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<v Speaker 1>Hello, and welcome to Castle Talk, where we talk to

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<v Speaker 1>writers and creators of today's genre worlds. I'm your host

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<v Speaker 1>Jason Henderson, publisher at castle Bridge Media, home of the

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<v Speaker 1>Castle of Horror anthology series. Tonight, RI chatting with Christopher Michlos,

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<v Speaker 1>author of and I love this title, Ticktown, which comes

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<v Speaker 1>out this month from castle Bridge Media, which full disclosure,

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<v Speaker 1>I am a publisher at castle Bridge Media, so I

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<v Speaker 1>am instrumental in this. But I love this book and

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<v Speaker 1>I love its icky content. It is the kind of

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<v Speaker 1>paperback from hell I've been wanting to talk about for

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<v Speaker 1>a long time. So here's the deal. In the book,

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<v Speaker 1>I have this right in front of me. When a

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<v Speaker 1>northern Wisconsin touristtown becomes the feeding ground for a giant

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<v Speaker 1>band of mutant ticks giant ticks, a young reporter or

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<v Speaker 1>copbex boyfriend and a newspaper man have to track down

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<v Speaker 1>and destroy the Queen Tick and her nest before these

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<v Speaker 1>monsters overrun and slaughter the entire town. It is grody,

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<v Speaker 1>it is summary, and it is full of giant I

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<v Speaker 1>can't stress this enough giant ticks. So welcome Christopher.

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<v Speaker 2>Hey, thanks so much. Jason, I really appreciate it. You

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<v Speaker 2>know it's funny.

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<v Speaker 3>Oh. I just started the last I would say the

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<v Speaker 3>last couple of weeks.

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<v Speaker 2>I didn't realize what a perfect summer book it is,

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<v Speaker 2>because especially here in Wisconsin where I am, there's ticks everywhere.

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<v Speaker 2>And my daughter was My daughter's been convinced. And maybe

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<v Speaker 2>it's just because I've had the advanced copies of the book.

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<v Speaker 2>Later on, she's convinced she had ticks in her hair.

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<v Speaker 2>We always think we've got ticks on the dog. I

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<v Speaker 2>mean it's it's the summer brings ticks in Wisconsin, and

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<v Speaker 2>so I didn't quite realize what great timing we were

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<v Speaker 2>going to have in releasing this book.

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<v Speaker 1>But these ticks are like the size of They're like

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<v Speaker 1>when you think of Rob and Batman and Robin when

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<v Speaker 1>Robin gets eaten by a giant clam.

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<v Speaker 3>They're like that.

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<v Speaker 1>They're like they are they are big, and so they

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<v Speaker 1>can cleave a person and do cleave a person in half.

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<v Speaker 1>And I okay, so let me ask you. You you've

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<v Speaker 1>said that you had a distinct vision in mind basically

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<v Speaker 1>that this was your ode to well, probably several things,

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<v Speaker 1>because I think of like giant bugs, you know, like

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<v Speaker 1>like you know James, like, uh, you know, Peter Graves

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<v Speaker 1>versus the Big Ants, but also the the nineteen seventies

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<v Speaker 1>Paperbacks from Hell. So talk to me a little bit

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<v Speaker 1>about about that, that gulash of inspiration.

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<v Speaker 2>Well sure you actually earlier you used the phrase Paperbacks

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<v Speaker 2>from Hell, and I read, you know, I would say,

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<v Speaker 2>maybe five years ago something like that, the book Paperbacks

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<v Speaker 2>from Hell, written by Grady Hendrix and will Ericson, which

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<v Speaker 2>is this survey of seventies and eighties pulp paperbacks, so

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<v Speaker 2>paperbacks in general, but a lot of pulp or paper

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<v Speaker 2>and I had had very little exposure to to that,

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<v Speaker 2>to those books and tell that.

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<v Speaker 3>And as I read this book.

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<v Speaker 2>I was just flabbergast about how wonderfully gonzo and terrific

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<v Speaker 2>it all sounded, you know, these these crazy plot lines,

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<v Speaker 2>these over the top.

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<v Speaker 3>You know heroes, and on and on.

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<v Speaker 2>And after I finished the book, I started picking up

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<v Speaker 2>and reading some of these books. One of my first

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<v Speaker 2>was was Knight of the Crabs by Guyane Smith, and

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<v Speaker 2>I fell so in love with his his vision of

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<v Speaker 2>these giant crabs terrorizing the Welsh countryside. And I think

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<v Speaker 2>in part because it brought me back to the movies

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<v Speaker 2>I loved when I was a young kid.

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<v Speaker 3>I grew up on classic.

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<v Speaker 2>Old horror, the Universal, Frankenstein and Dracula and Wolfman, all

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<v Speaker 2>those yes, But I loved, loved, loved the giant creature

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<v Speaker 2>feature of movies like them. From those were the paperbacks

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<v Speaker 2>that I started to gravitate towards. And then I so,

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<v Speaker 2>I'm a filmmaker. A couple of movies last night, small

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<v Speaker 2>independent features, but I started to think that I wanted

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<v Speaker 2>to I wanted to write a novel, and so it

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<v Speaker 2>became clear that the kind of novel that I was

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<v Speaker 2>going to write was going to be a pulpy paperback novel,

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<v Speaker 2>and I wanted to do something that was somewhat of

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<v Speaker 2>a mash up between those fifties and sixties sci fi

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<v Speaker 2>movies and the seventies and eighties pulp horror paperbacks and

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<v Speaker 2>giant mutated tics in Northern.

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<v Speaker 3>Wisconsin ended up being the perfect the perfect mix of

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<v Speaker 3>the two.

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<v Speaker 1>So you've actually, you know, you've tried to kind of

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<v Speaker 1>get people into the spirit of of you know, monsters

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<v Speaker 1>in the summer, like sort of harkening back to that vision,

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<v Speaker 1>like don't you have an event? Were you gonna be

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<v Speaker 1>showing like some monster movies.

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<v Speaker 3>Or something super excited.

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<v Speaker 2>Yeah, So the book comes out on Tuesday, June twenty

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<v Speaker 2>fourth in paperback and kindle, and that next weekend on

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<v Speaker 2>June twenty eighth, Saturday, June twenty eighth, my books launch event.

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<v Speaker 3>Is going to be screening.

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<v Speaker 2>I'm going a host of screening of the nineteen fifty

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<v Speaker 2>four movie Them that I referenced at a local theater

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<v Speaker 2>at Marcus Palace Theater. Have a loan Madison is going

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<v Speaker 2>to introduce the movie and say a few words about

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<v Speaker 2>the movie. We're going to have a screening, and then

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<v Speaker 2>afterwards they have a nice lounge with a bar and

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<v Speaker 2>food and that sort of thing right in the theater,

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<v Speaker 2>and we're going to go over there and do a

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<v Speaker 2>book signing and a reception and the lounge.

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<v Speaker 3>And what is really.

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<v Speaker 2>Fun about the event is the screening. The movie screening

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<v Speaker 2>at four point thirty on Saturday afternoon. Your ticket to

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<v Speaker 2>the event is going to be a paperback copy of

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<v Speaker 2>So if you get a paperback copied of Ticktown you

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<v Speaker 2>bring it to the event, it's worth two seats to

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<v Speaker 2>the screening. So I'm going to be doing local media

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<v Speaker 2>and pr you know, interviews and some other things locally

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<v Speaker 2>to promote where here in Madison. There's gonna be several

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<v Speaker 2>bookstories that are carrying the paperback of a book when

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<v Speaker 2>it comes out on June twenty fourth. If people can't

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<v Speaker 2>get that, you can't get their hands on that, they

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<v Speaker 2>can always order from Amazon, you know, if they have Prime,

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<v Speaker 2>they'll definitely get it by the weekend. And worst case

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<v Speaker 2>scenario is that we'll have some books for sale at

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<v Speaker 2>the event that people can get it.

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<v Speaker 3>But I thought it would be a fun thing.

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<v Speaker 2>I have a good relationship with the theater because of

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<v Speaker 2>my film background, and they were just absolutely ecstatic about

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<v Speaker 2>the idea, like super supportive. In fact, I'm going over

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<v Speaker 2>there in the morning tomorrow to test out the movie.

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<v Speaker 3>And kind of talk to them about logistics.

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<v Speaker 2>So I appreciate you mentioning it because I'm just so

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<v Speaker 2>excited about it.

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<v Speaker 1>I really love that though. I mean that that because

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<v Speaker 1>to me that those are those are memories. Like when

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<v Speaker 1>I talk to my dad, one of his clearest memories

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<v Speaker 1>of when he was a kid was going to some

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<v Speaker 1>event where they were showing creature from the Black Lagoon,

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<v Speaker 1>and and you know, he just has it, and you know,

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<v Speaker 1>that just the community, community of Monster kids and the

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<v Speaker 1>community of Monster movies is just to me one of

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<v Speaker 1>those weird American things that that is just always worth celebrating.

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<v Speaker 1>Especially I mean, I know I'm hitting the summer really hard,

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<v Speaker 1>but it's so true, like in the summer, I think,

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<v Speaker 1>at least since in my lifetime, at least since Jaws

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<v Speaker 1>came out, summer is the time for monsters, you know,

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<v Speaker 1>And and so I just love that you've sort of

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<v Speaker 1>gone after that talk to me a little bit about

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<v Speaker 1>like that's fantastic, But getting down to the nitty gritty

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<v Speaker 1>of your process, how did you knock yourself into getting

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<v Speaker 1>a book done? Like, how did it? How did it?

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<v Speaker 1>How did it come together? Did you like have to say, well, Chris,

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<v Speaker 1>I'm gonna have to sit down and knock out five

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<v Speaker 1>hundred words a day, or I'm going to get this

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<v Speaker 1>done by labor day, or or how did it come

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<v Speaker 1>together for you?

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<v Speaker 2>That's actually an interesting question because I wasn't really thinking

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<v Speaker 2>of it in those in those terms. Even though I

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<v Speaker 2>hadn't written a novel before, I've written several screenplays, and

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<v Speaker 2>so the process for me of writing down and writing

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<v Speaker 2>a screenplay is, you know, just kind of sitting down

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<v Speaker 2>kind of you know, really roughly plotting it out and

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<v Speaker 2>then just banging through it. I have a I have

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<v Speaker 2>a daughter who's now eleven, and so during during the

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<v Speaker 2>school year, I try to get up, you know, five

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<v Speaker 2>o'clock five thirty because I worked best in the morning,

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<v Speaker 2>try and knock out, you know, as much as I

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<v Speaker 2>can for a few hours before I you know, get

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<v Speaker 2>it ready for school. Then a couple hours after I

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<v Speaker 2>get her off to school, and it was just a

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<v Speaker 2>matter of trying to uh, you know, try to do

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<v Speaker 2>it as as efficiently as I can. I was actually

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<v Speaker 2>I started writing the novel because I was writing the

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<v Speaker 2>screenplay that I was extremely excited about. I won't tell

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<v Speaker 2>you too much about it. I want to tell you what

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<v Speaker 2>it's about, but it's called Jingle Bell Chop, and it

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<v Speaker 2>was I was. I was just loving writing.

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<v Speaker 3>It was kind of a horror comedy, of holiday horror comedy.

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<v Speaker 2>And I literally got to the halfway point and I

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<v Speaker 2>just froze and I could not figure out where to

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<v Speaker 2>go with it.

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<v Speaker 3>Next.

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<v Speaker 2>I plotted it out, but it just seems so suddenly static,

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<v Speaker 2>and so I thought, oh my god, I've got to

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<v Speaker 2>put this aside.

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<v Speaker 3>You know, I can't go any further right now.

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<v Speaker 2>I thought, maybe this will be a good time to

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<v Speaker 2>start writing a novel, so I threw myself into Ticktown.

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<v Speaker 3>It had been, you know, it had been germinating in my.

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<v Speaker 2>Head up to that point, but I decided that that

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<v Speaker 2>was going to be my focus. I would say I

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<v Speaker 2>probably started in you know, February ish of or maybe

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<v Speaker 2>maybe a little later March or April of twenty twenty three.

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<v Speaker 2>I think it was done by the end of the year.

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<v Speaker 3>Just in terms of the you know, the book itself.

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<v Speaker 3>I go.

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<v Speaker 2>I went through a couple of drafts, a few drafts,

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<v Speaker 2>and then, you know what I'm really bad at is

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<v Speaker 2>letting people read my stuff. But I had this book

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<v Speaker 2>that had gone through several drafts. I took it to

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<v Speaker 2>my best buddy, Jay, who reads my He's always my

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<v Speaker 2>first reader with short fiction, and he's not that.

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<v Speaker 3>Into horror at all. He's my code director on my

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<v Speaker 3>horror movies, but he doesn't read horror.

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<v Speaker 2>And I gave it to him and I said, you know,

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<v Speaker 2>I don't know if you're gonna like this at all,

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<v Speaker 2>because it's not what you read. I don't know if

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<v Speaker 2>it's any good. You know, the writing may suck. I

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<v Speaker 2>have no idea. But I realized when I was done

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<v Speaker 2>with it and when I was giving it to him,

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<v Speaker 2>and I told him, I said, all that doesn't matter,

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<v Speaker 2>because I realized that it was exactly.

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<v Speaker 3>The book that I wanted to write.

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<v Speaker 2>The tone, the pacne, the just kind of the approach

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<v Speaker 2>of it, how it kind of read like one of

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<v Speaker 2>these seventies eighties pulp horror things. It was just exactly

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<v Speaker 2>what I had meant to write. So I told him,

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<v Speaker 2>you take it. You know, I want on his feedback,

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<v Speaker 2>but honestly, it's it's what I want. So that's good enough.

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<v Speaker 2>You know, it was what I wanted it to be,

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<v Speaker 2>and that was well good enough. But he was very encouraging.

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<v Speaker 2>He said he had a great time reading it, and

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<v Speaker 2>so that gave me a lot of a lot of

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<v Speaker 2>confidence to pitch it to agents and eventually to publishers,

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<v Speaker 2>and it was a it.

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<v Speaker 3>Was a great process.

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<v Speaker 2>I just you know, I was very lucky to find

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<v Speaker 2>an agent pretty quickly. I was very lucky to get

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<v Speaker 2>offers from people at castle Bridge Media. And I don't

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<v Speaker 2>I don't I don't overlook or miss the fact of

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<v Speaker 2>how lucky I am. You hit the right people at

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<v Speaker 2>the right time, and good things can happen.

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<v Speaker 1>Well, I I just sort of think it's it's when

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<v Speaker 1>it's difficult because speaking as a publisher, it is exactly

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<v Speaker 1>what it is intended to be. It is a celebration

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<v Speaker 1>of this kind of story that I don't get to

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<v Speaker 1>see enough of. Actually, let me ask you a question

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<v Speaker 1>about that. Why do you think we gravitate to you know,

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<v Speaker 1>because right now, everybody's worried about tariffs, and they're worried

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<v Speaker 1>about the worried about the Middle East, and they're worried

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<v Speaker 1>about they're worried about the four oh one K. Why

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<v Speaker 1>does somebody go all right, I want to sit down

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<v Speaker 1>and read a story about ticks eating people like like

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<v Speaker 1>and some and a couple of good guys trying to

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<v Speaker 1>stop them, Like, like, why why does that keep? Why

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<v Speaker 1>are we like that? Why is this so interesting to us?

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<v Speaker 2>I think I'd be extremely wealthy if I had an

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<v Speaker 2>answer to that question, And to be honest with you,

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<v Speaker 2>I will say that, you know, for me, it's just

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<v Speaker 2>it's very nostalgic. Like I said, I I love these

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<v Speaker 2>old horror movies. When I was a kid, I used to.

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<v Speaker 2>I used to spend a lot of time with my grandparents.

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<v Speaker 2>You know, my parents would love to go out on

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<v Speaker 2>the weekends, and I'd go spend a night or two

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<v Speaker 2>with my grandparents, and my grandmother always let me stay

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<v Speaker 2>up with her and watch, you know, the local superstation

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<v Speaker 2>that was showing you know, I don't even remember who

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<v Speaker 2>the horror host was, but you know, one of those

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<v Speaker 2>one of those goofy, undead horror hosts, and they'd play

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<v Speaker 2>a lot of these movies and I have very fond,

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<v Speaker 2>warm memories of watching those with my grandma. And it's

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<v Speaker 2>a very nostalgic thing. And you know, I'm not I'm

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<v Speaker 2>a new author, but I'm not a young kid, and

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<v Speaker 2>I think that there is definitely something about that kind

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<v Speaker 2>of nostalgic take you back to.

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<v Speaker 3>When you were young, and when you were kind of

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<v Speaker 3>you know.

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<v Speaker 2>Free spirited and and all those things that made you

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<v Speaker 2>happy in a much simpler time.

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<v Speaker 3>I'm, you know, someone.

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<v Speaker 2>Who's very interested in the terrif issue, and he is

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<v Speaker 2>very politically motivated. My background is political communication. I spent

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<v Speaker 2>twenty years as a partner in a political media firm,

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<v Speaker 2>do an advocacy and political media and working for candidates

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<v Speaker 2>and organizations and all that. So that stuff is very

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<v Speaker 2>important to me, but it ain't fun at all. And

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<v Speaker 2>so sometimes you just want to have fun and you

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<v Speaker 2>want to, you know, you want to just kind of

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<v Speaker 2>put that stuff in the background and kind of indulge

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<v Speaker 2>something that just makes you happy. A close friend we

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<v Speaker 2>had some friends over for a dinner who we don't

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<v Speaker 2>see very off and several weeks ago, and she was

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<v Speaker 2>asking me about the book and she said, well, what's

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<v Speaker 2>the what's the political you know what, you know, what's

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<v Speaker 2>the political message of the book or you know, is

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<v Speaker 2>it global warming or is it? And I was like,

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<v Speaker 2>there's not any political message to this book. It is sheer, propulsive,

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<v Speaker 2>nostalgic fun.

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<v Speaker 3>That's all it is.

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<v Speaker 1>It's so that's so funny. There's real joy that comes

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<v Speaker 1>across in it. That's the funny thing Like that just

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<v Speaker 1>sort of gonzo uh uh. You know, bedlam of the

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<v Speaker 1>of of the book comes across as a real joy

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<v Speaker 1>and it reminds me, you know, like Stephen King talked

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<v Speaker 1>about Horror of Party Beach, basically where monsters are created.

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<v Speaker 1>So because some dufices drop like some nuclear waste into

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<v Speaker 1>this into the near the beach, and it makes monsters

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<v Speaker 1>and they eat they eat bikini girls. And like those

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<v Speaker 1>guys were not interested in nuclear power like that is

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<v Speaker 1>not the creators of that movie didn't really care about

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<v Speaker 1>nuclear waste. It was just it was just a handwavy

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<v Speaker 1>thing to say, monsters, Right, So I love it. I

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<v Speaker 1>think that's okay. Before we go, I want you to

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<v Speaker 1>tell us a little bit about your main characters because

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<v Speaker 1>people want to know, all right, giant ticks, So who

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<v Speaker 1>is tell us about about who the characters are that

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<v Speaker 1>people can come to know as they're as they're bound.

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<v Speaker 3>Sure.

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<v Speaker 2>So the story takes place in a fictional town in

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<v Speaker 2>northern Wisconsin, a small tourist town, kind of tucked in

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<v Speaker 2>the woods.

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<v Speaker 3>It's called Tomahawk Hollow.

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<v Speaker 2>It doesn't exist, but it is, you know, very much

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<v Speaker 2>the kind of town I imagine is that is all

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<v Speaker 2>over the country, but it's definitely very much a Midway.

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<v Speaker 3>A lot of people in the Midwest will recognize this town.

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<v Speaker 2>A small population, you know, rural nestled in the woods.

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<v Speaker 2>You know, you drive through them in Wisconsin all the time.

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<v Speaker 2>There's usually a church, a bar, a school, and sometimes

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<v Speaker 2>that's about it. Tomahawk coll is a little more developed

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<v Speaker 2>than that. But the uh, the the story. The central

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<v Speaker 2>characters in the story are Jackson and Emmeline. He's the

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<v Speaker 2>publisher of a of a small town newspaper, and Emmeline

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<v Speaker 2>is his cub reporter. She's a Native American, a young

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<v Speaker 2>Native American woman who's been working for him, you know,

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<v Speaker 2>for for a short period of time. Honestly, when I

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<v Speaker 2>started to write Ticktown, I I I meant to make

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<v Speaker 2>it kind of a somewhat of a commentary on the

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<v Speaker 2>you know, the dying out of of local media like that.

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<v Speaker 2>You know, you don't find these small town newspapers that

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<v Speaker 2>much anymore.

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<v Speaker 3>They used to be a big deal. They're not anymore.

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<v Speaker 2>And I thought the idea of of of big media conglomerates,

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<v Speaker 2>you know, swallowing up and you know, uh evolving and

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<v Speaker 2>destroying the you know, the the smaller would be an

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<v Speaker 2>interesting theme to you know, uh, to go along with

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<v Speaker 2>giant ticks who have evolved, you know, to gobble up

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<v Speaker 2>you know, local So there's a little bit of that

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<v Speaker 2>in there, But I didn't go too far with it

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<v Speaker 2>because I lost interest in that and started having fun

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<v Speaker 2>with cleaving people in half. But Jackson and them line

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<v Speaker 2>are they you know, they start hearing about local local

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<v Speaker 2>livestock being slaughtered, they go to investigate it, and and

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<v Speaker 2>you know, they discover, you know, that that there's not

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<v Speaker 2>only giant ticks in the woods that but that it

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<v Speaker 2>may be tied to a shady overseas organization that that

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<v Speaker 2>owned the local pesticides plant. I learned very quickly and write,

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<v Speaker 2>in reading the pulp horror stuff of the seventies and eighties,

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<v Speaker 2>you gotta have vaguely Nazi characters involved in this. You know,

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<v Speaker 2>there's got to be some sort of you know, nastiness

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<v Speaker 2>out there. I'm there's Jaws in the DNA because there's

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<v Speaker 2>kind of a corrupt mayor in Ticktown, which was who

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<v Speaker 2>was a ton of fun to write, Mayor Cankerby, who

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<v Speaker 2>is kind.

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<v Speaker 3>Of a uh he's a.

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<v Speaker 2>Cross between Mayor Vaughan from Jaws and Boss Hog from

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<v Speaker 2>The Dukes of Hazzard. You know, that's kind of how

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<v Speaker 2>I thought of him. But he was he was a

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<v Speaker 2>ton of fun to write.

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<v Speaker 3>Uh So, so those are the main characters.

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<v Speaker 2>There's also a cop, the local chief of police, who,

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<v Speaker 2>as he says at.

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<v Speaker 3>One point in in the uh in the book.

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<v Speaker 2>That it's a kind of a uh, it's kind of

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<v Speaker 2>an uh, just an honorary title that goes to the

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<v Speaker 2>only cop in town. He becomes the chief of police,

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<v Speaker 2>so he's he's on his own, and he's got to

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<v Speaker 2>figure out what's going on, not just these tics, but

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<v Speaker 2>with this foreign company and these people who've come into

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<v Speaker 2>the town. And this is all of course happening in

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<v Speaker 2>amid the amidh the preparations for the big Fall festival,

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<v Speaker 2>the Harvest Moon Jubilee, so you know, it's all very

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<v Speaker 2>people will find it very familiar. The characters are very familiar.

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<v Speaker 3>I interesting.

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<v Speaker 2>This is my first book, so I don't know, I

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<v Speaker 2>never knew what to expect from arc readers, but my

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<v Speaker 2>ARC readers have been extremely enthusiastic. And what I hear

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<v Speaker 2>a lot from the ARC reviews has been, you know,

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<v Speaker 2>very tropy, but with an original twist. You're going to

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<v Speaker 2>recognize the characters, but you're going to love the characters.

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<v Speaker 3>You know.

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<v Speaker 2>I think, kind of getting to what we talked about

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<v Speaker 2>earlier about this nostalgic factor. I've heard a lot of

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<v Speaker 2>that in the ARC reviews and in the traditional reviews.

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<v Speaker 2>You know, people have have reacted to this idea that boy,

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<v Speaker 2>this is all very familiar, but it's it's updated and

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<v Speaker 2>it's more modern, and it's got its own twist to it.

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<v Speaker 2>I mean, I think I think people have and will

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<v Speaker 2>like that kind of combination of nostalgic fun, you know,

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00:19:47.039 --> 00:19:50.000
<v Speaker 2>characters they recognize, but that are you know, that have

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<v Speaker 2>cell phones, you know, and so on and so forth.

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<v Speaker 4>So, uh, yeah, I that's what I think. That's I

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<v Speaker 4>loved the characters and I felt like they were really

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<v Speaker 4>well drawn. I mean, you know, I like the bad

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<v Speaker 4>guys checking in at the hotel and everything.

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<v Speaker 1>There's just wonderful details. And I did recognize this town.

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<v Speaker 1>This is like this is like a dark shadow of

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<v Speaker 1>a Hallmark movie, really, where you've got everybody knows one another,

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<v Speaker 1>but they are ticks seating people. I just really love that.

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<v Speaker 3>All right.

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<v Speaker 1>So I've been talking to Christopher Miklos. Tell us again

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<v Speaker 1>about the date of your event and the release. The

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00:20:29.039 --> 00:20:32.720
<v Speaker 1>release is tuesday, but yeah, give us your dates and

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00:20:32.759 --> 00:20:33.720
<v Speaker 1>where can people find it?

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<v Speaker 3>Sure? So the.

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<v Speaker 2>Release date is Tuesday, June twenty fourth. My event is

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00:20:40.680 --> 00:20:44.680
<v Speaker 2>on the book launch event is on Saturday, June twenty eighth.

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<v Speaker 2>My website is Christophermichlos dot com. It's my name, and

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00:20:49.319 --> 00:20:51.519
<v Speaker 2>I've got information about the book launch there. I've got,

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00:20:51.519 --> 00:20:54.079
<v Speaker 2>of course links where you can buy, and I've also

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<v Speaker 2>got a running list of bookstores that are going to

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00:20:56.480 --> 00:20:57.240
<v Speaker 2>be stocking the book.

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00:20:57.279 --> 00:20:58.279
<v Speaker 3>I've been very excited.

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00:20:58.480 --> 00:21:00.480
<v Speaker 2>There's a lot of Wisconsin bookstore that are going to

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00:21:00.480 --> 00:21:04.119
<v Speaker 2>stock the book. I you know, as my publisher, you'll

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00:21:04.119 --> 00:21:06.400
<v Speaker 2>be interested, you know. I was reaching out to several

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00:21:07.799 --> 00:21:10.960
<v Speaker 2>several bookstores in the state and in the surrounding area,

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00:21:11.279 --> 00:21:14.160
<v Speaker 2>and I reached out to this horror bookshop in Chicago

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00:21:14.200 --> 00:21:17.240
<v Speaker 2>called Bucket of Blood and said, hey, you might be

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00:21:17.319 --> 00:21:20.759
<v Speaker 2>interested in this book, and they wrote me back and said,

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00:21:20.759 --> 00:21:22.599
<v Speaker 2>oh yeah, we've already had that on pre order now

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<v Speaker 2>for a couple of weeks. So I was just thrilled

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00:21:24.839 --> 00:21:28.119
<v Speaker 2>about that. Hopefully there's more of that out there that

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00:21:28.160 --> 00:21:29.799
<v Speaker 2>I haven't come across, but I've got so I've got

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00:21:29.799 --> 00:21:32.880
<v Speaker 2>a Chicago bookstore, I've got some books that are going

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00:21:32.920 --> 00:21:35.880
<v Speaker 2>to be in Brooke and Mortar store in San Francisco,

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00:21:36.039 --> 00:21:39.400
<v Speaker 2>in Brooklyn and and all around the state here. And

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<v Speaker 2>I'm still working it so I'm not done yet. So

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00:21:41.559 --> 00:21:44.000
<v Speaker 2>hopefully people will be able to find the book in

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00:21:44.079 --> 00:21:47.839
<v Speaker 2>some local bookstores. Definitely get it online at Amazon, Barnesonoble

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<v Speaker 2>dot com, wherever you shop for your books. But come

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<v Speaker 2>to my come to my website Christopher Michelos dot com,

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<v Speaker 2>and you'll be able to You'll be able to see

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<v Speaker 2>information about where it is and how you can get it,

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<v Speaker 2>end where you can go to not just this first event,

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<v Speaker 2>but other signings that I've got lined up over the

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<v Speaker 2>next several months.

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<v Speaker 1>Fantastic, Chris, it's been such a delight talking about this.

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<v Speaker 1>I think it's such a fun book. I hope you

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<v Speaker 1>have a wonderful event. I will talk to you soon.

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<v Speaker 1>Thank you very much, sir, thanks so much. We'll talk

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<v Speaker 1>to you soon.

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<v Speaker 3>Have a good night. Bye.
