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<v Speaker 1>Broadcasting from Studio a Here at Proven Winners, Color Choice Shrubs.

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<v Speaker 1>It's The Gardening Simplified Show with Stacy Hervella, me Rick

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<v Speaker 1>weisst and our engineer and producer Adrianna Robinson. Today we

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<v Speaker 1>talk about texture, one of my favorite subjects. It describes

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<v Speaker 1>the surface quality of an object that can be seen

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<v Speaker 1>or felt. And when designing a landscape, it's that visual

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<v Speaker 1>texture as opposed to the tactile touch that probably is

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<v Speaker 1>more important, or is it. My experience in the garden

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<v Speaker 1>center industry for years was watching people as they shop.

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<v Speaker 1>They love to touch plants and texture is important in

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<v Speaker 1>the landscape. Speaking of touch, I'm wearing my retired summer

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<v Speaker 1>washed linen shirt just because it's nice and soft and

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<v Speaker 1>bumpy and I like it and it has great desk.

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<v Speaker 2>It's very nice. Yeah, that's a really great shirt.

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<v Speaker 1>Thank you. So texture is all around us throughout our life.

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<v Speaker 1>I mean, you think about music, you think about all

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<v Speaker 1>the layers in music. I hang around a lot of

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<v Speaker 1>musical people and they often talk about music texture. There

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<v Speaker 1>is such a thing, and if you think about it,

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<v Speaker 1>all the instruments coming together to create something that's emotional

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<v Speaker 1>and beautiful. Layers upon layers. That's texture in music, and

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<v Speaker 1>so it's important there. It's important in our landscape because

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<v Speaker 1>it's going to affect the overall emotion and character of

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<v Speaker 1>your landscape. Proper balance super important, so we look at fine,

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<v Speaker 1>medium and coarse objects. But Stacy, I think for me,

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<v Speaker 1>when we talk about texture, contrast is super super important

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<v Speaker 1>to me. Dynamic harmone kind of creating that spatially pleasing

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<v Speaker 1>outdoor space. I believe that it's the contrast between objects

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<v Speaker 1>that really makes texture an important component of the landscape.

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<v Speaker 2>You are one hundred percent right, And I think that,

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<v Speaker 2>you know, if we're looking at our own gardens or

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<v Speaker 2>containers or whatever in our landscape and something kind of

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<v Speaker 2>feels like it's falling flat, I think most people's first

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<v Speaker 2>instinct is to blame color, right, that it needs more color,

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<v Speaker 2>or the colors off, or you know, something like that.

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<v Speaker 2>But I would say that nine times out of ten,

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<v Speaker 2>it's actually a texture issue and not a color issue.

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<v Speaker 2>It's just that, you know, I think we're not as

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<v Speaker 2>attuned to identifying those issues. But I think if people

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<v Speaker 2>think about, you know, a picture in the of a

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<v Speaker 2>garden or a garden that they actually visit, or a

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<v Speaker 2>moment even in their own garden, that they said they think, wow,

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<v Speaker 2>this really works. I nailed it, or that gardener nailed it.

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<v Speaker 2>It is it ends being that the texture was right.

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<v Speaker 2>And you know, I think there are two super easy

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<v Speaker 2>ways to check yourself on texture.

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<v Speaker 1>Okay.

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<v Speaker 2>Number one classic black and white photo. You know, take

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<v Speaker 2>a photo of your garden, take it in black and white,

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<v Speaker 2>or transform it into black and white, one of those

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<v Speaker 2>fun things that we can do nowadays with our phones,

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<v Speaker 2>and and that kind of takes away that color element

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<v Speaker 2>and you can really see those, you know, parts of

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<v Speaker 2>the garden and see what's working. And then you're like, whoa, no,

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<v Speaker 2>wonder this isn't working. All of these plants look the

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<v Speaker 2>exact same exactly. And I think that we tend to

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<v Speaker 2>as gardeners, gravitate towards a texture that we like, and

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<v Speaker 2>we tend to repeat that. At least I do. Maybe

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<v Speaker 2>you don't. I feel like I tend to be kind

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<v Speaker 2>of attracted to like one type of plant, and so

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<v Speaker 2>I very often don't get that contrast.

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<v Speaker 1>You know, that's a great point, Stacy. As a matter

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<v Speaker 1>of fact, I visited a garden I was so impressed

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<v Speaker 1>that I replicated it in my garden. Essentially what they

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<v Speaker 1>had done throughout the garden is dropped in emerald isle allocations. Wow,

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<v Speaker 1>anyone who's looked at the backside of an emerald Isle allocacia,

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<v Speaker 1>the texture in that plant, the size of the foliage,

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<v Speaker 1>it made all the difference in the world in the landscape.

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<v Speaker 1>And I use that in my landscape too. So it's

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<v Speaker 1>the size of the foliage. I love that black and

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<v Speaker 1>white photo idea that's perfect the size of the foliage,

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<v Speaker 1>but also the texture of that foliage. And you know,

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<v Speaker 1>this is something that I'm sure you can relate to,

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<v Speaker 1>Stacy when you take a look at people who write

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<v Speaker 1>copy or create tags or marketing or that type of thing.

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<v Speaker 1>You read the descriptive copy velvety, satiny, ruffled, rough, fuzzy, lacy, delicate, succulent, leathery, strappy,

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<v Speaker 1>I mean all words I think you'd find in a

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<v Speaker 1>romance now.

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<v Speaker 2>Right for sure. Yeah, because you want to kind of

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<v Speaker 2>get that emotional connection. And I think you know, especially

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<v Speaker 2>nowadays in being such an online world, we want people

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<v Speaker 2>to go to their garden center and look at these

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<v Speaker 2>plants and feel them and see them and smell them

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<v Speaker 2>and everything for themselves. So I think it's really important

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<v Speaker 2>to kind of, you know, get that out there and

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<v Speaker 2>make people go, yeah, I want to check that out.

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<v Speaker 1>Yeah exactly. So what exactly is plant texture? The word

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<v Speaker 1>texture comes from a Latin word which means to weave,

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<v Speaker 1>So essentially, we're weaving a giant tapestry within our garden.

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<v Speaker 1>And as I had mentioned Stacy, fine, medium, and course

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<v Speaker 1>is one way to look at it. If, for example,

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<v Speaker 1>you have way too many fine foliaged plants, it's going

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<v Speaker 1>to look so busy and so muddled. The eye has

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<v Speaker 1>no place to rest. If you're only using medium size

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<v Speaker 1>plants or medium sized textures, it's fine to you them,

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<v Speaker 1>but the gardens just gonna be lackluster. It's not gonna

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<v Speaker 1>have that pop that you're looking for. And then of

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<v Speaker 1>course you can't. You can overdo it on coarse plants.

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<v Speaker 1>And believe me, I know because here's a guy who

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<v Speaker 1>loves bananas and cannas and allocacias. And as a matter

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<v Speaker 1>of fact, again, when I was working in the garden

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<v Speaker 1>center industry as a foliage plant buyer, many of the

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<v Speaker 1>people I were working with loved those fine textured plants

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<v Speaker 1>like a maidenhair fern just loved them, and I was

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<v Speaker 1>always gravitating towards the ad Nitia palms, the phoenix Robelini palms,

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<v Speaker 1>you know, big and bold and bananas, so you can

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<v Speaker 1>overdo a good thing.

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<v Speaker 2>Well, you know, I was thinking about you, Eric and texture,

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<v Speaker 2>and I was like, wow, you know, Rick is a

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<v Speaker 2>fine texture guy. He loves grasses. Yes, the grasses are

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<v Speaker 2>kind of like the ultimate fine texture plant for the garden.

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<v Speaker 2>He loves grasses. He loves conifers, another typically fine textured plant.

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<v Speaker 2>But then I was like, whoa Stacey, Wait a minute.

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<v Speaker 2>Rick loves crotons, Rick loves allocasia, Rick loves cannas. I

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<v Speaker 2>don't know what Rick is. Rick is a texture mystery.

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<v Speaker 1>He's a complicated guy. Yeah, well think about it. In

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<v Speaker 1>our landscapes, I would say one of the drama queens

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<v Speaker 1>as it relates to texture would be hostas, especially big hostas.

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<v Speaker 1>And I love hostas in fall, just at the stage

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<v Speaker 1>where they're just about to melt into the ground because

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<v Speaker 1>of frost. They look like giant pumpkins to me. Or

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<v Speaker 1>Virginia thick, leathery leaves with fall winter color. But again

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<v Speaker 1>you go back to description. Yes, bananas, I have a

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<v Speaker 1>blood banana in my landscape, which I so love, and

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<v Speaker 1>the description on it is the foliage are paddles with markings.

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<v Speaker 1>I like that description.

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<v Speaker 2>Yeah, bananas are also a great option. I think, you know,

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<v Speaker 2>we gravitate towards those plants naturally, so yeah, it's easy

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<v Speaker 2>to just keep stacking them in. But again you have

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<v Speaker 2>to kind of take that step back and whatever works

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<v Speaker 2>for someone aesthetically, whatever you like works. Like we're not

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<v Speaker 2>saying these are hard and fast rules, but there are

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<v Speaker 2>these times, and it happens to me all the time,

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<v Speaker 2>especially in my native plant garden. I feel like the

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<v Speaker 2>plants that are in there just keep reiterating the same thing.

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<v Speaker 2>And even though I have different heights in different bloom

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<v Speaker 2>times and different colors, it's still just not like that

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<v Speaker 2>you know, big wow moment that you see from you know,

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<v Speaker 2>really talented designers like you know, we've talked a lot

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<v Speaker 2>about Pete Doodolphe, you know, really the master of kind

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<v Speaker 2>of blending in those fine textured moments to get a

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<v Speaker 2>really varied landscape.

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<v Speaker 1>Yeah. Absolutely, so fun stuff to think about. I mean,

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<v Speaker 1>think about a shade garden, a ligular aya, a big

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<v Speaker 1>green tractor, that foliage with Japanese painted ferns or a

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<v Speaker 1>sun king aurelia next to a hack and a clo

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<v Speaker 1>or maybe dicentra a fern leaf bleeding heart next to

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<v Speaker 1>a hosta. I love shadowland, echo the sun or water slide.

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<v Speaker 1>There's so many different choices to get that contrast. You know,

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<v Speaker 1>my banana tree with the wicked witch colius a eucimus

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<v Speaker 1>pineapple lily, which gives you an exclamation point in the landscape.

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<v Speaker 1>So many opportunities, and we'll talk about that today on

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<v Speaker 1>the show. Let me give you a limb a rick

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<v Speaker 1>here about contrast, because I think contrast is so important.

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<v Speaker 1>It's not my intent to lecture or alter your landscape's architecture,

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<v Speaker 1>just recommend a visual touch. It doesn't take much to

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<v Speaker 1>add some layers of texture. You see, contrast is fundamental.

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<v Speaker 1>Your focus becomes compartmental. It gives plants great poise, and

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<v Speaker 1>you can sort out the noise for something that's quite ornamental.

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<v Speaker 1>So bonjou or manure. Let me give you the tour.

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<v Speaker 1>Spare me conjectures because I like big, bold textures. I'm

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<v Speaker 1>trendy and olt couture.

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<v Speaker 2>Oh wow, you really uh brought out the vocabulary for

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<v Speaker 2>this one, right.

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<v Speaker 1>I'm hot today, I like textures. Let's see how Stacey

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<v Speaker 1>ties it in and plants on trial. That's next here

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<v Speaker 1>on the Gardening Simplified.

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<v Speaker 2>Show, beautify your home and community with proven Winner's Color

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<v Speaker 2>Choice Shrubs with over three hundred and twenty five unique

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<v Speaker 2>every taste and every space. Just look for the distinctive

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<v Speaker 2>white container your local garden center or learn more at

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<v Speaker 2>proven Winner's Color Choice dot com. Greetings gardening friends, and

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<v Speaker 2>welcome back to the Gardening Simplified Show, where we are

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<v Speaker 2>talking all about texture. And in the first segment, I said,

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<v Speaker 2>there's two easy ways to check texture. I gave you

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<v Speaker 2>the first one. I didn't give you the second one,

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<v Speaker 2>so I thought I should do that now because don't

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<v Speaker 2>want to leave e anybody hang in. They're like, when

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<v Speaker 2>was the second one? Oh my gosh, I'm dying over here.

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<v Speaker 2>So no, the first one. Yeah, Like I said, just

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<v Speaker 2>take a black and white photo or transform a photo

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<v Speaker 2>in black and white. This is a fun thing to

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<v Speaker 2>do in winter when you're looking at your role of photos.

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<v Speaker 2>I mean, I'm assuming everybody has a roll of garden photos, right, yes,

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<v Speaker 2>or it's not just us okay, oh yea cool, and it.

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<v Speaker 1>Was such a great idea. That's why number two just ye.

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<v Speaker 2>So that's an easy way to look at the other way.

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<v Speaker 2>And don't get intimidated when I say this is to

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<v Speaker 2>do a little bit of drawing. Now, you don't need

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<v Speaker 2>to have drawing skills. We're not asking you to like

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<v Speaker 2>make an actual rendition of your garden, but a simple

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<v Speaker 2>sketch kind of outlining those shapes and how the masses

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<v Speaker 2>of your plants work together can also reveal quite a lot.

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<v Speaker 2>And that's a fun thing you can do on a

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<v Speaker 2>nice summer afternoon as you're sitting there looking at your garden.

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<v Speaker 2>Because another really important part of texture is direction. You know,

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<v Speaker 2>you can have plants of varying textures together, but if

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<v Speaker 2>all of the foliage and flowers and everything are kind

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<v Speaker 2>of going in the same direction, it can also fall flat.

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<v Speaker 2>Because a big part sure of successful texture is having

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<v Speaker 2>those textures kind of going out at different angles, different habits,

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<v Speaker 2>you know, perfect example, classic texture plant. I feel like

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<v Speaker 2>every time a garden magazine or a book or whatever

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<v Speaker 2>is like, you know, here's a great combination you know

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<v Speaker 2>what plant. It almost always contains akanakloa Japanese forest.

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<v Speaker 1>Yeah, oh yeah, yes, very true.

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<v Speaker 2>And why because that has a very strong direct It's

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<v Speaker 2>very very soft, fine textured, very strong directional kind of

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<v Speaker 2>you know, aesthetic in the landscape.

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<v Speaker 1>That's such a super important point. If you think about

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<v Speaker 1>a container and dichondra flowing down from the container and

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<v Speaker 1>angel wings in there, you're going two different directions. Yeah,

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<v Speaker 1>so yeah, I like that idea. So that's good concept.

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<v Speaker 2>Those are just two different ways. You can kind of

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<v Speaker 2>start to think about it in your own garden and

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<v Speaker 2>add something, then despice it up and mix it up,

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<v Speaker 2>and you know, you don't have to do these things,

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<v Speaker 2>but it is sort of that is the professional secret,

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<v Speaker 2>right when you look at a professional landscape or a

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<v Speaker 2>very very talented experienced gardener, that is what they're doing.

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<v Speaker 2>And you know, it's very easy to look at someone's

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<v Speaker 2>garden and think, hey, they are just so talented as designers.

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<v Speaker 2>They got this right in the first place. Oh no,

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<v Speaker 2>they didn't. It took them years of refining and taking

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<v Speaker 2>things out and moving things around. And I would also say,

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<v Speaker 2>if you're dealing with a landscape that you know maybe

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<v Speaker 2>doesn't have the option to move things around as much,

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<v Speaker 2>or plants are more mature. You can also break it

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<v Speaker 2>up with you know, ornaments, different like sculptures and that

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<v Speaker 2>kind of thing.

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<v Speaker 1>Hard scaping super important in contrast and texture.

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<v Speaker 2>Yeah, for sure. The other thing about texture is space.

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<v Speaker 2>So texture is not just about what's there in terms

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<v Speaker 2>of the foliage or flowers or whatever. It's also about

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<v Speaker 2>this base in between them. And I think like a

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<v Speaker 2>lot of our plants, a lot of our shrubs, and

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<v Speaker 2>certainly a lot of Proven Winner's Perennials and annuals, they've

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<v Speaker 2>really been developed to be very dense and very cushion like,

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<v Speaker 2>and that can make them feel very coarsely textured or

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<v Speaker 2>bold in the landscape, whereas other counterparts might have a

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<v Speaker 2>little bit more space in them because we're kind of

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<v Speaker 2>really trying to breed those things down. And I find

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<v Speaker 2>that a lot with the Proven Winter's Perennials. It's a

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<v Speaker 2>very nice feature to have, but it does kind of

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<v Speaker 2>change the way that you use them. So for today's

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<v Speaker 2>plants on Trial, where we tell you about one or

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<v Speaker 2>in some cases, and today's case and many of the

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<v Speaker 2>Proven Winner's color Choice shrubs, we're talking about which of

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<v Speaker 2>our shrubs you can use for different textures.

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<v Speaker 1>So if I had to guess, because in my mind,

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<v Speaker 1>I have one shrub that is the king of textures. Okay,

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<v Speaker 1>well I hear it, Yeah I do oheh, yes, yes,

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<v Speaker 1>I think that is the king.

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<v Speaker 2>It is definitely. It's sort of one that is always sighted.

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<v Speaker 2>And I think that that really leads into kind of

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<v Speaker 2>the defining feature of coarse plants, which is large foliage,

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<v Speaker 2>large elements, and you know, like you're saying, with all

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<v Speaker 2>of your tropicals, those tend to have very bold foliage.

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<v Speaker 2>But yeah, that is a classic example because oak leaf

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<v Speaker 2>Hydrangea doesn't just kind of symbolize the fine, medium course

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<v Speaker 2>textures in the landscape. It is itself a very textural plant.

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<v Speaker 2>The foliage is really textural. The stems have that, you know,

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<v Speaker 2>wonderful brown fuzz on them. You know, you were talking

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<v Speaker 2>about people wanting to touch plants whenever you go to

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<v Speaker 2>a botanical garden and they have signs that are like,

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<v Speaker 2>don't touch the plants, and you're like, yeah, okay, I

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<v Speaker 2>get it. But also I'm like, don't worry. I'm a

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<v Speaker 2>train horticulture, so I got this. Not that I break

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<v Speaker 2>the rules, but it's really quite difficult when you're used

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<v Speaker 2>to touching plants to like all of a sudden, not

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<v Speaker 2>touch them in any case. So it's about as much

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<v Speaker 2>as what is not there the space in between the leaves,

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<v Speaker 2>as well as what is there. So for fine texture

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<v Speaker 2>in the proven Winter's Colored Choice line, I have a

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<v Speaker 2>great plant that we have not mentioned yet. Japanese maples. Yeah,

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<v Speaker 2>absolutely perfect. Adriana is a big fan of Japanese maples.

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<v Speaker 2>They are really one of the best choices for that

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<v Speaker 2>fine texture. I think when we talk about these concepts

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<v Speaker 2>of you know, fine course in medium textures, Japanese gardens

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<v Speaker 2>are also such a great example of using and mixing

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<v Speaker 2>these different textures in ways that really have a lot

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<v Speaker 2>of impact. It's not like our standard kind of perennial

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<v Speaker 2>or flower garden where you have a whole lot of

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<v Speaker 2>plants all grouped together, but things kind of grouped into

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<v Speaker 2>vignettes and very very well placed. So Japanese maples are

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<v Speaker 2>an awesome choice for fine texture. And we don't tend

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<v Speaker 2>to think of trees as texture plants.

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<v Speaker 1>Right, but they are. They are dissectedol.

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<v Speaker 2>Lemony lace and black lace elder yep. I mean, can't

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<v Speaker 2>beat them. One of my absolutely favorites that's on that

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<v Speaker 2>extreme because we're going to get to supercorus plants right now,

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<v Speaker 2>we're doing the very fine plants, so we'll get there.

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<v Speaker 2>Fine line buckthorn ramness, and this is one of our

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<v Speaker 2>most popular plants. People love it because there's really nothing

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<v Speaker 2>like it, and the foliage is really just kind of

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<v Speaker 2>narrow lines that's really really distinctive in the landscape. Another

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<v Speaker 2>plant I love, love love for fine texture celtic pride microbiota.

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<v Speaker 1>Yes, that's on my list, love it. And that's a

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<v Speaker 1>touchable plant.

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<v Speaker 2>It is, and it's not prickly, so it's a conifer.

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<v Speaker 2>Most conifers, like we said, tend to be on the

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<v Speaker 2>finer textured side, some more than others. But this one

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<v Speaker 2>just has this like beautiful lacy look and we have

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<v Speaker 2>a lovely planting of it in our trial gardens here

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<v Speaker 2>in West Michigan, and whenever we give tours and someone

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<v Speaker 2>sees it, they're like, what is that? And this is

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<v Speaker 2>a plant that I think most people walk by in

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<v Speaker 2>the garden center, but once they see it in sight,

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<v Speaker 2>they are like, I want that. So we also have

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<v Speaker 2>some regularly fine texture chesky gold dwarf birch, very very

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<v Speaker 2>tiny little yellow leaves, really interesting texture plants. It's a

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<v Speaker 2>dwarf birch, so like just imagine like a golden cushion

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<v Speaker 2>of tiny leaves, not a tree form, and it really

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<v Speaker 2>lends itself to sharing. So you can kind of have

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<v Speaker 2>this very fine texture leaf with a very dense habit

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<v Speaker 2>if that is what you are going for. I was

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<v Speaker 2>thinking about butterfly bush, okay, and I thought that this

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<v Speaker 2>is an interesting situation where for the most part they're fine,

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<v Speaker 2>kind of bordering on medium because they you know, those

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<v Speaker 2>spikes come up, they got a lot of space in them.

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<v Speaker 2>The leaves are on the smaller side. And then I

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<v Speaker 2>realized that like certain varieties of butterfly bush like Pugster,

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<v Speaker 2>actually definitely go more into the course because they're bread.

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<v Speaker 2>For those larger flowers you have less space, they tend

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<v Speaker 2>to end up having that blockier kind of impact in

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<v Speaker 2>the landscape. So it really depends on the specific for

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<v Speaker 2>we can't always just generalize on the type of plant.

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<v Speaker 2>Kellikarpa is another plant that I think is a really

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<v Speaker 2>great choice for some fine texture also known as beauty

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<v Speaker 2>berry incredible purple berries. And I say purple berries are

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<v Speaker 2>just like this amazing orchid purple color. We have one

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<v Speaker 2>with dark purple leaves as well as a green one,

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<v Speaker 2>and the berries are so small and on these little stems,

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<v Speaker 2>and they just give a really really cool texture.

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<v Speaker 1>And a great example of how texture is so wonderful

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<v Speaker 1>in the fall.

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<v Speaker 2>Yes, fall is definitely texture time. And you know that

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<v Speaker 2>also comes back to what we were saying about color

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<v Speaker 2>in color. In fall, colors are shifting and changing, so

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<v Speaker 2>you're able to really get that impact that maybe you

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<v Speaker 2>didn't see when everything was just green. Now, I will say,

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<v Speaker 2>as I was looking through our selection of plants, the

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<v Speaker 2>majority of them are medium texture. And that seems like

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<v Speaker 2>kind of a cop out, but the majority of them

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<v Speaker 2>are medium texture. Yeah, I would agree, But let's get

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<v Speaker 2>to the bold textures, the coarse textures, because that's what

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<v Speaker 2>we really love. One of my favorites, and what I

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<v Speaker 2>might think is king in our line is Kelly canthus

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<v Speaker 2>also known as sweet shrub. I have both aphrodite and

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<v Speaker 2>simply sensational, and both of them have a really wonderful

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<v Speaker 2>bold look in the landscape. Aphrodite, the foliage is like

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<v Speaker 2>this big, it's huge, it's lush, the flowers are bold,

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<v Speaker 2>just a great great plant. Big leaf hydrangees also a

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<v Speaker 2>coarse texture plant. And I think with hydranges in general,

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<v Speaker 2>you can kind of get into some fine texture if

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<v Speaker 2>you are dealing with lace cap hydranges, because again that's

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<v Speaker 2>about the space that you're getting in there. So in

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<v Speaker 2>that case, even though the plant itself might be a

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<v Speaker 2>coarse or bold texture, the flowers kind of give it

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<v Speaker 2>a finer texture. So you can have this kind of

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<v Speaker 2>shifting in and out of different textures based on the

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<v Speaker 2>time of year, the blue time and all of that.

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<v Speaker 2>Al Ninho Chitalpa old texture. Great choice. Hollywood hibiscus another one,

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<v Speaker 2>and I was thinking, you know, I think most tropical plants,

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<v Speaker 2>of which Hollywood hibiscuits is a tropical hibiscus, tend to

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<v Speaker 2>be on the boulder side. I would say some palms

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<v Speaker 2>tend to the finer texture because it can be very

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<v Speaker 2>you know, fine leaves. But overall, if you like bold foliage,

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<v Speaker 2>the tropics is for you. I feel like fine foliage

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<v Speaker 2>the prairie might be for you. There you go, or

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<v Speaker 2>you can combine them all into one great garden. We

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<v Speaker 2>are going to take a little break. When we come back.

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<v Speaker 2>We are opening up the mailbag, so please stay tuned.

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<v Speaker 2>At Proven Winners Color Choice Shrubs, we know that a

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<v Speaker 2>better landscape starts with a better shrub. Our team of

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<v Speaker 2>experts tests and evaluates all of our flowering shrubs and

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<v Speaker 2>evergreens for eight to ten years to ensure they outperform

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<v Speaker 2>what's already on the market. For easycare, reliable, beautiful shrubs

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<v Speaker 2>to accentuate your home and express your personal style, look

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<v Speaker 2>for Proven Winners Shrubs in the distinctive white container at

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00:21:58.400 --> 00:22:01.039
<v Speaker 2>your local garden center or learn more at Proven Winners,

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<v Speaker 2>Color Choice dot com. Greeting's gardening friends and welcome back

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<v Speaker 2>to the Gardening Simplified Show, where it is our time

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<v Speaker 2>to help you with your garden questions, quandaries and conundrums

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<v Speaker 2>and of course celebrations compliments. You know not everybody has

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<v Speaker 2>gardening pals to talk about gardening with, and we can

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<v Speaker 2>be that pal for you, So you can leave a

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<v Speaker 2>comment on YouTube or check us out on Facebook or Instagram.

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<v Speaker 2>Always lots of opportunities to share your successes. You can

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<v Speaker 2>also reach us at Gardeningsimplified on air dot com, Proven Winners,

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<v Speaker 2>Color Choice dot com, Proven Winners dot Com. You want

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<v Speaker 2>to reach us. We are everywhere you want to be,

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<v Speaker 2>so don't hesitate to reach out. And I wanted to

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<v Speaker 2>kick things off with a really, really nice note from

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<v Speaker 2>listener Suzanne. This is regarding last week's show. She says, Adriana,

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<v Speaker 2>the most recent episode of Gardening Simplified show was just

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<v Speaker 2>one example of the value your photos bring to the viewers.

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<v Speaker 2>Your photos add so much color to the convent sation

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<v Speaker 2>and content because of the photos and the colors they show.

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<v Speaker 2>I very often click on the proven winner's website while

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<v Speaker 2>watching on YouTube to take a closer look at the

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<v Speaker 2>plants picture to see if they would work in my garden.

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<v Speaker 2>Thank you, Adriana for the inspiration that can be found

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<v Speaker 2>in your beautiful photography. You're here, so you're here. I

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<v Speaker 2>just wanted to say thank you so much for that. Susanne.

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<v Speaker 2>You know you mentioned Adriana. She's back there behind the

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<v Speaker 2>camera and the soundboard every episode. But we love hearing

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<v Speaker 2>her get her roses and she deserves them because she

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<v Speaker 2>spends a lot of time on the show. What a

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<v Speaker 2>talent and she makes it look really easy. And you know,

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<v Speaker 2>of course at this time, I were like, what show

413
00:23:35.880 --> 00:23:37.759
<v Speaker 2>two five? So she's kind of got it down to

414
00:23:37.839 --> 00:23:40.440
<v Speaker 2>a science. But on the other hand, it doesn't just

415
00:23:40.559 --> 00:23:43.240
<v Speaker 2>make itself. She spends many, many hours, and so it

416
00:23:43.279 --> 00:23:46.880
<v Speaker 2>always means a lot to hear from people who appreciate

417
00:23:46.960 --> 00:23:48.440
<v Speaker 2>that work. So thank you, Susan.

418
00:23:48.680 --> 00:23:52.519
<v Speaker 1>Not just the video and the beautiful pictures, it's the editing.

419
00:23:52.960 --> 00:23:56.880
<v Speaker 1>She can even make somebody like me look good. Thank you, Aden.

420
00:23:56.960 --> 00:23:59.240
<v Speaker 2>Right, like, people don't even know the mistakes that we're

421
00:23:59.279 --> 00:24:02.440
<v Speaker 2>making that she has to cut out. They just assume

422
00:24:02.480 --> 00:24:05.119
<v Speaker 2>that we get in here and you know, like an

423
00:24:05.880 --> 00:24:08.240
<v Speaker 2>a one take wonder and we dust our hands and

424
00:24:08.319 --> 00:24:10.400
<v Speaker 2>leave it to her. But we make mistakes. In fact,

425
00:24:10.440 --> 00:24:12.039
<v Speaker 2>I just made one at the beginning of the segment.

426
00:24:13.160 --> 00:24:14.680
<v Speaker 2>So yeah, she does a lot for.

427
00:24:14.680 --> 00:24:15.720
<v Speaker 1>Us, so take care of it.

428
00:24:16.319 --> 00:24:19.279
<v Speaker 2>Anyway, Adriana is very flattered, and I wanted to make

429
00:24:19.319 --> 00:24:23.799
<v Speaker 2>sure our listeners heard that little bit of appreciation for

430
00:24:23.880 --> 00:24:26.759
<v Speaker 2>her efforts, So thank you. Brenda writes, I have a

431
00:24:26.799 --> 00:24:31.000
<v Speaker 2>bobo Hydrangea that only some of the leaves and flowers

432
00:24:31.039 --> 00:24:35.400
<v Speaker 2>have opened completely. Any suggestions, now, of course, it's hydrange

433
00:24:35.440 --> 00:24:39.279
<v Speaker 2>of season here in most of the country. Of course,

434
00:24:39.279 --> 00:24:41.519
<v Speaker 2>some of you, if you've had a really really hot summer,

435
00:24:42.200 --> 00:24:46.400
<v Speaker 2>the hydrangees are probably pretty done, brown crispy, just trying

436
00:24:46.480 --> 00:24:50.000
<v Speaker 2>to struggle through. For us here, it's pretty much peaks time.

437
00:24:50.119 --> 00:24:53.559
<v Speaker 2>The panical hydrangels are about to turn. Yeah, just really incredible.

438
00:24:54.720 --> 00:24:57.000
<v Speaker 2>And because it is hydrange of season. I hear from

439
00:24:57.000 --> 00:25:00.559
<v Speaker 2>a lot of gardeners who have a lot of problems.

440
00:25:00.720 --> 00:25:03.359
<v Speaker 2>Very often it's why isn't my hydrange of blooming? I

441
00:25:03.400 --> 00:25:05.440
<v Speaker 2>have to say, I'm seeing less of that. I don't

442
00:25:05.480 --> 00:25:07.839
<v Speaker 2>know if it's because we're finally like have enough articles

443
00:25:07.880 --> 00:25:10.920
<v Speaker 2>about hydranges out there that people are finding the information

444
00:25:11.000 --> 00:25:15.440
<v Speaker 2>without asking us, or you know, because plants like Let's

445
00:25:15.440 --> 00:25:19.200
<v Speaker 2>stand Skyview are hopefully stopping this issue because that was

446
00:25:19.319 --> 00:25:22.960
<v Speaker 2>our goal. But one issue I hear from every year

447
00:25:23.000 --> 00:25:27.599
<v Speaker 2>from people is they have usually a panicle hydrangea and

448
00:25:27.640 --> 00:25:32.000
<v Speaker 2>it looks like a mutant. The foliage is all contorted

449
00:25:32.160 --> 00:25:36.640
<v Speaker 2>and twisted, and sometimes it's thick and it's small, and

450
00:25:36.880 --> 00:25:40.440
<v Speaker 2>especially on some panicle hydrangeas, the flowers just turn into

451
00:25:40.519 --> 00:25:45.799
<v Speaker 2>these weird leafy appendages. If you're watching YouTube, you will

452
00:25:45.799 --> 00:25:47.480
<v Speaker 2>see photos of this. You don't have to take my

453
00:25:48.400 --> 00:25:53.240
<v Speaker 2>maybe less than poetic description at face value. And maybe

454
00:25:53.240 --> 00:25:56.039
<v Speaker 2>you're seeing this yourself. But I hear from gardeners every

455
00:25:56.119 --> 00:25:59.759
<v Speaker 2>year who see this in their gardens and it is

456
00:26:00.319 --> 00:26:02.119
<v Speaker 2>broad mite damage.

457
00:26:02.240 --> 00:26:04.160
<v Speaker 1>Wow, I thought it was bad hair date.

458
00:26:05.240 --> 00:26:08.160
<v Speaker 2>It kind of looks that way, so broad So everybody

459
00:26:08.160 --> 00:26:10.640
<v Speaker 2>knows spider mites, right, people, Ye, spider bites are bad.

460
00:26:10.920 --> 00:26:14.039
<v Speaker 2>Spider maights have a very distinctive look. Mites are not insects.

461
00:26:14.079 --> 00:26:17.759
<v Speaker 2>There are more related to spiders. Broad Mites are not

462
00:26:17.880 --> 00:26:20.920
<v Speaker 2>spider mites. They're equally as bad for plants, but they

463
00:26:20.960 --> 00:26:23.559
<v Speaker 2>are bad in a different way. They do different things.

464
00:26:24.119 --> 00:26:27.400
<v Speaker 2>And so the broad mites will feed on the plant

465
00:26:27.400 --> 00:26:31.400
<v Speaker 2>tissue as it is developing, and when if they feed

466
00:26:31.519 --> 00:26:36.240
<v Speaker 2>on the flower buds as they are developing, they're feeding.

467
00:26:36.400 --> 00:26:38.720
<v Speaker 2>I don't know whether it's like an enzyme or something

468
00:26:38.799 --> 00:26:40.160
<v Speaker 2>like that that comes out of them, or if it's

469
00:26:40.240 --> 00:26:43.000
<v Speaker 2>just an actual function of the mites which have this

470
00:26:43.079 --> 00:26:46.519
<v Speaker 2>little tiny piercing mouthpart that goes into the plant tissue

471
00:26:46.519 --> 00:26:48.839
<v Speaker 2>and sucks out the juice. And if that physical disruption

472
00:26:49.519 --> 00:26:52.519
<v Speaker 2>of the tissue causes this, but it causes all sorts

473
00:26:52.559 --> 00:26:56.039
<v Speaker 2>of weird looking mutations, especially on panicle hydrangels, and they

474
00:26:56.079 --> 00:27:01.119
<v Speaker 2>don't bloom in a normal way. Okay, Now, broad mites

475
00:27:01.119 --> 00:27:04.680
<v Speaker 2>are tiny. They really can hardly be seen without a microscope.

476
00:27:04.680 --> 00:27:07.279
<v Speaker 2>You know, you would need maybe a really good magnifying glass.

477
00:27:07.599 --> 00:27:10.440
<v Speaker 1>If they're tiny, then why do they call them broad mites?

478
00:27:10.640 --> 00:27:12.160
<v Speaker 2>Well, because they're broad for a mite.

479
00:27:12.559 --> 00:27:15.880
<v Speaker 1>Oh okay, just wondering.

480
00:27:17.519 --> 00:27:21.119
<v Speaker 2>And they're so tiny that they just float in on

481
00:27:21.160 --> 00:27:24.240
<v Speaker 2>the wind. You know, no spidermights. We all know spidermights

482
00:27:24.279 --> 00:27:29.079
<v Speaker 2>will thrive in stressful conditions plants. That's conditions that stress

483
00:27:29.079 --> 00:27:33.440
<v Speaker 2>out of the plants, dryness, low air circulation, water, stress

484
00:27:33.480 --> 00:27:36.400
<v Speaker 2>can encourage mites. They're opportunistic and stuff. They see a

485
00:27:36.400 --> 00:27:38.599
<v Speaker 2>plant suffering, they're like, oh heck, yeah, here's my chance.

486
00:27:38.960 --> 00:27:41.039
<v Speaker 2>They get in there. They feed, they cause damage on

487
00:27:41.039 --> 00:27:44.799
<v Speaker 2>the plane. The broad mightes are so tiny they just

488
00:27:44.880 --> 00:27:47.440
<v Speaker 2>float in on the wind. So that makes it a

489
00:27:47.519 --> 00:27:50.960
<v Speaker 2>little bit more tricky because you can't do anything really

490
00:27:51.599 --> 00:27:59.200
<v Speaker 2>against them because yeah, they're just floating around and so basically, unfortunately,

491
00:27:59.279 --> 00:28:03.640
<v Speaker 2>there's really nothing that you can do. Even if you

492
00:28:03.680 --> 00:28:07.240
<v Speaker 2>could see the mites. They get so deep into the

493
00:28:07.279 --> 00:28:11.000
<v Speaker 2>bud to feed that you can't really reach them. Like

494
00:28:11.039 --> 00:28:13.039
<v Speaker 2>it's very difficult to try, even if you were willing

495
00:28:13.079 --> 00:28:16.079
<v Speaker 2>to use some sort of pesticide, really difficult to get

496
00:28:16.079 --> 00:28:18.519
<v Speaker 2>in there to get the contact and kill them. So

497
00:28:18.960 --> 00:28:22.039
<v Speaker 2>the good news is that these broad mites are not

498
00:28:22.200 --> 00:28:24.920
<v Speaker 2>something that are going to necessarily stay on the plant

499
00:28:25.039 --> 00:28:27.880
<v Speaker 2>year to year. If you have broad mites in this

500
00:28:28.160 --> 00:28:30.000
<v Speaker 2>and it's not just hydrangeas, this is going to happen

501
00:28:30.039 --> 00:28:32.119
<v Speaker 2>on a number of different plants. I've actually had it

502
00:28:32.599 --> 00:28:38.079
<v Speaker 2>on pepper plants in my garden and just through fertilizing

503
00:28:38.240 --> 00:28:41.480
<v Speaker 2>and trying to really you know, get vigorous growth on them,

504
00:28:41.480 --> 00:28:45.759
<v Speaker 2>they've been able to outgrow the mite damage. But on

505
00:28:45.839 --> 00:28:48.440
<v Speaker 2>the other hand, with the hydrangea, you know, those flora

506
00:28:48.440 --> 00:28:50.920
<v Speaker 2>buds set and then it's kind of over. So if

507
00:28:50.920 --> 00:28:53.839
<v Speaker 2>you have broad mites, it will should be fine next year,

508
00:28:53.880 --> 00:28:55.680
<v Speaker 2>but you will want to make sure that you clean

509
00:28:55.759 --> 00:28:58.960
<v Speaker 2>up all of that foliage really really well. Once it drops,

510
00:29:00.240 --> 00:29:03.119
<v Speaker 2>you throw that away because of course that's where all

511
00:29:03.160 --> 00:29:05.720
<v Speaker 2>the little baby mites are going to stay. Well they're

512
00:29:05.720 --> 00:29:07.559
<v Speaker 2>not babies anymore, but that's where they're going to stay

513
00:29:07.559 --> 00:29:11.000
<v Speaker 2>over winter to reinfect the plant next year. Throw that away,

514
00:29:11.039 --> 00:29:14.119
<v Speaker 2>don't put it in a compost pile. And then you

515
00:29:14.160 --> 00:29:16.279
<v Speaker 2>will want to make sure you prune these plants in

516
00:29:16.480 --> 00:29:18.720
<v Speaker 2>spring because the broad mites are going to tend to

517
00:29:19.000 --> 00:29:23.759
<v Speaker 2>if they overwinter concrete in those uppermost buds. So by

518
00:29:23.799 --> 00:29:26.799
<v Speaker 2>pruning your panicle hydrangea in spring and taking off that

519
00:29:26.839 --> 00:29:30.000
<v Speaker 2>top growth and discarding it, you can also get rid

520
00:29:30.200 --> 00:29:32.160
<v Speaker 2>of a lot of them. So I know that's disappointing.

521
00:29:33.240 --> 00:29:35.759
<v Speaker 2>This is a similar type of advice I would recommend

522
00:29:35.799 --> 00:29:37.599
<v Speaker 2>for anything that you have that's getting this kind of

523
00:29:37.599 --> 00:29:38.359
<v Speaker 2>funky growth.

524
00:29:38.680 --> 00:29:39.599
<v Speaker 1>So interest.

525
00:29:39.720 --> 00:29:41.200
<v Speaker 2>Yeah, crazy stuff out there.

526
00:29:41.279 --> 00:29:41.920
<v Speaker 1>That is crazy.

527
00:29:42.000 --> 00:29:43.839
<v Speaker 2>I tell you, the more you know about plants, the

528
00:29:43.839 --> 00:29:44.680
<v Speaker 2>weirder things get.

529
00:29:45.880 --> 00:29:45.960
<v Speaker 1>So.

530
00:29:46.319 --> 00:29:50.960
<v Speaker 2>Angie writes that they redid their vegetable garden and the

531
00:29:51.000 --> 00:29:53.119
<v Speaker 2>beds are open to native soil. They're about nine feet

532
00:29:53.160 --> 00:29:56.200
<v Speaker 2>long three feet wide. They were filled with a garden

533
00:29:56.240 --> 00:29:58.759
<v Speaker 2>mix from a local garden center that was forty percent

534
00:29:58.799 --> 00:30:03.799
<v Speaker 2>pete moss compost, twenty percent top soil, and ten percent sand.

535
00:30:04.880 --> 00:30:07.119
<v Speaker 2>So she's growing in it and this year, she says,

536
00:30:07.240 --> 00:30:11.640
<v Speaker 2>everything is stunted and not doing well and she's wondering

537
00:30:11.720 --> 00:30:12.960
<v Speaker 2>why and what she should do.

538
00:30:13.400 --> 00:30:16.960
<v Speaker 1>Wow. Well, first of all, good candidate to get a

539
00:30:16.960 --> 00:30:20.720
<v Speaker 1>soil test. Yeah, I'd suggest that they're inexpensive and it

540
00:30:20.799 --> 00:30:24.599
<v Speaker 1>probably would help you out. But I have seen this before.

541
00:30:24.680 --> 00:30:27.319
<v Speaker 1>I've seen it with one of the easiest things to

542
00:30:27.359 --> 00:30:31.720
<v Speaker 1>grow in a vegetable garden. Beans. Now, in some cases

543
00:30:31.799 --> 00:30:34.079
<v Speaker 1>it was due to the weather. If it was too

544
00:30:34.200 --> 00:30:38.079
<v Speaker 1>cold in early spring and they were planted, they almost

545
00:30:38.160 --> 00:30:41.319
<v Speaker 1>become stunted and they don't seem to shake it. I

546
00:30:41.319 --> 00:30:44.359
<v Speaker 1>don't know why, but that's that's the case. But I

547
00:30:44.400 --> 00:30:47.720
<v Speaker 1>think you know more importantly as far as my landscape

548
00:30:47.759 --> 00:30:50.519
<v Speaker 1>is concerned, in my parents soil, again, we've talked about

549
00:30:50.559 --> 00:30:53.599
<v Speaker 1>this before, but every fall I'm working in all kinds

550
00:30:53.640 --> 00:30:57.680
<v Speaker 1>of leaves, and wow, did it make a difference. The

551
00:30:57.759 --> 00:31:00.880
<v Speaker 1>plants were more robust. I think a lot of it

552
00:31:00.920 --> 00:31:04.599
<v Speaker 1>comes down to the plant's ability to have a persistent

553
00:31:05.400 --> 00:31:10.480
<v Speaker 1>water supply without too much good drainage, but persistent water supply.

554
00:31:10.200 --> 00:31:12.519
<v Speaker 2>Yeah, for sure, good drainage is key. I think a

555
00:31:12.519 --> 00:31:16.759
<v Speaker 2>lot of people don't realize that peat moss is basically

556
00:31:16.880 --> 00:31:18.000
<v Speaker 2>nutritionally inert.

557
00:31:18.200 --> 00:31:18.920
<v Speaker 1>Yes, that's true.

558
00:31:19.079 --> 00:31:22.839
<v Speaker 2>It does not really contribute any nutrition. It's fluff. It's

559
00:31:22.880 --> 00:31:26.759
<v Speaker 2>a growing you know, strata or media for the roots

560
00:31:26.799 --> 00:31:29.440
<v Speaker 2>to go into, but it does not add any nutrition

561
00:31:29.559 --> 00:31:32.680
<v Speaker 2>to the plants. So I would guess that you know

562
00:31:32.720 --> 00:31:36.039
<v Speaker 2>with the time that you've done this, the nutrients in

563
00:31:36.079 --> 00:31:40.359
<v Speaker 2>the compost and remember compost is continuing to decompose, so

564
00:31:40.400 --> 00:31:42.839
<v Speaker 2>it's getting used up by the plants, and so that

565
00:31:42.880 --> 00:31:45.400
<v Speaker 2>thirty percent compost that your soil mix was is probably

566
00:31:45.839 --> 00:31:49.200
<v Speaker 2>five percent composts. Now it's used, it's continued to decompose,

567
00:31:49.240 --> 00:31:52.079
<v Speaker 2>and the plants have used the nutrients. Tap soil nutrient

568
00:31:52.200 --> 00:31:53.920
<v Speaker 2>rich when you first get it, but the plants are

569
00:31:53.960 --> 00:31:56.400
<v Speaker 2>going to use that. So I think that, yeah, you're

570
00:31:56.440 --> 00:32:00.279
<v Speaker 2>going to need to do some soil amending. I think,

571
00:32:00.359 --> 00:32:03.839
<v Speaker 2>you know, composted leaves is a great option for my

572
00:32:03.920 --> 00:32:07.160
<v Speaker 2>container soil. I just add composted manure and mix it

573
00:32:07.200 --> 00:32:09.519
<v Speaker 2>all together and put it back into my containers to

574
00:32:09.599 --> 00:32:12.960
<v Speaker 2>kind of recharge that soil and keep that you know,

575
00:32:13.000 --> 00:32:15.799
<v Speaker 2>peat moss as like a again a matrix for the

576
00:32:15.880 --> 00:32:19.119
<v Speaker 2>roots to grow in. You know, I think this year,

577
00:32:19.160 --> 00:32:21.160
<v Speaker 2>if things are doing poorly, you can make things up

578
00:32:21.160 --> 00:32:24.440
<v Speaker 2>by fertilizing, you know, try to push your tomatoes, push

579
00:32:24.440 --> 00:32:26.880
<v Speaker 2>your peppers, any of that stuff that has yet to fruit.

580
00:32:28.000 --> 00:32:30.559
<v Speaker 2>You can fertilize and kind of make up for that

581
00:32:30.640 --> 00:32:32.759
<v Speaker 2>lack of nutrients. But the simple fact here is that

582
00:32:32.799 --> 00:32:34.799
<v Speaker 2>the nutrients that were in all of that great soil

583
00:32:34.839 --> 00:32:37.440
<v Speaker 2>that you added, they're used up, so you got to

584
00:32:37.440 --> 00:32:37.960
<v Speaker 2>put them back.

585
00:32:38.079 --> 00:32:41.559
<v Speaker 1>Yeah, vegetables are hard workers and they're working morning, noon

586
00:32:41.640 --> 00:32:44.000
<v Speaker 1>and night, and the days are long. They need to

587
00:32:44.000 --> 00:32:44.440
<v Speaker 1>be fed.

588
00:32:44.640 --> 00:32:47.200
<v Speaker 2>Yeah, that nutrition that you put into them, they give

589
00:32:47.279 --> 00:32:50.680
<v Speaker 2>back to you. But you do need to definitely juice

590
00:32:50.720 --> 00:32:52.960
<v Speaker 2>them up one way or the other. But of course,

591
00:32:53.000 --> 00:32:56.279
<v Speaker 2>the responsible, long term sustainable thing to do is to

592
00:32:56.440 --> 00:33:00.000
<v Speaker 2>just keep feeding your soil, whether that is through composts,

593
00:33:00.240 --> 00:33:04.119
<v Speaker 2>composted leaves, all of the above, keeping things mulched. There's

594
00:33:04.160 --> 00:33:06.440
<v Speaker 2>lots of different ways to do this and you can

595
00:33:06.440 --> 00:33:10.640
<v Speaker 2>always contact your local cooperative extension for their recommendations on

596
00:33:10.680 --> 00:33:13.599
<v Speaker 2>soil fertility in your area. We're going to take a

597
00:33:13.599 --> 00:33:15.799
<v Speaker 2>little break. When we come back, we're continuing our conversation

598
00:33:15.839 --> 00:33:24.680
<v Speaker 2>on texture, so please stay tuned. Thanks for listening to

599
00:33:24.720 --> 00:33:27.680
<v Speaker 2>the Gardening Simplified Podcast, brought to you by Proven Winners

600
00:33:27.680 --> 00:33:31.000
<v Speaker 2>Color Choice Shrubs. Our award winning flowering shrubs and evergreens

601
00:33:31.039 --> 00:33:34.160
<v Speaker 2>are trialed and tested by experts with your success in mind.

602
00:33:34.400 --> 00:33:38.680
<v Speaker 2>Learn more at Proven Winners color Choice dot com.

603
00:33:38.920 --> 00:33:41.440
<v Speaker 1>Welcome back to the Gardening Simplified Show us. Today we

604
00:33:41.480 --> 00:33:45.240
<v Speaker 1>talk about texture and what a great week to do it.

605
00:33:45.240 --> 00:33:50.000
<v Speaker 1>It's summerrific week with the perennial hibiscus, talk about foliage

606
00:33:50.039 --> 00:33:51.519
<v Speaker 1>and flowers and great texture.

607
00:33:51.799 --> 00:33:54.720
<v Speaker 2>Oh what a plant, you know. I don't get me

608
00:33:54.799 --> 00:33:58.200
<v Speaker 2>started on these plants. Last night, my husband was out

609
00:33:58.200 --> 00:34:00.279
<v Speaker 2>in the garden and it was hot, you know, it

610
00:34:00.319 --> 00:34:02.799
<v Speaker 2>was really sunny and hot. And he came and he

611
00:34:02.799 --> 00:34:05.480
<v Speaker 2>got his hat. I said, what are you cold sitting

612
00:34:05.480 --> 00:34:06.799
<v Speaker 2>in the shade? He said, no, I want to sit

613
00:34:06.839 --> 00:34:10.280
<v Speaker 2>in the sun and look at hibiscus because they were

614
00:34:10.320 --> 00:34:13.000
<v Speaker 2>looking so good. You know, I think my favorite one

615
00:34:13.119 --> 00:34:16.280
<v Speaker 2>this year is Summerific evening Rows. Okay, now, you know,

616
00:34:16.480 --> 00:34:19.199
<v Speaker 2>when we had our color talk, I said, I'm not

617
00:34:19.280 --> 00:34:21.079
<v Speaker 2>a pink person, but then you look at my garden

618
00:34:21.079 --> 00:34:23.440
<v Speaker 2>and you're like, okay, whatever, lady, you are definitely a

619
00:34:23.480 --> 00:34:27.639
<v Speaker 2>pink person. And Summerfic evening Rows has these bright, bright,

620
00:34:27.760 --> 00:34:31.280
<v Speaker 2>bright futia pink flowers and that kind of dark, purply

621
00:34:31.360 --> 00:34:35.239
<v Speaker 2>red foliage and it is just an absolutely stunning combination.

622
00:34:35.360 --> 00:34:37.280
<v Speaker 2>I love the reds. I have all three of the reds,

623
00:34:37.280 --> 00:34:40.280
<v Speaker 2>and they're beautiful, but that evening rose is really like

624
00:34:40.599 --> 00:34:43.440
<v Speaker 2>nothing else that you can buy. But yeah, they're all

625
00:34:43.559 --> 00:34:45.400
<v Speaker 2>in their full glory right now. How about yours?

626
00:34:45.639 --> 00:34:48.679
<v Speaker 1>Love the love the flowers, and as a matter of fact,

627
00:34:49.639 --> 00:34:53.840
<v Speaker 1>I mentioned this morning, boy Stacy's way ahead of mine,

628
00:34:54.199 --> 00:34:57.400
<v Speaker 1>ahead of me because I only have two flowers. Oh

629
00:34:57.480 --> 00:35:00.440
<v Speaker 1>my yes, at this point the buds are ready to pop,

630
00:35:00.519 --> 00:35:02.079
<v Speaker 1>but I don't know I'm behind.

631
00:35:02.239 --> 00:35:04.800
<v Speaker 2>That's strange. Yeah, I've never seen mine be so early,

632
00:35:04.840 --> 00:35:07.719
<v Speaker 2>but now this is our second year. Last year was

633
00:35:07.760 --> 00:35:10.320
<v Speaker 2>their first year after I moved everything and put them

634
00:35:10.320 --> 00:35:13.000
<v Speaker 2>in a new bed. So I don't know what it is,

635
00:35:13.039 --> 00:35:14.559
<v Speaker 2>but I mean, I've been growing them for years and

636
00:35:14.559 --> 00:35:16.559
<v Speaker 2>I've never had them bloom as early as they have

637
00:35:16.719 --> 00:35:18.840
<v Speaker 2>this year. So and I don't feel like it's been

638
00:35:18.920 --> 00:35:22.880
<v Speaker 2>particularly unusually hot or yeah, I don't know what it is.

639
00:35:23.000 --> 00:35:24.960
<v Speaker 1>I don't know what the deal is, but I love them.

640
00:35:24.960 --> 00:35:28.239
<v Speaker 1>And it's a great example of texture in the landscape.

641
00:35:29.000 --> 00:35:32.480
<v Speaker 1>Always talked about my cannons and bananas, but I've experimented

642
00:35:32.559 --> 00:35:35.960
<v Speaker 1>with rhubarb and castor beans, all of these types of

643
00:35:36.000 --> 00:35:40.360
<v Speaker 1>plants that give you fabulous texture within the landscape. And again,

644
00:35:40.480 --> 00:35:44.039
<v Speaker 1>texture can be touch too, and I was reminded of

645
00:35:44.159 --> 00:35:47.920
<v Speaker 1>that this morning. I went outside and watered my lantana's.

646
00:35:48.000 --> 00:35:54.039
<v Speaker 1>I have luscious lantana in containers. They're spectacular and the

647
00:35:54.159 --> 00:35:57.800
<v Speaker 1>touch of the foliage is almost like sand paper, and

648
00:35:57.880 --> 00:35:59.280
<v Speaker 1>the deer leave them alone.

649
00:35:59.360 --> 00:36:01.039
<v Speaker 2>Yeah. Well, do you like the smell of lantana?

650
00:36:01.320 --> 00:36:02.039
<v Speaker 1>Yeah? I do like it?

651
00:36:02.159 --> 00:36:06.199
<v Speaker 2>Okay, I gather you don't. I love the plant. I'll

652
00:36:06.199 --> 00:36:08.679
<v Speaker 2>still grow it, but when I touch it, I'm like.

653
00:36:08.679 --> 00:36:14.440
<v Speaker 1>You, but I love that's what the deer says.

654
00:36:14.800 --> 00:36:17.880
<v Speaker 2>I love that you have the epic combo of canna

655
00:36:17.920 --> 00:36:18.840
<v Speaker 2>banana on lantana.

656
00:36:19.039 --> 00:36:21.599
<v Speaker 1>Right there, you go. I like that. Oh that make

657
00:36:21.679 --> 00:36:25.320
<v Speaker 1>a great song. Yeah, so yeah, that's a great way

658
00:36:25.320 --> 00:36:29.320
<v Speaker 1>to go. Texture in the fall. I mentioned that. So

659
00:36:29.679 --> 00:36:34.119
<v Speaker 1>my big four, my top four in the fall would

660
00:36:34.159 --> 00:36:42.039
<v Speaker 1>be Viburnum, great foliage, texture, father giamm, oak leaf, Hydrangea,

661
00:36:42.639 --> 00:36:48.159
<v Speaker 1>and witch hazel. Those four, to me are epic texture

662
00:36:48.440 --> 00:36:52.039
<v Speaker 1>and color plants in fall and I look forward to

663
00:36:52.079 --> 00:36:57.280
<v Speaker 1>them every year. I also believe in fall that high

664
00:36:57.320 --> 00:37:03.559
<v Speaker 1>textural plants create a moodiness in the garden. And one

665
00:37:03.599 --> 00:37:07.159
<v Speaker 1>plant that I would point out are hucreras. Hucreas grown

666
00:37:07.280 --> 00:37:10.719
<v Speaker 1>for their foliage. Yeah, some people for the flowers, I understand,

667
00:37:11.159 --> 00:37:15.079
<v Speaker 1>but the foliage. You take, for example, a dark purple

668
00:37:15.519 --> 00:37:20.119
<v Speaker 1>hucura and the ruffled foliage on it. The texture and

669
00:37:20.239 --> 00:37:24.760
<v Speaker 1>color combined almost create this moodiness within the garden that

670
00:37:24.840 --> 00:37:26.800
<v Speaker 1>I think is an important part of texture too.

671
00:37:27.079 --> 00:37:29.320
<v Speaker 2>Yeah, and you know hugras. If you are like me

672
00:37:29.559 --> 00:37:32.599
<v Speaker 2>and you have given up on growing hugres because your

673
00:37:32.599 --> 00:37:35.039
<v Speaker 2>soil is just not right, you don't have enough shade,

674
00:37:35.079 --> 00:37:38.079
<v Speaker 2>you don't give them enough water, they still make awesome

675
00:37:38.119 --> 00:37:40.920
<v Speaker 2>container plants just as a foliage accent. And that's a

676
00:37:40.960 --> 00:37:43.960
<v Speaker 2>wonderful way to be able to enjoy them, or you know,

677
00:37:44.039 --> 00:37:47.480
<v Speaker 2>to switch over your containers for fall, there's still gonna

678
00:37:47.480 --> 00:37:50.920
<v Speaker 2>be plenty of those moody hugras in the garden center.

679
00:37:51.599 --> 00:37:54.159
<v Speaker 2>And I think that makes your fall planting a lot

680
00:37:54.159 --> 00:37:56.400
<v Speaker 2>more interesting than just you know, plopping a mom or

681
00:37:56.440 --> 00:37:58.000
<v Speaker 2>cabbage in a container. Mix it up.

682
00:37:58.239 --> 00:38:00.159
<v Speaker 1>You know, that's a good point. And when you you

683
00:38:00.199 --> 00:38:03.400
<v Speaker 1>get laid into fall, most of the blooms are gone,

684
00:38:03.719 --> 00:38:08.239
<v Speaker 1>it's over. But a great garden can use simply foliage

685
00:38:08.320 --> 00:38:13.559
<v Speaker 1>to create that textural feel. Again, combining fine, medium and

686
00:38:13.800 --> 00:38:19.320
<v Speaker 1>coarse you create a beautiful landscape without having to use

687
00:38:19.400 --> 00:38:23.159
<v Speaker 1>those what do you call them tough at mums or yeah.

688
00:38:22.599 --> 00:38:25.079
<v Speaker 2>Tough it's right, tough, it's but and tough.

689
00:38:24.880 --> 00:38:29.039
<v Speaker 1>It's I'm still trying to absorb the fact that you

690
00:38:29.079 --> 00:38:32.920
<v Speaker 1>don't like lantana via lantana or romos.

691
00:38:32.480 --> 00:38:35.760
<v Speaker 2>Oh it smells. Yeah, I do not like that at all.

692
00:38:35.800 --> 00:38:39.719
<v Speaker 2>But I love lantana and I love Speaking of texture,

693
00:38:40.199 --> 00:38:44.440
<v Speaker 2>I love how it's little rectangular buds fold up like

694
00:38:44.480 --> 00:38:46.920
<v Speaker 2>a little piece of chicklets gum. Oh yeah, and then

695
00:38:46.960 --> 00:38:49.320
<v Speaker 2>they burst open. Because there's not very many buds that

696
00:38:49.360 --> 00:38:51.840
<v Speaker 2>are kind of rectangular like that. That's cool, So I

697
00:38:51.880 --> 00:38:54.239
<v Speaker 2>love them. I actually don't have any this year because

698
00:38:54.320 --> 00:38:56.199
<v Speaker 2>the Garden Center Ways shop didn't have a great selection

699
00:38:56.280 --> 00:38:58.960
<v Speaker 2>of them, But I usually have them because they're a

700
00:38:58.960 --> 00:39:01.880
<v Speaker 2>great hummingbird and butterfly and that's why I plant my annuals.

701
00:39:01.880 --> 00:39:05.880
<v Speaker 1>So yeah, speaking of annuals, you want to add some

702
00:39:06.320 --> 00:39:10.159
<v Speaker 1>great texture to your landscape for next year, Planning sweet

703
00:39:10.159 --> 00:39:14.639
<v Speaker 1>potato vine will change the textural element within your landscape

704
00:39:14.679 --> 00:39:20.480
<v Speaker 1>in short order, inexpensively, quickly, and beautifully. So I would

705
00:39:20.519 --> 00:39:24.360
<v Speaker 1>recommend also that you take a look at sweet potato.

706
00:39:24.000 --> 00:39:25.880
<v Speaker 2>Vine uns don't.

707
00:39:26.199 --> 00:39:30.679
<v Speaker 1>Yeah, that's true along the annual side of it. Also,

708
00:39:30.920 --> 00:39:35.199
<v Speaker 1>again talking about texture, I believe dancing in the landscape

709
00:39:35.239 --> 00:39:38.880
<v Speaker 1>is super important, and I think plants that dance and

710
00:39:38.960 --> 00:39:41.639
<v Speaker 1>have the ability to do that, maybe with fine foliage

711
00:39:41.679 --> 00:39:43.840
<v Speaker 1>like ornamental grasses, But I'm going to go beyond that

712
00:39:43.960 --> 00:39:49.480
<v Speaker 1>and say fall Japanese anemones dancing in the breeze. But

713
00:39:49.679 --> 00:39:55.400
<v Speaker 1>when we look at annuals, Verbina benariensis is fabulous for

714
00:39:55.440 --> 00:39:59.760
<v Speaker 1>that and an element that I've added throughout my landscape

715
00:39:59.800 --> 00:40:04.599
<v Speaker 1>and pockets. I mentioned the emerald isle. Allocacia, Wow, the texture,

716
00:40:04.920 --> 00:40:09.119
<v Speaker 1>but Gomfrina truffle of pink and in pops here and

717
00:40:09.159 --> 00:40:11.760
<v Speaker 1>there in the garden. By the time you get into

718
00:40:11.880 --> 00:40:16.079
<v Speaker 1>August and into fall, the stems are long, the flower

719
00:40:16.119 --> 00:40:19.039
<v Speaker 1>heads are beautiful. When you get a breeze, they dance

720
00:40:19.119 --> 00:40:21.320
<v Speaker 1>around in the landscape. I think it's all part of

721
00:40:21.360 --> 00:40:22.239
<v Speaker 1>the texture alone.

722
00:40:22.440 --> 00:40:24.039
<v Speaker 2>Yeah, and you know, all of those plants that you

723
00:40:24.159 --> 00:40:27.880
<v Speaker 2>just listed are great examples of how texture is also

724
00:40:28.000 --> 00:40:30.719
<v Speaker 2>about what's not there as well as what is there,

725
00:40:30.760 --> 00:40:33.920
<v Speaker 2>because you need that space in a plant, and if

726
00:40:33.920 --> 00:40:35.880
<v Speaker 2>a plant doesn't have a lot of space in it,

727
00:40:36.199 --> 00:40:38.239
<v Speaker 2>a lot of space in between the branches, in between

728
00:40:38.239 --> 00:40:41.079
<v Speaker 2>the leaves, it ends up being a coarse texture kind

729
00:40:41.119 --> 00:40:44.320
<v Speaker 2>of regardless of the size or scale of the foliage

730
00:40:44.360 --> 00:40:47.800
<v Speaker 2>or flowers. But things like the allocacia lots of beautiful

731
00:40:47.840 --> 00:40:50.719
<v Speaker 2>space verbing of an ariients. It is the ultimate space plant.

732
00:40:51.800 --> 00:40:54.920
<v Speaker 2>So it's really important to have those as part of

733
00:40:55.199 --> 00:40:59.519
<v Speaker 2>your garden to get that layered effect and be able

734
00:40:59.559 --> 00:41:02.639
<v Speaker 2>to see through those plants so that not everything is

735
00:41:02.719 --> 00:41:04.719
<v Speaker 2>just you know, a big clump in the landscape.

736
00:41:04.800 --> 00:41:07.320
<v Speaker 1>Yeah. Yeah, I want a great way to add some

737
00:41:07.440 --> 00:41:11.920
<v Speaker 1>texture at low cost and easy. Plant some cosmos in

738
00:41:12.079 --> 00:41:15.880
<v Speaker 1>your landscape. I think that's a great way to add

739
00:41:16.000 --> 00:41:24.039
<v Speaker 1>some texture. I'm gonna mention something probably controversial here, but Yukas.

740
00:41:24.559 --> 00:41:27.880
<v Speaker 1>Some people do not like Yukas. It's just Yukka.

741
00:41:28.079 --> 00:41:30.760
<v Speaker 2>Yeah, I'm not the biggest fan. I have them, but

742
00:41:30.840 --> 00:41:32.840
<v Speaker 2>I'm not the biggest fan I have.

743
00:41:33.159 --> 00:41:36.719
<v Speaker 1>Really, I used to be in that camp. Now I've

744
00:41:36.840 --> 00:41:39.880
<v Speaker 1>really come around. And then, of course last year I

745
00:41:39.960 --> 00:41:44.639
<v Speaker 1>planted the new Dragon Slayer and I am really appreciating

746
00:41:45.239 --> 00:41:49.719
<v Speaker 1>the structural textural element that that's adding to the landscape.

747
00:41:49.800 --> 00:41:52.519
<v Speaker 2>Well, you know, the thing is, Yucca is a great

748
00:41:52.639 --> 00:41:55.079
<v Speaker 2>texture plant, and that is why I have some in

749
00:41:55.119 --> 00:41:59.199
<v Speaker 2>my garden. I just wish Yuka was a little easier

750
00:41:59.199 --> 00:42:00.000
<v Speaker 2>to manage.

751
00:42:00.440 --> 00:42:01.400
<v Speaker 1>Easier to mand it.

752
00:42:01.480 --> 00:42:05.559
<v Speaker 2>Yeah, it's just it gets too big too fast, and

753
00:42:05.679 --> 00:42:07.840
<v Speaker 2>then you know, if you have it in a bed

754
00:42:08.840 --> 00:42:10.679
<v Speaker 2>as I do, and it's not just kind of out

755
00:42:10.719 --> 00:42:13.519
<v Speaker 2>on its own in a big planting. Then you got

756
00:42:13.519 --> 00:42:15.719
<v Speaker 2>to do something about it, because you know, once the

757
00:42:15.800 --> 00:42:18.599
<v Speaker 2>yuck of flowers, the mother plant dies, the one that

758
00:42:18.719 --> 00:42:21.199
<v Speaker 2>just flowered, and then it's got all these offsets, and

759
00:42:21.239 --> 00:42:24.559
<v Speaker 2>you're like, wait, I only wanted one nice beautiful yechet,

760
00:42:24.639 --> 00:42:27.440
<v Speaker 2>like I want it to behave like in agave for

761
00:42:27.559 --> 00:42:30.920
<v Speaker 2>our warm climate listeners. You know, you plant in a gave,

762
00:42:31.079 --> 00:42:33.519
<v Speaker 2>it just sits there and is a nice, handsome, sculptural

763
00:42:33.559 --> 00:42:36.719
<v Speaker 2>little agave. I want a Yukka that behaves like that

764
00:42:37.199 --> 00:42:41.239
<v Speaker 2>instead of this offsetting business going all over the garden.

765
00:42:41.880 --> 00:42:44.239
<v Speaker 2>And so you know what I do. I'm sharing my

766
00:42:44.559 --> 00:42:49.920
<v Speaker 2>Yucca management secret with everybody here. Yes, So I take

767
00:42:50.360 --> 00:42:54.360
<v Speaker 2>a nice sharp shovel and I jam it in the

768
00:42:54.400 --> 00:42:57.440
<v Speaker 2>ground and I take out the mother plant. And you

769
00:42:57.440 --> 00:42:59.039
<v Speaker 2>don't have to take out the whole thing. You just

770
00:42:59.039 --> 00:43:01.519
<v Speaker 2>want to kind of get as far into the root

771
00:43:01.679 --> 00:43:03.920
<v Speaker 2>as you can and then you rip it out of

772
00:43:03.920 --> 00:43:07.719
<v Speaker 2>the ground. And then either you take the whole plant,

773
00:43:07.760 --> 00:43:09.599
<v Speaker 2>which does work because next year this thing is going

774
00:43:09.599 --> 00:43:13.159
<v Speaker 2>to be back like you never did anything, or you

775
00:43:13.239 --> 00:43:16.440
<v Speaker 2>leave the offsets and I do.

776
00:43:16.519 --> 00:43:19.199
<v Speaker 1>The same thing, just not as dramatically as you.

777
00:43:19.400 --> 00:43:21.360
<v Speaker 2>Oh, I do it dramatically because I love it, because

778
00:43:21.360 --> 00:43:23.440
<v Speaker 2>I don't love them. I'm like, you know, I don't

779
00:43:23.440 --> 00:43:25.000
<v Speaker 2>have this, like, oh, I need to take care of you.

780
00:43:25.079 --> 00:43:28.320
<v Speaker 2>I'm like, you're out, you have overstage. You're welcome. We

781
00:43:28.360 --> 00:43:30.480
<v Speaker 2>are resetting you back to zero.

782
00:43:30.800 --> 00:43:35.840
<v Speaker 1>Another great example of how texture adds drama to the landscape.

783
00:43:36.039 --> 00:43:41.840
<v Speaker 1>How about Kinsley's ghost honeysuckle wow, thread leaf coreopsis any

784
00:43:41.920 --> 00:43:46.800
<v Speaker 1>elephant ears or kalladiums iris are another good example of

785
00:43:46.840 --> 00:43:49.719
<v Speaker 1>something that adds real texture to the landscape, and in

786
00:43:49.760 --> 00:43:54.039
<v Speaker 1>a shady area still be also another great choice. So

787
00:43:54.079 --> 00:43:56.760
<v Speaker 1>there are so many great choices. I think it's just

788
00:43:57.119 --> 00:44:02.119
<v Speaker 1>the key making sure that you identify fine medium course

789
00:44:02.519 --> 00:44:05.519
<v Speaker 1>and then getting them to play together, just like a

790
00:44:05.639 --> 00:44:06.800
<v Speaker 1>musical composition.

791
00:44:07.000 --> 00:44:09.239
<v Speaker 2>That's right. You have to diversify your texture, just like

792
00:44:09.360 --> 00:44:10.920
<v Speaker 2>universify your colors.

793
00:44:11.320 --> 00:44:12.000
<v Speaker 1>This was fun.

794
00:44:12.119 --> 00:44:12.760
<v Speaker 2>It was fun.

795
00:44:12.920 --> 00:44:16.039
<v Speaker 1>Yeah, all right, Well we hit the topic on many

796
00:44:16.039 --> 00:44:20.280
<v Speaker 1>different levels texturally, and I'd like to talk about it

797
00:44:20.320 --> 00:44:23.000
<v Speaker 1>again sometimes because I think we're just scratching the surface.

798
00:44:23.000 --> 00:44:23.519
<v Speaker 2>We really are.

799
00:44:23.840 --> 00:44:27.119
<v Speaker 1>Yeah, Thanks Stacy, thank you Rick, Thanks Adriana, and thank

800
00:44:27.159 --> 00:44:29.519
<v Speaker 1>you to you for watching us on YouTube. Tell your

801
00:44:29.519 --> 00:44:33.119
<v Speaker 1>friends and neighbors for downloading the podcast and listening to

802
00:44:33.199 --> 00:44:37.079
<v Speaker 1>the radio version of the Gardening Simplified Show. Have yourself

803
00:44:37.119 --> 00:44:37.719
<v Speaker 1>a great week.
