WEBVTT

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<v Speaker 1>That war. Another great story based on petec Alcollins copyrighted

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<v Speaker 1>book the FBI in Peace and War Drama thrills actions,

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<v Speaker 1>but purse on grab roof friends. In a cigarette, it's

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<v Speaker 1>the taste that makes the difference, and Lucky's taste better, cleaner, fresher, smoother.

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<v Speaker 1>Here's why. First of all, better taste in a cigarette

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<v Speaker 1>begins with fine tobacco, and Lucky Strike means fine tobacco,

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<v Speaker 1>fine light, naturally mild tobacco. Second, Luckys are made better.

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<v Speaker 1>Every Lucky is bround and firm and fully packed, without

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<v Speaker 1>those annoying loose ends that get in your mouth and

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<v Speaker 1>spoil the taste. Yes, every Lucky is packed just right

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<v Speaker 1>to draw freely and evenly. So for a smoke that

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<v Speaker 1>tastes better, cleaner, fresher, smoother, Be happy, Go lucky, make

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<v Speaker 1>your neck garden. Lucky Strike a light story on the

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<v Speaker 1>the Eye and piece of War the Fence.

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<v Speaker 2>Good afternoon, sir.

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<v Speaker 1>Good afternoon. I'd like to see something in ladies wristwatches.

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<v Speaker 2>Please, yes, sir, about what price range? We have some

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<v Speaker 2>very fine watches in solid gold or effuse a fair place.

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<v Speaker 1>I prefer diamonds. Let's see that tray down there, huh.

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<v Speaker 1>That one, yes, sir, and that one over there.

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<v Speaker 3>This one, now, if it's a diamond one, so may

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<v Speaker 3>I recommend this very fine Swiss.

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<v Speaker 1>All right, keep the trays coming, and don't reach for

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<v Speaker 1>any alarm. Dump all the watches in this bag, and

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<v Speaker 1>when you get through, open that safe. Mister fel like

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<v Speaker 1>I tell you you won't get hurt. Make one wrong

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<v Speaker 1>move and I'll blow your pretty face off, all right, now,

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<v Speaker 1>get going, yeah. In the late summer of last year,

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<v Speaker 1>several Eastern cities were plagued with a series of hold ups.

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<v Speaker 1>According to a description by the victims, each of the

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<v Speaker 1>robberies was pulled by the same individual. When this was

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<v Speaker 1>made evident, the Bureau was asked into the case. They

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<v Speaker 1>were looking for a tall, well mannered man in his

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<v Speaker 1>early forties, and we were aware that the search for

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<v Speaker 1>him wouldn't be easy. Not a single article of stolen

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<v Speaker 1>property had appeared since the original robbery, and it was

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<v Speaker 1>natural to assume that our man had either held on

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<v Speaker 1>to his halls or had found an elusive means to

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<v Speaker 1>dispose of him. It was with this in mind that

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<v Speaker 1>Aden Daily Live.

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<v Speaker 2>Containers Sociates.

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<v Speaker 3>Good morning, oh Freddie, Yeah, test a minute, I'll let

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<v Speaker 3>you talk to you. What now I'm said, I'm busy

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<v Speaker 3>to night wise. Gosh all wait hold of this second.

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<v Speaker 1>Yes, i'd like to see mister kintainer.

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<v Speaker 2>Some of just came in pretty. I'll connect you now

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<v Speaker 2>read no act, mister Katanna. Who do you want to see?

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<v Speaker 1>Containers? Tony Container?

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<v Speaker 2>Who recommended you?

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<v Speaker 1>Who wants to know?

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<v Speaker 2>Okay only I can't.

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<v Speaker 1>Live in I have some business for mister Container. If

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<v Speaker 1>he doesn't want it, I can always go someplace else.

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<v Speaker 2>What kind of business?

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<v Speaker 1>Who wants to know?

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<v Speaker 2>What's your name?

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<v Speaker 1>Raymond Spence? So you can call me Ray?

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<v Speaker 2>Did Mary Lenna sends you?

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<v Speaker 1>You send me sweet hight.

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<v Speaker 2>You'll talk to mister Container. Uh huh okay, wait here,

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<v Speaker 2>I'll find out if he'll talk to you.

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<v Speaker 1>All right, Freddy, you'll go up. Have you got inventy

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<v Speaker 1>probably you'll let me know. Fine, hold on still Fridday.

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<v Speaker 2>Somebody to see you, Tony. Name is Spence, Raymond Spencence.

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<v Speaker 1>What's he's not?

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<v Speaker 2>Talk?

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<v Speaker 1>Oh?

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<v Speaker 2>One of doog Yeah, smooth character playing at safe. He

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<v Speaker 2>says he's got business for you.

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<v Speaker 1>Okay, I'll see him.

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<v Speaker 2>I think he's your mind she uh huh. Then at

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<v Speaker 2>the night here, Tony, anything you say, send the giant. Yeah, yes,

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<v Speaker 2>come in missus Spence. Mister Pittanga will see you.

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<v Speaker 1>Now, hold on my call for the next few minutes.

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<v Speaker 1>Miss Blair, yes, mister sit down, mister Spence, Raymond Spence,

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<v Speaker 1>sit down very much blass now. Then Murray Lenna sent me, Oh, Lenna,

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<v Speaker 1>why you don't tell my secretary? Do you tell everybody

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<v Speaker 1>your business? What can I do for you, mister Spence?

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<v Speaker 1>I don't know yet. That's why I came here to

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<v Speaker 1>find out. What did Murray Lennard tell you? He said

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<v Speaker 1>you were the best fence in the business. He said

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<v Speaker 1>you could take good care of me. I could. What's

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<v Speaker 1>your line when you read the papers said depends that

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<v Speaker 1>jewelry store, Robbery and West Roadway. Yesterday you read about

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<v Speaker 1>that that was you? The watch stick up last week?

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<v Speaker 1>Did you read about that very new job over eight

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<v Speaker 1>thousand words that paper said that was for YouTube? That

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<v Speaker 1>was me? You work along? Uh huh much better idea.

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<v Speaker 1>I like it. But Murray said it's different on the

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<v Speaker 1>other end. He said, right, getting rid of the stuff,

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<v Speaker 1>that's another story. Working through me. It narrows the risks,

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<v Speaker 1>So you got to offer you don't waste time. Nope, okay,

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<v Speaker 1>I give it to you without the trimmings. When you

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<v Speaker 1>come in with Kataina, you come in for good. I

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<v Speaker 1>keep twenty percent of every job you're doing return for

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<v Speaker 1>my services. What services I get rid of the stuff

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<v Speaker 1>or collected cash for you? You get a regular drawing account.

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<v Speaker 1>If you're get in trouble, I go bond for you

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<v Speaker 1>and my lawyers take the case. What about the cash

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<v Speaker 1>you collect for me? It's always yours when you wanted,

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<v Speaker 1>minus of course, twenty percent. Okay, Katina, time in good.

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<v Speaker 1>I'll bring around the stuff I've got later today. No, no, no,

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<v Speaker 1>you don't bring anything here. You just tell me it's

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<v Speaker 1>Blair your address. I'll send a collector to you, a collector.

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<v Speaker 1>You really have things organized, haven't you. That's right in

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<v Speaker 1>My friend with Katana associates. So we try not to

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<v Speaker 1>leave anything on the fence. All right, now, all of

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<v Speaker 1>you ladies up against that wall there are you, blondie.

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<v Speaker 1>Put all that stuff in this bag and make it fast,

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<v Speaker 1>and remember the first one who doesn't nice gets a

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<v Speaker 1>taste of this forty five start moving. Raymond Spence Statement

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<v Speaker 1>of account cash on a hand nineteen thousand, eight hundred

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<v Speaker 1>dollars weekly withdrawals since September one, two thousand and four hundreds.

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<v Speaker 2>Whood can we finished this in the morning, Tony?

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<v Speaker 1>Okay, I guess that's enough. Let's take a break cigarette.

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<v Speaker 1>Oh of course. Mister Raymond Spencer one think it's enough.

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<v Speaker 1>He likes to know exactly where his name like. Hm.

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<v Speaker 2>Quite a guy, isn't he Spence?

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<v Speaker 1>Yeah, well, it depends how you look at it. The

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<v Speaker 1>way I got it here. He's a pulled three starstic

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<v Speaker 1>ups in the last couple of months, so one fair

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<v Speaker 1>old job.

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<v Speaker 2>You know what I mean?

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<v Speaker 1>Uh huh. He's quite a guy an account of he

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<v Speaker 1>has say yana for you.

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<v Speaker 2>That isn't what I mean.

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<v Speaker 1>You had a drink with him last night, and last

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<v Speaker 1>week you had been at twice.

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<v Speaker 2>I'm only being nice. He's a quiet, isn't it.

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<v Speaker 1>The game is business only. Don't let it go to

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<v Speaker 1>your heady, You know what I mean?

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<v Speaker 4>I know.

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<v Speaker 1>Besides, I got another dare. Mister Raymond Spencer won't be

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<v Speaker 1>with us very long, don't you, Tony. Well look at it,

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<v Speaker 1>realistic Shielder. He's got almost twenty thousand cashier with me.

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<v Speaker 1>He's like you say, quite a guy at the rad

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<v Speaker 1>He's gone. He'll left close to one hundred thousand by

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<v Speaker 1>the first of the year. Wait so much a guy

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<v Speaker 1>bid be? When he gets that hundred, he's gonna want out.

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<v Speaker 1>I know his kind. Remember Bert Nixon, he was.

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<v Speaker 2>Like that, Tony. You wouldn't turn.

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<v Speaker 1>Ray over to the top, wouldn't. I you get twenty

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<v Speaker 1>years at least that leaves me with one hundred thousand.

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<v Speaker 1>I turned in Bret Nixon, didn't I. I turned in

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<v Speaker 1>Nick Marco. I'll done the same with his Spence. Come on,

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<v Speaker 1>let's go get a drink.

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<v Speaker 2>I'm not tasty, Tony.

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<v Speaker 1>You know okay, so yourself I'm gonna swallow. Want to

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<v Speaker 1>get back here?

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<v Speaker 2>You're coming back?

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<v Speaker 1>Yeah, I'm putting it a little over time. Spencer's doing

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<v Speaker 1>his first job on a bank. He asked me to

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<v Speaker 1>fix him up with to get away car to.

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<v Speaker 2>Doubt turning name Towny.

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<v Speaker 1>I don't worry, babe, I won't not while he's going strong.

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<v Speaker 1>You've got him my word. I won't stutch one hair

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<v Speaker 1>on his handsome head. Soil. He's got a one hundred

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<v Speaker 1>thousand cash with Tony warning Benson, he cheez are you.

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<v Speaker 1>I'm all right. Thanks the gentlemen from the FBI. Benson

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<v Speaker 1>settled your up. Investigation chef. This is Joe Benson, best

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<v Speaker 1>auto mechanic around these parts. I have nam It's bencer

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<v Speaker 1>name here, mister, my name is Shepherd. This is Asian Bailey.

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<v Speaker 1>They want to take a look at that wrecked Tell

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<v Speaker 1>station wagon you brought in last night. I sure think

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<v Speaker 1>gentlemen have it right over here. I haven't started working

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<v Speaker 1>it yet. I thought i'd wait till I hurt from you.

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<v Speaker 1>That's good. We don't want you to touch anything inside

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<v Speaker 1>the car, especially I figured it. Well, there it is

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<v Speaker 1>that bangs up too bad? Just get it into the

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<v Speaker 1>telephone pole. Oh real damage. Could dude tell anything from

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<v Speaker 1>the wreck, mister Benson. How it happened? Not much. This

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<v Speaker 1>looked like the driver was going too fast with the

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<v Speaker 1>turn foot off the road into the ditch. Uh huh.

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<v Speaker 1>Go on to have a looking sign. Uh not yet.

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<v Speaker 1>We're expecting a couple of our technicians any minutes. We're

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<v Speaker 1>gonna try for fingerprints, tread marks, anything that might give

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<v Speaker 1>us a lead. I guess you and I wouldn't talk

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<v Speaker 1>about this around Corn Benson, of course, not Chief but

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<v Speaker 1>a lot of people are talking already. They say this

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<v Speaker 1>car is the same one that was using that payroll

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<v Speaker 1>stick up over in Mason City. Well it's possible, but

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<v Speaker 1>let's keep it to ourselves anyway, Chef, you want the

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<v Speaker 1>car jacked up while we're waiting. Yeah, it's a good idea.

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<v Speaker 1>Jack it up. Uh huh from the plaster impressions of

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<v Speaker 1>the tire treads. Oh, I'll do it right away. Fine. Say,

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<v Speaker 1>isn't it rather unusual using a station wagon and a robbery? Yes,

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<v Speaker 1>it is, But we're dealing with the rather unusual type

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<v Speaker 1>of criminal, mister Benson, and from the evidence we've gathered

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<v Speaker 1>so far, it's gonna take an unusual method to catch

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<v Speaker 1>up with him. Fingerprint file last twenty s reference UL

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<v Speaker 1>number four oh sixty five seven. Robert Spencer. Hey, it's

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<v Speaker 1>Roy Spence. He and his race Spence last us Spence

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<v Speaker 1>sp E n C. First name Raymond ray Spence. Put

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<v Speaker 1>him down for another fourteen thousand, Tony.

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<v Speaker 2>You're not really gonna tend him in, are you not?

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<v Speaker 1>Yet? Shiela? Like I said before, Spence is safe unfore

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<v Speaker 1>he hits the top money. The top money, Sheila, That's

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<v Speaker 1>what I'm heading for Yeah.

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<v Speaker 2>I'll have another drink.

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<v Speaker 1>Ray, you and me book away the tumor it what's

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<v Speaker 1>the matter with you tonight?

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<v Speaker 4>Year?

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<v Speaker 1>Oh?

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<v Speaker 2>I don't know.

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<v Speaker 1>It's it's Tony. Oh no, he's worried because we've been

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<v Speaker 1>seeing each other too much.

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<v Speaker 2>Oh, of course he isn't, Tony and I yeah, right.

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<v Speaker 2>If you did get all this money.

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<v Speaker 1>You mean, I'm getting it and when I do, Ray,

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<v Speaker 1>when I do, I'm going to take it from Tony,

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<v Speaker 1>wrap it up in a pretty blue ribbon and ask

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<v Speaker 1>a certain party if he wants to spend it with

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<v Speaker 1>me as missus Raymond Spence, what how about it? Sheila?

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<v Speaker 2>Missus ray Then why not?

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<v Speaker 1>I've been thinking about it since the first day I

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<v Speaker 1>walked in to containing the associates and saw you're sitting there.

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<v Speaker 2>All right, cut it out?

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<v Speaker 1>Will you will give me one good reason?

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<v Speaker 2>You can't mean it?

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<v Speaker 1>Why not?

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<v Speaker 4>Right?

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<v Speaker 1>Answer me? Stop it? Will you you feel the same

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<v Speaker 1>way I do? I know you do.

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<v Speaker 2>Don't be a fool, Ray, And it never works?

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<v Speaker 1>Just one good way to find out you're crazy. Sure,

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<v Speaker 1>let's both be right.

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<v Speaker 2>Yeah, it just wouldn't work, that's all, Tony.

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<v Speaker 1>Look at me. Come on, Look when two people have

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<v Speaker 1>got it together. That's all that counts. Nothing else. Okay, stop,

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<v Speaker 1>I'm not stopping until we have the ring on that

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<v Speaker 1>thinger right there now. I'm not stopping until I got

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<v Speaker 1>that sad money. I got big plans here, I got

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<v Speaker 1>the biggest plans in the world. Now you hold onto

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<v Speaker 1>my hand, honey, hold on real tight. When I get

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00:12:21.879 --> 00:12:33.840
<v Speaker 1>that money will really going places. Believe me. Back to

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<v Speaker 1>the fence and just a moment, friends, Luckies are made

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<v Speaker 1>better to taste better, to taste cleaner, fresher, smoother, and

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<v Speaker 1>it's easy to prove this to yourself. Simply do this.

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<v Speaker 1>Take a Lucky from a newly opened pack and carefully

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<v Speaker 1>remove the paper by tearing down the seam from end

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<v Speaker 1>to end. Be sure to start on the scene. In tearing,

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<v Speaker 1>don't crush or dig into the tobacco. Now look at

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<v Speaker 1>that perfect cylinder of fine mile tobacco. See how it

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<v Speaker 1>holds together without those annoying loose ends that get in

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<v Speaker 1>your mouth and spoil the taste. That's why Lucky's taste cleaner.

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<v Speaker 1>Notice how free Luckies are from excessive air spaces, hot

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<v Speaker 1>spots that burn too fast and give you a hot,

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<v Speaker 1>harsh taste. That's why Luckys taste fresher. Then look at

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<v Speaker 1>that fine, mild, good tasting tobacco, perfectly shredded and packed

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<v Speaker 1>just right for smooth even smoking. That's why Lucky's taste smoother. Yes, friends,

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<v Speaker 1>those are the important inside reasons that make every Lucky

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<v Speaker 1>taste better, cleaner, fresher, smoother. So for your own real,

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<v Speaker 1>deep down smoking enjoyment, be happy, go lucky, make your

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<v Speaker 1>next cardon Lucky strike And now back to the FBI.

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<v Speaker 1>In Peace and War and Tonight's story the Fence. I've

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<v Speaker 1>got big plans, Chielder. I've got the biggest plans in

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<v Speaker 1>the world. Now you hold onto my hands. Money. When

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<v Speaker 1>I get that money, We're really going places. Believe me,

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<v Speaker 1>going someplace, Spence h. I guess i'd better get started, Tony,

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<v Speaker 1>I've seen a couple of days night, Chieler. Come on, Max,

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<v Speaker 1>this thing is Spence n I'll walk you to the door.

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<v Speaker 1>You'll have a new car for me, right, don't worry.

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<v Speaker 1>I'm not. But how about you. I think these jobs

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<v Speaker 1>are gonna nut with you handling it, Tony. I figure

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<v Speaker 1>I'll be up to one hundred thousand mile that high.

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<v Speaker 1>But I figured, okay, got's thought. I'm with you all

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<v Speaker 1>the way. I know you're attorney. Come on, so on, Spence,

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<v Speaker 1>I don't like that, guys so familiar. Pone me, pone

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<v Speaker 1>me next. Yeah means a container. You'll stick with him

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<v Speaker 1>from now till the time he finishes his warehouse job.

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<v Speaker 1>Don't leave Hm out of your side. You understand, Yeah, sure,

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<v Speaker 1>tell me shut up? His smile makes a soot smile.

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<v Speaker 1>Don't let him know he's being watched. I told you

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<v Speaker 1>over the last time.

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<v Speaker 4>Shena, shut up. I'm through talking about it.

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<v Speaker 1>This.

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<v Speaker 4>Guys are ready to take a power as soon as

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<v Speaker 4>he finishes this job.

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<v Speaker 1>I know the signs. I'm not letting one hundred thousand

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<v Speaker 1>dollars walk out of this office.

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<v Speaker 4>You're going, Max, good thing.

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<v Speaker 1>I keep in touch with you to never mind me.

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<v Speaker 4>You'll stick with Spence like a glove.

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<v Speaker 1>When he's finished with a job. You know what to do.

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<v Speaker 2>I know, Tony.

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<v Speaker 1>Now, don't you stop belly aching again.

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<v Speaker 2>He's gonna get rid of than Tony.

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<v Speaker 1>Suppose you'll mind your own business.

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<v Speaker 2>You're gonna get rid of the mind you. You're not

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00:15:37.320 --> 00:15:39.720
<v Speaker 2>turning him over to the cot. You're gonna let next

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00:15:39.759 --> 00:15:40.559
<v Speaker 2>take him for a ride.

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<v Speaker 1>That won't be the first time, Tony, don't.

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<v Speaker 2>Don't do it.

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<v Speaker 1>What is you're gonna somp for mister fanship fan?

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<v Speaker 2>Now, No, I just don't want to killing next big mouth.

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<v Speaker 4>You're opening your yep, I got killings.

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00:15:53.320 --> 00:15:55.879
<v Speaker 1>I close up a body on his fans does because

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00:15:55.919 --> 00:15:58.639
<v Speaker 1>this clim makes a couple of passions of you. You

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00:15:58.919 --> 00:16:01.759
<v Speaker 1>just forget about this guy. You understand that I'm gonna

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00:16:01.799 --> 00:16:02.759
<v Speaker 1>let money walk out of his.

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<v Speaker 4>Office if it means getting rid of Race Spence. Okay,

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00:16:05.840 --> 00:16:07.159
<v Speaker 4>I'm getting rid of Race Spence.

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00:16:15.039 --> 00:16:17.919
<v Speaker 1>Wanted by the FBI. Raymond spent the day. This is

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00:16:18.480 --> 00:16:22.360
<v Speaker 1>age about forty two. I sixteep one wait, one hundred

305
00:16:22.399 --> 00:16:26.919
<v Speaker 1>and seventy eyes, brown hair, brown fingerprint, classifications twenty s

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00:16:27.120 --> 00:16:31.360
<v Speaker 1>reference UL number four oh six five seven. Any information

307
00:16:31.480 --> 00:16:41.000
<v Speaker 1>concerning this man can we report? So I'm all set

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00:16:41.080 --> 00:16:44.440
<v Speaker 1>for Friday nights and me and right after that. Huh.

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00:16:45.000 --> 00:16:47.639
<v Speaker 2>I don't want you to do this job. What don't

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00:16:47.639 --> 00:16:50.360
<v Speaker 2>ask me about it? Just do as I say? Sure, please, Ray,

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<v Speaker 2>i'n a hunch. I'm funny about hunches.

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00:16:52.799 --> 00:16:55.480
<v Speaker 1>What are you talking about? This job is in the pocket. Oh,

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00:16:55.559 --> 00:16:56.080
<v Speaker 1>I have to do it.

314
00:16:56.240 --> 00:16:58.759
<v Speaker 2>Got a huncha cat. You don't do it right, keep

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00:16:58.759 --> 00:17:01.600
<v Speaker 2>your voice, stop, pray, don't do it.

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00:17:01.879 --> 00:17:04.400
<v Speaker 1>Oh no, look, honey, just because you've got some silly hunt,

317
00:17:04.480 --> 00:17:06.119
<v Speaker 1>it isn't silly. Don't do it.

318
00:17:06.359 --> 00:17:09.119
<v Speaker 2>Forget the whole thing. Maybe even leave town for a while.

319
00:17:09.480 --> 00:17:12.559
<v Speaker 1>See to what is it? You're a tea leaf reader

320
00:17:12.640 --> 00:17:13.000
<v Speaker 1>or something.

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00:17:13.759 --> 00:17:18.880
<v Speaker 2>I'm serious, Ray, Yeah, don't ask questions? Do like I

322
00:17:19.000 --> 00:17:19.200
<v Speaker 2>tell you?

323
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<v Speaker 1>Please? What's going on?

324
00:17:21.640 --> 00:17:25.160
<v Speaker 2>Shil Nothing? I told you I got a hunt?

325
00:17:26.960 --> 00:17:29.240
<v Speaker 1>You know something? What is it? I told that, Tony?

326
00:17:30.160 --> 00:17:32.160
<v Speaker 1>Is he cooking up something? Right?

327
00:17:32.960 --> 00:17:35.480
<v Speaker 2>I suppose I did like you say. Suppose I went

328
00:17:35.519 --> 00:17:36.920
<v Speaker 2>away with you now picked up that ring.

329
00:17:38.440 --> 00:17:40.559
<v Speaker 1>No, honest, he's figuring the whole back that money I've

330
00:17:40.599 --> 00:17:41.000
<v Speaker 1>got with him.

331
00:17:41.240 --> 00:17:43.319
<v Speaker 2>Ry you said, if two people had it for each

332
00:17:43.319 --> 00:17:44.160
<v Speaker 2>other that you've.

333
00:17:43.960 --> 00:17:47.200
<v Speaker 1>Got in mind, tell me nothing. The money he's going

334
00:17:47.279 --> 00:17:49.279
<v Speaker 1>to hold back, right, she'll.

335
00:17:51.000 --> 00:17:52.079
<v Speaker 2>He's gonna hold back.

336
00:17:53.519 --> 00:17:55.039
<v Speaker 3>He was going to turn you over to the cop.

337
00:17:55.319 --> 00:17:57.599
<v Speaker 3>Why he was only he decided to get rid of

338
00:17:57.680 --> 00:18:01.599
<v Speaker 3>you instead. After Friday Night's job, Mexics got Audis to

339
00:18:01.720 --> 00:18:02.799
<v Speaker 3>stick with you every minute.

340
00:18:04.240 --> 00:18:05.599
<v Speaker 1>Nice boy, Tony.

341
00:18:05.799 --> 00:18:07.960
<v Speaker 2>We could leave now, Ray, tonight, we could go someplace

342
00:18:08.039 --> 00:18:09.319
<v Speaker 2>and get married I've got some money.

343
00:18:09.400 --> 00:18:13.119
<v Speaker 1>Takes a nice boy one hundred thousand is lapping me

344
00:18:13.319 --> 00:18:16.720
<v Speaker 1>on a slab in the morgue. Nice, Ray, too bad.

345
00:18:16.799 --> 00:18:19.039
<v Speaker 1>It isn't going to come off. It's really ashamed.

346
00:18:19.640 --> 00:18:21.559
<v Speaker 2>You mean it? Ray, you'll leave with me?

347
00:18:21.680 --> 00:18:26.160
<v Speaker 1>Now? Who's talking about leading? Oh? I'm staying right here.

348
00:18:26.240 --> 00:18:28.559
<v Speaker 1>And what's more, I'm going through with this job Friday night,

349
00:18:28.680 --> 00:18:32.200
<v Speaker 1>No Ray, now, yes, yes, right, I'm going through with

350
00:18:32.319 --> 00:18:36.119
<v Speaker 1>the job just as I plan. Only I'm coming up

351
00:18:36.160 --> 00:18:40.400
<v Speaker 1>with a new wile senner. Wow, Finnish shela a special

352
00:18:41.240 --> 00:19:03.079
<v Speaker 1>all for our piles. Tone. This is a federal Funeral's investigation. Hello,

353
00:19:03.160 --> 00:19:04.799
<v Speaker 1>I'd like to speak to one of your agents. I

354
00:19:04.880 --> 00:19:06.400
<v Speaker 1>have some important criminal information.

355
00:19:07.480 --> 00:19:08.839
<v Speaker 2>I'll connect you with Agent Shephards.

356
00:19:08.880 --> 00:19:11.519
<v Speaker 1>Okay, say sir, but I'm hanging up in exactly sixty seconds,

357
00:19:11.559 --> 00:19:12.640
<v Speaker 1>so put him on fast.

358
00:19:21.359 --> 00:19:22.519
<v Speaker 2>Container associates.

359
00:19:23.319 --> 00:19:25.880
<v Speaker 1>This is Max. Let me speak to me Catana.

360
00:19:26.039 --> 00:19:26.880
<v Speaker 2>MIT's a container.

361
00:19:27.200 --> 00:19:27.559
<v Speaker 4>That's one.

362
00:19:28.960 --> 00:19:37.160
<v Speaker 1>Hello Max. Where you call from and thought of a

363
00:19:37.319 --> 00:19:40.319
<v Speaker 1>certain party won't be taken any powder, You won't. No,

364
00:19:41.319 --> 00:19:42.759
<v Speaker 1>I'm going to find out what to do.

365
00:19:42.799 --> 00:19:43.559
<v Speaker 4>With the good.

366
00:19:43.839 --> 00:19:45.839
<v Speaker 1>Don't do nothing another thing. Wait till I get that.

367
00:19:46.160 --> 00:19:49.599
<v Speaker 1>Whatever you say and Max. Yeah, good work. I knew

368
00:19:49.599 --> 00:19:52.759
<v Speaker 1>I got time on you. You do your handbag, Shiller.

369
00:19:52.920 --> 00:20:07.640
<v Speaker 1>You're driving me over to get rid of some goods. Okay,

370
00:20:07.880 --> 00:20:10.400
<v Speaker 1>you're went here and keep them are running? Tell us

371
00:20:10.440 --> 00:20:13.680
<v Speaker 1>for the final time of shut up. That's those lights

372
00:20:20.880 --> 00:20:33.519
<v Speaker 1>mex mex it's me funny. Where's a light Mexan? We

373
00:20:33.680 --> 00:20:38.079
<v Speaker 1>won't need any light, won't need any I can make

374
00:20:38.160 --> 00:20:41.680
<v Speaker 1>you out fine in the dark. Spence. You know this

375
00:20:41.839 --> 00:20:44.799
<v Speaker 1>is what I call real personal service. Gonna get to

376
00:20:44.839 --> 00:20:47.440
<v Speaker 1>come around Tony. Here's and I thought, I know what

377
00:20:47.599 --> 00:20:51.160
<v Speaker 1>you're doing. Stay with you are no fancy tricks. I

378
00:20:51.200 --> 00:20:54.599
<v Speaker 1>wouldn't want this gun to go off Faxample, Spence. So

379
00:20:54.759 --> 00:20:57.359
<v Speaker 1>what is this? Oh you haven't figured it out yet.

380
00:20:57.720 --> 00:21:00.240
<v Speaker 1>I always thought you were a smart apple, Tony. I

381
00:21:00.359 --> 00:21:02.400
<v Speaker 1>thought you'd figure it the minute you walked in that door.

382
00:21:02.640 --> 00:21:06.319
<v Speaker 1>Spend where I'll blow your head off. And if you're

383
00:21:06.400 --> 00:21:08.839
<v Speaker 1>trying to involve me in this hold up here, maybe

384
00:21:08.880 --> 00:21:11.680
<v Speaker 1>you're a smart apple at third, That's exactly what I'm

385
00:21:11.720 --> 00:21:15.559
<v Speaker 1>gonna do, Tony. You're gonna be the hold up all

386
00:21:15.839 --> 00:21:20.240
<v Speaker 1>by yourself. What sure you've got a car outside? I'm

387
00:21:20.319 --> 00:21:22.960
<v Speaker 1>handing you some fur crace that's nothing for me. I'm

388
00:21:22.960 --> 00:21:26.119
<v Speaker 1>gonna put it this kind of thing. I know you're

389
00:21:26.160 --> 00:21:29.519
<v Speaker 1>only good at the fancy double course, aren't you? The

390
00:21:29.640 --> 00:21:32.039
<v Speaker 1>double cours like it did to Bert Nixon and Nick Marco,

391
00:21:32.119 --> 00:21:34.799
<v Speaker 1>and like you're gonna do to me. Sheer fill the

392
00:21:34.839 --> 00:21:38.079
<v Speaker 1>whole deal, cheerer, Are you a fixing to unload me

393
00:21:38.200 --> 00:21:41.119
<v Speaker 1>after the job? Should light Spencer shell light? Do a tea?

394
00:21:41.279 --> 00:21:42.799
<v Speaker 1>Uh huh? Help me?

395
00:21:43.000 --> 00:21:43.200
<v Speaker 4>Yeah?

396
00:21:43.319 --> 00:21:46.160
<v Speaker 1>Sure, make me out a half of David you and

397
00:21:46.319 --> 00:21:49.319
<v Speaker 1>mix you got the same sun and dance next. Yeah,

398
00:21:50.359 --> 00:21:52.960
<v Speaker 1>I took care of your watch dog Tony right after

399
00:21:53.079 --> 00:21:55.559
<v Speaker 1>he made that phone call for me. No, uh huh.

400
00:21:56.400 --> 00:21:59.440
<v Speaker 1>Right after that, I called the cop, the cop, the

401
00:21:59.519 --> 00:22:02.599
<v Speaker 1>brights in the FBI. I figured the job over here

402
00:22:02.640 --> 00:22:04.720
<v Speaker 1>in Jersey. You ought to be a federal rat. You

403
00:22:04.839 --> 00:22:07.359
<v Speaker 1>get longer terms for that federal stuff. To what are

404
00:22:07.359 --> 00:22:11.160
<v Speaker 1>you talking about? The FBI. They should be waiting for

405
00:22:11.279 --> 00:22:14.279
<v Speaker 1>you outside right about now. I tipped them off to

406
00:22:14.400 --> 00:22:17.480
<v Speaker 1>this job. They're going to catch you red handed. To you,

407
00:22:18.640 --> 00:22:20.039
<v Speaker 1>you'll probably get ten years.

408
00:22:20.240 --> 00:22:23.839
<v Speaker 4>Listen, if you'll think you're gonna force me, I wouldn't

409
00:22:23.880 --> 00:22:26.599
<v Speaker 4>think of such a thing, too, big man like you.

410
00:22:27.119 --> 00:22:30.240
<v Speaker 1>I'm giving you a choice. Ten years in the pens

411
00:22:31.039 --> 00:22:33.880
<v Speaker 1>or a bullet right smack between your beady blue eyes.

412
00:22:34.000 --> 00:22:37.160
<v Speaker 1>Fence the way. I'm telling you, for the last time,

413
00:22:37.240 --> 00:22:38.079
<v Speaker 1>you got to listen to me.

414
00:22:38.480 --> 00:22:39.920
<v Speaker 4>She'll give it a business on this.

415
00:22:40.000 --> 00:22:42.200
<v Speaker 1>She wanted the door for herself. I'll o to the FBI.

416
00:22:42.279 --> 00:22:44.279
<v Speaker 1>I gotta listen. Would I do a thing like that?

417
00:22:44.400 --> 00:22:45.480
<v Speaker 1>A crazy thing like that?

418
00:22:45.920 --> 00:22:46.839
<v Speaker 4>Look, tell you what I do.

419
00:22:47.160 --> 00:22:49.240
<v Speaker 1>You've got almost a haunted thousand on hand with me.

420
00:22:49.279 --> 00:22:50.039
<v Speaker 1>I'll give you a double that.

421
00:22:50.240 --> 00:22:52.480
<v Speaker 4>You're a I'm telling you, I'll double it. I'll give

422
00:22:52.480 --> 00:22:53.839
<v Speaker 4>it a catch the first thing in the morning.

423
00:22:53.880 --> 00:22:57.400
<v Speaker 1>You'll be tight behind Buzz in the morning. I have

424
00:22:57.519 --> 00:23:02.599
<v Speaker 1>to take this from him, of course, make one move

425
00:23:02.680 --> 00:23:07.680
<v Speaker 1>and fine, n Spend. Give me a break, all right.

426
00:23:07.720 --> 00:23:09.480
<v Speaker 1>There's a bunch of foys next year. Pick them up

427
00:23:09.480 --> 00:23:11.640
<v Speaker 1>and get spend. You want to break, I'm giving you one.

428
00:23:12.799 --> 00:23:14.960
<v Speaker 1>Maybe that's the eye, isn't we Maybe I'm only testing

429
00:23:15.000 --> 00:23:17.559
<v Speaker 1>your nerve. No, take him up. No, for the last time,

430
00:23:17.640 --> 00:23:24.839
<v Speaker 1>to expect it not get out. Spend it out, Tony,

431
00:23:28.799 --> 00:23:31.279
<v Speaker 1>all right, go ahead, for the love of heaven, spend.

432
00:23:31.440 --> 00:23:33.920
<v Speaker 1>There's a gun for you, Tony. You can shoot it

433
00:23:34.000 --> 00:23:45.960
<v Speaker 1>out with the Federal Boys. If you like ten years chiller, yo,

434
00:23:53.799 --> 00:24:15.680
<v Speaker 1>no what you think this indus a moment, Agent Shepherd

435
00:24:15.720 --> 00:24:19.400
<v Speaker 1>will tell you what happened to the people and tonight's stories. Smokers,

436
00:24:19.920 --> 00:24:23.319
<v Speaker 1>you can easily see for yourself the inside reasons why

437
00:24:23.640 --> 00:24:29.200
<v Speaker 1>Luckys taste better, cleaner, fresher, smoother. Just take a Lucky

438
00:24:29.240 --> 00:24:32.160
<v Speaker 1>from a newly opened pact and carefully remove the paper

439
00:24:32.240 --> 00:24:35.039
<v Speaker 1>by tearing down the seam from end to end. Be

440
00:24:35.160 --> 00:24:38.359
<v Speaker 1>sure to start on the scene in tearing. Don't crush

441
00:24:38.480 --> 00:24:42.799
<v Speaker 1>or dig into the tobacco. Now examine that perfect cylinder

442
00:24:42.880 --> 00:24:47.039
<v Speaker 1>of fine, mild tobacco. See how it holds together without

443
00:24:47.079 --> 00:24:49.400
<v Speaker 1>those annoying loose ends that get in your mouth and

444
00:24:49.440 --> 00:24:53.680
<v Speaker 1>spoil a taste. That's why Luckies taste cleaner. Notice how

445
00:24:53.759 --> 00:24:56.680
<v Speaker 1>free your Lucky is from air spaces, hot spots that

446
00:24:56.839 --> 00:25:01.519
<v Speaker 1>burn too fast, taste hot and harsh. Why Lucky's taste pressure?

447
00:25:02.079 --> 00:25:06.200
<v Speaker 1>And look at that fine, good tasting tobacco, perfectly shredded

448
00:25:06.480 --> 00:25:09.799
<v Speaker 1>and pat just right to draw freely and smoke evenly.

449
00:25:10.359 --> 00:25:14.720
<v Speaker 1>That's why Lucky's tastes smoother. So for a cleaner pressure,

450
00:25:14.839 --> 00:25:29.400
<v Speaker 1>smoother smoke, make your next cardon Lucky strike Anthony Cottana

451
00:25:29.599 --> 00:25:31.599
<v Speaker 1>was killed in an attempt to shoot his way out

452
00:25:31.640 --> 00:25:34.880
<v Speaker 1>of the trap. Raymond Spence fixed for him. Although Spence

453
00:25:34.920 --> 00:25:37.440
<v Speaker 1>went free for several months, he was caught later when

454
00:25:37.440 --> 00:25:40.240
<v Speaker 1>he tried with Sheila Blair to return for the cash

455
00:25:40.319 --> 00:25:44.160
<v Speaker 1>Katina had held for him. FBI surveillance of Katana's home

456
00:25:44.240 --> 00:25:47.000
<v Speaker 1>and office led to the arrest of several other notorious

457
00:25:47.000 --> 00:25:52.200
<v Speaker 1>associates in Katana's criminal circle, thus permanently closing the fence.

458
00:26:08.559 --> 00:26:11.599
<v Speaker 1>All names and characters used on the program are fixations.

459
00:26:12.000 --> 00:26:15.400
<v Speaker 1>Any similarity to the person flitting or dead is purely coincidental.

460
00:26:16.119 --> 00:26:19.079
<v Speaker 1>This program is based on Frederick L. Collins copyrighted book

461
00:26:19.319 --> 00:26:21.759
<v Speaker 1>The FBI and Pison War, and is not an official

462
00:26:21.799 --> 00:26:25.640
<v Speaker 1>program of the FBI. In Tonight's story, Harold Humer played

463
00:26:25.680 --> 00:26:28.440
<v Speaker 1>the part of Tony Kataina to Rida Bauer, with Sheela

464
00:26:28.519 --> 00:26:33.440
<v Speaker 1>Blair and Grant Richards was raised fence. The radio draminizations

465
00:26:33.480 --> 00:26:35.599
<v Speaker 1>for the FBI and Pison War are written by Luri

466
00:26:35.680 --> 00:26:39.000
<v Speaker 1>Pubbeteer and Jack Baink. These programs are produced and directed

467
00:26:39.039 --> 00:26:42.359
<v Speaker 1>by Betty Mandebil. Be sure to listen to next Thursday

468
00:26:42.440 --> 00:26:46.599
<v Speaker 1>story The super Salesman on the FBI in Peace and War,

469
00:26:46.880 --> 00:26:51.960
<v Speaker 1>same time, same station. Here's an important announcement for every American.

470
00:26:52.720 --> 00:26:55.559
<v Speaker 1>Our armed forces in Korea have issued an urgent call

471
00:26:55.720 --> 00:26:59.720
<v Speaker 1>for more blood. Have you let them down? What happened

472
00:26:59.720 --> 00:27:01.599
<v Speaker 1>to that point of blood you are going to give?

473
00:27:02.400 --> 00:27:05.680
<v Speaker 1>Please give that point now at your Red Cross chapter

474
00:27:06.079 --> 00:27:12.759
<v Speaker 1>or local blood donors center. Thank you. This is Andre

475
00:27:12.880 --> 00:27:15.880
<v Speaker 1>Brouge saying good night for Lucky Stride, product of the

476
00:27:15.920 --> 00:27:21.240
<v Speaker 1>American Tobacco Company, America's leading manufacturer of cigarettes. The FBI

477
00:27:21.359 --> 00:27:23.640
<v Speaker 1>in Peace and War has been selected as one of

478
00:27:23.680 --> 00:27:26.400
<v Speaker 1>the programs to be heard by our Armed Forces overseas

479
00:27:26.799 --> 00:27:37.599
<v Speaker 1>through the facilities of the Armed Forces Radio Service. This

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00:27:37.880 --> 00:27:39.640
<v Speaker 1>is the CBS Radio Network.
