WEBVTT

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<v Speaker 1>Hey everybody, Jim Cummings here. Welcome to my podcast, tuned

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<v Speaker 1>In with Jim Cummings. We have a great guest for

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<v Speaker 1>you today, but before we get to that, make sure

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<v Speaker 1>you like and subscribe. Our podcast has partnered with the

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<v Speaker 1>largest comic con in North America, fan Expo, the Juggernaut.

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<v Speaker 1>We're touring all over North America live, so get your

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<v Speaker 1>tickets and come be a part of the live audience.

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<v Speaker 1>It'll be fun. Go to FANEXPOHQ dot com for the tickets.

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<v Speaker 1>We'll see you in a city near you or a

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<v Speaker 1>little bit away, but you can drive. And with all

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<v Speaker 1>that said and done, sit back and enjoy today's episode

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<v Speaker 1>and as always, thanks for tuning in to Tuned In

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<v Speaker 1>with Jim Cummings. If you're a fan of everything we

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<v Speaker 1>do here at tuned In with Jim Cummings, you could

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<v Speaker 1>support the show on Patreon for bonus exclusive podcasts, as

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<v Speaker 1>well as early in ad free access to the show itself,

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<v Speaker 1>prize draw and more. You'll feel the difference, so go

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<v Speaker 1>ahead and join the tuned In family today at Patreon

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<v Speaker 1>dot com slash Jim Cummings Podcast.

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<v Speaker 2>Do it now?

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<v Speaker 3>How you doing out there? It's me Tigger I am

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<v Speaker 3>Duc Wayne Duck.

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<v Speaker 2>It's me Bunkers keep Bobcat.

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<v Speaker 4>All right, y'all?

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<v Speaker 2>Did it great?

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<v Speaker 1>Your favorite firefly you desire?

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<v Speaker 3>Hold no old knock guy.

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<v Speaker 1>My name is Jim Cummings and welcome to tuned In.

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<v Speaker 5>Welcome back, everybody to another episode of Tuned In with

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<v Speaker 5>Jim Cummings. I am producer Chris, joined as always by

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<v Speaker 5>the legend himself, mister Jim Cummings. How are you doing today, sir,

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<v Speaker 5>and good morning to you.

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<v Speaker 2>It's yet another day in paradise.

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<v Speaker 3>It sure is. It's true.

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<v Speaker 5>We have a very special guest for you today. But

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<v Speaker 5>before we get to that, I just want to make

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<v Speaker 5>some quick announcements. If you didn't know what, we're doing

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<v Speaker 5>the podcast live in partnership with fan Expo this year,

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<v Speaker 5>that's right. You can actually come and see us record

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<v Speaker 5>the podcast live. And it's been going great, hasn't it.

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<v Speaker 3>Yes, it has.

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<v Speaker 5>I really had a ball. Yeah, like the energy that

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<v Speaker 5>it brings when you do it live. It's it's a

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<v Speaker 5>little different. We still try and you know, keep the

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<v Speaker 5>same format, but you know, when there's audience engagement, you

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<v Speaker 5>guys can come up and ask questions and everything like that.

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<v Speaker 3>It's been cool.

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<v Speaker 5>We just did the cast of Ed, Ed and Nettie

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<v Speaker 5>Yes on Philadelphia this past weekend.

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<v Speaker 6>It was very rewarding, it was. It was there's some

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<v Speaker 6>funny beds. Yeah, a lot of special Ed, well, including

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<v Speaker 6>you because you know Ed and the Wyan King. Well

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<v Speaker 6>that's true. Yeah, that's true. I forgot about that.

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<v Speaker 3>Wow. Four heads, four heads on one stage. You got

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<v Speaker 3>to check it out.

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<v Speaker 5>And I'll just give you the dates for the rest

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<v Speaker 5>of the year, with more to be added to be sure.

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<v Speaker 5>But the next one coming up is in Chicago Fan

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<v Speaker 5>Expo August fourteenth to the sixteenth. Following that is Toronto

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<v Speaker 5>August twenty seventh to the thirtieth, followed by Dallas September

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<v Speaker 5>eleventh to thirteenth, and San Francisco November twenty seventh to

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<v Speaker 5>the twenty ninth. Be there, Yes, if you want to

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<v Speaker 5>get tickets, you can go to Fanexpo HQ dot com.

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<v Speaker 5>You can find all the information there and there's more

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<v Speaker 5>dates to be added, possibly Anaheim in a couple of

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<v Speaker 5>weeks here, possibly Anaheim. So check that out all right,

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<v Speaker 5>without further ado, Our guest today is a very talented

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<v Speaker 5>man on camera actor, voice actor as well I think

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<v Speaker 5>you have made You may have had more voices in

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<v Speaker 5>Star Wars than any other actor.

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<v Speaker 3>I don't know if that's true.

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<v Speaker 7>There's so many, there's yeah, there's a few, but I

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<v Speaker 7>mean there are a lot of people who have a few.

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<v Speaker 1>Yes, well you have more than James Earl Jones, Hamil

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<v Speaker 1>guys right right, Well, Hammil's been around as well.

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<v Speaker 3>He hides his voice in certain Star Wars. Yes, he's

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<v Speaker 3>in there. Oh yeah, but before we get into it,

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<v Speaker 3>let me at least say your name, the incredibly.

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<v Speaker 5>Talented sam Way where it joins us today. Thank you

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<v Speaker 5>so much for being here.

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<v Speaker 3>Thank you very much, Thank you. How are you doing today?

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<v Speaker 3>Doing good? Doing? All right?

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<v Speaker 7>I was driving around Los Angeles and I was like,

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<v Speaker 7>you know, I was a little bright, and I was

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<v Speaker 7>a little bit like, I want this drive to be cool.

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<v Speaker 7>So I put on the bever the Hills Cop soundtrack

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<v Speaker 7>and l A is never cooler when you're driving around without.

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<v Speaker 3>Yeah, that's true. Was that the Neutron Dance was that? Well,

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<v Speaker 3>there was that. I didn't go as far as Neutron Dance.

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<v Speaker 3>You know where I was living. I was living in

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<v Speaker 3>the in this sort of action beat that you know,

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<v Speaker 3>so like you know when when Addie Murphy is sneaking.

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<v Speaker 7>Around and checking coffee grounds and all this stuff. Oh yeah,

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<v Speaker 7>that's what I was doing. I was running my errands.

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<v Speaker 3>But like very it was very intense, very.

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<v Speaker 7>Cool, you know, just trying to make l a cool.

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<v Speaker 3>Yeah, well it's working. Yeah, thank you job.

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<v Speaker 1>By the way, it's much cooler now that you appreciate

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<v Speaker 1>you started this campaign. Yeah yeah, yeah, Derek carrs and

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<v Speaker 1>letters into saying.

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<v Speaker 3>What Beverly Hills. That's that's all.

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<v Speaker 7>You just need the Beverly Hills Cops soundtrack and your

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<v Speaker 7>LA can be as cool as mine.

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<v Speaker 5>Speaking of cool, one cool thing I learned about you,

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<v Speaker 5>and I was doing my research for this episode, is

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<v Speaker 5>that you're in a band called the crash Tomes.

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<v Speaker 3>Yeah.

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<v Speaker 7>Yeah, maybe not as cool as Beverly Hill's Cup, but yeah,

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<v Speaker 7>it's kind of fun.

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<v Speaker 3>What instrument do you play or do you sing? A

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<v Speaker 3>little bit? All everything?

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<v Speaker 7>I sing, and then I play all the instruments except

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<v Speaker 7>for drums. For that I have a buddy named Tim

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<v Speaker 7>Hibben who is my drummer. And yeah, so we record

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<v Speaker 7>music when there was time. Unfortunately there has not been

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<v Speaker 7>a lot of time recently, but there will be there.

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<v Speaker 3>Always is is in this business. Well, that means you're busy.

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<v Speaker 7>Yeah, we like busy, We like busy, we do like busy.

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<v Speaker 7>But then when we're busy we go only I could

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<v Speaker 7>be not so busy. And then when we're not busy,

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<v Speaker 7>we go, God, what is going on?

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<v Speaker 3>Yeah? Right?

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<v Speaker 7>Yeah?

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<v Speaker 2>Do you have that that actors thing? You get done?

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<v Speaker 1>You wrap one series, you wrap one, shoot, you wrap one,

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<v Speaker 1>this that recording session and go oh and now what

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<v Speaker 1>I mean you're dug in? Oh no, that guy you're there.

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<v Speaker 7>I'm the guy who whenever you're in a set or

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<v Speaker 7>whether you're in a studio recording whatever.

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<v Speaker 3>And people are like, hey, what's what's next for you?

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<v Speaker 7>And I'm the guy who goes nothing, yeah, and then

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<v Speaker 7>the day that ends, there will there. I'm sometimes lucky

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<v Speaker 7>enough to there to be a next thing. I just

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<v Speaker 7>never know what it is until I do it. So,

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<v Speaker 7>so what's what'sn't as if as if there are actors

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<v Speaker 7>out there who have this vast planned out thing.

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<v Speaker 3>I find myself to be.

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<v Speaker 7>At least for the past few years, it has been

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<v Speaker 7>wall to wall, but never in a way that I

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<v Speaker 7>can predict, you know, like soever, what's next?

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<v Speaker 3>For you, I'm like, I think I'm unemployed.

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<v Speaker 5>I think that's when people pull out the old. You know,

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<v Speaker 5>I got some projects coming up, but I can't talk about.

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<v Speaker 7>Them because they don't know about them. I don't have them.

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<v Speaker 7>I have not gotten hired.

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<v Speaker 3>But you know, yeah I got all this talk about it.

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<v Speaker 1>But it's always I'm always gratified when that's true. Every

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<v Speaker 1>now and then that's true. You know, like they had

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<v Speaker 1>this thing for Hondo and Knockout wasn't allowed by Star

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<v Speaker 1>Wars guy. Yeah, I wasn't supposed to talk about it,

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<v Speaker 1>and all I did was talk about it everybody and

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<v Speaker 1>that I could.

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<v Speaker 3>That didn't make you sign an NBA.

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<v Speaker 1>Yeah, they just didn't know I did. But yeah it

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<v Speaker 1>didn't work apparently. Yeah, well I could still speak.

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<v Speaker 3>You just for for Honda.

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<v Speaker 7>You just did a whole refresh on the on the right.

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<v Speaker 3>Yeah, yeah, that'll be cool. I like to see that.

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<v Speaker 3>I have you.

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<v Speaker 1>What do you think about that ride when you see well,

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<v Speaker 1>not just the ride, but I mean being part of

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<v Speaker 1>that whole universe because you're all over Oh, that's got

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<v Speaker 1>to be great.

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<v Speaker 7>I'm a huge Star Wars fan, me too. For me,

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<v Speaker 7>I'm just like, yeah, sure, I'll do stuff.

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<v Speaker 3>Yeah.

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<v Speaker 5>Yeah, doing my research on you, I'm like, I was

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<v Speaker 5>intimidated because I was like, I don't even know if

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<v Speaker 5>I can talk about Star Wars, Like You're just gonna

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<v Speaker 5>correct me on everything. Oh I'm not that kind, No,

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<v Speaker 5>but you really are, Like you know so much about

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<v Speaker 5>Star Wars it's actually so cool. And I a story

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<v Speaker 5>about you, like literally like correcting you know the oh

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<v Speaker 5>I'm going to.

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<v Speaker 3>Yes. Much is made of that story.

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<v Speaker 7>This is something that me and Ashley Eckstein, I think,

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<v Speaker 7>talked about years and years ago, and and what needs

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<v Speaker 7>the context that people need is that Dave has corrected

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<v Speaker 7>me countless times. So the story needs to be recontextualized

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<v Speaker 7>as like, yeah, I got him once. Yeah, I'm very

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<v Speaker 7>proud of that I got him once, but he got

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<v Speaker 7>me a million times.

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<v Speaker 3>Telling her this story for the.

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<v Speaker 1>I assume you mean the incredible Dave Colonel Delayed Delon.

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<v Speaker 3>Yes, thank you. Yeah. What happened was it was the

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<v Speaker 3>first time.

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<v Speaker 7>I was working on Star Wars project for him, and

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<v Speaker 7>there was this wonderful scene between uh Anakin Skywalker and

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<v Speaker 7>the ghost of his mother, Shmi Skywalker, and he says

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<v Speaker 7>to her, I have a wife.

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<v Speaker 3>I want you to meet her. And they did this

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<v Speaker 3>wonderful take and was about to move on, and I

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<v Speaker 3>raised my hand.

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<v Speaker 7>I didn't know David, I didn't know any of these actors,

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<v Speaker 7>and I was the new guy, so I said, hey,

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<v Speaker 7>I padme and Shmi met in Phantom Menace. I don't

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<v Speaker 7>think he would say I want you to meet her.

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<v Speaker 7>He'd say something else. And Dave was like, of course

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<v Speaker 7>they did.

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<v Speaker 3>Because the thing is, you're moving so fast on these things.

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<v Speaker 7>This's a thing that fans don't understand, is that when

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<v Speaker 7>you are going that fast and you haven't had a

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<v Speaker 7>lot of sleep and you're.

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<v Speaker 3>Moving, you're moving, You're moving like everything.

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<v Speaker 7>You know, whenever they I'll see some criticism of something

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<v Speaker 7>and I'll be like, I happen to know other people

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<v Speaker 7>that did that and they had no time or resources

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<v Speaker 7>to do that.

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<v Speaker 3>You never do.

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<v Speaker 7>Yeah, So this this, you know, this continuity error would

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<v Speaker 7>have he would have discovered it, you know, ten minutes

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<v Speaker 7>after he got back.

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<v Speaker 3>To Northern California and be like, oh man, what was

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<v Speaker 3>I thinking?

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<v Speaker 7>You know, like is there are these are scripts that

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<v Speaker 7>were given him that was the newest version of the script,

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<v Speaker 7>this and that he was powering through it that morning

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<v Speaker 7>and going okay, let's direct this.

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<v Speaker 3>I've made the same types of mistakes. I've made some.

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<v Speaker 7>Really like, you know, if they let me do what

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<v Speaker 7>I wanted to do, it would have been a disaster.

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<v Speaker 7>Then Brad raw or Dave Filoni or Matt mcdevitz would

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<v Speaker 7>say like, no, no, no, no no. When we did

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<v Speaker 7>maul in the episode, you know, this episode and this

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<v Speaker 7>season four, yeah, this is what we establish.

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<v Speaker 3>I'm like, right, of course, of course, you know.

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<v Speaker 7>So it's a vast continuity and everyone is working really

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<v Speaker 7>really fast, and the best you can hope for is

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<v Speaker 7>that you just have a bunch of people around you

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<v Speaker 7>are going to watch your back.

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<v Speaker 3>Yeah, yeah, well he does, he does, Yeah, he does. Well.

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<v Speaker 5>I bring that up as a compliment to you, because

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<v Speaker 5>if you're not a fan, you would have never noticed that.

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<v Speaker 5>You know, if you were just in there, you know,

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<v Speaker 5>for the paycheck or the job or whatever, if you

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<v Speaker 5>weren't really invested in the universe of Star Wars, then.

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<v Speaker 3>Most likely you wouldn't have noticed.

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<v Speaker 7>My theory is that's why Dave liked having me around,

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<v Speaker 7>because he's like, oh, he's a fellow nerd.

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<v Speaker 3>He really likes this, you know.

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<v Speaker 7>But he Yeah, there is no one that I know

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<v Speaker 7>of that knows Star Wars.

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<v Speaker 3>Better than him. That's right. It's very impairing because he

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<v Speaker 3>would do these things.

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<v Speaker 7>You'd get ready for a record, and you remember this,

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<v Speaker 7>stand up in front of the cast, because oftentimes sometimes

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<v Speaker 7>you show up at a job and they give you

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<v Speaker 7>your lines and like say these and.

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<v Speaker 3>You're like, great, what does this mean? What does anything?

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<v Speaker 3>I'll just just say it in context. Ye say the words.

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<v Speaker 2>You got to have context.

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<v Speaker 3>Yeah, Dave would never do that to us.

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<v Speaker 7>Dave would stand up and he would perform like a

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<v Speaker 7>Star Wars monologue, describing exactly who these characters are, what

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<v Speaker 7>they want, what are you doing, what's your your purpose

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<v Speaker 7>in this story? Why is this story important for young

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<v Speaker 7>people today? What does George want to get out of

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<v Speaker 7>this story? What does George want from your character? And

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<v Speaker 7>he would just weave this extraordinarily exciting narrative right in

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<v Speaker 7>front of you that by the time he was done,

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<v Speaker 7>we were like, oh my god, let's record. We're so excited.

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<v Speaker 7>You just get everyone so excited about.

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<v Speaker 3>What we were doing, get very passionate. Did you have

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<v Speaker 3>that experience, Jim, Yeah.

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<v Speaker 1>Yeah, he's well, he's extremely thorough like you were saying.

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<v Speaker 1>He h you know, he say, well, of course, now

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<v Speaker 1>you're gonna be going down and you're going to be seeing,

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<v Speaker 1>you know, two wookies, not Chewbaca, not that these particular

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<v Speaker 1>guys are from the southern side of you know.

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<v Speaker 2>And I'm going, okay, and and I don't I don't,

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<v Speaker 2>you know.

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<v Speaker 1>I took from it what I could because half the

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<v Speaker 1>stuff I didn't know what he was talking about was

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<v Speaker 1>I was just so impressed with when somebody's that into

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<v Speaker 1>something and they have all that in depth knowledge and

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<v Speaker 1>they impart that to you. And then what's nice is,

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<v Speaker 1>you know, Dave has his counterparts in the audience that

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<v Speaker 1>because you go to conventions and you know, I'm sure

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<v Speaker 1>you know you've had the same experience like well in

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<v Speaker 1>the fourteenth episode, in the second chapter of the fourteenth

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<v Speaker 1>on Paige, I don't know what page was on in

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<v Speaker 1>the script, but did you really mean that? And I'll say,

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<v Speaker 1>what the hell are you talking? Sure, yeah, I didn't

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<v Speaker 1>know what they're talking about, you know, but I don't

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<v Speaker 1>you bet you?

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<v Speaker 3>And I really I admire that.

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<v Speaker 1>I admire that attention to detail because God is in

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<v Speaker 1>the details.

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<v Speaker 7>Yeah, right, And it's not only detail, it's enthusiasm. He

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<v Speaker 7>has an infectious enthusiasm for Star Wars.

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<v Speaker 2>Oh yeah.

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<v Speaker 7>And so when he would get into those I mean, dude,

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<v Speaker 7>I was shooting some show that I will not name

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<v Speaker 7>because they wouldn't answer a single question about what my

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<v Speaker 7>role was, why was I there, what was this meant

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<v Speaker 7>to be? And what does any of this mean?

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<v Speaker 3>Which is not that usual.

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<v Speaker 7>I've been lucky to work with people who will actually

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<v Speaker 7>answer those questions and be like, Oh, he wants to

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<v Speaker 7>get in, he wants to do a good job, so

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<v Speaker 7>let's talk about this. So I was on this show

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<v Speaker 7>and they would just like say the words. The words

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00:13:47.080 --> 00:13:51.559
<v Speaker 7>seemed utterly inconsistent. They didn't, you know, And nothing really

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00:13:51.639 --> 00:13:54.240
<v Speaker 7>gelled for me on that. And then I remember flying

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00:13:54.279 --> 00:13:57.559
<v Speaker 7>home because Dave needed three pickup lines for me for

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00:13:57.759 --> 00:14:01.519
<v Speaker 7>the finale of Clone Wars. And he walks out of

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00:14:01.559 --> 00:14:04.440
<v Speaker 7>the booth or the behind the glass and he goes, Okay, Sam,

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00:14:05.200 --> 00:14:07.519
<v Speaker 7>So where we last because we'd already recorded this episode,

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00:14:07.720 --> 00:14:08.879
<v Speaker 7>so you'll remember when we.

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<v Speaker 3>Last left off.

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<v Speaker 7>Your character's going through this, he's having these nightmares, he's

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00:14:11.960 --> 00:14:15.399
<v Speaker 7>doing these and he just goes into this huge Star

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<v Speaker 7>Wars monologue to prepare me for three pickup lines. And

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<v Speaker 7>let me tell you, there was no once he did

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00:14:22.399 --> 00:14:23.200
<v Speaker 7>your prep for you.

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00:14:23.320 --> 00:14:25.039
<v Speaker 3>It's he didn't have to prep at all. You were

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00:14:25.080 --> 00:14:25.639
<v Speaker 3>just excited.

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00:14:26.080 --> 00:14:28.480
<v Speaker 7>You knew exactly what he was aiming for, and he

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00:14:28.600 --> 00:14:30.600
<v Speaker 7>was excited to be there. You were excited to be there,

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00:14:30.639 --> 00:14:34.720
<v Speaker 7>and those lines for Star Wars fans out there, that's

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00:14:34.759 --> 00:14:39.000
<v Speaker 7>what resulted because we then started riffing on something and

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00:14:39.039 --> 00:14:40.759
<v Speaker 7>then me and Dave came up with the whole you're

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00:14:40.799 --> 00:14:43.200
<v Speaker 7>all going to burn, we're all going to die. You

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00:14:43.240 --> 00:14:44.720
<v Speaker 7>don't know what you're doing.

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00:14:44.919 --> 00:14:47.679
<v Speaker 3>It's all trying to be the guy. And Body Snatcher

326
00:14:47.679 --> 00:14:51.279
<v Speaker 3>has been like your next, they're here, you're next. Oh yes, yeah.

327
00:14:51.320 --> 00:14:52.799
<v Speaker 7>He has a moment like that in the end of

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00:14:52.799 --> 00:14:54.679
<v Speaker 7>the Far Wars where he's trying to warn everyone that

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00:14:54.720 --> 00:14:55.759
<v Speaker 7>the end of the world is coming.

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00:14:56.279 --> 00:14:59.159
<v Speaker 3>But that level of excitement was.

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00:14:59.240 --> 00:15:03.000
<v Speaker 7>Gifted to me me by our director Dave Filoni. So

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<v Speaker 7>I truly love the way he does that.

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00:15:06.240 --> 00:15:08.759
<v Speaker 1>Yeah, yeah, yeah, yeah, yeah, Dave, if you're out there,

334
00:15:09.240 --> 00:15:10.600
<v Speaker 1>we love you and miss you.

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00:15:10.720 --> 00:15:16.159
<v Speaker 3>Hire us again. He's not busy at all. Yeah, to

336
00:15:16.480 --> 00:15:17.840
<v Speaker 3>watch imagine.

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00:15:17.360 --> 00:15:20.360
<v Speaker 5>We'll sentially since you mentioned Maul you've been playing that character,

338
00:15:20.559 --> 00:15:24.200
<v Speaker 5>voicing that character for fifteen years now, fifteen or sixteen,

339
00:15:24.440 --> 00:15:26.720
<v Speaker 5>fifteen or sixteen years, and now you have the new

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00:15:26.759 --> 00:15:30.000
<v Speaker 5>show that just came out. Mall, shadow Lord, did you

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00:15:30.240 --> 00:15:33.279
<v Speaker 5>bring any new aspects to this character this time around?

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00:15:33.360 --> 00:15:37.120
<v Speaker 7>I better have if we're gonna do him after fifteen

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00:15:37.159 --> 00:15:38.559
<v Speaker 7>sixteen years, we're gonna do him again.

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00:15:38.720 --> 00:15:41.600
<v Speaker 3>Yeah, better have a lot of new aspects, you know.

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00:15:41.679 --> 00:15:44.480
<v Speaker 7>That's that's certainly what I've been aiming for the whole time,

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00:15:44.519 --> 00:15:46.720
<v Speaker 7>and what we what I.

347
00:15:46.080 --> 00:15:48.159
<v Speaker 3>Hope we're continuing to him for with this character.

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00:15:48.480 --> 00:15:51.840
<v Speaker 7>Nice, you know, because it's it's with these characters, whether

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00:15:51.879 --> 00:15:55.320
<v Speaker 7>it's Hondo or Mal or any of these characters, it's like,

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00:15:55.399 --> 00:15:59.279
<v Speaker 7>you don't unless it's a fun little cameo. You can

351
00:15:59.279 --> 00:16:01.600
<v Speaker 7>get away with some stuff there, but if you're going

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00:16:01.679 --> 00:16:05.480
<v Speaker 7>to put them front and center, you'd better learn something

353
00:16:05.559 --> 00:16:08.120
<v Speaker 7>new about them otherwise why are you doing it. It's

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<v Speaker 7>like when Hondo was with the kids and the younglings

355
00:16:13.120 --> 00:16:15.320
<v Speaker 7>and you find out this guy's got a heart, this

356
00:16:15.399 --> 00:16:20.159
<v Speaker 7>guy's there's some empathy there, he just keeps it covered up. Yeah,

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<v Speaker 7>And when I saw that, I was like, yes, of

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00:16:22.679 --> 00:16:25.639
<v Speaker 7>course it would almost not be worth having Hondo here

359
00:16:25.639 --> 00:16:29.120
<v Speaker 7>if you weren't going to discover something surprising about the character.

360
00:16:30.039 --> 00:16:33.039
<v Speaker 3>So yeah, well I thank you for putting that out.

361
00:16:33.320 --> 00:16:37.639
<v Speaker 1>Yeah that Yeah, he's one of my favorite all time guys.

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00:16:38.559 --> 00:16:41.039
<v Speaker 1>Did you ever have like for me when when I

363
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<v Speaker 1>read long, long time ago they were sending out these

364
00:16:44.639 --> 00:16:49.840
<v Speaker 1>breakdowns and blah blah blah, and and I just remember

365
00:16:50.320 --> 00:16:53.679
<v Speaker 1>reading for him and and I thought, Okay, I really

366
00:16:53.759 --> 00:16:56.960
<v Speaker 1>really really want to be this guy because he's not

367
00:16:57.039 --> 00:17:01.559
<v Speaker 1>a good guy, and he's not a bad guy, and

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00:17:01.720 --> 00:17:03.919
<v Speaker 1>he's right there and and he skates around in the

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00:17:03.919 --> 00:17:06.759
<v Speaker 1>middle there, and he's like a sort of a paladin,

370
00:17:06.960 --> 00:17:11.200
<v Speaker 1>sort of a you know, people have compared him to

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00:17:11.400 --> 00:17:16.880
<v Speaker 1>Captain Jack Sparrow, which I think, I mean, not not vocally,

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00:17:17.200 --> 00:17:20.799
<v Speaker 1>I would think, but he's a scoundrel, but he's a

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<v Speaker 1>good scoundrel.

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00:17:21.720 --> 00:17:24.440
<v Speaker 5>He's self serving, self serving, but still with like a

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00:17:24.440 --> 00:17:27.400
<v Speaker 5>good heart, you know. Yeah, he still knows what's morally

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00:17:27.480 --> 00:17:30.200
<v Speaker 5>right from wrong. He knows what he's doing wrong. Yeah

377
00:17:30.240 --> 00:17:33.240
<v Speaker 5>he knows, he that exactly.

378
00:17:33.359 --> 00:17:35.559
<v Speaker 1>But you know, he's the kind of a guy who

379
00:17:35.799 --> 00:17:38.519
<v Speaker 1>there's a certain robin Hood aspect to him.

380
00:17:38.599 --> 00:17:38.839
<v Speaker 3>You know.

381
00:17:38.920 --> 00:17:40.960
<v Speaker 2>He Yes, I am a thief, huh.

382
00:17:41.279 --> 00:17:44.240
<v Speaker 1>And I'm really good at it, so how about that.

383
00:17:44.640 --> 00:17:47.160
<v Speaker 1>But on the other hand, I won't steal from your grandma,

384
00:17:47.559 --> 00:17:48.559
<v Speaker 1>right right.

385
00:17:48.839 --> 00:17:50.559
<v Speaker 3>I'll never forget Hondo.

386
00:17:50.799 --> 00:17:53.559
<v Speaker 7>When Mall and Hondo had a run in, Yeah, and

387
00:17:54.200 --> 00:17:57.319
<v Speaker 7>he had this one wonderful line read where.

388
00:17:58.079 --> 00:18:00.319
<v Speaker 3>I had commandeered some of your men and they were

389
00:18:00.319 --> 00:18:01.119
<v Speaker 3>working for me, and.

390
00:18:01.039 --> 00:18:04.400
<v Speaker 8>You said, oh you you've done this thing. Oh you

391
00:18:04.599 --> 00:18:12.880
<v Speaker 8>you betrayed me. I'm so proud. Yeah, yeah, betrayed. It

392
00:18:12.960 --> 00:18:16.759
<v Speaker 8>was like, get me wrong, Yeah, but he screwed me.

393
00:18:16.799 --> 00:18:18.559
<v Speaker 8>But a pretty good job, right yeah?

394
00:18:18.759 --> 00:18:21.400
<v Speaker 3>Oh yeah, that's right. Well I like that.

395
00:18:21.480 --> 00:18:25.400
<v Speaker 1>I like that aspect of him, kind of kind of rewarding.

396
00:18:25.960 --> 00:18:28.720
<v Speaker 1>And do you when you see yourself, when you hear

397
00:18:28.799 --> 00:18:32.839
<v Speaker 1>yourself this, is there a part of you that squirms

398
00:18:32.839 --> 00:18:36.200
<v Speaker 1>a bit in anticipation because I get a little of

399
00:18:36.240 --> 00:18:38.720
<v Speaker 1>that every now and then. Of course, I've been doing

400
00:18:38.720 --> 00:18:40.400
<v Speaker 1>it for so long. I'm okay with it.

401
00:18:40.799 --> 00:18:43.920
<v Speaker 3>But but you're on camera as well, And do you

402
00:18:43.960 --> 00:18:46.680
<v Speaker 3>did you ever? You said you hate it? You really?

403
00:18:46.880 --> 00:18:47.480
<v Speaker 3>I do? You?

404
00:18:47.640 --> 00:18:49.000
<v Speaker 2>Just look he's coming.

405
00:18:49.599 --> 00:18:51.920
<v Speaker 3>I know I don't even want to that's true. No,

406
00:18:52.000 --> 00:18:56.440
<v Speaker 3>I I love doing it. I love telling the stories.

407
00:18:56.519 --> 00:19:00.440
<v Speaker 7>I love also using whatever tools I have at my

408
00:19:00.480 --> 00:19:02.960
<v Speaker 7>disposal to tell the story. I don't know that I

409
00:19:03.000 --> 00:19:07.519
<v Speaker 7>always enjoy watching it when it comes to the.

410
00:19:07.559 --> 00:19:10.799
<v Speaker 2>Vocals, well, this look you look like a rock star,

411
00:19:10.880 --> 00:19:12.039
<v Speaker 2>a star.

412
00:19:11.920 --> 00:19:15.400
<v Speaker 3>Looks like you're and you're sitting there like, yeah, I really.

413
00:19:15.240 --> 00:19:18.119
<v Speaker 1>Can't stand it because I mean, after all, oh shut

414
00:19:18.200 --> 00:19:19.880
<v Speaker 1>up and get over you know.

415
00:19:20.079 --> 00:19:22.400
<v Speaker 7>It's it's well, but you know you it's it's all

416
00:19:22.480 --> 00:19:24.279
<v Speaker 7>kinds of things. That's maybe you don't like something about

417
00:19:24.279 --> 00:19:25.960
<v Speaker 7>how you look, but it's also you don't like something.

418
00:19:25.839 --> 00:19:26.480
<v Speaker 3>About how you.

419
00:19:28.400 --> 00:19:31.559
<v Speaker 7>Perform or behave, or you're like, what the hell am

420
00:19:31.599 --> 00:19:32.720
<v Speaker 7>I doing with my hand there?

421
00:19:32.799 --> 00:19:33.680
<v Speaker 3>What is that? You know?

422
00:19:33.799 --> 00:19:36.680
<v Speaker 7>Like, so you know, and and it's not about with

423
00:19:36.759 --> 00:19:39.519
<v Speaker 7>any of these things. It's not about having control for

424
00:19:39.640 --> 00:19:42.519
<v Speaker 7>me over the craft. It's just I then have to

425
00:19:42.799 --> 00:19:45.680
<v Speaker 7>confront what did I want to do versus what did

426
00:19:45.720 --> 00:19:47.920
<v Speaker 7>I actually do? And the good news and the thing

427
00:19:47.920 --> 00:19:50.000
<v Speaker 7>I always tell my friends is I'm like, the audience

428
00:19:50.039 --> 00:19:51.200
<v Speaker 7>doesn't know what you want to do.

429
00:19:51.319 --> 00:19:52.319
<v Speaker 3>They only know what you did.

430
00:19:52.359 --> 00:19:54.119
<v Speaker 7>So if they enjoyed it and you got it done,

431
00:19:55.039 --> 00:19:59.240
<v Speaker 7>mission accomplished, put it away. However, it is hard to

432
00:19:59.359 --> 00:20:01.519
<v Speaker 7>you are I am confronting with that every time you're like,

433
00:20:01.960 --> 00:20:05.680
<v Speaker 7>it's gone for that. But was the story told? Was

434
00:20:05.720 --> 00:20:09.119
<v Speaker 7>it sort of told? Okay, it's told, Okay, I'll move on,

435
00:20:09.200 --> 00:20:10.519
<v Speaker 7>I'll move you know.

436
00:20:10.880 --> 00:20:14.640
<v Speaker 3>So it's that. But with the vocal thing, I think

437
00:20:14.799 --> 00:20:16.200
<v Speaker 3>Mall is.

438
00:20:16.160 --> 00:20:19.839
<v Speaker 7>So far away from my speaking voice that I almost

439
00:20:19.880 --> 00:20:20.720
<v Speaker 7>don't recognize them.

440
00:20:20.759 --> 00:20:22.079
<v Speaker 3>So I can watch Mall.

441
00:20:24.119 --> 00:20:26.799
<v Speaker 7>And and maybe enjoy it more just as a fan,

442
00:20:26.960 --> 00:20:28.440
<v Speaker 7>just be like, oh, look at starth Maul.

443
00:20:28.480 --> 00:20:30.839
<v Speaker 3>I like that character. Oh yeah, yeah, that's good. Can

444
00:20:30.880 --> 00:20:36.640
<v Speaker 3>you give us a little for the kids we need

445
00:20:36.680 --> 00:20:42.920
<v Speaker 3>to gain Honda, Yes, we do. Yes, thank you for

446
00:20:43.039 --> 00:20:48.559
<v Speaker 3>using my character's name in there. Problem. The characters are

447
00:20:48.640 --> 00:20:49.400
<v Speaker 3>so interesting.

448
00:20:49.640 --> 00:20:53.640
<v Speaker 7>What was it like to see Hondo as an animatronic

449
00:20:54.039 --> 00:20:55.000
<v Speaker 7>oh figure.

450
00:20:54.839 --> 00:20:56.240
<v Speaker 2>Yeah, wow, that's a good question.

451
00:20:56.599 --> 00:20:56.839
<v Speaker 3>You know.

452
00:20:56.960 --> 00:21:01.359
<v Speaker 1>I I remember doing it, and and I've told this before.

453
00:21:01.960 --> 00:21:07.359
<v Speaker 1>They they invited me over to imagineering Hisney imagineering, and

454
00:21:07.359 --> 00:21:10.119
<v Speaker 1>and uh they're just kind of walking me through this

455
00:21:10.200 --> 00:21:13.079
<v Speaker 1>incredible storyboard and it looked like what they do for

456
00:21:13.160 --> 00:21:17.039
<v Speaker 1>a movie. And I go and and I said, so

457
00:21:17.759 --> 00:21:19.599
<v Speaker 1>I was told that this is all on spec and

458
00:21:19.920 --> 00:21:22.880
<v Speaker 1>you're not doing but look, you did this all this

459
00:21:23.000 --> 00:21:25.720
<v Speaker 1>big rigmarole just for on spec and he goes, wait, wait,

460
00:21:25.720 --> 00:21:29.279
<v Speaker 1>wait explained that what yeah, yeah, and and and that's

461
00:21:29.319 --> 00:21:30.599
<v Speaker 1>what he said.

462
00:21:30.440 --> 00:21:32.640
<v Speaker 3>And he and he and I got I forget it

463
00:21:32.759 --> 00:21:33.680
<v Speaker 3>was with but he.

464
00:21:33.640 --> 00:21:36.880
<v Speaker 1>Said, oh no, it's halfway done. It's already under construction.

465
00:21:37.359 --> 00:21:40.480
<v Speaker 1>It's being built as we speak. And I go, and

466
00:21:40.519 --> 00:21:41.599
<v Speaker 1>you're trying to convince me.

467
00:21:41.599 --> 00:21:42.000
<v Speaker 3>To do it.

468
00:21:42.119 --> 00:21:45.200
<v Speaker 2>You you couldn't let me. I would pay you to

469
00:21:45.279 --> 00:21:47.000
<v Speaker 2>do this, could I would?

470
00:21:47.119 --> 00:21:47.599
<v Speaker 3>You couldn't.

471
00:21:47.720 --> 00:21:50.440
<v Speaker 1>And they think they think that they're pitching you. It's like,

472
00:21:50.559 --> 00:21:52.559
<v Speaker 1>you're not pitching me. I'm dying to do this.

473
00:21:54.920 --> 00:21:57.279
<v Speaker 3>Do you tell them that or do you Yes, I'd

474
00:21:57.319 --> 00:21:59.039
<v Speaker 3>like to get my cars close to my chest and

475
00:21:59.079 --> 00:22:02.400
<v Speaker 3>be like, wow, that's right. Interesting. Yeah, I think you're

476
00:22:02.440 --> 00:22:04.839
<v Speaker 3>on the right track there, that's yeah, keep up the

477
00:22:04.839 --> 00:22:05.920
<v Speaker 3>good to know.

478
00:22:06.440 --> 00:22:09.160
<v Speaker 1>Internally, I'm just yeah, well, I figured I'll let my

479
00:22:09.200 --> 00:22:10.319
<v Speaker 1>agent do the hard arm.

480
00:22:10.440 --> 00:22:15.880
<v Speaker 2>Yeah, the hard bargaining stuff, right, Yeah, unbelievable. That's did

481
00:22:15.880 --> 00:22:16.200
<v Speaker 2>you ever?

482
00:22:16.319 --> 00:22:19.440
<v Speaker 1>I mean, I remember how old was I was. I

483
00:22:19.480 --> 00:22:23.680
<v Speaker 1>guess I was a teenager when Star Wars first came out. Yeah,

484
00:22:24.079 --> 00:22:27.519
<v Speaker 1>and uh, I just thought it was the coolest damn

485
00:22:27.559 --> 00:22:30.559
<v Speaker 1>thing in the world, because it was the coolest damn

486
00:22:30.599 --> 00:22:34.319
<v Speaker 1>thing in the world, you know, and you know, to

487
00:22:34.319 --> 00:22:39.319
<v Speaker 1>finish growing up and and now growing old, but and

488
00:22:39.359 --> 00:22:43.759
<v Speaker 1>to be involved, and it is just a kind of

489
00:22:43.799 --> 00:22:44.640
<v Speaker 1>a dream come true.

490
00:22:44.759 --> 00:22:45.720
<v Speaker 3>And there's a distinction.

491
00:22:46.039 --> 00:22:50.240
<v Speaker 7>Also, look any Star Wars, I think is because because

492
00:22:50.240 --> 00:22:54.119
<v Speaker 7>there's a lineage at that company that comes from George.

493
00:22:53.839 --> 00:22:56.240
<v Speaker 7>So many of the people that we've worked with were

494
00:22:56.279 --> 00:22:58.839
<v Speaker 7>trained by George, and so many the people that work

495
00:22:58.880 --> 00:23:01.759
<v Speaker 7>on these things. Dave Filoni trained by George, but not

496
00:23:01.920 --> 00:23:06.240
<v Speaker 7>only him, so many people at that company. He went

497
00:23:06.279 --> 00:23:09.920
<v Speaker 7>to the Lucasfilm Film School with George. But what is interesting,

498
00:23:10.039 --> 00:23:14.279
<v Speaker 7>what is fun, is that the animation division of Lucasfilm

499
00:23:14.640 --> 00:23:17.920
<v Speaker 7>that was created by George, so it became the moment

500
00:23:18.000 --> 00:23:21.480
<v Speaker 7>he did that it became a core part of Star Wars,

501
00:23:21.519 --> 00:23:23.319
<v Speaker 7>and the fact that it is still a core part

502
00:23:23.319 --> 00:23:23.839
<v Speaker 7>of Star.

503
00:23:23.680 --> 00:23:25.519
<v Speaker 3>Wars is so incredible.

504
00:23:25.599 --> 00:23:28.599
<v Speaker 7>Lucasfilm Animation has been around for twenty years now, and

505
00:23:30.079 --> 00:23:36.480
<v Speaker 7>you know, so we definitely have the fun distinction of

506
00:23:36.519 --> 00:23:40.599
<v Speaker 7>having served under George Lucas on his animated show. I

507
00:23:40.680 --> 00:23:43.559
<v Speaker 7>just saw this video and I wish they'd made more

508
00:23:43.559 --> 00:23:45.519
<v Speaker 7>of these public because they have tons of this footage

509
00:23:45.839 --> 00:23:49.119
<v Speaker 7>and it was George Lucas. Someone was interviewing him and

510
00:23:49.160 --> 00:23:51.640
<v Speaker 7>we'd all seen interviews with George Lucas. He goes, well,

511
00:23:52.279 --> 00:23:55.599
<v Speaker 7>you know, Han Solo is on health and he's trying

512
00:23:55.640 --> 00:23:57.400
<v Speaker 7>to figure out how to get the falcon, and.

513
00:23:57.440 --> 00:23:59.079
<v Speaker 3>He'll talk about something that happens in the movie and

514
00:23:59.200 --> 00:23:59.920
<v Speaker 3>a good impression.

515
00:24:00.200 --> 00:24:06.119
<v Speaker 7>Yeah, yeah, I saw him discussing. He's like, well, you

516
00:24:06.200 --> 00:24:11.000
<v Speaker 7>have to understand that Ventris being a night Sister comes

517
00:24:11.000 --> 00:24:14.279
<v Speaker 7>from the planet Dathamiron, and that's a planet of witches,

518
00:24:14.359 --> 00:24:18.200
<v Speaker 7>and the male female hierarchy is a different type of thing.

519
00:24:18.240 --> 00:24:21.519
<v Speaker 7>They control the magic and the force there. And then

520
00:24:22.359 --> 00:24:24.559
<v Speaker 7>the brother of Darth Maul and he goes into all

521
00:24:24.599 --> 00:24:29.720
<v Speaker 7>these details about the Clone Wars, and I'm like, why

522
00:24:29.839 --> 00:24:32.119
<v Speaker 7>didn't they put more of this out there? Because he

523
00:24:32.240 --> 00:24:35.160
<v Speaker 7>was so involved in all those stories. A Hondo is

524
00:24:35.240 --> 00:24:39.000
<v Speaker 7>an interesting guy because you know, because I don't know

525
00:24:39.000 --> 00:24:40.640
<v Speaker 7>if you ever knew this when he played when they

526
00:24:40.640 --> 00:24:44.160
<v Speaker 7>played the Young Ling arc, they cut together the me

527
00:24:44.799 --> 00:24:45.240
<v Speaker 7>into one.

528
00:24:45.680 --> 00:24:47.119
<v Speaker 3>Were you there in the theater when they watched it

529
00:24:47.160 --> 00:24:48.799
<v Speaker 3>with the kids? Oh? With the kids?

530
00:24:48.799 --> 00:24:49.640
<v Speaker 2>Oh, I don't think something.

531
00:24:49.720 --> 00:24:51.720
<v Speaker 7>There was a presentation at one of the Star Wars

532
00:24:51.759 --> 00:24:55.880
<v Speaker 7>celebrations and they cut together the young ling arc into

533
00:24:55.880 --> 00:25:00.400
<v Speaker 7>a movie and they they actually just went to anyone

534
00:25:00.400 --> 00:25:02.559
<v Speaker 7>that had small kids and said, you're invited to an event.

535
00:25:02.559 --> 00:25:05.880
<v Speaker 7>You're invited to an event, and they played it and

536
00:25:06.640 --> 00:25:09.279
<v Speaker 7>no one knows this. This is not of record, but

537
00:25:09.359 --> 00:25:09.880
<v Speaker 7>I know this.

538
00:25:10.440 --> 00:25:13.200
<v Speaker 3>George hid in the back watching it with the kids.

539
00:25:14.039 --> 00:25:15.079
<v Speaker 2>How cool is that?

540
00:25:15.720 --> 00:25:18.680
<v Speaker 1>I found out that that that's a common practice, George

541
00:25:18.839 --> 00:25:21.400
<v Speaker 1>or producers and they sneak around and go in the back.

542
00:25:21.519 --> 00:25:23.200
<v Speaker 3>He was in the back. He wanted to watch it

543
00:25:23.240 --> 00:25:23.680
<v Speaker 3>with the kids.

544
00:25:23.720 --> 00:25:26.400
<v Speaker 7>He wanted to see what they thought of this of

545
00:25:26.440 --> 00:25:29.839
<v Speaker 7>these younglings trying to traverse the galaxy far far away

546
00:25:29.960 --> 00:25:32.200
<v Speaker 7>with Hondo in the middle of it.

547
00:25:32.720 --> 00:25:35.640
<v Speaker 3>And uh, yeah, well if you didn't know that, you

548
00:25:35.680 --> 00:25:35.920
<v Speaker 3>know that.

549
00:25:36.200 --> 00:25:36.599
<v Speaker 2>Wow?

550
00:25:36.799 --> 00:25:39.920
<v Speaker 3>Yeah, yeah, that's good stuff. So cool.

551
00:25:40.440 --> 00:25:42.960
<v Speaker 1>If you're a fan of everything we do here at

552
00:25:42.960 --> 00:25:45.799
<v Speaker 1>tuned In with Jim Cummings, you could support the show

553
00:25:45.839 --> 00:25:50.519
<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

554
00:25:50.559 --> 00:25:54.599
<v Speaker 1>in ad free access to the show itself, prize drawings,

555
00:25:54.640 --> 00:25:57.720
<v Speaker 1>and more. You'll feel the difference, so go ahead and

556
00:25:57.839 --> 00:26:01.680
<v Speaker 1>join the tuned In family today at patreon dot com

557
00:26:01.720 --> 00:26:04.839
<v Speaker 1>slash Jim Cummings podcast Do It.

558
00:26:04.759 --> 00:26:09.799
<v Speaker 7>Now, George, I believe wanted to be an animator, so animation.

559
00:26:11.039 --> 00:26:13.359
<v Speaker 7>I think he went to USC So he's basically a

560
00:26:13.359 --> 00:26:14.039
<v Speaker 7>failure animation.

561
00:26:14.160 --> 00:26:20.680
<v Speaker 3>Yea, he failed spectacularly. By failing, he changed the world

562
00:26:20.799 --> 00:26:22.240
<v Speaker 3>seven times over.

563
00:26:22.319 --> 00:26:28.559
<v Speaker 7>Yes, but you know, it's it is interesting to think

564
00:26:29.200 --> 00:26:32.799
<v Speaker 7>that people like George Lucas or Walt Disney or whomever,

565
00:26:33.319 --> 00:26:39.960
<v Speaker 7>animation was a core interest and in fact, when you

566
00:26:40.000 --> 00:26:42.599
<v Speaker 7>watch say the Prequels and stuff, I mean it had

567
00:26:42.640 --> 00:26:44.759
<v Speaker 7>better be a core attress because some of those characters

568
00:26:44.759 --> 00:26:46.440
<v Speaker 7>are in fact animated.

569
00:26:45.960 --> 00:26:46.640
<v Speaker 3>That's what they are.

570
00:26:46.880 --> 00:26:49.680
<v Speaker 7>Yeah, and you know, the large chunk of those prequels

571
00:26:49.720 --> 00:26:52.400
<v Speaker 7>are actually kind of animated films, the clones and the

572
00:26:52.440 --> 00:26:54.400
<v Speaker 7>droids and the features and.

573
00:26:54.319 --> 00:26:54.960
<v Speaker 3>All that stuff.

574
00:26:55.319 --> 00:26:59.599
<v Speaker 7>So you know, I never had a chance to ask George,

575
00:26:59.640 --> 00:27:02.240
<v Speaker 7>although I had some nice run ins with him, I

576
00:27:02.279 --> 00:27:06.079
<v Speaker 7>never had a chance to ask him what he loved

577
00:27:06.119 --> 00:27:08.599
<v Speaker 7>about that so much. But but people did sort of

578
00:27:09.839 --> 00:27:12.440
<v Speaker 7>share with me that that for him, who you know,

579
00:27:12.519 --> 00:27:15.519
<v Speaker 7>we had to spend years and years and years making

580
00:27:15.559 --> 00:27:19.039
<v Speaker 7>these films, but with the animated thing, he could put

581
00:27:19.039 --> 00:27:21.240
<v Speaker 7>an idea on the table and within a year start

582
00:27:21.279 --> 00:27:22.839
<v Speaker 7>seeing that be finished.

583
00:27:23.480 --> 00:27:25.559
<v Speaker 3>And that that was I understand, a real thrill for

584
00:27:25.640 --> 00:27:27.039
<v Speaker 3>him and like, wow, look at that.

585
00:27:27.119 --> 00:27:30.319
<v Speaker 5>Yea, yeah, well, I was just about to say that

586
00:27:30.319 --> 00:27:32.799
<v Speaker 5>that makes sense to me because I feel like animation

587
00:27:33.000 --> 00:27:36.599
<v Speaker 5>is like a very direct outlet of your imagination. You know,

588
00:27:36.680 --> 00:27:40.400
<v Speaker 5>even with you know, cameras and different mediums, there's still

589
00:27:40.440 --> 00:27:43.039
<v Speaker 5>you know, the lighting and there's a whole lot of

590
00:27:43.079 --> 00:27:45.200
<v Speaker 5>other factors that you have to consider and able to

591
00:27:45.880 --> 00:27:47.799
<v Speaker 5>in order to be able to bring a vision to light.

592
00:27:47.920 --> 00:27:48.119
<v Speaker 3>Yeah.

593
00:27:48.279 --> 00:27:50.880
<v Speaker 5>Yeah, animation is kind of you know, it's like direct

594
00:27:50.880 --> 00:27:53.279
<v Speaker 5>it's a direct link, you know, especially when you're doing

595
00:27:53.319 --> 00:27:55.359
<v Speaker 5>it by hand. Of course, people do it by you know,

596
00:27:55.559 --> 00:27:56.880
<v Speaker 5>computer and everything these days.

597
00:27:56.920 --> 00:27:58.720
<v Speaker 3>Our show is all of the above.

598
00:27:59.240 --> 00:28:01.599
<v Speaker 7>You know, the paintings on our show are real Matt

599
00:28:01.680 --> 00:28:05.359
<v Speaker 7>paintings in real life, real paint on you know, canvas

600
00:28:05.440 --> 00:28:05.839
<v Speaker 7>or glass.

601
00:28:05.880 --> 00:28:08.079
<v Speaker 3>You're talking about shadow shadow, Yeah, yeah, yeah.

602
00:28:07.960 --> 00:28:10.480
<v Speaker 7>Where our map paintings are real Matt paintings made in

603
00:28:10.519 --> 00:28:11.519
<v Speaker 7>the physical world that.

604
00:28:11.480 --> 00:28:13.839
<v Speaker 3>We see that we photograph.

605
00:28:13.880 --> 00:28:16.640
<v Speaker 7>You know that some of the pyro attacks, I pyro

606
00:28:16.680 --> 00:28:20.079
<v Speaker 7>effects are I think are there's there's quite a bit

607
00:28:20.079 --> 00:28:23.039
<v Speaker 7>of live action photography that we sneak in their spaceship

608
00:28:23.119 --> 00:28:23.400
<v Speaker 7>or two.

609
00:28:24.119 --> 00:28:24.359
<v Speaker 3>Uh.

610
00:28:24.440 --> 00:28:29.680
<v Speaker 7>And then when it comes to the character animation, they

611
00:28:30.319 --> 00:28:33.240
<v Speaker 7>I'm I'm a.

612
00:28:33.200 --> 00:28:34.440
<v Speaker 3>Consulting producer on the show.

613
00:28:34.480 --> 00:28:37.160
<v Speaker 7>So I get to to flit around like a butterfly

614
00:28:37.240 --> 00:28:38.599
<v Speaker 7>between these different.

615
00:28:38.599 --> 00:28:40.640
<v Speaker 3>Divisions and bother them.

616
00:28:40.759 --> 00:28:43.839
<v Speaker 7>And what it's sort of what it's sort of resulted

617
00:28:43.960 --> 00:28:46.839
<v Speaker 7>in is I get to hang out with the animation

618
00:28:46.880 --> 00:28:48.960
<v Speaker 7>department and and and shoot reference.

619
00:28:49.079 --> 00:28:49.920
<v Speaker 3>Not with the.

620
00:28:49.920 --> 00:28:51.880
<v Speaker 7>Idea that I would dictate what it is that they're

621
00:28:51.920 --> 00:28:55.079
<v Speaker 7>supposed to do because they've been animating mall for successfully

622
00:28:55.160 --> 00:28:59.119
<v Speaker 7>for fifteen years, but it's throwing more ideas into the

623
00:28:59.119 --> 00:29:00.880
<v Speaker 7>pop Have you thought about this?

624
00:29:01.000 --> 00:29:02.960
<v Speaker 3>And like, you know, I come from live action, so

625
00:29:03.039 --> 00:29:06.640
<v Speaker 3>let's you know. So, so when they they will choose

626
00:29:06.640 --> 00:29:08.119
<v Speaker 3>the scenes, there will be key scenes.

627
00:29:08.119 --> 00:29:09.519
<v Speaker 7>They're like, we'd like to know what you would do

628
00:29:09.559 --> 00:29:11.400
<v Speaker 7>with this, So they would set me off, they'd give

629
00:29:11.440 --> 00:29:13.440
<v Speaker 7>me direction. They we'd talk it over and they say

630
00:29:13.480 --> 00:29:15.519
<v Speaker 7>we want this, we want that, we want that, and

631
00:29:15.519 --> 00:29:18.000
<v Speaker 7>they'd show me the animatic and then.

632
00:29:18.400 --> 00:29:21.279
<v Speaker 3>I'll show out we will shoot.

633
00:29:22.079 --> 00:29:25.319
<v Speaker 7>Reference and and what's fun is is how they mix

634
00:29:25.359 --> 00:29:28.279
<v Speaker 7>and match. I'll be watching them all performance and be like, oh,

635
00:29:28.319 --> 00:29:29.880
<v Speaker 7>that little thing he did with his eyes right there,

636
00:29:29.960 --> 00:29:32.039
<v Speaker 7>that was something that we came up with when we

637
00:29:32.039 --> 00:29:35.000
<v Speaker 7>were doing that reference. Okay, now that's interesting. Oh they

638
00:29:35.000 --> 00:29:37.079
<v Speaker 7>did a really cool thing there. Oh that's totally different. Okay,

639
00:29:37.079 --> 00:29:39.559
<v Speaker 7>there there's a little thing that we've thought. So it's

640
00:29:39.599 --> 00:29:40.519
<v Speaker 7>just adding more.

641
00:29:40.359 --> 00:29:43.319
<v Speaker 1>Ideas to the nice. Well that's nice. Well God is

642
00:29:43.359 --> 00:29:46.240
<v Speaker 1>into details, right sort of, I mean kind of.

643
00:29:46.319 --> 00:29:50.680
<v Speaker 7>Yeah, that's that's Everyone on that show has been thinking

644
00:29:50.720 --> 00:29:52.559
<v Speaker 7>way outside the box in terms of how we make

645
00:29:52.599 --> 00:29:55.119
<v Speaker 7>that wow so so.

646
00:29:55.079 --> 00:29:58.440
<v Speaker 1>Well and then and then you reap the harvest.

647
00:29:59.200 --> 00:30:00.160
<v Speaker 3>It's a beautiful thing.

648
00:30:00.519 --> 00:30:03.599
<v Speaker 7>Yeah, when it works, it's it's a it's a great thing.

649
00:30:03.640 --> 00:30:06.440
<v Speaker 7>It's just you know, with Star Wars, the standard is

650
00:30:06.519 --> 00:30:09.079
<v Speaker 7>sky high, so you feel like there's a pressure there

651
00:30:09.079 --> 00:30:13.519
<v Speaker 7>then always yeah, I don't. I never when we were

652
00:30:13.759 --> 00:30:18.279
<v Speaker 7>well received, I had to be reminded by our producer,

653
00:30:18.279 --> 00:30:21.079
<v Speaker 7>Athena Portillo, who you probably know from you.

654
00:30:21.039 --> 00:30:25.119
<v Speaker 3>Know, she's our fearless general, and she had to remind.

655
00:30:24.799 --> 00:30:27.799
<v Speaker 7>Everyone like me and Brad raw who is the head

656
00:30:27.799 --> 00:30:31.160
<v Speaker 7>of the show, the show runner, you know, filmmaker extraordinary.

657
00:30:31.160 --> 00:30:34.000
<v Speaker 3>He's the Dave Filoni at this show, George Lucas of

658
00:30:34.039 --> 00:30:34.440
<v Speaker 3>our show.

659
00:30:35.759 --> 00:30:38.720
<v Speaker 7>And so he hands down the big ideas and then

660
00:30:38.880 --> 00:30:43.240
<v Speaker 7>Brad and his directors implement that, and then the writer.

661
00:30:43.440 --> 00:30:44.160
<v Speaker 3>The writing team is.

662
00:30:44.200 --> 00:30:46.559
<v Speaker 7>Led by Mac mcnivitz, who goes way back with us

663
00:30:46.640 --> 00:30:50.359
<v Speaker 7>with clone wars and all that stuff. But uh, Athena,

664
00:30:51.319 --> 00:30:56.440
<v Speaker 7>who's I mean a nuclear power producer. She had to

665
00:30:56.480 --> 00:30:59.200
<v Speaker 7>tell us, certainly tell me more than once. She's like, hey, Sam,

666
00:31:00.160 --> 00:31:03.119
<v Speaker 7>we're airing, and yeah, I understand, we're still working on stuff.

667
00:31:04.119 --> 00:31:04.680
<v Speaker 3>Put it away.

668
00:31:05.000 --> 00:31:08.599
<v Speaker 7>Enjoy this, enjoy this, have fun with the fact that

669
00:31:08.640 --> 00:31:09.759
<v Speaker 7>people are having fun with this.

670
00:31:10.359 --> 00:31:11.960
<v Speaker 3>And she had to tell me that a few times.

671
00:31:11.960 --> 00:31:15.079
<v Speaker 3>She's like, this is a special thing. Enjoy it.

672
00:31:15.640 --> 00:31:17.799
<v Speaker 7>Put your worries aside, and then let's get back to

673
00:31:17.839 --> 00:31:19.960
<v Speaker 7>work some days after we do that.

674
00:31:20.160 --> 00:31:22.359
<v Speaker 3>Yeah. So yeah, But for.

675
00:31:22.359 --> 00:31:24.200
<v Speaker 7>Me, if left to my own devices, I would have

676
00:31:24.240 --> 00:31:25.799
<v Speaker 7>just brooded the whole time. I would have been like,

677
00:31:27.640 --> 00:31:29.359
<v Speaker 7>what we have to do now? In season two?

678
00:31:29.519 --> 00:31:32.079
<v Speaker 5>Yeah, yeah, yeah, did you ever get that message in

679
00:31:32.160 --> 00:31:36.039
<v Speaker 5>your career? I mean, with so many successful characters, and

680
00:31:36.079 --> 00:31:39.279
<v Speaker 5>I mean you've voiced so many, you know, hundreds of characters,

681
00:31:39.440 --> 00:31:42.359
<v Speaker 5>did you ever have a chance to just like kind

682
00:31:42.359 --> 00:31:45.319
<v Speaker 5>of sit back and be like, yeah, I'm enjoying this

683
00:31:45.400 --> 00:31:47.960
<v Speaker 5>now or was it always just one after another, let's

684
00:31:48.000 --> 00:31:48.759
<v Speaker 5>look at the next thing.

685
00:31:48.960 --> 00:31:51.359
<v Speaker 1>Yeah, it's a little of both, it's a little of

686
00:31:51.400 --> 00:31:54.680
<v Speaker 1>both and the thing that kind of turns it around. See,

687
00:31:55.160 --> 00:31:59.839
<v Speaker 1>like guys like me, you know us, we spend our

688
00:31:59.880 --> 00:32:04.880
<v Speaker 1>life lives most mostly alone in recording studios and uh

689
00:32:04.920 --> 00:32:06.400
<v Speaker 1>and of course with COVID forget it.

690
00:32:06.759 --> 00:32:09.279
<v Speaker 3>But but there'd be a producer, there's the writer, there's

691
00:32:09.279 --> 00:32:10.160
<v Speaker 3>a producer.

692
00:32:09.960 --> 00:32:13.720
<v Speaker 1>And recording engineer. So you don't get the feedback. You

693
00:32:13.720 --> 00:32:15.920
<v Speaker 1>don't get that. It's not like you're in a play.

694
00:32:16.680 --> 00:32:20.279
<v Speaker 1>And and so because you know, you get that automatic feedback,

695
00:32:20.759 --> 00:32:23.759
<v Speaker 1>and that's why that's another thing I like. But going

696
00:32:23.839 --> 00:32:26.279
<v Speaker 1>to conventions, you can see people come up with you know,

697
00:32:26.359 --> 00:32:28.960
<v Speaker 1>in the third episode of The Mask when you were

698
00:32:29.319 --> 00:32:34.279
<v Speaker 1>played the Swedish organ grinder. You know, it's so nice

699
00:32:34.279 --> 00:32:37.119
<v Speaker 1>to know that that there is an impact out there

700
00:32:37.119 --> 00:32:37.960
<v Speaker 1>because you don't get it.

701
00:32:38.359 --> 00:32:39.440
<v Speaker 2>You don't get and.

702
00:32:39.359 --> 00:32:41.799
<v Speaker 1>It's because when you're when you're in a play or

703
00:32:41.839 --> 00:32:43.799
<v Speaker 1>something like that instant feedback.

704
00:32:43.839 --> 00:32:47.039
<v Speaker 3>Oh they laughed, Oh that was great. Old Now they're crying.

705
00:32:47.480 --> 00:32:50.880
<v Speaker 1>And you don't get that, you know, with animation or

706
00:32:51.119 --> 00:32:53.599
<v Speaker 1>or or for that matter, TV.

707
00:32:55.039 --> 00:32:55.599
<v Speaker 3>In general.

708
00:32:55.720 --> 00:32:58.119
<v Speaker 2>You know, you do it, you go home, do you.

709
00:32:58.079 --> 00:33:02.039
<v Speaker 5>Find do you find filming on that boring? I'm an

710
00:33:02.039 --> 00:33:05.279
<v Speaker 5>actor myself. You said, you don't. I know you're being facetious,

711
00:33:05.359 --> 00:33:09.000
<v Speaker 5>but you don't like acting. But I just think it's hard.

712
00:33:09.039 --> 00:33:12.599
<v Speaker 5>You know, I was. I was a theater actor in college.

713
00:33:12.640 --> 00:33:14.440
<v Speaker 5>You know, I really was in love with theater and

714
00:33:14.480 --> 00:33:16.480
<v Speaker 5>being on stage and everything. And I remember when I

715
00:33:16.519 --> 00:33:19.440
<v Speaker 5>got my first TV role. I remember sitting in the

716
00:33:19.440 --> 00:33:22.000
<v Speaker 5>green room like, oh my god, this is just like

717
00:33:22.079 --> 00:33:25.519
<v Speaker 5>waiting all day. Yeah, can we can we do something?

718
00:33:25.640 --> 00:33:25.759
<v Speaker 3>Like?

719
00:33:25.920 --> 00:33:28.519
<v Speaker 5>You know, everybody, every team has their turn, you know,

720
00:33:28.599 --> 00:33:32.519
<v Speaker 5>the graps, lighting, camera, get everything set up. Rehearsal is

721
00:33:32.559 --> 00:33:35.720
<v Speaker 5>literally like I mean not every case, but it's like

722
00:33:35.759 --> 00:33:37.799
<v Speaker 5>sitting there reading your size to each other. It's not

723
00:33:37.839 --> 00:33:38.599
<v Speaker 5>really performing.

724
00:33:38.640 --> 00:33:40.440
<v Speaker 3>It's Yeah.

725
00:33:41.039 --> 00:33:45.160
<v Speaker 7>I've had moments where the tedium made me ask myself

726
00:33:45.200 --> 00:33:46.359
<v Speaker 7>whether I enjoyed it or not.

727
00:33:46.440 --> 00:33:48.920
<v Speaker 3>But I did come to the conclusion that I did.

728
00:33:50.680 --> 00:33:54.839
<v Speaker 7>The the massive professionals that are all doing their job

729
00:33:55.519 --> 00:34:00.200
<v Speaker 7>and creating the image and lighting it and making sure

730
00:34:00.200 --> 00:34:04.079
<v Speaker 7>that there is something really exciting about that energy, and

731
00:34:04.079 --> 00:34:07.680
<v Speaker 7>there is something exciting about the whole Yeah.

732
00:34:08.039 --> 00:34:10.039
<v Speaker 3>Hurry up and wait. You're waiting. You're waiting, you're waiting,

733
00:34:10.079 --> 00:34:11.960
<v Speaker 3>you're waiting, you're waiting, and they're like okay, good, all right,

734
00:34:12.000 --> 00:34:14.559
<v Speaker 3>we need you to cry now show time action Yeah yeah,

735
00:34:14.679 --> 00:34:16.280
<v Speaker 3>oh okay.

736
00:34:15.960 --> 00:34:19.960
<v Speaker 7>And when you see actors that can pull that off

737
00:34:19.960 --> 00:34:24.000
<v Speaker 7>and do whatever performance they need to on like you know, wait.

738
00:34:23.840 --> 00:34:27.639
<v Speaker 3>Wait wait, and now you know, Yeah, it's exciting.

739
00:34:27.679 --> 00:34:31.719
<v Speaker 7>I actually absolutely love being on a set provided it's

740
00:34:31.800 --> 00:34:33.639
<v Speaker 7>a good group of people, and I've.

741
00:34:33.519 --> 00:34:35.800
<v Speaker 3>Been it' very It's a challenge, isn't it. Yeah.

742
00:34:35.840 --> 00:34:39.119
<v Speaker 7>I've been lucky to work with mostly really really nice,

743
00:34:39.320 --> 00:34:43.079
<v Speaker 7>great people, and if they're funny, then you're you're dead

744
00:34:43.199 --> 00:34:46.519
<v Speaker 7>because between all the setups, you're just cracking each other up,

745
00:34:47.360 --> 00:34:50.559
<v Speaker 7>you know. I mean those are if you're a regular

746
00:34:50.639 --> 00:34:55.960
<v Speaker 7>on a show those days there's anywhere from sixteen to

747
00:34:56.000 --> 00:34:58.920
<v Speaker 7>eighteen or nineteen hours typically a day. If you're like

748
00:34:59.079 --> 00:35:02.719
<v Speaker 7>one of the leads, you're there every day. So if

749
00:35:02.719 --> 00:35:04.519
<v Speaker 7>you have a good group of people, then at least

750
00:35:04.519 --> 00:35:07.000
<v Speaker 7>you have some sort of social life because you're talking

751
00:35:07.039 --> 00:35:07.480
<v Speaker 7>to people.

752
00:35:07.599 --> 00:35:11.079
<v Speaker 3>Wow, there's setups happening, and.

753
00:35:10.519 --> 00:35:12.440
<v Speaker 7>Yeah, you're kind of living a little bit of a

754
00:35:12.480 --> 00:35:16.800
<v Speaker 7>life on that stage. But I've done shows that were

755
00:35:16.840 --> 00:35:23.760
<v Speaker 7>so all encompassing that my brain identifies the set or

756
00:35:23.800 --> 00:35:27.559
<v Speaker 7>the locations as having really happened and I really like

757
00:35:27.599 --> 00:35:30.920
<v Speaker 7>I kind of was that person. Yeah, on some I

758
00:35:31.000 --> 00:35:33.880
<v Speaker 7>know the difference obviously, but like it's a little bit like,

759
00:35:34.119 --> 00:35:35.440
<v Speaker 7>you know, there are certain sets that I'm like, that

760
00:35:35.559 --> 00:35:37.360
<v Speaker 7>was my home lived there.

761
00:35:37.679 --> 00:35:39.320
<v Speaker 3>It's a place that I lived.

762
00:35:39.719 --> 00:35:43.000
<v Speaker 5>So I know exactly what you Yeah, I know exactly

763
00:35:43.039 --> 00:35:46.320
<v Speaker 5>what you mean. I worked crew on the CW's Arrow

764
00:35:46.719 --> 00:35:49.360
<v Speaker 5>You're an Arrow, Yeah, for a couple of years, and

765
00:35:49.760 --> 00:35:51.760
<v Speaker 5>it got to the point, you know, we're working You've

766
00:35:51.760 --> 00:35:54.719
<v Speaker 5>worked in Vancouver, you know, on Riverdale and a couple

767
00:35:54.760 --> 00:35:57.760
<v Speaker 5>other series, if I'm not mistaken up in Vancouver, and

768
00:35:58.280 --> 00:36:00.719
<v Speaker 5>everybody knows each other up there, and just to what

769
00:36:00.760 --> 00:36:02.880
<v Speaker 5>you were saying, you know, it becomes such like a family,

770
00:36:02.960 --> 00:36:05.440
<v Speaker 5>Like it's like a work family, but you're there literally,

771
00:36:05.519 --> 00:36:08.159
<v Speaker 5>you know, all day, Like you go home, you sleep,

772
00:36:08.320 --> 00:36:11.360
<v Speaker 5>and then you're back. And we used to refer to,

773
00:36:11.440 --> 00:36:13.760
<v Speaker 5>you know, like, oh, today we're in Felicity's apartment. You know,

774
00:36:13.800 --> 00:36:16.280
<v Speaker 5>it's not Stage A three, you know, it's like we're

775
00:36:16.280 --> 00:36:18.880
<v Speaker 5>in Felicity. Yeah, and then it just kind of like

776
00:36:18.920 --> 00:36:23.440
<v Speaker 5>it's that blending of like what you're fantasizing imagining, you know,

777
00:36:23.559 --> 00:36:25.159
<v Speaker 5>and what's really.

778
00:36:25.239 --> 00:36:30.280
<v Speaker 7>Very attached to those spaces you know. Yeah, we on

779
00:36:30.320 --> 00:36:32.960
<v Speaker 7>this one show I did called Being Human are set.

780
00:36:33.480 --> 00:36:35.280
<v Speaker 7>Not to spoil it for anyone that watches the show,

781
00:36:35.559 --> 00:36:38.880
<v Speaker 7>but at the end, the place burns down. So I

782
00:36:38.880 --> 00:36:42.079
<v Speaker 7>remember we toured the set after the art department. It

783
00:36:42.119 --> 00:36:44.760
<v Speaker 7>had their way with it where they burned down chunks

784
00:36:44.800 --> 00:36:46.960
<v Speaker 7>of it. There were green screens where you were supposed

785
00:36:46.960 --> 00:36:48.280
<v Speaker 7>to be able to see through the wall and stuff

786
00:36:48.280 --> 00:36:51.000
<v Speaker 7>like that. That was traumatizing to walk through that set

787
00:36:51.039 --> 00:36:54.400
<v Speaker 7>and be like, lived here for years, this was our apartment.

788
00:36:55.400 --> 00:36:58.960
<v Speaker 7>Now it's it's it's burned down. Yeah, and we're going

789
00:36:59.000 --> 00:37:01.159
<v Speaker 7>to shoot some scenes on us burn down set, and

790
00:37:01.159 --> 00:37:03.079
<v Speaker 7>then they're going to take down the burn down set.

791
00:37:03.199 --> 00:37:08.679
<v Speaker 1>That was yeah, saugh a little rough, little and that's

792
00:37:08.719 --> 00:37:09.639
<v Speaker 1>after how many years?

793
00:37:09.719 --> 00:37:12.679
<v Speaker 3>How many years of that show got four years?

794
00:37:12.800 --> 00:37:16.199
<v Speaker 7>And and those those days were so very long that

795
00:37:16.239 --> 00:37:19.599
<v Speaker 7>we we lived there. They did let us take home

796
00:37:20.039 --> 00:37:22.199
<v Speaker 7>pieces of the set. I have a chair that was

797
00:37:22.719 --> 00:37:24.239
<v Speaker 7>very proudly featured.

798
00:37:23.840 --> 00:37:26.519
<v Speaker 3>In the in the show, and that share is mine now,

799
00:37:26.639 --> 00:37:30.280
<v Speaker 3>so oh that's good. It's not burned down. No, no,

800
00:37:30.320 --> 00:37:33.400
<v Speaker 3>they took it out a yeah, they put some wood

801
00:37:33.400 --> 00:37:35.719
<v Speaker 3>there to represent it. They left, they didn't burn it.

802
00:37:36.400 --> 00:37:38.840
<v Speaker 7>Yeah, but it's I know, I I do love the

803
00:37:38.880 --> 00:37:41.000
<v Speaker 7>live action stuff. And what I don't love. What I

804
00:37:41.039 --> 00:37:44.280
<v Speaker 7>don't I just don't love it is being on the

805
00:37:44.360 --> 00:37:46.760
<v Speaker 7>road all the time. I don't love that. That's that's

806
00:37:46.760 --> 00:37:57.079
<v Speaker 7>why I veered more heavily toward voiceover and other entertainment jobs, because, uh, look,

807
00:37:57.320 --> 00:37:59.880
<v Speaker 7>I met a dog and that dog was like, bro,

808
00:38:00.119 --> 00:38:00.920
<v Speaker 7>you travel too much.

809
00:38:01.760 --> 00:38:03.039
<v Speaker 3>You know, this dog showed up.

810
00:38:03.280 --> 00:38:05.840
<v Speaker 7>You know, I moved into my house eleven years ago

811
00:38:05.920 --> 00:38:08.719
<v Speaker 7>and this dog turned up in my backyard two months

812
00:38:09.119 --> 00:38:12.320
<v Speaker 7>oh after I moved in and suddenly.

813
00:38:12.199 --> 00:38:15.360
<v Speaker 3>And this was the plan, was, oh, foster this dog

814
00:38:15.480 --> 00:38:15.880
<v Speaker 3>or whatever.

815
00:38:15.920 --> 00:38:19.519
<v Speaker 7>But I just I fell in love with him very quickly,

816
00:38:19.559 --> 00:38:21.559
<v Speaker 7>and it took me a while to admit how in

817
00:38:21.599 --> 00:38:27.480
<v Speaker 7>love with him I was. And he he's like he

818
00:38:27.599 --> 00:38:32.280
<v Speaker 7>was this American bulldog boxer pit bull mix, or perhaps

819
00:38:32.280 --> 00:38:34.719
<v Speaker 7>he was in a Lapaha bulldog. We don't really know.

820
00:38:35.039 --> 00:38:37.960
<v Speaker 7>It's depending on the DNA test. I have no idea

821
00:38:38.280 --> 00:38:42.039
<v Speaker 7>what his history was. But his effect on my life

822
00:38:42.159 --> 00:38:45.079
<v Speaker 7>was he just he just took command in a very

823
00:38:45.119 --> 00:38:48.280
<v Speaker 7>real sense that this dog like he claimed my house.

824
00:38:49.400 --> 00:38:52.320
<v Speaker 7>He made me completely reconceive of my life, being like, hey,

825
00:38:52.320 --> 00:38:55.880
<v Speaker 7>you've you've done all the traveling, been in any city,

826
00:38:56.000 --> 00:38:59.599
<v Speaker 7>but where you live, you know, which is just what

827
00:38:59.679 --> 00:39:01.679
<v Speaker 7>I did for I don't know, a better part of

828
00:39:01.679 --> 00:39:04.280
<v Speaker 7>twenty years. And he's like, don't you think it's kind

829
00:39:04.280 --> 00:39:06.320
<v Speaker 7>of cool to be here in one place, waking up

830
00:39:06.360 --> 00:39:09.159
<v Speaker 7>in the same house, drinking your coffee.

831
00:39:08.920 --> 00:39:11.800
<v Speaker 2>Yeah, and a little kimble being.

832
00:39:11.559 --> 00:39:12.800
<v Speaker 3>With my dog, you know yeah?

833
00:39:12.840 --> 00:39:16.199
<v Speaker 7>And he you know, suddenly it was more important to

834
00:39:16.239 --> 00:39:19.039
<v Speaker 7>me to see his face every morning. I did do

835
00:39:19.199 --> 00:39:22.679
<v Speaker 7>a few jobs where I was gone one point better

836
00:39:22.719 --> 00:39:25.519
<v Speaker 7>part of a year, But the part that sucked about

837
00:39:25.519 --> 00:39:27.400
<v Speaker 7>it is like I'd rather be home with my dog,

838
00:39:27.519 --> 00:39:30.880
<v Speaker 7>and then he he rescued another dogs than I had

839
00:39:30.920 --> 00:39:34.400
<v Speaker 7>two dogs, and then eventually three dogs like this guy. Wow,

840
00:39:34.719 --> 00:39:36.320
<v Speaker 7>this guy made all the calls.

841
00:39:36.079 --> 00:39:38.400
<v Speaker 3>And sold them a nagerie. Right. So for me.

842
00:39:39.880 --> 00:39:42.920
<v Speaker 7>It reconceived of my work life balance, really, and so

843
00:39:43.039 --> 00:39:47.440
<v Speaker 7>what I don't what I unabashedly don't like about film

844
00:39:47.480 --> 00:39:50.199
<v Speaker 7>and TV is we don't do it here anymore. If

845
00:39:50.199 --> 00:39:52.440
<v Speaker 7>it was here, yeah, and I could go home to

846
00:39:52.519 --> 00:39:55.159
<v Speaker 7>my dogs, great, and then I would then I'd be like,

847
00:39:55.320 --> 00:39:57.079
<v Speaker 7>I'm going to pursue the hell out of it. But

848
00:39:57.119 --> 00:40:01.400
<v Speaker 7>the fact that I've lived in Vancouver. I think three

849
00:40:01.440 --> 00:40:04.440
<v Speaker 7>separate occasions. I've lived in Montreal, I lived, I've.

850
00:40:04.239 --> 00:40:09.480
<v Speaker 3>Shot in every city conceivable. I'm tired of it. I'm

851
00:40:09.519 --> 00:40:10.599
<v Speaker 3>tired of all that travel.

852
00:40:10.760 --> 00:40:14.400
<v Speaker 5>Yeah, I always say, I completely agree, like La is

853
00:40:14.440 --> 00:40:17.320
<v Speaker 5>not really like a film and television city city anymore.

854
00:40:17.360 --> 00:40:20.000
<v Speaker 5>I really think it's more of like a social media city.

855
00:40:20.039 --> 00:40:22.800
<v Speaker 3>Now, you know, explain it to me, because I don't

856
00:40:22.840 --> 00:40:27.599
<v Speaker 3>know what La is. So yeah, I don't know. I

857
00:40:27.639 --> 00:40:29.079
<v Speaker 3>came to this realization.

858
00:40:29.239 --> 00:40:32.800
<v Speaker 5>I did a little like skit for a YouTube channel

859
00:40:32.880 --> 00:40:36.280
<v Speaker 5>a few years ago, and I show up to set

860
00:40:36.320 --> 00:40:37.199
<v Speaker 5>this during COVID.

861
00:40:37.239 --> 00:40:39.199
<v Speaker 3>So yeah, a few years ago. It still counts.

862
00:40:39.880 --> 00:40:43.719
<v Speaker 5>And I show up and it's an entire sound stage

863
00:40:44.039 --> 00:40:46.159
<v Speaker 5>and I was like, oh, this is interesting.

864
00:40:46.199 --> 00:40:46.400
<v Speaker 3>You know.

865
00:40:46.440 --> 00:40:48.880
<v Speaker 5>I thought like maybe they rented out or something. No,

866
00:40:49.119 --> 00:40:53.400
<v Speaker 5>this one YouTube channel owned the sound stage just for

867
00:40:53.519 --> 00:40:56.800
<v Speaker 5>their one channel, and that was like eye opening to me.

868
00:40:56.840 --> 00:40:58.800
<v Speaker 5>I was like, oh my god. And then another time,

869
00:40:58.800 --> 00:41:01.960
<v Speaker 5>I'm driving down Sunset Boulevard and I see a billboard

870
00:41:02.199 --> 00:41:04.719
<v Speaker 5>for a YouTube channel and I was like, I've never

871
00:41:04.760 --> 00:41:07.880
<v Speaker 5>seen that before, you know, And you walk down Hollywood Boulevard,

872
00:41:07.920 --> 00:41:10.719
<v Speaker 5>you go to Santa Monica, Venice wherever West Hollywood. You know,

873
00:41:10.880 --> 00:41:14.079
<v Speaker 5>the night scene, it's all influencers, you know, that's like

874
00:41:14.119 --> 00:41:17.360
<v Speaker 5>who's in the VIP this. I mean when I was

875
00:41:17.400 --> 00:41:19.760
<v Speaker 5>a teenager, you know, running around doing my thing in

876
00:41:19.920 --> 00:41:22.239
<v Speaker 5>la like, it was always like actors, you know, it

877
00:41:22.280 --> 00:41:26.559
<v Speaker 5>was always actors or musicians. And you know, now you

878
00:41:26.960 --> 00:41:28.800
<v Speaker 5>go out at night and you see people you know

879
00:41:28.880 --> 00:41:31.519
<v Speaker 5>doing street interviews and you know, and that's all the

880
00:41:31.760 --> 00:41:34.679
<v Speaker 5>you know, attraction and what people want to be around

881
00:41:34.719 --> 00:41:36.239
<v Speaker 5>and at least in this city in my.

882
00:41:36.239 --> 00:41:40.280
<v Speaker 1>Opinion, Yeah, but it's so true, and it's something that

883
00:41:40.360 --> 00:41:42.880
<v Speaker 1>wasn't even there before. Oh yeah, it's a brand new thing.

884
00:41:43.400 --> 00:41:46.559
<v Speaker 1>I mean, everybody's diving in. Everybody and their dog has

885
00:41:46.599 --> 00:41:47.239
<v Speaker 1>a podcast.

886
00:41:47.480 --> 00:41:50.280
<v Speaker 5>But then even you know, even further, how I say,

887
00:41:50.320 --> 00:41:53.519
<v Speaker 5>I don't really think it's a film and television city anymore,

888
00:41:53.960 --> 00:41:56.159
<v Speaker 5>is because the only real things that film here are

889
00:41:56.199 --> 00:41:59.239
<v Speaker 5>like the massive budget things you know, with the A listers,

890
00:41:59.440 --> 00:42:03.280
<v Speaker 5>either that or Indy you know, very indie, and the

891
00:42:03.320 --> 00:42:05.679
<v Speaker 5>cost of the permits to film, you know, to be

892
00:42:05.679 --> 00:42:09.360
<v Speaker 5>able to use any any kind of recognizable area in

893
00:42:09.519 --> 00:42:13.000
<v Speaker 5>l A is just shooting, yeah, astronomical and so a

894
00:42:13.000 --> 00:42:14.599
<v Speaker 5>lot of the times, you know, the indie guys are

895
00:42:14.639 --> 00:42:16.880
<v Speaker 5>doing it gorilla style, getting what they can, you know,

896
00:42:17.000 --> 00:42:19.440
<v Speaker 5>to try and put in a friend festival or whatever.

897
00:42:19.920 --> 00:42:21.880
<v Speaker 5>And then you know, obviously you still have you know,

898
00:42:21.960 --> 00:42:26.840
<v Speaker 5>the shows, like what's that Steve Carrell show where they're

899
00:42:26.960 --> 00:42:31.119
<v Speaker 5>on the news. No, no, no, no, it's like the

900
00:42:31.119 --> 00:42:35.159
<v Speaker 5>Morning Report, The Morning Report with a girl from Friends.

901
00:42:35.800 --> 00:42:36.960
<v Speaker 5>I'm drying such a blank.

902
00:42:37.000 --> 00:42:37.840
<v Speaker 3>We're doing great.

903
00:42:39.760 --> 00:42:43.639
<v Speaker 5>And the girl from Friends, Yes, Jennifer Aniston.

904
00:42:43.920 --> 00:42:47.000
<v Speaker 3>Yeah, yeah, they filmed that. Like that's what I'm saying.

905
00:42:47.039 --> 00:42:49.239
<v Speaker 3>Good for them. Man, I'm glad someone is shooting here.

906
00:42:49.239 --> 00:42:52.480
<v Speaker 7>I mean, I just I'm I'm kind of deeply resentful

907
00:42:52.599 --> 00:42:54.679
<v Speaker 7>about it at this point because it's like when I

908
00:42:54.719 --> 00:42:57.360
<v Speaker 7>first I moved here for this mm hmm, isn't that

909
00:42:57.440 --> 00:42:59.679
<v Speaker 7>it whack? This year we're talking about like we flew

910
00:42:59.719 --> 00:43:02.440
<v Speaker 7>in and we saw blankets of stub over the city, right,

911
00:43:02.599 --> 00:43:04.159
<v Speaker 7>and we put up with the time that it took,

912
00:43:04.480 --> 00:43:06.599
<v Speaker 7>and then the city cleared up and the smog went away.

913
00:43:06.639 --> 00:43:09.400
<v Speaker 3>But so did the movies. Yeah, what the I mean?

914
00:43:09.519 --> 00:43:14.480
<v Speaker 3>I coincidza, dude, Maybe the movies make smuck. Yeah exactly.

915
00:43:14.519 --> 00:43:16.960
<v Speaker 5>We need tax credits, that's what we need. Everybody just

916
00:43:17.000 --> 00:43:18.440
<v Speaker 5>goes wherever the tax credits are.

917
00:43:18.599 --> 00:43:22.280
<v Speaker 7>I'm I'm actively angry about it, because the thing is

918
00:43:22.280 --> 00:43:25.199
<v Speaker 7>is that I mean I got the I when I

919
00:43:25.320 --> 00:43:26.679
<v Speaker 7>was conceiving of being an actor.

920
00:43:26.719 --> 00:43:28.599
<v Speaker 3>The idea was I would live in Los Angeles and

921
00:43:29.119 --> 00:43:30.320
<v Speaker 3>maybe go from show to show.

922
00:43:30.360 --> 00:43:32.960
<v Speaker 7>And I had that experience for just a few short years,

923
00:43:33.000 --> 00:43:34.639
<v Speaker 7>and then suddenly I was in anywhere.

924
00:43:34.679 --> 00:43:37.199
<v Speaker 5>But Ella, when did you get that urge in you,

925
00:43:37.400 --> 00:43:40.880
<v Speaker 5>as like in your childhood or adolescence. When did you

926
00:43:41.159 --> 00:43:42.639
<v Speaker 5>know that you wanted to do that.

927
00:43:44.440 --> 00:43:47.920
<v Speaker 7>I did plays and stuff when I was in high school,

928
00:43:47.920 --> 00:43:49.679
<v Speaker 7>but I never took it seriously. I was always like,

929
00:43:49.960 --> 00:43:56.159
<v Speaker 7>it's for fun. I was coerced into auditioning for Juilliard

930
00:43:56.159 --> 00:43:57.760
<v Speaker 7>and that's what gave me the first idea of about, Okay,

931
00:43:57.760 --> 00:44:01.480
<v Speaker 7>well maybe there's something that I can pursue here.

932
00:44:01.480 --> 00:44:02.880
<v Speaker 2>Well you must have impressed somebody.

933
00:44:03.480 --> 00:44:05.119
<v Speaker 7>Well, I think the reason I got in is that

934
00:44:05.159 --> 00:44:06.360
<v Speaker 7>I wasn't trying to impress anyone.

935
00:44:06.400 --> 00:44:09.079
<v Speaker 3>I guess I was like, I'm just some kid, what

936
00:44:09.800 --> 00:44:11.119
<v Speaker 3>are we doing here? You know?

937
00:44:11.400 --> 00:44:14.320
<v Speaker 7>I had like long hair. I think that irreverence got

938
00:44:14.320 --> 00:44:19.679
<v Speaker 7>me got me far. But you know, when I eventually

939
00:44:19.840 --> 00:44:22.519
<v Speaker 7>was like after I was invited.

940
00:44:22.119 --> 00:44:24.960
<v Speaker 3>To leave Juilliard after two years, and I accepted their invite.

941
00:44:25.079 --> 00:44:28.880
<v Speaker 1>Uh huh, you're invited to I was invited to leave,

942
00:44:28.920 --> 00:44:29.559
<v Speaker 1>and I accepted.

943
00:44:29.800 --> 00:44:34.559
<v Speaker 7>Yes, I had to go to Chicago and seek out

944
00:44:34.880 --> 00:44:36.880
<v Speaker 7>camera classes because I knew that I didn't know a

945
00:44:36.960 --> 00:44:38.480
<v Speaker 7>damn thing about it acting in front.

946
00:44:38.360 --> 00:44:38.800
<v Speaker 3>Of a camera.

947
00:44:39.519 --> 00:44:41.920
<v Speaker 7>And and that's when I was like, yeah, I want

948
00:44:41.920 --> 00:44:45.159
<v Speaker 7>to go to LA I want to I wanna. Really

949
00:44:45.199 --> 00:44:47.280
<v Speaker 7>my ambition was to just like, maybe I can guess

950
00:44:47.320 --> 00:44:48.400
<v Speaker 7>on a bunch of different shows.

951
00:44:48.440 --> 00:44:49.960
<v Speaker 3>That was all I thought might happen.

952
00:44:50.679 --> 00:44:54.119
<v Speaker 7>And that took me a while, but I started living

953
00:44:54.119 --> 00:44:56.320
<v Speaker 7>that life and it was great. I was, you know,

954
00:44:57.000 --> 00:45:01.079
<v Speaker 7>affordable rent, and you would get a job and you'd

955
00:45:02.000 --> 00:45:06.199
<v Speaker 7>go like, dude, I just paid three months rent with

956
00:45:06.280 --> 00:45:09.480
<v Speaker 7>this job and expenses and utilities.

957
00:45:09.840 --> 00:45:11.920
<v Speaker 3>That's that. I just bought myself three more months of

958
00:45:11.920 --> 00:45:15.159
<v Speaker 3>auditioning for the next job or then maybe the next job.

959
00:45:15.199 --> 00:45:19.559
<v Speaker 7>You're like, oh my god, that that was three or

960
00:45:19.599 --> 00:45:20.920
<v Speaker 7>four or five more months rent.

961
00:45:20.920 --> 00:45:23.360
<v Speaker 3>But also, this show airs all the time. I'm going

962
00:45:23.400 --> 00:45:26.079
<v Speaker 3>to get residuals that are going to keep me alive

963
00:45:26.079 --> 00:45:26.960
<v Speaker 3>a little bit longer.

964
00:45:27.760 --> 00:45:32.079
<v Speaker 7>And just kept stringing hope to hope to hope.

965
00:45:32.360 --> 00:45:33.480
<v Speaker 3>I think it.

966
00:45:33.599 --> 00:45:36.519
<v Speaker 7>Sucks that that there's no central location where actors can

967
00:45:36.559 --> 00:45:38.840
<v Speaker 7>do that anymore. I think that's I also think that

968
00:45:38.880 --> 00:45:41.800
<v Speaker 7>the city has become ridiculously expensive, and.

969
00:45:41.760 --> 00:45:43.920
<v Speaker 3>So you are right about that.

970
00:45:44.199 --> 00:45:46.039
<v Speaker 7>So when you say, like, oh, it's really a social

971
00:45:46.119 --> 00:45:48.840
<v Speaker 7>media city, I'm like, tell me about what LA is, because,

972
00:45:48.840 --> 00:45:49.559
<v Speaker 7>like I said.

973
00:45:49.360 --> 00:45:52.480
<v Speaker 3>I'm playing the Beverly Hell's Cop soundtrack just to try

974
00:45:52.480 --> 00:45:56.000
<v Speaker 3>to give it some shape, just to it's fine. What

975
00:45:56.079 --> 00:45:59.360
<v Speaker 3>it is for myself is this is it? Jim.

976
00:45:59.360 --> 00:46:01.840
<v Speaker 5>I think you've said the same thing about voiceover as well.

977
00:46:01.920 --> 00:46:04.760
<v Speaker 5>You know, it's yeah, you know, I mean we've had

978
00:46:04.760 --> 00:46:07.280
<v Speaker 5>so many people on this podcast alone where you know,

979
00:46:07.440 --> 00:46:10.119
<v Speaker 5>we're all talking about recording, you know, just all in

980
00:46:10.159 --> 00:46:12.800
<v Speaker 5>this area in Burbank. You know, you guys are sharing

981
00:46:12.840 --> 00:46:15.639
<v Speaker 5>memories of studios that you all used to check out.

982
00:46:15.559 --> 00:46:17.840
<v Speaker 7>In here by the way. But yeah, yeah, yeah, so

983
00:46:17.920 --> 00:46:18.920
<v Speaker 7>voice cross paths.

984
00:46:19.000 --> 00:46:21.280
<v Speaker 5>But I mean voiceover is also moved in a very

985
00:46:21.280 --> 00:46:24.519
<v Speaker 5>similar direction where you know, it's it's like a give

986
00:46:24.519 --> 00:46:29.440
<v Speaker 5>and take, you know, it's it's it broadens the opportunity

987
00:46:29.559 --> 00:46:32.480
<v Speaker 5>for people outside of LA, you know, to be able

988
00:46:32.519 --> 00:46:35.480
<v Speaker 5>to participate in this industry. What you know, you can

989
00:46:35.519 --> 00:46:39.519
<v Speaker 5>audition from wherever. You can record voices from wherever. Yeah,

990
00:46:39.559 --> 00:46:43.360
<v Speaker 5>but also it increases the amount of competition, right, yes.

991
00:46:43.199 --> 00:46:44.480
<v Speaker 3>I agree.

992
00:46:44.719 --> 00:46:48.280
<v Speaker 1>But you know, I remember, you know, I had this

993
00:46:48.360 --> 00:46:51.239
<v Speaker 1>place in Missouri and I couldn't I couldn't spend much

994
00:46:51.280 --> 00:46:54.119
<v Speaker 1>time there because there was no isd in line, there

995
00:46:54.159 --> 00:46:57.719
<v Speaker 1>was no record there was no recording facilities there.

996
00:46:57.840 --> 00:46:58.920
<v Speaker 2>Well, now you can.

997
00:46:59.559 --> 00:47:03.079
<v Speaker 1>You can carry arounding that shaycase or a gym bag

998
00:47:03.400 --> 00:47:04.519
<v Speaker 1>and you there's your studio.

999
00:47:05.519 --> 00:47:08.239
<v Speaker 2>So you know, I'll take it. I love that part.

1000
00:47:08.519 --> 00:47:11.000
<v Speaker 3>Would you rather be in Missouri?

1001
00:47:11.960 --> 00:47:15.679
<v Speaker 2>Yes, Well, it was a lot of fun.

1002
00:47:15.800 --> 00:47:18.280
<v Speaker 1>Well, it was this big, huge acreage and there's three

1003
00:47:18.320 --> 00:47:21.199
<v Speaker 1>lakes and a lot of fish and a lot of

1004
00:47:21.239 --> 00:47:23.519
<v Speaker 1>deer and where the deer in the envelope play, that's

1005
00:47:23.559 --> 00:47:28.039
<v Speaker 1>they're playing there, and so you know, that's that was

1006
00:47:28.119 --> 00:47:29.559
<v Speaker 1>just kind of heavenly.

1007
00:47:29.599 --> 00:47:31.519
<v Speaker 3>We're actually stopped in.

1008
00:47:31.480 --> 00:47:36.519
<v Speaker 1>For a visit just just recently, and it was very rewarding.

1009
00:47:36.760 --> 00:47:39.559
<v Speaker 1>You know, there's a lot of life out See. The

1010
00:47:39.599 --> 00:47:41.639
<v Speaker 1>thing about California is the weather.

1011
00:47:42.199 --> 00:47:45.199
<v Speaker 3>Yeah, I mean, my gosh, is that why people come here? Well?

1012
00:47:45.679 --> 00:47:49.679
<v Speaker 2>I think, well it's why. Yeah, that's why they stay.

1013
00:47:50.039 --> 00:47:51.559
<v Speaker 1>And all you have to do is like I'm I'm

1014
00:47:51.599 --> 00:47:54.360
<v Speaker 1>born and raised in Youngstown, Ohio. If all I need

1015
00:47:54.360 --> 00:47:57.800
<v Speaker 1>to do to reaffirm my love for California is to

1016
00:47:57.840 --> 00:47:59.880
<v Speaker 1>go to Youngstown, Ohio in January.

1017
00:48:01.280 --> 00:48:04.440
<v Speaker 3>So you hate winters, well, I get.

1018
00:48:04.239 --> 00:48:08.440
<v Speaker 2>It, But if you're not skiing in it, what's the point.

1019
00:48:09.239 --> 00:48:11.639
<v Speaker 1>I mean, you know, make one snow man, got it,

1020
00:48:12.119 --> 00:48:13.119
<v Speaker 1>got that out of the way.

1021
00:48:13.360 --> 00:48:16.320
<v Speaker 3>Maybe a snow angel. Maybe a snow angel.

1022
00:48:16.639 --> 00:48:19.480
<v Speaker 1>But only if you fall down and you're already on

1023
00:48:19.519 --> 00:48:21.320
<v Speaker 1>the ground, So you might as well make it there.

1024
00:48:21.599 --> 00:48:24.679
<v Speaker 1>You might as well make it work. But no, I

1025
00:48:25.440 --> 00:48:28.800
<v Speaker 1>like to visit snow. I don't like snow to visit me. Interesting, see,

1026
00:48:28.840 --> 00:48:29.920
<v Speaker 1>I become a wither snob.

1027
00:48:30.000 --> 00:48:31.440
<v Speaker 3>I guess I don't know. I grew up in a

1028
00:48:31.480 --> 00:48:32.880
<v Speaker 3>suburb of Chicago, so I know.

1029
00:48:33.000 --> 00:48:35.920
<v Speaker 7>Oh, well, you understand the concept, but weirdly, and tell

1030
00:48:35.960 --> 00:48:37.719
<v Speaker 7>me if I'm out of my mind, you're out of

1031
00:48:37.719 --> 00:48:41.440
<v Speaker 7>your mind. But also tell me if I'm wrong about this.

1032
00:48:41.800 --> 00:48:43.719
<v Speaker 7>I kind of miss it. I missed seasons.

1033
00:48:44.079 --> 00:48:46.639
<v Speaker 1>Oh yeah, you know now I do miss the seasons,

1034
00:48:47.119 --> 00:48:48.039
<v Speaker 1>you know, spring and fall.

1035
00:48:48.199 --> 00:48:50.360
<v Speaker 3>Oh my god, I love it. Yeah, incredible.

1036
00:48:50.480 --> 00:48:54.760
<v Speaker 1>Yeah, And I bet you did the same thing when

1037
00:48:55.679 --> 00:48:57.440
<v Speaker 1>you know you're in third grade, there was this thing

1038
00:48:57.480 --> 00:49:01.079
<v Speaker 1>that when the leaves started to turn, you had to

1039
00:49:01.079 --> 00:49:02.840
<v Speaker 1>go out and pick out a really, really good one,

1040
00:49:03.360 --> 00:49:06.800
<v Speaker 1>then take it back home, put it on wax paper,

1041
00:49:07.800 --> 00:49:10.440
<v Speaker 1>then you fold it over very carefully. Then you put

1042
00:49:10.480 --> 00:49:12.760
<v Speaker 1>a towel on top of that, and then you iron it,

1043
00:49:12.880 --> 00:49:14.960
<v Speaker 1>or you have your mom iron it, and then you

1044
00:49:15.000 --> 00:49:19.039
<v Speaker 1>take it to school. Look that mine's orange and yellow.

1045
00:49:19.119 --> 00:49:22.159
<v Speaker 1>And it was, it was, It was wonderful. And I

1046
00:49:23.039 --> 00:49:26.039
<v Speaker 1>do miss the fall because just driving around through Milk

1047
00:49:26.039 --> 00:49:28.920
<v Speaker 1>Creek Park for those of you who know where that is,

1048
00:49:29.079 --> 00:49:33.440
<v Speaker 1>both of you, and it was just I missed the seasons.

1049
00:49:33.760 --> 00:49:36.039
<v Speaker 2>I just don't want to be forced to sit and

1050
00:49:36.119 --> 00:49:36.840
<v Speaker 2>snow all day.

1051
00:49:37.159 --> 00:49:38.280
<v Speaker 3>Yeah, that's all. Well.

1052
00:49:38.800 --> 00:49:40.159
<v Speaker 5>When I moved here as a kid, it was a

1053
00:49:40.159 --> 00:49:43.119
<v Speaker 5>culture shock to me to not have seasons. I grew

1054
00:49:43.159 --> 00:49:47.679
<v Speaker 5>up in Vancouver, and when I first moved here, I

1055
00:49:47.719 --> 00:49:49.840
<v Speaker 5>was I remember telling one of my friends. I was like,

1056
00:49:50.960 --> 00:49:52.920
<v Speaker 5>I didn't know this place was a desert and they

1057
00:49:52.960 --> 00:49:56.000
<v Speaker 5>started laughing and they were like, this isn't a desert.

1058
00:49:56.079 --> 00:49:58.039
<v Speaker 5>Like look at all the you know, the trees and

1059
00:49:58.079 --> 00:50:00.840
<v Speaker 5>the grass. I was like, that's all irrigating, Like that's

1060
00:50:00.880 --> 00:50:04.119
<v Speaker 5>not naturally growing. Yeah, and the other thing that culture

1061
00:50:04.159 --> 00:50:06.880
<v Speaker 5>shocked me was the Christmas lights with like no weather.

1062
00:50:07.000 --> 00:50:09.880
<v Speaker 5>It was like sunny and like people putting Christmas lights

1063
00:50:09.880 --> 00:50:13.199
<v Speaker 5>and snow snowmen out on their I was just like,

1064
00:50:13.760 --> 00:50:16.559
<v Speaker 5>that's kind of weird, Like why are you putting a

1065
00:50:16.599 --> 00:50:17.280
<v Speaker 5>snowman up?

1066
00:50:17.400 --> 00:50:18.519
<v Speaker 3>Like there's no snow here.

1067
00:50:19.840 --> 00:50:22.360
<v Speaker 1>If you're a fan of everything we do here at

1068
00:50:22.400 --> 00:50:25.199
<v Speaker 1>tuned In with Jim Cummings, you could support the show

1069
00:50:25.239 --> 00:50:29.920
<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

1070
00:50:30.000 --> 00:50:34.000
<v Speaker 1>in ad free access to the show itself, prize drawings,

1071
00:50:34.039 --> 00:50:37.119
<v Speaker 1>and more. You'll feel the difference, So go ahead and

1072
00:50:37.239 --> 00:50:41.079
<v Speaker 1>join the tuned in family today at patreon dot com

1073
00:50:41.119 --> 00:50:44.079
<v Speaker 1>slash Jim Cummings podcast.

1074
00:50:43.800 --> 00:50:46.840
<v Speaker 3>Do it Now. I grew up in a sort of

1075
00:50:46.960 --> 00:50:50.639
<v Speaker 3>John Hughes territory. That's where's that. Well. He went to

1076
00:50:50.719 --> 00:50:52.679
<v Speaker 3>a high school called Glenbrook.

1077
00:50:52.280 --> 00:50:55.079
<v Speaker 7>North in Northbrook, and I was one town over at

1078
00:50:55.079 --> 00:50:58.800
<v Speaker 7>Glenbrook South being gle and so, and I knew a

1079
00:50:58.800 --> 00:51:02.239
<v Speaker 7>lot of the kids that know, our high schools were

1080
00:51:02.679 --> 00:51:07.880
<v Speaker 7>sister high schools. So if you think about Home Alone

1081
00:51:08.000 --> 00:51:11.239
<v Speaker 7>or Ferris Peeler's Day Office, you know, Sixteen Candles, any

1082
00:51:11.239 --> 00:51:13.920
<v Speaker 7>of those movies they were all shot around there. So

1083
00:51:14.039 --> 00:51:16.800
<v Speaker 7>that's sort of that's what it looked like, you know,

1084
00:51:16.840 --> 00:51:19.199
<v Speaker 7>when I grew up. So when when a John Hughes

1085
00:51:19.280 --> 00:51:22.679
<v Speaker 7>movie came out, I helped the breakfast club. High school

1086
00:51:22.840 --> 00:51:25.079
<v Speaker 7>is within a mile of the house that I grew

1087
00:51:25.119 --> 00:51:28.039
<v Speaker 7>up in. Oh yeah, it's like a police station hour

1088
00:51:28.079 --> 00:51:30.159
<v Speaker 7>or something. But it's yeah.

1089
00:51:30.320 --> 00:51:33.760
<v Speaker 3>I you'd see those movies and I'm like, yeah, that's

1090
00:51:33.800 --> 00:51:37.480
<v Speaker 3>that's life, that's how it goes. Yeah yeah, yeah, yeah,

1091
00:51:37.559 --> 00:51:41.039
<v Speaker 3>but but yeah, I do miss the seasons because I

1092
00:51:41.119 --> 00:51:46.159
<v Speaker 3>felt like feelings felt different in every different season. Yeah yeah,

1093
00:51:46.159 --> 00:51:48.880
<v Speaker 3>I think so, Like you know, name and emotion.

1094
00:51:49.599 --> 00:51:52.559
<v Speaker 7>There's a variety for that in fall, in winter, in

1095
00:51:52.679 --> 00:51:55.840
<v Speaker 7>summer and spring, and.

1096
00:51:55.760 --> 00:51:56.719
<v Speaker 2>Plus the smells.

1097
00:51:57.119 --> 00:51:57.880
<v Speaker 3>I love this, you know.

1098
00:51:58.280 --> 00:52:01.880
<v Speaker 1>You know, Autumn smells a certain way, not smells like

1099
00:52:01.960 --> 00:52:04.480
<v Speaker 1>bad odor, but it's got its own fragrance.

1100
00:52:04.519 --> 00:52:08.079
<v Speaker 3>And spring yeah obviously you know. So yeah, I know

1101
00:52:08.119 --> 00:52:09.760
<v Speaker 3>what you mean. I know it.

1102
00:52:09.800 --> 00:52:11.920
<v Speaker 7>To me, I will say this, if I hadn't grown

1103
00:52:12.000 --> 00:52:17.079
<v Speaker 7>up in Chicago, I found myself so cold on so

1104
00:52:17.119 --> 00:52:19.239
<v Speaker 7>many sets. For whatever reason, I just the luck of

1105
00:52:19.239 --> 00:52:21.960
<v Speaker 7>the draw. The jobs that I've gotten, they're like, hey,

1106
00:52:22.000 --> 00:52:24.440
<v Speaker 7>you're you're gonna you know, it's like Vancouver.

1107
00:52:24.639 --> 00:52:28.280
<v Speaker 3>Yea, Vancouver. Who I am in Vancouver, And They're like,

1108
00:52:28.280 --> 00:52:30.079
<v Speaker 3>we cleared out this patch of street.

1109
00:52:30.079 --> 00:52:32.559
<v Speaker 7>You'll be laying there naked and we're gonna get all

1110
00:52:32.599 --> 00:52:35.360
<v Speaker 7>these shots and I'd just be shivering the whole time.

1111
00:52:35.480 --> 00:52:38.800
<v Speaker 7>Or like I remember this one time where we were

1112
00:52:38.920 --> 00:52:41.360
<v Speaker 7>shooting something and there's all this snow, and then they

1113
00:52:41.440 --> 00:52:44.039
<v Speaker 7>but it was supposed to be not at that time

1114
00:52:44.039 --> 00:52:47.519
<v Speaker 7>of the year, so they cleared out an area the

1115
00:52:47.719 --> 00:52:50.199
<v Speaker 7>alley and pretended it was warm and pretended it was warm.

1116
00:52:50.199 --> 00:52:52.480
<v Speaker 7>And I'm wearing like a button down shirt. Yeah, And

1117
00:52:52.519 --> 00:52:54.760
<v Speaker 7>I'd never been so cold in my life. And I

1118
00:52:54.760 --> 00:52:57.599
<v Speaker 7>remember thinking like, wait a second, hold on, but I'm

1119
00:52:57.639 --> 00:52:58.280
<v Speaker 7>from Chicago.

1120
00:52:58.280 --> 00:52:59.320
<v Speaker 3>I should be able to weather this.

1121
00:52:59.360 --> 00:53:02.400
<v Speaker 7>And I was like, wait, no, in Chicago, I spent

1122
00:53:02.519 --> 00:53:06.239
<v Speaker 7>most of my time in the winter indoors, not outside, not.

1123
00:53:06.320 --> 00:53:07.440
<v Speaker 3>For fifteen hours.

1124
00:53:07.559 --> 00:53:11.360
<v Speaker 7>Yeah, And so I remember drawing a bath for myself afterward,

1125
00:53:12.239 --> 00:53:13.920
<v Speaker 7>so cold, and I'm laying in the.

1126
00:53:13.880 --> 00:53:16.400
<v Speaker 3>Bath and it's it's like four am or five am.

1127
00:53:16.440 --> 00:53:19.199
<v Speaker 3>I've gotten home. I'm in the bath and eventually I'm like,

1128
00:53:19.239 --> 00:53:20.599
<v Speaker 3>something's wrong. I feel the water.

1129
00:53:20.639 --> 00:53:23.880
<v Speaker 7>I'm like the water's cold, and the reason it was

1130
00:53:23.880 --> 00:53:26.159
<v Speaker 7>cold is my body had leashed all the heat.

1131
00:53:26.199 --> 00:53:28.159
<v Speaker 3>My body was an ice cube. So I had to

1132
00:53:28.159 --> 00:53:30.760
<v Speaker 3>get rid of all the water, draw another bath. Oh Jesus,

1133
00:53:30.960 --> 00:53:35.000
<v Speaker 3>because it had gotten in there. It was so yeah,

1134
00:53:35.039 --> 00:53:36.039
<v Speaker 3>I know what you mean.

1135
00:53:36.119 --> 00:53:37.360
<v Speaker 2>It was just defrosting.

1136
00:53:37.480 --> 00:53:39.920
<v Speaker 7>Oh god, it was Yeah. I know what you mean

1137
00:53:39.960 --> 00:53:43.840
<v Speaker 7>by it can be unpleasant, But yes it can if.

1138
00:53:43.760 --> 00:53:46.920
<v Speaker 3>You have heating, if you're lucky enough to do that.

1139
00:53:47.400 --> 00:53:49.559
<v Speaker 7>I think there's something wonderful about coming out from the

1140
00:53:49.559 --> 00:53:50.840
<v Speaker 7>cold into a.

1141
00:53:50.519 --> 00:53:53.320
<v Speaker 3>Warm house or apartment and I'm like, oh h how's

1142
00:53:53.360 --> 00:53:56.920
<v Speaker 3>it going beating? Oh god? You all you know been

1143
00:53:57.000 --> 00:53:57.519
<v Speaker 3>from Mixtent.

1144
00:53:57.599 --> 00:54:00.199
<v Speaker 1>I can remember going down and stoking because we had

1145
00:54:00.199 --> 00:54:03.000
<v Speaker 1>a coal furnace when I was We little took years

1146
00:54:03.000 --> 00:54:04.519
<v Speaker 1>and then all of a sudden we had this magic

1147
00:54:04.599 --> 00:54:07.559
<v Speaker 1>gas furnace that produced heat.

1148
00:54:07.840 --> 00:54:09.280
<v Speaker 2>But you would have to go down and.

1149
00:54:09.519 --> 00:54:11.920
<v Speaker 1>Boy, we're boring the hell out of certain people like that,

1150
00:54:12.960 --> 00:54:15.320
<v Speaker 1>and you'd have to get to shake the thing to

1151
00:54:15.400 --> 00:54:18.599
<v Speaker 1>get the clunkers out because the coal would not cut you.

1152
00:54:18.599 --> 00:54:20.079
<v Speaker 1>Guys don't even know what that hell I'm talking about.

1153
00:54:20.360 --> 00:54:23.199
<v Speaker 1>But the coal doesn't burn completely. It just get turns

1154
00:54:23.239 --> 00:54:25.719
<v Speaker 1>into clinkers, and then you got to grind those up,

1155
00:54:25.880 --> 00:54:29.480
<v Speaker 1>let those fall, put in more coal, and then you

1156
00:54:29.519 --> 00:54:32.360
<v Speaker 1>go stand over the heater and you burn your feet.

1157
00:54:32.480 --> 00:54:34.360
<v Speaker 1>And when your feet are burning, you have to leave.

1158
00:54:34.719 --> 00:54:38.000
<v Speaker 1>So it's either you're freezing your ass off or being burnt.

1159
00:54:38.239 --> 00:54:40.079
<v Speaker 7>Okay, so you see, I maybe this is why I

1160
00:54:40.119 --> 00:54:41.920
<v Speaker 7>liked winter. I didn't have the coal experience.

1161
00:54:41.960 --> 00:54:47.119
<v Speaker 3>And oh yeah, I there was heating, it was eating.

1162
00:54:47.599 --> 00:54:48.519
<v Speaker 3>Have to worry about.

1163
00:54:48.280 --> 00:54:50.239
<v Speaker 7>It always a good thing. The only thing we had

1164
00:54:50.280 --> 00:54:51.920
<v Speaker 7>to really do is just like make sure the water

1165
00:54:51.960 --> 00:54:53.800
<v Speaker 7>is running a little bit of the pipes, don't freeze.

1166
00:54:54.119 --> 00:54:56.760
<v Speaker 3>Oh yeah, there's that, I remember that. Ye.

1167
00:54:56.960 --> 00:54:59.400
<v Speaker 7>So, but maybe what if I you know, the interesting

1168
00:54:59.400 --> 00:55:00.920
<v Speaker 7>thing is I've I've I played with in my head,

1169
00:55:01.039 --> 00:55:03.360
<v Speaker 7>like what if I moved back to Chicago and see

1170
00:55:03.360 --> 00:55:04.719
<v Speaker 7>if I could work remotely.

1171
00:55:04.440 --> 00:55:04.880
<v Speaker 3>Or something like that.

1172
00:55:04.920 --> 00:55:07.760
<v Speaker 7>And I wonder if I went back, if I would

1173
00:55:07.800 --> 00:55:09.840
<v Speaker 7>just be like, oh, I'm a whimp. I can't handle

1174
00:55:09.840 --> 00:55:12.880
<v Speaker 7>this because I used to. I used to when I

1175
00:55:12.960 --> 00:55:15.480
<v Speaker 7>was in school in New York. We would be going

1176
00:55:15.480 --> 00:55:18.519
<v Speaker 7>from building the building and we were doing movement classes

1177
00:55:18.559 --> 00:55:19.639
<v Speaker 7>and voices, speech.

1178
00:55:19.360 --> 00:55:19.760
<v Speaker 3>All the stuff.

1179
00:55:19.800 --> 00:55:22.320
<v Speaker 7>So we were always like in sweatpants and like a

1180
00:55:22.480 --> 00:55:25.039
<v Speaker 7>tank top or like we were in pajamas the whole time.

1181
00:55:25.400 --> 00:55:28.079
<v Speaker 7>But my classmates would put on their jackets when they

1182
00:55:28.119 --> 00:55:30.000
<v Speaker 7>would move between buildings, and I would just be going

1183
00:55:30.000 --> 00:55:32.199
<v Speaker 7>and I'd be wearing like just a tank top, and they're.

1184
00:55:32.000 --> 00:55:35.639
<v Speaker 3>Like, how are you it's it's it's there's snow. How

1185
00:55:35.639 --> 00:55:36.719
<v Speaker 3>are you so okay with this?

1186
00:55:36.840 --> 00:55:39.199
<v Speaker 7>I'm like, I'm only outside for a lot from that

1187
00:55:39.280 --> 00:55:42.079
<v Speaker 7>building of this building is four minutes walk.

1188
00:55:42.119 --> 00:55:45.239
<v Speaker 3>It's not a big deal, but you get past the

1189
00:55:45.280 --> 00:55:47.920
<v Speaker 3>threshold of you know, stay out there for twenty minutes,

1190
00:55:47.960 --> 00:55:49.079
<v Speaker 3>and these kids twenty minutes.

1191
00:55:49.320 --> 00:55:52.360
<v Speaker 1>They're from Florida, so they really don't know what they're about.

1192
00:55:52.400 --> 00:55:55.039
<v Speaker 3>That's right. And so I had some resistance, but I

1193
00:55:55.039 --> 00:55:56.440
<v Speaker 3>wonder if I still have the resistance.

1194
00:55:56.719 --> 00:55:59.880
<v Speaker 1>Yeah, yeah, I have a resistance to going going there.

1195
00:56:00.760 --> 00:56:03.239
<v Speaker 3>You've built up a resistance to no, I'm not doing that.

1196
00:56:03.639 --> 00:56:03.880
<v Speaker 2>Yes.

1197
00:56:05.039 --> 00:56:07.719
<v Speaker 5>Well, we've talked about voiceover, We've talked about on camera work.

1198
00:56:07.960 --> 00:56:11.800
<v Speaker 5>Another aspect of performance that you're familiar with is motion capture,

1199
00:56:11.800 --> 00:56:13.840
<v Speaker 5>which is kind of new to this whole, you know,

1200
00:56:13.960 --> 00:56:17.000
<v Speaker 5>entertainment industry. And you did a great job. I'm days gone,

1201
00:56:17.079 --> 00:56:19.400
<v Speaker 5>Oh thank you. Yes, it's a very good game. Underrated

1202
00:56:19.400 --> 00:56:20.280
<v Speaker 5>game in my opinion.

1203
00:56:20.679 --> 00:56:23.199
<v Speaker 7>I'll tell you, you know, we talk about cons and

1204
00:56:23.199 --> 00:56:27.039
<v Speaker 7>stuff like that. That game broke through. So many people

1205
00:56:27.079 --> 00:56:30.920
<v Speaker 7>want to talk about that game. So whether whatever the

1206
00:56:30.960 --> 00:56:35.719
<v Speaker 7>media narrative is, you as it. When we do jobs,

1207
00:56:36.159 --> 00:56:37.920
<v Speaker 7>you lay out the pictures from all the jobs. You

1208
00:56:38.000 --> 00:56:41.559
<v Speaker 7>learn real quick what's broken through and what happened, and

1209
00:56:41.599 --> 00:56:44.360
<v Speaker 7>what people care about, what people have remember years later

1210
00:56:44.480 --> 00:56:45.159
<v Speaker 7>all that stuff.

1211
00:56:45.440 --> 00:56:45.960
<v Speaker 3>Day's gone.

1212
00:56:46.000 --> 00:56:48.440
<v Speaker 7>Is one of those people all want to bring their

1213
00:56:48.480 --> 00:56:54.880
<v Speaker 7>game or they bring the stuff. You know, it's yeah, yeah,

1214
00:56:54.679 --> 00:56:59.800
<v Speaker 7>the we're talking about, you know, like I guess the

1215
00:57:00.079 --> 00:57:02.000
<v Speaker 7>half the life, the whatever, what are we're talking about.

1216
00:57:02.559 --> 00:57:04.639
<v Speaker 7>I think if there's there's one thing I'd love to

1217
00:57:04.679 --> 00:57:08.119
<v Speaker 7>bring up is the fact that all of those performers

1218
00:57:08.119 --> 00:57:10.679
<v Speaker 7>in that game, if you look at IMDb, their their

1219
00:57:10.760 --> 00:57:13.119
<v Speaker 7>voice credits, and it's like, well, that's not the totality

1220
00:57:13.119 --> 00:57:15.440
<v Speaker 7>of what they did. We shot all of that, right,

1221
00:57:15.480 --> 00:57:19.000
<v Speaker 7>you know, we shot for four years and and those

1222
00:57:19.239 --> 00:57:26.400
<v Speaker 7>performers all delivered really really good everything performances. Their faces

1223
00:57:26.440 --> 00:57:29.679
<v Speaker 7>there there you know, everything is that you're wearing a

1224
00:57:29.719 --> 00:57:33.000
<v Speaker 7>helmet with a camera on your face. Yeah, you got

1225
00:57:33.000 --> 00:57:37.559
<v Speaker 7>the dots on the suit and you have a microphone.

1226
00:57:36.920 --> 00:57:40.480
<v Speaker 5>So that you're sorry interrupt. Was that your first experience

1227
00:57:40.480 --> 00:57:41.039
<v Speaker 5>with motion.

1228
00:57:40.880 --> 00:57:47.679
<v Speaker 3>Capture performance performance capture? Yeah, it is not. I don't remember, no, no,

1229
00:57:47.719 --> 00:57:49.719
<v Speaker 3>I guess my first experience with that type of thing

1230
00:57:49.760 --> 00:57:51.760
<v Speaker 3>would have been the Force on Leash. So, oh, there

1231
00:57:51.760 --> 00:57:52.840
<v Speaker 3>you go in two thousand and seven.

1232
00:57:54.440 --> 00:57:56.880
<v Speaker 7>Very primitive by today's standards, but that's what they were doing.

1233
00:57:57.039 --> 00:57:59.039
<v Speaker 7>And it was this weird thing where they were like

1234
00:57:59.360 --> 00:58:02.119
<v Speaker 7>casting for a Star Wars video game, but they wanted

1235
00:58:02.159 --> 00:58:05.239
<v Speaker 7>my headshot, my resume and all this and real and

1236
00:58:05.280 --> 00:58:07.159
<v Speaker 7>I'm like, why why.

1237
00:58:06.960 --> 00:58:10.159
<v Speaker 3>Would you need my real and because they're like, well, they're.

1238
00:58:09.960 --> 00:58:12.400
<v Speaker 7>Going to make it look like the actors and they're

1239
00:58:12.440 --> 00:58:17.360
<v Speaker 7>going to use performance capture to capture the performances.

1240
00:58:17.360 --> 00:58:19.920
<v Speaker 3>And that's the theory. The theory is is and I'd

1241
00:58:19.960 --> 00:58:22.119
<v Speaker 3>never this was like maybe the first time.

1242
00:58:22.000 --> 00:58:23.880
<v Speaker 7>It's had ever really been done in video games to

1243
00:58:23.920 --> 00:58:26.039
<v Speaker 7>do it all the time now, but they're like, our

1244
00:58:26.119 --> 00:58:29.280
<v Speaker 7>theory is is that the actors are linked with their likenesses,

1245
00:58:29.320 --> 00:58:31.440
<v Speaker 7>are linked with their movements or linked with everything, so

1246
00:58:31.480 --> 00:58:34.719
<v Speaker 7>we're going to try to bring that actor more more

1247
00:58:35.000 --> 00:58:36.199
<v Speaker 7>into the process.

1248
00:58:36.440 --> 00:58:36.639
<v Speaker 3>Yeah.

1249
00:58:37.079 --> 00:58:40.119
<v Speaker 7>So I'm very grateful that they did that because that

1250
00:58:40.239 --> 00:58:43.119
<v Speaker 7>was my intro to Star Wars on that did.

1251
00:58:42.960 --> 00:58:46.159
<v Speaker 3>You ever work with David Collins? With David Collins.

1252
00:58:47.599 --> 00:58:51.760
<v Speaker 7>Voice actor but also sound designer, musician, I don't think so. Yeah,

1253
00:58:51.800 --> 00:58:54.039
<v Speaker 7>he was the in fact, you know what I'm going

1254
00:58:54.079 --> 00:58:56.360
<v Speaker 7>to say, I'm going to venture to guess. I'm certain

1255
00:58:56.400 --> 00:59:01.119
<v Speaker 7>he's probably directed you. Oh, he's He was working at

1256
00:59:01.199 --> 00:59:03.840
<v Speaker 7>Lucas Arts at the time as and he was the

1257
00:59:03.920 --> 00:59:07.079
<v Speaker 7>lead sound Unforced Unleashed. But he also he snuck my

1258
00:59:07.119 --> 00:59:09.599
<v Speaker 7>headshot under the pile so that I get an audition.

1259
00:59:09.719 --> 00:59:14.519
<v Speaker 3>Wow, Okay, let's go Dave. Yeah. Yeah, And he's on

1260
00:59:15.079 --> 00:59:17.440
<v Speaker 3>Shadow Lord.

1261
00:59:16.960 --> 00:59:21.840
<v Speaker 7>He's the lead sound there. He's also a character, he's Spybot.

1262
00:59:22.199 --> 00:59:27.000
<v Speaker 3>He's the way the jerk droid who Maul loves very much.

1263
00:59:27.599 --> 00:59:32.599
<v Speaker 3>So yeah, wow. Anyway, friends are important in this industry, Yes,

1264
00:59:32.719 --> 00:59:33.440
<v Speaker 3>yes they are.

1265
00:59:33.599 --> 00:59:37.320
<v Speaker 1>Yeah, yeah, well you know, I you know, I'm sure

1266
00:59:37.360 --> 00:59:38.239
<v Speaker 1>you know Frank Welker.

1267
00:59:38.400 --> 00:59:41.079
<v Speaker 3>Know of Frank Welker. He certainly I don't know him.

1268
00:59:41.079 --> 00:59:43.079
<v Speaker 3>You know of him very Yeah.

1269
00:59:43.119 --> 00:59:46.840
<v Speaker 1>Well, he's he's an amazing guy and he one of

1270
00:59:46.920 --> 00:59:50.199
<v Speaker 1>the coolest things ever happened to me came directly from him.

1271
00:59:50.679 --> 00:59:54.559
<v Speaker 1>He was into he was in for a job for

1272
00:59:54.599 --> 00:59:57.639
<v Speaker 1>a job and he was given it. Hell and he

1273
00:59:57.760 --> 01:00:00.679
<v Speaker 1>and he's known for his sound effects and animal sounds.

1274
01:00:01.079 --> 01:00:01.800
<v Speaker 3>I mean, he's.

1275
01:00:02.039 --> 01:00:08.239
<v Speaker 1>Everything anything and uh and you know, he said, well,

1276
01:00:08.280 --> 01:00:11.280
<v Speaker 1>you know, and he's like the only guy who could

1277
01:00:11.400 --> 01:00:13.960
<v Speaker 1>who would have even thought of doing this, you know.

1278
01:00:14.000 --> 01:00:16.719
<v Speaker 1>And he told him, he goes, well, I'm not that

1279
01:00:18.800 --> 01:00:21.599
<v Speaker 1>I'm really not feeling this. I'm sorry, you know, I

1280
01:00:21.679 --> 01:00:26.039
<v Speaker 1>don't think i'm your guy, which it said, no one

1281
01:00:26.119 --> 01:00:29.280
<v Speaker 1>ever and and uh and he said, you know what,

1282
01:00:31.000 --> 01:00:32.880
<v Speaker 1>just a shot in the dark hair, Why don't you

1283
01:00:32.880 --> 01:00:35.599
<v Speaker 1>call Jimmy Cummings up see see if get him in here,

1284
01:00:35.599 --> 01:00:37.199
<v Speaker 1>give him a shot and see what happens.

1285
01:00:37.840 --> 01:00:39.239
<v Speaker 3>And so they did.

1286
01:00:39.800 --> 01:00:42.519
<v Speaker 1>And I went in there and all I did was

1287
01:00:42.639 --> 01:00:47.159
<v Speaker 1>for about an hour or so was laugh and and

1288
01:00:47.719 --> 01:00:51.840
<v Speaker 1>it was for Lion King, Oh my god.

1289
01:00:51.920 --> 01:00:53.760
<v Speaker 2>And that's how I got into the Lion King.

1290
01:00:53.880 --> 01:00:55.480
<v Speaker 3>Oh my god. Yeah.

1291
01:00:55.519 --> 01:01:00.039
<v Speaker 1>And that to you, yeah, he just said, oh and

1292
01:01:00.039 --> 01:01:03.000
<v Speaker 1>and I went, oh, you freaking kidding me. So I

1293
01:01:03.039 --> 01:01:06.599
<v Speaker 1>sent him roses and champagne and just all this, you know,

1294
01:01:07.000 --> 01:01:08.800
<v Speaker 1>I mean, it really is one of the things that

1295
01:01:09.800 --> 01:01:12.599
<v Speaker 1>one of the landmarks in my life, in my career.

1296
01:01:13.320 --> 01:01:16.320
<v Speaker 2>Crazy, that's insane, and all I did was laugh.

1297
01:01:16.440 --> 01:01:19.559
<v Speaker 3>That's incredible. Yeah he yeah.

1298
01:01:19.599 --> 01:01:23.440
<v Speaker 1>Oh and it also led because you know, I'm kind

1299
01:01:23.440 --> 01:01:25.159
<v Speaker 1>of known, I guess as a singer.

1300
01:01:26.559 --> 01:01:27.199
<v Speaker 3>Without him.

1301
01:01:27.239 --> 01:01:29.480
<v Speaker 1>I also wouldn't be in the soundtrack because I think

1302
01:01:30.000 --> 01:01:34.920
<v Speaker 1>be prepared for Jeremy I see for Thank You Frank again.

1303
01:01:35.320 --> 01:01:38.079
<v Speaker 3>Yeah me. Yes.

1304
01:01:39.440 --> 01:01:42.079
<v Speaker 7>For people like me and a lot of the the

1305
01:01:42.119 --> 01:01:46.239
<v Speaker 7>younger actors in Clone Wars that our generation, it was

1306
01:01:46.440 --> 01:01:49.400
<v Speaker 7>always a thrill when we would sort of cross paths

1307
01:01:49.480 --> 01:01:53.639
<v Speaker 7>with you or Corey Burton or whomever. We would just

1308
01:01:53.679 --> 01:01:56.400
<v Speaker 7>be so I was just like, oh my god, you

1309
01:01:56.440 --> 01:01:58.599
<v Speaker 7>know the real guys are here, you know, because we're

1310
01:01:58.639 --> 01:02:05.159
<v Speaker 7>just the pretender kids'ing yet. But I certainly I've snuck

1311
01:02:05.199 --> 01:02:07.960
<v Speaker 7>into I never had an opportunity to sneak into one

1312
01:02:08.000 --> 01:02:10.639
<v Speaker 7>of yours, but I've snuck into sessions with people like

1313
01:02:10.719 --> 01:02:14.280
<v Speaker 7>Corey Burton where I'm just like hiding out in the

1314
01:02:14.320 --> 01:02:17.239
<v Speaker 7>back watching how does he do that?

1315
01:02:17.880 --> 01:02:23.599
<v Speaker 3>You know? He's amazing? Yeah, I mean it's it's for me.

1316
01:02:23.880 --> 01:02:28.119
<v Speaker 7>The voice acting thing was always like how do you

1317
01:02:28.400 --> 01:02:29.800
<v Speaker 7>how do you get into that club?

1318
01:02:30.119 --> 01:02:30.880
<v Speaker 3>How do you do that?

1319
01:02:31.400 --> 01:02:34.079
<v Speaker 7>And now now I feel like I'm maybe I'm not

1320
01:02:34.119 --> 01:02:35.159
<v Speaker 7>a voting member of the club.

1321
01:02:35.199 --> 01:02:36.800
<v Speaker 3>But I'm in the club sort of a little bit.

1322
01:02:36.960 --> 01:02:38.360
<v Speaker 3>Oh yeah.

1323
01:02:38.400 --> 01:02:45.719
<v Speaker 7>But I was always just so astonished, you know, because

1324
01:02:46.800 --> 01:02:50.400
<v Speaker 7>all of those characters, that's our childhood. Dude, I I

1325
01:02:51.000 --> 01:02:52.559
<v Speaker 7>I adventured with you.

1326
01:02:52.559 --> 01:02:54.679
<v Speaker 3>You were Minsk in Butther's Gate.

1327
01:02:54.800 --> 01:02:57.960
<v Speaker 2>Oh yeah. I spent a lot of a kick out

1328
01:02:57.960 --> 01:03:00.559
<v Speaker 2>of that that I'm had to hear.

1329
01:03:00.480 --> 01:03:05.840
<v Speaker 3>That for the eyes, Yeah, the ice get the Heapster

1330
01:03:06.039 --> 01:03:10.480
<v Speaker 3>of justice. Wow, he's shown up. You know.

1331
01:03:10.679 --> 01:03:13.679
<v Speaker 7>I'm I guess somewhat of a D and D A story,

1332
01:03:13.719 --> 01:03:17.760
<v Speaker 7>and I've I've written some books on it. Mink shows

1333
01:03:17.840 --> 01:03:22.000
<v Speaker 7>up and supplemental material for the tabletop game. Really it's

1334
01:03:22.000 --> 01:03:28.719
<v Speaker 7>a famous character, but it's it so for for me,

1335
01:03:29.039 --> 01:03:34.360
<v Speaker 7>it was always just so very very cool too. To

1336
01:03:34.480 --> 01:03:38.039
<v Speaker 7>see you gentlemen come and go and do whatever. It's

1337
01:03:38.239 --> 01:03:41.559
<v Speaker 7>very very cool. I regret greatly that I I was

1338
01:03:41.599 --> 01:03:44.400
<v Speaker 7>in I think I was in Montreal when we were

1339
01:03:44.440 --> 01:03:46.639
<v Speaker 7>doing our episode of Clone War, so I don't think

1340
01:03:46.639 --> 01:03:50.320
<v Speaker 7>I got to actually work across from you, but I

1341
01:03:50.360 --> 01:03:52.800
<v Speaker 7>certainly cursed your name in the spirit.

1342
01:03:52.559 --> 01:03:58.079
<v Speaker 3>Of you when when Maul was shaking his fist at Hondo. Yeah, yeah, yeah,

1343
01:03:58.159 --> 01:04:00.360
<v Speaker 3>because I knew who I knew your care I knew

1344
01:04:00.400 --> 01:04:04.159
<v Speaker 3>exactly who I was dealing with. Yes, you so, but

1345
01:04:04.239 --> 01:04:06.519
<v Speaker 3>you know because ultimately, when you do it right, you

1346
01:04:06.519 --> 01:04:08.239
<v Speaker 3>have all the actress together, and of.

1347
01:04:08.119 --> 01:04:11.360
<v Speaker 1>Course you bet you know, yeah, I so prefer that,

1348
01:04:12.320 --> 01:04:16.840
<v Speaker 1>and you can all kind of tell you can't, you know, yeah,

1349
01:04:17.440 --> 01:04:20.519
<v Speaker 1>when they're when they're all in the room, because otherwise

1350
01:04:20.559 --> 01:04:23.400
<v Speaker 1>you end up doing every line like four times, just

1351
01:04:23.440 --> 01:04:26.760
<v Speaker 1>in case it doesn't fit following the line before, and

1352
01:04:27.000 --> 01:04:29.000
<v Speaker 1>just in case it doesn't fit for setting up the

1353
01:04:29.039 --> 01:04:32.280
<v Speaker 1>line the next line, so you have to cover all

1354
01:04:32.360 --> 01:04:36.559
<v Speaker 1>the basis. Whereas, if you get which I really love,

1355
01:04:37.000 --> 01:04:39.960
<v Speaker 1>having the whole cast in the one big room, do

1356
01:04:40.039 --> 01:04:43.119
<v Speaker 1>it all together, and it's like doing a play, and

1357
01:04:43.400 --> 01:04:47.199
<v Speaker 1>then it's organic, as they say, it's much more organic.

1358
01:04:47.320 --> 01:04:50.400
<v Speaker 3>It just feels better. It does. It's you know, it flows,

1359
01:04:51.039 --> 01:04:53.039
<v Speaker 3>you know, you can just tell I don't know.

1360
01:04:53.000 --> 01:04:59.320
<v Speaker 7>It's true, it's true. It's on Shadow Lord. I just

1361
01:04:59.360 --> 01:05:02.360
<v Speaker 7>basically like where we cannot be doing these scenes. I

1362
01:05:02.800 --> 01:05:06.280
<v Speaker 7>need Gidy in there to work off of. Otherwise I

1363
01:05:06.320 --> 01:05:08.880
<v Speaker 7>have no idea where this scene's going to go, you know.

1364
01:05:09.239 --> 01:05:15.880
<v Speaker 7>And what's interesting with with Shadow Lord because sometimes we

1365
01:05:15.920 --> 01:05:17.599
<v Speaker 7>have a bunch of live action actors in it and

1366
01:05:18.039 --> 01:05:20.800
<v Speaker 7>people are flying all over the world and can't always

1367
01:05:20.840 --> 01:05:24.599
<v Speaker 7>get people even even connected remotely, so I end up

1368
01:05:24.639 --> 01:05:27.000
<v Speaker 7>being just the reader. I know, I'm in all of

1369
01:05:27.000 --> 01:05:28.800
<v Speaker 7>the sessions, so I know exactly what that actor did,

1370
01:05:28.840 --> 01:05:31.519
<v Speaker 7>so I try to do an approximation of what that

1371
01:05:31.599 --> 01:05:33.519
<v Speaker 7>actor did for the other for some other actor and

1372
01:05:33.559 --> 01:05:36.719
<v Speaker 7>stuff like that. But it's you know, there's no comparison

1373
01:05:36.920 --> 01:05:38.440
<v Speaker 7>from when you can have the actors all.

1374
01:05:38.360 --> 01:05:39.320
<v Speaker 3>Working together in the room.

1375
01:05:39.480 --> 01:05:41.800
<v Speaker 5>Did you guys get the opportunity to do ensemble for

1376
01:05:42.719 --> 01:05:43.440
<v Speaker 5>some of it some.

1377
01:05:43.480 --> 01:05:45.920
<v Speaker 7>Of it When we didn't, I try to make up

1378
01:05:46.239 --> 01:05:49.719
<v Speaker 7>with reading with the other actors, but but we did at.

1379
01:05:49.599 --> 01:05:53.320
<v Speaker 5>Times, you know, to do that. Yeah, I'm excited. I

1380
01:05:53.360 --> 01:05:55.239
<v Speaker 5>haven't seen it yet, but I'm excited to check it out.

1381
01:05:55.280 --> 01:05:55.880
<v Speaker 3>I hope you like it.

1382
01:05:55.920 --> 01:05:59.599
<v Speaker 7>We made it with the intention of maybe you don't

1383
01:05:59.599 --> 01:06:00.280
<v Speaker 7>know Star Wars.

1384
01:06:00.280 --> 01:06:03.960
<v Speaker 3>That's okay, we got you. We'll explain our version of

1385
01:06:03.960 --> 01:06:04.440
<v Speaker 3>Star Wars.

1386
01:06:05.599 --> 01:06:08.119
<v Speaker 5>One question I wanted to ask you on the subject

1387
01:06:08.119 --> 01:06:11.280
<v Speaker 5>of mal Just the character, was if I'm not mistaken,

1388
01:06:11.320 --> 01:06:13.199
<v Speaker 5>you were the first person to give him a voice

1389
01:06:13.239 --> 01:06:16.159
<v Speaker 5>correct incorrect, incorrect.

1390
01:06:16.760 --> 01:06:17.119
<v Speaker 3>Shoot.

1391
01:06:17.519 --> 01:06:21.599
<v Speaker 7>He was voiced by Peter Sarah Finowitz and very well

1392
01:06:21.719 --> 01:06:23.679
<v Speaker 7>by the way, in Star Wars episode one of the

1393
01:06:23.679 --> 01:06:25.480
<v Speaker 7>Phantom Matas, he had three lines.

1394
01:06:25.519 --> 01:06:28.400
<v Speaker 3>There wasn't. I don't remember him talking in that. Yes,

1395
01:06:28.519 --> 01:06:34.360
<v Speaker 3>my master, he did that. It was as yes, it

1396
01:06:34.400 --> 01:06:36.039
<v Speaker 3>was yes mama. No, no, he has one though. There

1397
01:06:36.079 --> 01:06:36.960
<v Speaker 3>was one line where.

1398
01:06:36.760 --> 01:06:40.480
<v Speaker 4>He sponsibly populated if the tricks was correct, that will

1399
01:06:40.480 --> 01:06:44.320
<v Speaker 4>find them quickly. Master a lasts, we will reveal our song,

1400
01:06:44.400 --> 01:06:46.920
<v Speaker 4>so the Jedi at last, we will have revenge.

1401
01:06:47.400 --> 01:06:50.920
<v Speaker 7>It's the way that he did it. Peter your checks

1402
01:06:50.920 --> 01:06:55.840
<v Speaker 7>in the mail. Yeah, so he that was the building block.

1403
01:06:56.679 --> 01:06:59.199
<v Speaker 7>That was the foundation for what Mike, So, did you

1404
01:06:59.239 --> 01:07:02.320
<v Speaker 7>work off that voice to develop my character? You needed

1405
01:07:02.320 --> 01:07:04.599
<v Speaker 7>to believe that that was his voice ten years before

1406
01:07:04.599 --> 01:07:07.840
<v Speaker 7>you met him, because he went through a whole awful

1407
01:07:07.920 --> 01:07:11.079
<v Speaker 7>experience for ten years and you meet him ten years older.

1408
01:07:11.199 --> 01:07:14.039
<v Speaker 3>So we thought there was some wiggle room there too.

1409
01:07:14.159 --> 01:07:15.239
<v Speaker 2>Was he doing time he.

1410
01:07:15.800 --> 01:07:19.760
<v Speaker 5>Basically yeah, yeah, doing dirt appeah.

1411
01:07:19.519 --> 01:07:25.400
<v Speaker 7>Yeah, so hard time squad. So there needed to be

1412
01:07:25.440 --> 01:07:27.400
<v Speaker 7>a sense that that was his voice when he was

1413
01:07:27.400 --> 01:07:30.599
<v Speaker 7>a young man, and specifically that was.

1414
01:07:30.599 --> 01:07:33.320
<v Speaker 3>His voice when he was going yes sir, no, sir,

1415
01:07:33.440 --> 01:07:35.960
<v Speaker 3>You know yes sir no, sir, you're just standing on ceremony,

1416
01:07:36.320 --> 01:07:39.880
<v Speaker 3>and then me and Dave devised that his actual voice

1417
01:07:39.880 --> 01:07:42.280
<v Speaker 3>that if you get him eating Dorito's and sipping on

1418
01:07:42.280 --> 01:07:47.280
<v Speaker 3>a mountain dew in a basement playing contra, he might

1419
01:07:47.320 --> 01:07:49.840
<v Speaker 3>be like, oh, come on, this game cheats. You know.

1420
01:07:52.320 --> 01:07:53.199
<v Speaker 2>That's a good visual.

1421
01:07:54.559 --> 01:07:55.840
<v Speaker 3>Damn your got.

1422
01:07:55.719 --> 01:08:01.119
<v Speaker 7>Very specific there, longing for the basements of my youth.

1423
01:08:01.159 --> 01:08:05.400
<v Speaker 3>I suppose did you know you were always going to

1424
01:08:05.440 --> 01:08:08.360
<v Speaker 3>do this? When? When? Did you know? When? Did you know?

1425
01:08:08.559 --> 01:08:09.400
<v Speaker 3>That's a better question.

1426
01:08:09.559 --> 01:08:11.880
<v Speaker 7>Perhaps I wanted to be an actor red, Like I said,

1427
01:08:11.880 --> 01:08:16.600
<v Speaker 7>I thought I would just sort of like go from.

1428
01:08:14.920 --> 01:08:17.520
<v Speaker 3>Well, now, wait a second. There was some were you

1429
01:08:17.520 --> 01:08:19.720
<v Speaker 3>eat a lot of plays as a kid, great school

1430
01:08:20.159 --> 01:08:21.920
<v Speaker 3>it was, but it was always for fun. I never

1431
01:08:21.920 --> 01:08:22.640
<v Speaker 3>took it seriously.

1432
01:08:23.319 --> 01:08:27.039
<v Speaker 7>Wow, So it's some But at some point there was,

1433
01:08:28.640 --> 01:08:33.560
<v Speaker 7>at some point there was some notion that I would

1434
01:08:34.159 --> 01:08:37.119
<v Speaker 7>because that how did this all work? I guess on

1435
01:08:37.159 --> 01:08:39.239
<v Speaker 7>some level I was always I had the belief that

1436
01:08:39.279 --> 01:08:42.680
<v Speaker 7>I'm like, no, I'm going to get some really cool experiences.

1437
01:08:42.720 --> 01:08:46.239
<v Speaker 7>I'll get to do some movies, I'll get to lead

1438
01:08:46.279 --> 01:08:47.960
<v Speaker 7>my own show, I'll get to do all these things.

1439
01:08:48.520 --> 01:08:51.399
<v Speaker 3>Somehow those things came to pass. I don't know if

1440
01:08:51.439 --> 01:08:55.439
<v Speaker 3>it was lucky, guess, but certainly luck had a lot

1441
01:08:55.479 --> 01:08:57.359
<v Speaker 3>to do with it. I'm not one of those people

1442
01:08:57.439 --> 01:09:02.159
<v Speaker 3>who goes, you know, I mean, you know, I worked

1443
01:09:02.159 --> 01:09:04.399
<v Speaker 3>really hard and this, and then I just climb the

1444
01:09:04.439 --> 01:09:05.279
<v Speaker 3>ladder and I worked hard.

1445
01:09:05.840 --> 01:09:10.000
<v Speaker 7>But yeah, you think you worked all Yeah, oh, because

1446
01:09:10.039 --> 01:09:13.560
<v Speaker 7>they didn't work hard. No, everyone works hard. Everyone who

1447
01:09:13.560 --> 01:09:17.520
<v Speaker 7>gets anywhere works hard. It's just that some people work

1448
01:09:17.600 --> 01:09:18.760
<v Speaker 7>hard and then also.

1449
01:09:18.520 --> 01:09:21.439
<v Speaker 3>Get to be lucky. And I'm one of those people.

1450
01:09:21.760 --> 01:09:25.159
<v Speaker 7>So I don't I don't take credit for the entirety

1451
01:09:25.199 --> 01:09:29.000
<v Speaker 7>of what's happened to me. I've been very, very fortunate

1452
01:09:29.079 --> 01:09:30.279
<v Speaker 7>to be in the right place at the right time.

1453
01:09:30.279 --> 01:09:32.960
<v Speaker 1>It's several Ok, there's nothing wrong with that, you know.

1454
01:09:33.039 --> 01:09:36.680
<v Speaker 1>Harrison Ford, of all people, was asked, he said, what

1455
01:09:36.479 --> 01:09:39.399
<v Speaker 1>what do you It was one of those entertainment Tonight

1456
01:09:39.439 --> 01:09:42.960
<v Speaker 1>things and they said, so to what do you contribute?

1457
01:09:43.000 --> 01:09:46.520
<v Speaker 3>I mean, were you just dedicated and this and that?

1458
01:09:46.560 --> 01:09:48.840
<v Speaker 2>Because I mean, you know, Indiana.

1459
01:09:48.399 --> 01:09:51.119
<v Speaker 3>Jones Hans, so, oh my god, could could you be

1460
01:09:51.159 --> 01:09:51.680
<v Speaker 3>any bigger?

1461
01:09:51.760 --> 01:09:54.079
<v Speaker 2>He goes, I was just lucky.

1462
01:09:54.479 --> 01:09:57.439
<v Speaker 3>It was just sucky. What Yeah, that's how he said it.

1463
01:09:57.439 --> 01:09:59.159
<v Speaker 3>It was just lucky. It was in the right place.

1464
01:09:59.199 --> 01:09:59.880
<v Speaker 3>At the right time.

1465
01:10:00.880 --> 01:10:06.319
<v Speaker 7>Again, that's charlish and Jordan at the casting office and

1466
01:10:06.359 --> 01:10:08.520
<v Speaker 7>George said, hey, Harrison, you want to read for he

1467
01:10:08.640 --> 01:10:09.079
<v Speaker 7>and solo?

1468
01:10:09.119 --> 01:10:13.159
<v Speaker 3>And like, what the hell is that? Yeah? He was

1469
01:10:13.199 --> 01:10:15.279
<v Speaker 3>the reader. That's great. He was the reader.

1470
01:10:16.039 --> 01:10:19.840
<v Speaker 7>Yeah, so Mark, Carrie Fisher and Kurt Russell and a

1471
01:10:19.880 --> 01:10:22.359
<v Speaker 7>whole bunch of people came in to read for.

1472
01:10:22.319 --> 01:10:25.119
<v Speaker 3>The role, including I think walking.

1473
01:10:25.000 --> 01:10:28.560
<v Speaker 7>And and uh and I think Paccino might have even

1474
01:10:28.600 --> 01:10:29.119
<v Speaker 7>read for it.

1475
01:10:29.720 --> 01:10:32.920
<v Speaker 3>And oh my god, there's a skit. Yeah, it's a

1476
01:10:33.039 --> 01:10:38.800
<v Speaker 3>skit for you. Okay, So Michael Corleone's here. Great, Yeah,

1477
01:10:38.840 --> 01:10:39.680
<v Speaker 3>that's really good.

1478
01:10:39.920 --> 01:10:45.239
<v Speaker 7>So so but Harrison Ford was the reader, and and

1479
01:10:45.600 --> 01:10:48.880
<v Speaker 7>it was. It was after a few seconds, I guess,

1480
01:10:48.960 --> 01:10:51.039
<v Speaker 7>after they he'd been reading with various people, They're like,

1481
01:10:51.920 --> 01:10:54.479
<v Speaker 7>we should pair him up with the group of his own,

1482
01:10:54.479 --> 01:10:58.119
<v Speaker 7>because Lucas wanted to hire a group. These reactors work

1483
01:10:58.199 --> 01:11:00.560
<v Speaker 7>really well together. These reactors work really well together. These

1484
01:11:00.600 --> 01:11:04.000
<v Speaker 7>reactors work well together. And and then he paired Harrison

1485
01:11:04.079 --> 01:11:08.600
<v Speaker 7>up with Carrie Fisher and Mark Hamill, which is, you know, seemed.

1486
01:11:08.319 --> 01:11:09.039
<v Speaker 3>To have worked out.

1487
01:11:09.199 --> 01:11:14.079
<v Speaker 7>Might be on disres but it's it's rings a bell, fascinating.

1488
01:11:14.600 --> 01:11:15.640
<v Speaker 3>That's the way they did it.

1489
01:11:15.720 --> 01:11:20.520
<v Speaker 7>And you know, and they they really those three actors

1490
01:11:20.640 --> 01:11:23.119
<v Speaker 7>just had their their territory.

1491
01:11:22.720 --> 01:11:26.239
<v Speaker 3>You know, and and and all three of them, speaking of.

1492
01:11:26.159 --> 01:11:30.800
<v Speaker 7>What we're talking about today, had extraordinary vocal mechanisms. And

1493
01:11:30.840 --> 01:11:34.960
<v Speaker 7>you can't you can't tell me that Harrison Ford, even

1494
01:11:35.000 --> 01:11:37.399
<v Speaker 7>though he was born with this amazing mechanism.

1495
01:11:38.640 --> 01:11:40.319
<v Speaker 3>You see what he does with it. You're like, no,

1496
01:11:40.439 --> 01:11:42.840
<v Speaker 3>that guy knows exactly what he's doing with his voice.

1497
01:11:43.079 --> 01:11:45.960
<v Speaker 7>That's what you know. There's never a moment where you

1498
01:11:46.079 --> 01:11:50.720
<v Speaker 7>don't understand Harrison Ford. You know, Cherway, take the professor

1499
01:11:50.720 --> 01:11:52.319
<v Speaker 7>in the back and plug him into the hyperdrive.

1500
01:11:52.600 --> 01:11:54.239
<v Speaker 3>You know. He he's you know.

1501
01:11:54.279 --> 01:11:59.840
<v Speaker 7>And then Mark Hamill gifted great ear, extraordinary, really good.

1502
01:12:00.039 --> 01:12:04.800
<v Speaker 7>And Luke Skywalker's vocal performance is totally underrated because he

1503
01:12:04.840 --> 01:12:06.359
<v Speaker 7>goes from you know, but.

1504
01:12:06.319 --> 01:12:08.399
<v Speaker 3>I was about to take to take the power converters.

1505
01:12:08.399 --> 01:12:10.479
<v Speaker 3>He goes from that. That's the line I always think of.

1506
01:12:10.840 --> 01:12:12.239
<v Speaker 2>That was it was in my head.

1507
01:12:12.640 --> 01:12:19.399
<v Speaker 7>Yeah, so you go from that performance to the joker,

1508
01:12:19.520 --> 01:12:23.640
<v Speaker 7>I'm not afraid You're weird, and he's he's sort of halfway.

1509
01:12:24.000 --> 01:12:28.159
<v Speaker 3>He's springboarded from that. Luke this you know, oh you

1510
01:12:28.239 --> 01:12:30.000
<v Speaker 3>bet I could I'm not such a bad pilot. Stuff.

1511
01:12:30.039 --> 01:12:31.479
<v Speaker 3>We have to sit here and listen to. It goes

1512
01:12:31.479 --> 01:12:34.520
<v Speaker 3>from that to I'm not looking for a friend, I'm

1513
01:12:34.520 --> 01:12:35.800
<v Speaker 3>looking for a Jedi master.

1514
01:12:36.399 --> 01:12:39.119
<v Speaker 7>A little bit of the kid, but that's different. That's

1515
01:12:39.119 --> 01:12:41.279
<v Speaker 7>an older guy right there. He's been fighting in the

1516
01:12:41.319 --> 01:12:43.159
<v Speaker 7>war for a few years. And then you go to

1517
01:12:43.159 --> 01:12:44.000
<v Speaker 7>a return of the Jedi.

1518
01:12:44.960 --> 01:12:47.079
<v Speaker 3>He goes, soon I will be dead, and you with

1519
01:12:47.159 --> 01:12:50.119
<v Speaker 3>me saying to the emperor announcing.

1520
01:12:49.680 --> 01:12:53.000
<v Speaker 7>Like, you know, your over confidence is your weakness, and

1521
01:12:53.039 --> 01:12:55.319
<v Speaker 7>you're just like, this is a guy who knows exactly

1522
01:12:55.359 --> 01:12:57.520
<v Speaker 7>what he's doing in terms of the trajectory of the

1523
01:12:57.560 --> 01:13:00.439
<v Speaker 7>character of the performance, the physical performance, the voice. Then

1524
01:13:00.479 --> 01:13:03.399
<v Speaker 7>of course you have Carrie Fisher, who has one of

1525
01:13:03.439 --> 01:13:09.199
<v Speaker 7>the most epic voices in cinema history, just like who

1526
01:13:09.239 --> 01:13:14.520
<v Speaker 7>sounds like that. She just had this extraordinary depth and

1527
01:13:14.600 --> 01:13:19.319
<v Speaker 7>gravitas to her voice, and yet she was also, you know,

1528
01:13:19.399 --> 01:13:24.960
<v Speaker 7>so charismatic, soft at times, very very driven at times,

1529
01:13:24.720 --> 01:13:29.560
<v Speaker 7>the natural leader of the three, you know, so much

1530
01:13:30.600 --> 01:13:34.199
<v Speaker 7>was just how those actors use their voices, you know,

1531
01:13:34.439 --> 01:13:37.760
<v Speaker 7>And I have this thing with actors where I'm like,

1532
01:13:37.840 --> 01:13:42.960
<v Speaker 7>if you can't do a halfway decent, it doesn't matter

1533
01:13:42.960 --> 01:13:45.359
<v Speaker 7>who you are, just a regular person on the street.

1534
01:13:45.600 --> 01:13:47.840
<v Speaker 7>You'd be like, do Christopher walking. They'd be like, well,

1535
01:13:47.880 --> 01:13:50.239
<v Speaker 7>it's crazy, you know, or they would do some approximation

1536
01:13:50.319 --> 01:13:56.039
<v Speaker 7>and they would say it's crazy, you know, you know, wow,

1537
01:13:56.840 --> 01:13:59.079
<v Speaker 7>Yeah it starts off like that. But he always that's

1538
01:13:59.119 --> 01:14:01.319
<v Speaker 7>in the same place. But if you or you know,

1539
01:14:01.720 --> 01:14:04.279
<v Speaker 7>the FBI is going to pay me how to sif

1540
01:14:04.840 --> 01:14:07.880
<v Speaker 7>you know, like, if you can't do an impression of

1541
01:14:07.920 --> 01:14:10.039
<v Speaker 7>an actor, even a bad one.

1542
01:14:09.960 --> 01:14:13.359
<v Speaker 3>It's possible that that's not a very interesting actor. It's possible.

1543
01:14:13.760 --> 01:14:17.239
<v Speaker 7>There are exceptions, people who's you've got something really crazy

1544
01:14:17.279 --> 01:14:18.279
<v Speaker 7>going on here or whatever.

1545
01:14:18.520 --> 01:14:21.159
<v Speaker 2>Yeah, but I mean Marty Feldmann eyes.

1546
01:14:23.399 --> 01:14:27.920
<v Speaker 3>That's right. Maybe not that much, but yeah, a little

1547
01:14:27.920 --> 01:14:30.680
<v Speaker 3>too much character, right, but but no, maybe just the

1548
01:14:30.720 --> 01:14:31.159
<v Speaker 3>right amount.

1549
01:14:31.880 --> 01:14:38.800
<v Speaker 7>But the actors who have interesting voices, they they give

1550
01:14:38.880 --> 01:14:43.079
<v Speaker 7>you something that solidifies them in your brain and and

1551
01:14:43.079 --> 01:14:46.119
<v Speaker 7>and do they bring character to it, which is again

1552
01:14:46.439 --> 01:14:51.039
<v Speaker 7>unfortunately a little bit we've swayed too far into the

1553
01:14:51.159 --> 01:14:55.560
<v Speaker 7>ultra naturalistic world in terms of film and TV.

1554
01:14:55.800 --> 01:14:58.920
<v Speaker 1>Yeah, can tell you how many times, what do you mean, well,

1555
01:14:59.279 --> 01:15:01.520
<v Speaker 1>I know John there, you know.

1556
01:15:01.960 --> 01:15:04.199
<v Speaker 7>Yeah, right, they're like just just be man, just be

1557
01:15:04.399 --> 01:15:06.359
<v Speaker 7>and then you know, so these people are just stay

1558
01:15:06.399 --> 01:15:07.359
<v Speaker 7>in lives like this, and.

1559
01:15:07.319 --> 01:15:09.560
<v Speaker 3>Then everyone turns on the subtitles.

1560
01:15:09.079 --> 01:15:12.000
<v Speaker 7>Because they're just talking like this and there's no real

1561
01:15:12.079 --> 01:15:15.439
<v Speaker 7>voice and there's no real ability, you know, and what

1562
01:15:15.439 --> 01:15:15.880
<v Speaker 7>what how?

1563
01:15:16.399 --> 01:15:18.399
<v Speaker 3>How I was trained by my.

1564
01:15:18.399 --> 01:15:22.000
<v Speaker 7>Voice and speech teacher for two years was don't think

1565
01:15:22.039 --> 01:15:24.760
<v Speaker 7>of it as you're.

1566
01:15:24.600 --> 01:15:27.119
<v Speaker 3>Putting on a voice to be to put on a

1567
01:15:27.720 --> 01:15:28.560
<v Speaker 3>Don't think of it that way.

1568
01:15:28.680 --> 01:15:31.800
<v Speaker 7>Think of it as you really need to get that

1569
01:15:31.880 --> 01:15:35.039
<v Speaker 7>person to understand you right now. You need them to

1570
01:15:35.600 --> 01:15:36.880
<v Speaker 7>whatever it is you're trying to get them to do.

1571
01:15:36.920 --> 01:15:39.359
<v Speaker 7>You're trying to convince them of something and trying to

1572
01:15:40.520 --> 01:15:44.239
<v Speaker 7>express something that's really important to you. And that's why

1573
01:15:44.279 --> 01:15:48.239
<v Speaker 7>your character's voice sounds like that, That's what that is.

1574
01:15:48.520 --> 01:15:53.439
<v Speaker 7>And so I was always you know, speaking of being human.

1575
01:15:53.520 --> 01:15:56.199
<v Speaker 7>I I the character's voice is not my own, but

1576
01:15:56.239 --> 01:15:59.439
<v Speaker 7>I'm like, oh, I think he expresses himself like this

1577
01:15:59.600 --> 01:16:02.039
<v Speaker 7>and did it the way that I did it.

1578
01:16:03.000 --> 01:16:04.720
<v Speaker 3>But I wish we had more latitude to do that

1579
01:16:05.079 --> 01:16:08.319
<v Speaker 3>in film and TV. Where I mean, where's the James

1580
01:16:08.319 --> 01:16:12.119
<v Speaker 3>Cagney's of today? They don't exist? Where's you know?

1581
01:16:12.600 --> 01:16:13.479
<v Speaker 2>But I thought that was you?

1582
01:16:15.920 --> 01:16:20.840
<v Speaker 7>Yeah, a lot, but you know, it's I there's so

1583
01:16:21.039 --> 01:16:23.680
<v Speaker 7>much possible that you could do with film and TV.

1584
01:16:23.760 --> 01:16:27.119
<v Speaker 7>There's so much and and because they wanted to be

1585
01:16:27.319 --> 01:16:30.640
<v Speaker 7>so naturalistic, which.

1586
01:16:30.560 --> 01:16:32.560
<v Speaker 3>Hey, look go ahead and do that. That's great, But

1587
01:16:32.600 --> 01:16:35.279
<v Speaker 3>does everything have to be like that? You know Orson Wells.

1588
01:16:35.439 --> 01:16:38.399
<v Speaker 7>There was this great interview I saw with Orson Wells,

1589
01:16:38.439 --> 01:16:40.079
<v Speaker 7>or maybe I heard it from Rson Wells.

1590
01:16:40.319 --> 01:16:41.760
<v Speaker 3>I mean it was remember when he did the War

1591
01:16:41.800 --> 01:16:44.439
<v Speaker 3>of the World's thing. Oh yeah, so yeah, he did

1592
01:16:44.479 --> 01:16:47.680
<v Speaker 3>this thing. He did a radio play of War the

1593
01:16:47.680 --> 01:16:49.279
<v Speaker 3>worlds and they played.

1594
01:16:49.000 --> 01:16:52.720
<v Speaker 9>It like the Humanity, the Tripods of la They did

1595
01:16:52.720 --> 01:16:54.640
<v Speaker 9>a sort of faux fake.

1596
01:16:54.880 --> 01:17:00.680
<v Speaker 7>News reporting whoever that was, yeah, of aliens landing the Earth,

1597
01:17:01.239 --> 01:17:04.880
<v Speaker 7>and it was so well done that people it created hysteria.

1598
01:17:04.920 --> 01:17:07.039
<v Speaker 7>People thought they were listening to the radio and there

1599
01:17:07.039 --> 01:17:09.840
<v Speaker 7>were news reports of aliens attacking the planet Earth.

1600
01:17:10.399 --> 01:17:14.079
<v Speaker 3>And so there are these wonderful Oh there was these

1601
01:17:14.079 --> 01:17:18.560
<v Speaker 3>wonderful energies with Orson Wells where he's just he's well,

1602
01:17:18.920 --> 01:17:21.720
<v Speaker 3>I'm sorry, I truly it wasn't our intention to create

1603
01:17:21.720 --> 01:17:25.359
<v Speaker 3>a hysteria. And and you could see that he's sitting there.

1604
01:17:25.399 --> 01:17:27.680
<v Speaker 3>You can see that the guy inside him is going,

1605
01:17:27.840 --> 01:17:28.840
<v Speaker 3>this is so ridiculous.

1606
01:17:28.920 --> 01:17:32.399
<v Speaker 1>Yeah, yeah, yeah, guys, he said he was really got

1607
01:17:32.399 --> 01:17:34.680
<v Speaker 1>a kick out of it doing it. Probably, yeah, like

1608
01:17:34.720 --> 01:17:36.720
<v Speaker 1>we but but it was, like we said, it was

1609
01:17:36.720 --> 01:17:40.439
<v Speaker 1>a radio play. There were even like little station breaks

1610
01:17:40.439 --> 01:17:42.560
<v Speaker 1>where we called it the War of the World and

1611
01:17:42.600 --> 01:17:45.079
<v Speaker 1>that's an HG. Wells thing and and okay, so a

1612
01:17:45.119 --> 01:17:45.720
<v Speaker 1>bunch of people.

1613
01:17:45.800 --> 01:17:48.119
<v Speaker 7>So you could see that he's he's really trying to

1614
01:17:48.159 --> 01:17:52.279
<v Speaker 7>feign as if he's really sorry that people were so upset,

1615
01:17:52.319 --> 01:17:54.239
<v Speaker 7>and certainly wasn't our intention.

1616
01:17:54.399 --> 01:17:56.079
<v Speaker 3>We were just trying to it's the young Arsenals.

1617
01:17:56.239 --> 01:18:00.000
<v Speaker 4>Yes, yes, the younger Olsen Wells.

1618
01:18:00.079 --> 01:18:03.000
<v Speaker 3>You know a remote farm. Oh, let me tell you something.

1619
01:18:03.319 --> 01:18:05.640
<v Speaker 3>That was what we did. You know, this is a

1620
01:18:05.640 --> 01:18:08.359
<v Speaker 3>younger Orson Wells and stuff like that. At some point

1621
01:18:09.560 --> 01:18:12.239
<v Speaker 3>he bring the mask falls, he gets fed up.

1622
01:18:12.840 --> 01:18:15.720
<v Speaker 9>So sorry, I'm so very very apologetic, and they're like, well,

1623
01:18:15.880 --> 01:18:20.119
<v Speaker 9>aren't you worried, mister Wells, that that when you performed that,

1624
01:18:20.119 --> 01:18:23.000
<v Speaker 9>that it could be mistaken for real life? Are you

1625
01:18:23.079 --> 01:18:24.840
<v Speaker 9>worried that I could be mistaken for real life? And

1626
01:18:24.880 --> 01:18:27.520
<v Speaker 9>he's like, well, I should hope not. He's just got angry.

1627
01:18:27.800 --> 01:18:30.680
<v Speaker 9>I should hope not. I should hope that nothing that

1628
01:18:30.720 --> 01:18:33.079
<v Speaker 9>I do could ever be mistaken for real life, because

1629
01:18:33.119 --> 01:18:36.960
<v Speaker 9>people live real lives. They have a you know, they

1630
01:18:37.000 --> 01:18:38.279
<v Speaker 9>go to their jobs, they.

1631
01:18:38.079 --> 01:18:39.119
<v Speaker 3>Have the same thing, and this and that.

1632
01:18:39.279 --> 01:18:41.720
<v Speaker 9>What we're trying to do is something extraordinary, something that

1633
01:18:41.760 --> 01:18:44.560
<v Speaker 9>couldn't happen in real life, something that is so extraordinary

1634
01:18:44.720 --> 01:18:46.279
<v Speaker 9>that it's meant to be put in front of you.

1635
01:18:46.359 --> 01:18:49.359
<v Speaker 9>Is a dramatic work because it happened. What we're creating

1636
01:18:49.760 --> 01:18:54.640
<v Speaker 9>is something absolutely above and beyond heightened that it's worth

1637
01:18:54.680 --> 01:18:58.159
<v Speaker 9>telling a story about. So if we're I'm sorry, if

1638
01:18:58.199 --> 01:19:01.439
<v Speaker 9>we're people are mistaking us for real life, we've really failed.

1639
01:19:01.479 --> 01:19:05.119
<v Speaker 9>We've absolutely failed. He's just like, he's like.

1640
01:19:05.720 --> 01:19:08.239
<v Speaker 7>You know, but I love that point the point of

1641
01:19:08.319 --> 01:19:11.720
<v Speaker 7>view of like, no, Like, if we're telling a story,

1642
01:19:11.760 --> 01:19:13.920
<v Speaker 7>shouldn't We're not going to tell the story about a

1643
01:19:13.920 --> 01:19:17.239
<v Speaker 7>guy eating cereal and that's it.

1644
01:19:17.319 --> 01:19:20.600
<v Speaker 3>Something extraordinary has to happen in order for that.

1645
01:19:20.560 --> 01:19:23.319
<v Speaker 7>To be worth telling a story that's so true. So

1646
01:19:23.319 --> 01:19:24.600
<v Speaker 7>so that's where I come from.

1647
01:19:24.600 --> 01:19:29.239
<v Speaker 3>I often I've had directors have to, you know, maybe

1648
01:19:29.479 --> 01:19:30.520
<v Speaker 3>pull me back a little bit.

1649
01:19:31.000 --> 01:19:33.279
<v Speaker 7>You know, And and look, I really do love the

1650
01:19:34.079 --> 01:19:38.000
<v Speaker 7>very internal subtle I love that I've done that. I

1651
01:19:38.159 --> 01:19:41.520
<v Speaker 7>became good at that. But I'm I'll tell you what

1652
01:19:42.039 --> 01:19:45.520
<v Speaker 7>I'd like to do is like look at Christopher Lloyd's career.

1653
01:19:45.600 --> 01:19:48.439
<v Speaker 7>Look at what he did, you know, like back to

1654
01:19:48.479 --> 01:19:50.880
<v Speaker 7>the future, right the word is. And I've you know,

1655
01:19:51.000 --> 01:19:53.680
<v Speaker 7>we've heard interviews. I've even talked to a couple of

1656
01:19:53.680 --> 01:19:57.279
<v Speaker 7>the people that were the leads of that, and and

1657
01:19:57.439 --> 01:20:00.279
<v Speaker 7>essentially what you know, Eric Stultz was kind of is

1658
01:20:00.279 --> 01:20:03.520
<v Speaker 7>Marty mcflood right, and what was he well, he was

1659
01:20:03.520 --> 01:20:06.239
<v Speaker 7>playing it very serious, very real, like oh my god,

1660
01:20:06.239 --> 01:20:09.920
<v Speaker 7>what I'm trapped out of time? And then he surrounded

1661
01:20:09.960 --> 01:20:13.920
<v Speaker 7>my performances like, oh hey, Biffa, guys, christ why do

1662
01:20:14.000 --> 01:20:15.399
<v Speaker 7>you keep following me around?

1663
01:20:15.399 --> 01:20:16.840
<v Speaker 3>And you know, a butt head?

1664
01:20:16.880 --> 01:20:23.399
<v Speaker 7>And you know, you know, yeah, it's like if that's

1665
01:20:23.439 --> 01:20:26.279
<v Speaker 7>the world you're living, Yes you can be the every man.

1666
01:20:26.359 --> 01:20:28.159
<v Speaker 3>Yes you can be kind of smaller, but you'd.

1667
01:20:28.000 --> 01:20:30.960
<v Speaker 7>Better you better keep the laughs going, you better keep

1668
01:20:31.479 --> 01:20:34.039
<v Speaker 7>the interest in the spark.

1669
01:20:33.680 --> 01:20:37.079
<v Speaker 2>Of this, the neutral in the middle of a scene.

1670
01:20:37.199 --> 01:20:39.479
<v Speaker 3>You don't want to be a hole of energy, you know.

1671
01:20:40.199 --> 01:20:42.039
<v Speaker 7>And I suspect, not that I was there, but I

1672
01:20:42.079 --> 01:20:44.279
<v Speaker 7>suspect that that was the difference in style that caused

1673
01:20:44.279 --> 01:20:47.800
<v Speaker 7>them to go, we got to get so I miss

1674
01:20:47.920 --> 01:20:49.960
<v Speaker 7>that type of thing, and we get that. One of

1675
01:20:50.000 --> 01:20:52.199
<v Speaker 7>the things I like about voiceover is we get that

1676
01:20:52.239 --> 01:20:55.319
<v Speaker 7>in voiceover. You know when we when we did Darth

1677
01:20:55.399 --> 01:21:00.800
<v Speaker 7>Maul for the solo show, I remember Ron Howard and

1678
01:21:01.039 --> 01:21:03.319
<v Speaker 7>you know rightly. So he said, okay, so your you

1679
01:21:03.359 --> 01:21:05.359
<v Speaker 7>know the voice for moll it's a little out there.

1680
01:21:05.399 --> 01:21:06.319
<v Speaker 3>It's a little out there, and.

1681
01:21:06.319 --> 01:21:08.880
<v Speaker 7>I'm like, it is, but I think that it's that

1682
01:21:08.920 --> 01:21:10.960
<v Speaker 7>it's also Star Wars and he goes interesting, He's like,

1683
01:21:11.000 --> 01:21:13.720
<v Speaker 7>so do you think we do it any different for

1684
01:21:13.800 --> 01:21:14.640
<v Speaker 7>this movie.

1685
01:21:14.720 --> 01:21:18.920
<v Speaker 3>I'm like, look, look, I don't think so.

1686
01:21:19.279 --> 01:21:21.479
<v Speaker 7>I think we do it the same way now now

1687
01:21:21.520 --> 01:21:24.680
<v Speaker 7>mind you, And I said, this is what I'll grant

1688
01:21:24.720 --> 01:21:28.079
<v Speaker 7>you because what we had me record the voice. Then

1689
01:21:28.600 --> 01:21:31.520
<v Speaker 7>then Ray Park went and he shot lip syncing me,

1690
01:21:32.039 --> 01:21:35.840
<v Speaker 7>and then we recorded the voice again over that, and

1691
01:21:35.840 --> 01:21:38.239
<v Speaker 7>and when we recorded the voice it all felt right

1692
01:21:38.279 --> 01:21:40.359
<v Speaker 7>and I was expressive and stuff like that. Then when

1693
01:21:40.399 --> 01:21:42.600
<v Speaker 7>we shot with Ray, He's like, I feel like it's

1694
01:21:42.600 --> 01:21:43.840
<v Speaker 7>a little too much. I'm like, I'll tell you why

1695
01:21:43.840 --> 01:21:46.720
<v Speaker 7>it's too much, if you don't mind, Ron, it's because

1696
01:21:46.800 --> 01:21:48.319
<v Speaker 7>Ray is really he.

1697
01:21:48.359 --> 01:21:51.520
<v Speaker 3>Was like putting in all this physical stuff. That was great,

1698
01:21:51.600 --> 01:21:54.319
<v Speaker 3>by the way, it was really good. If he's going

1699
01:21:54.399 --> 01:21:57.359
<v Speaker 3>to go that far and move and this that and do,

1700
01:21:58.159 --> 01:21:58.960
<v Speaker 3>then I am a man.

1701
01:22:00.000 --> 01:22:01.159
<v Speaker 7>I got to match the juice. But I have to

1702
01:22:01.199 --> 01:22:06.239
<v Speaker 7>anchor it. Yeah, you know, it's like Patrick Stewart right

1703
01:22:06.760 --> 01:22:09.800
<v Speaker 7>sitting there talking like this. Patrick stood, you know that

1704
01:22:09.920 --> 01:22:12.520
<v Speaker 7>the first beauty if any staff leet all of a

1705
01:22:12.520 --> 01:22:15.640
<v Speaker 7>sudden is to the truth. That works better if he's

1706
01:22:15.680 --> 01:22:18.039
<v Speaker 7>still and the voice does the work right. But if

1707
01:22:18.039 --> 01:22:21.319
<v Speaker 7>he's going the first dirty if any stuff.

1708
01:22:20.960 --> 01:22:23.279
<v Speaker 3>Yeah too much. Yeah, it's do smoo Joe for sure.

1709
01:22:23.359 --> 01:22:25.960
<v Speaker 7>However, there are also other actors in opposite they're just

1710
01:22:25.960 --> 01:22:27.479
<v Speaker 7>like kind of talking like this, and they're just fucking

1711
01:22:27.520 --> 01:22:27.920
<v Speaker 7>I can't.

1712
01:22:28.279 --> 01:22:30.199
<v Speaker 3>I can't believe that you do because their voice is

1713
01:22:30.199 --> 01:22:30.840
<v Speaker 3>now anchoring it.

1714
01:22:31.000 --> 01:22:34.439
<v Speaker 7>Yeah, Patrick Stewart, he's completely still on his tests. I

1715
01:22:34.439 --> 01:22:36.600
<v Speaker 7>will tell you exactly what we're doing, make it so,

1716
01:22:36.760 --> 01:22:36.960
<v Speaker 7>you know.

1717
01:22:37.439 --> 01:22:37.640
<v Speaker 2>Yes.

1718
01:22:37.800 --> 01:22:40.199
<v Speaker 7>So with with with the Ray Park thing, the only

1719
01:22:40.239 --> 01:22:42.239
<v Speaker 7>thing I did different was I'm like, no, if Ray

1720
01:22:42.479 --> 01:22:45.920
<v Speaker 7>is the more physical Ray is being, I will anchor

1721
01:22:45.960 --> 01:22:48.319
<v Speaker 7>it by keeping the voice steady if he holds. But

1722
01:22:48.399 --> 01:22:51.920
<v Speaker 7>I'm like, but originally there was another they reshot it

1723
01:22:51.960 --> 01:22:54.319
<v Speaker 7>there was originally Ray was perfectly still.

1724
01:22:54.680 --> 01:22:57.560
<v Speaker 3>Oh so when he was perfectly still, I took my voice.

1725
01:22:57.640 --> 01:23:00.239
<v Speaker 3>You were the directions, and I did this to keep

1726
01:23:00.279 --> 01:23:04.239
<v Speaker 3>it buoyant. Then when he was less still, I kept

1727
01:23:04.279 --> 01:23:05.359
<v Speaker 3>it here. You know.

1728
01:23:05.479 --> 01:23:08.960
<v Speaker 5>So that's incredible. I'm curious as an actor myself, how

1729
01:23:09.039 --> 01:23:11.359
<v Speaker 5>much like script analysis do you do to get to

1730
01:23:11.399 --> 01:23:12.119
<v Speaker 5>these points.

1731
01:23:13.239 --> 01:23:15.359
<v Speaker 7>I'm a little bit of a nerd for this stuff,

1732
01:23:15.680 --> 01:23:21.359
<v Speaker 7>you know. It's it's yeah, there's and I'm the first guy,

1733
01:23:21.600 --> 01:23:23.560
<v Speaker 7>like on Shadow Lord, when we're watching a cut, I

1734
01:23:23.560 --> 01:23:26.119
<v Speaker 7>am the first guy to go, I played this whole

1735
01:23:26.119 --> 01:23:26.479
<v Speaker 7>thing wrong.

1736
01:23:26.520 --> 01:23:28.840
<v Speaker 3>Let me eighty or it not the whole thing wrong,

1737
01:23:29.159 --> 01:23:32.199
<v Speaker 3>you know, like it should be now that we're seeing it.

1738
01:23:31.600 --> 01:23:35.720
<v Speaker 7>It should be this. Yeah, I'm the first guy to

1739
01:23:35.760 --> 01:23:36.039
<v Speaker 7>do that.

1740
01:23:36.880 --> 01:23:40.520
<v Speaker 3>Yeah. Well you're not alone with that one. Yeah. Yeah.

1741
01:23:40.640 --> 01:23:43.600
<v Speaker 3>You think, oh god, oh jeez.

1742
01:23:43.840 --> 01:23:46.560
<v Speaker 2>You know you think and then you're guilty.

1743
01:23:46.600 --> 01:23:48.119
<v Speaker 1>I mean, if you think about it, I mean, there's

1744
01:23:48.159 --> 01:23:51.319
<v Speaker 1>three or four ways that any given line, any given

1745
01:23:51.359 --> 01:23:54.119
<v Speaker 1>scene can go and still work.

1746
01:23:55.039 --> 01:23:55.239
<v Speaker 3>You know.

1747
01:23:55.359 --> 01:23:58.600
<v Speaker 1>It's just that and I've I've over the years, I've

1748
01:23:58.640 --> 01:24:02.079
<v Speaker 1>discovered that I it's not that I could have done

1749
01:24:02.079 --> 01:24:05.399
<v Speaker 1>it differently and it would have been better. It's just

1750
01:24:05.439 --> 01:24:08.760
<v Speaker 1>that you could have done it differently and just as good,

1751
01:24:09.159 --> 01:24:12.359
<v Speaker 1>maybe a little better. But hindsight is twenty twenty.

1752
01:24:12.680 --> 01:24:13.279
<v Speaker 3>Yeah.

1753
01:24:13.520 --> 01:24:16.319
<v Speaker 7>Well, so in my case, I feel like I've saved

1754
01:24:16.560 --> 01:24:18.479
<v Speaker 7>the show from some bad performances.

1755
01:24:18.880 --> 01:24:20.560
<v Speaker 3>I mean legitimately where I'm like.

1756
01:24:20.600 --> 01:24:23.680
<v Speaker 7>I don't think that works. I don't think that works. Yeah,

1757
01:24:23.680 --> 01:24:26.119
<v Speaker 7>he's a tough character to nail, especially when he's kind

1758
01:24:26.119 --> 01:24:28.840
<v Speaker 7>of like the central force.

1759
01:24:28.560 --> 01:24:29.680
<v Speaker 3>Of the show.

1760
01:24:30.439 --> 01:24:32.039
<v Speaker 7>But you're right, No, you're right, And most of the

1761
01:24:32.039 --> 01:24:34.000
<v Speaker 7>time you're like, no, it's it's good.

1762
01:24:34.039 --> 01:24:37.640
<v Speaker 3>It's works. We're not able to ask, but I guess,

1763
01:24:37.920 --> 01:24:39.359
<v Speaker 3>I guess.

1764
01:24:40.279 --> 01:24:43.600
<v Speaker 1>And if everybody else is okay, the directors okay, the

1765
01:24:43.640 --> 01:24:47.159
<v Speaker 1>writer's okay, the audience is okay, you know what, Okay,

1766
01:24:47.399 --> 01:24:50.560
<v Speaker 1>let it go. Yeah, yeah, exactly, I guess that's all

1767
01:24:50.560 --> 01:24:51.399
<v Speaker 1>I needed anyway.

1768
01:24:51.520 --> 01:24:53.159
<v Speaker 2>That's right, that's what you were looking for.

1769
01:24:53.079 --> 01:24:54.960
<v Speaker 3>Now, Yeah, but I wanted you to love it for

1770
01:24:55.039 --> 01:24:55.920
<v Speaker 3>this reason. Wow.

1771
01:24:56.640 --> 01:24:59.800
<v Speaker 7>Well, you know, for me, it's it's it's never about like,

1772
01:25:00.039 --> 01:25:03.239
<v Speaker 7>oh I wanted a certain thing. It's it's more like, Okay,

1773
01:25:03.239 --> 01:25:07.960
<v Speaker 7>I'll give you an example. In Shadow Lord, I'm gonna

1774
01:25:07.960 --> 01:25:11.359
<v Speaker 7>call myself out here. There's this whole thing in episode

1775
01:25:11.399 --> 01:25:14.960
<v Speaker 7>two where he's talking to this character named Devon. Devon

1776
01:25:15.119 --> 01:25:17.640
<v Speaker 7>is a young Jedi padawan. He's been living a very

1777
01:25:17.640 --> 01:25:21.319
<v Speaker 7>hard life and Maul comes in, going, I see that

1778
01:25:21.359 --> 01:25:25.239
<v Speaker 7>you're struggling, and I offer to train you, I offer

1779
01:25:25.279 --> 01:25:27.800
<v Speaker 7>to help you. And he has these wonderful lines like,

1780
01:25:28.760 --> 01:25:31.199
<v Speaker 7>you're operating under the premise that I'm somehow the villain here,

1781
01:25:31.199 --> 01:25:32.800
<v Speaker 7>but it's not as simple as good and evil?

1782
01:25:32.840 --> 01:25:34.199
<v Speaker 3>How can I prove to you that we're on the

1783
01:25:34.199 --> 01:25:34.720
<v Speaker 3>same side?

1784
01:25:35.520 --> 01:25:38.680
<v Speaker 7>And that's a hell of a line, it is, And

1785
01:25:38.720 --> 01:25:41.359
<v Speaker 7>the way that we did it the first time, this

1786
01:25:41.520 --> 01:25:45.359
<v Speaker 7>is absolutely wrong, absolutely wrong.

1787
01:25:45.840 --> 01:25:47.640
<v Speaker 3>Okay, I'll do it for you. Are you ready?

1788
01:25:47.880 --> 01:25:49.439
<v Speaker 2>Okay, get ready for the wrong.

1789
01:25:49.399 --> 01:25:53.800
<v Speaker 4>You're operating under the premise that I'm somehow the villain here,

1790
01:25:53.800 --> 01:25:57.359
<v Speaker 4>but it is not as simple as good and evil?

1791
01:25:57.760 --> 01:25:59.760
<v Speaker 4>How can I prove to you the bell I'm the

1792
01:25:59.760 --> 01:26:00.479
<v Speaker 4>safe side?

1793
01:26:00.520 --> 01:26:06.239
<v Speaker 3>And I was like, how did I ever think that works?

1794
01:26:06.319 --> 01:26:10.319
<v Speaker 3>Because Al he's saying he's not the villain, he sure

1795
01:26:10.359 --> 01:26:12.640
<v Speaker 3>sounds like the villain to me. Yeah, that's what I was.

1796
01:26:13.159 --> 01:26:15.359
<v Speaker 7>I was like, what am I doing? I I went

1797
01:26:15.399 --> 01:26:17.680
<v Speaker 7>to Brad. I'm like Brad Brad, Brad, Brad, what have

1798
01:26:17.720 --> 01:26:18.039
<v Speaker 7>I done?

1799
01:26:18.600 --> 01:26:21.920
<v Speaker 3>And so we did it again. We did because we

1800
01:26:21.920 --> 01:26:22.359
<v Speaker 3>weren't dude.

1801
01:26:22.359 --> 01:26:25.439
<v Speaker 7>We were trying to figure out Yeah, we were trying

1802
01:26:25.479 --> 01:26:28.359
<v Speaker 7>to figure out who who this character was specifically for

1803
01:26:28.399 --> 01:26:28.800
<v Speaker 7>this show.

1804
01:26:28.880 --> 01:26:30.840
<v Speaker 3>So we were bracketing a target, doing kinds of stuff.

1805
01:26:30.960 --> 01:26:33.840
<v Speaker 4>And where we ended up with was, you're operating under

1806
01:26:33.840 --> 01:26:35.840
<v Speaker 4>the premise that I'm somehow the villain here, but it's

1807
01:26:35.880 --> 01:26:38.319
<v Speaker 4>not as good as it's not as simple as good

1808
01:26:38.439 --> 01:26:42.159
<v Speaker 4>an evil. How can I prove to you that we

1809
01:26:42.199 --> 01:26:44.039
<v Speaker 4>are on the same side, you know, And.

1810
01:26:44.239 --> 01:26:45.960
<v Speaker 7>I'm like, no, I buy him now, I buy him

1811
01:26:45.960 --> 01:26:47.880
<v Speaker 7>that he's trying to communicate with this person the other one.

1812
01:26:47.880 --> 01:26:52.920
<v Speaker 3>I'm like, what is he doing? He was hiding something, right,

1813
01:26:53.159 --> 01:26:57.159
<v Speaker 3>like oh mus twisted. Yeah, he's going to say cartoon.

1814
01:26:57.319 --> 01:27:01.399
<v Speaker 7>So yeah, there there are legitimately things that I have

1815
01:27:01.560 --> 01:27:03.960
<v Speaker 7>caught on in my own performance that I'm like, we are.

1816
01:27:04.640 --> 01:27:07.319
<v Speaker 7>I had steered us toward oblivion, and I must now

1817
01:27:08.079 --> 01:27:09.159
<v Speaker 7>ask us to do it again.

1818
01:27:11.359 --> 01:27:15.600
<v Speaker 3>So yeah, yeah, well, you don't be too hard on yourself.

1819
01:27:15.720 --> 01:27:19.000
<v Speaker 3>It seems to be working out. You know, it can

1820
01:27:19.039 --> 01:27:21.920
<v Speaker 3>always not work out. It can always you can always

1821
01:27:21.960 --> 01:27:22.479
<v Speaker 3>mess it up.

1822
01:27:22.520 --> 01:27:25.279
<v Speaker 1>I think if you're a fan of everything we do

1823
01:27:25.399 --> 01:27:28.319
<v Speaker 1>here at tuned In with Jim Cummings, you could support

1824
01:27:28.319 --> 01:27:32.760
<v Speaker 1>the show on Patreon for bonus exclusive podcasts, as well

1825
01:27:32.800 --> 01:27:36.159
<v Speaker 1>as early in ad free access to the show itself,

1826
01:27:36.439 --> 01:27:40.159
<v Speaker 1>prize drawings, and more. You'll feel the difference, so go

1827
01:27:40.199 --> 01:27:43.720
<v Speaker 1>ahead and join the tuned In family today at patreon

1828
01:27:43.840 --> 01:27:46.840
<v Speaker 1>dot com slash Jim Cummings Podcast.

1829
01:27:47.279 --> 01:27:48.000
<v Speaker 2>Do it now?

1830
01:27:48.920 --> 01:27:49.279
<v Speaker 3>All right?

1831
01:27:49.319 --> 01:27:52.239
<v Speaker 5>Well, I think we're to the point of the Oh yes,

1832
01:27:52.560 --> 01:27:54.720
<v Speaker 5>Oh sorry, I didn't mean so.

1833
01:27:55.159 --> 01:27:55.760
<v Speaker 3>I agree.

1834
01:27:55.840 --> 01:27:57.199
<v Speaker 5>I think we're at the point of the show where

1835
01:27:57.199 --> 01:27:58.680
<v Speaker 5>we do a little game. I don't know if you

1836
01:27:58.720 --> 01:28:00.800
<v Speaker 5>know this game or not. It's a little voice swap

1837
01:28:00.880 --> 01:28:03.520
<v Speaker 5>that game that we do. If you're up for it, sure,

1838
01:28:03.560 --> 01:28:06.800
<v Speaker 5>I'll explain how it works. So Jim will start off

1839
01:28:06.840 --> 01:28:09.439
<v Speaker 5>doing a voice line of one of his characters, let's say,

1840
01:28:09.520 --> 01:28:12.199
<v Speaker 5>like dark Wing Duck you know, I'm the tear of

1841
01:28:12.199 --> 01:28:14.840
<v Speaker 5>their flaps in the night, and then you will repeat

1842
01:28:14.880 --> 01:28:17.159
<v Speaker 5>that line but in one of your character voices, so

1843
01:28:17.319 --> 01:28:21.239
<v Speaker 5>like Mall or Palpatine or whoever, and then we'll switch

1844
01:28:21.279 --> 01:28:23.199
<v Speaker 5>back and forth a couple of times. If that sounds

1845
01:28:23.199 --> 01:28:25.520
<v Speaker 5>good to you, yeah's sound good?

1846
01:28:25.640 --> 01:28:28.119
<v Speaker 3>Okay? All right, let's think of a good one here.

1847
01:28:28.640 --> 01:28:31.079
<v Speaker 5>Well, why don't we do a Star Wars crossover with

1848
01:28:31.159 --> 01:28:32.840
<v Speaker 5>Hondo right right off the back?

1849
01:28:33.039 --> 01:28:33.239
<v Speaker 3>Yes?

1850
01:28:33.399 --> 01:28:37.720
<v Speaker 1>Yes, yes, all right, all right, all right, here's here's

1851
01:28:37.720 --> 01:28:41.159
<v Speaker 1>a Hondo for you. I made not to be as

1852
01:28:41.239 --> 01:28:45.479
<v Speaker 1>young as I once was, but I'm older.

1853
01:28:47.319 --> 01:28:48.199
<v Speaker 3>Okay, here we go.

1854
01:28:49.079 --> 01:28:52.319
<v Speaker 10>I may not be as young as I once swap,

1855
01:28:55.600 --> 01:28:57.079
<v Speaker 10>but I'm old.

1856
01:29:00.479 --> 01:29:02.600
<v Speaker 2>Wow. That was some good cackle work.

1857
01:29:03.119 --> 01:29:03.640
<v Speaker 3>Thank you.

1858
01:29:03.640 --> 01:29:05.079
<v Speaker 2>You've cackled before.

1859
01:29:06.119 --> 01:29:09.600
<v Speaker 3>I grew up on Transformers, man, Frank Welker.

1860
01:29:09.800 --> 01:29:11.159
<v Speaker 2>Yes, yeah, that's true.

1861
01:29:11.239 --> 01:29:16.880
<v Speaker 3>That's told. Is Palpatine? Palpatine's up there? Yeah he is hundreds, right,

1862
01:29:16.880 --> 01:29:17.800
<v Speaker 3>he's fifty three.

1863
01:29:17.920 --> 01:29:22.239
<v Speaker 7>No, he's God, you know Palpatine. That's a good question.

1864
01:29:22.399 --> 01:29:23.920
<v Speaker 7>Is he has he used.

1865
01:29:23.680 --> 01:29:28.000
<v Speaker 10>The power of the false who bring his life unnatural length?

1866
01:29:28.079 --> 01:29:29.199
<v Speaker 3>I don't know. I'm not sure.

1867
01:29:29.319 --> 01:29:33.880
<v Speaker 1>Yeah, and I always you know Palpatine. That's there's a

1868
01:29:34.720 --> 01:29:39.279
<v Speaker 1>what is it palpitating? You know, I've often thought that

1869
01:29:39.319 --> 01:29:45.520
<v Speaker 1>George Lucas names his characters after maladies. Oh sure, you

1870
01:29:45.560 --> 01:29:50.800
<v Speaker 1>know Han Solo or you know, Flying all by himself. Yeah,

1871
01:29:50.880 --> 01:29:54.239
<v Speaker 1>mal he's got mall built right into it. And Darth

1872
01:29:54.560 --> 01:29:57.479
<v Speaker 1>Vader sounds I mean the first time I heard it,

1873
01:29:57.479 --> 01:30:01.079
<v Speaker 1>I'm a dark vad, dark invader. What's a nafe dark?

1874
01:30:01.119 --> 01:30:04.119
<v Speaker 1>And I mean, you know, subconsciously, I think we get those.

1875
01:30:04.199 --> 01:30:04.359
<v Speaker 3>You know.

1876
01:30:04.439 --> 01:30:07.840
<v Speaker 7>He never said this, but I've always thought that the

1877
01:30:07.880 --> 01:30:11.840
<v Speaker 7>Sith names were mockeries of who they once were. For example,

1878
01:30:12.239 --> 01:30:15.920
<v Speaker 7>Count Dooku, you know, he's.

1879
01:30:15.800 --> 01:30:17.920
<v Speaker 3>This, he's this refined man.

1880
01:30:18.279 --> 01:30:21.800
<v Speaker 7>Yes, uh, and he's he's a political leader and and

1881
01:30:22.319 --> 01:30:25.199
<v Speaker 7>he says that he wants everything to work out for

1882
01:30:25.239 --> 01:30:26.119
<v Speaker 7>his people and all this.

1883
01:30:26.039 --> 01:30:28.399
<v Speaker 3>Stuff, and and and Palpatin goes.

1884
01:30:28.239 --> 01:30:29.920
<v Speaker 4>No, you're death Tyrannis.

1885
01:30:30.399 --> 01:30:35.479
<v Speaker 3>You know, death Tyrannics, You're you're at Tirrant. Actually, screw you.

1886
01:30:35.479 --> 01:30:35.760
<v Speaker 3>You know.

1887
01:30:35.920 --> 01:30:39.840
<v Speaker 7>Darth Maul wishes to be this sophisticated like, no, I'm

1888
01:30:39.880 --> 01:30:42.439
<v Speaker 7>well read, I'm I'm very smart.

1889
01:30:42.119 --> 01:30:42.800
<v Speaker 3>I'm educated.

1890
01:30:42.840 --> 01:30:45.560
<v Speaker 7>And he's like, no, you're a you're a mall, You're

1891
01:30:45.600 --> 01:30:48.199
<v Speaker 7>a weapon, go and go and be a weapon. You're

1892
01:30:48.199 --> 01:30:51.319
<v Speaker 7>a sledge. Yeah, I don't need you to be all

1893
01:30:51.359 --> 01:30:53.920
<v Speaker 7>of that, you know, And he does, but he's like, yeah,

1894
01:30:53.920 --> 01:30:54.560
<v Speaker 7>but screw you.

1895
01:30:54.600 --> 01:30:59.199
<v Speaker 3>Also there's uh, Darth Vader is the saddest one. He goes,

1896
01:30:59.840 --> 01:31:00.720
<v Speaker 3>you are.

1897
01:31:02.720 --> 01:31:05.720
<v Speaker 7>You are the dark Father, and you have no children

1898
01:31:06.039 --> 01:31:07.680
<v Speaker 7>because your wife died.

1899
01:31:08.079 --> 01:31:09.359
<v Speaker 3>That's what he's doing.

1900
01:31:09.680 --> 01:31:13.880
<v Speaker 7>Never forget you're the father, you're the childless father, and

1901
01:31:14.000 --> 01:31:18.199
<v Speaker 7>live with that. That's the the you know, that's going

1902
01:31:18.239 --> 01:31:21.640
<v Speaker 7>to give you the the sadness, the anger that you

1903
01:31:21.760 --> 01:31:23.279
<v Speaker 7>need to do my bidding.

1904
01:31:23.359 --> 01:31:23.560
<v Speaker 3>Yeah.

1905
01:31:23.560 --> 01:31:28.039
<v Speaker 7>I always felt like Palpatine named his apprentices, or even hell,

1906
01:31:28.159 --> 01:31:30.479
<v Speaker 7>it even happened to Palpatine that he's.

1907
01:31:31.680 --> 01:31:34.319
<v Speaker 10>He's very refined, and he does all of these things,

1908
01:31:34.319 --> 01:31:36.880
<v Speaker 10>and he takes care of these people, and he's a

1909
01:31:36.920 --> 01:31:40.119
<v Speaker 10>wonderful publicis as a chancellor of the Grand Public.

1910
01:31:41.479 --> 01:31:44.880
<v Speaker 7>But his master is like, no, you sneaky, you'r darth citious,

1911
01:31:44.880 --> 01:31:45.560
<v Speaker 7>you sneak ye?

1912
01:31:46.319 --> 01:31:49.880
<v Speaker 2>Yeah, insidious written right into it. Yeah.

1913
01:31:49.920 --> 01:31:54.199
<v Speaker 3>Oh. And then of course his master who used the

1914
01:31:54.239 --> 01:31:56.399
<v Speaker 3>Midichlorians to safe.

1915
01:31:55.840 --> 01:31:58.720
<v Speaker 7>You know, he could keep people alive that he cared about,

1916
01:31:58.720 --> 01:32:00.960
<v Speaker 7>and he was you know, it was all about life

1917
01:32:01.000 --> 01:32:02.680
<v Speaker 7>and keeping the people he cared about alive.

1918
01:32:03.000 --> 01:32:05.399
<v Speaker 3>But his name is Plaguis, which is quite the opposite.

1919
01:32:05.439 --> 01:32:07.720
<v Speaker 7>So you're like, so I think that they had a

1920
01:32:07.720 --> 01:32:10.600
<v Speaker 7>way of sticking it to their apprentices when they named them.

1921
01:32:10.840 --> 01:32:13.399
<v Speaker 3>I think it's that, you know, can we do another

1922
01:32:13.479 --> 01:32:14.680
<v Speaker 3>voice swap here? Yes?

1923
01:32:15.159 --> 01:32:17.359
<v Speaker 2>Yeah, give me one of your characters one of your lines,

1924
01:32:17.399 --> 01:32:17.880
<v Speaker 2>and one of.

1925
01:32:17.800 --> 01:32:19.800
<v Speaker 3>My characters one of my lines. Okay, all right, all right,

1926
01:32:19.800 --> 01:32:20.079
<v Speaker 3>all right.

1927
01:32:23.359 --> 01:32:27.479
<v Speaker 4>I was robbed of my destiny by the Jedi by

1928
01:32:27.720 --> 01:32:29.199
<v Speaker 4>Ubi Wan Canooby.

1929
01:32:31.600 --> 01:32:36.159
<v Speaker 2>I was robbed of my destiny by the Jedi by

1930
01:32:36.279 --> 01:32:38.039
<v Speaker 2>Obi one Kanoby.

1931
01:32:39.159 --> 01:32:49.520
<v Speaker 3>That was. That's terrific. That's terrific, because don't bother. Okay,

1932
01:32:49.520 --> 01:32:52.359
<v Speaker 3>that really works. I think you have the job man.

1933
01:32:52.479 --> 01:32:55.880
<v Speaker 2>You want to Yeah, like please Winnie.

1934
01:32:55.600 --> 01:32:57.800
<v Speaker 3>The Pooh and the Anti Pool. Oh my god, that

1935
01:32:57.800 --> 01:33:00.680
<v Speaker 3>would be prollyd there you go. Well, do we have

1936
01:33:00.720 --> 01:33:02.399
<v Speaker 3>another one? I don't know. Should we do one more?

1937
01:33:02.479 --> 01:33:05.800
<v Speaker 5>Yeah, let's do one more. Who's like a who's like

1938
01:33:05.840 --> 01:33:08.279
<v Speaker 5>a mumbling character of yours? Because I'm gonna ask you

1939
01:33:08.279 --> 01:33:11.319
<v Speaker 5>to do Deacon Saint John and I feel like a

1940
01:33:11.479 --> 01:33:17.520
<v Speaker 5>very a very something that characterizes him a lot in

1941
01:33:17.560 --> 01:33:20.520
<v Speaker 5>the Yeah, talking to himself and mumbling.

1942
01:33:21.760 --> 01:33:23.239
<v Speaker 3>Well, I don't know, who would you think.

1943
01:33:23.960 --> 01:33:25.800
<v Speaker 1>I don't know if I had any true mumblers. I

1944
01:33:25.800 --> 01:33:28.760
<v Speaker 1>mean ed, all he did was laugh. Yeah, that's not

1945
01:33:29.119 --> 01:33:30.439
<v Speaker 1>that's well.

1946
01:33:31.279 --> 01:33:35.479
<v Speaker 5>What about trouble that he fumbles?

1947
01:33:35.920 --> 01:33:36.159
<v Speaker 3>Yeah?

1948
01:33:36.279 --> 01:33:41.079
<v Speaker 1>Yeah, well I can't see.

1949
01:33:41.199 --> 01:33:43.079
<v Speaker 3>Yeah, but it's a hard quote.

1950
01:33:43.159 --> 01:33:44.680
<v Speaker 2>Yeah, he doesn't he doesn't.

1951
01:33:44.680 --> 01:33:49.840
<v Speaker 3>He's not really quotable, you know, he's like, that's tas

1952
01:33:50.000 --> 01:33:50.439
<v Speaker 3>like water.

1953
01:33:50.520 --> 01:33:53.279
<v Speaker 5>What about like what about bonkers? Like when he gets

1954
01:33:53.279 --> 01:33:55.119
<v Speaker 5>caught up in like a frenzy kind of.

1955
01:33:55.880 --> 01:33:57.199
<v Speaker 3>Yeah, that's true, that's true.

1956
01:33:59.119 --> 01:34:02.720
<v Speaker 1>Uh oh gosh, it doesn't really have it.

1957
01:34:02.840 --> 01:34:04.359
<v Speaker 3>He didn't have a good catchphrase.

1958
01:34:05.279 --> 01:34:07.079
<v Speaker 2>It's always good to have a good catchphrase.

1959
01:34:07.279 --> 01:34:12.520
<v Speaker 3>Bonker's de bocat original tune detective. Isn't there one? Yeah?

1960
01:34:12.720 --> 01:34:13.880
<v Speaker 2>Yeah, that that could be.

1961
01:34:13.960 --> 01:34:15.399
<v Speaker 3>Yeah, that's right. Here we go.

1962
01:34:16.000 --> 01:34:20.520
<v Speaker 1>I am Bunkers D Bombcat, the first and only official

1963
01:34:20.600 --> 01:34:24.399
<v Speaker 1>tune detective. I started the turn Division of Hollywood PD

1964
01:34:24.800 --> 01:34:29.439
<v Speaker 1>in Tonetown. Now you'll never be able to remember that,

1965
01:34:29.640 --> 01:34:33.119
<v Speaker 1>and I won't either, But I am Bunker's d Bobcat,

1966
01:34:33.640 --> 01:34:35.840
<v Speaker 1>the first toon detective in Tunetown.

1967
01:34:36.279 --> 01:34:38.279
<v Speaker 3>D Bobka bonkers d.

1968
01:34:38.720 --> 01:34:39.399
<v Speaker 2>It stands for.

1969
01:34:39.399 --> 01:34:42.720
<v Speaker 3>The you want to miss Deacon.

1970
01:34:43.720 --> 01:34:49.039
<v Speaker 7>I'm bonkers, I'm bonkers the Bobcat, the first tone detective

1971
01:34:49.399 --> 01:34:50.159
<v Speaker 7>in Tonetown.

1972
01:34:52.159 --> 01:34:57.159
<v Speaker 3>Is that? Yeah? That's kind of john.

1973
01:34:57.640 --> 01:34:58.560
<v Speaker 2>Yeah.

1974
01:34:58.640 --> 01:35:01.560
<v Speaker 5>One of my favorite things about this podcast and watching

1975
01:35:01.600 --> 01:35:04.479
<v Speaker 5>people due not only their voices but impressions, is always

1976
01:35:04.520 --> 01:35:07.880
<v Speaker 5>just the physical transformation of getting into a voice, Like

1977
01:35:08.199 --> 01:35:09.960
<v Speaker 5>how you shifted in everything.

1978
01:35:10.079 --> 01:35:12.600
<v Speaker 3>It's just, you know, it's always so cool to see

1979
01:35:12.760 --> 01:35:13.800
<v Speaker 3>with the peakap stuff.

1980
01:35:13.840 --> 01:35:17.000
<v Speaker 7>You know, So you're standing there looking like a complete bozo. Yes,

1981
01:35:17.079 --> 01:35:19.319
<v Speaker 7>And I remember the director he said to me. He's like,

1982
01:35:20.119 --> 01:35:22.920
<v Speaker 7>he said, don't stand like that, like why you look

1983
01:35:23.560 --> 01:35:27.760
<v Speaker 7>really goofy. And I'm like, look, and I pointed at

1984
01:35:27.760 --> 01:35:29.960
<v Speaker 7>the screen and the screen had all his gear and

1985
01:35:30.039 --> 01:35:34.880
<v Speaker 7>the biker he's a biker, and he's like, oh, you

1986
01:35:34.960 --> 01:35:35.680
<v Speaker 7>actually don't look a.

1987
01:35:35.760 --> 01:35:37.720
<v Speaker 3>Look like a tool at all. That looks really good

1988
01:35:37.760 --> 01:35:38.479
<v Speaker 3>on Michael things.

1989
01:35:38.800 --> 01:35:40.680
<v Speaker 7>I'm just going to try to not be self conscious

1990
01:35:40.680 --> 01:35:42.760
<v Speaker 7>while I'm dressed like a you know, it's shifted in

1991
01:35:42.800 --> 01:35:46.279
<v Speaker 7>a spandex suit trying to be a biker. But you know,

1992
01:35:46.520 --> 01:35:48.760
<v Speaker 7>like because you could, you know, you could practice the

1993
01:35:48.800 --> 01:35:51.640
<v Speaker 7>swagger in the move while looking at the screen.

1994
01:35:52.279 --> 01:35:53.239
<v Speaker 3>But yes, for.

1995
01:35:53.239 --> 01:35:56.119
<v Speaker 5>Anybody who doesn't know they're showing your render to you

1996
01:35:56.199 --> 01:35:58.760
<v Speaker 5>on a screen showing a rough version in the stage

1997
01:35:58.840 --> 01:35:59.439
<v Speaker 5>yet Yeah.

1998
01:35:59.520 --> 01:36:01.560
<v Speaker 3>And John Garvin, John Garvin.

1999
01:36:01.359 --> 01:36:03.600
<v Speaker 7>Was hilarious on that because he was he'd give the

2000
01:36:03.680 --> 01:36:08.520
<v Speaker 7>kind of direction like, Okay, why did you do it

2001
01:36:08.560 --> 01:36:08.760
<v Speaker 7>like that?

2002
01:36:09.640 --> 01:36:09.960
<v Speaker 2>Oh?

2003
01:36:10.000 --> 01:36:13.239
<v Speaker 3>Perfect? But he was, but he meant he made sincere.

2004
01:36:13.399 --> 01:36:16.039
<v Speaker 3>He meant it. I'm like, oh well, and he's like, no, no, no, no, no.

2005
01:36:15.960 --> 01:36:17.359
<v Speaker 2>Explain you weren't being chastised.

2006
01:36:17.399 --> 01:36:19.960
<v Speaker 3>Explain it to me. Yeah, And then we would talk.

2007
01:36:20.039 --> 01:36:22.399
<v Speaker 7>He's like, Okay, interesting, I think I needed to do

2008
01:36:22.439 --> 01:36:24.039
<v Speaker 7>it like that, but bring a little bit of that

2009
01:36:24.239 --> 01:36:26.399
<v Speaker 7>into that and do it like that on this line.

2010
01:36:26.439 --> 01:36:29.079
<v Speaker 3>And I'm like, oh, so we had a really successful

2011
01:36:29.520 --> 01:36:31.920
<v Speaker 3>working relationship on that, and that's great.

2012
01:36:32.479 --> 01:36:33.680
<v Speaker 2>That really matters, doesn't it.

2013
01:36:33.760 --> 01:36:35.520
<v Speaker 3>Yes, so great. That guy was great.

2014
01:36:35.560 --> 01:36:38.199
<v Speaker 7>And at first though he would he would when I

2015
01:36:38.239 --> 01:36:41.720
<v Speaker 7>was trying to find Deacon's voice, he was like, I

2016
01:36:41.840 --> 01:36:43.680
<v Speaker 7>sort of did him like this, and he's like, what's

2017
01:36:43.680 --> 01:36:46.319
<v Speaker 7>what the John Wayne thing? He's like, get rid of it.

2018
01:36:46.399 --> 01:36:48.960
<v Speaker 7>He's like, I don't know, figure something else out. So

2019
01:36:49.000 --> 01:36:51.720
<v Speaker 7>I actually started just kind of copying him because he's

2020
01:36:51.720 --> 01:36:53.640
<v Speaker 7>from Oregon. It was supposed to take place in Oregon,

2021
01:36:54.159 --> 01:36:57.000
<v Speaker 7>so I sort of I sort of took my voice

2022
01:36:57.039 --> 01:37:00.760
<v Speaker 7>and and kind of copied his dialogue, his hard ours

2023
01:37:00.760 --> 01:37:03.600
<v Speaker 7>and his you know anyway Oregon.

2024
01:37:03.760 --> 01:37:05.600
<v Speaker 3>I didn't even know they had an accent up there.

2025
01:37:05.960 --> 01:37:09.760
<v Speaker 1>I just thought they were cold, gorgeous out there. Yeah,

2026
01:37:09.800 --> 01:37:13.600
<v Speaker 1>that's true, that's true. Oh man, very cool man.

2027
01:37:13.720 --> 01:37:15.920
<v Speaker 5>Well, thank you so much for being here. Really appreciate it.

2028
01:37:15.920 --> 01:37:17.640
<v Speaker 5>It's really fun, really fun.

2029
01:37:17.680 --> 01:37:21.680
<v Speaker 3>Can you let people know where to where to follow you? What? Yeah? Uh?

2030
01:37:22.079 --> 01:37:26.920
<v Speaker 3>S what we're one on Instagram? Uh? Number one? Or

2031
01:37:26.960 --> 01:37:30.800
<v Speaker 3>oh any just one number one? Okay? S what we're

2032
01:37:30.840 --> 01:37:34.520
<v Speaker 3>one Instagram? And uh? And I think Sam, would we're

2033
01:37:34.840 --> 01:37:37.199
<v Speaker 3>on Twitter? Something like that.

2034
01:37:37.640 --> 01:37:41.439
<v Speaker 1>You're not a fan of yourself, you don't clock it? Okay, yeah,

2035
01:37:42.039 --> 01:37:45.560
<v Speaker 1>yeah understood. I don't like that guy, Yeah understood. Yeah

2036
01:37:45.600 --> 01:37:46.239
<v Speaker 1>what am I doing?

2037
01:37:46.760 --> 01:37:49.439
<v Speaker 3>Yeah? Yeah? And of course go watch mall shadow Lord

2038
01:37:49.720 --> 01:37:52.159
<v Speaker 3>out now the whole season's out of the whole season z. Yeah.

2039
01:37:52.279 --> 01:37:55.640
<v Speaker 5>Yeah, wow, that's exciting stuff. Anything coming up that we

2040
01:37:55.640 --> 01:37:56.319
<v Speaker 5>can look forward to.

2041
01:37:56.479 --> 01:37:58.960
<v Speaker 3>What do we learn about me? No? No, I mean

2042
01:37:59.000 --> 01:38:02.039
<v Speaker 3>I actually actually there are there are some things, but

2043
01:38:03.800 --> 01:38:05.439
<v Speaker 3>who knows, who knows how they go?

2044
01:38:05.960 --> 01:38:07.359
<v Speaker 7>And you know, a friend of mine, you guys is like,

2045
01:38:07.439 --> 01:38:09.479
<v Speaker 7>unless you're eating off the craft service table, you don't know.

2046
01:38:09.520 --> 01:38:15.239
<v Speaker 3>If you have a job, yea, even even then, even then.

2047
01:38:14.680 --> 01:38:17.000
<v Speaker 5>That's right, even then they might just cut your part.

2048
01:38:17.439 --> 01:38:19.319
<v Speaker 5>Yeah I've felt that before.

2049
01:38:19.520 --> 01:38:23.039
<v Speaker 3>Yeah. Yeah, well, thank you so much, thank.

2050
01:38:22.840 --> 01:38:26.439
<v Speaker 5>You, thanks for having me man, really appreciate it absolutely.

2051
01:38:26.560 --> 01:38:30.279
<v Speaker 5>Sam witward, ladies and gentlemen. Thank you and thank thank

2052
01:38:30.319 --> 01:38:32.520
<v Speaker 5>you guys all out there for watching. Really appreciate you

2053
01:38:32.520 --> 01:38:34.760
<v Speaker 5>guys as well. I mean I say this every episode,

2054
01:38:34.760 --> 01:38:39.039
<v Speaker 5>but this podcast really couldn't happen without you guys. If

2055
01:38:39.079 --> 01:38:41.159
<v Speaker 5>you you know, like I said at the beginning, if

2056
01:38:41.159 --> 01:38:43.039
<v Speaker 5>you guys want to come and check out the podcast live.

2057
01:38:43.079 --> 01:38:45.159
<v Speaker 5>We're doing a partnership with Fan Expo this year. We

2058
01:38:45.239 --> 01:38:48.079
<v Speaker 5>have about I think we have five shows left. Hold on,

2059
01:38:48.079 --> 01:38:50.079
<v Speaker 5>I'm going to pull it up really quick, just to

2060
01:38:50.119 --> 01:38:53.920
<v Speaker 5>reiterate where we're going to be. Yes, Yes, the next

2061
01:38:53.960 --> 01:38:56.800
<v Speaker 5>live podcast that we're doing will be in Chicago Fan

2062
01:38:56.880 --> 01:39:00.560
<v Speaker 5>Expo Chicago August fourteenth to the sixteenth, followed by Toronto

2063
01:39:00.720 --> 01:39:04.880
<v Speaker 5>August twenty seventh to the thirtieth, Dallas September eleventh to thirteenth,

2064
01:39:05.119 --> 01:39:08.159
<v Speaker 5>and San Francisco November twenty seventh to the twenty ninth.

2065
01:39:08.359 --> 01:39:10.800
<v Speaker 5>And they're still adding dates. I know Anaheim is up

2066
01:39:10.800 --> 01:39:12.760
<v Speaker 5>in the air for a couple of weeks from now,

2067
01:39:13.239 --> 01:39:16.239
<v Speaker 5>and we have some good guests coming on as well. Yes,

2068
01:39:16.640 --> 01:39:18.680
<v Speaker 5>got a lot of good episodes coming out for you guys.

2069
01:39:18.800 --> 01:39:22.319
<v Speaker 5>I believe Chicago Fan Expo. I don't want to jinx it.

2070
01:39:22.359 --> 01:39:24.760
<v Speaker 5>But there's a good chance that we'll be interviewing mister

2071
01:39:24.880 --> 01:39:28.159
<v Speaker 5>T in Chicago live, so that will be pretty cool.

2072
01:39:28.239 --> 01:39:32.279
<v Speaker 5>Don't make us pity you, and be sure. YouTube's a

2073
01:39:32.279 --> 01:39:35.520
<v Speaker 5>weird website. It's literally possible to be watching this video

2074
01:39:35.600 --> 01:39:37.920
<v Speaker 5>right now. If you're not subscribed, it could never be

2075
01:39:38.039 --> 01:39:41.079
<v Speaker 5>recommended to you ever. Again, it's bizarre, So if you

2076
01:39:41.079 --> 01:39:43.000
<v Speaker 5>don't want that to happen, be sure to like and subscribe.

2077
01:39:43.000 --> 01:39:45.319
<v Speaker 5>It helps us, it helps you find more content like this,

2078
01:39:45.359 --> 01:39:47.760
<v Speaker 5>and you like it so much. Good news. We're on

2079
01:39:47.800 --> 01:39:50.279
<v Speaker 5>Patreon as well. Tuned in with Jim Cummings. On Patreon,

2080
01:39:50.520 --> 01:39:53.479
<v Speaker 5>you can find bonus episodes. Why do I sound weird? Well,

2081
01:39:53.479 --> 01:39:57.439
<v Speaker 5>you can find bonus episodes that are not aired anywhere else.

2082
01:39:57.600 --> 01:40:00.439
<v Speaker 5>You get extended interviews, a whole bunch of good stuffs, contest,

2083
01:40:00.479 --> 01:40:02.600
<v Speaker 5>good boys, all that good stuff. So be sure to

2084
01:40:02.680 --> 01:40:04.880
<v Speaker 5>check us out there. And with all that said and done,

2085
01:40:04.960 --> 01:40:07.479
<v Speaker 5>once again, I am producer Chris the Legend himself, mister

2086
01:40:07.560 --> 01:40:10.359
<v Speaker 5>Jim Cummings, Thank you, sir, and thank you again so much,

2087
01:40:10.399 --> 01:40:12.720
<v Speaker 5>Sam Whitworth for being here. Thanks love, We will see

2088
01:40:12.720 --> 01:40:13.479
<v Speaker 5>you in the next one.

2089
01:40:13.600 --> 01:40:17.000
<v Speaker 3>Didja boom? Thank you gentlemen, Thank you.

2090
01:40:17.119 --> 01:40:18.479
<v Speaker 2>This was great, great great.

2091
01:40:21.640 --> 01:40:25.479
<v Speaker 1>Our podcast has partnered with the largest comic con in

2092
01:40:25.520 --> 01:40:30.640
<v Speaker 1>North America, fan Expo, the Juggernaut. We're touring all over

2093
01:40:30.720 --> 01:40:34.520
<v Speaker 1>North America live, so get your tickets and come be

2094
01:40:34.600 --> 01:40:37.439
<v Speaker 1>a part of the live audience. It'll be fun. Go

2095
01:40:37.560 --> 01:40:41.399
<v Speaker 1>to fanexpohq dot com for the tickets. We'll see you

2096
01:40:41.600 --> 01:40:44.520
<v Speaker 1>in a city near you or a little bit away,

2097
01:40:44.560 --> 01:40:47.800
<v Speaker 1>but you can drive. Thanks for tuning in to tuned

2098
01:40:47.840 --> 01:40:49.119
<v Speaker 1>In with Jim Cummings
