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Speaker 1: And now Audio Theater Central. Hello, welcome to Audio Theater Central.

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This is the show that explores family friendly audio drama

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through news, reviews and interviews. I'm your host, JD. Sutter,

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and this is episode two nineteen. Well, Happy Labor Day

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to those of you listening in the United States on

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release day. Hope you're having a great day, and for

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the rest of you, I hope you're having a great

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day too. We've got a great episode lined up for

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you today. We've got a review of season two of

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robin Hood Rising to Honor that's coming up shortly. We've

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got some feedback from Michael and from Jane, and I've

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got a monologue coming up here about ATC's fifteenth birthday

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and the value of relationships and how that has helped

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this community to grow. We'll be talking about that in

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a few minutes, but before we get to that, I've

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got some audio drama updates. So a packed episode. Thanks

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for joining me, and let's jump into it.

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Speaker 2: We interrupt this program to bring you a special report

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and in other news tonight.

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Speaker 1: A brief look at the headlines now and.

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Speaker 3: What exciting fast piece news that's relevant and entertaining.

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Speaker 1: Like this, as always if you have some updates relating

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to shows in this family friendly audio drama space, hit

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us up and let us know. Link is right on

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the homepage of our website. Now, the first item is,

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we're revisiting something that I did several years ago. Five

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years ago. Actually, I did a survey of this atc community,

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which is made up of a lot of super fans

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of clean audio drama and some creatives in the space

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as well, and I asked three questions just to get

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to know a little bit about what you like and

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what you don't like about audio drama. Now I want

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to do this again, so there is a link in

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the show notes to this survey. We're doing it again

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and again it's just three questions. And I want to

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do this again because I want to track the trends

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in this industry and see how things maybe change from

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year to year. So I plan to do this every

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so often. It wasn't the plan to wait five years necessarily,

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but you know here we are, So even if you

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did complete this survey before, I'm going to ask you

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to do it again. And I just want to track things.

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And this is helpful for creatives in the space because

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I can then use this information as I talk with

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producers in the space and let them know this is

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what people are looking for in good quality, clean, family

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friendly audio drama. So link in the show notes to

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the three question survey and please please take a few

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minutes to fill this out. Next up, we've got several

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events happening. First one is coming up very soon and

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that is Alpha Omega Con. It's happening later this month,

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September twentieth, twenty twenty five, in Long Beach, California. This

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is I think the longest running Christian comic convention in

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the country, and the reason why we're talking about it

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here is because, as with most comic cons they have

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spread out to cover lots of different types of media

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and content and not just comics. So there is an

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audio drama presence there because several times in the past

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AIO actors have attended the convention and Katie Lee is

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going to be there this year again. This is taking

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place September twentieth in Long Beach, California, So if you

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are in the area, check it out. Link is in

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the show notes to the website. It is a free

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to attend event and they've got all kinds of cool

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pop culture content that you can check out there that

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all comes from a Christian worldview. So it's a great event.

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And if you happen to have an audio drama show,

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I think this would be a great opportunity go check

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it out. See if this might be something that you

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can set up a table or have a booth there

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to help spread the word about your show. So again,

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Long Beach, California. Linky's in the show notes for Alpha

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Omega Con. Next up is one that I know lots

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of people have been asking me about. I can't even

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count how many times people have asked me about this

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over the last several months, and that is Sonic Coon.

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Sonicicon is returning. It will be coming back in the

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summer of twenty twenty six. So we're talking about a

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shift in the schedule. Now it's previously been in the fall.

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We're going to the summer this time. So they were

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looking at a weekend like we've previously done of July

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one through three, but now they're looking at the middle

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of the week actually that same week, June thirtieth through

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July second. So those are the projected dates for Sonicicon

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twenty twenty six. More details are to Con. There's a

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lot of things still to be worked out, but that

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is the plan at this moment, So go ahead and

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pencil that into your calendar and start looking at that

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that week, and it's going to be a great time

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as always, I'm sure. So Soniccon is returning. Next up

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is a fun event that is also happening next year,

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and this will be the Voyage of Voices Cruise. Now,

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this is not affiliated with any particular audio drama. It's

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not affiliated with AIO or focus on the family, but

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many of the people who are going to be involved

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are involved in Adventures Odyssey. Katie Lee is going to

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be there, Phil Lawler, Kimmi Robertson, Donald and Genesis Long

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John Fornoff all going to be on this cruise to Mexico.

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So this will be taking place October seventeenth through the

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twenty second of twenty twenty six. It's called the Voyage

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of Voices Cruise, going to Cosamel, Mexico. There's going to

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be some live audio dramas and lots of time to

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have some Q and A sessions with these voice talent,

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and there's going to be, of course the regular things

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you get on a cruise, you have food and other entertainment.

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There's going to be some Christian comedy as well, So

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this is a really interesting event. Link is in the

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show notes to go check this out. I know it's

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quite a ways away, but because it is a you know,

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it's a higher ticket event, so giving you as much

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time as possible to look into this. Check it out.

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It is open for booking now and if that sounds

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like something you're interested in, give this a look and

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see if that works out for you and your family.

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I know it's been in the works for quite some

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time now. Katie and I were talking about this at

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the Making Great Audio Drama camp last month and it

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just sounds like it's going to be a great time.

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So again link is in the show notes. Go ahead

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and check that out if it sounds like something that

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you're interested in. And speaking of the Making Great Audio

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Drama event from the Audio Drama Institute, Austin Peach and

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I did two bonus episodes. They are the last two

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episodes in the feed here on ATC and we recorded

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those at the event. Give you a little behind the

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scenes look at what was going on at the event.

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A really great time of connecting with people, not just

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the creatives in the space, but also some new talent.

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Really really exciting time. And I'm bringing it up here

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because David Hilder, who runs the AIO Update website, was

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in attendance there. He is an aspiring voice actor, been

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participating in some shows in recent years with Heart Matters

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and things like that, so he was there as an

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attendee and he wrote a really great recap article on

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the AIO Update website about the Making Great Audio Drama event.

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I recommend checking it out if you are interested at

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all in getting into the space. It's a really great

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recap of how that week transpired and you're just interested

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in hearing, even as a fan, a little bit about it.

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I think it's a good read. He did a great

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job writing that up, so that is also linked in

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the show notes, and if you're interested, there will be

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more events like this coming up in the future. I

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know John Thornoff, who runs the Audio Drama Institute, has

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got lots of ideas, lots of plans, still working those

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things out, but this is not going to be the

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last event of this kind from the Audio Drama Institute,

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so I have no fear there will be more events

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coming from the Audio Drama Institute. All right, now let's

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move into recent releases. Now, if you heard those bonus

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episodes from the Audio Drama Camp, then you heard us

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talk about this. But Heart Matters has just released their

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latest audio drama. It is their first fantasy audio drama.

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It's called The Potion of Power, and the summary is

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to achieve his dream of knighthood, Marlow makes a deal

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with a shadowy stranger to gain superhuman strength. This power

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comes at a cost, as his lies and addiction threaten

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to destroy him and the woman he loves. So here

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is a little sample. Here's a trailer for the Potion

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of Power. Take a listen.

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Speaker 2: What if lies goodly truths? Oh, don't believe you're even?

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And night fables be futures. I will always be your Marllow,

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and vanities be valor? When does it end? Marllow? When

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does your valor earn you a life of peace of love?

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When you drink the potion? No enemy can kill you?

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Speaker 4: Oh my god, no.

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Speaker 2: No war weaken you. This a very just so loose everything.

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No impudent old man deny you?

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Speaker 5: What is yours?

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Speaker 2: Would know you of my mind's old man?

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Speaker 5: We lose our We forget What were You're fighting for?

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Speaker 6: What were you fighting for?

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Speaker 2: Mala.

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Speaker 1: It's a really, really well done audio drama. It was

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written by Christopher Green, with music by Jared Depesqual and

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sound designed by Ben Kimp. I know all three of

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these guys. They always do really cool work. The cast

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includes people like Daniel Cross, Rachel Marley Corral, Tim Cox,

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and Craig Hart. It's just got some really really great

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performances in it. You can hear this audio drama, as

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well as all the past audio dramas from Heart Matters,

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for free in the Heart Matters app. It's available on

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Apple and Google. Link is in the show notes. Go

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check it out. They've also just recently released the soundtrack

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of the score by Jared Depesqual. It's all in the

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app there as well. Go check it out.

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Speaker 5: Testing one, two three testing.

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Speaker 4: That was just me talking.

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Speaker 1: I do that a lot.

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Speaker 4: Where's my speech?

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Speaker 1: How long you're going to war up with it?

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Speaker 2: That's what I want to talk about.

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Speaker 1: Well, this monologue segment is going to be aimed mostly

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at creatives in audio drama space, So if you're really

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just not interested at all in that, feel free to

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skip to the next segment. But here's what I'm thinking.

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This month, September of twenty twenty five marks fifteen years

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of Audio Theater Central, and last month in August, I

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celebrated eighteen years of podcasting overall, and that puts me

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at about twenty five years total of online content creation.

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So I've been around this space, the audio drama space

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in particular, and creating content for the web for a

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long time. And what has really been kind of running

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around in my mind as I was thinking about this

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marking this sort of milestone is the value of relationships

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that I've been able to create in this space in particular.

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And I think, regardless of what discipline in the audio

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drama world or just in life in general that you

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are striving for, this is a hugely beneficial thing to

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really think about. And so the value of building that

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network and fostering relationships with peers and professionals in whatever space,

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whatever industry it is, it reaps so many many benefits.

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And so I just wanted to take a few minutes

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and share some of my thoughts on what I've learned

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about this particular topic in these past fifteen years of

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running Audio Theater Central. Now earlier in the episode I

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mentioned the Making Great Audio Drama event that happened last month,

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and in the very first session, John Faranoff asked each

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of the teachers to share with the students for just

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a few minutes and give them some tips on how

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to get the most out of the event as an attendee.

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And so one of the things that I talked about

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was this thing about building relationships, and so that's another

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reason why this has kind of been on my mind

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lately as well. And so then in conjunction with marking

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this fifteen year birthday of ATC, it's kind of all

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been swirling around in my mind. So I was going

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to sort of recap what I some of the things

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that I had said at that event, but that I thought,

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why don't I just play that clip from the event

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for you in this episode. So here is almost two

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minutes of some of the things that I shared at

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the Making Great Audio Drama camp.

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Speaker 7: All of us are here for you, but don't forget

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to take the opportunities to interact with your peers as well.

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Because Katie said, it's about the relationships and networking. That's

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always been the most valuable thing for me at any

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conference or convention. Yes, I learned from the sessions, but

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just to get and it's hard for me because I

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am an introvert and so I have to force myself

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to go out and talk to people.

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Speaker 6: And you know, you just have to do it. You

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have to force yourself.

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Speaker 7: And the benefits of doing that are so great because

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this industry is like a lot of different industries, and

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it's so much about the relationships that you've built over

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the years, and so this is an opportunity to begin those.

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Speaker 6: And some of you have attended the lamp that our

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guilt as well.

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Speaker 7: You've already started some relationships you know people already, but.

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Speaker 6: We were already seeing it last night.

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Speaker 7: There was so much great conversation happening and I love

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seeing that, and I know it's only going to grow

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as we progress through the week. But really capitalize that

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on that, and don't neglect the chances to bolster and

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encourage each other as well, because you know, it's about

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a give and take.

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Speaker 6: It's not always like, well what can this person do

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for me?

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Speaker 7: I might need a voice actor down the road, but

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what can I help them with? And you notice that

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and that you put we've heard that phrase, it's a

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give and take what's first. It's the give, and the

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Bible says it's more blessed to give than to receive,

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So keep an eye out for those opportunities to just

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grow your network.

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Speaker 1: But with that mindset of what can I bring to

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the table now. Of course I mentioned some things that

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were very specific to attendees at that event, but I

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think if you listen carefully to the concepts and the

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ideas that I'm talking about, overall, it still applies to

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anybody who's listening to this episode right now. So again,

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those relationships are going to be so beneficial to you,

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and not just in a practical sense of, you know,

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helping you further your career or whatever it might be,

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but also I'm here to testify after these fifteen years

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of ATC it does enrich your life overall as well,

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just knowing and being acquainted with people who are working

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at the top of the game, and it helps, it

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helps push you further, and it just makes you a

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better person. I think being around really really good people.

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So a few quick little tips here, and I thought

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I would share beyond what was in that clip. Number one,

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just be easy to work with, and I did several

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one on one coaching sessions at that event as well,

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and I think this came up several times, as you know,

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you just talk about that idea of interpersonal relationships in

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the industry and getting to know people and how to

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work together, being easy to work with people like to

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work with people that they like. I know I've said

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some of these things in the past on this show,

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and I thought that I might have even done a

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monologue segment about this very topic, but I couldn't find

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it in my notes. So if I'm repeating some things,

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I apologize, but maybe I don't because it's always worth

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hearing it again. Sometimes it's great to have a little

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reminder of the base. But you know, when I say

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be easy to work with, I'm not saying, you know,

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be a doormat and let people walk all over you.

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But what I am saying is be kind, kill the ego,

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be professional in all of your communications, and be clear

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and concise with instructions or expectations or direction that you

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have for your team. If you're the one in charge,

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or even if you're not, you know, if you're an

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actor participating in a project, just be clear and concise

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in your communication and think about how it's going to

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come across, and it just makes you a pleasant person

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to interact with. I don't think I can overstate the

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importance of just being pleasant and easy to work with.

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Number two, look for ways to serve and to help

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in whatever the project might be you know that you

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might be involved in. Always be looking for opportunities to

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be of assistance or be of service to people within reason. Now,

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I'm not saying that you must always make huge sacrifices

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of time or talent in every single thing you're involved in,

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but you can offer advice or a tip, or recommend

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a resource, whatever it might be. Just be intentional and

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open to those opportunities as they come along, and it

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really can help solidify relationships and people remember when you

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helped them out, they will remember. And Lastly, this is

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by no means an exhaustive sort of discussion of this topic.

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But we could go on for a long time and

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you could probably do an entire session about this idea,

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but just of the few minutes that I wanted to

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take today. Lastly, I just want to mention be sure

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to show gratitude, however that looks like in your particular instance,

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whatever the situation, might be be grateful when someone helps you.

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When someone voices a character for your show, oh or

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shares advice or a tip or a tool, be sure

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to say thank you. It goes such a long way.

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Just having a little bit of gratitude. It really does

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help again solidify that relationship. That interaction is going to

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be remembered by that other person. It's not often, but

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there have been times when I've assisted someone, whether that's

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in this space or in my general content creation consulting.

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At work. I do a lot of help for people

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through email, and there have been a few times. Thankfully

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it's not very many, but there have been times when

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I've assisted someone and then I just never get another reply,

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no follow up. It's just like you also remember those

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interactions as well when somebody doesn't take the time to

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follow up and show that they appreciated that you took

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the time to give them a little bit of help.

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So just to recap real quickly, Number one, be easy

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to work with. Number two, look for ways to serve

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and help. Number three show gratitude. My main inbox for

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my consulting and for all of my online content work

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gets upwards of one hundred to one hundred and fifty

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emails a day, and that's not counting my inbox for

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my day job, and my inbox for the Portsyde Family

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media feedback emails or for the radio station. Those all

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are separate inboxes and they all get a lot of

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emails every single day as well. So I'm going through

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a ton of emails on a regular basis. And maybe

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people don't realize the volume of emails that we might

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be dealing with as producers or creatives. So when we

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take the time to respond, especially when we give a

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thorough response to a question that's not done lightly or

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without thought, and so again, kind of going back to

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that gratitude thing, it really goes a long way. So

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the bottom line of this whole segment, I guess is

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I'm just very grateful for this community and the professionals

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in it that I've been able to build relationships with

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over the years. They have become friends, and I really

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really am thankful to be a part of this. And

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I'm also excited about the new blood that is coming

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into this space. It's just so exciting to see the

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excitement that they have for creating great audio drama. And

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I am expecting some really cool things to come from

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this making Great Audio Drama event and Sonic Con and

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even the Realm Makers event which has recently started putting

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a focus on audio drama as well. So this is

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just an exciting time to be involved in the audio

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drama community. And as we kind of circle back to

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the birthday of Audio Theater Central, ADC would not have

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lasted for fifteen years without the support of this industry

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and the faithful listeners. Some of you have been listening

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from the very early days when we started in September

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of twenty ten, and I am so grateful for you

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sticking around this long and continuing to send in feedback

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be a part of what we're doing here. The core

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reason we exist is to spread the word about great

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audio drama to the fans of audio drama, connect the

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fans with the content. That's the main thing. Two, it's

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to share the heart behind the content by interviewing the

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creatives and connecting with the creatives to build that community

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and let them know that there are listeners out there

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that care about what they're doing. And three, it's to

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encourage and equip the next generation of creatives by helping

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them understand the scope of what's available out there, what

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you can do with the audio drama medium, and sort

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of chronicling this industry as it moves forward. So I

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again am super grateful for being able to have helped

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play a role in this industry. And I think I'm

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going to stick around for as long as you guys

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will have me. If you have any thoughts on this topic,

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be sure to let me know.

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Speaker 6: What do you think of our little plan?

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00:23:20,839 --> 00:23:23,720
Speaker 7: Your characters were weak, your dialogue was cliched, and you

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00:23:23,759 --> 00:23:25,000
didn't have much of a story.

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Speaker 2: Wonderful everyone, We have a delightful show. It's the Michael,

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00:23:30,000 --> 00:23:32,559
a true genius to use symbolism in that way.

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Speaker 5: You may even get a standing ovation.

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Speaker 1: All right, let's jump into this review of robin Hood

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Rising to Honor season two. This is a joint production

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from LRT Media and Eternal Future Productions, and it was

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released in August of twenty twenty five, so just last month,

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and it has a run time of one hour and

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eighteen minutes. Before we jump into the specifics here, I

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have to say, if you haven't heard season one yet,

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you will want to go listen to season one before

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you listen to season two, because the story is serialized

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across the seasons, so you could probably if you're familiar

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00:24:16,400 --> 00:24:19,079
with the Robin Hood legends, you could probably follow what's

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going on in season two without having heard season one.

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But there is some groundwork that's laid in season one

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that you definitely want to hear before jumping into this one.

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And I will say, as with all of our reviews

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except for Adventures not a Seed reviews, this is going

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to be spoiler free. So if you haven't heard this

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season yet, I'm not going to spoil any of the

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major plot points in this review. So here is the

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official summary of season two. A kingdom in turmoil as

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loyalty is tested and honor demands sacrifice. With King Richard

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being captured in Prince John's tyranny escalating, the people of

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England face their darkest hour as villages burn and taxes

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crush the common folk. Sheriff Robin must choose between his

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duty to the corrupt throne and his conscience. Now, there

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00:25:12,799 --> 00:25:16,000
is a slight spoiler there in that summary, and that

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is that King Richard is captured, but since they spoiled it,

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I guess it's okay to mention that. Now Again, if

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you haven't heard it yet. I'm going to play the

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trailer so you can get a little taste of it.

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And if you have heard it, well, here's a little

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refresher for you.

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Speaker 5: John. You do know I hold our bond in the

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highest esteem, as do I Robin, which of course is

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why I elevated you to the position of Sheriff of

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not enough. It is my pleasure to serve you, your majesty.

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Speaker 4: A kingdom burdened by war taxes and a tyrannical monarch

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begging your ponds. Sir, I.

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Speaker 5: Cannot pay before the mail my daughter she strave for you,

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an un plowman.

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Speaker 7: It appears from my records that you were unable to

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pay last time.

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Speaker 1: Is that not correct? Please? Oh fank you.

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Speaker 4: As England struggles to carry on in the absence of

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good King Richard, other forces begin gathering to grab power out.

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Speaker 1: Of the weapons and food then the rest and John,

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I am here to employ you to feed these.

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Speaker 2: People, Gods, seize the friar.

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Speaker 4: Take my hand, Marin. I couldn't leave you behind, but talk.

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We'll come back to him, I promise. Rich soundscapes, original music,

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and compelling acting bring the medieval world of Robin Hood

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to life immersing listeners in an epic tale of bravery

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and justice in a way you've never heard.

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Speaker 5: For Not that I needed, but perhaps I should fetch

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my boat, spend some time in practice before the match, Robin. Yes,

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your majesty, aim for the heart.

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Speaker 1: Really good, really good. So let's go over some of

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00:27:33,359 --> 00:27:35,880
the credits real quickly. Now. As I said, this is

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00:27:35,920 --> 00:27:39,759
a joint production from LRT Media and Eternal Future Productions,

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00:27:40,319 --> 00:27:44,279
So those teams shared the duties on this in terms

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00:27:44,319 --> 00:27:48,640
of the writing, directing, sound design, and the production of

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this project, and that would be Alisia Hanson, Craig Hart,

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00:27:52,799 --> 00:27:56,519
and Jonathan Cook. And the voice track editing was done

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by Craig Hart. The original score was by Dominic Trice

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00:28:01,119 --> 00:28:05,640
and the LRT Media theme was composed by John Campbell.

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And there's also a scene that has a piece of

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harp music and that was not done by the composer.

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That was performed by Cassandra Oswenesky. And I hope I'm

472
00:28:18,480 --> 00:28:21,440
pronouncing that correctly. I think that's how it was pronounced

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00:28:21,440 --> 00:28:24,559
in the credits. I've never heard the name outside of that,

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00:28:24,720 --> 00:28:27,640
so apologies if I butchered it, but I think that's

475
00:28:27,640 --> 00:28:30,000
how you pronounce it. That piece was called Song of

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00:28:30,039 --> 00:28:32,160
the Sparrow. I don't know if it's an original piece

477
00:28:32,599 --> 00:28:35,720
or if that's an existing piece of music that was

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just performed by her, but it was a really cool

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00:28:38,519 --> 00:28:42,519
touch to have that in the scene there. So in

480
00:28:42,599 --> 00:28:45,440
terms of the cast, we have most of the same

481
00:28:46,000 --> 00:28:49,200
actors returning from season one to reprise their roles in

482
00:28:49,240 --> 00:28:54,000
season two. So our main core cast members we have

483
00:28:54,119 --> 00:28:57,599
Jonathan Cook as Robin Hood, Craig Hart as Prince John,

484
00:28:58,400 --> 00:29:02,559
Alicia Hansen has made Mary, and Andy Harvey as Friar Tuck.

485
00:29:02,680 --> 00:29:06,039
So those are our main cast of the story that

486
00:29:06,119 --> 00:29:10,240
we all are familiar with. But then there's some other characters,

487
00:29:10,279 --> 00:29:13,599
original characters. We have a Stacy Bradshaw who plays Elizabeth,

488
00:29:14,160 --> 00:29:20,599
sort of servant or assistant to Marian. And we have

489
00:29:20,680 --> 00:29:25,279
Duffy Weber as Cyril, and A. W. Miller as Reeves,

490
00:29:25,880 --> 00:29:29,279
and Daniel Cross as John Plowman. So these are all

491
00:29:29,920 --> 00:29:35,599
returning from season one. And Cyril, I have to say,

492
00:29:35,720 --> 00:29:38,920
is such a fun character. He's I think I said

493
00:29:38,920 --> 00:29:41,720
this in the review of season one. He's sort of

494
00:29:41,720 --> 00:29:47,680
the comic relief for the show. Although Prince John, who

495
00:29:47,799 --> 00:29:52,200
insists on being called King is a little bit more

496
00:29:52,240 --> 00:29:55,000
on the comic side in this season than he was

497
00:29:55,039 --> 00:29:59,880
in last season. I think he's a little bit more goofyet.

498
00:30:00,680 --> 00:30:03,680
I mean not straight up you know, jest or like

499
00:30:03,799 --> 00:30:06,880
or clowning around, but just a little bit more on

500
00:30:07,079 --> 00:30:10,279
the goofy side than he was in season one, at

501
00:30:10,359 --> 00:30:14,319
least in my opinion. That's my perception anyway. But Cyril

502
00:30:14,440 --> 00:30:18,880
is still pretty much the straight up comic relief and

503
00:30:19,240 --> 00:30:23,039
he's technically the steward, but he might as well be

504
00:30:23,119 --> 00:30:27,720
the court Chester because he's just a fruitcake, you know.

505
00:30:27,759 --> 00:30:31,400
It's just hilarious. But and speaking of Cyril, he has

506
00:30:31,480 --> 00:30:35,000
that same joke about chicken legs from season one. It

507
00:30:35,160 --> 00:30:37,440
is back, and it gets played up a lot in

508
00:30:37,559 --> 00:30:42,119
this season where he's sort of miss misspeaking and saying

509
00:30:43,160 --> 00:30:47,000
leg instead of my liege or vice versa, and all

510
00:30:47,079 --> 00:30:49,920
that's funny. But yeah, that gets played up a lot.

511
00:30:49,960 --> 00:30:53,599
And that's where Prince John's more comedic side comes out too.

512
00:30:53,640 --> 00:30:57,680
It's like he's constantly hungry and he's always wanting to eat,

513
00:30:57,799 --> 00:31:00,720
and he loves chicken legs, and so that that kind

514
00:31:00,720 --> 00:31:04,519
of gets played up there. And speaking of that, there's

515
00:31:04,519 --> 00:31:07,440
one point where he says something about chicken from Etherea.

516
00:31:08,319 --> 00:31:10,880
I think is how he pronounced it. It's just a

517
00:31:11,000 --> 00:31:15,759
very brief passing mentioned. I don't know if that's a

518
00:31:15,799 --> 00:31:17,640
real place. I tried to look it up, but not

519
00:31:17,680 --> 00:31:20,079
knowing how to spell it, I searched a couple of

520
00:31:20,119 --> 00:31:22,880
different spellings, and it doesn't seem to be a real place.

521
00:31:22,960 --> 00:31:25,640
But I did see that there are lots of fictional

522
00:31:25,640 --> 00:31:28,599
places with that name a similar name, So I don't

523
00:31:28,640 --> 00:31:31,000
know if that's a reference to something that the writers

524
00:31:31,359 --> 00:31:33,720
slipped in there as a little easter egg or not.

525
00:31:34,559 --> 00:31:36,559
If any of you are listening to this review, I'd

526
00:31:36,559 --> 00:31:39,000
love to hear if that is a reference there, or

527
00:31:39,079 --> 00:31:42,319
if I'm just uneducated and it is a real place.

528
00:31:43,039 --> 00:31:47,400
But anyway, the whole chicken thing quite fun, sprinkled throughout

529
00:31:47,960 --> 00:31:51,599
the whole season, and you know, it's fun to have

530
00:31:51,640 --> 00:31:53,799
a little bit of levity in there because there are

531
00:31:53,839 --> 00:31:56,960
some dark moments in this you know, we had some

532
00:31:57,119 --> 00:32:00,559
in season one as well, and it just can tinues

533
00:32:00,759 --> 00:32:05,359
here in a couple of really dark moments, though they

534
00:32:05,359 --> 00:32:07,640
don't like dwell on them, and it's not like explicit,

535
00:32:07,759 --> 00:32:10,359
it's not in your face or anything, but you know

536
00:32:10,400 --> 00:32:15,839
what's going on, so it definitely makes the story more interesting. Now,

537
00:32:15,960 --> 00:32:18,319
before I get too deeply into, you know, scene by

538
00:32:18,400 --> 00:32:22,359
scene stuff, I want to mention this has a cold open,

539
00:32:22,400 --> 00:32:25,039
and I cannot remember if season one did as well.

540
00:32:26,559 --> 00:32:30,200
I should say I'm listening to the full cut, and

541
00:32:30,359 --> 00:32:34,240
in season one I listened to the individual episodes, so

542
00:32:34,279 --> 00:32:38,599
they were broken up into seven episodes, so the structure

543
00:32:38,680 --> 00:32:41,680
may have been slightly different. So in the in the

544
00:32:41,720 --> 00:32:43,880
director's cut of season one, they may have done this

545
00:32:43,920 --> 00:32:47,920
as well. But anyway, this one opens with a cold open.

546
00:32:47,960 --> 00:32:51,400
We just go right into scene one and it's quite

547
00:32:51,440 --> 00:32:54,079
a long scene, and then at the end of that

548
00:32:54,160 --> 00:32:58,160
scene we move into the open, which is done by Craig.

549
00:32:58,799 --> 00:33:01,440
And it was just really cool that transition out of

550
00:33:01,440 --> 00:33:04,559
that first scene into the show open with the theme

551
00:33:04,640 --> 00:33:08,759
music and everything. It sounded. It sounded really really cool.

552
00:33:08,799 --> 00:33:12,400
I liked it quite a bit, and I said, said theme,

553
00:33:12,599 --> 00:33:16,240
it's not necessarily the l RT theme that that plays there,

554
00:33:16,880 --> 00:33:21,319
but it's just sort of an opening music cube and

555
00:33:21,480 --> 00:33:24,960
it sounded really really good. And then and it transitions

556
00:33:25,000 --> 00:33:28,759
into the next scene, which is sort of a confrontation

557
00:33:29,599 --> 00:33:33,920
with Reeves and another character, which again not not going

558
00:33:33,960 --> 00:33:36,920
to spoil all that's going on there, but the music

559
00:33:36,960 --> 00:33:42,240
transitions to really ominous and it's really really cool.

560
00:33:42,759 --> 00:33:42,880
Speaker 4: Uh.

561
00:33:43,279 --> 00:33:45,839
Speaker 1: The music just sounded really good throughout and the same

562
00:33:45,880 --> 00:33:50,279
thing happens at the end of scene three. The cues

563
00:33:50,319 --> 00:33:52,880
there were just really, really nice. I quite liked them

564
00:33:53,119 --> 00:33:57,599
a lot, So kudos to to Dominic on the music there.

565
00:33:59,039 --> 00:34:03,640
Now an interesting thing here. There's a scene where Cyril

566
00:34:03,880 --> 00:34:08,320
is talking with Reeves, and if you remember from season one,

567
00:34:08,360 --> 00:34:14,480
these are not necessarily the most upstanding gentlemen. They have

568
00:34:14,639 --> 00:34:19,119
a little bit of sneakiness going on, and so Reeves

569
00:34:19,159 --> 00:34:23,679
mentions a particular verse of Scripture in this scene, and

570
00:34:23,800 --> 00:34:26,719
Cyril says, I never took you for a man of

571
00:34:26,719 --> 00:34:29,719
a book, and Reeves says, well, I don't put much

572
00:34:29,719 --> 00:34:31,960
stock in it myself, but every now and then it

573
00:34:32,000 --> 00:34:35,280
suits my purposes. And I thought, man, I mean that

574
00:34:35,320 --> 00:34:39,039
fits this character very very well, sort of cherry picking

575
00:34:39,400 --> 00:34:44,559
the parts that he cares about. But it also made

576
00:34:44,599 --> 00:34:48,480
me think, man, that sounds a lot like many folks

577
00:34:48,519 --> 00:34:54,639
these days, unfortunately, just trying to follow the bits of

578
00:34:54,639 --> 00:34:58,639
the Bible that they like, but not necessarily wanting to

579
00:35:00,079 --> 00:35:02,320
take into account all of it and all of the

580
00:35:02,320 --> 00:35:05,199
commandments and everything. But I thought that was just an

581
00:35:05,239 --> 00:35:08,320
interesting point. It's like, yeah, yeah, that makes sense for

582
00:35:08,360 --> 00:35:12,360
this character. But then it's also a good illustration of

583
00:35:12,440 --> 00:35:15,559
the way some other people approach it, and I thought

584
00:35:15,559 --> 00:35:19,119
that was interesting. Now, total side note here, and this

585
00:35:19,239 --> 00:35:23,440
is not necessarily a criticism, but I'm just nerdy like this,

586
00:35:23,559 --> 00:35:26,519
and so I had to look it up. So the

587
00:35:27,400 --> 00:35:33,119
verse that Reeve's references is from Proverbs, and he says

588
00:35:33,159 --> 00:35:37,119
that it says pride goeth before a fall. Now, I

589
00:35:37,159 --> 00:35:39,639
don't know if this is just intended to be the

590
00:35:39,760 --> 00:35:46,400
character not clearly understanding scripture. That's what I'm going to assume,

591
00:35:46,480 --> 00:35:49,199
because the Bible doesn't actually say that is as pride

592
00:35:49,280 --> 00:35:54,159
goes before destruction, and in the King James a haughty

593
00:35:54,199 --> 00:35:59,239
spirit before a fall, so he sort of crams that together.

594
00:35:59,559 --> 00:36:02,079
But the the interesting thing is that's the King James

595
00:36:02,639 --> 00:36:05,960
and the King James version of the Bible was not

596
00:36:06,000 --> 00:36:09,000
in existence in the era in which this story in

597
00:36:09,000 --> 00:36:12,519
the Medieval in the medieval era in which these stories

598
00:36:12,800 --> 00:36:16,360
are taking place, so it probably would have been the

599
00:36:16,360 --> 00:36:20,400
Wickliffe translation that these characters would have been familiar with

600
00:36:20,480 --> 00:36:23,519
if they knew scripture, so I did look it up

601
00:36:23,559 --> 00:36:25,800
at that and it also doesn't say Pride goes before

602
00:36:25,800 --> 00:36:30,000
a fall, So it's just a nerdy little thing. But

603
00:36:30,400 --> 00:36:33,320
it could have been again that they're trying to show

604
00:36:33,320 --> 00:36:37,119
that the character is totally just paraphrasing and not really

605
00:36:37,159 --> 00:36:41,440
knowing scripture himself, or it could be just the writer's

606
00:36:41,480 --> 00:36:45,079
making a decision to sort of simplify and paraphrase that

607
00:36:46,280 --> 00:36:49,800
just because that is actually a common phrase that people

608
00:36:50,119 --> 00:36:54,519
think the Bible actually says. So anyway, again, it's not

609
00:36:54,559 --> 00:36:56,679
a negative necessarily, but it is just something that was

610
00:36:56,760 --> 00:36:59,960
interesting that I noticed that they did, and I thought

611
00:37:00,519 --> 00:37:03,199
worth mentioning, because again, I'm nerdy and I like to

612
00:37:03,199 --> 00:37:06,440
look up those sorts of things. But speaking of Reeves

613
00:37:06,440 --> 00:37:10,039
and Cyril, there is another scene and then actually it

614
00:37:10,079 --> 00:37:12,159
might have been the same one I can't recall now,

615
00:37:13,280 --> 00:37:16,239
but there's a scene where Reeves is sort of mocking

616
00:37:16,280 --> 00:37:18,480
Cyril behind his back and he's like he's doing an

617
00:37:18,519 --> 00:37:22,920
impression of Cyril and Cyril's wife. It's absolutely hilarious just

618
00:37:23,360 --> 00:37:27,239
the way that aw Miller is voicing this character and

619
00:37:27,320 --> 00:37:32,519
sort of he's in the character's voice, but it's sort

620
00:37:32,559 --> 00:37:36,039
of this second layer of acting, and this when actors

621
00:37:36,119 --> 00:37:39,000
can do this kind of thing, it's always so interesting

622
00:37:39,039 --> 00:37:43,920
to me. So aw Miller is playing Reeves, who is

623
00:37:44,000 --> 00:37:47,079
playing Cyril and Cyril's wife, and so he's doing this

624
00:37:47,119 --> 00:37:51,760
impersonation or impression of these other characters while also being

625
00:37:51,840 --> 00:37:55,719
in character. And yes, that's a little meta, but I

626
00:37:55,800 --> 00:37:58,400
love those little things, and he pulls it off so well,

627
00:37:58,440 --> 00:38:01,639
and I think it's so so fun. And I was

628
00:38:01,719 --> 00:38:04,239
laughing out loud at that at that point, not just

629
00:38:04,280 --> 00:38:06,960
because it makes sense in the story and it fits

630
00:38:07,000 --> 00:38:10,320
in everything, but just because of that extra layer of understanding,

631
00:38:10,320 --> 00:38:12,480
the skill of the actor being able to pull that off,

632
00:38:12,880 --> 00:38:15,480
and those little details like that are always so fun

633
00:38:15,559 --> 00:38:19,360
to me. I really enjoy that kind of stuff. Now,

634
00:38:19,400 --> 00:38:24,000
we do have some new characters in this season. One

635
00:38:24,039 --> 00:38:27,039
of them is a character that does appear in some

636
00:38:27,119 --> 00:38:30,719
of the robin Hood legends, and he is Sir Guy

637
00:38:30,800 --> 00:38:34,239
of Gisborne. Now that is how they pronounce it in

638
00:38:34,280 --> 00:38:38,559
this I've heard this character name pronounced lots of different ways,

639
00:38:38,559 --> 00:38:42,320
and if you are familiar with Air Theater's version of

640
00:38:42,719 --> 00:38:47,199
robin Hood, they say sir GhIE because it's the French

641
00:38:47,239 --> 00:38:51,440
pronunciation of the name like the author Gui de mo Posson,

642
00:38:51,960 --> 00:38:56,239
so it's pronounced as sir Ghi, and they might say

643
00:38:56,840 --> 00:39:02,639
Gisburne rather than Gizborne. So they chose for the very

644
00:39:03,480 --> 00:39:08,840
Anglicized or even Americanized pronunciation of guy of Gisborne. That's

645
00:39:08,880 --> 00:39:11,960
how they pronounced it in this show. Again, I'm assuming

646
00:39:12,000 --> 00:39:15,079
that was an intentional decision on the part of the

647
00:39:15,119 --> 00:39:19,199
producers there to you know, not go with the French

648
00:39:19,280 --> 00:39:23,480
pronunciation there that is sometimes used. Now, I did a

649
00:39:23,519 --> 00:39:25,559
little bit of research into this as well, and I've

650
00:39:25,599 --> 00:39:29,519
seen that it has been used in both ways, though

651
00:39:29,599 --> 00:39:34,519
I think it is traditionally supposed to be serghee. In

652
00:39:34,559 --> 00:39:37,719
my research, I found that in some other adaptations, some

653
00:39:37,760 --> 00:39:43,119
of the screen adaptations, they used the guy pronunciation as well,

654
00:39:43,199 --> 00:39:46,400
So apparently it's not necessarily a right or wrong thing.

655
00:39:46,480 --> 00:39:50,440
It's a you know, you can kind of go either way.

656
00:39:50,480 --> 00:39:53,280
But I thought it was worth mentioning. Now. I know

657
00:39:53,360 --> 00:39:56,320
there are several different adaptations of robin hood for the screen.

658
00:39:56,360 --> 00:39:59,079
I've not seen any of them, so I don't know

659
00:39:59,119 --> 00:40:03,480
how it's typically handled in that medium, And the only

660
00:40:03,559 --> 00:40:06,599
other Robinhood that I've heard in audio that I can

661
00:40:06,639 --> 00:40:11,679
recall in which this character appears is the air theater version,

662
00:40:11,760 --> 00:40:14,679
so that was my point of reference, so it jumped

663
00:40:14,679 --> 00:40:17,440
out at me immediately when I heard the guy pronunciation.

664
00:40:18,679 --> 00:40:23,639
But anyway, that's just a little random tidbit that I

665
00:40:23,719 --> 00:40:26,599
picked up on and I thought was worth mentioning as well. Now,

666
00:40:27,280 --> 00:40:32,079
also speaking of pronunciations, so Prince John says schedule with

667
00:40:32,519 --> 00:40:36,440
the American pronunciation at one point instead of the typical

668
00:40:36,480 --> 00:40:40,840
British pronunciation of schedule. So again I'm assuming this was

669
00:40:40,920 --> 00:40:46,360
a deliberate decision on their part to maybe make it

670
00:40:46,400 --> 00:40:51,880
more approachable to American audiences. I don't know. I will

671
00:40:51,920 --> 00:40:56,719
say one slight negative is the accents are not always

672
00:40:56,880 --> 00:41:00,920
spot on. It does slip in play here and there

673
00:41:01,199 --> 00:41:04,559
from different characters, but that is a very minor thing

674
00:41:04,719 --> 00:41:08,239
in my view. It didn't hinder my enjoyment of the show,

675
00:41:08,800 --> 00:41:11,559
though I know that there are many in our audience

676
00:41:11,599 --> 00:41:14,480
here who are very particular about accents, So I thought

677
00:41:14,519 --> 00:41:16,719
it was worth mentioning. And I can't criticize too much

678
00:41:16,719 --> 00:41:19,679
because I struggle with accents a lot as an actor

679
00:41:19,719 --> 00:41:22,639
as well, so it's not my strong suit. But I

680
00:41:22,639 --> 00:41:24,320
thought it was worth mentioning because, like I said, I

681
00:41:24,360 --> 00:41:27,079
know that we do have some in the community of

682
00:41:27,159 --> 00:41:33,079
listeners here who are very particular about having solid, strong accents,

683
00:41:33,079 --> 00:41:37,639
so I wanted to bring that up. But aside from that,

684
00:41:38,599 --> 00:41:43,280
this is a really really interesting show and I thoroughly

685
00:41:43,400 --> 00:41:48,119
enjoyed season one, really enjoyed season two as well. The

686
00:41:48,159 --> 00:41:52,599
action is just getting ratcheted up in this season. It's

687
00:41:52,679 --> 00:41:55,719
just building. Of course, we're building on what happened in

688
00:41:55,760 --> 00:42:01,360
season one, and it's just moving things forward. There's some

689
00:42:02,039 --> 00:42:04,400
you know, there's some I'm trying to think about how

690
00:42:04,400 --> 00:42:07,760
to say this without spoiling things, but there are some

691
00:42:08,159 --> 00:42:12,360
sort of breaking of relationships that happens to a certain extent,

692
00:42:13,199 --> 00:42:16,480
and these are long existing relationships, and so it's a

693
00:42:16,559 --> 00:42:19,679
really interesting to see this particular take. If you're not

694
00:42:19,719 --> 00:42:23,800
familiar with the approach to these characters that LRT and

695
00:42:24,519 --> 00:42:28,239
an Eternal Future are taking with this show, it's a

696
00:42:28,239 --> 00:42:31,599
little bit different. So Little John and Prince John are

697
00:42:31,639 --> 00:42:36,119
the same person, and the Sheriff of Nottingham and Robin

698
00:42:36,119 --> 00:42:39,440
Hood are the same person, so it's a very different

699
00:42:39,519 --> 00:42:42,519
sort of thing. I've never heard or even heard of

700
00:42:42,559 --> 00:42:44,880
this sort of approach to these familiar characters. So it's

701
00:42:45,039 --> 00:42:49,840
very interesting. It's a different, unique take, and so I

702
00:42:50,199 --> 00:42:54,800
really find this intriguing and so I love what they're

703
00:42:54,800 --> 00:42:59,559
doing with these characters. A quick note on the sound design,

704
00:43:00,280 --> 00:43:04,760
it's really quite good all throughout. And these these three

705
00:43:05,480 --> 00:43:08,760
Craig and Jonathan and Alicia just keep impressing me with

706
00:43:08,800 --> 00:43:10,920
their abilities with you know, some of the things they've

707
00:43:10,920 --> 00:43:13,360
done on Pirateers and some of the things that Craig's

708
00:43:13,360 --> 00:43:15,800
done in l RT, and then with this show with

709
00:43:15,840 --> 00:43:20,519
their sound design skills. You know, the these these folks

710
00:43:20,519 --> 00:43:23,400
have only been doing audio drama for a handful of years,

711
00:43:24,280 --> 00:43:27,880
and I know Craig has been editing audio for a

712
00:43:27,920 --> 00:43:31,119
lot longer than he's worked in audio drama. But even that,

713
00:43:31,280 --> 00:43:36,159
you know, it's sound design is a very different ballgame

714
00:43:36,199 --> 00:43:40,320
from just editing voice tracks, and so that they've been

715
00:43:40,320 --> 00:43:43,519
able to pull off these really nice soundscapes in these

716
00:43:43,519 --> 00:43:49,039
shows is really really good. The opening scene in particular,

717
00:43:49,119 --> 00:43:52,360
we've got horses and like the sounds of like the

718
00:43:52,440 --> 00:43:56,480
creaking saddles and other tack, like the reins or whatever's

719
00:43:56,519 --> 00:43:58,639
going on there with the horses, and then we have

720
00:43:58,679 --> 00:44:02,639
some wind that's period, you know, blowing through the trees,

721
00:44:02,679 --> 00:44:05,239
you can hear it. It's not just like a wishing sound.

722
00:44:05,280 --> 00:44:08,880
It's actually you can hear it like rustling through foliage.

723
00:44:09,880 --> 00:44:14,719
It's just a really nice, immersive opening sound. You know.

724
00:44:14,800 --> 00:44:17,199
That's just one example. I was just really impressed with

725
00:44:17,280 --> 00:44:19,880
how how well they did on the sound design with this.

726
00:44:20,679 --> 00:44:24,760
There's a other couple of moments with some sword fights

727
00:44:24,840 --> 00:44:29,440
and uh some some scenes with some fires going on

728
00:44:29,840 --> 00:44:33,719
and all of it. The sound design was really quite good.

729
00:44:34,719 --> 00:44:37,519
I just really want to give kudos to these guys

730
00:44:37,559 --> 00:44:40,760
for for how well they did on that aspect of

731
00:44:40,760 --> 00:44:44,599
this show. There's one moment that I really wanted to

732
00:44:44,719 --> 00:44:49,199
highlight here too that just jumped out at me. We

733
00:44:49,280 --> 00:44:52,519
talked about in season one, how we have this character

734
00:44:52,559 --> 00:44:56,920
of John Plowman, who is just an everyday, average kind

735
00:44:56,960 --> 00:45:01,159
of guy who's who's very poor, struggling to pay the taxes,

736
00:45:01,760 --> 00:45:05,519
and he's constantly kind of running up against the sheriff

737
00:45:05,679 --> 00:45:08,639
and John and the other people who are collecting taxes

738
00:45:08,679 --> 00:45:11,760
because he just doesn't have the money. So we learned

739
00:45:11,760 --> 00:45:14,639
about him in season one. Of course, he is also

740
00:45:14,800 --> 00:45:20,639
here in season two. But there is a really interesting moment,

741
00:45:21,440 --> 00:45:24,800
and I think somebody can correct me if I'm wrong,

742
00:45:24,920 --> 00:45:28,800
but I'm pretty sure I did go back and listen

743
00:45:28,840 --> 00:45:33,320
to season one again before I jumped into season two,

744
00:45:33,360 --> 00:45:37,960
and so I think that this is the first time

745
00:45:37,960 --> 00:45:41,239
that this happens. And so there's a scene where Robin

746
00:45:41,920 --> 00:45:46,519
is talking with John Plowman, and it's a really sort

747
00:45:46,559 --> 00:45:49,480
of I don't know how to describe it. It's an

748
00:45:49,519 --> 00:45:52,639
intimate moment, and Robin calls him by his first name

749
00:45:53,880 --> 00:45:57,599
in the way that Jonathan Cook as Robin delivers that line. There,

750
00:45:58,679 --> 00:46:01,519
it just jumped out at me. It's a very beautiful moment.

751
00:46:01,639 --> 00:46:05,880
It's like because, like I said, I'm pretty sure this

752
00:46:05,920 --> 00:46:09,239
was the first time. Every every previous time he's referenced

753
00:46:09,840 --> 00:46:13,800
referred to him, he's called him Plowman or he said

754
00:46:13,840 --> 00:46:17,400
his full name, but here he says directly to him,

755
00:46:17,880 --> 00:46:23,400
to his face, John, and it was almost like Robin

756
00:46:23,519 --> 00:46:26,599
was trying to say to this this poor man, who's

757
00:46:27,360 --> 00:46:30,400
who has had some really tough stuff that he's had

758
00:46:30,400 --> 00:46:33,920
to face in season one, and again here it's almost

759
00:46:33,920 --> 00:46:36,960
like he's saying, I see you. Even though I have

760
00:46:37,079 --> 00:46:41,960
this this position of authority, I'm the sheriff here, you know,

761
00:46:42,079 --> 00:46:48,519
I'm essentially Prince John's right hand, I'm the the enforcer,

762
00:46:49,199 --> 00:46:53,079
but at this moment we are equals. I'm I'm, I

763
00:46:53,159 --> 00:46:56,719
see you. We're on the same level here. That's how

764
00:46:56,719 --> 00:47:00,400
that moment came across to me, and I just thought

765
00:47:00,400 --> 00:47:04,239
it was really really cool, so that one just jumped

766
00:47:04,239 --> 00:47:09,199
out at me. Loved that. Speaking of cool moments, there

767
00:47:09,280 --> 00:47:14,320
was another one where Friar Tuck has this confrontation with

768
00:47:14,440 --> 00:47:16,840
Prince John and I know that's a slight spoiler but

769
00:47:17,639 --> 00:47:20,280
probably not too surprising if you're familiar with these characters

770
00:47:20,280 --> 00:47:25,320
in any way, but they have this confrontation and it

771
00:47:25,400 --> 00:47:29,480
totally was giving me like Samuel versus David vibes from

772
00:47:29,519 --> 00:47:32,800
the Old Testament, though this does have a very different outcome,

773
00:47:33,440 --> 00:47:37,880
I should say, hopefully that's not too spoilery, But as

774
00:47:37,920 --> 00:47:41,800
this moment was playing out in the show, that was

775
00:47:41,840 --> 00:47:43,960
immediately what jumped into my head, and I was like, oh,

776
00:47:43,960 --> 00:47:46,639
that's kind of a cool little parallel. Even though it's

777
00:47:46,679 --> 00:47:50,639
not quite the same, it is very similar. And I

778
00:47:50,639 --> 00:47:52,440
don't know if that was intentional on the part of

779
00:47:52,440 --> 00:47:55,639
the writers here, but if so, that was a brilliant

780
00:47:55,639 --> 00:47:58,760
thing to do and I really really liked it quite

781
00:47:58,800 --> 00:48:05,239
a bit. So as I'm trying to avoid spoilers. There's

782
00:48:05,639 --> 00:48:09,199
really not a whole lot to say without getting into

783
00:48:09,280 --> 00:48:13,360
the specifics of the scene and the plot points, so

784
00:48:13,840 --> 00:48:16,679
I'm going you know, I'm trying to avoid that because

785
00:48:16,719 --> 00:48:21,000
this is like a seventy eight minute audio drama, so

786
00:48:21,760 --> 00:48:24,119
it's not super long, and so there's not a whole

787
00:48:24,119 --> 00:48:28,079
lot of individual points to really pull out without spoiling

788
00:48:28,079 --> 00:48:33,519
too much. So I will say, though, Wow, what an ending.

789
00:48:33,639 --> 00:48:37,320
The way it wraps up. It's just a great example

790
00:48:37,440 --> 00:48:40,599
of ramping up the tension and ending on a cliffhanger

791
00:48:40,760 --> 00:48:43,880
in a really cool way. And it's obvious by the

792
00:48:43,880 --> 00:48:48,039
way this season wraps up things are really just getting started.

793
00:48:48,760 --> 00:48:52,159
And this is a slight spoiler, even though I'm really

794
00:48:52,239 --> 00:48:55,599
trying to avoid those. But we haven't even made it

795
00:48:55,599 --> 00:48:58,440
to Sherwood Forest yet, and we're all the way through

796
00:48:58,719 --> 00:49:03,199
to the end of season two, so there is obviously

797
00:49:03,280 --> 00:49:07,320
a lot more to come in this story, and I

798
00:49:08,519 --> 00:49:11,639
am here for it. I really really enjoy this show

799
00:49:11,760 --> 00:49:17,079
quite a bit. I've listened to both seasons multiple times now,

800
00:49:18,360 --> 00:49:21,400
and I just really like what they're doing here. Now.

801
00:49:21,840 --> 00:49:24,840
A couple of things I wanted to mention standout performances

802
00:49:24,880 --> 00:49:28,039
for me once that just jumped out at me as

803
00:49:28,679 --> 00:49:32,000
just really really like all of them were solid, but

804
00:49:32,280 --> 00:49:35,440
the ones that just jumped out at me as exceptional,

805
00:49:36,440 --> 00:49:40,960
as really above average. Where Jonathan David Bullock as Sir

806
00:49:41,000 --> 00:49:45,199
Guy Man, there were some really tense moments with this

807
00:49:45,280 --> 00:49:50,119
character and some more lighthearted where he's sort of playing

808
00:49:51,039 --> 00:49:56,199
a mocking sort of approach to the character, as he's

809
00:49:56,559 --> 00:49:58,840
a very arrogant person, at least that's the way he

810
00:49:58,880 --> 00:50:03,320
comes across. He thinks very highly of himself and he's

811
00:50:03,440 --> 00:50:07,079
not a super great guy, but he gets shoved into

812
00:50:07,159 --> 00:50:12,400
the mix here by Prince John, and so it's just

813
00:50:12,440 --> 00:50:16,239
an interesting dynamic between him and Robin Hood and the

814
00:50:16,280 --> 00:50:22,079
way that they approach situations. And so I thought, Jonathan, well, Jonathan,

815
00:50:22,440 --> 00:50:24,679
I guess I have to specify who I'm talking about here.

816
00:50:25,000 --> 00:50:29,400
I thought Jonathan David Bullock just really did an outstanding

817
00:50:29,519 --> 00:50:33,239
job with that character of Sir Guy of Gisborne. And

818
00:50:33,960 --> 00:50:37,760
the other one was Daniel Cross as John plowin Man.

819
00:50:37,920 --> 00:50:41,800
That character he just gets pulled through the ringer and

820
00:50:42,639 --> 00:50:46,360
in season one and in this season and Daniel just

821
00:50:46,840 --> 00:50:49,840
does a great, great job with that character. And again,

822
00:50:49,960 --> 00:50:53,599
like I said, all the performances were really solid, but

823
00:50:53,639 --> 00:50:57,280
these two in particular just jumped out at me. Really

824
00:50:57,280 --> 00:51:02,400
really enjoyed that. I'd love to hear more from Jonathan Bullook.

825
00:51:02,840 --> 00:51:04,719
I know that I've heard him in some of the

826
00:51:04,760 --> 00:51:09,159
Wise King stuff, but man, I definitely want to hear

827
00:51:09,280 --> 00:51:11,760
more from this guy. And you know, we're very familiar

828
00:51:11,840 --> 00:51:14,159
with Daniel Cross around here. He's done a lot of

829
00:51:14,159 --> 00:51:17,039
stuff that we know of, you know, Main Street Music

830
00:51:17,119 --> 00:51:21,400
Show and Lamp Ladder Theater and all kinds of stuff.

831
00:51:21,400 --> 00:51:23,559
He's been a guest here on the show in the past.

832
00:51:24,360 --> 00:51:28,599
Just a very versatile actor, and I thought he just

833
00:51:28,599 --> 00:51:30,800
did a great job with that character. As minor as

834
00:51:30,840 --> 00:51:33,800
the character of John Plowman is, he really just brings

835
00:51:33,880 --> 00:51:36,800
him to life in such a dynamic way. So kudos

836
00:51:36,840 --> 00:51:41,360
to those two guys. And again, the music throughout was

837
00:51:41,480 --> 00:51:45,599
really solid by Dominic Trice sound design. Great great job

838
00:51:45,639 --> 00:51:50,599
there by the team. It just sounds really good, I thought. Overall,

839
00:51:51,239 --> 00:51:54,440
I think the majority of these actors were recorded remotely,

840
00:51:55,079 --> 00:51:57,280
and even though they did have some directed sessions with

841
00:51:57,320 --> 00:51:59,760
some of them, I don't know exactly how many of

842
00:51:59,800 --> 00:52:03,360
the cast were actually interacting with each other aside from

843
00:52:03,679 --> 00:52:08,559
the core characters of Robin and John and Mary, and

844
00:52:08,599 --> 00:52:12,639
I think they would they usually recorded together, but in

845
00:52:12,679 --> 00:52:16,920
any case, it all sounds pretty cohesive overall. And so

846
00:52:17,360 --> 00:52:19,599
I'm impressed with the quality of this show that they've

847
00:52:19,599 --> 00:52:23,920
been able to put out with this collaboration between the

848
00:52:23,960 --> 00:52:28,079
two studios. So I really really enjoyed it. Now a

849
00:52:28,119 --> 00:52:31,159
bit of a sad note here, unfortunately, Season three will

850
00:52:31,199 --> 00:52:34,400
not be coming until they have the funding, so it's

851
00:52:34,480 --> 00:52:36,920
sort of on hold for right now until they can

852
00:52:37,000 --> 00:52:40,159
get the funds to move ahead with the show. And

853
00:52:40,960 --> 00:52:44,960
this show, this season does not wrap things up. It ends,

854
00:52:44,960 --> 00:52:48,039
as I said, on a cliffhanger. There is a lot

855
00:52:48,119 --> 00:52:51,559
more story to be told here, so I want to

856
00:52:51,599 --> 00:52:54,519
see this show made. I want to hear the rest

857
00:52:54,559 --> 00:52:57,480
of this story that they want to tell here. It's

858
00:52:57,679 --> 00:53:01,280
just so compelling. Again, such an intro unique take on

859
00:53:02,280 --> 00:53:06,480
very very familiar, legendary characters of Robin Hood and Maid

860
00:53:06,559 --> 00:53:10,960
Marion and Prince John Friar Tuck, of course I should

861
00:53:11,000 --> 00:53:13,480
have mentioned I think I mentioned him earlier, but Andy

862
00:53:13,519 --> 00:53:18,039
Harvey as Friar Tuck just did a really, really great job.

863
00:53:18,360 --> 00:53:22,599
And I should say that the cast also play other

864
00:53:22,960 --> 00:53:26,199
smaller roles throughout. So Jonathan Cook plays a couple of

865
00:53:26,280 --> 00:53:29,039
other roles. He plays a merchant in one scene, which

866
00:53:29,039 --> 00:53:34,079
is absolutely fantastic, a really really great colorful character there.

867
00:53:34,559 --> 00:53:37,920
Craig Hart plays other characters, Duffy Webber plays a couple

868
00:53:37,960 --> 00:53:42,079
of other characters, Daniel Cross picks up another character. I mean,

869
00:53:42,119 --> 00:53:46,039
we also have Ian Lollam and Kara O'Brien playing a

870
00:53:46,079 --> 00:53:50,719
couple of small roles here. So just a great cast overall.

871
00:53:51,199 --> 00:53:54,000
And I want to also mention it just popped into

872
00:53:54,000 --> 00:53:57,119
my mind the other character that Craig Hart plays as

873
00:53:57,119 --> 00:54:00,199
a villager in one scene, and I had no clue

874
00:54:00,280 --> 00:54:03,880
that was him. It was just a great character voice

875
00:54:04,280 --> 00:54:08,039
there that he did. And so anyway, the cast just

876
00:54:08,079 --> 00:54:11,360
did a really really good job overall. And so the

877
00:54:11,360 --> 00:54:13,719
point is, I want more of this show. And I'm

878
00:54:13,760 --> 00:54:16,239
sure if you've heard the show and you enjoy it,

879
00:54:16,280 --> 00:54:18,159
you want to see where this is going as well.

880
00:54:18,239 --> 00:54:21,480
So go get your copy if you've listened on some

881
00:54:21,559 --> 00:54:24,760
of these other platforms. I don't know all of the

882
00:54:24,800 --> 00:54:27,039
places it's going to be available. I know that they're

883
00:54:27,039 --> 00:54:29,280
trying to get this out or doing a really wide

884
00:54:29,280 --> 00:54:32,559
release of this season so it's going to be out

885
00:54:32,599 --> 00:54:34,719
on some of the audiobook platforms and things like that,

886
00:54:35,400 --> 00:54:39,119
but get your copy directly from them. There's a link

887
00:54:39,119 --> 00:54:41,199
in the show notes, because they're going to be able

888
00:54:41,239 --> 00:54:44,199
to retain as much of that profit as possible. But

889
00:54:44,400 --> 00:54:47,800
tell your friends, tell your family about this show. Go

890
00:54:47,920 --> 00:54:50,639
stream season one on Drama Fi or window Seat if

891
00:54:50,639 --> 00:54:54,960
you're on those platforms, because they get credit for all

892
00:54:54,960 --> 00:54:58,119
of those plays and it sends revenue to them so

893
00:54:58,159 --> 00:55:00,880
they can start funding the rest of the show. So

894
00:55:01,000 --> 00:55:05,320
do whatever you can again co buy copies and directly

895
00:55:05,639 --> 00:55:09,400
from the website. And also if you really enjoy it,

896
00:55:09,519 --> 00:55:14,599
they do have the soundtrack from Dominic Trice of both

897
00:55:14,639 --> 00:55:17,440
seasons actually available, so if you are a music fan,

898
00:55:18,159 --> 00:55:21,639
you can go and get those soundtracks as well. Whatever

899
00:55:21,679 --> 00:55:24,679
we can do, help spread the word, purchase our copies

900
00:55:24,840 --> 00:55:27,480
so we can help them fund the rest of this show.

901
00:55:27,559 --> 00:55:31,840
Because I want to see more independent producers being successful

902
00:55:31,880 --> 00:55:33,679
in this space, and the only way they can do

903
00:55:33,719 --> 00:55:36,840
that is to be profitable. So whatever we can do

904
00:55:36,880 --> 00:55:39,239
to help support them, help them get the word out

905
00:55:39,280 --> 00:55:43,159
about the work that they're doing, and of course supporting

906
00:55:43,159 --> 00:55:46,519
them directly with our purchases and that's how audio drama

907
00:55:46,519 --> 00:55:50,719
gets made. So anyway, I really enjoyed Robinhood Rising to

908
00:55:50,800 --> 00:55:55,400
Honor season two. Really solid stuff and I want to

909
00:55:55,440 --> 00:55:58,519
see more. So link is in the show notes to

910
00:55:58,599 --> 00:56:02,280
go grab your copy and reach out and let them

911
00:56:02,320 --> 00:56:05,719
know if you can contact them, let them know that

912
00:56:05,760 --> 00:56:09,119
you enjoy the show, give them some encouragement because sometimes

913
00:56:09,559 --> 00:56:13,519
I know this as an independent producer, feedback really does

914
00:56:13,639 --> 00:56:17,400
mean a lot. I mean, yes, you need the finances

915
00:56:17,440 --> 00:56:21,719
to keep the shows going too, but hearing from listeners

916
00:56:21,719 --> 00:56:24,559
that they're enjoying your content as well is a real

917
00:56:24,679 --> 00:56:28,079
real boost. So do that if you can. So what

918
00:56:28,159 --> 00:56:29,000
do you think of the show?

919
00:56:33,719 --> 00:56:35,199
Speaker 4: Please leave your message after the show?

920
00:56:35,679 --> 00:56:38,559
Speaker 3: Hi, Audi, Peter Central, Hey guys, this is awesome.

921
00:56:39,239 --> 00:56:42,559
Speaker 2: Hell about j D Royan Andrew Minum is Victoria now.

922
00:56:42,639 --> 00:56:44,800
Speaker 1: Yesterday I received a letter from a big fan.

923
00:56:45,079 --> 00:56:47,840
Speaker 2: No time to trut I've got an email list another

924
00:56:48,000 --> 00:56:50,599
package for me today, No exactly, just your mail.

925
00:56:53,960 --> 00:56:56,840
Speaker 1: Yes, it is time to hear from you the ATC listeners.

926
00:56:57,360 --> 00:56:58,719
If you would like to get in touch with us,

927
00:56:59,239 --> 00:57:03,000
send your emails to Feedback at audiotheatercentral dot com. Comments

928
00:57:03,039 --> 00:57:05,639
are always open on the show notes or any of

929
00:57:05,639 --> 00:57:08,840
the posts on our website, or you can send a

930
00:57:08,880 --> 00:57:12,599
text message or a voicemail to six two three six

931
00:57:12,800 --> 00:57:17,440
eight eight two seven seven zero again six three, six

932
00:57:17,559 --> 00:57:22,119
eight eight twenty seven seventy Well. First up is an

933
00:57:22,119 --> 00:57:25,960
email from Jane, and she said thank you for doing

934
00:57:26,000 --> 00:57:28,639
the updates. At the Making Great Audio Drama event, I

935
00:57:28,679 --> 00:57:30,360
was very sad that I could not come, and I

936
00:57:30,400 --> 00:57:32,920
was happy to hear what was going on. I sincerely

937
00:57:32,920 --> 00:57:36,039
hope there will be one next year. Well, Jane, as

938
00:57:36,079 --> 00:57:39,280
I said earlier in the episode, there will be another

939
00:57:39,840 --> 00:57:42,400
event of this kind from the Audio Drama Institute. I

940
00:57:42,400 --> 00:57:44,880
don't know exactly if it's going to be next year.

941
00:57:45,000 --> 00:57:47,639
I think that is the plan. No dates scheduled at

942
00:57:47,639 --> 00:57:50,119
this point, but yes, there are going to be more

943
00:57:50,159 --> 00:57:52,880
events coming like this one, so hopefully you can make

944
00:57:52,880 --> 00:57:56,719
one in the future. She continues. I've heard you speak

945
00:57:56,800 --> 00:57:59,119
highly of the Jake Muller Adventures, and I have listened

946
00:57:59,159 --> 00:58:02,239
to what's available. Are there others like that you would recommend?

947
00:58:02,400 --> 00:58:04,599
I am interested in writing audio drama for adults and

948
00:58:04,639 --> 00:58:06,679
would like to listen to more of it, but waiting

949
00:58:06,719 --> 00:58:09,679
through podcast platforms, I don't like a lot of what

950
00:58:09,760 --> 00:58:14,239
I'm finding. Oh, yes, and that is the struggle. That

951
00:58:14,360 --> 00:58:16,960
is the struggle, and that's one of my passions here

952
00:58:17,000 --> 00:58:20,159
at Audio Theater Central is trying to encourage people because

953
00:58:20,239 --> 00:58:22,559
for so many years, and this is something I've talked

954
00:58:22,559 --> 00:58:25,880
about a lot, so apologies for the repeat, but for years,

955
00:58:26,239 --> 00:58:30,400
most of the good quality, clean audio drama was aimed

956
00:58:30,440 --> 00:58:33,920
at children. And there's nothing wrong with that. There is

957
00:58:33,920 --> 00:58:35,840
a place for that. I am thankful for that. But

958
00:58:36,400 --> 00:58:39,199
it's really exciting to me to see when these other

959
00:58:39,239 --> 00:58:41,960
projects start coming on the scene that are aimed at

960
00:58:41,960 --> 00:58:45,280
an older demographic, because adults still like audio drama too,

961
00:58:45,920 --> 00:58:48,480
and just because we're adults, that doesn't mean me want

962
00:58:48,519 --> 00:58:51,920
a bunch of garbage in the content. So it's really

963
00:58:51,960 --> 00:58:54,800
really great. Jake Muller Adventures is probably one of the

964
00:58:54,840 --> 00:58:59,840
best ones in that sort of range of intended audience

965
00:59:00,280 --> 00:59:03,280
of older listeners. I really really do love the show,

966
00:59:03,880 --> 00:59:07,159
and there are more coming, hopefully very soon. There will

967
00:59:07,159 --> 00:59:11,840
be one coming called Undead and I'm looking forward to

968
00:59:11,920 --> 00:59:16,599
hearing that, but a few others that are maybe similar

969
00:59:16,719 --> 00:59:21,400
to Jake Muller in that they are contemporary stories. Because

970
00:59:21,599 --> 00:59:23,280
it is a very unique show. I don't think there's

971
00:59:23,440 --> 00:59:27,480
anything else out there that's really like it entirely. It

972
00:59:27,559 --> 00:59:30,039
is its own thing. But some of the other ones

973
00:59:30,800 --> 00:59:35,960
that are, you know, contemporary stories, would be John Bevier's Rescued.

974
00:59:37,159 --> 00:59:39,119
We did a review on our website of that one

975
00:59:39,159 --> 00:59:42,840
several years ago. As far as I know, Messenger International,

976
00:59:42,840 --> 00:59:46,960
which is John Vivier's ministry, only did those two Rescued

977
00:59:47,000 --> 00:59:51,679
in another one a fantasy story called Affabel, but Rescued

978
00:59:51,840 --> 00:59:55,079
is a contemporary story definitely aimed at an older audience.

979
00:59:55,400 --> 01:00:00,079
So I highly recommend checking out that from John Bevie.

980
01:00:00,360 --> 01:00:04,079
And if we're talking about other high quality ones, the

981
01:00:04,119 --> 01:00:07,000
Father Gilbert Mysteries from Focus on the Family Radio Theater.

982
01:00:07,039 --> 01:00:09,840
If you haven't heard those yet, those are amazing. I

983
01:00:09,840 --> 01:00:11,800
think there's nine of them. Off the top of my head,

984
01:00:12,000 --> 01:00:16,800
I'm thinking there's nine total. They're just extremely well done

985
01:00:17,360 --> 01:00:22,039
in all aspects of production values and acting. So those

986
01:00:22,079 --> 01:00:24,719
are something I would recommend. The Left Behind audio dramas

987
01:00:24,760 --> 01:00:29,760
if you haven't heard those, absolutely fantastic from Gap Digital. Fantastic.

988
01:00:30,239 --> 01:00:34,559
They're just amazing audio drama productions. Even if you don't,

989
01:00:34,719 --> 01:00:37,320
I've seen some people posting recently that they don't agree

990
01:00:37,400 --> 01:00:40,960
with the theology that's fine if you don't. I don't

991
01:00:40,960 --> 01:00:43,719
think I'm one hundred percent in agreement with everything that

992
01:00:43,800 --> 01:00:49,000
happens in them theologically speaking either, but they're great stories

993
01:00:49,400 --> 01:00:52,599
and they are action packed and they keep your attention.

994
01:00:52,840 --> 01:00:55,800
So if you haven't heard those, The Left Behind Audio

995
01:00:55,840 --> 01:00:58,519
Dramas a couple of indie productions which I think you

996
01:00:58,599 --> 01:01:01,199
might want to check out. This was just a recent

997
01:01:01,280 --> 01:01:05,039
release he Vanished below by Caleb Bresler and Craig Hart.

998
01:01:05,119 --> 01:01:08,559
They teamed up for this one and it's a mini

999
01:01:08,599 --> 01:01:11,800
series I think three episodes. That is an interesting one

1000
01:01:11,840 --> 01:01:15,000
for older listeners that's worth checking out. And then a

1001
01:01:15,039 --> 01:01:19,400
bit of time travel from somewhat Significant audio productions. This

1002
01:01:19,679 --> 01:01:24,480
is an anthology series about interesting ways that people who

1003
01:01:24,480 --> 01:01:27,960
can use time travel, and I put it in this

1004
01:01:28,159 --> 01:01:32,599
category of contemporary stories because it is somewhat but of course,

1005
01:01:32,639 --> 01:01:36,039
since it involves time travel, the stories themselves actually take

1006
01:01:36,079 --> 01:01:40,039
place in different eras, but anyway, regardless of that, it

1007
01:01:40,119 --> 01:01:43,599
is worth checking out a bit of time travel. And then,

1008
01:01:43,679 --> 01:01:48,079
if you like historical fiction, the Augustine Institute Radio Theater

1009
01:01:48,199 --> 01:01:52,320
series of biographies of the Saints. Those are fantastically well

1010
01:01:52,360 --> 01:01:55,360
done and they are aimed at older listeners. There is

1011
01:01:55,519 --> 01:01:59,599
just some amazing moments in those audio dramas. And then

1012
01:01:59,719 --> 01:02:05,719
the Extraordinary Adventures of Ga Hinty from Heirloom Audio absolutely fantastic,

1013
01:02:05,880 --> 01:02:09,960
especially the Reign of Terror and in Freedom's Cause. Those

1014
01:02:10,320 --> 01:02:13,760
are some of my favorites from that series. But they

1015
01:02:13,800 --> 01:02:16,800
are just extremely high quality, and even though they are

1016
01:02:16,840 --> 01:02:19,800
sort of intended for families to listen to together, they're

1017
01:02:19,840 --> 01:02:22,960
definitely not aimed at the you know, the eight to

1018
01:02:23,000 --> 01:02:25,840
twelve demographic that Adventures not have seen. Some other shows

1019
01:02:26,360 --> 01:02:30,440
are typically targeting, so the Ga hint series are fantastic.

1020
01:02:30,920 --> 01:02:33,840
Of course, many of the Lamplighter Theater productions sort of

1021
01:02:33,840 --> 01:02:36,199
the same thing. They're kind of aimed at families in general,

1022
01:02:36,280 --> 01:02:41,000
but again they're not specifically aimed at children. So they're

1023
01:02:41,000 --> 01:02:45,239
some fantastic stories there. And the show that we just

1024
01:02:45,280 --> 01:02:48,679
highlighted in this episode's review, Robin Hood Rising to Honor.

1025
01:02:49,360 --> 01:02:52,400
While it is certainly not got content in it that

1026
01:02:52,880 --> 01:02:56,159
you know, would exclude children necessarily from listening to it,

1027
01:02:56,159 --> 01:02:59,880
it is not aimed particularly at children, and I think

1028
01:03:00,000 --> 01:03:02,679
it's a great one for adults. So there's two full

1029
01:03:02,679 --> 01:03:05,880
seasons of that show out now to check out. So again,

1030
01:03:06,239 --> 01:03:09,280
those are the historical fiction recommendations, and then if you

1031
01:03:09,440 --> 01:03:14,360
like classic literature, Big Finish has done a great adaptation

1032
01:03:14,519 --> 01:03:17,360
of The Invisible Man by HG.

1033
01:03:17,519 --> 01:03:17,880
Speaker 6: Wells.

1034
01:03:18,440 --> 01:03:21,320
Speaker 1: Focus On the Family Radio Theater did an amazing, amazing

1035
01:03:21,320 --> 01:03:25,000
adaptation of Oliver Twist and Ley Miss. I mean, those

1036
01:03:25,039 --> 01:03:28,440
are classics that many people are familiar with, but the

1037
01:03:28,519 --> 01:03:32,639
audio drama adaptations of those are just super high quality.

1038
01:03:33,280 --> 01:03:38,599
Oliver Twist in particular is so so well done. I

1039
01:03:38,639 --> 01:03:40,519
think I've said this before. I think it is an

1040
01:03:40,519 --> 01:03:44,239
example of a perfect audio drama. The BBC has done

1041
01:03:44,239 --> 01:03:48,239
adaptations of classic literature such as Jane Eyre and David Copperfield.

1042
01:03:48,400 --> 01:03:51,079
They've done many many other titles, but these are two

1043
01:03:51,480 --> 01:03:53,679
off the top of my head that I can safely

1044
01:03:53,719 --> 01:03:57,039
recommend now. Just as a little warning the BBC and

1045
01:03:57,119 --> 01:04:01,280
the Big Finish audio dramas they are at adapting these

1046
01:04:01,320 --> 01:04:04,320
stories not from a Christian point of view like Focus did.

1047
01:04:04,800 --> 01:04:08,679
So if there was some mild language in the original

1048
01:04:08,880 --> 01:04:11,559
classic lit books, you know that's likely going to show

1049
01:04:11,599 --> 01:04:14,760
up in the audio drama adaptations as well. So just

1050
01:04:14,800 --> 01:04:18,519
a heads up going in on those that may happen

1051
01:04:18,599 --> 01:04:24,320
in those adaptations. But they're well done stories. And then

1052
01:04:24,480 --> 01:04:27,880
if if we move into the sort of audiobook audio

1053
01:04:27,960 --> 01:04:32,440
drama hybrid area, Sergeant Family Productions has some really great

1054
01:04:32,480 --> 01:04:35,719
stuff and their Generations series. They have Generations one and

1055
01:04:35,840 --> 01:04:41,000
Generations to the DC gambit. Those are great for older listeners.

1056
01:04:41,039 --> 01:04:44,000
It's aimed at a teens and up sort of demographic,

1057
01:04:44,400 --> 01:04:46,199
but I think there's some really cool stuff in there

1058
01:04:46,239 --> 01:04:50,400
for adults. So that is another recommendation that it would make.

1059
01:04:50,480 --> 01:04:54,000
So those are things that came to mind just as

1060
01:04:54,000 --> 01:04:56,480
I was sort of mulling over Jane's question of some

1061
01:04:56,519 --> 01:04:59,920
great audio dramas for adults. I'm sure I'm missing some.

1062
01:05:00,400 --> 01:05:03,159
So if you're listening and you're like JD, why are

1063
01:05:03,159 --> 01:05:06,000
you not mentioning this show, be sure to post it

1064
01:05:06,000 --> 01:05:08,119
in the comments so Jane can see that as well,

1065
01:05:08,239 --> 01:05:10,119
or if you prefer, email me and let me know

1066
01:05:10,599 --> 01:05:12,760
and I can pass it on as well. But those

1067
01:05:12,800 --> 01:05:16,000
are a few recommendations that came to my mind as

1068
01:05:16,039 --> 01:05:18,719
I was just preparing for this episode. Thank you so

1069
01:05:18,840 --> 01:05:21,119
much Jane for the feedback. Really appreciate it and I

1070
01:05:21,119 --> 01:05:24,960
hope that was helpful. Next up, we have a few

1071
01:05:24,960 --> 01:05:28,199
different pieces of feedback from Michael j and first up,

1072
01:05:28,480 --> 01:05:31,199
was an email he sent in about the Tory Martin

1073
01:05:31,239 --> 01:05:34,920
interview in ATC two o nine. He said, JD, I

1074
01:05:35,000 --> 01:05:37,559
enjoyed your interview with Tory Martin about his podcast of

1075
01:05:37,639 --> 01:05:41,559
Moose and Men and listening to his podcast series. I

1076
01:05:41,599 --> 01:05:43,840
shared it via text with an atheist friend as a

1077
01:05:43,840 --> 01:05:45,519
way to share the Gospel with him in a way

1078
01:05:45,559 --> 01:05:49,599
he will enjoy. And he continues, we can help Tory

1079
01:05:49,719 --> 01:05:52,280
and non Christians by posting his podcast on our social

1080
01:05:52,360 --> 01:05:55,239
media with a recommendation to give it a listen. And

1081
01:05:55,280 --> 01:05:58,400
I think that's a great idea. Tory has said before.

1082
01:05:58,679 --> 01:06:00,000
I don't remember if he said it in the interview,

1083
01:06:00,159 --> 01:06:01,719
but he said it to me that he's not a

1084
01:06:01,760 --> 01:06:06,039
great salesman or promoter of his work, and so I

1085
01:06:06,039 --> 01:06:08,719
think that's a great idea. Word of mouth is so

1086
01:06:08,880 --> 01:06:14,119
powerful when talking about sharing content. People trust their friends recommendations.

1087
01:06:14,159 --> 01:06:16,960
So this is a great, a great idea to share

1088
01:06:17,000 --> 01:06:21,280
this with other people. I recommend doing that with any

1089
01:06:21,280 --> 01:06:23,920
audio dramas that you really enjoy and you think you

1090
01:06:24,000 --> 01:06:27,599
have some friends or family that might also enjoy it,

1091
01:06:28,119 --> 01:06:30,639
tell them about it. Word of mouth is so powerful.

1092
01:06:30,639 --> 01:06:36,960
It helps producers tremendously, especially lesser known works many many

1093
01:06:36,960 --> 01:06:39,840
people are aware of Adventures in Odyssey and Lamplider Theater

1094
01:06:40,000 --> 01:06:43,039
and Jonathan Park and some of these other shows that

1095
01:06:43,079 --> 01:06:45,880
have been around for a long time, but especially when

1096
01:06:45,920 --> 01:06:50,320
you find a newer producer that is not as well

1097
01:06:50,360 --> 01:06:53,360
known and you really enjoy their work, it is so

1098
01:06:53,519 --> 01:06:56,400
helpful to tell somebody else about that. So great idea. Michael,

1099
01:06:56,559 --> 01:06:59,400
thank you for doing that, and again encourage anybody listening

1100
01:06:59,440 --> 01:07:04,559
to do the same. Michael also sent in a very

1101
01:07:04,599 --> 01:07:07,719
well thought out email to Focus about the Adventures Odyssey

1102
01:07:07,800 --> 01:07:12,079
plan to go club exclusive starting next year, and he

1103
01:07:12,119 --> 01:07:15,800
copied us on that email to let us know that

1104
01:07:15,079 --> 01:07:19,760
he is responding to our call from our special episode

1105
01:07:19,760 --> 01:07:22,519
that we did in February of this year sharing about

1106
01:07:22,519 --> 01:07:25,639
the changes that are coming to Odyssey. If you haven't

1107
01:07:25,679 --> 01:07:27,880
heard that episode and you hadn't heard about that news yet,

1108
01:07:28,239 --> 01:07:29,679
there is a link in the show notes to that

1109
01:07:29,760 --> 01:07:31,159
episode if you want to give it a listen. But

1110
01:07:31,639 --> 01:07:34,079
a Focus did respond to Michael and said that they

1111
01:07:34,159 --> 01:07:36,760
appreciated his feedback and we're bringing it to the attention

1112
01:07:36,800 --> 01:07:40,199
of the appropriate team members, so they are listening. So

1113
01:07:40,320 --> 01:07:42,199
if you have thoughts on this topic and you have

1114
01:07:42,320 --> 01:07:43,920
yet to reach out to them and let them know

1115
01:07:44,480 --> 01:07:46,840
do it. They have an email address that they prefer

1116
01:07:46,880 --> 01:07:49,719
that kind of feedback to go to. It is questions

1117
01:07:49,719 --> 01:07:53,239
at Adventuresnodyssey dot com. So again, if you have thoughts

1118
01:07:53,280 --> 01:07:55,360
on this whole thing, be sure to reach out and

1119
01:07:55,440 --> 01:07:58,400
let them know. And as I've said before, do it

1120
01:07:58,440 --> 01:08:01,920
lovingly and respectfully, and that will go a long way

1121
01:08:01,960 --> 01:08:06,960
for having your thoughts and your opinions heard. Lastly, Michael

1122
01:08:07,000 --> 01:08:10,280
also sent in an email about a show called Airship Genesis,

1123
01:08:11,000 --> 01:08:13,400
and he said, please tell the ATC listeners about an

1124
01:08:13,400 --> 01:08:16,640
audio drama that teaches the Bible to kids called Airship Genesis.

1125
01:08:17,000 --> 01:08:19,199
I listened to three or four episodes and it is great.

1126
01:08:19,640 --> 01:08:22,560
There's one new episode a month, but many many back episodes.

1127
01:08:23,199 --> 01:08:26,000
The origin story episode is an enhanced audiobook, but all

1128
01:08:26,000 --> 01:08:29,039
the others are full audio dramas. It is produced by

1129
01:08:29,079 --> 01:08:32,600
Doctor David Jeremiah's ministry called Turning Point. At the end

1130
01:08:32,600 --> 01:08:35,039
of the episodes, the kids often talked to doctor Jeremiah,

1131
01:08:35,039 --> 01:08:37,640
who they call Doctor Jay, about the Bible and what

1132
01:08:37,680 --> 01:08:40,840
they learned during their most recent adventure. It can be

1133
01:08:40,880 --> 01:08:45,359
listened to on Airshipgenesis dot com or on Apple podcasts.

1134
01:08:45,520 --> 01:08:49,520
Or on oneplace dot com. So Michael, thank you so

1135
01:08:49,600 --> 01:08:52,439
much for reaching out about this, because I have known

1136
01:08:52,439 --> 01:08:55,279
about the show. I think we may have even mentioned

1137
01:08:55,279 --> 01:08:58,079
it in passing in previous episodes when we first came

1138
01:08:58,119 --> 01:09:01,159
across it. It's been so long I don't remember exactly

1139
01:09:01,439 --> 01:09:04,199
how long ago it was I found this show, and

1140
01:09:05,119 --> 01:09:07,359
I have a memory of trying to reach out, trying

1141
01:09:07,359 --> 01:09:09,199
to make contact with the team, but I never got

1142
01:09:09,199 --> 01:09:12,680
a response. We never really kept following it though I

1143
01:09:12,760 --> 01:09:15,439
was aware of its existence. And again, I think we've

1144
01:09:15,479 --> 01:09:17,439
either mentioned it on the podcast or maybe in one

1145
01:09:17,479 --> 01:09:21,039
of our roundup posts about shows. Pretty sure that it

1146
01:09:21,079 --> 01:09:23,920
has been mentioned at some point, but I sort of

1147
01:09:24,000 --> 01:09:25,960
kind of lost track of it, and I did not

1148
01:09:26,119 --> 01:09:29,199
realize that they now offered it as a podcast, because

1149
01:09:29,239 --> 01:09:31,720
when I first found the show, that was not the case,

1150
01:09:32,239 --> 01:09:34,840
or if it was, it was not apparent from the

1151
01:09:34,840 --> 01:09:38,039
website at all at the time. So now that I

1152
01:09:38,079 --> 01:09:40,119
know that is something that they are doing, that is

1153
01:09:40,159 --> 01:09:43,039
really great. I have added the show to our list

1154
01:09:43,119 --> 01:09:47,319
of audio drama podcasts on Podchaser, and it is linked

1155
01:09:47,319 --> 01:09:48,640
in the show notes. If you want to check this

1156
01:09:48,720 --> 01:09:52,600
show out. The website for the show and a link

1157
01:09:52,680 --> 01:09:55,159
to their listing on Podchaser so you can follow it

1158
01:09:55,239 --> 01:09:58,479
in your podcast player of choice. It is a really

1159
01:09:58,479 --> 01:10:00,960
well done show I listened to when I first founded.

1160
01:10:01,039 --> 01:10:03,479
I listened to some samples. I don't remember if I

1161
01:10:03,520 --> 01:10:05,439
listened to a full episode or not at the time,

1162
01:10:05,960 --> 01:10:08,199
but I did sample it just to get a gauge

1163
01:10:08,239 --> 01:10:10,960
of the quality and what I heard of it sounded

1164
01:10:11,000 --> 01:10:12,760
really good. That was why I did reach out and

1165
01:10:12,840 --> 01:10:16,920
wanted to get some more information about it. But yeah,

1166
01:10:17,000 --> 01:10:21,000
it is definitely a viable option, and somebody can correct

1167
01:10:21,000 --> 01:10:24,119
me on this if I am wrong, But I have

1168
01:10:24,159 --> 01:10:28,520
a memory I think Rich Swingle has participated in that

1169
01:10:28,600 --> 01:10:31,560
show at some point. I know I have a memory

1170
01:10:31,560 --> 01:10:35,359
of seeing him share a post on his website at

1171
01:10:35,359 --> 01:10:39,720
some point about playing some characters for this show. So anyway,

1172
01:10:40,319 --> 01:10:42,479
I am aware of Airship Genesis and now it has

1173
01:10:42,560 --> 01:10:46,199
been mentioned again here on ATC so we will try

1174
01:10:46,199 --> 01:10:48,720
to keep track of that. And if you have anybody

1175
01:10:48,760 --> 01:10:50,800
out there has a connection to the team over there,

1176
01:10:51,119 --> 01:10:52,760
I would love to connect with them to hear more

1177
01:10:52,760 --> 01:10:55,680
about what they're doing. But anyway, links are in the

1178
01:10:55,680 --> 01:10:57,720
show notes for you to check the show out if

1179
01:10:57,760 --> 01:10:59,960
you haven't heard it. Yet thank you Michael for all

1180
01:11:00,119 --> 01:11:03,800
great feedback. Really appreciate your support and communication with us

1181
01:11:03,800 --> 01:11:07,000
over the years. Always always grateful to hear from people

1182
01:11:07,319 --> 01:11:10,760
who are as engaged and as much fans of audio

1183
01:11:10,840 --> 01:11:14,000
drama as we are over here, So thanks again, Always

1184
01:11:14,079 --> 01:11:18,239
always appreciate that. Well, if you would like to stay

1185
01:11:18,279 --> 01:11:20,560
in touch with everything that we're doing over here, be

1186
01:11:20,640 --> 01:11:23,680
sure to join the ATC insiders. We'll email you about

1187
01:11:23,760 --> 01:11:25,640
all the cool stuff that we are up to on

1188
01:11:26,560 --> 01:11:30,800
an occasional basis, but that is our email list and

1189
01:11:30,960 --> 01:11:33,319
it is linked on the website there. If you want

1190
01:11:33,359 --> 01:11:36,600
to stay in touch with us, be sure to join that,

1191
01:11:37,479 --> 01:11:39,479
and if you'd like to get in touch, head over

1192
01:11:39,520 --> 01:11:42,880
to Audio Theatercentral dot com slash contact. All the means

1193
01:11:42,920 --> 01:11:45,399
to get in touch with us are listed there, and

1194
01:11:45,479 --> 01:11:47,439
the show notes with the links to everything we talked

1195
01:11:47,439 --> 01:11:51,600
about are at Audio Theatercentral dot com slash to nineteen.

1196
01:11:52,640 --> 01:11:55,840
Thank you so much for listening. I'm grateful to hit

1197
01:11:55,840 --> 01:11:59,199
this milestone of fifteen years of doing this show, and

1198
01:11:59,399 --> 01:12:04,000
I'm so so grateful to have you along for the journey.

1199
01:12:04,880 --> 01:12:07,880
And speaking of word of mouth, as we talked about

1200
01:12:07,880 --> 01:12:11,159
a moment ago, if you know somebody who would enjoy

1201
01:12:11,199 --> 01:12:13,880
Audio Theater Central, Please tell them about it, let them know.

1202
01:12:14,520 --> 01:12:17,680
Let's grow this community so we can do more amazing

1203
01:12:17,760 --> 01:12:22,479
things to support and share this amazing storytelling medium that

1204
01:12:22,560 --> 01:12:27,159
we all love so much. I'll see you next time. Thanks, thanks,

1205
01:12:27,479 --> 01:12:39,680
thanks for listening. Hi.

1206
01:12:40,159 --> 01:12:42,800
Speaker 3: This is Zach Freeman from Sergeant Family Productions at the

1207
01:12:42,840 --> 01:12:46,199
Audio Drama Institute. Audio Theater Central is a production of

1208
01:12:46,239 --> 01:12:49,960
Porchlite Family Media. The theme music was composed by Sam Avendania.

1209
01:12:50,319 --> 01:12:52,119
The show is produced and edited by JD.

1210
01:12:52,239 --> 01:12:52,560
Speaker 2: Sutter.

1211
01:12:52,960 --> 01:13:00,159
Speaker 3: Find the website at Audiotheatercentral dot com.

1212
01:13:00,359 --> 01:13:05,560
Speaker 1: Sheriff Robin must choose between what in the world what

1213
01:13:05,880 --> 01:13:08,039
is that humming, buzzing noise.

1214
01:13:08,319 --> 01:13:08,760
Speaker 6: I mean.

1215
01:13:10,880 --> 01:13:18,399
Speaker 1: Across the some of which some of who have huh

1216
01:13:18,439 --> 01:13:25,039
oh my word, uh of a, oh my goodness, oh

1217
01:13:25,119 --> 01:13:28,720
my word, what is wrong with me? If you would

1218
01:13:28,720 --> 01:13:31,479
like to get in touch with us, head over. Oh

1219
01:13:31,640 --> 01:13:36,680
that that's a that's a let's start that over. Pork

1220
01:13:36,840 --> 01:13:40,479
Light Family Media your source for family centered content.

1221
01:13:41,239 --> 01:13:45,920
Speaker 2: Pornlightfamilymedia dot com.

