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<v Speaker 1>Leaning a light. Man like this, Man, you letting butterfly

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<v Speaker 1>flapping his wing big down in a force. Man, it

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<v Speaker 1>gonna cause a tree fold, letting five thousand miles away. Man,

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<v Speaker 1>nobody see it.

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<v Speaker 2>Nobody else. Let you see what you don't need? No, man,

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<v Speaker 2>don't you follow? And you got back that? Man? Don't

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<v Speaker 2>black a d on Panama?

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<v Speaker 1>Man, you don't don't matter?

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<v Speaker 3>Man anyway?

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<v Speaker 2>All right? William from in soel Riots Studios. How you

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<v Speaker 2>doing man? Pretty good? Are you? Yeah? I'm doing well.

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<v Speaker 1>I mean I realized dating your podcast in the first

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<v Speaker 1>twenty seconds, UH is poor form.

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<v Speaker 2>But if you're wondering less, sir. This is the day

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<v Speaker 2>that the chat feature.

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<v Speaker 1>On x Scott pushed out, which means that UH, as

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<v Speaker 1>someone whose job it is to basically coordinate things via

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<v Speaker 1>dms on Twitter, today has been a disaster for me.

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<v Speaker 1>Nothing has gone according to plan. But nonetheless are here

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<v Speaker 1>so anyway, man, Obviously this was set up by our

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<v Speaker 1>mutual friends at Antelope Hill.

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<v Speaker 2>But who are you and what do you do? Who

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<v Speaker 2>am I?

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<v Speaker 3>And what do I do?

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<v Speaker 2>My name is William Dale? About just docs myself and

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<v Speaker 2>I make board games. I've been making board games for

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<v Speaker 2>I guess seven eight years now professionally, and before that

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<v Speaker 2>I was a commercial illustrator. I guess we'll get into

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<v Speaker 2>that story at some point. That it all came to

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<v Speaker 2>a screechy halt in twenty sixteen when I backed their

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<v Speaker 2>own candidate for president.

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<v Speaker 1>And that's sort of an interesting thing. I'm not really

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<v Speaker 1>a board games guy, but I am in areas that

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<v Speaker 1>are kissing cousins, right, Like I sort of grew up

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<v Speaker 1>as a you know, a war gamer. You're playing a

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<v Speaker 1>lot of tabletop RPGs and there's a lot of crossover, right,

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<v Speaker 1>you sort of see the same treatment happening, and uh,

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<v Speaker 1>those faces got just absolutely overrun with like horrible progressive

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<v Speaker 1>types sort of at the same time, slightly earlier even

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<v Speaker 1>than we saw with you know, gaming, which obviously gamer

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<v Speaker 1>Gate is how a lot of people ended up, you know,

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<v Speaker 1>by getting pushed out of mainstream politics.

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<v Speaker 2>I think they were always there, I think I think

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<v Speaker 2>I think the election brought them out as well, one

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<v Speaker 2>hundred percent. It brought it out.

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<v Speaker 1>And you know, I was giving a teenager at the time,

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<v Speaker 1>and you know, I had always been interested in kind

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<v Speaker 1>of nerdy at nerdy whatever that means, you know, activities, Uh,

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<v Speaker 1>and obviously to me, in my mind, if there were politics,

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<v Speaker 1>it was sort of like nineties liberal politics, like generally

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<v Speaker 1>be nice to people, you know, authority is generally negative.

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<v Speaker 1>But it was all pretty background stuff, right, I mean,

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<v Speaker 1>that's a very general thing to say.

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<v Speaker 2>But I guess I guess if you're in high school

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<v Speaker 2>during the nineties, I suppose that's true.

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<v Speaker 1>I'm talking about in the in the mid two thousands,

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<v Speaker 1>like that was the sort of politics that you saw,

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<v Speaker 1>like I'm thinking about like uh like or like sort

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<v Speaker 1>of before fifth edition D and D, you know, for

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<v Speaker 1>for rough context.

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<v Speaker 2>Okay, okay, I lost track of D and D after

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<v Speaker 2>second edition. I just just completely ignored it.

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<v Speaker 1>You didn't miss much.

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<v Speaker 2>All I have to say about that is some uh

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<v Speaker 2>faco as cancer and uh roll to hit tables are

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<v Speaker 2>the way to go. It's the way God it came

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<v Speaker 2>to be played. It's a fair enough man.

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<v Speaker 1>So obviously you you you started out on your own,

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<v Speaker 1>what almost ten years ago? Now, Uh, do you want

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<v Speaker 1>to just briefly summarize your your cancelation. We don't need

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<v Speaker 1>to get into the details, but.

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<v Speaker 2>Oh the cancelation. Sure, yeah, well, I guess you might

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<v Speaker 2>not remember in twenty twelve when you had during when

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<v Speaker 2>elections happened. So me working as a commercial illustrator, right,

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<v Speaker 2>like a freelance I have. I had representation, but you

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<v Speaker 2>know they only shot me like a project like three

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<v Speaker 2>or four times a year if that. So I'm like

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<v Speaker 2>completely on my own, like on the hands and dribble

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<v Speaker 2>and on social media just posting things like to get

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<v Speaker 2>the attention of people. And one really way a good

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<v Speaker 2>way to do that back then is like if a

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<v Speaker 2>really popular franchise came out, like Breaking Bad comes out,

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<v Speaker 2>you do some Breaking Bad fan art and people will

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<v Speaker 2>spread it around because it's a franchise they like. And

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<v Speaker 2>during an election like in the twenty twelve you had,

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<v Speaker 2>like that was a way to do that. You could

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<v Speaker 2>be like I'm an Obama guy or I'm a McCaine guy,

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<v Speaker 2>and uh, I'm a Ron Paul guy, and you you

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<v Speaker 2>do like fan art of your guy, and people who

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<v Speaker 2>also liked your guy like spread your guy around. It's

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<v Speaker 2>a good way to get attention. It's a good way

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<v Speaker 2>to get work. And so that's what I did. I did. Uh,

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<v Speaker 2>I picked I picked Trump as my guy, like very

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<v Speaker 2>on really we way way early in the election back

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<v Speaker 2>when they were like seventeen candidates Republican and it was

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<v Speaker 2>I was working on it during the uh that first

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<v Speaker 2>Fox debate with mecon Kelly, like the Rosie O'Donnell that

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<v Speaker 2>that one and the the mood as hours after I

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<v Speaker 2>posted it. So I posted, I went to bed, and

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<v Speaker 2>I went to and uh I made fan art like

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<v Speaker 2>the spanner of Trump, but I still have it on

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<v Speaker 2>my on my website and stuff. But then I go

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<v Speaker 2>to bed and then I wake up and he the

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<v Speaker 2>narrative has shifted from clown candidate to Hitler and our age.

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<v Speaker 1>And yeah, everything, And I remember that that was sort

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<v Speaker 1>of a funny, funny like transfer, I guess you were

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<v Speaker 1>talking about, right, the pivot from Donald Trump an inherently

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<v Speaker 1>comedic to he is Orange Hitler Because again, like I

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<v Speaker 1>was in height, like I said, late high school at

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<v Speaker 1>the time, and so you know, when you're like seventeen,

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<v Speaker 1>you're like, this guy's hilarious. He is my favorite presidential

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<v Speaker 1>candidate ever because he, you know, makes fun of people

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<v Speaker 1>on the Internet and says rude things, right, just kind

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<v Speaker 1>of core interests at that stage in life. And you know,

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<v Speaker 1>at first it was sort of this like attitude of like, oh,

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<v Speaker 1>boys will be boys, like whatever, no one cares. But

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<v Speaker 1>then it shifted into you don't know what you're saying,

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<v Speaker 1>You're you're promoting something dangerous. It became even more fun.

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<v Speaker 1>Right obviously there's no career tied to it, but I

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<v Speaker 1>remember exactly that moment you're talking.

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<v Speaker 2>About it, this sense of becomes fun. Yeah. Oh man,

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<v Speaker 2>it freaks me out how people like like like schools

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<v Speaker 2>of sardines in the water, just the the media shifts

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<v Speaker 2>course and they all shift course and they don't realize

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<v Speaker 2>that they've shifted course, and they say, well, you know

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<v Speaker 2>I was always against You're like you you meet like

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<v Speaker 2>a democrat, wh Well, I always hitted Trump. I always

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<v Speaker 2>knew was a racist, you know all. You know, all

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<v Speaker 2>the way back in the eighties when he was making

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<v Speaker 2>appearances on you know, the Fresh Prince of bel Air

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<v Speaker 2>or whatever, like, No, you didn't. Everybody left him, even you.

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<v Speaker 1>Well, it's like this is much later in time. But

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<v Speaker 1>do you remember when they made a big deal Disney

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<v Speaker 1>did about editing him out of Home alone too, you know,

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<v Speaker 1>like he remember that.

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<v Speaker 2>And they just like roll my eyes and keep scrolling

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<v Speaker 2>because there was so much of that. Well, it's weird.

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<v Speaker 1>And the only reason I remembered this is because like

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<v Speaker 1>that's you know, that's back page news even when it happened.

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<v Speaker 1>But right, you know, last holiday season, I was watching

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<v Speaker 1>it that movie with you know, some family members, and

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<v Speaker 1>it got to the part where you know, Kevin walks

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<v Speaker 1>down the hall and he's supposed to, you know, Donald

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<v Speaker 1>Trump is supposed to point him in the right direction,

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<v Speaker 1>and Dale looked at me like a crazy person. I

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<v Speaker 1>was like, where did Donald Trump scene go? Because admittedly

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<v Speaker 1>that does sound like a crazy thing.

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<v Speaker 2>You know, there's just a scene. Oh, they'll get Mandela

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<v Speaker 2>if they don't remember it was ever there, And so

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<v Speaker 2>I was easily justified.

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<v Speaker 1>But to that point where it's like you really can

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<v Speaker 1>just rewrite history through like selective media application, And when

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<v Speaker 1>you're the one guy, you're like, there's no way, I'm crazy,

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<v Speaker 1>Like I remember this happening.

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<v Speaker 2>Even if something is induging bunchel as that really terrify me.

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<v Speaker 2>But that is one of them, like like's be like

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<v Speaker 2>living with pod people, Like how did they erase that

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<v Speaker 2>part of your brain? How does that work? Why am

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<v Speaker 2>I the only human? Yeah?

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<v Speaker 1>Well man, so obviously you got pushed out as a

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<v Speaker 1>as a commercial illustrator. Uh Ay, I mean look like

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<v Speaker 1>that's a that is a a crowd with a certain culture.

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<v Speaker 1>Perhaps I'll leave it at that.

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<v Speaker 2>So who do you go next? Yeah, you don't go anywhere.

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<v Speaker 2>It's like, well, let's see, well, what of the options

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<v Speaker 2>are starve to death? That's one. Put a pin in that.

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<v Speaker 2>The other one is, uh, did you starve to death?

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<v Speaker 2>I haven't starved to death yet. We are we are

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<v Speaker 2>operating on much, much less money than we used to.

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<v Speaker 2>But then I thought, well, let's see if I can

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<v Speaker 2>find a new audience, which has been an ongoing Uh.

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<v Speaker 2>I don't want to say struggle, it's it's been very interesting. Yeah.

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<v Speaker 1>So obviously there's at least some crossover with doing you know,

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<v Speaker 1>board games if you can do the art yourself, obviously

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<v Speaker 1>that's a big part of it, especially in the era

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<v Speaker 1>of Ian and you probably know more about this than

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<v Speaker 1>I do, but you're the era of you know, sort

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<v Speaker 1>of bespoke hobbyist board gaming right where you can there's

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<v Speaker 1>an audience for well illustrated, expensive board games.

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<v Speaker 2>Right, Well, there's that. Okay, but yeah, I what am

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<v Speaker 2>I saying? Uh? Well, as a you know, on an illustrator,

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<v Speaker 2>I've worked with a lot of I had worked with

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<v Speaker 2>a lot of companies and uh, like a lot of

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<v Speaker 2>stuff got printed. I had relationships with a lot of

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<v Speaker 2>factories who made things. You like you do a show,

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<v Speaker 2>uh a convention, right, we need we need our branded

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<v Speaker 2>swag in this location. We need like all the specifications,

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<v Speaker 2>blah blah blah blah. You take it to the printers.

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<v Speaker 2>You know, you know all about the you know how

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<v Speaker 2>to pick the colors and uh, you know and how

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<v Speaker 2>to how to get it all. So, okay, I have

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<v Speaker 2>this skill set. Maybe I can just apply it to something.

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<v Speaker 2>And I also like board games and listen like strategy games,

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<v Speaker 2>so so that works out well. I just I guess

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<v Speaker 2>I was referring to, Uh, I guess I'm very liberal brained,

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<v Speaker 2>if that makes any sense. I'm a liberal brain person

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<v Speaker 2>with conservative values among conservatives, And I don't know, I'm

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<v Speaker 2>just constantly aware of, like how I don't connect with people,

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<v Speaker 2>and how things don't land and help people don't care

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<v Speaker 2>about the same things that I care about.

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<v Speaker 1>Does that make sense one hundred percent? And like I

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<v Speaker 1>even say that as someone who has right wing politics

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<v Speaker 1>but is not particularly conservative for whatever that term means.

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<v Speaker 1>And I think there is an important difference there, you know, yeah,

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<v Speaker 1>even see this with like Honestly, I think that in

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<v Speaker 1>many ways, current millennial culture is actually quite conservative in

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<v Speaker 1>the sense that they are very interested in maintaining a

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<v Speaker 1>certain type of status quo, like the values handed down

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<v Speaker 1>to them by wider society. They want to preserve those.

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<v Speaker 1>It's just they grew up in, broadly speaking, very left

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<v Speaker 1>wing culture. So I think there's there's important distinction to

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<v Speaker 1>be made there.

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<v Speaker 2>There as these pseudomorphosis at work. Yes they are the

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<v Speaker 2>millennials are becoming what they are. No, certainly and so.

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<v Speaker 1>But but so when you're speaking about that, that's sort

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<v Speaker 1>of like, I guess real latitude, right, how does that

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<v Speaker 1>affect your work?

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<v Speaker 2>I guess, well, it's it seems to me just to

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<v Speaker 2>start out that the political divide right now has less

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<v Speaker 2>to do with politics and more to do with personality.

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<v Speaker 2>Certainly personality types like if you are extremely left brained,

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<v Speaker 2>you're probably a Republican Now, I don't think it would

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<v Speaker 2>be it would have been that way twenty five years ago.

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<v Speaker 2>And if you're extremely right brained, like a creative type,

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<v Speaker 2>you are easily you are very susceptible to imagery and

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<v Speaker 2>emotion and propaganda, and you will be on the left

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<v Speaker 2>currently right brain on the left, left brain on the right.

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<v Speaker 2>So when I approach your project, like I'm really interested

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<v Speaker 2>in like the aesthetics of the thing, right, and I

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<v Speaker 2>find that my audience really isn't like they don't care

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<v Speaker 2>even if they notice. Well, that's always a tough thing.

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<v Speaker 1>And I noticed this as well someone who's maybe not

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<v Speaker 1>a creative themselves, but it's surrounded myself with creatives, is

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<v Speaker 1>that it's always tough when it's it's like the thing

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<v Speaker 1>you care about, the thing that you want to be perfect,

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<v Speaker 1>has very little determinate value on what you actually need

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<v Speaker 1>the project to do. But it's like I can't let

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<v Speaker 1>it go. It has to be perfect, even in a

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<v Speaker 1>way that doesn't matter.

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<v Speaker 2>Well, on the back of my mind, I tell myself

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<v Speaker 2>that they actually do perceive it, even if they it

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<v Speaker 2>doesn't register, if that makes sense.

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<v Speaker 1>Like one hundred percent. And actually this is a horrible

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<v Speaker 1>podcasting form. Will what's the game that you've most recently made?

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<v Speaker 2>Right, because this is what we are supposed.

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<v Speaker 1>To be talking about twelve minutes into a conversation.

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<v Speaker 2>Yeah, you mentioned currently are we are promoting Civil War two,

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<v Speaker 2>which is my most recent release. It is just about

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<v Speaker 2>to cross twelve thousand out of of a goal of

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<v Speaker 2>seventeen thousand, seventy six, which I thought would be immersive,

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<v Speaker 2>very immersive. It is completely an arbitrary number.

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<v Speaker 1>Fair enough, Yeah, that's what platforms are you using to

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<v Speaker 1>promote that? Because I understand that there are some platforms

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<v Speaker 1>which or friendlier than others.

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<v Speaker 2>Well, I decided to do it on Kickstarter, which may

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<v Speaker 2>have been a mistake. I think they're very I think

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<v Speaker 2>they're very hostile to us. I kind of I got

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<v Speaker 2>it in my mind that this time I would do

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<v Speaker 2>something that would be appealing, appealing to a broader cross

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<v Speaker 2>section of people, and that the curmudgeons that the pearl

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<v Speaker 2>clutches a kick Kickstarter would give me a fair shake

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<v Speaker 2>this time. I think that might have been a mistake.

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<v Speaker 2>Well see, I mean, look, the Kickstarter is still up,

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<v Speaker 2>so it's true. It's still up. Yeah, let's business.

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<v Speaker 1>Model of Kickstarter, if you will, because I think it's

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<v Speaker 1>actually an interesting thing because I know, well, and here's

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<v Speaker 1>the angle I want to take it. I think this

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<v Speaker 1>is interesting. I think the there's a much heightened skepticism

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<v Speaker 1>around crowdfunding than there was ten years ago because of

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<v Speaker 1>well of no good reasons masters.

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<v Speaker 2>Right, like how do you do it right?

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<v Speaker 1>Like how do you run a kickstart in a way

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<v Speaker 1>that actually that people can feel like they're not wasting

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<v Speaker 1>their money or they're going to get scamed.

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<v Speaker 2>Well, I have built up a base over time. I

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<v Speaker 2>have the mailing list. It's got about three thousand people

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<v Speaker 2>on it, former and former and current customers. Most of

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<v Speaker 2>it comes from that. I guess I've done done right

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<v Speaker 2>by them enough times that they want more. I've got

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<v Speaker 2>to get a lot of repeat buyers, not as many

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<v Speaker 2>new ones as I would hope. But as for reasons

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<v Speaker 2>that you say, yes, the kickstarter model is throw up

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<v Speaker 2>some slop, take the money and moved Costa Rica. Yeah,

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<v Speaker 2>fair enough.

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<v Speaker 1>I mean, look it's a goal, right, So that's a

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<v Speaker 1>good answer. And honestly, I think that that's sort of

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<v Speaker 1>the And you see this in any sort of like

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<v Speaker 1>online environment, like I remember forum culture back when that

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<v Speaker 1>still existed, would have like a rep kind of yes

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<v Speaker 1>and no, it's been eaten by social media. So if

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<v Speaker 1>you go to your favorite forms, yeah, like if you

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<v Speaker 1>go to your favorite forums, there's just no volume anymore.

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<v Speaker 1>You know, a lot of them unfortunately have been fully

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<v Speaker 1>killed off, like they don't pay for hosting anymore. But

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<v Speaker 1>there's just it's still alive, but not like it used to.

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<v Speaker 1>See I think of you know, like the REP system

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<v Speaker 1>that used to exist, right just asper to.

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<v Speaker 2>The successor to the successor of the forum that I

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<v Speaker 2>ran and used to frequent is Kiwi Farms. And they're fine,

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<v Speaker 2>but buying and large. I believe you're correg guess oh.

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<v Speaker 1>That's that's actually really interesting. I had Josh moon on

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<v Speaker 1>not too long ago.

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<v Speaker 2>Yeah, very few of them actually remember me. Some of

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<v Speaker 2>the posters might. It's all overrun by millennials now.

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<v Speaker 1>Yeah, well, I mean I think with Kiwi Farms, it's

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<v Speaker 1>sort of its own, sort of its own thing now,

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<v Speaker 1>you know, Like whereas the model for forums, and I

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<v Speaker 1>was around for kind of the tail end of it,

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<v Speaker 1>but as someone who had specific interest, it was a

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<v Speaker 1>great way to collate information. But the reason I brought

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<v Speaker 1>it up, it's not just a reminisce about when the

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<v Speaker 1>Internet was more fun, but to say there there was,

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<v Speaker 1>you know, either in an informal or formalized REP system,

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<v Speaker 1>you know, like you see, like, yeah, your postcount how

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<v Speaker 1>people rated you, you could sort of sort information. And

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<v Speaker 1>I've talked to other you know, artists who fund their

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<v Speaker 1>work via crowdfunding. I think of you know, Matt Cotts,

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<v Speaker 1>who's you know, five hundred pages into a graphic novel

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<v Speaker 1>series now in a decade and uh yeah, stuff's great,

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<v Speaker 1>like genuinely great. You. I'm sure you would like it.

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<v Speaker 1>It's uh, i'll we'll we talk about it later. But

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<v Speaker 1>the uh, that's one of the things he spoke about,

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<v Speaker 1>which is that that exact thing of you having people

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<v Speaker 1>who have bought your products before having a track rad

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<v Speaker 1>record saying you know, here's what I do. I deliver

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<v Speaker 1>on time. I'm not gonna scam you, right like that.

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<v Speaker 1>That is in a way like building up a customer base.

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<v Speaker 1>And uh yeah, that's a very valuable, very valuable tool

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<v Speaker 1>for creative right yeah.

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<v Speaker 2>Hey, being honest. Actually, you know, it's it's a good

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<v Speaker 2>way to live your life. Turns out, Yeah, controversial opinion.

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<v Speaker 2>Don't want controversial opinion? Yeah yeah, yeah. And now with

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<v Speaker 2>just to uh, you know, shout them out as that

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<v Speaker 2>would you say it? In hip hop culture? Uh? Uh?

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<v Speaker 2>And Lapill they're great, they're great, straight shoot, Yeah.

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<v Speaker 1>And that's the cool thing I was actually, you know,

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<v Speaker 1>I was actually talking to uh, you know, the founder

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<v Speaker 1>of analy Uphill actually less than a week ago, and uh,

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<v Speaker 1>I'm not gonna tell tales out of school obviously, but

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<v Speaker 1>that was one of the things that he spoke about

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<v Speaker 1>that I thought was really exciting is that he's, you know,

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<v Speaker 1>now at a point where he spends a significant amount

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<v Speaker 1>of time telling people no, which like, Okay, you could

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<v Speaker 1>look at that and say, well, that's bad for those

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<v Speaker 1>individual people, but it's exciting from the perspective of, well,

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<v Speaker 1>now there is a large amount of well there's obviously

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<v Speaker 1>a market to sustain it, but on a secondary level,

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<v Speaker 1>now there is a large group of people who maybe

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<v Speaker 1>aspirationally want to create for that audience. And you know,

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<v Speaker 1>you look back at, you know, a previous model. I

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<v Speaker 1>was talking to an author earlier today where your one

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<v Speaker 1>choice for getting your workout was you know, the two

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<v Speaker 1>big companies in whatever your industry was, Right, You're not

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<v Speaker 1>beholden to that anymore. And it means you can do

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<v Speaker 1>interesting and exciting things, right, Yes.

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<v Speaker 2>It does. Some of my exciting ideas are still too

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<v Speaker 2>a radical randal uptil I'm going to work on them.

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<v Speaker 2>All right, all right, let's.

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<v Speaker 1>See, So what are your other games? Right, And obviously

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<v Speaker 1>we don't need to go into detail, but like you

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<v Speaker 1>speak about building up some sort of rapport, so like

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<v Speaker 1>how do you do that? How do you get your

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<v Speaker 1>initial audience and build from there?

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<v Speaker 2>One my first campaign was in twenty seventeen, I think,

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<v Speaker 2>I think that's right. Yeah, think twenty seventeen. Oh maybe later,

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<v Speaker 2>maybe it's twenty, I don't remember. It's but it was

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<v Speaker 2>Virtue sing of the game, which was a game that

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<v Speaker 2>I had been working on on the forum that Kiwi

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<v Speaker 2>Farms is a successor to the Successor too, and I

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<v Speaker 2>had been working on for a long time. Which is it?

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<v Speaker 2>It simulates the infighting in liberal groups. If if from

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<v Speaker 2>the outside it may not be a parent, but inside

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<v Speaker 2>those groups they are buckets of cannibal maggots, just devour

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<v Speaker 2>each other and climbing, trying to climb to the top. There.

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<v Speaker 2>It's a it's it's a very vicious environment. Well maybe

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<v Speaker 2>you do. Maybe maybe it disapparent.

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<v Speaker 1>Yeah, I mean they seem to be largely, completely and

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<v Speaker 1>totally miserable.

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<v Speaker 2>Right, I mean actly miserable all of the time, terrified

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<v Speaker 2>if you step one toe out of line, you know,

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<v Speaker 2>the the rest of them will turn on you in

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<v Speaker 2>a minute. You thought you were your friends. And to

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00:21:02.079 --> 00:21:06.000
<v Speaker 2>top that off, the narrative is constantly shifting and you

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<v Speaker 2>have to pay extremely close attention. This actually isn't a funny.

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<v Speaker 2>This is a funny story. I've told this.

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<v Speaker 1>I don't know if I've told it all on air before.

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<v Speaker 1>This is one hundred percent true. It sounds like made

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<v Speaker 1>up bullshit. I've I've been doxed, been docked for a

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<v Speaker 1>long time, okay, and uh, literally the week or two

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<v Speaker 1>after I was doxed, I was hanging out with some

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<v Speaker 1>friends who were the plans had already been made. They

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<v Speaker 1>sort of disassociated after the politics changed, you know, but

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<v Speaker 1>it was sort of this awkward like everyone knows, but

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<v Speaker 1>no one really wants to have the conversation sort of thing.

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<v Speaker 1>And we're sitting around playing board games, and of course

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<v Speaker 1>the game Secret Hitler is there, and I'm like, all

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<v Speaker 1>right that I'm looking at it right now, mylf. Literally,

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<v Speaker 1>I've never played this game in my life before. William

399
00:21:54.279 --> 00:21:57.440
<v Speaker 1>the first hand this, there's this kind of uncomfortable, you know,

400
00:21:57.519 --> 00:21:59.359
<v Speaker 1>cloud in the air. I'm there with some friends who

401
00:21:59.400 --> 00:22:00.920
<v Speaker 1>were aware of what I am and didn't care who

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00:22:00.960 --> 00:22:03.759
<v Speaker 1>are kind of on my side? And the hints got

403
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<v Speaker 1>at the beginning, and of course it's Werewolf right or mafia.

404
00:22:06.839 --> 00:22:09.720
<v Speaker 1>You know, there's one guy who's him. Obviously there are

405
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<v Speaker 1>differences to it. But for people who don't know, you're

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<v Speaker 1>looking for secret Hitler, right, and uh literally the first round,

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<v Speaker 1>I'm secret Hitler and I'm like, oh no, this has

408
00:22:21.200 --> 00:22:24.039
<v Speaker 1>just happened. It's happened twice, right first, this tragedy then

409
00:22:24.160 --> 00:22:27.559
<v Speaker 1>is farse right, I have the literal Nazi in their midst,

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<v Speaker 1>I don't know which was just like incredibly odd the nose.

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<v Speaker 1>But I think that that is sort of a you know,

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<v Speaker 1>an interesting counterpoint, right of like their their game is

413
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<v Speaker 1>rooting out the Nazi, you know, like that's the that's

414
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<v Speaker 1>the ha ha, funny edgy party joke or party game rather,

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<v Speaker 1>And I think that sort of indicates an interesting bit

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<v Speaker 1>of psychology there.

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<v Speaker 2>And if there is no Nazi, you must create a

418
00:22:51.519 --> 00:22:53.799
<v Speaker 2>Nazi from one of you. Yeah, someone's got to be

419
00:22:54.000 --> 00:22:57.119
<v Speaker 2>crucify him. Yes, somebody has to be crucified all the time.

420
00:22:57.160 --> 00:22:59.559
<v Speaker 2>And if nobody is a parent, right, if there's nobody,

421
00:22:59.599 --> 00:23:03.359
<v Speaker 2>if you have to find somebody. It's got to be

422
00:23:03.440 --> 00:23:06.079
<v Speaker 2>somebody you got to root them out for some reason,

423
00:23:06.440 --> 00:23:08.039
<v Speaker 2>and you got to crucify that person. It's got to

424
00:23:08.079 --> 00:23:12.079
<v Speaker 2>happen on a regular basis, right, So the game simulates that.

425
00:23:14.400 --> 00:23:17.960
<v Speaker 2>And I had no experience doing a Kickstarter. I had

426
00:23:18.039 --> 00:23:22.200
<v Speaker 2>no experience like with the I had no advertising or

427
00:23:22.279 --> 00:23:24.359
<v Speaker 2>marketing set up. I just threw it up on Kickstarter,

428
00:23:24.599 --> 00:23:30.440
<v Speaker 2>and by the third day we were trending number seven

429
00:23:30.480 --> 00:23:33.680
<v Speaker 2>across the entire site. I mean, that's not bad for

430
00:23:33.720 --> 00:23:36.400
<v Speaker 2>a first attempt, right, it's pretty good for a first attempt.

431
00:23:36.559 --> 00:23:39.000
<v Speaker 2>Like I didn't. It stresses me out like things like that.

432
00:23:39.079 --> 00:23:40.799
<v Speaker 2>So I wasn't paying attention. But I had like a

433
00:23:40.960 --> 00:23:44.799
<v Speaker 2>friend slash partner. He's like, hey, like we're going We're

434
00:23:44.880 --> 00:23:47.680
<v Speaker 2>number seven, Like oh in BAM's no across the whole site. Wow.

435
00:23:48.160 --> 00:23:51.200
<v Speaker 2>And people start giving me, calling me up and I

436
00:23:51.319 --> 00:23:54.680
<v Speaker 2>got noticed by the Feds and a whole bunch of stuff,

437
00:23:55.720 --> 00:24:01.440
<v Speaker 2>and then then Kickstarter that obanned me hard. As soon

438
00:24:01.480 --> 00:24:03.400
<v Speaker 2>as as soon as I hit funding, I set the

439
00:24:03.440 --> 00:24:06.839
<v Speaker 2>goal of forty thousand dollars, extremely ambitious for a board

440
00:24:06.880 --> 00:24:12.920
<v Speaker 2>game period, let alone a first time, and oh wait, no, no, no, no,

441
00:24:13.200 --> 00:24:15.720
<v Speaker 2>I said it a twenty five thousand and forty thousands

442
00:24:15.759 --> 00:24:19.440
<v Speaker 2>what we ended up making. So I hit funding like

443
00:24:19.720 --> 00:24:22.000
<v Speaker 2>in the first week or something like that, and then

444
00:24:22.160 --> 00:24:28.759
<v Speaker 2>they bam, they brought the hammer down and we were last.

445
00:24:29.400 --> 00:24:32.039
<v Speaker 2>We were last on the entire site, like after people

446
00:24:32.119 --> 00:24:36.319
<v Speaker 2>with no pledges, the dead last, which is just great.

447
00:24:36.359 --> 00:24:40.200
<v Speaker 1>I mean again, it's like the very aggressive response from tech.

448
00:24:40.519 --> 00:24:43.720
<v Speaker 1>It's sort of moderated slightly, but it bears repeating, right,

449
00:24:44.000 --> 00:24:47.359
<v Speaker 1>very yeah, one hundred percent. It's like, look, just like,

450
00:24:47.480 --> 00:24:49.839
<v Speaker 1>send a corporate hit team and paint my brains all

451
00:24:49.880 --> 00:24:51.960
<v Speaker 1>over the wall. At least then it's like direct, you know,

452
00:24:52.319 --> 00:24:55.039
<v Speaker 1>instead of this like corporate HR approved way of making

453
00:24:55.079 --> 00:24:58.480
<v Speaker 1>me go away. But in all seriousness, is someone who's

454
00:24:58.960 --> 00:25:01.720
<v Speaker 1>you know, played board games quite often, but wouldn't really

455
00:25:01.759 --> 00:25:04.640
<v Speaker 1>consider myself a board gamer. What goes into the actual

456
00:25:04.960 --> 00:25:07.359
<v Speaker 1>process of designing a game from the ground.

457
00:25:07.440 --> 00:25:10.160
<v Speaker 2>Oh, good question, nobody's actually I never asked me that.

458
00:25:12.720 --> 00:25:18.759
<v Speaker 2>Lots of revisions, I guess you start with that's a

459
00:25:18.799 --> 00:25:21.039
<v Speaker 2>good question. I was not ready to answer that question.

460
00:25:22.799 --> 00:25:26.480
<v Speaker 2>It's finding the game in real life, if that makes sense,

461
00:25:26.519 --> 00:25:31.440
<v Speaker 2>and identifying games that are interesting right, games with them

462
00:25:31.599 --> 00:25:34.799
<v Speaker 2>that are layers that appear to be self contradictory, if

463
00:25:34.799 --> 00:25:35.319
<v Speaker 2>that makes sense.

464
00:25:35.839 --> 00:25:38.119
<v Speaker 1>Hmmm, so do you start Do you start with sort

465
00:25:38.119 --> 00:25:40.960
<v Speaker 1>of like an initial I guess even say loop or

466
00:25:41.079 --> 00:25:44.799
<v Speaker 1>like an initial like concept and iterate from there or

467
00:25:44.799 --> 00:25:47.160
<v Speaker 1>are you looking for a more complicated idea? Again saying

468
00:25:47.200 --> 00:25:49.720
<v Speaker 1>this is someone who's never designed a board game, I

469
00:25:49.880 --> 00:25:52.599
<v Speaker 1>started out with, Okay, how do we simulate this? So

470
00:25:52.799 --> 00:25:55.079
<v Speaker 1>it went through, Uh, well, I'll do virtual single because

471
00:25:56.240 --> 00:25:57.759
<v Speaker 1>I think that went through the most revisions.

472
00:25:59.519 --> 00:26:04.440
<v Speaker 2>We're going to you. It's a contest to develop like

473
00:26:04.519 --> 00:26:06.599
<v Speaker 2>your liberal virtue. It's a race. Okay, we'll start it

474
00:26:06.640 --> 00:26:10.240
<v Speaker 2>out as a race. So I thought, okay, we can

475
00:26:10.279 --> 00:26:13.960
<v Speaker 2>start out like Millbourns are familiar with. It's an auto

476
00:26:14.039 --> 00:26:16.799
<v Speaker 2>racing game where you just like put down miles. You

477
00:26:16.880 --> 00:26:22.200
<v Speaker 2>count up miles right, and and then other people can

478
00:26:22.720 --> 00:26:25.000
<v Speaker 2>put hazards on. You can inhibit you by putting it

479
00:26:25.000 --> 00:26:26.720
<v Speaker 2>on a hazard. You clear the hazard, and then you

480
00:26:26.799 --> 00:26:29.960
<v Speaker 2>keep putting down miles. It's extremely simple game, not terribly fun,

481
00:26:30.839 --> 00:26:33.960
<v Speaker 2>very very luck based. So I had that for a while.

482
00:26:34.000 --> 00:26:35.880
<v Speaker 2>It was just like a liberal count count count count

483
00:26:35.920 --> 00:26:40.279
<v Speaker 2>count count counter of liberal points like this could be better,

484
00:26:40.440 --> 00:26:44.240
<v Speaker 2>So instead of one counter, we're gonna make four counters.

485
00:26:44.440 --> 00:26:49.759
<v Speaker 2>We're gonna divide it up into suits, red, yellow, green,

486
00:26:49.880 --> 00:26:54.039
<v Speaker 2>and blue, and they will represent One will be feminism,

487
00:26:54.160 --> 00:27:00.880
<v Speaker 2>one will be LGBT stuff, another one will be uh economics,

488
00:27:00.920 --> 00:27:05.039
<v Speaker 2>and then there will be politics. So politics is blue

489
00:27:06.599 --> 00:27:10.880
<v Speaker 2>virtue within the Democratic Party. Economics has read how Marxist

490
00:27:10.880 --> 00:27:12.480
<v Speaker 2>start you and no like LGPD stuff and then the

491
00:27:12.559 --> 00:27:18.359
<v Speaker 2>feminist stuff and okay, rather than in generic points, maybe

492
00:27:18.400 --> 00:27:21.519
<v Speaker 2>these points can represent something within that thing. So now

493
00:27:21.640 --> 00:27:25.480
<v Speaker 2>instead of having like generic numbers, all the cards are

494
00:27:25.519 --> 00:27:28.119
<v Speaker 2>going to be unique. It set a very high bar.

495
00:27:28.640 --> 00:27:30.279
<v Speaker 2>All the cards are going to be unique, and they're

496
00:27:30.279 --> 00:27:35.319
<v Speaker 2>going to be all individually illustrated. Okay, So all right,

497
00:27:35.480 --> 00:27:40.359
<v Speaker 2>so I am an influencer now and I am my

498
00:27:40.519 --> 00:27:44.119
<v Speaker 2>points are people? Okay, and then and they're just going

499
00:27:44.160 --> 00:27:47.039
<v Speaker 2>to go in a stack and go okay, maybe there's

500
00:27:47.039 --> 00:27:51.039
<v Speaker 2>something better than going in a stack. Maybe I could

501
00:27:51.079 --> 00:27:54.480
<v Speaker 2>do it like like Dominos or people accuse me of

502
00:27:54.599 --> 00:27:57.480
<v Speaker 2>like ripping off Illuminati. I didn't. Actually, it really did

503
00:27:57.559 --> 00:28:00.920
<v Speaker 2>start out as a Millbourne's game. What if like they

504
00:28:01.079 --> 00:28:03.759
<v Speaker 2>I put my card down on the table and then

505
00:28:03.960 --> 00:28:07.599
<v Speaker 2>like these different people like all the all the all

506
00:28:07.640 --> 00:28:09.319
<v Speaker 2>the all the points used to be points. Now they

507
00:28:09.319 --> 00:28:13.519
<v Speaker 2>represent people. There are your followers, and they influence other people. Right,

508
00:28:13.880 --> 00:28:17.880
<v Speaker 2>So supposing I'm the communist influencer right with, there are

509
00:28:17.880 --> 00:28:21.200
<v Speaker 2>a couple of them, uh, I forget his name, but

510
00:28:21.680 --> 00:28:25.880
<v Speaker 2>and I have like mostly like red valances on my cards.

511
00:28:26.000 --> 00:28:28.799
<v Speaker 2>Like I'll attract all the communist guys, but those guys

512
00:28:28.880 --> 00:28:31.839
<v Speaker 2>may have friends who are may have a Democrat sympathies,

513
00:28:31.839 --> 00:28:33.680
<v Speaker 2>and they may have friends who are Democrats. So I can,

514
00:28:34.000 --> 00:28:35.480
<v Speaker 2>I can, I can get those guys, and then I

515
00:28:35.519 --> 00:28:38.519
<v Speaker 2>can start adding. Right, so you add, you start with

516
00:28:38.640 --> 00:28:40.519
<v Speaker 2>like a red card, and then you add some red

517
00:28:40.559 --> 00:28:42.480
<v Speaker 2>followers which have some blue valances on the end. They

518
00:28:42.480 --> 00:28:44.960
<v Speaker 2>can touch blue cards to those and uh and and

519
00:28:45.079 --> 00:28:47.279
<v Speaker 2>branch off from there. So now it becomes strategic instead

520
00:28:47.319 --> 00:28:52.519
<v Speaker 2>of just being a running count. And then the hazards

521
00:28:52.640 --> 00:28:57.519
<v Speaker 2>which used to be against the uh the character personally. Again,

522
00:28:57.599 --> 00:29:00.279
<v Speaker 2>this is just like Millboy's where you have a flat

523
00:29:00.359 --> 00:29:04.480
<v Speaker 2>tire and then the remedy is to get a spare tire.

524
00:29:05.000 --> 00:29:09.319
<v Speaker 2>So in the in virtue signal, you will have the microaggression. Right,

525
00:29:09.359 --> 00:29:12.720
<v Speaker 2>this is the this is the competition part. You you

526
00:29:12.799 --> 00:29:15.160
<v Speaker 2>accuse somebody a micro of a microaggression, you slap the

527
00:29:15.359 --> 00:29:17.880
<v Speaker 2>microaggression card on them or on their on one of

528
00:29:17.920 --> 00:29:22.480
<v Speaker 2>their followers, and this hinders your your liberal virtue. And

529
00:29:22.559 --> 00:29:24.359
<v Speaker 2>the only way to get out of that is to

530
00:29:24.759 --> 00:29:29.160
<v Speaker 2>with a virtue signal. Right, some uh some some expression

531
00:29:29.200 --> 00:29:32.160
<v Speaker 2>of liberal piety that makes no sense and doesn't actually

532
00:29:32.200 --> 00:29:34.480
<v Speaker 2>help any everything anybody, but makes you look like a

533
00:29:34.519 --> 00:29:37.079
<v Speaker 2>really good person. Okay, And now, but and now these

534
00:29:37.119 --> 00:29:41.920
<v Speaker 2>are alignment coded, So if you're accused of like being

535
00:29:42.039 --> 00:29:44.079
<v Speaker 2>bad at Marxism, you have to do something like extremely

536
00:29:44.160 --> 00:29:46.839
<v Speaker 2>Marxist to remove that thing. And now you can now

537
00:29:46.880 --> 00:29:50.599
<v Speaker 2>you can grow in that direction again. And and that's

538
00:29:50.640 --> 00:29:55.119
<v Speaker 2>how it worked out. And then maybe there's one more thing,

539
00:29:55.960 --> 00:29:58.119
<v Speaker 2>so the shifting narrative. You gotta be able to uh

540
00:30:00.480 --> 00:30:04.079
<v Speaker 2>simulate the shifting narrative too. So now there are add

541
00:30:04.119 --> 00:30:07.359
<v Speaker 2>the plot cards, right, which which get played in the middle,

542
00:30:07.880 --> 00:30:13.480
<v Speaker 2>and they alter the game state for everybody. So sometimes

543
00:30:14.200 --> 00:30:23.640
<v Speaker 2>the competition is mostly cooperative, like like there's some game

544
00:30:23.680 --> 00:30:27.079
<v Speaker 2>states where where there is not very hostile you accuse people,

545
00:30:27.079 --> 00:30:30.039
<v Speaker 2>it doesn't really damage you very much. Then there's a

546
00:30:30.880 --> 00:30:33.640
<v Speaker 2>but then there's the game state called race to the bottom.

547
00:30:33.680 --> 00:30:35.519
<v Speaker 2>Which is like a nuclear cloud with the angry face.

548
00:30:36.200 --> 00:30:40.000
<v Speaker 2>And during race to the bottom, people get extremely vicious.

549
00:30:40.160 --> 00:30:43.400
<v Speaker 2>And when they play the microaggressions against you to actually

550
00:30:43.440 --> 00:30:46.640
<v Speaker 2>damage you, is you actually lose followers. So things like that,

551
00:30:46.880 --> 00:30:49.759
<v Speaker 2>and uh, and there are male characters and female characters,

552
00:30:49.839 --> 00:30:52.240
<v Speaker 2>and like certain game states only the boys can play,

553
00:30:52.400 --> 00:30:54.640
<v Speaker 2>certain game states only the girls can play, and boys

554
00:30:54.680 --> 00:30:57.839
<v Speaker 2>have to sit and listen, right like that, So that

555
00:30:57.960 --> 00:30:59.960
<v Speaker 2>that that was the final state of the game pretty much.

556
00:31:02.079 --> 00:31:04.759
<v Speaker 1>It's sort of an interesting thing. Uh, you know, the

557
00:31:04.960 --> 00:31:08.279
<v Speaker 1>the psychology that goes along with with games. You know,

558
00:31:08.359 --> 00:31:10.480
<v Speaker 1>I can think of I haven't played video games in

559
00:31:10.519 --> 00:31:13.480
<v Speaker 1>a very long time at least seriously. But you know,

560
00:31:13.480 --> 00:31:15.960
<v Speaker 1>one of the last games I played a lot on

561
00:31:16.400 --> 00:31:19.519
<v Speaker 1>the couch, right, couch co op or guess couch multiplayer

562
00:31:19.960 --> 00:31:23.079
<v Speaker 1>was actually, uh worms. You know, it's sort of like

563
00:31:23.119 --> 00:31:24.640
<v Speaker 1>Tank Commander right heavily of all.

564
00:31:26.000 --> 00:31:26.839
<v Speaker 2>Yeah, a ton of fun.

565
00:31:27.440 --> 00:31:29.480
<v Speaker 1>And the whole reason the game was fun it's not

566
00:31:29.559 --> 00:31:33.000
<v Speaker 1>the actual game, but it's it's the metagame of psychology,

567
00:31:33.599 --> 00:31:35.680
<v Speaker 1>right of, like the wheeling and dealing of like well wait, wait,

568
00:31:35.720 --> 00:31:38.160
<v Speaker 1>I've only got one worm left. Don't kick me off

569
00:31:38.200 --> 00:31:40.519
<v Speaker 1>because I'll screw you next round, Like, how about we

570
00:31:40.720 --> 00:31:42.960
<v Speaker 1>go together against the guy who's in first place? You

571
00:31:43.000 --> 00:31:46.759
<v Speaker 1>know that sort of stuff that was entirely exogenous, right,

572
00:31:46.759 --> 00:31:47.880
<v Speaker 1>it's not really built.

573
00:31:47.759 --> 00:31:49.839
<v Speaker 2>Into you know, the game itself.

574
00:31:50.400 --> 00:31:52.480
<v Speaker 1>But that's what I think is interesting about those systems

575
00:31:52.519 --> 00:31:56.640
<v Speaker 1>is you're, basically, for a fun end, sort of manipulating

576
00:31:56.720 --> 00:31:58.400
<v Speaker 1>your players into acting differently.

577
00:32:00.880 --> 00:32:04.279
<v Speaker 2>Yeah, oh, and should I do the uh okay? And

578
00:32:04.359 --> 00:32:07.720
<v Speaker 2>then the one that after that. The sequel to uh

579
00:32:08.119 --> 00:32:10.240
<v Speaker 2>Virtus sim of the game was Virtual Signal Deplorables, which

580
00:32:10.240 --> 00:32:12.000
<v Speaker 2>is also my my shelf. I'm looking at it right now.

581
00:32:12.720 --> 00:32:15.119
<v Speaker 2>People kept asking me, He's like, hey, what can we

582
00:32:15.200 --> 00:32:17.480
<v Speaker 2>make where you make fun of the right left wingers?

583
00:32:17.519 --> 00:32:19.000
<v Speaker 2>Why don't you make fun of the right wingers? Like

584
00:32:19.400 --> 00:32:22.279
<v Speaker 2>that might be interesting, That might be interesting, but I'm

585
00:32:22.319 --> 00:32:25.200
<v Speaker 2>not gonna. They wanted me to just like trash them, right, which,

586
00:32:25.880 --> 00:32:27.200
<v Speaker 2>so I thought, how can I do this in like

587
00:32:27.279 --> 00:32:30.759
<v Speaker 2>an interesting way? So I basically made like an entire

588
00:32:30.960 --> 00:32:39.960
<v Speaker 2>separate mini game of being a groper. Yeah, they're all frogs,

589
00:32:40.440 --> 00:32:42.920
<v Speaker 2>they're all frogs. This was this was four or five

590
00:32:43.000 --> 00:32:45.640
<v Speaker 2>years ago. They're all frogs and there's one groper player,

591
00:32:45.759 --> 00:32:47.799
<v Speaker 2>Like it has to be proportionate. Right, you have to

592
00:32:47.839 --> 00:32:51.480
<v Speaker 2>have you know, two lib tards to every groper, otherwise

593
00:32:51.480 --> 00:32:56.480
<v Speaker 2>doesn't work. And his job is to just he's going

594
00:32:56.519 --> 00:32:58.920
<v Speaker 2>to infiltrate. So you have like these chains running off

595
00:32:58.960 --> 00:33:01.680
<v Speaker 2>your character card, right, that represents your points. He's gonna

596
00:33:01.680 --> 00:33:05.920
<v Speaker 2>infustrate those chains, right, and he's got he's got alignments too,

597
00:33:05.920 --> 00:33:07.599
<v Speaker 2>and he's gonna he's gonna go in there and infiltrate.

598
00:33:07.920 --> 00:33:09.960
<v Speaker 2>And by that, he's going to build up the toxicity

599
00:33:10.079 --> 00:33:12.839
<v Speaker 2>level in your chain, right, and when it hits a

600
00:33:12.880 --> 00:33:17.680
<v Speaker 2>certain level, he can do some epic trologe that that

601
00:33:17.839 --> 00:33:20.920
<v Speaker 2>earns him points. Every every one of his people that

602
00:33:21.000 --> 00:33:24.279
<v Speaker 2>you kill of your people that he kills or kills

603
00:33:24.359 --> 00:33:28.240
<v Speaker 2>you know, quote unquote, Uh, he triggers becomes a trophy

604
00:33:28.319 --> 00:33:31.440
<v Speaker 2>for him, right, and he's so he wins by acquiring

605
00:33:31.480 --> 00:33:37.759
<v Speaker 2>trophies from by trolling people. Yeah, that's an interesting thing. Uh,

606
00:33:38.480 --> 00:33:39.279
<v Speaker 2>And I'm curious.

607
00:33:39.279 --> 00:33:42.559
<v Speaker 1>I just don't know anything about this this model. Right,

608
00:33:42.680 --> 00:33:46.960
<v Speaker 1>So when you're when you're kickstarting something, right, obviously you

609
00:33:47.039 --> 00:33:49.079
<v Speaker 1>know you need money to live. You can illustrate, you

610
00:33:49.119 --> 00:33:52.559
<v Speaker 1>can do it yourself, but like, what are the economics

611
00:33:52.640 --> 00:33:54.720
<v Speaker 1>of this, right, Like do you how much do you

612
00:33:54.799 --> 00:33:56.559
<v Speaker 1>have to and genuinely I'm not trying to get you

613
00:33:56.599 --> 00:33:59.160
<v Speaker 1>to divulge that, but like, how much does it cost

614
00:33:59.240 --> 00:34:00.880
<v Speaker 1>to make a video to make a board game?

615
00:34:03.440 --> 00:34:06.880
<v Speaker 2>A lot? Well, uh, the the setup and the uh

616
00:34:08.119 --> 00:34:11.920
<v Speaker 2>the cost and printing is mostly the labor, right, The

617
00:34:12.199 --> 00:34:15.159
<v Speaker 2>paper and the ink cost virtually nothing, so you'll get

618
00:34:15.360 --> 00:34:18.960
<v Speaker 2>you'll get priced for the labor. So if so, the

619
00:34:20.559 --> 00:34:25.199
<v Speaker 2>depending on the the the price will scale radically depending

620
00:34:25.239 --> 00:34:29.159
<v Speaker 2>on like how manuch of their there if there is right,

621
00:34:29.239 --> 00:34:31.159
<v Speaker 2>so if you make one that the unit price is

622
00:34:31.199 --> 00:34:33.800
<v Speaker 2>gonna be astronomical, Like if you make a sample. If

623
00:34:33.840 --> 00:34:35.960
<v Speaker 2>I make a sample, like one board game will cost

624
00:34:36.039 --> 00:34:41.480
<v Speaker 2>me three hundred dollars, okay, But if the wider the

625
00:34:41.679 --> 00:34:45.519
<v Speaker 2>the the larger the print run, the the the it

626
00:34:45.639 --> 00:34:49.639
<v Speaker 2>goes down a lot. So if you make five hundred

627
00:34:50.000 --> 00:34:53.440
<v Speaker 2>or if you make if I make, say two hundred

628
00:34:53.440 --> 00:34:56.440
<v Speaker 2>and fifty, the unit price will be about fifteen dollars

629
00:34:56.480 --> 00:34:59.199
<v Speaker 2>if I make If I make five hundred, it goes

630
00:34:59.280 --> 00:35:01.920
<v Speaker 2>down to like ten. And if I make thousands, like

631
00:35:02.039 --> 00:35:05.559
<v Speaker 2>in the case of my first run of Virtue Signal,

632
00:35:05.639 --> 00:35:09.440
<v Speaker 2>then I think the enterprise is two dollars and then

633
00:35:09.519 --> 00:35:12.159
<v Speaker 2>sold it for sold it for twenty eight twenty eight

634
00:35:12.440 --> 00:35:15.559
<v Speaker 2>dollars and says it's just me. I'm doing all the

635
00:35:15.559 --> 00:35:18.599
<v Speaker 2>writing and the illustrating. Then all of that is profit

636
00:35:19.239 --> 00:35:22.719
<v Speaker 2>except for well, except for thirty percent which I give

637
00:35:22.800 --> 00:35:27.719
<v Speaker 2>to which I gave back. When I had promoters, I

638
00:35:27.719 --> 00:35:32.880
<v Speaker 2>would give that to them. Is I promoted with people,

639
00:35:32.880 --> 00:35:36.320
<v Speaker 2>they all got canceled except fair fair. I mean, that's

640
00:35:36.320 --> 00:35:39.320
<v Speaker 2>sort of an interesting, interesting thing of itself, right, is

641
00:35:39.360 --> 00:35:41.840
<v Speaker 2>sort of the death of the middleman in certain forms

642
00:35:41.880 --> 00:35:46.039
<v Speaker 2>of media, you know, like you've seen the several times.

643
00:35:46.559 --> 00:35:48.320
<v Speaker 2>And I say this as a as a podcaster and

644
00:35:48.440 --> 00:35:51.199
<v Speaker 2>technically is a YouTuber. My stuff ends up on YouTube,

645
00:35:51.199 --> 00:35:52.519
<v Speaker 2>even if I don't spend a lot of time there.

646
00:35:53.159 --> 00:35:58.960
<v Speaker 2>The business model, maybe sort of fifteen years ago, right,

647
00:35:59.079 --> 00:36:01.159
<v Speaker 2>is you wanted to get on on a network.

648
00:36:02.079 --> 00:36:04.360
<v Speaker 1>Network works a lot like a record label. They would

649
00:36:04.360 --> 00:36:08.880
<v Speaker 1>do a bunch of stuff for you. But what's interesting is, sorry,

650
00:36:08.920 --> 00:36:09.159
<v Speaker 1>what's that.

651
00:36:09.719 --> 00:36:11.719
<v Speaker 2>I was gonna say, a few winners, a whole lot

652
00:36:11.760 --> 00:36:14.119
<v Speaker 2>of losers in that model exactly.

653
00:36:14.800 --> 00:36:17.880
<v Speaker 1>And people got burnt, they wasted their lives, they they

654
00:36:17.960 --> 00:36:20.639
<v Speaker 1>got screwed. And we sort of saw several versions of this,

655
00:36:20.840 --> 00:36:22.760
<v Speaker 1>like the the guys who've been around for long enough

656
00:36:22.800 --> 00:36:25.400
<v Speaker 1>on the site will remember. You know, Machinima was a

657
00:36:25.440 --> 00:36:28.400
<v Speaker 1>big one early on. They were intamous for that, and

658
00:36:28.639 --> 00:36:30.960
<v Speaker 1>you know there were there were dozens of others, right, Uh,

659
00:36:31.320 --> 00:36:34.440
<v Speaker 1>you know the guys who made Red versus Blue turned

660
00:36:34.480 --> 00:36:38.760
<v Speaker 1>into that before it exploded. Oh and what's interesting is

661
00:36:38.800 --> 00:36:41.519
<v Speaker 1>it seems as if that that model is sort of

662
00:36:41.639 --> 00:36:44.360
<v Speaker 1>going away. Obviously, if you're famous enough, you need a manager,

663
00:36:44.559 --> 00:36:47.800
<v Speaker 1>right just to tell people now, William, I think neither

664
00:36:47.920 --> 00:36:49.559
<v Speaker 1>you or I is in danger of.

665
00:36:49.679 --> 00:36:52.239
<v Speaker 2>Ending up in that position anytime soon. Not soon.

666
00:36:52.920 --> 00:36:55.039
<v Speaker 1>It'd be nice if we were, but you know so.

667
00:36:55.199 --> 00:36:57.519
<v Speaker 1>But point is, you can sort of get all of

668
00:36:57.599 --> 00:37:00.599
<v Speaker 1>the both the benefits and the consequences of getting rid

669
00:37:00.639 --> 00:37:02.159
<v Speaker 1>of like a middleman.

670
00:37:02.599 --> 00:37:02.719
<v Speaker 2>Right.

671
00:37:02.800 --> 00:37:05.360
<v Speaker 1>Like, on one hand, kind of sucks because everything is

672
00:37:05.440 --> 00:37:08.760
<v Speaker 1>your problem, like you have to do everything, but also

673
00:37:09.119 --> 00:37:10.920
<v Speaker 1>you get to do everything. I know, it's sort of

674
00:37:10.960 --> 00:37:13.360
<v Speaker 1>a blessing and it curse there true true.

675
00:37:13.679 --> 00:37:20.119
<v Speaker 2>Uh. My problem is that as an artist, my solution

676
00:37:20.280 --> 00:37:23.760
<v Speaker 2>to more most problems in dramare which really isn't the

677
00:37:23.800 --> 00:37:26.920
<v Speaker 2>solution to most problems. Uh. You kind of want a

678
00:37:26.960 --> 00:37:29.360
<v Speaker 2>second guy just to have like a guy who doesn't

679
00:37:29.400 --> 00:37:31.159
<v Speaker 2>think like you you know what I mean?

680
00:37:32.440 --> 00:37:35.360
<v Speaker 1>Yeah, no, that's very true. Hey, maybe this is a

681
00:37:35.679 --> 00:37:38.239
<v Speaker 1>dangerous question to ask, but William, are you worried at

682
00:37:38.280 --> 00:37:40.960
<v Speaker 1>all about like generative AI's regard your work.

683
00:37:42.559 --> 00:37:47.159
<v Speaker 2>My work? Oh dude, I just I just posted this

684
00:37:47.239 --> 00:37:51.079
<v Speaker 2>thing that that thing that the Elon's Musk, the cartoon

685
00:37:51.840 --> 00:37:54.280
<v Speaker 2>that was terrifyingly good. Man. I had a mini freak

686
00:37:54.280 --> 00:37:55.639
<v Speaker 2>out about that two weeks two days ago.

687
00:37:56.199 --> 00:37:58.159
<v Speaker 1>I mean, the will Stancil stuff, Like, I didn't think

688
00:37:58.159 --> 00:38:00.559
<v Speaker 1>it's the funniest thing in the world, but but it's psch.

689
00:38:00.719 --> 00:38:04.519
<v Speaker 1>It's within spitting distance of like lower end cartoon network shows.

690
00:38:04.639 --> 00:38:08.400
<v Speaker 2>It's good. And I did kind of a deep dive

691
00:38:08.679 --> 00:38:11.639
<v Speaker 2>on it on I guess Wednesday to figure out if, like,

692
00:38:11.960 --> 00:38:15.360
<v Speaker 2>maybe I could use AI to like, you know, on

693
00:38:15.559 --> 00:38:20.800
<v Speaker 2>my own stuff. Turns out not really. So I fed

694
00:38:20.840 --> 00:38:22.920
<v Speaker 2>a whole bunch of artwork into Grock, a whole bunch

695
00:38:22.960 --> 00:38:25.639
<v Speaker 2>of my organs. Okay, make it like this, make it

696
00:38:25.719 --> 00:38:29.320
<v Speaker 2>like this, and it couldn't do it right. And I

697
00:38:29.400 --> 00:38:31.639
<v Speaker 2>kept asking you questions and probing, And it turns out

698
00:38:31.679 --> 00:38:37.000
<v Speaker 2>what happens is when you upload artwork to grock or

699
00:38:37.039 --> 00:38:41.920
<v Speaker 2>an AI, it will analyze the image, it will describe

700
00:38:42.000 --> 00:38:45.039
<v Speaker 2>the image and words or I guess on their side

701
00:38:45.039 --> 00:38:47.159
<v Speaker 2>as data, and then it will go out on the

702
00:38:47.199 --> 00:38:53.280
<v Speaker 2>internet and find other things that it thinks meets that criteria. Right,

703
00:38:53.599 --> 00:38:56.440
<v Speaker 2>So it's not actually basing it on my stuff or

704
00:38:56.480 --> 00:38:58.760
<v Speaker 2>your stuff. So if you have a unique illustration style,

705
00:39:00.599 --> 00:39:04.480
<v Speaker 2>h A, I can't hurt you and it can't help

706
00:39:04.519 --> 00:39:07.719
<v Speaker 2>you if you have it an illustration style that is

707
00:39:07.880 --> 00:39:11.880
<v Speaker 2>very uh. I don't want to say generic, but generic,

708
00:39:11.960 --> 00:39:14.480
<v Speaker 2>I'll say it, okay, generic like if you want to

709
00:39:14.519 --> 00:39:18.639
<v Speaker 2>do studio ghibli or like an adult swim style, like

710
00:39:18.840 --> 00:39:20.880
<v Speaker 2>which what will stancel is that art style is a

711
00:39:20.960 --> 00:39:23.880
<v Speaker 2>very uh, you know, adult swim cartoon kind of a thing.

712
00:39:25.639 --> 00:39:27.719
<v Speaker 2>Then yeah, it can find lots of references and can

713
00:39:27.800 --> 00:39:30.480
<v Speaker 2>cobble together something on that so well.

714
00:39:30.519 --> 00:39:34.639
<v Speaker 1>And also I feel like from the outside looking in,

715
00:39:36.559 --> 00:39:41.480
<v Speaker 1>it's even in like even in like ship posting, which

716
00:39:41.519 --> 00:39:44.800
<v Speaker 1>is the most I've used it for. It's like, okay

717
00:39:45.119 --> 00:39:47.760
<v Speaker 1>for a certain type of high effort ship posting. It's

718
00:39:47.800 --> 00:39:50.639
<v Speaker 1>kind of taken in away. But like AI memes are

719
00:39:50.760 --> 00:39:53.800
<v Speaker 1>not as interesting or as popular as like the old.

720
00:39:53.639 --> 00:39:55.239
<v Speaker 2>Fashioned type, No they're not.

721
00:39:56.639 --> 00:40:00.920
<v Speaker 1>They're obviously trash you know, and may change, but like

722
00:40:01.000 --> 00:40:03.280
<v Speaker 1>to me, it's like, yeah, sure, it will get rid

723
00:40:03.320 --> 00:40:07.440
<v Speaker 1>of a lot of the like joyless grunt work, like

724
00:40:07.519 --> 00:40:10.599
<v Speaker 1>in the same way that like low level graphic designers

725
00:40:10.639 --> 00:40:13.039
<v Speaker 1>have been hit hard by AI because like a handyman,

726
00:40:13.159 --> 00:40:15.960
<v Speaker 1>business just wants something that looks okay. They don't care

727
00:40:16.000 --> 00:40:19.239
<v Speaker 1>about something looking you know, perfect. But for someone who

728
00:40:19.239 --> 00:40:21.599
<v Speaker 1>has a specialty product like you, it's sort of a

729
00:40:21.639 --> 00:40:24.280
<v Speaker 1>different It doesn't I don't see it feeling that niche

730
00:40:24.320 --> 00:40:27.199
<v Speaker 1>at least as if yees it probably can't.

731
00:40:29.519 --> 00:40:31.840
<v Speaker 2>I really tried hard to get it, to get it

732
00:40:31.920 --> 00:40:35.039
<v Speaker 2>to match my style. Cannot do it. They can't do it. Uh.

733
00:40:36.559 --> 00:40:40.639
<v Speaker 2>But yeah, but it's interesting you mentioned that because it's uh,

734
00:40:40.800 --> 00:40:44.199
<v Speaker 2>it's true. Millennials have a very interesting aesthetic. It's very

735
00:40:44.239 --> 00:40:45.880
<v Speaker 2>interesting to me, and I think about it a lot,

736
00:40:48.280 --> 00:40:51.159
<v Speaker 2>and it's it's kind of amazing to me that nobody's

737
00:40:51.280 --> 00:40:52.559
<v Speaker 2>really analyzing that.

738
00:40:53.599 --> 00:40:57.599
<v Speaker 1>You bring up the memes like go ahead, no, no,

739
00:40:57.880 --> 00:41:00.480
<v Speaker 1>I think that that's actually an interesting point. I've just

740
00:41:00.559 --> 00:41:04.639
<v Speaker 1>spent the it had extended weekend in Portland, and Portland

741
00:41:04.679 --> 00:41:06.719
<v Speaker 1>is sort of like a rent fare for millennials, you know,

742
00:41:06.800 --> 00:41:09.199
<v Speaker 1>it is it is twenty ten forever there.

743
00:41:09.679 --> 00:41:11.760
<v Speaker 2>I'm kind of there, and I would say it's nineteen

744
00:41:11.800 --> 00:41:12.639
<v Speaker 2>ninety seven forever there.

745
00:41:12.679 --> 00:41:15.800
<v Speaker 1>But yeah, fair enough you could say that the h

746
00:41:16.000 --> 00:41:18.039
<v Speaker 1>I mean that is the line from Portlandia, right, the

747
00:41:18.480 --> 00:41:20.480
<v Speaker 1>dream of the nineties is alive in Portland.

748
00:41:20.639 --> 00:41:24.079
<v Speaker 2>Yes, indeed I graduated in Portland.

749
00:41:24.239 --> 00:41:28.280
<v Speaker 1>Date Oh wow, yeah, don't go back is my one

750
00:41:28.320 --> 00:41:32.320
<v Speaker 1>piece of advice. Okay, no, in all series of Portland's

751
00:41:32.320 --> 00:41:34.199
<v Speaker 1>actually a very nice style. It's just fun to make

752
00:41:34.280 --> 00:41:37.400
<v Speaker 1>fun of. My point is that I think that esthetic

753
00:41:38.360 --> 00:41:40.320
<v Speaker 1>vision you're talking about is very identifiable.

754
00:41:41.639 --> 00:41:45.079
<v Speaker 2>It's not just that. It's not just that you mentioned

755
00:41:45.119 --> 00:41:50.119
<v Speaker 2>that millennials do not like the polish right, because AI,

756
00:41:50.400 --> 00:41:52.840
<v Speaker 2>if you're if you're an AI engineer, your goal is

757
00:41:52.920 --> 00:41:55.719
<v Speaker 2>to make things look polished and cinematic. And I think

758
00:41:57.159 --> 00:42:02.480
<v Speaker 2>I think millennials are very mistrustful of that, of anything

759
00:42:02.559 --> 00:42:09.320
<v Speaker 2>that looks like that, and they will intentionally destroy it. Right,

760
00:42:09.400 --> 00:42:13.800
<v Speaker 2>make the editing choppy, throw on some uh some some

761
00:42:14.000 --> 00:42:18.840
<v Speaker 2>some deep fried like like VCR lines or or or

762
00:42:18.960 --> 00:42:25.079
<v Speaker 2>grain to it right, distort the music right, distort, distort

763
00:42:25.119 --> 00:42:27.960
<v Speaker 2>and slow down the visuals. And this makes it, uh,

764
00:42:28.119 --> 00:42:30.840
<v Speaker 2>this makes it palatable for millennials just kind of wreck it,

765
00:42:31.840 --> 00:42:37.719
<v Speaker 2>if that makes sense, wreck that polish, Yeah, well, one

766
00:42:37.760 --> 00:42:38.199
<v Speaker 2>hundred percent.

767
00:42:38.280 --> 00:42:42.679
<v Speaker 1>And that is like the esthetics of authenticity, Like I think,

768
00:42:42.760 --> 00:42:46.920
<v Speaker 1>really this is explosion of podcasting, and obviously there exists

769
00:42:46.960 --> 00:42:48.840
<v Speaker 1>at the very top of it it kind of like

770
00:42:49.000 --> 00:42:52.480
<v Speaker 1>ultra polished like New York Times podcasting with you know,

771
00:42:52.519 --> 00:42:56.480
<v Speaker 1>a million producers. I question how genuinely popular that is

772
00:42:56.599 --> 00:42:59.280
<v Speaker 1>if it weren't boosted. But like even look at you

773
00:42:59.320 --> 00:43:02.639
<v Speaker 1>know podcast in the top ten, like yeah, sure Rogan

774
00:43:02.760 --> 00:43:05.320
<v Speaker 1>has a producer, but the form of it is very

775
00:43:05.719 --> 00:43:08.519
<v Speaker 1>you know, low fi. Right, it's two guys sitting around

776
00:43:08.679 --> 00:43:12.239
<v Speaker 1>just talking and there's yeah exactly, there's a level of

777
00:43:12.320 --> 00:43:16.880
<v Speaker 1>authenticity to that that you can't get with kind of AI.

778
00:43:16.760 --> 00:43:22.039
<v Speaker 2>Polish, right, yeah, true. And uh well, and also like

779
00:43:22.119 --> 00:43:24.760
<v Speaker 2>the memes that uh that that are most popular that

780
00:43:24.800 --> 00:43:30.920
<v Speaker 2>everybody uses, right, like uh just going back to like

781
00:43:31.079 --> 00:43:35.159
<v Speaker 2>like the like we had very polished, like a very

782
00:43:35.880 --> 00:43:39.639
<v Speaker 2>professionally drawn memes back in the back in the two thousands,

783
00:43:39.679 --> 00:43:43.000
<v Speaker 2>but people people prefer the ones that look like they're

784
00:43:43.119 --> 00:43:44.639
<v Speaker 2>made an MS paint with a mouse.

785
00:43:45.760 --> 00:43:49.159
<v Speaker 1>Look as someone who has created multiple famous wojacks, which

786
00:43:49.159 --> 00:43:51.800
<v Speaker 1>is the dumbest thing I ever say, should be compared.

787
00:43:53.639 --> 00:43:58.159
<v Speaker 1>I drew the Uh, there's a David French wojack that

788
00:43:58.280 --> 00:44:02.639
<v Speaker 1>I drew. Uh, there's a Dreer one. There's multiple ones

789
00:44:02.679 --> 00:44:05.840
<v Speaker 1>that have sort of staped containment. Uh, literally all of those.

790
00:44:06.000 --> 00:44:10.119
<v Speaker 1>I drew with one line weight on my laptop touchpad

791
00:44:10.320 --> 00:44:13.199
<v Speaker 1>in Microsoft Bait. And I believe a hear that way

792
00:44:13.639 --> 00:44:13.920
<v Speaker 1>it does.

793
00:44:14.000 --> 00:44:15.519
<v Speaker 2>It looks funny, it looks more authentic. It looks like

794
00:44:15.559 --> 00:44:17.360
<v Speaker 2>it's made by a person. Yeah.

795
00:44:17.559 --> 00:44:20.559
<v Speaker 1>Yeah, to make fun of some guy with a you know,

796
00:44:20.800 --> 00:44:23.639
<v Speaker 1>two hundred and fifty thousand dollars a year job, and

797
00:44:24.119 --> 00:44:25.880
<v Speaker 1>you know, somehow it makes me feel better that I

798
00:44:25.920 --> 00:44:26.320
<v Speaker 1>can make.

799
00:44:26.239 --> 00:44:29.159
<v Speaker 2>Fun of him on Twitter. But uh, can I brag

800
00:44:29.199 --> 00:44:32.440
<v Speaker 2>for a minute my memes. Of course, you're not gonna

801
00:44:32.440 --> 00:44:34.480
<v Speaker 2>believe that. You're gonna laugh at me, roof Koreans. I

802
00:44:34.559 --> 00:44:37.400
<v Speaker 2>invented that fair enough. I believe it.

803
00:44:39.239 --> 00:44:43.199
<v Speaker 1>I've actually had that moment with with Bog Beef the

804
00:44:43.239 --> 00:44:46.599
<v Speaker 1>Good Old Boys, a veteran poster where I quoted a

805
00:44:46.719 --> 00:44:49.599
<v Speaker 1>meme he made to him, you know, because it's just

806
00:44:49.639 --> 00:44:51.840
<v Speaker 1>one of those great like you know, throwaways, right, and

807
00:44:51.960 --> 00:44:54.559
<v Speaker 1>they sort of enter the common lexicon. Yeah, I'm not

808
00:44:54.639 --> 00:44:57.920
<v Speaker 1>surprised by it, William. Unfortunately, I'm gonna have to step

809
00:44:57.960 --> 00:44:59.880
<v Speaker 1>out a little earlier than normal. I have real world

810
00:45:00.039 --> 00:45:04.360
<v Speaker 1>obbligations and it has really been an interesting conversation. I'll

811
00:45:04.400 --> 00:45:07.760
<v Speaker 1>make sure to leave the links to your Kickstarter I.

812
00:45:07.800 --> 00:45:09.840
<v Speaker 2>Mentioned roof Koreans and you get into the podcast. No,

813
00:45:12.199 --> 00:45:14.000
<v Speaker 2>but I'm sorry man, I do have to step out early.

814
00:45:14.079 --> 00:45:18.360
<v Speaker 1>Unfortunately. Where else can people find you? Obviously, other than on.

815
00:45:18.760 --> 00:45:21.920
<v Speaker 2>X I just look for well, it's dale about William

816
00:45:21.960 --> 00:45:24.360
<v Speaker 2>my name on x now because I lost so many accounts.

817
00:45:24.679 --> 00:45:30.440
<v Speaker 2>This is my ninth account insol riot dot com and

818
00:45:32.559 --> 00:45:35.960
<v Speaker 2>also on the the Antelope Hill website in the board

819
00:45:36.000 --> 00:45:39.119
<v Speaker 2>game section. That's all me. Well, sure thing. I will

820
00:45:39.159 --> 00:45:41.760
<v Speaker 2>make sure to link to that again. William.

821
00:45:41.880 --> 00:45:44.239
<v Speaker 1>Sorry, I had to to let you go early. Unfortunately,

822
00:45:44.360 --> 00:45:46.440
<v Speaker 1>I have a real life. As gay as that sounds.

823
00:45:46.800 --> 00:45:48.800
<v Speaker 2>But it was great talking to again, and be sure

824
00:45:48.840 --> 00:45:50.760
<v Speaker 2>to check out his work all right.

825
00:46:20.760 --> 00:46:23.639
<v Speaker 3>Recreational drugs can give you a different buzz, but they

826
00:46:23.679 --> 00:46:27.239
<v Speaker 3>can all impair your driving. Some drugs can slow down

827
00:46:27.480 --> 00:46:33.320
<v Speaker 3>your reactions, leaving you prone to error. Other drugs can

828
00:46:33.360 --> 00:46:36.199
<v Speaker 3>make you more aggressive, aggressive, more aggressive, and overconfident behind

829
00:46:36.239 --> 00:46:38.760
<v Speaker 3>the wheel, so you make drug drive too fast and

830
00:46:38.840 --> 00:46:43.079
<v Speaker 3>take dangerous risks. Drug driving can endanger you, your passengers

831
00:46:43.119 --> 00:46:46.519
<v Speaker 3>and other road users. Never ever drive under the influence

832
00:46:46.559 --> 00:46:49.519
<v Speaker 3>of drugs. A message from the Road Safety Authority visit

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<v Speaker 3>RSA dot I e
