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<v Speaker 1>Oh hey, it's the Bobby Penn hiding in your hair overnight,

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<v Speaker 1>Ali Ward, this episode is coming out in the middle

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<v Speaker 1>of the night, sometime between April first and second. Friends.

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<v Speaker 1>It's not a prank, it's real. It's really a whole

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<v Speaker 1>episode about medieval manuscript art with a focus on drawings

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<v Speaker 1>of snails. This is why I make this show. This

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<v Speaker 1>is why this was my dream job forever. I love

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<v Speaker 1>this and you will too as we cover what these golden,

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<v Speaker 1>illuminated Middle Ages manuscripts were made of and so much

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<v Speaker 1>more with this expert who did their undergrad at the

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<v Speaker 1>University of Winchester in Medieval and Renaissance studies, a master

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<v Speaker 1>also in Medieval and Renaissance studies and is working toward

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<v Speaker 1>a PhD. Now you may be familiar with their work.

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<v Speaker 1>Hundreds of thousands of art history hungry people follow them

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<v Speaker 1>online and they educate the public about historical texts and

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<v Speaker 1>arts and sistery which are medieval snail themes. Their bio

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<v Speaker 1>simply explains medieval snail historian, that's what my thesis was on.

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<v Speaker 1>And they seem to go viral whenever they mention Vincent

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<v Speaker 1>Vanco's work.

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<v Speaker 2>Vincent voholks voholch himself.

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<v Speaker 1>Okay, the hitches, they're Dutch, they speak Dutch. This is

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<v Speaker 1>how Vincent van g A Dutch said his name in Dutch,

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<v Speaker 1>and how everyone who speaks his native tongue of Dutch

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<v Speaker 1>says it. So they know what they are talking about

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<v Speaker 1>and they love doing it. So when many of you

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<v Speaker 1>asked me to get to the bottom of medieval gastropods,

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<v Speaker 1>I moved swiftly. Here we are. I promise you there

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<v Speaker 1>are many, many, many things relevant to your life and

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<v Speaker 1>the world around us in this episode. You will never

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<v Speaker 1>look at old manuscripts, snails, or even the news the

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<v Speaker 1>same way. Have faith. Now on that note, thank you

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<v Speaker 1>to everyone who leaves reviews for this show on your

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<v Speaker 1>podcast apps, which I read. I harvest a fresh one

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<v Speaker 1>each week, such as this one from Tim M six

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<v Speaker 1>point fifty one, who wrote, truly the best science podcast

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<v Speaker 1>out there. Even when I find myself not interested in

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<v Speaker 1>a topic, she makes it palatable. The worst thing about

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<v Speaker 1>it is the show note. You thought you were done, well,

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<v Speaker 1>here's five more episodes you might like. Seriously give it

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<v Speaker 1>a listen, and yeah, check the show notes because we

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<v Speaker 1>always link a bunch of episodes that you're gonna like. Okay, Tim,

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<v Speaker 1>thank you. Thank you also for wearing your Ologies merch,

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<v Speaker 1>which you can get at ologiesmarch dot com. We keep

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<v Speaker 1>it affordable so that Ologites can find each other in

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<v Speaker 1>the wild. Also, thank you a patrons at patroon dot

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<v Speaker 1>com slash ologies for making the show possible and sending

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<v Speaker 1>in your questions. You can join if you like, for

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<v Speaker 1>as little as one hot dollar a month. Also, if

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<v Speaker 1>our regular episodes are too sexy and cool for you

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<v Speaker 1>and you need some without swearing, we make a whole

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<v Speaker 1>spinoff show called Smologies. You can find it in the

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<v Speaker 1>show notes or wherever you get podcasts, just search for Smologies.

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<v Speaker 1>They are shorter, classroom saved versions of our episodes for

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<v Speaker 1>the kiddos. Okay, let's get to it. So, codocology is

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<v Speaker 1>the study of old, old books, and in this case

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<v Speaker 1>we're looking at the Middle Ages and the drawings that

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<v Speaker 1>crept up the margins and at the foot of the

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<v Speaker 1>pages and between the letters of rare books, also creeping

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<v Speaker 1>among the imagery. Tons of snails. Why, let's talk about it.

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<v Speaker 1>Who drew them? Why were people sometimes naked in them?

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<v Speaker 1>Why did animals have creepy human faces, What art trends

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<v Speaker 1>came and went? And what does it say about our

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<v Speaker 1>history and future? What happened if you messed up making

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<v Speaker 1>a manuscript? What exactly is a Salisbury steak with scholar

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<v Speaker 1>globally known art history communicator, Snithstorian and medieval cotocologist Evan Pritmore.

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<v Speaker 2>Evan Pridmore and my pronouns? Are they them?

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<v Speaker 1>And where you're in some sort of library with leather

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<v Speaker 1>bound books.

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<v Speaker 2>So this isn't actually it's not technically a library, but

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<v Speaker 2>it's a set that we use for when we're doing

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<v Speaker 2>videos and podcasting and things like that. The issue that

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<v Speaker 2>I have is that these are all very old, rare

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<v Speaker 2>historical books, so sometimes they get bought, which means that

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<v Speaker 2>we have to frantically search through them and then find

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<v Speaker 2>something else to fill the set instead. So we handle

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<v Speaker 2>rare historical or otherwise significant books in general, which of

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<v Speaker 2>course is where my study and piliography comes into play.

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<v Speaker 1>Paleography means old writing, which is cool.

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<v Speaker 2>So some of the things we've recently handled last year

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<v Speaker 2>was the first folio, Shakespeare's firstfolio, so very early seventeenth century,

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<v Speaker 2>several million pounds what yeah, things like that which are

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<v Speaker 2>literal pieces of history you can hold in your hand.

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<v Speaker 2>It's incredible.

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<v Speaker 1>Did you have to go through any history if Shakespeare

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<v Speaker 1>was real? Or was five people or anything like that?

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<v Speaker 2>Shakespeare was real? I can say that just based on

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<v Speaker 2>the current academic A research Shakespeare was real, and our

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<v Speaker 2>official state answers that, yes, Shakespeare was a real person.

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<v Speaker 2>We're not buying into the conspiracy theories. Unfortunately.

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<v Speaker 1>That's wonderful. I'm glad we cleared that up right off

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<v Speaker 1>the bat, because that's the thing I forgot that I

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<v Speaker 1>was wondering. And so books and rare books.

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<v Speaker 2>M hm.

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<v Speaker 1>So you came into my field division about literature's medieval snails.

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<v Speaker 1>I need to know how your work steered in that direction.

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<v Speaker 1>When did you start to notice snails or did somebody

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<v Speaker 1>else notice snails? And you were like, you're right, does

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<v Speaker 1>everyone know about snails in medieval literature? Or is this

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<v Speaker 1>something that going through old books you started to see them?

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<v Speaker 2>Well, So I always grew up being quite a fan

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<v Speaker 2>of history. I mean, especially British audiences, which is where

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<v Speaker 2>I'm based. They'll know things like Horrible Histories, which is

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<v Speaker 2>a book and TV series. Are you Protestant?

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<v Speaker 1>Are you vaguely related to Henry the Eighth.

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<v Speaker 2>Is your name, Lady Jane Gray, Then you want to

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<v Speaker 2>star prize and you're going to experience what it's like

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<v Speaker 2>to be queen for nine days and really caught my attention.

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<v Speaker 2>Made me sort of obsessed with history, frankly to a

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<v Speaker 2>concerning degree, and I think I started to veer towards

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<v Speaker 2>the early Modern and Medieval period just because those seemed

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<v Speaker 2>to be times that there was a lot of confusion

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<v Speaker 2>and there's a lot of differing opinions and takes and

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<v Speaker 2>research into it. And in the Medieval period, especially because

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<v Speaker 2>a lot of our view of the Middle Ages is

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<v Speaker 2>warped by victorians. So things like the iron maiden or

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<v Speaker 2>other torture devices, a lot of them were invented later

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<v Speaker 2>because the Victorians wanted to essentially show that they were

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<v Speaker 2>more civilized than these medieval barbarians.

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<v Speaker 1>I was like, what is this all about? And yeah,

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<v Speaker 1>the Dark Ages got a bad rap from victorians, and

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<v Speaker 1>they said all kinds of things about how brutal and

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<v Speaker 1>uncivilized people were back then, and even though some of

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<v Speaker 1>the torture devices they said they used were not in

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<v Speaker 1>fact a thing back then. But let's just clear up

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<v Speaker 1>the timeline a little bit because it is kind of

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<v Speaker 1>dark and murky, so classical antiquity, Ancient Rome, Ancient Greece.

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<v Speaker 1>We do have a whole episode about ancient Rome as

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<v Speaker 1>well as a few Egyptology episodes will link in the

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<v Speaker 1>show notes. But yeah, classical antiquity spans from the eighth

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<v Speaker 1>century BC to the fifth century AD and the Roman

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<v Speaker 1>Empire specifically, it started right before Christ and it lasted

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<v Speaker 1>about five hundred years. And then we have the Middle

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<v Speaker 1>Ages and the Dark Ages that's the early part of

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<v Speaker 1>those Middle Ages, from right after Rome fell to about

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<v Speaker 1>one thousand. Now, these whole Middle Ages from five hundred

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<v Speaker 1>to fifteen hundred that was also called the Medieval Period.

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<v Speaker 1>And after that, around fifteen hundred on, we have the

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<v Speaker 1>start of the Modern Era with the capture and fall

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<v Speaker 1>of Constantinople by the Ottoman Empire, the spread of the

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<v Speaker 1>printing press, Columbus ambling west and getting lost but changing

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<v Speaker 1>the world history of colonization, and now we have phones

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<v Speaker 1>where we look at video of strangers getting their earwax cleaned.

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<v Speaker 1>But yeah, the Dark Ages is the kind of out

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<v Speaker 1>of date term for the early Middle Ages.

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<v Speaker 2>So because of that, I was like, okay, well, what

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<v Speaker 2>is the truth about the Middle Ages? Are they really

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<v Speaker 2>this insane and bonkers? There was chial by cake where

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<v Speaker 2>it was if you were able to eat the cake

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<v Speaker 2>without choking, you'd be fined innocent. If you choked while

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<v Speaker 2>eating the cake, you would be found guilty.

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<v Speaker 1>Oh no, what kind of cake was it?

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<v Speaker 2>I honestly don't know. I'm gonna imagine some sort of

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<v Speaker 2>like fruitcake or mince pie or something along those lines.

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<v Speaker 1>I needed to know it really quick. You needed to know.

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<v Speaker 1>And this was apparently called coarse ned or the accursed

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<v Speaker 1>or sacred morsel, And sadly it was not a medieval

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<v Speaker 1>apple fritter, but apparently it was unleavened barley bread with

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<v Speaker 1>sheep milk, made in the month of May. Very specific.

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<v Speaker 1>It was also called elfitomancy, and it involved barley cake

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<v Speaker 1>sometimes or slices of barley bread. And yeah, if you

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<v Speaker 1>choked on that, you were toast. Keep in mind, if

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<v Speaker 1>you had a bunch of holy figures watching you eat

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<v Speaker 1>a piece of dry bread to determine if you lived

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<v Speaker 1>or died, you would probably have sweaty palms and cot math,

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<v Speaker 1>meaning that you would probably choke. But I don't even think.

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<v Speaker 1>They're just a system allowed for an appeal in the

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<v Speaker 1>form of dessert. And yeah, it happened more than once,

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<v Speaker 1>but I guess you got a free snack out of it.

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<v Speaker 2>A bit early for me, a bit out of my specialty.

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<v Speaker 2>But it's those sort of weird things that I just

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<v Speaker 2>became obsessed with. And then one day I saw the art,

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<v Speaker 2>which is weird. I think a lot of people have

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<v Speaker 2>seen this whole thing about medieval memes or like weird

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<v Speaker 2>medieval art online. I'm sure you've seen them as well. Yeah, yeah,

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<v Speaker 2>and I love them. Yeah, everyone loves them. They're great.

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<v Speaker 2>And I was like, Okay, surely that can't be all

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<v Speaker 2>of it, because we see how people were drawing in

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<v Speaker 2>the Renaissance, and we see how people are drawing in

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<v Speaker 2>the Classical era, and so there's this whole idea of

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<v Speaker 2>in Europe the Dark Ages, which is a term I hate.

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<v Speaker 2>But this whole thing of the Dark Ages is why

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<v Speaker 2>did it suddenly go downhill and then go back up?

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<v Speaker 2>And the truth is that it didn't. It was just

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<v Speaker 2>a very different style. So one of my pet peeves

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<v Speaker 2>is when people say, oh, they didn't know how to draw,

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<v Speaker 2>I'm like, yes, they did. They just drew in a

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<v Speaker 2>very different way to what we would understand.

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<v Speaker 1>Why do you think that was it completely stylistically or

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<v Speaker 1>was it just once your brain sees something a certain way,

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<v Speaker 1>then it interprets everything that it sees that way.

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<v Speaker 2>I think I was a little bit of both. I mean,

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<v Speaker 2>it also depends on where you are, because I'm looking

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<v Speaker 2>predominantly at European sources, and even in Europe, the sources

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<v Speaker 2>are quite varied. If you look at early medieval artwork

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<v Speaker 2>versus late medieval artwork in Italy, it varies a lot,

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<v Speaker 2>especially the amount of gold that they use. Italy got

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<v Speaker 2>richer they started to just add gold too.

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<v Speaker 1>Everything Is it real gold? Is it real gold? Lead?

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<v Speaker 2>Gold leaf? Yeah, a lot of it. And you still

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<v Speaker 2>find many manuscripts today that still have gold leaf everywhere

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<v Speaker 2>in them, and it's quite frankly, very tempting to steal them.

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<v Speaker 1>Oh my god. I can't imagine how much money going

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<v Speaker 1>back to that style of art, because we've seen medieval

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<v Speaker 1>memes where it's like someone's holding someone's head and the

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<v Speaker 1>head's dripping blood, and then someone the person holding the

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<v Speaker 1>head also has a boner maybe, and like there's a

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<v Speaker 1>dog lapping something up in the corner. Just people seem

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<v Speaker 1>like weird little cartoon figures. Everyone looks kind of like

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<v Speaker 1>mister Burns from the Simpsons, Like, where where is that

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<v Speaker 1>style coming from?

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<v Speaker 2>Ooh Okay, now you're getting into the real debate, because

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<v Speaker 2>there's a couple different perspectives of where it comes from.

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<v Speaker 2>Because the thing is is that there are several different

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<v Speaker 2>types of manuscripture have things like books of ours, We've

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<v Speaker 2>got psalters, We've got things like anatomical or pharmaceutical texts,

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<v Speaker 2>and we also have things like carvings or stone reliefs

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<v Speaker 2>that would happen on churches or other buildings like that,

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<v Speaker 2>and the artwork varies between all of them. Now, around

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<v Speaker 2>the ninth century, the artwork started to sort of look similar,

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<v Speaker 2>at least in terms of drawing. In sculpture, it actually

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<v Speaker 2>still looked a lot more realistic, with the exception of

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<v Speaker 2>like grotesques.

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<v Speaker 1>Just a side note, a grotesque it's often mistaken for

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<v Speaker 1>a gargoyle, but I guess a gargoyle has to have

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<v Speaker 1>water spouting out of it. But in general, a grotesque

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<v Speaker 1>is kind of a goofy, creepy monster sculpture. On the

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<v Speaker 1>side of buildings, sometimes churches because it added a little

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<v Speaker 1>funny pizazz. But yeah, even those didn't look as weird

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<v Speaker 1>as the manuscript drawings that Evan studies.

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<v Speaker 2>Those were still very much a thing. But if you

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<v Speaker 2>look at sculpture on a medieval cathedral, for example, those

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<v Speaker 2>people look a lot more realistic than the people do

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<v Speaker 2>in manuscripts.

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<v Speaker 1>Yeah.

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<v Speaker 2>The thing about the manuscripts is that these artworks, unless

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<v Speaker 2>it was like a full illumination on a page that

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<v Speaker 2>was meant to tie in with the text, is a

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<v Speaker 2>lot of these were either marginal or just decorative, so

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<v Speaker 2>there wasn't as much necessity for realism. Basically, you could

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<v Speaker 2>be symbolic, you could be basically, you could have fun

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<v Speaker 2>with it.

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<v Speaker 1>You want to get weird, let's get weird. And when

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<v Speaker 1>you're talking about manuscripts, does that mean a manuscript is

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<v Speaker 1>always handwritten? Does the nomenclature change as technology does, and

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<v Speaker 1>what kind of technology did they have in the medieval times?

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<v Speaker 2>So manuscript phonetically you break it down into manuscript, it

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<v Speaker 2>does mean handwritten. So in the rare book trade we

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<v Speaker 2>still have things that are called manuscripts, but these would

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<v Speaker 2>be things like a handwritten draft for a James Bond

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<v Speaker 2>novel or something along those lines. Like a manuscript letter

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<v Speaker 2>would be a handwritten letter as opposed to a typed letter.

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<v Speaker 2>It literally just means handwritten. So when we say that

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<v Speaker 2>in terms of medieval books, when I say a medieval manuscript,

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<v Speaker 2>pretty much everything in the Middle Ages was a manuscript

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<v Speaker 2>because the printing press, which already existed in China and

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<v Speaker 2>Eastern Asia, did not exist in Europe at that time.

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<v Speaker 2>It wasn't until the late fifteenth century with the Gutenberg

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<v Speaker 2>Press that it really became a thing. And by that time,

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<v Speaker 2>the Renaissance in early Modern period were already kicking off.

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<v Speaker 2>So if we're looking solely at the Middle Ages, they

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<v Speaker 2>didn't have any technology other than handwriting. There were some

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<v Speaker 2>things like woodcuts that you could do, but they didn't

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<v Speaker 2>have a press to do it, so it'd have to

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<v Speaker 2>be manually done each time, which is a very long

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<v Speaker 2>process and part of why incredibly detailed manuscripts. Some would

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<v Speaker 2>be written by one person and then illustrated by another,

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<v Speaker 2>so it would kind of be like almost a production

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<v Speaker 2>line of who.

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<v Speaker 1>Was doing what and who was doing this? Was it

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<v Speaker 1>all monks?

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<v Speaker 2>Well, I'd like to just add for the record, that

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<v Speaker 2>it was a lot of nuns as well, was it. Yeah,

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<v Speaker 2>they often get forgotten. So I'd just like to give

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<v Speaker 2>a huge shout out to my medieval ladies. Jeffrey Hamburger

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<v Speaker 2>wrote a which, first of all, a great name, wrote

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<v Speaker 2>an incredible book that's on nuns in medieval art and

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<v Speaker 2>nuns as artists. It's a really good read, and it

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<v Speaker 2>kind of was mostly them. There were scribes, there were

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<v Speaker 2>schools that did this, but honestly, it was the main

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<v Speaker 2>source of outcome for a monastery or a convent. Many

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<v Speaker 2>of the people who went into monasteries and convents would

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<v Speaker 2>be people like either third or fourth sons of lesser nobility,

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<v Speaker 2>or like certain merchant's children, and so they would already

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<v Speaker 2>have somewhat of a background in painting and reading because

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<v Speaker 2>it was expected of like these children to learn that

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<v Speaker 2>growing up, which meant that they could then of course

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<v Speaker 2>teach classes to other people, including the lower classes coming in.

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<v Speaker 2>And basically, yeah, they had the resources, they had the time,

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<v Speaker 2>and they had the funding to do it. So for

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<v Speaker 2>the most part, yes, there were other workshops and places

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<v Speaker 2>doing it, but the majority of things that we know

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<v Speaker 2>were either written by people of the monastic life or

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<v Speaker 2>people who were in some way connected with religion, and.

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<v Speaker 1>Then did that fund the monastery as well? Did they

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<v Speaker 1>get kind of commissions and then that all went into

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<v Speaker 1>the pot.

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<v Speaker 2>Yes, definitely. And we have a few cases of certain

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<v Speaker 2>monks who actually became so famous that they were able

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<v Speaker 2>to have their own workshop and places like that. So

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<v Speaker 2>there's one. So Matthew Paris, for example, Matthew Paris was

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<v Speaker 2>a Benedictine monk who became so well known that he

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<v Speaker 2>actually was able to write all his own stuff and

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<v Speaker 2>we know that it's assigned to him. Now, whether that

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<v Speaker 2>was him or whether it was a studio, that's a question.

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<v Speaker 2>But essentially, yeah, these were just workshops. A bunch of

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<v Speaker 2>men was tauntures.

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<v Speaker 1>No idea what a tonsure was, So I'm here to

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<v Speaker 1>tell you it's when clergy or monks shave a huge,

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00:16:09.120 --> 00:16:12.360
<v Speaker 1>unsexy bald spot and they just rock the bangs in

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00:16:12.399 --> 00:16:15.120
<v Speaker 1>a mullet and then go commando at the top of

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00:16:15.159 --> 00:16:18.559
<v Speaker 1>the head. Also a couple more things fashion wise fun

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00:16:18.679 --> 00:16:23.559
<v Speaker 1>at the monastery. Hair shirts woven from coarse goat bristles

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<v Speaker 1>that sometimes featured scraps of metal or twigs. Those were

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00:16:28.279 --> 00:16:31.240
<v Speaker 1>worn on the skin solely for the purpose of bad

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00:16:31.399 --> 00:16:34.279
<v Speaker 1>sensory vibes to remind you to be good. And there

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00:16:34.279 --> 00:16:38.759
<v Speaker 1>were other forms of scillus used to repent via the

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00:16:38.799 --> 00:16:43.159
<v Speaker 1>pain and mortification of the flesh, like rose thorn garters

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00:16:43.399 --> 00:16:46.840
<v Speaker 1>or metal spiked ones you could tighten kind of like

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00:16:46.879 --> 00:16:50.360
<v Speaker 1>a prong collar for dogs. But it's you and you're

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<v Speaker 1>doing it for God. Can you still get this stuff? Sure?

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<v Speaker 1>I found such items, as well as religious whips to

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<v Speaker 1>hurt yourself on a devotional website for the low price

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<v Speaker 1>of sixty nine dollars ninety nine cents. You can also

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<v Speaker 1>find these things on Etsy. From what I gather, they're

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<v Speaker 1>used in all kinds of recreation. You certainly don't need

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<v Speaker 1>to live in a convent or a monastery to enjoy them.

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<v Speaker 1>But yeah, back to the dominant monk who was hot

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<v Speaker 1>shit in his illuminated or illustrated manuscript studio. Like in

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<v Speaker 1>his case, was he doing the lettering and the drawing

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<v Speaker 1>or just the drawing or just the lettering.

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<v Speaker 2>So in his case, he was, as far as we

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<v Speaker 2>can tell, doing both, or at the very least designing both.

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<v Speaker 2>So the thing about manuscripts that's different from modern books

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<v Speaker 2>is that most times there would only be one true

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<v Speaker 2>copy of a manuscript because you'd have to rewrite it,

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<v Speaker 2>a rewrite it, rewrite it, rewrite it, and it just

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00:17:46.480 --> 00:17:49.559
<v Speaker 2>takes a long time. Frankly, I don't know if you've

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00:17:49.599 --> 00:17:54.759
<v Speaker 2>ever tried completing an entire foot sized book. It takes forever,

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00:17:55.119 --> 00:17:58.160
<v Speaker 2>takes a minute, it does, and also illustrate it and

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00:17:58.200 --> 00:18:02.519
<v Speaker 2>then do it completely identically in another one and another one.

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<v Speaker 2>It's not possible. So we know that he definitely designed

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<v Speaker 2>and the words are his. But how much was him

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<v Speaker 2>versus underlings or other studio members. That is something that

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<v Speaker 2>is still up for debate.

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<v Speaker 1>So he may have had a literal hand making and designing,

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<v Speaker 1>but then people trained under him completed it.

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<v Speaker 2>Technically speaking, we say it's him because it comes from

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<v Speaker 2>his studio in the same way that we would say

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<v Speaker 2>a painting is by Raphael, even if some of his

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<v Speaker 2>studio assistants worked on the painting as well.

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<v Speaker 1>Is he kind of like stan Lee a little bit?

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<v Speaker 1>Like a like a comment? Very much?

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<v Speaker 2>So, yeah, Yeah, there's an incredible work that actually was

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<v Speaker 2>recently digitized at Trinity College, Dublin, which is where I

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<v Speaker 2>did one of my masters, And it's if you are

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<v Speaker 2>ever born. You need to look up the Life of

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<v Speaker 2>Saint Alban by Matthew Paris. There's an incredible piece where

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<v Speaker 2>when Sinn Alban spoiler alert gets executed, the man who's

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<v Speaker 2>executing him in the legend, his eyes fall out, and

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<v Speaker 2>so there's an incredible piece of artwork where it's just

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<v Speaker 2>this guy whose eyes are just falling out of his

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<v Speaker 2>hand and he's like, what do I do? No? And

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<v Speaker 2>it they kind of do read like comic books in

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<v Speaker 2>a way. Yeah, so comical.

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<v Speaker 1>What medieval memes are some of your favorites? Obviously cupping

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<v Speaker 1>your own eyeballs in each palm?

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<v Speaker 2>Yeah, classic?

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<v Speaker 1>Solid. What are some that are going around right now

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<v Speaker 1>that you really enjoy getting some light of day?

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<v Speaker 2>Ooh okay, So I'm actually gonna preface this by saying

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<v Speaker 2>I have somewhat of a pet peeve against the term

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<v Speaker 2>medieval meme because it sort of trivializes what medieval motifs were.

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<v Speaker 2>But on the other hand, in this digital age, I

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<v Speaker 2>think it's very important to be able to translate things

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<v Speaker 2>into a way that modern audiences or people who are

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<v Speaker 2>less knowledgeable will be able to understand. So it's more

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<v Speaker 2>of a personal academic thing but I do understand calling

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<v Speaker 2>them medieval memes, and I'm guilty of calling them that myself.

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<v Speaker 2>I would say nuns harvesting dicks off of trees always

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<v Speaker 2>a good one.

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<v Speaker 1>What story was that telling?

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<v Speaker 2>It has to do. It's basically a symbol of fertility,

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00:20:02.559 --> 00:20:04.599
<v Speaker 2>et cetera. Yeah, it's a good one.

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<v Speaker 1>Take for example, the fourteenth century illustrations for a medieval

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<v Speaker 1>love handbook called a Romance of the Rose, which features

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00:20:12.960 --> 00:20:15.279
<v Speaker 1>a nun in a brown robe and a veil reaching

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00:20:15.440 --> 00:20:19.640
<v Speaker 1>upwards toward a branch to pluck a hefty dog from

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00:20:19.680 --> 00:20:23.000
<v Speaker 1>among the leaves, and she's carrying a basket. It's also

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00:20:23.000 --> 00:20:25.880
<v Speaker 1>filled with dogs, and it reminds me of like the

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00:20:25.920 --> 00:20:30.480
<v Speaker 1>opening credits of some celebrity cooking show, just our star

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00:20:30.720 --> 00:20:35.079
<v Speaker 1>walking through a sun drenched orchard harvesting goodies, only it's

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<v Speaker 1>a nun and their dicks. And this wasn't just in

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00:20:38.240 --> 00:20:41.319
<v Speaker 1>the Romance of the Rose. There was an absolute bumper

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<v Speaker 1>crop of this imagery at the time.

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<v Speaker 2>There's an incredible calendar that you can get, like a

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00:20:45.880 --> 00:20:48.960
<v Speaker 2>wall calendar that just has different medieval penis trees for

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00:20:49.039 --> 00:20:52.119
<v Speaker 2>every month, and frankly I need that in wallpaper.

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<v Speaker 1>Forget your books in the background.

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00:20:56.000 --> 00:20:57.359
<v Speaker 2>Yeah, exactly, that's where it's at.

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<v Speaker 1>We got a better any what is the other ones going?

401
00:21:00.559 --> 00:21:00.839
<v Speaker 1>Your own?

402
00:21:01.400 --> 00:21:04.079
<v Speaker 2>So one of my favorites this always comes up is

403
00:21:04.119 --> 00:21:06.319
<v Speaker 2>medieval artists didn't know how to draw animals, and to

404
00:21:06.440 --> 00:21:09.000
<v Speaker 2>be fair, a lot of the animals do look completely silly.

405
00:21:09.359 --> 00:21:12.160
<v Speaker 2>Medieval dogs, medieval cats. My favorite one is a medieval

406
00:21:12.200 --> 00:21:13.960
<v Speaker 2>oyster because it just looks like it has like a

407
00:21:13.960 --> 00:21:17.680
<v Speaker 2>frownie face, which I didn't even think oysters had faces.

408
00:21:17.720 --> 00:21:20.559
<v Speaker 2>But you know, interpretation, creative license.

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00:21:20.799 --> 00:21:23.279
<v Speaker 1>Just in terms of mollusc features, we do have a

410
00:21:23.319 --> 00:21:28.839
<v Speaker 1>snail episode titled Malacology and a pecnonodology episode all about scallops,

411
00:21:28.960 --> 00:21:31.559
<v Speaker 1>but just a little trivia. So Evan got their masters

412
00:21:31.559 --> 00:21:34.599
<v Speaker 1>at Trinity, which is in Dublin, Ireland, where I visited

413
00:21:34.599 --> 00:21:37.960
<v Speaker 1>two weeks ago, and I was told by everyone I

414
00:21:38.039 --> 00:21:40.680
<v Speaker 1>encountered to take a tour of the Guinness Brewery. However,

415
00:21:40.759 --> 00:21:42.880
<v Speaker 1>it turns out I don't like beer, but I did

416
00:21:43.160 --> 00:21:46.720
<v Speaker 1>like that the brewery in homage to some old advertising

417
00:21:47.119 --> 00:21:51.240
<v Speaker 1>features and animatronic oyster the size of a Maine coon

418
00:21:51.400 --> 00:22:01.400
<v Speaker 1>cat and it has rubber whistle and lips.

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<v Speaker 2>I do like those. And while I can't go into

420
00:22:03.559 --> 00:22:05.720
<v Speaker 2>detail about why some of them are like that. If

421
00:22:05.720 --> 00:22:07.319
<v Speaker 2>you just look at them on the surface, Yeah they

422
00:22:07.359 --> 00:22:09.759
<v Speaker 2>look hysterical. Yeah, they don't make any sense.

423
00:22:10.160 --> 00:22:11.960
<v Speaker 1>I feel like a lot of the animals have like

424
00:22:12.079 --> 00:22:15.400
<v Speaker 1>human faces in a way that's unsettling. Maybe I mean

425
00:22:15.440 --> 00:22:17.119
<v Speaker 1>to the point of oysters having mouths.

426
00:22:17.279 --> 00:22:19.400
<v Speaker 2>Yeah. Part of my research is why a lot of

427
00:22:19.480 --> 00:22:23.480
<v Speaker 2>animals have human features and vice versa. And it was

428
00:22:23.839 --> 00:22:26.400
<v Speaker 2>very much a common trend to assign animal features to

429
00:22:26.759 --> 00:22:29.799
<v Speaker 2>or assign human behaviorisms to animals, therefore you would depict

430
00:22:29.880 --> 00:22:32.000
<v Speaker 2>them that way. So of course we still have some

431
00:22:32.039 --> 00:22:35.200
<v Speaker 2>of these things like peacocks being proud or lions for bravery,

432
00:22:35.279 --> 00:22:36.119
<v Speaker 2>so things like that.

433
00:22:36.480 --> 00:22:41.119
<v Speaker 1>Well, let's talk about weird human faces on animals, because okay,

434
00:22:41.279 --> 00:22:45.759
<v Speaker 1>that is one of my favorites. When you see an old,

435
00:22:45.839 --> 00:22:49.319
<v Speaker 1>old piece of artwork that depicts like a soul in

436
00:22:49.400 --> 00:22:53.119
<v Speaker 1>an animal, like insold in Them, Where did that come from?

437
00:22:53.160 --> 00:22:56.359
<v Speaker 1>Like in what era did we start mixing the two?

438
00:22:56.519 --> 00:23:00.440
<v Speaker 2>So fables especially became hugely popular in the Middle Ages

439
00:23:00.519 --> 00:23:03.839
<v Speaker 2>because telling a bedtime story or a fantasy that had

440
00:23:03.839 --> 00:23:06.240
<v Speaker 2>a moral message was a really great way of getting

441
00:23:06.240 --> 00:23:09.599
<v Speaker 2>stuff across to an audience. So I think of ESOPs, fables,

442
00:23:09.680 --> 00:23:12.799
<v Speaker 2>tortoise and hair, things like that, And eventually this translated

443
00:23:12.839 --> 00:23:15.720
<v Speaker 2>over into art, partially because it was already predominant in

444
00:23:16.119 --> 00:23:18.599
<v Speaker 2>royal crests and noble crests of the time, So then

445
00:23:18.640 --> 00:23:22.960
<v Speaker 2>it became desirable to have these animals represent you. Of course,

446
00:23:23.000 --> 00:23:25.880
<v Speaker 2>then there are also animals that have a negative connotation.

447
00:23:27.039 --> 00:23:31.599
<v Speaker 1>How are snails on that scale? How did people look

448
00:23:31.680 --> 00:23:33.920
<v Speaker 1>upon snails? I mean they're slow, and they are.

449
00:23:33.839 --> 00:23:35.920
<v Speaker 2>Gooey, they are they're slimy.

450
00:23:36.720 --> 00:23:40.599
<v Speaker 1>Yeah, they can retract, but they're also romantic. They toss

451
00:23:40.759 --> 00:23:42.480
<v Speaker 1>darts at each other, they doe.

452
00:23:42.799 --> 00:23:43.480
<v Speaker 2>Yeah.

453
00:23:43.559 --> 00:23:47.079
<v Speaker 1>So snails and medieval art, when did this become a motif?

454
00:23:48.240 --> 00:23:51.960
<v Speaker 2>So, first of all, as a preface, medieval art, a

455
00:23:51.960 --> 00:23:54.839
<v Speaker 2>lot of it is symbolic or non literal, so that

456
00:23:55.160 --> 00:23:58.160
<v Speaker 2>just to preface that. However, on the other hand, a

457
00:23:58.200 --> 00:24:01.200
<v Speaker 2>lot of it is literal. In terms of decorative borders.

458
00:24:01.319 --> 00:24:02.799
<v Speaker 2>You get a lot of books of hours that have

459
00:24:02.920 --> 00:24:06.880
<v Speaker 2>these really beautiful like leaf exteriors or like strawberries and

460
00:24:06.920 --> 00:24:09.720
<v Speaker 2>butterflies and snails. You still see them in the early

461
00:24:09.759 --> 00:24:12.559
<v Speaker 2>Modern and Baroke periods and still life, so you get

462
00:24:12.559 --> 00:24:14.440
<v Speaker 2>like a snail on a leaf in a still life

463
00:24:14.839 --> 00:24:17.720
<v Speaker 2>on a bouquet of flowers. It's always been sort of

464
00:24:17.759 --> 00:24:20.119
<v Speaker 2>a thing that exists in nature, so they would add

465
00:24:20.160 --> 00:24:22.839
<v Speaker 2>it if they're adding a decorative nature theme. Now, the

466
00:24:22.920 --> 00:24:27.519
<v Speaker 2>actual theme of snails being used as what we would

467
00:24:27.519 --> 00:24:30.680
<v Speaker 2>call bada baj bada bash imagery, which means bottom of

468
00:24:30.680 --> 00:24:33.160
<v Speaker 2>the page imagery, which is kind of where that marginal

469
00:24:33.400 --> 00:24:36.480
<v Speaker 2>illumination really comes into play. That and that whole theme

470
00:24:36.680 --> 00:24:39.559
<v Speaker 2>of like grotesque or dolo lais the sort of funny

471
00:24:39.720 --> 00:24:44.039
<v Speaker 2>motifs didn't really start until around the eleventh twelfth centuries,

472
00:24:44.240 --> 00:24:46.279
<v Speaker 2>and it didn't really take off until the thirteenth or

473
00:24:46.319 --> 00:24:49.359
<v Speaker 2>fourteenth century. So the thirteenth century, especially the late thirteenth

474
00:24:49.400 --> 00:24:52.680
<v Speaker 2>century was like twelve seventy to about thirteen twenty was

475
00:24:52.720 --> 00:24:56.240
<v Speaker 2>like the high period for snails. And there's a lot

476
00:24:56.240 --> 00:24:59.440
<v Speaker 2>of different reasons for that, but the main one, the

477
00:24:59.440 --> 00:25:01.920
<v Speaker 2>most predominan theory and the one that's most widely accepted,

478
00:25:02.359 --> 00:25:05.240
<v Speaker 2>is that it is unfortunately a xenophobic response to a

479
00:25:05.279 --> 00:25:07.160
<v Speaker 2>group of people living in Europe at that time.

480
00:25:07.640 --> 00:25:10.279
<v Speaker 1>How were they depicted in that way? How did that

481
00:25:10.319 --> 00:25:11.519
<v Speaker 1>signify a group of people?

482
00:25:11.799 --> 00:25:14.640
<v Speaker 2>And one group the group is called the Lombards. So

483
00:25:14.680 --> 00:25:17.519
<v Speaker 2>it's a group of people from the Lombardy region, and

484
00:25:18.039 --> 00:25:20.039
<v Speaker 2>there was a lot of sour grapes against them because

485
00:25:20.079 --> 00:25:24.680
<v Speaker 2>they successfully sacked Rome multiple times, to the point that

486
00:25:24.720 --> 00:25:28.480
<v Speaker 2>they were only actually driven off by Charlemagne in the

487
00:25:28.640 --> 00:25:29.559
<v Speaker 2>ninth century.

488
00:25:29.839 --> 00:25:32.400
<v Speaker 1>And a side note, the Lombards came from the small

489
00:25:32.519 --> 00:25:37.440
<v Speaker 1>tribe of Germanic origin, and between the mid five hundreds

490
00:25:37.480 --> 00:25:40.759
<v Speaker 1>to late seven hundreds, about seventy five years after the

491
00:25:40.759 --> 00:25:44.920
<v Speaker 1>fall of the Roman Empire, the Lombards absolutely kicked ass

492
00:25:44.920 --> 00:25:46.200
<v Speaker 1>in what is now Italy.

493
00:25:46.680 --> 00:25:50.079
<v Speaker 2>So because of that, a lot of people hated the Lombards.

494
00:25:50.079 --> 00:25:53.680
<v Speaker 2>They were not legally allowed to own land, they were ostracized,

495
00:25:53.880 --> 00:25:56.480
<v Speaker 2>and they were barred from most professions because they couldn't

496
00:25:56.519 --> 00:26:00.160
<v Speaker 2>go into things like apprenticeships or schools, et cetera. So

497
00:26:00.200 --> 00:26:01.880
<v Speaker 2>one of the things that they were able to turn

498
00:26:01.920 --> 00:26:05.319
<v Speaker 2>to was u sree and money lending, which was seen

499
00:26:05.359 --> 00:26:08.759
<v Speaker 2>as a greedy, frowned upon practice. In other words, they

500
00:26:08.759 --> 00:26:10.000
<v Speaker 2>were slimy.

501
00:26:10.119 --> 00:26:15.880
<v Speaker 1>Got it where nowadays, wow, you charge interest on something.

502
00:26:16.319 --> 00:26:20.640
<v Speaker 1>Why do people who broker student loans with like Bonker's interests?

503
00:26:21.000 --> 00:26:24.880
<v Speaker 1>Why aren't they Why is that interest is definitely celebrated These.

504
00:26:24.799 --> 00:26:27.400
<v Speaker 2>Days bring back snails, right.

505
00:26:27.680 --> 00:26:31.039
<v Speaker 1>No one was looking for a man in finance six

506
00:26:31.160 --> 00:26:33.400
<v Speaker 1>or five blue eyes or whatever. That guy would be

507
00:26:33.440 --> 00:26:37.240
<v Speaker 1>a snail. Wall Street dudes would leave trails of mucus,

508
00:26:37.640 --> 00:26:39.839
<v Speaker 1>and not in a good way, so they were seen

509
00:26:39.880 --> 00:26:43.359
<v Speaker 1>as slimy. And then were they depicted as such in

510
00:26:44.200 --> 00:26:48.400
<v Speaker 1>the margins, as doing things to someone else? Were they

511
00:26:48.440 --> 00:26:53.160
<v Speaker 1>shown as perpetrators of evil? Or were they shown as

512
00:26:53.200 --> 00:26:55.000
<v Speaker 1>just unsavory to be around?

513
00:26:55.839 --> 00:26:58.160
<v Speaker 2>So in the margins it was mostly unsavory to be around,

514
00:26:58.319 --> 00:27:01.720
<v Speaker 2>or also satire. So say that the high time for

515
00:27:02.319 --> 00:27:05.160
<v Speaker 2>these images was around twelve seventy to thirteen twenty, and

516
00:27:05.200 --> 00:27:08.079
<v Speaker 2>that is true. But the high period of snails as

517
00:27:08.319 --> 00:27:11.200
<v Speaker 2>an allegory for the Lombards or for anything really in

518
00:27:11.279 --> 00:27:14.160
<v Speaker 2>terms of literature and writing, was actually the eleventh and

519
00:27:14.200 --> 00:27:16.039
<v Speaker 2>twelfth century, So it was about one hundred and two

520
00:27:16.079 --> 00:27:18.319
<v Speaker 2>hundred years earlier. And so we have a lot of

521
00:27:18.359 --> 00:27:22.440
<v Speaker 2>writings from people like John of Salisbury, JACQUESA Vita be

522
00:27:22.920 --> 00:27:26.079
<v Speaker 2>Lru Dejarda, and some other people whose names I cannot pronounce.

523
00:27:27.480 --> 00:27:30.200
<v Speaker 2>We have a lot of their writings. Odo Fredo, who

524
00:27:30.720 --> 00:27:37.279
<v Speaker 2>wrote about the Lombard invasion and the slow and study

525
00:27:37.359 --> 00:27:39.799
<v Speaker 2>invasion that it was because it was not something that

526
00:27:39.839 --> 00:27:42.400
<v Speaker 2>happened in a day. It was a slow creeping invasion,

527
00:27:42.759 --> 00:27:46.359
<v Speaker 2>similar to how snails can infest a field of cabbage.

528
00:27:46.960 --> 00:27:50.960
<v Speaker 2>And there are a couple early poems and just writings

529
00:27:50.960 --> 00:27:53.759
<v Speaker 2>on the Lombard invasion, and these all were French and

530
00:27:53.839 --> 00:28:00.319
<v Speaker 2>Italian poems. And in these literary depictions, the snails are,

531
00:28:00.480 --> 00:28:03.200
<v Speaker 2>like I said, depicted as a sort of slow creeping invasion,

532
00:28:03.799 --> 00:28:07.240
<v Speaker 2>but also depicted as cowards who will hide back in

533
00:28:07.279 --> 00:28:09.359
<v Speaker 2>their shell at any sign of a threat.

534
00:28:10.039 --> 00:28:10.519
<v Speaker 1>Ah.

535
00:28:10.519 --> 00:28:13.440
<v Speaker 2>But because snails aren't exactly what you would consider a

536
00:28:13.519 --> 00:28:17.319
<v Speaker 2>threat themselves, it became a sort of satire to think

537
00:28:17.400 --> 00:28:21.160
<v Speaker 2>of running away or a fear of snails as basically

538
00:28:21.519 --> 00:28:25.599
<v Speaker 2>being a form of it's basically being ridiculous, like who

539
00:28:25.599 --> 00:28:28.240
<v Speaker 2>would be scared of a snail? And John of Salisbury

540
00:28:28.319 --> 00:28:32.119
<v Speaker 2>actually wrote, quite literally the fear of snails is ridiculous

541
00:28:32.119 --> 00:28:34.519
<v Speaker 2>in one of his writings.

542
00:28:34.039 --> 00:28:36.319
<v Speaker 1>Hoo boy, I needed to know who John of Salisbury

543
00:28:36.440 --> 00:28:38.359
<v Speaker 1>was and why they named a stake after him. So

544
00:28:38.440 --> 00:28:42.240
<v Speaker 1>John of Salisbury was English, lived in the eleven hundreds

545
00:28:42.519 --> 00:28:45.839
<v Speaker 1>and was a philosopher and an author and a bishop.

546
00:28:46.160 --> 00:28:49.920
<v Speaker 1>He didn't get a ton of praise in his actual life,

547
00:28:49.960 --> 00:28:52.279
<v Speaker 1>which is sad, but his work was discovered much later

548
00:28:52.680 --> 00:28:55.799
<v Speaker 1>and he's now considered this leading figure of his time.

549
00:28:56.079 --> 00:28:58.759
<v Speaker 1>He was a big fan of education. He thought that

550
00:28:59.000 --> 00:29:04.039
<v Speaker 1>education was a moral and not simply intellectual pursuit, and

551
00:29:04.200 --> 00:29:07.480
<v Speaker 1>he believed in science. He also thought that the medical

552
00:29:07.559 --> 00:29:10.599
<v Speaker 1>establishment at the time was more intent on making money

553
00:29:10.839 --> 00:29:14.920
<v Speaker 1>than actually healing patients. So yes, he was very, very

554
00:29:14.920 --> 00:29:18.839
<v Speaker 1>ahead of his time. Anyway, unshockingly, the King didn't like him,

555
00:29:19.160 --> 00:29:22.160
<v Speaker 1>so John Salisbury became an expat. He was off. He

556
00:29:22.240 --> 00:29:25.480
<v Speaker 1>was like he bounced to France. High stakes. Yes, the

557
00:29:25.559 --> 00:29:29.240
<v Speaker 1>high steaks. What's up with the weird fried hamburger patty

558
00:29:29.319 --> 00:29:31.559
<v Speaker 1>that we call the Salisbury steak has nothing to do

559
00:29:31.599 --> 00:29:34.240
<v Speaker 1>with John. Rather, it was named after some other dude,

560
00:29:34.559 --> 00:29:39.039
<v Speaker 1>a Civil War era doctor James H. Salisbury, who, according

561
00:29:39.079 --> 00:29:43.079
<v Speaker 1>to our friend Workipedia, was known for his advocacy of

562
00:29:43.119 --> 00:29:47.200
<v Speaker 1>a meat centered, low vegetable diet to promote health, and

563
00:29:47.240 --> 00:29:50.440
<v Speaker 1>it was possibly the earliest known fad diet. He called

564
00:29:50.480 --> 00:29:55.559
<v Speaker 1>it muscle pulp of beef, overpriced medical care, carnivore diets. Dang,

565
00:29:55.599 --> 00:29:58.559
<v Speaker 1>the more things change, more they stay the same. That

566
00:29:58.599 --> 00:29:59.480
<v Speaker 1>should terrify you.

567
00:30:00.039 --> 00:30:02.200
<v Speaker 2>At the time, it was actually a fairly political statement

568
00:30:02.240 --> 00:30:04.799
<v Speaker 2>because the snails were already being associated with the Lombard people.

569
00:30:04.799 --> 00:30:07.279
<v Speaker 2>It was essentially saying him, these people aren't a threat.

570
00:30:07.680 --> 00:30:10.880
<v Speaker 2>It was sort of what the woke mob would do nowadays,

571
00:30:10.920 --> 00:30:14.160
<v Speaker 2>was saying sort of things. But at the time they

572
00:30:14.200 --> 00:30:18.440
<v Speaker 2>really were seen as a representation of these people. And

573
00:30:18.759 --> 00:30:21.839
<v Speaker 2>it only stuck around because the Lombards, like I said,

574
00:30:21.880 --> 00:30:23.759
<v Speaker 2>they went into things like your serene money lending, so

575
00:30:23.759 --> 00:30:26.680
<v Speaker 2>they were seen as slimy. They also because they couldn't

576
00:30:26.759 --> 00:30:29.680
<v Speaker 2>own land, and they were nomadic, so they had their

577
00:30:29.720 --> 00:30:31.559
<v Speaker 2>house on their back in the same way a snail

578
00:30:31.559 --> 00:30:34.799
<v Speaker 2>has its shelf. And they also would kind of do

579
00:30:34.920 --> 00:30:36.880
<v Speaker 2>the slow and steady invasion where there would be a

580
00:30:36.880 --> 00:30:38.680
<v Speaker 2>couple of them coming into a city, and then there

581
00:30:38.680 --> 00:30:40.640
<v Speaker 2>would be some more coming into a city. And this

582
00:30:40.680 --> 00:30:43.839
<v Speaker 2>is how the xenophobia was perceived in the Middle Ages.

583
00:30:43.880 --> 00:30:46.960
<v Speaker 2>This is how they viewed it. This was essentially an

584
00:30:47.000 --> 00:30:51.599
<v Speaker 2>invasion of these outsiders coming in, taking their money and

585
00:30:51.640 --> 00:30:54.400
<v Speaker 2>making a nuisance of themselves. I'd like to reiterate that

586
00:30:54.440 --> 00:30:56.559
<v Speaker 2>this is not one hundred percent proven, but we do

587
00:30:56.680 --> 00:30:59.640
<v Speaker 2>know that it was called the Lombard snail in literary

588
00:30:59.640 --> 00:31:02.000
<v Speaker 2>text and in the text that I mentioned, such as

589
00:31:02.039 --> 00:31:05.680
<v Speaker 2>the Gallianist, so they it is explicitly stated that the

590
00:31:05.720 --> 00:31:07.039
<v Speaker 2>Lombards are like snails.

591
00:31:08.119 --> 00:31:11.240
<v Speaker 1>How did the Lombards react to this? Were they looking

592
00:31:11.240 --> 00:31:15.319
<v Speaker 1>at a lot of manuscripts too, or not? Well, yeah, okay, I.

593
00:31:15.279 --> 00:31:18.119
<v Speaker 2>Mean, the thing is that we don't have a lot

594
00:31:18.160 --> 00:31:21.480
<v Speaker 2>of perspectives from Lombards in this time period simply because

595
00:31:21.480 --> 00:31:23.680
<v Speaker 2>they were so ostracized and anything that they might have

596
00:31:23.720 --> 00:31:26.519
<v Speaker 2>written or published or anything along those lines would have

597
00:31:26.559 --> 00:31:30.599
<v Speaker 2>been repressed. They weren't very popular people, as I've mentioned,

598
00:31:30.680 --> 00:31:32.880
<v Speaker 2>and will get into Jews as well, because there was

599
00:31:32.920 --> 00:31:35.559
<v Speaker 2>also some stigma with them with Jewish expulsion and jew

600
00:31:35.599 --> 00:31:38.720
<v Speaker 2>serri that they were involved in. But the Lombards, essentially,

601
00:31:40.119 --> 00:31:43.799
<v Speaker 2>as far as we can tell, we're either very aware

602
00:31:44.119 --> 00:31:47.319
<v Speaker 2>of this happening simply because they were so ostracized in general,

603
00:31:47.480 --> 00:31:50.400
<v Speaker 2>and so they would basically get called slurs on the

604
00:31:50.440 --> 00:31:52.920
<v Speaker 2>street or be chased out of places, which did happen.

605
00:31:53.599 --> 00:31:57.680
<v Speaker 2>But whether or not they were able to politically maneuver

606
00:31:57.720 --> 00:32:00.119
<v Speaker 2>themselves in terms of writing or illustration, we're just not

607
00:32:00.160 --> 00:32:03.039
<v Speaker 2>sure because we don't have any extant records. I can

608
00:32:03.079 --> 00:32:07.319
<v Speaker 2>imagine they weren't pleased, but we're not entirely sure.

609
00:32:07.680 --> 00:32:12.200
<v Speaker 1>And then did those snail motifs start to be used

610
00:32:12.240 --> 00:32:17.200
<v Speaker 1>in antisemitic statements or did it evolve into that and

611
00:32:17.480 --> 00:32:20.279
<v Speaker 1>how long did that take before it was used to

612
00:32:20.400 --> 00:32:22.680
<v Speaker 1>promote more xenophobia.

613
00:32:22.839 --> 00:32:26.960
<v Speaker 2>So, okay, that's a really interesting one because essentially the

614
00:32:27.039 --> 00:32:31.039
<v Speaker 2>snail has always sort of represented relatively negative things. The

615
00:32:31.079 --> 00:32:34.920
<v Speaker 2>overall interpretation of a snail is yuck, which I feel

616
00:32:34.960 --> 00:32:36.720
<v Speaker 2>really bad for the snails about because they're just trying

617
00:32:36.759 --> 00:32:40.279
<v Speaker 2>their best. So when I've talked about the usury and

618
00:32:40.319 --> 00:32:42.279
<v Speaker 2>this sort of thing, is that the Lombards were only

619
00:32:42.319 --> 00:32:45.200
<v Speaker 2>really seen as a sort of threat in the eleventh

620
00:32:45.319 --> 00:32:48.599
<v Speaker 2>twelfth centuries. By the time the thirteen the fourteenth centuries

621
00:32:48.599 --> 00:32:50.440
<v Speaker 2>had come around, which is when I said the heightend

622
00:32:50.599 --> 00:32:54.839
<v Speaker 2>art was the threat or that people perceived specifically as

623
00:32:54.920 --> 00:32:58.440
<v Speaker 2>xenophobic interpretation of it was now on the Jews.

624
00:32:58.720 --> 00:33:01.480
<v Speaker 1>So after one hundred years or so, the focus turned

625
00:33:01.480 --> 00:33:05.519
<v Speaker 1>away from the Lombards and toward Jewish populations. Because the

626
00:33:05.599 --> 00:33:09.519
<v Speaker 1>cultural enemy can be a moving target, but there's always

627
00:33:09.519 --> 00:33:10.279
<v Speaker 1>a target.

628
00:33:10.079 --> 00:33:12.200
<v Speaker 2>And because the Jewish people at that time in Europe

629
00:33:12.279 --> 00:33:15.160
<v Speaker 2>had pretty much the same rights as the Lombards did

630
00:33:15.279 --> 00:33:17.920
<v Speaker 2>not just the same things. They were also seen as

631
00:33:18.119 --> 00:33:21.480
<v Speaker 2>dark because they turned away from the light aka Jesus.

632
00:33:22.160 --> 00:33:26.480
<v Speaker 2>They began to be ridiculed a lot in art and texts.

633
00:33:26.720 --> 00:33:29.000
<v Speaker 2>So when I say this high period was around twelve

634
00:33:29.039 --> 00:33:32.359
<v Speaker 2>seventy to thirteen twenty, it really was because that was

635
00:33:32.359 --> 00:33:34.799
<v Speaker 2>also the time when anti Jewish sentiments and anti Semitic

636
00:33:34.880 --> 00:33:37.519
<v Speaker 2>sentiments were becoming hugely predominant in these countries. There were

637
00:33:37.559 --> 00:33:41.039
<v Speaker 2>a number of Jewish expulsions, famously the English one in

638
00:33:41.079 --> 00:33:45.960
<v Speaker 2>twelve ninety where they essentially evicted every Jewish person from England.

639
00:33:46.119 --> 00:33:50.559
<v Speaker 2>It was a horrible time, and it's something that is

640
00:33:50.640 --> 00:33:54.200
<v Speaker 2>not only represented by snails, and famously by other things,

641
00:33:54.200 --> 00:33:57.359
<v Speaker 2>including birds. In fact, the whole in the Middle Ages,

642
00:33:57.359 --> 00:33:59.119
<v Speaker 2>owls were not seen as a symbol of wisdom. They

643
00:33:59.119 --> 00:34:01.799
<v Speaker 2>were seen as creatures the night, the dark, therefore turning

644
00:34:01.799 --> 00:34:04.400
<v Speaker 2>away from the light like the Jews turned away from Jesus.

645
00:34:04.839 --> 00:34:08.519
<v Speaker 2>And the whole stereotype of the hooked nose comes from

646
00:34:08.639 --> 00:34:11.880
<v Speaker 2>owl's beaks that were used in medieval artwork, in the

647
00:34:11.960 --> 00:34:16.360
<v Speaker 2>same way that the stereotype of bankers or greedy or

648
00:34:16.480 --> 00:34:19.360
<v Speaker 2>money grubbing comes from the fact that many Jews had

649
00:34:19.360 --> 00:34:21.599
<v Speaker 2>to turn to your sur your money lending as their

650
00:34:21.639 --> 00:34:22.679
<v Speaker 2>only form of income.

651
00:34:23.519 --> 00:34:26.719
<v Speaker 1>So were these in some ways like political cartoons from

652
00:34:27.159 --> 00:34:31.679
<v Speaker 1>a radical right kind of perspective, Were these like the

653
00:34:31.719 --> 00:34:34.119
<v Speaker 1>Fox News of political cartoons?

654
00:34:35.039 --> 00:34:38.159
<v Speaker 2>Very good analogy, and yes, frankly this was a lot

655
00:34:38.199 --> 00:34:41.760
<v Speaker 2>of them. However, you do also have the left wing

656
00:34:41.960 --> 00:34:45.440
<v Speaker 2>perspective of that, in that there were people like John

657
00:34:45.440 --> 00:34:48.199
<v Speaker 2>of Salisbury who wrote that the fear of snails is ridiculous,

658
00:34:48.280 --> 00:34:52.199
<v Speaker 2>So these are also just people. But in essence, most

659
00:34:52.239 --> 00:34:55.039
<v Speaker 2>of it was very much a statement, a xenophobic statement,

660
00:34:55.199 --> 00:34:58.960
<v Speaker 2>like a Fox News News report on how immigrants were

661
00:34:59.039 --> 00:35:03.280
<v Speaker 2>ruining the country. And this comes up quite a bit

662
00:35:03.360 --> 00:35:06.280
<v Speaker 2>as well in terms of what's called the Lombard Debacle,

663
00:35:06.440 --> 00:35:11.320
<v Speaker 2>which is a whole esoteric socio political situation that happened

664
00:35:11.360 --> 00:35:14.880
<v Speaker 2>around this time period that then translated into the Jewish debacle.

665
00:35:15.000 --> 00:35:18.159
<v Speaker 2>But it was very much a thing of these people

666
00:35:18.199 --> 00:35:20.360
<v Speaker 2>are coming, and they're here to get us and take

667
00:35:20.400 --> 00:35:24.079
<v Speaker 2>our money and our jobs and our lives. What happened

668
00:35:24.119 --> 00:35:26.000
<v Speaker 2>and not life is in murder, but as in take

669
00:35:26.199 --> 00:35:29.159
<v Speaker 2>the way of life. And what happened from this is

670
00:35:29.199 --> 00:35:32.280
<v Speaker 2>people started to get upset with the upper classes that

671
00:35:32.280 --> 00:35:36.800
<v Speaker 2>they were not preventing this. Oh wow, So most of

672
00:35:36.800 --> 00:35:40.440
<v Speaker 2>the artwork, instead of being fiercely anti Lombard or anti Semitic,

673
00:35:40.440 --> 00:35:43.800
<v Speaker 2>which it still is, the message wasn't meant for them

674
00:35:43.880 --> 00:35:46.039
<v Speaker 2>because they were also highly unlikely to be the ones

675
00:35:46.079 --> 00:35:50.000
<v Speaker 2>to read it. The message was meant for the nobility,

676
00:35:50.039 --> 00:35:52.239
<v Speaker 2>the merchants, all of those sort of people who would

677
00:35:52.239 --> 00:35:54.519
<v Speaker 2>be the ones that could afford these manuscripts, who could

678
00:35:54.559 --> 00:35:57.960
<v Speaker 2>have them commissioned, who could have them see them in libraries.

679
00:35:58.519 --> 00:36:01.280
<v Speaker 2>So the whole thing about the Night fighting a snail

680
00:36:01.360 --> 00:36:03.360
<v Speaker 2>is that the knights are losing, and.

681
00:36:03.360 --> 00:36:06.639
<v Speaker 1>The knights are the aristocracy exactly.

682
00:36:07.360 --> 00:36:11.639
<v Speaker 2>So the whole idea of chivalry and nobility and all

683
00:36:11.639 --> 00:36:14.400
<v Speaker 2>this idea that these people are greater, but they're losing

684
00:36:14.440 --> 00:36:15.360
<v Speaker 2>against a snail.

685
00:36:15.639 --> 00:36:19.079
<v Speaker 1>I treated myself to a visual feast of knights in

686
00:36:19.199 --> 00:36:24.119
<v Speaker 1>full armor hoisting blades towards snails that would be as

687
00:36:24.119 --> 00:36:27.239
<v Speaker 1>big as a kitchen table. Sometimes the drawings were crude,

688
00:36:27.880 --> 00:36:31.719
<v Speaker 1>like something a very sad person might sketch on a

689
00:36:31.800 --> 00:36:36.679
<v Speaker 1>hotel bar. Napkin and others showed this beautiful depth in

690
00:36:36.760 --> 00:36:40.679
<v Speaker 1>the fold of the mollusks, sort of undulating foot and

691
00:36:40.920 --> 00:36:45.159
<v Speaker 1>the rounded whirls of the shell. Others have eye stalks

692
00:36:45.280 --> 00:36:49.119
<v Speaker 1>as long as a human arm reaching around shields toward

693
00:36:49.320 --> 00:36:54.239
<v Speaker 1>soldiers will Another popular motif involves a naked man fallen

694
00:36:54.320 --> 00:36:57.679
<v Speaker 1>to his knees begging a snail for his life. Did

695
00:36:57.679 --> 00:37:00.000
<v Speaker 1>the snails ever get time off or were they always

696
00:37:00.079 --> 00:37:02.920
<v Speaker 1>on the battlefield? What other snail motifs do you see?

697
00:37:02.960 --> 00:37:06.119
<v Speaker 1>What else are the snails doing in these manuscripts?

698
00:37:07.159 --> 00:37:09.559
<v Speaker 2>Some of them are just hanging out, which is the

699
00:37:09.559 --> 00:37:13.360
<v Speaker 2>most ideal form of any illustration in medieval manuscripts. If

700
00:37:13.360 --> 00:37:14.920
<v Speaker 2>I was in a medieval manuscript, I'd love to be

701
00:37:15.000 --> 00:37:17.320
<v Speaker 2>just like a little frog on a strawberry. A lot

702
00:37:17.360 --> 00:37:19.679
<v Speaker 2>of them are just hanging out, just chilling. Yeah, exactly,

703
00:37:19.719 --> 00:37:23.079
<v Speaker 2>just chilling me and my homies. So, like I said earlier,

704
00:37:23.119 --> 00:37:25.280
<v Speaker 2>some of them were used just as decoration in terms

705
00:37:25.320 --> 00:37:28.519
<v Speaker 2>of like nature scenes, borders, the decorative borders, things like that.

706
00:37:28.760 --> 00:37:32.639
<v Speaker 2>I've written a paper on the snail and bird motif

707
00:37:32.760 --> 00:37:35.719
<v Speaker 2>where a lot of birds of different types, usually what

708
00:37:35.760 --> 00:37:40.159
<v Speaker 2>do we call waiters, are eating snails and this could

709
00:37:40.159 --> 00:37:42.800
<v Speaker 2>be seen. Yeah, so the snails are actually losing in

710
00:37:42.840 --> 00:37:46.039
<v Speaker 2>this one. Unfortunate for the snails. But this one probably

711
00:37:46.039 --> 00:37:49.480
<v Speaker 2>had a much more literal interpretation because a lot of

712
00:37:49.480 --> 00:37:52.920
<v Speaker 2>these monks and people who are writing these manuscripts, they

713
00:37:53.920 --> 00:37:58.599
<v Speaker 2>only were able to survive because of agriculture and even monasteries.

714
00:37:58.599 --> 00:38:00.920
<v Speaker 2>They grew their own food, and so one of the

715
00:38:00.920 --> 00:38:03.159
<v Speaker 2>biggest things that they would deal with would be pests,

716
00:38:03.360 --> 00:38:08.039
<v Speaker 2>including snails. So it's still very much negative connotation. Snails

717
00:38:08.039 --> 00:38:11.840
<v Speaker 2>were never really seen as a good animal. They were cowardly,

718
00:38:12.079 --> 00:38:15.320
<v Speaker 2>they hid away, and they were slimy. They're frankly gross

719
00:38:15.480 --> 00:38:17.039
<v Speaker 2>to a lot of people, and I think a lot

720
00:38:17.079 --> 00:38:19.519
<v Speaker 2>of people still share that sentiment, which is unfortunate. You

721
00:38:19.519 --> 00:38:21.400
<v Speaker 2>should go outside and a pedes snail. They're really cute.

722
00:38:21.480 --> 00:38:23.760
<v Speaker 2>You can have snails as petsnow as well, which is lovely.

723
00:38:23.880 --> 00:38:27.320
<v Speaker 1>Again, we have a Malacology episode about snails, but unless

724
00:38:27.320 --> 00:38:31.559
<v Speaker 1>you're in East Africa, don't adopt a giant African land snail,

725
00:38:31.719 --> 00:38:36.079
<v Speaker 1>which are casually called gals but can uncasually grow up

726
00:38:36.119 --> 00:38:39.400
<v Speaker 1>to eight inches in length and if released, they become

727
00:38:39.639 --> 00:38:43.599
<v Speaker 1>like the Jurassic Park of invasive snail species. But from

728
00:38:43.639 --> 00:38:47.280
<v Speaker 1>an allegorical medieval art perspective.

729
00:38:46.960 --> 00:38:50.320
<v Speaker 2>But yeah, it sort of. Snails were a slow and

730
00:38:50.360 --> 00:38:54.519
<v Speaker 2>study invasion across all interpretations, Souse. I'm sure you know.

731
00:38:54.599 --> 00:38:57.400
<v Speaker 2>Academia is pretty cutthroat, and one of my favorite things

732
00:38:57.440 --> 00:39:00.880
<v Speaker 2>to do is disprove long dead authors on their theat. Okay,

733
00:39:00.960 --> 00:39:02.719
<v Speaker 2>they'll never know that I'm out here doing it, but

734
00:39:02.800 --> 00:39:07.559
<v Speaker 2>it brings me satisfaction. So one of the interpretations of

735
00:39:07.559 --> 00:39:11.400
<v Speaker 2>snails that unfortunately persists is that snails in medieval aren't

736
00:39:11.440 --> 00:39:16.000
<v Speaker 2>represented the resurrection, which is a decided of the positive

737
00:39:16.880 --> 00:39:19.679
<v Speaker 2>thing as opposed to all these negative connotations we've been

738
00:39:19.679 --> 00:39:20.199
<v Speaker 2>going through.

739
00:39:20.440 --> 00:39:24.800
<v Speaker 1>This would be the resurrection of Jesus Christ as snailcre.

740
00:39:24.559 --> 00:39:28.159
<v Speaker 2>And this was championed in the nineteenth century by a

741
00:39:28.199 --> 00:39:29.760
<v Speaker 2>man called the Gumpabus start Ah.

742
00:39:29.760 --> 00:39:32.719
<v Speaker 1>Yes, the compete bastard, top notch.

743
00:39:32.559 --> 00:39:39.000
<v Speaker 2>Branding, incredible name, terrible academic writing. His only proof are

744
00:39:39.079 --> 00:39:44.239
<v Speaker 2>two examples of snails drawn on the same page as

745
00:39:44.440 --> 00:39:46.519
<v Speaker 2>a crucifixion scene.

746
00:39:46.800 --> 00:39:47.280
<v Speaker 1>That's it.

747
00:39:47.960 --> 00:39:52.760
<v Speaker 2>That's it. Two pages, two pages, same book, different books,

748
00:39:52.920 --> 00:39:55.079
<v Speaker 2>different books. Thank god, otherwise it would have been even

749
00:39:55.119 --> 00:40:00.760
<v Speaker 2>more embarrassing. Does it hold any water? No, not really.

750
00:40:00.800 --> 00:40:03.280
<v Speaker 2>I mean a lot of people, hobbyists, generalists, and even

751
00:40:03.320 --> 00:40:06.719
<v Speaker 2>some other medievalists still kind of accept that as a

752
00:40:06.800 --> 00:40:11.119
<v Speaker 2>reasonable a reasonable interpretation, but it doesn't, frankly, make much

753
00:40:11.159 --> 00:40:13.679
<v Speaker 2>sense to me. I've looked into it quite a bit.

754
00:40:13.840 --> 00:40:17.079
<v Speaker 2>An entire chapter of my thesis is just disproving this

755
00:40:17.199 --> 00:40:22.440
<v Speaker 2>man's claims. It's my favorite chapter. Frankly, the entire chapter

756
00:40:22.599 --> 00:40:26.599
<v Speaker 2>is No, it doesn't hold any water. There's no real

757
00:40:27.199 --> 00:40:31.199
<v Speaker 2>interpretation of a snail representing the resurrection. I could understand

758
00:40:31.239 --> 00:40:33.679
<v Speaker 2>butterflies with coming out of the chrysalis or that stage

759
00:40:33.719 --> 00:40:37.800
<v Speaker 2>from larvae to adult, that does represent resurrection, but snails

760
00:40:37.840 --> 00:40:40.519
<v Speaker 2>have never really had that sort of stage in life,

761
00:40:40.519 --> 00:40:43.440
<v Speaker 2>so it doesn't fit with the other ones. And because

762
00:40:43.480 --> 00:40:46.079
<v Speaker 2>all of the literature about snails is so negative, it

763
00:40:46.079 --> 00:40:48.719
<v Speaker 2>wouldn't make sense for them to just randomly throw in

764
00:40:48.760 --> 00:40:49.920
<v Speaker 2>this one positive thing.

765
00:40:50.440 --> 00:40:53.480
<v Speaker 1>Yeah, any idea what it was supposed to symbolize?

766
00:40:54.840 --> 00:40:57.960
<v Speaker 2>I really I really don't know. I would assume that

767
00:40:58.199 --> 00:41:02.320
<v Speaker 2>quite frankly, it's just decoration. And then Lillian mc randall,

768
00:41:02.360 --> 00:41:05.519
<v Speaker 2>who is the preeminent Unfortunately she passed away a while ago,

769
00:41:05.599 --> 00:41:09.400
<v Speaker 2>but she was the preeminent expert on Gothic marginalia. Her

770
00:41:09.480 --> 00:41:12.480
<v Speaker 2>seminal article to the Stay on Gothic marginal Warfare in nineteen

771
00:41:12.519 --> 00:41:17.440
<v Speaker 2>sixty nine basically called deml idiots, and frankly, I agree

772
00:41:17.440 --> 00:41:19.079
<v Speaker 2>with her and I wish she was still alive because

773
00:41:19.079 --> 00:41:20.360
<v Speaker 2>I would love to shake her hand for that.

774
00:41:21.599 --> 00:41:24.159
<v Speaker 1>Well, oh my god, I do have questions from listeners.

775
00:41:24.199 --> 00:41:25.079
<v Speaker 1>Can I fire them off?

776
00:41:25.559 --> 00:41:26.840
<v Speaker 2>Yeah, of course, let's go.

777
00:41:27.360 --> 00:41:30.199
<v Speaker 1>And this week we're splitting it between two causes. Evan

778
00:41:30.280 --> 00:41:33.400
<v Speaker 1>requested some of it go to a Palestinian refugee fund

779
00:41:33.519 --> 00:41:36.920
<v Speaker 1>because they say that is xenophobia in the same way

780
00:41:37.000 --> 00:41:40.000
<v Speaker 1>that the anti Semitism or anti Lombard statement would have

781
00:41:40.039 --> 00:41:42.480
<v Speaker 1>been at the time. So we'll be donating to the

782
00:41:42.519 --> 00:41:45.440
<v Speaker 1>World Central Kitchen, which operates in a war zone and

783
00:41:45.519 --> 00:41:49.559
<v Speaker 1>remains committed to serving Palestinian families, providing meals wherever and

784
00:41:49.599 --> 00:41:52.360
<v Speaker 1>whenever possible, they say, and in a blog post from

785
00:41:52.440 --> 00:41:55.840
<v Speaker 1>last week, the World Central Kitchen rites last week their

786
00:41:55.880 --> 00:41:58.400
<v Speaker 1>team was able to cook at a field kitchen, producing

787
00:41:58.440 --> 00:42:01.639
<v Speaker 1>more than fifty two thousand meals, So a donation will

788
00:42:01.639 --> 00:42:05.039
<v Speaker 1>go to World Central Kitchen. Evan also wanted to keep

789
00:42:05.079 --> 00:42:08.559
<v Speaker 1>with the theme of deportations and immigration and says that

790
00:42:08.599 --> 00:42:12.360
<v Speaker 1>since we're talking about Jewish expulsion, they don't think that

791
00:42:12.400 --> 00:42:15.280
<v Speaker 1>you should be ousting immigrants. So we'll also donate to

792
00:42:15.320 --> 00:42:19.239
<v Speaker 1>the American Civil Liberties Union or ACLU, which helps fund

793
00:42:19.360 --> 00:42:24.320
<v Speaker 1>strategic litigation, advocacy, and organizing needed to take on ice

794
00:42:24.440 --> 00:42:27.880
<v Speaker 1>and border patrol abuses and violations and help pave a

795
00:42:27.920 --> 00:42:31.199
<v Speaker 1>path to citizenship for thousands, as well as uphold all

796
00:42:31.199 --> 00:42:33.599
<v Speaker 1>of our civil liberties. So thank you to Evan for

797
00:42:33.800 --> 00:42:37.800
<v Speaker 1>heads up on that. Now a word from sponsors. All right,

798
00:42:38.039 --> 00:42:42.159
<v Speaker 1>you have questions about medieval snail art. Let's unpack. Okay, great,

799
00:42:42.320 --> 00:42:45.559
<v Speaker 1>Miss the Fish Bridget Schraders and Mouse Paxton want to know.

800
00:42:46.360 --> 00:42:49.760
<v Speaker 1>Miss asked, do people get tattoos of medieval snails? Bridget

801
00:42:49.840 --> 00:42:53.079
<v Speaker 1>wants to know which medieval snails would make the best tattoo.

802
00:42:54.199 --> 00:42:57.760
<v Speaker 2>Ooh, okay. These are good questions, and considering that I

803
00:42:57.760 --> 00:43:01.760
<v Speaker 2>am covered in tattoos, I would like to just present

804
00:43:01.800 --> 00:43:04.840
<v Speaker 2>myself as an expert on this topic. People do get

805
00:43:04.880 --> 00:43:07.960
<v Speaker 2>tattoos of medieval snails. There's actually this tattoo artist here

806
00:43:08.000 --> 00:43:10.119
<v Speaker 2>based in London, who I am desperately trying to set

807
00:43:10.199 --> 00:43:13.119
<v Speaker 2>up an appointment with, who does medieval woodcut tattoos.

808
00:43:12.920 --> 00:43:15.320
<v Speaker 1>Art of gold. We will link his work on the

809
00:43:15.320 --> 00:43:17.280
<v Speaker 1>web page for this episode in case you need a

810
00:43:17.360 --> 00:43:18.960
<v Speaker 1>tattoo to long for.

811
00:43:19.880 --> 00:43:24.119
<v Speaker 2>And I just I need all of them. But people

812
00:43:24.199 --> 00:43:27.400
<v Speaker 2>do get tattoos of medieval snails, and sometimes frankly in

813
00:43:27.599 --> 00:43:29.639
<v Speaker 2>the same vein that I've seen I've heard other people

814
00:43:29.760 --> 00:43:32.400
<v Speaker 2>on this podcast talk about it. Is Sometimes I'm like, oh,

815
00:43:32.480 --> 00:43:34.320
<v Speaker 2>you shouldn't have done that, because it is an anti

816
00:43:34.320 --> 00:43:37.960
<v Speaker 2>Semitic statement, But of course people don't know, and it

817
00:43:38.079 --> 00:43:40.199
<v Speaker 2>just looks like a funny little thing to them.

818
00:43:40.719 --> 00:43:43.519
<v Speaker 1>Do you think that the art transcends the meaning if

819
00:43:43.519 --> 00:43:45.800
<v Speaker 1>it's not done with that intention, if people have no

820
00:43:45.920 --> 00:43:47.280
<v Speaker 1>idea that the history of it.

821
00:43:47.920 --> 00:43:50.159
<v Speaker 2>I'm very much a supporter of you cannot separate the

822
00:43:50.239 --> 00:43:51.960
<v Speaker 2>art from the artist. But for most of these things,

823
00:43:52.000 --> 00:43:55.280
<v Speaker 2>we don't actually know who the individual artist was, and

824
00:43:55.360 --> 00:43:57.760
<v Speaker 2>they have enough time has passed, and I'm not saying

825
00:43:57.800 --> 00:44:00.880
<v Speaker 2>it was an appropriate way of inter are putting these

826
00:44:01.000 --> 00:44:05.000
<v Speaker 2>animals or these people. It was not an okay theme.

827
00:44:05.840 --> 00:44:07.800
<v Speaker 2>But I do think that it has sort of become

828
00:44:07.920 --> 00:44:11.159
<v Speaker 2>a thing. And there are enough decorative and just weird

829
00:44:11.239 --> 00:44:14.360
<v Speaker 2>medieval snails that don't necessarily mean anything as far as

830
00:44:14.440 --> 00:44:16.559
<v Speaker 2>we can tell, that are just there purely because they

831
00:44:16.599 --> 00:44:20.880
<v Speaker 2>look cool, So I'd say, do it. I mean, someone

832
00:44:20.880 --> 00:44:22.920
<v Speaker 2>who knows a lot of a lot about them, will

833
00:44:22.960 --> 00:44:27.119
<v Speaker 2>sometimes internally cringe, but frankly, it's been long enough and

834
00:44:27.159 --> 00:44:29.400
<v Speaker 2>you don't have the same sort of association, and no

835
00:44:29.440 --> 00:44:31.800
<v Speaker 2>one other than perhaps me and now you and the

836
00:44:31.840 --> 00:44:35.239
<v Speaker 2>listeners will even know that there was originally a xenophobic

837
00:44:35.280 --> 00:44:36.920
<v Speaker 2>connotation to these h.

838
00:44:37.679 --> 00:44:42.480
<v Speaker 1>What about dietary? A lot of people Emily Kristen, Brenda Graham,

839
00:44:42.559 --> 00:44:45.760
<v Speaker 1>Lizzie Sonia Bird, honeybee dos and Earl of Gramlekain docs

840
00:44:45.760 --> 00:44:48.320
<v Speaker 1>asked so many cultures of the world joy snails, from

841
00:44:48.360 --> 00:44:51.599
<v Speaker 1>French escargo to Nigerian pepper snails. It's all delicious. Did

842
00:44:51.639 --> 00:44:54.760
<v Speaker 1>people eat these medieval snails or are they just for decoration?

843
00:44:55.559 --> 00:44:57.480
<v Speaker 1>But yeah, Lizzie wants to know are people eating snails

844
00:44:57.519 --> 00:45:02.519
<v Speaker 1>back then? At what point did, especially in France, did

845
00:45:02.599 --> 00:45:06.480
<v Speaker 1>people go from like fearing and despising snails to eating

846
00:45:06.480 --> 00:45:06.840
<v Speaker 1>them up?

847
00:45:07.119 --> 00:45:11.320
<v Speaker 2>First, you have to call it France, obviously, that's France.

848
00:45:11.519 --> 00:45:14.760
<v Speaker 2>In France where actually this theme it was most predominant

849
00:45:14.800 --> 00:45:18.880
<v Speaker 2>in France, England and Italy, and so it could almost

850
00:45:18.960 --> 00:45:21.679
<v Speaker 2>be seen as a way of getting one up on

851
00:45:21.719 --> 00:45:26.239
<v Speaker 2>the Lombards if you eat them. Oh, so snails have

852
00:45:26.679 --> 00:45:29.119
<v Speaker 2>been enjoyed that we have records of them being enjoyed

853
00:45:29.119 --> 00:45:31.440
<v Speaker 2>in Greco Roman times. We also know that they were

854
00:45:31.440 --> 00:45:34.400
<v Speaker 2>farmed fairly early on, and it really depends on the

855
00:45:34.400 --> 00:45:36.679
<v Speaker 2>type of snail. But yes, they were eaten in the

856
00:45:36.719 --> 00:45:40.039
<v Speaker 2>same way that birds were eaten, so it doesn't necessarily

857
00:45:40.119 --> 00:45:44.360
<v Speaker 2>have that distinct connection because we know that, for example,

858
00:45:45.239 --> 00:45:47.800
<v Speaker 2>chickens would have been eaten, but chickens are also a

859
00:45:47.800 --> 00:45:50.639
<v Speaker 2>form of cowardice, so that people wouldn't have been eating

860
00:45:50.639 --> 00:45:52.760
<v Speaker 2>a chicken thinking hah, take that, the same way they

861
00:45:52.800 --> 00:45:55.480
<v Speaker 2>wouldn't have been eating a snail. Going hat take that, Lombards,

862
00:45:55.719 --> 00:45:58.280
<v Speaker 2>you got you back. It was just a food type,

863
00:45:58.320 --> 00:45:59.960
<v Speaker 2>and I did, actually I did look into this because

864
00:46:00.039 --> 00:46:02.719
<v Speaker 2>I was curious if it did have any sort of bearing,

865
00:46:02.840 --> 00:46:06.639
<v Speaker 2>and honestly it doesn't. People will eat things that taste good,

866
00:46:06.679 --> 00:46:09.840
<v Speaker 2>and snails with butter and garlic tasted good, so they

867
00:46:10.000 --> 00:46:10.559
<v Speaker 2>ate them.

868
00:46:10.880 --> 00:46:12.880
<v Speaker 1>It also seems like if you there pests in your

869
00:46:12.880 --> 00:46:17.880
<v Speaker 1>cabbage field, it's free food. Why not just yeah, yeah,

870
00:46:18.000 --> 00:46:19.679
<v Speaker 1>I think I talked about this in this snail episode.

871
00:46:19.719 --> 00:46:21.519
<v Speaker 2>But my mom I love that episode.

872
00:46:21.760 --> 00:46:26.039
<v Speaker 1>As you can tell, I also love that one. But yeah,

873
00:46:26.079 --> 00:46:28.559
<v Speaker 1>my mom's grandmother would send her to the graveyard with

874
00:46:28.599 --> 00:46:31.280
<v Speaker 1>a burlap sack to go pick snails, and then she'd

875
00:46:31.280 --> 00:46:33.960
<v Speaker 1>have to ride the subway back with this oozing burlap sack,

876
00:46:34.000 --> 00:46:36.440
<v Speaker 1>and then they'd feed them corn meal and then they

877
00:46:36.559 --> 00:46:36.920
<v Speaker 1>eat them.

878
00:46:37.159 --> 00:46:39.079
<v Speaker 2>Yeah, I mean I can imagine the same thing was

879
00:46:39.119 --> 00:46:42.320
<v Speaker 2>going down in medieval Europe. If you've got them anyways

880
00:46:42.320 --> 00:46:43.920
<v Speaker 2>in your field and you have to get them out

881
00:46:43.920 --> 00:46:45.360
<v Speaker 2>of the field, might as well cook them.

882
00:46:45.679 --> 00:46:51.360
<v Speaker 1>Yeah. Oh my gosh, Okay, I really loved this question.

883
00:46:51.880 --> 00:46:53.679
<v Speaker 1>Do you when I say the cool s? Do you

884
00:46:53.760 --> 00:46:54.360
<v Speaker 1>know what I mean?

885
00:46:55.400 --> 00:46:57.599
<v Speaker 2>I do know what you mean because we all learned

886
00:46:57.639 --> 00:47:00.000
<v Speaker 2>to draw that in school. It's ingrained in us. Yeah,

887
00:47:00.360 --> 00:47:02.000
<v Speaker 2>I'm completely aware.

888
00:47:02.239 --> 00:47:05.679
<v Speaker 1>Chloe Katie and Elena Gorilla want to know, do you

889
00:47:05.719 --> 00:47:08.639
<v Speaker 1>think this snail versus night doodle back then was a

890
00:47:08.679 --> 00:47:10.400
<v Speaker 1>similar trend to how we all do the little s

891
00:47:10.480 --> 00:47:13.719
<v Speaker 1>on school assignments? Is this how we all drew that

892
00:47:13.840 --> 00:47:17.119
<v Speaker 1>s in our notebooks in elementary school? Elena wants to know, Yeah,

893
00:47:17.159 --> 00:47:19.480
<v Speaker 1>cool s is in the margins? What do you think

894
00:47:19.519 --> 00:47:20.760
<v Speaker 1>of them?

895
00:47:20.840 --> 00:47:22.880
<v Speaker 2>Yes? So, first of all, I would like to ask

896
00:47:22.920 --> 00:47:24.559
<v Speaker 2>these people if they would like to be my co

897
00:47:24.639 --> 00:47:27.440
<v Speaker 2>authors on my upcoming paper, because that is the best

898
00:47:27.519 --> 00:47:30.280
<v Speaker 2>take that I have ever heard. The simple answers. Yeah,

899
00:47:30.559 --> 00:47:33.760
<v Speaker 2>we have a lot of these marginalia are just essentially

900
00:47:33.800 --> 00:47:36.559
<v Speaker 2>doodles that were added in by the monks. So a

901
00:47:36.559 --> 00:47:39.880
<v Speaker 2>lot of them, or actually the majority of marginalia are

902
00:47:39.920 --> 00:47:43.159
<v Speaker 2>by definition marginal means that it's on the margins. It

903
00:47:43.199 --> 00:47:44.159
<v Speaker 2>doesn't have to do with the.

904
00:47:44.079 --> 00:47:47.239
<v Speaker 1>Text, okay, so just a quick recap of definitions, and

905
00:47:47.320 --> 00:47:51.800
<v Speaker 1>illuminated manuscript means it has pictures and drawings and embellishment.

906
00:47:52.159 --> 00:47:55.000
<v Speaker 1>A Book of Hours is like a fancy prayer book

907
00:47:55.039 --> 00:47:57.760
<v Speaker 1>that some people owned, and the bottom of the page

908
00:47:57.800 --> 00:48:02.360
<v Speaker 1>illustrations were more serious and planned out, while the marginalia

909
00:48:02.599 --> 00:48:06.320
<v Speaker 1>were sometimes funny, less formal drawings on the sides of

910
00:48:06.360 --> 00:48:10.760
<v Speaker 1>the pages. So marginalia was on the side figuratively and literally.

911
00:48:11.199 --> 00:48:13.480
<v Speaker 2>So yeah, they were just doodles, and a lot of

912
00:48:13.559 --> 00:48:17.960
<v Speaker 2>them did have socioeconomical or political statements to them, like

913
00:48:18.000 --> 00:48:20.400
<v Speaker 2>we've been going into, Like these snails did have a statement,

914
00:48:20.639 --> 00:48:23.719
<v Speaker 2>but they weren't necessarily connected to the texts. So yeah,

915
00:48:23.760 --> 00:48:25.480
<v Speaker 2>in a way, it was sort of like the cool s.

916
00:48:25.599 --> 00:48:26.960
<v Speaker 2>It was just a lot more xenophobic.

917
00:48:27.559 --> 00:48:29.400
<v Speaker 1>Wow, it's just Sarah. I wanted to know, is it

918
00:48:29.440 --> 00:48:33.039
<v Speaker 1>possible they just liked drawing snails, Susan Singley, as did

919
00:48:33.159 --> 00:48:36.440
<v Speaker 1>medieval copyists just really liked drawn snails and their tiny

920
00:48:36.480 --> 00:48:41.239
<v Speaker 1>coiled shells Anya Marcellack, Laville Mouse Paxton, first time question

921
00:48:41.239 --> 00:48:45.039
<v Speaker 1>asker Christy Ferrar also want to Know, Christy Want to Know,

922
00:48:45.880 --> 00:48:48.880
<v Speaker 1>and their coworker Anna if it's possible that snails represented

923
00:48:48.920 --> 00:48:53.000
<v Speaker 1>some sexual innuendo or was it mundane with the spiral?

924
00:48:53.039 --> 00:48:55.599
<v Speaker 1>But do you think snails were fun to draw at

925
00:48:55.599 --> 00:48:58.320
<v Speaker 1>any point or was it really more about the symbolism.

926
00:48:58.880 --> 00:49:01.920
<v Speaker 2>I think it depends on the drawing. Is I mentioned

927
00:49:01.920 --> 00:49:04.199
<v Speaker 2>a bit like decorative borders? I think in that case, yeah,

928
00:49:04.239 --> 00:49:06.360
<v Speaker 2>it is. They're fun to draw. I mean it's a spiral.

929
00:49:06.400 --> 00:49:09.559
<v Speaker 2>They're pretty easy. Frankly, as opposed to animals or four legs,

930
00:49:09.719 --> 00:49:11.599
<v Speaker 2>you don't really have to worry about that with a snail.

931
00:49:11.920 --> 00:49:14.679
<v Speaker 2>Spirals look cool, shells look cool. They're really fun. No

932
00:49:14.760 --> 00:49:17.599
<v Speaker 2>people collect shells. It's just a thing that's fun to draw.

933
00:49:18.000 --> 00:49:21.159
<v Speaker 2>If there is a very particular scene playing out, I

934
00:49:21.199 --> 00:49:24.320
<v Speaker 2>would say that yes, that is a lot more symbolic. However,

935
00:49:25.079 --> 00:49:28.519
<v Speaker 2>another thing that I didn't really get into, but does happen,

936
00:49:28.679 --> 00:49:31.800
<v Speaker 2>is some of these medieval artists might not have known

937
00:49:31.840 --> 00:49:35.920
<v Speaker 2>the symbolism and were simply copying earlier works and they

938
00:49:35.920 --> 00:49:38.360
<v Speaker 2>were like, Oh, that scene looks sick, I'm going to

939
00:49:38.440 --> 00:49:42.320
<v Speaker 2>draw it. So ones that date from about twelve seventy

940
00:49:42.360 --> 00:49:45.039
<v Speaker 2>to thirteen twenty, which would I say is the height

941
00:49:45.199 --> 00:49:48.119
<v Speaker 2>of this snail symbolism, especially in artwork. They would have

942
00:49:48.119 --> 00:49:51.280
<v Speaker 2>been aware it would have been drawn something that they

943
00:49:51.320 --> 00:49:53.000
<v Speaker 2>would know. But if they were just drawing on a

944
00:49:53.000 --> 00:49:55.000
<v Speaker 2>border and they just drew a snail, that's just because

945
00:49:55.000 --> 00:49:57.760
<v Speaker 2>they wanted to add a snail. And in terms of

946
00:49:57.840 --> 00:50:00.840
<v Speaker 2>the sexual connotation, that's a really interesting one because that

947
00:50:00.920 --> 00:50:04.079
<v Speaker 2>one is something that came up, and it does come

948
00:50:04.159 --> 00:50:06.960
<v Speaker 2>up a little bit in my research, but that's actually

949
00:50:07.039 --> 00:50:10.559
<v Speaker 2>somewhat of an earlier and a later interpretation. It's hard

950
00:50:10.559 --> 00:50:13.360
<v Speaker 2>to say that medieval snails, even though I've said a

951
00:50:13.360 --> 00:50:16.039
<v Speaker 2>lot about their symbolism and theirs xenophobia that was related

952
00:50:16.079 --> 00:50:18.559
<v Speaker 2>to them. In general, with medieval art, it's hard to

953
00:50:18.559 --> 00:50:20.880
<v Speaker 2>pin down one exact thing for all of them, and

954
00:50:20.960 --> 00:50:23.320
<v Speaker 2>it is possible that in different places, in different times,

955
00:50:23.320 --> 00:50:26.159
<v Speaker 2>there were different interpretations that were put on them. Frankly,

956
00:50:26.360 --> 00:50:28.400
<v Speaker 2>I can say that they were a symbol of the

957
00:50:28.400 --> 00:50:30.440
<v Speaker 2>Lombards and the Jewish people. Because we have texts to

958
00:50:30.440 --> 00:50:33.920
<v Speaker 2>support that. That doesn't mean that that was their entire thing.

959
00:50:34.119 --> 00:50:36.880
<v Speaker 2>They had. Like I said, they were also pests, but

960
00:50:36.920 --> 00:50:38.400
<v Speaker 2>they were also things in nature.

961
00:50:38.719 --> 00:50:40.360
<v Speaker 1>Some people wanted to know about the process. Earl of

962
00:50:40.400 --> 00:50:45.000
<v Speaker 1>Gramulcan Dig, Aaron White Hadley, Lauren Alegra wanted to know

963
00:50:45.480 --> 00:50:51.079
<v Speaker 1>Indig's words Tyrian purple technically red, who's the ye olden

964
00:50:51.159 --> 00:50:54.440
<v Speaker 1>snails have been drawn using the color from thine owned shells?

965
00:50:55.880 --> 00:50:59.960
<v Speaker 1>Will unpack that? In an aside, Hadley also asked, were

966
00:51:00.079 --> 00:51:02.480
<v Speaker 1>these snails a hot topic because of their use for

967
00:51:02.559 --> 00:51:05.800
<v Speaker 1>making a rich purple dye? And yes, Dig wanted to

968
00:51:05.800 --> 00:51:09.840
<v Speaker 1>know about this Tyrian purple, which is also called royal purple,

969
00:51:10.000 --> 00:51:15.800
<v Speaker 1>imperial purple, or imperial dye. And it is laboriously extracted

970
00:51:15.800 --> 00:51:18.800
<v Speaker 1>from this sea snail. And it was so precious and

971
00:51:19.079 --> 00:51:22.360
<v Speaker 1>expensive a dye that only royals were permitted to wear it.

972
00:51:22.639 --> 00:51:26.960
<v Speaker 1>So when Dig asked, moreover, hootst ye oldened snails have

973
00:51:27.079 --> 00:51:30.440
<v Speaker 1>been drawing using the colors from thine owned shells. I

974
00:51:30.480 --> 00:51:33.480
<v Speaker 1>think they meant, would you draw the snail from whence

975
00:51:33.519 --> 00:51:36.480
<v Speaker 1>its very pigment came? So? According to a two thousand

976
00:51:36.519 --> 00:51:39.519
<v Speaker 1>and nine blog post by the Metropolitan Museum of Art

977
00:51:39.519 --> 00:51:42.440
<v Speaker 1>titled pen and Parchment Drawing in the Middle Ages, the

978
00:51:42.599 --> 00:51:45.840
<v Speaker 1>artists had to make their own inks and pigments and

979
00:51:46.000 --> 00:51:50.360
<v Speaker 1>usually concocted something with a plant binder like sap or

980
00:51:50.480 --> 00:51:53.480
<v Speaker 1>they used animal based glue, and they colored it with

981
00:51:53.639 --> 00:51:58.320
<v Speaker 1>clay or smashed up plant roots or oak galls, sometimes

982
00:51:58.320 --> 00:52:03.360
<v Speaker 1>crushed bugs orneral powder like lapis lazuli, which I thought

983
00:52:03.400 --> 00:52:07.159
<v Speaker 1>was lazuli until I had to re record this aside. Now,

984
00:52:07.440 --> 00:52:12.519
<v Speaker 1>was this meditative to make these inks? Maybe? Was it tedious? Apparently,

985
00:52:12.719 --> 00:52:16.400
<v Speaker 1>which is why apprentices were usually assigned to it, like

986
00:52:16.440 --> 00:52:19.280
<v Speaker 1>some sullen interns and a copy machine. Just in case

987
00:52:19.320 --> 00:52:22.360
<v Speaker 1>that answers your question, le Earl asked what was used

988
00:52:22.400 --> 00:52:25.000
<v Speaker 1>for ink and pigments? Aaron wants to know. Were there

989
00:52:25.000 --> 00:52:27.840
<v Speaker 1>any artistic conventions that they had to follow, like the

990
00:52:27.880 --> 00:52:30.679
<v Speaker 1>process of drawing? Can you give us any info on

991
00:52:30.760 --> 00:52:34.480
<v Speaker 1>like were they using a quill and ink or paint

992
00:52:34.639 --> 00:52:37.239
<v Speaker 1>or how did you make this?

993
00:52:37.800 --> 00:52:40.519
<v Speaker 2>In terms of art processes in the Middle Ages. Is

994
00:52:41.079 --> 00:52:43.840
<v Speaker 2>because a lot of it was sort of symbolic or

995
00:52:43.880 --> 00:52:47.880
<v Speaker 2>otherwise interpretive. You can see that it all sort of

996
00:52:47.880 --> 00:52:51.800
<v Speaker 2>looks the same, so the human faces on animals, or

997
00:52:52.360 --> 00:52:55.679
<v Speaker 2>this weirdness as we would call it today, this sort

998
00:52:55.679 --> 00:52:57.480
<v Speaker 2>of perceived weirdness.

999
00:52:57.119 --> 00:53:00.599
<v Speaker 1>The mister burns of it all, the thin limbed car tunish,

1000
00:53:01.039 --> 00:53:04.719
<v Speaker 1>awkward bodied, uncanny, valley weird vibes.

1001
00:53:05.159 --> 00:53:08.159
<v Speaker 2>It really is something that just was a trend that

1002
00:53:08.239 --> 00:53:11.480
<v Speaker 2>just continued and continued and continued in the same way

1003
00:53:11.480 --> 00:53:14.760
<v Speaker 2>that Cubism was a trend, or that the Renaissance going

1004
00:53:14.800 --> 00:53:18.079
<v Speaker 2>back to classical motifs was a trend. It was just

1005
00:53:18.119 --> 00:53:21.760
<v Speaker 2>what was popular at that time. In terms of the process,

1006
00:53:22.039 --> 00:53:25.199
<v Speaker 2>most of these illustrations would have been made, like I said,

1007
00:53:25.239 --> 00:53:28.320
<v Speaker 2>by monks or nuns. Sometimes there are people outside of that,

1008
00:53:28.360 --> 00:53:30.360
<v Speaker 2>but the majority would have been done in a monastery

1009
00:53:30.480 --> 00:53:33.159
<v Speaker 2>or a convent, and they would have been taught in

1010
00:53:33.199 --> 00:53:36.679
<v Speaker 2>a specific way, and the same way that cartoonists, for

1011
00:53:36.760 --> 00:53:38.920
<v Speaker 2>things like The New York Times have to have their

1012
00:53:38.960 --> 00:53:42.880
<v Speaker 2>comics be somewhat similar or understandable so that people can

1013
00:53:43.039 --> 00:53:46.440
<v Speaker 2>perceive what they're saying. In terms of equipment, paint at

1014
00:53:46.480 --> 00:53:50.000
<v Speaker 2>that time, and ink and all of that sort of thing,

1015
00:53:50.119 --> 00:53:53.079
<v Speaker 2>so quills, yes, although quite frequently they would use a

1016
00:53:53.079 --> 00:53:57.320
<v Speaker 2>brush or a stylus instead, just for that fine control

1017
00:53:58.079 --> 00:54:00.719
<v Speaker 2>quills are great, but they can scratch, which I'm sure

1018
00:54:00.760 --> 00:54:04.440
<v Speaker 2>everyone knows that whole thing of the scratching of the quail.

1019
00:54:05.639 --> 00:54:09.119
<v Speaker 2>So if you're writing on very expensive vellum cowskin, just

1020
00:54:09.360 --> 00:54:11.239
<v Speaker 2>to add that in is this was all done on skin,

1021
00:54:11.880 --> 00:54:14.880
<v Speaker 2>so it was a hugely expensive undertaking and you did

1022
00:54:14.920 --> 00:54:18.920
<v Speaker 2>not want to mess that up. Ah, So things that

1023
00:54:19.079 --> 00:54:24.199
<v Speaker 2>could cause issues, like quails that frequently scratched or could

1024
00:54:24.280 --> 00:54:27.519
<v Speaker 2>cause ink blots, you wanted to avoid that at all costs.

1025
00:54:27.800 --> 00:54:30.199
<v Speaker 2>So the most common was usually a brush. And we

1026
00:54:30.280 --> 00:54:35.280
<v Speaker 2>do have some charcoal or pencil underdrawings of these things,

1027
00:54:35.280 --> 00:54:37.360
<v Speaker 2>so we know that they did sketch out a lot

1028
00:54:37.360 --> 00:54:41.519
<v Speaker 2>of these as well. But at that time, depending on

1029
00:54:41.599 --> 00:54:44.199
<v Speaker 2>how much training they had, if this was your whole life,

1030
00:54:44.239 --> 00:54:46.039
<v Speaker 2>you could get to the point where you could draw

1031
00:54:46.079 --> 00:54:49.079
<v Speaker 2>something without needing to sketch it out. So people like

1032
00:54:49.119 --> 00:54:51.480
<v Speaker 2>a mister Doodle, you know how, they can just immediately

1033
00:54:51.639 --> 00:54:54.079
<v Speaker 2>do that drawing or the s. I don't need to

1034
00:54:54.079 --> 00:54:56.800
<v Speaker 2>sketch out the cool s anymore. I know exactly how

1035
00:54:56.800 --> 00:54:58.840
<v Speaker 2>to do it. I do the six lines and then

1036
00:54:58.880 --> 00:55:03.280
<v Speaker 2>the triangles and then do the slants. So yeah, very similar.

1037
00:55:03.320 --> 00:55:05.480
<v Speaker 2>It would have just been something they were able to do.

1038
00:55:05.880 --> 00:55:07.960
<v Speaker 2>Colors might have varied, but the overall base would have

1039
00:55:07.960 --> 00:55:08.519
<v Speaker 2>been the same.

1040
00:55:08.679 --> 00:55:10.639
<v Speaker 1>Just a side note, I didn't know who mister Doodle was,

1041
00:55:10.679 --> 00:55:12.559
<v Speaker 1>so I found out for us, and he is a

1042
00:55:12.559 --> 00:55:16.039
<v Speaker 1>British man real named Sam Cox, and his work described

1043
00:55:16.039 --> 00:55:19.920
<v Speaker 1>as graffiti spaghetti looks kind of like Keith Herrings, with

1044
00:55:19.960 --> 00:55:23.239
<v Speaker 1>these thick lines and simple characters, a lot of movement

1045
00:55:23.760 --> 00:55:27.079
<v Speaker 1>and not an inch spared without a drawing. And he

1046
00:55:27.159 --> 00:55:29.559
<v Speaker 1>used to sell his work for a dollar and now

1047
00:55:29.559 --> 00:55:33.000
<v Speaker 1>it auctions into the seven figures Doodle in for cash.

1048
00:55:33.119 --> 00:55:36.199
<v Speaker 2>Speaking of money, paints themselves would have been things like

1049
00:55:36.199 --> 00:55:39.519
<v Speaker 2>I've already mentioned gold leaf, which became quite popular, especially

1050
00:55:39.519 --> 00:55:42.719
<v Speaker 2>in certain things, especially as soon as people got richer

1051
00:55:42.800 --> 00:55:46.039
<v Speaker 2>wanted more ornamentation. Gold leaf was like a thing because

1052
00:55:46.079 --> 00:55:48.239
<v Speaker 2>it's shiny and glittery and it makes you look rich.

1053
00:55:48.559 --> 00:55:50.440
<v Speaker 2>So a lot of books of hours of people of

1054
00:55:50.480 --> 00:55:53.320
<v Speaker 2>nobility or wealthy merchants would have gold leaf pretty much

1055
00:55:53.360 --> 00:55:53.960
<v Speaker 2>all over them.

1056
00:55:54.079 --> 00:55:57.320
<v Speaker 1>And gold leaf, one should note, is extremely thin. I

1057
00:55:57.400 --> 00:55:59.920
<v Speaker 1>knew that, but I didn't know how thin. Apparently it's

1058
00:56:00.440 --> 00:56:06.519
<v Speaker 1>zero point zero zero zero one millimeters or point one

1059
00:56:07.159 --> 00:56:11.760
<v Speaker 1>micrometer and a five millimeter gold nugget can make five

1060
00:56:11.880 --> 00:56:16.079
<v Speaker 1>square feet of foil. Now, by contrast to that point

1061
00:56:16.119 --> 00:56:20.039
<v Speaker 1>one micrometer, the average human hair is about one hundred

1062
00:56:20.360 --> 00:56:25.639
<v Speaker 1>micrometers thick, so gold leaf one one thousandth the thickness

1063
00:56:25.760 --> 00:56:28.239
<v Speaker 1>of a human hair. So yeah, you could use gold

1064
00:56:28.280 --> 00:56:30.800
<v Speaker 1>in your manuscripts. But if you didn't have the time

1065
00:56:31.079 --> 00:56:34.239
<v Speaker 1>or resources for gold beating, as it's called, there were

1066
00:56:34.280 --> 00:56:34.960
<v Speaker 1>other options.

1067
00:56:35.280 --> 00:56:39.679
<v Speaker 2>Other pigments were made from a variety of things, so yes, shells, bugs,

1068
00:56:39.960 --> 00:56:42.239
<v Speaker 2>There was a red bug that I can't quite remember

1069
00:56:42.239 --> 00:56:44.400
<v Speaker 2>the name of, and they would essentially just smush it

1070
00:56:44.480 --> 00:56:47.440
<v Speaker 2>up into making red ink or a red dye for paints.

1071
00:56:47.760 --> 00:56:53.079
<v Speaker 1>Yeah, I want to say, we have them all over

1072
00:56:53.119 --> 00:56:53.920
<v Speaker 1>our cac die.

1073
00:56:54.280 --> 00:56:57.559
<v Speaker 2>Yeah, no, those ones. So they were incredibly popular for

1074
00:56:57.800 --> 00:57:00.679
<v Speaker 2>making dyes and pains out of I think a lot

1075
00:57:00.679 --> 00:57:02.960
<v Speaker 2>of red clothes were dyed with them as well.

1076
00:57:03.079 --> 00:57:06.320
<v Speaker 1>Yeah, it's still in lipstick, it is. Yeah. So this

1077
00:57:06.400 --> 00:57:10.039
<v Speaker 1>is called Carmine dye or crimson lake, and it's made

1078
00:57:10.039 --> 00:57:13.800
<v Speaker 1>from Kacha neal insects. And I can tell you when

1079
00:57:13.840 --> 00:57:17.280
<v Speaker 1>you try to hose or scrape them off an infected cactus,

1080
00:57:17.559 --> 00:57:21.760
<v Speaker 1>it looks like a blood bath. It's full tarantino cactus time.

1081
00:57:22.039 --> 00:57:25.360
<v Speaker 1>But yeah, in lipsticks you may see this bug derived

1082
00:57:25.440 --> 00:57:29.960
<v Speaker 1>carmine dye listed as natural red number four, So squishing bugs.

1083
00:57:30.280 --> 00:57:34.719
<v Speaker 1>It's not cruelty free. Neither was Medieval manuscript paper, which

1084
00:57:34.840 --> 00:57:39.000
<v Speaker 1>was essentially leather. Parchment refers to a writing surface that

1085
00:57:39.119 --> 00:57:42.239
<v Speaker 1>was made from skin, usually a very thin layer of

1086
00:57:42.320 --> 00:57:46.360
<v Speaker 1>sheep skin. But vellum is a type of parchment made

1087
00:57:46.400 --> 00:57:50.000
<v Speaker 1>only from calf skin. Sometimes the calves were so young

1088
00:57:50.119 --> 00:57:53.480
<v Speaker 1>they were still born. So as an artist, if you

1089
00:57:53.800 --> 00:57:57.159
<v Speaker 1>did an oopsie, you weren't headed to Michael's for a restock.

1090
00:57:57.440 --> 00:57:59.519
<v Speaker 1>Did they have erasers? Do you think like if you

1091
00:57:59.559 --> 00:58:01.480
<v Speaker 1>screwed up, could you go back? It was a white out?

1092
00:58:02.639 --> 00:58:04.840
<v Speaker 2>It was there white out. Sometimes I wish there was,

1093
00:58:04.840 --> 00:58:07.119
<v Speaker 2>because I've read some really weird things in manuscripts, and

1094
00:58:07.159 --> 00:58:10.599
<v Speaker 2>sometimes I wish they had erased some stuff. Because it's vellum,

1095
00:58:10.760 --> 00:58:12.880
<v Speaker 2>you can't erase it in the same way. It sort

1096
00:58:12.920 --> 00:58:15.920
<v Speaker 2>of absorbs into the vellum. It sort of binds with

1097
00:58:15.960 --> 00:58:17.880
<v Speaker 2>the material in the same way that when you draw

1098
00:58:17.920 --> 00:58:19.559
<v Speaker 2>on your skin, it kind of leads a little bit.

1099
00:58:20.199 --> 00:58:24.320
<v Speaker 2>What you could do is you could lightly scrape the

1100
00:58:24.360 --> 00:58:30.360
<v Speaker 2>top layer off. However, it is a bit obvious some

1101
00:58:30.400 --> 00:58:32.639
<v Speaker 2>of the books that we have at work on vellum

1102
00:58:32.840 --> 00:58:35.159
<v Speaker 2>or things like that. But you can tell when something

1103
00:58:35.199 --> 00:58:36.960
<v Speaker 2>has been covered over it because there's a little bit

1104
00:58:36.960 --> 00:58:39.639
<v Speaker 2>of a dip where they've essentially just removed a part

1105
00:58:39.639 --> 00:58:43.559
<v Speaker 2>of the layer of the of the vellum. Other times

1106
00:58:43.599 --> 00:58:46.800
<v Speaker 2>they just paint over it. Yeah, what about species?

1107
00:58:46.880 --> 00:58:51.360
<v Speaker 1>Jordan, alex Ertman, Michelle Smith, Earl and Neil wanted to know.

1108
00:58:51.480 --> 00:58:53.639
<v Speaker 1>In Jordan's words, do the nails and medieval art seem

1109
00:58:53.639 --> 00:58:56.239
<v Speaker 1>to be based on actual species of snails like near

1110
00:58:56.280 --> 00:58:57.880
<v Speaker 1>where the manuscripts were created?

1111
00:58:58.519 --> 00:59:03.320
<v Speaker 2>Okay? So yes and no, okay, the common understanding of

1112
00:59:03.320 --> 00:59:05.760
<v Speaker 2>a snail is a slug with a shell on it

1113
00:59:05.880 --> 00:59:10.000
<v Speaker 2>in terms of how they look, and because the most

1114
00:59:10.000 --> 00:59:11.840
<v Speaker 2>of these come from Europe, a lot of the snails

1115
00:59:11.880 --> 00:59:14.639
<v Speaker 2>do look pretty similar overall, and in fact, in some

1116
00:59:15.000 --> 00:59:18.360
<v Speaker 2>of these illustrations there were more fantastical colors used, because

1117
00:59:18.400 --> 00:59:20.159
<v Speaker 2>like a blue shell would look a lot cooler than

1118
00:59:20.280 --> 00:59:23.199
<v Speaker 2>just a brown and white shell. Snails that we know

1119
00:59:23.280 --> 00:59:26.440
<v Speaker 2>of from other places, like the African giant snail, probably

1120
00:59:26.480 --> 00:59:28.920
<v Speaker 2>weren't used simply because there wasn't as much knowledge on them,

1121
00:59:28.960 --> 00:59:34.159
<v Speaker 2>and because medieval art and these snails weren't necessarily intended

1122
00:59:34.199 --> 00:59:37.400
<v Speaker 2>to represent specific types unless it was a b stiary,

1123
00:59:37.559 --> 00:59:40.639
<v Speaker 2>probably didn't matter that much. In b STA areas, which

1124
00:59:40.679 --> 00:59:42.840
<v Speaker 2>of course go over different types of animals, there would

1125
00:59:42.840 --> 00:59:45.920
<v Speaker 2>be specifics actually laid out, and you can see there's

1126
00:59:45.920 --> 00:59:49.119
<v Speaker 2>a couple from the thirteenth and fourteenth centuries where you

1127
00:59:49.119 --> 00:59:51.639
<v Speaker 2>can actually see it talks about different shell patterns and

1128
00:59:51.719 --> 00:59:55.760
<v Speaker 2>different coloration of the slime and skin that they leave behind,

1129
00:59:56.079 --> 00:59:58.239
<v Speaker 2>which is quite interesting. So they were aware that there

1130
00:59:58.239 --> 01:00:01.559
<v Speaker 2>were different types and speci cheese, but it didn't necessarily

1131
01:00:01.599 --> 01:00:04.119
<v Speaker 2>plant these because they all look the same. They've got

1132
01:00:04.119 --> 01:00:05.519
<v Speaker 2>a shell and a slimy body.

1133
01:00:06.639 --> 01:00:09.199
<v Speaker 1>What about when they went out of fashion? Mick A

1134
01:00:09.239 --> 01:00:14.039
<v Speaker 1>CoV Via axelrod Anastasia Press, Guido Fairy, Susan Singley, Olive Wing,

1135
01:00:14.199 --> 01:00:20.039
<v Speaker 1>Lizzy Martinez wanted to know. Lizzy said, wow, okay, okay,

1136
01:00:20.159 --> 01:00:22.599
<v Speaker 1>this is so weird and cool, and my husband is

1137
01:00:22.599 --> 01:00:25.599
<v Speaker 1>also like wow. So my question when or why do

1138
01:00:25.679 --> 01:00:28.639
<v Speaker 1>they stop including snails in artwork of the style? Did

1139
01:00:28.639 --> 01:00:31.599
<v Speaker 1>one year they retire snails and that was it? I

1140
01:00:31.639 --> 01:00:33.639
<v Speaker 1>just love that. There's a lot of questions that are

1141
01:00:33.679 --> 01:00:35.559
<v Speaker 1>just like wait, what what? We had a lot of

1142
01:00:35.639 --> 01:00:38.280
<v Speaker 1>questions that were just like, wait, why, what the fuck?

1143
01:00:38.519 --> 01:00:41.360
<v Speaker 1>What the fuck? My question is why? My question is

1144
01:00:41.400 --> 01:00:44.920
<v Speaker 1>also what the fuck what? My main question is uh

1145
01:00:44.920 --> 01:00:49.039
<v Speaker 1>what one very more question. Huh huh. So many questions

1146
01:00:49.039 --> 01:00:52.880
<v Speaker 1>that just say what but decline. Let's talk about the

1147
01:00:52.920 --> 01:00:53.760
<v Speaker 1>decline real quick.

1148
01:00:53.960 --> 01:00:57.760
<v Speaker 2>I mean, my my immediate reaction before I started researching

1149
01:00:57.800 --> 01:01:02.119
<v Speaker 2>these was also what the fuck and why, which is

1150
01:01:02.119 --> 01:01:04.559
<v Speaker 2>how I got into it. I've had this for a

1151
01:01:04.599 --> 01:01:06.519
<v Speaker 2>lot of things. There are other things that I've always

1152
01:01:06.559 --> 01:01:08.719
<v Speaker 2>just been like, Okay, I'm going to hyperfixate on this

1153
01:01:08.840 --> 01:01:11.559
<v Speaker 2>now and find out everything about this. The snails was

1154
01:01:11.599 --> 01:01:14.760
<v Speaker 2>just one that happened to stick. I'm not sure why

1155
01:01:15.239 --> 01:01:18.639
<v Speaker 2>my family and friends all keep giving me snail themed things.

1156
01:01:18.719 --> 01:01:22.000
<v Speaker 2>I'm wearing a snail shirt to today's session. They're not

1157
01:01:22.039 --> 01:01:24.599
<v Speaker 2>even my favorite animal, but everyone just thinks that once

1158
01:01:24.639 --> 01:01:27.840
<v Speaker 2>you write on snails, they will give you snail related

1159
01:01:27.920 --> 01:01:32.000
<v Speaker 2>stuff for the rest of your life. I cannot escape

1160
01:01:32.320 --> 01:01:35.280
<v Speaker 2>but the decline. I really wish the decline would come

1161
01:01:35.320 --> 01:01:37.320
<v Speaker 2>in terms of gifts that my family give me. But

1162
01:01:37.360 --> 01:01:39.639
<v Speaker 2>the decline, like I said, so, the height of it

1163
01:01:39.719 --> 01:01:43.000
<v Speaker 2>was around twelve seventy to thirteen twenty, and unfortunately, the

1164
01:01:43.000 --> 01:01:45.719
<v Speaker 2>decline did come because of things like the Jewish expulsions.

1165
01:01:46.079 --> 01:01:49.199
<v Speaker 1>So yes, this is not amusing at all, and we

1166
01:01:49.320 --> 01:01:54.559
<v Speaker 1>discussed in the Genocideology episode there have long been populations targeted,

1167
01:01:55.159 --> 01:01:59.679
<v Speaker 1>nearly eliminated, and wholly destroyed by forces that wanted their

1168
01:01:59.760 --> 01:02:03.679
<v Speaker 1>land or in no way welcomed them into their territory.

1169
01:02:03.880 --> 01:02:06.679
<v Speaker 1>And in that Genocideology episode with doctor Dirk Moses, we

1170
01:02:06.760 --> 01:02:11.000
<v Speaker 1>also discuss the generational trauma and the cyclical nature of

1171
01:02:11.119 --> 01:02:16.280
<v Speaker 1>these expulsions which have persisted through the ages despite our

1172
01:02:16.400 --> 01:02:17.719
<v Speaker 1>horrified hindsight.

1173
01:02:18.039 --> 01:02:20.800
<v Speaker 2>It's sort of very depressive to go into these negative

1174
01:02:20.800 --> 01:02:23.000
<v Speaker 2>things about what could otherwise be perceived as a very

1175
01:02:23.000 --> 01:02:25.880
<v Speaker 2>funny piece of art. So it's not good humor, but

1176
01:02:25.920 --> 01:02:27.719
<v Speaker 2>it was a form of humor of a way of

1177
01:02:27.719 --> 01:02:30.440
<v Speaker 2>dealing of it and poking fun at the nobility. So

1178
01:02:30.519 --> 01:02:33.599
<v Speaker 2>after the Jewish expulsion, particularly in England and twelve ninety

1179
01:02:33.719 --> 01:02:36.320
<v Speaker 2>and subconcurrent ones that happened in places like France and

1180
01:02:36.360 --> 01:02:41.000
<v Speaker 2>Italy or separate city states Jews, then when they were gone,

1181
01:02:41.159 --> 01:02:43.840
<v Speaker 2>it becomes to die down. So we actually see between

1182
01:02:43.880 --> 01:02:46.480
<v Speaker 2>thirteen ten and thirteen twenty when it starts to really decline,

1183
01:02:46.840 --> 01:02:50.199
<v Speaker 2>a lot of the stale motifs become a lot more fanciful,

1184
01:02:50.320 --> 01:02:52.840
<v Speaker 2>become a lot more decorative, so they're slowly like, Okay,

1185
01:02:52.880 --> 01:02:55.039
<v Speaker 2>we realize that this is still a thing, but it

1186
01:02:55.039 --> 01:02:58.519
<v Speaker 2>doesn't really matter anymore. Sort of how when memes become

1187
01:02:58.559 --> 01:03:01.159
<v Speaker 2>so distorted, you don't even know the meme says anymore.

1188
01:03:02.480 --> 01:03:05.960
<v Speaker 2>And that decline essentially just kept going. There was a

1189
01:03:06.000 --> 01:03:08.760
<v Speaker 2>slight resurgence in the fifteen hundreds, which had to do

1190
01:03:08.840 --> 01:03:10.599
<v Speaker 2>with again with antisomitic ideals.

1191
01:03:10.639 --> 01:03:15.639
<v Speaker 1>Unfortunately, did anyone ever reclaim it as sort of an

1192
01:03:15.679 --> 01:03:21.920
<v Speaker 1>image of persecution, like from populations that have triumphed over

1193
01:03:22.000 --> 01:03:25.159
<v Speaker 1>something or No? Is that just a big no. I

1194
01:03:25.199 --> 01:03:29.519
<v Speaker 1>was hoping that there could be some reclamation of snails

1195
01:03:29.559 --> 01:03:30.039
<v Speaker 1>in that way.

1196
01:03:30.599 --> 01:03:34.440
<v Speaker 2>I think we should reclaim snails twenty twenty five reclaimed snails.

1197
01:03:35.079 --> 01:03:37.840
<v Speaker 2>There wasn't really a reclaim by certain groups of people.

1198
01:03:37.880 --> 01:03:39.679
<v Speaker 2>I mean, this is also like I say, this is

1199
01:03:39.719 --> 01:03:42.079
<v Speaker 2>over five hundred years ago, this is almost a thousand

1200
01:03:42.159 --> 01:03:45.440
<v Speaker 2>years ago. In the case of the Lombard invasion, it's

1201
01:03:45.519 --> 01:03:48.079
<v Speaker 2>over a thousand years ago, and it was only about

1202
01:03:48.119 --> 01:03:51.039
<v Speaker 2>like a fifty year period each time. It wasn't that long,

1203
01:03:51.360 --> 01:03:53.840
<v Speaker 2>so there wasn't really a necessity to reclaim them in

1204
01:03:53.840 --> 01:03:56.159
<v Speaker 2>the way that people do know. So, for example, reclaiming

1205
01:03:56.159 --> 01:03:59.159
<v Speaker 2>the word queer has become a thing. It wasn't as

1206
01:03:59.199 --> 01:04:03.119
<v Speaker 2>widespread and no at that time that need to reclaim things.

1207
01:04:03.679 --> 01:04:06.440
<v Speaker 2>And honestly, a lot of people forgot about it, and

1208
01:04:06.639 --> 01:04:08.519
<v Speaker 2>a lot of people who didn't have access to these

1209
01:04:08.559 --> 01:04:11.559
<v Speaker 2>things wouldn't have even known about it. It wasn't something

1210
01:04:11.639 --> 01:04:14.599
<v Speaker 2>that normal people would have known, so reclaiming it wasn't

1211
01:04:14.639 --> 01:04:18.639
<v Speaker 2>really a thing. Snails did come to mean different things

1212
01:04:18.679 --> 01:04:21.840
<v Speaker 2>in other cultures, and early Greco Roman I think it

1213
01:04:21.880 --> 01:04:24.800
<v Speaker 2>was particularly Greek. Hesiod wrote about it, which was when

1214
01:04:24.840 --> 01:04:27.800
<v Speaker 2>you see snails climbing the stalks of your plants, means

1215
01:04:27.800 --> 01:04:30.320
<v Speaker 2>it's harvest time. That was something that actually comes back

1216
01:04:30.320 --> 01:04:32.760
<v Speaker 2>in the early modern period. The whole idea of snails

1217
01:04:32.760 --> 01:04:34.960
<v Speaker 2>coming out after it rains because it's nice and wet,

1218
01:04:35.280 --> 01:04:37.719
<v Speaker 2>sort of like good signs snails in the spring it

1219
01:04:37.760 --> 01:04:40.320
<v Speaker 2>means that the warmer weather is coming. But these are

1220
01:04:40.480 --> 01:04:43.719
<v Speaker 2>more things they have to do with nature than any symbolism.

1221
01:04:43.840 --> 01:04:48.320
<v Speaker 1>Speaking of nature. Last listener question, Susan Sanely Addie Cappello

1222
01:04:48.960 --> 01:04:52.599
<v Speaker 1>wanted to know Susan botanical question, how much we did

1223
01:04:52.639 --> 01:04:56.280
<v Speaker 1>these monks grow and consume? Addie asked, was someone high

1224
01:04:56.280 --> 01:04:59.199
<v Speaker 1>as a kite when drawing these pictures? Any idea how

1225
01:04:59.280 --> 01:05:00.039
<v Speaker 1>much drugs.

1226
01:04:59.760 --> 01:05:04.480
<v Speaker 2>Were There is a predominant theory.

1227
01:05:05.079 --> 01:05:07.199
<v Speaker 1>Okay, lay it on me.

1228
01:05:08.039 --> 01:05:10.639
<v Speaker 2>There is a predominant theory, and it's one that is

1229
01:05:10.679 --> 01:05:15.039
<v Speaker 2>somewhat scoffed at, but is still got enough tangential evidence

1230
01:05:15.079 --> 01:05:19.119
<v Speaker 2>that it could be true, at least in some cases

1231
01:05:20.000 --> 01:05:26.199
<v Speaker 2>that musty old books produce a fungus that can cause hallucinations.

1232
01:05:26.400 --> 01:05:27.239
<v Speaker 1>Like an ergot.

1233
01:05:27.679 --> 01:05:30.039
<v Speaker 2>Oh yeah, one hundred percent, and some a lot more

1234
01:05:30.079 --> 01:05:32.320
<v Speaker 2>cynical people have said, oh, that's why the Bible was written.

1235
01:05:32.320 --> 01:05:36.440
<v Speaker 2>They were hallucinating this figure of Jesus. So it actually

1236
01:05:36.480 --> 01:05:40.280
<v Speaker 2>it's it's something that is quite frequently scoffed at, but

1237
01:05:40.360 --> 01:05:43.840
<v Speaker 2>it is a theory. And yeah, they had recreational drugs

1238
01:05:43.840 --> 01:05:45.880
<v Speaker 2>back then, things like weed in the same way that

1239
01:05:45.920 --> 01:05:47.559
<v Speaker 2>we use it now didn't exist.

1240
01:05:47.840 --> 01:05:50.400
<v Speaker 1>Okay, yeah, so while humans have been using weed for

1241
01:05:50.440 --> 01:05:53.760
<v Speaker 1>the last ten thousand years, it hadn't made its way

1242
01:05:53.920 --> 01:05:56.320
<v Speaker 1>to Europe by the thirteen hundreds. And yeah, we do

1243
01:05:56.400 --> 01:05:59.119
<v Speaker 1>need a cannabis episode. I'm on it. I have an expert,

1244
01:05:59.159 --> 01:06:01.800
<v Speaker 1>but they are very very busy, so believe me, when

1245
01:06:01.840 --> 01:06:04.079
<v Speaker 1>it's done, we're going to be doing it right. But still,

1246
01:06:04.360 --> 01:06:07.119
<v Speaker 1>the monks could have been later, they could have been faded.

1247
01:06:06.960 --> 01:06:12.559
<v Speaker 2>But there was definitely herbal tonics that they would have consumed.

1248
01:06:13.079 --> 01:06:15.440
<v Speaker 2>And well, I can say that a lot of these

1249
01:06:15.480 --> 01:06:18.679
<v Speaker 2>things are weird, and honestly, you know what, if you

1250
01:06:18.719 --> 01:06:21.159
<v Speaker 2>want to believe that they were done by drug induced monks,

1251
01:06:21.199 --> 01:06:23.360
<v Speaker 2>I will not dissuade you of that notion because that

1252
01:06:23.480 --> 01:06:25.639
<v Speaker 2>is hilarious and I wish it were true.

1253
01:06:26.239 --> 01:06:31.559
<v Speaker 1>The monks were making Benedicti's, they were making truces, they

1254
01:06:31.639 --> 01:06:33.400
<v Speaker 1>were drinking alcohol, right.

1255
01:06:33.960 --> 01:06:36.719
<v Speaker 2>Yeah, I'm living in Europe like because I grew up

1256
01:06:36.719 --> 01:06:39.440
<v Speaker 2>in the Netherlands. Some of our most famous beer from

1257
01:06:39.440 --> 01:06:43.519
<v Speaker 2>like the Netherlands and Belgium famously come from monasteries because

1258
01:06:43.760 --> 01:06:47.960
<v Speaker 2>that's how they made money. So they one hundred percent

1259
01:06:48.000 --> 01:06:50.199
<v Speaker 2>were drinking and smoking. They were doing a lot of stuff.

1260
01:06:50.280 --> 01:06:52.079
<v Speaker 2>I one hundred percent support that idea.

1261
01:06:53.320 --> 01:06:55.360
<v Speaker 1>I can't believe that I got to talk to you

1262
01:06:55.679 --> 01:06:59.199
<v Speaker 1>about this. This has been a joy. This is not

1263
01:06:59.280 --> 01:07:01.239
<v Speaker 1>an episode I thought that I would have the privilege

1264
01:07:01.280 --> 01:07:04.639
<v Speaker 1>of doing. But last questions, I always ask the hardest

1265
01:07:04.639 --> 01:07:08.400
<v Speaker 1>thing about your job as someone who studies medieval snails

1266
01:07:08.400 --> 01:07:09.119
<v Speaker 1>and manuscripts.

1267
01:07:10.679 --> 01:07:15.000
<v Speaker 2>Oh oh, the hardest thing finding a job, I go

1268
01:07:15.079 --> 01:07:19.719
<v Speaker 2>with the employment rate of medieval snail specialists is exceedingly low.

1269
01:07:20.239 --> 01:07:22.760
<v Speaker 2>I've had to gravitate towards as you can tell, old

1270
01:07:22.760 --> 01:07:26.679
<v Speaker 2>books in general palaeography, hoping to find funding for my

1271
01:07:26.679 --> 01:07:31.000
<v Speaker 2>PhD soon, which would be really great. Unfortunately they cost

1272
01:07:31.039 --> 01:07:34.519
<v Speaker 2>a lot. If there's anyone who wants to fund xenophobia

1273
01:07:34.559 --> 01:07:38.199
<v Speaker 2>and medieval manuscripts, please let me know. Holler, yeah, exactly,

1274
01:07:38.280 --> 01:07:40.320
<v Speaker 2>Just give me a shout. I'm on Instagram. Just let

1275
01:07:40.400 --> 01:07:44.559
<v Speaker 2>me know. But I think the main thing other than

1276
01:07:44.920 --> 01:07:48.559
<v Speaker 2>the job sector is finding the sources, because a lot

1277
01:07:48.599 --> 01:07:52.800
<v Speaker 2>of them are either gone or gibberish or we don't know.

1278
01:07:53.360 --> 01:07:57.280
<v Speaker 2>And finding the sources is hard because even though places

1279
01:07:57.320 --> 01:07:59.880
<v Speaker 2>like a British library or where I was at Trinity College,

1280
01:08:00.239 --> 01:08:02.239
<v Speaker 2>they're digitizing a lot of their manuscripts, not all of

1281
01:08:02.239 --> 01:08:05.000
<v Speaker 2>them are digitized. So when I was writing my thesis,

1282
01:08:05.000 --> 01:08:06.920
<v Speaker 2>I had to physically go to some of these libraries

1283
01:08:06.960 --> 01:08:09.480
<v Speaker 2>and just check the manuscripts to see if there were

1284
01:08:09.519 --> 01:08:12.679
<v Speaker 2>snails anywhere, because they were digitized, so I couldn't like

1285
01:08:12.760 --> 01:08:14.519
<v Speaker 2>look up if they were at end of the book

1286
01:08:14.519 --> 01:08:16.560
<v Speaker 2>because no one knew. So I'd just sit there and

1287
01:08:16.600 --> 01:08:19.560
<v Speaker 2>I'd leaf through this hundred page manuscript. I'd just be like,

1288
01:08:19.600 --> 01:08:22.079
<v Speaker 2>all right, that was worthless. And most of the time,

1289
01:08:22.159 --> 01:08:24.960
<v Speaker 2>unfortunately they didn't have scales, and I would walk away

1290
01:08:25.000 --> 01:08:28.520
<v Speaker 2>really depressed. There was about three solid days where I

1291
01:08:28.560 --> 01:08:31.000
<v Speaker 2>was looking through manuscripts that didn't have any snails in them,

1292
01:08:31.359 --> 01:08:33.880
<v Speaker 2>and I kind of wanted to give up at that point.

1293
01:08:34.960 --> 01:08:36.960
<v Speaker 1>They don't let you bring coffee in those rooms, do they.

1294
01:08:37.520 --> 01:08:39.560
<v Speaker 2>I don't drink coffee. I think if I if I

1295
01:08:39.760 --> 01:08:41.560
<v Speaker 2>I think if I did, I might have been able

1296
01:08:41.600 --> 01:08:44.079
<v Speaker 2>to survive a lot better. I was just trying to

1297
01:08:44.119 --> 01:08:46.520
<v Speaker 2>get super hopped up on sugar every hour or so,

1298
01:08:46.680 --> 01:08:48.399
<v Speaker 2>just that I had the energy to keep going.

1299
01:08:49.439 --> 01:08:51.560
<v Speaker 1>Oh what about your favorite Is there a moment of

1300
01:08:51.640 --> 01:08:55.000
<v Speaker 1>like leafing through books or discovering a motif that you

1301
01:08:55.199 --> 01:08:57.960
<v Speaker 1>were looking for? Like, what's the most joyous part of this?

1302
01:08:59.680 --> 01:09:03.079
<v Speaker 2>I think the best part is finding ones that look terrible,

1303
01:09:03.399 --> 01:09:06.239
<v Speaker 2>because I do. I said, I have a bit of

1304
01:09:06.239 --> 01:09:08.079
<v Speaker 2>a pet peeve against the medieval memes and how people

1305
01:09:08.119 --> 01:09:10.039
<v Speaker 2>are like, oh, they were terrible at drawing. But sometimes

1306
01:09:10.079 --> 01:09:13.319
<v Speaker 2>there are ones that just don't look good. There's one

1307
01:09:13.359 --> 01:09:16.039
<v Speaker 2>that I have highlighted on my Instagram which I have

1308
01:09:16.159 --> 01:09:18.920
<v Speaker 2>named them Neil and Patrick. I'm not entirely sure why,

1309
01:09:18.960 --> 01:09:20.960
<v Speaker 2>but I decided there's were their names, and it's just

1310
01:09:21.000 --> 01:09:25.279
<v Speaker 2>an incredibly fat frog looking at an incredibly fat snail.

1311
01:09:25.439 --> 01:09:27.760
<v Speaker 1>If you go to Evan's Instagram, you'll see their highlighted

1312
01:09:27.800 --> 01:09:29.640
<v Speaker 1>real title simply him.

1313
01:09:29.800 --> 01:09:32.479
<v Speaker 2>And other than the shell. There is no difference in

1314
01:09:32.520 --> 01:09:39.000
<v Speaker 2>their bodies whatsoever. And it is glorious and I desperately

1315
01:09:39.079 --> 01:09:43.039
<v Speaker 2>need artwork of it. And that is my favorite part

1316
01:09:43.079 --> 01:09:45.319
<v Speaker 2>because even though those are sometimes annoying, when I'm actually

1317
01:09:45.399 --> 01:09:47.439
<v Speaker 2>doing research and trying to figure stuff out, it's a

1318
01:09:47.439 --> 01:09:49.159
<v Speaker 2>bit of joy in my life. If there's one thing

1319
01:09:49.199 --> 01:09:53.560
<v Speaker 2>when you're researching some slightly depressing parts of this, like

1320
01:09:53.600 --> 01:09:55.920
<v Speaker 2>we went over, it's always fun to find something that

1321
01:09:56.039 --> 01:09:56.800
<v Speaker 2>can make you laugh.

1322
01:09:57.479 --> 01:10:00.640
<v Speaker 1>If someone did want to explore a medieval art tattoo,

1323
01:10:02.079 --> 01:10:08.000
<v Speaker 1>what motifs are good ones that are might have meaning.

1324
01:10:08.880 --> 01:10:11.079
<v Speaker 2>Don't get an owl. I'm gonna say it right now,

1325
01:10:11.199 --> 01:10:13.640
<v Speaker 2>do not get a medieval owl, because the one is

1326
01:10:13.680 --> 01:10:18.319
<v Speaker 2>the worst. If that's the one that blatantly anti semitic

1327
01:10:18.439 --> 01:10:21.239
<v Speaker 2>in almost all interpretations. If there's just an owl that

1328
01:10:21.239 --> 01:10:23.680
<v Speaker 2>looks like just a biological owl, fine leave it. But

1329
01:10:24.039 --> 01:10:27.239
<v Speaker 2>anything that looks even remotely human as a bird, just

1330
01:10:27.399 --> 01:10:31.640
<v Speaker 2>don't touch it. Safer not to pretty much, all the

1331
01:10:31.680 --> 01:10:34.239
<v Speaker 2>ones of people are gonna be fine. Unless there you

1332
01:10:34.279 --> 01:10:36.760
<v Speaker 2>can blatantly tell that there's something wrong with them, they're

1333
01:10:36.760 --> 01:10:40.520
<v Speaker 2>gonna be fine. Get one of the nuns harvesting a

1334
01:10:40.560 --> 01:10:43.520
<v Speaker 2>tree full of dicks. That one I want myself. I

1335
01:10:43.560 --> 01:10:47.479
<v Speaker 2>think that would make an incredible ode to my own mother,

1336
01:10:47.520 --> 01:10:50.159
<v Speaker 2>who would honestly think it's funny. My father would die

1337
01:10:50.199 --> 01:10:52.399
<v Speaker 2>of a heart attack, but my mom would be thrilled.

1338
01:10:52.880 --> 01:10:55.600
<v Speaker 2>That would be my recommendation. Some of these funky animals,

1339
01:10:55.720 --> 01:10:58.640
<v Speaker 2>like the oyster with the frownie face, highly recommend that

1340
01:10:59.279 --> 01:11:02.039
<v Speaker 2>anything from B series is gonna be fine, because they're

1341
01:11:02.159 --> 01:11:05.079
<v Speaker 2>equally as funny, but they're not meant in a symbolic way,

1342
01:11:05.239 --> 01:11:07.159
<v Speaker 2>so that's always a safe bet.

1343
01:11:07.800 --> 01:11:11.359
<v Speaker 1>You gotta find someone who can take your cat and

1344
01:11:11.399 --> 01:11:14.640
<v Speaker 1>make it into a medieval cat, yes, but a pet

1345
01:11:14.680 --> 01:11:17.399
<v Speaker 1>portrait in the medieval style is pretty baller.

1346
01:11:17.920 --> 01:11:21.880
<v Speaker 2>If anyone wants to do a tortoise shell cat with

1347
01:11:21.880 --> 01:11:24.239
<v Speaker 2>one of those half faces, if anyone wants to do

1348
01:11:24.279 --> 01:11:27.520
<v Speaker 2>that in a medieval style. I will pay you hundreds

1349
01:11:28.319 --> 01:11:31.039
<v Speaker 2>for that. I would paint it on my walls. You

1350
01:11:31.439 --> 01:11:32.760
<v Speaker 2>don't know how much I need that.

1351
01:11:33.159 --> 01:11:36.159
<v Speaker 1>So again, you're on Instagram, You're findable.

1352
01:11:36.479 --> 01:11:39.279
<v Speaker 2>I am on Twitter, I'm on Instagram, i am on

1353
01:11:39.399 --> 01:11:43.319
<v Speaker 2>Tumblr because I'm embarrassingly of that age. I'm on TikTok,

1354
01:11:43.359 --> 01:11:45.039
<v Speaker 2>which is where I think a lot of people will

1355
01:11:45.079 --> 01:11:49.000
<v Speaker 2>know me from talking about art history. Yeah, Blue guy,

1356
01:11:49.560 --> 01:11:51.119
<v Speaker 2>I'm not on Blue Sky yet because I need to

1357
01:11:51.159 --> 01:11:53.199
<v Speaker 2>be because my dad is, and he keeps telling me

1358
01:11:53.279 --> 01:11:56.119
<v Speaker 2>to be. I'm gonna do that this weekend. You have

1359
01:11:56.239 --> 01:11:59.399
<v Speaker 2>say good me into making one, so I will assume

1360
01:11:59.520 --> 01:12:03.239
<v Speaker 2>be under the username Evan Pridmore or something along those lines.

1361
01:12:03.279 --> 01:12:05.359
<v Speaker 2>But as of this weekend, you'll be able to find

1362
01:12:05.479 --> 01:12:06.399
<v Speaker 2>me on Blue Sky.

1363
01:12:06.560 --> 01:12:09.439
<v Speaker 1>It's really good, great news they did start one. We

1364
01:12:09.520 --> 01:12:11.680
<v Speaker 1>now follow each other on Blue Sky. We'll link their

1365
01:12:11.680 --> 01:12:14.319
<v Speaker 1>account in the show notes. Tell them hello, thank you

1366
01:12:14.760 --> 01:12:16.880
<v Speaker 1>so much for doing this. I'm so glad we got

1367
01:12:16.920 --> 01:12:17.359
<v Speaker 1>to talk to you.

1368
01:12:17.600 --> 01:12:19.239
<v Speaker 2>Just thank you for having me on. Thank you for

1369
01:12:19.279 --> 01:12:21.880
<v Speaker 2>this invite. I've been listening since like twenty eighteen, so

1370
01:12:22.159 --> 01:12:24.960
<v Speaker 2>this way. Hi, really, Yeah, I'm an og.

1371
01:12:27.279 --> 01:12:31.319
<v Speaker 1>So ask informative people ignorant questions, because it would be

1372
01:12:31.399 --> 01:12:34.680
<v Speaker 1>weird if everyone was an expert in medieval snails. And

1373
01:12:34.720 --> 01:12:37.439
<v Speaker 1>thank you so much Evan for their time and recording

1374
01:12:37.439 --> 01:12:40.359
<v Speaker 1>this and the passion it takes to specialize in it.

1375
01:12:40.600 --> 01:12:43.680
<v Speaker 1>You have changed our lives with this knowledge. For links

1376
01:12:43.720 --> 01:12:45.880
<v Speaker 1>to the ACLU and Evan's socials, you can see the

1377
01:12:45.880 --> 01:12:47.880
<v Speaker 1>show notes, which also has a link to the episode

1378
01:12:47.920 --> 01:12:51.319
<v Speaker 1>page on our website, which has more links to studies

1379
01:12:51.359 --> 01:12:54.239
<v Speaker 1>and photos and info. We are at Ologies on Blue

1380
01:12:54.239 --> 01:12:57.119
<v Speaker 1>Sky and Instagram. I'm at Ali Ward on both and

1381
01:12:57.279 --> 01:13:00.760
<v Speaker 1>Ali dot Ologies on TikTok. We also have kids safe,

1382
01:13:00.800 --> 01:13:04.399
<v Speaker 1>classroom friendly, shortened versions of Ologies in their own feed.

1383
01:13:04.720 --> 01:13:08.039
<v Speaker 1>Wherever you get podcasts, just look for Smologies, which are

1384
01:13:08.079 --> 01:13:10.600
<v Speaker 1>also linked in the show notes, as is our merch site,

1385
01:13:10.640 --> 01:13:13.800
<v Speaker 1>ologiesmerch dot com. Thank you Aaron Talbert for admitting the

1386
01:13:13.800 --> 01:13:16.520
<v Speaker 1>Ologies podcast Facebook group. Thank you Aveline Malick for making

1387
01:13:16.560 --> 01:13:19.000
<v Speaker 1>our professional transcripts. Kelly ar Dwyer does the website and

1388
01:13:19.039 --> 01:13:21.600
<v Speaker 1>we All Dilworth is our golden scheduling producer. Susan Hale

1389
01:13:21.600 --> 01:13:23.960
<v Speaker 1>as our guiding light of a managing director. Tig Chafe

1390
01:13:24.119 --> 01:13:26.359
<v Speaker 1>makes us look good as an editor and lead editor.

1391
01:13:26.600 --> 01:13:29.479
<v Speaker 1>Binding the episode together is Mercedes Maitland of Maitland Audio.

1392
01:13:29.840 --> 01:13:32.000
<v Speaker 1>Nick Thorburn made the theme music And if you stick

1393
01:13:32.000 --> 01:13:33.880
<v Speaker 1>around to the very end, I share a secret. This

1394
01:13:33.920 --> 01:13:37.479
<v Speaker 1>week's is embarrassing, like they often are. But okay. I

1395
01:13:37.479 --> 01:13:41.119
<v Speaker 1>got a red plaid wool kilt at a thrift store

1396
01:13:41.399 --> 01:13:44.159
<v Speaker 1>when I was in high school. I worked all the time,

1397
01:13:44.319 --> 01:13:47.479
<v Speaker 1>even through college, and I remembered I still had it,

1398
01:13:47.520 --> 01:13:49.720
<v Speaker 1>and I unpacked it from a box in the garage

1399
01:13:49.720 --> 01:13:51.439
<v Speaker 1>and I was like, who I miss this thing? Start

1400
01:13:51.520 --> 01:13:54.880
<v Speaker 1>wearing it again, and I realized it literally had not

1401
01:13:54.960 --> 01:13:58.680
<v Speaker 1>been cleaned in decades, I think, even when I got it,

1402
01:13:58.880 --> 01:14:02.239
<v Speaker 1>which is discussed no matter how goth you were at

1403
01:14:02.279 --> 01:14:04.880
<v Speaker 1>the time. And yeah, in college we did have a

1404
01:14:04.920 --> 01:14:07.960
<v Speaker 1>guy named Bug sleeping on our couch. But I soaked

1405
01:14:08.079 --> 01:14:10.960
<v Speaker 1>this kilt last night and a big bowl of oxy

1406
01:14:11.039 --> 01:14:14.880
<v Speaker 1>clean and water. Friends, that water looked like chocolate milk.

1407
01:14:15.239 --> 01:14:18.520
<v Speaker 1>It looked like the chocolate River in willy Wonka. It

1408
01:14:18.600 --> 01:14:22.720
<v Speaker 1>was horrifying, but I loved it, so we're okay. I

1409
01:14:22.760 --> 01:14:25.439
<v Speaker 1>soaked it a couple more times. I washed it delicate

1410
01:14:25.520 --> 01:14:29.239
<v Speaker 1>in the machine. It's air drying now. I'm never getting

1411
01:14:29.279 --> 01:14:32.039
<v Speaker 1>rid of it. We've been through too much. I love

1412
01:14:32.079 --> 01:14:35.199
<v Speaker 1>it too much, but how disgusting. It must feel so

1413
01:14:35.279 --> 01:14:37.600
<v Speaker 1>good right now. I know it does all right for

1414
01:14:37.760 --> 01:14:51.439
<v Speaker 1>my pacadermatology, homeology, y doo, zoology, lithology, technology, meteorology, pathology, anthology, cereology, stellatology.

1415
01:14:57.359 --> 01:14:58.239
<v Speaker 2>What's in the basket.
