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Speaker 1: A food bread for those years or before it off

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good three fourteen in the north to some after.

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Speaker 2: The fat of the day.

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Speaker 3: Said visible like an.

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Speaker 4: Say shot, witness that together around.

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Speaker 2: Thy world something thing sent as reside players in the word.

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Then I sound night shot in my day, I time Monday.

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I'm serv girl exist second South.

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Speaker 5: Say shots, I remember the first stuff afraid of.

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Speaker 2: Mother Day, Crusade.

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Speaker 5: My dog and the Road, and said, Baha drawn shall

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y'all a lot, say, oh.

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Speaker 4: Y'all, ain't about two. It's not to say after I

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made I'll go up.

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Speaker 5: Yeah, well they let you in and delusions out branche.

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Speaker 2: Yeh the gon doll up my bad whistler and the

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ata three out the boy stop out bad extract.

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Speaker 1: A Barrios stuff.

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Speaker 6: But slade up.

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Speaker 2: Father Day Crusader, my Dog.

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Speaker 1: And the road, and said about the shave, y'all die

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yu say.

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Speaker 5: My dumny about so it's about stay after a maid

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of the lob.

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Speaker 2: Lie, I say, raid thought thousand years. I thought it.

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Speaker 1: I was in up three orte annoying to shop. I'm

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about maid up up guy.

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Speaker 5: Yeah, that's why I tapped out. I say that's a

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strength and silence fallacy.

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Speaker 4: And by promacy, the bird, mistic.

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Speaker 5: Dead violence, the fdners out the earth, blod.

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Speaker 7: No blessly.

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Speaker 2: Batherday crusader all the road.

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Speaker 1: It's sent upon the brown shout.

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Speaker 2: YadA die of day.

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Speaker 1: Your name and bounces boun to.

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Speaker 2: Say that out the day the road.

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Speaker 5: That's about the brow show yad die up, get out

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your names.

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Speaker 1: And a bount and bouna died Bunta fet out.

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Speaker 2: Of the road day day.

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Speaker 8: That is a wolf king of the ba is iron Jaw.

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And before that we heard Barry the Snake to open

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this segment, also Iron Jaw. This is Matt Connerton unleashed.

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And if you are listening live on Saturday, we have

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entered our number three new Marrow trace and thank you

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to everybody who's joined us today so far. Of course,

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in the first hour we had not Lee Crewe Motley

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Crue tribute band. Those guys were so much fun. And

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then of course in the second hour we had Mercury

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Burns first, another great band from the area. So what

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is supposed to be happening in this hour is the

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first half of the hour Iron Jaw. Rick Perry from

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not that Rick Perry, but Rick Perry from Texas is

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supposed to be skyping in to join us. And then

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in the second half of the third hour, we're going

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to be joined by the band Tuesday Night Whites from

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there all the way from the UK across the pond,

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as we say, but are actually there in Scotland, I believe.

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But so they're are going to be joining us, but

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we have not heard so our guests Iron Jaw is

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m i A. We have not heard from Rick Perry.

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We have emails from him and so forth, but so

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he knows he's supposed to be joining us, but something

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may have happened. So perhaps something has happened on his

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end and we'll have to reschedule him. I'll give him

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the benefit of the doubt because those guys have always

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been super professional and so something had to have gone

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wrong for him not to be skyping in. So maybe

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skype isn't working for him, who knows, But so we'll see.

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I mean, maybe we'll hear from him in the next

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couple of minutes. But but yeah, a couple of great

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tracks Bury the Snake he sent us. He was saying

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that apparently Kiss is a band that he grew up loving,

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so that's supposed to be kind of like a kiss song,

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like an early kiss song. I can't hear oh, I

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see why I can't hear you. I had Skype turned

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up because we're waiting for Rick, but had you turned out?

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But yeah, I can imagine, I can imagine Gene Simmons

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singing that song Bury the Snake. Yeah. Yeah. And then

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wolf King is a great track, and so well we'll

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see if we'll see if we hear from him in

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the next few minutes. But anyway, but in the meantime, yes,

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but there is some olymp Biscuit news. We've been talking

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a lot about olymp Biscuit on the show.

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Speaker 9: They are pressing forward with their lawsuits, yes, against Universal.

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Speaker 8: But they've run into some hurdles, some hiccups. Fred Durstan

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the boys have. Yeah, you sent me this article from

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Digital Music News. Federal judge partially dismisses lymp biscuits two

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hundred million dollar plus UMG lawsuit amended complaint due by

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February third. So if you don't know, lymp Biscuit has

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sued their record label, Universal Music Group for two hundred

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million dollars in unpaid royalties, or, as I like to say,

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a hell of a lot of unpaid royalties. That's a

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lot of money. Two hundred million dollars. Yes, what pay

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the artist? Oh yeah, don't No, apparently not, It says

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here Olympus gets far reaching lawsuit against UMG isn't going

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particularly well. My goodnes, excuse me, I'm still coughing, as

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the presiding judge has dismissed several components of the over

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two hundred million dollar lawsuit. It says the court recently

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made the partial dismissal official after Olympus GET front man

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Fred Durst and his Flawless Records, which is his imprint

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record label, submitted the initial action. In October twenty twenty four.

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We covered the sixty page complaint alleging millions in unpaid

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royalties and seeking to nix the underlying agreements in detail.

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Just to recap Durst hired a new team in April

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twenty twenty four, and they uncovered millions in allegedly missing

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royalty payments, as well as purportedly below board recoupment practices

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across multiple deals, including an interscope Flawless JV. By the way,

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so recoupment for those who don't know, in the music industry,

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when a label signs you and they advance you a

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bunch of money. That's not your money to keep. It's

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not congratulations you're now a millionaire. That money is to

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pay for various things like recording your album and some

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other expenses that the label will incur on your behalf

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in terms of releasing and distributing and promoting your album,

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and that money has to get recouped and that in

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other words, that money has to be paid back to

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the label before you receive any royalties. So it's almost

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like an advance, like, well, it isn't advanced. It's an Yeah,

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the label is advancing you that money, but.

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Speaker 9: It's not supposed to be just for you to spend

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on whatever you want.

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Speaker 8: Right exactly exactly, So yes, But so according to UMG,

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that money had not been recouped, that advanced money had

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not yet been paid back, so they didn't They were

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saying they didn't know the band any money. Hard to believe.

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They sold like forty five million records, you know, I

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would think that they'd be owed something, but it says here. Consequently,

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owing in part to the timing of the relevant royalty payments,

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the plaintiffs moved to acts all the agreements in question

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and assume ownership of the involved recordings. Unsurprisingly, that didn't

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sit right with Universal Music, which fired back in November

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twenty twenty four with a firmly worded dismissal motion. In short,

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the major label said it hadn't violated the terms of

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the appropriate agreements, which allegedly allowed and do allow for

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cross account recoupments. Running with the point, there definitely hadn't

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been a total failure quote unquote on UMG's part to

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honor the terms of the contracts, including because the multimillion

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dollar advances it had coughed up per the company. Speaking

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of coffee, I can't stop coughing, cough it up, dry cough.

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As as a result, Olympus gets pushed to invalidate the

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contracts should be rejected per UMG, which therefore moved to

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dismiss the closely related copyright infringement allegations as well.

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Speaker 6: Uh.

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Speaker 8: Such a tangled web, and as initially highlighted, the presiding

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judge has sided with the defendant label specifically by tossing

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Olympus gets contract recision, copyright infringement and declaratory relief claims.

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So uh yeah, this is going poorly for Olympus at all, No,

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they lost a lot, Yes, but that doesn't mean they

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won't win with their you know, their their claim that

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they're owed money. It just it may not be the

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amount that they're suing for. But we'll see. But you know,

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one of the things that has come up, and uh,

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the there's a YouTuber who I really like, a law

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tuber named top music Attorney. That's the the handle she

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uses on YouTube, who talked about how labels often engage

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in something called spaghetti accounting, where the accounting practices are

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so complex that it's difficult to audit them. It's difficult

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to find out what you're actually owed. And we talked

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to when we talked about this before, how UMG apparently

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creates a portal that you as an artist, if you

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are signed to UMG, you can sign into your portal

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and see exactly where everything stands financially in terms of

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what your owed, financial recruitment, et cetera. But UMG, I mean,

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I'm sorry, Olympus get they were locked out of their portal.

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They must have lost their password or something. It's all

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very it's such as that lockout. What a mess. But

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the other thing too, it's a cautionary tale. You want

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to make sure when you sign, whether you sign with

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a major label, whether you sign a with any label,

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make sure you have an entertainment lawyer, look at that

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agreement with.

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Speaker 9: Somebody on your side for certain Yes, the laws really

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do cover the industry more than they do the artist.

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Speaker 8: Yes, in a lot of ways. Yes, absolutely, that is

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uh so, that's kind of the update with Olympiscuit. Something

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else that popped up that I thought was interesting. This

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is from Music Business Worldwide dot com. Ten thousand AI

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generated tracks uploaded daily to deezer. If you're not familiar

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with deezer, you can, you know, put files on there.

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You can put podcasts on there too. This show ends

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up on Deezer. I don't even know how it ended

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up there, but it's on there. You can find Mandreton

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Unleashed on Deezer. I'm not even kidding. I don't know how.

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Speaker 6: I don't know what that is.

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Speaker 8: I really don't. I don't know how it ended up there,

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but it's fine. I want to be everywhere. Yeah, but

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uh but it is filed. Deezer is filed two patents

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for a new AI detection tool so they can detect

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this AI generated content. I don't know how this is

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allwoing to go?

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Speaker 9: How how do they do that?

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Speaker 8: Yeah, well, apparently they have the technology. It says here.

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France headquartered music streaming service Deezer has launched a new

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AI detection tool after filing two patent applications for the

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technology in December. On January twenty four, this just happened. Yesterday,

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the company revealed that it's new It has new tech

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that is already discovered. That roughly ten thousand fully AI

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generated tracks are being delivered to its platform every day. Wow,

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every day. Wow.

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Speaker 9: See now, I'm very much in favor of this software.

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I want to know if it's a human or not.

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Speaker 6: I really do want to know.

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Speaker 8: Well, apparently so does Deezer. That amounts to about ten

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percent of the daily content delivered to Dezer. Deezer CEO

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Alexis Lenineer, I probably didn't say that correctly, also said

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yesterday the company plans to exclude fully AI generated tracks.

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Quote from algorithmic and editorial recommendation. Generative AI has the

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potential to positively impact music creation and consumption, but its

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use must be guided by responsibility and care in order

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to safeguard the rights and revenues of artists and songwriters unquote.

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The company says it is set out last year to

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develop an AI detection tool that quote surpassed the ability

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of available tools. Tools that are on the market today

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can be highly effective as long as they are trained

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on data sets from specific generative AI models, but the

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detection rate drastically decreases as soon as the tool is

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subjected to a new model or raw data unquote. Aurelian

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Herald Chief innovation Officer A. Deezer said, quote, we have

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addressed this challenge and created a tool that is significantly

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more robust and applicable to modern models unquote. Deezer's new tool,

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on which the company filed for two patents in December,

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can detect artificially created music from a number of generative

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models such as Suno and Udio. Those have both been

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in the news recently, with the possibility to add on

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detection capabilities for practical any practically any other similar tool

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as long as there's access to relevant data. Examples. HM,

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So there's more to this. It gets pretty into the weeds,

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but Deezer is cracking down, and I imagine some other

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platforms will be doing so as well.

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Speaker 10: Good.

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Speaker 9: We should know the difference.

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Speaker 6: I want to know.

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Speaker 9: Are I think it matters? M I really do think.

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I mean, I'm not saying that somebody who wants to

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use AI to create something that they can't be creative

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like that, but I do think you should be able

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to know whether or not this is a computer human being.

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As an artist, I want to know, did a human

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pick up that paintbrush? But did's some printer put it out?

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I want to know the difference.

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Speaker 8: Yes, I just am skeptical.

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Speaker 9: Well you're gonna go plain you're not.

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Speaker 8: I'm just I'm just skeptical about these these tools, these

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AI detection tools. I would think especially with with UH,

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you know, electronic music, I would think it would be difficult,

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like em electronic dance music. I would think it would

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be particularly difficult to H to detect certainty. I'm worried.

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What I'm worried about. What I'm worried about. What I'm

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worried about is artists getting UH. I'm worried about this

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going wrong and that legitimate artists end up being tagged

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as being AI generated when their music is not AI generated.

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That's what I'm worried about.

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Speaker 9: I get what you're saying, but I think it's I

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think it matters.

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Speaker 8: I really do think it.

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Speaker 9: Like I said, you can be creative with computers and

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that's fine, but I want to know the difference between

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the two, right, I want to know if that guitar

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is being played by a human or not. And I'm

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wondering if what they're using is really the preciseness, right,

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because computers don't make mistakes. Everything is fun. Humans make

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the mistakes when they program it.

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Speaker 8: But that's but see, that's where that's why I'm particularly

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concerned about what I'm worried about happening. I'm particularly concerned

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about that happening with electronic music, where you know you're

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creating everything if you're.

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Speaker 9: But if you're playing it on a keyboard or something,

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it's not going to be precisely perfect unless a computer

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is operating it.

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Speaker 8: Yeah, I don't know. Oh, we'll see what happens. I'm skeptical.

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Speaker 9: Well, do you want to know the difference? Do you

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want to know whether or not stun by computer or

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human doesn't matter to you?

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Speaker 8: I don't know that it does that much. Really. I mean,

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I want to advocate for artists, but I'm just worried

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about things going wrong. Like I said, I'm worried about artists.

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It happens all the time with content creators. You know,

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content creators who create content and they get tagged by

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YouTube for you know, creating content that for copyright strikes

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yes or so forth that aren't actually valid things like

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that that I get. That I get.

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Speaker 9: But I mean, we've seen a lot of artists come

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in here that use electronics and there's a uniqueness to

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them that I don't think that a computer can perfectly.

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They can make it perfect, but they can't make it imperfect.

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Speaker 8: Like a human is. Well, we shall see. We'll keep

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an eye on this. It'll be interesting to see where

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this goes.

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Speaker 9: And I said that, I'm sitting here thinking, well, yeah,

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but they could program it to make mistakes like a you.

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Speaker 8: Yeah, so how do you know how we are? Yeah,

294
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I'm concerned about that. I'm concerned about that.

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Speaker 2: Well, let's do this.

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Speaker 8: We're gonna play a couple. So we open today's show

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with two radio premieres. We played All the Drugs, the

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brand new track from our friends Naked Without It from

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the UK, their brand new song, so the American radio

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00:20:23,039 --> 00:20:25,160
premiere of that, and We also played the brand new

301
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track from Mike Frasier, who is from Seattle, who's gonna

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be joining us on the show in the future. But

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he's got a brand new track, the world radio premiere

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of April Days. So for those of us just joining

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00:20:35,039 --> 00:20:37,720
us in the first hour, those of you rather I've

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been here the whole time, we're gonna play those again.

307
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We're gonna debut those, and then when we come back,

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we're gonna have the guy I don't know how many

309
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of them are joining us, but we're gonna have the

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guys from the band Tuesday Night Whites joining us via

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Skype from across the Pond. Yes, and we're gonna play

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We're gonna play a couple of their tracks as well,

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so we played them recently a show on the show.

314
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We played a track called Runaway, the American radio premiere

315
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of that. But they've sent us a couple more. What

316
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a great band those guys are, so so there is

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plenty more to come. But here it is. This is

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from This is from Naked Without It. This track has

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called all the Drugs and you're hearing it for the

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00:21:13,680 --> 00:21:17,039
first time in America right here on WMNH.

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Speaker 10: Met a young lady. She said it tastes grit. She

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00:21:27,160 --> 00:21:30,279
walked the streets of London pleasure she would see. She

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00:21:30,440 --> 00:21:33,079
made the boy so happy, left them with a smile.

324
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Speaker 11: She earned the most money and the king skin them out.

325
00:21:39,599 --> 00:21:41,480
But I'm met her in a dollhouse.

326
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Speaker 10: Has been decreed. The cone across her eyes was the

327
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best that they ever seen. Took it to her restaurant.

328
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Her nails were painted black before the night through.

329
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Speaker 11: While I was under a sack. She go home round,

330
00:21:56,680 --> 00:21:59,079
she gone back, She gone, I'm blown, She gone black.

331
00:22:02,279 --> 00:22:04,839
She gone around, She gone back, She gone blown, She

332
00:22:04,920 --> 00:22:05,559
gone black.

333
00:22:08,920 --> 00:22:11,279
Speaker 10: Said you might not be center around. I'm sure you

334
00:22:11,400 --> 00:22:14,559
ain't the sink. It was written in the stars. I'm eating,

335
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ain't fix said, I'm sorry.

336
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Speaker 4: Honey, I don't know what you're big.

337
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Speaker 10: She said, to give me a whiskey, and all the

338
00:22:21,000 --> 00:22:30,319
drugs are there ed a matter in the city. The

339
00:22:30,440 --> 00:22:31,680
bar was under the ground.

340
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Speaker 8: Papa's hitting high was to rob the berry sign.

341
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Speaker 11: Wrong place, wrong time, into my life. She gone five minutes,

342
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saying to show me the night.

343
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Speaker 10: Sook off running. I got myself behind, but I could

344
00:22:48,680 --> 00:22:51,680
see the cat. But you'd have to be blind. Told

345
00:22:51,759 --> 00:22:53,559
me Berdie Street that you didn't lie.

346
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Speaker 4: My toul ain't no problem.

347
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Speaker 10: Because the cat came home.

348
00:23:00,640 --> 00:23:03,079
Speaker 11: She gone around, She gon back, She gone and blow,

349
00:23:03,160 --> 00:23:08,880
she gone black. She gone round, You gone back, She

350
00:23:09,000 --> 00:23:14,559
gone and blow, She gone black. Said you might not

351
00:23:14,680 --> 00:23:16,599
be a sin of it. I'm sure you eat or

352
00:23:16,680 --> 00:23:19,559
sink hiples it and then starts I mean in the

353
00:23:19,839 --> 00:23:22,640
was fixture said, I'm sorry, honey, I don't wone what

354
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you mean.

355
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Speaker 10: She said, jimmy a whiskey and all the drugs are dead.

356
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Speaker 6: You need.

357
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Speaker 10: You mnd have be a cinema. I'm sure you eight

358
00:24:01,960 --> 00:24:05,599
or six tips written nimb stars. I meant nim speets.

359
00:24:06,079 --> 00:24:08,559
Speaker 11: Said I'm sorry, honey, I don't know what you've been.

360
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She said, you give me a whiskey and all the drugs.

361
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Speaker 6: And dagg.

362
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Speaker 12: April days of coming gone spring.

363
00:24:44,799 --> 00:24:46,680
Speaker 6: Rain is rolling on.

364
00:24:47,599 --> 00:24:53,480
Speaker 12: My heart breaks without a song. The road starts to wind.

365
00:24:55,000 --> 00:25:00,759
They're funding water so they last. The anti arms are

366
00:25:00,880 --> 00:25:08,440
coming fast. Will peace get a chance? Who would have known?

367
00:25:10,440 --> 00:25:12,960
I've been feeling.

368
00:25:14,079 --> 00:25:16,160
Speaker 6: Something is wrong.

369
00:25:17,480 --> 00:25:23,480
Speaker 4: The voice in my head has been here for too long.

370
00:25:25,079 --> 00:25:28,880
One day I will get.

371
00:25:30,359 --> 00:25:32,400
Speaker 6: To live again.

372
00:25:47,279 --> 00:25:50,839
Speaker 4: Playing in my hospital bed, the.

373
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Speaker 6: Sun shine and all my head.

374
00:25:54,519 --> 00:26:00,359
Speaker 13: The doctor stopped by and said they know what's the Oh,

375
00:26:02,200 --> 00:26:10,119
I've been feeling, looks something is wrong. The voice in

376
00:26:10,440 --> 00:26:15,160
my head has been here for too long.

377
00:26:16,640 --> 00:26:20,559
Speaker 2: One day I will get.

378
00:26:21,880 --> 00:26:23,960
Speaker 4: To live again.

379
00:26:38,480 --> 00:26:45,119
Speaker 6: I'm happy to be alive. The worst days are long behind.

380
00:26:46,119 --> 00:26:55,359
Speaker 14: Feelings from all the time I spent in pain. I've

381
00:26:55,720 --> 00:27:03,359
been feeling, looks something is wrong. The voice in my

382
00:27:03,880 --> 00:27:13,519
head husband here for two One day I'll kids.

383
00:27:15,119 --> 00:27:16,039
Speaker 2: Live life.

384
00:27:16,640 --> 00:27:58,759
Speaker 6: Fuckin, don't you wants?

385
00:27:58,839 --> 00:28:00,799
Speaker 4: Nothing going sid my mind?

386
00:28:01,039 --> 00:28:05,839
Speaker 15: When I can't decide, I'll be shooting. And tonight they dreams,

387
00:28:05,880 --> 00:28:09,200
but just something you said to me and he's holding.

388
00:28:08,960 --> 00:28:12,480
Speaker 16: Me fack yeah, and they say we're hardly.

389
00:28:12,160 --> 00:28:13,240
Speaker 4: From nine to five.

390
00:28:13,359 --> 00:28:16,359
Speaker 15: Dude, I can't shake the feelings to about me one life,

391
00:28:16,440 --> 00:28:17,200
no clip wing?

392
00:28:17,440 --> 00:28:19,119
Speaker 2: Sohow oh I want.

393
00:28:19,000 --> 00:28:19,440
Speaker 16: To fly.

394
00:28:22,599 --> 00:28:25,640
Speaker 4: So so slovenly fast on the world of the lights.

395
00:28:25,720 --> 00:28:28,640
Speaker 7: You carn't show me a crown and expect my delights

396
00:28:28,799 --> 00:28:29,160
to sell.

397
00:28:29,359 --> 00:28:31,759
Speaker 4: Find the fat before compromise.

398
00:28:32,759 --> 00:28:37,839
Speaker 2: Oh and let it go to.

399
00:28:42,519 --> 00:28:56,880
Speaker 7: He started calling his side, Hello, you say it so

400
00:28:57,240 --> 00:28:58,119
they'll say this.

401
00:28:58,400 --> 00:29:04,880
Speaker 2: So the same sole say what's nine? As he knows

402
00:29:04,960 --> 00:29:06,000
being a revel.

403
00:29:05,759 --> 00:29:12,680
Speaker 15: Again, be red again, been Renega, the Roe says, to

404
00:29:12,799 --> 00:29:14,680
learn your lines if that's what you're.

405
00:29:14,680 --> 00:29:17,519
Speaker 4: Like, I'd say take a chance. From revis to the

406
00:29:17,720 --> 00:29:19,039
libel see.

407
00:29:19,000 --> 00:29:22,160
Speaker 7: The void of Sally down no.

408
00:29:24,119 --> 00:29:25,759
Speaker 4: And being player in your game.

409
00:29:25,839 --> 00:29:29,119
Speaker 15: But the rules at the shade Westmins the last is

410
00:29:29,200 --> 00:29:31,279
the reference. That's then don't say.

411
00:29:31,119 --> 00:29:33,200
Speaker 4: It correct before I stamp.

412
00:29:32,920 --> 00:29:34,680
Speaker 6: The life who.

413
00:29:38,200 --> 00:29:57,319
Speaker 2: Let me record? Say it's starting on his sun? The

414
00:29:57,680 --> 00:30:02,519
same so that same design.

415
00:30:03,000 --> 00:30:05,440
Speaker 7: So the allowed to say what's.

416
00:30:05,359 --> 00:30:06,680
Speaker 2: Money is a no being?

417
00:30:06,960 --> 00:30:09,200
Speaker 7: Rather a gay bed let a day?

418
00:30:09,559 --> 00:30:28,839
Speaker 4: Did let again? Gonsigey sold it?

419
00:30:28,920 --> 00:30:30,400
Speaker 3: Say you signey?

420
00:30:30,680 --> 00:30:33,119
Speaker 2: So it say and.

421
00:30:33,279 --> 00:30:35,680
Speaker 4: Would say man said.

422
00:30:50,480 --> 00:30:54,519
Speaker 2: Decide, for they are to say what's money? Isn't no

423
00:30:54,839 --> 00:30:55,960
be let today?

424
00:30:56,279 --> 00:30:57,400
Speaker 7: The leaded again?

425
00:30:58,200 --> 00:30:58,920
Speaker 2: Lead again?

426
00:31:07,240 --> 00:31:09,440
Speaker 8: My god, what a great what a great track that

427
00:31:09,680 --> 00:31:12,640
is the Renegade. The band is Tuesday Night Whites and

428
00:31:13,400 --> 00:31:17,240
we've got via Skype Ollie is here, I believe Olie?

429
00:31:17,240 --> 00:31:17,680
Are you there?

430
00:31:18,400 --> 00:31:18,480
Speaker 17: Hi?

431
00:31:18,599 --> 00:31:19,000
Speaker 3: You okay?

432
00:31:19,559 --> 00:31:20,680
Speaker 8: Hey, welcome to the show.

433
00:31:21,400 --> 00:31:22,279
Speaker 3: How are you doing all right?

434
00:31:22,839 --> 00:31:23,039
Speaker 8: Yes?

435
00:31:23,160 --> 00:31:23,359
Speaker 10: Yes?

436
00:31:23,440 --> 00:31:25,279
Speaker 8: How are you all right?

437
00:31:25,319 --> 00:31:25,480
Speaker 17: Well?

438
00:31:25,559 --> 00:31:28,200
Speaker 3: Thank you very well. I've got Jack with me as

439
00:31:28,240 --> 00:31:28,880
well from the bun.

440
00:31:29,319 --> 00:31:33,319
Speaker 8: Jack is with you. Hello, welcome, how are we hey?

441
00:31:33,759 --> 00:31:34,039
Speaker 4: Guys?

442
00:31:34,200 --> 00:31:37,599
Speaker 8: I love that song, so we played we played recently

443
00:31:37,680 --> 00:31:40,720
on the show. We did the American radio premiere of

444
00:31:40,880 --> 00:31:43,799
twenty three which is a great song, and we got

445
00:31:43,839 --> 00:31:46,799
a lot of positive response to that here people who

446
00:31:46,880 --> 00:31:50,319
listen to listen to the show here Matt Conderton unleashed,

447
00:31:50,720 --> 00:31:52,759
and so we're excited to have you on. And then

448
00:31:52,759 --> 00:31:55,440
I listened to the Renegade and I think I had

449
00:31:55,480 --> 00:31:57,799
emailed back and said, this is just an epic track.

450
00:31:57,920 --> 00:32:00,519
It's so so good. So I love what you guys

451
00:32:00,559 --> 00:32:00,880
are doing.

452
00:32:01,880 --> 00:32:02,200
Speaker 17: Love that.

453
00:32:02,359 --> 00:32:04,480
Speaker 18: Thank you so No, I really really appreciate it giving it.

454
00:32:04,559 --> 00:32:07,119
It's a little Davey over there. And to play twenty

455
00:32:07,160 --> 00:32:09,000
three hour brand new one as well. No, it really

456
00:32:09,039 --> 00:32:09,680
means lots of that.

457
00:32:09,799 --> 00:32:10,519
Speaker 3: Thank you very much.

458
00:32:10,720 --> 00:32:12,880
Speaker 8: Yeah, absolutely no, glad to do it. And we have

459
00:32:12,960 --> 00:32:15,000
another track from you too that will play. Uh, we'll

460
00:32:15,000 --> 00:32:16,680
play a little bit later at the end of the segment.

461
00:32:16,759 --> 00:32:19,839
But how long have you guys been around? How long

462
00:32:19,880 --> 00:32:22,480
has this band existed? Tuesday Night Whites.

463
00:32:23,839 --> 00:32:26,519
Speaker 18: So it's funnily enough, it started off just myself and

464
00:32:26,640 --> 00:32:30,240
Jack probably about maybe four or five years ago, and

465
00:32:30,720 --> 00:32:33,960
we started it just after maybe the COVID COVID nineteen

466
00:32:34,079 --> 00:32:37,440
times and we've used to play just an acoustic acoustic

467
00:32:37,519 --> 00:32:40,480
set with Jack on the guitar and myself singing, and

468
00:32:41,160 --> 00:32:42,720
we we saw we just we just fell in love

469
00:32:42,759 --> 00:32:44,319
with it. We we just love going out, we love

470
00:32:44,400 --> 00:32:48,640
playing in you know, like local pubs and clubs, and

471
00:32:48,680 --> 00:32:50,279
then we decided to pick it up and make it

472
00:32:50,319 --> 00:32:51,799
a band, probably about three years ago.

473
00:32:51,880 --> 00:32:58,039
Speaker 8: Now, okay, okay, so relatively new in that sense, relatively new. Yeah, yeah,

474
00:32:59,359 --> 00:33:01,599
And how much music have you guys put out? Do

475
00:33:01,640 --> 00:33:03,279
you have a full album out or is it? Is

476
00:33:03,319 --> 00:33:05,599
it just singles at this point? Oh, we're not.

477
00:33:05,759 --> 00:33:08,640
Speaker 18: We're not quite at the album stage yet. Obviously the

478
00:33:08,960 --> 00:33:12,480
gold for us, definitely, we're all like absolutely music mad.

479
00:33:12,559 --> 00:33:14,839
A lot of those we've been sort of playing music

480
00:33:14,880 --> 00:33:17,440
for as long as we can all remember. So at

481
00:33:17,480 --> 00:33:19,960
the moment, we've got three singles that are officially released,

482
00:33:20,440 --> 00:33:22,160
but we play a live set full of our own,

483
00:33:22,240 --> 00:33:25,119
our own songs, so we're hoping to keep releasing them

484
00:33:25,119 --> 00:33:25,720
throughout the year.

485
00:33:26,559 --> 00:33:29,279
Speaker 8: Yeah. Well, once you've put out so far sounds amazing.

486
00:33:29,440 --> 00:33:31,720
So I look forward to hearing more from you guys.

487
00:33:31,799 --> 00:33:33,960
And you know, we do live in a time where

488
00:33:33,960 --> 00:33:37,920
there's various approaches and strategies you can use as far

489
00:33:37,960 --> 00:33:41,400
as releasing music. But no, I really I really like

490
00:33:41,519 --> 00:33:45,480
what I've heard so far. Tell us about the name,

491
00:33:45,640 --> 00:33:48,240
because people, you know, especially you're in American people are

492
00:33:48,240 --> 00:33:50,200
going to hear that name and be curious what does

493
00:33:50,240 --> 00:33:52,119
that mean exactly? Tuesday Night Whites.

494
00:33:53,160 --> 00:33:58,319
Speaker 19: So basically, the name is from our local football team

495
00:33:58,519 --> 00:34:02,720
over here in Preston, And essentially the band is made

496
00:34:02,759 --> 00:34:06,000
up of five members, but all five members, we're just

497
00:34:06,039 --> 00:34:08,320
a group of mates as well outside of the band,

498
00:34:09,320 --> 00:34:12,960
and we all support over here the local football team Preston.

499
00:34:13,960 --> 00:34:15,960
Speaker 17: So it's like a it's a common interest in something

500
00:34:16,000 --> 00:34:16,840
that we share together.

501
00:34:17,840 --> 00:34:20,480
Speaker 19: And one of the nicknames of the club, of the

502
00:34:20,519 --> 00:34:24,840
football club is is Tuesday Night Whites. So because it's

503
00:34:24,880 --> 00:34:27,280
a common interest that we share, it's something that we

504
00:34:27,360 --> 00:34:30,920
can all relate to and something that unanimously brings us together.

505
00:34:31,039 --> 00:34:33,719
So we thought it's absolutely perfect to use it as

506
00:34:33,760 --> 00:34:34,280
the band name.

507
00:34:35,079 --> 00:34:37,840
Speaker 8: Why now, why why are they? Why is that a

508
00:34:37,920 --> 00:34:41,199
nickname for the team? I mean the do they only

509
00:34:41,239 --> 00:34:43,719
play on Tuesdays? And what is are Do they have

510
00:34:43,800 --> 00:34:46,280
white uniforms? Like, I'm just really curious about the name.

511
00:34:48,119 --> 00:34:49,400
Speaker 3: Yeah. No, So so.

512
00:34:49,639 --> 00:34:54,480
Speaker 19: Our home kit, our home shirt is white, the color

513
00:34:54,559 --> 00:34:59,159
is white, and we do play usually play on Saturdays,

514
00:34:59,639 --> 00:35:01,000
but clusters.

515
00:35:00,719 --> 00:35:02,719
Speaker 17: There's a lot of fixtures and a lot of games

516
00:35:02,800 --> 00:35:03,400
to be played.

517
00:35:04,239 --> 00:35:06,320
Speaker 19: Quite often. There is a lot of games on a

518
00:35:06,400 --> 00:35:08,760
Tuesday night as well to fit them all in. Okay,

519
00:35:09,440 --> 00:35:11,480
so we all we all go in the game together,

520
00:35:11,880 --> 00:35:13,760
we go to the pub before the game together.

521
00:35:14,599 --> 00:35:16,719
Speaker 17: So it's just a shared interest that we all have

522
00:35:17,079 --> 00:35:18,159
and that we can all relate to.

523
00:35:18,559 --> 00:35:23,400
Speaker 8: Okay, Okay makes sense. I'm curious too about influences because

524
00:35:23,440 --> 00:35:25,679
the songs that you guys write, you know, there's a

525
00:35:25,800 --> 00:35:28,679
there's a real especially a song like the Renegade, there's

526
00:35:28,719 --> 00:35:33,039
a real sophistication there, but it's all so very very catchy.

527
00:35:33,199 --> 00:35:38,079
It's it's so accessible. Kind of reminds me a little

528
00:35:38,079 --> 00:35:41,519
bit of Oasis, but but only a little bit. I'm

529
00:35:41,599 --> 00:35:43,719
curious to hear about what what kind of influences going

530
00:35:43,760 --> 00:35:44,960
to the band and your music.

531
00:35:45,880 --> 00:35:48,119
Speaker 18: Yeah, So I mean, like like I said previously, we're

532
00:35:48,119 --> 00:35:50,440
all like music mad, and we all we all spend

533
00:35:50,599 --> 00:35:52,800
like most of our time, even on the footballer going

534
00:35:52,840 --> 00:35:57,280
to live gigs, and I myself personally, I just since

535
00:35:57,320 --> 00:35:58,840
I went when I was like a young kid, I

536
00:35:59,119 --> 00:36:00,559
really fell in love with music.

537
00:36:00,639 --> 00:36:04,960
Speaker 3: So yeah, I think Oasis definitely a huge, huge influence.

538
00:36:04,599 --> 00:36:06,480
Speaker 18: On us all a lot of like No Gallagher's solo

539
00:36:06,599 --> 00:36:09,119
stuff as well, But then there's a lot more like

540
00:36:09,400 --> 00:36:13,199
sort of more modernish fans that are touring nowadays that

541
00:36:13,320 --> 00:36:14,960
like said, we we will go on a weekend and

542
00:36:15,199 --> 00:36:16,880
we'll sort of like really.

543
00:36:16,679 --> 00:36:19,559
Speaker 3: Analyze you know, the live set and the sound and.

544
00:36:19,639 --> 00:36:21,519
Speaker 18: Lyrics, and we'll sort of take the best bits and

545
00:36:21,800 --> 00:36:23,519
see if we can work that into our own stuff.

546
00:36:24,760 --> 00:36:29,199
Speaker 8: Yeah. Yeah, have you guys, are you getting any traction

547
00:36:29,480 --> 00:36:32,480
at radio where you are? Because like I said, I

548
00:36:32,559 --> 00:36:35,360
mean these songs are very very accessible. I can definitely

549
00:36:35,400 --> 00:36:36,519
imagine them on the radio.

550
00:36:37,440 --> 00:36:37,639
Speaker 3: Yeah.

551
00:36:37,719 --> 00:36:39,519
Speaker 18: We I mean, like I said, we our with our

552
00:36:39,599 --> 00:36:42,840
recent release twenty three. We had quite a big sort

553
00:36:42,840 --> 00:36:45,920
of marketing strategy behind that one. There's a there's a

554
00:36:46,039 --> 00:36:48,960
radio station based in Manchester which is called Radio X

555
00:36:49,880 --> 00:36:52,199
and then there's also one called Excess Manchester, which are

556
00:36:52,199 --> 00:36:55,280
two quite popular ones around that area. Yeah, and they

557
00:36:55,320 --> 00:36:57,679
gave us our debut play on those as well, So

558
00:36:57,760 --> 00:36:59,119
that was that was really cool.

559
00:37:00,159 --> 00:37:00,599
Speaker 3: Good for us.

560
00:37:01,599 --> 00:37:03,519
Speaker 8: So I have to tell you something funny too, just

561
00:37:04,039 --> 00:37:07,519
one of these synchronicities that happen, So you know how

562
00:37:07,599 --> 00:37:10,280
in twenty three. It's kind of toward the end of it.

563
00:37:10,519 --> 00:37:12,719
It might be coming out of the solo. There's the

564
00:37:12,800 --> 00:37:15,159
part with the bus station. It sounds like somebody's buying

565
00:37:15,159 --> 00:37:19,920
a bus ticket. Yeah, so we happened to When we

566
00:37:20,039 --> 00:37:23,039
played that song on the show, Jenny and I had

567
00:37:23,159 --> 00:37:25,840
just had an off air conversation with a guest about

568
00:37:25,920 --> 00:37:30,079
how where we are here at WM and H and Manchester,

569
00:37:30,199 --> 00:37:33,199
New Hampshire. Of course we're actually in a building that

570
00:37:33,360 --> 00:37:40,159
used to be a bus station, swear to God. And

571
00:37:40,559 --> 00:37:44,039
and in fact, if you look on Google for where

572
00:37:44,079 --> 00:37:47,000
to buy bus tickets around here, this building still comes up,

573
00:37:47,320 --> 00:37:49,119
which is why we have to keep the door locked.

574
00:37:50,320 --> 00:37:52,320
Some people don't wonder and trying to buy bus tickets.

575
00:37:52,519 --> 00:37:55,480
But we were explaining that. We happen to be explaining

576
00:37:55,559 --> 00:37:57,360
that to somebody who was a guest on the show.

577
00:37:58,000 --> 00:37:58,480
Speaker 2: And uh.

578
00:37:58,920 --> 00:38:03,679
Speaker 8: And then so we play that song and the I

579
00:38:03,719 --> 00:38:05,559
forget who it was. I forget who the guest was,

580
00:38:05,840 --> 00:38:08,960
but they noticed it before we did. Whoever was on

581
00:38:09,239 --> 00:38:11,559
was like, oh, I think it was Gracie. Actually she said, hey,

582
00:38:11,800 --> 00:38:14,199
I just heard a thing for a it sounds like

583
00:38:14,280 --> 00:38:17,480
somebody selling bus tickets. It was just so it was

584
00:38:17,599 --> 00:38:19,400
so weird. It was just like like I said, it

585
00:38:19,480 --> 00:38:21,920
was one of those odd synchronicities that can happen.

586
00:38:22,039 --> 00:38:24,280
Speaker 3: But and maybe maybe it was it was made for

587
00:38:24,360 --> 00:38:26,960
that radio station then that that may.

588
00:38:27,039 --> 00:38:28,920
Speaker 8: Very well be. It may have been faith, it may

589
00:38:29,000 --> 00:38:32,760
have been fath. What's the scene there as far as

590
00:38:32,880 --> 00:38:34,719
live shows, Are you guys able to play out a lot?

591
00:38:34,800 --> 00:38:36,159
Are there are a lot of places to play?

592
00:38:37,079 --> 00:38:37,320
Speaker 3: Yeah?

593
00:38:37,400 --> 00:38:40,159
Speaker 18: We I mean we, like I said, we're from Preston.

594
00:38:40,199 --> 00:38:44,239
We're all based in Preston around the Northwest. We're so

595
00:38:44,400 --> 00:38:46,639
close to to sort of the biggest cities like Manchester

596
00:38:46,840 --> 00:38:51,440
and Liverpool, Leeds newcastleant too far away. So for us,

597
00:38:51,960 --> 00:38:55,079
we've had quite a good success in the Northwest and

598
00:38:55,400 --> 00:38:56,119
we've built up.

599
00:38:56,000 --> 00:38:57,840
Speaker 3: A lot of like a really good fan base around here.

600
00:38:57,920 --> 00:39:00,119
Speaker 18: So it's been really good to play obviously impress in

601
00:39:00,280 --> 00:39:03,519
our hometown, but just maybe slightly out in Manchester Liverpool

602
00:39:03,559 --> 00:39:03,880
as well.

603
00:39:04,159 --> 00:39:09,519
Speaker 8: Yeah, are these venues are they really receptive to original music?

604
00:39:09,559 --> 00:39:12,000
Because I know, you know some places you know they

605
00:39:12,039 --> 00:39:14,280
want to hear covers or whatever. But are you guys

606
00:39:14,360 --> 00:39:16,280
able to play a lot of shows where you can

607
00:39:16,440 --> 00:39:19,199
just focus on your original music and people are receptive.

608
00:39:19,800 --> 00:39:22,159
Speaker 3: Yeah, I mean, well, I mean we started out, and

609
00:39:22,800 --> 00:39:24,760
I think it's maybe just sort of a part of

610
00:39:24,800 --> 00:39:25,159
the trade.

611
00:39:25,199 --> 00:39:26,760
Speaker 18: When you first start out, you do have to sort

612
00:39:26,760 --> 00:39:28,679
of go into places where they want a few more

613
00:39:28,719 --> 00:39:31,199
covers and stuff. But I think just getting getting your

614
00:39:31,239 --> 00:39:34,519
name out there and getting live experience is obviously fantastic

615
00:39:34,599 --> 00:39:37,360
for us. But yeah, and more recently, especially like last year,

616
00:39:37,440 --> 00:39:39,159
we were so lucky to get in some really great

617
00:39:39,280 --> 00:39:42,079
venues that are literally born and bred music venues, and

618
00:39:42,119 --> 00:39:45,000
they love original stuff, they love bands, they love live music.

619
00:39:45,119 --> 00:39:47,679
So yeah, it was really good last year to get

620
00:39:47,719 --> 00:39:49,360
out there and just play our own stuff, which we

621
00:39:49,440 --> 00:39:51,840
we love doing. We don't mind a cheeky cover here

622
00:39:51,880 --> 00:39:54,920
and there, but playing your own stuff, there's nothing beat

623
00:39:54,920 --> 00:39:55,480
to that at all.

624
00:39:55,800 --> 00:39:58,960
Speaker 8: Yeah. Absolutely, Have you guys made any videos yet?

625
00:40:01,119 --> 00:40:02,519
Speaker 3: Not full length music videos.

626
00:40:02,599 --> 00:40:06,079
Speaker 18: No, we try a little bit like social media, but

627
00:40:06,199 --> 00:40:08,239
I mean, if you look into the statistics now, it's

628
00:40:08,280 --> 00:40:09,880
all short and sweet videos.

629
00:40:10,000 --> 00:40:13,639
Speaker 3: So we've done a few of those, but nothing full length. Yeah.

630
00:40:13,760 --> 00:40:15,840
Speaker 8: I was just curious because I can imagine, especially a

631
00:40:15,960 --> 00:40:19,679
song like twenty three. I don't know, it just seems

632
00:40:19,679 --> 00:40:23,480
like it would really lend itself to to to some

633
00:40:23,679 --> 00:40:28,480
sort of a video. But but obviously you know, but

634
00:40:28,559 --> 00:40:30,239
you guys have it, you know, things covered as far

635
00:40:30,280 --> 00:40:34,320
as social media and whatnot, which is so so incredibly important.

636
00:40:34,480 --> 00:40:39,400
And yeah, do you have do you have I'm sure

637
00:40:39,400 --> 00:40:41,440
you don't have any immediate plans, but you know, do

638
00:40:41,519 --> 00:40:43,840
you kind of long term do you think about maybe

639
00:40:43,960 --> 00:40:46,519
getting you know, getting New America to play? I think

640
00:40:46,760 --> 00:40:48,760
I think you'd go over really well here, I really do.

641
00:40:49,639 --> 00:40:50,519
Speaker 17: One hundred percent.

642
00:40:50,679 --> 00:40:53,079
Speaker 19: We're just we're just, at the end of the day,

643
00:40:53,079 --> 00:40:55,039
a group of five mates that love playing music.

644
00:40:55,199 --> 00:40:58,119
Speaker 17: So where everyone wants to hear us, one hundred percent

645
00:40:58,199 --> 00:40:58,679
we'll be there.

646
00:40:58,800 --> 00:41:02,199
Speaker 19: So yeah, the most we're just focusing on getting out

647
00:41:02,239 --> 00:41:05,840
of our hometown area Northwest and then this year in

648
00:41:05,880 --> 00:41:08,800
twenty twenty five, we're going all over the UK up

649
00:41:08,880 --> 00:41:12,159
to Glasgow and Edinburgh, down to London, so who knows

650
00:41:12,199 --> 00:41:14,239
in the future out to Europe and then across the

651
00:41:14,280 --> 00:41:15,199
pond over to America.

652
00:41:15,239 --> 00:41:16,440
Speaker 17: That would be unbelievable.

653
00:41:16,679 --> 00:41:20,400
Speaker 8: Yeah, yeah, no, that would be fantastic. How do you

654
00:41:20,840 --> 00:41:23,480
how do you guys record? There's so many different options

655
00:41:23,559 --> 00:41:26,400
now for how you record, but everything that I've heard

656
00:41:26,480 --> 00:41:29,320
so far it sounds like it's done in a million

657
00:41:29,400 --> 00:41:32,039
dollar studio, but I know that's that's I know that's

658
00:41:32,119 --> 00:41:35,360
not always the case. What is your approach to recording?

659
00:41:36,159 --> 00:41:39,760
Speaker 19: And so we have a good friend of ours called

660
00:41:39,800 --> 00:41:43,880
Tom Hale, and his profession, his job is actually to

661
00:41:43,960 --> 00:41:47,840
work in a voiceover gallery, so he's he also does

662
00:41:47,920 --> 00:41:51,639
obviously bands and recording and mixes and masters. But we

663
00:41:51,800 --> 00:41:55,599
met him very early on in the band, and so

664
00:41:55,920 --> 00:41:59,079
we just get a demo together, something that we put

665
00:41:59,119 --> 00:42:01,920
together in his fair bedroom and then get a rough

666
00:42:01,960 --> 00:42:05,079
guide track, take it to him. We go into a

667
00:42:05,199 --> 00:42:08,320
studio and it's about probably about half an hour drive

668
00:42:08,400 --> 00:42:12,000
from where we live, and then Tom does. Tom does

669
00:42:12,039 --> 00:42:14,280
the rest and works his magic and it makes it

670
00:42:14,400 --> 00:42:16,840
sound as good as it is. So it's a it's

671
00:42:16,880 --> 00:42:18,760
a lot of credit to Tom and his skills and

672
00:42:18,840 --> 00:42:20,840
his hard work and the time and effort that he

673
00:42:20,920 --> 00:42:21,440
puts into it.

674
00:42:22,199 --> 00:42:22,440
Speaker 10: Yeah.

675
00:42:23,000 --> 00:42:25,880
Speaker 8: No, he does a great job. Everything sounds great. I

676
00:42:26,039 --> 00:42:29,960
imagine he's probably worked with some some pretty big artists,

677
00:42:30,000 --> 00:42:31,800
I would I would guess it sounds like.

678
00:42:33,199 --> 00:42:35,559
Speaker 19: Yeah, No, he's a he's a he's very big in

679
00:42:35,639 --> 00:42:39,559
the local area where we are. Bands that we performed

680
00:42:39,599 --> 00:42:41,960
with that we know that we go and see. He

681
00:42:42,039 --> 00:42:43,760
does work with a lot of them as well as

682
00:42:43,880 --> 00:42:45,599
live sound engineering at gigs as well.

683
00:42:46,480 --> 00:42:49,320
Speaker 17: So he is like around our area, he is the

684
00:42:49,519 --> 00:42:50,320
man to go to.

685
00:42:51,920 --> 00:42:55,360
Speaker 8: Yeah, as excellent, excellent. How did you How did you

686
00:42:55,440 --> 00:42:56,280
come to work with him?

687
00:42:56,440 --> 00:42:56,480
Speaker 6: Like?

688
00:42:56,960 --> 00:42:59,039
Speaker 8: Was it because he sounds like a very busy guy.

689
00:43:00,320 --> 00:43:03,480
Was it challenging to connect with him or did it happen?

690
00:43:03,599 --> 00:43:04,880
Did it come together pretty easily?

691
00:43:05,599 --> 00:43:06,320
Speaker 3: You know what? I think?

692
00:43:06,519 --> 00:43:08,800
Speaker 18: I think he's he is such a littly guy that

693
00:43:08,920 --> 00:43:12,079
he always has quite a little a little spot for

694
00:43:12,159 --> 00:43:14,280
anyone from his sort of hometown that he can help out.

695
00:43:14,880 --> 00:43:17,320
Speaker 3: Good for the first conversation we have with him, he

696
00:43:17,880 --> 00:43:20,760
he it was at a festival in Preston.

697
00:43:20,800 --> 00:43:22,280
Speaker 18: It was a day festival and he was there and

698
00:43:22,440 --> 00:43:24,800
we were outside in the big garden and we just

699
00:43:24,880 --> 00:43:26,840
got chatting to him and then just sort of said,

700
00:43:26,880 --> 00:43:28,159
you know, if there's.

701
00:43:27,960 --> 00:43:30,079
Speaker 3: Any possibility we could we could do some work of him.

702
00:43:30,000 --> 00:43:31,320
Speaker 17: And he was really up for it.

703
00:43:31,400 --> 00:43:33,800
Speaker 18: And then yeah, a few months later we got booked

704
00:43:33,880 --> 00:43:35,400
him with him and started the process.

705
00:43:35,920 --> 00:43:39,840
Speaker 8: Oh that's really cool. Good, good, you plan to continue

706
00:43:39,880 --> 00:43:41,920
to work with him in the future, I assume, Oh?

707
00:43:42,000 --> 00:43:44,360
Speaker 3: Absolutely, Yeah, if You'll have it was definitely.

708
00:43:44,400 --> 00:43:47,880
Speaker 8: Yeah, yeah, very cool, very cool, I think in a moment,

709
00:43:48,000 --> 00:43:50,440
so I want to play you know, we've played twenty

710
00:43:50,480 --> 00:43:52,559
three on the show before obviously, and we just played

711
00:43:52,719 --> 00:43:55,880
the Renegade, I think too at the end of our conversation,

712
00:43:56,000 --> 00:43:58,960
I'd like to play Lost Control, another really really cool song.

713
00:43:59,559 --> 00:44:02,440
I love that one. Everything I've listened to that you

714
00:44:02,480 --> 00:44:04,199
guys have put out so far, I think is uh,

715
00:44:04,519 --> 00:44:08,599
it's just been amazing. But but for people who are

716
00:44:08,719 --> 00:44:11,079
listening who want to know where to keep up with

717
00:44:11,159 --> 00:44:13,159
you guys online, where to keep up with all the

718
00:44:13,239 --> 00:44:16,199
new music and and and people we might have listening

719
00:44:16,280 --> 00:44:19,079
in your area, because you know, obviously you can get

720
00:44:19,119 --> 00:44:20,880
access to the show from anywhere in the world. People

721
00:44:20,880 --> 00:44:23,280
who want to maybe get to a live show. Where

722
00:44:23,320 --> 00:44:26,000
should people go online to keep up with everything Tuesday

723
00:44:26,079 --> 00:44:26,880
Night Whites is doing.

724
00:44:27,679 --> 00:44:29,880
Speaker 18: Yeah, So we we try and we try and keep

725
00:44:30,079 --> 00:44:32,360
all of our social media up to date as possible,

726
00:44:32,840 --> 00:44:35,159
and I think maybe Instagram and Facebook if you can

727
00:44:35,199 --> 00:44:38,159
find us on there, and those would be the key

728
00:44:38,280 --> 00:44:40,039
ones for us. We do a little bit on TikTok

729
00:44:40,079 --> 00:44:43,159
with some videos and stuff as well, but of course

730
00:44:43,199 --> 00:44:45,960
we've released on Spotify, Apple Music and all that kind

731
00:44:46,000 --> 00:44:48,440
of stuff. But yeah, if you want to give us

732
00:44:48,440 --> 00:44:53,679
a follow on Instagram or Facebook, it's t NW official underscore.

733
00:44:54,920 --> 00:44:57,480
Speaker 8: All right, very good, very good, that's easy. Yeah, you

734
00:44:57,559 --> 00:45:04,639
guys are very very googleable, as I to say, absolutely so. Yeah,

735
00:45:04,719 --> 00:45:06,320
so we'll let you go. In a second, we'll play

736
00:45:06,360 --> 00:45:10,360
this track, Lost Control. But thank you both so much.

737
00:45:10,400 --> 00:45:13,280
Ali and Jack from Tuesday Night Whites. Let's do this

738
00:45:13,400 --> 00:45:16,079
again in the future, because obviously you're gonna keep releasing

739
00:45:16,159 --> 00:45:19,000
new music and we'll keep playing it here. We love

740
00:45:19,039 --> 00:45:21,239
what you guys are doing. But thank you. We'll let

741
00:45:21,280 --> 00:45:23,159
you go. But thank you guys both so much for

742
00:45:23,280 --> 00:45:24,039
joining us today.

743
00:45:24,119 --> 00:45:26,119
Speaker 3: Thank you so much, and thank you for playing the tracks.

744
00:45:26,159 --> 00:45:27,280
You really really appreciate it.

745
00:45:27,880 --> 00:45:30,800
Speaker 8: Yeah, great night, Absolutely you too. All right, thanks guys,

746
00:45:30,880 --> 00:45:34,880
take care, all right, bye bye. All right. That was

747
00:45:35,519 --> 00:45:38,400
Jack and Allie from the band Tuesday Night Whites. Let's

748
00:45:38,559 --> 00:45:41,760
play this track. This will be another American radio premiere.

749
00:45:41,840 --> 00:45:44,079
This hasn't been heard anywhere in the US. This is

750
00:45:44,159 --> 00:45:46,639
called Lost Control. We're gonna give this a spin and

751
00:45:46,719 --> 00:45:49,039
then Jenny and I we'll come back and finish up

752
00:45:49,360 --> 00:45:52,159
for today. But check this out. Lost Control. The band

753
00:45:52,440 --> 00:45:53,960
is Tuesday Night Whites.

754
00:46:33,559 --> 00:46:35,880
Speaker 2: He's com okay, it's so bad.

755
00:46:36,159 --> 00:46:38,440
Speaker 4: He's got the Dreamers the series, but no controller.

756
00:46:38,639 --> 00:46:40,119
Speaker 1: And see there's the Knight.

757
00:46:40,440 --> 00:46:47,039
Speaker 2: He's lost control the Moon. The three spiritcals got one

758
00:46:47,119 --> 00:46:47,840
thing on his mind.

759
00:46:47,920 --> 00:46:49,960
Speaker 4: So now the Dreamer is alive and as he has

760
00:46:50,159 --> 00:46:50,840
the Knight.

761
00:46:50,679 --> 00:46:57,199
Speaker 20: And he lost controlful, he lost control, he lost control

762
00:46:58,440 --> 00:47:00,199
and he loves Controul.

763
00:47:01,119 --> 00:47:29,760
Speaker 4: The cancer, I said, set he is not strong with.

764
00:47:29,880 --> 00:47:32,280
Speaker 1: No cares or back and this he hass the Knight

765
00:47:32,440 --> 00:47:33,360
and he lost.

766
00:47:33,159 --> 00:47:42,679
Speaker 20: Control very plays conceded, relieve the under the night.

767
00:47:43,079 --> 00:47:50,719
Speaker 2: He lost control, he lost control, was lost controul and

768
00:47:50,920 --> 00:47:51,920
he lost control.

769
00:47:54,280 --> 00:49:00,559
Speaker 6: Sol mh.

770
00:49:24,239 --> 00:49:32,000
Speaker 14: S it's.

771
00:49:34,320 --> 00:49:34,360
Speaker 3: This.

772
00:49:42,079 --> 00:49:43,039
Speaker 6: But his sound is a.

773
00:49:43,159 --> 00:49:46,239
Speaker 4: Longest boy sound is the longest.

774
00:49:47,239 --> 00:49:52,880
Speaker 2: So scouts a Knight, so Scouts and Knights, he says,

775
00:49:52,960 --> 00:49:55,960
sound is a lot sound.

776
00:50:45,440 --> 00:50:48,079
Speaker 8: Those guys have such a great sound. I love them.

777
00:50:48,199 --> 00:50:50,119
I love them. Tuesday Night Whites is the name of

778
00:50:50,119 --> 00:50:52,599
the band that is called Lost Control. Thank you again

779
00:50:52,639 --> 00:50:55,079
to Ali and Jack for joining us today on the show,

780
00:50:55,119 --> 00:50:58,840
skyping in from one another. One of those intercontinental calls.

781
00:50:59,239 --> 00:51:02,199
But that was that was fantastic, and we're gonna play.

782
00:51:02,199 --> 00:51:04,599
We're actually we talked about it during our interview. We'll

783
00:51:04,599 --> 00:51:05,960
play it again at the end of the show today

784
00:51:06,039 --> 00:51:09,440
twenty three, which is the first single from the band

785
00:51:09,519 --> 00:51:13,519
that we debuted here on the show on American Radio.

786
00:51:14,159 --> 00:51:17,639
Uh so, always very happy to do that, Jenny, before

787
00:51:17,679 --> 00:51:20,519
we go, you've been very busy. Of course we should

788
00:51:20,639 --> 00:51:23,519
plug your website and where people should go to keep

789
00:51:23,599 --> 00:51:24,639
up with everything you're doing.

790
00:51:25,119 --> 00:51:26,440
Speaker 9: I know I have a lot to catch up on

791
00:51:26,519 --> 00:51:29,559
on my website at Jencoffee dot com j E N

792
00:51:29,679 --> 00:51:32,039
n c O f f ui dot com. You can

793
00:51:32,159 --> 00:51:33,960
keep up with my activism there.

794
00:51:34,280 --> 00:51:38,719
Speaker 8: Yes, yes, yes, you've been You've been very busy. Yes,

795
00:51:39,159 --> 00:51:42,719
oh we should mention too. This past week we were

796
00:51:42,800 --> 00:51:45,280
at On Tuesday night, we were at Terminus Underground. That

797
00:51:45,559 --> 00:51:48,800
was so much fun at New Hampshire Underground of course

798
00:51:49,119 --> 00:51:52,960
grand reopening. Yep, Eleanor and Andre doing great things there

799
00:51:53,119 --> 00:51:58,000
and we finally met Simba yes Simsyre on the Facebook,

800
00:51:58,119 --> 00:51:59,400
so that was very cool.

801
00:52:00,400 --> 00:52:03,719
Speaker 9: Space in Nashaulla. Definitely encourage people to check it out.

802
00:52:03,960 --> 00:52:04,159
Speaker 3: Yep.

803
00:52:04,440 --> 00:52:08,079
Speaker 9: You can utilize the space there as an artist. They

804
00:52:08,119 --> 00:52:10,599
even have a practice room that where bands can come

805
00:52:10,639 --> 00:52:14,360
in and utilize if they don't you know, necessarily have

806
00:52:14,480 --> 00:52:17,079
the ability to rent a room for themselves to have

807
00:52:17,360 --> 00:52:20,039
all to themselves all the time. They actually have a

808
00:52:20,159 --> 00:52:22,000
space that you can come in and utilize.

809
00:52:22,239 --> 00:52:24,800
Speaker 8: Yeah. Yeah, and you even have a set set up

810
00:52:24,840 --> 00:52:27,400
in it. And we got to watch Quincy Lord oh

811
00:52:27,599 --> 00:52:32,880
yeap do an amazing set, and then Jesse Rutstein, who

812
00:52:33,280 --> 00:52:35,000
is also going to be coming on the show soon.

813
00:52:35,400 --> 00:52:37,519
Speaker 9: Yes, yes, we will be seeing them in the future.

814
00:52:37,719 --> 00:52:42,159
Excellent artist, amazing sound. Yeah, just really enjoyed. The entire

815
00:52:42,199 --> 00:52:45,559
event was wonderful. We saw Manchester Inclink was there. I

816
00:52:45,679 --> 00:52:48,199
believe it's an article Yep, that was a great article

817
00:52:48,239 --> 00:52:50,840
of course from the Manchester Inclink. You should check them

818
00:52:50,920 --> 00:52:53,639
out for certain. They cover a lot of great New

819
00:52:53,760 --> 00:52:56,360
Mpshire news, not just limited to us.

820
00:52:56,679 --> 00:52:59,039
Speaker 8: I think there's something in the Hippo too, I think

821
00:52:59,079 --> 00:53:00,480
you're right, was something.

822
00:53:01,320 --> 00:53:04,079
Speaker 9: Yeah, And of course that's the home of Dead Harrison. Yes,

823
00:53:04,480 --> 00:53:06,639
another great band that we've had on the show before.

824
00:53:06,800 --> 00:53:08,199
We look forward to when they come back.

825
00:53:08,519 --> 00:53:09,119
Speaker 8: Absolutely.

826
00:53:09,400 --> 00:53:09,559
Speaker 3: Yeah.

827
00:53:09,639 --> 00:53:12,800
Speaker 9: It was all in all an absolutely amazing place. They

828
00:53:12,840 --> 00:53:15,719
even have a gallery area where they highlight local artists

829
00:53:15,960 --> 00:53:18,519
and they do change that artwork out on a regular basis.

830
00:53:18,760 --> 00:53:20,840
If you'd like to be highlighted. They should definitely check

831
00:53:20,880 --> 00:53:26,239
out the New Hampshire Underground. They're on Facebook and all

832
00:53:26,320 --> 00:53:30,360
the other socials do yes, they are everywhere, yes, yes, yes, yes,

833
00:53:30,440 --> 00:53:32,719
so definitely check that out. And then, of course our

834
00:53:32,760 --> 00:53:36,480
other lovely place we love is the Mosaic Art Collective.

835
00:53:37,559 --> 00:53:40,440
They have a new show coming up soon. The deadline

836
00:53:40,519 --> 00:53:43,000
was yesterday to enter, so this weekend they'll be announcing

837
00:53:43,440 --> 00:53:45,960
those who have made it into the Show of Illusions,

838
00:53:46,679 --> 00:53:49,559
which is going to be all about three D effects

839
00:53:49,679 --> 00:53:52,559
and things that maybe look a little different or below

840
00:53:52,639 --> 00:53:56,079
in the dark black light. I'm looking forward to seeing

841
00:53:56,079 --> 00:53:58,360
how that show goes. And then the next show that's

842
00:53:58,440 --> 00:54:00,400
coming up you want to think of it is a

843
00:54:00,480 --> 00:54:04,400
kinetics show where people are going to be doing interesting art.

844
00:54:04,440 --> 00:54:09,320
I've actually been trying to bug Miriam into remaking one

845
00:54:09,400 --> 00:54:12,719
of her really creative pieces she did of puddles. Yeah,

846
00:54:13,079 --> 00:54:16,079
and I think it would be an excellent, excellent submission

847
00:54:16,119 --> 00:54:19,320
for the Mosaic Are Collective, so definitely check them out

848
00:54:19,400 --> 00:54:22,440
as well. Located right here in the Queen City.

849
00:54:22,840 --> 00:54:26,440
Speaker 8: Yes, absolutely, well, thank you everyone who joined us today.

850
00:54:26,480 --> 00:54:28,679
Of course, we had a Nottley crue in the first

851
00:54:28,760 --> 00:54:31,400
hour of the Great Motley Crue tribute band, and in

852
00:54:31,480 --> 00:54:33,639
the second hour we had Mercury Burns first, and of

853
00:54:33,679 --> 00:54:36,400
course Tuesday Night Whites in the third hour, and not

854
00:54:36,480 --> 00:54:39,400
sure what happened Iron Jaw, but hopefully everything's okay. Well,

855
00:54:39,519 --> 00:54:42,639
hopefully everything's okay because I really like them. But so

856
00:54:42,800 --> 00:54:44,320
if you miss any part of today's show, it will

857
00:54:44,360 --> 00:54:46,360
be up in just a little bit at wm andhradio

858
00:54:46,400 --> 00:54:49,280
dot org and on my website Matt Connorton dot com. Also,

859
00:54:49,320 --> 00:54:53,960
if you missed yesterday's granted state of Mind, oh god, yeah,

860
00:54:54,159 --> 00:54:56,519
John Hopwood was there. He was there for the full hour.

861
00:54:56,760 --> 00:54:57,719
I so missed that.

862
00:54:57,960 --> 00:54:58,199
Speaker 2: Laugh.

863
00:54:58,320 --> 00:55:01,800
Speaker 9: Oh yeah, I loved listening to listening last night hearing

864
00:55:01,880 --> 00:55:04,719
him laugh. I missed you happy And then Texas Mike

865
00:55:04,760 --> 00:55:07,679
and I joined the show halfway through. Ye, so that

866
00:55:07,880 --> 00:55:11,039
is of course up at wmnhradio dot org, and of

867
00:55:11,159 --> 00:55:13,840
course then John Hopwood joined us on as well as

868
00:55:13,880 --> 00:55:16,199
Texas Mic for Retro Spectrum Radio.

869
00:55:16,280 --> 00:55:17,000
Speaker 8: Well on the.

870
00:55:17,199 --> 00:55:20,920
Speaker 9: Evening here at WMNH. That was so much fun. Miriam

871
00:55:20,960 --> 00:55:24,119
and I were actually enjoying being creative listening to you folks.

872
00:55:24,239 --> 00:55:24,440
Speaker 8: Yeah.

873
00:55:24,519 --> 00:55:26,559
Speaker 9: I worked on a painting and she was doing some.

874
00:55:28,480 --> 00:55:29,880
Speaker 8: Oregami. Thank you.

875
00:55:30,000 --> 00:55:33,599
Speaker 9: The word for some reason was being replaced with macromay.

876
00:55:33,199 --> 00:55:35,119
Speaker 8: Okay, and that's not right. No, that's what you do,

877
00:55:35,360 --> 00:55:36,639
that's what I do, all right.

878
00:55:36,719 --> 00:55:37,440
Speaker 9: No, we had fun.

879
00:55:37,480 --> 00:55:39,920
Speaker 8: It was a good evening, very good, very good. So

880
00:55:40,280 --> 00:55:43,039
thank you everybody, and we're gonna close today's show out

881
00:55:43,199 --> 00:55:45,960
with one more track from Tuesday Night Whites. This is

882
00:55:46,079 --> 00:55:48,400
the first single that we premiered on the show. And

883
00:55:48,519 --> 00:55:51,199
this listen carefully, you'll hear the bus station in it.

884
00:55:51,880 --> 00:55:54,760
This is called twenty three. And we'll close out with

885
00:55:54,800 --> 00:55:56,079
this and we'll talk to y'all a little bit later.

886
00:55:56,119 --> 00:55:57,840
Bye everybody, Bye bye jee.

887
00:56:00,119 --> 00:56:02,599
Speaker 16: Then sound blue lights, flashboo.

888
00:56:02,679 --> 00:56:03,880
Speaker 4: It will never be found.

889
00:56:04,280 --> 00:56:08,119
Speaker 16: The song just pattish line, drum, sound yeah, and make

890
00:56:08,199 --> 00:56:10,159
some memories to forget in the morning.

891
00:56:10,280 --> 00:56:13,800
Speaker 4: And it feels like everything changes.

892
00:56:13,360 --> 00:56:15,760
Speaker 16: But the people around you keep a smile on the

893
00:56:15,880 --> 00:56:19,639
face in case I'm telling you yeah, I'm selling yeah,

894
00:56:19,719 --> 00:56:22,360
I'm selling you really, So.

895
00:56:24,159 --> 00:56:29,239
Speaker 4: Let's say it down and you can sell it. Sounds

896
00:56:29,920 --> 00:56:31,039
it's some one new.

897
00:56:33,039 --> 00:56:33,280
Speaker 2: Song.

898
00:56:33,400 --> 00:56:35,840
Speaker 4: The funny thing basis the.

899
00:56:35,920 --> 00:56:38,000
Speaker 2: Big boar focuses the one.

900
00:56:37,880 --> 00:56:39,559
Speaker 4: A Lacies and dream.

901
00:56:39,599 --> 00:56:43,320
Speaker 2: Created hearing me anything.

902
00:56:44,679 --> 00:56:48,119
Speaker 20: Let's go back to you in the advices, says the

903
00:56:48,199 --> 00:56:52,480
preep places the one a face and dreams be created,

904
00:56:52,639 --> 00:56:58,000
te hearing me anything, Let's go back.

905
00:56:57,840 --> 00:56:58,280
Speaker 2: In the.

906
00:57:11,480 --> 00:57:16,199
Speaker 16: Sime Li hundred miles so the rise where the sun

907
00:57:16,239 --> 00:57:20,039
shining down on me and you can't seem to hide

908
00:57:20,119 --> 00:57:23,559
that smiles if we tell you your storby.

909
00:57:23,400 --> 00:57:27,599
Speaker 4: Or suit, and it feels like everything changes. But we've

910
00:57:27,639 --> 00:57:28,360
had that before.

911
00:57:28,519 --> 00:57:30,679
Speaker 10: So while we prot through the paces.

912
00:57:30,280 --> 00:57:32,679
Speaker 3: Yeah I'm selling you. Yeah, I'm selling you.

913
00:57:33,360 --> 00:57:34,199
Speaker 7: Yeah, I'm selling you.

914
00:57:36,119 --> 00:57:41,800
Speaker 2: So say down and you can sell it.

915
00:57:42,679 --> 00:57:45,239
Speaker 7: Sound so woome you out.

916
00:57:46,880 --> 00:57:48,920
Speaker 4: From the twenty things.

917
00:57:49,079 --> 00:57:52,079
Speaker 2: Nice is the people, the places, the world.

918
00:57:52,079 --> 00:58:03,360
Speaker 20: Basis credated, hearth anything right splices the people, the places,

919
00:58:03,599 --> 00:58:06,679
the god that faces and teams with the cat to check,

920
00:58:07,440 --> 00:58:11,800
telling me, let's go backing.

921
00:58:28,079 --> 00:58:30,400
Speaker 4: I was singing a song that will bring you a

922
00:58:30,519 --> 00:58:31,760
lung snight.

923
00:58:34,159 --> 00:58:37,199
Speaker 15: That cavin little world time has catch that the evening

924
00:58:37,360 --> 00:58:43,639
right because it's ten past five on a freezing winter's night,

925
00:58:46,280 --> 00:58:47,960
but with a smiling of faces.

926
00:58:48,000 --> 00:58:51,760
Speaker 2: Were dancing. So the sunrice, that's what dancing.

927
00:58:51,840 --> 00:58:55,519
Speaker 4: So the sun rides, that's what dancing. So the sun

928
00:58:55,760 --> 00:59:00,960
rice that's good dancing. The sonar rice escal does and

929
00:59:01,079 --> 00:59:01,920
so a sor.

930
00:59:03,320 --> 00:59:06,639
Speaker 20: Escal bases of the se Mestel.

931
00:59:06,760 --> 00:59:08,480
Speaker 4: Does it sounds sous?

932
00:59:08,599 --> 00:59:10,039
Speaker 2: This is a passenger announcement.

933
00:59:10,320 --> 00:59:12,880
Speaker 7: The twenty three bus will now be part from Stand

934
00:59:13,000 --> 00:59:14,119
nineteen and ten.

935
00:59:14,079 --> 00:59:17,159
Speaker 20: Past fives, closes the prisnel, The closes.

936
00:59:17,239 --> 00:59:20,400
Speaker 2: The worst they see the rat very dating to t.

937
00:59:23,119 --> 00:59:25,639
Speaker 7: Y thing mescal pasture.

938
00:59:26,119 --> 00:59:27,679
Speaker 2: Both guys, it's guy.

939
00:59:27,800 --> 00:59:28,079
Speaker 6: He's the