Speaker 1: That war. Another great story based on petec Alcollins copyrighted
Speaker 1: book the FBI in Peace and War Drama thrills actions,
Speaker 1: but purse on grab roof friends. In a cigarette, it's
Speaker 1: the taste that makes the difference, and Lucky's taste better, cleaner, fresher, smoother.
Speaker 1: Here's why. First of all, better taste in a cigarette
Speaker 1: begins with fine tobacco, and Lucky Strike means fine tobacco,
Speaker 1: fine light, naturally mild tobacco. Second, Luckys are made better.
Speaker 1: Every Lucky is bround and firm and fully packed, without
Speaker 1: those annoying loose ends that get in your mouth and
Speaker 1: spoil the taste. Yes, every Lucky is packed just right
Speaker 1: to draw freely and evenly. So for a smoke that
Speaker 1: tastes better, cleaner, fresher, smoother, Be happy, Go lucky, make
Speaker 1: your neck garden. Lucky Strike a light story on the
Speaker 1: the Eye and piece of War the Fence.
Speaker 2: Good afternoon, sir.
Speaker 1: Good afternoon. I'd like to see something in ladies wristwatches.
Speaker 2: Please, yes, sir, about what price range? We have some
Speaker 2: very fine watches in solid gold or effuse a fair place.
Speaker 1: I prefer diamonds. Let's see that tray down there, huh.
Speaker 1: That one, yes, sir, and that one over there.
Speaker 3: This one, now, if it's a diamond one, so may
Speaker 3: I recommend this very fine Swiss.
Speaker 1: All right, keep the trays coming, and don't reach for
Speaker 1: any alarm. Dump all the watches in this bag, and
Speaker 1: when you get through, open that safe. Mister fel like
Speaker 1: I tell you you won't get hurt. Make one wrong
Speaker 1: move and I'll blow your pretty face off, all right, now,
Speaker 1: get going, yeah. In the late summer of last year,
Speaker 1: several Eastern cities were plagued with a series of hold ups.
Speaker 1: According to a description by the victims, each of the
Speaker 1: robberies was pulled by the same individual. When this was
Speaker 1: made evident, the Bureau was asked into the case. They
Speaker 1: were looking for a tall, well mannered man in his
Speaker 1: early forties, and we were aware that the search for
Speaker 1: him wouldn't be easy. Not a single article of stolen
Speaker 1: property had appeared since the original robbery, and it was
Speaker 1: natural to assume that our man had either held on
Speaker 1: to his halls or had found an elusive means to
Speaker 1: dispose of him. It was with this in mind that
Speaker 1: Aden Daily Live.
Speaker 2: Containers Sociates.
Speaker 3: Good morning, oh Freddie, Yeah, test a minute, I'll let
Speaker 3: you talk to you. What now I'm said, I'm busy
Speaker 3: to night wise. Gosh all wait hold of this second.
Speaker 1: Yes, i'd like to see mister kintainer.
Speaker 2: Some of just came in pretty. I'll connect you now
Speaker 2: read no act, mister Katanna. Who do you want to see?
Speaker 1: Containers? Tony Container?
Speaker 2: Who recommended you?
Speaker 1: Who wants to know?
Speaker 2: Okay only I can't.
Speaker 1: Live in I have some business for mister Container. If
Speaker 1: he doesn't want it, I can always go someplace else.
Speaker 2: What kind of business?
Speaker 1: Who wants to know?
Speaker 2: What's your name?
Speaker 1: Raymond Spence? So you can call me Ray?
Speaker 2: Did Mary Lenna sends you?
Speaker 1: You send me sweet hight.
Speaker 2: You'll talk to mister Container. Uh huh okay, wait here,
Speaker 2: I'll find out if he'll talk to you.
Speaker 1: All right, Freddy, you'll go up. Have you got inventy
Speaker 1: probably you'll let me know. Fine, hold on still Fridday.
Speaker 2: Somebody to see you, Tony. Name is Spence, Raymond Spencence.
Speaker 1: What's he's not?
Speaker 2: Talk?
Speaker 1: Oh?
Speaker 2: One of doog Yeah, smooth character playing at safe. He
Speaker 2: says he's got business for you.
Speaker 1: Okay, I'll see him.
Speaker 2: I think he's your mind she uh huh. Then at
Speaker 2: the night here, Tony, anything you say, send the giant. Yeah, yes,
Speaker 2: come in missus Spence. Mister Pittanga will see you.
Speaker 1: Now, hold on my call for the next few minutes.
Speaker 1: Miss Blair, yes, mister sit down, mister Spence, Raymond Spence,
Speaker 1: sit down very much blass now. Then Murray Lenna sent me, Oh, Lenna,
Speaker 1: why you don't tell my secretary? Do you tell everybody
Speaker 1: your business? What can I do for you, mister Spence?
Speaker 1: I don't know yet. That's why I came here to
Speaker 1: find out. What did Murray Lennard tell you? He said
Speaker 1: you were the best fence in the business. He said
Speaker 1: you could take good care of me. I could. What's
Speaker 1: your line when you read the papers said depends that
Speaker 1: jewelry store, Robbery and West Roadway. Yesterday you read about
Speaker 1: that that was you? The watch stick up last week?
Speaker 1: Did you read about that very new job over eight
Speaker 1: thousand words that paper said that was for YouTube? That
Speaker 1: was me? You work along? Uh huh much better idea.
Speaker 1: I like it. But Murray said it's different on the
Speaker 1: other end. He said, right, getting rid of the stuff,
Speaker 1: that's another story. Working through me. It narrows the risks,
Speaker 1: So you got to offer you don't waste time. Nope, okay,
Speaker 1: I give it to you without the trimmings. When you
Speaker 1: come in with Kataina, you come in for good. I
Speaker 1: keep twenty percent of every job you're doing return for
Speaker 1: my services. What services I get rid of the stuff
Speaker 1: or collected cash for you? You get a regular drawing account.
Speaker 1: If you're get in trouble, I go bond for you
Speaker 1: and my lawyers take the case. What about the cash
Speaker 1: you collect for me? It's always yours when you wanted,
Speaker 1: minus of course, twenty percent. Okay, Katina, time in good.
Speaker 1: I'll bring around the stuff I've got later today. No, no, no,
Speaker 1: you don't bring anything here. You just tell me it's
Speaker 1: Blair your address. I'll send a collector to you, a collector.
Speaker 1: You really have things organized, haven't you. That's right in
Speaker 1: My friend with Katana associates. So we try not to
Speaker 1: leave anything on the fence. All right, now, all of
Speaker 1: you ladies up against that wall there are you, blondie.
Speaker 1: Put all that stuff in this bag and make it fast,
Speaker 1: and remember the first one who doesn't nice gets a
Speaker 1: taste of this forty five start moving. Raymond Spence Statement
Speaker 1: of account cash on a hand nineteen thousand, eight hundred
Speaker 1: dollars weekly withdrawals since September one, two thousand and four hundreds.
Speaker 2: Whood can we finished this in the morning, Tony?
Speaker 1: Okay, I guess that's enough. Let's take a break cigarette.
Speaker 1: Oh of course. Mister Raymond Spencer one think it's enough.
Speaker 1: He likes to know exactly where his name like. Hm.
Speaker 2: Quite a guy, isn't he Spence?
Speaker 1: Yeah, well, it depends how you look at it. The
Speaker 1: way I got it here. He's a pulled three starstic
Speaker 1: ups in the last couple of months, so one fair
Speaker 1: old job.
Speaker 2: You know what I mean?
Speaker 1: Uh huh. He's quite a guy an account of he
Speaker 1: has say yana for you.
Speaker 2: That isn't what I mean.
Speaker 1: You had a drink with him last night, and last
Speaker 1: week you had been at twice.
Speaker 2: I'm only being nice. He's a quiet, isn't it.
Speaker 1: The game is business only. Don't let it go to
Speaker 1: your heady, You know what I mean?
Speaker 4: I know.
Speaker 1: Besides, I got another dare. Mister Raymond Spencer won't be
Speaker 1: with us very long, don't you, Tony. Well look at it,
Speaker 1: realistic Shielder. He's got almost twenty thousand cashier with me.
Speaker 1: He's like you say, quite a guy at the rad
Speaker 1: He's gone. He'll left close to one hundred thousand by
Speaker 1: the first of the year. Wait so much a guy
Speaker 1: bid be? When he gets that hundred, he's gonna want out.
Speaker 1: I know his kind. Remember Bert Nixon, he was.
Speaker 2: Like that, Tony. You wouldn't turn.
Speaker 1: Ray over to the top, wouldn't. I you get twenty
Speaker 1: years at least that leaves me with one hundred thousand.
Speaker 1: I turned in Bret Nixon, didn't I. I turned in
Speaker 1: Nick Marco. I'll done the same with his Spence. Come on,
Speaker 1: let's go get a drink.
Speaker 2: I'm not tasty, Tony.
Speaker 1: You know okay, so yourself I'm gonna swallow. Want to
Speaker 1: get back here?
Speaker 2: You're coming back?
Speaker 1: Yeah, I'm putting it a little over time. Spencer's doing
Speaker 1: his first job on a bank. He asked me to
Speaker 1: fix him up with to get away car to.
Speaker 2: Doubt turning name Towny.
Speaker 1: I don't worry, babe, I won't not while he's going strong.
Speaker 1: You've got him my word. I won't stutch one hair
Speaker 1: on his handsome head. Soil. He's got a one hundred
Speaker 1: thousand cash with Tony warning Benson, he cheez are you.
Speaker 1: I'm all right. Thanks the gentlemen from the FBI. Benson
Speaker 1: settled your up. Investigation chef. This is Joe Benson, best
Speaker 1: auto mechanic around these parts. I have nam It's bencer
Speaker 1: name here, mister, my name is Shepherd. This is Asian Bailey.
Speaker 1: They want to take a look at that wrecked Tell
Speaker 1: station wagon you brought in last night. I sure think
Speaker 1: gentlemen have it right over here. I haven't started working
Speaker 1: it yet. I thought i'd wait till I hurt from you.
Speaker 1: That's good. We don't want you to touch anything inside
Speaker 1: the car, especially I figured it. Well, there it is
Speaker 1: that bangs up too bad? Just get it into the
Speaker 1: telephone pole. Oh real damage. Could dude tell anything from
Speaker 1: the wreck, mister Benson. How it happened? Not much. This
Speaker 1: looked like the driver was going too fast with the
Speaker 1: turn foot off the road into the ditch. Uh huh.
Speaker 1: Go on to have a looking sign. Uh not yet.
Speaker 1: We're expecting a couple of our technicians any minutes. We're
Speaker 1: gonna try for fingerprints, tread marks, anything that might give
Speaker 1: us a lead. I guess you and I wouldn't talk
Speaker 1: about this around Corn Benson, of course, not Chief but
Speaker 1: a lot of people are talking already. They say this
Speaker 1: car is the same one that was using that payroll
Speaker 1: stick up over in Mason City. Well it's possible, but
Speaker 1: let's keep it to ourselves anyway, Chef, you want the
Speaker 1: car jacked up while we're waiting. Yeah, it's a good idea.
Speaker 1: Jack it up. Uh huh from the plaster impressions of
Speaker 1: the tire treads. Oh, I'll do it right away. Fine. Say,
Speaker 1: isn't it rather unusual using a station wagon and a robbery? Yes,
Speaker 1: it is, But we're dealing with the rather unusual type
Speaker 1: of criminal, mister Benson, and from the evidence we've gathered
Speaker 1: so far, it's gonna take an unusual method to catch
Speaker 1: up with him. Fingerprint file last twenty s reference UL
Speaker 1: number four oh sixty five seven. Robert Spencer. Hey, it's
Speaker 1: Roy Spence. He and his race Spence last us Spence
Speaker 1: sp E n C. First name Raymond ray Spence. Put
Speaker 1: him down for another fourteen thousand, Tony.
Speaker 2: You're not really gonna tend him in, are you not?
Speaker 1: Yet? Shiela? Like I said before, Spence is safe unfore
Speaker 1: he hits the top money. The top money, Sheila, That's
Speaker 1: what I'm heading for Yeah.
Speaker 2: I'll have another drink.
Speaker 1: Ray, you and me book away the tumor it what's
Speaker 1: the matter with you tonight?
Speaker 4: Year?
Speaker 1: Oh?
Speaker 2: I don't know.
Speaker 1: It's it's Tony. Oh no, he's worried because we've been
Speaker 1: seeing each other too much.
Speaker 2: Oh, of course he isn't, Tony and I yeah, right.
Speaker 2: If you did get all this money.
Speaker 1: You mean, I'm getting it and when I do, Ray,
Speaker 1: when I do, I'm going to take it from Tony,
Speaker 1: wrap it up in a pretty blue ribbon and ask
Speaker 1: a certain party if he wants to spend it with
Speaker 1: me as missus Raymond Spence, what how about it? Sheila?
Speaker 2: Missus ray Then why not?
Speaker 1: I've been thinking about it since the first day I
Speaker 1: walked in to containing the associates and saw you're sitting there.
Speaker 2: All right, cut it out?
Speaker 1: Will you will give me one good reason?
Speaker 2: You can't mean it?
Speaker 1: Why not?
Speaker 4: Right?
Speaker 1: Answer me? Stop it? Will you you feel the same
Speaker 1: way I do? I know you do.
Speaker 2: Don't be a fool, Ray, And it never works?
Speaker 1: Just one good way to find out you're crazy. Sure,
Speaker 1: let's both be right.
Speaker 2: Yeah, it just wouldn't work, that's all, Tony.
Speaker 1: Look at me. Come on, Look when two people have
Speaker 1: got it together. That's all that counts. Nothing else. Okay, stop,
Speaker 1: I'm not stopping until we have the ring on that
Speaker 1: thinger right there now. I'm not stopping until I got
Speaker 1: that sad money. I got big plans here, I got
Speaker 1: the biggest plans in the world. Now you hold onto
Speaker 1: my hand, honey, hold on real tight. When I get
Speaker 1: that money will really going places. Believe me. Back to
Speaker 1: the fence and just a moment, friends, Luckies are made
Speaker 1: better to taste better, to taste cleaner, fresher, smoother, and
Speaker 1: it's easy to prove this to yourself. Simply do this.
Speaker 1: Take a Lucky from a newly opened pack and carefully
Speaker 1: remove the paper by tearing down the seam from end
Speaker 1: to end. Be sure to start on the scene. In tearing,
Speaker 1: don't crush or dig into the tobacco. Now look at
Speaker 1: that perfect cylinder of fine mile tobacco. See how it
Speaker 1: holds together without those annoying loose ends that get in
Speaker 1: your mouth and spoil the taste. That's why Lucky's taste cleaner.
Speaker 1: Notice how free Luckies are from excessive air spaces, hot
Speaker 1: spots that burn too fast and give you a hot,
Speaker 1: harsh taste. That's why Luckys taste fresher. Then look at
Speaker 1: that fine, mild, good tasting tobacco, perfectly shredded and packed
Speaker 1: just right for smooth even smoking. That's why Lucky's taste smoother. Yes, friends,
Speaker 1: those are the important inside reasons that make every Lucky
Speaker 1: taste better, cleaner, fresher, smoother. So for your own real,
Speaker 1: deep down smoking enjoyment, be happy, go lucky, make your
Speaker 1: next cardon Lucky strike And now back to the FBI.
Speaker 1: In Peace and War and Tonight's story the Fence. I've
Speaker 1: got big plans, Chielder. I've got the biggest plans in
Speaker 1: the world. Now you hold onto my hands. Money. When
Speaker 1: I get that money, We're really going places. Believe me,
Speaker 1: going someplace, Spence h. I guess i'd better get started, Tony,
Speaker 1: I've seen a couple of days night, Chieler. Come on, Max,
Speaker 1: this thing is Spence n I'll walk you to the door.
Speaker 1: You'll have a new car for me, right, don't worry.
Speaker 1: I'm not. But how about you. I think these jobs
Speaker 1: are gonna nut with you handling it, Tony. I figure
Speaker 1: I'll be up to one hundred thousand mile that high.
Speaker 1: But I figured, okay, got's thought. I'm with you all
Speaker 1: the way. I know you're attorney. Come on, so on, Spence,
Speaker 1: I don't like that, guys so familiar. Pone me, pone
Speaker 1: me next. Yeah means a container. You'll stick with him
Speaker 1: from now till the time he finishes his warehouse job.
Speaker 1: Don't leave Hm out of your side. You understand, Yeah, sure,
Speaker 1: tell me shut up? His smile makes a soot smile.
Speaker 1: Don't let him know he's being watched. I told you
Speaker 1: over the last time.
Speaker 4: Shena, shut up. I'm through talking about it.
Speaker 1: This.
Speaker 4: Guys are ready to take a power as soon as
Speaker 4: he finishes this job.
Speaker 1: I know the signs. I'm not letting one hundred thousand
Speaker 1: dollars walk out of this office.
Speaker 4: You're going, Max, good thing.
Speaker 1: I keep in touch with you to never mind me.
Speaker 4: You'll stick with Spence like a glove.
Speaker 1: When he's finished with a job. You know what to do.
Speaker 2: I know, Tony.
Speaker 1: Now, don't you stop belly aching again.
Speaker 2: He's gonna get rid of than Tony.
Speaker 1: Suppose you'll mind your own business.
Speaker 2: You're gonna get rid of the mind you. You're not
Speaker 2: turning him over to the cot. You're gonna let next
Speaker 2: take him for a ride.
Speaker 1: That won't be the first time, Tony, don't.
Speaker 2: Don't do it.
Speaker 1: What is you're gonna somp for mister fanship fan?
Speaker 2: Now, No, I just don't want to killing next big mouth.
Speaker 4: You're opening your yep, I got killings.
Speaker 1: I close up a body on his fans does because
Speaker 1: this clim makes a couple of passions of you. You
Speaker 1: just forget about this guy. You understand that I'm gonna
Speaker 1: let money walk out of his.
Speaker 4: Office if it means getting rid of Race Spence. Okay,
Speaker 4: I'm getting rid of Race Spence.
Speaker 1: Wanted by the FBI. Raymond spent the day. This is
Speaker 1: age about forty two. I sixteep one wait, one hundred
Speaker 1: and seventy eyes, brown hair, brown fingerprint, classifications twenty s
Speaker 1: reference UL number four oh six five seven. Any information
Speaker 1: concerning this man can we report? So I'm all set
Speaker 1: for Friday nights and me and right after that. Huh.
Speaker 2: I don't want you to do this job. What don't
Speaker 2: ask me about it? Just do as I say? Sure, please, Ray,
Speaker 2: i'n a hunch. I'm funny about hunches.
Speaker 1: What are you talking about? This job is in the pocket. Oh,
Speaker 1: I have to do it.
Speaker 2: Got a huncha cat. You don't do it right, keep
Speaker 2: your voice, stop, pray, don't do it.
Speaker 1: Oh no, look, honey, just because you've got some silly hunt,
Speaker 1: it isn't silly. Don't do it.
Speaker 2: Forget the whole thing. Maybe even leave town for a while.
Speaker 1: See to what is it? You're a tea leaf reader
Speaker 1: or something.
Speaker 2: I'm serious, Ray, Yeah, don't ask questions? Do like I
Speaker 2: tell you?
Speaker 1: Please? What's going on?
Speaker 2: Shil Nothing? I told you I got a hunt?
Speaker 1: You know something? What is it? I told that, Tony?
Speaker 1: Is he cooking up something? Right?
Speaker 2: I suppose I did like you say. Suppose I went
Speaker 2: away with you now picked up that ring.
Speaker 1: No, honest, he's figuring the whole back that money I've
Speaker 1: got with him.
Speaker 2: Ry you said, if two people had it for each
Speaker 2: other that you've.
Speaker 1: Got in mind, tell me nothing. The money he's going
Speaker 1: to hold back, right, she'll.
Speaker 2: He's gonna hold back.
Speaker 3: He was going to turn you over to the cop.
Speaker 3: Why he was only he decided to get rid of
Speaker 3: you instead. After Friday Night's job, Mexics got Audis to
Speaker 3: stick with you every minute.
Speaker 1: Nice boy, Tony.
Speaker 2: We could leave now, Ray, tonight, we could go someplace
Speaker 2: and get married I've got some money.
Speaker 1: Takes a nice boy one hundred thousand is lapping me
Speaker 1: on a slab in the morgue. Nice, Ray, too bad.
Speaker 1: It isn't going to come off. It's really ashamed.
Speaker 2: You mean it? Ray, you'll leave with me?
Speaker 1: Now? Who's talking about leading? Oh? I'm staying right here.
Speaker 1: And what's more, I'm going through with this job Friday night,
Speaker 1: No Ray, now, yes, yes, right, I'm going through with
Speaker 1: the job just as I plan. Only I'm coming up
Speaker 1: with a new wile senner. Wow, Finnish shela a special
Speaker 1: all for our piles. Tone. This is a federal Funeral's investigation. Hello,
Speaker 1: I'd like to speak to one of your agents. I
Speaker 1: have some important criminal information.
Speaker 2: I'll connect you with Agent Shephards.
Speaker 1: Okay, say sir, but I'm hanging up in exactly sixty seconds,
Speaker 1: so put him on fast.
Speaker 2: Container associates.
Speaker 1: This is Max. Let me speak to me Catana.
Speaker 2: MIT's a container.
Speaker 4: That's one.
Speaker 1: Hello Max. Where you call from and thought of a
Speaker 1: certain party won't be taken any powder, You won't. No,
Speaker 1: I'm going to find out what to do.
Speaker 4: With the good.
Speaker 1: Don't do nothing another thing. Wait till I get that.
Speaker 1: Whatever you say and Max. Yeah, good work. I knew
Speaker 1: I got time on you. You do your handbag, Shiller.
Speaker 1: You're driving me over to get rid of some goods. Okay,
Speaker 1: you're went here and keep them are running? Tell us
Speaker 1: for the final time of shut up. That's those lights
Speaker 1: mex mex it's me funny. Where's a light Mexan? We
Speaker 1: won't need any light, won't need any I can make
Speaker 1: you out fine in the dark. Spence. You know this
Speaker 1: is what I call real personal service. Gonna get to
Speaker 1: come around Tony. Here's and I thought, I know what
Speaker 1: you're doing. Stay with you are no fancy tricks. I
Speaker 1: wouldn't want this gun to go off Faxample, Spence. So
Speaker 1: what is this? Oh you haven't figured it out yet.
Speaker 1: I always thought you were a smart apple, Tony. I
Speaker 1: thought you'd figure it the minute you walked in that door.
Speaker 1: Spend where I'll blow your head off. And if you're
Speaker 1: trying to involve me in this hold up here, maybe
Speaker 1: you're a smart apple at third, That's exactly what I'm
Speaker 1: gonna do, Tony. You're gonna be the hold up all
Speaker 1: by yourself. What sure you've got a car outside? I'm
Speaker 1: handing you some fur crace that's nothing for me. I'm
Speaker 1: gonna put it this kind of thing. I know you're
Speaker 1: only good at the fancy double course, aren't you? The
Speaker 1: double cours like it did to Bert Nixon and Nick Marco,
Speaker 1: and like you're gonna do to me. Sheer fill the
Speaker 1: whole deal, cheerer, Are you a fixing to unload me
Speaker 1: after the job? Should light Spencer shell light? Do a tea?
Speaker 1: Uh huh? Help me?
Speaker 4: Yeah?
Speaker 1: Sure, make me out a half of David you and
Speaker 1: mix you got the same sun and dance next. Yeah,
Speaker 1: I took care of your watch dog Tony right after
Speaker 1: he made that phone call for me. No, uh huh.
Speaker 1: Right after that, I called the cop, the cop, the
Speaker 1: brights in the FBI. I figured the job over here
Speaker 1: in Jersey. You ought to be a federal rat. You
Speaker 1: get longer terms for that federal stuff. To what are
Speaker 1: you talking about? The FBI. They should be waiting for
Speaker 1: you outside right about now. I tipped them off to
Speaker 1: this job. They're going to catch you red handed. To you,
Speaker 1: you'll probably get ten years.
Speaker 4: Listen, if you'll think you're gonna force me, I wouldn't
Speaker 4: think of such a thing, too, big man like you.
Speaker 1: I'm giving you a choice. Ten years in the pens
Speaker 1: or a bullet right smack between your beady blue eyes.
Speaker 1: Fence the way. I'm telling you, for the last time,
Speaker 1: you got to listen to me.
Speaker 4: She'll give it a business on this.
Speaker 1: She wanted the door for herself. I'll o to the FBI.
Speaker 1: I gotta listen. Would I do a thing like that?
Speaker 1: A crazy thing like that?
Speaker 4: Look, tell you what I do.
Speaker 1: You've got almost a haunted thousand on hand with me.
Speaker 1: I'll give you a double that.
Speaker 4: You're a I'm telling you, I'll double it. I'll give
Speaker 4: it a catch the first thing in the morning.
Speaker 1: You'll be tight behind Buzz in the morning. I have
Speaker 1: to take this from him, of course, make one move
Speaker 1: and fine, n Spend. Give me a break, all right.
Speaker 1: There's a bunch of foys next year. Pick them up
Speaker 1: and get spend. You want to break, I'm giving you one.
Speaker 1: Maybe that's the eye, isn't we Maybe I'm only testing
Speaker 1: your nerve. No, take him up. No, for the last time,
Speaker 1: to expect it not get out. Spend it out, Tony,
Speaker 1: all right, go ahead, for the love of heaven, spend.
Speaker 1: There's a gun for you, Tony. You can shoot it
Speaker 1: out with the Federal Boys. If you like ten years chiller, yo,
Speaker 1: no what you think this indus a moment, Agent Shepherd
Speaker 1: will tell you what happened to the people and tonight's stories. Smokers,
Speaker 1: you can easily see for yourself the inside reasons why
Speaker 1: Luckys taste better, cleaner, fresher, smoother. Just take a Lucky
Speaker 1: from a newly opened pact and carefully remove the paper
Speaker 1: by tearing down the seam from end to end. Be
Speaker 1: sure to start on the scene in tearing. Don't crush
Speaker 1: or dig into the tobacco. Now examine that perfect cylinder
Speaker 1: of fine, mild tobacco. See how it holds together without
Speaker 1: those annoying loose ends that get in your mouth and
Speaker 1: spoil a taste. That's why Luckies taste cleaner. Notice how
Speaker 1: free your Lucky is from air spaces, hot spots that
Speaker 1: burn too fast, taste hot and harsh. Why Lucky's taste pressure?
Speaker 1: And look at that fine, good tasting tobacco, perfectly shredded
Speaker 1: and pat just right to draw freely and smoke evenly.
Speaker 1: That's why Lucky's tastes smoother. So for a cleaner pressure,
Speaker 1: smoother smoke, make your next cardon Lucky strike Anthony Cottana
Speaker 1: was killed in an attempt to shoot his way out
Speaker 1: of the trap. Raymond Spence fixed for him. Although Spence
Speaker 1: went free for several months, he was caught later when
Speaker 1: he tried with Sheila Blair to return for the cash
Speaker 1: Katina had held for him. FBI surveillance of Katana's home
Speaker 1: and office led to the arrest of several other notorious
Speaker 1: associates in Katana's criminal circle, thus permanently closing the fence.
Speaker 1: All names and characters used on the program are fixations.
Speaker 1: Any similarity to the person flitting or dead is purely coincidental.
Speaker 1: This program is based on Frederick L. Collins copyrighted book
Speaker 1: The FBI and Pison War, and is not an official
Speaker 1: program of the FBI. In Tonight's story, Harold Humer played
Speaker 1: the part of Tony Kataina to Rida Bauer, with Sheela
Speaker 1: Blair and Grant Richards was raised fence. The radio draminizations
Speaker 1: for the FBI and Pison War are written by Luri
Speaker 1: Pubbeteer and Jack Baink. These programs are produced and directed
Speaker 1: by Betty Mandebil. Be sure to listen to next Thursday
Speaker 1: story The super Salesman on the FBI in Peace and War,
Speaker 1: same time, same station. Here's an important announcement for every American.
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Speaker 1: in Peace and War has been selected as one of
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