WEBVTT 1 00:00:00.120 --> 00:00:37.079 Oh trigger warn This podcast may include explicit content that 2 00:00:37.119 --> 00:00:39.280 will take you out of your comfort zone and make 3 00:00:39.359 --> 00:00:42.840 you question reality. Listeners dis question is advised. 4 00:00:51.920 --> 00:00:54.840 All right, everyone, you know what it is. It's Cosmic 5 00:00:54.880 --> 00:00:57.880 Peach Podcast and I have a very special guest lined 6 00:00:57.920 --> 00:01:01.119 up for you today. I have recently worked with him 7 00:01:01.439 --> 00:01:04.359 on The Occult Rejects, so you may have already heard 8 00:01:04.359 --> 00:01:07.799 that episode, but it's Rider Lee. How are you. What's 9 00:01:07.840 --> 00:01:08.239 going on? 10 00:01:09.239 --> 00:01:11.159 I'm doing great, Julia, Thanks for having. 11 00:01:10.920 --> 00:01:11.879 Me on Really Eazy. 12 00:01:12.000 --> 00:01:14.040 Yeah, I'm glad you like my movie. 13 00:01:14.159 --> 00:01:16.599 And if you watched it, yeah, I've watched it a 14 00:01:16.599 --> 00:01:21.000 couple of times actually, So it is available on Amazon 15 00:01:21.120 --> 00:01:25.079 Prime and is it anywhere else? That's where I've been 16 00:01:25.120 --> 00:01:25.599 watching it. 17 00:01:25.640 --> 00:01:29.799 But you can get it on Apple TV Plus and 18 00:01:30.239 --> 00:01:33.000 you can also get it on to b Now, so 19 00:01:33.840 --> 00:01:37.439 you got a few options there. I think that it 20 00:01:37.519 --> 00:01:40.760 was released in the UK also on Amazon Prime, but 21 00:01:40.920 --> 00:01:44.159 it's not like a worldwide thing. So now that it's 22 00:01:44.159 --> 00:01:48.000 out on to b more countries that people live in 23 00:01:48.120 --> 00:01:50.359 can now watch it if you can get the TV apps. 24 00:01:50.359 --> 00:01:54.799 So yeah, two Amazon Prime and Apple TV Plus. 25 00:01:55.120 --> 00:01:58.359 Yeah, I mean I love it obviously. I actually watched 26 00:01:58.439 --> 00:02:01.719 the first two keyword to see that was Jay Widner. 27 00:02:02.799 --> 00:02:06.120 And then when I saw this one, my husband Colby 28 00:02:06.560 --> 00:02:09.879 actually I think has spoke to you about it from 29 00:02:09.960 --> 00:02:15.879 Kenspiracy Playtime. We watched it together and yeah, we were 30 00:02:15.879 --> 00:02:18.560 both huge fans of it right away. So I wanted 31 00:02:18.560 --> 00:02:21.599 to have you on ask you my own questions about it, 32 00:02:21.680 --> 00:02:25.159 because there's a lot to dive into there. But I 33 00:02:25.159 --> 00:02:27.479 guess I really first want to open up by saying, 34 00:02:27.639 --> 00:02:31.159 I'm a huge Kubrick fan, obviously, as you can kind 35 00:02:31.159 --> 00:02:33.800 of tell from my background, But what what is he 36 00:02:33.960 --> 00:02:34.400 to you? 37 00:02:34.520 --> 00:02:34.599 Like? 38 00:02:34.719 --> 00:02:38.479 Is he a mad genius? Or is he like a 39 00:02:38.520 --> 00:02:41.680 bad guy or a good guy, or like where who 40 00:02:41.840 --> 00:02:42.479 is he to you? 41 00:02:44.479 --> 00:02:50.560 Well? I've always been a fan of filmmaking. I'm certified centiphile. 42 00:02:51.000 --> 00:02:54.159 That's when I grew up, like I would just throw 43 00:02:54.199 --> 00:02:56.280 on a movie. It was like kind of my escapism 44 00:02:56.439 --> 00:03:03.240 from you know, reality, and I always admired really good 45 00:03:03.520 --> 00:03:08.439 filmmaking and Qubreak is definitely considered one of the best 46 00:03:08.479 --> 00:03:16.039 filmmakers of all time, and just his cinematic style. No 47 00:03:16.080 --> 00:03:20.120 one really does that anymore, right, It's all like jump cuts. 48 00:03:20.120 --> 00:03:25.520 It's always don't let the shot hang on anybody for 49 00:03:25.599 --> 00:03:29.439 too long, which is not the way that it's you're 50 00:03:29.479 --> 00:03:34.159 supposed to tell a story through filmmaking, supposed to be 51 00:03:34.919 --> 00:03:37.280 a story. You don't have to give everything away in 52 00:03:37.319 --> 00:03:40.560 the exposition of the film, which is a mistake that 53 00:03:40.840 --> 00:03:44.680 a lot of modern movies make. Now. They don't tell 54 00:03:44.719 --> 00:03:47.560 the story through the actual They don't let the camera 55 00:03:47.680 --> 00:03:51.080 tell the story. They let the characters within the story 56 00:03:51.080 --> 00:03:55.199 tell the story. That's a really big mistake. Now there 57 00:03:55.240 --> 00:04:00.280 are a few directors nowadays that you kind of, uh, 58 00:04:01.159 --> 00:04:05.199 lean in that direction more. They're starting to, mostly with 59 00:04:05.319 --> 00:04:10.240 horror movies. It's kind of they're starting to not give 60 00:04:10.319 --> 00:04:13.400 things away within the actual movie and let the audience 61 00:04:13.400 --> 00:04:15.800 put two and two together. And that's what Cubreak is, 62 00:04:16.759 --> 00:04:22.040 basically what the Shining is. It's the audience having to 63 00:04:22.040 --> 00:04:25.199 put two and two together to create their own theory 64 00:04:25.279 --> 00:04:27.519 of what's going on. And at the end of our movie, 65 00:04:27.519 --> 00:04:32.439 at Clockwork Shining Kubric's Odyssey three, we have that audio 66 00:04:32.519 --> 00:04:36.079 clip of Cubriic talking. I don't know if you listen 67 00:04:36.160 --> 00:04:38.399 all the way to the end during the credits, but 68 00:04:38.600 --> 00:04:43.560 he talks about the reason why he doesn't do very 69 00:04:43.639 --> 00:04:46.959 many interviews is because he doesn't want to tell the 70 00:04:47.079 --> 00:04:50.240 audience what the movie is actually about. He wants the 71 00:04:50.360 --> 00:04:55.240 audience to figure out what the movie means to them, right, 72 00:04:55.279 --> 00:05:00.639 And that's a really big deal within filmmaking because again, 73 00:05:00.720 --> 00:05:03.480 now it's not about that anymore. Now it's just giving 74 00:05:03.519 --> 00:05:06.519 away the end. Though, like Long Legs, I don't know 75 00:05:06.519 --> 00:05:09.600 if you watch Long Legs with Nicholas Cage right. 76 00:05:09.439 --> 00:05:11.759 It's on my list. I haven't watched it yet, though 77 00:05:11.759 --> 00:05:14.120 it is good, well. 78 00:05:13.920 --> 00:05:18.720 It's really good up until about the end when they 79 00:05:18.759 --> 00:05:22.360 tell you everything that's going on throughout the entire movie. 80 00:05:23.399 --> 00:05:26.000 They don't give you anything because you're trying to figure 81 00:05:26.040 --> 00:05:29.720 it out, right, And that's what the movie is supposed 82 00:05:29.720 --> 00:05:33.040 to do. You're supposed to figure things out as a 83 00:05:33.120 --> 00:05:35.839 movie goes along, and then you put it together and 84 00:05:35.879 --> 00:05:38.639 by the end you've realized what's going on. But they 85 00:05:38.680 --> 00:05:40.480 don't do that anymore. It's more of an it's an 86 00:05:40.480 --> 00:05:43.160 attention span thing because people don't have the attention to 87 00:05:43.199 --> 00:05:47.040 sit down and watching an hour and forty five minute movie. 88 00:05:47.079 --> 00:05:49.079 They want to be playing on their phone or doing whatever. 89 00:05:49.120 --> 00:05:51.079 But when I'm watching a movie, it's like nothing else 90 00:05:51.160 --> 00:05:53.480 is going on and paying one hundred percent focus to 91 00:05:53.519 --> 00:05:56.959 the movie. But in the movie Long Legs, they go 92 00:05:57.040 --> 00:06:00.720 through an hour and thirty minutes of this movie and 93 00:06:00.759 --> 00:06:04.519 then at the end, right like right before it's getting 94 00:06:04.519 --> 00:06:09.920 ready to end, they explain everything that happened throughout the movie, 95 00:06:09.959 --> 00:06:13.319 and it just ruins them the right. Yeah, when the 96 00:06:13.360 --> 00:06:15.959 audience could have they could have added a few more 97 00:06:16.000 --> 00:06:20.399 scenes in there, and they the audience could have put 98 00:06:20.439 --> 00:06:22.680 together exactly what's going on, and you didn't have to 99 00:06:22.759 --> 00:06:27.240 tell everybody what happened through the movie. They could piece 100 00:06:27.240 --> 00:06:30.319 it together on their own. And that's a really big mistake. 101 00:06:30.360 --> 00:06:33.879 I would love to actually direct a feature film with 102 00:06:33.959 --> 00:06:36.759 like actors and like do an actual film, because I 103 00:06:36.800 --> 00:06:38.920 think that I could do it really. 104 00:06:38.680 --> 00:06:44.600 Well, like horror genre or horror genre, or like some 105 00:06:44.600 --> 00:06:49.879 something psychological mm hmm, psychological movies, like mind bending movies. 106 00:06:50.199 --> 00:06:52.079 I feel like you'd be really good at that. And 107 00:06:52.240 --> 00:06:55.399 it's just curious question, but how do you feel about 108 00:06:55.480 --> 00:06:56.160 Jordan Peele. 109 00:06:57.600 --> 00:06:58.680 I do like Jordan Peele. 110 00:06:59.040 --> 00:07:02.000 Okay, I do too. I was just curious because he is, 111 00:07:02.240 --> 00:07:08.040 to me, a modern day storyteller with some of the 112 00:07:08.639 --> 00:07:10.639 things that he's coming. I was just curious if you 113 00:07:10.720 --> 00:07:14.639 thought he was any good because I do, but my 114 00:07:14.800 --> 00:07:15.839 pig movies. 115 00:07:15.879 --> 00:07:18.399 I didn't really like Candy Man, but all of his 116 00:07:18.480 --> 00:07:22.319 other ones Nope, Nope, was really good. It was great. 117 00:07:22.600 --> 00:07:24.680 Get Out was really good. That other one that he 118 00:07:24.759 --> 00:07:29.120 did that was like his next US. Yes, yeah, I 119 00:07:29.240 --> 00:07:33.920 was really good too. Like when you have the formula 120 00:07:34.079 --> 00:07:38.639 for a psychological thriller, mind bending movie. I think that 121 00:07:38.800 --> 00:07:43.879 the the problem with directors in like Hollywood is they 122 00:07:43.879 --> 00:07:46.399 think that it's going to be too psychological to where 123 00:07:46.439 --> 00:07:49.759 the audience can't figure it out. But the audience is 124 00:07:49.839 --> 00:07:56.399 way but that that encourages rewatchability. Half the movies has 125 00:07:56.439 --> 00:08:02.199 come out in the modern day have no rew watchability. Right, 126 00:08:02.480 --> 00:08:08.000 then once and you're done, but not cubic right. I've 127 00:08:08.040 --> 00:08:13.279 watched The Shining hundreds of times just making the movie, 128 00:08:13.279 --> 00:08:15.920 and I watched it hundreds of times before that when 129 00:08:15.959 --> 00:08:19.120 I was developing my theory of exactly what Stanley Kubrick 130 00:08:19.240 --> 00:08:22.439 was trying to say within the movie. I watched it 131 00:08:23.120 --> 00:08:29.160 hundreds of times. Okay, there's not another movie, or another 132 00:08:29.319 --> 00:08:32.559 genre of movie, or anybody other than Stanley Kubrick that 133 00:08:33.799 --> 00:08:36.799 you can rewatch over and over and over and over 134 00:08:36.879 --> 00:08:42.840 again and get something new, because they're like one and 135 00:08:42.879 --> 00:08:47.879 done movie. M I will never rewatch a Marvel movie. 136 00:08:50.679 --> 00:08:54.039 Right, Yeah, it's like you know, they compared to go 137 00:08:54.080 --> 00:08:57.639 into like an amusement park when you watch a Marvel movie, 138 00:08:58.000 --> 00:09:01.440 you know, because it's all just like in games and whatever, 139 00:09:01.720 --> 00:09:05.639 and then it's over and there's like explosions and you know, 140 00:09:05.759 --> 00:09:10.639 bright flashing colors or whatever. It's like candy movie, you know, 141 00:09:11.240 --> 00:09:15.960 for like just zoning out. But I've been watching The 142 00:09:16.000 --> 00:09:18.080 Shining since I was a little kid, and every time 143 00:09:18.120 --> 00:09:21.600 I watch it, immediately, just like with the opening when 144 00:09:21.600 --> 00:09:24.000 it's going through the lake and the trees and like 145 00:09:24.080 --> 00:09:30.799 you're kind of getting the landscape and it's just transcendent almost, 146 00:09:30.960 --> 00:09:35.919 it like immediately takes you inside the movie. And it 147 00:09:35.960 --> 00:09:38.360 doesn't matter how many times I watch it, I always 148 00:09:38.440 --> 00:09:41.720 feel like I've stayed at the overlook. By the time 149 00:09:41.840 --> 00:09:43.759 the movie is over, I feel like I've went through 150 00:09:43.799 --> 00:09:48.159 the experience. And so I did find it interesting that 151 00:09:48.200 --> 00:09:52.720 you and Jay Widner mentioned in the movie that it's 152 00:09:52.840 --> 00:09:57.799 not actually a horror film though, and so what would 153 00:09:57.840 --> 00:09:59.120 you say. 154 00:09:58.799 --> 00:10:03.159 That it is. I would say that it is a 155 00:10:03.480 --> 00:10:10.440 psychological mind bending movie, and but it was categorized when 156 00:10:10.440 --> 00:10:13.399 it first came out what as like a horror movie, 157 00:10:13.440 --> 00:10:17.000 as like Stephen King's masterpiece horror movies. But there's very 158 00:10:17.039 --> 00:10:22.159 few horror elements within Stanley Kubrick's The Shining. There's very 159 00:10:22.279 --> 00:10:26.279 there's not any jump scares, r one jump scare. It's 160 00:10:26.519 --> 00:10:33.039 it's more of a psychological thriller. And that brings on 161 00:10:33.120 --> 00:10:36.080 an entirely new meaning when you watch our movie at 162 00:10:36.120 --> 00:10:41.960 Clockwork Shining, cubric's honesty three. Because the whole thing is psychological. 163 00:10:42.039 --> 00:10:46.480 It's a psychological experiment. They're running a psychological experiment up 164 00:10:46.480 --> 00:10:53.159 there on Jack. The entire thing has ran as like 165 00:10:53.200 --> 00:10:59.639 an operation. It's a CIA mind control operation that's going 166 00:10:59.679 --> 00:11:02.279 on there. And once you put all the pieces together 167 00:11:02.799 --> 00:11:06.240 and you realize exactly what's going on, the entire movie 168 00:11:06.279 --> 00:11:12.360 makes sense because there's not Everyone has their own theories 169 00:11:12.440 --> 00:11:14.559 of what's going on in the Shining, and that's not 170 00:11:14.559 --> 00:11:16.519 to say that any of those theories are wrong. They 171 00:11:16.519 --> 00:11:21.320 can all be right simultaneously right. But the overall arching 172 00:11:21.519 --> 00:11:24.919 theory is our theory that we present in A Clockwork 173 00:11:24.960 --> 00:11:28.399 Shining seems to be the thing that makes sense because 174 00:11:28.399 --> 00:11:34.600 it also makes everything else makes sense. The moon landing stuff, 175 00:11:35.840 --> 00:11:42.360 which would be one giant psychological operation faking the moon, 176 00:11:43.240 --> 00:11:48.440 which would be an mk ultra program like put live 177 00:11:48.519 --> 00:11:51.240 feed out to everybody in the world all at the 178 00:11:51.240 --> 00:11:56.240 same time of a fake moon landing. That's if that's true, 179 00:11:56.320 --> 00:11:59.879 that's one of the greatest mk ultra mind control operation 180 00:12:00.000 --> 00:12:04.480 as ever existed. Right, Can we make everybody believe everyone 181 00:12:04.519 --> 00:12:06.360 in the world believe that we went to the moon? 182 00:12:07.840 --> 00:12:10.480 And that's the type of things that they do. That's 183 00:12:10.519 --> 00:12:14.840 what the mk ultra programs is really about, is to 184 00:12:14.960 --> 00:12:18.559 change the perception of people, to make them believe something 185 00:12:18.919 --> 00:12:22.159 happened when it may or may not have actually happened. Right. 186 00:12:22.600 --> 00:12:27.320 We can implant memories, thoughts, and ideas into people's heads 187 00:12:28.080 --> 00:12:30.519 to make them think that something happened when it didn't happen, 188 00:12:30.679 --> 00:12:34.360 or vice versa, when something really did happen, and will 189 00:12:34.399 --> 00:12:36.799 make them believe that it didn't happen. Right, It works 190 00:12:36.840 --> 00:12:39.759 both ways. You can do it both ways. And when 191 00:12:39.759 --> 00:12:41.799 you look at you and camera and what he was 192 00:12:41.840 --> 00:12:47.720 doing in Canada whenever the CIA subleased the programs into Canada, 193 00:12:48.200 --> 00:12:51.399 because that's really where a lot of them went. They 194 00:12:51.440 --> 00:12:54.320 subleased a lot of these programs to private companies and 195 00:12:54.360 --> 00:13:01.399 private contractors. And private government contractors so that they wouldn't 196 00:13:01.440 --> 00:13:04.639 have to reveal that they were doing these experiments, right 197 00:13:04.679 --> 00:13:08.399 because it's from a private company, and a private company 198 00:13:08.440 --> 00:13:13.000 is not beholding to the same laws that the government 199 00:13:13.080 --> 00:13:16.159 is beholden to. So they would use like hospital Wings. 200 00:13:16.159 --> 00:13:18.200 They would open up a giant hospital wings to just 201 00:13:18.519 --> 00:13:21.720 test mk ultra mind control stuff. And they had this 202 00:13:21.759 --> 00:13:25.960 big hospital in Canada and several of the people from 203 00:13:26.000 --> 00:13:28.720 Canada that was experimented on by you, and Cameron actually 204 00:13:28.799 --> 00:13:32.559 sued the Canadian government for it and they won. But 205 00:13:32.720 --> 00:13:37.559 the thing that he was doing was there's a process 206 00:13:37.639 --> 00:13:42.679 to this. There's depatterning. So you depattern the mind of 207 00:13:42.720 --> 00:13:47.519 your subject, so you essentially erase all of their cognitive behavior. 208 00:13:48.240 --> 00:13:51.759 You kind of erase their memories, you erase what they 209 00:13:52.399 --> 00:13:56.879 think is actually going on, any of their previous ideas 210 00:13:56.919 --> 00:14:03.240 of what's happening, Like they're the critical thinking and their 211 00:14:03.279 --> 00:14:06.799 awareness around something that's normally done through trauma. So you 212 00:14:06.879 --> 00:14:12.600 traumatize somebody, you're essentially deep patterning them. So after they 213 00:14:12.639 --> 00:14:19.360 traumatize them, they can then drug them and then use 214 00:14:19.399 --> 00:14:23.120 a technique that's called psychic driving, which psychic driving is 215 00:14:23.200 --> 00:14:27.399 implanting a thought or an idea into somebody's head. And 216 00:14:28.320 --> 00:14:33.639 some of their original outlook of what psychic driving was, 217 00:14:33.720 --> 00:14:36.320 the original definition of how they did it was is 218 00:14:36.360 --> 00:14:40.679 they would take in a tape recorder, a repeated audio 219 00:14:40.720 --> 00:14:45.080 looped tape recorder, and they would play it repeatedly to 220 00:14:45.159 --> 00:14:49.919 these patients that they had been depatterned and druggy. Now, 221 00:14:50.799 --> 00:14:53.799 as we talk about in the documentary at Clockwork Shining, 222 00:14:54.159 --> 00:14:57.559 there's a whole list of drugs. Whenever Kathy O'Brien is 223 00:14:57.600 --> 00:15:01.759 talking about her experiences within the MKA Ultra Monarch program, 224 00:15:02.200 --> 00:15:04.399 we show a list of all the drugs that were 225 00:15:04.519 --> 00:15:07.960 used by the CIA and the mk Ultra programs, and 226 00:15:07.960 --> 00:15:12.759 it's hundreds of drugs, from caffeine to adderall to weed, thenphetamine, 227 00:15:13.240 --> 00:15:16.919 the nicotine. They used all of it. So it's not 228 00:15:17.039 --> 00:15:22.120 just LSD. And that's a common misconception within the mk 229 00:15:22.279 --> 00:15:24.240 Ultra programs. They think, oh, while they were just using 230 00:15:24.240 --> 00:15:26.840 some LSD, they were just making people trip, which can 231 00:15:28.360 --> 00:15:30.840 put people out of their mind. We talk about that 232 00:15:30.879 --> 00:15:34.440 too within the documentary. If you're unknowingly dosed with LSD, 233 00:15:35.159 --> 00:15:37.240 you have no idea what drug that you you're going 234 00:15:37.320 --> 00:15:39.600 to think that you're losing your mind. It's going to 235 00:15:39.679 --> 00:15:44.240 put you a psychosis if you're dosed with a high 236 00:15:44.240 --> 00:15:47.559 amount of LSD. And there's proof of that with several 237 00:15:47.639 --> 00:15:52.679 people being unknowingly dosed with LSD. I mean, Project Midnight 238 00:15:52.720 --> 00:15:54.240 Climax was all about that. 239 00:15:54.240 --> 00:15:56.720 They were just Frank Olsen stuff. 240 00:15:57.840 --> 00:16:01.240 Frank Olsen he was unknowingly dosed with LSD and jumped 241 00:16:01.279 --> 00:16:04.600 out of the what was it the thirteenth or the fourteenth. 242 00:16:04.159 --> 00:16:08.320 Through a closed window, no less, with a big concussion 243 00:16:08.360 --> 00:16:11.639 on his head. So he somehow hid himself over the head, 244 00:16:11.720 --> 00:16:15.799 gave himself a deadly injection of something I think it 245 00:16:15.919 --> 00:16:20.320 was LSD, and then it jumped out of closed window. 246 00:16:20.360 --> 00:16:24.279 I mean, the amount of like craziness that goes in 247 00:16:25.000 --> 00:16:29.639 this documentary of Clockwork Shining. You touch on so many 248 00:16:29.720 --> 00:16:32.240 there's so much to unpact because it is the Frank 249 00:16:32.240 --> 00:16:36.200 Olsen LSD stuff, Monarch stuff. Stanley was friends with a 250 00:16:36.200 --> 00:16:41.759 lot of higher up uppity people at NASA, and it 251 00:16:41.879 --> 00:16:45.480 is about stuff like that. Laurel Canyon big part of it. 252 00:16:46.519 --> 00:16:49.279 And then it's like there are so many layers. It's 253 00:16:49.320 --> 00:16:53.320 like a five layer burrito really, and one of the 254 00:16:53.320 --> 00:16:57.320 things that caught my attention to is that you mentioned 255 00:16:57.320 --> 00:17:00.519 this memo. I think it was to the President talking 256 00:17:00.559 --> 00:17:05.519 about how Stanley Kubrick was the most promising something or other, 257 00:17:07.079 --> 00:17:12.279 and I think that he was working for the government 258 00:17:12.319 --> 00:17:15.880 in some unspecified capacity, Like do you think that's part 259 00:17:15.880 --> 00:17:16.880 of the MK thing. 260 00:17:18.960 --> 00:17:21.480 Yeah, we don't know exactly what that project was because 261 00:17:21.480 --> 00:17:24.319 it doesn't state it in the document, but the document 262 00:17:24.400 --> 00:17:27.880 states that there are five film directors that are being 263 00:17:27.920 --> 00:17:31.319 looked at for some unknown government project, with Stanley Kubrick 264 00:17:31.400 --> 00:17:34.079 being looked at as the most promising. And we know 265 00:17:34.160 --> 00:17:37.480 that Stanley Kubrick's had ties to the government because the 266 00:17:37.559 --> 00:17:41.920 Air Force came to the set of Doctor Strangelove. Whenever 267 00:17:42.039 --> 00:17:45.799 he did the he made a model of the inside 268 00:17:45.839 --> 00:17:48.960 of the B two stealth bomber, and he'd asked the government, 269 00:17:49.119 --> 00:17:53.880 the Air Force, for if he could use like if 270 00:17:53.920 --> 00:17:55.640 you could see the inside of a B two stealth 271 00:17:55.640 --> 00:17:58.440 bomber so that you can get the inside of it correct. 272 00:17:59.079 --> 00:18:01.960 The military said, no, you can't do that because it's 273 00:18:02.200 --> 00:18:05.480 top secret classified information. If we let you do that, 274 00:18:05.599 --> 00:18:08.799 then when other countries this film is going to be 275 00:18:08.839 --> 00:18:12.119 distributed in other countries, and if other countries see what 276 00:18:12.160 --> 00:18:14.200 the inside of the B too Stealth bomber looks like 277 00:18:14.240 --> 00:18:16.480 and all of its gadgets and how it all works 278 00:18:16.519 --> 00:18:19.559 and everything, then they can replicate it, right, So they 279 00:18:19.640 --> 00:18:25.039 said no, And then Kubrick's project designer, his producer, which 280 00:18:25.079 --> 00:18:30.240 we have talking about it in the documentary, he cut 281 00:18:30.319 --> 00:18:37.720 out all of these like magazines and looked at models 282 00:18:37.759 --> 00:18:39.440 of what people thought that the inside of a B 283 00:18:39.519 --> 00:18:41.759 too Stealth bomber looked like. And they compiled all this 284 00:18:41.880 --> 00:18:46.480 information and then they recreated what they believed the inside 285 00:18:46.519 --> 00:18:48.160 of the B too Stealth bomber looked like. So then 286 00:18:48.160 --> 00:18:49.880 then when the Air Force came to visit the side 287 00:18:49.920 --> 00:18:54.119 of Doctor Strangelove and they watched the movie, they're like, 288 00:18:54.799 --> 00:18:57.160 what's that going on here? We said, no, that you 289 00:18:57.200 --> 00:18:59.680 couldn't see the inside of this BE too Stealth bomber, 290 00:18:59.680 --> 00:19:03.039 But yeah, you have what the inside of a B 291 00:19:03.119 --> 00:19:08.079 two stealth bomber looks like almost perfectly. So we believe 292 00:19:08.119 --> 00:19:13.680 that that was the inception of Qubricks starting to work 293 00:19:13.839 --> 00:19:18.319 with the government and these three letter organizations and the military. 294 00:19:18.319 --> 00:19:20.759 And then if you fast forward into two thousand and one, 295 00:19:20.799 --> 00:19:23.839 a Space Odyssey at the end of that movie, there 296 00:19:23.880 --> 00:19:26.240 was credits there that he was thinking all of these 297 00:19:26.279 --> 00:19:33.359 big corporations like lockeed Martin Air Force Intelligence, Langley Air 298 00:19:33.400 --> 00:19:38.319 Force Base, all these big military contractors and these three 299 00:19:38.400 --> 00:19:43.000 letter organizations, right, and that all those credits ended up 300 00:19:43.039 --> 00:19:46.079 getting cut out in the final run of the movie 301 00:19:46.119 --> 00:19:48.759 because I'm sure that one of these military people came 302 00:19:48.759 --> 00:19:50.559 to him and was like, Hey, you can't be thinking 303 00:19:50.799 --> 00:19:52.960 all of us in the credits of this movie, because 304 00:19:52.960 --> 00:19:54.960 then people are going to know that we're involved in 305 00:19:55.079 --> 00:20:00.680 with the production exactly. NASA. The cameras that he used 306 00:20:00.720 --> 00:20:06.960 for filming two thousand and one Space Honesty came from NASSA. Okay. 307 00:20:07.000 --> 00:20:12.039 So there's connections all over the place here between military organizations, 308 00:20:12.079 --> 00:20:15.599 three letter organizations, and direct ties with Stanley Kubrick. And 309 00:20:15.640 --> 00:20:20.440 we also show within the documentary how many other movies 310 00:20:20.480 --> 00:20:25.119 have been had production and has ties in the military 311 00:20:25.119 --> 00:20:29.319 industrial complex. Die another Day, the James Bond movies, Transformers movies, 312 00:20:29.480 --> 00:20:33.160 which all those came out way later than But what 313 00:20:33.240 --> 00:20:36.319 we didn't know about that until the four year request 314 00:20:37.039 --> 00:20:39.480 came back and then they got all that information. So 315 00:20:40.559 --> 00:20:42.559 now the cat is out of the bag that the 316 00:20:42.599 --> 00:20:46.680 Three Letter organizations in the military is involved with film production, 317 00:20:47.480 --> 00:20:50.079 and then that ties into the Laurel Canyon stuff. Okay, 318 00:20:50.079 --> 00:20:53.440 So Laurel Canyon, there was a military base called Lookout 319 00:20:53.480 --> 00:20:55.759 mount on top right outside of la on top of 320 00:20:56.920 --> 00:21:00.200 Laurel Canyon called Lookout Mountain Air Force Base. There's a 321 00:21:00.240 --> 00:21:05.359 huge facility. They had sound stages, they had movie sets. 322 00:21:05.759 --> 00:21:12.559 They that's where the miniature bomb, the nuclear bomb explosions 323 00:21:12.599 --> 00:21:15.799 all took place there. That was filmed on miniature sets, Okay, 324 00:21:16.240 --> 00:21:19.000 And there was thousands and thousands of films that were 325 00:21:19.000 --> 00:21:21.119 made there. And it's just a coincidence that this is 326 00:21:21.200 --> 00:21:24.279 right beside la where Hollywood is, where all these films 327 00:21:24.319 --> 00:21:27.920 are being made. Like, you got to be using mental 328 00:21:27.960 --> 00:21:30.960 gymnastics to not think that the military is involved and 329 00:21:31.119 --> 00:21:34.279 is making films to put out to the public. And 330 00:21:35.039 --> 00:21:37.839 also how much of the stuff that we think is 331 00:21:37.960 --> 00:21:41.799 actually real footage of real events happening were actually staged 332 00:21:41.839 --> 00:21:44.759 events film that Lookout Mountain because if they were doing 333 00:21:44.799 --> 00:21:47.440 this way back when, And Jared Leto now owns the 334 00:21:47.640 --> 00:21:51.880 Lookout Mountain Air Force Base, yeah, he just does thirty 335 00:21:52.240 --> 00:21:55.279 the Mars and the cult that Jared Leto is supposedly 336 00:21:55.400 --> 00:21:58.960 all involved with the white roagued cult is what they 337 00:21:59.039 --> 00:22:02.880 call it. And if they were doing it back then, 338 00:22:02.920 --> 00:22:06.720 and they were so involved in making films, right, and 339 00:22:06.759 --> 00:22:09.839 we don't know what all those films were because it's 340 00:22:09.839 --> 00:22:12.680 still all classified, we don't know what any of that was. 341 00:22:13.519 --> 00:22:17.920 So again, you'd have to be using mental gymnastics to 342 00:22:17.960 --> 00:22:21.759 think that they're still not doing that right. That brings 343 00:22:21.759 --> 00:22:23.799 in the question like all this stuff, it brings in, 344 00:22:25.039 --> 00:22:28.319 It brings nine to eleven into question. It brings in, 345 00:22:28.440 --> 00:22:32.519 like the JFK assassination, all of it into question. Because 346 00:22:32.599 --> 00:22:37.440 they can literally just film something on a military soundstage 347 00:22:39.920 --> 00:22:42.240 and then set off as something real in the public. 348 00:22:42.240 --> 00:22:44.839 They just got to put it everywhere, right, and now 349 00:22:44.880 --> 00:22:48.839 they don't necessarily that's evolved now they don't even have 350 00:22:48.880 --> 00:22:50.880 to use real people. Now they don't even have to 351 00:22:50.880 --> 00:22:53.839 film it. They can just use AI. And if anybody 352 00:22:53.880 --> 00:22:57.839 thinks that they don't, if they haven't perfected the technology 353 00:22:57.920 --> 00:23:01.559 of AI, the military hasn't perfect to where you legitimately 354 00:23:01.599 --> 00:23:03.839 cannot tell the difference between if it's real or if 355 00:23:03.880 --> 00:23:07.119 it's one hundred percent fake, just because we don't have 356 00:23:07.160 --> 00:23:10.720 that technology yet, then you're only kidding yourself right, hundred 357 00:23:10.759 --> 00:23:15.039 percent have it and they been using it for decades. Now. 358 00:23:15.559 --> 00:23:19.640 There's dual use for all of these things. There's dual use. 359 00:23:19.680 --> 00:23:22.279 There's the military use and then there's the public use. 360 00:23:22.960 --> 00:23:25.599 They figure it all out within the military how they 361 00:23:25.599 --> 00:23:28.039 can use it for their operations and what they're doing, 362 00:23:28.160 --> 00:23:30.000 and then later on they release it to the public. 363 00:23:30.039 --> 00:23:32.480 I mean, how long did we have drones? How long 364 00:23:32.519 --> 00:23:35.640 were military drones a thing before we got these little 365 00:23:35.640 --> 00:23:40.559 tiny public drones that people can use. Hey, they've been 366 00:23:40.640 --> 00:23:44.680 using drones or freaking decades, years and years and years, 367 00:23:45.240 --> 00:23:48.880 way before the public ever knew that the military had 368 00:23:48.960 --> 00:23:53.160 unmanned drones. So if you use that same logic with 369 00:23:53.440 --> 00:23:59.400 AI and with these soundstage military bases, then they're still 370 00:23:59.440 --> 00:24:02.559 doing the exact same thing today. It's like a it's 371 00:24:02.599 --> 00:24:05.680 like a mission of what they were doing before so 372 00:24:05.720 --> 00:24:07.599 that they can kind of come out and be like, oh, well, 373 00:24:07.960 --> 00:24:10.079 we stopped doing this. Is like the MK Ultra programs 374 00:24:10.079 --> 00:24:11.839 when they shut when they disclose it to the public 375 00:24:11.880 --> 00:24:14.000 in nineteen eighty five. Right, they kind of had to 376 00:24:14.039 --> 00:24:15.920 do that so that the CIA would take the fall 377 00:24:15.960 --> 00:24:17.880 for it and take the bad rap while all the 378 00:24:17.920 --> 00:24:22.480 other all the other three letter organizations were also doing 379 00:24:22.519 --> 00:24:25.160 the exact same thing, but it gets all of those 380 00:24:25.240 --> 00:24:26.960 off of the hook. I mean, the Air Force has 381 00:24:27.000 --> 00:24:31.680 been running MK ultra programs almost since its inception, right. 382 00:24:32.279 --> 00:24:36.720 Walter Bosley, the AFOSI Special Air Force agent within our documentary, 383 00:24:36.839 --> 00:24:39.079 says that the Air Force he worked for the Air Force. 384 00:24:39.519 --> 00:24:41.799 He said that the Air Force, out of all of 385 00:24:41.839 --> 00:24:45.880 the military branches, was the most interested in MK ultra. 386 00:24:48.119 --> 00:24:49.480 So they're all doing it. 387 00:24:49.880 --> 00:24:52.519 Yeah, and it I mean I think that they're up 388 00:24:52.599 --> 00:24:56.039 to something else too with Lookout Mountain, because if you 389 00:24:56.119 --> 00:24:59.039 look at who had top secret clearance to get into 390 00:24:59.039 --> 00:25:02.200 that place, it's like Marilyn Monroe, Why the fuck does 391 00:25:02.240 --> 00:25:04.759 she have top secret anything to get in there? They're 392 00:25:04.759 --> 00:25:09.960 filming like what nuclear test footage? Why does Marilyn Monroe 393 00:25:10.000 --> 00:25:11.839 need to be up in there? I mean, it's just 394 00:25:11.920 --> 00:25:14.880 it's odd to me. And then I spoke with a woman. 395 00:25:16.440 --> 00:25:20.400 She's a doctor, she's a psychiatrist now, her name is 396 00:25:20.400 --> 00:25:24.480 doctor Juliet Angel, and she said that she was taken 397 00:25:24.559 --> 00:25:28.359 there as a child as part of these kind of 398 00:25:28.400 --> 00:25:33.440 like Kathy O'Brien like ritual sex abuse type of thing, 399 00:25:33.559 --> 00:25:36.559 and that she said that she went to Lookout Mountain 400 00:25:37.160 --> 00:25:42.160 Studio and that they were filming snuff films there, and 401 00:25:42.200 --> 00:25:45.920