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Speaker 1: And now mystery the.

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Speaker 2: Come in.

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Speaker 3: Welcome.

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Speaker 2: I'm E. G.

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Speaker 4: Marshall, curator, as it were, of this Museum of the Macabre.

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What is a witness? Literally, a witness is one who

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has seen, therefore one who knows, And therein, of course

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lies the difficulty. If our knowledge is based on what

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we have seen, how well may we trust the evidence

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of our eyes? This is a problem that confronts all

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of us every day. Reasonable people may solve it peaceably

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Quarrelsome folk may settle it violently, And then we have

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those particular situations that seem to have no solution at all.

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Speaker 2: Junior, you've got to help me out.

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Speaker 3: Sure, who is this time?

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Speaker 2: Mister Hoffman?

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Speaker 3: You gotta take care of him because I already to

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carry him.

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Speaker 2: Mister Hoffman's dead. I can't believe you go back on

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your promise.

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Speaker 3: Hoffman was buried a month ago. He's back in the store,

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but the Star has been closed shut down. He's there now,

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he can't be He's waiting on customers. You know, it's

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hard to believe it is mister gear I'm telling you

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what I saw.

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Speaker 2: What's happening now? Would you believe me and take care

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of him?

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Speaker 3: Yes? Sir, the customers always right.

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Speaker 4: Our mystery drama, The Final Witness was written especially for

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the Mystery Theater by Sam Dan and ours Lou Jacobi.

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For many of us, life follows familiar, even routine pathways.

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Speaker 2: Occasionally we may be.

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Speaker 4: Temporarily dislocated by a war or some natural or man

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made disaster, but all in all life takes on the

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rhythm and tempo of the oceans. After the most violent storm,

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the sea becomes quiet and the air is calm. The

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key word for so many of us is predictable. There

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is no ecstasy, but merely amusement, and no tragedy, just irritation.

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Meet the Gearharts, a married couple approaching middle age, Oliver

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and Cassandra Gearhart. It is after dinner, or as they

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would call it, supper in editing room.

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Speaker 5: Callie, will you turn that stupid thing?

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Speaker 3: Damn?

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Speaker 2: It's a good picture about World War Two?

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Speaker 6: How would you know?

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Speaker 2: It's the third time I've seen it?

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Speaker 6: I s damn.

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Speaker 2: You got a kid that's swell as sleep right away.

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This guy's gonna step on a landmine. Watch how they

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blow him up.

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Speaker 6: I need a quarter milk here it.

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Speaker 2: Comes now, capo, Hey, what did you turn.

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Speaker 5: It off for you had your big moment. Go get

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the milk.

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Speaker 2: Whatever you say, Cassandra, and.

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Speaker 6: Don't call me Cassandra either.

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Speaker 2: What a couple of names we got, Oliver, Cassandra.

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Speaker 6: Just go down for the milk.

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Speaker 2: I hate it when people call me Ali. On the

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other hand, you want to be called Cassie.

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Speaker 6: Go down to South Maine where they got a milk machine.

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Speaker 2: But half minutes closer.

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Speaker 6: Hoffman charges a nickel.

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Speaker 2: Moore is a nickel.

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Speaker 5: Gonna break us a nickel here and nickel there.

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Speaker 6: Anyhow, you go to Hoffman's, you hang around for hours

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and chew the fat.

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Speaker 2: Mister Hoffman is an intelligent man.

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Speaker 5: He's a funny duck. Besides, he's a foreign.

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Speaker 2: Everybody in this country is a foreigner, except maybe the Indians.

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Speaker 5: You know what I mean by a foreigner. Go get

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the milk.

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Speaker 2: Okay, Cassandra, and don't call me Cassandra.

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Speaker 4: Ah, mister Gearhart, mister Oliver Gearhart, good evening.

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Speaker 2: How are you doing, mister Hoffman. Well, let us examine

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the situation.

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Speaker 4: I'm drinking a glass of wine, I'm listening to a

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Mozart concerto, and a good friend has just entered my establishment.

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Could a king be more happily occupied?

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Speaker 1: Let's see what did I come in for?

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Speaker 4: Oh yeah, oh no, Only barbarians rush headlong into their

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business transactions. First, I must pour you a glass of wine,

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and we shall consider. Excuse me, my friend, while I

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tend to this gentleman. Yes, sir, may I do something

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for you?

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Speaker 3: Then you do something for me?

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Speaker 6: Yes, sir?

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Speaker 2: What may I do for you?

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Speaker 3: I heard you the first time.

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Speaker 2: Pop.

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Speaker 3: Now, what you and this other clown here can do

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for me is to put up your hands.

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Speaker 2: It's it's a stick up.

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Speaker 3: You are a very bright person.

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Speaker 4: Not shut up, you, young man that revolver. Please, it

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isn't at all necessary. Here I'll open the cash register, see,

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and you just help yourself.

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Speaker 2: Shut up?

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Speaker 6: Here, take the mines.

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Speaker 2: Shut up.

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Speaker 6: Don't be nervous.

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Speaker 3: I want to be nervous. I'll be nervous if I

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want to be, I'll be whatever I want to be.

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Speaker 6: Just take the money.

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Speaker 4: You don't have to kill anybody.

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Speaker 3: I want to kill somebody. I don't kill somebody.

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Speaker 2: I can do whatever I want to do.

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Speaker 4: You know why.

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Speaker 3: Please I'm talking. Never interrupt me when I'm talking. I'm

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the boss. What I say goes I can do whatever

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I want because.

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Speaker 2: I'm holding this and you know what this is. Don't

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interrupt me.

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Speaker 3: It's a sand fed Valentine's Special forty five caliber revolver.

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Speaker 6: Interrupt me again.

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Speaker 3: I'm the boss. Now look at me. The door of you.

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You know who I am on God, and right now I.

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Speaker 5: Can strike your dad.

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Speaker 6: Here's told you not to interrupt.

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Speaker 3: You will never interrupt me again.

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Speaker 6: Never, never, never. I told you, I told you don't

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go to Hoffman's. But no, don't listen to me.

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Speaker 2: I'll never understand why I wasn't killed.

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Speaker 6: Where did you have to go to Hoffman's.

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Speaker 2: This guy he just kept shooting me and all like

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you see in the movies. I don't know if he

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was aiming at me or not, but poor old mister Hoffman,

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he's dead.

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Speaker 6: I kept telling you not to go.

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Speaker 2: The cops come in. This detective says to me, Can

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you describe it, mister Gerhart, Well did you?

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Speaker 1: Well? Sure?

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Speaker 6: To a t Oh, that was smart, that was brilliant.

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If there's a stupid thing that needs doing, you could

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always be trusted to do it.

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Speaker 2: What did I do that was stupid?

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Speaker 6: Just shut your mouth off.

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Speaker 2: All I did was describe the guy.

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Speaker 6: All you did was stick your neck out.

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Speaker 2: I was there, I saw the guy. Am I suppose

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to say? I don't remember what he looked like.

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Speaker 5: Yeah, that's what you're supposed to say. How could I

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say that you were scared to death?

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Speaker 6: You were in a state of shock. The whole thing.

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It's gone from your mind.

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Speaker 2: What's the matter with your Cassandra?

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Speaker 6: What's the matter with you?

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Speaker 5: You got a wife, a family, and this killer friends.

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Speaker 6: Maybe they won't like the idea that you want to

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identify him.

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Speaker 5: Do I have to spell it out? Well, something's not

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your business. You don't get involved.

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Speaker 2: What kind of a country would it be if everybody

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was like you?

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Speaker 5: If everybody minded their business like me, we'd be a.

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Speaker 6: Lot better off.

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Speaker 3: And mister Gerhard, I'm Edward Spurlock, the district Attorney. Yes, sir,

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Misus Spurlock, thank you for your excellent description of the killer.

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Speaker 2: Well about that.

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Speaker 3: In my twenty years, I have never seen a more accurate,

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a more detailed delineation. Have you ever had any police training?

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Speaker 2: Well, no, sir.

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Speaker 3: There are veteran police officers for whom attention to detail

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as a profession who couldn't match your account of the gunman.

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Speaker 2: Is that so?

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Speaker 3: Yes, your description is almost scientific in its precision. I

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shouldn't be surprised if it's used as a model in

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training courses. Well, thanks to you, we had no trouble

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running down the killer.

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Speaker 2: You got them already with.

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Speaker 3: Your kind of description. Now look through the window. It's

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one way glass. You can see into the next room,

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but the people in there can't see you.

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Speaker 2: I know, I saw this exact setup in the movies.

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Speaker 3: Well, we try to follow them in every detail. Now,

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those four men standing on the platform.

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Speaker 2: Oh yeah, that's the lineup.

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Speaker 3: Is one of them? The gunman is one of them.

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Speaker 2: The guy, no, sir, he isn't there.

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Speaker 3: Berrigan, get rid of the one on the left, bringing Ellsworth. Now,

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mister Gearhard, you remember your description.

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Speaker 2: Oh yeah, he was six feet tall. He was thin,

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with a kind of a pot belly, down sport jacket

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with white flecks, light yellow turtleneck shirt, tan pants, down

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cowboy boots, red hair, high forehead like he's getting bold

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blue eyes. The right one had a kind of a

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cast in it. Tap two on the back of his

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left hand. The one that held the gun, a bright

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red heart with three drops of blood and the word

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mama in blue letters.

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Speaker 3: Any wonder that description is the talk of the department.

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Speaker 2: Well, I was standing right next to the whole thing.

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Speaker 3: Hardly lasted a minute.

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Speaker 2: Well it may have been a minute, but it felt

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like an hour.

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Speaker 3: Now, now, mister Gearhard, look at the young fellow who

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was just brought in.

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Speaker 2: The last one on the left.

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Speaker 3: Yeah, he's the guy you sure, definitely you got him.

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You'll testify to that affect in court, Yes, sir, I

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assure you will ex and the fullest protection to you

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and your family protection.

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Speaker 1: What do you mean, just in case?

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Speaker 2: In case?

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Speaker 3: The man's name is Woodrow Ellsworth Junior. He's one of

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Mama Ellsworth's boys.

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Speaker 1: Literally, he's your son, Mama Ellsworth.

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Speaker 3: Yes, Mama is the leader of a little group that

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specializes in confidence games. You mean a mom Oh no, no,

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they're careful to avoid violence. What the kid did was crazy.

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It has nothing to do with her operation. I tell

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you this because you have.

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Speaker 1: A right to know a gang leader.

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Speaker 3: No, no, nothing like that. They just work swindles. Now,

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what you must remember is that you, your magnificent description,

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forms the cornerstone of our case.

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Speaker 2: Why without you?

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Speaker 3: So now now can we depend on you to testify

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to do your duty as a citizen.

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Speaker 2: Well, sure, sure you can depend on it's my duty

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as a citizen, Cassandra.

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Speaker 5: How about your duty as a husband and a father.

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Speaker 2: Hey, it's almost time for the eleven o'clock news.

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Speaker 6: Who cares?

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Speaker 2: I'm on it? Can you imagine me on the news?

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They come by the shop lunch hour to tape it.

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You should have seen everybody, I mean even mister Perkins.

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He was impressioned. Oh sure, For the first time in

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my life, I felt I was somebody.

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Speaker 6: Oliver if Hoffman was someone we knew, like a friend

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of ours.

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Speaker 2: I knew him, he was a friend of mine.

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Speaker 6: It was such a weird guy.

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Speaker 2: What do you mean weird?

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Speaker 6: He had crazy ideas, He talked like a nut. And

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another thing, you ever asked yourself? What was he doing

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around here?

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Speaker 2: He was running a grocery store.

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Speaker 6: A guy like him, who do you want to run

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a grocery store for? I never trusted him.

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Speaker 2: What does this have to do with mine?

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Speaker 6: Holly? People like us, we can't afford to get involved.

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Speaker 1: Hold the cops and everybody.

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Speaker 2: What'll people think of me?

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Speaker 6: Like they say in the movies? You want to know

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the bottom line? Okay, the bottom line, you identified this

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guy at the trial. A couple of weeks, a couple

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of months, maybe a year later, they find your body

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in some alley or maybe in the trunk.

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Speaker 5: Of a car.

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Speaker 6: Not to sound don't call me, Cassandra. You mean it

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don't happen, and it'll be in the papers and everybody

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will say, oh, yeah, that's Oliver Gearhard who testified at

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that murder trial. What a jerk. He should have kept

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his mouth shut.

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Speaker 2: You mean it's right for a guy to come in

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and just murder, mister.

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Speaker 6: Hoffman, I don't say it's right.

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Speaker 2: You gotta admit that's wrong.

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Speaker 5: What he comes down to ali is right or wrong.

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We can't afford to get.

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Speaker 7: Involved, Rocky.

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Speaker 4: What a pleasant surprise my boss sent me over, Mama

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professional courtie.

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Speaker 7: Oh well, I'm deeply touched, Rocky.

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Speaker 4: My boss wants to offer is anything he can do

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for you in this hour of your What was.

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Speaker 6: The word he use, a tribulation?

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Speaker 2: Yeah, I don't know.

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Speaker 4: That sounds like a good one, though.

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Speaker 3: My boss is very unhappy about your son, Junior.

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Speaker 7: Oh yes, I was afraid it might come to something

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like this, and I tried so hard to raise him.

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Speaker 2: Properly kids today. There's not a thing you can do

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with them. Yeah, you're telling me.

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Speaker 4: The truth is you're outfitting geared for conditions like these.

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I mean, you ain't got a halfway decent button man

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in your whole entire organization.

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Speaker 7: That's true, but we specialize in other aspects.

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Speaker 4: My boss understands this witness that DA's got, this clown,

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Oliver Gearhart.

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Speaker 2: He don't have to be no problem at all. He

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can disappear.

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Speaker 7: Oh, Rocky, Well, thank your boss for me.

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Speaker 2: Well, off the record, it ain't just a favor for you.

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Speaker 4: This could make pigeons everywhere think before they sing that.

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Speaker 1: The boss used their great word.

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Speaker 7: He said, would be therapeutic.

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Speaker 2: Yeah, something like that. All you got to do is

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give a not.

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Speaker 7: Well, you tell that, dear kind man, I'm maternally and

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is dead, and I may accept his offer, but only

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is a last resort.

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Speaker 4: Well, there ain't no last resort. How are you going

295
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to keep this sphink from getting on the stand.

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Speaker 7: Oh, but I want him to get on that stand.

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Speaker 4: Rocky, Mama, he gets on that stand and Junior is

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lost forever.

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Speaker 6: No.

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Speaker 7: Now, if mister Oliver Gerhardt gets on that stand in

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the proper manner, Junior is saved forever.

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Speaker 4: We live in a world of changing concepts. Even the

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last bastion is crumbling motherhood. Mama is breaking out all

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over out of the kitchen, away from the apple pie.

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Speaker 6: But this is neither no unique.

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Speaker 4: After all, mamas used to rule mighty tribes and conquering

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confederations of warriors. Are we approaching new dimensions of motherhood?

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Just you listen to Mama in action when I return

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with Act two.

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Speaker 1: It isn't easy.

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Speaker 4: It was never easy to be a witness for the truth.

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As a group, people who bore such witness found their

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reward in personal satisfaction, because other rewards have traditionally been

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quite scanty, to say the least. Indeed, speaking out for

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the truths can be one of the most hazardous and

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00:15:53,480 --> 00:15:59,320
least remunerative of all occupations. However, from time to time,

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say points the finger, and the selection or the election

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to witness can happen to anyone at all, even to

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Oliver Gearhart.

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Speaker 7: Oh excuse me, so do you mind if I share

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your table?

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Speaker 2: Help yourself?

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Speaker 7: I had no idea this cafeteria would be so crowded.

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Speaker 2: Well, it's lunch hour. If it ain't going to be crowded.

325
00:16:19,559 --> 00:16:21,480
Now when is the guy going to do a business.

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Speaker 7: That's a very sage observation, But then again, your powers

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of observation are legendary.

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Speaker 1: Mister Gayhart, how do you know my name?

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Speaker 7: I recognize you. I've seen you on the news. Oh, you, sir,

330
00:16:33,440 --> 00:16:34,639
have become a celebrity.

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Speaker 2: Hell I wouldn't go so far as.

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Speaker 7: Actually, you've become a household name. No, I wouldn't say, well,

333
00:16:41,080 --> 00:16:44,039
you are in our household. Oh sorry, I forgot to

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00:16:44,039 --> 00:16:48,320
introduce myself. My name is ESMERALDA Ellsworth Ellsworth and they

335
00:16:48,320 --> 00:16:51,480
call me mama. I don't know why do I impress

336
00:16:51,519 --> 00:16:53,159
you as the maternal type?

337
00:16:53,399 --> 00:16:57,600
Speaker 2: You mean your mama Ellsworth? You're the mother of that

338
00:16:57,600 --> 00:16:58,159
that killer?

339
00:16:58,919 --> 00:17:00,399
Speaker 7: Killer is a harsh word.

340
00:17:01,320 --> 00:17:01,919
Speaker 2: What do you want?

341
00:17:02,159 --> 00:17:05,720
Speaker 7: Just an opportunity to chat about? What about my son,

342
00:17:06,640 --> 00:17:09,920
my wayward boy? You simply don't know how much trouble

343
00:17:09,920 --> 00:17:11,359
I've had with him, and now this.

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00:17:11,640 --> 00:17:16,440
Speaker 2: He's he's a maniac, he's a manaster society? What do

345
00:17:16,519 --> 00:17:19,960
you want from me? Already gave the cops the description, Well.

346
00:17:19,960 --> 00:17:24,519
Speaker 7: When an unfortunate event occurs, we cannot undo what has happened.

347
00:17:24,519 --> 00:17:27,319
But what we can do is make the very best

348
00:17:27,319 --> 00:17:31,599
of it. Now, Woodrow Ellsworth Junior did murder a mister

349
00:17:31,839 --> 00:17:36,720
ference Hoffman, My dear Oliver, would I insult your intelligence?

350
00:17:36,960 --> 00:17:40,519
We know who Woodrow Ellsworth Junior is, But who is

351
00:17:41,240 --> 00:17:42,119
Farence Hoffman?

352
00:17:42,240 --> 00:17:44,839
Speaker 2: Don't you not, mister Hoffman. I mean he might have

353
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been a foreigner and all that, but he was my friend.

354
00:17:47,799 --> 00:17:50,960
Speaker 7: Yes, and as his friend you have a responsibility to him.

355
00:17:51,160 --> 00:17:53,559
Speaker 2: Oh well, then what are you trying to do?

356
00:17:53,880 --> 00:17:58,119
Speaker 7: Hoffman? There were many things about him that you may

357
00:17:58,160 --> 00:17:59,200
have been unaware of.

358
00:17:59,599 --> 00:18:02,160
Speaker 2: Look, nothing you can say about old mister Hoffman cou

359
00:18:02,359 --> 00:18:02,599
justin me.

360
00:18:02,720 --> 00:18:06,279
Speaker 7: Mister Hoffman was a saint, a great hearted man whose

361
00:18:06,279 --> 00:18:09,839
life was dedicated to helping others. Now, like many people

362
00:18:09,839 --> 00:18:14,160
of his kind, he died penniless. His widow will try

363
00:18:14,200 --> 00:18:17,039
to support herself and an invalid daughter on a meager

364
00:18:17,119 --> 00:18:21,480
social security pension. Now, doesn't mister Hoffman deserve better? Surebout

365
00:18:21,559 --> 00:18:24,160
probing further into the affairs of our good mister Hoffman.

366
00:18:24,599 --> 00:18:27,400
Did you know that he was practically in the terminal

367
00:18:27,400 --> 00:18:30,000
stages of an incurable disease?

368
00:18:30,640 --> 00:18:31,440
Speaker 2: What are you saying?

369
00:18:31,519 --> 00:18:33,440
Speaker 7: At most he had three or four months to live

370
00:18:33,680 --> 00:18:36,200
now suppose my son had not shot him.

371
00:18:36,359 --> 00:18:38,200
Speaker 2: Look, you're going too fast for me.

372
00:18:38,279 --> 00:18:40,559
Speaker 7: Life is going too fast for you, Oliver. You must

373
00:18:40,559 --> 00:18:43,279
catch up with it now. Had death claimed him due

374
00:18:43,319 --> 00:18:46,960
to natural causes, his unfortunate family would be forced to

375
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exist in penury.

376
00:18:48,400 --> 00:18:49,559
Speaker 2: I never knew he had a fami.

377
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Speaker 7: Instead, my poor boy Junior can now literally become their savior.

378
00:18:53,720 --> 00:18:54,400
Speaker 2: I don't follow you.

379
00:18:54,680 --> 00:18:55,200
Speaker 6: I would be.

380
00:18:55,119 --> 00:18:59,880
Speaker 7: Willing to compensate for Junior's rash action. I would gather

381
00:19:00,079 --> 00:19:03,000
and tee the Hoffman family a comfortable monthly income.

382
00:19:04,519 --> 00:19:07,400
Speaker 1: What's the catch, you catch a condition?

383
00:19:08,039 --> 00:19:11,799
Speaker 7: Yeah, I would expect you to forget the description of

384
00:19:11,839 --> 00:19:15,519
the gunman at the trial I did. You would be

385
00:19:15,559 --> 00:19:18,759
doing this as a favor to your dear departed friend.

386
00:19:18,519 --> 00:19:21,079
Speaker 2: A favor. I do him a favor when I don't

387
00:19:21,079 --> 00:19:22,839
describe the killer, A favor.

388
00:19:22,519 --> 00:19:25,599
Speaker 7: By achieving what would be precious to him above all else,

389
00:19:25,960 --> 00:19:31,119
the security of his family. Now, Oliver, once we probe

390
00:19:31,160 --> 00:19:33,720
beneath the surface of any action, we begin to learn

391
00:19:33,720 --> 00:19:36,119
that things are not at all what they seem. Yes,

392
00:19:36,160 --> 00:19:38,400
on the face of it are senseless brutal killing. But

393
00:19:39,200 --> 00:19:42,319
who died A man whose life would have died in

394
00:19:42,319 --> 00:19:43,759
the midst of horrible suffering.

395
00:19:44,000 --> 00:19:46,720
Speaker 5: Perhaps what Junior did may have been for the best

396
00:19:46,920 --> 00:19:47,640
after all.

397
00:19:48,319 --> 00:19:51,240
Speaker 2: But mister Hoffman, he didn't want to die.

398
00:19:51,279 --> 00:19:52,039
Speaker 6: Who does.

399
00:19:53,400 --> 00:20:01,960
Speaker 7: Oliver? She forgives him, She forgives Junior, missus Huffman. I've

400
00:20:02,000 --> 00:20:04,839
spoken to her, She says, there has been misery enough.

401
00:20:06,599 --> 00:20:07,680
Speaker 2: Well, what do you want me to do?

402
00:20:07,839 --> 00:20:08,640
Speaker 6: But before you.

403
00:20:08,640 --> 00:20:23,319
Speaker 7: Do anything, just talk to missus Huffman. Yes, yes, Parens

404
00:20:23,400 --> 00:20:27,799
spoke of you. He would say that Oligerhart, there there

405
00:20:27,880 --> 00:20:28,960
was a human being.

406
00:20:29,599 --> 00:20:32,000
Speaker 2: He was a great man.

407
00:20:32,119 --> 00:20:32,920
Speaker 1: Missus Huffman.

408
00:20:33,559 --> 00:20:37,680
Speaker 7: My husband's life was a tragedy. It is fitting his

409
00:20:37,799 --> 00:20:43,000
death should be tragic too. I forgive the boy we

410
00:20:43,119 --> 00:20:49,440
are commanded to forgive. But I have a daughter, my

411
00:20:49,680 --> 00:20:54,119
poor Magda, so ill. She needs so much help. And

412
00:20:54,240 --> 00:20:58,240
the lawyer looked at the paper missus Ersworth wants me

413
00:20:58,319 --> 00:21:01,839
to sign. It is so generous.

414
00:21:02,119 --> 00:21:07,880
Speaker 2: Well, look, I feel pretty bad. I gave my promise

415
00:21:07,920 --> 00:21:08,680
to the dah.

416
00:21:09,039 --> 00:21:12,359
Speaker 7: It is so painful for all of us. We must

417
00:21:12,400 --> 00:21:17,640
not tell further. If I can forgive him for taking

418
00:21:17,759 --> 00:21:23,279
Perence's life, can you not also forgive him for sparing jaws.

419
00:21:23,680 --> 00:21:29,359
Speaker 2: Look, I'll go to the Da. I'll tell him I

420
00:21:29,440 --> 00:21:30,440
might have made a mistake.

421
00:21:31,000 --> 00:21:36,440
Speaker 7: No, no, no, you must not tell anyone, not until

422
00:21:36,519 --> 00:21:41,079
the district attorney places you on the stand and asks

423
00:21:41,119 --> 00:21:42,920
you directly.

424
00:21:50,079 --> 00:21:53,960
Speaker 3: Now, mister Gearhard, at approximately ten pm on the night

425
00:21:54,000 --> 00:21:57,400
of January third this year, you were in mister Hufflin's

426
00:21:57,440 --> 00:21:58,079
grocery store.

427
00:21:58,599 --> 00:22:02,039
Speaker 1: I was the door opened, A man entered.

428
00:22:02,680 --> 00:22:06,519
Speaker 3: He held a forty five caliber Sanford Valentine's special revolver

429
00:22:07,240 --> 00:22:10,519
with which he shot mister Hoffman dead. Is that what happened?

430
00:22:11,039 --> 00:22:11,359
Speaker 2: Yes?

431
00:22:12,319 --> 00:22:16,559
Speaker 3: Now, that man, that man who wantonly killed poor mister Hoffman.

432
00:22:17,559 --> 00:22:18,359
Did you see him?

433
00:22:18,799 --> 00:22:22,640
Speaker 2: Yes, you got a good detailed look. Yes, you could.

434
00:22:22,359 --> 00:22:25,880
Speaker 3: Identify that man if you saw him again. Yes, beyond

435
00:22:26,000 --> 00:22:29,759
all shadow of a doubt. Yes, the defendant in this

436
00:22:29,880 --> 00:22:34,799
trial who was sitting at the table, is he that man?

437
00:22:36,680 --> 00:22:40,640
Speaker 1: No, mister Gerhard, No.

438
00:22:41,599 --> 00:22:44,240
Speaker 3: But you positively identified that.

439
00:22:45,640 --> 00:22:52,480
Speaker 2: I was wrong. I made a mistake, Oliver.

440
00:22:52,559 --> 00:22:53,559
Speaker 5: I got to talk to you.

441
00:22:55,039 --> 00:22:55,799
Speaker 6: Where's the money?

442
00:22:56,119 --> 00:22:56,759
Speaker 2: What money?

443
00:22:57,039 --> 00:22:59,319
Speaker 6: The money you took to forget what the killer looked like.

444
00:23:00,519 --> 00:23:02,599
Speaker 5: I'm only saying what everybody else is saying.

445
00:23:03,160 --> 00:23:05,119
Speaker 1: Yeah, that's what everybody keeps saying.

446
00:23:05,160 --> 00:23:07,359
Speaker 2: All right, way, what it ain't true?

447
00:23:07,759 --> 00:23:11,799
Speaker 6: You had the identification Damn Colt. What made you change

448
00:23:11,839 --> 00:23:14,039
your mind? Oliver?

449
00:23:15,039 --> 00:23:18,720
Speaker 5: You were paid off? How much did you get?

450
00:23:18,960 --> 00:23:20,039
Speaker 2: I didn't get anything.

451
00:23:20,400 --> 00:23:22,079
Speaker 5: Do you expect me to believe that?

452
00:23:22,319 --> 00:23:25,680
Speaker 2: Yes, Son, you're a four. You're the one. You're the

453
00:23:25,720 --> 00:23:28,720
one who kept saying, don't get involved, don't identify him.

454
00:23:28,880 --> 00:23:30,359
Think of the safety of your family.

455
00:23:30,440 --> 00:23:32,519
Speaker 5: You also had a duty as a citizen.

456
00:23:33,039 --> 00:23:34,680
Speaker 2: Now you're hopping on that bandwagon.

457
00:23:34,720 --> 00:23:35,599
Speaker 6: What bandwagon?

458
00:23:35,720 --> 00:23:37,960
Speaker 2: Before the trial, you were saying to me, Ali, you're crazy.

459
00:23:38,319 --> 00:23:40,119
They're going to fish your carcass out of the river.

460
00:23:40,480 --> 00:23:43,039
What are you getting mixed up in it for? Okay?

461
00:23:43,359 --> 00:23:46,799
So I backed off, and now everybody said, on account

462
00:23:46,839 --> 00:23:49,359
of guys like you, crime is gonna take over the country.

463
00:23:49,680 --> 00:23:51,440
How much did they pay you to keep your mouth shut?

464
00:23:51,599 --> 00:23:52,759
Speaker 6: That's what I want to know.

465
00:23:53,519 --> 00:23:56,799
Speaker 2: How much nothing? I told you? Nothing?

466
00:23:57,400 --> 00:23:58,680
Speaker 5: Then why did you do it?

467
00:23:59,240 --> 00:23:59,680
Speaker 1: Okay?

468
00:24:00,640 --> 00:24:04,720
Speaker 2: Okay, somebody has to believe me. Somebody should know why

469
00:24:04,759 --> 00:24:07,039
I did it. And it wasn't for any money.

470
00:24:07,240 --> 00:24:08,160
Speaker 5: What was it for?

471
00:24:08,960 --> 00:24:10,920
Speaker 1: Come on, I'll show you.

472
00:24:17,160 --> 00:24:22,599
Speaker 2: Here's why I did it. For a poor old lady and.

473
00:24:22,599 --> 00:24:25,559
Speaker 1: A crippled kid. Here's the address.

474
00:24:29,039 --> 00:24:32,400
Speaker 2: It's just a little two room, cold water flat right

475
00:24:32,440 --> 00:24:37,599
on the ground floor. I want you to meet them.

476
00:24:37,839 --> 00:24:38,279
Speaker 6: Somebody.

477
00:24:38,359 --> 00:24:42,039
Speaker 2: Huh, there has to be somebody home. The kid is sick,

478
00:24:42,559 --> 00:24:49,279
she can't move. The door's open. I hope nothing's wrong,

479
00:24:50,119 --> 00:24:52,599
Missus Hoffman, Missus Hoffman.

480
00:24:54,279 --> 00:24:55,359
Speaker 5: There's nobody here.

481
00:24:55,799 --> 00:24:57,279
Speaker 2: Maybe they had to go out for something.

482
00:24:58,160 --> 00:25:02,039
Speaker 6: I mean, there's nobody. Yeah, nobody lives there anymore.

483
00:25:02,279 --> 00:25:04,519
Speaker 2: I was here the other day, just before I had

484
00:25:04,519 --> 00:25:05,480
to go on the standard.

485
00:25:05,559 --> 00:25:08,440
Speaker 6: There's no furniture. This place is empty.

486
00:25:08,240 --> 00:25:08,920
Speaker 2: Missus Hoffman.

487
00:25:09,720 --> 00:25:12,599
Speaker 6: Missus Hoffman, what kind of trick are you trying to

488
00:25:12,640 --> 00:25:13,079
pull on me?

489
00:25:13,160 --> 00:25:17,799
Speaker 2: Oliver? But I tell you this is the place A

490
00:25:17,920 --> 00:25:20,960
partner one B forty eight hundred South, Jefferson.

491
00:25:21,559 --> 00:25:25,640
Speaker 6: Missus Hoffman, Ali, there is no Missus Hoffman, So save

492
00:25:25,720 --> 00:25:30,240
your breath. Now. How about the money?

493
00:25:30,440 --> 00:25:38,440
Speaker 2: I tell you there is no money, mister Gerhart, So

494
00:25:38,640 --> 00:25:39,079
kind of.

495
00:25:38,960 --> 00:25:39,759
Speaker 7: You to come calling.

496
00:25:40,319 --> 00:25:44,799
Speaker 2: Listen, Missus Ellsworth. Everybody thinks I took money to to

497
00:25:44,880 --> 00:25:46,119
forget what the killer looks like.

498
00:25:46,599 --> 00:25:51,680
Speaker 7: Regrettable that people should always apply sinister motives to generous actions.

499
00:25:51,720 --> 00:25:54,640
Speaker 2: I was worried about Missus Hoffman. I went there with

500
00:25:54,720 --> 00:25:56,759
my wife and the place was empty.

501
00:25:56,960 --> 00:25:57,599
Speaker 4: Oh.

502
00:25:57,640 --> 00:25:59,680
Speaker 2: I went back again later and I spoke to the

503
00:25:59,759 --> 00:26:02,559
jen and he said he said no such person ever

504
00:26:02,640 --> 00:26:05,480
lived there with a crippled daughter, and that some lady

505
00:26:05,519 --> 00:26:08,480
had rented the place, gave my month's friend, moved in

506
00:26:08,519 --> 00:26:10,480
and out on one day. He couldn't understand.

507
00:26:11,039 --> 00:26:14,240
Speaker 7: Well, Oliver, what can I tell you?

508
00:26:14,240 --> 00:26:18,480
Speaker 2: You tricked me? There is no Missus Hoffman.

509
00:26:18,559 --> 00:26:21,200
Speaker 7: There will always be a Missus Hoffman. She will live

510
00:26:21,240 --> 00:26:23,839
forever in our imagination, yours and mine.

511
00:26:24,680 --> 00:26:29,039
Speaker 2: What's gonna become of me? Like I say, everybody thinks

512
00:26:29,079 --> 00:26:30,480
I got paid off, It.

513
00:26:30,519 --> 00:26:34,119
Speaker 7: Will all blow over tomorrow. Another crime will take center stings.

514
00:26:34,160 --> 00:26:36,599
Speaker 3: Hey, Mamma, you said I could buy a little kill.

515
00:26:37,079 --> 00:26:39,240
Speaker 7: Say hello to an old friend, mister Gearheart.

516
00:26:39,400 --> 00:26:43,720
Speaker 3: Oh yeah, hey mister Geerhat here a terrific guy. Wow

517
00:26:44,240 --> 00:26:46,759
you did a job on that da in the cartoom

518
00:26:46,799 --> 00:26:49,279
here you killed him. I couldn't have killed him dead

519
00:26:49,400 --> 00:26:50,240
with a gun.

520
00:26:50,119 --> 00:26:51,799
Speaker 7: Mister Geerhart is leading.

521
00:26:52,079 --> 00:26:56,440
Speaker 3: Yeah, well, loove mister Gearhard come around anytime you need

522
00:26:56,519 --> 00:26:59,000
something done like a guy gives you a fly.

523
00:26:59,279 --> 00:27:04,640
Speaker 7: Good by mister, and don't do anything rash. Just think

524
00:27:04,680 --> 00:27:07,880
about it. Huh. You owe me quite a bit for

525
00:27:07,960 --> 00:27:11,519
what for the Listen, After all, you may be sadder,

526
00:27:11,559 --> 00:27:16,920
but just think you are so much wiser.

527
00:27:21,519 --> 00:27:26,039
Speaker 4: Sadder but wiser. A pity that many of us must

528
00:27:26,079 --> 00:27:30,799
know sadness before we may acquire wisdom. I wish I

529
00:27:30,799 --> 00:27:32,880
could say that we have seen the end of poor

530
00:27:32,960 --> 00:27:37,440
Oliver Gerhardt's troubles. However, I am compelled to report that

531
00:27:37,480 --> 00:27:40,720
they have scarcely begun, as you will see when I

532
00:27:40,799 --> 00:27:55,519
return shortly with that three. If the road to Hell

533
00:27:55,720 --> 00:27:59,920
is paved, as they say, with good intentions, then much

534
00:28:00,079 --> 00:28:03,640
of the concrete for that highway has certainly been poured

535
00:28:03,680 --> 00:28:04,480
by our friend.

536
00:28:04,599 --> 00:28:05,640
Speaker 1: Oliver Gerhardt.

537
00:28:06,480 --> 00:28:11,079
Speaker 4: A brutal killer, has gone free, cleared forever of a vicious,

538
00:28:11,240 --> 00:28:16,359
wanton murder, simply because of Oliver's refusal to identify him.

539
00:28:17,319 --> 00:28:20,759
But Oliver was convinced he was performing a noble act.

540
00:28:21,720 --> 00:28:24,119
Speaker 2: However, a cynical world.

541
00:28:23,880 --> 00:28:28,440
Speaker 4: Has other ideas, including Oliver's loving wife.

542
00:28:28,359 --> 00:28:30,240
Speaker 2: Who is she? Who's who?

543
00:28:30,839 --> 00:28:31,640
Speaker 6: The other woman?

544
00:28:31,799 --> 00:28:32,640
Speaker 2: What other woman?

545
00:28:33,160 --> 00:28:34,599
Speaker 6: The one you're gonna run away with?

546
00:28:34,880 --> 00:28:35,799
Speaker 2: What are you saying?

547
00:28:36,319 --> 00:28:38,880
Speaker 6: I figure you have to be planning on running away

548
00:28:38,920 --> 00:28:40,720
because you haven't asked me for a divorce.

549
00:28:40,880 --> 00:28:42,400
Speaker 2: What are you talking about?

550
00:28:42,759 --> 00:28:46,200
Speaker 6: That's what You're going to use the money for? Another woman?

551
00:28:46,400 --> 00:28:47,759
Speaker 2: There ain't no other woman.

552
00:28:48,000 --> 00:28:49,680
Speaker 5: Don't lie.

553
00:28:49,920 --> 00:28:52,400
Speaker 6: You never thought of running off with another woman?

554
00:28:52,720 --> 00:28:55,680
Speaker 2: Sure, I thought about it, and you admit it. Every

555
00:28:55,720 --> 00:28:58,319
man thinks about it. That don't mean I got one.

556
00:28:58,519 --> 00:29:01,200
Speaker 5: If you're thinking about it, then you're holding onto the

557
00:29:01,200 --> 00:29:03,039
money until you find one to run away with.

558
00:29:03,680 --> 00:29:04,359
Speaker 2: I give up.

559
00:29:04,440 --> 00:29:07,400
Speaker 5: I quit, Olly, I'm entitled to some of that money.

560
00:29:08,200 --> 00:29:10,680
Speaker 6: I mean, look, you were all ready to be a hero.

561
00:29:12,039 --> 00:29:15,039
I'm the one who made you think twice, wasn't I

562
00:29:15,039 --> 00:29:16,720
I'm the one who made you see the light?

563
00:29:17,039 --> 00:29:20,160
Speaker 2: Won't you even try to understand something inside?

564
00:29:20,559 --> 00:29:21,839
Speaker 5: I'm your wife.

565
00:29:22,000 --> 00:29:23,200
Speaker 2: There's no money.

566
00:29:23,720 --> 00:29:26,920
Speaker 6: I'm warning you, Holly, you're not gonna pull a fast

567
00:29:26,920 --> 00:29:27,440
one on me.

568
00:29:28,640 --> 00:29:40,839
Speaker 2: Hey, where are you going out? Good evening, mister Gerhard?

569
00:29:42,400 --> 00:29:43,759
Speaker 4: Good evening, mister.

570
00:29:43,519 --> 00:29:46,720
Speaker 2: Gerhard, No, it's it ain't you.

571
00:29:47,519 --> 00:29:51,319
Speaker 4: Good evening is there for you?

572
00:29:50,480 --> 00:29:51,880
Speaker 1: You're dead.

573
00:29:53,039 --> 00:29:54,440
Speaker 2: You're dead, mister Hoffman.

574
00:29:54,640 --> 00:29:57,039
Speaker 4: Aren't we still friends? Mister Gearhart?

575
00:29:57,440 --> 00:29:58,960
Speaker 2: I gotta be seeing things.

576
00:29:59,359 --> 00:30:01,680
Speaker 4: It's been we week since you've come into the store.

577
00:30:02,200 --> 00:30:05,359
I've been wondering have I done anything to displease you?

578
00:30:05,799 --> 00:30:09,519
Speaker 2: Mister Hoffman. You're supposed to be dead.

579
00:30:09,599 --> 00:30:12,440
Speaker 4: So tonight I decided to stand outside the store and

580
00:30:12,720 --> 00:30:15,200
watch to see perhaps if you'd pass by on the

581
00:30:15,240 --> 00:30:16,880
street the store.

582
00:30:17,680 --> 00:30:22,000
Speaker 2: It ain't that it's open, it's light the store.

583
00:30:22,359 --> 00:30:25,599
Speaker 4: Won't you come inside, mister Gerhart. I have a special wine,

584
00:30:25,960 --> 00:30:27,680
rich sweet, the kind you like.

585
00:30:28,319 --> 00:30:32,799
Speaker 2: And I'm standing here and I'm talking to you, of course,

586
00:30:33,000 --> 00:30:37,519
and your store is open, like always, like always, don't move,

587
00:30:38,400 --> 00:30:42,440
stay where you are, Just wait there, just stay there.

588
00:30:43,119 --> 00:30:43,960
I'll be right back.

589
00:30:49,279 --> 00:30:51,200
Speaker 5: What do you mean dragging me out on the street

590
00:30:51,240 --> 00:30:52,039
this hour of the night.

591
00:30:52,279 --> 00:30:53,119
Speaker 1: I saw him.

592
00:30:54,079 --> 00:30:56,720
Speaker 2: I saw him. I spoke to him like you.

593
00:30:56,680 --> 00:30:58,000
Speaker 6: Saw and spoke to his wife.

594
00:30:58,279 --> 00:31:00,920
Speaker 2: I'm not crazy, and I was dreaming. He was in

595
00:31:00,960 --> 00:31:03,480
the front of a store. The place was open for business.

596
00:31:03,920 --> 00:31:05,119
Speaker 6: The man is dead.

597
00:31:05,440 --> 00:31:06,279
Speaker 2: See for yourself.

598
00:31:06,440 --> 00:31:08,480
Speaker 1: It's just around the corner, and that'll prove.

599
00:31:10,039 --> 00:31:10,359
Speaker 3: Proof.

600
00:31:10,519 --> 00:31:14,119
Speaker 6: What mhmm?

601
00:31:14,720 --> 00:31:18,519
Speaker 2: So, But he was standing here just a couple of

602
00:31:18,519 --> 00:31:19,119
minutes ago.

603
00:31:19,359 --> 00:31:20,039
Speaker 5: Uh huh.

604
00:31:20,079 --> 00:31:22,559
Speaker 2: And the store the lights the lights were off. Sure,

605
00:31:23,559 --> 00:31:25,519
believe me, You've got to believe me.

606
00:31:25,759 --> 00:31:27,960
Speaker 6: I believe what I see. And what do I see?

607
00:31:27,960 --> 00:31:31,119
Speaker 5: I see an empty store, been there way for weeks.

608
00:31:31,279 --> 00:31:34,000
Speaker 6: There's a lock on the door. The windows are smeared

609
00:31:34,039 --> 00:31:38,400
with grime, dirty. I can look inside and the counter

610
00:31:39,000 --> 00:31:48,000
then on the shelves. Now, Allie, there's nothing but the meet.

611
00:31:49,680 --> 00:31:51,240
Speaker 5: Only wakes senses.

612
00:31:51,359 --> 00:31:54,640
Speaker 6: You're sitting on a nice pile of money for the

613
00:31:54,839 --> 00:31:58,119
million time. There is no moment. As I was saying,

614
00:31:58,160 --> 00:32:00,839
you're sitting on a nice bundle. You want to ditch me.

615
00:32:02,559 --> 00:32:04,960
You figure if you can get me to what.

616
00:32:06,759 --> 00:32:07,599
Speaker 7: Will you live?

617
00:32:07,799 --> 00:32:10,519
Speaker 5: No, so you've been building.

618
00:32:10,160 --> 00:32:13,640
Speaker 6: It up, first missus Hoffman and now mister Hoffman.

619
00:32:14,480 --> 00:32:17,240
Speaker 5: But Allie, none of it can work.

620
00:32:17,960 --> 00:32:21,759
Speaker 6: I'm not letting you off the heark. I'm your wife

621
00:32:21,880 --> 00:32:31,240
and I'm entitled to some of that money. Holly, Hm,

622
00:32:32,680 --> 00:32:33,799
what the phone?

623
00:32:34,079 --> 00:32:34,640
Speaker 2: The phone?

624
00:32:35,480 --> 00:32:36,920
Speaker 6: Can't you hear the phone?

625
00:32:37,240 --> 00:32:39,440
Speaker 2: Who'd be calling me? If this hour of the night?

626
00:32:39,519 --> 00:32:40,559
Speaker 6: You better answer it?

627
00:32:43,039 --> 00:32:47,880
Speaker 2: Hello, mister Gerard, Yeah, good evening.

628
00:32:50,200 --> 00:32:52,839
Speaker 4: Well, I'm sorry if I'm calling so late, but you

629
00:32:52,960 --> 00:32:53,720
must forgive me.

630
00:32:54,200 --> 00:32:55,319
Speaker 1: I'm an old man.

631
00:32:55,119 --> 00:32:58,799
Speaker 4: And very lonely, and I do miss our interesting talks.

632
00:32:58,920 --> 00:33:00,799
Speaker 1: Who is it?

633
00:33:00,799 --> 00:33:05,759
Speaker 2: It's Hoffman, You're crazy, it's Hoffman. It's you, mister Hoffman,

634
00:33:05,799 --> 00:33:08,319
ain't it? But of course who else would it be?

635
00:33:08,920 --> 00:33:11,599
Get me off the hook? Will you tell my wife?

636
00:33:12,319 --> 00:33:15,680
Tell her here? Cassandre, you talked to him?

637
00:33:16,200 --> 00:33:20,799
Speaker 6: Hello? Hello, it's no one there.

638
00:33:21,039 --> 00:33:22,160
Speaker 2: I just spoke to him.

639
00:33:22,240 --> 00:33:23,599
Speaker 6: There's no one on the phone.

640
00:33:24,440 --> 00:33:26,160
Speaker 2: Oh look, I know what I heard.

641
00:33:26,240 --> 00:33:27,440
Speaker 6: I know what I heard too.

642
00:33:28,079 --> 00:33:28,920
Speaker 5: I heard nothing.

643
00:33:29,160 --> 00:33:30,000
Speaker 2: I ain't crazy.

644
00:33:30,160 --> 00:33:33,160
Speaker 6: It won't work. I mean, you get somebody to ring

645
00:33:33,200 --> 00:33:34,960
the number three four o'clock in the morning so you

646
00:33:34,960 --> 00:33:36,960
can answer it and put on this act. It's not

647
00:33:37,000 --> 00:33:39,559
an act. Who'd you get to down the number? Your girlfriend?

648
00:33:39,680 --> 00:33:41,680
Speaker 4: I don't have a girlfriend, Allie.

649
00:33:42,559 --> 00:33:43,799
Speaker 5: What's wrong with you?

650
00:33:43,920 --> 00:33:45,519
Speaker 6: There's nothing wrong with me.

651
00:33:45,799 --> 00:33:48,519
Speaker 5: I mean, you will never like this about money before.

652
00:33:49,640 --> 00:33:51,519
Speaker 6: The only thing I can figure.

653
00:33:51,240 --> 00:33:54,920
Speaker 5: Is it's so much money it must have turned your head.

654
00:33:55,160 --> 00:33:57,799
Speaker 6: But I'll watch the use.

655
00:34:03,720 --> 00:34:07,680
Speaker 4: Hello, mister Gearhart, what's that I said?

656
00:34:08,159 --> 00:34:08,519
Speaker 6: Hello?

657
00:34:09,119 --> 00:34:10,039
Speaker 4: Mister Gearhart?

658
00:34:10,559 --> 00:34:13,559
Speaker 2: Hugh, how did you get in here?

659
00:34:13,840 --> 00:34:16,760
Speaker 4: You really don't know a man until you see him

660
00:34:16,800 --> 00:34:19,320
engaged in his profession, don't you think.

661
00:34:19,679 --> 00:34:23,400
Speaker 2: Look, nobody's supposed to be in here unless he's authorized personnel.

662
00:34:23,599 --> 00:34:26,760
Speaker 4: You're a machinist, a skilled craftsman.

663
00:34:27,400 --> 00:34:30,239
Speaker 2: Mister Huffman, are you standing here?

664
00:34:30,360 --> 00:34:32,440
Speaker 4: You see me? You speak to me?

665
00:34:32,840 --> 00:34:35,320
Speaker 2: But why you're supposed to be dead?

666
00:34:35,519 --> 00:34:38,880
Speaker 4: What does that mean? All it means is that other

667
00:34:38,920 --> 00:34:40,000
people cannot see me.

668
00:34:40,440 --> 00:34:42,360
Speaker 2: But why do you come around to me.

669
00:34:42,800 --> 00:34:43,639
Speaker 6: I like you.

670
00:34:43,920 --> 00:34:46,800
Speaker 4: I miss our talks. You never come around in the

671
00:34:46,880 --> 00:34:47,840
evening anymore.

672
00:34:48,320 --> 00:34:50,480
Speaker 1: How can I when you're in I'm open.

673
00:34:50,360 --> 00:34:53,840
Speaker 4: I keep the store open late as usual. Promise me

674
00:34:53,920 --> 00:34:57,960
you'll come to see me tonight. I do miss our

675
00:34:58,000 --> 00:34:58,719
little talks.

676
00:34:59,199 --> 00:35:10,559
Speaker 2: Promise yeah, yeah, I promise hash again tonight.

677
00:35:11,000 --> 00:35:12,519
Speaker 6: You know what prices are today.

678
00:35:12,800 --> 00:35:14,280
Speaker 2: Look, I need my strength.

679
00:35:14,360 --> 00:35:17,159
Speaker 6: We could have steak every day, even three times a day,

680
00:35:17,800 --> 00:35:19,480
if you gave me some of that money you got

681
00:35:19,480 --> 00:35:20,440
star someplace.

682
00:35:20,760 --> 00:35:23,519
Speaker 2: Oh, so that's how you're gonna play it. You're gonna

683
00:35:23,519 --> 00:35:26,039
starve me. I'm wise to your little game.

684
00:35:26,159 --> 00:35:29,960
Speaker 5: I'm wise to your little game too. You know who

685
00:35:30,039 --> 00:35:35,039
called today? The foreman in the shop. Listen, miss Gearhart,

686
00:35:35,199 --> 00:35:37,639
let me you better take Ally to see a doctor.

687
00:35:38,280 --> 00:35:39,760
Speaker 6: Something's wrong with him.

688
00:35:40,320 --> 00:35:41,119
Speaker 5: This afternoon.

689
00:35:41,159 --> 00:35:43,760
Speaker 6: He shut down his machine and just stood talking for

690
00:35:43,840 --> 00:35:48,599
ten minutes to a little man who wasn't there. Your game, Ally,

691
00:35:49,039 --> 00:35:51,880
you're trying to get everybody to think you are nuts,

692
00:35:52,000 --> 00:35:53,519
or maybe I'll believe it too.

693
00:35:54,760 --> 00:36:01,639
Speaker 2: Uh Uh, I was talking to Yeah, I'm tired. I

694
00:36:01,719 --> 00:36:02,679
gotta go to bed.

695
00:36:09,360 --> 00:36:15,000
Speaker 6: Ollie. It's the door. Somebody's at the door. Huh, I said,

696
00:36:15,079 --> 00:36:17,840
somebody's at the door, and it's after midnight.

697
00:36:18,719 --> 00:36:19,760
Speaker 5: Who is it this time?

698
00:36:20,000 --> 00:36:29,719
Speaker 2: We'll go see Okay, okay, good evening, mister Gerhardt, it's you.

699
00:36:29,719 --> 00:36:33,599
Speaker 4: You didn't come by this evening. I thought perhaps something

700
00:36:33,679 --> 00:36:34,360
might be wrong.

701
00:36:34,760 --> 00:36:36,440
Speaker 2: Will you let me alone?

702
00:36:36,599 --> 00:36:39,800
Speaker 4: We used to be such good friends. What happened?

703
00:36:40,440 --> 00:36:41,960
Speaker 2: Is this how you're getting back at me?

704
00:36:42,519 --> 00:36:44,000
Speaker 4: Back at you for what?

705
00:36:44,440 --> 00:36:46,639
Speaker 2: For what I did at the trial? Is this what

706
00:36:46,679 --> 00:36:49,199
you're gonna do to me? Drive me out of my mind?

707
00:36:49,519 --> 00:36:53,320
Speaker 4: I don't understand. All I want to be is your friend.

708
00:36:54,840 --> 00:36:58,360
Speaker 2: Hey, I just slammed the door for Why did you.

709
00:36:58,320 --> 00:37:01,239
Speaker 6: Think I did? I just stand there talking into an

710
00:37:01,239 --> 00:37:03,199
empty hallway? What do you want the neighbors to think?

711
00:37:03,719 --> 00:37:06,320
Speaker 2: But he was Hoffman was okay right.

712
00:37:06,159 --> 00:37:08,920
Speaker 6: Here, got the act. Put a stop to it.

713
00:37:09,119 --> 00:37:13,159
Speaker 2: You're here, Yeah, I'll put a stop to it. I

714
00:37:13,320 --> 00:37:15,039
know just how I can put a stop to it.

715
00:37:21,280 --> 00:37:26,039
Speaker 3: Hello, Junior, Hey, it's mister God, my best buddy in

716
00:37:26,119 --> 00:37:28,239
all our whole wide Well, I have a drink.

717
00:37:28,360 --> 00:37:31,480
Speaker 2: No, I better not, and you better not either. No.

718
00:37:31,679 --> 00:37:36,280
Why remember Junior, you said if I ever needed anything done,

719
00:37:36,760 --> 00:37:38,239
if some guy was giving me the flat.

720
00:37:38,280 --> 00:37:40,239
Speaker 3: You mean you want me to take care of a

721
00:37:40,400 --> 00:37:44,239
guy for you, mister Year, hide me the year hid

722
00:37:44,360 --> 00:37:46,920
any dime and he placed anybody?

723
00:37:47,159 --> 00:37:49,360
Speaker 2: Do you remember where mister Huffman's grocery is?

724
00:37:49,599 --> 00:37:50,000
Speaker 1: Sure?

725
00:37:50,480 --> 00:37:51,960
Speaker 2: Can you meet me in front of the place in

726
00:37:52,039 --> 00:37:53,599
exactly one half hour from now?

727
00:37:53,760 --> 00:37:57,000
Speaker 3: Mister yehi, you got yourself a deal. Now why do

728
00:37:57,039 --> 00:37:59,960
you want me to use? I got the forty five?

729
00:38:00,119 --> 00:38:02,480
When I got a sleep fifty seven or a special

730
00:38:02,559 --> 00:38:03,079
thirty eight?

731
00:38:03,760 --> 00:38:05,239
Speaker 2: Use whatever comes natural?

732
00:38:06,320 --> 00:38:08,639
Speaker 1: I guess.

733
00:38:14,920 --> 00:38:15,119
Speaker 7: Hello?

734
00:38:15,760 --> 00:38:17,559
Speaker 2: Is this the district attorney? Yes?

735
00:38:17,599 --> 00:38:18,519
Speaker 3: Thisurlock?

736
00:38:18,519 --> 00:38:18,960
Speaker 6: Who are you?

737
00:38:19,760 --> 00:38:21,679
Speaker 2: I want to report there's going to be a murder

738
00:38:21,679 --> 00:38:25,920
at exactly ten thirty. Wait, wait, you familiar, and this

739
00:38:26,119 --> 00:38:29,880
time you can get him? Get who the killer? You'd

740
00:38:29,880 --> 00:38:39,159
be at eight ninety nine South Adams at exactly ten thirty.

741
00:38:41,440 --> 00:38:45,480
Speaker 3: Hello, junior, Hey, mister Gear here, I am right on time.

742
00:38:46,400 --> 00:38:47,559
Who do I knock off?

743
00:38:47,800 --> 00:38:48,519
Speaker 2: Mister Hoffman?

744
00:38:48,639 --> 00:38:52,880
Speaker 3: Mister mister Hoffman, But I already I know?

745
00:38:53,480 --> 00:38:54,559
Speaker 2: But could you do it again?

746
00:38:55,239 --> 00:38:57,679
Speaker 1: Look, mister gear see him?

747
00:38:57,840 --> 00:39:02,840
Speaker 2: He's in the store. What's so right here? His grocery store?

748
00:39:03,159 --> 00:39:05,599
Don't you see him? He's standing there behind the counter.

749
00:39:05,960 --> 00:39:10,840
Speaker 3: But the store is it's done empty? You ain't nobody's

750
00:39:10,880 --> 00:39:11,639
standing there?

751
00:39:12,119 --> 00:39:12,400
Speaker 1: Sure?

752
00:39:13,000 --> 00:39:18,239
Speaker 2: There he is see he's waving at us. Shoot him.

753
00:39:18,480 --> 00:39:21,079
You promised me you take care of Yeah, but listen,

754
00:39:21,079 --> 00:39:23,239
shoot him. He's driving me out of my mind.

755
00:39:23,559 --> 00:39:24,719
Speaker 4: Shoot him.

756
00:39:25,000 --> 00:39:27,800
Speaker 2: You don't even have to go inside. Just shoot through

757
00:39:27,840 --> 00:39:32,159
the window. See him now, he's standing in the doorway

758
00:39:32,800 --> 00:39:34,320
right in front of you.

759
00:39:34,360 --> 00:39:34,920
Speaker 6: Shoot him.

760
00:39:35,000 --> 00:39:40,960
Speaker 1: Okay, it's your party. You got him, You got it.

761
00:39:41,159 --> 00:39:43,840
Speaker 6: Why is this the goss over here?

762
00:39:44,320 --> 00:39:47,679
Speaker 2: But killer, he's over here. Listen, you're setting me up.

763
00:39:47,679 --> 00:39:48,360
Speaker 6: Why you get it.

764
00:39:48,440 --> 00:39:51,800
Speaker 2: I'll kill you, old head.

765
00:39:52,519 --> 00:39:53,719
Speaker 5: He can't go any place.

766
00:39:54,280 --> 00:39:54,480
Speaker 6: Listen.

767
00:39:54,480 --> 00:39:56,159
Speaker 1: The Garhard's the Garhard.

768
00:39:57,400 --> 00:40:05,239
Speaker 2: He he kills mister Hoffman. You saw it happen yourself.

769
00:40:06,920 --> 00:40:13,760
Mister Hoffman was standing in the door and you saw

770
00:40:15,039 --> 00:40:25,280
how he just shocked mister Hoffman. Now you got him,

771
00:40:25,320 --> 00:40:28,159
You got him, haven't you.

772
00:40:29,559 --> 00:40:40,880
Speaker 3: Yes, yes, mister Gearhard, We we got him finally. Yes,

773
00:40:41,840 --> 00:40:44,360
they had him.

774
00:40:43,400 --> 00:40:46,320
Speaker 4: Not for the murder of mister Hoffman, but for the

775
00:40:46,400 --> 00:40:50,159
murder of Oliver Gearhart. And there was a very inspiring

776
00:40:50,280 --> 00:40:53,880
story in the papers of our plain citizen. A mister

777
00:40:53,920 --> 00:40:57,760
Oliver Gearhart decided to make up for a momentary lapse

778
00:40:57,800 --> 00:41:01,760
in the courtroom and help the police capture a notorious killer.

779
00:41:02,719 --> 00:41:19,639
Speaker 2: I'll be back shortly. It's easy to condemn.

780
00:41:19,320 --> 00:41:24,199
Speaker 4: Poor Oliver Geerhart, and yet how many people step fearlessly

781
00:41:24,320 --> 00:41:28,039
forward to perform the duties of citizenship in the face

782
00:41:28,079 --> 00:41:31,920
of danger, How easy it is to look the other way,

783
00:41:32,800 --> 00:41:36,719
and how many millions have done it and still do it.

784
00:41:37,719 --> 00:41:40,880
For it is said we turn away from our fellow

785
00:41:40,920 --> 00:41:44,800
man because too often, when we look at his face,

786
00:41:45,639 --> 00:41:50,719
we see our own. Our cast included lu Jacobi, Joan Lourie,

787
00:41:50,800 --> 00:41:55,840
Briana Raeburn, Robert Maxwell, and Leon Janny. The entire production

788
00:41:56,039 --> 00:42:01,039
was under the direction of Hyman Brown. This is E. G.

789
00:42:01,239 --> 00:42:04,400
Marshall inviting you to return to our Mystery Theater for

790
00:42:04,519 --> 00:42:46,840
another adventure in the macabre. Until next time, pleasant dreams.

