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Now let's dive into today's episode. I like to welcome
to the show, Dee Wallace.
Speaker 2: How you doing, d pretty bad?
Speaker 1: Thank you so much for coming on this show, my dear.
I mean to say the least, I've been a fan
of yours since I was a kid growing up. And
not only was I a fan of your acting, but
I was when I discovered it your spirituality side and
that you were channeling and the self creation message that
you're putting out into the world. I was really really
become a really big fan then. So that's why I
reached out to have you on the show, because you
are a unique unicorn in this space. There's not a
lot of people like you doing what you do. So
my first question is, you know, how did you begin
the spiritual journey of yours?
Speaker 2: I was born, right, I think I think we're all
on a spiritual journey, whether we call it that, whether
we call it life, whether we call it getting by,
it's all a journey of learning who we are, you know.
But even when I was a very little girl, I
would get messages. I just thought they were intuitions, you know.
But my mom didn't pooh poo it. She didn't take
it lightly. One night, I woke her up and she
had to be at work at seven am every day,
and I said, something's wrong at Grandma's house. Something's wrong.
So she called over there, and Grandma didn't answer. Now, yes,
it was three am, but Grandma had a phone by
her bed, so bless my mom, we got in the
car and we went over there. The cat had gotten
up on the stove and turned all the burners on,
but they hadn't lit, and so the house was filling
up with gas. Grandma was fine, but I got that
information I received there was something wrong, you know, And
I had several experiences. My dad visited me after his
suicide as a light in my room and all this
sounds really airy fairy, I know, But little kids do
this all the time. We called them there, you know,
their imaginary friends. Yes, And because our adult brains can't
accept the fact that kids are so innocent that they
just get that information, But that's really what happens. So
anybody can channel. I just wasn't afraid of it. I'd
known it since I was little, And when my husband
died at forty, I kind of dropped to my knees
and said, I don't want to be a victim and
I don't want to be pissed off. I want a
way we can heal ourselves, which in the Good Book
is ask and you receive. You have to ask, and
most of us don't ask, and we don't ask for
what we want. So within like seconds, I got the
first message, which was use the light within you to
heal yourself. I've just been kind of exploring that ever since.
Speaker 1: So when you were at such a young age as
you were growing up, when did you begin your acting career?
When how old were you?
Speaker 2: Oh? It was well, I did community theater in Kansas City,
and I graduated with a theater education degree. I taught
a year of high school and then I said, if
I don't get out of here, I ain't ever going
to get out of here. So I wrote a very
cheesy letter and I mean it was very cheesy, and
send an even cheesier headshot, by the way to Hal Prince,
who then was the biggest producer on Broadway because he
was looking for an unknown to star in a little
night music. And everybody laughed at me and said, yeahdeed,
that that's really cute, like he's getting. Three weeks later,
his secretary called and said, mister Print and wants to
fly you to New York to audition you. So the
day I arrived in New York, I said all my
belongings to an apartment I'd never been to, and I
went to Rockefeller Center and auditioned for help Prince. I
got down to the last four or five girls.
Speaker 1: Wow. So you were fairly young when you started. What
part of this other side of your personality, of your
the other side of you, of your life started to
seep into your acting? Did you ever include the channeling?
Did you even understand what was going on?
Speaker 2: Honestly, you know I understood what was going on, and
I never called it channeling. So the acting technique that
I use is based on very very high energy, and
you get your energy very up, and you throw all
your energy toward the werewolf, for the dog or the
person you're working with, and what that does is it
opens up a channel. And so I was trained to
get out of the way and let the character tell
me what to do. I never break his scene down.
I never go Okay, where have I going to? Where
have I been? I don't do any of that. I
truly get out of the way and let the character
tell me what to do. So when I started channeling,
I went, oh my god, I've been doing this in
my acting for years. I know this. You just listen.
You listen, and you get out of the way and
you allow the information to guy. So it wasn't foreign
to me at all. It was it was just an
expansion of what I already knew.
Speaker 1: Was the energy that comes through. Is that your higher self?
Is that no? Is it the other side? Or is
it just energy? So where's that come from?
Speaker 2: Everything is energy? Everything we learned that in fifth grade.
There's no positive energy, no negative energy. Energy is neutral.
All the information is available to anybody. It's just hanging
out right here, but you have to ask to receive it.
So I made a deal with my channel and I said, okay,
why me. First of all, I'm little Deanna Bauers from Kansas.
And they said, exactly, that's why, because you'll be able
to say it in a way that everybody can understand it.
And I said, all right, but you're not using my mind,
you're not using my body. I'm not taking any of
this stuff on. I just want to be able to
reach into energy, understand it, dissect it, and help people
heal themselves. And the channel said, that's exactly what we
want you to do. So that's what I do.
Speaker 1: So when you say that, they said, are you hearing
the voice? Are you feeling it?
Speaker 2: Yeah? Well both.
Speaker 3: I mean I will be right back after a word
from our sponsor, and now back to the show.
Speaker 2: What happens to me? If I would act it for you,
what happens to me when I get a hit is inside.
If it were in a movie, i'd go like that,
right right, it's really much more subtle and it's kind
of a hey, go here, you need to go here,
the need to look at this. You know, like when
you hear two or three things within two or three
days from different people, you're supposed to look into that
and focus on that and find out what they're wanting
to communicate.
Speaker 1: Right, So if in the last three days three people
say pink elephant, You're like, maybe I should look for
a pink elephant.
Speaker 2: Somewhere, yeah, or what does that mean, right, the energetic
meaning behind pink elephant, or what's the energetic meaning behind sciatica?
M you know, I have three people in two days
call me about sciatica. There's something up about that. Then
for everybody, for everybody. So you know, somebody called into
my my show that I do every Sunday morning and said,
who do you channel? And I said, don't have a clue,
let's ask And the answer was all thought and all
possibility is what I channel. Well, to me, that's what
the creative force is in the world. And you can
call it. You can call me, you can call it God,
you can call it the creating force, you can call
it divorce, you can call it the main name of
every in any religion that's ever been out there. Really
doesn't care it really, the energy just wants you to
know that you are here an embodiment and you are
given free will to create yourself. So you have to
take the responsibility and get clear about what you want
and commit to that, and then the universe can intercede
and work with you.
Speaker 1: Very very true, very very true. Now, when you've, like
you said, you've been doing this almost all your life,
and you didn't have a name for it when you
were doing it. But when you decided to come out
kind of publicly about this, how did the people around
you deal with it? Or was it a seamless transition?
Speaker 2: I remember being seamless. It started in my acting studio
interesting and I would people would get up to work
and man, I would get hit with information, like they'd
get three or four lines into a scene and I
would go, but what's going on with your wife? What's
the problem at home right now? What did your mother
teach you about money? What's up about money in your life?
And you know, I would have six auditors every class.
Three of them would go, oh my god, I have
to get into this class, and three you would go, hey, nice,
see it bye, because it was kind of freaky. How
right on without even knowing these people's names, the information was.
Speaker 1: So how did you how did you include this in O?
Can you give us his example how this was included
in some of your performances like in Eat for instance?
Speaker 2: Well, yeah, so I can give you a perfect example. So,
like I said, I don't break things down, didn't decide
how to play scenes. My job was just to be
Mary in the moment I was in and at the
big dinner table scene, you know, when Elliott looks at
me and tells me his dad's in Mexico is Sally.
And you see me take this huge hit, and I
felt the tears coming up, and I had the thought,
as Mary, I can't let the kids see me cry.
So I got up and left the table, which was
not in the script. So Steven Yell's cut and he
comes over and he said, deep, why did you get
up and leave? And I told him what happened, and
he looked at me and turned around and said, guys,
I need you've got half an hour. I need you
to build a set over here with a sink with
running water so I can bring her over to the
sink and then bring her into this big close up
where he says he hates Mexico. I remember that that
all happened like that because Mary had to leave the table.
Speaker 1: I'll tell you something.
Speaker 2: I mean, it happens, you.
Speaker 1: Know, well, yeah, and you know I've I don't know
if you know or not, but I've been in the
industry for about twenty twenty five thirty years, as well
as a director and being on set as a director,
when you're working with actors you, there's those moments you
just kind of like let things come through you, and
it's really difficult to understand. I've been on sets when
I've seen it happen when I'm not the director. While
I'm on the director, I feel something like, Okay, how
do I fix this problem? How do I get that
something comes through? And it's a collaborative channel in many ways, and.
Speaker 2: The sets that don't allow that collaboration, oh the magic
doesn't happen. It's all the great directors, all the great
directors that I've worked with, We've had moments like that,
Like Peter Jackson when I was doing The Frighteners and
we were doing the transition where Patricia sees him, you know,
and he said, we'll try this, We'll tie that way,
and they were you know, when I when i'm acting,
I feel like bucks are calling over me. When I'm
seeing everything just is like that. So they'd already broken
and were going off to do and I went, oh, Peter,
I've got it. I've got it. Because I just had
to sit there with no information and just be And
that's that's when we got the take that we used
in the film. In ten with Blake Edwards we had
finished doing the scene where Mary Lewis is watching him
play the piano at the bar, and again they'd broken
and Dudley just started playing and I was there and
I was so moved by watching him and tears came
to my eyes, and Blake happened to walk by, and
when everybody come back, set up again quickly, we're going
to get a shot of Mary Lewis listening to him playing.
And it's this huge heartfelt moment close up. But it's
just because I was really in the moment. You know,
that's when all the magic happens. And so beginning directors
often think, you know, all right, I have to have
a shot listen, I have to have everything. I have
to know exactly what I'm doing and try it this
way and try it that way. And it's funny because
they're really making such an effort to do it right,
and in that effort, they're limiting the creativity on this
set so much.
Speaker 1: Oh, I agree with you one hundred percent. When I
first started off directing, I had shot lists and storyboards
for every single moment of every single thing, because I
wanted to be Hitchcock. Because we all directors, I mean
Steven wanted to be Hitchcock. Everybody wanted to be Hitchcock.
So as I gotten older, now I just kind of
like show up. I'm like, all right, let's see what
we're going to do today, guys, and kind of just
flow with it a lot more.
Speaker 2: And Stephen does that too. He's very prepared, but he
he was open to all the kids. Suggs, Yeah, which
were phenomenal. By the way, a lot of the stuff
they came up with, kids don't have, you know, those blocks,
and well maybe I should, maybe I shouldn't. Kids are
just hey, what you know. I love working with kids
because they're just always in the moment with you always.
Speaker 1: We'll be right back after a word from our sponsor,
and now back to the show. Now. Because of your
you know, your career and working with so many amazing
creative people over the course of that time, is that
can you explain or can you explain to the audience
the process of the artists in the sense of how
we're able to just channel And I think I've used
this example so many times with athletes when they're at
the very high levels. With artists, when they're at the
very high levels, they're almost they're just almost channeling at
a different energy level. Oh yeah, it's And I've had
the converse. I've been in the rooms with some of
these big actors and big directors. I've spoken to many
of them, had them on shows and things, and you
just the difference when when you're talking to them about stuff,
you're just like, oh my god, there's just like there's
a different level. Can you articulate that in any way
for the audience.
Speaker 2: Yeah, it's the ability to be in the moment, not
be in control of the moment, but to be in
the moment of creativity and to trust that. But when
you trust yourself as the artist and the conduit that
it's coming through, you let go and then the greater
guidance comes in, whether it's channeling healing work and me
going into people's energy and putting together where the belief
systems are that are in their way, or being in
the moment of the character and what they're feeling and
even thinking. I mean when Mary, when Mary Mary Lewis
was the girl intent When Mary and at said no,
I don't want the kids to see me cry, that
was her thought, not mine, And it's so exciting when
that happens.
Speaker 1: So what you're saying is almost the artistic process is
an analogy for life in general. To be in the moment. Absolutely,
you're connecting to source energy, You're connecting to that higher
guidance that we're going through. And I'll have to agree
with you one hundred ten percent that when an actor
is trying to control their performance, it suffers dramatically. Where
you have someone like Meryl's or Daniel de Lewis or
a Denzel or any of these amazing actors who just
every single time they're on screen, you just like, oh,
they're just they're at a whole other level. They allow
things to kind of flow and be and become as
opposed to actors who want to try to control, and
you can tell when you're watching a movie or so
they're kind of control.
Speaker 2: It doesn't that apply to our life too.
Speaker 1: I was about to say it.
Speaker 2: We're we're taught we have to control our life. We
have to control it or we're not safe, right, And
so that makes us go to our monkey minds. And
your mind is literally designed to question and doubt. That's
its purpose. So if you're questioning and doubting your life
and your creation of it you're never joy fully and
excitedly with love looking at your life, going wow, what
a miracle? What can I create today? You know, during
the pandemic, I got up and there was all this
news within the industry of you know, everybody's shutting down
and how are we going to get And I went, oh,
my god, am I going to make a living? And
my channel said the business isn't your living. D your
consciousness is your living. Get up every day and say today,
what can I create? And do you know I never
suffered financially or creatively during the whole pandemic. It was
pretty miraculous. I mean, like a month into it, my
agent called, he's a d I even forgot I negotiated
this because they never came back. They want to use
a clip of one of your movies in this big
movie that's coming out. And I negotiated twenty thousand dollars
for you, and they just wrote me and said, okay,
we're going to use it. I mean, I couldn't have
made that happen because I had no idea that he
negotiated it. I didn't even know what.
Speaker 1: The movie was. Wow.
Speaker 2: But when you're in an alignment with loving money and
loving yourself and trusting the universe and allowing everything to
be delivered to you. Then you're in alignment and the
universe goes, Okay, we'll figure it out.
Speaker 1: You don't have to Oh God, yes, it's so true
because once you let go, and it's not letting go
of your free will, where a lot of people always
get confused. It's like, well, if I have free will,
won I need to you know? No, no, no, it's
about letting go and just allowing the universe to kind
of guide you on the path. You choose which path,
which stone you want to walk on exactly.
Speaker 2: You have to know what you want right now. I
can go out and speak and have somebody that I've
never met come up on stage and go, Okay, what
do you want? I don't have to worry about money,
It's good. What do you want? Well, I don't want to,
you know, be so worried that I don't have enough money? Good,
what do you want? This can go on, I'm not
kidding for twenty minutes until they get so pissed off
they say, God, see I want more money. And I said,
now we can start, because that's the first time you've
told me what you want. We are literally programmed not
to ask for what we want, because that's not being
a good little girl or boy. You know, you can't
get everything you want, right, God doesn't love you if
you ask and get everything you want. I mean, there's
all kinds of limiting beliefs that go into that, and
till we go. You know, I love getting what I want.
I love it. And the more money I make, the
more I can give to my charities, The more I
can do for my kids, you know, and my baby,
my daughter's baby that's coming, and more I can do
for my friends. You bet, bring me the money. But
my message, that it took me about three years to
become conscious of and redirect, was they're the rich people,
We're the good people.
Speaker 1: Oh yes, of God, yes I believe.
Speaker 2: Well. So cut to thirty two and I'm coming out
in the biggest blockbuster of all time and making a
lot of money, and I went, oh, I'm one of them,
And what do you do with that?
Speaker 1: That?
Speaker 2: So you have conflicting you know, what you want consciously
and subconsciously, your little girl or your little boy saying
don't go there, you can't want that. You're not going
to be loved. If you get that, you know our
brains are locked in by eight years old to most
of our belief systems. So I tell everybody, and I
suggest for everybody watching this, write down what you're working
on money, success, relationships, health, and then under that, write
down everything you were verbally taught or everything that was
modeled in front of you, and you will see where
you got your limitations from. You will see the walls
that you're hitting.
Speaker 1: Right now, we'll be right back after a word from
our sponsor, and now back to the show these as.
You brought up that little independent movie you did back
in eighty two about an alien What was it like
being in the center of the ET hurricane? Because just
so you know, ET was the first movie I was
dragged to see it because it was there was a
finger and there was like a moon, and the marketing
I was like, there was There wasn't a lot of
TV commercials I could see at the time. I was
so young. I was in second grade and I'm like.
My mom was like, you go go, it's for my birthday.
I'll never forget. And I'm online outside getting in there
and she's you like it. I'm like, oh, what is
it about it's like an alien. An alien? Oh God,
this is so horrible. Is it like Star Wars? No,
it's not like Star Wars. So I go in and
it changes my life because it's the first time ever
I think about being a filmmaker, when in eighty two
there's not a lot of information about being a filmmaker
or being a screw, Like that's not a thing as
it is in today's culture. So I knew how affected
in my life. And then being at that age, everything
was ET. Like you could have walked anywhere on the
planet without seeing ET. Something about ET. What was it
like for you being in the center that ET hurricane?
Speaker 2: It was awesome. It was awesome, And I think what
was most awesome about it was that I really got
the spiritual impact of the movie. It's a movie that
transcends the mind and the brain and reaches right into
people's hearts and reminds us all of what's important.
Speaker 3: You know.
Speaker 2: And I look back now and I think it was
by no mistake that I was chosen for ET, because
it's pretty much everything I teach in my healing work,
you know, keep your heart open. He was very clear
of about what he wanted he wanted to get home.
He allowed all the kids in the universe, all the
little things he collected, to come together to help him
create what he wanted, and he got it. And that's really,
in the simplest terms, what creation is. That's how you
manifest everything.
Speaker 1: I've never actually sat down and analyzed Et that way,
but it is so true that Et the character was
collecting all the stuff to help him manifest his way
back home, which is an analogy for all of us
in life. We are all trying to gather information, trying
to gather things, trying to gather stuff, relationships, people, to
try to get back home on a subconscious level, if
you will, would you.
Speaker 2: Agree, well, it's very conscious level for me. Sure it
wasn't always, and somehow I just always knew it on
some level. I think we all do when we get
out of our minds and just get into allowing ourselves
to feel. The truth.
Speaker 1: Is, did you have any major takeaway or lesson you
learned from Stephen on that set of ET? Because he
was such a young director. I mean, he was already
Steven Spielberg at that point, But you know what, were
any lessons either spiritual or creative or just life lessons
that you might have learned from him.
Speaker 2: I think it was always not to allow anybody else
to define who you are.
Speaker 1: Such a beautiful idea, such a beautiful lesson, because we
all do that, don't we.
Speaker 2: Pretty much until where you become conscious that we are
in charge of defining and creating ourselves.
Speaker 1: Now, we've been talking a lot about channeling and how
you channel. What is your exact process to connect to
that information to source energy? What do you what is it? Do?
You just ask and it just comes to that's simple.
Speaker 2: Yeah, ask me something now, Oh god, what do you
want to know about?
Speaker 1: Oh god, I wasn't prepared for this. Okay, remember I
wasn't prepared. Okay, let's see what comes up.
Speaker 2: Where are you challenged? Where do you want to break? Oh?
Speaker 1: For me? Oh for me? I was going to look
for a bigger question about the world. About me.
Speaker 2: You can ask about the world. I don't care ask anything.
Speaker 1: Okay. My challenges the great the great awakening that is
happening throughout this world of consciousness. What is the biggest
block that we have as a as a species.
Speaker 2: The biggest block is that we can't know. And right
after that, they're saying is that we're scared to death
to know I can't be God. I'm scared to death
to be God. I can't be the creative force. I'm
scared to death to take that responsibility.
Speaker 1: How do we overcome that? How do we overcome that thing?
Speaker 2: Higher? Now I'm working with my pencil. I mean, you
can't see it.
Speaker 1: But sure, is there anything? Is there a way to
overcome those fears?
Speaker 2: Sure? It's like everything, energy has to be directed. You
know again, energy is neutral, it's just hanging out there.
It will match whatever your thoughts, feelings, and beliefs are.
So if you want to change your life, you've got
to become conscious of what you want and then choose
the thoughts and the feelings and the beliefs that support
getting what you want creating what you want.
Speaker 1: So is this a form of the law of attraction
or manifestation?
Speaker 2: Yeah? And it goes way beyond that, right, holistic understanding
of that.
Speaker 1: Right an if I even bring up the word law
of attraction, I just kind of cringe a little bit
because it's been so misunderstood for so many times, so often.
Speaker 2: Yeah, I'm so overused, and I think the greatest challenge
is that people get stuck in the original small explanation
of what it is instead of expanding out and allowing
that to be greater and grow.
Speaker 1: And during all of this time that you've been publicly
doing this, have I'm assuming you must have had some
sort of skepticism along the way. How do you deal
with that if you did have.
Speaker 2: Any Well, like I deal with anything that's not a
thought that's going to give me what I want.
Speaker 1: So if you if you, if someone comes in select
it because people ask me all the time. But like
this channeling stuff, Alex, really are you like you used to?
You know, you used to be a filmmaker. Now you're
talking to channels and I have chance channels on the
show and people that go full all in uh as well,
and I go, well, what's the message? Does it ring
true to you? Great? If it doesn't move on, you
know with skepticism.
Speaker 2: So yeah, what's so funny, you know, is that they'll
ask because they want to know, and then they'll because
they don't.
Speaker 1: It was just exactly that's the thing I was fascinated about. Like,
if you're asking, that means you're curious. If you were
completely just like the dismissive of it. You wouldn't even ask,
you'd be like that show.
Speaker 2: I want to be God in I don't want to
be God. I want to be in control of my life.
And that's way too much responsibility, you know. So people
will call in to me and go, well, what is
my guide say? And my response is your guide wants
to know what you want. That's the guides, the angels,
whatever you call the creating force is waiting for you
on this plane. Nobody can think of thought for you.
Nobody can feel a feeling for you. Nobody can hold
a belief for you that you do not choose. That
makes you the creator with free will of you on
this plane, the energy of what everything is a part
of is waiting for you to direct it where you
want to go. If you want ice, you have to
decide you want ice. You have to put the water
in the tray and the tray in the freezer to
get ice. To get what you want, all of creation
is pretty much the same.
Speaker 1: We'll be right back after a word from our sponsor,
and now back to the show. So that point of
asking is so important.
Speaker 2: Forever to learn so you know what you want.
Speaker 1: It took me forever to ask for help people.
Speaker 2: We are taught not to.
Speaker 1: Yeah until I And a few times, even before I
got deeper into this as I am now, I would
just ask the universe. I'm like, I just need to
help someone, help me with this, this or this, and
then magically a phone call would come the next day
or a job opportunity would come the next day, and I'm.
Speaker 2: Like, yeah, just like the money that came to me.
Speaker 1: Right, it's magic, Like this is no.
Speaker 2: You know, I didn't even audition for ET.
Speaker 1: How did you get EAT? Then?
Speaker 2: I had auditioned for used cards years before.
Speaker 1: Yeah, well Robertson mackis Yeah.
Speaker 2: But he Stephen remembered me in my quality and that's
who he wanted for Mary.
Speaker 1: Simple as that. That just called you like, hey, Steven
Spielberg wants you to be.
Speaker 2: Simple as that. And I I was enrolled in a program,
a philosophy program, if you will, and the whole summer
was on creating what you want, writing it down. I
wanted to start in a major motion picture with a
major director. That would be very success. I got everything
that was on that sheet.
Speaker 1: Do you suggest people do that more instead of just
saying it? Writing it?
Speaker 2: Yeah? My channel's very big on writing it down, really,
because well, you can see right in front of you,
and you can experience in the exercise of writing it
down what you're resisting when your thoughts go, oh, that's
too much to ask, you know, that kind of stuff.
But most of all, you it helps you get very,
very clear, and it helps you commit. One of the
big parts in my newest book, Born is the three
pillars How I see myself, how I see the world,
how I see the world seeing me, And if those
three aren't in alignment, part of the house is collapsing.
So I can see myself as an actress. But if
I see a world then I go, oh, it's not
going to be possible out there for me. Or I
see a world where it's possible, and then I see
everybody looking at me in my imagination going yeah, we
don't know her. She's not an actress, she's nobody. Then
I've got walls that can't allow me to build the
house I want.
Speaker 1: How do you find how do you find those walls?
Because that's a very difficult thing when you're looking for
these walls, these blocks in your life, and they're subconscious.
Something that happened when you were three or four or five.
Speaker 2: Some beliefs happened. Then, by the way, right.
Speaker 1: How do you dig through all the mud?
Speaker 2: Okay, what in your life are you not getting that?
You want?
Speaker 1: Simple as that, And then they'll start digging.
Speaker 2: In and then well, let me write down what what
did my mom teach me about that? What did my
dad or what did my grandparents teach me about that?
What did my church teach me about that? What did
I watch being modeled in front of me? I mean,
I couldn't for the longest time figure out why I
couldn't find a mate that was equal in what they made,
and I was having to take care of everybody. And
I did that exercise once I had been taught, and
I thought, well, my dad was an alcoholic all my life.
I saw my mom take care of him, take care
of all of us. My grandfather had been a very
big CPA had had two strokes when I was very,
very little. So I witnessed my grandmother taking care of
him hand and foot every day, and I went, oh, okay,
there's my belief. Women have to take care of men.
And until I consciously redirected that, well, what do I want? No,
I want relationships where he's complete in himself, and I'm
complete in myself in all subjects, and we come together
and bring our completion into a complete union. That's what
I want. And then I started getting it.
Speaker 1: Yeah. I mean the big, one, big belief I had
to deal with was you have to work hard for money.
Speaker 2: Oh I didn't.
Speaker 1: I mean my gen I mean my gen my grandfather's generation,
my parents' generation, you know, working class, lower middle class,
middle class.
Speaker 2: Yeah, they all came from depression, from the depression. Oh yeah, right,
And those are sense memories and beliefs that are literally
passed down in the water of who we are. Water,
as you know, holds its memory from the beginning of time,
and we're almost ninety percent water.
Speaker 1: That's an interesting concept. Can you dig into that a
little bit and can you explain a little bit more
for people.
Speaker 2: Yeah, if you read any of the tests of like
a Moto, the Japanese gentlemen who did all the tests
with water and everything, water contains frequencies and vibrations that
have been around forever. So that's a truth. Yeah. So
we not only want to redirect the limiting beliefs from
this lifetime, but from many of the other lifetimes. That
we lived when we went through plagues, and we lived
in foreign countries, third world countries and starve to death.
You know, all of that is in our energetic field.
And again energy needs direction and redirection. So if there's
something that you don't want, you need to be clear
about what you do want so that you literally can
consciously direct the energy to create that. So take seventy
two hours to change the sign apps in your brain
if you are excited and happy in doing it consistently
for those seventy two hours.
Speaker 1: So you have this concept. I actually remembering my grandfather
who did come from that kind of time, the depression,
where he would literally reuse paper towels, he would dry
paper towels, and I remember seeing things like that when
I was growing up. I'm like, oh, I guess you
gotta work hard. I was working hard since I was
like I was seven eight, I was trying to figure
out how to make money.
Speaker 2: Well, then, you know, it's good to have a good
work ethic. Correct, it's not good, and it does not
serve the ease of your creation to marry that with
the belief that it has to be struggle. So people
say to me, at least three times a day. Oh
my god, thee how do you do everything you do?
Speaker 1: Same here?
Speaker 2: Yeah? And I go, well, I love everything I do,
and I get to choose if I need some time off.
Then I am the creator of that. You know what
I'm feeling like, I'm pretty close to the wall here.
I'm going to take two days, and I swear, you know,
three hours into that first day, I'm going I'm going
freaking nuts. What is there to do? Right? And you're atchice,
you are always at toys.
Speaker 1: Now, you were mentioning a little earlier that you were
doing some pretty transformative channeling in your acting class. Can
you give an example of an experience that transformed somebody's
life when you were dealing with your channel We'll be
right back after a word from our sponsor, and now
back to the show.
Speaker 2: Yeah, this one guy was doing this scene about proposing
to his girlfriend, and I stopped him four lines in
and I said, why is your energy blocked? What's up
with relationships with you and completing relationships with you? And
he started crying and he said, oh my god, I've
been engaged three times and they've all renigged on me.
And the first thing I heard was mom, and I said,
what do you remember your mom teaching you about relationships?
And he paused for a minute and he said, oh
my god. She used to say to me, you'll never
or find a woman who loves you more than I do.
And whenever he got close had he literally had to
attract women that would not complete a relationship with him
because he had to maintain that belief that his mother
had given him. He wrote me six or seven months later,
he had moved back to New York, and he said,
Miss Wallace, I just want you to know I just
got married to a wonderful girl. Oh beautiful, you know,
and really it's really easy. Of course everybody's going, oh listen, no,
because if you say it's hard, then you're directing yourself
to make it hard, and then it will be.
Speaker 1: Hard, whether you believe. If you're wrong or you're right,
you're correct. Yep, it's really true. What would you what
do you say to somebody who's listening, who's like, this
all sounds such positive thinking, Pollyannic kind of thoughts, this
doesn't make sense to me. Don't try it, okay.
Speaker 2: Because if you really do it, your life will change
and you'll go I get it. And you'll be off
and running in your life.
Speaker 1: Fair enough, Dan, I'm gonna ask you a few questions,
ask all my guests, what is your definition of living
a fulfilled life?
Speaker 2: Love?
Speaker 1: If you had a chance to go back in time
and speak to the little d that used to be you,
what advice would you give her? Oh?
Speaker 2: I you know, I love who I am and she
started at all. I would thank her. I would thank
her for being the bright light she's always been.
Speaker 1: Oh beautiful. How do you define God, me.
Speaker 2: And you?
Speaker 1: What do you say to those people who cannot accept
that we are all God and we are all the
creators of our own life.
Speaker 2: I would say, you get to create yourself. So if
you want to create yourself limited that you're right.
Speaker 1: And what is the ultimate purpose of life?
Speaker 2: To be happy and to take responsibility for the creation
of yourself?
Speaker 1: And where can people find out more about you and
the amazing work you're doing for the world.
Speaker 2: I am Dwallace dot com that.
Speaker 1: Has everything, and your books are on Amazon and all that.
Angel private sessions as well.
Speaker 2: Oh yes, I do private sessions. I have three today,
private sessions. I do monthly webinars. There's a whole new
area of energy that's opened up called intrinsic data fields,
and I'm getting ready to do a big webinar on
the meaning of intrinsic data fields. We haven't used them
in the direction of energy because they're kind of a
pocket of energy off to it and we haven't really
known they were there. So this is inclusion of a
lot more energy that we get to play with. So
it's really exciting for me.
Speaker 1: And did you have any party messages for the audience.
Speaker 2: Yeah, I love yourselfs guys, love your self and love
yourself and love yourself more, because that's really what it's
all about. Who do we want to give everything to
the people we love. Let's put ourselves at the top
of the list, and then our cup rent is over
and we get to give a lot more to everybody else.
Speaker 1: D I appreciate you and the amazing work you're doing
for the world. Thank you again so much for being
on the show.
Speaker 2: Thank you, this was a great interview.
Speaker 1: Thank you, Thank you for spending this sacred time with
us today. If you feel called to explore this conversation further,
you'll find the show notes for this episode at next
levelsoul dot com. Forward slash three zero seven, and if
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