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Speaker 1: School when they hear the crown it has been decided.

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Speaker 2: I love the mind for his wrong. Was I one

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who lost before even fucked? Moving confidence till done forward

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without fear, have to follow clear victory is so.

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Speaker 3: Near chance break me. I will not be changed. High

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close mind your fames spear as wild my have to

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the song, so I no longer say.

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Speaker 4: My shiver dream the wed, but dons that follows me,

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or to run careful less fight O come to be

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made when this pless long the hell name sitting sack

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to me, cry.

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Speaker 5: Little here your for cry, little pare your for crt.

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Speaker 3: Screen, pray your.

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Speaker 2: For cry, carry out come quest as long as it

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shakes to the day truth jump men names not as

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sinless as she knew back then. Why so each time

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I bring king again underst me put allways prepared soor

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campares through.

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Speaker 6: Armorware that's sound evers the band should cry when you

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hear it that screen I turn by.

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Speaker 7: I had to look so so I ain't no monisy.

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Speaker 5: My shid, but I do away job and next thout

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bots me well.

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Speaker 8: Two roums, careful less fights O cattle to rind.

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Speaker 5: Of me when this burs warm well.

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Speaker 9: Pay cities have to me, this is a call to battle,

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cub It'll fire to survive.

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Speaker 3: Time has come to make joy.

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Speaker 2: How you live before you die?

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Speaker 10: How you live before you.

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Speaker 3: So I had to.

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Speaker 8: So my god, I'm go see my shad Lodway, my

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dog in the sun follows mean two front from this

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Fie coral too when made when this can is one

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their name.

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Speaker 3: Cities after me walcro.

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Speaker 11: Good stuff. That is war Cry. The band is Pulsifier

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from Portland, Maine, and we're going to talk with them

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in just a moment. Welcome everybody. This is Matt Connorton

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Unleashed and we are live from the studios of wm

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NH ninety five point three FM and Glorious Manchester, New Hampshire.

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Today is Saturday, September six, twenty twenty five, and we

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have entered our number three New Marrow trace of the

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program and we've had a great show thus far and

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really looking forward to talking with Pulsifier. Let me get

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those uh those Mike's on here. Welcome everybody, yea, so

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let's see so we have Mia, Chriz Styx and Patrick.

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Speaker 12: Yes, all right, very good.

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Speaker 7: I'm glad.

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Speaker 11: I sometimes it's hard to you know. I talked to

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so many people over the course of the show. Sometimes

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I don't remember everybody's names accurate. But uh so, I'm

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really glad you're all here and and that you made

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the drive. You know, obviously you know you're you're from

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out of state, so I mean not that Portland is

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like another part of the country or anything, but no,

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but I do appreciate I appreciate you all coming.

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Speaker 12: Down and yeah, thanks for having us.

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Speaker 11: And I'm going to get to see you live by

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the way at Swarmy Fast, right.

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Speaker 7: Yes, yeah, we're very excited about that.

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Speaker 2: Yeah.

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Speaker 11: Yeah, that's going to be November fifteenth, actually right across

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the street at Jewel.

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Speaker 7: Yeah, we just saw it on the way over here.

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We just drove by the club Jewel.

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Speaker 11: Yes, yes, have you played there before?

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Speaker 7: I don't think that we have.

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Speaker 12: We have not is this band?

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Speaker 11: No, not is this but as a different band? Yeah,

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I'm curious what was What was the previous band?

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Speaker 13: I was in a band called Render back in the day. Okay, yeah, okay,

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we played there with Frank Hannan.

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Speaker 11: Frank Hannon, I think I remember. Yeah yeah, okay, yeah, yeah,

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oh very cool.

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Speaker 12: Now how long?

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Speaker 11: So how long has Pulsifier been around? Has Pulsifier have

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been around a while or yeah, what a.

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Speaker 7: Couple of years now, just a couple of years, still

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pretty new. Oh okay, trying to get our music out there?

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Speaker 11: Right right? How is that going in Portland? Because Portland's

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always had a pretty strong music scene, some good college

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stations there and whatnot?

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Speaker 7: Ray Yeah actually oh yeah, southern central Maine. I think

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a really good live music see lots of good local bands. Yeah,

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always something going on.

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Speaker 14: Yeah, kind of great bands.

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Speaker 11: Yeah, yeah, no doubt. Are are there bands there that

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you you know sometimes it happens organically. Are there bands

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there that you've kind of unofficially sort of teamed up

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with that you play a lot of shows with or

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what do you think, Chris?

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Speaker 12: Yeah, yeah, there there is a bunch of bands.

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Speaker 7: It's a good sense of community. Yeah. Everyone I think

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kind of supports each other.

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Speaker 11: So that's good.

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Speaker 7: Yeah.

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Speaker 11: Yeah, like like who, like who are some other bands there.

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Speaker 15: That Loki Loki? Yeah, okay, we played with Loki quite

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a lot in a band called in the Wind.

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Speaker 13: Okay, yeah, band called Echo Ritual, Echo Ritual Yeah, yeah, yeah,

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I mean it's a bunch. I mean you feel bad

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name it any because you leave a bunch of Yeah,

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there's so.

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Speaker 7: Many, that's true.

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Speaker 11: Yeah, I'm always interested in hearing about bands that we

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should that we should know about, not all of them. Yeah,

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now is wark right now? Do you have a full

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album out or an EP? Or have you just been

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releasing singles thus far?

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Speaker 7: There's so many different album is coming out? What the

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end of this month?

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Speaker 11: Oh really? Oh okay, so coming right up.

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Speaker 7: Yes, we're very excited to get that out. But yeah,

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war I will be one of the songs on there.

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Speaker 11: Will this be the first release from Pulsifier as a

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as a full album? Yes, okay, okay, excellent, excellent. We're

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gonna play in a little bit, uh, the first single

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which this will be the world radio premiere for that.

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We're very excited. But now, what what went into deciding

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to record a full album? Because we live in a

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time where you have so many different options as far

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as how you release music. You know, the various guests

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that we talked to on the show, some some just

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do singles, some do EPs, some do albums, Some release

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a series of singles that eventually become an album, which

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is kind of the inverse of how it used to be.

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It used to be you know, you have an album

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and then you've got singles from that album. So what

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went into your decision as a band to say, let's

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let's do a full album.

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Speaker 13: Well, the latter is kind of what we did. We

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started out doing singles, yeah, and then we were like, hey,

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we have enough to put together, let's let's do an

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actual physical copy that a lot of people ask for.

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Speaker 11: Yeah, yeah, yeah, And so you're actually going to do

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physical colleges.

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Speaker 7: Yeah, people still ask for that. I was surprised too, Yeah,

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but everything, Oh yeah, people want that physical CD has

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the artwork and yeah. Yeah.

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Speaker 11: I've kind of come to the conclusion that that's an

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American phenomenon. And the reason I say that is because

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we also, in fact the last segment in the second hour,

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we interviewed a band called Brides from the UK, and

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we talked to a lot of bands from overseas, and

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it seems like everybody, everybody that we talked to from Europe,

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they they're like, oh, CDs are dead. You know, we're

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just releasing everything digitally. Nobody wants CDs anymore. And here

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it's been such a especially I think in the last

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five years, maybe ten years, you know, there was a

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point where it seemed like CD's were dead here too.

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But then but then they've they've made a resurgence, and

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Vinyl of course had an even bigger resurgence.

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Speaker 12: Say, yeah, yeah, the same idea.

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Speaker 13: Yeah, that's why we're making sure that our artwork for

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the CD is interesting as well.

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Speaker 12: Yeah, more visuals.

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Speaker 11: Yeah okay, okay, good good, Yeah, because that's something I

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always left like when I was a kid. You know,

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you open a CD or an album and you have

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the lyrics and art, and if you're really a fan,

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you know, you'll go through and look at all the

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liner notes and you know you want to you want

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to know who their management company is, or who engineered

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the album or you know, if you really, if you

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really want.

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Speaker 12: To geek out on it, you know, so, which I did.

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Speaker 11: Yeah, that's great, that's great.

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Speaker 12: Yeah. How many?

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Speaker 11: So how many tracks on the album?

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Speaker 7: I think this one has? Seven?

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Speaker 14: Yeah? Seven?

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Speaker 11: Seven? Okay, okay.

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Speaker 7: Our songs are slightly longer than some, so yeah seven fit.

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Speaker 11: Okay, okay, Like what's the do you know, offhand? Like,

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what's long the longest track on.

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Speaker 14: The album six nineteen. It's a venomous thing.

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Speaker 11: Venomous thing. Oh yes, So I I played that for

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for those listening live. I did play that in the

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first hour today to kind of give people a creepy

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for because that's my favorite of the of the four

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that you sent me.

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Speaker 9: That was it?

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Speaker 10: Yeah?

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Speaker 11: Yeah, yeah, no, that's a great song. I love the

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vocals on that. Who so in studio? Who obviously you

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know you're the lead singer. Who else is doing the

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backing vocals on that? Is that all you? Or are

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there other members singing with you?

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Speaker 7: They recorded it? Yeah, he had me go back and

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add the harmony.

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Speaker 11: Yeah, it sounded really good. It sounded really good. Is

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that challenging at all? Harmonizing with yourself that way? I've

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heard some singers say that can be like it's when

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you're it's easy to harmonize with somebody else, but when

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it's your own voice that you're listening to, it's challenging

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to do this.

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Speaker 7: It's really tricky to do it live. Also, well, yeah, so.

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Speaker 11: What does happen live? Does everybody sing is it? Does

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it become a gang vocal thing or do you just

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use carry it yourself?

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Speaker 7: Yeah?

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Speaker 3: Live?

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Speaker 7: Yeah, just do the main vocal part.

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Speaker 11: Yeah, yeah, no, that's cool. So how did Pulsifier come together.

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You know, you mentioned a band that that used to

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be on Chris, But but how did how did the

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four of you because again, you know, Portland is such

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a great scene there. There's musicians everywhere, Like, how did

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the four of you coalesce to form this this unit?

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Speaker 13: What was kind of the well I was, I was

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in a I was in a band called Signal to

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Noise for a while. I remember Signal to Noise still

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out there, they're still killing it.

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Speaker 12: Yeah, yeah, okay, So so it was it was a

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deal where some of.

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Speaker 13: My music wasn't being brought to the front. Yeah, and

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my ladies like I can write with songs, so any

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riffs that.

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Speaker 7: They didn't use the opportunity to write.

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Speaker 11: So so you had ideas, but you know, it kind

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of was it kind of a crowded situation where you've

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got you've got the people who write, and they don't

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kind of want to necessarily share that.

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Speaker 12: That's right.

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Speaker 13: Yeah, And and and so we would me and Mia

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would set by the campfire and would write these songs, and.

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Speaker 12: Uh, and we were like what are we doing. We

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gotta we gotta do our own comes up.

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Speaker 7: With these guitar riffs that I can just feel what

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he's feeling and inspire me. And I had been writing

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poetry and stuff previously, so I thought I can write

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words for this and.

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Speaker 13: Yeah, okay, yeah, and then we we looked for a

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while to get the you get these guys to jump

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on with us, and you know, the right the right

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fit is super important.

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Speaker 12: The chemistry has to be right.

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Speaker 13: Yeah, yeah, because I really I built this band from

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second one to be a band, to be on a bus,

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to be touring constantly, so you know, not only musicians,

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but the chemistry, the thing had to be right.

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Speaker 7: Yeah, like a family. Yeah, because we're all living together.

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When we were on the bus, when we're on the road.

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Speaker 11: So yeah, yeah, I think I had a phone conversation

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with you all once I don't know if you remember,

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and and you were about about about radio stuff and

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then and I think you were you were on your

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way to a show or something.

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Speaker 7: I remember that again because we were on the bus.

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Speaker 12: Yeah, speak ye, that's right.

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Speaker 11: So how how far have you have you gone as

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far as story and like, where have you gone outside

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of outside of the area.

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Speaker 12: Patrick can tell us that, Okay.

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Speaker 15: Yeah, we've we've gone through the whole country, you know.

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Our first tour was with Annville last year. That was

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I believe, uh feb you were no, No, that was

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all that was summer. That was August last year. And yeah,

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we did the whole East coast and they drove over

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to Texas and did Texas, New Mexico, Arizona, California, went

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up to Washington and then back across. We hit like

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Detroit and Chicago and stuff and Ohio and Cleveland. So

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we really did the entire perimeter of the country and

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some of the stuff in the middle too. Wow, twenty

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six shows. That was a good one.

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Speaker 16: Yeah.

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Speaker 15: And the second tour was out in kind of like

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that was our our February tour of this year, and

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that was with Smile, Empty Soul and Tantrick and.

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Speaker 14: Oh wow, yeah it was amazing.

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Speaker 15: Yeah, there was our great guys, all of them, and

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uh yeah, that was like Texas, New Mexico, Oklahoma, Arkansas

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area and uh did another one with Anvil that was

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most the East coast right after that.

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Speaker 11: That must have been fun.

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Speaker 12: It's a blast, yeah.

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Speaker 13: Yeah, and both those guys are legendary. Yeah, always in

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the one oh yeah, yeah, they treated us way better

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than they had.

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Speaker 11: Ye oh.

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Speaker 12: That's cool.

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Speaker 11: That's excellent. Well, I think we should uh so what

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should we know about this? About the new track? This

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is going to be the first single from the album

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correct Barriers Within the.

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Speaker 7: Yes, So, this song was inspired by a Roomy quote

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which says, your task is not to seek for love,

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but merely to seek and find all the barriers within

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yourself that you have built against it. Okay, the words

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to this song were inspired by that quote.

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Speaker 11: Oh, excellent, excellent, all right, So we're gonna play this

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and again. This is the world radio premiere of this track.

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All right, all right, Barriers Within from Pulsifier.

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Speaker 3: You are listening to t Wuminah.

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Speaker 12: World premiere.

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Speaker 17: Your tasks not to seek for love, merely to seek

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and find all the barriers within yourself that you have

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built against it.

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Speaker 10: Speaking for barriers.

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Speaker 18: Built within that you bus up far render five years

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of affliction, recognizing is the hard spar How a lot

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of the past game starting over when it falls apart,

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How the.

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Speaker 6: Water stay and crud aware um it home.

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Speaker 3: Sheltered, Where the word on the river the strange jumped together, sulting.

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Speaker 19: Right of way, tam we drained.

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Speaker 3: Out of the bed of the stage to the stong

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way could be no water.

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Speaker 5: Falls barrier.

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Speaker 20: Still that trump So.

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Speaker 10: We gathered the sparceus.

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Speaker 2: Bloody so much lift themselves it can ms that never field.

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Speaker 16: Leading into water and running bread, having clean into nis

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my friends floating further from the shore.

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Speaker 3: Seeking comfort for sharp snaps.

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Speaker 21: Circle rais for sure for see on the river on

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the strange want together, some dream hiding wait clear betream.

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Speaker 3: As man up there, up a stand. Were called spirals.

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Speaker 19: Down water so long, wow, slow we trown.

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Speaker 5: I'll say I swept through the sun Sunday.

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Speaker 20: Shot the river, hum the stream, I didn't wait wait wait, very.

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Speaker 3: Let's call.

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Speaker 7: I was lon.

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Speaker 3: Somethday.

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Speaker 19: There.

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Speaker 11: It is the world radio premiere the new track from

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Pulsifier from the upcoming album that is called Barriers Within.

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I love it. That's very cool, very cool. Yeah, great job,

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great job. Absolutely So when's the album out? You probably

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mentioned it, but I do we have.

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Speaker 7: An exact dat or are we just don't? End of

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this month?

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Speaker 12: The first single is going to be like the first

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weekend of October. Okay, yeah, gotcha, gotcha?

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Speaker 11: And then oh so the first single yeah, and then

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and so you don't have it for me? Et a

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on the album yet.

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Speaker 12: Above the same time, we're going to at least the

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whole thing.

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Speaker 11: Yeah, any videos, if if you, if you all made

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any videos for these for any of these songs, because

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because the music, I mean, there's there's an element of

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I don't know if theatricality is quite the word, but but.

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Speaker 7: That's definitely a good word.

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Speaker 11: It seems like it seems like these songs would would

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lend themselves to that.

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Speaker 7: Definitely. I agree. Yeah, I like the theatrics.

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Speaker 13: Yeah, everything kind of in order. We haven't quite got there.

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We have a lyric video for for a Venomous Thing,

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but we've down a full video yet.

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Speaker 7: Yeah, but the plans we definitely will you're going.

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Speaker 11: To do okay? Yeah, Okay, now that makes sense.

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Speaker 15: It's kind of like a three step process where or

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we we've been advised to kind of do like a

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short teaser video as we're coming up to releasing the

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song before we release it, and then maybe a little later,

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do a lyric video for Barriers for the same song

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Barriers within Yeah, and then a little after that do

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the full music video.

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Speaker 11: Okay, okay, and then what's what's the live show? Like,

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I mean, are there any I get I guess uh.

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Speaker 12: Theatrics was you said?

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Speaker 7: Yes, we definitely try to incorporate a lot of visual

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so there's something for people to watch.

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Speaker 12: Get right up on that.

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Speaker 7: Okay, can you hear me?

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Speaker 10: Now?

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Speaker 11: You can pull it closer to you if it's easier,

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that's fine too.

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Speaker 12: Yeah.

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Speaker 11: I just want to make sure we try.

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Speaker 7: To incorporate a lot of visual so people can you know,

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it helps to tell the story, yeah, goes along with

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the lyrics. So yeah, there's definitely some props involved.

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Speaker 11: Okay, okay, have you seen any videos of our live performances.

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Speaker 12: No, we have a ton on YouTube.

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Speaker 14: We have like two hundred videos on YouTube. Oh my god,

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you can see what we're all about.

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Speaker 12: Oh, that's cool.

381
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Speaker 7: And each song, each song has its own feel, each

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song tells its own story. Yeah, so there as props,

383
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there's visuals, there's stuff going on that that kind of

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recreate that and add to it, and we're hoping, yeah,

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that the audience will feel just immersed around it and

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a part of it.

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Speaker 12: Yeah.

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Speaker 13: A lot of these topics for these songs are not

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the norm, so it's it's it's nice to have the

390
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visuals to help explain you.

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Speaker 7: So the horse Head with war cry, like there's a meeting.

392
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It's not just about the horse head. That song, you know,

393
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was inspired by researching Alexander the Great's war horse, uciphilis

394
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really Yeah, if you ever look up the story of bucyphilis.

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He was afraid of his own shadow, and Alexander the

396
00:24:42,559 --> 00:24:46,039
Great learned if you turn him away from his shadow,

397
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turn his head to the sun, he became this great warrior. Yeah,

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and we just thought, you know, we could all apply

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that to our lives. Turn away from your own darkness.

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Speaker 11: And interesting look to the light.

401
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Speaker 7: So yeah, there's different props that represent stuff like that.

402
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Speaker 11: Okay, okay, that's cool. What are some of the other

403
00:25:04,000 --> 00:25:06,279
lyrical themes that show up in these songs?

404
00:25:07,440 --> 00:25:13,039
Speaker 7: Well, for example, distracted Gaze, the props for that are chains. Yeah,

405
00:25:13,200 --> 00:25:18,240
that's the song about anyone who's ever struggled, or who

406
00:25:18,279 --> 00:25:21,039
has known someone who has struggled, breaking free from the

407
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chains of addiction, whatever that addiction may be.

408
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Speaker 11: That's relatable for a lot of people.

409
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Speaker 7: Yeah, we always hope that with our songs. Yeah, there'll

410
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be something somebody can relate to and we'll have lived

411
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through themselves.

412
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Speaker 12: Yeah.

413
00:25:33,359 --> 00:25:36,640
Speaker 11: Yeah, does it ever happen? Where does anyone ever approach

414
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you and say, hey, that that song.

415
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Speaker 7: Really after some of our lives shows, people have come up,

416
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and that is actually the best feeling, the best feedback

417
00:25:45,200 --> 00:25:49,680
when someone comes up. Sometimes after Scars, I've had people

418
00:25:49,799 --> 00:25:53,200
come up and share their own very like private personal

419
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stories of what they have gone through too and how

420
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the music has helped them not to feel so alone.

421
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Speaker 13: Distracted gaze as well. Yeah really, Yeah, she's had to

422
00:26:04,039 --> 00:26:07,039
like spend moments with people like like they won't really.

423
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Speaker 7: They open up, but share these yeah, like personally and

424
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we kind of have that connection which is so special, which.

425
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Speaker 12: Is what we're looking for.

426
00:26:14,279 --> 00:26:19,000
Speaker 7: Yeah, exactly. Yeah, yeah, kept in touch. There's a few people, yeah,

427
00:26:19,039 --> 00:26:22,400
who want to keep in touch and we still talk through.

428
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Speaker 11: Some things and oh that's excellent.

429
00:26:24,039 --> 00:26:26,920
Speaker 12: Yeah yeah it's great. Yeah, yeah, very good, very good.

430
00:26:27,279 --> 00:26:29,640
Speaker 11: Well we should play maybe we should play that one scars.

431
00:26:30,039 --> 00:26:31,000
Should we give that a listen?

432
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Speaker 12: Sure, that'd be great.

433
00:26:32,160 --> 00:26:35,640
Speaker 11: We'll make that the next one. Yeah, here it is, yeah,

434
00:26:35,680 --> 00:26:37,400
this this all. Yeah, this is a great track. This

435
00:26:37,519 --> 00:26:39,160
is a great track. If you're just joining us. We

436
00:26:39,240 --> 00:26:42,839
have Pulsifier here with us alive in studio and uh,

437
00:26:43,000 --> 00:26:45,240
we're gonna play this. This is on the upcoming album too.

438
00:26:45,240 --> 00:26:46,960
I assume I assume these all are it is.

439
00:26:47,079 --> 00:26:48,559
Speaker 12: Yes, did we by the way, what's the name of

440
00:26:48,559 --> 00:26:50,880
the album or did you say or do we haven't?

441
00:26:50,920 --> 00:26:51,240
Speaker 7: We haven't.

442
00:26:51,319 --> 00:26:53,079
Speaker 12: Yeah, we'll go to say for the first time.

443
00:26:53,480 --> 00:26:55,680
Speaker 7: Oh yeah, the name of the album will be a

444
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Persona's personas.

445
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Speaker 11: Okay, very good? All right, So from the upcoming album Personas.

446
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Here it is, this is Scars and the band is Pulsifier.

447
00:27:05,599 --> 00:27:10,000
Speaker 3: Heaven No, what's gonna sat you hold on? Du was

448
00:27:10,119 --> 00:27:12,599
never good enough? That's my sense?

449
00:27:13,039 --> 00:27:15,000
Speaker 7: Give that it all to what?

450
00:27:15,200 --> 00:27:17,079
Speaker 3: Don't action so mad about?

451
00:27:17,240 --> 00:27:17,440
Speaker 19: Room?

452
00:27:17,920 --> 00:27:20,039
Speaker 5: She put me hot thought.

453
00:27:19,960 --> 00:27:23,440
Speaker 3: Hers don't nut me off? Can matter her heart?

454
00:27:23,559 --> 00:27:29,480
Speaker 22: I love hors actor like your bow me Hello, wanted someone.

455
00:27:29,240 --> 00:27:29,960
Speaker 7: Who love me?

456
00:27:33,160 --> 00:27:37,079
Speaker 5: Pray how you're finally pray.

457
00:27:39,720 --> 00:27:40,200
Speaker 10: You No?

458
00:27:40,519 --> 00:27:48,079
Speaker 3: No summer question me? Because where to take evoution of reality?

459
00:27:51,920 --> 00:28:10,400
Speaker 22: I never built along next show anywhere, huts closed, Helius

460
00:28:10,480 --> 00:28:11,400
turn so.

461
00:28:11,920 --> 00:28:15,480
Speaker 4: Danny's leon whether or not he is gone, If we're

462
00:28:15,559 --> 00:28:16,400
not blue.

463
00:28:16,359 --> 00:28:20,759
Speaker 8: I wouldn't Dad waste a second glance, reaching a better place,

464
00:28:21,480 --> 00:28:24,240
second chance and somehow complete lander.

465
00:28:24,720 --> 00:28:28,960
Speaker 3: Most days I don't even think of you. Bocking crises

466
00:28:29,119 --> 00:28:33,480
A foot used to be Scott's Remaining Lean by me.

467
00:28:36,759 --> 00:28:39,799
Speaker 5: Gray, how your fably.

468
00:28:43,440 --> 00:28:47,599
Speaker 3: You'll know okay, change me because.

469
00:28:47,359 --> 00:28:48,119
Speaker 19: Where you're done?

470
00:28:49,799 --> 00:28:58,200
Speaker 3: Take about and not reality? It was going connect shots for.

471
00:28:58,359 --> 00:29:19,759
Speaker 23: Any You're spider tried to tell the two webb not

472
00:29:20,000 --> 00:29:27,160
a thread, read me the sword forged thrill who fast

473
00:29:27,839 --> 00:29:29,559
You're stuck in your own.

474
00:29:32,559 --> 00:29:35,119
Speaker 7: Side mode of misery.

475
00:29:35,839 --> 00:29:38,000
Speaker 3: You see or you love?

476
00:29:41,039 --> 00:29:42,640
Speaker 7: We give only pity.

477
00:29:45,480 --> 00:29:53,000
Speaker 3: You can't tell the flat despite what you have to

478
00:29:53,480 --> 00:29:59,400
tack you start to.

479
00:30:02,920 --> 00:30:08,079
Speaker 5: What's not Chu tunny patron.

480
00:30:11,519 --> 00:30:17,200
Speaker 3: Pised cover, Go.

481
00:30:31,960 --> 00:31:04,160
Speaker 5: Strong song Future, still cold strong song fronture skips Ah.

482
00:31:03,640 --> 00:31:15,880
Speaker 3: But young Summer can Behave me a take about sho

483
00:31:16,039 --> 00:31:23,240
of reality. It will go your connection.

484
00:31:25,119 --> 00:31:36,440
Speaker 5: Now how you're no longer control me?

485
00:31:37,880 --> 00:31:42,680
Speaker 3: A control take about s reality.

486
00:31:44,839 --> 00:31:47,319
Speaker 19: At all?

487
00:31:47,440 --> 00:32:01,519
Speaker 24: Connections for any jungle with ok Cat.

488
00:32:08,319 --> 00:32:10,240
Speaker 3: Scott's three Pad go.

489
00:32:18,880 --> 00:32:20,400
Speaker 10: Strong a word.

490
00:32:21,839 --> 00:32:31,279
Speaker 3: Cat Scott's redried.

491
00:32:32,400 --> 00:33:35,799
Speaker 25: T Hide the mill, talk next the night and day

492
00:33:37,480 --> 00:33:39,519
has me a weekness.

493
00:33:40,039 --> 00:33:41,720
Speaker 7: I'll take her.

494
00:33:41,440 --> 00:33:48,000
Speaker 3: Strangs hot of you, not hide away.

495
00:33:49,039 --> 00:33:53,920
Speaker 26: Drink ticather drink too takes.

496
00:33:55,279 --> 00:33:57,519
Speaker 5: The hod me love you for the.

497
00:33:57,759 --> 00:33:59,359
Speaker 3: Losing ways.

498
00:34:00,599 --> 00:34:04,920
Speaker 7: Le don't be skin.

499
00:34:06,640 --> 00:34:15,599
Speaker 3: You're just Flatti. Run my stage, wake me free from fist.

500
00:34:15,559 --> 00:34:39,719
Speaker 27: Last glad yesterday to trustan for Wora Day.

501
00:34:41,079 --> 00:34:51,679
Speaker 26: Shut Pricess, Shebrey, Mads, spend sign s, fur remains.

502
00:34:52,920 --> 00:34:59,679
Speaker 5: Say only love you for the Matthew World men all

503
00:35:00,039 --> 00:35:07,320
oh jump be sare you're up to that time? Roun

504
00:35:07,559 --> 00:35:11,800
my stage way and refree.

505
00:35:12,480 --> 00:35:14,519
Speaker 3: From this last tree.

506
00:35:40,480 --> 00:35:46,440
Speaker 8: Build OCCSI, no one chancy, no b you try tothing.

507
00:35:46,599 --> 00:35:51,400
Speaker 4: Pen sup tracking wait the glass cage.

508
00:35:51,159 --> 00:35:54,719
Speaker 5: Hold in me no in your time.

509
00:35:54,679 --> 00:35:58,559
Speaker 1: Test please, I'll take up where sick.

510
00:35:58,960 --> 00:36:03,280
Speaker 3: We could live a damn drink break the class change.

511
00:36:06,480 --> 00:36:10,639
Speaker 11: That is glass Cage. The band is Pulsifier and that

512
00:36:10,880 --> 00:36:12,760
is gonna be on the upcoming album. And what's it

513
00:36:12,800 --> 00:36:13,199
called the end?

514
00:36:13,280 --> 00:36:14,760
Speaker 7: Personas personas?

515
00:36:14,880 --> 00:36:17,000
Speaker 11: Yes, I love it. That is that is really good.

516
00:36:17,760 --> 00:36:20,000
It's really good. Gets you move in, gets you move in.

517
00:36:20,119 --> 00:36:24,199
And we also heard Scars before that too, another great track.

518
00:36:24,360 --> 00:36:26,199
And uh, we got one more that we're gonna say

519
00:36:26,239 --> 00:36:30,320
for the end. But so we were talking off air

520
00:36:30,360 --> 00:36:32,480
while I was playing, and Chris, you were commenting and

521
00:36:32,559 --> 00:36:34,280
this is something I noticed. So I'm glad you reminded

522
00:36:34,320 --> 00:36:37,719
me because I wanted to ask about this. When you're

523
00:36:37,800 --> 00:36:40,440
when you're soloing, you know there's not a second guitar

524
00:36:40,559 --> 00:36:44,440
track underneath. That's right, and which is an interesting decision

525
00:36:44,440 --> 00:36:46,199
because that's that's not what a lot of bands do,

526
00:36:46,559 --> 00:36:50,960
although some bands do that. But but can can you explain, uh,

527
00:36:51,199 --> 00:36:52,760
because you were explaining it off air and this was

528
00:36:52,800 --> 00:36:54,400
interesting to me why you make that choice.

529
00:36:54,480 --> 00:36:59,039
Speaker 13: Yeah, it just allows the uh, the fantastic bass plane

530
00:36:59,079 --> 00:37:01,400
of Patrick to show through where it should. Yeah, you know,

531
00:37:01,559 --> 00:37:03,360
we want to make sure that's heard, you know, not

532
00:37:03,559 --> 00:37:06,519
only in the in the soulos, but through the songs

533
00:37:06,559 --> 00:37:09,159
as well. Yeah, and we did two or three passes

534
00:37:09,199 --> 00:37:10,840
for some of these songs, like hey, can you turn

535
00:37:10,920 --> 00:37:13,599
up the base a little bit more on this recording? Yeah,

536
00:37:14,000 --> 00:37:15,760
we want to make sure that it's there, and we

537
00:37:15,840 --> 00:37:20,159
want to make sure it's kind of like it simulates

538
00:37:20,679 --> 00:37:21,400
live sound.

539
00:37:21,599 --> 00:37:21,840
Speaker 3: Yeah.

540
00:37:22,039 --> 00:37:23,559
Speaker 12: Yeah, that's what we sound like.

541
00:37:23,719 --> 00:37:25,639
Speaker 11: As a bass player myself. I commend you for that

542
00:37:26,039 --> 00:37:28,400
because because we we bass players don't get the respect

543
00:37:28,480 --> 00:37:29,159
we deserve.

544
00:37:29,000 --> 00:37:31,400
Speaker 14: Right, friends now we're friends now, Yes.

545
00:37:31,760 --> 00:37:34,679
Speaker 12: Yes, Patrick gets it, don't you worry. No, that's good.

546
00:37:35,760 --> 00:37:36,280
Speaker 11: That's good.

547
00:37:36,760 --> 00:37:41,159
Speaker 12: And then so when you do is that is that

548
00:37:41,239 --> 00:37:42,719
the case with all those songs?

549
00:37:42,800 --> 00:37:43,800
Speaker 7: Like do you use it?

550
00:37:44,000 --> 00:37:49,039
Speaker 11: So you don't use the second guitar track on anything? No, wow, okay, interesting, Okay, No,

551
00:37:49,159 --> 00:37:51,559
that's cool. Yeah, No, I like that and it does. Yeah,

552
00:37:51,559 --> 00:37:54,000
it does. Let the whole rhythm section kind of come through,

553
00:37:55,039 --> 00:37:58,440
which was it Scars too. There's like, uh, there's a

554
00:37:58,519 --> 00:38:00,599
solo you do toward the end. Was the Scars or

555
00:38:00,639 --> 00:38:02,159
wasn't the one we played before that where it's like

556
00:38:02,400 --> 00:38:04,280
you kind of don't see it coming, like all of

557
00:38:04,320 --> 00:38:05,960
a sudden, you're playing and it's like, oh, I didn't

558
00:38:05,960 --> 00:38:06,840
expect a solo there.

559
00:38:07,199 --> 00:38:10,480
Speaker 14: Yeah, those barriers, Yeah, well it might have been.

560
00:38:10,599 --> 00:38:13,639
Speaker 11: It probably was. Yeah, Actually it feels like yeah, And

561
00:38:13,760 --> 00:38:15,360
I was like and I was like, oh, that's cool.

562
00:38:15,400 --> 00:38:16,960
Oh it must have been barriers because I hadn't heard

563
00:38:17,000 --> 00:38:19,480
that before now. Yeah, and so because the other ones

564
00:38:19,480 --> 00:38:21,440
I'd already listened to, and I was kind of like,

565
00:38:21,480 --> 00:38:23,039
oh but I like that. I like these, you know,

566
00:38:23,159 --> 00:38:25,719
it fits, but it's still kind of a surprise. It's like, oh,

567
00:38:25,760 --> 00:38:27,039
that solo kind of sneaks.

568
00:38:26,840 --> 00:38:27,119
Speaker 12: Up on you.

569
00:38:27,280 --> 00:38:27,480
Speaker 3: Yeah.

570
00:38:27,519 --> 00:38:30,840
Speaker 13: That whole breakdown section is the part that Patrick had written. Okay,

571
00:38:31,280 --> 00:38:33,440
then I kind of played over the top of it. Yeah,

572
00:38:33,599 --> 00:38:36,079
you know, like, hey, what was that bass riff? Just

573
00:38:36,159 --> 00:38:37,800
play it on the guitar and play sol over it.

574
00:38:37,920 --> 00:38:40,960
Speaker 12: Yeah, yeah, yeah, I like that. Yeah.

575
00:38:41,000 --> 00:38:43,519
Speaker 11: I'm kind of curious too about some of your influences

576
00:38:43,559 --> 00:38:47,280
as far as vocals, like who who did you listen

577
00:38:47,360 --> 00:38:48,920
to growing up? Or who do you listen to now?

578
00:38:48,960 --> 00:38:50,039
Speaker 12: And who who?

579
00:38:50,159 --> 00:38:52,960
Speaker 7: Kind of like so many but yeah, we were talking

580
00:38:52,960 --> 00:38:55,840
about that where we all came from different backgrounds before

581
00:38:55,880 --> 00:38:59,039
we all got together. I was actually from a theater

582
00:38:59,199 --> 00:39:03,639
background before teaming up with these guys, so musical theater

583
00:39:03,800 --> 00:39:06,800
and community theater stuff like that since I was a kid.

584
00:39:07,760 --> 00:39:10,440
Speaker 11: Yeah, So is that is that how you learn to

585
00:39:10,480 --> 00:39:12,320
sing basically and the way that you do.

586
00:39:12,599 --> 00:39:15,480
Speaker 7: I used to say, I'm not necessarily a singer. I'm

587
00:39:15,519 --> 00:39:19,920
an actress. I can act like I can sing, and

588
00:39:20,320 --> 00:39:23,280
you know, lots of karaoke nights. Yeah, And I would

589
00:39:23,280 --> 00:39:25,920
say what I lack and talent I make up for

590
00:39:26,119 --> 00:39:27,159
with enthusiasm.

591
00:39:28,679 --> 00:39:31,079
Speaker 11: But you so you didn't have any vocal any formal

592
00:39:31,119 --> 00:39:33,199
training as far as working with a vocal coach or anything.

593
00:39:33,360 --> 00:39:36,199
Speaker 7: Not formal training now, you know, just yeah just for fun, Yeah,

594
00:39:36,679 --> 00:39:39,639
singing along with the radio, karaoke nights stuff like that.

595
00:39:40,000 --> 00:39:40,199
Speaker 18: Yeah.

596
00:39:40,480 --> 00:39:43,239
Speaker 11: Is there anyone who kind of inspires you in terms

597
00:39:43,280 --> 00:39:46,000
of how they sing, Like I see. I hope this

598
00:39:46,159 --> 00:39:48,239
isn't too cliche, but I hear a little bit of

599
00:39:48,280 --> 00:39:50,199
Ann Wilson, all right, thank you?

600
00:39:50,360 --> 00:39:55,760
Speaker 7: Yeah, yeah, yeah, that's a huge compliment. Yep, she's amazing,

601
00:39:56,719 --> 00:40:02,159
Amy Lee with an essence love them yeah yeah, grew

602
00:40:02,280 --> 00:40:04,639
up yeah in the nineties with that, like that's a

603
00:40:04,719 --> 00:40:05,480
huge influence.

604
00:40:05,679 --> 00:40:05,880
Speaker 11: Yeah.

605
00:40:06,360 --> 00:40:11,639
Speaker 7: Alanis Morissette is such a good storyteller. Yes, yeah, just

606
00:40:11,719 --> 00:40:12,360
a lot. Yeah.

607
00:40:13,000 --> 00:40:15,480
Speaker 11: And then so so who who are the primary writers?

608
00:40:15,480 --> 00:40:16,199
Speaker 12: So is that the two of you?

609
00:40:16,440 --> 00:40:16,559
Speaker 13: Is it?

610
00:40:17,480 --> 00:40:17,639
Speaker 12: Well?

611
00:40:17,760 --> 00:40:18,639
Speaker 11: As far as music, and.

612
00:40:18,760 --> 00:40:21,960
Speaker 12: We all definitely do our own parts, has their own part.

613
00:40:22,400 --> 00:40:22,599
Speaker 5: Yeah.

614
00:40:22,800 --> 00:40:25,239
Speaker 7: I write the words and sing them, yeah, Chris does

615
00:40:25,320 --> 00:40:29,039
the guitar riffs, Jay on drums, Patrick on bass, and

616
00:40:29,119 --> 00:40:30,800
we all you know, when we come together, it just

617
00:40:30,960 --> 00:40:32,280
grows into something new.

618
00:40:32,639 --> 00:40:35,880
Speaker 12: Yeah. Right, it's no fun having one guy dictate everything. Yeah.

619
00:40:35,920 --> 00:40:37,840
I want to be inspired by the other guys in

620
00:40:37,880 --> 00:40:39,159
the room, people in the room.

621
00:40:39,239 --> 00:40:41,599
Speaker 13: So I want everybody to do their own thing well

622
00:40:41,960 --> 00:40:44,000
as much as possible. Everybody has ideas.

623
00:40:44,079 --> 00:40:47,000
Speaker 11: Oh yeah, well certainly, and again there's part of my

624
00:40:47,079 --> 00:40:49,400
bass by bias as a bass player. But you know,

625
00:40:49,559 --> 00:40:52,920
but but certainly it does sound like the rhythm section

626
00:40:53,239 --> 00:40:55,880
has a lot to do with how these songs. Oh yeah,

627
00:40:55,960 --> 00:40:59,000
flesh out because you know, both the bass and the drums.

628
00:40:59,039 --> 00:41:02,840
I mean, you can really hear everything comes through and

629
00:41:03,239 --> 00:41:05,960
uh and it is definitely a part of the Pulsifier sound.

630
00:41:06,679 --> 00:41:09,159
Speaker 13: Absolutely, Yeah, everybody playing off each other. You can hear

631
00:41:09,800 --> 00:41:12,239
like the bass does follows the drums or back and

632
00:41:12,360 --> 00:41:15,400
forth or whatever. Everybody's kind of Oh that's a cool part.

633
00:41:15,480 --> 00:41:17,719
Let me see if I can accent that. A lot

634
00:41:17,800 --> 00:41:19,119
of lot to feel that way.

635
00:41:20,719 --> 00:41:22,519
Speaker 11: Where does the name come from, by the way, Pulsifier

636
00:41:23,000 --> 00:41:23,840
Who came up with the name?

637
00:41:24,719 --> 00:41:24,880
Speaker 12: Yeah?

638
00:41:24,960 --> 00:41:27,480
Speaker 7: Yeah, yeah, it has meaning, though, do you want to

639
00:41:27,519 --> 00:41:28,760
explain it early?

640
00:41:28,800 --> 00:41:29,079
Speaker 12: You can.

641
00:41:32,280 --> 00:41:35,840
Speaker 7: The idea behind it was, you know that inspiration comes

642
00:41:35,920 --> 00:41:40,320
from not from just us personally, but from all around us. Yeah,

643
00:41:40,639 --> 00:41:44,039
and we take that inspiration and use it to make

644
00:41:44,119 --> 00:41:46,719
something new. You know, it passes through us as a

645
00:41:46,800 --> 00:41:50,719
band that we can share with everyone else as something different.

646
00:41:51,039 --> 00:41:52,440
Speaker 11: Yeah that makes sense.

647
00:41:52,519 --> 00:41:55,920
Speaker 13: Yea, the vibrational pulse, right right, so we add our

648
00:41:55,960 --> 00:41:58,199
own spin on the vibe and send it back out.

649
00:41:58,519 --> 00:41:59,119
Speaker 12: Yeah, okay.

650
00:41:59,760 --> 00:42:02,280
Speaker 11: And then the name of the album, Personas. Where where

651
00:42:02,320 --> 00:42:03,760
does that name come from? Personas?

652
00:42:04,159 --> 00:42:07,840
Speaker 13: Oh, that's just it's that is because every song is

653
00:42:08,159 --> 00:42:12,719
kind of like it's kind of a each character of

654
00:42:12,840 --> 00:42:15,239
someone's personality. You know, like if you go to work,

655
00:42:15,280 --> 00:42:17,400
you have one persona. If you want to rock stage,

656
00:42:17,440 --> 00:42:18,400
you're on another persona.

657
00:42:18,800 --> 00:42:21,039
Speaker 12: And that's what this album is like. It's all these.

658
00:42:20,960 --> 00:42:25,800
Speaker 13: Songs are are kind of like a journey of growth, Yeah,

659
00:42:26,280 --> 00:42:28,519
with different characters and different shadows that you.

660
00:42:28,599 --> 00:42:33,000
Speaker 28: Have to deal with the warrior, the lover, the the child,

661
00:42:33,440 --> 00:42:39,639
the animal. Yeah then yeah, ye shadow all of it.

662
00:42:39,760 --> 00:42:43,320
Speaker 11: Yeah, No, that's uh, that's cool. When you when you

663
00:42:43,440 --> 00:42:46,480
play live, Uh, do you do you have any material

664
00:42:46,519 --> 00:42:48,719
that you haven't recorded that is part of your live set,

665
00:42:48,760 --> 00:42:51,519
because it sounds like you got a lot of ideas.

666
00:42:51,559 --> 00:42:54,440
You probably have lots songs I haven't recorded yet, right.

667
00:42:54,840 --> 00:42:58,880
Speaker 12: Yeah, we have way too many songs, and really it's.

668
00:42:58,800 --> 00:43:02,079
Speaker 15: Hard to decide which songs to put on the album

669
00:43:02,159 --> 00:43:04,719
because like in my opinion, and I think in all

670
00:43:04,760 --> 00:43:07,440
of our opinions, every single song is a banger, like

671
00:43:07,559 --> 00:43:10,039
they can all be the single. None of them are filler. Yeah,

672
00:43:10,079 --> 00:43:12,880
so it was like almost a shame only doing seven songs.

673
00:43:13,400 --> 00:43:14,000
Speaker 7: It's a good.

674
00:43:13,880 --> 00:43:16,079
Speaker 11: Problem to have, but yeah, it's like, I mean, how

675
00:43:16,079 --> 00:43:18,920
do you even decide when you've got I mean hard Yeah.

676
00:43:19,119 --> 00:43:21,400
Speaker 7: Like which ones do we leave out? We don't want

677
00:43:21,440 --> 00:43:22,960
to leave any of them out. I want them all

678
00:43:23,119 --> 00:43:23,519
out there.

679
00:43:23,960 --> 00:43:24,880
Speaker 12: How many songs do you have?

680
00:43:25,559 --> 00:43:27,480
Speaker 11: Can you put a number on it? Like as a

681
00:43:27,519 --> 00:43:29,199
band originals?

682
00:43:30,039 --> 00:43:32,400
Speaker 7: How many do you think now finished?

683
00:43:32,559 --> 00:43:37,119
Speaker 13: So I actually we actually try to prioritize and not

684
00:43:38,639 --> 00:43:40,880
like completely finish the song and we live it. We

685
00:43:40,960 --> 00:43:43,159
give it plenty of times to grow. There's many songs

686
00:43:43,239 --> 00:43:46,159
we jam we are constantly jamming on. We have one

687
00:43:46,280 --> 00:43:49,079
called Eye of the Storm. It's been something we've been

688
00:43:50,119 --> 00:43:52,320
We've been just messing with that for months now. It's

689
00:43:52,360 --> 00:43:53,480
just slowly growing.

690
00:43:53,840 --> 00:43:55,280
Speaker 12: It has to give. You have to give it time.

691
00:43:55,559 --> 00:43:57,039
You have to time to grow.

692
00:43:57,199 --> 00:43:58,519
Speaker 14: It's like simmering in the pot.

693
00:43:59,159 --> 00:43:59,360
Speaker 12: Yeah.

694
00:44:00,079 --> 00:44:01,519
Speaker 13: Yeah, we came up with a new part on that

695
00:44:01,639 --> 00:44:03,440
song just a couple of weeks ago. It was it

696
00:44:03,559 --> 00:44:05,199
was like, oh, there we go, that's what we were

697
00:44:05,239 --> 00:44:05,840
looking forwards.

698
00:44:05,920 --> 00:44:09,519
Speaker 12: Yeah, it's great. Yeah, where did did we talk about?

699
00:44:09,519 --> 00:44:10,320
Speaker 7: Where you recorded?

700
00:44:10,840 --> 00:44:11,039
Speaker 12: Where?

701
00:44:11,079 --> 00:44:14,639
Speaker 11: Where? Where did you've recorded these? Because everything Halo Studio?

702
00:44:15,000 --> 00:44:16,920
Speaker 7: Okay, John Wyman.

703
00:44:16,800 --> 00:44:20,360
Speaker 11: Yeah, okay, I want to make sure everything sounds so good.

704
00:44:20,400 --> 00:44:21,760
So we want to make sure Okay, so tell me.

705
00:44:21,920 --> 00:44:23,760
So I don't know about John Wyman. Tell me about him.

706
00:44:24,159 --> 00:44:26,880
Speaker 12: The halo is is world famous or infamous?

707
00:44:27,760 --> 00:44:31,800
Speaker 13: Oh yeah, yeah, and yeah he's uh, he's done some

708
00:44:32,280 --> 00:44:35,000
done some pretty incredible stuff, especially with the local scene.

709
00:44:35,000 --> 00:44:38,199
Speaker 12: But he's also also on National Guy. You know, I

710
00:44:38,239 --> 00:44:40,639
don't want to misspeak. I don't. I can't say for sure.

711
00:44:40,800 --> 00:44:42,599
Some of the Nationalists done, but he's done.

712
00:44:43,679 --> 00:44:43,840
Speaker 8: You know.

713
00:44:44,760 --> 00:44:46,360
Speaker 13: I think the last one is big thing he did

714
00:44:46,559 --> 00:44:50,239
was pretty reckless stuff. I'm not okay, yeah, okay, So

715
00:44:50,360 --> 00:44:51,400
he's in Portland or is he?

716
00:44:51,880 --> 00:44:52,280
Speaker 11: Where is he?

717
00:44:53,280 --> 00:44:56,440
Speaker 12: Yeah? Non descript, undisclosed building.

718
00:44:56,920 --> 00:45:00,719
Speaker 7: Yeah, it looks like from the outside you not expect

719
00:45:00,840 --> 00:45:02,559
what's on the inside. I love that.

720
00:45:03,760 --> 00:45:06,840
Speaker 12: Yeah, what a cool spot. Wow. Yeah, the guy is amazing.

721
00:45:08,679 --> 00:45:10,159
Speaker 11: And how did you come to work with him? How

722
00:45:10,199 --> 00:45:12,880
did that come about? Because because he's obviously a big you.

723
00:45:12,920 --> 00:45:15,519
Speaker 12: Know, yeah, it bled over from from my previous band

724
00:45:15,599 --> 00:45:17,719
that I would I would call it there. Yeah, okay,

725
00:45:18,079 --> 00:45:20,880
oh cool, and I just knew that I'm not going

726
00:45:20,960 --> 00:45:22,519
to go anywhere else. That's the place to go.

727
00:45:22,800 --> 00:45:27,000
Speaker 7: Yeah. Yeah, actually, yeah, it's such a good ear for details.

728
00:45:27,800 --> 00:45:30,440
Speaker 11: Does he does he kind of become like you know,

729
00:45:31,159 --> 00:45:34,280
because obviously every producer has their own style. Everyone's different,

730
00:45:34,320 --> 00:45:36,079
everyone kind of has their own approach. Does he become

731
00:45:36,199 --> 00:45:38,519
like like that, like a fifth member of the band.

732
00:45:38,440 --> 00:45:41,119
Speaker 12: Or he did, Yeah, yeah, he was.

733
00:45:41,280 --> 00:45:41,599
Speaker 25: He was.

734
00:45:43,159 --> 00:45:48,159
Speaker 12: Talking about doing the harmonies for for Scars.

735
00:45:49,000 --> 00:45:50,719
Speaker 7: Yeah. He gets excited and then you know, are like,

736
00:45:50,760 --> 00:45:51,840
we're onto something.

737
00:45:52,400 --> 00:45:55,559
Speaker 13: Like yeah, she's been doing her vocal stuff. And after

738
00:45:55,679 --> 00:45:57,360
you take he spins around. He's like, did you guys

739
00:45:57,400 --> 00:45:57,639
hear that?

740
00:45:57,920 --> 00:46:00,679
Speaker 12: Yeah? That was that was fantastic. Let me bring out

741
00:46:00,679 --> 00:46:03,599
my little player and show you the fists.

742
00:46:04,239 --> 00:46:07,800
Speaker 7: Oh no, kidd yeah yeah, and he'll play something.

743
00:46:07,800 --> 00:46:10,239
Speaker 12: Very creative, so he gets the juices flowing as well.

744
00:46:10,840 --> 00:46:11,199
Speaker 7: Brilliant.

745
00:46:11,320 --> 00:46:13,960
Speaker 15: Yeah, and he has the most incredible ear too, Like

746
00:46:14,320 --> 00:46:17,519
your guitar could be out of tune by one cent

747
00:46:18,039 --> 00:46:20,280
and they'll be like, oh no, tune up and you're like,

748
00:46:20,320 --> 00:46:22,119
what do you mean, Like it's imperfect to know it's not.

749
00:46:22,440 --> 00:46:25,920
Speaker 13: We're playing the live track and he's like, Patrick, your

750
00:46:26,119 --> 00:46:29,519
d string is off, it's flat. Yeah, I'm like, okay,

751
00:46:30,559 --> 00:46:32,000
not according to the tuner it's not.

752
00:46:32,199 --> 00:46:36,239
Speaker 7: But you're on you yeah yeah, yeah, he gets the

753
00:46:36,320 --> 00:46:36,920
best out of you.

754
00:46:37,760 --> 00:46:40,920
Speaker 11: Yeah, that's what it takes. It's but it's also good

755
00:46:40,960 --> 00:46:44,559
to you, good, good for you. It speaks you know,

756
00:46:44,639 --> 00:46:46,559
you're obviously mature as a band to be able to

757
00:46:46,599 --> 00:46:48,400
work with someone like because some people can't work with

758
00:46:48,480 --> 00:46:50,880
a producer like that, you know what I mean. Some

759
00:46:50,960 --> 00:46:54,079
people get resentful. They feel like, Oh, this guy's trying

760
00:46:54,119 --> 00:46:55,719
to take over what I'm doing, you know what I mean.

761
00:46:56,519 --> 00:46:57,880
So for you to be able to go in and

762
00:46:57,960 --> 00:46:59,800
be open, you know, not everyone can.

763
00:47:00,199 --> 00:47:01,199
Speaker 7: We go to him. We want that.

764
00:47:01,679 --> 00:47:04,159
Speaker 13: Yeah, you've gotta be careful not to be too attached

765
00:47:04,199 --> 00:47:05,239
to your own ideas.

766
00:47:05,639 --> 00:47:08,039
Speaker 12: It prevents growth and thought. You just have to go

767
00:47:08,199 --> 00:47:08,400
with that.

768
00:47:08,559 --> 00:47:10,159
Speaker 7: But he lets us try too. That's another thing.

769
00:47:10,199 --> 00:47:10,400
Speaker 25: I like.

770
00:47:10,480 --> 00:47:12,079
Speaker 7: I'll be like, can I just try it? I go

771
00:47:12,199 --> 00:47:13,920
be like, this is gonna sound really weird. Can I

772
00:47:14,039 --> 00:47:16,639
just try something? Yeah, And I'll be like, and then

773
00:47:16,760 --> 00:47:18,519
give me your feedback. If you don't like it, we'll

774
00:47:18,599 --> 00:47:21,719
cut it, take it. Lets me try stuff.

775
00:47:22,719 --> 00:47:24,559
Speaker 11: I'm really glad I moved that filter. He sounds so

776
00:47:24,639 --> 00:47:25,000
much better.

777
00:47:26,199 --> 00:47:26,920
Speaker 7: Let's start over.

778
00:47:27,119 --> 00:47:30,159
Speaker 11: Yeah, but if you are just joining us, we have

779
00:47:30,199 --> 00:47:34,960
Pulsifier here with us alive in studio, and so what's

780
00:47:35,039 --> 00:47:37,039
kind of the do you know what the sort of

781
00:47:37,079 --> 00:47:38,679
the long term plan is, so the album will be

782
00:47:38,760 --> 00:47:43,679
out probably October, like what's kind of about October? And

783
00:47:43,760 --> 00:47:46,159
then you're gonna be hitting the road again or then.

784
00:47:46,079 --> 00:47:48,840
Speaker 7: We are hitting the road again for another national tour.

785
00:47:49,400 --> 00:47:50,920
This one's called October.

786
00:47:51,320 --> 00:47:55,119
Speaker 15: Okay, Scottie Austin from Saving Abel.

787
00:47:55,000 --> 00:47:58,000
Speaker 11: Oh okay, yeah, yeah, okay, So so tell us about this.

788
00:47:58,199 --> 00:47:59,960
Is this like a is it like a package tour,

789
00:48:00,039 --> 00:48:01,320
a festival or what like.

790
00:48:01,360 --> 00:48:03,440
Speaker 13: What it's kind of a mixture, Yeah, he is. He

791
00:48:03,679 --> 00:48:06,920
is making a big push for one of one of

792
00:48:07,039 --> 00:48:10,079
his songs. So he has kind of like handpicked his

793
00:48:10,280 --> 00:48:13,719
favorite spots that he's played over the years, and so

794
00:48:13,880 --> 00:48:15,840
this is gonna be like this ought to be a

795
00:48:15,880 --> 00:48:16,960
pretty interesting tour.

796
00:48:17,199 --> 00:48:17,400
Speaker 11: Yeah.

797
00:48:18,119 --> 00:48:20,239
Speaker 12: Yeah. Do you have a lot of support?

798
00:48:20,480 --> 00:48:24,360
Speaker 7: And he's wild. He's so fun to watch live. Yeah,

799
00:48:24,639 --> 00:48:26,119
a lot of fun, very entertaining.

800
00:48:26,400 --> 00:48:26,599
Speaker 12: Yeah.

801
00:48:26,639 --> 00:48:30,280
Speaker 13: We just did a show with him in Ohio and

802
00:48:30,400 --> 00:48:32,519
we were just standing out watching and he just looked

803
00:48:32,559 --> 00:48:32,719
at it.

804
00:48:32,880 --> 00:48:35,559
Speaker 12: He's like, you guys are coming up with us.

805
00:48:35,800 --> 00:48:39,719
Speaker 7: Oh, that's very cool. Yeah, we had to run up,

806
00:48:39,960 --> 00:48:42,280
but we're in that half pipe we're in there's a

807
00:48:42,719 --> 00:48:45,480
skate park. The stage was on the top of the

808
00:48:45,639 --> 00:48:48,239
half pipe, so he's like, come on up here, guys,

809
00:48:48,239 --> 00:48:50,760
and we like ran up the pipe, jumped on stage.

810
00:48:52,599 --> 00:48:57,000
Speaker 12: He's quite his character and great entertainer. Yeah, oh very cool.

811
00:48:57,199 --> 00:48:58,119
Are you on the full tour?

812
00:48:58,159 --> 00:48:59,840
Speaker 11: Are you doing the whole run with him or doing

813
00:49:00,039 --> 00:49:01,800
over on the whole way? Excellent?

814
00:49:02,000 --> 00:49:05,679
Speaker 13: We actually have We actually have three more after that

815
00:49:05,880 --> 00:49:08,239
before April, three more tours, so we're.

816
00:49:08,000 --> 00:49:09,719
Speaker 12: Going to be busy through the yeah.

817
00:49:09,760 --> 00:49:09,920
Speaker 2: Yeah.

818
00:49:10,039 --> 00:49:12,280
Speaker 13: And after that we want to flip the script. We

819
00:49:12,360 --> 00:49:14,920
want to be on the other side of of the

820
00:49:15,039 --> 00:49:16,840
you know, instead of direct support. We want to see

821
00:49:16,880 --> 00:49:19,320
if we can what we can do as far as

822
00:49:19,559 --> 00:49:21,320
headlining a small club tour.

823
00:49:21,719 --> 00:49:23,639
Speaker 12: Yeah, we're just kind of feeling it out. Yeah, what

824
00:49:23,760 --> 00:49:24,079
we can do.

825
00:49:25,719 --> 00:49:28,480
Speaker 11: Yeah, so you're on the right path. Are you on

826
00:49:28,559 --> 00:49:30,199
a label by the way, as far as the album

827
00:49:30,280 --> 00:49:31,559
itself that's going to be coming out or is that

828
00:49:31,639 --> 00:49:33,159
all DI I Y or how are you doing that?

829
00:49:33,199 --> 00:49:35,280
Because there's so many like we were talking about earlier,

830
00:49:35,320 --> 00:49:37,360
there's so many ways to release music now, there's so

831
00:49:37,400 --> 00:49:38,079
many ways to.

832
00:49:38,840 --> 00:49:41,719
Speaker 13: Yeah, this this management, but there's no it's it would

833
00:49:41,800 --> 00:49:45,079
still technically independent. Yeah, it protects us the best.

834
00:49:45,400 --> 00:49:48,920
Speaker 11: Yeah, yeah, it does absolutely does.

835
00:49:48,960 --> 00:49:50,840
Speaker 13: There's no reason. You know, a lot of time, you know,

836
00:49:51,079 --> 00:49:52,639
you hear it over and over, there's no reason to

837
00:49:52,679 --> 00:49:55,199
have a label. I'm sure labels will disagree, and I'm

838
00:49:55,239 --> 00:49:57,519
sure that they can get you out there. But there's

839
00:49:57,519 --> 00:49:59,920
a there's always a back and forth, there's always a

840
00:50:00,400 --> 00:50:01,960
you always pay for one one way or another.

841
00:50:02,239 --> 00:50:04,840
Speaker 11: It's always a risk too, because you know a label.

842
00:50:05,000 --> 00:50:06,599
You know, they might come along and offer you a

843
00:50:06,639 --> 00:50:08,800
bunch of you know, big advance for your album or whatever,

844
00:50:09,199 --> 00:50:11,800
and that kind and the cash infusion is great, it

845
00:50:12,159 --> 00:50:15,159
can be, and they might you know, they might make

846
00:50:15,199 --> 00:50:18,400
you famous. They also might have you record an album

847
00:50:18,440 --> 00:50:20,400
and then say we've changed our mind and shelve your

848
00:50:20,440 --> 00:50:24,079
album that you've worked on and you can't heartbreak and

849
00:50:24,280 --> 00:50:25,480
you can't do anything with it.

850
00:50:25,599 --> 00:50:29,079
Speaker 13: I mean, oh yeah, hey there's a there's already a

851
00:50:29,079 --> 00:50:31,079
hard rock album out. We're going to hold yours off

852
00:50:31,199 --> 00:50:32,719
until that runs its course.

853
00:50:32,880 --> 00:50:34,960
Speaker 12: Yeah, a lot to it.

854
00:50:35,119 --> 00:50:39,159
Speaker 11: There's so much that can go wrong. Yeah, and I'm

855
00:50:39,199 --> 00:50:41,239
not saying, you know, I mean, obviously, if the right

856
00:50:41,440 --> 00:50:44,480
deal came along, you know you'd consider it, right, but absolutely, yeah,

857
00:50:44,519 --> 00:50:46,480
But but you're being smart about it, you know, And

858
00:50:46,679 --> 00:50:48,119
and we live in a time where you don't have

859
00:50:48,239 --> 00:50:50,280
to wait for the right deal. You can just go

860
00:50:50,440 --> 00:50:52,360
make your own you know, go make your own way.

861
00:50:52,440 --> 00:50:54,559
And and so I think you're on a great path.

862
00:50:54,639 --> 00:50:55,519
Speaker 12: I think you're Yeah.

863
00:50:55,639 --> 00:50:57,559
Speaker 13: I mean it comes to a point where in order

864
00:50:57,639 --> 00:50:59,360
to do some of the bigger things you have to

865
00:50:59,440 --> 00:51:01,559
be on the lead. We're not quite there yet, so

866
00:51:01,599 --> 00:51:02,360
we're not worried about it.

867
00:51:02,519 --> 00:51:04,920
Speaker 12: Yeah, yeah, no, I think so. Until then, we're gonna

868
00:51:05,000 --> 00:51:06,320
drive our own ship a little bit longer.

869
00:51:06,360 --> 00:51:08,280
Speaker 11: There you go, there you go. No, I think that's

870
00:51:08,320 --> 00:51:10,239
the right approach, absolutely.

871
00:51:11,440 --> 00:51:11,480
Speaker 16: So.

872
00:51:11,719 --> 00:51:15,000
Speaker 11: And then we should remind people too about Swarmy Fest

873
00:51:15,079 --> 00:51:17,480
coming out, Yeah, November fifteenth, Yeah.

874
00:51:17,400 --> 00:51:21,039
Speaker 7: Yes, November fifteenth, Swarmy Fast. Sounds like it's going to

875
00:51:21,079 --> 00:51:25,159
be amazing. Has the band Sepsis, Yeah, and a bunch

876
00:51:25,280 --> 00:51:27,719
of other bands and acts and performers.

877
00:51:27,960 --> 00:51:30,760
Speaker 11: Silent Season is now co headlining with Sepsis, which is cool.

878
00:51:30,800 --> 00:51:34,159
We had them on recently and uh yeah, they're they're great.

879
00:51:34,760 --> 00:51:36,119
Speaker 7: We're very excited to be part of it.

880
00:51:36,239 --> 00:51:39,159
Speaker 11: Yeah wait, yeah, yeah, right across the street at Jewel

881
00:51:39,480 --> 00:51:41,800
and this show Matt Conderton Unleashed. We're one of the

882
00:51:41,840 --> 00:51:44,199
sponsors this will be our third year.

883
00:51:44,360 --> 00:51:44,760
Speaker 12: Very cool.

884
00:51:45,360 --> 00:51:47,199
Speaker 11: Yeah, yeah, so we'll be there, Jenny and I will

885
00:51:47,239 --> 00:51:50,079
be there, so yeah, really really looking forward to that.

886
00:51:50,159 --> 00:51:51,000
Speaker 12: So yeah, that'll be fun.

887
00:51:51,119 --> 00:51:51,719
Speaker 7: Yeah, we can't wait.

888
00:51:51,880 --> 00:51:52,039
Speaker 14: Yeah.

889
00:51:52,079 --> 00:51:54,119
Speaker 15: We've been trying to play with Sepsis for a little while,

890
00:51:54,239 --> 00:51:57,199
but we've had opportunities, but there's always just been you know,

891
00:51:57,719 --> 00:51:59,400
a wrench in the plans with timing.

892
00:51:59,519 --> 00:52:02,400
Speaker 7: Yeah, yeah, kind of coordinate, Yeah, who's free when? So yeah,

893
00:52:02,440 --> 00:52:05,480
we're very excited to team up with them and everyone

894
00:52:05,519 --> 00:52:08,440
who's part of it. Yeah yeah, and everyone who comes out. Yeah,

895
00:52:08,480 --> 00:52:10,239
it's like, come on out and party with us. We're

896
00:52:10,280 --> 00:52:10,800
gonna have fun.

897
00:52:11,480 --> 00:52:15,239
Speaker 11: Absolutely, absolutely, Well, the time goes quickly. We are approaching

898
00:52:15,280 --> 00:52:16,440
the top of the hour, and I want to make

899
00:52:16,440 --> 00:52:19,280
sure that we can get this last song in because

900
00:52:19,320 --> 00:52:23,039
we are going to play in a moment. We're gonna

901
00:52:23,039 --> 00:52:25,320
play Venomous Thing. Okay, So I need to know is

902
00:52:25,360 --> 00:52:25,880
there a story?

903
00:52:26,159 --> 00:52:28,039
Speaker 7: Like what is a story behind everything?

904
00:52:28,360 --> 00:52:30,400
Speaker 11: I need to know, especially this one because like I said,

905
00:52:30,440 --> 00:52:31,320
this one's my favorite.

906
00:52:31,880 --> 00:52:34,000
Speaker 7: Yes, there's a story behind every song that we do.

907
00:52:34,239 --> 00:52:36,880
So for this one, for Venomous Thing, like we talked about,

908
00:52:36,880 --> 00:52:41,199
it was actually the first single that we released and

909
00:52:41,360 --> 00:52:45,800
this song is really for anyone who's ever dealt with

910
00:52:46,639 --> 00:52:52,239
any type of toxic relationship or codependent relationship, and it's

911
00:52:52,320 --> 00:52:56,239
really about kind of looking at that whole relationship but

912
00:52:56,280 --> 00:52:59,400
also looking at yourself, like self reflection. And you know

913
00:52:59,639 --> 00:53:03,159
what part did I play? And like with most of

914
00:53:03,239 --> 00:53:06,360
our songs, it's you know, the the underlying element is

915
00:53:06,360 --> 00:53:10,360
also about becoming stronger and healing and just personal growth.

916
00:53:10,639 --> 00:53:14,159
Speaker 11: Yeah, okay, okay, very good. I like the positive message

917
00:53:14,199 --> 00:53:16,199
and all of that, so, which seems to be a

918
00:53:16,239 --> 00:53:18,719
theme in your music. So I think that's amazing it is, yes,

919
00:53:19,239 --> 00:53:21,760
And also so before we play that, before we finish up,

920
00:53:22,000 --> 00:53:23,960
one other thing, where's the best place for people to

921
00:53:24,000 --> 00:53:25,840
go online? Where should people go online? To keep up

922
00:53:25,840 --> 00:53:27,199
with everything Pulsifier is doing.

923
00:53:27,440 --> 00:53:31,559
Speaker 15: You can find us absolutely everywhere. Facebook dot com, slash

924
00:53:31,639 --> 00:53:36,079
Pulsifier band. You can YouTube Pulsifier. We have a huge

925
00:53:36,159 --> 00:53:41,199
YouTube channel. We're growing on TikTok. That's TikTok Pulsifier. It's

926
00:53:41,199 --> 00:53:42,039
always the same name.

927
00:53:42,599 --> 00:53:42,719
Speaker 12: Uh.

928
00:53:42,920 --> 00:53:44,960
Speaker 15: Instagram, We got Pulsifier Instagram.

929
00:53:46,440 --> 00:53:47,519
Speaker 12: Oh is there anything else.

930
00:53:48,239 --> 00:53:49,760
Speaker 7: That old school? Yeah? Yeah.

931
00:53:50,360 --> 00:53:52,480
Speaker 15: Band dot com you can see all of our shows

932
00:53:52,559 --> 00:53:55,800
and space socials and the merger check out.

933
00:53:55,800 --> 00:53:57,239
Speaker 7: We got a lot of cool merch for you guys,

934
00:53:57,400 --> 00:54:00,000
So yeah, we'll have it. Yeah, and we bring out

935
00:54:00,119 --> 00:54:02,079
out also when we play lives, we always set up

936
00:54:02,079 --> 00:54:04,239
our table. We always encourage people to come on over,

937
00:54:04,360 --> 00:54:06,639
say hey to us, hang out house, let us know

938
00:54:06,679 --> 00:54:06,920
what you.

939
00:54:06,960 --> 00:54:09,199
Speaker 15: Think, and hey, you reach out to us online too.

940
00:54:09,280 --> 00:54:11,800
You know, we're always someone's always running all the pages,

941
00:54:11,880 --> 00:54:14,159
so we want to talk, we want to chat, and

942
00:54:14,519 --> 00:54:17,039
you know, we're always out to say hi and talk

943
00:54:17,079 --> 00:54:17,760
about what's going on.

944
00:54:18,119 --> 00:54:21,239
Speaker 11: Okay, okay, very good, very good. Well listen, thank you,

945
00:54:21,320 --> 00:54:23,920
Thank you all four of you for thanking us today. Absolutely,

946
00:54:24,400 --> 00:54:26,280
and uh we're going to play that track in a moment.

947
00:54:26,360 --> 00:54:28,199
If you miss any part of today's show, it will

948
00:54:28,199 --> 00:54:30,000
be up in just a little bit at w M

949
00:54:30,000 --> 00:54:32,960
and hradio dot org and my website Matt Connorton dot com.

950
00:54:33,079 --> 00:54:34,719
Thank you to everybody who joined us today.

951
00:54:34,599 --> 00:54:35,280
Speaker 12: Thanks for having us.

952
00:54:35,559 --> 00:54:36,199
Speaker 7: Thank you so much.

953
00:54:36,400 --> 00:54:39,079
Speaker 11: Absolutely, and Jenny, I'm sure we'll be back with us

954
00:54:39,159 --> 00:54:40,880
next week on the show. But we're going to close

955
00:54:40,960 --> 00:54:43,760
this one out with This is venomous thing and the

956
00:54:43,920 --> 00:54:45,400
band is Pulsifier.

957
00:55:35,920 --> 00:55:37,920
Speaker 10: It's try in memory.

958
00:55:40,199 --> 00:55:41,800
Speaker 7: Cloms with a hand.

959
00:55:44,000 --> 00:55:47,360
Speaker 3: A much cold, the shadows.

960
00:55:46,840 --> 00:55:53,960
Speaker 7: Cold yesterday dancing wity mind.

961
00:55:55,880 --> 00:55:58,119
Speaker 3: You can't be saved, all.

962
00:56:00,079 --> 00:56:00,880
Speaker 7: Said arks.

963
00:56:01,159 --> 00:56:09,480
Speaker 3: Really when you came up to she said, can all back?

964
00:56:11,280 --> 00:56:13,599
Been all little spir.

965
00:56:15,320 --> 00:56:21,719
Speaker 7: Chevy star somewhere, but then.

966
00:56:23,360 --> 00:56:29,559
Speaker 5: Hurt me look at jewels been all girls.

967
00:56:31,159 --> 00:56:33,679
Speaker 3: Come back to pay.

968
00:56:34,800 --> 00:56:37,199
Speaker 24: So why don't you back?

969
00:56:40,599 --> 00:56:42,559
Speaker 7: And don't be places.

970
00:56:44,320 --> 00:56:45,280
Speaker 10: You don't want?

971
00:56:45,519 --> 00:56:53,480
Speaker 3: Girl put to by face and I don't want you

972
00:56:53,639 --> 00:57:06,400
know you gonna miss poison? U say, kissing my blood

973
00:57:06,519 --> 00:57:08,320
story Now it's just.

974
00:57:08,559 --> 00:57:22,800
Speaker 5: Sup your sam.

975
00:57:20,079 --> 00:57:22,840
Speaker 3: Chuggy the gods.

976
00:57:24,119 --> 00:57:28,679
Speaker 5: Ro kay.

977
00:57:31,400 --> 00:57:46,880
Speaker 3: You come about kay? So what can't you? Victim B say,

978
00:57:49,400 --> 00:57:51,119
L take control.

979
00:57:53,280 --> 00:57:55,480
Speaker 1: Shooting your venom.

980
00:57:55,920 --> 00:57:59,039
Speaker 3: Like shot so control.

981
00:58:01,440 --> 00:58:02,400
Speaker 10: Hold on't me.

982
00:58:05,519 --> 00:58:12,360
Speaker 3: Try not to try? Can step pull me? Uper choice

983
00:58:13,599 --> 00:58:18,559
B spy will dad said, get me off?

984
00:58:22,039 --> 00:58:27,159
Speaker 5: Last time shows God.

985
00:58:28,719 --> 00:58:30,840
Speaker 19: From leave it.

986
00:58:32,840 --> 00:58:36,679
Speaker 3: Okay again you're the.

987
00:58:38,280 --> 00:58:48,159
Speaker 5: Last, So why didn't choice that again?

988
01:00:01,800 --> 01:00:10,480
Speaker 3: Just play down the ha shallow.

989
01:00:15,760 --> 01:00:30,440
Speaker 5: Brown, cook, bad show, well bred tr down. We'll praise

990
01:00:31,239 --> 01:00:39,159
that's down. We'll praise your head down, We'll praise your

991
01:00:39,280 --> 01:00:42,559
hats down. Badder