WEBVTT

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<v Speaker 1>You are groping down a dark alleyway in the French

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<v Speaker 1>Quarter of New Orleans, driven by terror, hounded by the

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<v Speaker 1>curse of the Populoi, a curse from which there is

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<v Speaker 1>no escape.

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<v Speaker 2>Escape produced by William N. Robeson and carefully contrived to

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<v Speaker 2>free you from the four walls of today for a

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<v Speaker 2>half hour of high adventure.

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<v Speaker 1>To today, we escape into two worlds, one of modern jazz,

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<v Speaker 1>the other of primitive voodoo, and to a doomed man

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<v Speaker 1>who brought them together, as William irashagend that in his

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<v Speaker 1>eerie story, Papa Benjamin.

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<v Speaker 3>All his Police Department Fourth Precinct, Sergeant Tolliver speaking, Yeah, yeah,

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<v Speaker 3>well pick him up on a drunk seventy two three?

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<v Speaker 4>Right, Yes, what can I do for you?

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<v Speaker 5>Are you in charge here?

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<v Speaker 4>Yeah?

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<v Speaker 3>Hey, aren't you Eddie Block the band leader? That's right, hey, Joe,

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<v Speaker 3>lookers here Eddie Block.

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<v Speaker 1>Well, never thought we'd get a visit from a big

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<v Speaker 1>celebrity like you, mister Block, and at four o'clock and them,

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<v Speaker 1>I suppose though, this is just a shock of evening

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<v Speaker 1>for a big shot orchestra lead.

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<v Speaker 4>It Hell, what can we do for you, mister Block?

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<v Speaker 5>I've just killed him man, you're kidding. I tell you,

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<v Speaker 5>I've just killed him.

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<v Speaker 3>Man, I guess you've been working too hard. Mister Blockie,

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<v Speaker 3>you imagining thing.

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<v Speaker 5>Hey, it's the gunen look at him.

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<v Speaker 4>Sit down, better, have a drink of water. You'll feel better.

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<v Speaker 5>No, no, no, I'm all right.

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<v Speaker 6>This gun has been used all right, smell.

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<v Speaker 4>Mm wasn't an accent, mister block No who to use

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<v Speaker 4>it on? Who was it?

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<v Speaker 5>I don't know his name. They call him Papa Benjamin sounds.

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<v Speaker 4>Like a white man. No, he was a Negro well

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<v Speaker 4>now in Orleans.

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<v Speaker 5>I no, no, there was nothing like that.

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<v Speaker 4>What was he doing to you?

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<v Speaker 5>He was killing me, killing Look at me. I used

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<v Speaker 5>to wait two hundred pounds, I'm down to one hundred

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<v Speaker 5>and two.

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<v Speaker 4>But how how was he killing you?

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<v Speaker 5>Would you believe in anything you can't see, can't here,

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<v Speaker 5>can't touch. I've been to the biggest doctors in the world.

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<v Speaker 5>They don't believe me. How can I expect you to.

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<v Speaker 5>We'll simply say I'm cracked and let it go with that.

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<v Speaker 5>I don't want to spend the rest of my life

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<v Speaker 5>in her silent Look.

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<v Speaker 4>Mister black you say he was a Negro named Papa bench.

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<v Speaker 5>Yes, yes, an old old man eighty maybe ninety, skin

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<v Speaker 5>and bones. He could hardly walk, and I shot him.

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<v Speaker 4>You sure you sure you killed him?

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<v Speaker 7>Yes? Of course?

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<v Speaker 5>Oh where I don't know exactly. And middle back alley

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<v Speaker 5>in the view Carrie near Congo Square.

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<v Speaker 4>Suppose you take us there? Can you do that?

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<v Speaker 3>Then maybe we'll find out this is just a bad dream.

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<v Speaker 5>This is the alley to the right between the buildings.

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<v Speaker 6>Alright, let's go.

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<v Speaker 4>You pack sard, catch cold without it.

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<v Speaker 8>Don't go back there, honey by you cops.

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<v Speaker 6>A nice neighborhood.

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<v Speaker 7>This is it?

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<v Speaker 5>In that door and up the stairs. I'm on, no, no,

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<v Speaker 5>don't make me go.

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<v Speaker 6>Up there again.

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<v Speaker 1>Please, better comments to Block. You're showing a flash of light.

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<v Speaker 4>Somebody on the stairs.

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<v Speaker 6>He won't bother dead drunk and step over him. And

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<v Speaker 6>let's go. This net the most pleasant neighborhood to come calling.

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<v Speaker 7>This is it?

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<v Speaker 5>Yes, in that door?

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<v Speaker 1>Oh, come on, better call a commissioner. Mister Block wasn't

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<v Speaker 1>a kid, and this man stayed.

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<v Speaker 9>But why why?

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<v Speaker 5>Because he was killing me?

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<v Speaker 4>Commissioners, then it was self defense.

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<v Speaker 5>He never came near me once. I was the one

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<v Speaker 5>who went to him. I offered him three ten thousand

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<v Speaker 5>any of him out, and he refused. I offered him

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<v Speaker 5>my gun and asked him to shoot me with her

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<v Speaker 5>to get it over with quickly and not to drag

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<v Speaker 5>it out any longer.

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<v Speaker 4>Then when he said no, you shot it.

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<v Speaker 5>So you can lock me up.

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<v Speaker 10>Now, mister Block, do you think we want to hang

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<v Speaker 10>a murder rap on you one of the most popular

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<v Speaker 10>celebrities in the United States?

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<v Speaker 4>Use your head trying to find him out for you?

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<v Speaker 5>He was killing me.

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<v Speaker 10>Look an eighty old colored man who's so feeble they

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<v Speaker 10>can't even go upstairs by himself, who has to have

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<v Speaker 10>his food pull it up to him in a basket,

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<v Speaker 10>is killing who? A stumblebum his own age? No, mister

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<v Speaker 10>Eddie Block, the top band lead of America, who can

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<v Speaker 10>name his own price anyway, who has about everything a

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<v Speaker 10>man can want. Tell me just one thing, mister Block.

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<v Speaker 9>How was he killing you?

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<v Speaker 5>I thinking thought waves of death that reached me through

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<v Speaker 5>the air.

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<v Speaker 4>Now, mister Block, you surely don't.

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<v Speaker 5>You want to hush the whole thing up, don't you?

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<v Speaker 10>No, mister Block, No, but I'm going to get the

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<v Speaker 10>whole story, so you might as well start telling me

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<v Speaker 10>from the beginning, all right.

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<v Speaker 5>It began one night, about two years ago, we were

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<v Speaker 5>playing at Maxim's on Charles Street. We were just another band,

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<v Speaker 5>small Dixie Land outfit. Then Heady blocking his chips, Judy Jarvis,

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<v Speaker 5>my wife did the vocals, but we weren't setting the

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<v Speaker 5>world on fire. Business was so bad, I know what

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<v Speaker 5>to expect. When I got a call from the manager

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<v Speaker 5>one night after closing time.

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<v Speaker 7>I'm in.

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<v Speaker 11>Ahi, Eddie, I thought we better have a little talk.

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<v Speaker 5>It's that bad. Huh.

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<v Speaker 11>Hey took in forty five hundred this week.

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<v Speaker 5>I see. And you can cancel my contract anytime it

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<v Speaker 5>falls under five thousand. I get it.

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<v Speaker 11>Eddithing can get the same liquor and sandwiches anywhere, but

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<v Speaker 11>they'll go where the band has something. Tonight there were

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<v Speaker 11>more waiters in the place than they were customers. Judy

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<v Speaker 11>didn't even get a hand.

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<v Speaker 5>It's not her fault.

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<v Speaker 11>It's not her fault. She's okay, But I'm asking you

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<v Speaker 11>what's wrong.

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<v Speaker 5>I don't know. I'm getting the latest arrangement sent to

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<v Speaker 5>me from New York. We sweat our heads bold or rehearsing. Well,

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<v Speaker 5>this is New Orleans, practically the cradle of jazz. You

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<v Speaker 5>got to give them.

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<v Speaker 7>Something new.

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<v Speaker 5>When away leave.

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<v Speaker 11>Well, finish the week up, see if you can do

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<v Speaker 11>something about it by Monday. Not I'll have to work,

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<v Speaker 11>say Louis to get Kruger's band. I'm sorry, Eddie.

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<v Speaker 5>But it's all right. It's okay you're not running a

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<v Speaker 5>charity bazaarre. But I didn't feel so cocky about it.

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<v Speaker 5>It looked like we were on the skids. The band

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<v Speaker 5>just didn't seem to have it, and I wasn't good

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<v Speaker 5>enough to figure out why and pull them out of it.

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<v Speaker 5>I was feeling pretty low when I went back to

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<v Speaker 5>the deserted bandstand to pick up some music. The place

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<v Speaker 5>was dark and empty except for a couple of scrub

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<v Speaker 5>women cleaning up. A dark nightclub can be an eerie

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<v Speaker 5>place sometimes. I got that feeling just before I saw it.

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<v Speaker 5>I saw it lying there on the floor between the stands.

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<v Speaker 5>It was a severed chicken claw with a red ribbon

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<v Speaker 5>tight around it. I almost laughed out did that thing

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<v Speaker 5>get there? Then I picked it up and tossed it

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<v Speaker 5>out on the floor where a scrub woman were cleaning up.

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<v Speaker 5>He certainly wasn't expecting the reaction I got. He took

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<v Speaker 5>one look, they turned and ran out. I just recovered

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<v Speaker 5>from that surprise and was bending down to pick up

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<v Speaker 5>some music that had slipped to the floor when I

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<v Speaker 5>heard someone come in. I guess I was pretty well

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<v Speaker 5>hidden from view anyway, he didn't see me. It was

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<v Speaker 5>Johnny Stats, my drummer, and he was acting funny. He

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<v Speaker 5>looking intently at the floor, searching for something. Suddenly he

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<v Speaker 5>spotted this chicken claw on the floor and grabbed it

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<v Speaker 5>up with a terrific sigh of relief, stuffed it into

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<v Speaker 5>his pocket and walked out. What I did then, I

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<v Speaker 5>did on a strange impulse, and it changed the whole

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<v Speaker 5>course of my life. I followed Johnny Stads. I suppose

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<v Speaker 5>I just meant to catch up with him and have

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<v Speaker 5>a cup of coffee with him somewhere and ask him

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<v Speaker 5>about the chicken cloth. But as I followed him farther

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<v Speaker 5>and farther down into the view carrie down the Congo Square,

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<v Speaker 5>it was a growing curiosity that kept me on his trail.

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<v Speaker 5>When he turned into that dark alleyway, I stopped and debated.

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<v Speaker 5>I felt like an eavesdropper, and yet something drew me

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<v Speaker 5>on and I walked up that dark alley. I passed

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<v Speaker 5>that one lighted window.

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<v Speaker 8>I told you before, don't go back there, honey.

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<v Speaker 5>But I went on throw a sort of tunnel into

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<v Speaker 5>another alleyway, and then I stopped. Ahead of me, Johnny

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<v Speaker 5>Stad stood before a dark, dismal looking old wreck of

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<v Speaker 5>a building. Suddenly he whistled. A gigantic man appeared from

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<v Speaker 5>out of the shadows. Johnny had it in the chicken claw,

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<v Speaker 5>and he was motioned into the building. And then I

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<v Speaker 5>heard sounds coming from the upstairs of that building. A

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<v Speaker 5>throbbing drum, a wailing, an unearthly sound, and yet wonderful,

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<v Speaker 5>an exotic, fascinating rhythm. This was music, something new, something sensational,

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<v Speaker 5>something that would set New Orleans on its ear and

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<v Speaker 5>put Eddie Block in the big time. I had to

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<v Speaker 5>get in there and hear it. I was mighty busy

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<v Speaker 5>for the next five minutes. I ran back down the alley,

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<v Speaker 5>overturning five or six garbage cans before I found what

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<v Speaker 5>I needed. Then back to that lighted window in the

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<v Speaker 5>alley and a five spot in exchange for a red ribbon.

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<v Speaker 5>Then I was back at the dark building, walking up

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<v Speaker 5>to that menacing shadow.

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<v Speaker 7>Right up, let me see your face.

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<v Speaker 5>Okay, okay, easy with that knife, My.

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<v Speaker 7>Ribs are tender. Your face not been here before.

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<v Speaker 5>My friend Johnny stats up there.

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<v Speaker 7>He'll tell you, missus, Johnny, old friend. Yes, you'll come.

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<v Speaker 1>Here this chicken claw tell me to come, Papa Benjamin

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<v Speaker 1>send you there.

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<v Speaker 5>Certainly you'll make me late. Papa Benjamin wouldn't like that.

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<v Speaker 7>Alright, go along here. First thing you know, all know

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<v Speaker 7>or is got me come round.

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<v Speaker 5>I groped up the stairs, half expecting to feel his

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<v Speaker 5>knife in my back, but I got to the top safely. Cautiously,

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<v Speaker 5>I opened the door.

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<v Speaker 9>And slip.

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<v Speaker 5>Conto conto. The room was full of people. They were

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<v Speaker 5>in such a state of frenzy I wasn't even noticed.

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<v Speaker 5>I slipped into a corner and slid down by the wall,

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<v Speaker 5>sitting on the floor. It was a sight I'll never forget. Wild, fantastic, hideous, revolting.

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<v Speaker 5>Fascinating in the center of the room was an incredibly

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<v Speaker 5>old man, naked to the waist, wearing a hideous mask

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<v Speaker 5>and holding a live chicken. There was wild gestures, weird incantations,

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<v Speaker 5>frantic dancing and shouting and rolling of eyes, and there

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<v Speaker 5>was blood, and always there was the chat. Nobody noticed me.

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<v Speaker 5>After a moment, I took a piece of copy paper

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<v Speaker 5>out of my pocket and began putting down the notes.

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<v Speaker 5>It was wonderful, fantastic and wonderful. In ten minutes, I

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<v Speaker 5>had it, and I'd seen enough enough for a lifetime

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<v Speaker 5>of light backs. I began to feel sick and I

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00:13:49.080 --> 00:13:52.320
<v Speaker 5>wanted to get out. I started to stand up. Suddenly

220
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<v Speaker 5>the room and dead strange joys here his boning arm

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<v Speaker 5>stretched out straight from the shoulder, pointing at me like

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<v Speaker 5>an arrow, and I was blood on it.

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<v Speaker 9>What you do here, I, Papa Loy, I know this man?

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<v Speaker 4>Let me find out.

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<v Speaker 5>No one moved. There was no sound in the room

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<v Speaker 5>as Johnny's stats came over and squatted beside me. You're

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<v Speaker 5>in terrible trouble, Addie. I don't know if I can

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<v Speaker 5>get you out of it. What is this status? And

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<v Speaker 5>what are you doing here?

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<v Speaker 12>There's no time to talk now. You've got to do

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<v Speaker 12>something quicker. You'll be a dead man.

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<v Speaker 5>Why I'm in the very heart of New Orleans. They wouldn't.

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<v Speaker 12>Dear listen, you've seen enough tonight. You know better, Eddie,

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00:14:26.960 --> 00:14:29.200
<v Speaker 12>is only one way what join become one of us.

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<v Speaker 5>It's the only way, Eddie. I can't save you.

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<v Speaker 12>And you'd better hurry up. Unless you do, you'll never

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<v Speaker 12>get out of here alive. You know what this is,

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00:14:37.399 --> 00:14:39.919
<v Speaker 12>don't you. This is voodoo.

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<v Speaker 5>Okay, sure, I'll join up.

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<v Speaker 6>Why not? Await a minute, Eddie.

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00:14:44.519 --> 00:14:45.960
<v Speaker 5>There's a lot more to it than you think.

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<v Speaker 12>Unless you're serious that it'd be better to get cut

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<v Speaker 12>to pieces right now.

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<v Speaker 5>I don't worry.

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<v Speaker 4>I'm serious, all right, Papa Loi. His spirit wishes to

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<v Speaker 4>join our spirits.

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<v Speaker 5>The old man burned some feathers while the others watch silently.

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<v Speaker 1>Then he nodded, came out all right.

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<v Speaker 7>He reads them the spirits of Willy.

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<v Speaker 5>There were other things, ritual ceremonies, another sacrifice. Then half

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<v Speaker 5>of the channing started again. They brought me the sacrificial bull.

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<v Speaker 5>I didn't have to be told what was in it.

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<v Speaker 5>I started to draw back. Drink any drink it, I'll

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00:15:24.720 --> 00:15:33.480
<v Speaker 5>tell you on the spot. Late next morning, the band

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00:15:33.480 --> 00:15:37.960
<v Speaker 5>assembled at Maximus for a rehearsal. When Johnny Stats got there,

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00:15:38.000 --> 00:15:40.919
<v Speaker 5>he found another drummer sitting in his place. Naturally, he

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00:15:41.000 --> 00:15:41.399
<v Speaker 5>came to me.

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<v Speaker 4>And what's all this about, Eddie.

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00:15:43.200 --> 00:15:45.320
<v Speaker 5>I don't want any voodoo lover in my band, That's

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<v Speaker 5>all Stats. Here's a check for two weeks, Sally, So

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00:15:49.200 --> 00:15:52.600
<v Speaker 5>you're crossing Amaya brother. I wouldn't want to be in

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<v Speaker 5>your shoes for all the gold and fort knocks. Hell?

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<v Speaker 5>Have you mean that bad dream last night? And I

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<v Speaker 5>haven't told anybody, and I won't I be laughed at.

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00:16:00.480 --> 00:16:02.639
<v Speaker 5>I'm only remembering what I can use of it. The

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<v Speaker 5>jungle is just trees to me, the Congoa River and

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00:16:05.320 --> 00:16:07.519
<v Speaker 5>nighttime just time for electric lights.

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<v Speaker 9>With this new number you're going to rehearse this morning.

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<v Speaker 5>I said I'd remember what I can. You listen, Eddy, that.

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<v Speaker 4>Chat is sacred secret. It was secret edy, don't do it.

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<v Speaker 5>Look, here's a couple of c notes hand to these

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<v Speaker 5>that ought to pay my dues up from now to doomsday.

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<v Speaker 5>And I don't want to receipt. And if they try

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<v Speaker 5>putting poison to my orange juice, they'll end up on

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<v Speaker 5>a chain.

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<v Speaker 9>It's not that easier.

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<v Speaker 5>You're one of us now, Oh, get out, okay, goodbye

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00:16:32.120 --> 00:16:50.759
<v Speaker 5>dead Man. Graham, the manager of the club changed his

279
00:16:50.840 --> 00:16:53.399
<v Speaker 5>mind about canceling our contract when he heard us rehearse

280
00:16:53.440 --> 00:16:57.399
<v Speaker 5>the chant. Instead, he spent five g's in publicity, and

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<v Speaker 5>Saturday night was set for the big unveiling. Seemed like

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<v Speaker 5>all New Orleans, tried to jam at the Maxims came

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<v Speaker 5>to hear the Voodoo Champ the real thing. Just before

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00:17:08.039 --> 00:17:09.680
<v Speaker 5>we were ready to hit it, Judy came.

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<v Speaker 8>Up to me, Eddie, listen, let's not do it.

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00:17:12.920 --> 00:17:14.599
<v Speaker 5>What do you mean, maybe not do it? Well, this

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00:17:14.720 --> 00:17:16.599
<v Speaker 5>is it. This is our ticket to the big time.

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00:17:16.839 --> 00:17:18.799
<v Speaker 5>It'll be a sensation, I know, but I.

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00:17:18.759 --> 00:17:21.920
<v Speaker 13>Got a funny feeling, Eddie. And look I found this

290
00:17:21.960 --> 00:17:23.680
<v Speaker 13>in the addressing room door just a little while ago.

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00:17:23.680 --> 00:17:25.920
<v Speaker 13>It sounds like a warning. Somebody doesn't want you to

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00:17:25.920 --> 00:17:26.599
<v Speaker 13>play that number.

293
00:17:26.640 --> 00:17:27.039
<v Speaker 6>He said.

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00:17:28.319 --> 00:17:31.440
<v Speaker 5>You can summon the spirits, but can you dismiss them again?

295
00:17:31.640 --> 00:17:34.799
<v Speaker 5>Think well, hm, oh, forget it.

296
00:17:34.960 --> 00:17:35.240
<v Speaker 7>Baby.

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00:17:35.279 --> 00:17:39.039
<v Speaker 5>Stats is trying to scare me because I fired him.

298
00:17:39.640 --> 00:17:40.279
<v Speaker 5>Come on, let's go.

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00:17:40.400 --> 00:17:40.559
<v Speaker 6>There.

300
00:17:41.559 --> 00:17:44.440
<v Speaker 14>Takes a great pleasure in bringing you a historic moment

301
00:17:44.480 --> 00:17:47.480
<v Speaker 14>in musical history. You're about to hear for the first

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00:17:47.519 --> 00:17:52.000
<v Speaker 14>time anywhere, the Voodoo chat the aj Oe ceremonial rhythm.

303
00:17:52.039 --> 00:17:54.240
<v Speaker 7>No one but the initiated has ever hurt before.

304
00:17:54.759 --> 00:17:57.920
<v Speaker 15>This is the real thing, Lady gentleman, an accurate transcription,

305
00:17:58.480 --> 00:18:02.599
<v Speaker 15>got a notice been changed. H So now any Block

306
00:18:02.680 --> 00:18:06.200
<v Speaker 15>and his chips present for the first time anywhere, the

307
00:18:06.359 --> 00:18:07.519
<v Speaker 15>Goodoo chaps.

308
00:19:10.839 --> 00:19:13.720
<v Speaker 5>It was a sensation and they went crazy at the

309
00:19:13.839 --> 00:19:16.759
<v Speaker 5>screamed for more. But we were playing a kag once

310
00:19:16.799 --> 00:19:21.039
<v Speaker 5>a night. That'd pack him in. After it was over,

311
00:19:21.119 --> 00:19:23.440
<v Speaker 5>I went back to our dressing room. Judy got there

312
00:19:23.480 --> 00:19:28.240
<v Speaker 5>before me. She was reading a newspaper somebody had brought in. Ed, baby,

313
00:19:28.319 --> 00:19:31.519
<v Speaker 5>you were wonderful. We wound him. We're in the money now, yeah, Eddie,

314
00:19:31.519 --> 00:19:34.960
<v Speaker 5>But boy, boy, am I tired. I feel more tired

315
00:19:34.960 --> 00:19:37.799
<v Speaker 5>than I've ever felt in my life. Nervous train, I guess, huh,

316
00:19:37.880 --> 00:19:41.240
<v Speaker 5>let them you're in the paper. Who cares about the paper?

317
00:19:41.279 --> 00:19:45.480
<v Speaker 8>Now, Eddie? It's Johnny's steps. He's dead. He drowned himself,

318
00:19:45.480 --> 00:19:46.599
<v Speaker 8>and let push a train this.

319
00:19:46.519 --> 00:19:55.119
<v Speaker 5>Afternoon, this afternoon. But then that note. It wasn't Johnny.

320
00:19:55.640 --> 00:19:57.680
<v Speaker 8>Oh Eddie, look, you can't blame yourself.

321
00:19:57.920 --> 00:20:01.519
<v Speaker 5>Oh no, no, no, no, of course not. But I

322
00:20:01.599 --> 00:20:02.759
<v Speaker 5>think I know WHO'DU blame.

323
00:20:03.240 --> 00:20:07.079
<v Speaker 8>What do you mean nothing, nothing, Eddie? Wouldn't you lie

324
00:20:07.079 --> 00:20:08.799
<v Speaker 8>down and rest for a few minutes? You look worn out?

325
00:20:08.880 --> 00:20:09.039
<v Speaker 4>Yes?

326
00:20:09.119 --> 00:20:11.599
<v Speaker 5>I am right, I feel dead.

327
00:20:11.960 --> 00:20:13.559
<v Speaker 8>Here. Let me take off your coat.

328
00:20:13.680 --> 00:20:14.759
<v Speaker 1>Oh be careful, what's me?

329
00:20:16.039 --> 00:20:18.880
<v Speaker 5>I don't know a funny thing? But I was waving

330
00:20:18.920 --> 00:20:21.319
<v Speaker 5>the batana, and in the chat I felt something, a

331
00:20:21.440 --> 00:20:24.359
<v Speaker 5>sharp pain in my back, like a pin of something stucky.

332
00:20:24.599 --> 00:20:27.119
<v Speaker 8>I don't feel anything there now. Maybe it's slipped down.

333
00:20:27.160 --> 00:20:27.599
<v Speaker 5>I don't know.

334
00:20:28.079 --> 00:20:31.880
<v Speaker 13>Couldn't have been much there. Now, you just lie down,

335
00:20:32.039 --> 00:20:33.279
<v Speaker 13>you'll feel better in a few minutes.

336
00:20:33.880 --> 00:20:36.079
<v Speaker 8>You've been working too hard, Eddie. You should relax now

337
00:20:36.079 --> 00:20:39.839
<v Speaker 8>and maybe take a few days off. Hey, Eddie, look here,

338
00:20:41.000 --> 00:20:41.880
<v Speaker 8>where'd this come from.

339
00:20:42.640 --> 00:20:48.279
<v Speaker 13>It's a little doll that was lying on the dressing table. Why, Eddie,

340
00:20:48.279 --> 00:20:49.759
<v Speaker 13>it looks just like you.

341
00:20:50.400 --> 00:20:51.079
<v Speaker 5>Let me sing.

342
00:20:52.440 --> 00:20:56.279
<v Speaker 13>Now, that's funny. Look there in the back, there's a

343
00:20:56.319 --> 00:20:57.720
<v Speaker 13>little pin sticking in the bag.

344
00:20:58.880 --> 00:21:12.640
<v Speaker 5>Yes, that's right where I felt the pain that started.

345
00:21:13.839 --> 00:21:16.039
<v Speaker 5>Next day, I had a backache. Later there was a

346
00:21:16.119 --> 00:21:19.480
<v Speaker 5>numbness that spread to my shoulders, arms, and legs. I

347
00:21:19.519 --> 00:21:23.720
<v Speaker 5>felt tired all the time, listless dead. I began to

348
00:21:23.759 --> 00:21:27.680
<v Speaker 5>lose weight. I couldn't get Johnny's statz out of my mind.

349
00:21:28.519 --> 00:21:31.039
<v Speaker 5>He'd introduced me to them, vouched for me, and he'd

350
00:21:31.039 --> 00:21:37.599
<v Speaker 5>committed suicide. He knew he hadn't waited. I decided to

351
00:21:37.599 --> 00:21:43.119
<v Speaker 5>get out of New Orleans. I went to New York

352
00:21:43.240 --> 00:21:45.279
<v Speaker 5>playing the chat. Of course, I had to it was

353
00:21:45.319 --> 00:21:49.319
<v Speaker 5>my biggest asset now, but nothing changed. I was losing

354
00:21:49.359 --> 00:21:51.960
<v Speaker 5>weight from a husky two hundred down to one hundred

355
00:21:52.000 --> 00:21:55.440
<v Speaker 5>and sixty, and I couldn't sleep. Maybe if I put

356
00:21:55.440 --> 00:21:59.319
<v Speaker 5>a notion between I took an offer in London, toured

357
00:21:59.319 --> 00:22:03.119
<v Speaker 5>the Connolly Away a year. I was an international hit, now,

358
00:22:03.160 --> 00:22:06.359
<v Speaker 5>the biggest attraction in music, but I was down to

359
00:22:06.400 --> 00:22:10.480
<v Speaker 5>one hundred and ten, dying on my feet. The doctors

360
00:22:10.480 --> 00:22:13.519
<v Speaker 5>couldn't figure it out. Reynolds in London told.

361
00:22:13.319 --> 00:22:17.079
<v Speaker 1>Me, you're as normal, mister Block, as anyone I ever examined.

362
00:22:17.759 --> 00:22:19.960
<v Speaker 1>You're so well balanced if you haven't even got that

363
00:22:20.240 --> 00:22:23.799
<v Speaker 1>extra little touch of imagination most actors and musicians have.

364
00:22:25.079 --> 00:22:30.519
<v Speaker 5>I guess that's true, doctor, I'm just mediocre, And yet

365
00:22:30.559 --> 00:22:43.720
<v Speaker 5>you might say my success is killing me. And so

366
00:22:43.960 --> 00:22:46.839
<v Speaker 5>after two years I finally realized it was no use.

367
00:22:47.599 --> 00:22:52.319
<v Speaker 5>I came back back to New Orleans, back to the

368
00:22:52.440 --> 00:22:57.440
<v Speaker 5>dark alleyway down near Congo's Square. I could just barely

369
00:22:57.519 --> 00:23:00.519
<v Speaker 5>drag myself along, but I had to see Papa Benjamin.

370
00:23:02.680 --> 00:23:06.319
<v Speaker 5>I slowly climbed the stairs up to that lowesome door

371
00:23:06.640 --> 00:23:12.799
<v Speaker 5>and went in. There he was Papa Benjamin, staring at

372
00:23:12.799 --> 00:23:14.680
<v Speaker 5>me from the bed as if he'd been expecting me,

373
00:23:21.559 --> 00:23:25.160
<v Speaker 5>take that curse off me, give me my life back.

374
00:23:25.200 --> 00:23:26.720
<v Speaker 5>I'll do anything anything you say.

375
00:23:27.559 --> 00:23:32.720
<v Speaker 16>What has been done cannot be undone. Do you think

376
00:23:32.880 --> 00:23:38.440
<v Speaker 16>the spirits of earth, air, fire, water? No, what forgiveness

377
00:23:38.559 --> 00:23:39.119
<v Speaker 16>means in.

378
00:23:39.200 --> 00:23:43.319
<v Speaker 5>A set for me? Then you brought it about. Here's money.

379
00:23:43.359 --> 00:23:45.200
<v Speaker 5>I'll give you twice as much all I hearn, all

380
00:23:45.240 --> 00:23:46.160
<v Speaker 5>I ever hope to earn.

381
00:23:46.240 --> 00:23:50.759
<v Speaker 16>You have fouled the obia death has been on you

382
00:23:50.960 --> 00:23:55.000
<v Speaker 16>from that night, all over the world and in the

383
00:23:55.039 --> 00:23:58.960
<v Speaker 16>air above. You have marked the spirits with a chant

384
00:23:59.000 --> 00:24:00.480
<v Speaker 16>that summons them.

385
00:24:00.519 --> 00:24:03.079
<v Speaker 5>And please, here's a gun. Kill me now and be

386
00:24:03.160 --> 00:24:06.440
<v Speaker 5>done with it. I can't stand anymore. All you have

387
00:24:06.519 --> 00:24:08.160
<v Speaker 5>to do is shoot. I'll write a note sign and

388
00:24:08.240 --> 00:24:09.240
<v Speaker 5>say I did it myself.

389
00:24:10.119 --> 00:24:17.240
<v Speaker 16>Will come but different, slow, oh slow.

390
00:24:16.599 --> 00:24:19.079
<v Speaker 5>No no no, I can't stand that. I won't.

391
00:24:19.160 --> 00:24:19.559
<v Speaker 7>I won't.

392
00:24:23.200 --> 00:24:27.359
<v Speaker 5>Maybe if I kill you, maybe then the spell will

393
00:24:27.400 --> 00:24:29.880
<v Speaker 5>be broken. No, no, that's it, kill you.

394
00:24:30.079 --> 00:24:52.119
<v Speaker 17>No, no, and that's all, Commissioner.

395
00:24:53.240 --> 00:24:55.599
<v Speaker 5>Then I came here the police station.

396
00:24:55.680 --> 00:25:01.279
<v Speaker 11>You know the rest. Well, all right, mister Black. You

397
00:25:01.359 --> 00:25:05.920
<v Speaker 11>don't believe me, yes, I believe you. Not about the curse.

398
00:25:05.960 --> 00:25:09.440
<v Speaker 11>Of course, that was your own mind. They planted the

399
00:25:09.440 --> 00:25:13.680
<v Speaker 11>suggestion in your mind. You did the rest, but it's

400
00:25:13.759 --> 00:25:17.640
<v Speaker 11>plain that you killed in self defense. Crazy kind of

401
00:25:17.680 --> 00:25:20.519
<v Speaker 11>self defense. But I think we can manage it.

402
00:25:21.240 --> 00:25:28.279
<v Speaker 4>We'll try.

403
00:25:28.400 --> 00:25:32.000
<v Speaker 5>The commissioner managed it all right. How is almost a

404
00:25:32.079 --> 00:25:36.440
<v Speaker 5>story in itself. Our detective with a molage, false face

405
00:25:36.519 --> 00:25:39.279
<v Speaker 5>posed is Papa Benjamin and called a voodoo planned together

406
00:25:39.359 --> 00:25:42.640
<v Speaker 5>and into a trap. How they collected the evidence that

407
00:25:42.759 --> 00:25:46.640
<v Speaker 5>proved my story, and how they sent most of that

408
00:25:46.720 --> 00:25:50.400
<v Speaker 5>voodoo bunch to jail. My name wasn't even connected with

409
00:25:50.480 --> 00:25:55.480
<v Speaker 5>the case. So now I'm free. I'm living again. I've

410
00:25:55.480 --> 00:25:59.640
<v Speaker 5>gained weight, the tiredness, the numbness is gone. I took

411
00:25:59.680 --> 00:26:02.680
<v Speaker 5>a nice vacation, went to Bermuda, relaxed and had fun.

412
00:26:04.240 --> 00:26:06.599
<v Speaker 5>Now I'm back in New Orleans at Maxim's and the

413
00:26:06.640 --> 00:26:09.920
<v Speaker 5>whole thing is forgotten. We're opening tonight and the place

414
00:26:10.000 --> 00:26:14.000
<v Speaker 5>is packed. Everybody's come to hear the chat Eddie Block

415
00:26:14.039 --> 00:26:17.920
<v Speaker 5>and the chant. We're on our way now and nothing

416
00:26:17.960 --> 00:26:18.680
<v Speaker 5>can stop.

417
00:26:18.480 --> 00:26:21.400
<v Speaker 14>Us, No lady way.

418
00:26:21.519 --> 00:26:25.279
<v Speaker 15>Welcome back on his triumph return Eddie Flock and his

419
00:26:25.559 --> 00:26:28.160
<v Speaker 15>kids playing for you go want it on me?

420
00:26:28.799 --> 00:26:29.400
<v Speaker 7>Who don't?

421
00:26:29.559 --> 00:26:53.039
<v Speaker 9>Can't look at him, juddy. They're eating it up.

422
00:26:54.240 --> 00:26:58.200
<v Speaker 8>Yeah, it's a matter. I was hoping i'd never hear

423
00:26:58.279 --> 00:26:58.960
<v Speaker 8>this thing again.

424
00:26:59.319 --> 00:27:01.200
<v Speaker 9>What do you mean it's your trademark, yours.

425
00:27:02.200 --> 00:27:04.680
<v Speaker 8>I tried to persuade him not to do it. He

426
00:27:04.720 --> 00:27:05.400
<v Speaker 8>wouldn't listen.

427
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<v Speaker 9>Why you want imagining all that voodoos?

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<v Speaker 8>I don't know. It was all in his mind that

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<v Speaker 8>nearly killed him.

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<v Speaker 13>I don't think you can put it out of your

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<v Speaker 13>mind if it gets so easy when Eddie plays.

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<v Speaker 8>Hey, wait a minute, look at Eddie. There's something wrong.

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00:27:27.480 --> 00:27:30.799
<v Speaker 7>Eddie, Eddie, wait, now, let me pick him up. He's

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00:27:30.799 --> 00:27:31.799
<v Speaker 7>probably just faded.

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00:27:31.559 --> 00:27:44.240
<v Speaker 8>From no leave Malone. He's dead. I guess Papa Benjamin

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00:27:45.039 --> 00:27:45.960
<v Speaker 8>won after all.

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<v Speaker 2>Escape produced by William N. Robesen and directed by Norman McDonnell.

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00:28:13.839 --> 00:28:17.720
<v Speaker 2>Today Brought You Papa Benjamin by William Irish, adapted for

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00:28:17.839 --> 00:28:20.920
<v Speaker 2>radio by John Duncle, with Frank Lovejoy as Eddie Block,

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00:28:21.319 --> 00:28:24.519
<v Speaker 2>Louis van Ruton as Papa Benjamin, Harry Bartel as the

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00:28:24.519 --> 00:28:28.799
<v Speaker 2>police commissioner, and Joan Banks as Duty. Music was conducted

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00:28:28.799 --> 00:28:29.759
<v Speaker 2>by Eddie Dunstatter.

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00:28:33.039 --> 00:28:37.119
<v Speaker 1>Next Week, you are speeding through the night on the

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00:28:37.119 --> 00:28:38.359
<v Speaker 1>Eastern Bull Express.

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00:28:39.200 --> 00:28:42.240
<v Speaker 6>You are alone and unarmed, and.

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00:28:42.240 --> 00:28:45.400
<v Speaker 1>Suddenly you realize that your life is in danger, that

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00:28:45.559 --> 00:28:48.319
<v Speaker 1>somewhere on the train are deadly killers from whom you

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00:28:48.960 --> 00:28:58.880
<v Speaker 1>must escape.

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00:29:01.039 --> 00:29:04.599
<v Speaker 2>Next week we escape with Harold Lamb's exciting adventure story

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00:29:04.680 --> 00:29:08.240
<v Speaker 2>Three Good Witnesses. Good Bye, then, until this same time

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<v Speaker 2>next week, when again we offer you escape. This is

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00:29:15.440 --> 00:29:30.880
<v Speaker 2>CBS's Columbia Broadcasting System.
