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<v Speaker 1>You see, something's going to happen. What What's gonna happen? What?

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<v Speaker 2>I welcome, Welcome to another seven seven seven. I'm joined

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<v Speaker 2>by my co host Nick Nick Tell much been up to?

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<v Speaker 1>What is up? What's going on?

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<v Speaker 2>Uh?

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<v Speaker 1>Been up to a lot actually, Uh finally edited and

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<v Speaker 1>put out. Well it's not going to drop for a

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<v Speaker 1>few weeks, but uh, I got that one show with

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<v Speaker 1>the architecture and the kind of like the verberation and

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<v Speaker 1>all that stuff. And I am also, uh hopefully I'm

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<v Speaker 1>gonna drop these sooner than latest. Some of them might

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<v Speaker 1>be extra shows, but I got well, I'm gonna work

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<v Speaker 1>on I'm halfway through it already. I'm doing one episode

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<v Speaker 1>literally just on showing people how the eyeball works, just

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<v Speaker 1>one episode explaining that I'm doing an episode on the

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<v Speaker 1>crane nerves. And then I got another one there trying

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<v Speaker 1>to release all these three around the same time, getting

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<v Speaker 1>real nerdy. And then the rhythms of consciousness and that

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<v Speaker 1>will be delta, theta, alpha, beta and gamma and how

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<v Speaker 1>that affects your brain and all this, you know, how

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<v Speaker 1>that whatever all that stuff going on in your head.

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<v Speaker 1>So I was just trying to trying to really like

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<v Speaker 1>cover like a lot showing like the nervous system and

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<v Speaker 1>your eyeballs and just your brain and like the whole

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<v Speaker 1>association going on right there.

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<v Speaker 2>Absolutely, when we were doing the trialogues on Sunday, we

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<v Speaker 2>were kind of going over how that sort of eye

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<v Speaker 2>of Horace in the middle of your head is the

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<v Speaker 2>idea of proportion, right, and proportionality because remember the symbol itself,

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<v Speaker 2>the eye of Horace, is all in these proportions, so

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<v Speaker 2>it all adds up to sixty four, right, So you've

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<v Speaker 2>got these different parts of the eye of horse that

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<v Speaker 2>represent these different ratios. Well, if it adds up to

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<v Speaker 2>sixty four and you divide sixty four by five one

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<v Speaker 2>point six, you get forty, right, And forty is this

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<v Speaker 2>number used in occultism over and over and over again.

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<v Speaker 2>So it's like, hey, we're using a little bit of

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<v Speaker 2>this stuff from seven to seven and seven seven and

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<v Speaker 2>jamatria to actually decode these other symbols that come back

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<v Speaker 2>to all of these ancient mystery schools. So you know,

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<v Speaker 2>this explains all the forties in the Bible, all the

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<v Speaker 2>forties you know in occultism. It's it's right there. So

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<v Speaker 2>that's what you get when you divide sixty four by

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<v Speaker 2>one point six five and then you get forty. So

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<v Speaker 2>there's a divine proportion in there. And so where we're

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<v Speaker 2>at in the book here is on page one hundred.

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<v Speaker 2>So let's see if we can find some forties tonight.

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<v Speaker 1>Sixty four is even I can't remember what that matches,

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<v Speaker 1>but saying you said Horace, right, that force was associated

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<v Speaker 1>with sixty four, that numb it does come up a lot.

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<v Speaker 1>Next time it comes up, I gotta remember because I

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<v Speaker 1>have like run certain shit in sixty four, like that

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<v Speaker 1>numerical value for English tomatria. It matches some interesting shit,

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<v Speaker 1>and I just wish I could remember what it was.

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<v Speaker 1>I can't.

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<v Speaker 2>Let me pull up the image so that you can

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<v Speaker 2>see it again.

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<v Speaker 1>Sixty four.

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<v Speaker 2>One sixty fourth is the lowest proportion on there.

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<v Speaker 1>Yeah, I can't remember. Fuck, I feel like there's a

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<v Speaker 1>certain god name that would go with it direct.

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<v Speaker 2>So here here's the example, right, So it all adds

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<v Speaker 2>up to sixty three sixty fourths, so it leaves that

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<v Speaker 2>one little piece out of it. And this eye of

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<v Speaker 2>horror structure is in the brain. It's right there at

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<v Speaker 2>the brain stem. This would be where it comes down

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<v Speaker 2>so all of these different parts would be represented there.

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<v Speaker 2>And so you've got in the middle of the brain, right,

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<v Speaker 2>you've got that sort of eye of horror structure, right,

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<v Speaker 2>and so within there you see all these different modes

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<v Speaker 2>that add up to the sixty four, right, And so

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<v Speaker 2>having that idea of the sixty fourth is at the

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<v Speaker 2>center of the brain, and then you divide sixty four

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<v Speaker 2>by one point six and you get you know, five ratio,

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<v Speaker 2>and then it's forty, and so forty is sort of

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<v Speaker 2>the divine symbol of the middle point, I guess of

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<v Speaker 2>this sixty four structure. So I just thought that was interesting.

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<v Speaker 2>Let's see here we go. So we are on page

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<v Speaker 2>one hundred, so zero would be new the hair hairw

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<v Speaker 2>pow ka, Harpocrates amun Knuth and that's zero, right, And

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<v Speaker 2>so this is the section selection of the Egyptian gods, right,

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<v Speaker 2>so these would be the the table for Egyptian gods, right,

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<v Speaker 2>and number one would be Petaha.

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<v Speaker 1>Just real quick that harp uh. That's also this symbol

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<v Speaker 1>goes back to him too when you put the sin

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<v Speaker 1>of silence. Yeah, yeah, yeah, just to let people know.

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<v Speaker 2>All right, And number two isis, which you know makes

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<v Speaker 2>sense numerologically, you've got the one and the two right,

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<v Speaker 2>and that too is that feminine number amun Thoth knuit

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<v Speaker 2>zodiac signs. That's number two Nephthis mount isis Nephthis that's

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<v Speaker 2>number three. Am amun isis number four. Right, So now

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<v Speaker 2>you're getting how these formulations start to interact with each other.

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<v Speaker 2>And Horace back to this Horace idea, Horace neptis number five.

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<v Speaker 2>So again eye of Horace would be I guess are

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<v Speaker 2>there five parts to it?

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<v Speaker 1>Oh? That would be abora like Mars.

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<v Speaker 2>M two three four five. Yeah, I guess there are

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<v Speaker 2>five parts to it. So there are five parts to

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<v Speaker 2>that eye of Horace, and that kind of matches up

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<v Speaker 2>as well. Interesting, let's see raw asor Ra this is

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<v Speaker 2>number six, and you know five is so important when

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<v Speaker 2>you've got the fire ratio two because the the star

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<v Speaker 2>that is associated with the fire ratio from the I

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<v Speaker 2>guess the what are they called the man the triangle

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<v Speaker 2>that is a right triangle? Who is the Pythagoras?

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<v Speaker 1>Right?

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<v Speaker 2>So the Pythagorean star, the you know, pentacle has the

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<v Speaker 2>five parts, the five points, and then that gives you

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<v Speaker 2>the fire ratio as well. So having horrors be part

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<v Speaker 2>of that is, you know, back to that sixty four

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<v Speaker 2>and one point six hathor number seven, the Mighty and

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<v Speaker 2>the Terrible One, the beast of the Lord of Curiba,

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<v Speaker 2>the rains, noot, the hips, the legs. So over here

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<v Speaker 2>you're kind of getting this divine figure laid out, so

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<v Speaker 2>the disc of raw. So if you can imagine in

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<v Speaker 2>this sort of channel right here, the perfective man, that's

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<v Speaker 2>the uh, the figure of the person as as it's

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<v Speaker 2>being laid out here. It would be a lot easier

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<v Speaker 2>if they had, you know, some images, but that would

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<v Speaker 2>go perfectly along with this sort of thing. Complete practical

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<v Speaker 2>attribution of the Egyptian god's thought. Anubis would be Let's

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<v Speaker 2>see that's number eight and eight is also an important

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<v Speaker 2>part of that sixty four because eight squared is sixty four, right,

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<v Speaker 2>So if you square thought, then you've got the eye

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<v Speaker 2>of Horace. Interestingly enough, let's see Asar and Asi, the

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<v Speaker 2>phallus and volva Sati, the spine, the eye of Horror,

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<v Speaker 2>the buttocks and anus. So this is you know, as

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<v Speaker 2>you're moving down this figure, you've got these different representations

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<v Speaker 2>of this perfected man. And then Osiris again, what happened

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<v Speaker 2>with Osiris as he was slain. The last piece that

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<v Speaker 2>was never found, that would be the phallus of Horace.

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<v Speaker 2>And then this would be seb lower the unwetted isis

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<v Speaker 2>and nepthis that's number ten. Oh shoe. What do you

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<v Speaker 2>know about shoe?

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<v Speaker 1>Not much? Actually not much more than I less than

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<v Speaker 1>I should.

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<v Speaker 2>Interesting, So that would probably be them the lower down

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<v Speaker 2>tien region right there for shoe. If you're gonna go

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<v Speaker 2>on the body parts. And then let's see as six

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<v Speaker 2>mount new eleven. Usually they have a lot more in

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<v Speaker 2>this eleven slot, right, because that's the magician's number. I

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<v Speaker 2>wonder what the significance of eleven is within Egyptian society.

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<v Speaker 2>And right before or right below eleven, you've got thought

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<v Speaker 2>again Apu the hips right, so thought thought and uh

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<v Speaker 2>sign no cephalis sign nos cephalis. Number twelve. Interesting, Hathor

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<v Speaker 2>the left eye chomys chumps chumps is number thirteen, Kennetti

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<v Speaker 2>cuss the left nostril hathors. So I guess we've gone

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<v Speaker 2>down below the feet at this point, Hathor hathor fourteen.

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<v Speaker 2>Let's see isis men through that would be fifteen bonnatatu

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<v Speaker 2>the shoulders o Cyrus as are amashett APIs sixteen bon

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<v Speaker 2>Natatu the shoulders of Cyrus, all right, and then we're

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<v Speaker 2>down into the twin murty various twin deities Riquette Mary

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<v Speaker 2>that's seventeen, Hormatu keptra keptra is eighteen as six Horace

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<v Speaker 2>raj quit push debt or pushed second and Mao for

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<v Speaker 2>nineteen and then Haru pa kareth isis as Virgin number twenty.

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<v Speaker 2>I put the left ear a Monray, this is interesting

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<v Speaker 2>the left ear right, so this goes back to trump again. Rah, yeah,

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<v Speaker 2>right there, twenty one left ear I'll put interesting my

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<v Speaker 2>att the completion the law the harmony twenty two, and

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<v Speaker 2>then as twenty four. I'm not sure what that is

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<v Speaker 2>supposed to do, right, They got some Greek in there,

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<v Speaker 2>but I'm not sure exactly what it's saying. Tom af

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<v Speaker 2>almor water as are as hanged man heck are isis

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<v Speaker 2>Now again, these are supposed to be read all the

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<v Speaker 2>way across, so these tables are kind of corresponding with

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<v Speaker 2>the original one. So they're just plugging everything in on

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<v Speaker 2>these different tables as you flip through the pages. So

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<v Speaker 2>if you if you've got the book open, that's what's

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<v Speaker 2>going on there? That's twenty three, and then Seget the

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<v Speaker 2>belly and back that's not segment, that's segreet. Yeah, interesting,

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<v Speaker 2>Hammet Merti goddess Typhon goddesses and Typhon apep the right.

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<v Speaker 2>So the Serpent of Chaos twenty four Kephra.

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<v Speaker 1>Let me see, have no idea what that part is in.

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<v Speaker 2>Where pie neftis twenty five. It's interesting why they would

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<v Speaker 2>just switch over to that randomly as ten for Zadi

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<v Speaker 2>means I, yeah, yeah, yeah, so iin that would be

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<v Speaker 2>the iron I guess set kern kem set that's twenty six,

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<v Speaker 2>twenty seven, Horus Menu Manethu could be Manethu because Manethu

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<v Speaker 2>was a pretty prominent was that his name Menetha? Yeah,

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<v Speaker 2>that was a pretty prominent Egyptian scholar that there's a

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<v Speaker 2>lot of references to in the ancient works. The Lord

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<v Speaker 2>of the Lords of Kurba, the Reins interesting, and that's

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<v Speaker 2>a newitt Fie at Paris. What do you know about

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<v Speaker 2>that one?

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<v Speaker 1>Now?

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<v Speaker 2>That's twenty eight, and then Anubi Kephra as Scarab the

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<v Speaker 2>Taro Trump Kefra as the Taro Trump interesting twenty nine

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<v Speaker 2>and again you know Trump being associated with the Taro

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<v Speaker 2>is interesting to me too. It's like this is like

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<v Speaker 2>the guy who represents all of the you know, major

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<v Speaker 2>arcana yeo, right, so you know, people have associated him

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<v Speaker 2>with being the anti Christ, and it would kind of

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<v Speaker 2>make sense if it's it's like this Trump's idea from

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<v Speaker 2>all of these you know, the face cards, right. So

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<v Speaker 2>not saying it's real or not, but it would make

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<v Speaker 2>sense as the completion of a cycle hathor the right

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<v Speaker 2>eye ra raw and many others thirty forget the teeth

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<v Speaker 2>six as mao film ash nef mao kaba sunt thirty one,

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<v Speaker 2>and then a poot the right ear see note let

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<v Speaker 2>me see so beek sebec mako thirty two, and then

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<v Speaker 2>a bunch of Hebrew the bones settem if she nef

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<v Speaker 2>this a'm a schet, and then the last one thirty one,

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<v Speaker 2>that would be a sar. You're gonna pick it up.

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<v Speaker 1>Here, Yeah, all right. So then the next one that

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<v Speaker 1>will be the first column be reading is the Empress

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<v Speaker 1>scale of color. The next one will be the Empress

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<v Speaker 1>scale of color, and then the next one after that

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<v Speaker 1>will be the Queens scale of color. And for zero

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<v Speaker 1>there is nothing crystal of them. Then for number one

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<v Speaker 1>it is white flecked gold o the empress scale. Then

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<v Speaker 1>the Empress scale would be white brilliance, and the Queen

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<v Speaker 1>scale is white brilliance for number one, and then number

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<v Speaker 1>two we have white flecked red, blue and yellow for

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<v Speaker 1>the Empress. Then the Emperor you have blue gray pearl,

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<v Speaker 1>no blue pearl, gray like mother of Pearl. And then

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<v Speaker 1>the queen scale you have gray. And again that was

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<v Speaker 1>for number two. Then for number three, gray and flecked

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<v Speaker 1>pink for the Empress. Then the Emperor is dark brown

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<v Speaker 1>and the queen scale would be black. And now that

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<v Speaker 1>would have went with like Saturn.

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<v Speaker 2>Also give you what's the difference between these different scales

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<v Speaker 2>of color?

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<v Speaker 1>Uh? I think probably also maybe like what you have

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<v Speaker 1>those like four densities to the spheres, there's also four colors,

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<v Speaker 1>so I do think like they might go with that.

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<v Speaker 1>That's my opinion.

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<v Speaker 2>So these are like different layers of brilliance around the

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<v Speaker 2>different end.

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<v Speaker 1>Yeah, yeah, yes, that's the way to put it. Then

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<v Speaker 1>number four would be deep bizore fleck yellow for the Empress,

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<v Speaker 1>then the Emperor would be deep purple interesting, and then

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<v Speaker 1>the queen scale would be blue. And that's why blue

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<v Speaker 1>goes with Jupiter. You know blue goes with Jupiter, and

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<v Speaker 1>that would go with the chesshead on number four. Then

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<v Speaker 1>for number five you get red or inflect black. That's

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<v Speaker 1>the empress scale. Then the emperor you have bright scarlet,

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<v Speaker 1>and then the queen scale you have scarlet red. That's

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<v Speaker 1>for five. Then for number six gold ember for the empress,

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<v Speaker 1>and then the emperors scale of the emperor would be

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<v Speaker 1>rich salmon, and the queen would be yellow again or gold.

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<v Speaker 1>That would be number six. Again number seven you have

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<v Speaker 1>olive inflect gold for the empress. Then for the emperor

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<v Speaker 1>you have bright yellow green, and then for the queen

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<v Speaker 1>you have emerald. That was number seven, and then for

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<v Speaker 1>number eight, the empress scale would be yellowish brown with

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<v Speaker 1>flecked white. Then the Emperor would be red russet, and

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<v Speaker 1>then the queen would be orange and the orange man

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<v Speaker 1>number eight and the number nine citrine. The empress scale

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<v Speaker 1>would be citrine with flecked azure. Emperor would be very

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<v Speaker 1>dark purple and the queen would be violet. And then

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<v Speaker 1>number ten black rayed with yellow for the empress. Then

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<v Speaker 1>the emperor would be as queen scale, but flecked with

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<v Speaker 1>gold and the queen scale would be citrine, olive, russet

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<v Speaker 1>and black. Now I do think that might actually be

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<v Speaker 1>the colors that the Golden Dorm will use in their pentacle.

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<v Speaker 2>As well as Malcoot right, So that's the colors of

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<v Speaker 2>Malcoot right there.

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<v Speaker 1>Then an eleven we have emerald flecked gold as the empress.

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<v Speaker 1>Then the Emperor is blue emerald green, and then the

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<v Speaker 1>queen would be sky blue. That's eleven. Twelve, the Empress

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<v Speaker 1>would be emerald inflect gold, sorry indigo and raid violet.

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<v Speaker 1>Then the Emperor would be gray, and then the queen

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<v Speaker 1>would be purple. That's twelve. Then thirteen, the Empress would

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<v Speaker 1>be silver and raid sky blue. Then the Emperor would

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<v Speaker 1>be cold pale blue, and then the queen would be silver.

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<v Speaker 1>That's for thirteen. Fourteen empress would be bright rose or

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<v Speaker 1>ceres and there would be a raid pale green, and

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<v Speaker 1>then the Emperor would be early spring green, and then

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<v Speaker 1>the queen would be sky blue. That's fourteen. Fifteen glowing

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<v Speaker 1>red for the empress, then the Emperor would be brilliant

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<v Speaker 1>flame and the queen would be red. That's fifteen again,

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<v Speaker 1>and then sixteen for the empress would be rich brown.

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<v Speaker 1>Then for the Emperor would be deep warm olive, and

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<v Speaker 1>then the queen deep in the go that's sixteen seventeen

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<v Speaker 1>for the Empress reddish gray, inclined to moiv. Then the

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<v Speaker 1>Emperor would be new yellow leather, and then the queen

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<v Speaker 1>would be palemave. That'd be seventeen eighteen. For the empress,

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<v Speaker 1>you would have dark greenish brown. Then the Emperor would

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<v Speaker 1>be rich bright russet, and the queen would be maroon.

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<v Speaker 1>That's eighteen. Then nineteen, the Empress reddish ember, the Emperor

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<v Speaker 1>would be gray, and the queen would be deep purple.

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<v Speaker 1>For nineteen, then twenty we have plum color for the empress.

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<v Speaker 1>Then the Emperor would be green gray, and the princess

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<v Speaker 1>would be slate gray. Queen, I'm sorry, Prince, princess slate gray.

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<v Speaker 1>Then the Empress for twenty would be bright blue ray yellow,

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<v Speaker 1>and the Emperor would be a rich purple and the

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<v Speaker 1>queen would be blue. That's for twenty one. Twenty two,

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<v Speaker 1>the Empress pale green, Emperor deep deep blue green, and

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00:21:16.480 --> 00:21:21.519
<v Speaker 1>the queen would be blue. That's twenty two. Twenty three

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<v Speaker 1>for the Empress would be white flecked purple like mother

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00:21:24.440 --> 00:21:27.960
<v Speaker 1>of pearl. The Emperor would be a deep olive green,

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00:21:28.720 --> 00:21:31.160
<v Speaker 1>and then the Queen would be sea green, and that

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<v Speaker 1>is twenty three. Twenty four for the Emperor would be

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<v Speaker 1>livid indigo brown, like a black beetle, and then the

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<v Speaker 1>Empress would be very dark brown, and then the Queen

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00:21:44.279 --> 00:21:47.759
<v Speaker 1>would be dull brown. That's twenty four. And if it's

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<v Speaker 1>twenty five, the Emperor would be dark vivid blue, the

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00:21:51.599 --> 00:21:55.160
<v Speaker 1>Empress would be green, and the Queen would be yellow.

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<v Speaker 1>That's twenty five, twenty six cold dark gray approaching black

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<v Speaker 1>for the Emperor, and the Empress is blue black and

301
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<v Speaker 1>the Queen is black. And then it's twenty six twenty

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<v Speaker 1>seven bright red raid azore or emerald for the Emperor,

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00:22:14.319 --> 00:22:18.559
<v Speaker 1>Empress Venetian red, and the queen twenty seven would be

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<v Speaker 1>red twenty eight.

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<v Speaker 2>This is giving me really interesting ideas when it comes

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<v Speaker 2>to how to use these to paint. So if you've

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<v Speaker 2>got like dyt right, So let's say you're creating a

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<v Speaker 2>spell or like I guess, a servator, right, and you've

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<v Speaker 2>got a palette of all of these paints, and you've

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<v Speaker 2>got a you know, a canvas that you're working off of.

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<v Speaker 2>You sort of you know, sketch out the image, and

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00:22:47.400 --> 00:22:50.079
<v Speaker 2>then as you're filling in these different numbers for the

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00:22:50.119 --> 00:22:54.000
<v Speaker 2>servator as sort of like a chaos ritual, you're creating

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00:22:54.039 --> 00:22:58.319
<v Speaker 2>that sort of servator based upon these different scales of color.

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<v Speaker 1>Yeah, I would even say, I mean most of the

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<v Speaker 1>time I refer to this stuff when I was making

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<v Speaker 1>talismans for whatever reason, or you know, any type of art,

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<v Speaker 1>or even if I wanted to get ideas, so like

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00:23:13.519 --> 00:23:17.880
<v Speaker 1>type of colored candles or altar clothes, you know, anything

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<v Speaker 1>really with color. Alright, then I think the next one

321
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<v Speaker 1>is twenty eight, it could be wrong, twenty eight white

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<v Speaker 1>and tinged purple. For the emperor. Empress is bluish move

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00:23:31.160 --> 00:23:34.960
<v Speaker 1>and then the Queen is skyblue. That's twenty eight. Twenty

324
00:23:35.039 --> 00:23:43.279
<v Speaker 1>nine Emperor stone color, Empress light translucent pink brown. And

325
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<v Speaker 1>then the Queen is buff flecked silver white. That is

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00:23:47.200 --> 00:23:54.000
<v Speaker 1>twenty nine. Thirty amber raid red. Then the Empress is

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00:23:54.160 --> 00:23:59.359
<v Speaker 1>a rich amber, and then the Queen is gold yellow

328
00:24:00.160 --> 00:24:04.519
<v Speaker 1>is thirty. Then for thirty one, for the Emperor you

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<v Speaker 1>got vermilion flecked crimson and emerald, and for the Empress

330
00:24:09.880 --> 00:24:12.799
<v Speaker 1>you have scarlet with flecked gold and then the Queen

331
00:24:12.880 --> 00:24:16.440
<v Speaker 1>Vermilion thirty two. For the Emperor, you have black and

332
00:24:16.440 --> 00:24:23.599
<v Speaker 1>red blue. That's interesting. A lot of uh, that's almost

333
00:24:23.640 --> 00:24:26.279
<v Speaker 1>kind of like the ceiling of like at the top

334
00:24:26.319 --> 00:24:28.759
<v Speaker 1>of the ceiling of the Oto lodge is black and

335
00:24:28.759 --> 00:24:33.279
<v Speaker 1>then like they have kind of like bluish stars, and

336
00:24:33.640 --> 00:24:38.680
<v Speaker 1>I noticed, uh, what the fuck is that at this shit?

337
00:24:38.720 --> 00:24:41.200
<v Speaker 1>It's at the Vatican where they have that ceiling that

338
00:24:41.279 --> 00:24:42.559
<v Speaker 1>painted fucking.

339
00:24:43.559 --> 00:24:47.240
<v Speaker 2>With the triangle in the middle the Eye of Providence,

340
00:24:47.279 --> 00:24:49.119
<v Speaker 2>and then around it you would have that sky.

341
00:24:49.279 --> 00:24:51.079
<v Speaker 1>See. I think it was that Michael whatever did Michael

342
00:24:51.079 --> 00:24:57.880
<v Speaker 1>angel the Sistine Chapel. Oh, okay, before they painted over that,

343
00:24:57.880 --> 00:25:00.440
<v Speaker 1>that's what they They had the same exact the roof

344
00:25:00.480 --> 00:25:03.480
<v Speaker 1>that the Oto uses in their lunch and it was dark.

345
00:25:03.519 --> 00:25:06.200
<v Speaker 1>It was like dark blue. It was black kind of

346
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<v Speaker 1>going into like where the stars would be be almost

347
00:25:08.240 --> 00:25:10.839
<v Speaker 1>like a dark blue, then going into like blue. It's

348
00:25:10.839 --> 00:25:14.119
<v Speaker 1>hard to explain, but yeah, that same kind of color

349
00:25:14.119 --> 00:25:15.799
<v Speaker 1>as that's what made me think of that when I

350
00:25:15.960 --> 00:25:19.960
<v Speaker 1>was red black and red blue and then the emperor color.

351
00:25:20.319 --> 00:25:22.759
<v Speaker 1>Sorry about that, The empress color would be blue black,

352
00:25:23.240 --> 00:25:26.279
<v Speaker 1>and then the queen would be black. That's thirty two

353
00:25:27.319 --> 00:25:30.960
<v Speaker 1>then thirty two abyss on what bio this means black

354
00:25:31.000 --> 00:25:34.279
<v Speaker 1>inflect yellow for the Emperor. Then the Empress is dark brown,

355
00:25:34.799 --> 00:25:37.680
<v Speaker 1>and then the Queen is amber, and then thirty one

356
00:25:37.720 --> 00:25:43.759
<v Speaker 1>again white, red, yellow, blue, black, the latter outside that's

357
00:25:43.759 --> 00:25:46.680
<v Speaker 1>for the Emperor. Then the Queen would be not the queen,

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<v Speaker 1>the Empress the seven prismatic colors, the violet being outside,

359
00:25:52.680 --> 00:25:55.680
<v Speaker 1>and then the Queen would be deep purple nearly black.

360
00:25:57.559 --> 00:26:00.519
<v Speaker 2>So if you're trying to deconstruct a spell, you've got

361
00:26:00.559 --> 00:26:02.519
<v Speaker 2>all of the keys right there if you can tell

362
00:26:02.680 --> 00:26:05.440
<v Speaker 2>these different colors inside of that thing. So if you're

363
00:26:05.480 --> 00:26:09.319
<v Speaker 2>looking around and you start to notice these colors, you

364
00:26:09.400 --> 00:26:11.559
<v Speaker 2>might be looking at a spell somebody else's casting.

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00:26:13.279 --> 00:26:15.200
<v Speaker 1>I would even say I believe it or not. That

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00:26:15.279 --> 00:26:17.079
<v Speaker 1>might even help with like if you're like watching like

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00:26:17.119 --> 00:26:19.920
<v Speaker 1>some kind of shit on TV, or like pop culture shit,

368
00:26:20.680 --> 00:26:24.359
<v Speaker 1>you might start noticing like certain colors matching with like

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<v Speaker 1>certain planetary ideas.

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00:26:28.279 --> 00:26:31.519
<v Speaker 2>Right, And some of these pigments and stuff were developed

371
00:26:31.599 --> 00:26:34.880
<v Speaker 2>after Crowley's times, so you know there could be brand

372
00:26:34.920 --> 00:26:37.880
<v Speaker 2>new correspondences for these new pigments that have come into

373
00:26:37.920 --> 00:26:42.400
<v Speaker 2>existence since this time. So this is mine right here,

374
00:26:42.759 --> 00:26:48.039
<v Speaker 2>some great gods, some skin Navyan gods. I'm not sure

375
00:26:48.039 --> 00:26:51.160
<v Speaker 2>what this one. This is like the open section. And

376
00:26:51.200 --> 00:26:57.000
<v Speaker 2>then certain of the Hindu Buddhist results. Zero, we've got pan.

377
00:26:58.240 --> 00:27:04.200
<v Speaker 2>Let me see no roba uh some Sampti, Nurka, Oh,

378
00:27:04.240 --> 00:27:09.559
<v Speaker 2>here we go, nerve caw pa, hadi, some hadi there

379
00:27:09.559 --> 00:27:14.000
<v Speaker 2>we go there some hadi, Shiva and Darshpha. Yeah, I

380
00:27:14.000 --> 00:27:16.920
<v Speaker 2>do see a big correspondence between Shiva and Pan. That's

381
00:27:16.960 --> 00:27:22.079
<v Speaker 2>a that's a pretty strong correspondence there. I'd say, zeus

382
00:27:23.680 --> 00:27:30.759
<v Speaker 2>yakas wotan unity with Brahma Atman Darshiva. So this is

383
00:27:30.880 --> 00:27:32.799
<v Speaker 2>like the creator gods.

384
00:27:32.880 --> 00:27:33.079
<v Speaker 1>Right.

385
00:27:34.799 --> 00:27:37.880
<v Speaker 2>Then you've got that's number one, and then Athena and

386
00:27:39.640 --> 00:27:44.359
<v Speaker 2>Odin would be coming from that Wotan versus Odin, right.

387
00:27:44.920 --> 00:27:50.880
<v Speaker 2>And then that's number two, uh Kaibali demeter Reyahira. So

388
00:27:51.079 --> 00:27:54.119
<v Speaker 2>this is Hera that's right there. I guess they're spelling

389
00:27:54.119 --> 00:27:58.079
<v Speaker 2>it differently, but that would be the mother Goddess's friga.

390
00:27:58.799 --> 00:28:02.599
<v Speaker 2>And then I guess there's no corresponding thing for that

391
00:28:02.720 --> 00:28:08.200
<v Speaker 2>for number three, number four, sidon Whoatan. That's interesting. Woton

392
00:28:08.559 --> 00:28:12.279
<v Speaker 2>has these different positions here that keep popping up, so

393
00:28:12.640 --> 00:28:16.799
<v Speaker 2>it's interesting as well, and nothing else for the Hindu

394
00:28:16.920 --> 00:28:21.440
<v Speaker 2>on number four aris Hades. I think there's way more

395
00:28:22.400 --> 00:28:25.480
<v Speaker 2>Hindu gods than what they're giving you right there. It

396
00:28:25.480 --> 00:28:27.920
<v Speaker 2>doesn't make sense why they shouldn't have those. They've got

397
00:28:27.960 --> 00:28:30.240
<v Speaker 2>so many gods in the Hindu pantheon. I don't want

398
00:28:30.279 --> 00:28:33.799
<v Speaker 2>to they're not making those associations anyways.

399
00:28:34.640 --> 00:28:37.319
<v Speaker 1>Or doesn't be. If you were to consider Thor with

400
00:28:37.400 --> 00:28:39.279
<v Speaker 1>the planet, which one would you consider him to go with?

401
00:28:41.400 --> 00:28:42.519
<v Speaker 2>Probably Mars?

402
00:28:43.240 --> 00:28:45.440
<v Speaker 1>Yeah, really almost people would assume Jupiter.

403
00:28:48.200 --> 00:28:50.559
<v Speaker 2>Well, you do have that association. There's there's a little

404
00:28:50.559 --> 00:28:53.039
<v Speaker 2>bit of Jupiter in there, but you know, Odin is

405
00:28:53.160 --> 00:28:56.440
<v Speaker 2>kind of Jupiterian as well, a little bit mercurial.

406
00:28:57.279 --> 00:29:01.599
<v Speaker 1>So I'm a surprised to see Thorn. I just listen, man,

407
00:29:01.640 --> 00:29:04.799
<v Speaker 1>I don't know. I don't know why I thought that.

408
00:29:04.880 --> 00:29:06.880
<v Speaker 1>Maybe because of the lightning. I just associate that with

409
00:29:06.960 --> 00:29:07.880
<v Speaker 1>you for some reason.

410
00:29:08.720 --> 00:29:12.039
<v Speaker 2>Right, Well, he's sort of the thunder, right, so they

411
00:29:12.319 --> 00:29:16.000
<v Speaker 2>always associate his hammer with thunder, you know, in all

412
00:29:16.039 --> 00:29:18.599
<v Speaker 2>the comic books, he's like lightning. But you know that's

413
00:29:18.680 --> 00:29:21.240
<v Speaker 2>more of a thunder thing, you know, But I guess

414
00:29:21.240 --> 00:29:23.359
<v Speaker 2>it's just a distinctionless difference.

415
00:29:23.359 --> 00:29:25.839
<v Speaker 1>Really, Oh, you'll see the light first too, and then

416
00:29:25.839 --> 00:29:29.440
<v Speaker 1>the sound comes after, right, that could even do something.

417
00:29:31.039 --> 00:29:34.559
<v Speaker 2>Right, but the sound angle as opposed to the lightning angle,

418
00:29:34.599 --> 00:29:36.079
<v Speaker 2>I think is present.

419
00:29:35.759 --> 00:29:41.440
<v Speaker 1>You know, yeah, you know exactly, yeah.

420
00:29:40.200 --> 00:29:46.400
<v Speaker 2>Yakis Apollo Adonis and that's number six Verish let me

421
00:29:46.440 --> 00:29:52.640
<v Speaker 2>see vishvar Rupa dar Shane Man. That's a really bad

422
00:29:52.799 --> 00:29:55.119
<v Speaker 2>copyright there. It can barely even tell what those letters

423
00:29:55.119 --> 00:30:02.559
<v Speaker 2>are for number six. Aphrodite, Nike Freya, number seven and

424
00:30:02.759 --> 00:30:07.559
<v Speaker 2>Hermes Odin Loki, so they put Odin and Loki on

425
00:30:07.599 --> 00:30:11.920
<v Speaker 2>the same level as Hermes. Very interesting. Number eight, so

426
00:30:12.079 --> 00:30:17.160
<v Speaker 2>again that's the you know, that's the immortal eight, Zeus

427
00:30:18.279 --> 00:30:24.839
<v Speaker 2>as Air, Diana of Ephesus as phallic stone, Persephone adonnas

428
00:30:24.920 --> 00:30:29.160
<v Speaker 2>Psyche for a lot right there, so I don't know,

429
00:30:29.200 --> 00:30:32.319
<v Speaker 2>maybe yeah, phallic stone that would have to do with

430
00:30:32.480 --> 00:30:39.279
<v Speaker 2>the Zeus, with Delphi being the Omphilus right airstone interesting

431
00:30:39.880 --> 00:30:44.680
<v Speaker 2>as nine and then Persephone adonnas Psyche as visions of

432
00:30:44.680 --> 00:30:51.079
<v Speaker 2>the Higher Self and various di Dianas or Janus. That's

433
00:30:51.079 --> 00:30:55.799
<v Speaker 2>for ten. Psyche being number ten. That's interesting too. That

434
00:30:55.839 --> 00:30:58.480
<v Speaker 2>would be you know, Psyche is sort of like the

435
00:30:58.680 --> 00:31:00.759
<v Speaker 2>entrance of the soul into the body.

436
00:31:02.279 --> 00:31:04.359
<v Speaker 1>Oh yeah, I was getting confused on my bed. I

437
00:31:04.400 --> 00:31:06.480
<v Speaker 1>think I was actually thinking more of Zeus, which that's

438
00:31:06.519 --> 00:31:09.319
<v Speaker 1>and still is incorrect on this, but I don't know why.

439
00:31:09.319 --> 00:31:10.920
<v Speaker 1>Maybe it was more Zeus instead of thought I was

440
00:31:10.920 --> 00:31:13.000
<v Speaker 1>thinking would go with you, I don't know.

441
00:31:13.720 --> 00:31:17.640
<v Speaker 2>Yeah, definitely Jupiter and you know, uh in the Roman

442
00:31:17.720 --> 00:31:18.440
<v Speaker 2>would be Zeus.

443
00:31:19.119 --> 00:31:22.640
<v Speaker 1>Yeah, maybe that's what I was confused. Sorry, that's fine.

444
00:31:23.119 --> 00:31:30.240
<v Speaker 2>Let's see Zeus Valkyries Valu Bawana number eleven.

445
00:31:30.720 --> 00:31:31.119
<v Speaker 1>All right.

446
00:31:31.519 --> 00:31:34.039
<v Speaker 2>I would actually put Hermes there because that he's sort

447
00:31:34.079 --> 00:31:37.279
<v Speaker 2>of more of the magician type character. But that's that's interesting.

448
00:31:38.400 --> 00:31:46.200
<v Speaker 2>Hermes twelve kind of interesting. Artemis Hecate for number thirteen.

449
00:31:46.519 --> 00:31:50.000
<v Speaker 2>Visions of Chandra thirteen.

450
00:31:50.799 --> 00:31:53.039
<v Speaker 1>See. Even going by what Crowley thought, I'm surprised he

451
00:31:53.079 --> 00:31:57.440
<v Speaker 1>didn't have pain at ten or eleven. Oh well, what

452
00:31:57.480 --> 00:31:59.559
<v Speaker 1>I'm saying like he used to say that he was.

453
00:32:00.079 --> 00:32:03.960
<v Speaker 1>I thought he said that maybe Nott from somebody else,

454
00:32:04.000 --> 00:32:05.680
<v Speaker 1>but I thought it was like kind of like Cather

455
00:32:05.880 --> 00:32:08.920
<v Speaker 1>and then Malcouth. Right.

456
00:32:09.000 --> 00:32:11.640
<v Speaker 2>Well, Pann is sort of like a rustic god that's

457
00:32:11.680 --> 00:32:16.519
<v Speaker 2>outside a sort of human civilization. He's sort of on

458
00:32:16.559 --> 00:32:18.960
<v Speaker 2>the out out, outside of that stuff, sort of like

459
00:32:19.039 --> 00:32:23.720
<v Speaker 2>the world outside of what is known. Also why I

460
00:32:23.799 --> 00:32:25.319
<v Speaker 2>was associated with panic.

461
00:32:26.640 --> 00:32:28.559
<v Speaker 1>Panic. How fascinating.

462
00:32:30.319 --> 00:32:34.839
<v Speaker 2>Let's see, Oh yeah, very fascinating. He's a fascinating god too.

463
00:32:35.000 --> 00:32:36.440
<v Speaker 2>I mean, if you look at some of the stuff

464
00:32:36.440 --> 00:32:37.480
<v Speaker 2>with him and the goats.

465
00:32:38.640 --> 00:32:39.880
<v Speaker 1>We gotta go there.

466
00:32:41.720 --> 00:32:51.480
<v Speaker 2>All right, Aphrodite, Freya, success in Bakti yoga fourteen interesting

467
00:32:52.920 --> 00:32:59.079
<v Speaker 2>Athena all the way across. That's number fifteen Harah, and

468
00:32:59.119 --> 00:33:03.640
<v Speaker 2>they have an interesting spelling of hara, right, it's kind

469
00:33:03.680 --> 00:33:07.400
<v Speaker 2>of odd, but I still can't read the middle part yet.

470
00:33:07.519 --> 00:33:17.599
<v Speaker 2>Success in Hatha yoga, asana and Pranayama yoga sixteen, Castor

471
00:33:17.680 --> 00:33:21.759
<v Speaker 2>and pollocks. Apollo the Diviner, right, there's lots of different

472
00:33:21.759 --> 00:33:24.799
<v Speaker 2>forms of Apollo. People don't really realize that it's not

473
00:33:24.880 --> 00:33:27.279
<v Speaker 2>just one sort of thing. They also call him Horace,

474
00:33:27.480 --> 00:33:30.920
<v Speaker 2>Horace the Elder when they syncretized him down in Egypt.

475
00:33:31.519 --> 00:33:37.400
<v Speaker 2>That's number seventeen. Apollo the charioteer, right, so that's more

476
00:33:37.440 --> 00:33:45.799
<v Speaker 2>of the Helios angle. That's number eighteen. Demeter born by lions,

477
00:33:47.119 --> 00:33:56.119
<v Speaker 2>interesting nineteen Atis. There we go Adis is number twenty

478
00:33:56.279 --> 00:34:00.279
<v Speaker 2>and then back to Zeus again for we're at is

479
00:34:00.359 --> 00:34:01.720
<v Speaker 2>nineteen and then Zeus.

480
00:34:01.599 --> 00:34:05.279
<v Speaker 1>Is twenty interesting, one is twenty one.

481
00:34:06.279 --> 00:34:07.359
<v Speaker 2>Oh Zeus is twenty one.

482
00:34:07.400 --> 00:34:08.760
<v Speaker 1>Okay, yeah, you're right there.

483
00:34:11.719 --> 00:34:20.239
<v Speaker 2>Themis Minos Acacius and Rodamantos rodamont I've never heard of

484
00:34:20.239 --> 00:34:21.559
<v Speaker 2>that one. I'm gonna have to lift that one up.

485
00:34:21.800 --> 00:34:24.559
<v Speaker 2>But Themis is kind of an earth goddess. She's the

486
00:34:24.559 --> 00:34:29.000
<v Speaker 2>one that you know of his lady Justice and Minos

487
00:34:29.039 --> 00:34:32.880
<v Speaker 2>being the king of the Minotaur.

488
00:34:32.960 --> 00:34:33.280
<v Speaker 1>There.

489
00:34:33.880 --> 00:34:42.079
<v Speaker 2>Interesting, that's twenty two. And Poseidon Appo Bawana that's twenty three.

490
00:34:42.239 --> 00:34:47.159
<v Speaker 2>Now what does that say? Insufficient knowledge of the attributions

491
00:34:47.159 --> 00:34:53.119
<v Speaker 2>of the Assyrian and Mongolian Tibertan Mexican zend south Sea,

492
00:34:53.320 --> 00:34:56.119
<v Speaker 2>West America. What a what a cop out right there?

493
00:34:58.719 --> 00:35:01.840
<v Speaker 2>Who didn't have the knowledge? Though insteady he puts it's insufficient.

494
00:35:02.480 --> 00:35:03.079
<v Speaker 1>That's funny.

495
00:35:05.039 --> 00:35:10.960
<v Speaker 2>Ares Let's see twenty four Apollo Artemis hunters. Now, see,

496
00:35:11.000 --> 00:35:12.719
<v Speaker 2>all of this stuff can be filled in if you

497
00:35:12.760 --> 00:35:15.880
<v Speaker 2>guys have a greater knowledge on this. He's given you

498
00:35:15.960 --> 00:35:18.920
<v Speaker 2>spaces to fill this in. If you really use this book,

499
00:35:19.000 --> 00:35:21.079
<v Speaker 2>you can you can actually start to fill in all

500
00:35:21.119 --> 00:35:25.480
<v Speaker 2>of this stuff. Because clearly he's saying he doesn't have

501
00:35:25.679 --> 00:35:28.239
<v Speaker 2>the sufficient knowledge for this kind of stuff. Well, once

502
00:35:28.280 --> 00:35:30.599
<v Speaker 2>you've filled in all the rest of it and understand

503
00:35:30.599 --> 00:35:33.760
<v Speaker 2>the rest of it, it wouldn't be too hard to

504
00:35:33.800 --> 00:35:35.480
<v Speaker 2>fill in some of the missing knowledge here.

505
00:35:35.920 --> 00:35:37.519
<v Speaker 1>You know, I had even said that I don't I

506
00:35:37.599 --> 00:35:38.800
<v Speaker 1>think I don't know if it was a guess or

507
00:35:38.800 --> 00:35:40.800
<v Speaker 1>if it was on this show. I don't know if

508
00:35:40.840 --> 00:35:42.320
<v Speaker 1>he were there or not. But I had said, like

509
00:35:42.360 --> 00:35:50.000
<v Speaker 1>I often wondered, how would like it? Well, obviously from

510
00:35:50.000 --> 00:35:52.360
<v Speaker 1>this book might have more stuff in it, but how

511
00:35:52.440 --> 00:35:54.840
<v Speaker 1>would have Crowley have looked at magic? What would he

512
00:35:55.039 --> 00:35:56.679
<v Speaker 1>even have been into if he was around a little

513
00:35:56.679 --> 00:35:58.880
<v Speaker 1>bit longer for us to know like all the pantheons.

514
00:35:59.440 --> 00:36:03.400
<v Speaker 1>You know what I'm saying, Marian stuff really wasn't.

515
00:36:03.760 --> 00:36:06.639
<v Speaker 2>He clearly has way more knowledge later on in his

516
00:36:06.679 --> 00:36:08.719
<v Speaker 2>life than just this. I don't think he went back

517
00:36:08.760 --> 00:36:10.239
<v Speaker 2>and filled in these gaps.

518
00:36:10.400 --> 00:36:11.960
<v Speaker 1>Yeah, that's what I'm saying. If he was, like, let's

519
00:36:12.000 --> 00:36:14.599
<v Speaker 1>say somehow he was born at different time, whatever it

520
00:36:14.760 --> 00:36:18.119
<v Speaker 1>lasted like another thirty years, like or twenty years, I'm

521
00:36:18.159 --> 00:36:21.039
<v Speaker 1>just wondering, like, would his practice have been somewhere completely

522
00:36:21.039 --> 00:36:24.960
<v Speaker 1>different at that time from learning new shit? Right?

523
00:36:25.519 --> 00:36:27.519
<v Speaker 2>Right? Well, he was never a guy to really go

524
00:36:27.639 --> 00:36:29.400
<v Speaker 2>back after he was done with something. He was just

525
00:36:29.440 --> 00:36:33.920
<v Speaker 2>he just kept going forward, right right, Oh, here's here's

526
00:36:33.920 --> 00:36:37.920
<v Speaker 2>the one. Here's the fascinating one, Pan, Priapus, erect Hermies

527
00:36:38.199 --> 00:36:44.000
<v Speaker 2>and Bacchus. That's number twenty six, right, that's interesting. So

528
00:36:44.039 --> 00:36:48.760
<v Speaker 2>they went for the preapis angle and pan as well, right,

529
00:36:48.960 --> 00:36:55.679
<v Speaker 2>aries two skull or to that one twenty seven Athena

530
00:36:56.000 --> 00:36:59.960
<v Speaker 2>and Ganymede. That's also interesting. So Ganamaede is also the

531
00:37:00.159 --> 00:37:03.679
<v Speaker 2>figure of Aquarius. So we're gonna have to get something together.

532
00:37:03.760 --> 00:37:07.000
<v Speaker 2>Maybe on Friday, we're gonna do that Age of Aquarius

533
00:37:07.079 --> 00:37:11.000
<v Speaker 2>versus Age of Ice show. That'll be interesting.

534
00:37:11.079 --> 00:37:13.119
<v Speaker 1>Yeah, that'll be fun.

535
00:37:13.199 --> 00:37:17.440
<v Speaker 2>Actually, I think, oh yeah, there's so many great attributions

536
00:37:17.719 --> 00:37:20.159
<v Speaker 2>that you know, are going along with what we're experiencing

537
00:37:20.239 --> 00:37:23.400
<v Speaker 2>right now, especially Ganimede. So as we're on the verge

538
00:37:23.440 --> 00:37:27.159
<v Speaker 2>of going into this whole new era, what's the big scandals,

539
00:37:27.639 --> 00:37:30.079
<v Speaker 2>what it has to do with these people? And you

540
00:37:30.079 --> 00:37:35.079
<v Speaker 2>know the pedophilia going on. So that's a Ganymede Aquarius

541
00:37:35.159 --> 00:37:39.639
<v Speaker 2>type quality that's popping up here. So there's just so

542
00:37:39.760 --> 00:37:42.440
<v Speaker 2>many fascinating attributions that you can go back to. The

543
00:37:42.519 --> 00:37:45.159
<v Speaker 2>ancients really did have a cover and we're just now

544
00:37:45.800 --> 00:37:52.519
<v Speaker 2>rediscovering it. You know. Let's see Poseidon. That would be

545
00:37:52.719 --> 00:37:57.400
<v Speaker 2>back to twenty nine. Again, these are just general associations.

546
00:37:57.440 --> 00:38:00.440
<v Speaker 2>You could probably fill in a lot more. Helios, Apollo,

547
00:38:01.599 --> 00:38:10.880
<v Speaker 2>visions of Surya. That's thirty Hades thirty one, agul Bawana,

548
00:38:11.400 --> 00:38:15.599
<v Speaker 2>Athena thirty two, Demeter. Now I'm not sure why they're

549
00:38:15.599 --> 00:38:23.000
<v Speaker 2>putting them in parentheses. Uh, prithy Bawana thirty two, bis

550
00:38:24.079 --> 00:38:29.719
<v Speaker 2>Yakis visions of a Higher Self Puranayama. So what he's

551
00:38:29.760 --> 00:38:33.639
<v Speaker 2>also missing in this list would be the Titans, right,

552
00:38:33.760 --> 00:38:39.320
<v Speaker 2>so he's only really sticking to the Olympians. But you

553
00:38:39.320 --> 00:38:41.639
<v Speaker 2>could fill in a lot more with those Titans as well.

554
00:38:41.679 --> 00:38:45.440
<v Speaker 2>He did have one Titan here with themis Themis is

555
00:38:45.440 --> 00:38:50.559
<v Speaker 2>one of the Titans. So interesting, but I think, what

556
00:38:50.599 --> 00:38:52.119
<v Speaker 2>do you think we wrap it up there?

557
00:38:52.280 --> 00:38:54.440
<v Speaker 1>Yeah, and I'll take over and I'll remember I go

558
00:38:54.519 --> 00:38:59.880
<v Speaker 1>next next week. Then there's the averaging like about twelve

559
00:39:00.039 --> 00:39:01.719
<v Speaker 1>and it's a page almost. It was like, unless you

560
00:39:01.719 --> 00:39:05.639
<v Speaker 1>want to do another one, we can, but that's pretty

561
00:39:05.679 --> 00:39:07.800
<v Speaker 1>I was over to before the last one. I was like,

562
00:39:08.000 --> 00:39:08.679
<v Speaker 1>if you want to go.

563
00:39:10.239 --> 00:39:13.599
<v Speaker 2>Right, well that that page is scared so I guess

564
00:39:13.599 --> 00:39:19.840
<v Speaker 2>actually right, But uh, that's that's good mother daughter archetype,

565
00:39:20.039 --> 00:39:25.400
<v Speaker 2>very similar to uh the same daughter the bride inheritor

566
00:39:25.480 --> 00:39:28.400
<v Speaker 2>of the throne and rule in the Bible. But it's interesting,

567
00:39:28.559 --> 00:39:31.440
<v Speaker 2>you know, we're in that sort of Demeter phase right

568
00:39:31.440 --> 00:39:35.400
<v Speaker 2>now with spring coming on Demeter persephony type thing happening.

569
00:39:35.480 --> 00:39:38.639
<v Speaker 2>So this is, you know again, and you've got the

570
00:39:38.719 --> 00:39:41.360
<v Speaker 2>Easter debate about where Easter comes from and all the

571
00:39:41.360 --> 00:39:46.480
<v Speaker 2>rest of it. But interesting, and we've got Howard again

572
00:39:46.559 --> 00:39:47.280
<v Speaker 2>with the bunnies.

573
00:39:48.239 --> 00:39:51.840
<v Speaker 1>You know, I think if people were to like kind

574
00:39:51.840 --> 00:39:53.639
<v Speaker 1>of like look at a little bit of like the

575
00:39:53.639 --> 00:39:55.800
<v Speaker 1>colors and the numbers and think about how we're talking

576
00:39:55.800 --> 00:39:57.400
<v Speaker 1>about the queen and the king of the emperor and

577
00:39:57.480 --> 00:39:59.880
<v Speaker 1>all that, and then you were to go watch like

578
00:40:01.320 --> 00:40:04.000
<v Speaker 1>Game of Thrones, you might even start noticing a lot

579
00:40:04.000 --> 00:40:07.760
<v Speaker 1>of that shit matching. It makes sense, right, because the

580
00:40:08.400 --> 00:40:10.760
<v Speaker 1>things I've noticed in that show literally because of it

581
00:40:10.880 --> 00:40:13.920
<v Speaker 1>matching in that book, Like I fucking just for some reason, remember,

582
00:40:14.480 --> 00:40:15.880
<v Speaker 1>and I'm like, oh wow, that's weird.

583
00:40:16.760 --> 00:40:19.840
<v Speaker 2>Like literally, these numbers are gonna fall. They're gonna fall

584
00:40:19.880 --> 00:40:23.119
<v Speaker 2>in anywhere you've got numbers. So all of these stories

585
00:40:23.159 --> 00:40:25.320
<v Speaker 2>are gonna have numbers in there, and those numbers are

586
00:40:25.320 --> 00:40:27.519
<v Speaker 2>gonna have attributions, and you can start to come to

587
00:40:27.559 --> 00:40:30.400
<v Speaker 2>a deeper understanding of the rest of the story based

588
00:40:30.440 --> 00:40:33.519
<v Speaker 2>upon that, because it's gonna start to connect in interesting ways,

589
00:40:33.719 --> 00:40:35.599
<v Speaker 2>whether or not the author intended to or not.

590
00:40:36.360 --> 00:40:38.960
<v Speaker 1>That was even like the last one. It's not Game

591
00:40:39.000 --> 00:40:41.159
<v Speaker 1>of Thrones anymore. It's like whatever fucking dragon or some

592
00:40:41.199 --> 00:40:44.280
<v Speaker 1>shit whatever fucking cold. Now, there was like some chick

593
00:40:44.320 --> 00:40:46.920
<v Speaker 1>that had like a seven pointed stars or a logo thing,

594
00:40:46.960 --> 00:40:49.440
<v Speaker 1>and like they all wore green. I mean that fucking

595
00:40:49.440 --> 00:40:53.880
<v Speaker 1>totally matches with seven seven seven. Green would go with Venus,

596
00:40:54.400 --> 00:40:57.920
<v Speaker 1>you know, or Hath or Hath or Yeah. It's just

597
00:40:58.000 --> 00:40:59.920
<v Speaker 1>you know, it's quite It was a female, you know

598
00:41:00.159 --> 00:41:02.159
<v Speaker 1>again seven to seven sphere is a female on the

599
00:41:02.199 --> 00:41:04.639
<v Speaker 1>Tree of Life and it's green and it's a seven

600
00:41:04.719 --> 00:41:07.000
<v Speaker 1>and seven. It's just like, you know, it's fucking raking

601
00:41:07.000 --> 00:41:07.400
<v Speaker 1>your face.

602
00:41:08.559 --> 00:41:11.119
<v Speaker 2>The seven raid star Vishtar is not the eight raid star.

603
00:41:12.119 --> 00:41:15.360
<v Speaker 1>Oh theyd be eight, Yeah that might be I think

604
00:41:15.360 --> 00:41:17.360
<v Speaker 1>you so, yeah, I think Ishtar is an even number.

605
00:41:17.440 --> 00:41:21.360
<v Speaker 2>Yeah right right, well, I mean right, what you're saying

606
00:41:21.440 --> 00:41:23.599
<v Speaker 2>is it could be encoded into a lot of different

607
00:41:23.599 --> 00:41:26.480
<v Speaker 2>things and we're just noting attention to it. Well, thank

608
00:41:26.519 --> 00:41:28.639
<v Speaker 2>you guys for joining us again. This has been another

609
00:41:28.679 --> 00:41:31.840
<v Speaker 2>seven seven seven, and we'll see you again next time.