Speaker 1: You see, something's going to happen. What What's gonna happen? What?
Speaker 2: I welcome, Welcome to another seven seven seven. I'm joined
Speaker 2: by my co host Nick Nick Tell much been up to?
Speaker 1: What is up? What's going on?
Speaker 2: Uh?
Speaker 1: Been up to a lot actually, Uh finally edited and
Speaker 1: put out. Well it's not going to drop for a
Speaker 1: few weeks, but uh, I got that one show with
Speaker 1: the architecture and the kind of like the verberation and
Speaker 1: all that stuff. And I am also, uh hopefully I'm
Speaker 1: gonna drop these sooner than latest. Some of them might
Speaker 1: be extra shows, but I got well, I'm gonna work
Speaker 1: on I'm halfway through it already. I'm doing one episode
Speaker 1: literally just on showing people how the eyeball works, just
Speaker 1: one episode explaining that I'm doing an episode on the
Speaker 1: crane nerves. And then I got another one there trying
Speaker 1: to release all these three around the same time, getting
Speaker 1: real nerdy. And then the rhythms of consciousness and that
Speaker 1: will be delta, theta, alpha, beta and gamma and how
Speaker 1: that affects your brain and all this, you know, how
Speaker 1: that whatever all that stuff going on in your head.
Speaker 1: So I was just trying to trying to really like
Speaker 1: cover like a lot showing like the nervous system and
Speaker 1: your eyeballs and just your brain and like the whole
Speaker 1: association going on right there.
Speaker 2: Absolutely, when we were doing the trialogues on Sunday, we
Speaker 2: were kind of going over how that sort of eye
Speaker 2: of Horace in the middle of your head is the
Speaker 2: idea of proportion, right, and proportionality because remember the symbol itself,
Speaker 2: the eye of Horace, is all in these proportions, so
Speaker 2: it all adds up to sixty four, right, So you've
Speaker 2: got these different parts of the eye of horse that
Speaker 2: represent these different ratios. Well, if it adds up to
Speaker 2: sixty four and you divide sixty four by five one
Speaker 2: point six, you get forty, right, And forty is this
Speaker 2: number used in occultism over and over and over again.
Speaker 2: So it's like, hey, we're using a little bit of
Speaker 2: this stuff from seven to seven and seven seven and
Speaker 2: jamatria to actually decode these other symbols that come back
Speaker 2: to all of these ancient mystery schools. So you know,
Speaker 2: this explains all the forties in the Bible, all the
Speaker 2: forties you know in occultism. It's it's right there. So
Speaker 2: that's what you get when you divide sixty four by
Speaker 2: one point six five and then you get forty. So
Speaker 2: there's a divine proportion in there. And so where we're
Speaker 2: at in the book here is on page one hundred.
Speaker 2: So let's see if we can find some forties tonight.
Speaker 1: Sixty four is even I can't remember what that matches,
Speaker 1: but saying you said Horace, right, that force was associated
Speaker 1: with sixty four, that numb it does come up a lot.
Speaker 1: Next time it comes up, I gotta remember because I
Speaker 1: have like run certain shit in sixty four, like that
Speaker 1: numerical value for English tomatria. It matches some interesting shit,
Speaker 1: and I just wish I could remember what it was.
Speaker 1: I can't.
Speaker 2: Let me pull up the image so that you can
Speaker 2: see it again.
Speaker 1: Sixty four.
Speaker 2: One sixty fourth is the lowest proportion on there.
Speaker 1: Yeah, I can't remember. Fuck, I feel like there's a
Speaker 1: certain god name that would go with it direct.
Speaker 2: So here here's the example, right, So it all adds
Speaker 2: up to sixty three sixty fourths, so it leaves that
Speaker 2: one little piece out of it. And this eye of
Speaker 2: horror structure is in the brain. It's right there at
Speaker 2: the brain stem. This would be where it comes down
Speaker 2: so all of these different parts would be represented there.
Speaker 2: And so you've got in the middle of the brain, right,
Speaker 2: you've got that sort of eye of horror structure, right,
Speaker 2: and so within there you see all these different modes
Speaker 2: that add up to the sixty four, right, And so
Speaker 2: having that idea of the sixty fourth is at the
Speaker 2: center of the brain, and then you divide sixty four
Speaker 2: by one point six and you get you know, five ratio,
Speaker 2: and then it's forty, and so forty is sort of
Speaker 2: the divine symbol of the middle point, I guess of
Speaker 2: this sixty four structure. So I just thought that was interesting.
Speaker 2: Let's see here we go. So we are on page
Speaker 2: one hundred, so zero would be new the hair hairw
Speaker 2: pow ka, Harpocrates amun Knuth and that's zero, right, And
Speaker 2: so this is the section selection of the Egyptian gods, right,
Speaker 2: so these would be the the table for Egyptian gods, right,
Speaker 2: and number one would be Petaha.
Speaker 1: Just real quick that harp uh. That's also this symbol
Speaker 1: goes back to him too when you put the sin
Speaker 1: of silence. Yeah, yeah, yeah, just to let people know.
Speaker 2: All right, And number two isis, which you know makes
Speaker 2: sense numerologically, you've got the one and the two right,
Speaker 2: and that too is that feminine number amun Thoth knuit
Speaker 2: zodiac signs. That's number two Nephthis mount isis Nephthis that's
Speaker 2: number three. Am amun isis number four. Right, So now
Speaker 2: you're getting how these formulations start to interact with each other.
Speaker 2: And Horace back to this Horace idea, Horace neptis number five.
Speaker 2: So again eye of Horace would be I guess are
Speaker 2: there five parts to it?
Speaker 1: Oh? That would be abora like Mars.
Speaker 2: M two three four five. Yeah, I guess there are
Speaker 2: five parts to it. So there are five parts to
Speaker 2: that eye of Horace, and that kind of matches up
Speaker 2: as well. Interesting, let's see raw asor Ra this is
Speaker 2: number six, and you know five is so important when
Speaker 2: you've got the fire ratio two because the the star
Speaker 2: that is associated with the fire ratio from the I
Speaker 2: guess the what are they called the man the triangle
Speaker 2: that is a right triangle? Who is the Pythagoras?
Speaker 1: Right?
Speaker 2: So the Pythagorean star, the you know, pentacle has the
Speaker 2: five parts, the five points, and then that gives you
Speaker 2: the fire ratio as well. So having horrors be part
Speaker 2: of that is, you know, back to that sixty four
Speaker 2: and one point six hathor number seven, the Mighty and
Speaker 2: the Terrible One, the beast of the Lord of Curiba,
Speaker 2: the rains, noot, the hips, the legs. So over here
Speaker 2: you're kind of getting this divine figure laid out, so
Speaker 2: the disc of raw. So if you can imagine in
Speaker 2: this sort of channel right here, the perfective man, that's
Speaker 2: the uh, the figure of the person as as it's
Speaker 2: being laid out here. It would be a lot easier
Speaker 2: if they had, you know, some images, but that would
Speaker 2: go perfectly along with this sort of thing. Complete practical
Speaker 2: attribution of the Egyptian god's thought. Anubis would be Let's
Speaker 2: see that's number eight and eight is also an important
Speaker 2: part of that sixty four because eight squared is sixty four, right,
Speaker 2: So if you square thought, then you've got the eye
Speaker 2: of Horace. Interestingly enough, let's see Asar and Asi, the
Speaker 2: phallus and volva Sati, the spine, the eye of Horror,
Speaker 2: the buttocks and anus. So this is you know, as
Speaker 2: you're moving down this figure, you've got these different representations
Speaker 2: of this perfected man. And then Osiris again, what happened
Speaker 2: with Osiris as he was slain. The last piece that
Speaker 2: was never found, that would be the phallus of Horace.
Speaker 2: And then this would be seb lower the unwetted isis
Speaker 2: and nepthis that's number ten. Oh shoe. What do you
Speaker 2: know about shoe?
Speaker 1: Not much? Actually not much more than I less than
Speaker 1: I should.
Speaker 2: Interesting, So that would probably be them the lower down
Speaker 2: tien region right there for shoe. If you're gonna go
Speaker 2: on the body parts. And then let's see as six
Speaker 2: mount new eleven. Usually they have a lot more in
Speaker 2: this eleven slot, right, because that's the magician's number. I
Speaker 2: wonder what the significance of eleven is within Egyptian society.
Speaker 2: And right before or right below eleven, you've got thought
Speaker 2: again Apu the hips right, so thought thought and uh
Speaker 2: sign no cephalis sign nos cephalis. Number twelve. Interesting, Hathor
Speaker 2: the left eye chomys chumps chumps is number thirteen, Kennetti
Speaker 2: cuss the left nostril hathors. So I guess we've gone
Speaker 2: down below the feet at this point, Hathor hathor fourteen.
Speaker 2: Let's see isis men through that would be fifteen bonnatatu
Speaker 2: the shoulders o Cyrus as are amashett APIs sixteen bon
Speaker 2: Natatu the shoulders of Cyrus, all right, and then we're
Speaker 2: down into the twin murty various twin deities Riquette Mary
Speaker 2: that's seventeen, Hormatu keptra keptra is eighteen as six Horace
Speaker 2: raj quit push debt or pushed second and Mao for
Speaker 2: nineteen and then Haru pa kareth isis as Virgin number twenty.
Speaker 2: I put the left ear a Monray, this is interesting
Speaker 2: the left ear right, so this goes back to trump again. Rah, yeah,
Speaker 2: right there, twenty one left ear I'll put interesting my
Speaker 2: att the completion the law the harmony twenty two, and
Speaker 2: then as twenty four. I'm not sure what that is
Speaker 2: supposed to do, right, They got some Greek in there,
Speaker 2: but I'm not sure exactly what it's saying. Tom af
Speaker 2: almor water as are as hanged man heck are isis
Speaker 2: Now again, these are supposed to be read all the
Speaker 2: way across, so these tables are kind of corresponding with
Speaker 2: the original one. So they're just plugging everything in on
Speaker 2: these different tables as you flip through the pages. So
Speaker 2: if you if you've got the book open, that's what's
Speaker 2: going on there? That's twenty three, and then Seget the
Speaker 2: belly and back that's not segment, that's segreet. Yeah, interesting,
Speaker 2: Hammet Merti goddess Typhon goddesses and Typhon apep the right.
Speaker 2: So the Serpent of Chaos twenty four Kephra.
Speaker 1: Let me see, have no idea what that part is in.
Speaker 2: Where pie neftis twenty five. It's interesting why they would
Speaker 2: just switch over to that randomly as ten for Zadi
Speaker 2: means I, yeah, yeah, yeah, so iin that would be
Speaker 2: the iron I guess set kern kem set that's twenty six,
Speaker 2: twenty seven, Horus Menu Manethu could be Manethu because Manethu
Speaker 2: was a pretty prominent was that his name Menetha? Yeah,
Speaker 2: that was a pretty prominent Egyptian scholar that there's a
Speaker 2: lot of references to in the ancient works. The Lord
Speaker 2: of the Lords of Kurba, the Reins interesting, and that's
Speaker 2: a newitt Fie at Paris. What do you know about
Speaker 2: that one?
Speaker 1: Now?
Speaker 2: That's twenty eight, and then Anubi Kephra as Scarab the
Speaker 2: Taro Trump Kefra as the Taro Trump interesting twenty nine
Speaker 2: and again you know Trump being associated with the Taro
Speaker 2: is interesting to me too. It's like this is like
Speaker 2: the guy who represents all of the you know, major
Speaker 2: arcana yeo, right, so you know, people have associated him
Speaker 2: with being the anti Christ, and it would kind of
Speaker 2: make sense if it's it's like this Trump's idea from
Speaker 2: all of these you know, the face cards, right. So
Speaker 2: not saying it's real or not, but it would make
Speaker 2: sense as the completion of a cycle hathor the right
Speaker 2: eye ra raw and many others thirty forget the teeth
Speaker 2: six as mao film ash nef mao kaba sunt thirty one,
Speaker 2: and then a poot the right ear see note let
Speaker 2: me see so beek sebec mako thirty two, and then
Speaker 2: a bunch of Hebrew the bones settem if she nef
Speaker 2: this a'm a schet, and then the last one thirty one,
Speaker 2: that would be a sar. You're gonna pick it up.
Speaker 1: Here, Yeah, all right. So then the next one that
Speaker 1: will be the first column be reading is the Empress
Speaker 1: scale of color. The next one will be the Empress
Speaker 1: scale of color, and then the next one after that
Speaker 1: will be the Queens scale of color. And for zero
Speaker 1: there is nothing crystal of them. Then for number one
Speaker 1: it is white flecked gold o the empress scale. Then
Speaker 1: the Empress scale would be white brilliance, and the Queen
Speaker 1: scale is white brilliance for number one, and then number
Speaker 1: two we have white flecked red, blue and yellow for
Speaker 1: the Empress. Then the Emperor you have blue gray pearl,
Speaker 1: no blue pearl, gray like mother of Pearl. And then
Speaker 1: the queen scale you have gray. And again that was
Speaker 1: for number two. Then for number three, gray and flecked
Speaker 1: pink for the Empress. Then the Emperor is dark brown
Speaker 1: and the queen scale would be black. And now that
Speaker 1: would have went with like Saturn.
Speaker 2: Also give you what's the difference between these different scales
Speaker 2: of color?
Speaker 1: Uh? I think probably also maybe like what you have
Speaker 1: those like four densities to the spheres, there's also four colors,
Speaker 1: so I do think like they might go with that.
Speaker 1: That's my opinion.
Speaker 2: So these are like different layers of brilliance around the
Speaker 2: different end.
Speaker 1: Yeah, yeah, yes, that's the way to put it. Then
Speaker 1: number four would be deep bizore fleck yellow for the Empress,
Speaker 1: then the Emperor would be deep purple interesting, and then
Speaker 1: the queen scale would be blue. And that's why blue
Speaker 1: goes with Jupiter. You know blue goes with Jupiter, and
Speaker 1: that would go with the chesshead on number four. Then
Speaker 1: for number five you get red or inflect black. That's
Speaker 1: the empress scale. Then the emperor you have bright scarlet,
Speaker 1: and then the queen scale you have scarlet red. That's
Speaker 1: for five. Then for number six gold ember for the empress,
Speaker 1: and then the emperors scale of the emperor would be
Speaker 1: rich salmon, and the queen would be yellow again or gold.
Speaker 1: That would be number six. Again number seven you have
Speaker 1: olive inflect gold for the empress. Then for the emperor
Speaker 1: you have bright yellow green, and then for the queen
Speaker 1: you have emerald. That was number seven, and then for
Speaker 1: number eight, the empress scale would be yellowish brown with
Speaker 1: flecked white. Then the Emperor would be red russet, and
Speaker 1: then the queen would be orange and the orange man
Speaker 1: number eight and the number nine citrine. The empress scale
Speaker 1: would be citrine with flecked azure. Emperor would be very
Speaker 1: dark purple and the queen would be violet. And then
Speaker 1: number ten black rayed with yellow for the empress. Then
Speaker 1: the emperor would be as queen scale, but flecked with
Speaker 1: gold and the queen scale would be citrine, olive, russet
Speaker 1: and black. Now I do think that might actually be
Speaker 1: the colors that the Golden Dorm will use in their pentacle.
Speaker 2: As well as Malcoot right, So that's the colors of
Speaker 2: Malcoot right there.
Speaker 1: Then an eleven we have emerald flecked gold as the empress.
Speaker 1: Then the Emperor is blue emerald green, and then the
Speaker 1: queen would be sky blue. That's eleven. Twelve, the Empress
Speaker 1: would be emerald inflect gold, sorry indigo and raid violet.
Speaker 1: Then the Emperor would be gray, and then the queen
Speaker 1: would be purple. That's twelve. Then thirteen, the Empress would
Speaker 1: be silver and raid sky blue. Then the Emperor would
Speaker 1: be cold pale blue, and then the queen would be silver.
Speaker 1: That's for thirteen. Fourteen empress would be bright rose or
Speaker 1: ceres and there would be a raid pale green, and
Speaker 1: then the Emperor would be early spring green, and then
Speaker 1: the queen would be sky blue. That's fourteen. Fifteen glowing
Speaker 1: red for the empress, then the Emperor would be brilliant
Speaker 1: flame and the queen would be red. That's fifteen again,
Speaker 1: and then sixteen for the empress would be rich brown.
Speaker 1: Then for the Emperor would be deep warm olive, and
Speaker 1: then the queen deep in the go that's sixteen seventeen
Speaker 1: for the Empress reddish gray, inclined to moiv. Then the
Speaker 1: Emperor would be new yellow leather, and then the queen
Speaker 1: would be palemave. That'd be seventeen eighteen. For the empress,
Speaker 1: you would have dark greenish brown. Then the Emperor would
Speaker 1: be rich bright russet, and the queen would be maroon.
Speaker 1: That's eighteen. Then nineteen, the Empress reddish ember, the Emperor
Speaker 1: would be gray, and the queen would be deep purple.
Speaker 1: For nineteen, then twenty we have plum color for the empress.
Speaker 1: Then the Emperor would be green gray, and the princess
Speaker 1: would be slate gray. Queen, I'm sorry, Prince, princess slate gray.
Speaker 1: Then the Empress for twenty would be bright blue ray yellow,
Speaker 1: and the Emperor would be a rich purple and the
Speaker 1: queen would be blue. That's for twenty one. Twenty two,
Speaker 1: the Empress pale green, Emperor deep deep blue green, and
Speaker 1: the queen would be blue. That's twenty two. Twenty three
Speaker 1: for the Empress would be white flecked purple like mother
Speaker 1: of pearl. The Emperor would be a deep olive green,
Speaker 1: and then the Queen would be sea green, and that
Speaker 1: is twenty three. Twenty four for the Emperor would be
Speaker 1: livid indigo brown, like a black beetle, and then the
Speaker 1: Empress would be very dark brown, and then the Queen
Speaker 1: would be dull brown. That's twenty four. And if it's
Speaker 1: twenty five, the Emperor would be dark vivid blue, the
Speaker 1: Empress would be green, and the Queen would be yellow.
Speaker 1: That's twenty five, twenty six cold dark gray approaching black
Speaker 1: for the Emperor, and the Empress is blue black and
Speaker 1: the Queen is black. And then it's twenty six twenty
Speaker 1: seven bright red raid azore or emerald for the Emperor,
Speaker 1: Empress Venetian red, and the queen twenty seven would be
Speaker 1: red twenty eight.
Speaker 2: This is giving me really interesting ideas when it comes
Speaker 2: to how to use these to paint. So if you've
Speaker 2: got like dyt right, So let's say you're creating a
Speaker 2: spell or like I guess, a servator, right, and you've
Speaker 2: got a palette of all of these paints, and you've
Speaker 2: got a you know, a canvas that you're working off of.
Speaker 2: You sort of you know, sketch out the image, and
Speaker 2: then as you're filling in these different numbers for the
Speaker 2: servator as sort of like a chaos ritual, you're creating
Speaker 2: that sort of servator based upon these different scales of color.
Speaker 1: Yeah, I would even say, I mean most of the
Speaker 1: time I refer to this stuff when I was making
Speaker 1: talismans for whatever reason, or you know, any type of art,
Speaker 1: or even if I wanted to get ideas, so like
Speaker 1: type of colored candles or altar clothes, you know, anything
Speaker 1: really with color. Alright, then I think the next one
Speaker 1: is twenty eight, it could be wrong, twenty eight white
Speaker 1: and tinged purple. For the emperor. Empress is bluish move
Speaker 1: and then the Queen is skyblue. That's twenty eight. Twenty
Speaker 1: nine Emperor stone color, Empress light translucent pink brown. And
Speaker 1: then the Queen is buff flecked silver white. That is
Speaker 1: twenty nine. Thirty amber raid red. Then the Empress is
Speaker 1: a rich amber, and then the Queen is gold yellow
Speaker 1: is thirty. Then for thirty one, for the Emperor you
Speaker 1: got vermilion flecked crimson and emerald, and for the Empress
Speaker 1: you have scarlet with flecked gold and then the Queen
Speaker 1: Vermilion thirty two. For the Emperor, you have black and
Speaker 1: red blue. That's interesting. A lot of uh, that's almost
Speaker 1: kind of like the ceiling of like at the top
Speaker 1: of the ceiling of the Oto lodge is black and
Speaker 1: then like they have kind of like bluish stars, and
Speaker 1: I noticed, uh, what the fuck is that at this shit?
Speaker 1: It's at the Vatican where they have that ceiling that
Speaker 1: painted fucking.
Speaker 2: With the triangle in the middle the Eye of Providence,
Speaker 2: and then around it you would have that sky.
Speaker 1: See. I think it was that Michael whatever did Michael
Speaker 1: angel the Sistine Chapel. Oh, okay, before they painted over that,
Speaker 1: that's what they They had the same exact the roof
Speaker 1: that the Oto uses in their lunch and it was dark.
Speaker 1: It was like dark blue. It was black kind of
Speaker 1: going into like where the stars would be be almost
Speaker 1: like a dark blue, then going into like blue. It's
Speaker 1: hard to explain, but yeah, that same kind of color
Speaker 1: as that's what made me think of that when I
Speaker 1: was red black and red blue and then the emperor color.
Speaker 1: Sorry about that, The empress color would be blue black,
Speaker 1: and then the queen would be black. That's thirty two
Speaker 1: then thirty two abyss on what bio this means black
Speaker 1: inflect yellow for the Emperor. Then the Empress is dark brown,
Speaker 1: and then the Queen is amber, and then thirty one
Speaker 1: again white, red, yellow, blue, black, the latter outside that's
Speaker 1: for the Emperor. Then the Queen would be not the queen,
Speaker 1: the Empress the seven prismatic colors, the violet being outside,
Speaker 1: and then the Queen would be deep purple nearly black.
Speaker 2: So if you're trying to deconstruct a spell, you've got
Speaker 2: all of the keys right there if you can tell
Speaker 2: these different colors inside of that thing. So if you're
Speaker 2: looking around and you start to notice these colors, you
Speaker 2: might be looking at a spell somebody else's casting.
Speaker 1: I would even say I believe it or not. That
Speaker 1: might even help with like if you're like watching like
Speaker 1: some kind of shit on TV, or like pop culture shit,
Speaker 1: you might start noticing like certain colors matching with like
Speaker 1: certain planetary ideas.
Speaker 2: Right, And some of these pigments and stuff were developed
Speaker 2: after Crowley's times, so you know there could be brand
Speaker 2: new correspondences for these new pigments that have come into
Speaker 2: existence since this time. So this is mine right here,
Speaker 2: some great gods, some skin Navyan gods. I'm not sure
Speaker 2: what this one. This is like the open section. And
Speaker 2: then certain of the Hindu Buddhist results. Zero, we've got pan.
Speaker 2: Let me see no roba uh some Sampti, Nurka, Oh,
Speaker 2: here we go, nerve caw pa, hadi, some hadi there
Speaker 2: we go there some hadi, Shiva and Darshpha. Yeah, I
Speaker 2: do see a big correspondence between Shiva and Pan. That's
Speaker 2: a that's a pretty strong correspondence there. I'd say, zeus
Speaker 2: yakas wotan unity with Brahma Atman Darshiva. So this is
Speaker 2: like the creator gods.
Speaker 1: Right.
Speaker 2: Then you've got that's number one, and then Athena and
Speaker 2: Odin would be coming from that Wotan versus Odin, right.
Speaker 2: And then that's number two, uh Kaibali demeter Reyahira. So
Speaker 2: this is Hera that's right there. I guess they're spelling
Speaker 2: it differently, but that would be the mother Goddess's friga.
Speaker 2: And then I guess there's no corresponding thing for that
Speaker 2: for number three, number four, sidon Whoatan. That's interesting. Woton
Speaker 2: has these different positions here that keep popping up, so
Speaker 2: it's interesting as well, and nothing else for the Hindu
Speaker 2: on number four aris Hades. I think there's way more
Speaker 2: Hindu gods than what they're giving you right there. It
Speaker 2: doesn't make sense why they shouldn't have those. They've got
Speaker 2: so many gods in the Hindu pantheon. I don't want
Speaker 2: to they're not making those associations anyways.
Speaker 1: Or doesn't be. If you were to consider Thor with
Speaker 1: the planet, which one would you consider him to go with?
Speaker 2: Probably Mars?
Speaker 1: Yeah, really almost people would assume Jupiter.
Speaker 2: Well, you do have that association. There's there's a little
Speaker 2: bit of Jupiter in there, but you know, Odin is
Speaker 2: kind of Jupiterian as well, a little bit mercurial.
Speaker 1: So I'm a surprised to see Thorn. I just listen, man,
Speaker 1: I don't know. I don't know why I thought that.
Speaker 1: Maybe because of the lightning. I just associate that with
Speaker 1: you for some reason.
Speaker 2: Right, Well, he's sort of the thunder, right, so they
Speaker 2: always associate his hammer with thunder, you know, in all
Speaker 2: the comic books, he's like lightning. But you know that's
Speaker 2: more of a thunder thing, you know, But I guess
Speaker 2: it's just a distinctionless difference.
Speaker 1: Really, Oh, you'll see the light first too, and then
Speaker 1: the sound comes after, right, that could even do something.
Speaker 2: Right, but the sound angle as opposed to the lightning angle,
Speaker 2: I think is present.
Speaker 1: You know, yeah, you know exactly, yeah.
Speaker 2: Yakis Apollo Adonis and that's number six Verish let me
Speaker 2: see vishvar Rupa dar Shane Man. That's a really bad
Speaker 2: copyright there. It can barely even tell what those letters
Speaker 2: are for number six. Aphrodite, Nike Freya, number seven and
Speaker 2: Hermes Odin Loki, so they put Odin and Loki on
Speaker 2: the same level as Hermes. Very interesting. Number eight, so
Speaker 2: again that's the you know, that's the immortal eight, Zeus
Speaker 2: as Air, Diana of Ephesus as phallic stone, Persephone adonnas
Speaker 2: Psyche for a lot right there, so I don't know,
Speaker 2: maybe yeah, phallic stone that would have to do with
Speaker 2: the Zeus, with Delphi being the Omphilus right airstone interesting
Speaker 2: as nine and then Persephone adonnas Psyche as visions of
Speaker 2: the Higher Self and various di Dianas or Janus. That's
Speaker 2: for ten. Psyche being number ten. That's interesting too. That
Speaker 2: would be you know, Psyche is sort of like the
Speaker 2: entrance of the soul into the body.
Speaker 1: Oh yeah, I was getting confused on my bed. I
Speaker 1: think I was actually thinking more of Zeus, which that's
Speaker 1: and still is incorrect on this, but I don't know why.
Speaker 1: Maybe it was more Zeus instead of thought I was
Speaker 1: thinking would go with you, I don't know.
Speaker 2: Yeah, definitely Jupiter and you know, uh in the Roman
Speaker 2: would be Zeus.
Speaker 1: Yeah, maybe that's what I was confused. Sorry, that's fine.
Speaker 2: Let's see Zeus Valkyries Valu Bawana number eleven.
Speaker 1: All right.
Speaker 2: I would actually put Hermes there because that he's sort
Speaker 2: of more of the magician type character. But that's that's interesting.
Speaker 2: Hermes twelve kind of interesting. Artemis Hecate for number thirteen.
Speaker 2: Visions of Chandra thirteen.
Speaker 1: See. Even going by what Crowley thought, I'm surprised he
Speaker 1: didn't have pain at ten or eleven. Oh well, what
Speaker 1: I'm saying like he used to say that he was.
Speaker 1: I thought he said that maybe Nott from somebody else,
Speaker 1: but I thought it was like kind of like Cather
Speaker 1: and then Malcouth. Right.
Speaker 2: Well, Pann is sort of like a rustic god that's
Speaker 2: outside a sort of human civilization. He's sort of on
Speaker 2: the out out, outside of that stuff, sort of like
Speaker 2: the world outside of what is known. Also why I
Speaker 2: was associated with panic.
Speaker 1: Panic. How fascinating.
Speaker 2: Let's see, Oh yeah, very fascinating. He's a fascinating god too.
Speaker 2: I mean, if you look at some of the stuff
Speaker 2: with him and the goats.
Speaker 1: We gotta go there.
Speaker 2: All right, Aphrodite, Freya, success in Bakti yoga fourteen interesting
Speaker 2: Athena all the way across. That's number fifteen Harah, and
Speaker 2: they have an interesting spelling of hara, right, it's kind
Speaker 2: of odd, but I still can't read the middle part yet.
Speaker 2: Success in Hatha yoga, asana and Pranayama yoga sixteen, Castor
Speaker 2: and pollocks. Apollo the Diviner, right, there's lots of different
Speaker 2: forms of Apollo. People don't really realize that it's not
Speaker 2: just one sort of thing. They also call him Horace,
Speaker 2: Horace the Elder when they syncretized him down in Egypt.
Speaker 2: That's number seventeen. Apollo the charioteer, right, so that's more
Speaker 2: of the Helios angle. That's number eighteen. Demeter born by lions,
Speaker 2: interesting nineteen Atis. There we go Adis is number twenty
Speaker 2: and then back to Zeus again for we're at is
Speaker 2: nineteen and then Zeus.
Speaker 1: Is twenty interesting, one is twenty one.
Speaker 2: Oh Zeus is twenty one.
Speaker 1: Okay, yeah, you're right there.
Speaker 2: Themis Minos Acacius and Rodamantos rodamont I've never heard of
Speaker 2: that one. I'm gonna have to lift that one up.
Speaker 2: But Themis is kind of an earth goddess. She's the
Speaker 2: one that you know of his lady Justice and Minos
Speaker 2: being the king of the Minotaur.
Speaker 1: There.
Speaker 2: Interesting, that's twenty two. And Poseidon Appo Bawana that's twenty three.
Speaker 2: Now what does that say? Insufficient knowledge of the attributions
Speaker 2: of the Assyrian and Mongolian Tibertan Mexican zend south Sea,
Speaker 2: West America. What a what a cop out right there?
Speaker 2: Who didn't have the knowledge? Though insteady he puts it's insufficient.
Speaker 1: That's funny.
Speaker 2: Ares Let's see twenty four Apollo Artemis hunters. Now, see,
Speaker 2: all of this stuff can be filled in if you
Speaker 2: guys have a greater knowledge on this. He's given you
Speaker 2: spaces to fill this in. If you really use this book,
Speaker 2: you can you can actually start to fill in all
Speaker 2: of this stuff. Because clearly he's saying he doesn't have
Speaker 2: the sufficient knowledge for this kind of stuff. Well, once
Speaker 2: you've filled in all the rest of it and understand
Speaker 2: the rest of it, it wouldn't be too hard to
Speaker 2: fill in some of the missing knowledge here.
Speaker 1: You know, I had even said that I don't I
Speaker 1: think I don't know if it was a guess or
Speaker 1: if it was on this show. I don't know if
Speaker 1: he were there or not. But I had said, like
Speaker 1: I often wondered, how would like it? Well, obviously from
Speaker 1: this book might have more stuff in it, but how
Speaker 1: would have Crowley have looked at magic? What would he
Speaker 1: even have been into if he was around a little
Speaker 1: bit longer for us to know like all the pantheons.
Speaker 1: You know what I'm saying, Marian stuff really wasn't.
Speaker 2: He clearly has way more knowledge later on in his
Speaker 2: life than just this. I don't think he went back
Speaker 2: and filled in these gaps.
Speaker 1: Yeah, that's what I'm saying. If he was, like, let's
Speaker 1: say somehow he was born at different time, whatever it
Speaker 1: lasted like another thirty years, like or twenty years, I'm
Speaker 1: just wondering, like, would his practice have been somewhere completely
Speaker 1: different at that time from learning new shit? Right?
Speaker 2: Right? Well, he was never a guy to really go
Speaker 2: back after he was done with something. He was just
Speaker 2: he just kept going forward, right right, Oh, here's here's
Speaker 2: the one. Here's the fascinating one, Pan, Priapus, erect Hermies
Speaker 2: and Bacchus. That's number twenty six, right, that's interesting. So
Speaker 2: they went for the preapis angle and pan as well, right,
Speaker 2: aries two skull or to that one twenty seven Athena
Speaker 2: and Ganymede. That's also interesting. So Ganamaede is also the
Speaker 2: figure of Aquarius. So we're gonna have to get something together.
Speaker 2: Maybe on Friday, we're gonna do that Age of Aquarius
Speaker 2: versus Age of Ice show. That'll be interesting.
Speaker 1: Yeah, that'll be fun.
Speaker 2: Actually, I think, oh yeah, there's so many great attributions
Speaker 2: that you know, are going along with what we're experiencing
Speaker 2: right now, especially Ganimede. So as we're on the verge
Speaker 2: of going into this whole new era, what's the big scandals,
Speaker 2: what it has to do with these people? And you
Speaker 2: know the pedophilia going on. So that's a Ganymede Aquarius
Speaker 2: type quality that's popping up here. So there's just so
Speaker 2: many fascinating attributions that you can go back to. The
Speaker 2: ancients really did have a cover and we're just now
Speaker 2: rediscovering it. You know. Let's see Poseidon. That would be
Speaker 2: back to twenty nine. Again, these are just general associations.
Speaker 2: You could probably fill in a lot more. Helios, Apollo,
Speaker 2: visions of Surya. That's thirty Hades thirty one, agul Bawana,
Speaker 2: Athena thirty two, Demeter. Now I'm not sure why they're
Speaker 2: putting them in parentheses. Uh, prithy Bawana thirty two, bis
Speaker 2: Yakis visions of a Higher Self Puranayama. So what he's
Speaker 2: also missing in this list would be the Titans, right,
Speaker 2: so he's only really sticking to the Olympians. But you
Speaker 2: could fill in a lot more with those Titans as well.
Speaker 2: He did have one Titan here with themis Themis is
Speaker 2: one of the Titans. So interesting, but I think, what
Speaker 2: do you think we wrap it up there?
Speaker 1: Yeah, and I'll take over and I'll remember I go
Speaker 1: next next week. Then there's the averaging like about twelve
Speaker 1: and it's a page almost. It was like, unless you
Speaker 1: want to do another one, we can, but that's pretty
Speaker 1: I was over to before the last one. I was like,
Speaker 1: if you want to go.
Speaker 2: Right, well that that page is scared so I guess
Speaker 2: actually right, But uh, that's that's good mother daughter archetype,
Speaker 2: very similar to uh the same daughter the bride inheritor
Speaker 2: of the throne and rule in the Bible. But it's interesting,
Speaker 2: you know, we're in that sort of Demeter phase right
Speaker 2: now with spring coming on Demeter persephony type thing happening.
Speaker 2: So this is, you know again, and you've got the
Speaker 2: Easter debate about where Easter comes from and all the
Speaker 2: rest of it. But interesting, and we've got Howard again
Speaker 2: with the bunnies.
Speaker 1: You know, I think if people were to like kind
Speaker 1: of like look at a little bit of like the
Speaker 1: colors and the numbers and think about how we're talking
Speaker 1: about the queen and the king of the emperor and
Speaker 1: all that, and then you were to go watch like
Speaker 1: Game of Thrones, you might even start noticing a lot
Speaker 1: of that shit matching. It makes sense, right, because the
Speaker 1: things I've noticed in that show literally because of it
Speaker 1: matching in that book, Like I fucking just for some reason, remember,
Speaker 1: and I'm like, oh wow, that's weird.
Speaker 2: Like literally, these numbers are gonna fall. They're gonna fall
Speaker 2: in anywhere you've got numbers. So all of these stories
Speaker 2: are gonna have numbers in there, and those numbers are
Speaker 2: gonna have attributions, and you can start to come to
Speaker 2: a deeper understanding of the rest of the story based
Speaker 2: upon that, because it's gonna start to connect in interesting ways,
Speaker 2: whether or not the author intended to or not.
Speaker 1: That was even like the last one. It's not Game
Speaker 1: of Thrones anymore. It's like whatever fucking dragon or some
Speaker 1: shit whatever fucking cold. Now, there was like some chick
Speaker 1: that had like a seven pointed stars or a logo thing,
Speaker 1: and like they all wore green. I mean that fucking
Speaker 1: totally matches with seven seven seven. Green would go with Venus,
Speaker 1: you know, or Hath or Hath or Yeah. It's just
Speaker 1: you know, it's quite It was a female, you know
Speaker 1: again seven to seven sphere is a female on the
Speaker 1: Tree of Life and it's green and it's a seven
Speaker 1: and seven. It's just like, you know, it's fucking raking
Speaker 1: your face.
Speaker 2: The seven raid star Vishtar is not the eight raid star.
Speaker 1: Oh theyd be eight, Yeah that might be I think
Speaker 1: you so, yeah, I think Ishtar is an even number.
Speaker 2: Yeah right right, well, I mean right, what you're saying
Speaker 2: is it could be encoded into a lot of different
Speaker 2: things and we're just noting attention to it. Well, thank
Speaker 2: you guys for joining us again. This has been another
Speaker 2: seven seven seven, and we'll see you again next time.