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<v Speaker 1>Welcome friends. It's podcast podcasting time. John Jack again Ryan.

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<v Speaker 1>They're talking about the movie's Mommy now back has made

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<v Speaker 1>the only thing more dangerous than what he knows is

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<v Speaker 1>what he's prepared to do two hundred and fifty million

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<v Speaker 1>dollars by a nine hundred U top time. If you

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<v Speaker 1>have not good God. But there's one thing, small boys,

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<v Speaker 1>we're about to retire. He didn't count on. I know

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<v Speaker 1>his mind works. You gotta let me go after him.

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<v Speaker 1>Care for a cooke or something, John Travolta, you lose

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<v Speaker 1>Christian Slater. We're right in here. Mind ain't a cool

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<v Speaker 1>broken arrow a John wu film Welcome to a movie

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<v Speaker 1>film commentary track. My name is Zaki Hassan, and here

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<v Speaker 1>is the VIC Deacons to my Riley Hale, Brian Hall. Hey,

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<v Speaker 1>ho's going, Zachie. I'm sitting here waiting for you to

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<v Speaker 1>betray me as I have every week for the last

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<v Speaker 1>fourteen years in anticipation. It's coming. It's coming. I'm not

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<v Speaker 1>gonna will you though. Once I hear that ominous Hans

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<v Speaker 1>zimmer Sting, that's what I know. My numbers up. I'm

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<v Speaker 1>going to eject through the roof of my house.

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<v Speaker 2>Dude, suddenly, just in the middle of one episode, You're

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<v Speaker 2>gonna hear doom and I'd be like what, And I'll

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<v Speaker 2>be like cool and.

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<v Speaker 1>Take a drag off a cigarette. I have to say. So,

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<v Speaker 1>we are watching nineteen ninety six is Broken Arrow, which

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<v Speaker 1>celebrates its thirtieth anniversary as we are recording this roughly

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<v Speaker 1>the same week, and I was thinking, I was like,

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<v Speaker 1>the most memorable claim to fame this movie has may

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<v Speaker 1>well be the fact that ain't it cool news? God

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<v Speaker 1>its name from this movie? Yeah, yeah, from that line

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<v Speaker 1>that uh uh oh, my gosh, John Travolta, Josh volt Man,

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<v Speaker 1>when you when you when your star falls, it really falls.

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<v Speaker 1>You know, it's fun. No, you know, it's weird.

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<v Speaker 2>I had John Ritter in my head and I was like,

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<v Speaker 2>it's not ridder Brant, It's not ridder don't say Ritter.

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<v Speaker 2>And then then I short circuit in so yes, but

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<v Speaker 2>you know what, I remember that line from the marketing.

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<v Speaker 1>From the trailers that was all over the place. That

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<v Speaker 1>was one of those things.

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<v Speaker 2>Yeah, back in the day, I don't know if it

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<v Speaker 2>happened more frequently. Maybe I was watching more TV, and

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<v Speaker 2>you know, they'd have like one line that they would

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<v Speaker 2>always repeat in all the ads for certain movies. So

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<v Speaker 2>those lines just got stuck in my head.

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<v Speaker 1>Ain't it cool? Well, I remember that from the mid nineties,

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<v Speaker 1>and you and Harry Knowles both yeah, yeah, uh, that's

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<v Speaker 1>that's what makes you and Harry Knowles so similar. Let's

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<v Speaker 1>go down to the list of similarity. Hey, so, anyway

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<v Speaker 1>we're gonna watch. This will be fun. This is gonna

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<v Speaker 1>be fun. Yeah, I love going. You know, this has

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<v Speaker 1>become kind of a semi recurring thing where we just

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<v Speaker 1>dip into nineties action movies. I love it. I love it,

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<v Speaker 1>and I have not seen this since the nineties. Same same,

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<v Speaker 1>same here, So this is definitely fun to dip back into.

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<v Speaker 1>But let's do it. Hey, if you want to watch

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<v Speaker 1>along with us, you're certainly welcome to do that. There

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<v Speaker 1>is only the one cut, the theatrical cut, directed by

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<v Speaker 1>John Woo. If you don't want to watch along, that's okay.

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<v Speaker 1>We'll try to keep the conversation interesting enough. We'll try

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<v Speaker 1>to make you say, ain't it cool? I hope, so,

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<v Speaker 1>I hope. So, So I'm ready. What about you, Brian?

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<v Speaker 1>I'm ready? All right, here, we got let's do this.

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<v Speaker 1>So we'll do the usual thing on three one two

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<v Speaker 1>three play and Here we Go one two three play

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<v Speaker 1>Fox joy Sentry Fox. This is This is written by

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<v Speaker 1>Graham Yost. Yes, it is a produced by Mark Gordon.

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<v Speaker 1>So kind of a Speed reunion.

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<v Speaker 2>Yeah, I mean this is the year after Speed, right,

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<v Speaker 2>so this is two years oh two years. Sorry, but

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<v Speaker 2>this was Graham Yos Grammyos. This is kind of interesting.

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<v Speaker 1>I want to say.

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<v Speaker 2>I don't remember what podcast it was, but I heard

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<v Speaker 2>him speaking on one and he was saying that he

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<v Speaker 2>was working at a sitcom. I believe it was Herman's

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<v Speaker 2>Head Full House, Oh, full House, but he did work

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<v Speaker 2>on Herman's Head, right, he may have he yeah, okay,

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<v Speaker 2>but no, you're right full house and he was very unhappy. Yeah,

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<v Speaker 2>And so he decided he was just going to, you know,

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<v Speaker 2>risk it all, take a leap, write something, and just

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<v Speaker 2>see if he could he could do the thing he

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<v Speaker 2>really wanted to do. And then he makes Speed.

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<v Speaker 1>Right, and then he writes one of the greatest action

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<v Speaker 1>movies ever made yep, yep. And so then he's super

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<v Speaker 1>hotpy Brian, It's just that easy. Yeah, come on, why

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<v Speaker 1>even you done?

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<v Speaker 2>That sounds like something like your parents would say to you,

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<v Speaker 2>why haven't you written a movie like Diehard? But yeah,

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<v Speaker 2>so then this post speed Fox is probably like what

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<v Speaker 2>else you got?

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<v Speaker 1>Give us anything? And then we get a broken arrow,

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<v Speaker 1>Broken arrow, which the title is now in the movie.

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<v Speaker 1>They're like, it's a reference to if a nuclear missile

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<v Speaker 1>is stolen, right, which my understanding is that's actually not true.

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<v Speaker 1>It's it's a reference to a nuclear weapon where the

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<v Speaker 1>head where it's no longer nuclear. Yes, that is a

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<v Speaker 1>broken arrow. So the term for a stolen weapon would

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<v Speaker 1>be empty quiver, which I thought should be the code

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<v Speaker 1>name for a vasectomy. I was about to say that

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<v Speaker 1>that's actually the script from my movie about a guy

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<v Speaker 1>with low sperm count. Hey look at us, Yeah, starring

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<v Speaker 1>Rob Schneider. I kind of see in my head, I

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<v Speaker 1>see him on the poster like with his arms out

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<v Speaker 1>like eh, you know.

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<v Speaker 2>Exactly, a kind of doing a shrug, but with a

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<v Speaker 2>oh no, like yeah, exactly, you got empty.

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<v Speaker 1>Quivery operation operation empty quiver. That's when you go to

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<v Speaker 1>get prosectomia.

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<v Speaker 2>Yes, exactly, right, doesn't sound like that, you know, It's

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<v Speaker 2>funny because I know these guys are supposed to be

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<v Speaker 2>like longtime pals.

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<v Speaker 1>Yeah, right.

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<v Speaker 2>And then it's like, I don't that sense at all. No,

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<v Speaker 2>not in this opening boxing match, right, I was actually

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<v Speaker 2>thinking about that.

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<v Speaker 1>Okay, So so that turn is supposed to be kind

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<v Speaker 1>of a turn, yes, and it's really not because Travolta

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<v Speaker 1>such an asshole right from the start. There isn't any

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<v Speaker 1>like he's not like this opening scene, it's supposed to

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<v Speaker 1>be him kind of like mentoring Hail, but there's nothing

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<v Speaker 1>playful about it.

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<v Speaker 2>Not at all, or like mentor like at all. Like

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<v Speaker 2>he seems like a jerk who is relishing exactly in whooping.

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<v Speaker 1>This guy, I was saying, I was like, that's a choice,

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<v Speaker 1>you know.

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<v Speaker 2>Well, well, I mean that's kind of the thing, right,

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<v Speaker 2>Like I read in some of the there wasn't like

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<v Speaker 2>a ton that I could dig up on this movie. Yeah, same,

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<v Speaker 2>But I did read that Travolta it was his decision

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<v Speaker 2>to go big, sure, And I'm like, he definitely goes.

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<v Speaker 1>Big yeah in this right. By the way, Interesting that

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<v Speaker 1>Dwight little there gets a producer credit because he was

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<v Speaker 1>originally supposed to direct this movie. Oh maybe he helped

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<v Speaker 1>develop it a little bit, That's what I was thinking, Yeah,

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<v Speaker 1>because he directed a rapid fire the Brandon Lee movie

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<v Speaker 1>Oh okay, and one of them, I think Mark for

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<v Speaker 1>Death or something. But he left this to do Free

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<v Speaker 1>Willy two rights the guaranteed payday of Free Willy two, which.

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<v Speaker 2>Is funny because now it seems like, oh man, but

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<v Speaker 2>I mean Free Willy one was a phenomenon.

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<v Speaker 1>That's at the time you can sort of understand his thinking.

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<v Speaker 1>But yeah, in hindsight, I don't know, maybe maybe not

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<v Speaker 1>the best choice.

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<v Speaker 2>Yeah yeah, I mean did that one even go to

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<v Speaker 2>the theaters? I mean that became one of those things

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<v Speaker 2>where there was the one big movie that everybody.

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<v Speaker 1>This is the way that he holds the cigarette in

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<v Speaker 1>this movie.

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<v Speaker 2>It like like, look, I remember it. It's memorable, but

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<v Speaker 2>it also like just kind of odd. It irrationally irritates me.

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<v Speaker 2>But that's that's well, sorry, I'm pivoting a little bit.

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<v Speaker 2>But like so him saying he wanted to go big, Yeah,

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<v Speaker 2>this led to sort of a string of performances I

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<v Speaker 2>feel like for Travolta, where when this ended, without even

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<v Speaker 2>thinking about it, I thought, man, you know what I'd

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<v Speaker 2>like to rewatch is Swordfish.

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<v Speaker 1>You know what's funny is is I was like, because

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<v Speaker 1>because this is like his first time playing a villain,

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<v Speaker 1>and I was like, did the record get stuck or something? Right,

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<v Speaker 1>because he was pretty much just in this lane for

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<v Speaker 1>a while exactly.

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<v Speaker 2>So he does this in Swordfish Pelham one two three, right,

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<v Speaker 2>like he's playing these kind of big like kind of

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<v Speaker 2>post Tarantino, you know, like their little hip you know.

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<v Speaker 1>I mean even even the face off right where he's

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<v Speaker 1>the Nick Cage character is played by him.

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<v Speaker 2>Yes, yes, and kind of the pup has got a

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<v Speaker 2>brand new bag, you know, kind of a thing he's doing.

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<v Speaker 1>Yeah, which I don't No, I don't know. I mean,

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<v Speaker 1>tell me, what do you what do you do you feel?

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<v Speaker 1>I think always like goofy. I think Travolta is very watchable, certainly.

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<v Speaker 2>That's what I was wondering. Yeah, I mean, does it

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<v Speaker 2>work just on because of that? It just makes it watchable?

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<v Speaker 2>Would it be less interesting if he wasn't doing it?

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<v Speaker 1>Okay? So my feeling is that the character is less

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<v Speaker 1>interesting because he goes so big with it. M M

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<v Speaker 1>I because in essence, when you think about it, I

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<v Speaker 1>mean this this in terms of what he does in

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<v Speaker 1>the movie. He's not that far removed from from Ed

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<v Speaker 1>Harris in The Rock, Right, Yeah, it's the why that's

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<v Speaker 1>substantially different, right, And I think I think what Ed

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<v Speaker 1>Harris really excels at is just the the smoldering silence.

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<v Speaker 1>Yeah oh yeah, yeah. And and I think Travolta is

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<v Speaker 1>playing a little more campy, you know, And and that's fine.

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<v Speaker 1>Bear in mind like this, this was this moment where

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<v Speaker 1>John Travolta's name of the title is enough to make

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<v Speaker 1>a movie a hit, which you know, how long did

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<v Speaker 1>that last? About five six years? Maybe? Yeah? Right? So,

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<v Speaker 1>I you know, they wanted him to play the Christian

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<v Speaker 1>Slater character, and he's like, no, I want to be

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<v Speaker 1>the villain. So I understand that because it gave him

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<v Speaker 1>a chance to stretch a little totally. But I do wonder,

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<v Speaker 1>you know, if if the movie might have worked better

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<v Speaker 1>with him as Hale. Yeah. Maybe. And you go with

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<v Speaker 1>it because it has written the deacon's character is a

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<v Speaker 1>little older. You go to somebody a little older, you know, hm,

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<v Speaker 1>who would you put in there? Then I'm well, you know,

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<v Speaker 1>it's funny, it's reflexively I'm like Ed Harris, oh wait.

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<v Speaker 2>Yeah, yeah, sure, But you know what though, Yeah, I mean, well,

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<v Speaker 2>I guess obviously because we know it works.

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<v Speaker 1>But yeah, yeah, yeah, circa nineteen ninety six. I'm not sure,

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<v Speaker 1>you know, yeah, I don't know. I don't have to

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<v Speaker 1>think about that.

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<v Speaker 2>Yeah, but you know, it's funny because this is kind

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<v Speaker 2>of that moment. It's interesting looking at each decade and

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<v Speaker 2>what action movies are like, right, I mean, they get a.

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<v Speaker 1>Little I don't know if you call it meta, but

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<v Speaker 1>they become.

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<v Speaker 2>Like the eighties was action figures come to life, you know,

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<v Speaker 2>who could like Schwartzenegger and Stallone and you know, crazy

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<v Speaker 2>over the top muscles. And then the nineties was you know,

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<v Speaker 2>more normal looking sort of dudes in crazy situations. Yeah,

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<v Speaker 2>you know, against all odds, but with like a lot

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<v Speaker 2>of humor, you know. I mean it makes me think

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<v Speaker 2>of con Air and the Rock and Face Off and

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<v Speaker 2>you know, you have a little bit of a wink

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<v Speaker 2>going on.

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<v Speaker 1>Kind of even die Hard and Speed to some extent.

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<v Speaker 1>I feel like Diehard in a way kind of kicked

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<v Speaker 1>it off, didn't it.

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<v Speaker 2>Like like there's always like a movie that like ends

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<v Speaker 2>a decade, you know, like Star Wars in a way

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<v Speaker 2>sort of ended the gritty seventies. Yeah, and maybe Diehard

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<v Speaker 2>sort of ended that action figure eighties.

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<v Speaker 1>By the way, So my thought here with the fake

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<v Speaker 1>park ranger guy, I'm like, if he's just gonna kill

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<v Speaker 1>him anyway, why is he even dressed like a park ranger.

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<v Speaker 2>You know, it's funny because I hadn't seen this in

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<v Speaker 2>thirty years. I thought the guy in the tent was

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<v Speaker 2>going to be the bad guy.

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<v Speaker 1>He's where he's not.

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<v Speaker 2>Supposed to be interesting, like, oh, I'm not supposed to

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<v Speaker 2>be here, and I was waiting for him to draw

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<v Speaker 2>a gun interesting, And then I felt really bad.

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<v Speaker 1>I know, bro just catches fack and then they shoot

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<v Speaker 1>the old lady. That's terrible. I know, at least they

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<v Speaker 1>don't show it like these guys are bad, Brian.

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<v Speaker 2>I don't know, that's my sense, but this does remind

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<v Speaker 2>me of the sort of eighties excess action of the guy,

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<v Speaker 2>Like not only does he get like shot to death,

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<v Speaker 2>but he like lands in the middle of the fire pit.

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<v Speaker 1>Oh and by the way, here's Bob Gunton playing uh

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<v Speaker 1>the second of his lovable father figure rolls after Shawshank redemption. Right,

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<v Speaker 1>He's just like he's an unrepented asshole all the time.

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<v Speaker 1>He's got resting asshole face he does, but like he's.

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<v Speaker 2>One of those people where you don't even need to

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<v Speaker 2>write a lot for him, Like he brings whatever.

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<v Speaker 1>He is a type. He is the Bob Gunton type. Yep, yep.

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<v Speaker 1>Some people just have that magic, and he definitely does.

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<v Speaker 1>Although tell me, like the minute he's like, Deacons, what

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<v Speaker 1>are you doing, I'm like, Oh, he's about to He's

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<v Speaker 1>gonna He's gonna die horribly. What you want to tell him? Like, dude,

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<v Speaker 1>just shut up? I know.

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<v Speaker 2>But yeah, So now we've got Travolta and Slater in

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<v Speaker 2>the plane and I'm like, oh, they're buds because I

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<v Speaker 2>thought they hated each other.

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<v Speaker 1>Yeah. See, that's the interesting thing. I I do kind

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<v Speaker 1>of like that the opening boxing scene. We tie back

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<v Speaker 1>to that at the end, so it sort of you know,

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<v Speaker 1>it ties a bow around the whole thing, right right

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<v Speaker 1>the Yeah, and but yeah, that was my thought is

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<v Speaker 1>I think I think if we started out with kind

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<v Speaker 1>of a playful spar session, yeah, and then we end

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<v Speaker 1>with just like a fight to the dead, that that

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<v Speaker 1>would heighten the stakes, you know. I agree, Like I.

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<v Speaker 2>Wish it had felt a little warmer because then when

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<v Speaker 2>Travolta turns in the plane and he like looks over

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<v Speaker 2>sort of sinister, that would have felt even more devastating.

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<v Speaker 2>And then yeah to your point at the end, then yes,

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<v Speaker 2>then they have like a fistfight at the end again,

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<v Speaker 2>but it's completely different. But it felt antagonistic from the start.

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<v Speaker 2>Delroy Lindo and.

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<v Speaker 1>It freshly minted Oscar nominee Delroy Lindo. Oh wait from

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<v Speaker 1>which for sinners? Oh? I thought you meant in the nineties. No, no,

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<v Speaker 1>as we record this right, yes, right right in the

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<v Speaker 1>in the here and now. Yeah, man, I'm trying to

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<v Speaker 1>remember where I first saw him. Oh, I first saw

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<v Speaker 1>him in another Travolta movie and Get Shorty, Get Shorty. Yeah,

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<v Speaker 1>maybe that or The Hard Way that was a big

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<v Speaker 1>one for my I didn't see that until later. Ransom,

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<v Speaker 1>you know what, I bet Ransom is the one that,

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<v Speaker 1>like where he really made like a huge impression on me.

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<v Speaker 1>He was great. And see the thing is, Delroy Lindo

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<v Speaker 1>is always like earnest and like determined, you know, and

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<v Speaker 1>it's like, man, this is a guy. I'd follow this guy.

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<v Speaker 1>I totally He's uh, it's just I'm remembering this moment.

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<v Speaker 2>I was like, do I tell this whole story? But

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<v Speaker 2>basically I was in a bar and I saw Keith David.

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<v Speaker 1>Okay, and.

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<v Speaker 2>But it was like when we were still wearing masks.

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<v Speaker 2>So I like, I just entered the restaurant, I was

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<v Speaker 2>wearing a mask.

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<v Speaker 1>And I saw Keith David. I was like, oh, crap's

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<v Speaker 1>Keith David.

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<v Speaker 2>And so I wanted to like acknowledge him, but I

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<v Speaker 2>didn't think he could see my face, you know, like.

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<v Speaker 1>Me smiling or whatever. So I did like a little bow.

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<v Speaker 2>Okay, I put my like my hands together and did

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<v Speaker 2>like a little bow. And then he did like a

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<v Speaker 2>little thing back, which was like hey, all right and awesome,

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<v Speaker 2>and I was just eat like Dela Roy Lindo gives

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<v Speaker 2>me that same thing, Like if I saw him in

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<v Speaker 2>a restaurant, I feel like I need to acknowledge.

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<v Speaker 1>Him, like dude, you would bow? Yeah, I just like

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<v Speaker 1>a little dude, You're great man. Yeah. It's funny because

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<v Speaker 1>he was a couple of years later, he was in

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<v Speaker 1>a movie called Romeo Must Die. Do you remember that?

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00:16:24.799 --> 00:16:29.159
<v Speaker 1>I do? Yeah, with Aliyah and jet Lee, and that

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00:16:29.240 --> 00:16:31.919
<v Speaker 1>whole movie is just absolutely cockamami and it's it's just

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<v Speaker 1>tonally all over the place, right right. But then you

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<v Speaker 1>got del Roy Lindo as a Leah's dad and if

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<v Speaker 1>he is not acting as if he is in the

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<v Speaker 1>most serious, dramatic role of his career.

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<v Speaker 2>Yeah, yeah, And I just love that he totally I

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<v Speaker 2>mean again going back to the like those character actors

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<v Speaker 2>that just have that singular magic. I mean, him in

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<v Speaker 2>that opening scene, just sitting there existing like all right,

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<v Speaker 2>well now it's time to like he's just adding the

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<v Speaker 2>thing that only he can add that makes that character

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<v Speaker 2>immediately interesting.

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<v Speaker 1>Yeah.

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<v Speaker 2>I do love this whole conceit here right where it's

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<v Speaker 2>like they're trying to see if they can hide I

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<v Speaker 2>guess from radar carrying these nuclear missiles. Yeah, it didn't

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<v Speaker 2>make me nervous to where he's like, all right, we're

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<v Speaker 2>what do you say, like, we're one hundred yards above

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<v Speaker 2>the ground. Yeah, but there's like some little.

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<v Speaker 1>Peak or cragg you miss. Yeah. I'm still trying to

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<v Speaker 1>game out like whether Deacon's plan makes even a lick

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<v Speaker 1>of sense. It seems like there's too many variables, and

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<v Speaker 1>so I'm like, and then I'm like, why am I

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<v Speaker 1>over there? I'm like, what am I doing? You know?

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<v Speaker 1>Right right? What's the first one that comes to mind? Well,

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<v Speaker 1>it's so much of it relies on being at a

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<v Speaker 1>certain place and having you know, like at one point,

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00:17:58.039 --> 00:18:03.200
<v Speaker 1>you know he his plan rested on Hale trying to

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<v Speaker 1>disarm it right right, right right, and this stuff. You know,

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<v Speaker 1>it's a lot of a lot of that stuff, you know.

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<v Speaker 2>Yeah, Yeah, it's funny too if there's a drop off

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<v Speaker 2>spot and they're in a plane that's going like who

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<v Speaker 2>knows how many miles an hour over the crownd.

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<v Speaker 1>Is he right there? He says yeah. He's like, you

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<v Speaker 1>get off on it, and it seems like a pretty

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<v Speaker 1>innocuous insult. Yeah, it's like that's what triggered Deacons, you bastard.

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<v Speaker 1>Don't tell me what I get off on.

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<v Speaker 2>But like that insane over the top like close up

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00:18:42.200 --> 00:18:45.079
<v Speaker 2>zoom in on his eyes or whatever. That's you're like, oh, yeah,

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<v Speaker 2>John Wu, you know what I mean? Like I feel

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<v Speaker 2>like John Wu like really had like his huge moment.

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<v Speaker 2>Well I mean he had a big moment before all

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<v Speaker 2>his movies in the US, but like he really did

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<v Speaker 2>take the US by storm for.

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<v Speaker 1>I mean, it was like a four year window. It

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<v Speaker 1>feels like, right because you had this because before this

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<v Speaker 1>was hard target, which you know I mean that you

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<v Speaker 1>know that probably hit the ceiling of John Claude van

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<v Speaker 1>Dam's audience, right, yeah, yeah, yeah, but he does this,

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<v Speaker 1>and then the next year was Face Off, and then

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<v Speaker 1>I think after that was Mission Impossible too, right, Oh

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<v Speaker 1>really was there anything in between? You? Maybe? Right? No,

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<v Speaker 1>I guess you're right, and then like wind Talker's Paycheck,

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00:19:28.279 --> 00:19:30.720
<v Speaker 1>and then was yeah and none of those performed. Yeah,

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<v Speaker 1>But but I mean the fact that his style was so.

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<v Speaker 2>Like fresh feeling and exciting that it wasn't like he

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<v Speaker 2>was just making Jet Lee movies, you know, or something

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<v Speaker 2>where it's like, oh, it's action.

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<v Speaker 1>Who cares about the plot?

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<v Speaker 2>Like as long as you know, as long as the

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<v Speaker 2>action is cool and flashing over the top, like Tom

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<v Speaker 2>Cruise was like that's my guy. Like Mission Impossible one

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<v Speaker 2>made by Brian de Palma, and then with two his

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<v Speaker 2>follow up, he's like, no, man, I want that.

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<v Speaker 1>I ended up with the worst one out of all eight. Yeah,

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<v Speaker 1>but it does remain a amazing time capsule.

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<v Speaker 2>I will give you that a moment, right, I mean,

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<v Speaker 2>just the crazy like the zoom in close ups and

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<v Speaker 2>the you know, kicking a gun on the ground and

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00:20:16.799 --> 00:20:18.359
<v Speaker 2>then it flies up into the air so you can

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<v Speaker 2>spin around and pick it up with doves flying behind him.

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<v Speaker 1>You know, like it was a moment. It was, you know,

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<v Speaker 1>And I will say I think that's what does make

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<v Speaker 1>this movie a little bit better than just being something

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<v Speaker 1>that would be kind of forgettable otherwise. I absolutely agree

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<v Speaker 1>with that.

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<v Speaker 2>I mean, the helicopter propeller thing when it's coming at

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00:20:42.640 --> 00:20:45.119
<v Speaker 2>Samantha mathis like all that stuff, that's the stuff that

385
00:20:45.279 --> 00:20:48.720
<v Speaker 2>makes this worth going back to thirty years later, because otherwise,

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<v Speaker 2>like the plot itself, unfortunately, even though it's an intrigued,

387
00:20:51.400 --> 00:20:52.839
<v Speaker 2>pretty goofy yeah.

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<v Speaker 1>It doesn't really feel like much by this. I mean,

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00:20:56.799 --> 00:20:59.160
<v Speaker 1>especially when you know, with hindsight, we're like, this is

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<v Speaker 1>the writer of Speed and the creator of Justified and

391
00:21:02.880 --> 00:21:06.200
<v Speaker 1>all this stuff. They're like, well, this on the story

392
00:21:06.319 --> 00:21:09.279
<v Speaker 1>level kind of a swing and a miss. I think.

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<v Speaker 1>I think John gives it a little bit of zazz totally,

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<v Speaker 1>you know, And certainly that's what audiences were in the

395
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<v Speaker 1>mood for back then, because this was a pretty substantial hit. Yeah.

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<v Speaker 2>I made one hundred and fifty million worldwide on a

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<v Speaker 2>budget of around fifty.

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00:21:23.880 --> 00:21:28.279
<v Speaker 1>Remember when both of those figures were okay, yeah, yeah,

399
00:21:28.519 --> 00:21:32.000
<v Speaker 1>that was good, right, which is wild when you think

400
00:21:32.000 --> 00:21:34.759
<v Speaker 1>about one hundred and fifty million worldwide in nineteen ninety

401
00:21:34.799 --> 00:21:38.599
<v Speaker 1>six money, and now some like you know, marvel Movie

402
00:21:38.680 --> 00:21:41.079
<v Speaker 1>or something like or them Marvels didn't even maybe make

403
00:21:41.200 --> 00:21:45.200
<v Speaker 1>or maybe made about one hundred worldwide. Yeah, it's it's.

404
00:21:45.400 --> 00:21:47.440
<v Speaker 2>Crazy the box office, Like you can't just when you

405
00:21:47.519 --> 00:21:50.279
<v Speaker 2>get used to what movies look like they should be making,

406
00:21:50.480 --> 00:21:57.319
<v Speaker 2>like the game changes, I know, seriously. Yeah, hey, it's

407
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<v Speaker 2>it's a whole table of Hey, that guys, totally.

408
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<v Speaker 1>Yeah. We got kurtwood Smith right holding court right up.

409
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<v Speaker 1>So you talk about a type. He just waiting for

410
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<v Speaker 1>him to call somebody a dumb ass.

411
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<v Speaker 2>I dude, I was waiting for him to be like

412
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<v Speaker 2>a mole or something, or like some bad guy just

413
00:22:13.799 --> 00:22:15.519
<v Speaker 2>because maybe RoboCop or something.

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<v Speaker 1>And that fell on the on the left there in

415
00:22:18.640 --> 00:22:23.079
<v Speaker 1>the previous shot. That's Daniel von Bargain. He was. He

416
00:22:23.279 --> 00:22:27.279
<v Speaker 1>was George's boss on Seinfeld, one of George's bosses. Oh

417
00:22:27.400 --> 00:22:30.400
<v Speaker 1>really yeah, And of course Frank Whaley look at the

418
00:22:30.480 --> 00:22:31.720
<v Speaker 1>big brain on Brett.

419
00:22:32.279 --> 00:22:34.559
<v Speaker 2>Yeah, I was happy to see him. And then I mean,

420
00:22:34.640 --> 00:22:37.680
<v Speaker 2>this is a pulp fiction reunion for him and John Travolta.

421
00:22:37.920 --> 00:22:41.799
<v Speaker 1>That's right. Although I don't believe they occupy any scenes together,

422
00:22:42.000 --> 00:22:45.039
<v Speaker 1>not in this. Yeah, doesn't it feel like Frank Whaley's

423
00:22:45.160 --> 00:22:49.000
<v Speaker 1>character should be bigger in the story.

424
00:22:49.000 --> 00:22:52.599
<v Speaker 2>One hundred percent. He reminded me of John Cusack.

425
00:22:52.839 --> 00:22:55.920
<v Speaker 1>I was gonna say, he's the John Cusack character. Yes, yes,

426
00:22:56.000 --> 00:22:57.799
<v Speaker 1>in conn Air, Yeah, in Connor yep.

427
00:22:57.920 --> 00:23:00.200
<v Speaker 2>Like he's the guy who's not the action he zo,

428
00:23:00.359 --> 00:23:03.200
<v Speaker 2>but he's got like the know how and the smarts

429
00:23:03.240 --> 00:23:04.559
<v Speaker 2>and he knows what he needs to do on the

430
00:23:04.680 --> 00:23:07.039
<v Speaker 2>side sidelines to get the job done.

431
00:23:08.279 --> 00:23:11.799
<v Speaker 1>Yeah. It almost feels like because they didn't get a

432
00:23:11.839 --> 00:23:14.200
<v Speaker 1>bigger name, they were like, yeah, we can just kind

433
00:23:14.240 --> 00:23:16.960
<v Speaker 1>of disappear like two thirds of the way through. Yeah.

434
00:23:18.160 --> 00:23:20.920
<v Speaker 2>But he so I thought he right here where he

435
00:23:21.039 --> 00:23:23.160
<v Speaker 2>sort of like tells them I don't remember what he

436
00:23:23.160 --> 00:23:28.279
<v Speaker 2>says exactly, but like this plan is dumb. I thought, then, Oh, shoot,

437
00:23:28.359 --> 00:23:31.000
<v Speaker 2>kurtwood Smith was going to be like, come with me,

438
00:23:31.079 --> 00:23:33.039
<v Speaker 2>young man, and take him into another room and basically

439
00:23:33.119 --> 00:23:35.000
<v Speaker 2>like lock him up, or that was like what I

440
00:23:35.079 --> 00:23:39.279
<v Speaker 2>was anticipating. But Waley, man, he was like, I mean,

441
00:23:39.319 --> 00:23:42.480
<v Speaker 2>he's he's still going. But like in the nineties he

442
00:23:42.599 --> 00:23:44.640
<v Speaker 2>was having a real moment. I mean, actually eighty nine

443
00:23:44.680 --> 00:23:46.599
<v Speaker 2>with Field of Dreams. He was Archie Graham.

444
00:23:47.279 --> 00:23:48.119
<v Speaker 1>Yeah, that's right.

445
00:23:48.359 --> 00:23:50.400
<v Speaker 2>And then you know, he was in I mean Swing Kids,

446
00:23:50.759 --> 00:23:52.279
<v Speaker 2>which I think is kind of like a cult hit,

447
00:23:52.359 --> 00:23:56.480
<v Speaker 2>but I remember it pretty well. JFK, Career Opportunities, pulp fiction,

448
00:23:56.640 --> 00:23:58.720
<v Speaker 2>Swimming with Sharks, like he was having a real moment

449
00:23:59.039 --> 00:23:59.680
<v Speaker 2>in the nineties.

450
00:24:01.400 --> 00:24:03.359
<v Speaker 1>That's interesting. We don't see him as much anymore.

451
00:24:03.599 --> 00:24:07.440
<v Speaker 2>Yeah, that's interesting. I could see him being on some

452
00:24:08.680 --> 00:24:11.720
<v Speaker 2>good show or something, you know. I mean, he's he's interesting.

453
00:24:13.519 --> 00:24:17.640
<v Speaker 1>Well, I was. I was thinking that about Christian Slater

454
00:24:17.920 --> 00:24:19.599
<v Speaker 1>watching because because he's a lot of fun in this.

455
00:24:19.759 --> 00:24:22.519
<v Speaker 1>Actually I was like, I was like, I don't know,

456
00:24:22.599 --> 00:24:24.759
<v Speaker 1>maybe just because you know, we grew up with Christian Slater,

457
00:24:25.559 --> 00:24:27.039
<v Speaker 1>and I'm like, it's nice to see him kind of

458
00:24:27.119 --> 00:24:30.079
<v Speaker 1>be the focal point in an action picture. I don't

459
00:24:30.240 --> 00:24:34.720
<v Speaker 1>think he did a whole ton, but I was like,

460
00:24:35.640 --> 00:24:37.440
<v Speaker 1>you know, I want to see him do like a

461
00:24:37.640 --> 00:24:39.559
<v Speaker 1>he should be doing an NCIS or something.

462
00:24:39.680 --> 00:24:42.440
<v Speaker 2>You know, dude, one he's actually I don't think he

463
00:24:42.519 --> 00:24:44.519
<v Speaker 2>is a spoiler, but he shows up at the end

464
00:24:44.599 --> 00:24:47.680
<v Speaker 2>of If I had legs, i'd kick you, okay, just

465
00:24:47.759 --> 00:24:48.839
<v Speaker 2>in the third act, and I was like.

466
00:24:48.960 --> 00:24:54.799
<v Speaker 1>Questions later, Hey, nice to see you. There's there's that

467
00:24:55.079 --> 00:24:58.400
<v Speaker 1>one movie and I don't remember what it's called, but

468
00:24:58.480 --> 00:25:01.279
<v Speaker 1>he plays like the head of like a team who

469
00:25:01.400 --> 00:25:04.880
<v Speaker 1>investigate serial killers or something like that, and he has

470
00:25:05.039 --> 00:25:09.160
<v Speaker 1>like this death that's freaking goddamn horrifying. Okay, and so

471
00:25:09.319 --> 00:25:11.640
<v Speaker 1>it's it's one it's like the Drew Barrymore in Scream

472
00:25:11.839 --> 00:25:15.519
<v Speaker 1>kind of death. Oh sure, sure. And it's like this

473
00:25:16.000 --> 00:25:19.279
<v Speaker 1>elaborate set of it's like a him and his team

474
00:25:19.359 --> 00:25:21.599
<v Speaker 1>going to this place and they trigger a trap that

475
00:25:21.799 --> 00:25:27.079
<v Speaker 1>sets off like a like a what do you call it, uh,

476
00:25:27.880 --> 00:25:30.640
<v Speaker 1>Rube Goldberg kind of It's like this elaborate Rube Goldberg

477
00:25:30.720 --> 00:25:34.359
<v Speaker 1>thing exactly, and it and it's it's oh god, damn it.

478
00:25:34.440 --> 00:25:39.079
<v Speaker 1>You know the it like freezes you liquid nitrogen, liquid nitrogen. Yeah,

479
00:25:39.200 --> 00:25:44.359
<v Speaker 1>And so his legs, his ankles freeze and he like

480
00:25:44.480 --> 00:25:47.599
<v Speaker 1>tips over, and then his midsection freezes and he rips open.

481
00:25:50.200 --> 00:25:53.599
<v Speaker 1>Was this post saw it may have been, Yeah, I

482
00:25:53.640 --> 00:25:55.559
<v Speaker 1>should figure out what the movie is. I saw it

483
00:25:55.680 --> 00:25:58.519
<v Speaker 1>because somebody online was like, hey, Christian Slater's death and

484
00:25:58.640 --> 00:26:02.920
<v Speaker 1>whatever was freaking messed up, and so I naturally I'm like, well,

485
00:26:03.000 --> 00:26:05.680
<v Speaker 1>obviously I have got in your car. Yeah, you know,

486
00:26:07.759 --> 00:26:11.119
<v Speaker 1>he out to Cineplex odeon. I didn't even do that.

487
00:26:11.240 --> 00:26:14.480
<v Speaker 1>I pulled it up on YouTube. It's like a relatively

488
00:26:14.519 --> 00:26:19.759
<v Speaker 1>recent movie. But holy hell, I'm trying to remember what

489
00:26:19.839 --> 00:26:23.759
<v Speaker 1>the movie was though, I don't know. Man, he's interesting.

490
00:26:23.799 --> 00:26:25.319
<v Speaker 2>So, I mean, like in the eighties, you know, he

491
00:26:25.400 --> 00:26:27.759
<v Speaker 2>kind of had that young Jack Nicholson thing going on,

492
00:26:28.000 --> 00:26:30.319
<v Speaker 2>right with the arched eyebrows and I mean he's like

493
00:26:30.680 --> 00:26:33.039
<v Speaker 2>basically imitating Jack Nicholson in Heathers.

494
00:26:33.640 --> 00:26:37.000
<v Speaker 1>Yeah, but then he had sort of like cuff mind Hunters, right,

495
00:26:37.079 --> 00:26:42.240
<v Speaker 1>that's the movie mind Hunter Hunters. Yeah, so it's a film.

496
00:26:42.799 --> 00:26:47.440
<v Speaker 1>It's it's it is a film, Yeah, two thousand and four.

497
00:26:47.640 --> 00:26:51.279
<v Speaker 1>Wait is this the Val Kilmer is in it? Oh,

498
00:26:51.519 --> 00:26:53.559
<v Speaker 1>I'm thinking it was something else. It actually is a

499
00:26:53.640 --> 00:26:55.759
<v Speaker 1>pretty crazy cast. Yeah, a little cool Jay's in it.

500
00:26:55.839 --> 00:27:00.119
<v Speaker 1>Johnny Lee Miller. Christian Slater is the ant and we

501
00:27:00.200 --> 00:27:04.680
<v Speaker 1>know why he's the and right right direct by Rannie Harlan. Actually,

502
00:27:04.839 --> 00:27:07.640
<v Speaker 1>oh interesting. Anyway, look that up. I had to see it,

503
00:27:07.720 --> 00:27:13.279
<v Speaker 1>so you should too. I'll report back. Yeah. I'm like,

504
00:27:13.359 --> 00:27:19.039
<v Speaker 1>oh hey, guys, no, like you know, like the early nineties,

505
00:27:19.079 --> 00:27:22.839
<v Speaker 1>pump up the volume. This is a little little reunion.

506
00:27:22.920 --> 00:27:26.319
<v Speaker 1>Speaking of Pump up the Volume with Samantha Mathis, Yeah,

507
00:27:26.359 --> 00:27:28.799
<v Speaker 1>we're about to see right here. Basically they have their

508
00:27:28.839 --> 00:27:30.119
<v Speaker 1>little meat cute. Yeah.

509
00:27:30.160 --> 00:27:32.759
<v Speaker 2>Well, because they then they dated in real life and

510
00:27:32.799 --> 00:27:34.359
<v Speaker 2>they were broken up at this point. So I was

511
00:27:34.400 --> 00:27:37.400
<v Speaker 2>reading that they both found it a little awkward.

512
00:27:38.920 --> 00:27:41.559
<v Speaker 1>Although I mean they they're fun together. Oh they're good.

513
00:27:41.759 --> 00:27:43.799
<v Speaker 1>Oh no, totally in the movie. I mean you you

514
00:27:43.799 --> 00:27:46.599
<v Speaker 1>wouldn't know that. I think Jennifer Aniston was up for this.

515
00:27:47.759 --> 00:27:50.400
<v Speaker 1>That's interesting, isn't it. I mean, this is what friends

516
00:27:50.440 --> 00:27:53.359
<v Speaker 1>had started. Huh. Friends was about two years and yeah,

517
00:27:53.799 --> 00:27:56.960
<v Speaker 1>so I read Helen I see a little less. But

518
00:27:57.160 --> 00:28:00.400
<v Speaker 1>I guess she went and did Twister her and and

519
00:28:01.039 --> 00:28:04.079
<v Speaker 1>that movie didn't do much of anything. So I mean, yeah,

520
00:28:04.400 --> 00:28:08.240
<v Speaker 1>she chose wisely. I could see Jennifer Aniston in this.

521
00:28:09.240 --> 00:28:11.319
<v Speaker 1>You know, she would bring an interesting energy.

522
00:28:11.519 --> 00:28:13.039
<v Speaker 2>I don't know that I'd feel a lot of like

523
00:28:13.319 --> 00:28:16.000
<v Speaker 2>chemistry between them necessarily, but she would bring a fun

524
00:28:16.079 --> 00:28:20.240
<v Speaker 2>almost like Sandra Bullock and Speed kind of fun I

525
00:28:20.319 --> 00:28:23.240
<v Speaker 2>think to it with their personality.

526
00:28:23.319 --> 00:28:26.359
<v Speaker 1>I don't know that there's a ton of chemistry between No,

527
00:28:26.920 --> 00:28:31.799
<v Speaker 1>these two either. No, I don't disagree with that, and

528
00:28:31.920 --> 00:28:34.000
<v Speaker 1>it's almost like the movie knows that because we don't

529
00:28:34.000 --> 00:28:36.759
<v Speaker 1>even end with like a clinch or anything. You know. Yeah,

530
00:28:36.839 --> 00:28:39.640
<v Speaker 1>they like hold hands. I think they shake hands like

531
00:28:41.480 --> 00:28:42.319
<v Speaker 1>and then we cut to black.

532
00:28:42.359 --> 00:28:44.799
<v Speaker 2>Well, at least they're touching. It does feel like there's

533
00:28:44.799 --> 00:28:46.079
<v Speaker 2>a scene missing, but we can get to that.

534
00:28:46.519 --> 00:28:49.000
<v Speaker 1>Yeah, you know, it's funny. I also read that they

535
00:28:49.039 --> 00:28:50.880
<v Speaker 1>thought about this by the way that real Okay, this

536
00:28:51.000 --> 00:28:52.799
<v Speaker 1>is like a very John Wu thing where they both

537
00:28:53.240 --> 00:28:54.240
<v Speaker 1>draw at the same time.

538
00:28:54.359 --> 00:28:58.000
<v Speaker 2>And yes, these sort of standoffs or stalemates where the

539
00:28:58.279 --> 00:29:01.279
<v Speaker 2>characters both have a weapon drawn on you each other, kind.

540
00:29:01.119 --> 00:29:03.960
<v Speaker 1>Of like so what do we do now? Yeah, there's

541
00:29:03.960 --> 00:29:06.920
<v Speaker 1>a lot of those in John Wu movies and in

542
00:29:07.039 --> 00:29:08.839
<v Speaker 1>this movie. Yeah, that's right.

543
00:29:09.359 --> 00:29:11.599
<v Speaker 2>But yeah, I'd read that they thought about Lauren Hally

544
00:29:11.799 --> 00:29:13.799
<v Speaker 2>and I was like, wow, she looks like Lauren Holly

545
00:29:13.839 --> 00:29:15.920
<v Speaker 2>in this movie. Yeah, almost like they wanted Holly and

546
00:29:16.000 --> 00:29:17.279
<v Speaker 2>they're like, here, put on this wig.

547
00:29:18.720 --> 00:29:24.160
<v Speaker 1>They did like a vertigo with Jimmy Stewart's character, you know,

548
00:29:24.200 --> 00:29:26.279
<v Speaker 1>where he's like, right, right, right, let's do this.

549
00:29:27.200 --> 00:29:30.119
<v Speaker 2>Yeah, but real quick, I have to say I have

550
00:29:30.200 --> 00:29:32.839
<v Speaker 2>a Christian Slater story, which is back in the day

551
00:29:32.839 --> 00:29:34.400
<v Speaker 2>I was working somewhere and a friend.

552
00:29:34.319 --> 00:29:37.480
<v Speaker 1>Fired some liquid nitrogen at his I was the guy.

553
00:29:37.720 --> 00:29:40.519
<v Speaker 1>I was the mind hunter you pastored.

554
00:29:41.240 --> 00:29:45.200
<v Speaker 2>No, But I was working at a studio and this

555
00:29:45.599 --> 00:29:47.720
<v Speaker 2>one girl was like, Hey, there's gonna be a led

556
00:29:47.799 --> 00:29:49.079
<v Speaker 2>Zeppelin laser light show.

557
00:29:49.160 --> 00:29:49.720
<v Speaker 1>We should all go.

558
00:29:50.680 --> 00:29:52.680
<v Speaker 2>And so we, you know, a few of us show up,

559
00:29:53.359 --> 00:29:55.160
<v Speaker 2>and I thought it was gonna be really cool and

560
00:29:55.200 --> 00:29:56.759
<v Speaker 2>she was gonna be cool. And then we learned later

561
00:29:56.839 --> 00:29:58.880
<v Speaker 2>that everyone else was like, why are we doing this?

562
00:30:00.599 --> 00:30:04.039
<v Speaker 2>Aye going to this theater and then sitting two rows

563
00:30:04.119 --> 00:30:05.839
<v Speaker 2>behind us Christian Slater.

564
00:30:06.319 --> 00:30:06.559
<v Speaker 1>Wow.

565
00:30:06.960 --> 00:30:11.200
<v Speaker 2>Yeah, so uh yeah we saw the same led Zeppelin

566
00:30:11.319 --> 00:30:12.160
<v Speaker 2>laser light show.

567
00:30:12.480 --> 00:30:14.200
<v Speaker 1>Did you sidle up next to him be like I

568
00:30:14.400 --> 00:30:17.759
<v Speaker 1>loved you and broken arrow? I should have? I should have?

569
00:30:19.079 --> 00:30:21.240
<v Speaker 1>He's like ah, and then he moves like two seats down.

570
00:30:22.920 --> 00:30:24.400
<v Speaker 1>Even the way you just did that made me think

571
00:30:24.440 --> 00:30:30.000
<v Speaker 1>of him. Ah, I'm just suit over down seats here.

572
00:30:30.640 --> 00:30:32.359
<v Speaker 1>He had a TV show. I don't know if you remember.

573
00:30:32.359 --> 00:30:33.880
<v Speaker 1>It was called My I think it was like my

574
00:30:34.079 --> 00:30:38.720
<v Speaker 1>own Worst Enemy. I don't remember that, yes is the problem.

575
00:30:39.079 --> 00:30:43.240
<v Speaker 1>I'm pretty sure it was like an NBC something or other. Oh,

576
00:30:43.319 --> 00:30:47.680
<v Speaker 1>like a comedy, Oh my comedy. Yeah, it was a drama.

577
00:30:48.240 --> 00:30:50.119
<v Speaker 2>It was canceled after its fourth episode.

578
00:30:50.200 --> 00:30:58.960
<v Speaker 1>Yeah, it was one of them, oh Man, Taylor Lautner, Yeah, wow, Saffron,

579
00:30:59.000 --> 00:31:03.240
<v Speaker 1>Burrows and Cromwall nine episodes. Good lord, So it got

580
00:31:03.319 --> 00:31:07.680
<v Speaker 1>canceled before like it it even aired its completed episodes. Wow.

581
00:31:07.920 --> 00:31:10.480
<v Speaker 2>I also remember him really early on in a movie

582
00:31:10.519 --> 00:31:11.960
<v Speaker 2>called Gleaming the Cube.

583
00:31:11.759 --> 00:31:18.480
<v Speaker 1>This yeah yeah, yeah. Anyway, so this movie for him

584
00:31:18.759 --> 00:31:20.279
<v Speaker 1>was I mean, that's what I'm saying, in terms of

585
00:31:20.359 --> 00:31:22.480
<v Speaker 1>visibility and the type of role kind of kind of

586
00:31:22.519 --> 00:31:24.359
<v Speaker 1>a big deal. And I think for the most part

587
00:31:24.400 --> 00:31:27.640
<v Speaker 1>he quits himself. Fine, you know, yeah, I think so.

588
00:31:30.119 --> 00:31:34.279
<v Speaker 1>But but I do think that there the energy levels

589
00:31:34.359 --> 00:31:39.839
<v Speaker 1>are very off between him and Travolta, definitely, right, And

590
00:31:39.960 --> 00:31:43.880
<v Speaker 1>so you know, I think I think that this goes

591
00:31:43.920 --> 00:31:46.440
<v Speaker 1>to what we were talking about before, where Deacons he's

592
00:31:46.559 --> 00:31:51.240
<v Speaker 1>playing him like a like a like a comic book villain,

593
00:31:51.359 --> 00:31:54.799
<v Speaker 1>you know, and and I, like I said, I think

594
00:31:54.839 --> 00:31:59.880
<v Speaker 1>that makes him watchable, but it it does. Ah, I

595
00:32:00.160 --> 00:32:03.559
<v Speaker 1>I bump up against that a little bit, right, Yeah, yeah,

596
00:32:05.880 --> 00:32:08.319
<v Speaker 1>just because I like a more complicated villain, you know. No,

597
00:32:08.480 --> 00:32:12.559
<v Speaker 1>I agree, and I admire the swing.

598
00:32:13.279 --> 00:32:16.920
<v Speaker 2>Yeah, maybe it's not even like captured properly at times,

599
00:32:17.000 --> 00:32:20.240
<v Speaker 2>like he's doing these big goofy like you say, like

600
00:32:20.279 --> 00:32:23.279
<v Speaker 2>comic book villainy sort of what a yeah, but like

601
00:32:23.400 --> 00:32:25.039
<v Speaker 2>sometimes they're not even in close up. He's like in

602
00:32:25.119 --> 00:32:27.559
<v Speaker 2>like a medium shot and then he just like reveals

603
00:32:27.640 --> 00:32:28.599
<v Speaker 2>how awkward it is.

604
00:32:29.920 --> 00:32:34.759
<v Speaker 1>You know now, Now that being said, man, the Deacons theme,

605
00:32:35.519 --> 00:32:38.920
<v Speaker 1>Oh yeah, dude, I love it. By the way, So

606
00:32:39.000 --> 00:32:42.559
<v Speaker 1>I mean, yes, it's the Dewey theme also in Scream Too. Dude.

607
00:32:42.680 --> 00:32:44.799
<v Speaker 2>When I was watching this, I was like, that is

608
00:32:45.039 --> 00:32:48.319
<v Speaker 2>the Dowey theme. Yeah, Like I'm confused, And so then

609
00:32:48.359 --> 00:32:49.160
<v Speaker 2>I googled it and.

610
00:32:49.240 --> 00:32:51.839
<v Speaker 1>Basically, did you read about this? They tempt to Scream

611
00:32:51.920 --> 00:32:54.640
<v Speaker 1>Too with this, Yes, and they just kept it right.

612
00:32:54.759 --> 00:32:55.599
<v Speaker 1>They liked it too much.

613
00:32:55.880 --> 00:32:57.839
<v Speaker 2>Yeah, and they I think they showed it even to

614
00:32:57.960 --> 00:33:00.839
<v Speaker 2>like a test audience, and it just it all completely worked,

615
00:33:00.880 --> 00:33:03.839
<v Speaker 2>and they're like, well, we're just gonna use the theme

616
00:33:03.880 --> 00:33:06.680
<v Speaker 2>from Broken Arrow the Dewey's theme in the screen movies

617
00:33:06.720 --> 00:33:07.079
<v Speaker 2>from now on.

618
00:33:07.599 --> 00:33:10.559
<v Speaker 1>See. So I watched this for sure before I saw

619
00:33:10.599 --> 00:33:14.599
<v Speaker 1>Scream Too, and so I remember, and I had the soundtrack.

620
00:33:14.640 --> 00:33:17.599
<v Speaker 1>I loved the soundtrack. Yeah, And so when we see

621
00:33:17.680 --> 00:33:19.559
<v Speaker 1>Dewey and scream two. I'm like, wait a minute, I

622
00:33:19.599 --> 00:33:21.920
<v Speaker 1>know that you know that well at that point. Yeah, yeah, yeah,

623
00:33:22.039 --> 00:33:25.200
<v Speaker 1>I knew it very well. Yeah, that is so funny.

624
00:33:25.200 --> 00:33:27.519
<v Speaker 2>I wonder how often that's happened. Every now and then

625
00:33:28.680 --> 00:33:32.599
<v Speaker 2>you will see in the credits. Oh, I'll try to

626
00:33:32.680 --> 00:33:35.319
<v Speaker 2>google and talk in a minute. But I remember at

627
00:33:35.319 --> 00:33:38.559
<v Speaker 2>the end of some movie it said death of a

628
00:33:38.640 --> 00:33:42.720
<v Speaker 2>turtle from the movie My Blue Heaven or something interesting,

629
00:33:42.799 --> 00:33:45.920
<v Speaker 2>and I was like, oh, that's so fascinating, Like it's

630
00:33:46.000 --> 00:33:48.039
<v Speaker 2>just a really random track from a movie. I don't

631
00:33:48.039 --> 00:33:49.839
<v Speaker 2>think a lot of people pull from often, but it

632
00:33:49.920 --> 00:33:51.960
<v Speaker 2>must have been a case where yeah, they tempt the

633
00:33:52.039 --> 00:33:54.440
<v Speaker 2>movie with something and people are like, we can't beat this.

634
00:33:55.279 --> 00:33:58.519
<v Speaker 2>They just ended up licensing score from another film for

635
00:33:58.599 --> 00:33:59.240
<v Speaker 2>their own film.

636
00:34:00.000 --> 00:34:03.599
<v Speaker 1>How often that happens? I can think of at least

637
00:34:03.640 --> 00:34:07.240
<v Speaker 1>a few times that I can remember. Oh, by the

638
00:34:07.359 --> 00:34:09.480
<v Speaker 1>real quick, I kind of love you know VONDI Curtis

639
00:34:09.559 --> 00:34:12.920
<v Speaker 1>hall Over here. He was a villain in Diehard too,

640
00:34:14.079 --> 00:34:17.440
<v Speaker 1>and now he gets the treatment that the villains do

641
00:34:17.599 --> 00:34:21.119
<v Speaker 1>to the guys in Diehard. To remember like the oh yeah,

642
00:34:21.239 --> 00:34:26.360
<v Speaker 1>totally there you go, hoisted by one's own petard. One

643
00:34:26.440 --> 00:34:31.599
<v Speaker 1>might say so Here's an example of this. Comes to

644
00:34:31.679 --> 00:34:37.199
<v Speaker 1>mind as I'm talking to you. The movie Troy. The

645
00:34:37.280 --> 00:34:40.840
<v Speaker 1>scene where Brad Pitt and Eric Banna have their sword fight. Yeah,

646
00:34:41.599 --> 00:34:44.039
<v Speaker 1>the music during that scene, I mean, the score is

647
00:34:44.199 --> 00:34:47.840
<v Speaker 1>like Harry Gregs and Williams are Don Zimmer or something, right,

648
00:34:49.119 --> 00:34:52.639
<v Speaker 1>But in that scene it's Danny Elfman's theme from the

649
00:34:52.679 --> 00:34:56.119
<v Speaker 1>Tim Burton Planet of the Apes. Really, it's just straight

650
00:34:56.199 --> 00:34:59.840
<v Speaker 1>up that theme. H Isn't that weird? That is weird?

651
00:35:01.840 --> 00:35:04.400
<v Speaker 1>We by the Okay I found it. Turtle Death.

652
00:35:04.719 --> 00:35:07.239
<v Speaker 2>I can't believe I remember the name of the piece,

653
00:35:07.719 --> 00:35:08.320
<v Speaker 2>Turtle Death.

654
00:35:08.599 --> 00:35:09.960
<v Speaker 1>A piece of Ira.

655
00:35:09.920 --> 00:35:12.760
<v Speaker 2>Newborn score from the motion picture My Blue Heaven is

656
00:35:12.880 --> 00:35:14.800
<v Speaker 2>used in the film Problem Child too.

657
00:35:15.519 --> 00:35:18.239
<v Speaker 1>Wow. That just shows you what kind of kid I was.

658
00:35:18.400 --> 00:35:20.800
<v Speaker 2>I was like eleven years old watching Problem Child two

659
00:35:20.960 --> 00:35:23.360
<v Speaker 2>and watching the credits and being like, wait a minute,

660
00:35:23.679 --> 00:35:25.639
<v Speaker 2>that piece is from the other movie that I saw

661
00:35:25.760 --> 00:35:26.639
<v Speaker 2>was Steve Martin in it.

662
00:35:27.000 --> 00:35:30.800
<v Speaker 1>My Blue Heaven. Yeah, it's so weird that we have

663
00:35:30.920 --> 00:35:33.239
<v Speaker 1>that movie as a specific point of reference because, like,

664
00:35:33.880 --> 00:35:36.679
<v Speaker 1>I remember being a kid in Saudi Arabia and we

665
00:35:36.760 --> 00:35:38.800
<v Speaker 1>lived in an apartment building, and so sometimes it would

666
00:35:38.800 --> 00:35:41.440
<v Speaker 1>be like parties either above or below, and so my

667
00:35:41.519 --> 00:35:43.320
<v Speaker 1>brother and I we would just go get food from

668
00:35:43.320 --> 00:35:45.280
<v Speaker 1>the party and then we'd just come back to our apartment,

669
00:35:45.320 --> 00:35:46.960
<v Speaker 1>which was empty because my parents were at the party,

670
00:35:47.559 --> 00:35:50.239
<v Speaker 1>and we always had like a movie to watch. And

671
00:35:50.360 --> 00:35:53.760
<v Speaker 1>so for me, my memory is of watching My Blue Heaven. Really,

672
00:35:54.559 --> 00:35:56.079
<v Speaker 1>so like every once and while, I'll tell my brother,

673
00:35:56.119 --> 00:35:57.519
<v Speaker 1>I'm like, hey, why don't we just snak away, let's

674
00:35:57.519 --> 00:35:58.960
<v Speaker 1>go watch My Blue Heaven. I guess.

675
00:36:00.840 --> 00:36:05.639
<v Speaker 2>That's really funny, which like a little hit like Lost Gem.

676
00:36:06.039 --> 00:36:07.280
<v Speaker 2>That's really good movie.

677
00:36:07.360 --> 00:36:09.960
<v Speaker 1>Yeah, it's a really good movie. Yeah. Uh Troy. By

678
00:36:10.000 --> 00:36:12.280
<v Speaker 1>the way, the score by the late great James Horner.

679
00:36:12.320 --> 00:36:14.079
<v Speaker 1>I want to credit credit where due.

680
00:36:14.280 --> 00:36:17.199
<v Speaker 2>Yeah, sorry, we're talking a little bit over the movie here.

681
00:36:17.239 --> 00:36:21.840
<v Speaker 2>But dude, Howie Long Eh he had like kind of

682
00:36:21.920 --> 00:36:23.760
<v Speaker 2>an action career for a second.

683
00:36:23.800 --> 00:36:26.239
<v Speaker 1>Yeah, well, based on this they get well, first of all,

684
00:36:26.400 --> 00:36:28.360
<v Speaker 1>his character was supposed to die early, and they just

685
00:36:28.440 --> 00:36:29.480
<v Speaker 1>kind of liked what he was doing.

686
00:36:30.039 --> 00:36:33.039
<v Speaker 2>He's got a great look, I mean that big square

687
00:36:33.079 --> 00:36:36.360
<v Speaker 2>ahead of his you know, the flat top.

688
00:36:36.199 --> 00:36:39.159
<v Speaker 1>And not not a bad actor, certainly in this movie.

689
00:36:40.079 --> 00:36:43.840
<v Speaker 1>He's him. Yeah, he Well, he could have been like

690
00:36:43.880 --> 00:36:46.719
<v Speaker 1>another Brian Bosworth. No, for sure.

691
00:36:46.840 --> 00:36:48.199
<v Speaker 2>I mean, I'm not sure that I could see him

692
00:36:48.239 --> 00:36:50.559
<v Speaker 2>carrying a movie necessarily, but like he's great as like

693
00:36:51.360 --> 00:36:55.760
<v Speaker 2>like a lackey with that a memorable lackey or charming lackey.

694
00:36:56.000 --> 00:37:00.599
<v Speaker 1>Yeah, yeah he was. He headlined a movie on after this,

695
00:37:00.760 --> 00:37:04.679
<v Speaker 1>maybe the following year, called Firestorm. Okay, I kind of

696
00:37:04.719 --> 00:37:06.920
<v Speaker 1>remember this video is like a story he plays like

697
00:37:06.960 --> 00:37:10.320
<v Speaker 1>a firefighter or something, and and you know, it's pretty forgettable.

698
00:37:10.360 --> 00:37:12.920
<v Speaker 1>I I honestly I don't remember whether he was good

699
00:37:13.000 --> 00:37:16.840
<v Speaker 1>or not, but clearly he didn't get more of a

700
00:37:16.920 --> 00:37:22.159
<v Speaker 1>movie career after that. So yeah, but you know, not bad.

701
00:37:22.199 --> 00:37:24.679
<v Speaker 2>And I mean you get a football career, an announcing career,

702
00:37:24.800 --> 00:37:26.039
<v Speaker 2>you get some movies under your belt.

703
00:37:26.039 --> 00:37:28.360
<v Speaker 1>I mean he's still doing that, right, he's still announcing. Yeah,

704
00:37:29.360 --> 00:37:36.480
<v Speaker 1>there you go. Yeah. So anyway, where where are we

705
00:37:36.519 --> 00:37:38.199
<v Speaker 1>on the story here? So we got to he dropped

706
00:37:38.199 --> 00:37:42.239
<v Speaker 1>the bombs? This guy thinks Bob Gunton, Bob Gunton is

707
00:37:42.320 --> 00:37:46.679
<v Speaker 1>like two seconds away from going you you actor to

708
00:37:47.159 --> 00:37:49.519
<v Speaker 1>John Trabolta, and he like you know, pushes him out

709
00:37:49.519 --> 00:37:51.800
<v Speaker 1>a window. Basically he's that guy from The Rocketeer, you.

710
00:37:51.840 --> 00:37:57.159
<v Speaker 2>Know, right right like stop stop stop reference by the way,

711
00:37:57.280 --> 00:37:58.920
<v Speaker 2>because I thought you were going to say another gund

712
00:37:58.960 --> 00:38:01.039
<v Speaker 2>In performance. No, no, no, no, that's just a really

713
00:38:01.159 --> 00:38:03.880
<v Speaker 2>but that's perfect, that's exactly You're right, that's a perfect example.

714
00:38:04.840 --> 00:38:07.000
<v Speaker 1>Like, don't say that he's just gonna like kill you.

715
00:38:08.000 --> 00:38:12.480
<v Speaker 1>Why would you say that, Bob Gunton by that. I

716
00:38:12.519 --> 00:38:13.920
<v Speaker 1>don't know if you know this. He was the body

717
00:38:14.039 --> 00:38:21.320
<v Speaker 1>double for the ghost of Egon Spangler in Ghostbusters Afterlife. Wow. Yeah, yeah,

718
00:38:21.719 --> 00:38:24.519
<v Speaker 1>so like on set? Random, Yeah, on set he was

719
00:38:24.599 --> 00:38:27.079
<v Speaker 1>the guy and then they overlaid a digital Harold Ramis

720
00:38:27.159 --> 00:38:33.159
<v Speaker 1>mask on him. Interesting. Yeah, I mean you could get anybody, yeah,

721
00:38:33.360 --> 00:38:35.639
<v Speaker 1>you know for the body. They just wanted a performance.

722
00:38:35.679 --> 00:38:41.079
<v Speaker 1>I guess that's great. Maybe he knew him, Yeah, possibly her.

723
00:38:41.199 --> 00:38:44.760
<v Speaker 1>He's a friend of friend of the wrightman's possibly. Yeah. Interesting.

724
00:38:48.239 --> 00:38:53.199
<v Speaker 1>So Samantha Mathis was between you know, pump up the

725
00:38:53.320 --> 00:38:56.519
<v Speaker 1>volume in this. She was Princess Peach in the Super

726
00:38:56.599 --> 00:39:02.039
<v Speaker 1>Mario Brothers movie. That's right, that's right, and then she uh,

727
00:39:03.880 --> 00:39:05.880
<v Speaker 1>gosh what eight years after this, she was in another

728
00:39:05.920 --> 00:39:11.199
<v Speaker 1>trouble To movie. She was in The Punisher. Oh but

729
00:39:11.239 --> 00:39:13.840
<v Speaker 1>I don't remember it very well. Yeah, the Thomas Jane one. Yeah,

730
00:39:14.239 --> 00:39:15.880
<v Speaker 1>she's she's the Punisher's wife.

731
00:39:16.639 --> 00:39:20.519
<v Speaker 2>Oh interesting, Oh okay, oh yeah, so she doesn't make

732
00:39:20.559 --> 00:39:27.000
<v Speaker 2>it far in the movie. I remember that, yeah, yeah, yeah, geez.

733
00:39:26.760 --> 00:39:30.920
<v Speaker 1>They're like, let's just massacre his whole extended family. Remember that, Yes,

734
00:39:31.119 --> 00:39:33.039
<v Speaker 1>yeah I do, I do. I remember. It's pretty rough

735
00:39:33.519 --> 00:39:36.119
<v Speaker 1>now that that movie by way of comparison, right, like,

736
00:39:36.199 --> 00:39:39.239
<v Speaker 1>I think, I think John really does elevate the action, yes,

737
00:39:39.920 --> 00:39:43.480
<v Speaker 1>whereas The Punisher, for example, is directed by Jonathan Hensley

738
00:39:43.840 --> 00:39:47.880
<v Speaker 1>for the first time director. And and that's why that

739
00:39:47.960 --> 00:39:52.719
<v Speaker 1>movie is kind of just ordinary, you know. Yeah, I

740
00:39:53.199 --> 00:39:57.679
<v Speaker 1>think that like shots like this right here, you know,

741
00:39:58.480 --> 00:40:01.360
<v Speaker 1>where we're tracking them running and stuff like who is

742
00:40:01.480 --> 00:40:06.360
<v Speaker 1>giving a lot of visual interest that that I think

743
00:40:06.440 --> 00:40:09.480
<v Speaker 1>really does, you know, make make you lean forward at

744
00:40:09.519 --> 00:40:12.639
<v Speaker 1>times totally. It heightens the action for sure, makes it

745
00:40:12.639 --> 00:40:14.880
<v Speaker 1>because I think I don't know how much of a

746
00:40:15.400 --> 00:40:20.800
<v Speaker 1>reputation this movie has carried forward. I suspect it's a

747
00:40:20.880 --> 00:40:23.199
<v Speaker 1>nostalgic favorite for people who were kind of in the

748
00:40:23.320 --> 00:40:25.679
<v Speaker 1>right age range for it, you know, yeah, yeah, but

749
00:40:25.800 --> 00:40:27.360
<v Speaker 1>I don't know that it's really lived on. I mean,

750
00:40:27.519 --> 00:40:28.320
<v Speaker 1>maybe you can correct me.

751
00:40:28.840 --> 00:40:32.039
<v Speaker 2>No, I don't, not that I'm aware of, Yeah, but

752
00:40:33.119 --> 00:40:35.760
<v Speaker 2>you know, I'm just as I'm like looking at what's happening,

753
00:40:35.800 --> 00:40:39.320
<v Speaker 2>I'm realizing how similar this is to speed. You have

754
00:40:39.519 --> 00:40:42.880
<v Speaker 2>kind of a real time issue, you know, and then

755
00:40:42.920 --> 00:40:45.320
<v Speaker 2>you've got this guy who's like a you know, he's

756
00:40:45.360 --> 00:40:49.119
<v Speaker 2>military or you could you know, say, you know, Jack

757
00:40:49.519 --> 00:40:53.000
<v Speaker 2>Travin is like a police officer. And then you encounter

758
00:40:53.760 --> 00:40:57.119
<v Speaker 2>sort of a normy character, like a female, you know,

759
00:40:59.000 --> 00:41:01.039
<v Speaker 2>and then she gets thrust to the action, and then

760
00:41:01.079 --> 00:41:03.039
<v Speaker 2>they team up and become partners and then kind of

761
00:41:03.159 --> 00:41:04.920
<v Speaker 2>romantic by the end. You know, it's like a little

762
00:41:05.119 --> 00:41:06.679
<v Speaker 2>yeh echoes.

763
00:41:08.000 --> 00:41:15.760
<v Speaker 1>It's a good point. And yet this character Hale doesn't

764
00:41:17.400 --> 00:41:22.440
<v Speaker 1>doesn't quite you know, transcend the screen the way the

765
00:41:22.519 --> 00:41:26.719
<v Speaker 1>way Keanu Reeves's character does. No. I wonder why that is.

766
00:41:27.159 --> 00:41:28.480
<v Speaker 1>By the way, real quick, I just have to call it.

767
00:41:28.639 --> 00:41:30.960
<v Speaker 1>This is I was like, this is great. This helicopter

768
00:41:31.159 --> 00:41:35.079
<v Speaker 1>with the back rotor thing coming at her. Yeah, I

769
00:41:35.119 --> 00:41:37.280
<v Speaker 1>wouldn't want to be in that position, you know what.

770
00:41:37.360 --> 00:41:37.639
<v Speaker 1>I love.

771
00:41:38.320 --> 00:41:39.599
<v Speaker 2>This is the kind of action I feel like we

772
00:41:39.639 --> 00:41:43.320
<v Speaker 2>don't see anymore because it doesn't seem big enough on

773
00:41:43.440 --> 00:41:44.960
<v Speaker 2>the page, right, you.

774
00:41:44.960 --> 00:41:45.360
<v Speaker 1>Know what I mean?

775
00:41:45.440 --> 00:41:47.519
<v Speaker 2>Because now with computers and everything, we can make it

776
00:41:48.360 --> 00:41:52.960
<v Speaker 2>ten times bigger. But like there's something like really understandable

777
00:41:53.000 --> 00:41:57.039
<v Speaker 2>and realistic about a helicopter, like you know what I mean,

778
00:41:57.159 --> 00:41:57.840
<v Speaker 2>like the rotor blade.

779
00:41:57.840 --> 00:41:58.280
<v Speaker 1>That's scary.

780
00:41:58.320 --> 00:41:59.719
<v Speaker 2>And if that's coming at you and you frame it

781
00:41:59.800 --> 00:42:02.639
<v Speaker 2>right and you you know, make it really tense. What

782
00:42:02.719 --> 00:42:05.840
<v Speaker 2>a scary idea. This helicopter crashing and you missed it. Great,

783
00:42:06.119 --> 00:42:08.320
<v Speaker 2>but it's flipping over and the road is still spinning

784
00:42:08.400 --> 00:42:10.480
<v Speaker 2>and it's gonna cut you in half unless you move

785
00:42:10.559 --> 00:42:13.079
<v Speaker 2>in time. And then seeing it even hitting the rocks

786
00:42:13.119 --> 00:42:15.679
<v Speaker 2>and sparking like it's really visceral.

787
00:42:16.159 --> 00:42:19.039
<v Speaker 1>Yeah, you know, I really I love that. That's all

788
00:42:19.159 --> 00:42:21.000
<v Speaker 1>bad news. I don't want to be.

789
00:42:21.039 --> 00:42:23.159
<v Speaker 2>That's why I enjoy going back to these nineties movies

790
00:42:23.239 --> 00:42:26.440
<v Speaker 2>like we do, because they just look different, you know

791
00:42:26.559 --> 00:42:29.119
<v Speaker 2>than movies now, like movies now kind of have. And

792
00:42:29.440 --> 00:42:31.960
<v Speaker 2>I'm not even like griping, It's just that's what happens

793
00:42:32.039 --> 00:42:35.599
<v Speaker 2>over time. Things look different. But there's just like a

794
00:42:35.679 --> 00:42:38.960
<v Speaker 2>different sort of flatter digital machine to everything.

795
00:42:39.239 --> 00:42:40.480
<v Speaker 1>These days these days.

796
00:42:41.119 --> 00:42:43.039
<v Speaker 2>And so I do enjoy going back to things that

797
00:42:43.159 --> 00:42:45.559
<v Speaker 2>actually look like they were shot in a real location

798
00:42:46.519 --> 00:42:50.000
<v Speaker 2>and are dusty and you know, grimy and gritty and

799
00:42:50.800 --> 00:42:54.559
<v Speaker 2>like a real practical helicopter. They're obviously not really you

800
00:42:54.639 --> 00:42:56.920
<v Speaker 2>know gon, Yeah, but like you know what I'm saying,

801
00:42:57.039 --> 00:42:58.719
<v Speaker 2>or like the example I always bring up is the

802
00:42:58.880 --> 00:43:01.639
<v Speaker 2>uh when the sw and Terminator two is going down

803
00:43:01.639 --> 00:43:04.800
<v Speaker 2>the freeway and then the helicopter crashes into the back

804
00:43:04.880 --> 00:43:09.679
<v Speaker 2>of it, right, and I'm like, damn, dude, that's still

805
00:43:09.800 --> 00:43:11.719
<v Speaker 2>crazy to me. That looks really hard to do. It

806
00:43:11.800 --> 00:43:17.800
<v Speaker 2>looks really awesome and practical and inventive and exciting, and

807
00:43:17.880 --> 00:43:21.519
<v Speaker 2>I just kind of miss that visceral type of action

808
00:43:21.599 --> 00:43:21.920
<v Speaker 2>because we.

809
00:43:21.960 --> 00:43:25.639
<v Speaker 1>Just know that much anymore. Well, I think unfortunately, and

810
00:43:25.719 --> 00:43:27.440
<v Speaker 1>this is a conversation you and I have had before.

811
00:43:27.559 --> 00:43:30.920
<v Speaker 1>You know, the realm for movies in that vein has

812
00:43:31.000 --> 00:43:37.800
<v Speaker 1>become streaming originals. Yeah, yeah, for whatever reason, And you know,

813
00:43:38.280 --> 00:43:42.039
<v Speaker 1>there's just that just feels like a downgrade. Yeah.

814
00:43:42.199 --> 00:43:46.400
<v Speaker 2>And even in like the bigger theatrical action movies, I

815
00:43:46.519 --> 00:43:50.079
<v Speaker 2>really I visual effects can be incredible, and when they

816
00:43:50.119 --> 00:43:53.039
<v Speaker 2>are incredible, we don't even notice. But unfortunately, sometimes when

817
00:43:53.079 --> 00:43:54.880
<v Speaker 2>you do notice and it's not working quite right, Like

818
00:43:54.920 --> 00:43:57.000
<v Speaker 2>even if you just have like cars flipping over things

819
00:43:57.119 --> 00:43:58.639
<v Speaker 2>or falling off of buildings.

820
00:43:59.239 --> 00:44:01.800
<v Speaker 1>And you're like, man, that doesn't quite right.

821
00:44:02.239 --> 00:44:04.880
<v Speaker 2>So then you're not feeling the same thing versus a

822
00:44:04.960 --> 00:44:08.199
<v Speaker 2>movie from fricking nineteen eighty The Blues Brothers. When you're

823
00:44:08.199 --> 00:44:10.440
<v Speaker 2>watching that car chase at the end, which is still

824
00:44:10.639 --> 00:44:15.000
<v Speaker 2>incredible and you have all these real cars slamming into

825
00:44:15.039 --> 00:44:17.280
<v Speaker 2>each other, it just hits differently.

826
00:44:17.440 --> 00:44:22.800
<v Speaker 1>No pun intended that, yeah, you know. And so it's like,

827
00:44:22.880 --> 00:44:24.760
<v Speaker 1>whenever we have these discussions, right, I have to fight

828
00:44:24.880 --> 00:44:27.360
<v Speaker 1>the urge to just be like, you know, dag namit.

829
00:44:28.239 --> 00:44:29.960
<v Speaker 2>I know I don't want to sound like that, but

830
00:44:30.039 --> 00:44:33.719
<v Speaker 2>I really do mean that is a pleasure that I

831
00:44:33.920 --> 00:44:35.800
<v Speaker 2>get then out of watching something like this.

832
00:44:36.199 --> 00:44:39.639
<v Speaker 1>Where it's not like the greatest movie really, but the

833
00:44:39.760 --> 00:44:40.880
<v Speaker 1>action is fun.

834
00:44:41.119 --> 00:44:43.840
<v Speaker 2>It's captured in a dynamic way from John wu and

835
00:44:43.880 --> 00:44:46.559
<v Speaker 2>it's nice to see some like real cool explosions and

836
00:44:46.599 --> 00:44:50.079
<v Speaker 2>effects and crashes, and you know, so you're.

837
00:44:49.920 --> 00:44:52.239
<v Speaker 1>Still waiting for kurtwood Smith to make because he'll turn here.

838
00:44:53.440 --> 00:44:57.239
<v Speaker 1>I guess when he took Wayley aside and was actually like, okay,

839
00:44:57.280 --> 00:44:57.920
<v Speaker 1>you want to be like.

840
00:44:59.480 --> 00:44:59.519
<v Speaker 2>It.

841
00:45:00.199 --> 00:45:05.840
<v Speaker 1>Then he blows his hand off from now I'm thinking

842
00:45:05.880 --> 00:45:10.079
<v Speaker 1>of Brett that shocked look on his face.

843
00:45:10.159 --> 00:45:13.239
<v Speaker 2>It's so funny because the scene is like so compelling,

844
00:45:13.320 --> 00:45:15.480
<v Speaker 2>and I like probably have the whole thing memorized backwards

845
00:45:15.480 --> 00:45:17.599
<v Speaker 2>and forwards, but it's still upsetting when he gets shot.

846
00:45:18.119 --> 00:45:22.599
<v Speaker 1>I know, man, that movie. That movie's on Pluto all

847
00:45:22.719 --> 00:45:23.440
<v Speaker 1>the time now.

848
00:45:23.440 --> 00:45:25.480
<v Speaker 2>And I still fiction pulp fiction. I stopped on it

849
00:45:25.880 --> 00:45:29.280
<v Speaker 2>every time. That movie is just so rewatchable to me.

850
00:45:29.719 --> 00:45:31.639
<v Speaker 1>Yeah, yeah, you know, I screened it occasionally in my

851
00:45:31.679 --> 00:45:34.000
<v Speaker 1>film classes, and it's I mean, it's shocking how many

852
00:45:34.039 --> 00:45:37.320
<v Speaker 1>people just have forget seen it. They haven't even heard

853
00:45:37.360 --> 00:45:37.480
<v Speaker 1>of it.

854
00:45:37.920 --> 00:45:40.559
<v Speaker 2>So how does that play then thirty some years later,

855
00:45:41.400 --> 00:45:43.480
<v Speaker 2>generally they enjoy it for people who don't even know

856
00:45:43.519 --> 00:45:45.480
<v Speaker 2>it's reputation, I mean.

857
00:45:45.519 --> 00:45:49.239
<v Speaker 1>Yeah, I mean it's it's pretty fresh, right, I mean,

858
00:45:49.360 --> 00:45:51.920
<v Speaker 1>like you didn't see a ton of movies really emulating

859
00:45:52.000 --> 00:45:56.000
<v Speaker 1>its structure, you know, and it's it's just it's just

860
00:45:56.159 --> 00:46:00.559
<v Speaker 1>overflowing with these compelling performances. So it's still I mean,

861
00:46:00.599 --> 00:46:05.199
<v Speaker 1>that movie, that movie is eternal. Yeah, yeah, I agree.

862
00:46:07.800 --> 00:46:08.440
<v Speaker 1>Broken Arrow.

863
00:46:10.440 --> 00:46:12.360
<v Speaker 2>I don't mean to take us down to other avenues here,

864
00:46:12.639 --> 00:46:15.400
<v Speaker 2>but by the way, I have to say, my parents

865
00:46:15.519 --> 00:46:18.760
<v Speaker 2>live basically on the border of Tulsa and Broken Arrow

866
00:46:18.760 --> 00:46:21.199
<v Speaker 2>in Oklahoma. Wow, And it didn't even occur to me

867
00:46:21.320 --> 00:46:23.840
<v Speaker 2>until like right, before we started, I googled Broken Arrow

868
00:46:24.000 --> 00:46:26.119
<v Speaker 2>to pull up like the IMDb page and then it

869
00:46:26.159 --> 00:46:28.920
<v Speaker 2>said Broken Arrow, Oklahoma. And I was like, oh, yeah,

870
00:46:30.880 --> 00:46:32.679
<v Speaker 2>this isn't it funny when you have certain words and

871
00:46:32.800 --> 00:46:34.519
<v Speaker 2>I'm like, when I'm thinking about the movie, I'm not

872
00:46:34.599 --> 00:46:36.679
<v Speaker 2>thinking about the city. But when I'm thinking about the city,

873
00:46:36.679 --> 00:46:37.599
<v Speaker 2>I'm not thinking about the movie.

874
00:46:37.639 --> 00:46:39.840
<v Speaker 1>I've never made the connection. You put them in their

875
00:46:39.920 --> 00:46:41.719
<v Speaker 1>little in their individual boxes.

876
00:46:41.880 --> 00:46:45.280
<v Speaker 2>Yeah, this is the kind of incisive commentary everybody showed

877
00:46:45.360 --> 00:46:49.360
<v Speaker 2>up for. From me, it's this is like, it looks

878
00:46:49.400 --> 00:46:52.280
<v Speaker 2>like Wayne's basement down there, but that's not Wayne's basement.

879
00:46:52.800 --> 00:47:00.920
<v Speaker 1>That weird Now, in terms of the reaction of the

880
00:47:01.000 --> 00:47:05.199
<v Speaker 1>movie us as you and I both do, we checked

881
00:47:05.239 --> 00:47:09.280
<v Speaker 1>out the Ciskel and the Ebert review. Yes, Yes, and

882
00:47:10.119 --> 00:47:13.119
<v Speaker 1>for the first time ever, maybe the only time we saw,

883
00:47:13.360 --> 00:47:18.480
<v Speaker 1>we saw Geene Siskel change his his thumb mide review. Yes.

884
00:47:19.039 --> 00:47:21.000
<v Speaker 1>He started as a thumbs up and by the time

885
00:47:21.039 --> 00:47:22.639
<v Speaker 1>they were done, it was a thumbst down.

886
00:47:22.840 --> 00:47:24.760
<v Speaker 2>He basically he starts with a thumbs up and then

887
00:47:25.280 --> 00:47:26.400
<v Speaker 2>Ebert's like, come on.

888
00:47:27.199 --> 00:47:31.679
<v Speaker 1>And he's like, yeah, you're right, Yeah, you're right. But

889
00:47:31.760 --> 00:47:33.719
<v Speaker 1>it's funny because you know, I mean they are.

890
00:47:36.079 --> 00:47:39.559
<v Speaker 2>They they're like hardly ever sort of joking like they

891
00:47:39.679 --> 00:47:42.320
<v Speaker 2>really like can get at one another.

892
00:47:42.719 --> 00:47:45.000
<v Speaker 1>Yeah, what I mean. So you see Ciskel a little

893
00:47:45.079 --> 00:47:47.880
<v Speaker 1>bit like she's like okay, okay, Like it's like weird

894
00:47:47.960 --> 00:47:49.079
<v Speaker 1>to see him in this, like.

895
00:47:50.639 --> 00:47:52.960
<v Speaker 2>You know, relenting, like, Okay, Ebert has the power here

896
00:47:53.000 --> 00:47:55.760
<v Speaker 2>in this moment, I have to acknowledge that. Then it's

897
00:47:55.800 --> 00:47:58.079
<v Speaker 2>funny because he turns it around. He goes, Now, if

898
00:47:58.119 --> 00:48:00.480
<v Speaker 2>I do this, you have to at least in this moment,

899
00:48:00.719 --> 00:48:04.440
<v Speaker 2>change your review about your positive review about Cop.

900
00:48:04.280 --> 00:48:04.719
<v Speaker 1>And a Half.

901
00:48:05.119 --> 00:48:07.599
<v Speaker 2>Yes, And it's funny because Ebert pauses for like the

902
00:48:07.719 --> 00:48:10.920
<v Speaker 2>perfect beat and goes, no, I don't think I'll do

903
00:48:11.000 --> 00:48:11.280
<v Speaker 2>that like.

904
00:48:13.440 --> 00:48:18.239
<v Speaker 1>Cop and a Half, which Ebert gave a thumbs up to. Yes,

905
00:48:18.800 --> 00:48:21.639
<v Speaker 1>And it's it's uh, it's Burt Reynolds and a little boy.

906
00:48:22.159 --> 00:48:24.239
<v Speaker 2>Yeah, like a boy witnesses a murderer kind of thing.

907
00:48:24.400 --> 00:48:27.960
<v Speaker 1>So it's like it's like Burt Reynolds's kindergarten cop type thing,

908
00:48:28.000 --> 00:48:31.119
<v Speaker 1>you know, totally And and I haven't seen it, but

909
00:48:31.280 --> 00:48:32.920
<v Speaker 1>I saw the poster and that was enough for me

910
00:48:33.000 --> 00:48:34.599
<v Speaker 1>to say I will never watch it. I can picture

911
00:48:34.599 --> 00:48:35.360
<v Speaker 1>it in my head right now.

912
00:48:35.440 --> 00:48:37.519
<v Speaker 2>It's it's the boy with the handcuffs and he's putting

913
00:48:37.519 --> 00:48:39.440
<v Speaker 2>it over Burt Reynolds's eyes exactly.

914
00:48:39.719 --> 00:48:41.679
<v Speaker 1>I saw it because that was in the in in

915
00:48:41.840 --> 00:48:45.280
<v Speaker 1>comic book ads. Yep, and and I was like, nope,

916
00:48:45.400 --> 00:48:48.360
<v Speaker 1>not watching that ever. Yeah, yeah, And I've stood by

917
00:48:48.480 --> 00:48:51.840
<v Speaker 1>that to this day. One of the few promises I've

918
00:48:51.920 --> 00:48:56.679
<v Speaker 1>kept to myself, you know. But yeah, So, for for

919
00:48:56.840 --> 00:48:59.079
<v Speaker 1>whatever reason, Ebert was a puns up on that.

920
00:49:01.440 --> 00:49:04.519
<v Speaker 2>Maybe think of that Robert Frost poem about promises to keep.

921
00:49:05.159 --> 00:49:07.119
<v Speaker 2>You're just like, and you know what, I never did

922
00:49:07.199 --> 00:49:10.039
<v Speaker 2>watch Cup and a half. I had promises to keep

923
00:49:10.840 --> 00:49:12.480
<v Speaker 2>miles ago before I sleep.

924
00:49:14.719 --> 00:49:17.559
<v Speaker 1>I don't know why. That just made me think of that. Well,

925
00:49:17.679 --> 00:49:20.639
<v Speaker 1>you give me action sequences like this, I agree, dude,

926
00:49:20.679 --> 00:49:23.079
<v Speaker 1>by the way, pretty bad ass where he's shooting at

927
00:49:23.079 --> 00:49:25.599
<v Speaker 1>the window but it's bulletproof glass and you see the

928
00:49:25.719 --> 00:49:29.159
<v Speaker 1>ricochets on the glass but Travolta isn't flinching. Yeah, it's

929
00:49:29.199 --> 00:49:32.639
<v Speaker 1>pretty bad ass. But this did make me laugh where

930
00:49:32.719 --> 00:49:36.119
<v Speaker 1>he's like bulletproof glass. I'm like okay, And then they.

931
00:49:36.000 --> 00:49:38.719
<v Speaker 2>Start shooting through the roof and I was like, well,

932
00:49:38.760 --> 00:49:41.000
<v Speaker 2>why would you That makes no sense? Why would the

933
00:49:41.119 --> 00:49:43.320
<v Speaker 2>whole car not be bulletproof.

934
00:49:42.880 --> 00:49:49.880
<v Speaker 1>But the glasses, well, these are humpies. Yeah, and this

935
00:49:50.039 --> 00:49:54.440
<v Speaker 1>is the first movie that used military humbies, Is that true? Yeah?

936
00:49:54.920 --> 00:49:55.360
<v Speaker 1>And then Arlt.

937
00:49:55.400 --> 00:49:58.280
<v Speaker 2>Schwarzenegger saw it and was like, whoa, just remember he

938
00:49:58.400 --> 00:50:00.199
<v Speaker 2>was like one of the first people to dry I've

939
00:50:00.760 --> 00:50:02.119
<v Speaker 2>a humvy on the road.

940
00:50:02.400 --> 00:50:04.199
<v Speaker 1>Yeah. And then that's when they started making the hummer

941
00:50:04.559 --> 00:50:09.760
<v Speaker 1>Yeah yeah wait I remember.

942
00:50:09.840 --> 00:50:14.159
<v Speaker 2>Also in The Rock, isn't there a line where Conrie

943
00:50:14.320 --> 00:50:16.840
<v Speaker 2>steals the guy's car and he's like yeah.

944
00:50:17.639 --> 00:50:20.239
<v Speaker 1>Yeah, Yeah, that was such a moment.

945
00:50:20.280 --> 00:50:21.719
<v Speaker 2>I mean, it's kind of like the cyber truck or

946
00:50:21.760 --> 00:50:24.159
<v Speaker 2>something where it was like they have appeared out of nowhere,

947
00:50:25.480 --> 00:50:26.920
<v Speaker 2>and then it was.

948
00:50:26.960 --> 00:50:29.000
<v Speaker 1>This status symbol and then you realize, well, this is

949
00:50:29.079 --> 00:50:33.360
<v Speaker 1>really impractical in like eighty eight percent of my day

950
00:50:33.400 --> 00:50:36.400
<v Speaker 1>to day experiences, you know. Yes, yeah, it just was

951
00:50:36.480 --> 00:50:40.199
<v Speaker 1>like a look that people wanted to flash on the road. Yeah.

952
00:50:40.239 --> 00:50:42.199
<v Speaker 1>But see you see a cyber truck, You're like, oh,

953
00:50:42.239 --> 00:50:46.119
<v Speaker 1>there's an asshole. Well, I mean, I don't know, except

954
00:50:46.159 --> 00:50:48.360
<v Speaker 1>for the people who may be listening right now, No,

955
00:50:49.159 --> 00:50:52.079
<v Speaker 1>I'm going to say it, I'm not. I'm not. I

956
00:50:52.119 --> 00:50:54.559
<v Speaker 1>don't I don't feel I don't feel that about people

957
00:50:54.679 --> 00:50:56.920
<v Speaker 1>who drive cyber tucks. I'm saying, if you drive a

958
00:50:57.000 --> 00:51:01.039
<v Speaker 1>cyber truck, there is a high probability that people are like, hey,

959
00:51:01.079 --> 00:51:03.960
<v Speaker 1>there goes an asshole. Oh, they definitely are not very

960
00:51:04.000 --> 00:51:07.519
<v Speaker 1>popular exactly, So I don't know that Humby's had that

961
00:51:07.719 --> 00:51:16.239
<v Speaker 1>same level of of sort of asshole assignation. It's not

962
00:51:16.320 --> 00:51:20.639
<v Speaker 1>quite a band name. What is that assignation? By the

963
00:51:20.679 --> 00:51:22.239
<v Speaker 1>way we're talking over this is pretty cool.

964
00:51:22.280 --> 00:51:25.400
<v Speaker 2>I do like how he improvises with the gas and

965
00:51:25.719 --> 00:51:26.199
<v Speaker 2>the flare.

966
00:51:27.519 --> 00:51:30.559
<v Speaker 1>That was pretty cool. I gotta say so. I think

967
00:51:30.760 --> 00:51:33.639
<v Speaker 1>that this gets to one of the structural problems of

968
00:51:33.719 --> 00:51:39.360
<v Speaker 1>this movie, which is like chase scene, a brief talking,

969
00:51:39.840 --> 00:51:43.239
<v Speaker 1>chase scene, brief talking, and it's just kind of, you know,

970
00:51:43.360 --> 00:51:47.599
<v Speaker 1>the progression doesn't really feel there, you know what I mean? Yeah, No,

971
00:51:47.719 --> 00:51:50.920
<v Speaker 1>I don't disagree, Like I almost feel like it would.

972
00:51:52.159 --> 00:51:54.280
<v Speaker 1>Well a couple of points. I think Graham Yost was

973
00:51:54.480 --> 00:51:58.320
<v Speaker 1>probably deliberately trying to do the exact opposite of speed

974
00:51:59.039 --> 00:52:02.519
<v Speaker 1>in what way, well, like speed is like largely confined

975
00:52:02.599 --> 00:52:04.599
<v Speaker 1>to the truck, and then it excuse me, to the bus,

976
00:52:04.679 --> 00:52:06.400
<v Speaker 1>and then you know, later on they do the train thing.

977
00:52:06.960 --> 00:52:08.480
<v Speaker 1>He's like, I'm going to do the opposite of that.

978
00:52:08.519 --> 00:52:13.000
<v Speaker 1>I'm going to like basically the whole you know, this

979
00:52:13.119 --> 00:52:17.920
<v Speaker 1>whole desert expanse will be my playground. But weirdly, I

980
00:52:18.000 --> 00:52:20.119
<v Speaker 1>think you lose something because I think if the story

981
00:52:20.199 --> 00:52:25.840
<v Speaker 1>is more contained, it's it's more you know, it's it's

982
00:52:25.960 --> 00:52:32.440
<v Speaker 1>more thrilling, and you know, at times it feels languid.

983
00:52:32.440 --> 00:52:35.320
<v Speaker 1>I don't know, the pacing feels off sometimes, you know, No, I.

984
00:52:35.440 --> 00:52:41.079
<v Speaker 2>Agree, I agree, you know, and the action is fun,

985
00:52:41.360 --> 00:52:44.679
<v Speaker 2>but I don't know that it's memorable enough, right, which

986
00:52:45.079 --> 00:52:47.320
<v Speaker 2>probably so as long as if the story's just going

987
00:52:47.400 --> 00:52:50.320
<v Speaker 2>to be just okay, you at least want your set

988
00:52:50.320 --> 00:52:53.000
<v Speaker 2>pieces to be something where you go, whoa, I haven't

989
00:52:53.000 --> 00:52:55.400
<v Speaker 2>seen that before and you want to watch it again.

990
00:52:55.400 --> 00:52:56.960
<v Speaker 2>I mean, think of Speed, I mean just all the

991
00:52:57.199 --> 00:52:58.719
<v Speaker 2>crazy set pieces with that bus.

992
00:53:00.159 --> 00:53:01.920
<v Speaker 1>Yeah, well, when you think about it, with Speed, right,

993
00:53:01.960 --> 00:53:05.159
<v Speaker 1>you have a great action sequence on the elevator, great

994
00:53:05.239 --> 00:53:08.199
<v Speaker 1>action sequence on the bus, great action sequence on the train.

995
00:53:08.440 --> 00:53:10.280
<v Speaker 1>And by the way, that's not to say I mean

996
00:53:10.320 --> 00:53:15.880
<v Speaker 1>that movie is just fires on every cylinder, story, acting, action, whatever.

997
00:53:16.079 --> 00:53:18.599
<v Speaker 1>But yes, yes, take all that other stuff away.

998
00:53:19.079 --> 00:53:22.599
<v Speaker 2>The action in that movie is super memorable and unique

999
00:53:22.639 --> 00:53:23.280
<v Speaker 2>and incredible.

1000
00:53:24.559 --> 00:53:28.280
<v Speaker 1>Yeah. So you know, I I think that the stuff

1001
00:53:28.559 --> 00:53:33.920
<v Speaker 1>that John Wu tends to excel at is weirdly at

1002
00:53:33.960 --> 00:53:38.079
<v Speaker 1>cross purposes with with the general thrust of this movie,

1003
00:53:38.159 --> 00:53:45.480
<v Speaker 1>which is more you know, like like John Wu, there's

1004
00:53:45.559 --> 00:53:49.239
<v Speaker 1>there's sort of a ballletic approach to his action scenes totally,

1005
00:53:50.239 --> 00:53:59.079
<v Speaker 1>and this isn't really suited to that. Hmm hmmm, because

1006
00:53:59.239 --> 00:54:01.320
<v Speaker 1>you know, I'm I'm just thinking of his like Hong

1007
00:54:01.400 --> 00:54:05.880
<v Speaker 1>Kong movies, right, like if we're talking about Hard Boiled

1008
00:54:06.000 --> 00:54:11.239
<v Speaker 1>for example, you know that you know that there's the

1009
00:54:11.400 --> 00:54:14.800
<v Speaker 1>stakes are you know, it's really getting into like good

1010
00:54:14.840 --> 00:54:17.679
<v Speaker 1>and evil and universal reality and stuff. You know, he's

1011
00:54:17.719 --> 00:54:20.159
<v Speaker 1>really getting into some stuff and the action scenes are

1012
00:54:20.519 --> 00:54:27.639
<v Speaker 1>are a way of tackling those themes. Yeah. Yeah, this

1013
00:54:27.880 --> 00:54:35.880
<v Speaker 1>movie is you know, it's disposable nineties you know, explosion porn,

1014
00:54:36.039 --> 00:54:41.360
<v Speaker 1>you know, and so it it almost feels like John

1015
00:54:41.400 --> 00:54:42.880
<v Speaker 1>Wo outclasses it a little bit.

1016
00:54:43.320 --> 00:54:47.559
<v Speaker 2>Yeah. Yeah, yeah, because otherwise maybe change the actors, like

1017
00:54:47.679 --> 00:54:50.000
<v Speaker 2>this would have been kind of like a video store

1018
00:54:51.400 --> 00:54:52.199
<v Speaker 2>Howie Long movie.

1019
00:54:52.599 --> 00:54:54.480
<v Speaker 1>No apologies to how We Long, but you know what

1020
00:54:54.480 --> 00:54:59.480
<v Speaker 1>I mean. Yeah, But I mean, well we should talk

1021
00:54:59.480 --> 00:55:05.079
<v Speaker 1>about the act that that you know, Travolta was at

1022
00:55:05.119 --> 00:55:07.800
<v Speaker 1>this moment in his career where where he was a

1023
00:55:08.000 --> 00:55:08.960
<v Speaker 1>legitimate draw.

1024
00:55:10.079 --> 00:55:12.400
<v Speaker 2>Well, yeah, pulp fiction had just revived his career.

1025
00:55:12.920 --> 00:55:16.280
<v Speaker 1>Yeah, yeah, so pulp Fiction is ninety four, and then

1026
00:55:16.719 --> 00:55:19.599
<v Speaker 1>after that he does Phenomenon. Now that was this year,

1027
00:55:19.679 --> 00:55:23.639
<v Speaker 1>that was ninety six. Phenomenon would have been this summer. Okay,

1028
00:55:24.079 --> 00:55:25.760
<v Speaker 1>so it was Michael, was that ninety five?

1029
00:55:28.000 --> 00:55:30.480
<v Speaker 2>I don't remember the specificity, but I remember all these

1030
00:55:30.599 --> 00:55:32.440
<v Speaker 2>like close to one another.

1031
00:55:32.639 --> 00:55:37.199
<v Speaker 1>Yeah. Phenomenon was definitely after this, okay, and then somewhere

1032
00:55:37.199 --> 00:55:40.800
<v Speaker 1>in the middle there was was get shorty yep. But

1033
00:55:40.960 --> 00:55:45.599
<v Speaker 1>it's like, it's interesting to me because for sure, during

1034
00:55:45.920 --> 00:55:47.960
<v Speaker 1>the time when when you and I were coming up,

1035
00:55:48.920 --> 00:55:53.719
<v Speaker 1>like Travolta had his down period and then he suddenly

1036
00:55:53.920 --> 00:55:56.519
<v Speaker 1>he gets his Oscar nomination from pulp fiction, Suddenly he's

1037
00:55:56.599 --> 00:55:58.880
<v Speaker 1>on top yep. And like I said, there was like

1038
00:55:59.079 --> 00:56:02.719
<v Speaker 1>there was like a six seven, generously eight year period

1039
00:56:02.920 --> 00:56:05.000
<v Speaker 1>where he wasn't above the line draw.

1040
00:56:05.119 --> 00:56:07.159
<v Speaker 2>For anyone else who's thinking it, I did hear Zach

1041
00:56:07.199 --> 00:56:08.199
<v Speaker 2>you say six seven.

1042
00:56:14.599 --> 00:56:17.119
<v Speaker 1>But yes, what's great about that what you just did

1043
00:56:17.320 --> 00:56:20.639
<v Speaker 1>is that that that like John Travolta's career listening to

1044
00:56:20.760 --> 00:56:22.440
<v Speaker 1>this like ten years Surromni and we're like, what does

1045
00:56:22.480 --> 00:56:23.599
<v Speaker 1>that mean? I don't understand what that.

1046
00:56:23.719 --> 00:56:26.280
<v Speaker 2>After the nuclear apocalypse and this is like, for some reason,

1047
00:56:26.320 --> 00:56:28.639
<v Speaker 2>the only audio people can find to listen to for

1048
00:56:28.760 --> 00:56:30.960
<v Speaker 2>some sort of you know, sense of normalcy.

1049
00:56:31.639 --> 00:56:35.760
<v Speaker 1>They'll be like, I don't understand huddled around the fire together.

1050
00:56:36.639 --> 00:56:39.800
<v Speaker 1>But he he was real big, right, yes, and then

1051
00:56:39.880 --> 00:56:45.000
<v Speaker 1>it's just like it just fell off right why? Well?

1052
00:56:45.039 --> 00:56:47.440
<v Speaker 2>So, I mean really, to be specific, like he was

1053
00:56:47.920 --> 00:56:50.440
<v Speaker 2>in the seventies right, like Welcome Back cod or Grease,

1054
00:56:51.079 --> 00:56:54.039
<v Speaker 2>Saturday Night Fever. You know, he was like on fire

1055
00:56:54.119 --> 00:56:57.280
<v Speaker 2>and then you know it, the flame was flickering a

1056
00:56:57.320 --> 00:56:59.119
<v Speaker 2>little bit and it was like the look, who's talking movies?

1057
00:56:59.559 --> 00:57:04.000
<v Speaker 2>Like Talking three and yeah, Tarantino injected life back into

1058
00:57:04.000 --> 00:57:06.679
<v Speaker 2>his career with pulp fiction. Then yeah, like you said,

1059
00:57:06.840 --> 00:57:10.239
<v Speaker 2>he's he's a draw. When did it taper again?

1060
00:57:10.599 --> 00:57:15.440
<v Speaker 1>What was that? I'm gonna say early aughts? Yeah, Like

1061
00:57:15.519 --> 00:57:19.440
<v Speaker 1>I remember like General's daughter. General's daughter was like two thousand, Okay,

1062
00:57:19.599 --> 00:57:21.199
<v Speaker 1>that was when it was sort of like I don't

1063
00:57:21.199 --> 00:57:23.800
<v Speaker 1>have to see all of his movies, right, and that

1064
00:57:24.039 --> 00:57:26.159
<v Speaker 1>was Yeah, that was like two thousand and then and

1065
00:57:26.239 --> 00:57:30.679
<v Speaker 1>then I remember Basic Yes, right, which wasn't that John McTiernan.

1066
00:57:30.800 --> 00:57:35.320
<v Speaker 1>I want to say it is, Yeah, yeah, And I

1067
00:57:35.440 --> 00:57:39.960
<v Speaker 1>mean he's still he still is headlining movies, but they're

1068
00:57:39.960 --> 00:57:43.320
<v Speaker 1>all like straight to streaming type stuff. Yeah. Yeah, But

1069
00:57:43.400 --> 00:57:45.760
<v Speaker 1>didn't he have like another kind of injection at some point?

1070
00:57:46.320 --> 00:57:49.800
<v Speaker 1>Am I wrong? I'm trying to think maybe he was.

1071
00:57:49.920 --> 00:57:52.880
<v Speaker 1>You know, back in twenty nineteen, he was in a

1072
00:57:53.039 --> 00:57:58.320
<v Speaker 1>movie called The Fan, which was directed by Fred Durst.

1073
00:58:00.199 --> 00:58:02.360
<v Speaker 1>I started Devin Sawa and I'm like one of two

1074
00:58:02.400 --> 00:58:04.440
<v Speaker 1>people who gave that movie a positive review. I reviewed

1075
00:58:04.440 --> 00:58:08.679
<v Speaker 1>it for The Chronicle and I said that Travolta like

1076
00:58:08.920 --> 00:58:11.079
<v Speaker 1>he's just doing his character actor thing, you know, and

1077
00:58:11.159 --> 00:58:13.159
<v Speaker 1>he's and he was fun to watching that, you know.

1078
00:58:13.320 --> 00:58:15.760
<v Speaker 1>I thought, yeah, the minority clearly.

1079
00:58:15.800 --> 00:58:19.079
<v Speaker 2>Well yeah, yeah, there was like the because I don't

1080
00:58:19.079 --> 00:58:21.440
<v Speaker 2>really remember that movie sadly if it's good.

1081
00:58:22.000 --> 00:58:25.039
<v Speaker 1>But he was doing the Gatti movie remember that for

1082
00:58:25.320 --> 00:58:28.000
<v Speaker 1>movie past? Yep? Yep, that's right. So yeah, kind of

1083
00:58:28.039 --> 00:58:32.159
<v Speaker 1>a weird like he's still he's still a capital S

1084
00:58:32.320 --> 00:58:34.400
<v Speaker 1>star in the sense that people know who he is.

1085
00:58:34.639 --> 00:58:39.039
<v Speaker 2>Yeah, yeah, but he can't carry a movie. I don't

1086
00:58:39.079 --> 00:58:43.280
<v Speaker 2>think you know, it's hard, right, I mean, it's you've

1087
00:58:43.320 --> 00:58:46.719
<v Speaker 2>got to find the right material that you shine in.

1088
00:58:47.199 --> 00:58:47.920
<v Speaker 1>Particularly.

1089
00:58:48.719 --> 00:58:52.199
<v Speaker 2>That can't be easy, especially when you know new people

1090
00:58:52.599 --> 00:58:54.639
<v Speaker 2>come up and then they're thinking of those people and

1091
00:58:54.719 --> 00:58:56.119
<v Speaker 2>not thinking of you as much. But you got to

1092
00:58:56.159 --> 00:58:58.400
<v Speaker 2>keep working, so then you make some things that aren't

1093
00:58:58.440 --> 00:59:01.840
<v Speaker 2>so great. You can continue to pay for your airplanes,

1094
00:59:02.239 --> 00:59:06.119
<v Speaker 2>you know. And then when we see a string of

1095
00:59:06.159 --> 00:59:08.320
<v Speaker 2>those movies that he's doing, maybe just for paychecks, then

1096
00:59:08.360 --> 00:59:10.800
<v Speaker 2>we start to think, oh, well, I guess he's not yeah,

1097
00:59:10.920 --> 00:59:11.800
<v Speaker 2>good movies anymore.

1098
00:59:12.119 --> 00:59:15.800
<v Speaker 1>It's a weird, weird professional and I should say I mean,

1099
00:59:15.920 --> 00:59:17.679
<v Speaker 1>I mean, everything I've heard is that he's a really

1100
00:59:17.760 --> 00:59:18.199
<v Speaker 1>nice guy.

1101
00:59:20.039 --> 00:59:22.440
<v Speaker 2>Me too, I think I don't know that I've heard

1102
00:59:22.480 --> 00:59:25.440
<v Speaker 2>a lot of firsthand stories about him, although I did

1103
00:59:25.519 --> 00:59:26.039
<v Speaker 2>see him.

1104
00:59:26.039 --> 00:59:29.320
<v Speaker 1>At Musso and Frank once. Oh it's random, that's pretty exciting,

1105
00:59:30.960 --> 00:59:33.199
<v Speaker 1>be nice to the wait staff. I don't recall.

1106
00:59:33.280 --> 00:59:35.000
<v Speaker 2>I just remember seeing him in a booth and just

1107
00:59:35.079 --> 00:59:36.679
<v Speaker 2>like I was leaving and I was like, holy crap,

1108
00:59:36.719 --> 00:59:37.559
<v Speaker 2>that's John Trobolta.

1109
00:59:39.840 --> 00:59:42.079
<v Speaker 1>And then you sidle up next to him. I loved

1110
00:59:42.119 --> 00:59:48.079
<v Speaker 1>you and broken arrow. He moves two booths down. It's right,

1111
00:59:51.000 --> 00:59:55.880
<v Speaker 1>but yeah, yeah, oh he did that OJU mini series

1112
00:59:55.920 --> 00:59:59.599
<v Speaker 1>remember that. Oh that's right, he was who was he?

1113
01:00:00.000 --> 01:00:03.000
<v Speaker 1>It's Shapiro, that's right. He had like the crazy eyebros.

1114
01:00:03.280 --> 01:00:07.000
<v Speaker 1>I forgot about that. Wow, yeah that was good. Well. Look,

1115
01:00:07.039 --> 01:00:10.920
<v Speaker 1>you can see the beginnings of his character actor arc

1116
01:00:11.280 --> 01:00:15.880
<v Speaker 1>here in this movie, right, because because when you think

1117
01:00:15.920 --> 01:00:19.800
<v Speaker 1>about it, I I you know, this kind of gets

1118
01:00:19.880 --> 01:00:22.679
<v Speaker 1>what we were saying earlier. I applaud the swing where

1119
01:00:22.719 --> 01:00:27.840
<v Speaker 1>he's like, he could play hail. It's a standard issue

1120
01:00:27.880 --> 01:00:31.880
<v Speaker 1>action hero, easy check. The movie would probably do well anyway.

1121
01:00:33.880 --> 01:00:35.559
<v Speaker 1>And so he's like, you know what, let me, let

1122
01:00:35.599 --> 01:00:36.760
<v Speaker 1>me do something a little different.

1123
01:00:37.159 --> 01:00:42.039
<v Speaker 2>Yeah, right, Yeah, And his performance in here is one

1124
01:00:42.119 --> 01:00:43.760
<v Speaker 2>of the things like if you're going to list like

1125
01:00:43.840 --> 01:00:45.280
<v Speaker 2>three things you remember about.

1126
01:00:45.000 --> 01:00:49.000
<v Speaker 1>This movie, yeah, yeah, absolutely, you know.

1127
01:00:49.559 --> 01:00:51.559
<v Speaker 2>All right, so we're underground now. This is the thing too,

1128
01:00:51.639 --> 01:00:55.119
<v Speaker 2>which I think about sometimes in terms of like writing

1129
01:00:55.159 --> 01:00:56.639
<v Speaker 2>a story like this. It's like, all right, well, you've

1130
01:00:56.679 --> 01:01:02.199
<v Speaker 2>got these missiles. How do you staying two hours of

1131
01:01:02.440 --> 01:01:04.920
<v Speaker 2>like back and forth and feeling like there's an opportunity

1132
01:01:04.960 --> 01:01:07.000
<v Speaker 2>for our hero to get the thing back, but then

1133
01:01:07.039 --> 01:01:09.360
<v Speaker 2>he's got to have it taken away, and how do

1134
01:01:09.440 --> 01:01:11.119
<v Speaker 2>you do that for two hours.

1135
01:01:10.920 --> 01:01:15.440
<v Speaker 1>With these things, you know, So it's I don't know.

1136
01:01:15.760 --> 01:01:16.679
<v Speaker 1>I think they come up with some.

1137
01:01:16.800 --> 01:01:21.760
<v Speaker 2>Interesting ideas and locations like this mine here, right, you know,

1138
01:01:21.840 --> 01:01:23.599
<v Speaker 2>and like that's an opportunity for one of them to

1139
01:01:23.679 --> 01:01:29.239
<v Speaker 2>go off underground so it doesn't hurt anybody, and you know,

1140
01:01:29.360 --> 01:01:31.639
<v Speaker 2>I don't know's there's some some good stuff here.

1141
01:01:33.920 --> 01:01:37.159
<v Speaker 1>Well, this is this is where it. You know. Having

1142
01:01:37.639 --> 01:01:39.960
<v Speaker 1>the park ranger character is very helpful.

1143
01:01:41.000 --> 01:01:43.840
<v Speaker 2>Yes, yeah, which is which is good because you want

1144
01:01:43.920 --> 01:01:45.760
<v Speaker 2>her to not just be sort of like a damsel

1145
01:01:45.840 --> 01:01:49.280
<v Speaker 2>tagging along, like she's got a specific skill set that

1146
01:01:49.360 --> 01:01:55.079
<v Speaker 2>she gets. We get check Off's underground river that she

1147
01:01:55.199 --> 01:01:55.880
<v Speaker 2>mentioned earlier.

1148
01:01:56.639 --> 01:02:01.519
<v Speaker 1>That's right, look at him, he's that's the timer to

1149
01:02:01.639 --> 01:02:05.880
<v Speaker 1>be thirteen and say, look what an asshole this Deacons.

1150
01:02:05.880 --> 01:02:07.440
<v Speaker 1>I'm just gonna say it, Brian, I don't think this

1151
01:02:07.559 --> 01:02:08.519
<v Speaker 1>Deacons is a good guy.

1152
01:02:10.480 --> 01:02:12.159
<v Speaker 2>I do love it though he puts that in and

1153
01:02:12.320 --> 01:02:13.880
<v Speaker 2>smashes the keypad.

1154
01:02:15.159 --> 01:02:20.960
<v Speaker 1>Just to a Sure, he's so nuts, but the movie, right,

1155
01:02:21.039 --> 01:02:23.360
<v Speaker 1>don't you feel like we're missing a step in terms

1156
01:02:23.400 --> 01:02:24.599
<v Speaker 1>of why he's so nuts.

1157
01:02:25.519 --> 01:02:29.159
<v Speaker 2>Yes, it's sort of like speed right where you've got Oh,

1158
01:02:29.239 --> 01:02:31.239
<v Speaker 2>well he was like bomb Unit, and then.

1159
01:02:31.440 --> 01:02:35.079
<v Speaker 1>We needed that scene exactly right, because it's like he's

1160
01:02:35.119 --> 01:02:37.960
<v Speaker 1>like I got passed over from promotion, and you know,

1161
01:02:38.239 --> 01:02:40.039
<v Speaker 1>he took things to kind of an extreme place. But

1162
01:02:40.599 --> 01:02:43.559
<v Speaker 1>if we have you know, Frank Whaley or whoever you

1163
01:02:43.639 --> 01:02:46.039
<v Speaker 1>know with the print out, oh like Deacons and this happened,

1164
01:02:46.199 --> 01:02:48.800
<v Speaker 1>and then in nineteen ninety two, you know, his wife

1165
01:02:48.880 --> 01:02:52.880
<v Speaker 1>died or what like something. You know. I totally agree.

1166
01:02:53.239 --> 01:02:55.920
<v Speaker 2>I mean, The Rock always comes up as one of

1167
01:02:55.960 --> 01:02:59.840
<v Speaker 2>the greatest villains ever because his motivations are so fascinating,

1168
01:03:00.840 --> 01:03:02.400
<v Speaker 2>you know what I mean, where it's like he's the

1169
01:03:02.480 --> 01:03:05.760
<v Speaker 2>bad guy, but you also totally get what he wants

1170
01:03:05.880 --> 01:03:10.719
<v Speaker 2>and like can't really disagree. You may disagree with his actions,

1171
01:03:11.320 --> 01:03:14.679
<v Speaker 2>but you understand his motives, you know. But yeah, I

1172
01:03:14.719 --> 01:03:16.719
<v Speaker 2>agree these this is very flimsy here.

1173
01:03:19.280 --> 01:03:22.159
<v Speaker 1>Yeah, Like that's an odd choice to me, especially considering

1174
01:03:22.239 --> 01:03:26.119
<v Speaker 1>The Rock was literally like like four months away or whatever.

1175
01:03:26.239 --> 01:03:29.320
<v Speaker 2>You know. Yeah, but I feel like The Rock that

1176
01:03:29.559 --> 01:03:33.199
<v Speaker 2>is like the A plus version of this kind of movie, right,

1177
01:03:33.960 --> 01:03:36.840
<v Speaker 2>It really is, I mean, like top to bottom, the direction,

1178
01:03:37.119 --> 01:03:39.920
<v Speaker 2>the writing, the acting, Like it knows it's a silly

1179
01:03:40.000 --> 01:03:44.199
<v Speaker 2>action movie and it allows itself to be that, but

1180
01:03:44.320 --> 01:03:49.280
<v Speaker 2>it's also everything is like a plus. Yeah, Like the

1181
01:03:49.400 --> 01:03:54.440
<v Speaker 2>casting is a plus, the comedy, the direction, the writing.

1182
01:03:54.920 --> 01:03:59.159
<v Speaker 2>As ludicrous as it is, it's still well written. Craziness,

1183
01:04:00.000 --> 01:04:02.559
<v Speaker 2>you know what I mean. It's but they can't all

1184
01:04:02.639 --> 01:04:02.840
<v Speaker 2>be that.

1185
01:04:03.920 --> 01:04:07.159
<v Speaker 1>See this right here, the old slow motion jumping firing thing.

1186
01:04:07.519 --> 01:04:11.599
<v Speaker 1>Tell me that's not like every kid's dream to like

1187
01:04:11.760 --> 01:04:14.239
<v Speaker 1>play that in an action movie. Oh totally. I mean yeah,

1188
01:04:14.599 --> 01:04:15.800
<v Speaker 1>gun in each hand, and I love it.

1189
01:04:15.840 --> 01:04:18.719
<v Speaker 2>He just like dives forward almost like a belly flop

1190
01:04:18.800 --> 01:04:19.639
<v Speaker 2>onto the ground, like.

1191
01:04:21.119 --> 01:04:27.039
<v Speaker 1>Yeah, you know, it's funny.

1192
01:04:27.119 --> 01:04:32.000
<v Speaker 2>I The Mission Impossible movies have been on Pluto lately,

1193
01:04:32.159 --> 01:04:35.440
<v Speaker 2>just like repeating. I watched a big Chunk of two

1194
01:04:35.719 --> 01:04:37.679
<v Speaker 2>the other day, and it is just funny, like seeing

1195
01:04:37.760 --> 01:04:41.639
<v Speaker 2>Ethan Hunt doing this stuff. Yeah, like he doesn't do

1196
01:04:41.760 --> 01:04:45.000
<v Speaker 2>that in any of the other movies, but he becomes

1197
01:04:45.079 --> 01:04:48.920
<v Speaker 2>this like, yeah, like hard boiled badass in that one,

1198
01:04:49.000 --> 01:04:50.960
<v Speaker 2>and it's just really funny and like that Nigeens or

1199
01:04:51.000 --> 01:04:51.920
<v Speaker 2>the doves or whatever.

1200
01:04:51.760 --> 01:04:54.000
<v Speaker 1>It is, the doves that are Yeah, that was my

1201
01:04:54.119 --> 01:04:56.480
<v Speaker 1>issue with that movie. I was like, this isn't Mission Impossible.

1202
01:04:56.519 --> 01:05:00.400
<v Speaker 1>This is Ethan Hunt, spy guy, you know, totally totally

1203
01:05:01.119 --> 01:05:04.639
<v Speaker 1>it lost a lot of what makes those movies work,

1204
01:05:04.719 --> 01:05:07.480
<v Speaker 1>but obviously a lot of that is in hindsight. Yeah. Yeah,

1205
01:05:07.920 --> 01:05:09.519
<v Speaker 1>but it was a hit when it came out. I

1206
01:05:09.599 --> 01:05:12.039
<v Speaker 1>mean it was. It was the moment it was I

1207
01:05:12.159 --> 01:05:13.639
<v Speaker 1>want to say, it was like the number one or

1208
01:05:13.679 --> 01:05:18.440
<v Speaker 1>number two movie that year, Crazy Go to two thousand, Right, Yeah.

1209
01:05:20.960 --> 01:05:24.159
<v Speaker 1>Have you ever wanted to throw a grenade? You know?

1210
01:05:25.159 --> 01:05:27.119
<v Speaker 1>I don't. I don't think I would want to. Actually,

1211
01:05:27.119 --> 01:05:29.199
<v Speaker 1>I think there'd be a lot of pressure. Yeah.

1212
01:05:29.320 --> 01:05:31.280
<v Speaker 2>I think I would need to watch like a good

1213
01:05:31.400 --> 01:05:33.679
<v Speaker 2>five minute YouTube video about how they work first, Like

1214
01:05:33.719 --> 01:05:36.559
<v Speaker 2>because like, wait, so how long until after I let go?

1215
01:05:36.880 --> 01:05:39.239
<v Speaker 2>If I hold you know, like so I pulled the pin,

1216
01:05:39.360 --> 01:05:41.960
<v Speaker 2>but it's it's about this little lever, right, Like, yeah,

1217
01:05:42.000 --> 01:05:43.000
<v Speaker 2>I need to understand it more.

1218
01:05:43.519 --> 01:05:45.760
<v Speaker 1>You wouldn't rattle off every the name of everyone in

1219
01:05:45.840 --> 01:05:50.079
<v Speaker 1>your company before you throw it. Yes, yes, she's not

1220
01:05:50.159 --> 01:05:53.679
<v Speaker 1>so bad once you get to see. I feel like

1221
01:05:53.960 --> 01:05:56.679
<v Speaker 1>at that moment when it comes to throwing a grenade,

1222
01:05:56.679 --> 01:06:00.760
<v Speaker 1>I'd be like, eh, and that would be the one

1223
01:06:00.840 --> 01:06:02.559
<v Speaker 1>time in my life where it was like the very

1224
01:06:02.679 --> 01:06:05.440
<v Speaker 1>worst throw of all time, right, or like.

1225
01:06:05.480 --> 01:06:06.960
<v Speaker 2>A bird would go by and it would hit it

1226
01:06:07.000 --> 01:06:13.400
<v Speaker 2>and then bounce back toward me. That probably would happen,

1227
01:06:16.119 --> 01:06:19.599
<v Speaker 2>and then I'd have the Jeff Daniels face from Speed.

1228
01:06:20.000 --> 01:06:28.079
<v Speaker 1>Yeah, tell me that is not the best about to

1229
01:06:28.239 --> 01:06:34.320
<v Speaker 1>die acting in any movie ever. Yep, yep, yep. And

1230
01:06:34.400 --> 01:06:35.280
<v Speaker 1>I lot surprised.

1231
01:06:35.280 --> 01:06:37.039
<v Speaker 2>It's like, you know what's happening, and you probably got

1232
01:06:37.039 --> 01:06:38.480
<v Speaker 2>about a second and a half left.

1233
01:06:39.440 --> 01:06:42.440
<v Speaker 1>Yeah, you know, he like Jeff Daniels has actually talked

1234
01:06:42.480 --> 01:06:47.400
<v Speaker 1>about his process just with that that shot and how

1235
01:06:47.480 --> 01:06:49.960
<v Speaker 1>everything that went into how he played it, and I'm like,

1236
01:06:50.039 --> 01:06:52.639
<v Speaker 1>I love that he gave it that much thought. That's great.

1237
01:06:54.239 --> 01:06:56.239
<v Speaker 2>By the way, Speaking of John Wu tropes, we got

1238
01:06:56.280 --> 01:06:59.000
<v Speaker 2>these guys speaking to one another, but they can't see

1239
01:06:59.039 --> 01:07:01.400
<v Speaker 2>each other, you know, right right.

1240
01:07:02.199 --> 01:07:07.559
<v Speaker 1>Like in the face off? Have we done face Off? No? Well,

1241
01:07:07.719 --> 01:07:11.360
<v Speaker 1>my next year at thirtyth anniversary, Perfect, that's the time.

1242
01:07:14.440 --> 01:07:16.480
<v Speaker 1>You know, I'm kind of curious to go back.

1243
01:07:16.519 --> 01:07:18.880
<v Speaker 2>I've not watched a lot of the older John Wu movies.

1244
01:07:18.920 --> 01:07:20.599
<v Speaker 2>I'd be kind of curious to see what he was

1245
01:07:20.679 --> 01:07:23.119
<v Speaker 2>doing before Hollywood.

1246
01:07:22.760 --> 01:07:27.239
<v Speaker 1>Was like we need that. Like I've not seen Hard Boiled. Yeah,

1247
01:07:27.280 --> 01:07:30.320
<v Speaker 1>I've seen Hard but I feel like I've seen some

1248
01:07:30.360 --> 01:07:32.360
<v Speaker 1>of his other movies and I can't remember now. Yeah,

1249
01:07:34.079 --> 01:07:37.719
<v Speaker 1>but like I definitely knew who John Wu was when

1250
01:07:37.840 --> 01:07:40.960
<v Speaker 1>this came out. Me too. It was like a selling point.

1251
01:07:41.159 --> 01:07:45.880
<v Speaker 1>Yeah exactly. So I'm like, were we just like huge nerds? Yeah?

1252
01:07:46.280 --> 01:07:46.679
<v Speaker 1>I think so.

1253
01:07:47.039 --> 01:07:49.719
<v Speaker 2>I mean I was talking about knowing tracks from My

1254
01:07:49.800 --> 01:07:51.480
<v Speaker 2>Blue Heaven in the movie good point too.

1255
01:07:51.639 --> 01:07:54.480
<v Speaker 1>So I was a killer The Killer, by the way,

1256
01:07:54.519 --> 01:07:57.199
<v Speaker 1>that's the movie I was thinking of The Killer. Yeah again,

1257
01:07:57.239 --> 01:07:58.840
<v Speaker 1>I know the title, I know what it is, but

1258
01:07:58.920 --> 01:08:02.199
<v Speaker 1>I'm also with Chi Fat. Yeah, so those two I've seen. Yeah,

1259
01:08:04.079 --> 01:08:08.559
<v Speaker 1>this is great. I think it would have worked better

1260
01:08:08.719 --> 01:08:13.760
<v Speaker 1>with that track from My Blue Heaven. Yes, yeah, that

1261
01:08:13.800 --> 01:08:14.800
<v Speaker 1>would have made the difference.

1262
01:08:16.520 --> 01:08:21.399
<v Speaker 2>You maybe snort twice. I wonder what was that poll?

1263
01:08:22.239 --> 01:08:23.319
<v Speaker 2>The gambling thing?

1264
01:08:24.119 --> 01:08:26.720
<v Speaker 1>What's that called? Oh, I know what you're talking about. Yeah,

1265
01:08:26.800 --> 01:08:28.960
<v Speaker 1>people can do over under and how many times I'm

1266
01:08:28.960 --> 01:08:34.920
<v Speaker 1>gonna snort? But here we go.

1267
01:08:35.119 --> 01:08:38.439
<v Speaker 2>So we got we got one bomb down there, and

1268
01:08:38.479 --> 01:08:40.239
<v Speaker 2>then we got them getting away with another one, so

1269
01:08:40.279 --> 01:08:41.079
<v Speaker 2>we got another chase.

1270
01:08:41.119 --> 01:08:41.479
<v Speaker 1>It's good.

1271
01:08:41.520 --> 01:08:46.119
<v Speaker 2>It's good management, right story wise of our mcguffins.

1272
01:08:49.880 --> 01:08:51.920
<v Speaker 1>You know what John Wood did recently I totally forgot

1273
01:08:51.960 --> 01:08:56.800
<v Speaker 1>about and I thought it was okay wash that movie

1274
01:08:56.840 --> 01:09:03.239
<v Speaker 1>with Joel Kinneman. This is is ringing a bell Silent night. Yeah,

1275
01:09:03.359 --> 01:09:07.600
<v Speaker 1>that was John wu huh. Yeah, I haven't seen it.

1276
01:09:07.760 --> 01:09:11.000
<v Speaker 1>You saw it. I did see it, Okay, I mean

1277
01:09:11.079 --> 01:09:13.239
<v Speaker 1>it didn't it's not gonna change your life, but I thought,

1278
01:09:13.239 --> 01:09:17.960
<v Speaker 1>you know, that was good decent action. Yeah. I got

1279
01:09:18.039 --> 01:09:20.159
<v Speaker 1>a sequence when the when the when the bomb goes off.

1280
01:09:20.159 --> 01:09:21.399
<v Speaker 1>I think it's pretty well executed.

1281
01:09:21.479 --> 01:09:24.720
<v Speaker 2>Dude, you literally literally took it out of my mouth. Yep,

1282
01:09:24.880 --> 01:09:28.399
<v Speaker 2>I agree, I agree, And uh, I don't know how

1283
01:09:28.439 --> 01:09:30.039
<v Speaker 2>they did it. I don't know what the visual effects

1284
01:09:30.640 --> 01:09:33.439
<v Speaker 2>work is here, but it looks amazing.

1285
01:09:37.119 --> 01:09:40.520
<v Speaker 1>We'll see this like like right here, right here, right here, gunting,

1286
01:09:40.680 --> 01:09:46.279
<v Speaker 1>what are you doing? Yeah, and Travolta grabs that thing

1287
01:09:46.399 --> 01:09:48.199
<v Speaker 1>and it was like flashlight or something and it just

1288
01:09:48.239 --> 01:09:50.920
<v Speaker 1>whacks him in the in the trachyc a couple of times.

1289
01:09:51.000 --> 01:09:59.199
<v Speaker 1>Yeah that's not good. No, it's very brutal. I remember that.

1290
01:10:00.079 --> 01:10:00.520
<v Speaker 1>What do you call it?

1291
01:10:00.600 --> 01:10:05.479
<v Speaker 2>Like a crash zoom? I think, yeah, smash zoom, smash zoom.

1292
01:10:06.800 --> 01:10:08.960
<v Speaker 2>I remember that stood out to me the other night too,

1293
01:10:08.960 --> 01:10:09.520
<v Speaker 2>where I was just like.

1294
01:10:09.920 --> 01:10:12.840
<v Speaker 1>Wow, yeah, because he keeps doing it like I think

1295
01:10:12.880 --> 01:10:14.039
<v Speaker 1>you get to do it one time.

1296
01:10:14.680 --> 01:10:17.000
<v Speaker 2>Yeah, yeah, Actually I would appreciate it if they kept

1297
01:10:17.079 --> 01:10:18.560
<v Speaker 2>doing it, but from like different angles.

1298
01:10:20.199 --> 01:10:22.159
<v Speaker 1>See right here, when they're in those tunnels. Thought it'd

1299
01:10:22.199 --> 01:10:25.479
<v Speaker 1>be funny if they're going in the opposite direction of

1300
01:10:25.520 --> 01:10:30.239
<v Speaker 1>the goonies. You see them going the other way. I

1301
01:10:30.319 --> 01:10:34.560
<v Speaker 1>don't acknowledge each other. That would be hilarious. Is there

1302
01:10:34.680 --> 01:10:40.399
<v Speaker 1>the pirate shit? Dude? Can I kill the mood and

1303
01:10:40.439 --> 01:10:42.399
<v Speaker 1>say a joke that I wrote down? Now?

1304
01:10:42.439 --> 01:10:44.439
<v Speaker 2>You have to so I think it already happened. I

1305
01:10:44.479 --> 01:10:46.399
<v Speaker 2>guess I missed it this time. But when they were

1306
01:10:46.479 --> 01:10:48.520
<v Speaker 2>driving and they throw the one guy out of the

1307
01:10:48.720 --> 01:10:51.479
<v Speaker 2>car and then they run over him, they say, I

1308
01:10:51.560 --> 01:10:54.640
<v Speaker 2>think his name is Steve. And then just in my head,

1309
01:10:54.640 --> 01:10:55.720
<v Speaker 2>I was like, oh, there's got to be like a

1310
01:10:55.760 --> 01:10:58.119
<v Speaker 2>funny line about this or something. And I was like,

1311
01:10:58.640 --> 01:11:01.880
<v Speaker 2>he's like a speed bump, Steve bumps, Steve bump. There

1312
01:11:01.880 --> 01:11:04.800
<v Speaker 2>you go, I think we just hit a Steve bump. Well,

1313
01:11:05.000 --> 01:11:07.159
<v Speaker 2>after after hearing that joke, I want to do to

1314
01:11:07.239 --> 01:11:11.079
<v Speaker 2>you what just did to Bob Gunton there?

1315
01:11:11.560 --> 01:11:13.000
<v Speaker 1>Hey, Like I didn't write a lot of things down

1316
01:11:13.039 --> 01:11:17.119
<v Speaker 1>for this one. I gotta say everything. The Steve bump.

1317
01:11:17.199 --> 01:11:21.239
<v Speaker 1>I like it, Nada it's not that great. I did

1318
01:11:21.479 --> 01:11:24.359
<v Speaker 1>also note that somewhere someone.

1319
01:11:25.720 --> 01:11:30.000
<v Speaker 2>Says YadA YadA, YadA, which of course Seinfeld didn't invent that,

1320
01:11:30.199 --> 01:11:34.479
<v Speaker 2>but they definitely made a popular and so I was

1321
01:11:34.600 --> 01:11:37.680
<v Speaker 2>curious when that episode aired, and it was a year

1322
01:11:37.840 --> 01:11:41.439
<v Speaker 2>after this, Okay, so it wasn't like they were getting

1323
01:11:41.520 --> 01:11:43.960
<v Speaker 2>that from the popularity of Seinfeld at this point in

1324
01:11:44.000 --> 01:11:44.359
<v Speaker 2>this movie.

1325
01:11:44.439 --> 01:11:47.319
<v Speaker 1>Oh gotcha. Yeah, I mean I had heard YadA YadA, no.

1326
01:11:47.479 --> 01:11:50.600
<v Speaker 2>For sure, but I feel like then after that episode,

1327
01:11:50.640 --> 01:11:52.239
<v Speaker 2>that was where a lot of people and then it

1328
01:11:52.399 --> 01:11:56.199
<v Speaker 2>just entered the common vernacular. Yeah, or maybe that's when

1329
01:11:56.199 --> 01:11:58.640
<v Speaker 2>people started saying, like, so, by the way, that YadA,

1330
01:11:59.079 --> 01:11:59.479
<v Speaker 2>that thing.

1331
01:11:59.439 --> 01:12:01.479
<v Speaker 1>With the cigarett, that's what that's what was bugging you.

1332
01:12:02.960 --> 01:12:07.319
<v Speaker 2>This is one of the least uh big sort of

1333
01:12:08.800 --> 01:12:10.840
<v Speaker 2>clenching it with his fingers, but like the one in

1334
01:12:10.920 --> 01:12:12.279
<v Speaker 2>the locker room is the biggest one.

1335
01:12:13.079 --> 01:12:15.279
<v Speaker 1>You know. It's just funny to me. I don't know,

1336
01:12:16.119 --> 01:12:20.079
<v Speaker 1>see this here where he's like, I've never killed somebody

1337
01:12:20.199 --> 01:12:23.760
<v Speaker 1>in person. I don't know right there, Yeah, I know,

1338
01:12:23.880 --> 01:12:28.319
<v Speaker 1>And now it's bugging me too. That is odd. It's

1339
01:12:28.359 --> 01:12:34.680
<v Speaker 1>a choice. It's fine. Sorry, you're san No. That thing

1340
01:12:34.760 --> 01:12:36.920
<v Speaker 1>about about like, oh, I never killed somebody and it's

1341
01:12:37.039 --> 01:12:39.000
<v Speaker 1>not that big. Stopped doing this smash the.

1342
01:12:39.039 --> 01:12:43.079
<v Speaker 2>Deer, the deer come on, that's great. That almost feels

1343
01:12:43.079 --> 01:12:44.399
<v Speaker 2>like a naked gun joke or something.

1344
01:12:47.680 --> 01:12:49.800
<v Speaker 1>No, but this whole this whole sequence here, and the

1345
01:12:49.840 --> 01:12:53.800
<v Speaker 1>way we see the the the blast wave spread out, yeah,

1346
01:12:54.319 --> 01:12:55.600
<v Speaker 1>very well executed, very good.

1347
01:12:55.680 --> 01:12:57.399
<v Speaker 2>Actually, do you see he did like a really funky

1348
01:12:57.439 --> 01:13:00.359
<v Speaker 2>thing there with the like the lens or something, and

1349
01:13:00.399 --> 01:13:02.079
<v Speaker 2>that was really effective, Like it made it look like

1350
01:13:02.680 --> 01:13:04.119
<v Speaker 2>everything's warping.

1351
01:13:04.960 --> 01:13:07.520
<v Speaker 1>That's pretty cool. And this, Yeah, that that crater looks great.

1352
01:13:08.399 --> 01:13:09.680
<v Speaker 1>I don't know how they did it, but it looks

1353
01:13:09.720 --> 01:13:13.720
<v Speaker 1>really good. See, whenever I see scenes like this where

1354
01:13:13.760 --> 01:13:15.399
<v Speaker 1>they're all like shaking and stuff, I'm always like, what

1355
01:13:15.520 --> 01:13:17.399
<v Speaker 1>is it like on set when they're doing that, because

1356
01:13:17.439 --> 01:13:20.760
<v Speaker 1>presumably the set is not on a gimbal. They're just

1357
01:13:20.880 --> 01:13:24.039
<v Speaker 1>told to like like shake around, yep, yep. They just

1358
01:13:24.079 --> 01:13:29.000
<v Speaker 1>feel weird doing silly Do this ripple that's happened. I mean,

1359
01:13:29.119 --> 01:13:29.479
<v Speaker 1>that's great.

1360
01:13:29.840 --> 01:13:32.399
<v Speaker 2>Know how they did that makes me think of the

1361
01:13:32.520 --> 01:13:34.359
<v Speaker 2>Dark Knight Rises with the football field.

1362
01:13:34.760 --> 01:13:37.560
<v Speaker 1>Yeah, well it's got to be some kind of digital work.

1363
01:13:37.600 --> 01:13:39.479
<v Speaker 1>I would think it looks really I mean, especially for

1364
01:13:39.600 --> 01:13:42.399
<v Speaker 1>ninety six looks amazing. See, well that's kind of that

1365
01:13:42.520 --> 01:13:44.840
<v Speaker 1>gets what we were talking about before about how how

1366
01:13:45.319 --> 01:13:51.600
<v Speaker 1>god damn what a rush. He's a bad guy, Brian, Yeah,

1367
01:13:51.640 --> 01:13:54.279
<v Speaker 1>he loves it. Killing is not a big deal to him.

1368
01:13:54.720 --> 01:13:57.640
<v Speaker 1>That's what he said. You know, I don't know, I

1369
01:13:57.720 --> 01:14:00.600
<v Speaker 1>feel like anybody who would say that not a good guy. Yeah,

1370
01:14:01.560 --> 01:14:03.359
<v Speaker 1>I think she's got a corpse next to that. I

1371
01:14:03.479 --> 01:14:08.279
<v Speaker 1>know it's just with his head back. Yeah no, but

1372
01:14:08.840 --> 01:14:10.960
<v Speaker 1>but you know, this movie came out at a time

1373
01:14:11.000 --> 01:14:14.399
<v Speaker 1>where digital effects were a thing, but they were uh

1374
01:14:14.720 --> 01:14:18.319
<v Speaker 1>not everything, so they had to be used judiciously. So

1375
01:14:18.439 --> 01:14:22.119
<v Speaker 1>I don't know that the last wave was was done digitally,

1376
01:14:22.159 --> 01:14:24.760
<v Speaker 1>but it wouldn't be surprised me it could have been

1377
01:14:24.800 --> 01:14:32.920
<v Speaker 1>even a little combination of practical and Yeah. Yeah, so disturbing,

1378
01:14:33.840 --> 01:14:34.520
<v Speaker 1>that really is.

1379
01:14:36.600 --> 01:14:42.479
<v Speaker 2>Oh there's always something very disturbing too about like a

1380
01:14:42.560 --> 01:14:46.439
<v Speaker 2>bad guy talking to a corpse. Yeah, it's like the Joker,

1381
01:14:46.520 --> 01:14:50.439
<v Speaker 2>the Joker. Yeah, Like it's really upsetting, and it works

1382
01:14:50.520 --> 01:14:53.159
<v Speaker 2>really great for the Joker because he's you know how

1383
01:14:53.359 --> 01:14:56.600
<v Speaker 2>dark he is. And then I remember in Fast ten,

1384
01:14:58.000 --> 01:15:00.359
<v Speaker 2>I remember Jason MOA's got that guy.

1385
01:15:01.000 --> 01:15:02.760
<v Speaker 1>Oh and he's like doing his nails or something.

1386
01:15:02.920 --> 01:15:04.439
<v Speaker 2>Yeah, he's got him like propped up in a lawn

1387
01:15:04.520 --> 01:15:06.640
<v Speaker 2>chair next to him, and I think, yes, his nails,

1388
01:15:06.640 --> 01:15:09.479
<v Speaker 2>And I'm like, it's like upsetting, but there's also something

1389
01:15:09.560 --> 01:15:10.640
<v Speaker 2>kind of like interesting about it.

1390
01:15:11.359 --> 01:15:17.920
<v Speaker 1>I mean, in fairness, Rotelli was a vicious bastard. I'm

1391
01:15:17.960 --> 01:15:28.680
<v Speaker 1>glad he's dead. Hey, we're good. Butterflies Zachi so okay.

1392
01:15:28.760 --> 01:15:32.199
<v Speaker 1>So so I now I don't I don't know. I

1393
01:15:32.239 --> 01:15:34.840
<v Speaker 1>haven't done research, but I'm like, is this is that

1394
01:15:35.000 --> 01:15:37.640
<v Speaker 1>actually a thing that, oh, if there was a nuclear

1395
01:15:37.760 --> 01:15:40.159
<v Speaker 1>blast then butterflies wouldn't be there? Is that the movie

1396
01:15:40.279 --> 01:15:48.239
<v Speaker 1>just making something up? I don't know. I don't because

1397
01:15:48.279 --> 01:15:49.720
<v Speaker 1>that's what I was wondering about. I feel like I

1398
01:15:49.800 --> 01:15:52.000
<v Speaker 1>feel like a lot of people might have like made

1399
01:15:52.039 --> 01:15:56.279
<v Speaker 1>their lives revolve around that truism that is true, I

1400
01:15:56.439 --> 01:15:57.479
<v Speaker 1>remember sort of.

1401
01:15:57.800 --> 01:16:00.720
<v Speaker 2>I think it's become kind of famous. In Back Begins,

1402
01:16:00.960 --> 01:16:02.000
<v Speaker 2>I was gonna bring this up.

1403
01:16:02.840 --> 01:16:06.000
<v Speaker 1>We are like completely yeah, right, in the same way,

1404
01:16:06.159 --> 01:16:08.199
<v Speaker 1>Well do you want to go ahead? No? Go ahead?

1405
01:16:09.520 --> 01:16:12.279
<v Speaker 2>So basically, at the beginning of Batman Begins, Bruce Wayne

1406
01:16:12.359 --> 01:16:16.680
<v Speaker 2>is training with rozagh Ghoul on a frozen lake, and

1407
01:16:16.880 --> 01:16:20.000
<v Speaker 2>Ghoul trying to teach Wayne about a lesson about minding

1408
01:16:20.039 --> 01:16:23.279
<v Speaker 2>his surroundings. He takes his sword taps the ice beneath

1409
01:16:23.479 --> 01:16:26.560
<v Speaker 2>Bruce Wayne's feet, and Wayne falls through the ice into

1410
01:16:26.600 --> 01:16:28.720
<v Speaker 2>the icy water below. Then we cut to them around

1411
01:16:28.760 --> 01:16:30.920
<v Speaker 2>a campfire and Wayne is trying to warm himself because

1412
01:16:30.920 --> 01:16:33.960
<v Speaker 2>he's freezing, and Rasaghul gives the advice put your hands

1413
01:16:34.079 --> 01:16:35.119
<v Speaker 2>underneath your armpits.

1414
01:16:35.159 --> 01:16:40.079
<v Speaker 1>It'll it'll warm you faster. And someone asked, Nolan, oh

1415
01:16:40.199 --> 01:16:41.840
<v Speaker 1>is that true? Where did you hear that?

1416
01:16:41.960 --> 01:16:43.359
<v Speaker 2>And Nolan's like, oh no, no, no, no, I just

1417
01:16:43.399 --> 01:16:45.199
<v Speaker 2>I just made that up. It just it just sounded good,

1418
01:16:45.199 --> 01:16:45.520
<v Speaker 2>didn't it.

1419
01:16:45.840 --> 01:16:46.319
<v Speaker 1>Yeah, you know?

1420
01:16:46.399 --> 01:16:48.520
<v Speaker 2>And so yeah, I just imagine what if there was

1421
01:16:48.560 --> 01:16:51.119
<v Speaker 2>someone in the Arctic who was actually freezing and trying

1422
01:16:51.159 --> 01:16:53.560
<v Speaker 2>to figure out how to warm themselves and save their lives,

1423
01:16:53.600 --> 01:16:55.159
<v Speaker 2>and they were like, wait a minute, I remember this

1424
01:16:55.239 --> 01:16:57.000
<v Speaker 2>moment from Batman begins, I just need to put my

1425
01:16:57.079 --> 01:16:58.960
<v Speaker 2>hands under my armpits and it'll save my life.

1426
01:16:59.159 --> 01:17:01.520
<v Speaker 1>He says, like, mind your chest, your arms will take

1427
01:17:01.560 --> 01:17:07.760
<v Speaker 1>care of themselves. Yes, something like that. Yeah, yeah, the butterflies.

1428
01:17:07.800 --> 01:17:11.880
<v Speaker 1>I don't know that. I'm wondering. I feel like somebody

1429
01:17:11.960 --> 01:17:15.159
<v Speaker 1>may have situated their life around that, and it's just yeah,

1430
01:17:15.319 --> 01:17:16.880
<v Speaker 1>and I don't know, but it might just be a

1431
01:17:17.039 --> 01:17:20.680
<v Speaker 1>damn dirty lie. I'm looking.

1432
01:17:27.079 --> 01:17:37.840
<v Speaker 2>Uh, they're sensitive to radiation, what isn't uh Now, I'm

1433
01:17:37.880 --> 01:17:39.279
<v Speaker 2>not seeing anything very specific here.

1434
01:17:39.399 --> 01:17:46.600
<v Speaker 1>Yeah, I look at that. Yeah, you liar, yost. So

1435
01:17:47.279 --> 01:17:51.039
<v Speaker 1>Samantha mathis worth mentioning. She is the daughter of Babie

1436
01:17:51.119 --> 01:17:56.640
<v Speaker 1>Bish who is uh Captain Kirk's love interest in Wrath

1437
01:17:56.680 --> 01:18:03.239
<v Speaker 1>of Khan Carol Marcus. Interesting, and she's also in Tremors.

1438
01:18:03.319 --> 01:18:05.479
<v Speaker 1>You know, the older couple that dies in the car.

1439
01:18:06.359 --> 01:18:11.439
<v Speaker 1>Oh yeah, interesting, I did Okay, Yeah, I believe she

1440
01:18:11.640 --> 01:18:16.840
<v Speaker 1>passed away before this movie came out. Okay, she died

1441
01:18:16.880 --> 01:18:22.680
<v Speaker 1>of cancer. I think. Yeah, that moment, by the way,

1442
01:18:22.720 --> 01:18:23.359
<v Speaker 1>I really like that.

1443
01:18:24.199 --> 01:18:26.680
<v Speaker 2>That weird thing where Travolta feels like he's kind of

1444
01:18:26.760 --> 01:18:30.279
<v Speaker 2>sensing something and he looks up in the to the

1445
01:18:30.359 --> 01:18:33.560
<v Speaker 2>shrubs or whatever. I almost feel like they could have

1446
01:18:33.640 --> 01:18:34.840
<v Speaker 2>made even more of a meal out of that.

1447
01:18:35.880 --> 01:18:47.079
<v Speaker 1>That's interesting. Yeah, I like it. See, I feel like

1448
01:18:48.239 --> 01:18:51.760
<v Speaker 1>there's one too many action scenes.

1449
01:18:52.319 --> 01:18:56.159
<v Speaker 2>Mmm, like maybe we should be like getting into the

1450
01:18:56.600 --> 01:18:59.600
<v Speaker 2>end here, we should be on the train by now. Yeah,

1451
01:19:00.239 --> 01:19:05.560
<v Speaker 2>I'm with you on that, you know, yeah, yeah, yep,

1452
01:19:05.680 --> 01:19:09.319
<v Speaker 2>because this movie is just under two hours ish, right,

1453
01:19:09.359 --> 01:19:11.399
<v Speaker 2>I think it's an hour forty eight, and I think

1454
01:19:11.439 --> 01:19:13.119
<v Speaker 2>if it was an hour thirty eight it would be

1455
01:19:13.199 --> 01:19:17.920
<v Speaker 2>tighter complete. Yeah yeah, I just you were saying languid earlier.

1456
01:19:18.159 --> 01:19:19.640
<v Speaker 1>I really do. Yeah, I think it would give the

1457
01:19:19.680 --> 01:19:22.479
<v Speaker 1>movie more snap. That actor, by the way, on the right,

1458
01:19:22.600 --> 01:19:28.279
<v Speaker 1>the computer nerd, that's Sean Tube from Iron Man. He

1459
01:19:29.000 --> 01:19:33.279
<v Speaker 1>is oh doctor Dansid. Wow, I see it now. Yeah, huh,

1460
01:19:36.000 --> 01:19:37.840
<v Speaker 1>that's what I'm saying. Man, this movie is chocolate block

1461
01:19:37.880 --> 01:19:44.399
<v Speaker 1>full of Hey that guys, Yeah, it really is. Gotta say,

1462
01:19:44.439 --> 01:19:47.000
<v Speaker 1>those aviator glasses look pretty sharp.

1463
01:19:49.239 --> 01:19:53.479
<v Speaker 2>Yeah, it's kind of funny too, like the eras of sunglasses,

1464
01:19:53.640 --> 01:19:55.520
<v Speaker 2>Like you think the aviators from the top gun thing

1465
01:19:55.760 --> 01:19:58.119
<v Speaker 2>and then well I think of Mission Impossible and Tom

1466
01:19:58.199 --> 01:20:01.600
<v Speaker 2>Cruise and will sort of like wrap around forty Oakley

1467
01:20:01.800 --> 01:20:06.159
<v Speaker 2>kind of things. That's the second one, the second one, yeah, yeah, yeah, yeah.

1468
01:20:08.840 --> 01:20:11.399
<v Speaker 2>I guess it's whatever deal they make with whatever some

1469
01:20:11.600 --> 01:20:12.279
<v Speaker 2>less company.

1470
01:20:12.880 --> 01:20:16.880
<v Speaker 1>But you know, I feel like aviators are timeless. Oh totally, yeah,

1471
01:20:16.960 --> 01:20:19.800
<v Speaker 1>like ray bands and things like that. Yeah, this is

1472
01:20:19.880 --> 01:20:20.239
<v Speaker 1>kind of cool.

1473
01:20:20.279 --> 01:20:22.760
<v Speaker 2>By the way, I love this the camera traveling over

1474
01:20:22.840 --> 01:20:23.159
<v Speaker 2>the desk.

1475
01:20:23.880 --> 01:20:26.439
<v Speaker 1>Yeah, it's a nice way of adding visual interest to

1476
01:20:27.560 --> 01:20:30.760
<v Speaker 1>kind of a boilerplate scene. Yeah. Well, by the way,

1477
01:20:30.760 --> 01:20:32.079
<v Speaker 1>I wanted to call out.

1478
01:20:34.239 --> 01:20:36.079
<v Speaker 2>I just love that he like had this edited together.

1479
01:20:36.399 --> 01:20:39.640
<v Speaker 2>Like I don't know if everybody had Adobe Premiere back then,

1480
01:20:39.720 --> 01:20:43.239
<v Speaker 2>but it's like for his like ransom video that he

1481
01:20:43.319 --> 01:20:45.239
<v Speaker 2>sends to Washington, he cut it.

1482
01:20:45.319 --> 01:20:46.399
<v Speaker 1>Linear deck to deck.

1483
01:20:47.560 --> 01:20:50.920
<v Speaker 2>Yeah, exactly exactly. And if you don't pay, then you're

1484
01:20:50.920 --> 01:20:52.800
<v Speaker 2>gonna have this. And you just see all these like

1485
01:20:52.960 --> 01:20:54.920
<v Speaker 2>clips from a bunch of movies.

1486
01:20:58.119 --> 01:21:00.600
<v Speaker 1>I was a train entering a tunnel, rock ship tailor.

1487
01:21:00.760 --> 01:21:04.760
<v Speaker 1>It's like the metaphor is all wrong. He's like, sorry,

1488
01:21:04.840 --> 01:21:07.000
<v Speaker 1>that was for that was something else. Yeah, that was different.

1489
01:21:11.079 --> 01:21:13.439
<v Speaker 2>And then it comes back from that. He's like, so anyway,

1490
01:21:13.520 --> 01:21:17.560
<v Speaker 2>miss you, Jenny, see you at the cabin.

1491
01:21:19.960 --> 01:21:21.239
<v Speaker 1>He was getting He's knocking.

1492
01:21:21.000 --> 01:21:23.119
<v Speaker 2>Out a lot of video messages that day, all at once.

1493
01:21:23.159 --> 01:21:25.439
<v Speaker 1>He had one he had an afternoon to kill, so

1494
01:21:25.640 --> 01:21:29.119
<v Speaker 1>he got them all out at once. Yeah. Yeah, sorry,

1495
01:21:29.159 --> 01:21:30.399
<v Speaker 1>you were saying I think I interrupted you.

1496
01:21:30.600 --> 01:21:32.039
<v Speaker 2>No, no, no, well you were saying, you know that

1497
01:21:32.119 --> 01:21:36.239
<v Speaker 2>you really liked the guitar, the twingy guitar theme you

1498
01:21:36.319 --> 01:21:40.680
<v Speaker 2>know here, and I saw that Zimmer recruited Dwayne Eddie.

1499
01:21:41.439 --> 01:21:43.640
<v Speaker 1>Specifically to do that. And he's the guy who did

1500
01:21:43.680 --> 01:21:44.520
<v Speaker 1>the Peter.

1501
01:21:44.439 --> 01:21:47.199
<v Speaker 2>Gunn you know, Dundun Dun Dun dun dune, very similar,

1502
01:21:47.399 --> 01:21:53.159
<v Speaker 2>very similar sounding rebel rouser. He does that deep twingy

1503
01:21:53.279 --> 01:21:56.199
<v Speaker 2>guitar thing and got him specifically to do that.

1504
01:21:56.319 --> 01:21:58.840
<v Speaker 1>So he does. That's Dwayne Eddie in this and in

1505
01:21:59.000 --> 01:22:05.800
<v Speaker 1>Scream too, so fascinating. Yeah, you know, and oh yeah,

1506
01:22:05.800 --> 01:22:07.760
<v Speaker 1>go ahead, oh just real quick. And in that vein,

1507
01:22:07.800 --> 01:22:10.199
<v Speaker 1>I think it tells you something that that Deakins gets

1508
01:22:10.239 --> 01:22:14.039
<v Speaker 1>his own theme and Haile doesn't get doesn't get anything. Yeah, yeah,

1509
01:22:16.640 --> 01:22:16.800
<v Speaker 1>you know.

1510
01:22:18.800 --> 01:22:21.199
<v Speaker 2>I do like Christian Slater in this because I like

1511
01:22:21.319 --> 01:22:23.359
<v Speaker 2>Christian Slater, But I do wonder if there was someone

1512
01:22:23.399 --> 01:22:27.239
<v Speaker 2>who had a little bit more of a a trait

1513
01:22:27.560 --> 01:22:31.159
<v Speaker 2>or something might have made that character pop a little

1514
01:22:31.199 --> 01:22:31.520
<v Speaker 2>bit more.

1515
01:22:32.439 --> 01:22:34.880
<v Speaker 1>Well. I was thinking about that, you know, like, who

1516
01:22:35.199 --> 01:22:41.760
<v Speaker 1>was who was somebody during this era who would have

1517
01:22:42.000 --> 01:22:44.239
<v Speaker 1>played this role, Who could who could have you know,

1518
01:22:45.119 --> 01:22:49.439
<v Speaker 1>held the screen opposite Travolta versus just getting sort of

1519
01:22:49.479 --> 01:22:52.479
<v Speaker 1>blown off of it. Yeah, I don't know.

1520
01:22:52.560 --> 01:22:55.600
<v Speaker 2>I mean, Cage is not right, you just think, like

1521
01:22:55.920 --> 01:22:59.359
<v Speaker 2>if you plug Nicholas Cage into this, you just don't

1522
01:22:59.359 --> 01:23:01.239
<v Speaker 2>think immediate get something.

1523
01:23:02.039 --> 01:23:05.439
<v Speaker 1>Sure, you know what I mean. But remember Nicholas Cage's

1524
01:23:05.439 --> 01:23:06.600
<v Speaker 1>first action move is the Rock.

1525
01:23:06.720 --> 01:23:08.479
<v Speaker 2>So no, no, no, I'm just but I just as

1526
01:23:08.479 --> 01:23:10.720
<v Speaker 2>an example where it's like the Rock. If you have

1527
01:23:10.880 --> 01:23:14.359
<v Speaker 2>Christian Slater in that role, it's a little different versus

1528
01:23:14.439 --> 01:23:16.600
<v Speaker 2>having Nicholas Cage when he's in that prison cell and

1529
01:23:16.800 --> 01:23:17.520
<v Speaker 2>like you know.

1530
01:23:18.039 --> 01:23:21.239
<v Speaker 1>The name's Butthole, you know, like it just makes it

1531
01:23:22.279 --> 01:23:25.680
<v Speaker 1>really interesting and there's a lot more color. Yeah, and

1532
01:23:25.760 --> 01:23:28.119
<v Speaker 1>so yeah, I don't know who else I would put here.

1533
01:23:29.279 --> 01:23:37.159
<v Speaker 1>Frank Whaley, John Cusack Zacky. Yeah, maybe that's it. Yeah,

1534
01:23:37.319 --> 01:23:42.960
<v Speaker 1>maybe that's yeah. Yeah. See now I'm pretty sure that

1535
01:23:43.119 --> 01:23:45.880
<v Speaker 1>right there is like the last we see of Frank Whaley. Yeah,

1536
01:23:46.039 --> 01:23:48.640
<v Speaker 1>he should tie in a little bit this scene. You know,

1537
01:23:48.760 --> 01:23:55.640
<v Speaker 1>it's basically he disappears after this, yeah, or maybe I

1538
01:23:55.680 --> 01:23:55.920
<v Speaker 1>don't know.

1539
01:23:56.119 --> 01:24:00.880
<v Speaker 2>Well, I saw that this was originally two hours plus, okay,

1540
01:24:01.039 --> 01:24:05.800
<v Speaker 2>and uh more character stuff and more violence parents okay,

1541
01:24:06.119 --> 01:24:07.760
<v Speaker 2>and WU.

1542
01:24:07.760 --> 01:24:10.640
<v Speaker 1>Had to trim it, So I mean, I'll take the

1543
01:24:10.720 --> 01:24:12.119
<v Speaker 1>character stuff over the violence.

1544
01:24:12.279 --> 01:24:14.399
<v Speaker 2>Actually me too, Well, I think I read that about

1545
01:24:15.319 --> 01:24:17.840
<v Speaker 2>it's hard target, right you said the vandam Huh. Yeah,

1546
01:24:18.000 --> 01:24:20.039
<v Speaker 2>Like there's a lot of MPa A problems that WU

1547
01:24:20.199 --> 01:24:24.960
<v Speaker 2>tends to run into with the graphic violence. But no,

1548
01:24:25.039 --> 01:24:27.479
<v Speaker 2>I agree, I wouldn't mind a little bit more character stuff.

1549
01:24:27.840 --> 01:24:33.520
<v Speaker 1>Yeah, the rope of dope. It's pretty good there, Christ

1550
01:24:34.119 --> 01:24:42.840
<v Speaker 1>ali Foreman heard of it. I mean at at the

1551
01:24:43.079 --> 01:24:45.000
<v Speaker 1>when he first blew up, you know, there was a

1552
01:24:45.119 --> 01:24:49.920
<v Speaker 1>lot of like young Jack Nicholson comparisons, you know, and

1553
01:24:50.880 --> 01:24:53.800
<v Speaker 1>it's it's yeah, it bums me out a little bit

1554
01:24:53.880 --> 01:24:57.399
<v Speaker 1>that he I don't know that he ever really reached

1555
01:24:57.439 --> 01:25:02.039
<v Speaker 1>his potential in terms of that, you know, yeah, because

1556
01:25:02.079 --> 01:25:05.399
<v Speaker 1>he is, he's a likable uh actor.

1557
01:25:05.479 --> 01:25:10.439
<v Speaker 2>I like, I like seeing him, but uh, I don't know. Yeah,

1558
01:25:10.600 --> 01:25:13.079
<v Speaker 2>I mean I still think he's He's aging well, and

1559
01:25:13.199 --> 01:25:15.880
<v Speaker 2>I think he could still even as he gets older,

1560
01:25:16.119 --> 01:25:18.960
<v Speaker 2>you know. Yeah, Uh there's there could be like some

1561
01:25:19.199 --> 01:25:22.600
<v Speaker 2>big plum you know, best supporting actor role waiting for him,

1562
01:25:22.680 --> 01:25:23.520
<v Speaker 2>like ten years from now.

1563
01:25:24.159 --> 01:25:26.600
<v Speaker 1>Well, as it happens, I have this script ready to

1564
01:25:26.640 --> 01:25:31.159
<v Speaker 1>go called Empty Quiver, which I think he'd be perfect for.

1565
01:25:31.840 --> 01:25:33.880
<v Speaker 1>Right as sperm number four.

1566
01:25:36.840 --> 01:25:41.159
<v Speaker 2>Oh, it's like he's got to get out before yeah,

1567
01:25:41.560 --> 01:25:43.840
<v Speaker 2>every everythingyone else is removed.

1568
01:25:44.159 --> 01:25:50.760
<v Speaker 1>I guess we got to get out of here. You

1569
01:25:50.920 --> 01:25:53.920
<v Speaker 1>just see him in like a like a big you know,

1570
01:25:54.159 --> 01:25:59.960
<v Speaker 1>like a plush costume. You know, right, it's a big take.

1571
01:26:01.720 --> 01:26:06.119
<v Speaker 2>So it's actually people on two feet running in like

1572
01:26:06.720 --> 01:26:10.439
<v Speaker 2>fluffy foam foam sperm costumes.

1573
01:26:10.720 --> 01:26:13.279
<v Speaker 1>Yeah, like Disney characters. Okay, but it'll but it'll be

1574
01:26:13.399 --> 01:26:15.199
<v Speaker 1>like an Osmosis Jones type thing.

1575
01:26:15.479 --> 01:26:22.279
<v Speaker 2>Totally totally empty quiver. No, it's an empty quivers scenario.

1576
01:26:22.720 --> 01:26:29.600
<v Speaker 1>What what does that mean? English professor man Tony Stark

1577
01:26:29.640 --> 01:26:31.479
<v Speaker 1>would be so disappointed in this guy right now.

1578
01:26:31.640 --> 01:26:34.119
<v Speaker 2>Yeah, telling you, I love that that he has to

1579
01:26:34.159 --> 01:26:35.720
<v Speaker 2>even like say that. I bet you thought I was

1580
01:26:35.760 --> 01:26:36.720
<v Speaker 2>a computer nerd.

1581
01:26:36.720 --> 01:26:46.520
<v Speaker 1>I think I'm a nerd. Then boom hammer to the head.

1582
01:26:46.520 --> 01:26:50.239
<v Speaker 1>That'll do it. That'll do it. Yeah. The whole the

1583
01:26:50.760 --> 01:26:53.720
<v Speaker 1>whole third act of this movie was just repeatedly me saying, up,

1584
01:26:53.760 --> 01:26:57.560
<v Speaker 1>that'll do it. I was watching this with my second kid.

1585
01:26:58.079 --> 01:27:03.119
<v Speaker 2>You know what, though, again was great, but like that moment,

1586
01:27:03.279 --> 01:27:05.199
<v Speaker 2>think of the moment I keep going to the rock

1587
01:27:05.239 --> 01:27:07.239
<v Speaker 2>and I don't mean to, but the whole the guy

1588
01:27:07.319 --> 01:27:10.159
<v Speaker 2>with the knife, you know, you're the rocket man, like

1589
01:27:10.199 --> 01:27:12.319
<v Speaker 2>I don't listen to that, like, and then the way

1590
01:27:12.359 --> 01:27:14.560
<v Speaker 2>that the camera's kind of spinning around with them, and

1591
01:27:14.680 --> 01:27:17.359
<v Speaker 2>just how there's a real tension to that stand the

1592
01:27:17.520 --> 01:27:18.279
<v Speaker 2>duel or whatever.

1593
01:27:19.159 --> 01:27:21.119
<v Speaker 1>That was just like what do you think I'm a nerd?

1594
01:27:21.399 --> 01:27:23.439
<v Speaker 1>Like anything? And throws a hammer in his head and

1595
01:27:23.479 --> 01:27:25.960
<v Speaker 1>he falls over. You know, she should have said something.

1596
01:27:26.760 --> 01:27:28.960
<v Speaker 1>I don't know. I don't know.

1597
01:27:29.840 --> 01:27:32.319
<v Speaker 2>She should have like, you know, put a button on it. Yeah,

1598
01:27:32.359 --> 01:27:33.880
<v Speaker 2>she could have been like, no, I didn't think you're

1599
01:27:33.880 --> 01:27:37.720
<v Speaker 2>a nerd. You kind of handsome, a total knockout, like yeah.

1600
01:27:37.640 --> 01:27:40.199
<v Speaker 1>See there you go. That's good. Yeah, see, you gotta

1601
01:27:40.359 --> 01:27:42.199
<v Speaker 1>be you gotta punch up, you gotta be like the

1602
01:27:42.239 --> 01:27:44.159
<v Speaker 1>Bruceville Lanche of action movie.

1603
01:27:44.279 --> 01:27:47.640
<v Speaker 2>Bruce I mean, Joss Whedon now is a little no

1604
01:27:47.720 --> 01:27:50.640
<v Speaker 2>no no. In this era, he would be the guy

1605
01:27:50.840 --> 01:27:55.560
<v Speaker 2>I love Bruceville. Hey, you and I stood next to

1606
01:27:55.640 --> 01:27:58.399
<v Speaker 2>him that one night at the Oh that's right, I remember,

1607
01:27:58.439 --> 01:28:02.239
<v Speaker 2>I was like kind of like holy crabs, Flanche. And

1608
01:28:02.319 --> 01:28:05.479
<v Speaker 2>we also stand next to the girl played Megan. Remember that,

1609
01:28:05.800 --> 01:28:07.840
<v Speaker 2>Oh my gosh, Like in that same moment, like we

1610
01:28:07.880 --> 01:28:10.079
<v Speaker 2>were next to the girl played Meghan and Brucell Lanch.

1611
01:28:10.439 --> 01:28:13.800
<v Speaker 1>Yeah, Megan Bruce Lanche and you and me. Yeah, sounds

1612
01:28:13.880 --> 01:28:17.159
<v Speaker 1>like the cast of a great CW reality show and

1613
01:28:17.319 --> 01:28:18.520
<v Speaker 1>you and me that's yeah.

1614
01:28:21.800 --> 01:28:23.880
<v Speaker 2>Okay, so we're back on the train. We're back on

1615
01:28:23.960 --> 01:28:26.119
<v Speaker 2>the train, back talking about Broken Arrow.

1616
01:28:26.199 --> 01:28:26.720
<v Speaker 1>Yep, yep.

1617
01:28:29.319 --> 01:28:32.399
<v Speaker 2>When does he do the He's like kind of see,

1618
01:28:32.680 --> 01:28:34.880
<v Speaker 2>I mean, this is like weird and creepy and whatever.

1619
01:28:34.960 --> 01:28:37.079
<v Speaker 2>He's like with the gun and it's all kind of

1620
01:28:38.399 --> 01:28:39.720
<v Speaker 2>creepy sensual or whatever.

1621
01:28:40.239 --> 01:28:42.439
<v Speaker 1>I'm just saying. That's yeah, like add some sort of

1622
01:28:42.479 --> 01:28:43.000
<v Speaker 1>flavor to.

1623
01:28:43.079 --> 01:28:45.319
<v Speaker 2>Her standoff with the guy, you know, when she gets

1624
01:28:45.359 --> 01:28:46.840
<v Speaker 2>her big moment she gets to take a guy out.

1625
01:28:48.680 --> 01:28:57.840
<v Speaker 1>Yeah, I I well, I think that that guy needed

1626
01:28:57.880 --> 01:29:00.600
<v Speaker 1>to be more of a more of a threat. Yeah yeah, yeah,

1627
01:29:00.640 --> 01:29:02.199
<v Speaker 1>I think you need to stretch that moment out a

1628
01:29:02.239 --> 01:29:03.039
<v Speaker 1>little longer, you know.

1629
01:29:03.319 --> 01:29:05.319
<v Speaker 2>But I think it goes to what you said way

1630
01:29:05.359 --> 01:29:08.039
<v Speaker 2>earlier about the languid thing, Like, I don't think it

1631
01:29:08.159 --> 01:29:11.399
<v Speaker 2>would if these same moments had a little bit more

1632
01:29:12.279 --> 01:29:13.520
<v Speaker 2>character to them or something.

1633
01:29:13.880 --> 01:29:19.319
<v Speaker 1>Yeah, hey it's it's Tucco dude. Yes, I just noticed that.

1634
01:29:19.479 --> 01:29:21.520
<v Speaker 2>I had to look him up because I was like, wait,

1635
01:29:21.680 --> 01:29:22.800
<v Speaker 2>that guy looks so familiar.

1636
01:29:23.159 --> 01:29:30.760
<v Speaker 1>Yep. From Breaking Bad By there Yeah, I do love though.

1637
01:29:32.479 --> 01:29:34.119
<v Speaker 2>You know, sometimes you see a movie and it's always

1638
01:29:34.119 --> 01:29:37.159
<v Speaker 2>so frustrating where someone is like threatened and that guy

1639
01:29:37.159 --> 01:29:38.920
<v Speaker 2>wants him to do something and then the bad guy

1640
01:29:39.000 --> 01:29:39.720
<v Speaker 2>kills them anyway.

1641
01:29:40.279 --> 01:29:40.439
<v Speaker 1>Right.

1642
01:29:40.600 --> 01:29:42.840
<v Speaker 2>I love that she is just like, no, like, I'm

1643
01:29:42.840 --> 01:29:44.520
<v Speaker 2>not gonna do it because you just kill me anyway.

1644
01:29:44.600 --> 01:29:46.880
<v Speaker 2>So I'm I'm not gonna be the one that hit enter.

1645
01:29:47.640 --> 01:29:50.760
<v Speaker 1>Yeah. I thought that was like a cool heroic moment

1646
01:29:50.840 --> 01:29:56.239
<v Speaker 1>for her. You know, I kind of wish Samantha Manthis

1647
01:29:56.279 --> 01:30:01.199
<v Speaker 1>had more of a career. Yeah, I like, she's another

1648
01:30:01.319 --> 01:30:03.079
<v Speaker 1>she never stopped working, and I know she had some

1649
01:30:03.279 --> 01:30:06.880
<v Speaker 1>kind of a uh, you know, high level role in

1650
01:30:07.079 --> 01:30:11.880
<v Speaker 1>sag or something. But you know, I feel like she

1651
01:30:12.199 --> 01:30:14.800
<v Speaker 1>she kind of she she was somewhat of a rising

1652
01:30:14.880 --> 01:30:17.880
<v Speaker 1>star in the early to mid nineties, and then I

1653
01:30:17.960 --> 01:30:21.239
<v Speaker 1>see fifteen episodes of Billions, so that would be that's

1654
01:30:21.279 --> 01:30:23.920
<v Speaker 1>pretty big on That's right, And I forgot about that. Yeah.

1655
01:30:26.439 --> 01:30:30.760
<v Speaker 2>Yeah, Oh and she was in a fern Gully with

1656
01:30:30.920 --> 01:30:33.720
<v Speaker 2>Christian Slater No, how funny?

1657
01:30:33.960 --> 01:30:35.920
<v Speaker 1>Yeah? Was he the guy? Was he the main guy?

1658
01:30:36.279 --> 01:30:45.159
<v Speaker 1>Maybe she'sn't lost. Yeah, Now now look at this, the

1659
01:30:45.720 --> 01:30:47.960
<v Speaker 1>fact that you got this helicopter and they're like hiding

1660
01:30:48.079 --> 01:30:52.720
<v Speaker 1>behind the slats, dude, of this train. Yes, wooden slats

1661
01:30:52.760 --> 01:30:56.560
<v Speaker 1>of it. Now I'm no military expert, but I don't

1662
01:30:56.560 --> 01:30:59.479
<v Speaker 1>think those would be bulletproof, I know, not the best

1663
01:30:59.560 --> 01:31:04.560
<v Speaker 1>hiding spar You know what I would love right here

1664
01:31:05.039 --> 01:31:07.079
<v Speaker 1>is if Howie Long was like, screw this, I got

1665
01:31:07.119 --> 01:31:09.520
<v Speaker 1>a football career to think about, and he jumped off

1666
01:31:09.560 --> 01:31:15.319
<v Speaker 1>the train and you're like, wait, he's Howie Long. That

1667
01:31:15.399 --> 01:31:21.720
<v Speaker 1>would be funny and inter bold his characters like athletes.

1668
01:31:22.159 --> 01:31:26.159
<v Speaker 1>Then then just start shooting his gun again. Why not?

1669
01:31:29.600 --> 01:31:31.560
<v Speaker 1>This is a pretty cool move. I mean, look at that.

1670
01:31:31.600 --> 01:31:33.399
<v Speaker 1>That's like a real stunt, Like I jumped out of

1671
01:31:33.439 --> 01:31:36.399
<v Speaker 1>a helicopter on it, and I actually actually doing something

1672
01:31:36.479 --> 01:31:41.520
<v Speaker 1>that's pretty cool. That's where I love going back to

1673
01:31:41.600 --> 01:31:45.159
<v Speaker 1>this stuff. You don't get this anymore. See. I feel

1674
01:31:45.199 --> 01:31:49.359
<v Speaker 1>like if this train was moving a little faster, it

1675
01:31:49.399 --> 01:31:51.439
<v Speaker 1>would this whole sequence would feel more intense.

1676
01:31:52.199 --> 01:31:55.439
<v Speaker 2>You know what the problem is, there's nothing to convey

1677
01:31:55.520 --> 01:31:58.800
<v Speaker 2>speed in the background. It's all flat landscape, like we

1678
01:31:58.920 --> 01:32:02.399
<v Speaker 2>need like trees or or something whipping past. But I mean,

1679
01:32:02.479 --> 01:32:05.199
<v Speaker 2>just you can see like how fast the train is going.

1680
01:32:05.319 --> 01:32:07.159
<v Speaker 2>It does for sure, I mean it does look very

1681
01:32:07.439 --> 01:32:10.199
<v Speaker 2>that looks yeah, like ten miles an hour or something.

1682
01:32:10.279 --> 01:32:11.920
<v Speaker 1>It's going like yeah, that's what I'm saying, like like

1683
01:32:12.039 --> 01:32:14.439
<v Speaker 1>twenty maybe that's what I'm saying, like fake it, like

1684
01:32:14.600 --> 01:32:20.159
<v Speaker 1>have things whipping past so it at least feels faster, Right,

1685
01:32:20.319 --> 01:32:24.039
<v Speaker 1>That's that's I think. There's a weird, a weird lack

1686
01:32:24.119 --> 01:32:26.880
<v Speaker 1>of propulsion in a scene that really calls for it.

1687
01:32:27.000 --> 01:32:29.520
<v Speaker 1>You know, you're so right, Yeah, there's really.

1688
01:32:30.800 --> 01:32:33.000
<v Speaker 2>Like you think of speed, you know, and when he's

1689
01:32:33.079 --> 01:32:35.600
<v Speaker 2>under the bus and you really get a sense of

1690
01:32:35.640 --> 01:32:37.399
<v Speaker 2>that thing's going fast and we don't want him going

1691
01:32:37.479 --> 01:32:39.199
<v Speaker 2>under the wheels. But yeah, you don't get that here.

1692
01:32:39.920 --> 01:32:43.600
<v Speaker 1>Well, you know, I'm thinking of just a few months ago,

1693
01:32:43.720 --> 01:32:46.439
<v Speaker 1>you and I watched The Zoro the Legend of Zorro,

1694
01:32:47.800 --> 01:32:50.520
<v Speaker 1>and the climax of that movie is set on a train. Yeah,

1695
01:32:51.000 --> 01:32:53.840
<v Speaker 1>and you get the sense that that's that train is moving. Yep.

1696
01:32:54.359 --> 01:33:02.359
<v Speaker 1>You know, Oh man, that movie's so good. Which one

1697
01:33:02.439 --> 01:33:07.439
<v Speaker 1>Mask of Zorro or Legend of Zorros so funny?

1698
01:33:07.479 --> 01:33:10.359
<v Speaker 2>I screw them up because the titles are so like interchangeable,

1699
01:33:10.720 --> 01:33:13.039
<v Speaker 2>yeah whatever, I mean, They're both have their charms, but

1700
01:33:13.159 --> 01:33:15.319
<v Speaker 2>like the first one, especially first one one is like,

1701
01:33:15.800 --> 01:33:19.800
<v Speaker 2>is past Martin campbell Man excellent action director. I'm telling you,

1702
01:33:21.319 --> 01:33:23.600
<v Speaker 2>so there's something sexual with the gun, right, I'm not

1703
01:33:23.640 --> 01:33:24.640
<v Speaker 2>the only one reading that.

1704
01:33:24.760 --> 01:33:26.720
<v Speaker 1>Wait what happened again? Just here, I like fires the

1705
01:33:26.800 --> 01:33:29.359
<v Speaker 1>gun between her legs and she's like and he's like, yeah,

1706
01:33:29.399 --> 01:33:33.399
<v Speaker 1>that was my first time. Oh yeah, yeah, yeah, it's

1707
01:33:33.439 --> 01:33:35.800
<v Speaker 1>not just me. I'm not being a weird, skeevy pervert,

1708
01:33:36.039 --> 01:33:36.479
<v Speaker 1>not at all.

1709
01:33:36.600 --> 01:33:38.920
<v Speaker 2>Actually, when I was reading about the movie today and

1710
01:33:38.960 --> 01:33:42.439
<v Speaker 2>they were talking about the parallels of him intravolted killing

1711
01:33:42.520 --> 01:33:45.000
<v Speaker 2>for the first time, and he's like, for the first time. Actually,

1712
01:33:45.119 --> 01:33:47.800
<v Speaker 2>I didn't even think about that last night when I

1713
01:33:47.840 --> 01:33:50.800
<v Speaker 2>watched it. I was thinking, like, yeah, pulling a gun

1714
01:33:50.880 --> 01:33:53.199
<v Speaker 2>off of like a sexy woman and shooting between her legs.

1715
01:33:53.279 --> 01:33:55.199
<v Speaker 1>He was like, my first time. I took it more

1716
01:33:55.319 --> 01:33:58.439
<v Speaker 1>like sexual. Okay, good, So then we're both skeezy purposes.

1717
01:34:00.600 --> 01:34:04.359
<v Speaker 1>See so that's right here where Delroy Lindo gets killed there,

1718
01:34:04.479 --> 01:34:06.560
<v Speaker 1>Like that should have been a bigger thing. The moments

1719
01:34:06.720 --> 01:34:10.920
<v Speaker 1>that really seems like the theme of this doesn't it weird? Right?

1720
01:34:11.119 --> 01:34:15.920
<v Speaker 2>Like a lot of good ideas and some interesting shots occasionally,

1721
01:34:16.840 --> 01:34:19.159
<v Speaker 2>but this entire movie could use a little plussing.

1722
01:34:19.800 --> 01:34:22.600
<v Speaker 1>Yeah, because when he I had to rewind it. I

1723
01:34:22.720 --> 01:34:25.520
<v Speaker 1>was like, wait, did he just die? Right? Did they

1724
01:34:25.680 --> 01:34:29.279
<v Speaker 1>kill freshly minted Academy Award nominee Delroy Lindo?

1725
01:34:29.920 --> 01:34:32.359
<v Speaker 2>Yeah, you said in nineteen ninety six, and everyone was

1726
01:34:32.399 --> 01:34:32.600
<v Speaker 2>like what.

1727
01:34:34.319 --> 01:34:48.840
<v Speaker 1>Nothing? Ouch? Oh, this is good. I like this.

1728
01:34:49.359 --> 01:34:52.159
<v Speaker 2>Yeah, under the train wheels, that's good. I don't feel

1729
01:34:52.159 --> 01:34:53.000
<v Speaker 2>like I've seen that before.

1730
01:34:54.039 --> 01:34:57.039
<v Speaker 1>Yeah, and for at least one of these shots, I mean,

1731
01:34:57.119 --> 01:35:00.399
<v Speaker 1>that's actually Christian Bale at Christopher Slady. Yeah. Uh not

1732
01:35:00.560 --> 01:35:05.079
<v Speaker 1>Christian Bale, Christian Slater. Uh, dangling under the train. Damn.

1733
01:35:05.159 --> 01:35:06.960
<v Speaker 1>That's like freaking dangerous.

1734
01:35:07.439 --> 01:35:07.680
<v Speaker 2>I know.

1735
01:35:09.760 --> 01:35:11.880
<v Speaker 1>That'd be a hard pass from me. Yeah.

1736
01:35:12.279 --> 01:35:14.039
<v Speaker 2>I mean even if you're the stunt guy, it's like

1737
01:35:14.119 --> 01:35:17.520
<v Speaker 2>I just if one thing goes wrong, yeah, you're going

1738
01:35:17.600 --> 01:35:18.479
<v Speaker 2>under that wheel.

1739
01:35:19.560 --> 01:35:22.880
<v Speaker 1>Unless you're an insane crazy person like Tom Cruise. That's true,

1740
01:35:23.000 --> 01:35:28.800
<v Speaker 1>that's true. Yeah, he'd be like, put me closer to

1741
01:35:28.840 --> 01:35:33.520
<v Speaker 1>the wheel, right Yeah.

1742
01:35:33.640 --> 01:35:35.600
<v Speaker 2>Man, it's I can't get it out of my head now, Zachi,

1743
01:35:35.640 --> 01:35:36.720
<v Speaker 2>You're right about the speed.

1744
01:35:37.000 --> 01:35:40.479
<v Speaker 1>The lack of speed. Yeah, it's like super distracting. It

1745
01:35:40.840 --> 01:35:42.119
<v Speaker 1>was bugging the crap out of me when I was

1746
01:35:42.119 --> 01:35:42.840
<v Speaker 1>watching yesterday.

1747
01:35:43.000 --> 01:35:49.279
<v Speaker 2>Yeah, hmm, you know, it's funny. I wasn't thinking about

1748
01:35:49.279 --> 01:35:52.520
<v Speaker 2>it specifically, but I was not fully engaged as I

1749
01:35:52.640 --> 01:35:53.399
<v Speaker 2>was watching.

1750
01:35:54.119 --> 01:35:59.560
<v Speaker 1>And so it's interesting, you know. Yeah, I think like that,

1751
01:36:00.600 --> 01:36:06.239
<v Speaker 1>that's pretty good guy flying off with that explosion. That's amazing. Anyway. Yeah, sorry, Uh, music,

1752
01:36:06.399 --> 01:36:08.640
<v Speaker 1>there's like a lack of music during this whole sequence.

1753
01:36:09.319 --> 01:36:13.680
<v Speaker 1>M Oh actually I don't remember that. Yeah, I mean

1754
01:36:13.760 --> 01:36:17.279
<v Speaker 1>like lack of propulsive you know, like yeah, like I'm

1755
01:36:17.319 --> 01:36:20.439
<v Speaker 1>thinking of the Elfman music at the end of Mission Impossible,

1756
01:36:20.479 --> 01:36:22.680
<v Speaker 1>the first one, oh Man, Yeah, right, and he's like,

1757
01:36:24.039 --> 01:36:25.439
<v Speaker 1>you know, it really kind of gets you, gets you

1758
01:36:25.520 --> 01:36:26.880
<v Speaker 1>wound up. Well, I can't stop.

1759
01:36:26.960 --> 01:36:28.640
<v Speaker 2>It's so funny because I'm like, but I think of

1760
01:36:28.840 --> 01:36:33.239
<v Speaker 2>Wu as this like really kinetic action director.

1761
01:36:33.319 --> 01:36:35.840
<v Speaker 1>But something about this one is just not well. I

1762
01:36:35.960 --> 01:36:38.800
<v Speaker 1>think that he he still had to sort of play

1763
01:36:39.000 --> 01:36:42.520
<v Speaker 1>in the studio box, the mainstream box, right. I think

1764
01:36:42.680 --> 01:36:45.720
<v Speaker 1>that the success of this movie bought him Face Off,

1765
01:36:45.760 --> 01:36:48.680
<v Speaker 1>which is much truer to his ethos, you know.

1766
01:36:48.800 --> 01:36:51.119
<v Speaker 2>But it's funny because he hasn't what I exactly what

1767
01:36:51.239 --> 01:36:53.800
<v Speaker 2>I'm talking about is I'm thinking of the kineticism of

1768
01:36:53.840 --> 01:36:56.239
<v Speaker 2>Face Off and that's maybe him.

1769
01:36:56.479 --> 01:37:02.720
<v Speaker 1>Unleashed, right, you know, yeah, good point. I mean, shoot,

1770
01:37:03.279 --> 01:37:06.439
<v Speaker 1>I remember Face Off, just the trailer. I loved watching

1771
01:37:06.479 --> 01:37:12.359
<v Speaker 1>that trailer again and again, you know, back when it

1772
01:37:12.479 --> 01:37:13.880
<v Speaker 1>was like hard to watch trailers.

1773
01:37:15.079 --> 01:37:19.600
<v Speaker 2>Yeah, yeah, but no, I'm thinking, I can't help but

1774
01:37:19.680 --> 01:37:22.239
<v Speaker 2>think of speed and just I don't know, like there's

1775
01:37:22.239 --> 01:37:24.279
<v Speaker 2>a little bounce in the camera, just because you know,

1776
01:37:24.359 --> 01:37:26.439
<v Speaker 2>like everything's like slightly out of control, and.

1777
01:37:28.079 --> 01:37:31.439
<v Speaker 1>Yeah, there's just a real sizzle to it all. Yeah,

1778
01:37:32.199 --> 01:37:39.600
<v Speaker 1>this is not happening here. Yeah, I mean my understanding

1779
01:37:39.760 --> 01:37:42.479
<v Speaker 1>is is that, you know, the final movie was not

1780
01:37:42.760 --> 01:37:47.359
<v Speaker 1>something that John MoU was entirely happy with. Interesting just

1781
01:37:47.439 --> 01:37:50.439
<v Speaker 1>in terms of the usual you know back and forth

1782
01:37:50.520 --> 01:37:57.600
<v Speaker 1>that happens with studios. But again, you know, at during

1783
01:37:57.680 --> 01:38:00.239
<v Speaker 1>that era, you know you could have a mid hear

1784
01:38:00.880 --> 01:38:05.159
<v Speaker 1>action movie performed pretty well. Mm hmm. Yeah, there was

1785
01:38:05.319 --> 01:38:07.439
<v Speaker 1>room in the marketplace for that. Like I remember this

1786
01:38:07.600 --> 01:38:10.720
<v Speaker 1>movie coming out and like talking about it with kids

1787
01:38:10.800 --> 01:38:15.680
<v Speaker 1>at my you know, the cafeteria table, you know. Really yeah, yeah, Oh,

1788
01:38:15.720 --> 01:38:17.760
<v Speaker 1>I'm going to see Broken Arrow this weekend. You know,

1789
01:38:20.560 --> 01:38:23.239
<v Speaker 1>like I assume I saw this set of Sleepover at

1790
01:38:23.319 --> 01:38:25.039
<v Speaker 1>some point. I don't remember seeing it in the theater.

1791
01:38:25.520 --> 01:38:26.840
<v Speaker 1>I didn't I sleep.

1792
01:38:26.640 --> 01:38:29.159
<v Speaker 2>Over now, it would be too late, I don't know,

1793
01:38:29.239 --> 01:38:31.159
<v Speaker 2>watching with friends in a basement or something.

1794
01:38:31.239 --> 01:38:34.560
<v Speaker 1>That's yeah my memory. Yeah, it was definitely a rental

1795
01:38:34.600 --> 01:38:34.800
<v Speaker 1>for me.

1796
01:38:35.039 --> 01:38:39.119
<v Speaker 2>Yeah, but I was really into this stuff at that time,

1797
01:38:39.239 --> 01:38:42.159
<v Speaker 2>Like I was enjoying all these like Michael Bay movies, and.

1798
01:38:43.800 --> 01:38:48.039
<v Speaker 1>Well at the time, we'd only had the one Michael

1799
01:38:48.079 --> 01:38:51.000
<v Speaker 1>Bay movie, like Bad Boys. Yeah, Bad Boys was the

1800
01:38:51.079 --> 01:38:55.279
<v Speaker 1>year before this. Yeah, I guess I nineties action speed.

1801
01:38:55.479 --> 01:38:59.159
<v Speaker 1>Look at this. Oh, he has the best death scream.

1802
01:38:59.640 --> 01:39:06.479
<v Speaker 1>He's like like, oh, like the whole way down. I

1803
01:39:06.520 --> 01:39:11.760
<v Speaker 1>don't remember that. I'm gonna say he's dead, Brian, I

1804
01:39:11.880 --> 01:39:13.279
<v Speaker 1>think how we long might be dead in this.

1805
01:39:13.560 --> 01:39:15.039
<v Speaker 2>They should have had a shark come up for good

1806
01:39:15.079 --> 01:39:20.720
<v Speaker 2>measure out of the water together. That was a pretty

1807
01:39:20.840 --> 01:39:23.000
<v Speaker 2>amazing stunt though. That guy jumping on it was crazy.

1808
01:39:23.079 --> 01:39:25.319
<v Speaker 1>That was a real guy falling. I mean that's nuts. Yeah,

1809
01:39:25.359 --> 01:39:29.039
<v Speaker 1>that's nuts. I do love the the We'll see in

1810
01:39:29.079 --> 01:39:33.840
<v Speaker 1>a second, the Travolta puppet that gets hit with the rocket.

1811
01:39:34.239 --> 01:39:38.479
<v Speaker 1>Oh yeah, yeah, yeah, yeah, it's amazingly awful. Yeah.

1812
01:39:41.319 --> 01:39:43.199
<v Speaker 2>It's always kind of disturbing though when you see that

1813
01:39:43.359 --> 01:39:45.039
<v Speaker 2>kind of I'm trying to think of something else that

1814
01:39:45.079 --> 01:39:48.399
<v Speaker 2>I'm thinking of, But like I mean, like True Lies

1815
01:39:48.479 --> 01:39:50.199
<v Speaker 2>is sort of like it where the guy is attached

1816
01:39:50.239 --> 01:39:52.520
<v Speaker 2>to the rocket and you just need his body attached

1817
01:39:52.560 --> 01:39:54.199
<v Speaker 2>to this thing that's about to blow up, or it

1818
01:39:54.279 --> 01:39:57.000
<v Speaker 2>reminds me I'm having a hard time explaining exactly what

1819
01:39:57.119 --> 01:39:59.159
<v Speaker 2>this is. But like you see the guy like the

1820
01:39:59.239 --> 01:40:02.279
<v Speaker 2>rocket in True Lies, and we see his face and

1821
01:40:02.359 --> 01:40:05.359
<v Speaker 2>he's dangling and he's zooming toward camera. And I'm also

1822
01:40:05.399 --> 01:40:08.399
<v Speaker 2>thinking of Last Crusade with the Nazi guy in the

1823
01:40:08.520 --> 01:40:10.640
<v Speaker 2>tank and the tank goes over the edge of his

1824
01:40:10.840 --> 01:40:12.119
<v Speaker 2>face flying toward camera.

1825
01:40:12.600 --> 01:40:17.199
<v Speaker 1>Now, you know, a perfect example is Timothy Dalton in Rocketeer. Yes,

1826
01:40:17.399 --> 01:40:18.479
<v Speaker 1>that too, exactly.

1827
01:40:18.960 --> 01:40:20.600
<v Speaker 2>Yeah, and then in this one, sort of like the

1828
01:40:20.720 --> 01:40:22.760
<v Speaker 2>rocket hitting him, but we're kind of close on him

1829
01:40:22.800 --> 01:40:25.880
<v Speaker 2>and seeing this violence happening, like up close to him,

1830
01:40:25.960 --> 01:40:30.600
<v Speaker 2>Like there's something like really cool and strangely satisfying seeing

1831
01:40:30.600 --> 01:40:33.720
<v Speaker 2>that happen to a villain. But it's also like upsetting, right,

1832
01:40:33.960 --> 01:40:36.199
<v Speaker 2>like successfully upsetting you.

1833
01:40:36.239 --> 01:40:36.680
<v Speaker 1>Know what I mean.

1834
01:40:37.720 --> 01:40:39.680
<v Speaker 2>I'm so glad you understand exactly what I'm saying. That

1835
01:40:39.960 --> 01:40:42.479
<v Speaker 2>was the perfect example the Timothy Dalton.

1836
01:40:45.479 --> 01:40:48.199
<v Speaker 1>Successfully upsetting. That sounds like a like a rom com

1837
01:40:48.600 --> 01:40:53.239
<v Speaker 1>in the late nineties starring Christian Bale. Weirdly enough, Christian Slater,

1838
01:40:53.359 --> 01:40:59.920
<v Speaker 1>damn it right, successfully upsetting, It doesn't It sounds like

1839
01:41:00.119 --> 01:41:04.199
<v Speaker 1>something I just realized as this fight sequence is happening.

1840
01:41:04.359 --> 01:41:07.119
<v Speaker 1>I was about to be like, what could that be about, Zachie.

1841
01:41:07.119 --> 01:41:09.439
<v Speaker 1>It just sort of like just talk about this is

1842
01:41:09.439 --> 01:41:10.520
<v Speaker 1>they're beating the shit out of you.

1843
01:41:13.319 --> 01:41:16.359
<v Speaker 2>Oh, I like this this business here where she detaches

1844
01:41:16.560 --> 01:41:20.199
<v Speaker 2>the train cars and then they collide back into one another.

1845
01:41:20.720 --> 01:41:25.000
<v Speaker 1>I was like, that's a good idea, man. There's a

1846
01:41:25.079 --> 01:41:26.560
<v Speaker 1>lot of smash zooms in this.

1847
01:41:27.079 --> 01:41:30.319
<v Speaker 2>Yeah, and the twenty dollars bill thing is kind of fun.

1848
01:41:30.399 --> 01:41:32.159
<v Speaker 2>That keeps going back and forth between them.

1849
01:41:34.039 --> 01:41:38.800
<v Speaker 1>Yeah, which, like you know, it's there's like a whimsy

1850
01:41:38.880 --> 01:41:42.600
<v Speaker 1>to that, but at some point it's like, Okay, you

1851
01:41:42.680 --> 01:41:45.319
<v Speaker 1>guys are trying, like and nobody in real life would

1852
01:41:45.319 --> 01:41:47.800
<v Speaker 1>be doing that. I think, well, I would sort of

1853
01:41:47.880 --> 01:41:50.039
<v Speaker 1>love if you Travelt.

1854
01:41:50.039 --> 01:41:52.159
<v Speaker 2>It gets you know, blasted off by the rocket and

1855
01:41:52.239 --> 01:41:56.039
<v Speaker 2>then Slater's like, hey, he spopped me at twenty, and

1856
01:41:56.159 --> 01:41:58.000
<v Speaker 2>Mathis has to like dig in. He pulls him at

1857
01:41:58.000 --> 01:41:59.760
<v Speaker 2>twenty and then he like throws it into the wind.

1858
01:41:59.640 --> 01:42:02.119
<v Speaker 1>And she's like what the hell and he hands it

1859
01:42:02.159 --> 01:42:11.479
<v Speaker 1>to him and then he hands it back. Yeah. There

1860
01:42:11.760 --> 01:42:15.239
<v Speaker 1>there the there's the bit in the so I like again,

1861
01:42:15.319 --> 01:42:16.960
<v Speaker 1>I like just going back to what we were saying earlier.

1862
01:42:17.000 --> 01:42:20.680
<v Speaker 1>I like this final fight between them as as a

1863
01:42:20.760 --> 01:42:22.439
<v Speaker 1>parallel with the one in the beginning. But again, I

1864
01:42:22.479 --> 01:42:24.600
<v Speaker 1>think if the one in the beginning was more good natured,

1865
01:42:24.960 --> 01:42:27.720
<v Speaker 1>it would make this feel more intense mm hmmm mm,

1866
01:42:27.840 --> 01:42:30.840
<v Speaker 1>because we don't like seeing them like this. We previously

1867
01:42:30.920 --> 01:42:36.279
<v Speaker 1>saw them as buddy yeah, like like a real betrayal. Yeah, yeah,

1868
01:42:36.359 --> 01:42:41.800
<v Speaker 1>I agree, good note. But there there's that moment where

1869
01:42:43.199 --> 01:42:47.279
<v Speaker 1>like Slater has he picks up like the crowbar or something, yeah,

1870
01:42:47.319 --> 01:42:48.840
<v Speaker 1>to hit him with it, and then he drops it,

1871
01:42:49.960 --> 01:42:51.600
<v Speaker 1>and I, as I watched it, I was like, oh,

1872
01:42:51.640 --> 01:42:53.600
<v Speaker 1>good because he's like a good guy. But then I

1873
01:42:53.760 --> 01:42:57.560
<v Speaker 1>was like, wait a minute, freaking kill him? What are

1874
01:42:57.560 --> 01:43:02.560
<v Speaker 1>you doing? I know, I know, bad decision. Like I

1875
01:43:02.680 --> 01:43:04.560
<v Speaker 1>was thinking, I was like, I get it because he's

1876
01:43:04.600 --> 01:43:09.079
<v Speaker 1>a good like that's a right there, and he's like no, yeah, no,

1877
01:43:09.279 --> 01:43:10.920
<v Speaker 1>I don't know. Man. If I'm in that position, I

1878
01:43:11.039 --> 01:43:12.119
<v Speaker 1>use that crowbar.

1879
01:43:14.439 --> 01:43:17.319
<v Speaker 2>I know, I mean I get the boxing parallel happening here.

1880
01:43:17.479 --> 01:43:20.920
<v Speaker 2>But yeah, we be in this movie five minutes earlier.

1881
01:43:23.880 --> 01:43:25.880
<v Speaker 1>So here we go. Now we're getting some good shots

1882
01:43:26.039 --> 01:43:30.159
<v Speaker 1>with the train. Yeah, there we go. See this. I

1883
01:43:30.359 --> 01:43:34.640
<v Speaker 1>like this. This is good. Yeah, definitely like giving her

1884
01:43:34.680 --> 01:43:35.079
<v Speaker 1>something to do.

1885
01:43:35.720 --> 01:43:39.640
<v Speaker 2>Yeah, yeah, and then the other half of the train

1886
01:43:39.680 --> 01:43:47.000
<v Speaker 2>about the smash into the Yeah, it's like a perfect

1887
01:43:47.039 --> 01:43:48.159
<v Speaker 2>thing to jump away from.

1888
01:43:48.640 --> 01:43:55.079
<v Speaker 1>Exactly. Yeah, I'm like QUI because I want to watch it.

1889
01:43:56.640 --> 01:43:59.640
<v Speaker 1>That's cool, that's cool that leap is this? Yeah, this

1890
01:43:59.680 --> 01:44:02.000
<v Speaker 1>is great. Maybe think of the fugitive. Oh, here we go,

1891
01:44:02.079 --> 01:44:05.800
<v Speaker 1>here's your where's the dummy? We get his his like

1892
01:44:05.920 --> 01:44:09.680
<v Speaker 1>smiling face. I like it. And then this, oh he

1893
01:44:09.840 --> 01:44:13.880
<v Speaker 1>just like folds an half. This is the most obvious

1894
01:44:14.000 --> 01:44:17.680
<v Speaker 1>movie dummy I have ever seen. That is funny. I

1895
01:44:17.880 --> 01:44:27.199
<v Speaker 1>like it, though it's disturbing. Well, that'll do it. This

1896
01:44:27.359 --> 01:44:27.720
<v Speaker 1>is great.

1897
01:44:28.159 --> 01:44:31.039
<v Speaker 2>I would say about like all these barrels flying everywhere,

1898
01:44:31.119 --> 01:44:32.640
<v Speaker 2>Like it just looks really dangerous to have an actor

1899
01:44:32.720 --> 01:44:33.239
<v Speaker 2>right next to that.

1900
01:44:35.199 --> 01:44:37.319
<v Speaker 1>I mean he's probably not like right next to right

1901
01:44:37.359 --> 01:44:38.000
<v Speaker 1>next to you right.

1902
01:44:38.039 --> 01:44:41.159
<v Speaker 2>Like No, I'm just admiring it, Like, I just love it.

1903
01:44:41.399 --> 01:44:45.840
<v Speaker 2>It looks great. The production value. I guess and that's

1904
01:44:45.880 --> 01:44:46.119
<v Speaker 2>the thing.

1905
01:44:46.199 --> 01:44:49.359
<v Speaker 1>I mean, fifty million, right, yeah, I mean it's not

1906
01:44:49.479 --> 01:44:52.479
<v Speaker 1>like they were spending a ton of money, you know,

1907
01:44:52.640 --> 01:44:55.439
<v Speaker 1>it's like that's pretty reasonable, we know. It makes me

1908
01:44:55.520 --> 01:44:58.880
<v Speaker 1>think of the movie Super eight. There's this big.

1909
01:45:00.399 --> 01:45:04.479
<v Speaker 2>Train crash, but none of it feels like it's like

1910
01:45:04.720 --> 01:45:08.479
<v Speaker 2>really happening because it's a lot of visual effects. I mean,

1911
01:45:08.520 --> 01:45:11.039
<v Speaker 2>it's it's a really credit where credits do. It's a

1912
01:45:11.079 --> 01:45:13.640
<v Speaker 2>really exciting sequence because it's mostly about kids trying to

1913
01:45:13.720 --> 01:45:16.439
<v Speaker 2>dodge things, but it's like the train cards.

1914
01:45:16.279 --> 01:45:18.119
<v Speaker 1>Are moving in ways that don't really make sense.

1915
01:45:18.920 --> 01:45:21.159
<v Speaker 2>But then you think of like The Fugitive where you're like, damn,

1916
01:45:21.960 --> 01:45:27.000
<v Speaker 2>you know, watching like a real train like blow up

1917
01:45:27.079 --> 01:45:29.399
<v Speaker 2>and crash like that, and it feels very dangerous, and

1918
01:45:30.159 --> 01:45:33.199
<v Speaker 2>you know this like this feels like wow, like watching

1919
01:45:33.279 --> 01:45:37.039
<v Speaker 2>a real train just smashing into itself and all that

1920
01:45:37.079 --> 01:45:38.000
<v Speaker 2>stuff flying everywhere.

1921
01:45:38.000 --> 01:45:39.000
<v Speaker 1>I don't know, there's just something about it.

1922
01:45:39.039 --> 01:45:45.079
<v Speaker 2>It just feels more dangerous and exciting to me. Yeah, wait, okay,

1923
01:45:45.079 --> 01:45:49.800
<v Speaker 2>are we going to get the romantic handshake? See back

1924
01:45:49.840 --> 01:45:51.600
<v Speaker 2>in the day, they would have just started doing it

1925
01:45:51.720 --> 01:45:54.359
<v Speaker 2>right there, back at what day. And then you said,

1926
01:45:54.399 --> 01:45:56.840
<v Speaker 2>like like like in the now like before, like in

1927
01:45:56.920 --> 01:46:01.199
<v Speaker 2>the eighties, if this is an eighties and eighties right, yeah, yeah, yeah,

1928
01:46:01.640 --> 01:46:05.159
<v Speaker 2>just like inappropriate nudity, just the works.

1929
01:46:05.920 --> 01:46:06.079
<v Speaker 1>Yeah.

1930
01:46:06.079 --> 01:46:08.479
<v Speaker 2>It would be like like cop cars would show up

1931
01:46:08.520 --> 01:46:10.760
<v Speaker 2>to like clean up the scene, and they'd go in

1932
01:46:10.840 --> 01:46:13.000
<v Speaker 2>the back seat of a cop car and then they'd

1933
01:46:13.119 --> 01:46:15.680
<v Speaker 2>like start going at it. But then someone would be like, hey,

1934
01:46:15.720 --> 01:46:17.760
<v Speaker 2>what's he doing back there? And then like the one

1935
01:46:17.840 --> 01:46:19.560
<v Speaker 2>cop would like lean in front of the window to

1936
01:46:19.840 --> 01:46:23.199
<v Speaker 2>cover it up and exactly police business.

1937
01:46:25.159 --> 01:46:31.199
<v Speaker 1>And then a guitar would be like you need to

1938
01:46:31.279 --> 01:46:38.920
<v Speaker 1>have like a Billie Idol song or something. Yes, oh boy,

1939
01:46:39.039 --> 01:46:43.159
<v Speaker 1>broken Arrow, Broken Arrow, Broken Arrow.

1940
01:46:46.520 --> 01:46:51.279
<v Speaker 2>Is a good I don't know, but like you know,

1941
01:46:51.560 --> 01:46:55.600
<v Speaker 2>there's there's some fun nineties flare happening here, you know.

1942
01:46:55.840 --> 01:47:00.199
<v Speaker 1>I I for me, ultimately, Uh, it's fun to just

1943
01:47:00.239 --> 01:47:01.920
<v Speaker 1>go through some of these old movies with you, and

1944
01:47:02.039 --> 01:47:04.560
<v Speaker 1>you know, we can point out the stuff that works

1945
01:47:04.600 --> 01:47:07.039
<v Speaker 1>for us and some of the stuff that doesn't. I

1946
01:47:07.159 --> 01:47:09.079
<v Speaker 1>do think, you know. I mean, look, there are certain

1947
01:47:09.199 --> 01:47:12.800
<v Speaker 1>nineties action movies that have truly transcended that we're still

1948
01:47:12.840 --> 01:47:16.439
<v Speaker 1>talking about thirty years later. Yeah, you know, you've mentioned

1949
01:47:16.479 --> 01:47:19.199
<v Speaker 1>a few. There's the Fugitive and speed and the rock

1950
01:47:19.319 --> 01:47:22.079
<v Speaker 1>even you know, man, you know, I don't think Broken

1951
01:47:22.159 --> 01:47:25.239
<v Speaker 1>Arrow is in that tier or even the tier directly below.

1952
01:47:27.319 --> 01:47:31.159
<v Speaker 1>Maybe a few tiers down, sure, but you know, I

1953
01:47:31.319 --> 01:47:35.359
<v Speaker 1>think within that hour and forty eight minutes you'll get

1954
01:47:35.640 --> 01:47:39.159
<v Speaker 1>an hour and ten minutes or so of enjoyment. Sure,

1955
01:47:39.479 --> 01:47:43.279
<v Speaker 1>it's a funny way of putting it. Yeah, yeah, I

1956
01:47:43.399 --> 01:47:47.840
<v Speaker 1>hear that. But hey, those of you listening, let us

1957
01:47:47.880 --> 01:47:50.279
<v Speaker 1>know your thoughts about Broken Arrow. You know, mayb maybe

1958
01:47:50.279 --> 01:47:53.079
<v Speaker 1>you disagree. That's cool, but let's.

1959
01:47:54.600 --> 01:47:56.119
<v Speaker 2>This is kind of a unique one. I feel like

1960
01:47:56.199 --> 01:48:00.600
<v Speaker 2>for us, we do this, Okay, I mean I just

1961
01:48:00.640 --> 01:48:02.159
<v Speaker 2>love that. It was like, well, if you got any

1962
01:48:02.199 --> 01:48:04.039
<v Speaker 2>thoughts on this, that's.

1963
01:48:03.880 --> 01:48:08.840
<v Speaker 1>COOLNA say emails let us know. You know, you can

1964
01:48:09.199 --> 01:48:11.239
<v Speaker 1>make it a conversation. You can emails it Movie Film

1965
01:48:11.359 --> 01:48:13.880
<v Speaker 1>Podcast at gmail dot com. You can also hit like

1966
01:48:14.000 --> 01:48:17.319
<v Speaker 1>on our Facebook Facebook dot com slash movie Let me

1967
01:48:17.399 --> 01:48:21.479
<v Speaker 1>try that again, Facebook Facebook dot com slash Movie Film Podcast.

1968
01:48:21.560 --> 01:48:23.560
<v Speaker 1>I have not been drinking. I don't I don't drink.

1969
01:48:24.520 --> 01:48:28.920
<v Speaker 1>I have no explanation. I'm just drunk on the fumes

1970
01:48:29.000 --> 01:48:33.680
<v Speaker 1>of whatever. John mout Yeah, there we go. Uh. Hey,

1971
01:48:33.760 --> 01:48:36.039
<v Speaker 1>we're also on YouTube and if you're watching this or

1972
01:48:36.119 --> 01:48:38.520
<v Speaker 1>listening to this on YouTube, please make sure you subscribe

1973
01:48:38.560 --> 01:48:40.520
<v Speaker 1>and hit like. All that stuff helps. Also leave a

1974
01:48:40.560 --> 01:48:43.199
<v Speaker 1>comment because we also read those. As always, please go

1975
01:48:43.199 --> 01:48:46.479
<v Speaker 1>to Apple podcastle read, leave a reviewase star rating. Every

1976
01:48:46.520 --> 01:48:48.800
<v Speaker 1>little bit helps, Hey, Brian. We also have a Patreon

1977
01:48:48.840 --> 01:48:49.960
<v Speaker 1>page that is right.

1978
01:48:50.039 --> 01:48:52.680
<v Speaker 2>If you head over to patreon dot com slash Movie

1979
01:48:52.760 --> 01:48:56.199
<v Speaker 2>Film Podcast and hit subscribe for only five dollars a month,

1980
01:48:56.479 --> 01:48:59.560
<v Speaker 2>you'll find every commentary we've ever done and every episode

1981
01:48:59.600 --> 01:49:05.079
<v Speaker 2>moving forward absolutely ad free. In addition to that, now,

1982
01:49:05.199 --> 01:49:08.800
<v Speaker 2>starting in twenty twenty six, we are adding additional bonus

1983
01:49:08.840 --> 01:49:12.279
<v Speaker 2>conversations that didn't make it into our regular episodes as

1984
01:49:12.600 --> 01:49:15.279
<v Speaker 2>bonus drops over on our Patreon feed. We're doing that

1985
01:49:15.479 --> 01:49:17.680
<v Speaker 2>around twice a month, so you can.

1986
01:49:18.079 --> 01:49:19.319
<v Speaker 1>Look for those over there.

1987
01:49:19.760 --> 01:49:21.880
<v Speaker 2>Our free feed will always be available, but this is

1988
01:49:21.960 --> 01:49:24.119
<v Speaker 2>our way of providing what we believe is the most

1989
01:49:24.239 --> 01:49:27.439
<v Speaker 2>satisfying way to enjoy the show. So no ads are

1990
01:49:27.479 --> 01:49:30.960
<v Speaker 2>interruptions butting into the commentary action as you're trying to

1991
01:49:31.039 --> 01:49:34.079
<v Speaker 2>follow along with us. Plus, your subscription goes a long

1992
01:49:34.119 --> 01:49:36.640
<v Speaker 2>way and helping to support us and helping to sustain

1993
01:49:36.880 --> 01:49:39.760
<v Speaker 2>producing the show. So if you're interested in able, please

1994
01:49:39.800 --> 01:49:43.079
<v Speaker 2>head over to patreon dot com Slash Movie Film Podcast

1995
01:49:43.359 --> 01:49:44.119
<v Speaker 2>and subscribe.

1996
01:49:44.239 --> 01:49:47.279
<v Speaker 1>We'd be very grateful. There we go, and with that,

1997
01:49:48.359 --> 01:49:49.840
<v Speaker 1>if you're looking for me online, you can find me

1998
01:49:49.920 --> 01:49:53.079
<v Speaker 1>on social media and Zachie's Corner. That'sz Akis Corner. You

1999
01:49:53.119 --> 01:49:55.319
<v Speaker 1>can also find my reviews at the San Francisco Chronicle,

2000
01:49:55.359 --> 01:49:57.760
<v Speaker 1>offside Ign and the rap Brian What About You.

2001
01:49:58.119 --> 01:50:00.439
<v Speaker 2>You can find episodes I've written of Puppy Dot Pals

2002
01:50:00.479 --> 01:50:03.239
<v Speaker 2>and Young Jedi Adventures streaming on Disney Plus.

2003
01:50:04.680 --> 01:50:07.800
<v Speaker 1>And that wraps up this commentary track as we talked

2004
01:50:07.920 --> 01:50:10.680
<v Speaker 1>through Broken Arrow. But hey, we'll be back soon with

2005
01:50:10.760 --> 01:50:13.720
<v Speaker 1>our next commentary track. You never know what might find

2006
01:50:13.800 --> 01:50:19.640
<v Speaker 1>its way into our you know, our workflow here. It's

2007
01:50:19.680 --> 01:50:23.920
<v Speaker 1>a mystery, not to us, to everybody listening. Yeah, or

2008
01:50:24.119 --> 01:50:27.640
<v Speaker 1>the genre. It may not be a mystery, but you know,

2009
01:50:27.840 --> 01:50:31.439
<v Speaker 1>good good comedy gold. You never know. You never know

2010
01:50:31.479 --> 01:50:37.119
<v Speaker 1>what's coming. But I'll use that as the opportunity to

2011
01:50:37.359 --> 01:50:41.159
<v Speaker 1>to bid ado to our listeners in this episode. Thanks everybody,

2012
01:50:41.199 --> 01:50:41.960
<v Speaker 1>We'll catch you next time.
