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Speaker 1: Dang don't you and at your rips the.

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Speaker 2: Domoll s been a long time that I'm ready for

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rec shump being a long time, it's.

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Speaker 1: Some ready to core been a long time. I'm a man.

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Speaker 3: I I'm just shumping me.

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Speaker 1: In a long time, long.

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Speaker 2: Time, long time. I don't need a last time he

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stop up with I need up the last friend and

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the door jam like that I did out my disla.

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Speaker 1: Li yim.

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Speaker 4: Lo no.

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Speaker 2: Been a long time, I could you some construction humper

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be in a long time and now am ready to

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blow man a long time and six I can just

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shun me in a long time.

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Speaker 3: Long time long time.

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Speaker 2: I don't need a flastic time seen this time I'm wed.

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I'll need a glass fraid and gold. I you like

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when I kind of my gastline so no can you

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fall that stalk so so I know when I kind

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of my gasoline not help.

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Speaker 1: Not him.

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Speaker 3: Not up.

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Speaker 2: You know lasting time time way I need until last

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way and going on you I got my castell come

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from no wait, I tind my cat.

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Speaker 1: Up up.

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Speaker 2: Yeah, not up, not up, not.

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Speaker 5: Up there it is That is the premiere of the

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new track from Chasing the Devil. That is called Lighted

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Up that is brand new and very happy to share

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it here with you on this Saturday morning. This is

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Matt connor toon Unleashed and we are live from the

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studios of wm NH ninety five point three FM on

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this glorious Saturday, October five, twenty twenty four.

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Speaker 6: And of course I'm not alone, dude, morning sunshine.

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Speaker 5: Yes, Jenny is here at the news table four. By

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the way, I do want to mention Chasing the Devil.

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They are actually on a big tour right now with

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Shim Anything But Human and Shallow Side tonight as we

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speak on this Saturday. They are in Kentucky. They're there

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today and tomorrow and then they're on to Texas and

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they won't be back up our way until here in

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New Hampshire until the twentieth. They've got a show at

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Wally's in Hampton Beach and then after that they go

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back out. They head to Ohio after that, so they're

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on Ohio. So they're on the big So congratulations to

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those guys, and very honored and proud as always to

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be able to debut their new single, light It Up

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right here on Matt Connorton Unleashed on WMNH ninety five

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point three FM. Oh, by the way, congratulations on your trip. Yes, yes,

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you were in Washington, DC recently.

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Speaker 6: So I was in Washington, d C.

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Speaker 7: I was an invited guest to the White House Medical

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Debt event, and I'm happy to say that it has

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now been made legal for medical debts to show up on.

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Speaker 6: Your credit report.

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Speaker 5: Oh excellent.

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Speaker 7: Yeah, so they're going after that, and they're also going

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after hospitals or nonprofits that aren't giving care that they

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should be. Yeah, because do you know that free care

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is required by law, not something the hospital does out

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of the kindness of its art, right, I did not.

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I learned that this weekend as well. It was an

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amazing trip. I got to see the Indian Treaty Room,

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which is an incredible space built in the eighteen hundreds.

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It's like walking around on Mediterranean tile on the floor.

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It's just it's just an a amazing space. I was

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very honored to be there, and I'd be happy to

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tell you more about it if you go to Gencoffee

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dot com.

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Speaker 6: J E N N C O f e y dot com.

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Speaker 5: Yes, yes, very good. Well, we've got a couple of

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guys in studio with us who have been here before.

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We have two thirds of the band. Abel Blood is here.

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Hey guys, welcome, Hey Matty, how's it going good?

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Speaker 1: Good? Hey?

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Speaker 5: Why don't you each tell us who you are, what

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you do in the band, and then uh, and then

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we'll mention uh, your your your third partner who was

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not able to make it this morning.

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Speaker 1: Yeah, spontaneously combusted last night.

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Speaker 5: That's all. Like the drummer for yeah, wow, okay.

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Speaker 1: Yeah, we haven't seen him since like eleven PM. Uh huh,

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all right, I'm Adam, I'm the guitar slash bass player. Uh.

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And I do the lead vocals, yes, yes, and you, sir,

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Jim de Luca played drums very good.

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Speaker 5: So what now now? So before he combusts and what

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did what a mouth?

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Speaker 1: Well, he also played guitar and bass duties.

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Speaker 5: That's right. Yeah, you guys do like a trade off

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we we have.

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Speaker 1: We use aby y splitters, yeah, and we run our

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guitars into bass amps. That's right.

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Speaker 5: I remember we talked about that last time and I

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was fast by that.

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Speaker 1: Yeah yeah, yeah.

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Speaker 5: That gives you yeah, that part of what really I

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think kind of gives you your sound, your signature.

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Speaker 1: It creates quite a wall.

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Speaker 5: Yeah, very cool. We're gonna play one of your songs

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in a in a couple of minutes. But we should

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mention too now. Uh, you know because on uh on Tuesday,

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I met with Eleanor at the Midnight Creatives Collective and

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uh in Nashua and Terminus is there, and I know

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you guys are playing there coming up and you've also

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you're now in the building right you're.

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Speaker 1: Yeah, we're our rehearsal space is just a couple of

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doors down the same hallway. Yeah. We love Andrea and

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and Eleanor. They're they're great, great for the scene.

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Speaker 5: Absolutely, yeah, they're doing a lot. I'm gonna be I

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don't know if you know this about me. I'm a

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hypnotherapist and I'm gonna be actually doing sessions there in

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the business bar Mondays and Tuesdays now at.

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Speaker 1: Yeah.

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Speaker 5: Yeah, so very excited.

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Speaker 1: Were on Tuesday evenings, so I might come in for

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a oh there you go, Yeah, yeah, it'll be fun.

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There you go.

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Speaker 5: Absolutely, Well why don't we play? So we talked about

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playing reflections, so we can give this a spin and

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then we'll come back and we'll talk and catch up

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with everything. You guys are doing. But this is from

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Arrival of the Waves. The this is the current album, right,

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the newest album. And yeah, and this is an instrumental,

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which is cool because this will really give people an

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idea of of your sound in terms of you know,

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like you were saying, the low end and everything. So

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let's give this a spin and then we'll come back

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and talk with these guys. This is called Reflections and

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the band is able Blood. Whoops, And it would help if.

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Speaker 1: There we go.

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Speaker 3: Let's again.

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Speaker 1: In the.

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Speaker 3: N No.

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Speaker 1: That is so cool.

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Speaker 5: That's got a nice groove to it. That is able Blood.

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The track is called Reflections and it's from the album

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Arrival of the Waves. And if you're just joining us

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on this Saturday morning here on Matt connorton Unleashed, we

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have two thirds of able Blood here with us alive

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in studio. And yeah, you guys were kind of talking

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off here about how that track came about.

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Speaker 1: Yeah, it was really strange. I mean, I think it

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was in the middle of the winter, right, it was

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really cold, and our old bass player, this was before

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the days of Malcolm had to run in the house

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for something and all of a sudden I just came

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up with that opening riff, Yeah, and Jimmy just started

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playing in the drums to it, and literally Ben was

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gone for five minutes and by the time we get back,

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we had all the parts like written to it, and

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then we're just like, I think by the end of

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that jam, we had what was the most part this

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whole song, Yeah, for the most part, and like we

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had decided right then and there, like no lyrics, We're

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just going to do this as an instrumental, and it

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was just like it was one of those magical moments

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as a musician, you know what I mean, Like sometimes

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people are like, you know, this, like the the best

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songs ever written usually come really quickly. Yeah, And yeah

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to me, I mean, that's probably my favorite song on

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that album and it came within minutes.

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Speaker 5: Yeah. Is that your only instrumental?

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Speaker 1: We have one on our first album called Unknown Variant,

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which I love that one too, But yeah, we've got

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two instrumentals right now. We're not opposed to writing a

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ton more of them. Yeah, we kind of love it's

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just like that Jammy feel that we do. So yeah,

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I think you know, in the future more will come. Yeah.

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Speaker 5: Are you guys working on anything nude? I mean, do

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you have a new material your planning to record, had.

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Speaker 1: Some new songs. I think we're planning to take the

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winter off from gigging and uh because we've been just

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cranking busy all summer doing shows and uh yeah, I

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think we're just gonna sit down and focus on getting

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some new material. We do have one song that we've

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nearly completed, and once you can ask the guys in

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the bands once, once we get into a groove, I

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write songs like like quick. So yeah, we won't have

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any any problem putting some new material together over the winter.

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And I think we're considering re re recording our first

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album really yep, so we may end up doing that

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this winter itself. I think we could. We love the

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the studio we've done both albums at. I think it

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was it was the production on it and being that

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it was our first album, we were we were like,

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you know, like, let's just let's just do it and

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release it, and we could have taken our time a

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little bit more are on on certain things, and I

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think I've basically rewritten the songs since we've recorded them. Yeah,

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this is what always happens, because I mean, you're really

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only getting a snapshot in time. Sure, when you do

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record an album. So the songs have evolved since then

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and stuff, and I think they sound a lot better now.

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Speaker 8: So I mean the tempos have changed, yea dramatically. Yeah,

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but the way we play him now versus when we recorded.

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Speaker 5: That, Okay, Yeah, I would imagine these songs too. I

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mean they must change live when you play.

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Speaker 1: Them, they do, they must change. I don't play, I

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don't play needs to live the same way as we

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recorded it a year ago. Yeah, yeah, they And I

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think that's the way they should be, and like songs

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should be.

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Speaker 5: They're living things, right right, they should be able to Yeah,

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yeah absolutely. Where So where do you guys record? Like

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where was the Rival of the Waves?

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Speaker 1: We recorded that at loud Sun Studios down over in Jeffrey.

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Ben Rodgers recorded that for us. He's amazing. Yeah, he's excellent,

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excellent recording. We did master it at Blackheart Sound. Yeah.

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Eric's got a great reputation and yeah, yeah, he treats

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everybody so cool.

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Speaker 5: So we had him on the show a few months ago,

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and uh, we've been trying to get him on because

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you know, his name comes up all the time on

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the show.

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Speaker 1: So it was cool to finally have him super busy.

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Everybody loves what his recording absolutely, yeah, I mean he

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knows what he's doing.

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Speaker 5: Yeah, yeah, no, he's he's fascinating to talk to too,

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but yeah, very very knowledgeable. And then so the the

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other album that's the other one that's on band camp,

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was that also recorded in the same place.

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Speaker 1: Same place? Okay, yep. I was in a cowpunkish type

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of band about ten fifteen years ago. Yeah, and I

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was introduced to Ben through them. We did a little EP,

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did like four songs back then, and uh loved the experience.

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So I've never recorded with anybody else.

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Speaker 5: Oh yeah, oh interesting, Yeah, yeah, I really like him. Yeah,

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and uh so live is it the configuration that you

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guys playing, Because you know we were we were talking earlier,

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you alluded to, well, you have a unique setup.

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Speaker 1: Yes, it is a unique setup, and I won't get

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two into the weeds with it, but we we I

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basically I plug my my my guitar into a splitter,

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and I split one into my into my guitar board,

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and I split the other signal into a bass amp.

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And it's a little bit of other things going on

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in between.

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Speaker 5: But you've probably.

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Speaker 1: Yeah, I've got octave pedal that will take down I

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00:17:32,839 --> 00:17:35,079
think it's two octaves that I bring down the guitar

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when it goes into the bass amp and so it's

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just all low end from that. And Malcolm does the

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same thing. So basically what we we do, we basically

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have two bass players because we played different things in

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the songs too, So the bass lines are they're in

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the same key, but they're intermingling with each other, but

249
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they're not. We don't play the same bass lines, so

250
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it just creates this huge wall of sound. Ship is

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so fun. And when you're up there and you just

252
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you can close your eyes while you're playing on Jimmy

253
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does That's what how he plays is with his eyes closed,

254
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kind of just wash over you. And yeah, it's it's yeah,

255
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and and I can't you just turn the amp up

256
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as loud as it'll go before it blows your ear

257
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drums and and just let it do its thing. Yeah,

258
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and it just yeah, it feels really really good.

259
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Speaker 8: We get so many compliments. People come up to us

260
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at live shows like what do you do? How are

261
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you guys doing that? Yeah, that sounds amazing.

262
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Speaker 5: I can imagine does anybody else do it that way.

263
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Speaker 1: There's a been treding Tombstones that does the same setup.

264
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There's a pretty well known band, Telekinetic Getty okay, okay,

265
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who is playing Tuesday night at Jewel. We get to Actually,

266
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we're opening for him. They were the inspiration for how

267
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we do what we do, so it's gonna be kind

268
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of a full circle moment for us. You open up

269
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to them. Now we get to open for him, so

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that'll be really fun. There are two piece they're out

271
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of Iowa.

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Speaker 5: Okay.

273
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Speaker 1: Yeah. The people all over the country are doing this interesting.

274
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Speaker 5: Did it take some getting used to Yes.

275
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Speaker 1: Yeah. The first show we played, we had lost our

276
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bass player, like just a couple of weeks before that. Oh,

277
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so I didn't know what the heck I was doing,

278
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and you know, trying to get all the right buttons

279
00:19:23,759 --> 00:19:25,519
and getting the bas to click in when I wanted

280
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to click in and stuff. It was a learning process. Yeah,

281
00:19:28,559 --> 00:19:30,359
I feel like I've got it down pretty good now.

282
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It's been a year all over a year of doing

283
00:19:33,720 --> 00:19:36,960
it and but it's fun, like trying to trying to

284
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remember which pedal to hit, what I ever been singing,

285
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and you know, and then you get the crowd looking

286
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at you and everything. So there's a lot kind of

287
00:19:43,240 --> 00:19:45,279
going on. Yeah, I love it.

288
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Speaker 5: And even if something goes wrong, it's original music, so

289
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you know, the audience doesn't have to know or no,

290
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or maybe or maybe there's even a happy accident.

291
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Speaker 1: Drummer doesn't even know. Like we played last night and

292
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I was screwing up all over like that was the

293
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best that we've ever played. Yeah, yeah, I even can

294
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fool him.

295
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Speaker 5: That's fantastic. So you guys have been busy out of

296
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busy summer you play, Yeah.

297
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Speaker 1: I played a lot. We were down in Maryland. They

298
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had a big doom fest down there's fifty three bands.

299
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We got to open the whole festival.

300
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Speaker 5: Oh my god.

301
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Speaker 1: Yeah that was a blast awesome. Yeah, it's the Maryland

302
00:20:20,200 --> 00:20:20,799
doom Fest.

303
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Speaker 5: I've never even heard of it.

304
00:20:22,039 --> 00:20:24,680
Speaker 8: Oh, fifty three bands, Yeah, from all over the world.

305
00:20:25,319 --> 00:20:27,720
It was fantastic. Tenth year they've done it.

306
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Speaker 5: Okay, Yeah, where Maryland is Frederick, Frederick.

307
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Speaker 1: Yeah, so it's like an hour from Baltimore, Okay. Yeah,

308
00:20:34,400 --> 00:20:37,759
and uh it was bands from Washington State, it was

309
00:20:37,839 --> 00:20:41,359
bands from Ireland that came. I mean, just absolutely amazing

310
00:20:41,599 --> 00:20:43,799
experience and it was like a family there, Like as

311
00:20:43,839 --> 00:20:45,839
soon as I walked in and they started talking to

312
00:20:45,880 --> 00:20:48,279
all the other bands, like, I felt like I was

313
00:20:48,359 --> 00:20:52,359
at home. Yeah, because doom isn't there's a doom bands

314
00:20:52,400 --> 00:20:55,519
around here, but it's it's not. It doesn't feel like

315
00:20:55,559 --> 00:20:57,400
it's as popular in New England as it is in

316
00:20:57,480 --> 00:20:59,720
other places, you know. So when I got to go out,

317
00:21:00,200 --> 00:21:02,400
all of us got to go out and explore, you know,

318
00:21:02,559 --> 00:21:05,200
a different region of the country and see all these

319
00:21:05,240 --> 00:21:08,039
people come together from everywhere and we're all like, oh,

320
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this is this is our family. Yeah, you know, it

321
00:21:10,759 --> 00:21:13,400
felt it felt awesome. Oh cool cool.

322
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Speaker 5: By the way, So do describe that if you could,

323
00:21:18,200 --> 00:21:19,839
for for listeners who don't know what you mean.

324
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Speaker 1: When yes, it's I kind of from a thousand foot

325
00:21:23,319 --> 00:21:25,759
view would say, it's just it's heavy metal, but it's

326
00:21:25,960 --> 00:21:30,039
slowed way down and you know, we get some really

327
00:21:30,039 --> 00:21:33,000
heavy rests. Now we're really psychedelic influence too, Like I'm

328
00:21:33,000 --> 00:21:37,440
a big Pink Floyd Yeah fan and sixty psych so

329
00:21:37,559 --> 00:21:40,200
we throw a lot of that in. But yeah, I

330
00:21:40,279 --> 00:21:42,559
mean do them. I mean essentially that's what it is.

331
00:21:42,640 --> 00:21:44,920
It's like, just get the heaviest rifts you can come

332
00:21:45,000 --> 00:21:49,599
up with, slow them way down. No, that's a good

333
00:21:49,839 --> 00:21:52,279
that's a good description of it. You think like Sabbath,

334
00:21:52,559 --> 00:21:54,240
like Sabbath started at all, you know.

335
00:21:54,480 --> 00:21:58,119
Speaker 8: Yeah, yeah, so we we kind of take bits of

336
00:21:58,240 --> 00:22:00,519
Sabbath and bits of Pink Floyd and kind of mesh

337
00:22:00,599 --> 00:22:01,599
them together at times.

338
00:22:02,039 --> 00:22:08,400
Speaker 1: Yeah, a lot of other bands mixed in that, you know.

339
00:22:08,519 --> 00:22:10,000
That's what those are the two bands I think that

340
00:22:10,079 --> 00:22:12,920
most people would release, right right.

341
00:22:14,119 --> 00:22:16,839
Speaker 5: Well, we should play another track, what I know, we

342
00:22:16,920 --> 00:22:18,720
talked about it earlier. You guys had a couple of

343
00:22:18,759 --> 00:22:19,559
songs in mind.

344
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Speaker 1: But you need to live to do that? One needs

345
00:22:23,160 --> 00:22:24,839
to live would be a good one.

346
00:22:24,960 --> 00:22:26,880
Speaker 5: Well, do needs to live? All right? If you are

347
00:22:26,960 --> 00:22:29,240
just joining us, we have able Blood with us live

348
00:22:29,319 --> 00:22:33,000
in studio on this Saturday morning here and yeah. This

349
00:22:33,160 --> 00:22:35,680
is from the album Arrival of the Waves from able Blood.

350
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This is called needs to Live.

351
00:24:18,160 --> 00:24:25,400
Speaker 3: A little man selling tarlets all the hour shore What

352
00:24:25,640 --> 00:24:27,480
a way to take lot of the.

353
00:24:28,960 --> 00:24:30,359
Speaker 2: Don the five or.

354
00:24:32,519 --> 00:24:36,759
Speaker 3: Make a tois fellow follow his child? Don't you follow

355
00:24:36,880 --> 00:24:43,519
the water? Two? It pass four? It face only your

356
00:24:43,680 --> 00:25:29,559
one shower? Do you think about?

357
00:25:29,960 --> 00:25:31,119
Speaker 1: Do you ever by? Oh?

358
00:25:32,200 --> 00:25:33,240
Speaker 3: Don't you get jaws?

359
00:25:33,359 --> 00:25:33,799
Speaker 5: Huh?

360
00:25:35,759 --> 00:25:36,480
Speaker 2: You a dollar?

361
00:25:36,759 --> 00:25:37,759
Speaker 3: You while you were to.

362
00:25:39,279 --> 00:25:41,119
Speaker 2: Make a show where anything else.

363
00:27:03,319 --> 00:27:05,000
Speaker 5: I didn't even want to talk over the end of it.

364
00:27:05,079 --> 00:27:09,119
It sounds so cool that his needs to live. That's

365
00:27:09,200 --> 00:27:11,559
the song. The band is able Blood and we have

366
00:27:12,440 --> 00:27:14,400
we have Adam and Jimmy here with us live in

367
00:27:14,480 --> 00:27:19,480
studio on this Saturday morning here on the program, And uh, yeah,

368
00:27:19,599 --> 00:27:23,599
that's that's really really good. By the way, So who right, Adam?

369
00:27:23,640 --> 00:27:24,480
Do you write the lyrics?

370
00:27:24,599 --> 00:27:24,799
Speaker 1: I do?

371
00:27:25,279 --> 00:27:25,319
Speaker 3: What?

372
00:27:25,559 --> 00:27:27,759
Speaker 5: What's what's kind of your Is there a theme to

373
00:27:27,880 --> 00:27:29,559
your songs? Is the aar?

374
00:27:30,279 --> 00:27:32,599
Speaker 1: I have these stories going on in my head, and

375
00:27:33,200 --> 00:27:36,960
I think during this one, like I don't. I haven't

376
00:27:36,960 --> 00:27:39,799
written like actual stories or anything. It's just kind of

377
00:27:39,839 --> 00:27:41,440
things that go on my head. And I guess this

378
00:27:42,000 --> 00:27:45,200
whole album I was kind of and I think the

379
00:27:45,279 --> 00:27:48,759
first album too. I just kind of imagine like a

380
00:27:48,839 --> 00:27:53,759
post apocalyptic world and the coast of the United States

381
00:27:53,880 --> 00:27:58,039
is now in Iowa, and I just instead of creating

382
00:27:58,119 --> 00:28:02,799
a story, I have snapshots in time, and so I'm

383
00:28:02,880 --> 00:28:06,680
just kind of like imagining myself in that place and

384
00:28:06,799 --> 00:28:09,680
what I'm seeing at that particular moment or what I'm

385
00:28:09,720 --> 00:28:12,920
going through at that particular moment in the story. Okay,

386
00:28:12,920 --> 00:28:18,200
and so there's not really it's it's an overall story,

387
00:28:18,359 --> 00:28:23,119
not let nothing necessarily like going on like of value

388
00:28:23,240 --> 00:28:25,440
in the lyrics at the moment. It's just like me

389
00:28:25,599 --> 00:28:28,680
walking down a street where people are like in this song,

390
00:28:28,720 --> 00:28:32,000
I'm just seeing like like a weird market that I'm

391
00:28:32,039 --> 00:28:35,160
at where people are like just doing their thing, like

392
00:28:35,279 --> 00:28:39,440
trying to make a scrape by a living is basically

393
00:28:39,559 --> 00:28:42,200
what's happening. Okay, So yeah, they're kind of is kind

394
00:28:42,200 --> 00:28:44,759
of a weird approach to lyric writing, but I'm just

395
00:28:44,839 --> 00:28:47,799
kind of just whatever's there, you know what I mean.

396
00:28:47,920 --> 00:28:50,119
It's just like a snapshot in time is basically the

397
00:28:50,160 --> 00:28:51,119
best way to describe it.

398
00:28:52,079 --> 00:28:54,519
Speaker 5: You ever, you ever write anything like based on a

399
00:28:54,640 --> 00:28:57,960
dream that you had, Like you wake up and you go, oh,

400
00:28:58,000 --> 00:28:59,039
I got to write something.

401
00:28:59,200 --> 00:29:02,680
Speaker 1: You know, I've never actually had that happen. I've had

402
00:29:02,759 --> 00:29:07,319
some real dreams that I probably should write about, but yeah,

403
00:29:07,400 --> 00:29:10,039
most of it's just just a made up world that

404
00:29:10,160 --> 00:29:13,519
I'm just kind of like imagining happening or a scenario

405
00:29:13,640 --> 00:29:14,200
that could happen.

406
00:29:14,400 --> 00:29:18,440
Speaker 5: Okay, Okay, yeah, by the way, so I know, I

407
00:29:18,519 --> 00:29:20,640
know you can't be specific, but you guys do have

408
00:29:20,759 --> 00:29:22,759
some good news coming up that you'll be announcing.

409
00:29:23,200 --> 00:29:25,680
Speaker 1: We're yeah, we're in the process of working out a

410
00:29:25,839 --> 00:29:30,039
distribution deal for for Arrival of the Waves. Okay, yeah,

411
00:29:30,240 --> 00:29:34,319
so there'll be some worldwide distribution happening. We're pretty excited about.

412
00:29:34,440 --> 00:29:37,160
But we're a few weeks away from being able to

413
00:29:37,240 --> 00:29:41,359
finalize that. But yeah, I mean it's essentially a done deal. Yeah,

414
00:29:42,039 --> 00:29:44,799
but we just have to kind of work through the

415
00:29:45,359 --> 00:29:48,319
little stuff right there. But yeah, we're super excited about it,

416
00:29:48,640 --> 00:29:52,279
super excited hopefully, you know, like I really feel like

417
00:29:52,319 --> 00:29:55,440
this album needs to see the light of day, and

418
00:29:55,680 --> 00:29:58,319
it hasn't quite seen it up, you know what I mean.

419
00:29:58,359 --> 00:30:00,319
It hasn't been pushed out there. It's quite as much

420
00:30:00,319 --> 00:30:02,200
as I would have liked it to be. So to

421
00:30:02,319 --> 00:30:05,599
have a little bit of help is going to be amazing.

422
00:30:07,039 --> 00:30:09,680
Hopefully it does well. I mean I've you know, I

423
00:30:09,759 --> 00:30:11,519
put a lot of heart and soul, and Jimmy and

424
00:30:11,599 --> 00:30:14,359
Malcolm have put everything they've had into it, and I

425
00:30:14,400 --> 00:30:17,640
think it shines through and in the recording. So yeah, yeah,

426
00:30:17,920 --> 00:30:21,480
to have some people, extra set of ears and hands

427
00:30:21,519 --> 00:30:23,880
and everybody to help us, you know, get it out

428
00:30:23,880 --> 00:30:25,000
there a little bit more, it's gonna be.

429
00:30:25,000 --> 00:30:27,720
Speaker 5: Incredible, Absolutely congratulations on that.

430
00:30:27,880 --> 00:30:30,079
Speaker 1: Thank you do you guys?

431
00:30:30,960 --> 00:30:34,920
Speaker 5: I mean, I assume, like, what what do you attribute

432
00:30:34,960 --> 00:30:37,200
to being able to to do that and to make

433
00:30:37,519 --> 00:30:39,200
that kind of a connection and get that kind of help.

434
00:30:39,279 --> 00:30:41,680
Is it because you've been so active with shows, just

435
00:30:42,480 --> 00:30:44,000
hitting the road a lot and playing.

436
00:30:44,160 --> 00:30:45,480
Speaker 1: I think there's a lot of that, a lot of

437
00:30:47,119 --> 00:30:51,920
a lot of yeah, you know, networking with people you know,

438
00:30:52,200 --> 00:30:54,559
and and and I'm telling you there's a ton of

439
00:30:54,599 --> 00:30:56,480
bands out there, and a ton of them that are

440
00:30:56,519 --> 00:31:00,359
willing to and and us as well, like we'll will

441
00:31:00,359 --> 00:31:02,440
help you get on shows, We'll give you advice of

442
00:31:02,519 --> 00:31:05,960
what they're doing, what they're doing that's helping them succeed,

443
00:31:06,599 --> 00:31:08,480
you know. And we do the same thing for other

444
00:31:08,720 --> 00:31:11,160
you know, other bands too. And it's like, you know,

445
00:31:11,359 --> 00:31:13,839
they'll be like, you know, who's who you know? Bandabask

446
00:31:13,960 --> 00:31:15,839
me like who did you contact for this show or

447
00:31:15,920 --> 00:31:17,680
this place or that blah blah blah, And I'll be like,

448
00:31:18,039 --> 00:31:20,759
here's everything I got, you know, Like I'm always willing

449
00:31:20,839 --> 00:31:22,759
to help and I want to see everybody in the

450
00:31:22,880 --> 00:31:25,880
scene succeed. And I feel like a lot of the

451
00:31:25,960 --> 00:31:29,480
bands that I've come across, vast majority of them are

452
00:31:29,480 --> 00:31:32,119
the same way, like they're like, yeah, here this is

453
00:31:32,480 --> 00:31:35,160
you know, call this person or do you know? And

454
00:31:35,759 --> 00:31:40,240
I think that's almost one hundred percent. The best way

455
00:31:40,359 --> 00:31:45,400
to start to get a following and stuff is networking.

456
00:31:46,279 --> 00:31:46,519
Speaker 2: It is.

457
00:31:46,720 --> 00:31:49,240
Speaker 1: It is so helpful. And you know, when you when

458
00:31:49,279 --> 00:31:52,240
you're first starting out and you don't know anybody and

459
00:31:52,319 --> 00:31:54,519
you don't even know where to start, you know, it

460
00:31:54,599 --> 00:31:57,279
seems like you're never going to crack into up. Yeah,

461
00:31:57,680 --> 00:32:01,079
really tough. But once we got a recording and we

462
00:32:01,200 --> 00:32:03,359
just started kind of shopping it around and then things

463
00:32:03,480 --> 00:32:06,119
just kind of start to snowball, you know. And and

464
00:32:06,480 --> 00:32:09,119
this year I think like me and Jimmy will put

465
00:32:09,160 --> 00:32:11,680
shows together and invite bands to come and play, but

466
00:32:12,519 --> 00:32:16,359
this year we put very few together and we've gotten

467
00:32:16,359 --> 00:32:20,440
invited to so many. Yeah, and we're just really grateful

468
00:32:21,359 --> 00:32:24,200
that that's been happening. Yeah, it's really nice.

469
00:32:24,319 --> 00:32:27,359
Speaker 8: I mean, other bands even recommend us, you know, like

470
00:32:28,039 --> 00:32:30,000
they'll be looking for another band for a show, and

471
00:32:30,240 --> 00:32:32,720
other people say, hey, ask Gable Blood and you know,

472
00:32:33,279 --> 00:32:36,480
so we're even getting that kind of buzz, which is nice.

473
00:32:36,640 --> 00:32:40,119
Speaker 7: Yeah, you've sent some people our way, Yes, you send

474
00:32:40,160 --> 00:32:42,559
the people are the best recommendations I get are always

475
00:32:42,599 --> 00:32:43,599
from other musicians.

476
00:32:44,559 --> 00:32:48,640
Speaker 1: Yeah, Like, yeah, if a band is you know, I

477
00:32:48,839 --> 00:32:51,160
like them, I'm gonna recommend them, and you know, and

478
00:32:51,200 --> 00:32:53,920
I'm proud to do it, you know, and i want

479
00:32:53,960 --> 00:32:55,119
to hear them on your show.

480
00:32:55,400 --> 00:32:56,519
Speaker 5: Yeah, yeah, exactly.

481
00:32:57,200 --> 00:32:57,400
Speaker 1: Yeah.

482
00:32:57,440 --> 00:33:04,160
Speaker 5: I feel like, uh, it's with music, it's it's very

483
00:33:04,240 --> 00:33:06,640
sort of community oriented in that way. People want to

484
00:33:06,680 --> 00:33:09,000
help each other and build those relationships. I kind of

485
00:33:09,039 --> 00:33:11,880
in my mind, I contrast it with I listened to

486
00:33:11,960 --> 00:33:15,119
some podcasts where there's a lot of talk about stand

487
00:33:15,200 --> 00:33:18,559
up comedy and how stand up comedy works and how

488
00:33:18,599 --> 00:33:21,400
people succeed in that, and I get the impression that

489
00:33:21,559 --> 00:33:24,400
that's very different from music because in stand up comedy,

490
00:33:24,480 --> 00:33:28,400
it sounds like it's very very cutthroat and everyone's always

491
00:33:28,440 --> 00:33:32,319
trying to keep everybody else down so they can rise up,

492
00:33:32,759 --> 00:33:34,480
whereas in music it's not really like that.

493
00:33:35,160 --> 00:33:37,640
Speaker 1: It kind of was back in the nineties, it kind

494
00:33:37,680 --> 00:33:38,400
of was like that.

495
00:33:38,640 --> 00:33:42,839
Speaker 8: I mean, maybe not cutthroat, but you always felt like

496
00:33:42,960 --> 00:33:46,039
there was a competition going on, yeah, and you had

497
00:33:46,079 --> 00:33:50,359
to kind of claw your way up. Now, I mean,

498
00:33:50,480 --> 00:33:53,599
bands like Adam said, they're so eager to work together

499
00:33:53,799 --> 00:33:56,359
and lift each other up, and yeah, it only makes

500
00:33:56,400 --> 00:34:01,240
sense because I don't listen to one band right then,

501
00:34:01,640 --> 00:34:04,079
you know, and those other people don't listen to just

502
00:34:04,200 --> 00:34:06,799
one band, So why can't we all work together to

503
00:34:06,920 --> 00:34:09,800
to do it right? Because like when you go to

504
00:34:09,880 --> 00:34:12,119
a show and you say this, four bands playing and

505
00:34:12,159 --> 00:34:14,039
they all have a little bit different of a sound,

506
00:34:14,480 --> 00:34:15,679
you're allowed to like them all.

507
00:34:16,239 --> 00:34:19,360
Speaker 1: So it makes the entire evening enjoyable when everybody's doing

508
00:34:19,400 --> 00:34:22,880
you know, it's it's yeah, yeah, I mean, I'm friends

509
00:34:22,880 --> 00:34:28,519
with the band out of Oklahoma. That's just awesome. Can

510
00:34:28,559 --> 00:34:34,800
I plug them? Trillion ton Berrillium Ships, absolutely amazing band.

511
00:34:34,880 --> 00:34:38,400
They just they just dropped a brand new single called bugs.

512
00:34:38,840 --> 00:34:40,599
Speaker 5: Let me see if I can say the name after

513
00:34:40,719 --> 00:34:46,360
only hearing that's trillion ton Beryllium Ships.

514
00:34:46,599 --> 00:34:51,719
Speaker 1: Yes, got it? Absolutely amazing ships. Ships s h I P.

515
00:34:52,960 --> 00:34:56,039
I'm sorry they're out of Nebraska. I'm I don't want

516
00:34:56,039 --> 00:34:59,760
to I get confused in that whole area, but it is.

517
00:35:00,000 --> 00:35:03,440
Speaker 8: They're out of Lincoln, Nebraska, Okay, And I've never even

518
00:35:03,480 --> 00:35:07,320
met them. We just we've developed a relationship over social

519
00:35:07,400 --> 00:35:10,239
media and everything, and we just plug each other all

520
00:35:10,320 --> 00:35:12,719
the time. We're very supportive all the time, and yeah,

521
00:35:13,000 --> 00:35:15,679
I'm I'm in hope that someday we'll play a show

522
00:35:15,719 --> 00:35:18,199
with them somehow, some way. Yeah, I'd love to see

523
00:35:18,239 --> 00:35:21,159
them go to Maryland Doomfest and meet up there.

524
00:35:21,320 --> 00:35:21,480
Speaker 2: You know.

525
00:35:22,400 --> 00:35:24,320
Speaker 8: It just goes to show that the kind of like

526
00:35:24,440 --> 00:35:27,519
Adam said, the networking that happens now, I absolutely love it.

527
00:35:27,719 --> 00:35:30,840
Speaker 5: Yeah. I think the Internet obviously makes sure it's so

528
00:35:30,960 --> 00:35:33,119
much huge, you know, because when we grew up there,

529
00:35:33,199 --> 00:35:37,239
you know, we didn't have that. So that's I think

530
00:35:37,280 --> 00:35:40,480
it's changed. Uh, you know, it makes everything more community

531
00:35:40,559 --> 00:35:44,920
oriented because their community really can be global. I also

532
00:35:45,000 --> 00:35:47,280
think too, and it's funny this particular thought had never

533
00:35:47,320 --> 00:35:49,079
occurred to me until just now, but I think part

534
00:35:49,119 --> 00:35:51,360
of why too, Maybe things don't seem quite a Scott throat.

535
00:35:51,599 --> 00:35:54,159
I don't know how you guys feel about this, but

536
00:35:54,599 --> 00:35:58,000
I've I always hated and I say it past tense

537
00:35:58,119 --> 00:36:00,880
because you don't see many of them anymore, thank god.

538
00:36:01,880 --> 00:36:04,079
Battle of the Bands events.

539
00:36:04,840 --> 00:36:05,519
Speaker 1: I'm not a fan.

540
00:36:05,760 --> 00:36:10,199
Speaker 5: I always hated those. Yeah, and I somebody I think

541
00:36:10,840 --> 00:36:13,559
around here or close to her, did do one recently.

542
00:36:13,719 --> 00:36:17,639
Speaker 1: There was one at the Hillsborough County was there, Yeah.

543
00:36:18,159 --> 00:36:20,239
Speaker 5: Maybe that's the one I'm thinking of because I remember.

544
00:36:20,280 --> 00:36:22,760
Speaker 1: There were really good bands that were playing on it, because.

545
00:36:22,480 --> 00:36:25,159
Speaker 5: I remember hearing about it and thinking, oh god, somebody's

546
00:36:25,159 --> 00:36:27,400
actually in twenty twenty four, somebody's actually doing a Battle

547
00:36:27,440 --> 00:36:30,280
of the Bands. Yeah, and I always hated those. I mean,

548
00:36:30,360 --> 00:36:34,079
first of all, look again, not saying about any specific

549
00:36:34,159 --> 00:36:37,159
one that I know about, or you know, not not

550
00:36:37,320 --> 00:36:41,920
casting aspersions, but they're usually rigged, oh.

551
00:36:41,840 --> 00:36:45,000
Speaker 1: Yeah, usually a popularity content. Yeah.

552
00:36:45,159 --> 00:36:48,159
Speaker 5: Yeah, and I just hate that. Like the whole concept

553
00:36:48,280 --> 00:36:49,079
is so it's I.

554
00:36:49,079 --> 00:36:52,320
Speaker 1: Mean, it's the term Battle of the bands. All the

555
00:36:52,440 --> 00:36:55,360
nevers that took part of the Battle of the Bands

556
00:36:56,119 --> 00:37:00,440
got together and put that on as a as a showcase. Yeah,

557
00:37:00,480 --> 00:37:02,039
I think it would go so much better. Yeah, it

558
00:37:02,039 --> 00:37:04,679
wouldn't be competing with each other, propping each other up.

559
00:37:04,840 --> 00:37:07,719
Speaker 5: Yeah yeah, I just yeah, the whole thing. And then

560
00:37:07,840 --> 00:37:09,800
and then you know, and then these bands they have

561
00:37:09,960 --> 00:37:12,880
to you know, get people to show up and you know,

562
00:37:13,039 --> 00:37:15,880
vote for us, and so the whole thing is awful. Yeah,

563
00:37:16,360 --> 00:37:20,639
I'm glad that it's a dying thing. It's just uh,

564
00:37:21,639 --> 00:37:23,440
I remember, you know, I don't play anymore, but when

565
00:37:23,440 --> 00:37:25,119
I used to play in bands, and i'd play in

566
00:37:25,159 --> 00:37:26,400
a band that would get invited to.

567
00:37:26,400 --> 00:37:26,920
Speaker 1: Do one of these.

568
00:37:27,000 --> 00:37:29,519
Speaker 5: It's like, oh, I don't even want to bring this

569
00:37:29,639 --> 00:37:33,360
to the other guys. It's so it's gross. There was

570
00:37:33,480 --> 00:37:36,800
one I I did get involved in. This must have

571
00:37:36,880 --> 00:37:40,079
been not not twenty years well maybe jeesus might have

572
00:37:40,119 --> 00:37:45,639
been twenty years ago. You guys remember the bomb shelter. Yeah, yeah, yeah, there,

573
00:37:45,880 --> 00:37:49,639
Oh yeah, I was, Yes, I was at those shows.

574
00:37:51,719 --> 00:37:54,119
There was a there was a bad I I do

575
00:37:54,280 --> 00:37:56,119
remember the guy's name. I'm not gonna say it on

576
00:37:56,159 --> 00:37:59,760
the air, but there was a guy who was a

577
00:38:00,320 --> 00:38:02,719
big promoter in the area. You might even know who

578
00:38:02,719 --> 00:38:05,360
I'm thinking about. You did a lot of shows there

579
00:38:05,719 --> 00:38:08,280
who was putting on a battle of the bands, and

580
00:38:08,400 --> 00:38:11,679
he was managing one of the bands that was in

581
00:38:11,760 --> 00:38:14,199
the Battle of the bands, and it became like an

582
00:38:14,320 --> 00:38:17,320
open like it ended up spilling out into the open.

583
00:38:17,480 --> 00:38:25,840
Everybody knew it was rigged. But this one though, this

584
00:38:26,000 --> 00:38:29,719
particular one, because it's spilled out into the open and

585
00:38:29,760 --> 00:38:33,280
everybody knew it changed the promoter changed it to just

586
00:38:33,360 --> 00:38:35,360
a regular show. It was no longer a battle of

587
00:38:35,400 --> 00:38:39,960
the bands. Because he looked and he didn't look great anyway.

588
00:38:40,320 --> 00:38:42,480
This particular person I'm thinking of, you know what I

589
00:38:42,559 --> 00:38:45,280
mean in terms of reputation, But this whole thing made

590
00:38:45,360 --> 00:38:47,440
him look even worse and then he ended up changing it.

591
00:38:47,679 --> 00:38:49,440
Speaker 1: And he's the thing.

592
00:38:49,800 --> 00:38:53,559
Speaker 8: There's so many cool bands around here with great people, right.

593
00:38:54,280 --> 00:38:57,039
They should never with all the hard work they put

594
00:38:57,079 --> 00:38:59,639
into their craft, should never feel defeated.

595
00:39:00,159 --> 00:39:03,039
Speaker 1: Yeah, or they have to compete for it, or exactly

596
00:39:04,000 --> 00:39:07,079
walking away wishing they had won. Like I don't.

597
00:39:07,280 --> 00:39:09,880
Speaker 8: I think everybody wins. If we're doing what we're doing

598
00:39:09,960 --> 00:39:12,760
and we love what we do, we already won. I

599
00:39:12,880 --> 00:39:16,400
hate award shows and things like that competition there. It's

600
00:39:16,440 --> 00:39:19,119
just like I don't even I don't want your vote

601
00:39:19,199 --> 00:39:21,039
if it's you know, like I just want you to

602
00:39:21,119 --> 00:39:24,039
listen to the album, come to a show. Yeah, you know,

603
00:39:24,280 --> 00:39:26,199
I could care less if I got an award for it.

604
00:39:27,360 --> 00:39:29,679
I do it for us, you know, and I do

605
00:39:29,760 --> 00:39:31,159
it for the people that like to listen to it,

606
00:39:31,800 --> 00:39:35,519
you know, right. Yeah, it just it almost feels like

607
00:39:35,599 --> 00:39:38,119
battle the Band type stuff to me, you know what

608
00:39:38,159 --> 00:39:38,440
I mean?

609
00:39:38,559 --> 00:39:40,000
Speaker 5: Yeah, exactly what you mean.

610
00:39:40,119 --> 00:39:41,599
Speaker 1: You know, get the album. I don't even care if

611
00:39:41,639 --> 00:39:45,519
you like, and get it for free. Just listen to it, right, yeah, yeah,

612
00:39:45,960 --> 00:39:48,400
and come hang out of the show the show. Those

613
00:39:48,440 --> 00:39:50,000
are a lot of fun. We love to hang out

614
00:39:50,239 --> 00:39:53,039
with people. Yeah, you know. I would come up and

615
00:39:53,039 --> 00:39:56,159
they're like, hey, I was listening to you know, Enemies today,

616
00:39:56,280 --> 00:39:58,519
and I'll be like, oh cool, I didn't know anybody

617
00:39:58,559 --> 00:40:00,559
who was listening to that, you know, And so it's

618
00:40:00,599 --> 00:40:02,719
cool when somebody does say stuff like that, and I

619
00:40:02,800 --> 00:40:04,880
love I love hanging out with people that, yeah, you

620
00:40:05,000 --> 00:40:06,480
know that are into it, and then we can just

621
00:40:06,519 --> 00:40:10,639
talk music and you know, it's fun. Yeah. Yeah, absolutely,

622
00:40:10,679 --> 00:40:14,719
we're very approachable people. Yes, Jimmy especially especially probably one

623
00:40:14,719 --> 00:40:16,280
of the most approachable people I've ever met.

624
00:40:16,440 --> 00:40:19,920
Speaker 5: Oh, very good, very good. Well we should play another Uh,

625
00:40:20,239 --> 00:40:22,000
let's play another track. What do you guys want to

626
00:40:22,119 --> 00:40:22,519
What do you guys?

627
00:40:23,079 --> 00:40:27,239
Speaker 1: I kind of want to hear trippy edi Okay, there

628
00:40:27,360 --> 00:40:30,719
it's it's it's a semi instrumental. It's got some some

629
00:40:30,920 --> 00:40:35,039
samples in it. I wrote the song at my house,

630
00:40:35,159 --> 00:40:37,840
recorded it on my phone, and it ended up being

631
00:40:38,199 --> 00:40:41,639
the recording that ended up on the album. Oh yeah,

632
00:40:41,639 --> 00:40:43,360
we didn't professionally record this song.

633
00:40:43,599 --> 00:40:45,960
Speaker 5: Okay, Well that makes me very curious, sound because I

634
00:40:46,079 --> 00:40:47,800
don't think we played this one the last time.

635
00:40:49,119 --> 00:40:51,199
Speaker 1: So it's just got a trippy vibe obviously, the name

636
00:40:51,280 --> 00:40:54,239
Trippy Eddie. Yeah yeah, and it's just got some samples.

637
00:40:54,440 --> 00:40:56,639
Speaker 5: Okay, all right, let's give this a spin. This is

638
00:40:57,000 --> 00:40:59,559
Trippy Eddie by able Blood.

639
00:41:13,039 --> 00:41:27,320
Speaker 9: Congratulations, you found a home. If Frankly has no literature, literature,

640
00:41:27,480 --> 00:41:37,440
nature toting types of purposes, your.

641
00:41:52,599 --> 00:41:53,639
Speaker 3: You have no future?

642
00:41:53,760 --> 00:41:54,199
Speaker 1: Can you have?

643
00:41:54,360 --> 00:41:54,400
Speaker 3: Not?

644
00:41:54,519 --> 00:42:32,880
Speaker 9: The aside you said? But if you preach.

645
00:42:38,639 --> 00:42:44,360
Speaker 1: The fun s as for banks.

646
00:43:12,199 --> 00:43:15,159
Speaker 9: Because death is death, it's the only way out. His

647
00:43:15,199 --> 00:43:15,559
way out.

648
00:43:18,519 --> 00:43:18,840
Speaker 3: That is.

649
00:43:21,000 --> 00:43:23,559
Speaker 5: That is Trippy Eddie. The band is able Blood.

650
00:43:23,960 --> 00:43:24,599
Speaker 1: That is cool.

651
00:43:24,760 --> 00:43:26,039
Speaker 5: What what is that sample from?

652
00:43:26,800 --> 00:43:32,159
Speaker 1: Uh, it's a Reallyota movie back in the nineties, No Escape.

653
00:43:32,440 --> 00:43:34,119
Oh I think it was No Escape as the movie.

654
00:43:34,599 --> 00:43:38,320
I'm not a big I don't I'm not anti movie. Yeah,

655
00:43:38,440 --> 00:43:40,840
I just don't end up watching a lot of movies. Yeah,

656
00:43:41,480 --> 00:43:45,000
Malcolm's the guy that well is the movie guy. Yeah,

657
00:43:45,239 --> 00:43:48,199
he knows every word every movie ever written or every made.

658
00:43:49,039 --> 00:43:51,480
I know nothing, but I think that's from No Escape.

659
00:43:52,239 --> 00:43:53,480
Speaker 5: Was that Ray Liota's voice?

660
00:43:54,239 --> 00:43:56,199
Speaker 1: I don't know it's been altered.

661
00:43:56,320 --> 00:43:57,960
Speaker 5: Okay, yeah, okay.

662
00:43:58,119 --> 00:43:58,880
Speaker 1: Yeah, No Escape.

663
00:43:58,880 --> 00:44:00,679
Speaker 5: I don't remember that one. Us a great actor though

664
00:44:00,880 --> 00:44:01,719
he was he.

665
00:44:01,880 --> 00:44:05,360
Speaker 1: Was, I agree Good Fellas, Oh yeah, I did see

666
00:44:05,400 --> 00:44:05,760
that movie.

667
00:44:05,920 --> 00:44:09,880
Speaker 5: Yes, yeh many times. If you are destroying us, we

668
00:44:09,960 --> 00:44:12,159
have Able Blood. Two of the guys from Able Blood

669
00:44:12,320 --> 00:44:14,719
here with us, live and studio. Adam and Jimmy are

670
00:44:14,840 --> 00:44:18,760
here and now. So what's what's next for you guys?

671
00:44:18,920 --> 00:44:21,480
You have I know you're going to be slowing down

672
00:44:21,519 --> 00:44:24,199
in the winter, but you yeah, is October is still busy?

673
00:44:24,519 --> 00:44:28,280
Speaker 1: We're going to be a Terminus the nineteen. Yes, that

674
00:44:28,400 --> 00:44:30,480
one show. We're really excited. I think the six bands dead,

675
00:44:30,519 --> 00:44:34,599
Harrison's playing and Megans are playing. Ye. I haven't memorized

676
00:44:34,599 --> 00:44:36,000
everybody that's going to be there. It's going to be

677
00:44:36,039 --> 00:44:36,639
a huge show.

678
00:44:36,719 --> 00:44:36,880
Speaker 5: Though.

679
00:44:37,159 --> 00:44:38,440
Speaker 6: Is Horror on that show?

680
00:44:39,119 --> 00:44:41,559
Speaker 1: I think they, I think, I think, I think so.

681
00:44:42,039 --> 00:44:45,079
Speaker 5: I think Horror and the Gray Curtain, Yes, okay, Horror.

682
00:44:45,199 --> 00:44:48,159
Speaker 7: Horror is on there, Questioning Beast is on there the

683
00:44:48,239 --> 00:44:48,840
Great Curtain?

684
00:44:49,199 --> 00:44:53,159
Speaker 5: Yes, yes, because we've got yeah, because actually, so today's

685
00:44:53,159 --> 00:44:55,960
show is really about that show. Okay, because we've got

686
00:44:56,400 --> 00:44:59,039
because Horror is our our number two guest, and then

687
00:44:59,079 --> 00:45:01,800
we have the Occurred in an hour three So yeah, so.

688
00:45:02,639 --> 00:45:05,519
Speaker 6: Today is all about promoting Terminus Underground.

689
00:45:05,599 --> 00:45:07,639
Speaker 5: Ye yeah, yeah, so.

690
00:45:07,719 --> 00:45:10,280
Speaker 1: Yeah we will be there. That one's going to be amazing.

691
00:45:10,360 --> 00:45:12,920
But this Tuesday, we're gonna be playing with Telekinetic Yetty

692
00:45:13,039 --> 00:45:19,679
over at Jewel and it's bat Bonginatorator.

693
00:45:20,639 --> 00:45:29,840
Speaker 5: Yeah gotcha. Yeah, I figured the Stoner death Metal really okay, So.

694
00:45:30,320 --> 00:45:33,239
Speaker 1: We are super excited to play that show because Telekinetic

695
00:45:33,320 --> 00:45:37,320
Yety is basically the inspiration for our setup where we

696
00:45:37,360 --> 00:45:39,360
don't have a bass player and and we split our

697
00:45:39,400 --> 00:45:42,159
signals and everything, so it's going to be like a

698
00:45:42,239 --> 00:45:44,800
full circle show for us. We're going to be able to,

699
00:45:45,239 --> 00:45:47,360
you know, be like we're not worthy guys, but yeah,

700
00:45:47,480 --> 00:45:48,559
we totally rip you off.

701
00:45:49,480 --> 00:45:52,079
Speaker 8: I mean, Malcolm and I talked to them because they

702
00:45:52,119 --> 00:45:54,559
played a Jewel earlier in the year. They opened for

703
00:45:54,639 --> 00:45:57,639
weed Eater, which was an absolutely amazing show. But we

704
00:45:57,719 --> 00:45:59,519
got to talk to the guys from tele Connectic Yetty

705
00:45:59,559 --> 00:46:01,800
and we're like, really wanted to play this show, but

706
00:46:02,159 --> 00:46:04,559
we found out late and they're like, well, hopefully we'll

707
00:46:04,599 --> 00:46:07,000
do something in the future, and well the future is

708
00:46:07,039 --> 00:46:09,159
now because Tuesday Night will be doing it.

709
00:46:09,400 --> 00:46:12,199
Speaker 1: So to be exciting, very cool, very cool. We've got

710
00:46:12,239 --> 00:46:16,800
a show with Vigil and Benthic Realm at Kodo. That's

711
00:46:16,840 --> 00:46:19,559
coming in November. I think it's the ninth of November, Okay,

712
00:46:19,960 --> 00:46:22,360
that one. We're really looking forward to Vigils like we

713
00:46:22,679 --> 00:46:25,000
love videl Those guys are oh my god, guys.

714
00:46:25,320 --> 00:46:30,159
Speaker 7: You'll be seeing them here soon. Yeah, not entirely yet,

715
00:46:30,239 --> 00:46:31,800
but I am in touch and we do have some

716
00:46:31,920 --> 00:46:32,519
dates going.

717
00:46:32,400 --> 00:46:32,960
Speaker 6: Back and forth.

718
00:46:33,000 --> 00:46:36,719
Speaker 1: I recommend getting on the show. Yeah, those guys are awesome,

719
00:46:37,000 --> 00:46:41,719
absolutely awesome guys, awesome musicians. I can't say enough, total awesomeness.

720
00:46:41,920 --> 00:46:44,960
Speaker 5: Yead Brandon Finnie, the drummer. He's been on the show before,

721
00:46:45,079 --> 00:46:46,599
but it was but it was before he played in

722
00:46:46,719 --> 00:46:49,599
vigil Actually it's quite a few years ago now, Yeah,

723
00:46:49,719 --> 00:46:52,559
that he was on the show. He probably doesn't even remember.

724
00:46:52,599 --> 00:46:54,239
Speaker 1: But I bet he does.

725
00:46:54,400 --> 00:46:55,719
Speaker 5: Yeah, he might, he might, he might.

726
00:46:56,000 --> 00:46:59,639
Speaker 1: Yeah. And then I think at the end of November,

727
00:46:59,679 --> 00:47:02,119
we've got King Bastard coming up from Long Island. We're

728
00:47:02,119 --> 00:47:04,400
gonna playing in Boston with them, Okay, with ben Thic

729
00:47:04,480 --> 00:47:08,440
Realm again too, and Scuzzy Yetti whom. All these bands

730
00:47:08,480 --> 00:47:09,079
are amazing.

731
00:47:09,199 --> 00:47:12,079
Speaker 8: Yeah, that show is gonna be just that's the Saturday

732
00:47:12,199 --> 00:47:15,480
right after Thanksgiving, so it's like everybody should be off

733
00:47:15,559 --> 00:47:16,039
and everything.

734
00:47:16,440 --> 00:47:19,559
Speaker 1: Yeah, really big. Yeah, that's gonna be It's gonna be killer.

735
00:47:19,800 --> 00:47:19,960
Speaker 9: Yeah.

736
00:47:20,119 --> 00:47:22,440
Speaker 5: Yeah, scuzzy Yetti. I'm familiar with I don't think we've

737
00:47:22,480 --> 00:47:23,639
had them on, but I'm familiar.

738
00:47:23,719 --> 00:47:25,639
Speaker 1: They're from New Hampshire. Yeah, I think they're out of Troy.

739
00:47:25,920 --> 00:47:28,000
Speaker 5: Okay, yeah, okay, okay.

740
00:47:27,840 --> 00:47:31,360
Speaker 1: Yeah, really really good album. Their last album is really good.

741
00:47:31,679 --> 00:47:33,840
Speaker 5: And then in the winter, you're probably going back.

742
00:47:33,719 --> 00:47:35,840
Speaker 1: And I think we're gonna write songs. Oh yeah, and

743
00:47:35,960 --> 00:47:38,800
then yeah, we're probably gonna do the re recording. We're

744
00:47:38,880 --> 00:47:42,840
considering that we're we're, you know, seventy percent decided that

745
00:47:42,920 --> 00:47:47,000
we're probably gonna record re record keeping pace with the Elephants, Okay,

746
00:47:47,119 --> 00:47:51,079
give it a fresher feel, yeah, and then write a

747
00:47:51,159 --> 00:47:53,480
bunch of songs, yeah, and then just see where they

748
00:47:53,480 --> 00:47:53,679
all go.

749
00:47:53,960 --> 00:47:56,119
Speaker 5: You guys must have some stuff you play live that

750
00:47:56,199 --> 00:47:58,039
you haven't recorded yet. I would assume, right, you have

751
00:47:58,119 --> 00:47:59,440
some some newer stuff.

752
00:47:59,119 --> 00:48:02,280
Speaker 1: That we've really been pushing Arrival of the Waves the

753
00:48:02,400 --> 00:48:08,719
last Yeah, we do some riffs that we don't have

754
00:48:08,800 --> 00:48:12,400
recorded anywhere. We kind of opened the set with just

755
00:48:12,679 --> 00:48:14,599
some random rift that we came up with one day

756
00:48:14,639 --> 00:48:18,239
and it just stuck with the set. But we do

757
00:48:18,400 --> 00:48:21,559
have songs in the works, and the one that we've

758
00:48:21,679 --> 00:48:25,079
nearly completed I cannot wait to get recorded. Really, it's

759
00:48:25,159 --> 00:48:27,159
gonna be some of our heaviest stuff that we've done.

760
00:48:28,199 --> 00:48:30,679
And actually the song probably has some of the heaviest

761
00:48:30,679 --> 00:48:32,920
stuff we've done and some of the mellowist stuff we've

762
00:48:32,920 --> 00:48:35,559
done in the same song. Oh really, Yeah, it's pretty good.

763
00:48:36,280 --> 00:48:39,239
Speaker 5: Oh, very cool, very cool. Well we are the time

764
00:48:39,280 --> 00:48:41,800
goes quickly. We are approaching the top of the hour.

765
00:48:42,039 --> 00:48:45,400
So where should people know where to go online? Keep

766
00:48:45,519 --> 00:48:46,760
up with everything you guys are doing.

767
00:48:46,800 --> 00:48:51,840
Speaker 1: We're really active on Facebook, ad e l Blood. We

768
00:48:52,719 --> 00:48:55,880
we do post most of our stuff there. A little

769
00:48:55,920 --> 00:49:00,480
bit on Instagram. I haven't been the best Instagram guy. Yeah,

770
00:49:02,119 --> 00:49:03,800
I should get better at it because a lot of

771
00:49:03,840 --> 00:49:06,760
people go there, so it would be really helpful. But yeah,

772
00:49:07,440 --> 00:49:11,840
and then we've got a Sonic bids ebk that Jimmy

773
00:49:12,079 --> 00:49:15,400
maintains very well, and it has all the shows that

774
00:49:15,440 --> 00:49:16,760
we have coming up, all the.

775
00:49:16,760 --> 00:49:19,760
Speaker 8: Shows that we've played in the past, excellent links to

776
00:49:19,760 --> 00:49:24,239
the socials, videos, boat pictures, bio. I mean, it's really

777
00:49:24,320 --> 00:49:28,559
a complete package. And that's on sonic bids able blood.

778
00:49:28,440 --> 00:49:31,679
Speaker 5: Okay, outstanding. By the way, so you spelled when you

779
00:49:31,760 --> 00:49:34,760
spelled the able ab e l It just made me curious.

780
00:49:34,760 --> 00:49:38,920
Speaker 1: Anyone ever misspell it likes always fires as abl eye.

781
00:49:39,280 --> 00:49:40,679
That's right, verify it or.

782
00:49:40,760 --> 00:49:42,880
Speaker 8: People can't find us when they search because they look

783
00:49:43,239 --> 00:49:46,440
a yell. So I always spell it out to people when.

784
00:49:46,320 --> 00:49:49,599
Speaker 5: They ask, Yeah, no, that's that's smart. That's smart. Well, guys,

785
00:49:49,639 --> 00:49:49,920
thank you.

786
00:49:50,000 --> 00:49:51,679
Speaker 1: Both so much. Thanks for having us.

787
00:49:51,679 --> 00:49:54,880
Speaker 5: Its great. Absolutely absolutely, I appreciate you being here. Don't

788
00:49:54,920 --> 00:49:57,119
forget these guys are going to be October nineteenth at

789
00:49:57,239 --> 00:50:00,559
Terminus and uh, I think we should close because this

790
00:50:00,760 --> 00:50:03,239
is my personal favorite. I think we should close with

791
00:50:03,400 --> 00:50:03,960
mental note.

792
00:50:04,239 --> 00:50:04,440
Speaker 3: Do it?

793
00:50:04,719 --> 00:50:07,880
Speaker 5: Yes, thanks Matt, absolutely so if you're listening live on

794
00:50:08,000 --> 00:50:09,840
Saturday morning. So we're going to close the segment with

795
00:50:09,960 --> 00:50:11,960
mental Note by able Blood, and then at the top

796
00:50:12,000 --> 00:50:14,360
of the hour, we're going to hit the again the

797
00:50:14,679 --> 00:50:17,400
world radio premiere of the new track from Chasing the Devil.

798
00:50:17,440 --> 00:50:18,840
We did that at the start of the show, and

799
00:50:18,920 --> 00:50:20,400
we'll do that again at the top of the hour.

800
00:50:20,440 --> 00:50:22,760
It's called Light it Up Really Good. And then we'll

801
00:50:22,800 --> 00:50:25,320
have our our number two guest, one of the members

802
00:50:25,400 --> 00:50:27,280
from the band Horror, who is also going to be

803
00:50:27,320 --> 00:50:31,199
there October nineteenth at Terminus in Nashua. So plenty more

804
00:50:31,239 --> 00:50:32,920
to come, and here it is. This is really epic.

805
00:50:33,000 --> 00:50:35,760
I love this. This is able Blood. The track is

806
00:50:35,800 --> 00:50:36,719
called mental Note.

807
00:51:40,360 --> 00:51:57,679
Speaker 3: Wait the smoke started to kill. I had a straight past.

808
00:52:02,320 --> 00:52:13,360
What to say, Vision's Gone?

809
00:52:17,840 --> 00:52:35,679
Speaker 4: Made a mental Notes, Getting Bored, got up Builder tracks,

810
00:52:44,360 --> 00:52:45,639
Drink or Till.

811
00:52:50,400 --> 00:52:51,639
Speaker 3: You'll Be Free.

812
00:53:35,119 --> 00:53:52,639
Speaker 1: In Anything in

813
00:53:54,239 --> 00:55:05,960
Speaker 3: Sixteen m