.440 --> 00:34:43.360
<v Speaker 2>and Chewie first come aboard the falcon, Ray is the

652
00:34:43.400 --> 00:34:48.800
<v Speaker 2>first one to speak to him, and Finn is like,

653
00:34:48.920 --> 00:34:50.079
<v Speaker 2>you can understand that thing.

654
00:34:50.960 --> 00:34:51.719
<v Speaker 1>Yeah, you're right.

655
00:34:52.360 --> 00:34:56.920
<v Speaker 2>So other than Han, Ray is the first one to

656
00:34:57.000 --> 00:35:02.920
<v Speaker 2>actually speak or yeah to you know, which just goes

657
00:35:02.960 --> 00:35:06.920
<v Speaker 2>to why she's a Mary Sue, right, Brian, Well, I was.

658
00:35:06.880 --> 00:35:11.079
<v Speaker 1>Gonna say, I guess that's a really good way to

659
00:35:11.559 --> 00:35:15.679
<v Speaker 1>immediately make us feel like a character is connected you

660
00:35:15.840 --> 00:35:19.280
<v Speaker 1>or someone we can trust, right because he becomes her copilot.

661
00:35:19.920 --> 00:35:22.719
<v Speaker 2>That's a normal reaction, Brian. But we're talking about Star

662
00:35:22.760 --> 00:35:25.239
<v Speaker 2>Wars fans, so I don't know what the hell you're doing.

663
00:35:25.039 --> 00:35:29.559
<v Speaker 1>Here, right. I love this sequence, by the way, this

664
00:35:29.639 --> 00:35:29.920
<v Speaker 1>is great.

665
00:35:29.920 --> 00:35:31.639
<v Speaker 2>I was about to say, what are great heists sequence

666
00:35:31.679 --> 00:35:32.079
<v Speaker 2>we have here?

667
00:35:32.320 --> 00:35:37.119
<v Speaker 1>Totally cool, very western, you know, but like in a

668
00:35:37.199 --> 00:35:41.199
<v Speaker 1>Star Wars setting, right, So it's this. I love the

669
00:35:41.239 --> 00:35:43.920
<v Speaker 1>idea of this track, and it's built to go around

670
00:35:43.960 --> 00:35:47.519
<v Speaker 1>these mountains, so every now and then it'll tilt, you know,

671
00:35:48.880 --> 00:35:52.679
<v Speaker 1>which creates a great occasional issue for the characters trying

672
00:35:52.719 --> 00:35:54.360
<v Speaker 1>to stand on top of the train. They got to

673
00:35:54.400 --> 00:35:56.440
<v Speaker 1>hold on at certain points because the train is tilting.

674
00:35:56.719 --> 00:36:04.880
<v Speaker 1>So it's great. John Favreaux, I forgot that he voiced

675
00:36:04.920 --> 00:36:06.079
<v Speaker 1>that pilot character.

676
00:36:06.599 --> 00:36:10.159
<v Speaker 2>Yeah, and this is pre Mandalorian, so he just did

677
00:36:10.199 --> 00:36:12.719
<v Speaker 2>this for love of the game. M They're like, you

678
00:36:12.760 --> 00:36:15.280
<v Speaker 2>want to voice a weird monkey man and he's like,

679
00:36:16.159 --> 00:36:17.119
<v Speaker 2>you're goddamn right.

680
00:36:20.239 --> 00:36:23.360
<v Speaker 1>But you know, a lot of times I'm always pointing

681
00:36:23.360 --> 00:36:24.840
<v Speaker 1>out visual effects and being like, why does it look

682
00:36:24.840 --> 00:36:27.639
<v Speaker 1>so flat? Why is it blah blah blah. But this

683
00:36:27.840 --> 00:36:32.119
<v Speaker 1>looks great. Yeah, I feel like everything blends together. Well,

684
00:36:34.480 --> 00:36:36.960
<v Speaker 1>I don't know what's real, what isn't. I think there's

685
00:36:37.079 --> 00:36:39.960
<v Speaker 1>enough of it that's real that these actors are walking

686
00:36:40.000 --> 00:36:44.559
<v Speaker 1>on that makes it believable to me, Right, that they're

687
00:36:44.599 --> 00:36:46.920
<v Speaker 1>in this environment and the way that they blend with

688
00:36:47.000 --> 00:36:49.599
<v Speaker 1>whatever isn't there. I just I think this is really

689
00:36:49.760 --> 00:36:50.599
<v Speaker 1>exceptionally done.

690
00:36:52.280 --> 00:36:56.360
<v Speaker 2>It's a terrific sequence. I mean, we get several solid

691
00:36:56.400 --> 00:37:01.000
<v Speaker 2>action sequences in this film, and that really helps.

692
00:37:01.480 --> 00:37:07.840
<v Speaker 1>Yep. But you know, I don't know if I want

693
00:37:07.840 --> 00:37:14.719
<v Speaker 1>to save it, yeah, I'll save it, Okay. Suspense, Yeah,

694
00:37:14.760 --> 00:37:15.360
<v Speaker 1>I mean, do.

695
00:37:15.639 --> 00:37:17.679
<v Speaker 2>We want to talk about the absolute shit show that

696
00:37:17.760 --> 00:37:18.840
<v Speaker 2>went on behind the scenes of this?

697
00:37:18.960 --> 00:37:21.039
<v Speaker 1>I was gonna say, yeah, I mean, I got notes

698
00:37:22.079 --> 00:37:26.519
<v Speaker 1>whenever we're ready? Yeah, where to begin?

699
00:37:28.679 --> 00:37:38.719
<v Speaker 2>Well, you know, what's what's remarkable is how it, unfortunately

700
00:37:38.840 --> 00:37:42.880
<v Speaker 2>behind the scenes chaos sort of came to characterize the

701
00:37:43.039 --> 00:37:47.960
<v Speaker 2>entirety of Kathleen Kennedy's time in so far as the

702
00:37:49.000 --> 00:37:51.679
<v Speaker 2>big screen portion of the Star Wars franchise.

703
00:37:52.800 --> 00:37:56.039
<v Speaker 1>That is a great point because everyone was happy with

704
00:37:56.039 --> 00:37:59.800
<v Speaker 1>Force Awakens. Yeah, right, so you're saying this, you think

705
00:37:59.800 --> 00:38:00.679
<v Speaker 1>this was when.

706
00:38:02.639 --> 00:38:07.119
<v Speaker 2>I mean it started really with Rogue one, right, which,

707
00:38:08.079 --> 00:38:11.719
<v Speaker 2>like they they kind of snuck that one out and

708
00:38:11.719 --> 00:38:16.199
<v Speaker 2>and it did okay, so they looked past that the

709
00:38:16.199 --> 00:38:18.960
<v Speaker 2>the you know, I mean it, what you realize in

710
00:38:19.039 --> 00:38:22.400
<v Speaker 2>hindsight is how much of it was Frankenstein together, you know,

711
00:38:23.800 --> 00:38:27.119
<v Speaker 2>And I think to some extent the brain trust that

712
00:38:27.239 --> 00:38:28.880
<v Speaker 2>lucasfilm got it in their heads, oh we can just

713
00:38:28.880 --> 00:38:33.000
<v Speaker 2>do this all the time, and and then it just

714
00:38:33.079 --> 00:38:36.559
<v Speaker 2>caught up to them here, you know. H but you

715
00:38:36.679 --> 00:38:40.400
<v Speaker 2>had this and what became Rise of Skywalker in rapid

716
00:38:40.440 --> 00:38:46.559
<v Speaker 2>succession go through something similar, you know, and it is

717
00:38:46.559 --> 00:38:47.440
<v Speaker 2>what it is, you know.

718
00:38:48.599 --> 00:38:50.039
<v Speaker 1>Yeah. By the way, I just want to call it

719
00:38:50.079 --> 00:38:55.079
<v Speaker 1>that move where Han is going to hit that I

720
00:38:55.079 --> 00:38:57.480
<v Speaker 1>don't even know what is that little tower as he's

721
00:38:57.519 --> 00:38:59.239
<v Speaker 1>dangling on the side of the train. So I love

722
00:38:59.239 --> 00:39:02.079
<v Speaker 1>the way he has to improves where he lets undoes

723
00:39:02.159 --> 00:39:05.239
<v Speaker 1>his cable so he drops and miss is hitting the tower,

724
00:39:05.280 --> 00:39:06.800
<v Speaker 1>but then he's got to grab onto the bottom of

725
00:39:06.800 --> 00:39:11.039
<v Speaker 1>the train. It's just so very Spielbergie and inventive and

726
00:39:11.159 --> 00:39:18.880
<v Speaker 1>using your environment for exciting action. Yeah, that's great stuff. Yeah.

727
00:39:18.920 --> 00:39:22.440
<v Speaker 1>Well so, I mean this was part of the initiative

728
00:39:22.559 --> 00:39:26.119
<v Speaker 1>right when they were kicking Star Wars back off under

729
00:39:26.159 --> 00:39:29.280
<v Speaker 1>the Disney regime. It's like, we're gonna have Skywalker sequels,

730
00:39:29.280 --> 00:39:31.880
<v Speaker 1>but we're also gonna have these other stories, you know

731
00:39:32.199 --> 00:39:35.599
<v Speaker 1>that involve other characters, the origin stories of some of

732
00:39:35.639 --> 00:39:39.199
<v Speaker 1>our characters. And to make sure that they felt you know,

733
00:39:39.280 --> 00:39:44.199
<v Speaker 1>legitimate and make fans excited, they brought back, you know,

734
00:39:44.280 --> 00:39:46.760
<v Speaker 1>the legendary people who were involved in the original movies

735
00:39:46.800 --> 00:39:50.920
<v Speaker 1>that we all loved. Right, So Lawrence Kasden like not,

736
00:39:51.199 --> 00:39:53.599
<v Speaker 1>you know, you could imagine when they say we're gonna

737
00:39:53.599 --> 00:39:56.639
<v Speaker 1>do an origin story for Han Solo, people like, uh,

738
00:39:56.679 --> 00:39:59.960
<v Speaker 1>You're like written by Lawrence Kasden, Right, the guy who

739
00:40:00.079 --> 00:40:02.440
<v Speaker 1>wrote Empire Strikes Back, co wrote Return of the Jedi,

740
00:40:02.519 --> 00:40:03.760
<v Speaker 1>wrote Raiders of the Lost Arc.

741
00:40:03.840 --> 00:40:05.920
<v Speaker 2>You're like, oh, go on.

742
00:40:06.239 --> 00:40:10.440
<v Speaker 1>Right exactly, And so then Lawrence Kasden was like, cool,

743
00:40:10.480 --> 00:40:13.199
<v Speaker 1>but I want to do this with my son, right, Jonathan,

744
00:40:14.280 --> 00:40:19.519
<v Speaker 1>And so they wrote this script together. Lucasfilm's like, great,

745
00:40:19.559 --> 00:40:23.760
<v Speaker 1>let's make this. And then they brought on Phil Lord

746
00:40:23.760 --> 00:40:28.840
<v Speaker 1>and Christopher Miller to direct. And they are interesting choices

747
00:40:30.000 --> 00:40:33.880
<v Speaker 1>because right they begin an animation, they do a show

748
00:40:33.920 --> 00:40:36.440
<v Speaker 1>for MTV called Clone High, and then they make a

749
00:40:36.480 --> 00:40:38.920
<v Speaker 1>movie for Sony called Claudie with a Chance of Meatballs,

750
00:40:40.360 --> 00:40:43.159
<v Speaker 1>which I think, you know, I mean, that was a

751
00:40:43.199 --> 00:40:45.079
<v Speaker 1>huge catapult for them right where it was this sort

752
00:40:45.119 --> 00:40:48.440
<v Speaker 1>of it was a book originally that I don't think

753
00:40:48.480 --> 00:40:50.960
<v Speaker 1>had a lot of plot, and they turned it in

754
00:40:51.039 --> 00:40:59.239
<v Speaker 1>this really funny, sweet, inventive, clever kids film that I

755
00:40:59.320 --> 00:41:01.639
<v Speaker 1>remember hearing like, actually, this movie's pretty good. You should

756
00:41:01.679 --> 00:41:04.199
<v Speaker 1>check it out. And so kids liked it, adults liked it,

757
00:41:04.760 --> 00:41:07.519
<v Speaker 1>and then they went, I believe did they do the

758
00:41:07.519 --> 00:41:10.239
<v Speaker 1>twenty one Jump Street movies? Next d did? Yeah, which

759
00:41:10.320 --> 00:41:12.039
<v Speaker 1>is hilarious because it's like, Okay, the guys who made

760
00:41:12.039 --> 00:41:15.039
<v Speaker 1>this really cute family movie now, either way, real quick,

761
00:41:15.079 --> 00:41:17.639
<v Speaker 1>Brian no please? Yeah? Rio right here.

762
00:41:17.480 --> 00:41:20.159
<v Speaker 2>As he coughs and wheezes the last he says it's

763
00:41:20.199 --> 00:41:22.960
<v Speaker 2>no good to die alone, kid to hanh And I'm

764
00:41:22.960 --> 00:41:26.360
<v Speaker 2>gonna say, I don't know, maybe dying alone beats getting

765
00:41:26.440 --> 00:41:31.639
<v Speaker 2>stabbed in the chest by your son, just putting that

766
00:41:31.679 --> 00:41:33.119
<v Speaker 2>out there, right.

767
00:41:33.400 --> 00:41:35.239
<v Speaker 1>Oh, I didn't even you know what, I didn't even

768
00:41:35.280 --> 00:41:39.280
<v Speaker 1>think about. We're seeing this young Han and then connecting

769
00:41:39.360 --> 00:41:41.400
<v Speaker 1>him to his death.

770
00:41:42.079 --> 00:41:44.800
<v Speaker 2>Yeah, anyway, go on anyway.

771
00:41:44.920 --> 00:41:46.800
<v Speaker 1>Yeah. So they make twenty one Jump Street, which is

772
00:41:46.880 --> 00:41:49.079
<v Speaker 1>just a completely different sort of thing. Right. They make

773
00:41:49.119 --> 00:41:56.440
<v Speaker 1>this hard R like kind of improvisation comedy, right, and

774
00:41:57.000 --> 00:42:00.440
<v Speaker 1>it's a remake of a kind of forgotten nineteen eighties

775
00:42:00.800 --> 00:42:03.719
<v Speaker 1>TV series that has a very goofy premise, right, where

776
00:42:03.760 --> 00:42:07.880
<v Speaker 1>these like cops go undercovers high school students, and so

777
00:42:07.920 --> 00:42:09.440
<v Speaker 1>it's like, what the heck is this? And then it

778
00:42:09.480 --> 00:42:13.000
<v Speaker 1>comes out and it's hilarious. Everyone's like, oh, this, this

779
00:42:13.079 --> 00:42:16.360
<v Speaker 1>is amazing. And then it's like, oh, well, now these

780
00:42:16.400 --> 00:42:19.320
<v Speaker 1>guys are going to make a Lego movie, right, which

781
00:42:19.360 --> 00:42:24.400
<v Speaker 1>just sounds very like like selling out commercial, you know, like,

782
00:42:24.639 --> 00:42:26.519
<v Speaker 1>are you gonna make like a toy movie based on this?

783
00:42:26.760 --> 00:42:28.000
<v Speaker 1>How do you even do that? What does it even

784
00:42:28.000 --> 00:42:31.119
<v Speaker 1>look like like? And then lo and behold they come

785
00:42:31.159 --> 00:42:33.599
<v Speaker 1>up with the Lego movie and it's brilliant.

786
00:42:34.599 --> 00:42:35.599
<v Speaker 2>Everything was awesome.

787
00:42:36.440 --> 00:42:42.880
<v Speaker 1>Yeah, it's just a really ingenious story that uses legos

788
00:42:43.079 --> 00:42:45.519
<v Speaker 1>and it becomes kind of its own thing. And you know, anyway,

789
00:42:45.519 --> 00:42:49.760
<v Speaker 1>it's all that to say, they have this really unusual career,

790
00:42:50.480 --> 00:42:52.920
<v Speaker 1>and they also had this knack for taking things that

791
00:42:52.960 --> 00:42:55.960
<v Speaker 1>feel like they shouldn't work right and then making hits

792
00:42:55.960 --> 00:43:00.440
<v Speaker 1>out of them that everybody loves. So you can see

793
00:43:00.440 --> 00:43:02.639
<v Speaker 1>why Lucasfilm might think, hey, you know, would be kind

794
00:43:02.639 --> 00:43:06.679
<v Speaker 1>of cool like Han Solo, it's an adventure film, but

795
00:43:06.719 --> 00:43:10.199
<v Speaker 1>he's also kind of roguish and funny, and you know,

796
00:43:10.480 --> 00:43:14.920
<v Speaker 1>you want to have like a humor to it also, right,

797
00:43:14.960 --> 00:43:17.920
<v Speaker 1>it's not just action and like what these guys did

798
00:43:17.920 --> 00:43:20.239
<v Speaker 1>the twenty one Jump Street thing and the Lego thing,

799
00:43:20.280 --> 00:43:21.880
<v Speaker 1>and they're just very inventive and they know how to

800
00:43:21.880 --> 00:43:23.880
<v Speaker 1>take things and make them feel fresh and exciting and

801
00:43:23.960 --> 00:43:27.199
<v Speaker 1>new and have a perspective on it. I could see

802
00:43:27.239 --> 00:43:31.800
<v Speaker 1>completely why they would bring those guys in to you know,

803
00:43:31.960 --> 00:43:35.039
<v Speaker 1>at least pitch on making a Han solo movie. I mean,

804
00:43:35.079 --> 00:43:37.719
<v Speaker 1>do you do you see that too now or does

805
00:43:37.719 --> 00:43:39.880
<v Speaker 1>that feel sort of like, well maybe that wasn't the best.

806
00:43:40.679 --> 00:43:43.880
<v Speaker 2>Well no, it makes it look look at who they

807
00:43:43.920 --> 00:43:47.559
<v Speaker 2>were roping in at the time, right, like like Ryan Johnson,

808
00:43:47.719 --> 00:43:51.960
<v Speaker 2>I mean again opinion of last Jedi, notwithstanding he you know,

809
00:43:52.039 --> 00:43:54.519
<v Speaker 2>he was coming off of Brick and Looper, young up

810
00:43:54.599 --> 00:43:58.079
<v Speaker 2>and coming right. H Remember Josh Trank was attached to

811
00:43:58.119 --> 00:44:00.639
<v Speaker 2>a Boba Fett movie for a minute, forgot about that,

812
00:44:00.679 --> 00:44:03.519
<v Speaker 2>but yes, yeah, right, you know, and so Lord and

813
00:44:03.559 --> 00:44:07.639
<v Speaker 2>Miller part of that wave, right, m you know, even

814
00:44:07.719 --> 00:44:11.119
<v Speaker 2>even Vennioffen. Weis right, it's like these these people who

815
00:44:11.119 --> 00:44:15.519
<v Speaker 2>are coming up who you know, I'm sure the thinking was,

816
00:44:15.599 --> 00:44:19.599
<v Speaker 2>you know, bring their perspectives, these new, unique, young, unique perspectives,

817
00:44:19.880 --> 00:44:25.480
<v Speaker 2>these young these filmmakers who no doubt grew up liking

818
00:44:25.519 --> 00:44:27.360
<v Speaker 2>Star Wars, and let them have their say in it.

819
00:44:27.800 --> 00:44:31.079
<v Speaker 2>And and so that was the thinking. And obviously the

820
00:44:31.079 --> 00:44:32.920
<v Speaker 2>way it went is is the way it went, which

821
00:44:32.920 --> 00:44:35.639
<v Speaker 2>I'm sure you'll talk about more, but I certainly don't

822
00:44:35.719 --> 00:44:39.880
<v Speaker 2>quibble with the choice to bring them on m You know,

823
00:44:39.920 --> 00:44:43.519
<v Speaker 2>I would say probably there was there was a lot

824
00:44:43.519 --> 00:44:46.559
<v Speaker 2>of stuff that was not clarified between the various parties

825
00:44:46.599 --> 00:44:47.199
<v Speaker 2>ahead of time.

826
00:44:48.280 --> 00:44:50.639
<v Speaker 1>Well, and that's true because when you say, you know,

827
00:44:50.880 --> 00:44:54.199
<v Speaker 1>young up and coming with Ryan Johnson, I think you

828
00:44:54.599 --> 00:44:58.079
<v Speaker 1>on paper could possibly say that about them because they

829
00:44:58.119 --> 00:45:02.199
<v Speaker 1>hadn't they'd taken some things that felt like underdog projects

830
00:45:02.239 --> 00:45:04.920
<v Speaker 1>and made them big. It wasn't like they've made a

831
00:45:04.920 --> 00:45:06.719
<v Speaker 1>Lord of the Rings movie or a Star Wars movie

832
00:45:06.800 --> 00:45:09.760
<v Speaker 1>or anything. At this point, however, they have had a

833
00:45:09.760 --> 00:45:14.440
<v Speaker 1>lot of success and clearly in their minds they have

834
00:45:14.559 --> 00:45:17.519
<v Speaker 1>a process that works for them. So you have to

835
00:45:17.559 --> 00:45:20.360
<v Speaker 1>imagine if they're being brought into something, they're thinking, yeah,

836
00:45:20.400 --> 00:45:22.679
<v Speaker 1>we'll do what we do because you like what we do.

837
00:45:23.639 --> 00:45:26.639
<v Speaker 2>Right, right, and and here's the thing, right, if I

838
00:45:26.679 --> 00:45:36.119
<v Speaker 2>can plot a parallel look at Joe and Anthony Russo. Right,

839
00:45:37.119 --> 00:45:40.199
<v Speaker 2>if you would have said, oh, these guys who direct

840
00:45:40.599 --> 00:45:45.559
<v Speaker 2>you know, Happy Endings and Arrested Development and community, Oh

841
00:45:45.559 --> 00:45:49.920
<v Speaker 2>they're gonna make this grounded, gritty political thriller, right, like

842
00:45:50.000 --> 00:45:55.719
<v Speaker 2>it doesn't line up, right, But what you realize is

843
00:45:55.840 --> 00:46:00.199
<v Speaker 2>that on the producing side, you know, obviously the the

844
00:46:00.960 --> 00:46:05.639
<v Speaker 2>ship had already been well established, right, So by then

845
00:46:06.320 --> 00:46:09.519
<v Speaker 2>we're two phases in, Kevin Feigey had already sort of

846
00:46:09.679 --> 00:46:12.639
<v Speaker 2>standardized how things work there, and people could work within,

847
00:46:13.440 --> 00:46:16.960
<v Speaker 2>people had flexibility within that, right, right. And I think

848
00:46:17.039 --> 00:46:19.239
<v Speaker 2>at this point this is not meant to like point

849
00:46:19.239 --> 00:46:21.119
<v Speaker 2>the finger of Blane at Kathleen Kennedy. I'm just saying,

850
00:46:21.119 --> 00:46:24.760
<v Speaker 2>like Star Wars being back, and Star Wars in this way,

851
00:46:24.760 --> 00:46:25.320
<v Speaker 2>it was sort of a.

852
00:46:25.320 --> 00:46:26.800
<v Speaker 1>Whole new thing. Yeah.

853
00:46:26.880 --> 00:46:31.880
<v Speaker 2>Yeah, so maybe there wasn't that that architecture in place

854
00:46:31.960 --> 00:46:32.880
<v Speaker 2>to work within.

855
00:46:33.440 --> 00:46:35.559
<v Speaker 1>Mm hmm. That's a really good point. Well, and then

856
00:46:35.599 --> 00:46:37.960
<v Speaker 1>that's one of the criticisms that comes up a lot

857
00:46:38.000 --> 00:46:41.159
<v Speaker 1>about the sequel trilogy is it doesn't feel like they

858
00:46:41.159 --> 00:46:44.719
<v Speaker 1>had a lot planned out in advance. They sort of

859
00:46:44.719 --> 00:46:46.639
<v Speaker 1>thought they would bring in exciting people and let them

860
00:46:46.639 --> 00:46:47.199
<v Speaker 1>do their thing.

861
00:46:48.280 --> 00:46:52.320
<v Speaker 2>And yeah, well, and that critique will will live, you know,

862
00:46:52.960 --> 00:46:56.400
<v Speaker 2>as long as film exists, which is, you knew you

863
00:46:56.440 --> 00:46:58.000
<v Speaker 2>were going to have three You're telling me you didn't

864
00:46:58.000 --> 00:46:59.360
<v Speaker 2>at least have three napkins?

865
00:47:00.880 --> 00:47:02.039
<v Speaker 1>Yeah, yeah, yeah, yeah.

866
00:47:01.840 --> 00:47:05.199
<v Speaker 2>With with a plot scribbled on them, you know, right,

867
00:47:07.039 --> 00:47:11.280
<v Speaker 2>that's just that'll baffle you know, generations to come, you know.

868
00:47:11.679 --> 00:47:14.599
<v Speaker 1>Yeah, yeah, but just real quick, just looking at what's

869
00:47:14.599 --> 00:47:18.039
<v Speaker 1>on screen, I do want to say I love this

870
00:47:18.239 --> 00:47:22.440
<v Speaker 1>idea of the coaxium. Yeah, the fuel. It's like a

871
00:47:22.480 --> 00:47:25.880
<v Speaker 1>great mcguffin that makes a lot of sense in this

872
00:47:26.000 --> 00:47:30.400
<v Speaker 1>universe that people can lose they need to get it back,

873
00:47:30.719 --> 00:47:35.159
<v Speaker 1>and it's also rare and highly volatile. Yeah, and what

874
00:47:35.280 --> 00:47:38.360
<v Speaker 1>a brilliant way of helping us understand that where we

875
00:47:38.400 --> 00:47:41.000
<v Speaker 1>see this heist and we know it's important, but they

876
00:47:41.000 --> 00:47:43.840
<v Speaker 1>lose it and it hits a mountain. This train car

877
00:47:43.920 --> 00:47:48.599
<v Speaker 1>filled with it hits a mountain and the mountain is leveled. Yeah, like,

878
00:47:48.760 --> 00:47:51.079
<v Speaker 1>you do not want to mess with this stuff.

879
00:47:51.840 --> 00:47:54.159
<v Speaker 2>By the way, real quick, doesn't han we're in that coat?

880
00:47:54.159 --> 00:47:56.199
<v Speaker 2>Doesn't he kind of look like that that tubby guy

881
00:47:56.239 --> 00:48:00.159
<v Speaker 2>who played Jaba in the original like deleted scene of

882
00:48:01.760 --> 00:48:04.679
<v Speaker 2>like yeah, yeah, sure sure, like before they added CG.

883
00:48:04.880 --> 00:48:10.679
<v Speaker 1>Java. Yeah, yeah, the Scottish actors like sol La Sola.

884
00:48:12.480 --> 00:48:16.239
<v Speaker 1>Yeah that's smarty. But then I love That's the thing too,

885
00:48:16.280 --> 00:48:17.719
<v Speaker 1>is when you do a Star Wars movie, there's things

886
00:48:17.760 --> 00:48:20.119
<v Speaker 1>you want to see that are you know, familiar stuff

887
00:48:20.159 --> 00:48:23.239
<v Speaker 1>you want to recognize. They keep going back to desert planets,

888
00:48:23.440 --> 00:48:26.039
<v Speaker 1>and I know that's been a criticism, but also it

889
00:48:26.079 --> 00:48:30.199
<v Speaker 1>delights me. What can I say? But I like when

890
00:48:30.239 --> 00:48:32.360
<v Speaker 1>they go to new places too, and see seeing the

891
00:48:32.400 --> 00:48:34.440
<v Speaker 1>Star Wars version of that. So now we're seeing a

892
00:48:34.480 --> 00:48:37.599
<v Speaker 1>Star Wars yacht, right, and the version of that is

893
00:48:37.639 --> 00:48:42.079
<v Speaker 1>it's not on water, but it's this big, elegant floating,

894
00:48:43.000 --> 00:48:49.639
<v Speaker 1>you know, ship basically, And I don't know, like certainly

895
00:48:49.639 --> 00:48:53.079
<v Speaker 1>like we have the casino thing in Last Jedi, which

896
00:48:53.119 --> 00:48:55.920
<v Speaker 1>I know some people are like and some don't. I

897
00:48:55.960 --> 00:48:57.760
<v Speaker 1>did because I was like, well, I've never seen this before.

898
00:48:57.800 --> 00:49:00.280
<v Speaker 1>This is it's cool seeing what that looks like, Like

899
00:49:00.400 --> 00:49:03.400
<v Speaker 1>what are the wealthy? How do they live in Star

900
00:49:03.440 --> 00:49:05.760
<v Speaker 1>Wars times? Because we're usually not in that world and

901
00:49:05.800 --> 00:49:08.719
<v Speaker 1>so this to me just I don't know, I I

902
00:49:08.880 --> 00:49:11.880
<v Speaker 1>like similar to that. I like this. I like seeing

903
00:49:12.239 --> 00:49:14.800
<v Speaker 1>Han who's probably never been in a place like this before,

904
00:49:15.079 --> 00:49:18.960
<v Speaker 1>wandering around this yacht and seeing you know, a lounge

905
00:49:18.960 --> 00:49:24.719
<v Speaker 1>singer and you know, people with serving trays and all

906
00:49:24.719 --> 00:49:27.400
<v Speaker 1>that sort of thing. Yeah, it's a good idea. It's

907
00:49:27.440 --> 00:49:30.920
<v Speaker 1>a new idea and it's fun this reunion, of course,

908
00:49:31.039 --> 00:49:32.880
<v Speaker 1>it's very sweet. I love them.

909
00:49:32.920 --> 00:49:34.159
<v Speaker 2>Elia Clark, She's great.

910
00:49:34.679 --> 00:49:38.119
<v Speaker 1>Yeah. Well you you've interviewed her and had a great experience.

911
00:49:37.719 --> 00:49:39.880
<v Speaker 2>Right, I've said before one of one of the best

912
00:49:39.880 --> 00:49:43.000
<v Speaker 2>interviews I had. She was just just just you know,

913
00:49:43.719 --> 00:49:47.679
<v Speaker 2>so fun, just very friendly.

914
00:49:47.760 --> 00:49:47.960
<v Speaker 1>You know.

915
00:49:50.800 --> 00:49:53.559
<v Speaker 2>I love her smile, you know, like you can see

916
00:49:53.599 --> 00:49:58.599
<v Speaker 2>why Han is like like, no, Kira would never like

917
00:49:59.079 --> 00:50:01.199
<v Speaker 2>I know, you know, she'd betray me or you know,

918
00:50:01.320 --> 00:50:04.440
<v Speaker 2>like because she just smiles and you just you just

919
00:50:04.840 --> 00:50:06.519
<v Speaker 2>can can just fall into it, you know.

920
00:50:07.760 --> 00:50:12.800
<v Speaker 1>Yeah, I really this story really works for me, the

921
00:50:12.840 --> 00:50:17.559
<v Speaker 1>two of them, because all he's been thinking about is

922
00:50:17.760 --> 00:50:20.880
<v Speaker 1>reuniting with her. And how can I reunite with her? Well,

923
00:50:20.880 --> 00:50:23.519
<v Speaker 1>then I'll join the military. I'll do like I'll join

924
00:50:23.559 --> 00:50:26.159
<v Speaker 1>these criminals. I'll do whatever it takes so I can

925
00:50:26.199 --> 00:50:28.719
<v Speaker 1>go get her. And so this reunion is everything to him,

926
00:50:29.239 --> 00:50:31.400
<v Speaker 1>and I love how she plays it because you can

927
00:50:31.440 --> 00:50:38.000
<v Speaker 1>see that she's excited too, but she also knows things

928
00:50:38.039 --> 00:50:42.440
<v Speaker 1>he doesn't know. She knows things have changed. Yeah, but

929
00:50:42.719 --> 00:50:47.719
<v Speaker 1>there is still a genuine joy in her eyes seeing him,

930
00:50:48.159 --> 00:50:50.679
<v Speaker 1>you know what I mean, Like that conflict and the

931
00:50:50.719 --> 00:50:53.239
<v Speaker 1>balance that she's trying to the tightrope. She's trying to

932
00:50:53.280 --> 00:50:56.320
<v Speaker 1>walk through this whole story with him and her relationship

933
00:50:56.360 --> 00:50:58.760
<v Speaker 1>with him. I like that. It's not like she smiles

934
00:50:58.760 --> 00:51:00.840
<v Speaker 1>at him and then he away and then we see

935
00:51:00.840 --> 00:51:04.639
<v Speaker 1>her smile drop and so the whole movie we're like, right, like,

936
00:51:04.800 --> 00:51:08.559
<v Speaker 1>oh that sucks. She's not with him, you know, in

937
00:51:08.599 --> 00:51:12.320
<v Speaker 1>her heart anymore. And I think they do a really

938
00:51:12.360 --> 00:51:16.639
<v Speaker 1>good job of she must do what she has to

939
00:51:16.679 --> 00:51:19.079
<v Speaker 1>do in this movie, but you can see her heart

940
00:51:19.119 --> 00:51:21.320
<v Speaker 1>fighting against it the whole way, and that, to me,

941
00:51:21.400 --> 00:51:25.960
<v Speaker 1>that's makes me I connect with that more. Yeah, no,

942
00:51:26.079 --> 00:51:32.840
<v Speaker 1>I totally agree. Yeah, Oh that was funny. By the way, too,

943
00:51:32.880 --> 00:51:36.000
<v Speaker 1>I do like the when Beck it's just like, you know,

944
00:51:36.119 --> 00:51:38.960
<v Speaker 1>no one in here is your friend, so don't even

945
00:51:39.000 --> 00:51:41.599
<v Speaker 1>like look at anybody, like look at the floor. And

946
00:51:41.639 --> 00:51:44.360
<v Speaker 1>then like he Han literally does that. He's like he's

947
00:51:44.400 --> 00:51:46.119
<v Speaker 1>like a grown man, but he's like walking through the

948
00:51:46.119 --> 00:51:48.559
<v Speaker 1>ship just looking at the ground, like, okay, look at anybody.

949
00:51:49.440 --> 00:51:54.320
<v Speaker 1>Something about that makes me laugh. Well, we should speaking changes. Yeah,

950
00:51:54.320 --> 00:51:56.639
<v Speaker 1>we gonna have to hopscotch stories here, but yeah, please.

951
00:51:56.639 --> 00:51:58.559
<v Speaker 2>Well Dryden boss, I think you're gonna say. This was

952
00:51:58.599 --> 00:52:03.480
<v Speaker 2>originally played by Michael Kenneth Williams, and then that was

953
00:52:03.519 --> 00:52:07.599
<v Speaker 2>in the Lord and Miller portion yep. And then after

954
00:52:07.639 --> 00:52:09.880
<v Speaker 2>the changes in the reshoots, he just wasn't available. I

955
00:52:09.880 --> 00:52:10.920
<v Speaker 2>think that's what it came down to.

956
00:52:10.880 --> 00:52:15.519
<v Speaker 1>You, right, Unfortunately, Yes, yeah, he scheduling made it so

957
00:52:15.559 --> 00:52:20.440
<v Speaker 1>he couldn't work with Ron Howard, but they did rethink

958
00:52:20.480 --> 00:52:22.119
<v Speaker 1>his character and.

959
00:52:22.239 --> 00:52:24.360
<v Speaker 2>He was supposed to be kind of a cat looking

960
00:52:24.599 --> 00:52:25.599
<v Speaker 2>thing or something, right.

961
00:52:25.679 --> 00:52:27.119
<v Speaker 1>Yeah. So I actually have a quote from him. It

962
00:52:27.159 --> 00:52:29.920
<v Speaker 1>was going to be a motion capture character and he

963
00:52:29.920 --> 00:52:33.719
<v Speaker 1>says it was half mountain lion, half human. Okay, just

964
00:52:33.840 --> 00:52:36.639
<v Speaker 1>reading his quotes here, he says he was extremely sophisticated,

965
00:52:36.760 --> 00:52:39.079
<v Speaker 1>very rich, he'd been around the world, older guy. And

966
00:52:39.119 --> 00:52:41.440
<v Speaker 1>it was sort of a love triangle between Emilia Clark's

967
00:52:41.519 --> 00:52:45.239
<v Speaker 1>character and the young Hans solo. He said it was

968
00:52:46.039 --> 00:52:47.679
<v Speaker 1>not necessarily a love triangle, but he said it was

969
00:52:47.719 --> 00:52:55.719
<v Speaker 1>a pissing contest for her attention. Hmm, very different, right,

970
00:52:55.760 --> 00:52:58.079
<v Speaker 1>And I think the thinking was, if there is going

971
00:52:58.119 --> 00:53:00.920
<v Speaker 1>to be this possible love trying, I don't know that i'd

972
00:53:00.920 --> 00:53:02.760
<v Speaker 1>call it a love triangle, but yeah, it certainly is

973
00:53:03.199 --> 00:53:06.119
<v Speaker 1>the attention of Kira, right. You know, you can see

974
00:53:06.119 --> 00:53:09.880
<v Speaker 1>your attention and feelings, as different as they may be

975
00:53:10.000 --> 00:53:13.679
<v Speaker 1>divided between Han and between Dryden and having him look

976
00:53:13.719 --> 00:53:17.199
<v Speaker 1>a little more human like versus a cat, I think

977
00:53:17.480 --> 00:53:19.760
<v Speaker 1>helps sell that, and you know, it makes it feel

978
00:53:19.760 --> 00:53:22.199
<v Speaker 1>like more of a threat to Han.

979
00:53:22.679 --> 00:53:25.440
<v Speaker 2>Yeah, you know, well, it's like, first of all, I think,

980
00:53:25.480 --> 00:53:27.199
<v Speaker 2>I think Paul Bettney's great in this movie.

981
00:53:27.239 --> 00:53:30.199
<v Speaker 1>I really like him. He's perfect because sometimes you kind

982
00:53:30.199 --> 00:53:32.480
<v Speaker 1>of he puts you at ease and you're like, Okay,

983
00:53:32.480 --> 00:53:34.440
<v Speaker 1>we're good, We're good. I mean, I know I'm not

984
00:53:34.480 --> 00:53:36.559
<v Speaker 1>in the best situation here, but he's being kind of

985
00:53:36.599 --> 00:53:38.360
<v Speaker 1>like friendly to me. But then he'll turn on a

986
00:53:38.400 --> 00:53:39.800
<v Speaker 1>dime and you're like, oh, he's gonna kill me.

987
00:53:40.840 --> 00:53:43.039
<v Speaker 2>That's well, he kind of lulls you because he's He's

988
00:53:43.119 --> 00:53:46.400
<v Speaker 2>Jarvis for goodness sake. You know, you get you get

989
00:53:46.440 --> 00:53:51.199
<v Speaker 2>pulled in by his voice. So he's great. However, you

990
00:53:51.239 --> 00:53:55.800
<v Speaker 2>know the fact that we missed out on ever having

991
00:53:55.880 --> 00:53:58.239
<v Speaker 2>Michael Kenneth Williams and Star Wars is such a shame.

992
00:53:58.840 --> 00:54:01.880
<v Speaker 1>I agree. I mean, his energy would be amazing right

993
00:54:02.000 --> 00:54:04.400
<v Speaker 1>in any of these movies. So I agree we're never

994
00:54:04.440 --> 00:54:08.079
<v Speaker 1>gonna have that opportunity again. Unfortunately, you know, Yeah, because

995
00:54:08.119 --> 00:54:11.920
<v Speaker 1>he passed away. Also should note I didn't know this

996
00:54:12.000 --> 00:54:15.239
<v Speaker 1>until I did the research, but Dryden scars on his

997
00:54:15.360 --> 00:54:20.920
<v Speaker 1>face are cgi added in post. Really is that nuts?

998
00:54:21.519 --> 00:54:24.159
<v Speaker 1>That's fascinating. They look really good.

999
00:54:24.639 --> 00:54:25.119
<v Speaker 2>That's great.

1000
00:54:25.280 --> 00:54:27.519
<v Speaker 1>Yeah, And what's cool is when he gets angry they

1001
00:54:27.519 --> 00:54:28.360
<v Speaker 1>turn more red.

1002
00:54:29.760 --> 00:54:35.559
<v Speaker 2>So is that something they decided on later, like, oh,

1003
00:54:35.599 --> 00:54:37.719
<v Speaker 2>he should have a look or was it something they

1004
00:54:37.719 --> 00:54:40.079
<v Speaker 2>decided from the beginning. Oh, we'll just do it in post.

1005
00:54:41.559 --> 00:54:46.079
<v Speaker 1>I don't know, but I can imagine like, Okay, we'll

1006
00:54:46.079 --> 00:54:52.679
<v Speaker 1>have this human character, but like, maybe that's not exotic enough, right,

1007
00:54:52.880 --> 00:54:54.800
<v Speaker 1>you know, because if you have a room full of

1008
00:54:54.880 --> 00:54:58.800
<v Speaker 1>humans talking, does it still feel Star warsy? So like

1009
00:54:58.840 --> 00:55:03.079
<v Speaker 1>giving him something not just scars, but scars that change

1010
00:55:03.159 --> 00:55:05.840
<v Speaker 1>colors with his mood, like it just adds that little,

1011
00:55:06.599 --> 00:55:09.960
<v Speaker 1>you know, fantasy part to it. See.

1012
00:55:10.000 --> 00:55:11.480
<v Speaker 2>I think we should have scars that are just moving

1013
00:55:11.480 --> 00:55:14.599
<v Speaker 2>around the face like Rorshak's mask, you know, yeah, right right,

1014
00:55:15.920 --> 00:55:16.440
<v Speaker 2>just to mix.

1015
00:55:16.320 --> 00:55:18.400
<v Speaker 1>It up a little, and we should call it too.

1016
00:55:18.400 --> 00:55:21.880
<v Speaker 1>He has these sort of artifacts and relics and things

1017
00:55:21.920 --> 00:55:24.440
<v Speaker 1>in the background, and one of them is the fertility

1018
00:55:24.480 --> 00:55:27.199
<v Speaker 1>idol from Raiders of Lost arc Yep, yeah, it's it's

1019
00:55:27.199 --> 00:55:33.760
<v Speaker 1>not even like hidden. You can see it like pretty clearly. Yeah,

1020
00:55:33.840 --> 00:55:38.480
<v Speaker 1>right there over Hans shoulder, yep. And that skull, which

1021
00:55:38.519 --> 00:55:40.480
<v Speaker 1>I guess could be like a crystal skull, but like

1022
00:55:40.519 --> 00:55:43.079
<v Speaker 1>it reminds me of the uh, the thing from Temple

1023
00:55:43.119 --> 00:55:45.159
<v Speaker 1>of Doom with the stones in it, that skull.

1024
00:55:45.360 --> 00:55:48.519
<v Speaker 2>Oh yeah, well apparently that's that's a tie in to

1025
00:55:48.880 --> 00:55:50.800
<v Speaker 2>a one of the Old Legends novels.

1026
00:55:51.400 --> 00:55:53.039
<v Speaker 1>Oh interesting, Yeah.

1027
00:55:52.760 --> 00:55:56.960
<v Speaker 2>There was, there was There was several like young Han

1028
00:55:57.039 --> 00:56:03.480
<v Speaker 2>solo novels m hm written. Well there's a few, but

1029
00:56:03.480 --> 00:56:06.000
<v Speaker 2>but there were some by by Brian Daly, who also

1030
00:56:06.199 --> 00:56:11.800
<v Speaker 2>wrote the Star Wars radio adaptations. M HMMI, which are

1031
00:56:11.800 --> 00:56:12.239
<v Speaker 2>a lot of fun.

1032
00:56:12.239 --> 00:56:15.519
<v Speaker 1>You've listened to those, right, I've probably heard bits of

1033
00:56:15.559 --> 00:56:18.000
<v Speaker 1>them on YouTube, but I haven't really heard the whole thing.

1034
00:56:18.320 --> 00:56:18.719
<v Speaker 1>Those are.

1035
00:56:18.800 --> 00:56:22.039
<v Speaker 2>Those are fun, Like if you're if you're looking for

1036
00:56:22.079 --> 00:56:25.199
<v Speaker 2>something to listen to on a drive, you know, mm hmm,

1037
00:56:25.599 --> 00:56:27.360
<v Speaker 2>just put those on, you got. I mean, it's like

1038
00:56:27.920 --> 00:56:32.039
<v Speaker 2>the Star Wars radio play is something like like ten

1039
00:56:32.440 --> 00:56:36.599
<v Speaker 2>ten episodes, so it's like five hours, you know, so

1040
00:56:36.639 --> 00:56:39.760
<v Speaker 2>they really expand it outward, you know, so it's like

1041
00:56:39.880 --> 00:56:44.039
<v Speaker 2>before and during and uh, the Empire Strikes Back adaptation

1042
00:56:44.079 --> 00:56:46.800
<v Speaker 2>is terrific also, and Mark Hamill is in is in

1043
00:56:46.920 --> 00:56:47.880
<v Speaker 2>Star Wars an Empire.

1044
00:56:48.639 --> 00:56:51.880
<v Speaker 1>That's awesome. Yeah, yeah, they actually get the actual actors.

1045
00:56:52.000 --> 00:56:55.480
<v Speaker 1>Well doesn't the Star Wars one or New Hope have

1046
00:56:56.440 --> 00:56:59.360
<v Speaker 1>like deleted scenes right, like where Luke is seeing the battle?

1047
00:57:00.199 --> 00:57:04.840
<v Speaker 2>Yeah, deleted and like added scenes. So like you've got

1048
00:57:04.880 --> 00:57:11.559
<v Speaker 2>like the whole sequence where it's like, uh, Leah and

1049
00:57:11.599 --> 00:57:15.639
<v Speaker 2>her and and Baylor Ghana are like planning like the

1050
00:57:15.719 --> 00:57:18.280
<v Speaker 2>lead up to what happens, you know, the with the

1051
00:57:18.320 --> 00:57:22.159
<v Speaker 2>blockade runner and stuff. It's really interesting. It's like an artifact,

1052
00:57:22.159 --> 00:57:22.360
<v Speaker 2>you know.

1053
00:57:22.880 --> 00:57:23.760
<v Speaker 1>That's cool. I love that.

1054
00:57:23.840 --> 00:57:27.519
<v Speaker 2>And and and apparently Lucas because they were on NPR,

1055
00:57:27.760 --> 00:57:31.440
<v Speaker 2>Lucas gave them the rights for a dollar. Oh I

1056
00:57:31.519 --> 00:57:33.559
<v Speaker 2>love that, right, And he gave them use of the

1057
00:57:33.639 --> 00:57:35.880
<v Speaker 2>music and sound effects everything, you know, and it was

1058
00:57:35.920 --> 00:57:37.440
<v Speaker 2>just a way to like help out NPR.

1059
00:57:38.280 --> 00:57:42.440
<v Speaker 1>I love that. Yeah, that's great that.

1060
00:57:44.960 --> 00:57:48.079
<v Speaker 2>He's you know what's funny is he's he's so perfect

1061
00:57:48.559 --> 00:57:53.199
<v Speaker 2>as as Lando and and just doing doing that Billy

1062
00:57:53.280 --> 00:57:56.840
<v Speaker 2>d Williams is you know yeah, yeah, yeah, just that

1063
00:57:56.840 --> 00:58:00.000
<v Speaker 2>that swagger and you know, I I remember an interview

1064
00:58:00.159 --> 00:58:03.519
<v Speaker 2>he gave where he talked he met with Billy d Williams.

1065
00:58:04.039 --> 00:58:06.039
<v Speaker 2>Oh okay, he's like and he's like, you know, he's

1066
00:58:06.599 --> 00:58:09.079
<v Speaker 2>like does he do this because of this? And like

1067
00:58:09.119 --> 00:58:12.480
<v Speaker 2>trying to dig into his history, and Billy dy Williams

1068
00:58:12.480 --> 00:58:13.880
<v Speaker 2>said something to the effective I don't know what any of

1069
00:58:13.920 --> 00:58:17.960
<v Speaker 2>that is. Man, just just just he's just cool, you know, right,

1070
00:58:18.360 --> 00:58:19.320
<v Speaker 2>and he just went with that.

1071
00:58:19.639 --> 00:58:23.800
<v Speaker 1>You know. Hey, well Donald Glover's got swaggered too, So

1072
00:58:23.800 --> 00:58:26.760
<v Speaker 1>that's kind of perfect, like melded together and you get

1073
00:58:26.840 --> 00:58:29.480
<v Speaker 1>his interpretation. I like it.

1074
00:58:29.719 --> 00:58:32.880
<v Speaker 2>I mean it. I think both of these guys, Aaron

1075
00:58:32.960 --> 00:58:35.320
<v Speaker 2>Aaron Reich and Donald Glover, they do a good job

1076
00:58:35.440 --> 00:58:41.400
<v Speaker 2>of playing characters who feel like they become those other guys.

1077
00:58:41.960 --> 00:58:45.280
<v Speaker 1>Totally, Totally. I did want to call that out. Yeah,

1078
00:58:45.280 --> 00:58:49.320
<v Speaker 1>when they're having that meeting with Dryden. I love that

1079
00:58:49.480 --> 00:58:53.519
<v Speaker 1>Han speaks up in meetings. Yeah, like, hey, I got

1080
00:58:53.559 --> 00:58:57.559
<v Speaker 1>an idea. Yeah, you know, I'm a great pilot. It's

1081
00:58:57.599 --> 00:59:00.400
<v Speaker 1>like the cockiness, but a different version of the cockiness

1082
00:59:00.440 --> 00:59:02.960
<v Speaker 1>that we will know later, right, you know, Like we

1083
00:59:03.000 --> 00:59:06.239
<v Speaker 1>see him get humbled and hurt over the course of

1084
00:59:06.280 --> 00:59:09.639
<v Speaker 1>this story, and so he's still like kind of smug

1085
00:59:09.679 --> 00:59:14.039
<v Speaker 1>and cocky later, but he doesn't speak up like that anymore, right,

1086
00:59:14.159 --> 00:59:16.800
<v Speaker 1>you know which I love. I love seeing the early version.

1087
00:59:17.039 --> 00:59:20.440
<v Speaker 1>It resembles Han, that's right. It's not quite the Han

1088
00:59:20.519 --> 00:59:22.800
<v Speaker 1>will know yet and we'll see gets there.

1089
00:59:22.679 --> 00:59:26.599
<v Speaker 2>And then And that's tricky, right, Like the comparison I

1090
00:59:26.719 --> 00:59:29.920
<v Speaker 2>made at the time, and I think it's still apt is. Uh.

1091
00:59:30.079 --> 00:59:35.800
<v Speaker 2>It's like Chris Pine playing Captain Kirk, where like he's

1092
00:59:35.840 --> 00:59:39.000
<v Speaker 2>not doing William Shannon impression and when I when I

1093
00:59:39.039 --> 00:59:41.119
<v Speaker 2>see him, I believe he's Captain Kirk.

1094
00:59:42.199 --> 00:59:42.719
<v Speaker 1>Mm hmmm.

1095
00:59:43.239 --> 00:59:45.559
<v Speaker 2>I think Aaron Reich is doing something similar, where again

1096
00:59:45.639 --> 00:59:50.920
<v Speaker 2>it's not you know, he's not you know, who is

1097
00:59:51.000 --> 00:59:52.920
<v Speaker 2>that guy? You know, everybody was like, oh, he should

1098
00:59:52.920 --> 00:59:54.440
<v Speaker 2>play young Hanslo what's his name? You know we're talking

1099
00:59:54.440 --> 00:59:57.320
<v Speaker 2>about he does he doesn't. Oh, yes, he does yeah

1100
00:59:57.719 --> 01:00:00.519
<v Speaker 2>videos on YouTube and he does Ruber that's his name.

1101
01:00:00.840 --> 01:00:04.079
<v Speaker 1>Yeah, he doesn't. Excellent. I don't want to say impersonation

1102
01:00:04.199 --> 01:00:07.360
<v Speaker 1>because he is playing him in as a role in

1103
01:00:07.400 --> 01:00:09.039
<v Speaker 1>a bunch of these sort of short films that are

1104
01:00:09.039 --> 01:00:12.119
<v Speaker 1>on YouTube. But he's he's definitely got like the eyes

1105
01:00:13.480 --> 01:00:16.039
<v Speaker 1>right and kind of the crooked smile and the and

1106
01:00:16.239 --> 01:00:19.760
<v Speaker 1>certainly the voice like he and as a really good job.

1107
01:00:21.960 --> 01:00:24.719
<v Speaker 2>Yeah, and and you know, I don't know how he

1108
01:00:24.719 --> 01:00:30.280
<v Speaker 2>would have been, but like to me, I think the

1109
01:00:30.559 --> 01:00:33.840
<v Speaker 2>hope was that we would have several of these films.

1110
01:00:33.880 --> 01:00:37.199
<v Speaker 2>I'm sure that's what Disney was hoping for. And so

1111
01:00:37.360 --> 01:00:40.679
<v Speaker 2>to some extent, you you need to disconnect the actor

1112
01:00:40.719 --> 01:00:49.599
<v Speaker 2>and the character. It can't be like a slavish imitation, right, uh.

1113
01:00:49.639 --> 01:00:53.000
<v Speaker 2>And that's tricky. I mean, I mean, look Sean Patrick

1114
01:00:53.039 --> 01:00:59.400
<v Speaker 2>Flannery and River Phoenix as younger in like you know

1115
01:00:59.480 --> 01:01:02.639
<v Speaker 2>that again, I think both of them have aspects of

1116
01:01:02.679 --> 01:01:03.239
<v Speaker 2>Harrison Ford.

1117
01:01:03.320 --> 01:01:03.639
<v Speaker 1>Neither of them.

1118
01:01:03.679 --> 01:01:06.039
<v Speaker 2>Certainly, River Phoenix was not imitating Harrison Ford.

1119
01:01:06.519 --> 01:01:10.000
<v Speaker 1>Yeah, just certain he would do like certain affectations, but

1120
01:01:10.079 --> 01:01:14.760
<v Speaker 1>he wasn't doing a Harrison Ford imitation exactly. Yeah. Yeah.

1121
01:01:14.800 --> 01:01:17.159
<v Speaker 1>And that guy, you know, as good as he is,

1122
01:01:17.199 --> 01:01:21.039
<v Speaker 1>and he's very very good, he is kind of imitating.

1123
01:01:21.760 --> 01:01:22.440
<v Speaker 1>That's right.

1124
01:01:22.519 --> 01:01:25.519
<v Speaker 2>And that's you know, I think if you lean so

1125
01:01:25.599 --> 01:01:31.760
<v Speaker 2>hard into imitation, then it's hard to I think it's

1126
01:01:31.760 --> 01:01:35.519
<v Speaker 2>hard to bring in naturalism to it, completely, agree, because right,

1127
01:01:35.599 --> 01:01:38.760
<v Speaker 2>you can't make the character your own. You're playing Harrison

1128
01:01:38.760 --> 01:01:40.159
<v Speaker 2>Ford playing Han solo.

1129
01:01:41.239 --> 01:01:46.320
<v Speaker 1>Yes, yeah, yeah, that's exactly great point. What's his name again?

1130
01:01:47.599 --> 01:01:48.559
<v Speaker 2>Anthony and Kruber?

1131
01:01:49.480 --> 01:01:52.840
<v Speaker 1>Okay, he also does a very good Robin Williams. Have

1132
01:01:52.880 --> 01:01:54.519
<v Speaker 1>you seen that yet? Well?

1133
01:01:54.559 --> 01:01:56.119
<v Speaker 2>I saw the video.

1134
01:01:57.920 --> 01:01:59.360
<v Speaker 1>Was this the one? Was it?

1135
01:02:00.079 --> 01:02:01.079
<v Speaker 2>Or maybe there was somebody else?

1136
01:02:01.159 --> 01:02:01.239
<v Speaker 1>Right?

1137
01:02:01.239 --> 01:02:03.679
<v Speaker 2>It was at the video where it was like from

1138
01:02:03.760 --> 01:02:07.719
<v Speaker 2>a playing like when Robin Williams find out finds out

1139
01:02:07.719 --> 01:02:09.880
<v Speaker 2>that John Blue she died.

1140
01:02:10.239 --> 01:02:11.760
<v Speaker 1>Oh, that might be what I'm thinking of.

1141
01:02:11.880 --> 01:02:13.679
<v Speaker 2>Yeah, that was was that him?

1142
01:02:14.639 --> 01:02:18.159
<v Speaker 1>I am well, now I'm gonna be on the record,

1143
01:02:18.199 --> 01:02:22.960
<v Speaker 1>so I'm thinking I am pretty sure. I feel like

1144
01:02:23.000 --> 01:02:25.679
<v Speaker 1>I remember seeing him do Robin Williams in a scene

1145
01:02:25.760 --> 01:02:27.719
<v Speaker 1>like it was like a short film or something. So

1146
01:02:29.480 --> 01:02:31.480
<v Speaker 1>if it wasn't that, it was something very similar to that.

1147
01:02:32.119 --> 01:02:34.119
<v Speaker 1>You know, talk to me about that.

1148
01:02:34.519 --> 01:02:37.159
<v Speaker 2>I think you're good when we talk about becoming characters.

1149
01:02:37.199 --> 01:02:38.920
<v Speaker 2>You know, we were talking about the Star Wars radio plays.

1150
01:02:38.920 --> 01:02:40.960
<v Speaker 2>I just want to mention this real quick. In the

1151
01:02:40.960 --> 01:02:46.199
<v Speaker 2>Empire Strikes Back adaptation, John Lithgow does the voice of Yoda.

1152
01:02:47.400 --> 01:02:50.639
<v Speaker 2>Huh and right, And you say, well, well, why wouldn't

1153
01:02:50.639 --> 01:02:53.320
<v Speaker 2>you get Frank Oz right? I mean, yeah, it's just

1154
01:02:53.400 --> 01:02:56.360
<v Speaker 2>the voice, right, But frank Oz was like, I only

1155
01:02:57.079 --> 01:03:03.320
<v Speaker 2>do Yoda when I'm doing a puppet. Oh literally, He's

1156
01:03:03.360 --> 01:03:06.519
<v Speaker 2>like it for me, Yoda is the perform The performance

1157
01:03:06.639 --> 01:03:08.679
<v Speaker 2>is the puppet and the voice.

1158
01:03:09.119 --> 01:03:09.719
<v Speaker 1>Fascinating.

1159
01:03:10.119 --> 01:03:13.159
<v Speaker 2>Isn't that interesting? Yeah, And so that's why that's why

1160
01:03:13.320 --> 01:03:14.360
<v Speaker 2>Litgo did the voice.

1161
01:03:15.039 --> 01:03:20.079
<v Speaker 1>You know, it's interesting. In a big coincidence. Last night,

1162
01:03:20.400 --> 01:03:21.880
<v Speaker 1>my friend Ched and I we went and saw an

1163
01:03:21.920 --> 01:03:24.719
<v Speaker 1>American Werewolf in London. It was playing at the theater

1164
01:03:24.800 --> 01:03:29.079
<v Speaker 1>by our house and our houses, I should say, and uh,

1165
01:03:29.239 --> 01:03:31.719
<v Speaker 1>frank real quick, real quick. Uh.

1166
01:03:31.800 --> 01:03:34.199
<v Speaker 2>The actor who did that Robin Williams thing I was

1167
01:03:34.199 --> 01:03:36.480
<v Speaker 2>talking about. His name is Jamie Costa. So that was

1168
01:03:36.519 --> 01:03:37.480
<v Speaker 2>not Anthony River.

1169
01:03:37.840 --> 01:03:40.000
<v Speaker 1>Okay, just to be clear anyway, No, go on for

1170
01:03:40.039 --> 01:03:43.880
<v Speaker 1>the record, Yeah, no, I'm glad. I'm glad. Yeah. No,

1171
01:03:44.000 --> 01:03:46.440
<v Speaker 1>frank Oz is in American Werewolf in London and just

1172
01:03:46.480 --> 01:03:49.719
<v Speaker 1>this very brief cameo. And it's funny because he shows

1173
01:03:49.800 --> 01:03:51.519
<v Speaker 1>up and you're like, I am like ninety percent sure

1174
01:03:51.519 --> 01:03:53.480
<v Speaker 1>that's frank Oz, and he's like, what are you doing here?

1175
01:03:53.679 --> 01:03:55.559
<v Speaker 1>And you're like, oh my gosh, yeh, yep, that's frank Oz.

1176
01:03:57.880 --> 01:04:00.360
<v Speaker 1>That voice is unmistakable.

1177
01:04:01.360 --> 01:04:04.480
<v Speaker 2>Yeah, here's a cameo in in Blues brothers.

1178
01:04:04.519 --> 01:04:07.199
<v Speaker 1>Also, Yeah, yeah, the land is connection I guess.

1179
01:04:08.840 --> 01:04:12.039
<v Speaker 2>All right, So so Phoebe wall or Bridge.

1180
01:04:12.320 --> 01:04:15.679
<v Speaker 1>Yes, uh, kind of hot off of Fleabag, probably in

1181
01:04:15.719 --> 01:04:17.440
<v Speaker 1>this moment at this moment.

1182
01:04:17.559 --> 01:04:20.039
<v Speaker 2>Yeah, and and uh one one of and there's Clint

1183
01:04:20.039 --> 01:04:24.199
<v Speaker 2>Toward by the way, Yeah, one of one of two

1184
01:04:24.480 --> 01:04:29.360
<v Speaker 2>Lucasfilm characters that passed completely without comment or contrabs.

1185
01:04:31.079 --> 01:04:33.159
<v Speaker 1>Actually, as I was watching this, I was like, oh, yeah,

1186
01:04:33.199 --> 01:04:37.400
<v Speaker 1>she's She's been in both major franchises for Lucasfilm. How funny.

1187
01:04:37.639 --> 01:04:41.400
<v Speaker 1>That's right. That effect looks very good, by the way, right,

1188
01:04:41.440 --> 01:04:42.760
<v Speaker 1>I guess that's her wearing.

1189
01:04:42.519 --> 01:04:44.480
<v Speaker 2>A suit that that's incredible.

1190
01:04:44.719 --> 01:04:47.280
<v Speaker 1>Yeah, with some like you know, green stockings and things

1191
01:04:47.280 --> 01:04:49.480
<v Speaker 1>to hide her neck and whatever.

1192
01:04:49.519 --> 01:04:51.679
<v Speaker 2>But this kind of a kind of a jar jar effect.

1193
01:04:52.280 --> 01:04:56.039
<v Speaker 1>Yeah, I mean it's perfectly blended into that environment. It

1194
01:04:56.039 --> 01:04:57.280
<v Speaker 1>looks amazing. Yeah.

1195
01:04:57.800 --> 01:05:02.119
<v Speaker 2>So you definitely you definitely see Phoebe waller Bridge's personality.

1196
01:05:02.800 --> 01:05:03.440
<v Speaker 1>Oh definitely.

1197
01:05:04.440 --> 01:05:10.159
<v Speaker 2>This is the most the most personality droid in all

1198
01:05:10.199 --> 01:05:12.159
<v Speaker 2>of Star Wars, I think very much.

1199
01:05:12.320 --> 01:05:19.519
<v Speaker 1>Yes, right, well let's see here, so I have I

1200
01:05:19.559 --> 01:05:21.480
<v Speaker 1>have so much It's like, how do I even keep

1201
01:05:21.519 --> 01:05:25.639
<v Speaker 1>track of all this stuff to talk about? So there

1202
01:05:25.760 --> 01:05:30.519
<v Speaker 1>was a Jonathan Kasden, co writer, was on Twitter and

1203
01:05:31.400 --> 01:05:34.559
<v Speaker 1>talked about some of the original ideas that Lord and

1204
01:05:34.559 --> 01:05:38.719
<v Speaker 1>Miller had for this okay that ended up remaining in

1205
01:05:38.760 --> 01:05:41.960
<v Speaker 1>the movie even after they left, okay, And I think

1206
01:05:42.039 --> 01:05:44.639
<v Speaker 1>part of that was developing.

1207
01:05:44.280 --> 01:05:47.639
<v Speaker 2>The character of l three interesting Okay.

1208
01:05:47.679 --> 01:05:51.239
<v Speaker 1>Yes, So I guess Lord and Miller were the ones

1209
01:05:51.239 --> 01:05:56.079
<v Speaker 1>who came up with her being sort of this I

1210
01:05:56.159 --> 01:05:57.800
<v Speaker 1>don't even know what you'd call it, like just her

1211
01:05:57.800 --> 01:06:02.400
<v Speaker 1>personality and you know, waiting for droid rights and all

1212
01:06:02.440 --> 01:06:03.519
<v Speaker 1>that sort of stuff.

1213
01:06:03.599 --> 01:06:07.840
<v Speaker 2>So that was a Lord and Miller edition, yeah.

1214
01:06:07.679 --> 01:06:09.840
<v Speaker 1>Or something maybe they like workshopped with her or that

1215
01:06:09.960 --> 01:06:13.199
<v Speaker 1>was developed. But I mean this sounds like something that

1216
01:06:13.280 --> 01:06:18.079
<v Speaker 1>the Kasins were aware of and incorporated, sure, and kept

1217
01:06:18.119 --> 01:06:20.760
<v Speaker 1>in there. So but it does feel kind of like them,

1218
01:06:20.800 --> 01:06:25.920
<v Speaker 1>doesn't it. Yeah, as long as we're talking about this stuff,

1219
01:06:25.960 --> 01:06:28.199
<v Speaker 1>other things that came from Lord and Miller that they

1220
01:06:28.320 --> 01:06:37.360
<v Speaker 1>kept the opening land speeder chase through the streets of Karelia, Okay,

1221
01:06:38.280 --> 01:06:41.400
<v Speaker 1>let's see their plan for Han and Chewbacca's first meeting

1222
01:06:41.440 --> 01:06:45.599
<v Speaker 1>stayed the same. Lord and Miller came up with the

1223
01:06:45.639 --> 01:06:53.480
<v Speaker 1>idea of Hans speaking Wookie, which feels right. Also, yeah,

1224
01:06:53.519 --> 01:06:55.199
<v Speaker 1>they came up with the idea of Han and Kira

1225
01:06:55.280 --> 01:06:58.639
<v Speaker 1>kissing in Lando's cape closet. Yes.

1226
01:06:59.159 --> 01:07:01.039
<v Speaker 2>Oh, by the way, real kick right here where we

1227
01:07:01.039 --> 01:07:06.840
<v Speaker 2>saw Yeah, you know there's there's the essentially the the

1228
01:07:08.119 --> 01:07:11.599
<v Speaker 2>falcon has a you know what I say on it,

1229
01:07:12.039 --> 01:07:15.280
<v Speaker 2>the boots it's been booted. And so I remember when

1230
01:07:15.360 --> 01:07:18.480
<v Speaker 2>Lando initially he's like, I want fifty percent, and they

1231
01:07:18.519 --> 01:07:20.599
<v Speaker 2>talked him down to twenty five, and then to take

1232
01:07:20.639 --> 01:07:24.639
<v Speaker 2>the thing off, talked him down to twenty. You might say,

1233
01:07:24.679 --> 01:07:30.199
<v Speaker 2>this deal keeps getting worse all the time. That's hilarious.

1234
01:07:31.000 --> 01:07:32.559
<v Speaker 2>Would you have been up said if they had had

1235
01:07:32.639 --> 01:07:36.360
<v Speaker 2>him say that, you know, I would have been okay

1236
01:07:36.400 --> 01:07:40.559
<v Speaker 2>with that, even though that's just his thing. He's always

1237
01:07:40.559 --> 01:07:41.840
<v Speaker 2>in deal, like you never learned.

1238
01:07:42.000 --> 01:07:44.199
<v Speaker 1>Yeah, then we realize like, oh, maybe he's always on

1239
01:07:44.239 --> 01:07:45.119
<v Speaker 1>the losing end of things.

1240
01:07:45.199 --> 01:07:46.760
<v Speaker 2>Maybe it's just always just really bad.

1241
01:07:46.920 --> 01:07:47.119
<v Speaker 1>You know.

1242
01:07:47.400 --> 01:07:49.880
<v Speaker 2>By the way, we talked right past the fact that

1243
01:07:50.639 --> 01:07:55.079
<v Speaker 2>they found like an in cannon explanation for why Billy

1244
01:07:55.159 --> 01:07:59.800
<v Speaker 2>d always calls him hand yes, very funny, right, which

1245
01:07:59.840 --> 01:08:03.119
<v Speaker 2>is just initially you're like, oh, well that's just you know,

1246
01:08:03.400 --> 01:08:05.079
<v Speaker 2>that's just what he calls him. I guess you know,

1247
01:08:05.360 --> 01:08:07.800
<v Speaker 2>it's like, no, no, he Orlando's being a dick to him,

1248
01:08:07.800 --> 01:08:09.960
<v Speaker 2>and so that's like, yeah, their banter.

1249
01:08:10.039 --> 01:08:12.760
<v Speaker 1>I kind of love that. Yeah, I like that too. Also,

1250
01:08:12.880 --> 01:08:15.480
<v Speaker 1>speaking of when the deals getting worse for Orlando, I

1251
01:08:15.519 --> 01:08:17.119
<v Speaker 1>love where he's just kind of quiet for a second.

1252
01:08:17.159 --> 01:08:19.399
<v Speaker 1>He's like, I don't like it, I don't agree with it,

1253
01:08:20.000 --> 01:08:23.520
<v Speaker 1>but I accept it. That's a great line.

1254
01:08:31.079 --> 01:08:33.520
<v Speaker 2>That's mistaken. That might be the first use of the

1255
01:08:33.520 --> 01:08:35.319
<v Speaker 2>word ass in Star Wars.

1256
01:08:37.159 --> 01:08:38.920
<v Speaker 1>You know, Yeah, it popped out to me too. I

1257
01:08:38.920 --> 01:08:40.880
<v Speaker 1>think it might be. Also, it's kind of funny because

1258
01:08:40.880 --> 01:08:45.359
<v Speaker 1>they don't, yeah, use a lot of English curse words often. Yeah,

1259
01:08:45.359 --> 01:08:47.399
<v Speaker 1>so when they do it, it's always like, oh, fascinating.

1260
01:08:47.479 --> 01:08:50.039
<v Speaker 2>Actually, you know what I stand corrected in in the

1261
01:08:50.119 --> 01:08:53.279
<v Speaker 2>last Jedi podammer and talks about the big ass door.

1262
01:08:54.399 --> 01:08:55.119
<v Speaker 1>Yeah, it feels right.

1263
01:08:56.119 --> 01:09:01.880
<v Speaker 2>No, right before, right right after the yo Mama joke

1264
01:09:02.840 --> 01:09:08.680
<v Speaker 2>that which also passed to that controversy. I believe nobody anything.

1265
01:09:10.840 --> 01:09:15.560
<v Speaker 1>Now this excuse me. This is when they started using

1266
01:09:15.640 --> 01:09:17.039
<v Speaker 1>I mean, guess now we call it the volume. I

1267
01:09:17.039 --> 01:09:18.600
<v Speaker 1>don't even know if we knew what it was called

1268
01:09:18.640 --> 01:09:21.079
<v Speaker 1>at this point, but they had yeah, they had these

1269
01:09:21.239 --> 01:09:24.560
<v Speaker 1>enormous screens, so they didn't have to put in green

1270
01:09:24.600 --> 01:09:29.520
<v Speaker 1>screen effect of the light speed, right, and so you

1271
01:09:29.520 --> 01:09:32.520
<v Speaker 1>can actually have the actors looking at that and reacting

1272
01:09:32.520 --> 01:09:34.399
<v Speaker 1>to what they're seeing and having the light dance on

1273
01:09:34.439 --> 01:09:38.319
<v Speaker 1>their faces. And I think it's amazing, the perfect use

1274
01:09:38.319 --> 01:09:38.520
<v Speaker 1>of it.

1275
01:09:39.960 --> 01:09:43.000
<v Speaker 2>I mean, imagine being those actors. You're sitting in that bridge,

1276
01:09:43.079 --> 01:09:46.760
<v Speaker 2>You're looking at that porthole, and you're seeing that effect.

1277
01:09:47.359 --> 01:09:49.439
<v Speaker 1>Yeah, oh my gosh, how could you not have like

1278
01:09:49.479 --> 01:09:54.720
<v Speaker 1>a grin on your face that you just couldn't conjure Otherwise.

1279
01:09:54.319 --> 01:09:56.279
<v Speaker 2>I was gonna say, Nerd Boner, but I like your away.

1280
01:10:00.840 --> 01:10:02.760
<v Speaker 1>I forgot what that game is called. But the game

1281
01:10:02.840 --> 01:10:06.720
<v Speaker 1>table here with the holographic pieces of funny, you can

1282
01:10:06.760 --> 01:10:09.039
<v Speaker 1>see how discolored the ship becomes.

1283
01:10:09.640 --> 01:10:11.159
<v Speaker 2>I know, man, they really let it go.

1284
01:10:11.600 --> 01:10:14.800
<v Speaker 1>Yeah, because here it's all new and white and shiny,

1285
01:10:14.840 --> 01:10:20.359
<v Speaker 1>and now at this moment is kind of nice.

1286
01:10:22.000 --> 01:10:24.359
<v Speaker 2>Did Jarik by the way, did Jarik?

1287
01:10:24.680 --> 01:10:31.520
<v Speaker 1>Niceeah? This resembles the moment with Han and Lea Oh yeah.

1288
01:10:31.399 --> 01:10:34.520
<v Speaker 2>Honestly, which is an interrupted kiss on the falcon.

1289
01:10:35.119 --> 01:10:37.279
<v Speaker 1>I love it. It rhymes.

1290
01:10:38.640 --> 01:10:45.159
<v Speaker 2>That's like boch well, well, well, speaking of that, this

1291
01:10:45.279 --> 01:10:47.840
<v Speaker 2>moment here is one of the one of the the

1292
01:10:47.920 --> 01:10:52.520
<v Speaker 2>moments where they were shooting and George Lucas came to

1293
01:10:52.760 --> 01:10:56.560
<v Speaker 2>visit the set so he watched them. He watched them shooting,

1294
01:10:56.760 --> 01:11:00.039
<v Speaker 2>and one of his bits of direction ended up in

1295
01:11:00.079 --> 01:11:00.399
<v Speaker 2>the film.

1296
01:11:00.800 --> 01:11:03.319
<v Speaker 1>Do you remember what it was? I remember that anecdote,

1297
01:11:03.359 --> 01:11:04.439
<v Speaker 1>but I don't remember what it was.

1298
01:11:06.359 --> 01:11:09.239
<v Speaker 2>Yeah, right there where we saw Hans take the cape

1299
01:11:09.279 --> 01:11:10.319
<v Speaker 2>and just toss.

1300
01:11:10.079 --> 01:11:12.119
<v Speaker 1>It to the side instead of laying it up.

1301
01:11:12.479 --> 01:11:16.159
<v Speaker 2>Yeah, He's like, Han wouldn't hang up Lando's cape?

1302
01:11:17.760 --> 01:11:18.760
<v Speaker 1>It does feel more Han.

1303
01:11:18.920 --> 01:11:22.159
<v Speaker 2>He's like, you guys are ruining Star Wars already, God

1304
01:11:22.239 --> 01:11:24.399
<v Speaker 2>damn it. And then he stormed off, and so as

1305
01:11:24.439 --> 01:11:29.279
<v Speaker 2>a courtesy, Ron Howard is like, I guess.

1306
01:11:29.079 --> 01:11:35.479
<v Speaker 1>We should do what he said. Yeah, Now see, I

1307
01:11:35.560 --> 01:11:39.560
<v Speaker 1>like this. I like that they are both in this

1308
01:11:39.680 --> 01:11:42.760
<v Speaker 1>moment together. Yeah you know what I mean, because.

1309
01:11:42.600 --> 01:11:46.159
<v Speaker 2>It just makes like like he doesn't have to push

1310
01:11:46.159 --> 01:11:46.920
<v Speaker 2>her too much, you.

1311
01:11:46.880 --> 01:11:50.039
<v Speaker 1>Know, Yeah, yeah, like she misses him too, and it's

1312
01:11:50.119 --> 01:11:53.640
<v Speaker 1>it's you know, bringing something back for her also, and

1313
01:11:53.680 --> 01:11:56.279
<v Speaker 1>it just makes it more tragic that it ultimately doesn't

1314
01:11:56.319 --> 01:11:58.800
<v Speaker 1>work out. Yeah, but if we knew from the start

1315
01:11:58.840 --> 01:12:01.079
<v Speaker 1>that she was a little removed and just kind of

1316
01:12:01.119 --> 01:12:03.239
<v Speaker 1>leading him along. It just wouldn't play right for me.

1317
01:12:04.079 --> 01:12:07.840
<v Speaker 2>See what I wonder about is what is the end

1318
01:12:08.000 --> 01:12:09.039
<v Speaker 2>of the Han.

1319
01:12:08.880 --> 01:12:10.039
<v Speaker 1>And Kira story?

1320
01:12:10.640 --> 01:12:16.159
<v Speaker 2>Yeah, yeah, right, because I have to believe that that's

1321
01:12:16.199 --> 01:12:18.680
<v Speaker 2>all done with before he meets Leah.

1322
01:12:20.359 --> 01:12:25.800
<v Speaker 1>Right right, right, definitely, yeah, you know, because I mean

1323
01:12:25.840 --> 01:12:27.720
<v Speaker 1>he gets his heart broken at the end of this one,

1324
01:12:27.840 --> 01:12:30.640
<v Speaker 1>and that is plenty. Like I can work with that.

1325
01:12:30.720 --> 01:12:32.439
<v Speaker 1>I can run with that and bring that into the

1326
01:12:32.760 --> 01:12:36.399
<v Speaker 1>other movies. But I think this you have to assume

1327
01:12:36.399 --> 01:12:39.359
<v Speaker 1>this was a planned trilogy, that's right, and so they

1328
01:12:39.439 --> 01:12:43.319
<v Speaker 1>must have had an even bigger heartbreak coming somehow exactly.

1329
01:12:43.680 --> 01:12:49.079
<v Speaker 1>But we do get her, you know, whether she wants

1330
01:12:49.119 --> 01:12:51.800
<v Speaker 1>to or not having to leave him at the end,

1331
01:12:51.880 --> 01:12:54.560
<v Speaker 1>and it hurts him, and that's at least we get that,

1332
01:12:54.840 --> 01:12:56.680
<v Speaker 1>so we can take that with us.

1333
01:12:57.279 --> 01:12:57.680
<v Speaker 2>That's right.

1334
01:13:02.720 --> 01:13:06.399
<v Speaker 1>That's funny. Donald Glover the anything I can get you

1335
01:13:06.439 --> 01:13:08.159
<v Speaker 1>and she's like equal rights and he's.

1336
01:13:08.039 --> 01:13:13.079
<v Speaker 2>Just just size and walks off. It's hilarious.

1337
01:13:15.920 --> 01:13:23.439
<v Speaker 1>So we're seeing the kessel run, right, We're going to

1338
01:13:23.760 --> 01:13:24.319
<v Speaker 1>We're going to.

1339
01:13:24.600 --> 01:13:28.880
<v Speaker 2>Yeah, So in that sense, this is a feature length

1340
01:13:29.479 --> 01:13:32.680
<v Speaker 2>version of the beginning of Indie three, right, Like it's

1341
01:13:33.399 --> 01:13:35.600
<v Speaker 2>it's like, what are all the Han solo things that

1342
01:13:35.600 --> 01:13:39.119
<v Speaker 2>we need to cram in? Well, good one crazy noon

1343
01:13:39.359 --> 01:13:45.960
<v Speaker 2>for Han, right right, right, right, He's got to get

1344
01:13:46.000 --> 01:13:48.279
<v Speaker 2>his blaster, he's got to meet Chewi, he's gotta do

1345
01:13:48.359 --> 01:13:50.000
<v Speaker 2>the Kessel run, he's got to get the falcon. I

1346
01:13:50.000 --> 01:13:51.000
<v Speaker 2>think that's basically it.

1347
01:13:51.039 --> 01:13:56.000
<v Speaker 1>Right, yeah, yeah, okay, So now now I have a

1348
01:13:56.079 --> 01:13:58.079
<v Speaker 1>question for you. How do you feel about Lando having

1349
01:13:58.159 --> 01:14:05.880
<v Speaker 1>a possible romantic relate relationship with his joint.

1350
01:14:06.119 --> 01:14:08.880
<v Speaker 2>It's it's a choice, right, It's a choice.

1351
01:14:08.920 --> 01:14:12.199
<v Speaker 1>I I remember at the time trying to like roll

1352
01:14:12.199 --> 01:14:14.720
<v Speaker 1>with it a little bit like okay, but it's just

1353
01:14:14.840 --> 01:14:17.399
<v Speaker 1>like enough for me, or I'm like that seems kind

1354
01:14:17.439 --> 01:14:22.880
<v Speaker 1>of silly. Yeah, I leaning more silly than I'd like.

1355
01:14:24.119 --> 01:14:26.840
<v Speaker 2>I don't really understand it. It doesn't it doesn't strike

1356
01:14:26.880 --> 01:14:29.680
<v Speaker 2>me as necessary, but Zachie, it works.

1357
01:14:29.760 --> 01:14:37.840
<v Speaker 1>Yeah, but you know, I agree, I mean that to me,

1358
01:14:37.960 --> 01:14:40.359
<v Speaker 1>And I don't know, we don't know exactly what Lord

1359
01:14:40.439 --> 01:14:42.319
<v Speaker 1>Miller did and what Roun Howard did, but that feels

1360
01:14:42.359 --> 01:14:44.640
<v Speaker 1>like a Lord and Miller like let's try this and

1361
01:14:44.760 --> 01:14:47.119
<v Speaker 1>that'd be kind of funny, you know, and then why

1362
01:14:47.159 --> 01:14:49.399
<v Speaker 1>not It's I don't know to make you laugh. Well,

1363
01:14:49.439 --> 01:14:52.439
<v Speaker 1>then it works, you know, kind of a thing, whether

1364
01:14:52.479 --> 01:14:55.640
<v Speaker 1>or not it feels like it ultimately makes sense.

1365
01:14:56.720 --> 01:14:59.920
<v Speaker 2>Well I okay, so this gets to to essentially, like

1366
01:15:00.079 --> 01:15:03.159
<v Speaker 2>what led to the their parting of ways, right, is

1367
01:15:03.159 --> 01:15:08.399
<v Speaker 2>that Laton Miller have a more or had I should say,

1368
01:15:08.439 --> 01:15:10.760
<v Speaker 2>because we're speaking in the in the wake of the

1369
01:15:11.399 --> 01:15:14.600
<v Speaker 2>stratospheric success of Project Hill Mary, which I think the

1370
01:15:14.640 --> 01:15:18.319
<v Speaker 2>word people would use to describe it is earnest mm hmm.

1371
01:15:19.079 --> 01:15:19.279
<v Speaker 1>Right.

1372
01:15:19.439 --> 01:15:23.199
<v Speaker 2>So, so clearly they have the ability or they have

1373
01:15:23.279 --> 01:15:28.079
<v Speaker 2>since learned to navigate tones more more judiciously. But what

1374
01:15:28.079 --> 01:15:30.880
<v Speaker 2>what came to the fore here is that their their

1375
01:15:30.960 --> 01:15:33.960
<v Speaker 2>process involved a lot of improvising and a lot of

1376
01:15:33.960 --> 01:15:36.319
<v Speaker 2>foregrounding comedy and a lot of oh that's funny, go

1377
01:15:36.439 --> 01:15:37.439
<v Speaker 2>with that type of.

1378
01:15:37.399 --> 01:15:39.520
<v Speaker 1>Thing, or let's try this, why don't we try that,

1379
01:15:39.680 --> 01:15:40.239
<v Speaker 1>Let's try this.

1380
01:15:40.680 --> 01:15:44.960
<v Speaker 2>Yeah, so sort of Judd Apatow school, you know, And

1381
01:15:45.760 --> 01:15:50.560
<v Speaker 2>that that led to Alden Ehrenreich going to the higher

1382
01:15:50.640 --> 01:15:52.479
<v Speaker 2>ups at Lucasfilm being like, I don't think this is

1383
01:15:52.520 --> 01:15:53.039
<v Speaker 2>working for me.

1384
01:15:54.079 --> 01:15:56.439
<v Speaker 1>Yeah, I feel like I don't remember if this quote

1385
01:15:56.439 --> 01:15:59.079
<v Speaker 1>came from him, but in one of those reports someone

1386
01:15:59.239 --> 01:16:02.760
<v Speaker 1>said at sometimes it felt like con was acting like

1387
01:16:02.760 --> 01:16:08.560
<v Speaker 1>Ace Ventura, like very muggy and goofy and strange, and

1388
01:16:08.560 --> 01:16:10.560
<v Speaker 1>that it was making a lot of people uncomfortable, like

1389
01:16:10.560 --> 01:16:18.479
<v Speaker 1>they were becoming concerned. Fascinating, right, But yeah, so now

1390
01:16:18.479 --> 01:16:20.279
<v Speaker 1>I'm starting to look at like articles I had read.

1391
01:16:20.600 --> 01:16:24.560
<v Speaker 1>Apparently Kazin's pretty diplomatic in his quotes, but according to.

1392
01:16:24.840 --> 01:16:26.319
<v Speaker 2>This is the senior Kasden.

1393
01:16:26.840 --> 01:16:31.920
<v Speaker 1>I'm sorry, yes, Lawrence Kasin, but according to reports, he

1394
01:16:31.960 --> 01:16:35.760
<v Speaker 1>was getting pretty angry at like the screwball tone and

1395
01:16:35.800 --> 01:16:37.840
<v Speaker 1>sort of free wheeling approach they were taking to the

1396
01:16:37.840 --> 01:16:41.439
<v Speaker 1>script because he wanted the film shot the way it

1397
01:16:41.439 --> 01:16:49.479
<v Speaker 1>was written, right, let's see. According to a quote here,

1398
01:16:49.479 --> 01:16:52.119
<v Speaker 1>this is from the Wall Street Journal, unnamed actors from

1399
01:16:52.119 --> 01:16:54.960
<v Speaker 1>the film told the paper that Lord and Miller's approach

1400
01:16:55.439 --> 01:16:59.000
<v Speaker 1>exhausted and frustrated some of the solo set, including experienced

1401
01:16:59.000 --> 01:17:04.600
<v Speaker 1>crew members, who pressured the directors to move faster and

1402
01:17:04.640 --> 01:17:07.159
<v Speaker 1>then this right, and then this is well. They would

1403
01:17:07.159 --> 01:17:09.840
<v Speaker 1>shoot dozens of different versions of scenes strength from what

1404
01:17:09.880 --> 01:17:12.479
<v Speaker 1>was in the script. There's another quote then, Lawrence Kasden.

1405
01:17:15.279 --> 01:17:19.079
<v Speaker 1>This is him talking about realizing that the vision their

1406
01:17:19.159 --> 01:17:22.239
<v Speaker 1>vision wasn't matching his own. His quote says tone is

1407
01:17:22.239 --> 01:17:24.640
<v Speaker 1>everything to me, That's what movies are made of. But

1408
01:17:24.760 --> 01:17:26.960
<v Speaker 1>this was a very complicated situation. When you go to

1409
01:17:27.000 --> 01:17:28.840
<v Speaker 1>work in the morning on a Star Wars movie, there

1410
01:17:28.840 --> 01:17:30.680
<v Speaker 1>are thousands of people waiting on you, and you have

1411
01:17:30.760 --> 01:17:34.520
<v Speaker 1>to be very decisive and very quick about it. There

1412
01:17:34.520 --> 01:17:37.079
<v Speaker 1>are a million split second decisions to make each day.

1413
01:17:37.119 --> 01:17:40.720
<v Speaker 1>You are committing to a certain tone. Should any of

1414
01:17:40.720 --> 01:17:43.479
<v Speaker 1>the producers raise an issue, you're going to have trouble.

1415
01:17:45.199 --> 01:17:48.680
<v Speaker 1>So and then he says nobody was happy about what

1416
01:17:48.840 --> 01:17:55.159
<v Speaker 1>went down. Ultimately it was agony. So and then Emilia

1417
01:17:55.199 --> 01:17:58.720
<v Speaker 1>Clark has a quote here saying that the Lord and

1418
01:17:58.800 --> 01:18:01.399
<v Speaker 1>Miller this is the quot, seemed to be figuring it

1419
01:18:01.399 --> 01:18:07.159
<v Speaker 1>out as they went along. So well, I'd like.

1420
01:18:07.159 --> 01:18:11.479
<v Speaker 2>To believe that their experience on this led them to

1421
01:18:12.199 --> 01:18:14.439
<v Speaker 2>the success they've enjoyed on Projectail Mary.

1422
01:18:14.960 --> 01:18:18.119
<v Speaker 1>I wonder, you know, like like you said, like maybe

1423
01:18:18.119 --> 01:18:21.880
<v Speaker 1>they learned some lessons from it, like how far to push? Yeah,

1424
01:18:21.960 --> 01:18:26.760
<v Speaker 1>you know, and but then again, who's to say in

1425
01:18:26.800 --> 01:18:29.319
<v Speaker 1>the end they might not have found that place. They

1426
01:18:29.439 --> 01:18:31.479
<v Speaker 1>just seem like they want to experiment. They want to

1427
01:18:31.479 --> 01:18:36.840
<v Speaker 1>play around and capture a hundred different things and then

1428
01:18:36.920 --> 01:18:40.359
<v Speaker 1>find it in the edit right, right, and so maybe

1429
01:18:40.399 --> 01:18:42.279
<v Speaker 1>they would have been like, oh, we thought that would

1430
01:18:42.319 --> 01:18:44.079
<v Speaker 1>be funny, but when we see the whole, you know,

1431
01:18:44.199 --> 01:18:45.920
<v Speaker 1>all of it put together, it doesn't quite work like

1432
01:18:45.920 --> 01:18:50.319
<v Speaker 1>we thought. Don't know, but Kasin and Lucasfilm wasn't willing

1433
01:18:50.359 --> 01:18:54.399
<v Speaker 1>to take that bet, you know. I think.

1434
01:18:54.439 --> 01:18:56.920
<v Speaker 2>Look, I mean the fact that they shot this movie

1435
01:18:57.079 --> 01:18:59.199
<v Speaker 2>twice in essence as part of the reason why it

1436
01:18:59.199 --> 01:19:01.159
<v Speaker 2>would ended up being such a money pit, you know,

1437
01:19:04.000 --> 01:19:09.560
<v Speaker 2>I think, I mean, look, the original Star Wars films

1438
01:19:09.600 --> 01:19:15.159
<v Speaker 2>were relatively speaking, low budget compared to what we have now, right,

1439
01:19:15.239 --> 01:19:17.960
<v Speaker 2>And and that worked in the those movies favorite because

1440
01:19:18.279 --> 01:19:22.359
<v Speaker 2>you were you were you know, the sky was not

1441
01:19:22.439 --> 01:19:24.359
<v Speaker 2>the limit in terms of what you could accomplish and

1442
01:19:24.399 --> 01:19:28.399
<v Speaker 2>what you could spend, and having limitations to work within

1443
01:19:28.800 --> 01:19:29.680
<v Speaker 2>is a good thing, you know.

1444
01:19:30.159 --> 01:19:30.399
<v Speaker 1>Right.

1445
01:19:30.960 --> 01:19:32.960
<v Speaker 2>By the way, I wanted to mention real quick Beckett

1446
01:19:32.960 --> 01:19:38.680
<v Speaker 2>wearing you know, the prison guard outfit that Lando wears

1447
01:19:38.760 --> 01:19:43.680
<v Speaker 2>later in Return of the Jedi. I kind of loved

1448
01:19:43.680 --> 01:19:45.800
<v Speaker 2>that Lando just had that sitting in a closet, just

1449
01:19:45.840 --> 01:19:47.600
<v Speaker 2>waiting for the right opportunity one day.

1450
01:19:48.079 --> 01:19:50.039
<v Speaker 1>Yeah, that's like his his disguise.

1451
01:19:50.760 --> 01:19:52.000
<v Speaker 2>He's like, now's my time.

1452
01:19:54.399 --> 01:19:56.760
<v Speaker 1>Yeah, now, if we could revise Return of the Jedi,

1453
01:19:56.840 --> 01:19:58.640
<v Speaker 1>he might be like, oh faithful.

1454
01:20:01.000 --> 01:20:03.960
<v Speaker 2>Like like they're they're making the plan and Leah is like, Okay,

1455
01:20:04.399 --> 01:20:06.119
<v Speaker 2>uh Lando, we're gonna need you to and she like

1456
01:20:06.119 --> 01:20:08.239
<v Speaker 2>turns around and he's already like got the mask.

1457
01:20:08.079 --> 01:20:17.199
<v Speaker 1>On, right, right, got it right? But anyway, so apparently

1458
01:20:17.239 --> 01:20:20.199
<v Speaker 1>there was some break when they were moving from one

1459
01:20:20.199 --> 01:20:26.159
<v Speaker 1>location to another, and uh, let's see, a bunch of

1460
01:20:26.199 --> 01:20:29.199
<v Speaker 1>people reviewed the footage and didn't like how it was

1461
01:20:29.239 --> 01:20:33.520
<v Speaker 1>coming together, and so they decided to fire Lord and

1462
01:20:33.560 --> 01:20:38.760
<v Speaker 1>Miller and they had to bring someone in to not

1463
01:20:39.000 --> 01:20:43.039
<v Speaker 1>just finish the movie, but reshoot a major chunk of it.

1464
01:20:43.560 --> 01:20:46.279
<v Speaker 1>And so they got Ron Howard.

1465
01:20:47.840 --> 01:20:53.199
<v Speaker 2>I mean luckily he was available to you know, to

1466
01:20:53.560 --> 01:20:54.239
<v Speaker 2>come aboard.

1467
01:20:54.399 --> 01:20:54.560
<v Speaker 1>Right.

1468
01:20:54.640 --> 01:20:57.239
<v Speaker 2>That by itself is remarkable because he's a pretty busy guy.

1469
01:20:58.560 --> 01:21:01.840
<v Speaker 2>H And I mean he's he's a he's a journeyman, right,

1470
01:21:01.840 --> 01:21:05.600
<v Speaker 2>like we've talked about before, Like he doesn't necessarily have

1471
01:21:05.680 --> 01:21:08.479
<v Speaker 2>a distinct authorial stamp.

1472
01:21:08.920 --> 01:21:10.079
<v Speaker 1>M right.

1473
01:21:10.119 --> 01:21:13.680
<v Speaker 2>I don't know what makes a Ron Howard film, right,

1474
01:21:14.359 --> 01:21:16.199
<v Speaker 2>except that they tend to be watchable.

1475
01:21:17.359 --> 01:21:22.319
<v Speaker 1>Yeah, that's about it, you know. Yeah, So he I

1476
01:21:22.359 --> 01:21:23.960
<v Speaker 1>just I like this, by the way, so now we

1477
01:21:24.039 --> 01:21:28.359
<v Speaker 1>have well they're on Kessel, right, the Spice Minds of Kessel,

1478
01:21:28.439 --> 01:21:32.399
<v Speaker 1>which is we hear referenced in New Hope.

1479
01:21:32.760 --> 01:21:35.560
<v Speaker 2>Only spoken of in hush tones up until now.

1480
01:21:36.159 --> 01:21:38.319
<v Speaker 1>Yeah, so we get to see what that is. And

1481
01:21:38.319 --> 01:21:40.239
<v Speaker 1>I guess spice in the Star Wars universe is kind

1482
01:21:40.239 --> 01:21:40.840
<v Speaker 1>of like a drug.

1483
01:21:42.399 --> 01:21:47.319
<v Speaker 2>Yeah, and it's obviously when Lucas came up with it,

1484
01:21:47.319 --> 01:21:51.880
<v Speaker 2>it was a little bit of a reference to Dune. Yeah,

1485
01:21:51.880 --> 01:21:52.960
<v Speaker 2>but now it's its own thing.

1486
01:21:54.319 --> 01:21:56.800
<v Speaker 1>Yep. So they're busting in to go get some unrefined

1487
01:21:56.840 --> 01:22:01.720
<v Speaker 1>coaxium to replace the ship Meentod they had to drop

1488
01:22:01.960 --> 01:22:07.199
<v Speaker 1>that got destroyed, and you know, l three basically goes

1489
01:22:07.199 --> 01:22:09.920
<v Speaker 1>in there and inspires a robot to rebel, and then

1490
01:22:09.920 --> 01:22:14.720
<v Speaker 1>she basically gets a whole droid rebellion going on. That

1491
01:22:14.800 --> 01:22:16.439
<v Speaker 1>just creates a bunch of casts, that's what we're saying.

1492
01:22:16.520 --> 01:22:19.800
<v Speaker 1>But I love as they're escaping now that Chewie sees

1493
01:22:19.880 --> 01:22:23.640
<v Speaker 1>some other Wookies being used as like slave labor, and

1494
01:22:23.680 --> 01:22:27.159
<v Speaker 1>he just can't let it go. And I was like, no,

1495
01:22:27.159 --> 01:22:28.720
<v Speaker 1>we gotta go, we gotta go, but chew He's like,

1496
01:22:29.520 --> 01:22:31.640
<v Speaker 1>I can't. And I love and I love the Hans

1497
01:22:31.720 --> 01:22:34.159
<v Speaker 1>like okay here and like gives them a weapon, you know,

1498
01:22:34.319 --> 01:22:36.039
<v Speaker 1>like go do what you gotta do.

1499
01:22:37.000 --> 01:22:39.359
<v Speaker 2>Yeah, and he's like, hey, you know, I hope I

1500
01:22:39.359 --> 01:22:42.520
<v Speaker 2>see you around yep, like he's never expecting to see

1501
01:22:42.600 --> 01:22:43.039
<v Speaker 2>him again.

1502
01:22:43.319 --> 01:22:47.399
<v Speaker 1>Yep. I just love that. I mean, this is just

1503
01:22:47.399 --> 01:22:51.600
<v Speaker 1>such a great mcguffin. It's just so understandable. It's cool,

1504
01:22:52.159 --> 01:22:55.399
<v Speaker 1>like we see it in this state where it's it's

1505
01:22:55.439 --> 01:22:58.760
<v Speaker 1>stable and it's bright and it's kind of this cool

1506
01:22:59.119 --> 01:23:01.840
<v Speaker 1>white looking, you know, whitish blue color. But then later

1507
01:23:01.880 --> 01:23:05.119
<v Speaker 1>when it's becoming unstable, it's like looking like inky and

1508
01:23:05.199 --> 01:23:07.920
<v Speaker 1>kind of like, oh, that's not good, right, you know

1509
01:23:08.119 --> 01:23:15.000
<v Speaker 1>it's it's hilarious the Lando Chronicles or the Calarisian Chronicles. Chronicles,

1510
01:23:18.279 --> 01:23:19.960
<v Speaker 1>So anyway, Ron Howard.

1511
01:23:19.760 --> 01:23:22.880
<v Speaker 2>This by the way, real quick, he's referencing a story.

1512
01:23:23.039 --> 01:23:27.159
<v Speaker 2>There was also a series of Lando novels. Oh really yeah,

1513
01:23:27.199 --> 01:23:30.520
<v Speaker 2>so he's he's just like the Shahnu or the Chahroux

1514
01:23:30.600 --> 01:23:32.920
<v Speaker 2>or something like that. That's like one of the Lando

1515
01:23:33.159 --> 01:23:34.279
<v Speaker 2>Calrisian novels.

1516
01:23:34.760 --> 01:23:37.680
<v Speaker 1>Oh that's hilarious. I love that. That's great. If you'd

1517
01:23:37.680 --> 01:23:41.000
<v Speaker 1>read those books, you feel really seen. Yeah exactly. Yeah.

1518
01:23:41.000 --> 01:23:43.199
<v Speaker 2>I also like by the way that Lando is wearing,

1519
01:23:43.279 --> 01:23:47.439
<v Speaker 2>Like that's the same shirt or color I should say

1520
01:23:47.439 --> 01:23:49.479
<v Speaker 2>that he wears in Rise of Skywalker.

1521
01:23:50.960 --> 01:23:52.079
<v Speaker 1>Oh, I don't even remember that.

1522
01:23:52.439 --> 01:23:55.600
<v Speaker 2>Yeah, he wears like the mustard colored shirt.

1523
01:23:55.920 --> 01:24:03.119
<v Speaker 1>How funny. Yeah. I just think this is a great

1524
01:24:03.119 --> 01:24:05.039
<v Speaker 1>set piece. And then it's like, you got all that stuff,

1525
01:24:05.039 --> 01:24:07.079
<v Speaker 1>but the difficulty of getting it out. But then because

1526
01:24:07.079 --> 01:24:10.920
<v Speaker 1>they helped the Wookies, then the Wookies, you know, helped

1527
01:24:10.960 --> 01:24:16.079
<v Speaker 1>push the stuff out. I don't know, it's just well done. Chew.

1528
01:24:16.079 --> 01:24:20.880
<v Speaker 1>He still got us back. Mm hmm. So all right,

1529
01:24:21.439 --> 01:24:24.199
<v Speaker 1>going back Ron Howard, he's brought in. This is from

1530
01:24:24.239 --> 01:24:27.720
<v Speaker 1>an interview he did with Vulture dot Com. It's a

1531
01:24:27.720 --> 01:24:29.600
<v Speaker 1>little lengthy, but I'll try to read it.

1532
01:24:29.319 --> 01:24:33.560
<v Speaker 2>Was the interview contemporaneous to the or is it after

1533
01:24:33.600 --> 01:24:33.920
<v Speaker 2>the fact?

1534
01:24:34.199 --> 01:24:37.199
<v Speaker 1>After the fact. I think this was a little portion

1535
01:24:37.399 --> 01:24:43.119
<v Speaker 1>of a longer interview about his career. So, uh, this

1536
01:24:43.199 --> 01:24:45.399
<v Speaker 1>is Ron Howard. He said, I like Solo a lot too,

1537
01:24:46.199 --> 01:24:48.600
<v Speaker 1>but that also underperformed and was affected by behind the

1538
01:24:48.600 --> 01:24:51.560
<v Speaker 1>scenes drama. I'd always been curious about Star Wars, and

1539
01:24:51.600 --> 01:24:53.840
<v Speaker 1>Solo landed in my lap when I didn't have another

1540
01:24:53.880 --> 01:24:56.000
<v Speaker 1>movie set to go. My wife, Cheryl and I were

1541
01:24:56.039 --> 01:24:58.359
<v Speaker 1>vacationing in Paris. I went to London to see Hans

1542
01:24:58.399 --> 01:25:01.199
<v Speaker 1>Zimber play at the O two, and I reached out

1543
01:25:01.199 --> 01:25:03.199
<v Speaker 1>to Kathy Kennedy just to say hi, and she said,

1544
01:25:03.319 --> 01:25:05.079
<v Speaker 1>do you want to come and have breakfast? Can you

1545
01:25:05.159 --> 01:25:08.159
<v Speaker 1>imagine like she gets like a little text from Ron Howard,

1546
01:25:08.199 --> 01:25:15.159
<v Speaker 1>She's like, hey, come over. I said, okay. John Kazden

1547
01:25:15.199 --> 01:25:17.800
<v Speaker 1>eventually showed up. They basically said, we've reached a creative

1548
01:25:17.800 --> 01:25:20.319
<v Speaker 1>impast with Lord and Miller. Would you ever consider coming in.

1549
01:25:20.600 --> 01:25:22.560
<v Speaker 1>I looked at some edited footage and I saw what

1550
01:25:22.680 --> 01:25:25.239
<v Speaker 1>was bothering them. There was a studio that liked the

1551
01:25:25.279 --> 01:25:27.720
<v Speaker 1>script the way it was and wanted a Star Wars movie,

1552
01:25:27.920 --> 01:25:30.640
<v Speaker 1>but there was a disconnect early on tonally, and they

1553
01:25:30.680 --> 01:25:33.720
<v Speaker 1>weren't convinced that what Phil and Chris were doing was

1554
01:25:33.760 --> 01:25:37.279
<v Speaker 1>working effectively. I couldn't judge that because I didn't see

1555
01:25:37.359 --> 01:25:40.680
<v Speaker 1>enough of it to know, but they were sure. Once

1556
01:25:40.720 --> 01:25:42.560
<v Speaker 1>I said okay, I think I can do this script,

1557
01:25:42.680 --> 01:25:44.800
<v Speaker 1>and I think I understand what you want of this script,

1558
01:25:44.840 --> 01:25:48.640
<v Speaker 1>they said, we'd want to reshoot a lot. I looked

1559
01:25:48.640 --> 01:25:50.399
<v Speaker 1>at the whole movie and then pointed out some things

1560
01:25:50.399 --> 01:25:52.479
<v Speaker 1>that I thought were great, and Phil and Chris were

1561
01:25:52.479 --> 01:25:56.119
<v Speaker 1>incredibly gracious throughout that process. They were just seeing two

1562
01:25:56.199 --> 01:25:58.560
<v Speaker 1>different movies. So I came in, I had a blast,

1563
01:25:58.640 --> 01:26:02.159
<v Speaker 1>and there's nothing personal about that whatsoever. It's still just

1564
01:26:02.199 --> 01:26:07.279
<v Speaker 1>a shame. I can't wait for Phil and Chris's next movie.

1565
01:26:07.399 --> 01:26:10.880
<v Speaker 1>And then the interviewer says, what did George Lucas tell you?

1566
01:26:10.920 --> 01:26:13.279
<v Speaker 1>And Ron Howard says, I talked to him once early

1567
01:26:14.119 --> 01:26:16.439
<v Speaker 1>when I was just thinking about doing it. He wasn't

1568
01:26:16.479 --> 01:26:18.920
<v Speaker 1>active on the films, but he said, just don't forget

1569
01:26:19.000 --> 01:26:24.840
<v Speaker 1>it's for twelve year old boys. So pretty diplomatic, but

1570
01:26:25.399 --> 01:26:29.760
<v Speaker 1>also I think, you know, and interesting glips.

1571
01:26:30.239 --> 01:26:33.640
<v Speaker 2>I just I mean, I mean, honestly, it feels like

1572
01:26:34.159 --> 01:26:36.560
<v Speaker 2>that foul up rests with the producers.

1573
01:26:36.840 --> 01:26:37.279
<v Speaker 1>That's me.

1574
01:26:38.840 --> 01:26:44.199
<v Speaker 2>Because there should have been clarity well before cameras rolled

1575
01:26:44.239 --> 01:26:47.319
<v Speaker 2>about what parameters the directors were playing within.

1576
01:26:48.720 --> 01:26:52.039
<v Speaker 1>Yeah, especially if you are familiar with their style of

1577
01:26:52.119 --> 01:26:53.760
<v Speaker 1>every movie they've made before.

1578
01:26:54.279 --> 01:26:57.680
<v Speaker 2>Right, because because if you're Lord and Miller, you're like, well,

1579
01:26:57.920 --> 01:27:02.479
<v Speaker 2>you hired us because you've seen our reel, you know,

1580
01:27:04.000 --> 01:27:06.760
<v Speaker 2>And so their assumption, unless they're told otherwise, is just

1581
01:27:06.800 --> 01:27:12.600
<v Speaker 2>do your thing, you know, and keep in mind I

1582
01:27:12.600 --> 01:27:15.199
<v Speaker 2>mean this was the same year, you know, a few

1583
01:27:15.199 --> 01:27:18.279
<v Speaker 2>months after this movie came out, was into the Spider Verse,

1584
01:27:19.760 --> 01:27:21.720
<v Speaker 2>all right, which Lord and Miller.

1585
01:27:21.399 --> 01:27:25.319
<v Speaker 1>Did, yep, which also, you know, based on reports, has

1586
01:27:25.359 --> 01:27:27.840
<v Speaker 1>a very free willing. Yeah.

1587
01:27:27.840 --> 01:27:31.039
<v Speaker 2>I mean, actually because this the third one, you know,

1588
01:27:31.239 --> 01:27:33.399
<v Speaker 2>is just it went from oh, it's coming out in

1589
01:27:33.439 --> 01:27:35.239
<v Speaker 2>six months to you'll see it when you see it,

1590
01:27:35.239 --> 01:27:35.840
<v Speaker 2>shut the hell.

1591
01:27:35.840 --> 01:27:46.279
<v Speaker 1>Up exactly yep. But yeah, but you can also kind

1592
01:27:46.279 --> 01:27:49.880
<v Speaker 1>of imagine, especially in this moment where like we said,

1593
01:27:49.920 --> 01:27:52.600
<v Speaker 1>we didn't have the shows. Even the scores at this

1594
01:27:52.640 --> 01:27:54.520
<v Speaker 1>point are still trying to sound like John Williams, and

1595
01:27:54.520 --> 01:27:57.680
<v Speaker 1>I think they've given up on that now at this point. Yeah,

1596
01:27:58.039 --> 01:28:00.000
<v Speaker 1>a lot of things in Star Wars felt sacris saying

1597
01:28:00.399 --> 01:28:03.199
<v Speaker 1>you know, that's right, and so they probably thought, well, like, well, yeah,

1598
01:28:03.239 --> 01:28:05.439
<v Speaker 1>we're going to hire Ryan Johnson, we're gonna hire Lord Miller,

1599
01:28:05.479 --> 01:28:08.079
<v Speaker 1>We're gonna hire these people. But you're gonna make Star Wars.

1600
01:28:08.239 --> 01:28:13.439
<v Speaker 1>You're not making a Lord Miller movie. That's well that's

1601
01:28:13.439 --> 01:28:15.279
<v Speaker 1>not a defense, by the way, but I'm just imagining

1602
01:28:15.279 --> 01:28:16.359
<v Speaker 1>that's what was in their heads.

1603
01:28:16.800 --> 01:28:21.079
<v Speaker 2>No, I get it, you know, I just think that,

1604
01:28:22.920 --> 01:28:26.279
<v Speaker 2>you know the sense of like, oh, We've got all

1605
01:28:26.319 --> 01:28:28.479
<v Speaker 2>the money in the world. Oh yeah, we got to

1606
01:28:28.479 --> 01:28:30.279
<v Speaker 2>reshoot the movie again, no problem, you know.

1607
01:28:30.920 --> 01:28:35.079
<v Speaker 1>Yeah, and they reshot seventy percent. Yeah, that's how much

1608
01:28:35.159 --> 01:28:37.159
<v Speaker 1>Ron Howard shot seventy percent of this movie.

1609
01:28:37.560 --> 01:28:41.720
<v Speaker 2>Yeah, and that's part of that is like necessitated by

1610
01:28:42.800 --> 01:28:45.720
<v Speaker 2>guild rules, so that, you know, determining who gets credit

1611
01:28:46.680 --> 01:28:51.800
<v Speaker 2>for a film. Well, that's that's that's kind of amateur hour,

1612
01:28:51.880 --> 01:28:55.520
<v Speaker 2>you know, like how do you how do you not

1613
01:28:55.600 --> 01:28:57.159
<v Speaker 2>figure this stuff out ahead of time?

1614
01:28:57.720 --> 01:29:03.319
<v Speaker 1>Yeah, you know, I wonder. I mean, I'm a Kathleen

1615
01:29:03.399 --> 01:29:08.920
<v Speaker 1>Kennedy fan because she has produced not only some of

1616
01:29:08.920 --> 01:29:12.239
<v Speaker 1>the my favorite films ever, but just some of the

1617
01:29:12.279 --> 01:29:15.319
<v Speaker 1>greatest films of the like last forty plus years. Right,

1618
01:29:16.039 --> 01:29:23.039
<v Speaker 1>And however, she has worked with world class directors.

1619
01:29:22.920 --> 01:29:24.760
<v Speaker 2>Like I was about to say, right, Like right, I

1620
01:29:24.760 --> 01:29:29.359
<v Speaker 2>think you take for granted when like Steven Spielberg is

1621
01:29:29.359 --> 01:29:31.079
<v Speaker 2>who you work with most of the time, you know.

1622
01:29:31.159 --> 01:29:34.039
<v Speaker 1>Like, yes, who have very clear voices and know exactly

1623
01:29:34.079 --> 01:29:38.279
<v Speaker 1>the movie they're making, right yep.

1624
01:29:38.920 --> 01:29:43.439
<v Speaker 2>And when you think about it, I mean, the the

1625
01:29:45.119 --> 01:29:48.319
<v Speaker 2>It's interesting how depending on the film, the role of

1626
01:29:48.359 --> 01:29:52.399
<v Speaker 2>a producer or director can be flipped right, Like when

1627
01:29:52.399 --> 01:29:56.159
<v Speaker 2>it came to the Star Wars prequels, George Lucas was

1628
01:29:56.159 --> 01:29:59.239
<v Speaker 2>the director. Rick McCollum is the producer. But Rick McCallum's

1629
01:29:59.319 --> 01:30:04.119
<v Speaker 2>job was to do whatever George Lucas wanted. But when

1630
01:30:04.119 --> 01:30:09.479
<v Speaker 2>it came time to the sequels, the onus shifted because

1631
01:30:09.479 --> 01:30:12.800
<v Speaker 2>it was the producer's job to really make sure this

1632
01:30:12.960 --> 01:30:15.399
<v Speaker 2>entire thing was coming together, you know, and it was

1633
01:30:15.439 --> 01:30:19.000
<v Speaker 2>the director's job to execute the producer's vision, right right.

1634
01:30:21.960 --> 01:30:24.359
<v Speaker 2>I like how in this sequence when we see the

1635
01:30:24.359 --> 01:30:28.079
<v Speaker 2>starter stories, we hear the the Empire music from a New.

1636
01:30:27.960 --> 01:30:30.560
<v Speaker 1>Hope which never comes back.

1637
01:30:31.600 --> 01:30:36.399
<v Speaker 2>Yeah, well I think we hear it in a rogue one, sure,

1638
01:30:37.520 --> 01:30:40.199
<v Speaker 2>but yeah, you know because once, once Williams came up

1639
01:30:40.199 --> 01:30:44.399
<v Speaker 2>with the with the Imperial March for for for Empire

1640
01:30:44.399 --> 01:30:46.319
<v Speaker 2>strikes back. Well gosh, it was so good that they

1641
01:30:46.359 --> 01:30:47.880
<v Speaker 2>had to adopt it in Universe.

1642
01:30:49.920 --> 01:30:54.680
<v Speaker 1>Yeah that's right, that's right. That is literally the Empire's theme,

1643
01:30:55.199 --> 01:30:57.000
<v Speaker 1>and I love that. Yeah.

1644
01:31:00.199 --> 01:31:03.079
<v Speaker 2>So the Kessel Run, you know, famously, this is like,

1645
01:31:04.159 --> 01:31:08.960
<v Speaker 2>uh it all it's all born of of what I

1646
01:31:09.039 --> 01:31:12.479
<v Speaker 2>have to imagine was just a mistake in the original film,

1647
01:31:12.520 --> 01:31:12.840
<v Speaker 2>which is.

1648
01:31:12.880 --> 01:31:14.960
<v Speaker 1>Why I made.

1649
01:31:14.079 --> 01:31:16.279
<v Speaker 2>The Kessel Run in less than twelve parsex and you say, well,

1650
01:31:16.279 --> 01:31:22.279
<v Speaker 2>a parsec is uh, you know, a distance, not time.

1651
01:31:23.840 --> 01:31:26.439
<v Speaker 2>And so Lucas, I mean I remember him talking about

1652
01:31:26.479 --> 01:31:28.640
<v Speaker 2>it in the commentary for a New Hope. He's like, well, no,

1653
01:31:28.680 --> 01:31:30.399
<v Speaker 2>because you have to plot the course. And so if

1654
01:31:30.399 --> 01:31:33.479
<v Speaker 2>you plot the course and you know, it's all your

1655
01:31:33.680 --> 01:31:35.920
<v Speaker 2>your skill as a pilot is how skillfully can you

1656
01:31:35.920 --> 01:31:39.119
<v Speaker 2>plot the course? And I'm like, bro, that's like all bullshit,

1657
01:31:39.199 --> 01:31:40.920
<v Speaker 2>but I give you all the credit in the world.

1658
01:31:41.479 --> 01:31:45.199
<v Speaker 2>That is like impressive bullshit. So so golf clap for

1659
01:31:45.319 --> 01:31:49.399
<v Speaker 2>your bullshit, right right, right, Jedi Master Lucas, you know,

1660
01:31:51.560 --> 01:31:53.920
<v Speaker 2>and and so you know, I don't think he ever

1661
01:31:53.960 --> 01:31:59.479
<v Speaker 2>thought it would have to be you know, actualized. And

1662
01:31:59.560 --> 01:32:01.359
<v Speaker 2>it's all a bunch of Hunker Morker anyway, it doesn't

1663
01:32:01.359 --> 01:32:03.159
<v Speaker 2>make a look of sense. Whatever, It's fine.

1664
01:32:05.920 --> 01:32:09.199
<v Speaker 1>Yeah, this is uh speaking of like the music, kind

1665
01:32:09.199 --> 01:32:12.199
<v Speaker 1>of the greatest hits. M yeah, yeah, we get the

1666
01:32:12.239 --> 01:32:14.079
<v Speaker 1>New Hope music and then when we've got.

1667
01:32:13.960 --> 01:32:16.119
<v Speaker 2>Their dog in the asteroid field later, yeah.

1668
01:32:16.000 --> 01:32:24.199
<v Speaker 1>Exactly, I will say I do yeah real quick.

1669
01:32:24.640 --> 01:32:27.479
<v Speaker 2>Uh, you know when you look at the falcon with

1670
01:32:27.520 --> 01:32:31.640
<v Speaker 2>the with the escape pod in the mandible, yes, right,

1671
01:32:31.880 --> 01:32:34.520
<v Speaker 2>and and I was thinking, I like how the film

1672
01:32:34.600 --> 01:32:39.560
<v Speaker 2>makes clear to say that that itself was a retrofit

1673
01:32:39.680 --> 01:32:44.439
<v Speaker 2>that Lando made. Hmmm, because if you remember, we see

1674
01:32:44.439 --> 01:32:49.600
<v Speaker 2>the millennium falcon in Revenge of the Syth and it looks.

1675
01:32:49.359 --> 01:32:52.920
<v Speaker 1>Like, oh yeah.

1676
01:32:52.000 --> 01:32:53.159
<v Speaker 2>It looks like our falcon.

1677
01:32:53.279 --> 01:32:56.520
<v Speaker 1>You know. Oh that's so funny.

1678
01:32:56.560 --> 01:32:59.840
<v Speaker 2>I didn't think about that specifically, say no, that was

1679
01:32:59.840 --> 01:33:02.640
<v Speaker 2>a change that Lando made, so it happened after that.

1680
01:33:02.840 --> 01:33:07.920
<v Speaker 1>Is really funny. I remember when this movie was coming out,

1681
01:33:08.520 --> 01:33:13.840
<v Speaker 1>they created a life sized falcon that looked like this

1682
01:33:14.000 --> 01:33:17.880
<v Speaker 1>with the pod up front on Hollywood Boulevard for the

1683
01:33:17.920 --> 01:33:20.680
<v Speaker 1>premiere really and so I was working at Puppy Dog

1684
01:33:20.720 --> 01:33:24.199
<v Speaker 1>Pals at the time, and this other writer, Gene, and

1685
01:33:24.239 --> 01:33:26.159
<v Speaker 1>I were like, we got to go see it, and

1686
01:33:26.239 --> 01:33:28.159
<v Speaker 1>so on like a lunch break or something. We got

1687
01:33:28.159 --> 01:33:30.159
<v Speaker 1>in a car, we drove down there and we got

1688
01:33:30.239 --> 01:33:34.920
<v Speaker 1>high up. I have pictures of us. It's it's magical,

1689
01:33:35.159 --> 01:33:38.399
<v Speaker 1>Like you're just standing next to a life size millennium falcon.

1690
01:33:38.479 --> 01:33:39.279
<v Speaker 1>It was amazing.

1691
01:33:41.359 --> 01:33:42.079
<v Speaker 2>That's surreal.

1692
01:33:42.479 --> 01:33:43.319
<v Speaker 1>Yeah, it's very cool.

1693
01:33:43.359 --> 01:33:46.720
<v Speaker 2>That's what That's what there is in galaxies Edge.

1694
01:33:46.600 --> 01:33:49.239
<v Speaker 1>Now, right, that's true. Yeah, I guess I think I

1695
01:33:49.520 --> 01:33:51.680
<v Speaker 1>especially have those feelings because that was before that, so

1696
01:33:51.720 --> 01:33:53.039
<v Speaker 1>that was like the first time I got to stand

1697
01:33:53.039 --> 01:33:55.000
<v Speaker 1>next to the falcon. But yes, they have a recreated

1698
01:33:55.119 --> 01:33:59.359
<v Speaker 1>Millennium Falcon at Galaxies Edge and it's so.

1699
01:33:59.439 --> 01:34:05.279
<v Speaker 2>Cool, really amazing, so that you've been there, Yes, you

1700
01:34:05.319 --> 01:34:06.520
<v Speaker 2>can't go inside.

1701
01:34:08.279 --> 01:34:11.119
<v Speaker 1>Uh no, it's it's like a big prop. I mean

1702
01:34:11.159 --> 01:34:14.960
<v Speaker 1>it looks very very good. But then you know there's

1703
01:34:15.279 --> 01:34:17.119
<v Speaker 1>a ride. I forgot what the ride's called. But you

1704
01:34:17.159 --> 01:34:19.520
<v Speaker 1>get to pilot the falcon and go on a mission.

1705
01:34:20.039 --> 01:34:22.399
<v Speaker 1>So yeah, so you do get to feel like you're

1706
01:34:22.439 --> 01:34:25.279
<v Speaker 1>walking through its halls at one pass and sit in

1707
01:34:25.319 --> 01:34:30.560
<v Speaker 1>the cockpit. I see, I see. Yeah.

1708
01:34:30.960 --> 01:34:32.359
<v Speaker 2>So yeah, it just going back to what we were

1709
01:34:32.359 --> 01:34:35.399
<v Speaker 2>talking about earlier, the whole Lando L three thing, like

1710
01:34:35.720 --> 01:34:42.880
<v Speaker 2>his emoting over her death struck me as odd because

1711
01:34:42.920 --> 01:34:45.920
<v Speaker 2>I'm like, well, it's a droid. I mean, like, don't

1712
01:34:46.000 --> 01:34:49.000
<v Speaker 2>don't they repair droids all the time in these things? Right?

1713
01:34:50.039 --> 01:34:56.000
<v Speaker 1>Yeah? Well I guess see, yes, And what they end

1714
01:34:56.119 --> 01:34:57.960
<v Speaker 1>up doing is they take her I don't know what

1715
01:34:58.000 --> 01:35:00.079
<v Speaker 1>you call it, her hard drive or something, and they

1716
01:35:00.079 --> 01:35:02.439
<v Speaker 1>plug it into the falcon falcon so they can use

1717
01:35:02.439 --> 01:35:04.199
<v Speaker 1>her maps to figure out the quickest way to get

1718
01:35:04.199 --> 01:35:05.000
<v Speaker 1>out of this situation.

1719
01:35:05.399 --> 01:35:07.920
<v Speaker 2>Yeah, so that she was forcibly enslaved for the rest

1720
01:35:07.960 --> 01:35:09.800
<v Speaker 2>of her existence, just like she would have wanted.

1721
01:35:09.880 --> 01:35:12.199
<v Speaker 1>It's great. Yeah, it's like that Black Mirror episode where

1722
01:35:12.239 --> 01:35:15.039
<v Speaker 1>the people's consciousnesses are put into like a hard drive

1723
01:35:15.079 --> 01:35:18.399
<v Speaker 1>somewhere and it's like, are you really alive or you

1724
01:35:18.479 --> 01:35:22.560
<v Speaker 1>just like in some sort of weird hell. I don't know.

1725
01:35:23.319 --> 01:35:25.920
<v Speaker 2>I mean, especially for L three, whose whole thing is

1726
01:35:25.960 --> 01:35:27.159
<v Speaker 2>like droid freedom.

1727
01:35:27.560 --> 01:35:30.800
<v Speaker 1>Yeah, you're right, Oh what this is a terrible story.

1728
01:35:30.840 --> 01:35:32.239
<v Speaker 1>That's like an O Henry story for her.

1729
01:35:32.399 --> 01:35:38.960
<v Speaker 2>That's right. She instigated a robot rebellion only to be

1730
01:35:39.159 --> 01:35:41.000
<v Speaker 2>enslaved for all of existence.

1731
01:35:41.399 --> 01:35:47.359
<v Speaker 1>That is kind of like tragically beautiful in a story sense.

1732
01:35:47.399 --> 01:35:48.880
<v Speaker 1>I mean, I don't love it. That's not the ending

1733
01:35:48.920 --> 01:35:50.720
<v Speaker 1>I want for her, but like kind of works as

1734
01:35:50.760 --> 01:35:56.399
<v Speaker 1>a dark tragedy. But to your point, Lando could be

1735
01:35:56.439 --> 01:35:58.800
<v Speaker 1>putting up a more of a fight about doing that

1736
01:35:59.399 --> 01:36:03.000
<v Speaker 1>because that and she's never coming back. Ah see, Oh

1737
01:36:03.039 --> 01:36:05.680
<v Speaker 1>that's good, right, Like maybe there is the hope that

1738
01:36:05.680 --> 01:36:07.760
<v Speaker 1>it's like okay, okay, I mean she's really messed up,

1739
01:36:07.760 --> 01:36:09.800
<v Speaker 1>but maybe we could repair her. It's like now we

1740
01:36:09.840 --> 01:36:11.159
<v Speaker 1>need her maps.

1741
01:36:12.560 --> 01:36:16.359
<v Speaker 2>But really, see this all works out because because you know,

1742
01:36:16.479 --> 01:36:20.560
<v Speaker 2>they're trying to save Lando from himself. Also, right, they're like,

1743
01:36:20.600 --> 01:36:23.159
<v Speaker 2>there's a guy he's sticking his wiener and toasters. We

1744
01:36:23.359 --> 01:36:28.279
<v Speaker 2>know what he's doing. This is this is good for everybody.

1745
01:36:28.319 --> 01:36:30.319
<v Speaker 1>Yeah, we got a nice human girl we can introduce

1746
01:36:30.359 --> 01:36:32.520
<v Speaker 1>you to like maybe you know, like when you're ready,

1747
01:36:32.560 --> 01:36:41.399
<v Speaker 1>when you're ready, Morton, as long as you need. So, okay,

1748
01:36:41.600 --> 01:36:44.840
<v Speaker 1>part of me, I've wondered why I'm doing that, that

1749
01:36:44.880 --> 01:36:47.159
<v Speaker 1>Fred Armison thing that Sean always accuses me of. So

1750
01:36:47.279 --> 01:36:48.960
<v Speaker 1>the one of the thing about that, well, let me

1751
01:36:49.000 --> 01:36:54.079
<v Speaker 1>begin with what I'm trying to say is I think

1752
01:36:54.119 --> 01:36:58.479
<v Speaker 1>this movie has been reappraised. Sure, you know, in the

1753
01:36:58.560 --> 01:36:59.600
<v Speaker 1>years after it's come out.

1754
01:37:00.520 --> 01:37:03.800
<v Speaker 2>See I would argue it has been appraised because it

1755
01:37:03.880 --> 01:37:04.640
<v Speaker 2>was not watched.

1756
01:37:06.000 --> 01:37:10.840
<v Speaker 1>Sure, sure, Sure, but people were a little like mixed

1757
01:37:10.880 --> 01:37:12.960
<v Speaker 1>dish kind of positive on it, I think when it

1758
01:37:12.960 --> 01:37:14.359
<v Speaker 1>came out. But I think people now are like, you know,

1759
01:37:14.479 --> 01:37:18.039
<v Speaker 1>this is like a great adventure. Yeah, And I've always

1760
01:37:18.039 --> 01:37:20.600
<v Speaker 1>felt that way, you and I both. But I do

1761
01:37:20.680 --> 01:37:25.680
<v Speaker 1>think maybe one of the reasons that this movie hasn't

1762
01:37:25.880 --> 01:37:30.800
<v Speaker 1>stuck as much as it could have is it's a

1763
01:37:30.840 --> 01:37:35.399
<v Speaker 1>good story. But I don't know that it has like

1764
01:37:35.439 --> 01:37:37.840
<v Speaker 1>the punchy set pieces that some of the other Star

1765
01:37:37.880 --> 01:37:41.920
<v Speaker 1>Wars movies have. Yeah, and I would mainly point to

1766
01:37:41.960 --> 01:37:48.800
<v Speaker 1>this one, which is I don't understand what they're doing

1767
01:37:48.880 --> 01:37:49.640
<v Speaker 1>or where they're going.

1768
01:37:50.239 --> 01:37:52.039
<v Speaker 2>No, I would agree, I think this is the least

1769
01:37:52.159 --> 01:37:54.560
<v Speaker 2>interesting of our set pieces.

1770
01:37:54.439 --> 01:37:57.880
<v Speaker 1>Which is terrible because this is the Kessel run, Like

1771
01:37:57.960 --> 01:38:01.520
<v Speaker 1>this should be the set piece, right, I mean, the

1772
01:38:01.520 --> 01:38:03.680
<v Speaker 1>train set piece I've already said I think is amazing

1773
01:38:04.279 --> 01:38:07.159
<v Speaker 1>and well executed, and like everything I was praising about

1774
01:38:07.159 --> 01:38:09.479
<v Speaker 1>that set piece does not apply to this one. I

1775
01:38:09.560 --> 01:38:12.359
<v Speaker 1>don't know where they are. I don't know where they're going.

1776
01:38:12.479 --> 01:38:14.399
<v Speaker 1>I don't even know what it are. They in a

1777
01:38:14.479 --> 01:38:17.039
<v Speaker 1>cave like it seems kind of like that at the

1778
01:38:17.159 --> 01:38:19.720
<v Speaker 1>end when he has to turn the ship on its side.

1779
01:38:20.119 --> 01:38:22.880
<v Speaker 1>But all this is just real what we talk about,

1780
01:38:22.920 --> 01:38:26.039
<v Speaker 1>that sort of cgi gobbledy go. I think it's.

1781
01:38:25.880 --> 01:38:29.119
<v Speaker 2>Meant to foreground Hans skill.

1782
01:38:29.600 --> 01:38:33.520
<v Speaker 1>Which I think is on display. Well here this I

1783
01:38:33.600 --> 01:38:36.800
<v Speaker 1>understand where this whirlpool sort of situation.

1784
01:38:37.399 --> 01:38:41.079
<v Speaker 2>And I gotta say whether it's on display or not,

1785
01:38:41.319 --> 01:38:45.399
<v Speaker 2>I would not know, but for the fact that earlier

1786
01:38:45.399 --> 01:38:48.960
<v Speaker 2>in the movie, right before Rio died, he said you're

1787
01:38:49.079 --> 01:38:51.840
<v Speaker 2>one hell of a pilot, and I said, now, I

1788
01:38:51.960 --> 01:38:57.600
<v Speaker 2>know if that had not been said, yeah, I'd be

1789
01:38:57.640 --> 01:39:01.520
<v Speaker 2>totally adrift, right right right. In Star Wars, you have

1790
01:39:01.560 --> 01:39:04.119
<v Speaker 2>to say somebody is one hell of a pilot. Otherwise

1791
01:39:05.439 --> 01:39:06.039
<v Speaker 2>it's just lost.

1792
01:39:06.079 --> 01:39:06.640
<v Speaker 1>How do we know?

1793
01:39:07.359 --> 01:39:11.279
<v Speaker 2>Yeah, you know, it's just like basic language and Star Wars.

1794
01:39:11.840 --> 01:39:15.760
<v Speaker 1>Yeah. But you know, like to me, it's just too much.

1795
01:39:15.840 --> 01:39:21.279
<v Speaker 2>It's too much, becomes too much, and and it going

1796
01:39:21.319 --> 01:39:23.119
<v Speaker 2>back to what we were saying earlier, it feels a

1797
01:39:23.159 --> 01:39:25.920
<v Speaker 2>little bit like box checking because I personally I don't

1798
01:39:25.920 --> 01:39:28.319
<v Speaker 2>really care about ever seeing the Kessel run. To me,

1799
01:39:28.439 --> 01:39:32.800
<v Speaker 2>just hearing about it is enough, right, Yeah, So it

1800
01:39:33.319 --> 01:39:34.920
<v Speaker 2>feels like, well, we got what we got to show

1801
01:39:34.920 --> 01:39:36.119
<v Speaker 2>the Kessel run, so we're doing it.

1802
01:39:36.159 --> 01:39:38.119
<v Speaker 1>You know. But even if you call it whatever you

1803
01:39:38.159 --> 01:39:39.680
<v Speaker 1>want to call it, I mean, when they're trying to

1804
01:39:39.680 --> 01:39:44.680
<v Speaker 1>evade the tie fighters, they're literally just in like indistinguishable

1805
01:39:44.760 --> 01:39:49.159
<v Speaker 1>cgi gobbledygook. Yeah, And this is where I think it

1806
01:39:49.199 --> 01:39:52.119
<v Speaker 1>finally comes together, where they're like, there's this whirlpool or

1807
01:39:52.119 --> 01:39:53.880
<v Speaker 1>what do they call it, like a black hole well

1808
01:39:54.000 --> 01:39:59.079
<v Speaker 1>or something right that is pulling them down as something

1809
01:39:59.199 --> 01:40:01.720
<v Speaker 1>is closing ahead them and we just know they need

1810
01:40:01.760 --> 01:40:03.840
<v Speaker 1>to get out of that poll and they can use

1811
01:40:04.319 --> 01:40:08.399
<v Speaker 1>the mcguffin that they've gotten. Like that makes sense. That's

1812
01:40:08.399 --> 01:40:11.600
<v Speaker 1>the only part of this that is understandable to me,

1813
01:40:11.760 --> 01:40:13.680
<v Speaker 1>and that's why the ending is very exciting. But I

1814
01:40:13.720 --> 01:40:16.279
<v Speaker 1>wish that I don't know, maybe they're navigating like a

1815
01:40:16.319 --> 01:40:18.640
<v Speaker 1>really narrow trench and they've you know, he's got to

1816
01:40:18.680 --> 01:40:20.720
<v Speaker 1>be really good at maneuvering or something like something that

1817
01:40:20.760 --> 01:40:22.479
<v Speaker 1>I can see and understand. I think would make that

1818
01:40:22.520 --> 01:40:23.840
<v Speaker 1>whole seconds better better.

1819
01:40:23.920 --> 01:40:26.479
<v Speaker 2>Yeah, I once, once you just have a bunch of

1820
01:40:26.479 --> 01:40:30.399
<v Speaker 2>cgi gleap clop, I tend to start being like, okay,

1821
01:40:30.479 --> 01:40:31.960
<v Speaker 2>let's move to the next thing, you know.

1822
01:40:32.239 --> 01:40:35.479
<v Speaker 1>And it really makes you appreciate the asteroid field sequence

1823
01:40:35.520 --> 01:40:39.720
<v Speaker 1>from like almost forty years earlier, right right when they

1824
01:40:39.720 --> 01:40:41.880
<v Speaker 1>had so much less to work with. But you can

1825
01:40:41.960 --> 01:40:45.159
<v Speaker 1>see it's more right, and you can see the danger,

1826
01:40:45.199 --> 01:40:47.680
<v Speaker 1>and you can see the falcon whoa going right? Whoa

1827
01:40:47.840 --> 01:40:51.039
<v Speaker 1>bank left? You know, and we see the danger with

1828
01:40:51.119 --> 01:40:55.920
<v Speaker 1>the tie fighters colliding into those asteroids, you know, and

1829
01:40:56.520 --> 01:40:58.880
<v Speaker 1>as the falcon swoops past them. So I just it's

1830
01:40:58.920 --> 01:41:02.720
<v Speaker 1>amazing that something forty years older kind of works.

1831
01:41:02.960 --> 01:41:06.760
<v Speaker 2>No, I guess say now, now this is a callback

1832
01:41:06.800 --> 01:41:09.640
<v Speaker 2>slash call forward that I do like, what's that?

1833
01:41:10.840 --> 01:41:11.279
<v Speaker 1>I hate you?

1834
01:41:12.399 --> 01:41:16.119
<v Speaker 2>I know, I know that's great, that's good.

1835
01:41:16.319 --> 01:41:20.720
<v Speaker 1>Yeah, I like it, and I do love seeing the

1836
01:41:20.760 --> 01:41:28.079
<v Speaker 1>ship all beaten up and yeah we got like a

1837
01:41:28.119 --> 01:41:31.560
<v Speaker 1>real love hate thing here now with yah han.

1838
01:41:31.880 --> 01:41:35.199
<v Speaker 2>See, this is where I would have liked to see

1839
01:41:35.239 --> 01:41:38.880
<v Speaker 2>more more adventures of these two you know one.

1840
01:41:40.279 --> 01:41:45.880
<v Speaker 1>You know, by the way, did you know how Alden

1841
01:41:45.920 --> 01:41:50.800
<v Speaker 1>Ehrenreich was discovered. No, he was discovered by Steven Spielberg.

1842
01:41:51.880 --> 01:41:56.119
<v Speaker 1>He was wow. Yeah, he was fourteen years old and

1843
01:41:56.680 --> 01:42:03.319
<v Speaker 1>uh he was in like a home movie that he

1844
01:42:03.359 --> 01:42:05.119
<v Speaker 1>and his friends had made that was being shown at

1845
01:42:05.119 --> 01:42:09.359
<v Speaker 1>a bot mitzvah and Spielberg was there and was like, hey,

1846
01:42:09.399 --> 01:42:12.039
<v Speaker 1>who's that guy and got him an agent and launched

1847
01:42:12.079 --> 01:42:15.520
<v Speaker 1>his career. Well look at that, and he has a

1848
01:42:15.520 --> 01:42:18.600
<v Speaker 1>pretty insane start. I mean, his first couple movies are

1849
01:42:18.600 --> 01:42:22.359
<v Speaker 1>with Francis Ford Coppola. He was in tetro and TwixT,

1850
01:42:22.800 --> 01:42:24.640
<v Speaker 1>and then he was in Stoker, and he was in

1851
01:42:24.680 --> 01:42:27.279
<v Speaker 1>Blue Jasmine Woody Allen movie before you know when people

1852
01:42:27.319 --> 01:42:30.319
<v Speaker 1>are still watching them, and he's in the Coen Brothers

1853
01:42:30.560 --> 01:42:34.880
<v Speaker 1>Hail Caesar, he's in Christopher Nolan's Oppenheimer, He's in Weapons.

1854
01:42:34.279 --> 01:42:39.760
<v Speaker 2>He has had a pretty solid post solo career.

1855
01:42:40.520 --> 01:42:43.079
<v Speaker 1>Yeah, he's not someone I feel like he's really broken through,

1856
01:42:44.000 --> 01:42:47.039
<v Speaker 1>but he's been in a lot of it. Impressive.

1857
01:42:47.199 --> 01:42:50.640
<v Speaker 2>You're working like again, he got Oppenheimer on your resume.

1858
01:42:50.680 --> 01:42:51.840
<v Speaker 2>You're doing okay, you know what I mean?

1859
01:42:52.239 --> 01:42:54.680
<v Speaker 1>Yeah, yeah, I mean, especially with Nolan, who seems to

1860
01:42:54.720 --> 01:42:56.800
<v Speaker 1>have a company that he works with, you got to

1861
01:42:56.800 --> 01:42:58.119
<v Speaker 1>feel like when he brings you in, you're like.

1862
01:42:58.119 --> 01:43:02.560
<v Speaker 2>Oh, yes, yeah, maybe maybe he'll be one of the

1863
01:43:03.159 --> 01:43:05.560
<v Speaker 2>sirens in the Odyssey.

1864
01:43:05.640 --> 01:43:05.960
<v Speaker 1>I don't know.

1865
01:43:08.000 --> 01:43:12.319
<v Speaker 2>Uh. He Also he was in iron Heart, uh, the

1866
01:43:12.319 --> 01:43:17.720
<v Speaker 2>the Marvel series, Okay, and he's quite good. He plays

1867
01:43:18.199 --> 01:43:22.119
<v Speaker 2>the son of Obadiah Stain Ah.

1868
01:43:22.159 --> 01:43:24.680
<v Speaker 1>Okay, Yeah, and he was good in it.

1869
01:43:24.840 --> 01:43:26.800
<v Speaker 2>That show was good. It didn't get talked about very much,

1870
01:43:26.800 --> 01:43:27.279
<v Speaker 2>but it was good.

1871
01:43:27.399 --> 01:43:36.560
<v Speaker 1>I kind of remember you saying that, Yeah, yeah, here

1872
01:43:36.640 --> 01:43:37.439
<v Speaker 1>we go desert.

1873
01:43:37.960 --> 01:43:41.159
<v Speaker 2>There's something to be said for for actual locations, you know.

1874
01:43:41.680 --> 01:43:44.000
<v Speaker 1>Yeah, but it's there's something about Star Wars and sand

1875
01:43:44.039 --> 01:43:45.720
<v Speaker 1>I don't know what it is, but it just feels right.

1876
01:43:46.239 --> 01:43:46.960
<v Speaker 1>It feels right.

1877
01:43:52.000 --> 01:43:55.600
<v Speaker 2>Yeah, I think that, like you said, you know, the plan.

1878
01:43:55.960 --> 01:43:58.640
<v Speaker 2>The whole p had been maybe not the plan to

1879
01:43:59.000 --> 01:44:05.079
<v Speaker 2>be like to have this film stake out a lane

1880
01:44:05.479 --> 01:44:11.359
<v Speaker 2>for more dips back into you know, character origins and stuff,

1881
01:44:11.359 --> 01:44:14.720
<v Speaker 2>and it really sucks that this one underperforming just made

1882
01:44:14.720 --> 01:44:18.640
<v Speaker 2>them COI bos the whole thing because you know, you

1883
01:44:18.680 --> 01:44:21.560
<v Speaker 2>and I we talked about this before. Obi wan Kenobi

1884
01:44:21.600 --> 01:44:22.000
<v Speaker 2>should have.

1885
01:44:21.920 --> 01:44:23.399
<v Speaker 1>Been a movie.

1886
01:44:23.640 --> 01:44:25.840
<v Speaker 2>Yes, definitely, it would have been better for it, you know,

1887
01:44:26.399 --> 01:44:32.880
<v Speaker 2>h so and fits nest here. You know, up to

1888
01:44:32.920 --> 01:44:36.279
<v Speaker 2>this point we're thinking of as a rival gang or

1889
01:44:36.279 --> 01:44:36.760
<v Speaker 2>what have you.

1890
01:44:36.840 --> 01:44:37.359
<v Speaker 1>But it's the.

1891
01:44:39.479 --> 01:44:46.560
<v Speaker 2>Progenitors of the Rebellion, which I like a lot. I

1892
01:44:46.560 --> 01:44:49.560
<v Speaker 2>think it's smart, you know, h it's very funny. He's

1893
01:44:49.560 --> 01:44:52.920
<v Speaker 2>like that that that feels like a Lord and Miller moment,

1894
01:44:52.960 --> 01:44:55.680
<v Speaker 2>doesn't it. Where he's definitely I'll give him a signal

1895
01:44:55.680 --> 01:44:57.520
<v Speaker 2>a com and then right then the falcon takes off.

1896
01:44:57.800 --> 01:45:00.399
<v Speaker 1>Yeah, he's like the thirty armed men just ready to

1897
01:45:00.399 --> 01:45:03.680
<v Speaker 1>come out of my order and then it takes off.

1898
01:45:03.800 --> 01:45:06.319
<v Speaker 1>But that also feels very hon it does.

1899
01:45:06.520 --> 01:45:08.279
<v Speaker 2>Yeah, you know what I mean.

1900
01:45:08.039 --> 01:45:10.520
<v Speaker 1>I mean, that's very cartoon like, isn't it. By the way,

1901
01:45:10.680 --> 01:45:14.119
<v Speaker 1>him stepping away from the line and then having to

1902
01:45:14.199 --> 01:45:16.039
<v Speaker 1>slowly step back like, sorry.

1903
01:45:15.760 --> 01:45:18.039
<v Speaker 2>Yeah, I love that.

1904
01:45:18.039 --> 01:45:25.039
<v Speaker 1>That's very funny. Yeah, but yeah, I think this is

1905
01:45:25.239 --> 01:45:29.439
<v Speaker 1>a good twist and it goes a long way and

1906
01:45:29.520 --> 01:45:34.000
<v Speaker 1>helping us understand Hans's character. You know, Kira says it like,

1907
01:45:34.039 --> 01:45:35.880
<v Speaker 1>you know, I know something about you that.

1908
01:45:35.920 --> 01:45:38.960
<v Speaker 2>Wait a minute, an fis nest is a look a

1909
01:45:39.000 --> 01:45:48.399
<v Speaker 2>cook a girl. That's the look on Hans's face right there. Now,

1910
01:45:48.399 --> 01:45:52.119
<v Speaker 2>this is Aaron Kellyman playing basically the same role she

1911
01:45:52.159 --> 01:45:54.520
<v Speaker 2>would play like two years later in The Falcon and

1912
01:45:54.520 --> 01:45:59.000
<v Speaker 2>the Winter Soldier. She was leader of the flag smashers.

1913
01:45:59.439 --> 01:46:04.960
<v Speaker 1>I forget got all about that. Yeah, yeah, that's right.

1914
01:46:06.239 --> 01:46:08.680
<v Speaker 2>It's just basically that that's her deal. She's just like

1915
01:46:08.720 --> 01:46:12.199
<v Speaker 2>the the misunderstood revolutionary.

1916
01:46:12.399 --> 01:46:14.960
<v Speaker 1>You know that's so interesting.

1917
01:46:15.039 --> 01:46:18.199
<v Speaker 2>Yeah, she's got she's got a laying after herself.

1918
01:46:18.479 --> 01:46:23.439
<v Speaker 1>Yeah yeah, this does look good though. You can see

1919
01:46:23.479 --> 01:46:24.840
<v Speaker 1>real wind blowing things.

1920
01:46:26.920 --> 01:46:29.960
<v Speaker 2>I mean that's what was so so desperately out of

1921
01:46:30.000 --> 01:46:32.880
<v Speaker 2>whack in the Obi Wan Kenobi Show. Speaking of which, right,

1922
01:46:32.920 --> 01:46:35.479
<v Speaker 2>like that was the first time where I was like, guys,

1923
01:46:35.600 --> 01:46:36.840
<v Speaker 2>knock it off with the volume.

1924
01:46:36.880 --> 01:46:41.680
<v Speaker 1>Holy shit. Yeah that movie looks very cheap that same

1925
01:46:41.720 --> 01:46:43.800
<v Speaker 1>movie series yeah, series, yeah.

1926
01:46:43.720 --> 01:46:50.680
<v Speaker 2>Yeah, yeah, like yeah, low budget and stretched out, which

1927
01:46:50.720 --> 01:46:54.119
<v Speaker 2>is weird. I'm like talking past myself here because I'm like,

1928
01:46:54.119 --> 01:46:57.000
<v Speaker 2>you know, low budget can be good sometimes, and I

1929
01:46:57.039 --> 01:47:00.840
<v Speaker 2>think there there's like a middle ground between you know,

1930
01:47:01.279 --> 01:47:05.079
<v Speaker 2>shoot everything on a sound stage and have a bunch

1931
01:47:05.159 --> 01:47:07.359
<v Speaker 2>have a couple of crates in front of the camera,

1932
01:47:07.680 --> 01:47:11.199
<v Speaker 2>you know, and infinity dollars. I feel like there's like

1933
01:47:11.199 --> 01:47:12.000
<v Speaker 2>a middle ground.

1934
01:47:12.199 --> 01:47:15.720
<v Speaker 1>Yeah, it's all about the blend, that's right. Blend.

1935
01:47:17.000 --> 01:47:19.000
<v Speaker 2>So I'd like to believe that Warwick Davis is playing

1936
01:47:19.039 --> 01:47:21.680
<v Speaker 2>the same character he was in Phantom Menace.

1937
01:47:22.880 --> 01:47:25.119
<v Speaker 1>I read that he was, but I can't confirm that.

1938
01:47:25.199 --> 01:47:26.239
<v Speaker 1>But I saw that somewhere.

1939
01:47:26.520 --> 01:47:28.760
<v Speaker 2>You know, what if that's my head? Can I think

1940
01:47:28.800 --> 01:47:32.479
<v Speaker 2>timeline wise that works right because Phantom Menace is like

1941
01:47:32.560 --> 01:47:36.720
<v Speaker 2>twenty years before this, right, Like what is it like

1942
01:47:38.159 --> 01:47:40.000
<v Speaker 2>Phantom Menace would be? When would that be?

1943
01:47:40.079 --> 01:47:40.439
<v Speaker 1>Actually?

1944
01:47:42.880 --> 01:47:45.439
<v Speaker 2>This is this is this is see I this is

1945
01:47:45.479 --> 01:47:49.119
<v Speaker 2>where like the Star Wars nerds listening are like, goddamn it,

1946
01:47:50.760 --> 01:47:55.880
<v Speaker 2>Mbby or whatever the hell. I think it's about twenty

1947
01:47:55.960 --> 01:48:00.000
<v Speaker 2>years after Phantom Menace. I think that checks out right, Yeah, yeah, yeah,

1948
01:48:00.119 --> 01:48:03.840
<v Speaker 2>just go with it, Like I know this is about

1949
01:48:03.840 --> 01:48:08.119
<v Speaker 2>ten years before Star Wars right, because so that that

1950
01:48:08.119 --> 01:48:10.399
<v Speaker 2>that gave him about ten years worth of story to

1951
01:48:10.399 --> 01:48:12.640
<v Speaker 2>play with before we're supposed to meet him in most

1952
01:48:12.840 --> 01:48:14.239
<v Speaker 2>icley right right.

1953
01:48:16.119 --> 01:48:16.319
<v Speaker 1>See.

1954
01:48:16.359 --> 01:48:18.239
<v Speaker 2>I think to your point that you were making about

1955
01:48:18.359 --> 01:48:20.760
<v Speaker 2>about Woody Harrelson, I think I just think of Woody

1956
01:48:20.800 --> 01:48:24.000
<v Speaker 2>Harrelson as a great actor, you know, and he does

1957
01:48:24.039 --> 01:48:26.960
<v Speaker 2>have a persona, but he also I mean, like he

1958
01:48:27.079 --> 01:48:28.760
<v Speaker 2>was in the Planet of Apes movie like a year

1959
01:48:28.800 --> 01:48:34.760
<v Speaker 2>before this, remember, and he was a great villain, you know. Yeah,

1960
01:48:34.760 --> 01:48:36.600
<v Speaker 2>And I mean I hope I'm being clear, Like he

1961
01:48:36.760 --> 01:48:41.039
<v Speaker 2>does work for me, I do Harrelson. Just admit it,

1962
01:48:42.520 --> 01:48:46.439
<v Speaker 2>Just admit it. You've never liked him, You've always resented

1963
01:48:46.479 --> 01:48:48.720
<v Speaker 2>his success.

1964
01:48:48.720 --> 01:48:52.359
<v Speaker 1>That's how deep it goes. Yeah, Like I personally hate

1965
01:48:53.039 --> 01:49:00.279
<v Speaker 1>it's not his performances, like I no, but I I

1966
01:49:00.279 --> 01:49:02.640
<v Speaker 1>don't know. Sometimes it's hard for me to lose myself

1967
01:49:02.680 --> 01:49:06.359
<v Speaker 1>in it occasionally, but he is doing a very good job.

1968
01:49:06.720 --> 01:49:07.600
<v Speaker 1>So that's just the.

1969
01:49:07.760 --> 01:49:13.039
<v Speaker 2>Yeah, I think I think he is the exact actor

1970
01:49:13.079 --> 01:49:16.800
<v Speaker 2>you want to play a character like Beckett, where he's

1971
01:49:17.159 --> 01:49:20.760
<v Speaker 2>just likable enough where you like, maybe he's like one

1972
01:49:20.760 --> 01:49:22.279
<v Speaker 2>of our scoundrels, right.

1973
01:49:22.920 --> 01:49:27.479
<v Speaker 1>Totally, And even if he does fire at you with

1974
01:49:27.560 --> 01:49:29.920
<v Speaker 1>his weapon at some point and misses, and he goes,

1975
01:49:30.640 --> 01:49:32.840
<v Speaker 1>can you know, can't blame a guy for trying, You're

1976
01:49:32.880 --> 01:49:35.880
<v Speaker 1>like you, you know what I mean, He's one of

1977
01:49:35.880 --> 01:49:37.399
<v Speaker 1>those people that can kind of pull that off.

1978
01:49:38.239 --> 01:49:39.159
<v Speaker 2>That's a short list.

1979
01:49:39.560 --> 01:49:47.039
<v Speaker 1>Yeah, yeah, yeah, maybe maybe you gotta with Loody Harrelson.

1980
01:49:47.920 --> 01:49:51.560
<v Speaker 2>I remember when I when I talked to Stephen Weber

1981
01:49:51.640 --> 01:49:54.640
<v Speaker 2>on the Nostav's Theater show like many many moons ago,

1982
01:49:55.479 --> 01:49:57.119
<v Speaker 2>and you know, we were talking about when he was

1983
01:49:57.159 --> 01:50:00.880
<v Speaker 2>on Wings and how Thomas Hayden Church played like the

1984
01:50:01.079 --> 01:50:04.760
<v Speaker 2>lovable dufus on that show, right, And I talked to

1985
01:50:04.800 --> 01:50:09.079
<v Speaker 2>him about how it's funny how like to Thomas Aden

1986
01:50:09.159 --> 01:50:11.720
<v Speaker 2>Church on Wings and Woody Harrelson on Cheers, we're both

1987
01:50:11.760 --> 01:50:15.199
<v Speaker 2>kind of doing that, right, and both of these guys

1988
01:50:15.199 --> 01:50:17.000
<v Speaker 2>are like two of our great actors.

1989
01:50:17.039 --> 01:50:19.960
<v Speaker 1>Now. Yeah, yeah, it's just weird how that works, you know.

1990
01:50:21.279 --> 01:50:23.760
<v Speaker 1>I do remember it was strange when Woody Harrelson did

1991
01:50:24.640 --> 01:50:29.600
<v Speaker 1>Natural Born Killers, because up to that, I mean, it

1992
01:50:29.640 --> 01:50:31.600
<v Speaker 1>was like White Men Can't Jump, where he's still playing

1993
01:50:31.640 --> 01:50:35.119
<v Speaker 1>kind of a charming guy with a drawl and doc

1994
01:50:35.239 --> 01:50:38.640
<v Speaker 1>Hollywood charming guy or a drawl, you know, but then

1995
01:50:39.000 --> 01:50:43.079
<v Speaker 1>playing this sociopath in that movie was like, what, it doesn't.

1996
01:50:42.880 --> 01:50:47.199
<v Speaker 2>Compete that that helped, you know, turn the ship of

1997
01:50:47.239 --> 01:50:51.640
<v Speaker 2>his career to some extent, totally totally just up for him.

1998
01:50:52.159 --> 01:50:59.399
<v Speaker 1>Yeah, yeah, cocky is and just some more self assured

1999
01:50:59.439 --> 01:51:02.520
<v Speaker 1>and vocal He vocalizes so much, and I love that.

2000
01:51:02.760 --> 01:51:04.640
<v Speaker 1>We know that Han won't be like that later.

2001
01:51:05.840 --> 01:51:17.520
<v Speaker 2>Yeah, youthful, youth is wasted on the young Abraham Lincoln

2002
01:51:17.520 --> 01:51:21.359
<v Speaker 2>said that, did he really say that? No, no, no, sorry,

2003
01:51:21.359 --> 01:51:23.279
<v Speaker 2>I was trying to make a bad joke. And then

2004
01:51:23.319 --> 01:51:30.119
<v Speaker 2>I picked someone that sounded too credible. Sorry about that.

2005
01:51:29.720 --> 01:51:32.279
<v Speaker 2>That does sound like something he would say, right, I know,

2006
01:51:33.039 --> 01:51:34.640
<v Speaker 2>I picked a man who was full of good quotes,

2007
01:51:34.680 --> 01:51:37.520
<v Speaker 2>like an idiot or Mark Twain might have been in

2008
01:51:37.560 --> 01:51:39.760
<v Speaker 2>the same vein where it's like Mark Twain, I could see,

2009
01:51:39.960 --> 01:51:41.279
<v Speaker 2>yeah like Twain Lincoln.

2010
01:51:41.479 --> 01:51:49.760
<v Speaker 1>Yeah, yeah, see, I just love this friendly, ominous energy

2011
01:51:49.800 --> 01:51:50.640
<v Speaker 1>that Dryden gives.

2012
01:51:51.039 --> 01:51:53.800
<v Speaker 2>That's what's great, right, Like the whole thing where he's like, oh,

2013
01:51:53.960 --> 01:51:56.239
<v Speaker 2>just open it up. You're like, oh shit, I don't

2014
01:51:56.279 --> 01:51:58.479
<v Speaker 2>know what he's doing, but he's doing something. Uh huh,

2015
01:51:59.159 --> 01:52:00.960
<v Speaker 2>I just bring it here, the show me what I got,

2016
01:52:01.000 --> 01:52:04.119
<v Speaker 2>you know, Like it's yeah, Paul bettney Man. He's such

2017
01:52:04.159 --> 01:52:04.680
<v Speaker 2>a good actor.

2018
01:52:05.000 --> 01:52:10.600
<v Speaker 1>Yes, very effortless. And this whole triangle situation is very

2019
01:52:10.600 --> 01:52:15.239
<v Speaker 1>interesting here because we've seen Kira genuinely you know, on

2020
01:52:15.439 --> 01:52:18.520
<v Speaker 1>Han's side. Yeah, and we know that she is also

2021
01:52:18.640 --> 01:52:23.359
<v Speaker 1>loyal to Dryden. This is just a lot of complicated

2022
01:52:23.399 --> 01:52:26.960
<v Speaker 1>dynamics happening here and double crossing, and it's I just

2023
01:52:27.039 --> 01:52:27.840
<v Speaker 1>this is really rich.

2024
01:52:28.159 --> 01:52:36.039
<v Speaker 2>I think that what becomes clear is that Kira when

2025
01:52:36.359 --> 01:52:40.720
<v Speaker 2>when she leaves at the end, that's a sacrifice that

2026
01:52:40.760 --> 01:52:45.560
<v Speaker 2>she's making, yes, not a betrayal. Yeah, right, Like I

2027
01:52:45.560 --> 01:52:48.760
<v Speaker 2>think that's important. And that's what I mean when I

2028
01:52:48.800 --> 01:52:52.359
<v Speaker 2>say I would have liked to see the culmination of

2029
01:52:52.439 --> 01:52:58.279
<v Speaker 2>that storyline. You know, it's a shame, you.

2030
01:52:58.239 --> 01:53:06.600
<v Speaker 1>Know, I agree. Also feels very hard to bring this

2031
01:53:06.640 --> 01:53:10.279
<v Speaker 1>stuff in. He's like Crates with the goods inside and

2032
01:53:10.279 --> 01:53:12.000
<v Speaker 1>then the bad guy. He'd be like show me, and

2033
01:53:12.000 --> 01:53:17.079
<v Speaker 1>he's like show you. You want to see him? Sure,

2034
01:53:17.319 --> 01:53:20.079
<v Speaker 1>But then it also feels still feels very hard for

2035
01:53:20.159 --> 01:53:21.960
<v Speaker 1>him to lift the lid so the camera can see

2036
01:53:21.960 --> 01:53:25.479
<v Speaker 1>he's got a gun hidden in the lid. Yep, he's

2037
01:53:25.520 --> 01:53:26.119
<v Speaker 1>thinking ahead.

2038
01:53:28.520 --> 01:53:31.760
<v Speaker 2>I remember when Alden Aroon Reich was out You know,

2039
01:53:31.920 --> 01:53:34.239
<v Speaker 2>doing the making the press rounds for this and you know,

2040
01:53:35.920 --> 01:53:39.239
<v Speaker 2>Ron Howard brought in Harrison Ford like behind him to

2041
01:53:39.279 --> 01:53:43.760
<v Speaker 2>surprise him during one of these junkets, and it was

2042
01:53:43.840 --> 01:53:47.920
<v Speaker 2>just you know, they had obviously spoken before, but having

2043
01:53:47.920 --> 01:53:51.279
<v Speaker 2>Harrison Ford right there just being like, I'm so I

2044
01:53:51.319 --> 01:53:53.119
<v Speaker 2>loved it so much. I'm so proud of what he

2045
01:53:53.159 --> 01:53:55.720
<v Speaker 2>did and the choices he made. Like can you imagine

2046
01:53:56.039 --> 01:54:00.079
<v Speaker 2>being this young actor and here's Harrison Ford telling you

2047
01:54:00.079 --> 01:54:03.800
<v Speaker 2>you did you did great with my character? No, Like,

2048
01:54:03.840 --> 01:54:06.159
<v Speaker 2>what is that? You know what I mean? Like, like

2049
01:54:06.680 --> 01:54:08.600
<v Speaker 2>you can see the footage of it, and you can

2050
01:54:08.680 --> 01:54:12.960
<v Speaker 2>just see sort of all a whole a whole panoply

2051
01:54:13.000 --> 01:54:15.520
<v Speaker 2>of emotions going over Aaron Reich's face.

2052
01:54:15.560 --> 01:54:18.479
<v Speaker 1>You know, that's great. I just thought that was really cool.

2053
01:54:24.039 --> 01:54:28.720
<v Speaker 2>Double crosses, double crosses, and then and then the double

2054
01:54:28.760 --> 01:54:30.520
<v Speaker 2>crosses of the double crosses.

2055
01:54:30.319 --> 01:54:36.720
<v Speaker 1>Exactly by the way, just kind of looking at my

2056
01:54:36.720 --> 01:54:39.520
<v Speaker 1>notes again. Uh, we haven't talked about the fact that

2057
01:54:39.600 --> 01:54:43.359
<v Speaker 1>John Williams wrote a theme for Han Solo. Finally, after

2058
01:54:43.399 --> 01:54:44.920
<v Speaker 1>all these years for this movie.

2059
01:54:45.479 --> 01:54:49.840
<v Speaker 2>I was thinking about how for for Solo and for

2060
01:54:49.920 --> 01:54:53.520
<v Speaker 2>Obi and Kenobi he came back and wrote themes for

2061
01:54:53.560 --> 01:54:58.520
<v Speaker 2>these characters and and then you hear them and you're like, well,

2062
01:54:58.560 --> 01:54:59.960
<v Speaker 2>of course that's the Han solo thing.

2063
01:55:00.079 --> 01:55:00.960
<v Speaker 1>Mm hm oh yeah.

2064
01:55:00.960 --> 01:55:02.479
<v Speaker 2>Oh and I asked the Obi wan kenobe theme. It's

2065
01:55:02.479 --> 01:55:04.279
<v Speaker 2>always been the obi wan kenobi theme, you know.

2066
01:55:04.359 --> 01:55:04.600
<v Speaker 1>Yep.

2067
01:55:05.359 --> 01:55:08.239
<v Speaker 2>Uh, that's just that's the master still at work, you.

2068
01:55:08.199 --> 01:55:13.279
<v Speaker 1>Know, yep. Yeah. And I guess Ron Howard had worked

2069
01:55:13.319 --> 01:55:16.880
<v Speaker 1>with him once before on Far and Away. Ah. Yes,

2070
01:55:17.960 --> 01:55:19.239
<v Speaker 1>kind of a forgotten movie.

2071
01:55:19.640 --> 01:55:21.680
<v Speaker 2>I was gonna say, I had forgot about that movie.

2072
01:55:21.840 --> 01:55:23.720
<v Speaker 1>I remember liking it, but I haven't seen it since

2073
01:55:23.760 --> 01:55:24.319
<v Speaker 1>the nineties.

2074
01:55:27.119 --> 01:55:30.800
<v Speaker 2>That's the I mean, Unfortunately, I feel like that's like

2075
01:55:30.880 --> 01:55:33.319
<v Speaker 2>many Ron Howard movies where you're like, oh, that was good.

2076
01:55:33.359 --> 01:55:34.239
<v Speaker 2>I haven't seen it, you.

2077
01:55:34.159 --> 01:55:37.920
<v Speaker 1>Know yeaheah, sort of like backdraft and that's good. It's

2078
01:55:37.920 --> 01:55:41.640
<v Speaker 1>been a while. The paper, the paper, Yeah, yeah, that's

2079
01:55:41.640 --> 01:55:44.399
<v Speaker 1>a good one. Paul thirteen, which I hadn't seen in

2080
01:55:44.479 --> 01:55:46.439
<v Speaker 1>a while till we did the commentary and then we

2081
01:55:46.640 --> 01:55:48.159
<v Speaker 1>rewatch it and I'm like, this is amazing.

2082
01:55:48.760 --> 01:55:50.920
<v Speaker 2>Ron Ron Howard's best, I would say, is.

2083
01:55:50.880 --> 01:55:51.520
<v Speaker 1>A Paul thirteen.

2084
01:55:51.560 --> 01:55:56.479
<v Speaker 2>That's me agreed, you know, Yeah, now that I think

2085
01:55:56.520 --> 01:56:00.520
<v Speaker 2>of it. He worked with Paul Bettany on diving code,

2086
01:56:00.520 --> 01:56:05.000
<v Speaker 2>which is probably how that you know, that's how he

2087
01:56:05.039 --> 01:56:06.079
<v Speaker 2>got into the Rolodex.

2088
01:56:06.680 --> 01:56:08.600
<v Speaker 1>Yeah, or was it a Beautiful Mind? Was that the

2089
01:56:08.600 --> 01:56:09.239
<v Speaker 1>first one.

2090
01:56:11.039 --> 01:56:14.840
<v Speaker 2>Was da Vinci code after Beautiful Mind? Oh it was, yeah,

2091
01:56:14.880 --> 01:56:16.640
<v Speaker 2>Beautiful Mind was like two thousand.

2092
01:56:16.359 --> 01:56:18.319
<v Speaker 1>Right, yeah, sometimes I forgot.

2093
01:56:18.359 --> 01:56:19.560
<v Speaker 2>I forgot he's in Beautiful Mind.

2094
01:56:19.640 --> 01:56:21.560
<v Speaker 1>Another one where I'm like, I think that one's pretty good.

2095
01:56:21.600 --> 01:56:22.920
<v Speaker 1>I haven't seen it in two thousand.

2096
01:56:23.399 --> 01:56:26.000
<v Speaker 2>He's the imaginary friend, right right.

2097
01:56:28.960 --> 01:56:31.199
<v Speaker 1>I wonder if that's where Bettany met Jonnifer Connley.

2098
01:56:31.439 --> 01:56:33.039
<v Speaker 2>I was just gonna. I was like, that must be

2099
01:56:33.079 --> 01:56:37.319
<v Speaker 2>where they met. Yeah, yeah, that bastard he wins at life.

2100
01:56:38.520 --> 01:56:44.720
<v Speaker 1>Yeah, I know, right, jeez. Yeah, this these.

2101
01:56:45.000 --> 01:56:46.720
<v Speaker 2>Creature is kind of what you're talking about. You can

2102
01:56:46.760 --> 01:56:51.079
<v Speaker 2>tell that it's it's prosthetic, so maybe some digital enhancement

2103
01:56:51.119 --> 01:56:52.800
<v Speaker 2>on it. But it looks great.

2104
01:56:53.119 --> 01:56:53.439
<v Speaker 1>M hm.

2105
01:56:54.520 --> 01:56:56.439
<v Speaker 2>The old ways still work just fine.

2106
01:56:56.760 --> 01:57:05.840
<v Speaker 1>Mm hm. H Han Han had a plan taken out

2107
01:57:05.880 --> 01:57:09.319
<v Speaker 1>Dryden's guys.

2108
01:57:10.119 --> 01:57:12.680
<v Speaker 2>See, I think you know this is this is a

2109
01:57:12.680 --> 01:57:16.000
<v Speaker 2>conversation you and I have had before about how Han

2110
01:57:16.159 --> 01:57:20.079
<v Speaker 2>Solo has become such the archetype of like the rogue

2111
01:57:20.079 --> 01:57:23.479
<v Speaker 2>with the heart of gold, right, and it you know

2112
01:57:24.600 --> 01:57:26.600
<v Speaker 2>so many characters since you're like, oh, it's like a

2113
01:57:26.640 --> 01:57:30.720
<v Speaker 2>Han Solo type, right, and it's like, well, there had

2114
01:57:30.720 --> 01:57:35.359
<v Speaker 2>to have been one before Hans Solo, huh, But I

2115
01:57:35.399 --> 01:57:36.960
<v Speaker 2>can't think of one on the top of my head,

2116
01:57:37.039 --> 01:57:37.239
<v Speaker 2>you know.

2117
01:57:39.239 --> 01:57:41.680
<v Speaker 1>I know. It could be that phenomenon that we talk

2118
01:57:41.760 --> 01:57:44.359
<v Speaker 1>about where the stuff we grew up with somehow has

2119
01:57:44.439 --> 01:57:47.960
<v Speaker 1>never gone away, right, just keeps being remade or sequels

2120
01:57:47.960 --> 01:57:53.520
<v Speaker 1>are made for them, whereas the influences have not you know,

2121
01:57:54.720 --> 01:57:59.319
<v Speaker 1>carried forwards for something. Yeah, so yeah, I mean there's

2122
01:57:59.479 --> 01:58:01.920
<v Speaker 1>some careacter that Lucas had in mind. I'm sure he

2123
01:58:02.000 --> 01:58:04.880
<v Speaker 1>was inspired by, right, something he watched when he was

2124
01:58:04.880 --> 01:58:06.520
<v Speaker 1>a kid, but I'm not sure who that character is.

2125
01:58:09.600 --> 01:58:14.000
<v Speaker 1>Could be someone he knows.

2126
01:58:14.640 --> 01:58:18.319
<v Speaker 2>See, I always thought he had a ham salad and

2127
01:58:18.359 --> 01:58:23.039
<v Speaker 2>he was like ham salad, Ham salad, and then and

2128
01:58:23.079 --> 01:58:23.920
<v Speaker 2>then you know, that's how.

2129
01:58:23.840 --> 01:58:24.279
<v Speaker 1>We got.

2130
01:58:28.520 --> 01:58:32.560
<v Speaker 2>That's that's my Bohemian Rhapsody style biopic movie of yeah.

2131
01:58:32.680 --> 01:58:36.079
<v Speaker 1>Yeah, yeah, yeah, yeah, well that did actually happen a

2132
01:58:36.079 --> 01:58:37.479
<v Speaker 1>lot to him, right, But that's where R two D

2133
01:58:37.520 --> 01:58:38.560
<v Speaker 1>two came from.

2134
01:58:39.479 --> 01:58:40.279
<v Speaker 2>Yes, that's right.

2135
01:58:40.439 --> 01:58:44.760
<v Speaker 1>Yeah, someone talking about a reel of sound like it

2136
01:58:44.840 --> 01:58:47.720
<v Speaker 1>was real too. Dialogue too he's like, say that you

2137
01:58:48.239 --> 01:58:50.560
<v Speaker 1>r two D two. Yeah. And then in the movie

2138
01:58:50.640 --> 01:58:54.399
<v Speaker 1>TX eleven thirty eight, an actor had a friend whose

2139
01:58:54.479 --> 01:58:58.479
<v Speaker 1>last name was Wookie, and so he like improvised a

2140
01:58:58.520 --> 01:58:59.760
<v Speaker 1>line where he's like, I think it ran over a

2141
01:59:00.119 --> 01:59:03.560
<v Speaker 1>key or something like that, and Lucas was like, say

2142
01:59:03.560 --> 01:59:06.399
<v Speaker 1>that again. And so you know, I mean there's a

2143
01:59:06.439 --> 01:59:09.239
<v Speaker 1>lot of the George Lucas in Love parody you know

2144
01:59:09.319 --> 01:59:11.680
<v Speaker 1>that happened in like ninety nine, right, was like a

2145
01:59:11.920 --> 01:59:13.920
<v Speaker 1>riff on Shakespeare in Love where he just all these

2146
01:59:13.960 --> 01:59:17.000
<v Speaker 1>things happening around him at usc Inspire, the Star Wars films.

2147
01:59:17.039 --> 01:59:20.119
<v Speaker 1>It's kind of true. So I love it.

2148
01:59:20.479 --> 01:59:23.800
<v Speaker 2>Ham salads, that's that's my origin story.

2149
01:59:24.079 --> 01:59:30.520
<v Speaker 1>Yeah, I don't know, but anyway, yeah, all this this

2150
01:59:30.680 --> 01:59:34.720
<v Speaker 1>dynamic here and now here's got Han pinned and but

2151
01:59:34.800 --> 01:59:37.600
<v Speaker 1>she's gonna eventually take out. Like I just all this

2152
01:59:37.760 --> 01:59:42.039
<v Speaker 1>just works for me. Well, I love that.

2153
01:59:42.199 --> 01:59:44.720
<v Speaker 2>Like you look at Emilia Clark's face right there, and

2154
01:59:44.760 --> 01:59:49.479
<v Speaker 2>she looks sinister, right, like she might kill him that right,

2155
01:59:49.600 --> 01:59:52.640
<v Speaker 2>and yet she's just able to navigate both lanes so

2156
01:59:52.680 --> 01:59:55.079
<v Speaker 2>effectively because when she smiles, I mean, you just feel

2157
01:59:55.119 --> 02:00:00.439
<v Speaker 2>yourself melting, you know. I also think. I mean, Paul

2158
02:00:00.439 --> 02:00:05.680
<v Speaker 2>Bettney is you know, relatively wiry, you know, yeah, and

2159
02:00:05.760 --> 02:00:08.600
<v Speaker 2>yet he's able to come off as like physically intimidating.

2160
02:00:08.680 --> 02:00:10.399
<v Speaker 1>You know. Yeah.

2161
02:00:10.680 --> 02:00:12.920
<v Speaker 2>This, by the way, you should mention this. This martial art.

2162
02:00:12.960 --> 02:00:19.359
<v Speaker 2>It's Terraskasi, which which I remember from the video game

2163
02:00:19.920 --> 02:00:24.960
<v Speaker 2>Masters of Tarras Cossi. Oh interesting, which is like Star

2164
02:00:25.000 --> 02:00:25.960
<v Speaker 2>Wars Street Fighter.

2165
02:00:26.800 --> 02:00:28.239
<v Speaker 1>Oh funny. When was that from?

2166
02:00:29.199 --> 02:00:32.079
<v Speaker 2>Oh gosh, late nineties. I want to say mid nineties.

2167
02:00:33.079 --> 02:00:36.640
<v Speaker 2>It's like it has that blockie like you remember Virtue

2168
02:00:36.640 --> 02:00:40.199
<v Speaker 2>a Fighter, Yes, where it's like, you know, it doesn't

2169
02:00:40.239 --> 02:00:42.960
<v Speaker 2>look like it's not it's not Street Fighter, Immortal Kombat.

2170
02:00:43.000 --> 02:00:43.880
<v Speaker 2>It's kind of blocky.

2171
02:00:44.199 --> 02:00:46.119
<v Speaker 1>Yeah. Yeah, yeah, it was like that.

2172
02:00:46.399 --> 02:00:48.199
<v Speaker 2>But it's like, oh, you want to have like Boba

2173
02:00:48.239 --> 02:00:50.920
<v Speaker 2>Fett and Han Sol will fight each other martial arts styles,

2174
02:00:51.199 --> 02:00:52.399
<v Speaker 2>and so that was Star Wars.

2175
02:00:53.880 --> 02:00:58.880
<v Speaker 1>That's so funny. There's just so much to draw from, Yeah,

2176
02:00:59.000 --> 02:01:01.000
<v Speaker 1>all these movies, right, And I talked about this when

2177
02:01:01.000 --> 02:01:03.840
<v Speaker 1>I worked on Young Jedi. You know, we had a

2178
02:01:03.840 --> 02:01:09.960
<v Speaker 1>low person in every you know, story break who's just

2179
02:01:10.800 --> 02:01:13.239
<v Speaker 1>their job was to know everything about Star Wars. There's

2180
02:01:13.279 --> 02:01:14.680
<v Speaker 1>just so much to know. So if you are going

2181
02:01:14.720 --> 02:01:16.479
<v Speaker 1>to go to a certain sort of planet or if

2182
02:01:16.520 --> 02:01:19.359
<v Speaker 1>you want a certain well this person is a great fighter.

2183
02:01:19.439 --> 02:01:21.279
<v Speaker 1>You know, they could be like, oh, well there's a

2184
02:01:21.319 --> 02:01:24.279
<v Speaker 1>special sort of version of martial arts that they would

2185
02:01:24.319 --> 02:01:27.199
<v Speaker 1>then be trained in. You should call it the right thing,

2186
02:01:27.760 --> 02:01:29.600
<v Speaker 1>you know, kind of nice. Yeah, it's very cool.

2187
02:01:32.079 --> 02:01:35.159
<v Speaker 2>I mean in the nineties, I'm going to say, like

2188
02:01:37.079 --> 02:01:43.479
<v Speaker 2>you know pre yeah, like before the prequels and everything

2189
02:01:43.520 --> 02:01:47.000
<v Speaker 2>started getting standardized, you had this It was like a

2190
02:01:47.119 --> 02:01:51.520
<v Speaker 2>you know, when did Air did the Empire come out?

2191
02:01:51.560 --> 02:01:53.399
<v Speaker 2>That was like ninety one, I think, right, So, okay,

2192
02:01:53.479 --> 02:01:55.520
<v Speaker 2>we had like an eight year run where Star Wars

2193
02:01:55.600 --> 02:01:59.399
<v Speaker 2>suddenly came back and they were just doing all kinds

2194
02:01:59.439 --> 02:02:02.680
<v Speaker 2>of stuff mm hmm. And that was a lot of fun,

2195
02:02:02.760 --> 02:02:04.119
<v Speaker 2>you know, because it was you know, they had the

2196
02:02:04.119 --> 02:02:07.159
<v Speaker 2>Shadows of the Empire all of that. They had the

2197
02:02:07.239 --> 02:02:09.479
<v Speaker 2>video game and everything, and you know, they had they

2198
02:02:09.520 --> 02:02:14.760
<v Speaker 2>had the Super Star Wars and super impressed for the ans, right,

2199
02:02:14.880 --> 02:02:18.319
<v Speaker 2>and they were stupid, like you had Luke running through

2200
02:02:18.399 --> 02:02:21.079
<v Speaker 2>the deserts a tattoo and shooting scorpions and stuff.

2201
02:02:21.239 --> 02:02:23.760
<v Speaker 1>I'm so dumb, but I loved it, right, Like it

2202
02:02:23.840 --> 02:02:26.159
<v Speaker 1>was the closest thing to feeling like the movies, playing

2203
02:02:26.159 --> 02:02:26.680
<v Speaker 1>the movies.

2204
02:02:26.600 --> 02:02:29.119
<v Speaker 2>That's what I'm saying, right, It was like that was

2205
02:02:29.399 --> 02:02:31.520
<v Speaker 2>that was a fun era where it was just kind

2206
02:02:31.560 --> 02:02:35.000
<v Speaker 2>of just putting it all out there, you know. So

2207
02:02:35.159 --> 02:02:39.520
<v Speaker 2>this this uh stuff with Darth Maul, Honestly, they they've

2208
02:02:39.640 --> 02:02:42.359
<v Speaker 2>largely left it, left it to wither on the vine,

2209
02:02:44.680 --> 02:02:47.840
<v Speaker 2>with the exception of the Mall Shadow Lord series. Now

2210
02:02:48.439 --> 02:02:50.600
<v Speaker 2>mm hmmm, so it took them a little while to

2211
02:02:50.640 --> 02:02:56.279
<v Speaker 2>circle back to it. But uh, it's a shame because

2212
02:02:56.359 --> 02:02:59.720
<v Speaker 2>this part, this this mall part, is the only thing

2213
02:02:59.800 --> 02:03:04.000
<v Speaker 2>that seems to be gesturing towards a cliffhanger in this movie,

2214
02:03:05.359 --> 02:03:07.239
<v Speaker 2>you know what I mean, Like everything else, you can

2215
02:03:07.319 --> 02:03:09.439
<v Speaker 2>just sort of be like, well, we don't need to

2216
02:03:09.560 --> 02:03:12.199
<v Speaker 2>see another one because you know, Han and Chewie have

2217
02:03:12.279 --> 02:03:15.640
<v Speaker 2>the falcon and off they go, you know. But this here,

2218
02:03:15.720 --> 02:03:18.399
<v Speaker 2>it's like, well, this demands some kind of follow up,

2219
02:03:18.479 --> 02:03:22.039
<v Speaker 2>you know. Yeah, it was nice that they got ray

2220
02:03:22.159 --> 02:03:29.000
<v Speaker 2>Park back. Yes for him, that was a solid nineteen

2221
02:03:29.119 --> 02:03:31.279
<v Speaker 2>year wait to reprise the role.

2222
02:03:31.720 --> 02:03:36.000
<v Speaker 1>Right. It is kind of funny how just in case

2223
02:03:36.079 --> 02:03:38.079
<v Speaker 1>you're not entirely sure who that is, he has to

2224
02:03:38.239 --> 02:03:40.600
<v Speaker 1>like have his double bladed.

2225
02:03:42.279 --> 02:03:44.640
<v Speaker 2>Although what's interesting is they made sure to pay attention

2226
02:03:44.720 --> 02:03:48.840
<v Speaker 2>to Cannon because that's the that's the double bladed lightsaber

2227
02:03:48.920 --> 02:03:53.840
<v Speaker 2>that he has in Clone Wars and Rebels and not

2228
02:03:54.319 --> 02:03:55.560
<v Speaker 2>in the original movie.

2229
02:03:56.039 --> 02:03:58.880
<v Speaker 1>Yeah. Yeah, good catch. But you know what I mean

2230
02:03:59.039 --> 02:04:00.840
<v Speaker 1>just sort of like you got it, like this is

2231
02:04:00.920 --> 02:04:03.199
<v Speaker 1>my thing that you know, it's me. I'm going to

2232
02:04:03.239 --> 02:04:06.399
<v Speaker 1>do it during my phone call right now.

2233
02:04:06.479 --> 02:04:09.159
<v Speaker 2>What's interesting is that that sequence that we saw with

2234
02:04:09.279 --> 02:04:12.319
<v Speaker 2>Maul originally was shot with Peter saraph Inowitz doing the

2235
02:04:12.439 --> 02:04:15.760
<v Speaker 2>voice or not shot. It was like he had originally

2236
02:04:15.800 --> 02:04:18.359
<v Speaker 2>recorded the voice. He did the voice in episode one,

2237
02:04:19.399 --> 02:04:22.399
<v Speaker 2>but it was replaced by Sam Whitwaer, who does the

2238
02:04:22.520 --> 02:04:23.960
<v Speaker 2>voice in all the animated shows.

2239
02:04:24.479 --> 02:04:27.760
<v Speaker 1>Oh okay, why is that? I guess they just.

2240
02:04:27.800 --> 02:04:30.840
<v Speaker 2>Figured they want to be consistent with the animation instead

2241
02:04:30.880 --> 02:04:32.960
<v Speaker 2>of like that's an interesting choice, is my point? Right?

2242
02:04:33.079 --> 02:04:37.159
<v Speaker 2>Like I feel bad for sarah Inowitz because I know

2243
02:04:37.239 --> 02:04:39.239
<v Speaker 2>he was kind of upset about that.

2244
02:04:39.600 --> 02:04:42.079
<v Speaker 1>Oh really yeah, well maybe yeah, if that's what in

2245
02:04:42.199 --> 02:04:45.600
<v Speaker 1>the animation currently what most people were hearing, they were like, well,

2246
02:04:45.640 --> 02:04:49.920
<v Speaker 1>this is what people want to they'll connect with, so.

2247
02:04:50.039 --> 02:04:57.720
<v Speaker 2>Here first, Yeah exactly. I think this was the moment

2248
02:04:57.760 --> 02:05:00.479
<v Speaker 2>when Lucas stormed off the set was the right thing. Yeah,

2249
02:05:00.520 --> 02:05:03.119
<v Speaker 2>I go, you asshole, and then he just left.

2250
02:05:03.800 --> 02:05:05.439
<v Speaker 1>But you know what I love about it is that

2251
02:05:05.680 --> 02:05:09.319
<v Speaker 1>Han shoots first. But it's like a real uh like,

2252
02:05:09.520 --> 02:05:10.880
<v Speaker 1>you know, have your cake and eat a two moment,

2253
02:05:10.920 --> 02:05:12.960
<v Speaker 1>because Beckett's just like, I'm glad you did that, kid.

2254
02:05:13.000 --> 02:05:13.760
<v Speaker 1>I'm really proud of you.

2255
02:05:14.399 --> 02:05:16.720
<v Speaker 2>I'm proud of your son, you know.

2256
02:05:17.039 --> 02:05:19.199
<v Speaker 1>So it's like, it's okay, right, guys, he's looking at

2257
02:05:19.239 --> 02:05:23.239
<v Speaker 1>the audience. It's I'm okay with this. Hans shot first.

2258
02:05:23.840 --> 02:05:27.359
<v Speaker 2>Yeah. By the way, I didn't mention I like how

2259
02:05:27.520 --> 02:05:31.399
<v Speaker 2>Chewy has the double bandolier on this action figure or

2260
02:05:31.479 --> 02:05:32.800
<v Speaker 2>I mean this in this movie.

2261
02:05:33.800 --> 02:05:35.319
<v Speaker 1>Wait, what about it?

2262
02:05:35.399 --> 02:05:39.000
<v Speaker 2>He's got like the double strap, you know, so that

2263
02:05:39.079 --> 02:05:41.359
<v Speaker 2>you can distinguish which which toy you're buying.

2264
02:05:43.119 --> 02:05:46.680
<v Speaker 1>That's hilarious, like Malibu Stacey and her new hat exactly.

2265
02:05:46.800 --> 02:05:49.760
<v Speaker 2>This is this is double bandolier Chewie.

2266
02:05:50.439 --> 02:05:55.079
<v Speaker 1>That is hilarious, by the way. But I think they

2267
02:05:55.119 --> 02:05:57.000
<v Speaker 1>do a good job of though. Is you know, Beckett

2268
02:05:57.039 --> 02:05:59.199
<v Speaker 1>does have his finger on the trigger. He's gonna shoot,

2269
02:06:00.000 --> 02:06:01.119
<v Speaker 1>you know, so Han does have show.

2270
02:06:02.640 --> 02:06:05.600
<v Speaker 2>It doesn't mean anything if he doesn't say m clunky, Right.

2271
02:06:06.800 --> 02:06:10.359
<v Speaker 1>Yeah, this is great. This is like a real This

2272
02:06:10.560 --> 02:06:14.119
<v Speaker 1>is Han becoming Han, that's right, having to kill his

2273
02:06:14.239 --> 02:06:18.159
<v Speaker 1>mentor and seeing the love of his life leave him

2274
02:06:18.800 --> 02:06:21.079
<v Speaker 1>and that that heartbreak on his face as he watches

2275
02:06:21.199 --> 02:06:21.800
<v Speaker 1>or Go, and then.

2276
02:06:21.800 --> 02:06:25.960
<v Speaker 2>Chewy is his best friend for life, yep, putting his

2277
02:06:26.119 --> 02:06:28.920
<v Speaker 2>paw on his shoulder. And I love Han and Chewy,

2278
02:06:29.319 --> 02:06:32.159
<v Speaker 2>you know, yeah, two of them together A what a pair,

2279
02:06:32.399 --> 02:06:32.560
<v Speaker 2>you know.

2280
02:06:33.680 --> 02:06:38.760
<v Speaker 1>Yeah, And obviously from the movies that we grew up

2281
02:06:38.800 --> 02:06:41.159
<v Speaker 1>watching and that's why we feel that way. It's great.

2282
02:06:41.199 --> 02:06:44.600
<v Speaker 1>But I feel like that moment is a real potent

2283
02:06:44.800 --> 02:06:47.720
<v Speaker 1>connection for them, Like I feel the same feelings from

2284
02:06:47.760 --> 02:06:51.159
<v Speaker 1>the other movies in that moment, like Chewy's gonna be

2285
02:06:51.199 --> 02:06:54.680
<v Speaker 1>always be there for Han, and I don't know Han

2286
02:06:54.760 --> 02:06:56.239
<v Speaker 1>realizing the chew He's going to be there for him,

2287
02:06:56.239 --> 02:06:57.880
<v Speaker 1>maybe the only person who's going to be there for him.

2288
02:06:58.359 --> 02:07:01.359
<v Speaker 2>Well to me, you know, I mean, there's always something

2289
02:07:02.119 --> 02:07:06.159
<v Speaker 2>extra heartbreaking about Chewie's scream when Han gets stabbed in

2290
02:07:06.199 --> 02:07:10.279
<v Speaker 2>the chest, right yeah, because here's his friend for all

2291
02:07:10.359 --> 02:07:17.760
<v Speaker 2>these decades gone, you know, yep. So what I love

2292
02:07:17.840 --> 02:07:23.319
<v Speaker 2>about this is in essence, Han is like, you know,

2293
02:07:23.720 --> 02:07:26.279
<v Speaker 2>he's like an early adopter of the rebellion. He's like

2294
02:07:26.319 --> 02:07:30.640
<v Speaker 2>an early investor. Yeah, but nobody knows, like, which makes

2295
02:07:30.680 --> 02:07:33.239
<v Speaker 2>it extra funny when Lea is like, your reward is

2296
02:07:33.239 --> 02:07:35.199
<v Speaker 2>all you care about? And he should be like, woman,

2297
02:07:37.079 --> 02:07:38.119
<v Speaker 2>who do you think pay for all this?

2298
02:07:43.239 --> 02:07:48.319
<v Speaker 1>But again it's it's he also wants to have this facade, right,

2299
02:07:48.600 --> 02:07:51.239
<v Speaker 1>you know, he's like trying to create his own mythology

2300
02:07:51.279 --> 02:07:53.880
<v Speaker 1>a little bit about even just the way I love

2301
02:07:53.920 --> 02:07:55.600
<v Speaker 1>that when she invites him and he just gives that

2302
02:07:55.800 --> 02:07:59.000
<v Speaker 1>silent nah kind of headshake that he's not going to

2303
02:07:59.079 --> 02:08:02.079
<v Speaker 1>join them. But Kira says earlier, you know, I know

2304
02:08:02.159 --> 02:08:05.039
<v Speaker 1>something about you, literally no one else knows, which is

2305
02:08:05.119 --> 02:08:07.720
<v Speaker 1>you're the good guy. He's a good guy. You're the

2306
02:08:07.760 --> 02:08:13.159
<v Speaker 1>good guy. He doesn't maybe even believe it about himself,

2307
02:08:13.239 --> 02:08:13.560
<v Speaker 1>but he is.

2308
02:08:16.560 --> 02:08:19.920
<v Speaker 2>See, if nothing else, I would have liked a sequel

2309
02:08:19.960 --> 02:08:23.439
<v Speaker 2>so we could explain why Chewy loses that second Bandalier.

2310
02:08:26.319 --> 02:08:29.319
<v Speaker 2>I just wanted like two hours of that of Chewy

2311
02:08:29.479 --> 02:08:32.359
<v Speaker 2>like scratching, like it's like uncomfortable, and he just keeps

2312
02:08:32.399 --> 02:08:35.119
<v Speaker 2>wrestling with it, right finally tears it off, and I

2313
02:08:35.239 --> 02:08:38.960
<v Speaker 2>was like, so that's why he doesn't happen right right,

2314
02:08:39.079 --> 02:08:43.560
<v Speaker 2>right now, I get it. So, Brian, is it just

2315
02:08:43.720 --> 02:08:45.239
<v Speaker 2>me or did this movie just fly by?

2316
02:08:45.800 --> 02:08:49.079
<v Speaker 1>Absolutely? Yeah, this is like two hours fifteen minutes. But

2317
02:08:49.159 --> 02:08:50.800
<v Speaker 1>I thought about the time once.

2318
02:08:51.159 --> 02:08:53.680
<v Speaker 2>I'm like, holy shit, we're already here. He's about to

2319
02:08:53.720 --> 02:08:56.960
<v Speaker 2>win the falcon again. I love by the way, that

2320
02:08:57.279 --> 02:09:01.720
<v Speaker 2>that when he said fair and square. You know, the

2321
02:09:01.800 --> 02:09:05.399
<v Speaker 2>implication that we now realize is that Lando is a goddamn.

2322
02:09:05.039 --> 02:09:07.560
<v Speaker 1>Cheat, right, Yeah, we see it in the middle of

2323
02:09:07.600 --> 02:09:10.960
<v Speaker 1>the movie. Yeah. Yeah, he's got cards up his sleeve,

2324
02:09:11.560 --> 02:09:14.319
<v Speaker 1>but Hans wise to it now plucked it out of

2325
02:09:14.359 --> 02:09:17.119
<v Speaker 1>his sleeve, and he does win the falcon fair and square.

2326
02:09:21.880 --> 02:09:24.960
<v Speaker 1>By the way, is this the first time Peter Mayhew

2327
02:09:25.159 --> 02:09:29.560
<v Speaker 1>has not played Chew Bacca for like a full film?

2328
02:09:30.239 --> 02:09:33.520
<v Speaker 2>I think, if I'm not mistaken, the last time he

2329
02:09:33.560 --> 02:09:37.319
<v Speaker 2>played Chewy was Force Awakens, Okay, and that was only

2330
02:09:37.399 --> 02:09:41.560
<v Speaker 2>for a portion of it, right, and this this is

2331
02:09:41.600 --> 02:09:42.439
<v Speaker 2>a finish actor.

2332
02:09:42.560 --> 02:09:46.000
<v Speaker 1>I'm gonna say his name incorrectly and I apologize, but Eunice.

2333
02:09:45.680 --> 02:09:47.880
<v Speaker 2>It's Yonis Suatomo.

2334
02:09:48.199 --> 02:09:52.359
<v Speaker 1>Okay. Yeah, he was a professional basketball player. He's six

2335
02:09:52.439 --> 02:09:56.199
<v Speaker 1>foot eleven, yeah, and I guess he was a Yeah.

2336
02:09:56.079 --> 02:09:59.520
<v Speaker 2>He shared he shared it with Peter Mayhew in the

2337
02:09:59.560 --> 02:10:02.479
<v Speaker 2>first one in Force Awakens, and then he took over

2338
02:10:02.560 --> 02:10:02.880
<v Speaker 2>after that.

2339
02:10:03.279 --> 02:10:05.399
<v Speaker 1>Okay, yeah, he does a good job. I mean, you

2340
02:10:05.560 --> 02:10:08.000
<v Speaker 1>you don't think about it, but the physicality really does

2341
02:10:08.560 --> 02:10:11.239
<v Speaker 1>convey a personality, and I feel like he does feel

2342
02:10:11.279 --> 02:10:13.439
<v Speaker 1>like Chewbacca. I agree.

2343
02:10:13.680 --> 02:10:18.560
<v Speaker 2>Yeah, It's it's tricky, you know. I mean I said

2344
02:10:18.720 --> 02:10:22.680
<v Speaker 2>before that it wasn't until I watched Rogue one that

2345
02:10:22.800 --> 02:10:26.520
<v Speaker 2>I realized there were certain parts of that performance that

2346
02:10:27.680 --> 02:10:29.359
<v Speaker 2>were unique to David Prow's.

2347
02:10:30.119 --> 02:10:32.880
<v Speaker 1>M m yes, visa b Darth Vader, you know.

2348
02:10:32.960 --> 02:10:35.039
<v Speaker 2>So it is. It's it's not as simple as just

2349
02:10:35.119 --> 02:10:36.680
<v Speaker 2>a toll guy putting on a suit, you know.

2350
02:10:37.000 --> 02:10:37.399
<v Speaker 1>Mm hmm.

2351
02:10:39.359 --> 02:10:42.520
<v Speaker 2>So here we go off to Star Wars Solo too.

2352
02:10:43.039 --> 02:10:45.800
<v Speaker 2>Oh wait, never mind.

2353
02:10:46.880 --> 02:10:52.319
<v Speaker 1>Ah, man, make make the the limited series, come on,

2354
02:10:53.359 --> 02:10:53.760
<v Speaker 1>do something.

2355
02:10:53.800 --> 02:10:55.640
<v Speaker 2>I mean, I know they were talking about doing Orlando

2356
02:10:55.800 --> 02:10:56.279
<v Speaker 2>something or other.

2357
02:10:57.039 --> 02:10:58.600
<v Speaker 1>Yeah, I feel like that's even written.

2358
02:11:00.319 --> 02:11:05.319
<v Speaker 2>I mean, don't you know. I hope some of these

2359
02:11:05.600 --> 02:11:08.199
<v Speaker 2>projects do end up materializing. I think it's a very

2360
02:11:08.319 --> 02:11:12.439
<v Speaker 2>big galaxy, far far away that I would love to

2361
02:11:12.439 --> 02:11:15.439
<v Speaker 2>spend more time. And I think as we record this,

2362
02:11:15.560 --> 02:11:21.039
<v Speaker 2>of course, we're on the eve of Mandalorian and Grogu

2363
02:11:21.119 --> 02:11:24.479
<v Speaker 2>coming out, and if that movie performs, then hopefully we

2364
02:11:24.560 --> 02:11:28.079
<v Speaker 2>see more, you know, yep. If it doesn't perform, then

2365
02:11:28.920 --> 02:11:31.039
<v Speaker 2>well we'll be we'll be coming back on Mike and

2366
02:11:31.199 --> 02:11:38.359
<v Speaker 2>very sheepestly explaining why we well, never mind, but you know,

2367
02:11:38.560 --> 02:11:41.479
<v Speaker 2>this is this was this was fun. I have to

2368
02:11:41.560 --> 02:11:47.840
<v Speaker 2>say that brief window shortly after Disney made the purchase

2369
02:11:47.880 --> 02:11:49.800
<v Speaker 2>and it was like, oh and We've got all these

2370
02:11:49.800 --> 02:11:52.000
<v Speaker 2>stories we want to tell. I mean that was exciting.

2371
02:11:52.600 --> 02:11:53.880
<v Speaker 1>Mm hm, you know.

2372
02:11:54.079 --> 02:11:56.800
<v Speaker 2>And then to some extent the fact that this movie,

2373
02:11:56.880 --> 02:11:59.920
<v Speaker 2>I mean, you must have the access to the numbers, right,

2374
02:12:00.039 --> 02:12:02.239
<v Speaker 2>I mean, what what did this cost versus what did

2375
02:12:02.279 --> 02:12:02.720
<v Speaker 2>it take in?

2376
02:12:03.479 --> 02:12:06.239
<v Speaker 1>Well, estimated budget was two hundred and seventy five million.

2377
02:12:07.720 --> 02:12:11.199
<v Speaker 1>Who knows in the US it gross two hundred and

2378
02:12:11.199 --> 02:12:14.239
<v Speaker 1>thirteen million, so not even to make it special back

2379
02:12:14.239 --> 02:12:16.159
<v Speaker 1>in the US. Yeah, and for a Star Wars film

2380
02:12:16.239 --> 02:12:19.159
<v Speaker 1>in that moment, I mean, The Force Awakens I think

2381
02:12:19.279 --> 02:12:22.119
<v Speaker 1>is the highest grossing domestic movie of all time. Yeah,

2382
02:12:22.199 --> 02:12:24.720
<v Speaker 1>at almost a billion. So for this to only make

2383
02:12:24.720 --> 02:12:27.039
<v Speaker 1>two hundred and thirteen million in the US not great.

2384
02:12:27.720 --> 02:12:31.359
<v Speaker 1>Just two years later yep, and worldwide gross is three

2385
02:12:31.439 --> 02:12:32.720
<v Speaker 1>hundred ninety two million.

2386
02:12:34.319 --> 02:12:36.560
<v Speaker 2>Okay, So I mean that's a catastrophe. There's there's no

2387
02:12:36.600 --> 02:12:37.279
<v Speaker 2>way to spin that.

2388
02:12:37.760 --> 02:12:37.960
<v Speaker 1>Yep.

2389
02:12:39.520 --> 02:12:42.079
<v Speaker 2>So I mean, what what do we chalk that up to?

2390
02:12:44.239 --> 02:12:46.560
<v Speaker 1>That's a really good question. I don't know. I mean,

2391
02:12:46.640 --> 02:12:48.079
<v Speaker 1>you and I will show up for all of it.

2392
02:12:49.079 --> 02:12:53.520
<v Speaker 2>So I well, I was thinking about how this came

2393
02:12:53.560 --> 02:12:57.079
<v Speaker 2>out a few weeks after Avengers Infinity War, which was

2394
02:12:57.159 --> 02:12:58.880
<v Speaker 2>sucking up a lot of the oxygen, and then you

2395
02:12:58.920 --> 02:13:03.159
<v Speaker 2>had Gadpool two just before this or just after I

2396
02:13:03.199 --> 02:13:07.720
<v Speaker 2>can't remember, but you know, I think most folks don't

2397
02:13:07.760 --> 02:13:10.960
<v Speaker 2>go to movies every week. Yeah, yeah, and you have

2398
02:13:11.079 --> 02:13:14.319
<v Speaker 2>to figure that an Avengers movie is not it. That's

2399
02:13:14.399 --> 02:13:18.920
<v Speaker 2>a family thing, that's like the whole clan goes mm hmm. Right.

2400
02:13:19.079 --> 02:13:23.000
<v Speaker 2>So let's say you're spending one hundred plus dollars to

2401
02:13:23.119 --> 02:13:25.960
<v Speaker 2>take your family to Avengers Infinity War. Do you want

2402
02:13:25.960 --> 02:13:28.079
<v Speaker 2>to do that again three weeks later for a Star

2403
02:13:28.119 --> 02:13:28.680
<v Speaker 2>Wars movie?

2404
02:13:31.479 --> 02:13:35.800
<v Speaker 1>That and also, pretty much up until this point, not

2405
02:13:36.119 --> 02:13:39.680
<v Speaker 1>counting Rogue one, Star Wars was always like, well we

2406
02:13:39.760 --> 02:13:42.600
<v Speaker 1>got to see what happens next. Yeah, you know what

2407
02:13:42.640 --> 02:13:46.600
<v Speaker 1>I mean, And this wasn't something that was leading, you know,

2408
02:13:46.920 --> 02:13:49.399
<v Speaker 1>coming off of something or leading into anything next. It

2409
02:13:49.520 --> 02:13:52.760
<v Speaker 1>just felt like this random thing floating around, So maybe

2410
02:13:52.800 --> 02:13:55.199
<v Speaker 1>there wasn't an urgency for it. And on top of it,

2411
02:13:55.319 --> 02:13:59.840
<v Speaker 1>it didn't have any of the faces you associate with Star.

2412
02:13:59.760 --> 02:14:04.560
<v Speaker 2>Wars, right, So that bet that this character you love

2413
02:14:04.800 --> 02:14:06.479
<v Speaker 2>will be enough to get people in the in the

2414
02:14:06.560 --> 02:14:10.199
<v Speaker 2>door that was That was a mistake. We also have

2415
02:14:10.319 --> 02:14:12.680
<v Speaker 2>to reckon with the fact that the last Jedi had

2416
02:14:12.800 --> 02:14:17.960
<v Speaker 2>certainly a polarizing response being generous and oh and this

2417
02:14:18.119 --> 02:14:20.680
<v Speaker 2>came months after That's what I'm saying. This is the

2418
02:14:20.800 --> 02:14:24.079
<v Speaker 2>shortest gap ever between Star Wars movies. It was like

2419
02:14:24.159 --> 02:14:29.119
<v Speaker 2>six months I remember that now, yeah, right, or five months, right?

2420
02:14:31.159 --> 02:14:33.520
<v Speaker 2>I think you know all those factors. I think it

2421
02:14:33.640 --> 02:14:35.359
<v Speaker 2>was like, well, we just saw Star Wars. We didn't

2422
02:14:35.439 --> 02:14:40.600
<v Speaker 2>like the last one that much anyway, you know, I honestly,

2423
02:14:40.800 --> 02:14:44.239
<v Speaker 2>I think Disney got greedy just with the whole the

2424
02:14:44.319 --> 02:14:46.840
<v Speaker 2>whole assembly line nature, where we're just going to be

2425
02:14:46.880 --> 02:14:49.319
<v Speaker 2>cranking these suckers out and dropping them every year. I

2426
02:14:49.479 --> 02:14:55.960
<v Speaker 2>think they overestimated the willingness of of average folks to

2427
02:14:56.079 --> 02:14:57.000
<v Speaker 2>keep showing up. You know.

2428
02:14:57.640 --> 02:14:59.920
<v Speaker 1>Yeah, spacing it out would have helped a little more patient.

2429
02:15:00.800 --> 02:15:01.279
<v Speaker 1>I think so.

2430
02:15:01.439 --> 02:15:03.560
<v Speaker 2>I mean, this is like the eternal question. Well, if

2431
02:15:03.600 --> 02:15:06.319
<v Speaker 2>they had released it in December of twenty eighteen instead

2432
02:15:06.319 --> 02:15:10.399
<v Speaker 2>of May, would it have done better? I don't know,

2433
02:15:10.640 --> 02:15:13.680
<v Speaker 2>but I would place money on that.

2434
02:15:14.119 --> 02:15:19.079
<v Speaker 1>Yes, when in case you were wondering, because I was rogue.

2435
02:15:19.159 --> 02:15:25.119
<v Speaker 1>One made a billion at the worldwide box office and

2436
02:15:25.319 --> 02:15:29.000
<v Speaker 1>five hundred and thirty two million North American and that's

2437
02:15:29.079 --> 02:15:33.359
<v Speaker 1>coming a year after Force Awakened. So everybody likes Force Awakens.

2438
02:15:33.399 --> 02:15:37.000
<v Speaker 1>We're high on Star Wars. Waited a year and we

2439
02:15:37.119 --> 02:15:40.800
<v Speaker 1>get another one and you make a billion dollars. But

2440
02:15:40.960 --> 02:15:43.239
<v Speaker 1>at this point we had received more. Like you said

2441
02:15:43.319 --> 02:15:45.359
<v Speaker 1>last Jed, I was a little polarizing. This came out

2442
02:15:45.439 --> 02:15:47.840
<v Speaker 1>just months after. It doesn't have any recognizable faces.

2443
02:15:48.680 --> 02:15:52.760
<v Speaker 2>Yeah, yeah, so you know, I mean it's at this

2444
02:15:52.880 --> 02:15:55.800
<v Speaker 2>point it's all academic, but I think it's very possible

2445
02:15:55.880 --> 02:15:59.199
<v Speaker 2>it was like four different factors all working in conjunction

2446
02:16:00.720 --> 02:16:02.359
<v Speaker 2>to make people not want to watch it.

2447
02:16:02.920 --> 02:16:03.119
<v Speaker 1>Yeah.

2448
02:16:03.640 --> 02:16:07.159
<v Speaker 2>And I don't think it was even like, oh like

2449
02:16:08.199 --> 02:16:09.800
<v Speaker 2>that looks like crap, I don't want to see it.

2450
02:16:09.800 --> 02:16:12.079
<v Speaker 2>I think it was like I'll watch it when I

2451
02:16:12.199 --> 02:16:14.840
<v Speaker 2>watch it, you know, yeah, sure, And you know this

2452
02:16:15.000 --> 02:16:18.359
<v Speaker 2>gets look Marvel was enjoying a very good run at

2453
02:16:18.399 --> 02:16:20.920
<v Speaker 2>around the time this movie did not do well. But

2454
02:16:21.039 --> 02:16:23.239
<v Speaker 2>even Marvel obviously has had its lull, right, And I

2455
02:16:23.279 --> 02:16:26.199
<v Speaker 2>think it just look, everything that goes up is going

2456
02:16:26.239 --> 02:16:31.600
<v Speaker 2>to come down, right, And and you know, scarcity is

2457
02:16:32.760 --> 02:16:34.360
<v Speaker 2>not the worst idea in the world when it comes

2458
02:16:34.399 --> 02:16:37.040
<v Speaker 2>to these things, you know, Like, I think these companies

2459
02:16:37.120 --> 02:16:37.879
<v Speaker 2>need to realize that.

2460
02:16:38.520 --> 02:16:43.040
<v Speaker 1>Yeah, you know, if it if.

2461
02:16:42.959 --> 02:16:44.639
<v Speaker 2>It's something you start taking for granted, I mean we

2462
02:16:44.719 --> 02:16:49.879
<v Speaker 2>talked about this before, right, There's there's been more Star

2463
02:16:49.959 --> 02:16:56.000
<v Speaker 2>Wars content from twenty fifteen to now than our entire

2464
02:16:56.120 --> 02:16:57.479
<v Speaker 2>lives up to that time.

2465
02:16:58.120 --> 02:16:58.360
<v Speaker 1>Wow.

2466
02:16:59.680 --> 02:17:06.920
<v Speaker 2>Right, Like there's five movies plus just hours and hours

2467
02:17:06.959 --> 02:17:11.520
<v Speaker 2>and hours of shows, which I know you have not

2468
02:17:11.680 --> 02:17:14.520
<v Speaker 2>seen the majority of not.

2469
02:17:14.639 --> 02:17:18.319
<v Speaker 1>A lot of it. Well, no, right up to a point,

2470
02:17:18.360 --> 02:17:20.000
<v Speaker 1>and then I kind of dropped off. But I was

2471
02:17:20.079 --> 02:17:22.360
<v Speaker 1>watching everything for a while, sure.

2472
02:17:22.319 --> 02:17:24.559
<v Speaker 2>Right, But that's my point. It's not like you're like, oh,

2473
02:17:24.639 --> 02:17:26.440
<v Speaker 2>if this is too much, You're just like, it's just

2474
02:17:26.520 --> 02:17:29.479
<v Speaker 2>a lot. I don't I'm losing track, right, yeah, a

2475
02:17:29.520 --> 02:17:34.600
<v Speaker 2>little bit. And and your fandom of Star Wars is

2476
02:17:34.719 --> 02:17:38.680
<v Speaker 2>not diminished, but it is like I'm you know, I

2477
02:17:38.879 --> 02:17:41.559
<v Speaker 2>don't have time to watch everything, you know, and that's

2478
02:17:41.719 --> 02:17:43.200
<v Speaker 2>that's where a lot of people are. And I think

2479
02:17:43.239 --> 02:17:43.760
<v Speaker 2>that sucks.

2480
02:17:43.840 --> 02:17:44.120
<v Speaker 1>I don't.

2481
02:17:44.120 --> 02:17:47.520
<v Speaker 2>I don't like I missed the days of it being

2482
02:17:47.600 --> 02:17:50.440
<v Speaker 2>a big effing deal when there's a Star Wars you know,

2483
02:17:50.639 --> 02:17:54.760
<v Speaker 2>yea that that was the case for us, you know,

2484
02:17:55.040 --> 02:17:57.200
<v Speaker 2>during the context of the special editions. That was the

2485
02:17:57.280 --> 02:18:00.920
<v Speaker 2>case certainly when the prequels came out mm hmm, like

2486
02:18:01.120 --> 02:18:03.639
<v Speaker 2>like or dislike the movies, and you know, there was

2487
02:18:04.799 --> 02:18:08.280
<v Speaker 2>this is something else, right, there's there's this retroactive thing. Now, Oh,

2488
02:18:09.319 --> 02:18:12.079
<v Speaker 2>the people didn't hate the prequels when they came out.

2489
02:18:13.000 --> 02:18:17.719
<v Speaker 2>That's just made up, like uh, And now people are

2490
02:18:17.760 --> 02:18:22.760
<v Speaker 2>saying that and I'm like that, that's bullshit, like that

2491
02:18:23.239 --> 02:18:27.399
<v Speaker 2>that is factually untrue because I lived it, yeah, and

2492
02:18:27.520 --> 02:18:29.760
<v Speaker 2>not only did I live it, I'm at best lived it.

2493
02:18:29.879 --> 02:18:32.559
<v Speaker 2>And Jake Lloyd lived it yeah, and freaking George Lucas

2494
02:18:32.639 --> 02:18:32.959
<v Speaker 2>lived it.

2495
02:18:33.680 --> 02:18:35.680
<v Speaker 1>Great point, great point. Right.

2496
02:18:36.799 --> 02:18:39.200
<v Speaker 2>So that's this new thing, like because because you know,

2497
02:18:39.319 --> 02:18:42.719
<v Speaker 2>now we have the sequel haters, and so we're gonna

2498
02:18:42.719 --> 02:18:47.079
<v Speaker 2>go through this whole cycle and then we'll see, let's

2499
02:18:47.159 --> 02:18:48.879
<v Speaker 2>touch base in ten years and see where that is.

2500
02:18:48.959 --> 02:18:49.200
<v Speaker 1>I don't.

2501
02:18:49.319 --> 02:18:50.879
<v Speaker 2>I don't even care at this point, but you know,

2502
02:18:52.879 --> 02:18:54.159
<v Speaker 2>it just goes on and on, right.

2503
02:18:54.440 --> 02:18:54.639
<v Speaker 1>Yeah.

2504
02:18:55.280 --> 02:18:58.200
<v Speaker 2>But all of this is to say, like, scarcity is

2505
02:18:58.280 --> 02:19:00.680
<v Speaker 2>good because because you want to you want to savor

2506
02:19:01.799 --> 02:19:05.959
<v Speaker 2>the build up. And you know, you and I, over

2507
02:19:06.000 --> 02:19:09.079
<v Speaker 2>the last six months we've had many a conversation about

2508
02:19:09.159 --> 02:19:12.319
<v Speaker 2>how excited or not we're feeling about the Mandalorian and

2509
02:19:12.360 --> 02:19:15.520
<v Speaker 2>Grogu And I'm not gonna speak for you here, but

2510
02:19:15.559 --> 02:19:17.520
<v Speaker 2>I'll speak for me. I'm finally at a point where I'm.

2511
02:19:17.360 --> 02:19:21.559
<v Speaker 1>Like, you know, I'm ready for this, me too. Yeah right, yeah,

2512
02:19:22.440 --> 02:19:24.600
<v Speaker 1>you know it took a while, but yeah, and it's

2513
02:19:25.200 --> 02:19:26.719
<v Speaker 1>you know, it wasn't one of those things where I

2514
02:19:26.799 --> 02:19:29.479
<v Speaker 1>was counting down the days, no since like a year

2515
02:19:29.520 --> 02:19:32.280
<v Speaker 1>ago or anything like that. But now that it's approaching

2516
02:19:32.440 --> 02:19:34.200
<v Speaker 1>and I'm like, wait, I think you'll see a new

2517
02:19:34.360 --> 02:19:37.840
<v Speaker 1>Star Wars story in the theater, right, like, yeah, let's go.

2518
02:19:39.719 --> 02:19:42.159
<v Speaker 1>So that's that's right. Yeah.

2519
02:19:42.840 --> 02:19:45.360
<v Speaker 2>So anyway, hey, let us know your thoughts about solo

2520
02:19:45.479 --> 02:19:47.079
<v Speaker 2>a Star Wars story, and hell, any of the other

2521
02:19:47.120 --> 02:19:48.920
<v Speaker 2>Star Wars stuff we talked about. I mean, Lord knows

2522
02:19:48.959 --> 02:19:51.120
<v Speaker 2>you and I we don't need much of a nudge

2523
02:19:51.440 --> 02:19:52.639
<v Speaker 2>to start talking about Star Wars.

2524
02:19:52.719 --> 02:19:54.200
<v Speaker 1>Oh no, I want to hear it all. I want

2525
02:19:54.200 --> 02:19:56.559
<v Speaker 1>to hear everyone's opinions. So let us know.

2526
02:19:56.600 --> 02:19:58.559
<v Speaker 2>You can email us at Movie Film Podcast at gmail

2527
02:19:58.559 --> 02:20:00.000
<v Speaker 2>dot com. You can knows I hit like on our Facebook,

2528
02:20:00.159 --> 02:20:03.200
<v Speaker 2>Facebook dot com slash Movie Film Podcast and message us there.

2529
02:20:03.360 --> 02:20:05.440
<v Speaker 2>As always, please go to Apple Podcasts and leave a review,

2530
02:20:05.520 --> 02:20:07.719
<v Speaker 2>leave a star rating. Every little bit helps. And if

2531
02:20:07.760 --> 02:20:10.079
<v Speaker 2>you are listening to this show on YouTube, please hit like,

2532
02:20:10.200 --> 02:20:12.200
<v Speaker 2>hit subscribe, and leave a comment because we do read

2533
02:20:12.239 --> 02:20:15.639
<v Speaker 2>all of those comments. Hey, we also have a Patreon page, Brian.

2534
02:20:16.200 --> 02:20:18.360
<v Speaker 1>That's right. If you head over to patreon dot com

2535
02:20:18.479 --> 02:20:22.079
<v Speaker 1>slash Moviefilm Podcast and hit subscribe for only five dollars

2536
02:20:22.120 --> 02:20:24.840
<v Speaker 1>a month, you'll find every commentary we've ever done and

2537
02:20:25.000 --> 02:20:30.159
<v Speaker 1>every episode moving forward absolutely add free. In addition to that,

2538
02:20:30.239 --> 02:20:34.239
<v Speaker 1>we also drop bonus conversations about twice a month, topics

2539
02:20:34.399 --> 02:20:37.760
<v Speaker 1>and things we like to riff on, and trailer talk

2540
02:20:37.920 --> 02:20:40.120
<v Speaker 1>and all that sort of thing that just doesn't quite

2541
02:20:40.120 --> 02:20:42.680
<v Speaker 1>fit into the show anymore. We drop all that fun

2542
02:20:42.920 --> 02:20:46.399
<v Speaker 1>about twice a month over on the Patreon feed. Our

2543
02:20:46.440 --> 02:20:48.559
<v Speaker 1>free feed will always be available, but this is our

2544
02:20:48.600 --> 02:20:50.959
<v Speaker 1>way of providing what we believe is the most satisfying

2545
02:20:50.959 --> 02:20:54.159
<v Speaker 1>way to enjoy the show. No ads or interruptions, butting in,

2546
02:20:54.319 --> 02:20:56.639
<v Speaker 1>like we said at the beginning, very annoying, especially during

2547
02:20:56.680 --> 02:20:59.319
<v Speaker 1>our commentary. Plus, your subscription goes a long way and

2548
02:20:59.360 --> 02:21:02.840
<v Speaker 1>helping to support us and helping to sustain producing the show.

2549
02:21:03.159 --> 02:21:05.159
<v Speaker 1>So if you're interested in ABEL, please head over to

2550
02:21:05.239 --> 02:21:09.079
<v Speaker 1>patreon dot com Slash Movie Film Podcast and subscribe. We'd

2551
02:21:09.120 --> 02:21:10.120
<v Speaker 1>be very grateful.

2552
02:21:12.000 --> 02:21:14.959
<v Speaker 2>And with that on behalf of my partner Brian Holme.

2553
02:21:15.000 --> 02:21:16.799
<v Speaker 2>My name is Zachie Ason. This has been our movie

2554
02:21:16.879 --> 02:21:20.319
<v Speaker 2>film commentary track for Solo, a Star Wars Story. We'll

2555
02:21:20.360 --> 02:21:21.879
<v Speaker 2>catch you next time. Thanks everybody,
