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Speaker 1: Nineteenth of December nineteen eighty one, four minutes past six

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in the evening, somewhere off the coast of Land's End,

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right at the tip of Cornwall.

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Speaker 2: Then then God, God Lord Land in coast God Union Star,

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Union Star, going Land.

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Speaker 3: Millions.

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Speaker 4: That's way off apportunately now eight miles east of Rock.

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Engines have stop and we are able to get started

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at the moment. Could you please have a helicopter standing

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by Ford please, yes, that is correct, that is correct,

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and play all night pavor worries.

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Speaker 2: We are a poster at the moment we are to

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get the mioing story. But whatever everybody else.

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Speaker 1: The voice you heard there was thirty two year old

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Captain Henry Morton. Here's the master of a coaster, in fact,

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a brand new one on its maiden voyage. This type

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of ship would carry bulk cargo between mainland Europe and

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the United Kingdom and out to Ireland and up to Scandinavia.

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It could go out into the Irish Sea and the

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North Sea and the English Channel, but it was designed

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for traveling in coastal waters. It had been heading out

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from the Netherlands out round the bottom of England around

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the south coast out up to Ireland. It was taking

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bulk fertilizer and it was a couple of days into

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what should be a routine voyage. But in those couple

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of days it had headed out into a huge storm

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rolling in off the Atlantic, coming in from the south southwest,

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and in the height of that storm, the engines had failed.

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So it's now sat there with the engines off, no lights,

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no power, a drift in monstrous seas, huge crashing waves.

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But he sounds calm, he's dealing with a problem, and

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the coast Guard aren't alarmed. Engines fail all the time,

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ships lose power. They fix things, but it's just it's

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a big, modern ship, a brand new one, out in

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the ocean. It's a problem, but it's not yet a disaster.

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So what the coast Guard do is they arrange a

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conversation between the Union Star and a tug, an ocean

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going tug, the Nord Holland that tug is at anchor

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out in Mount's Bay, so it's inland from where the

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Union Star is, but it's sat at anchor. The next

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day it was planning to go around to Falmouth to

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go and pick up a contract there, but for now

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it's just riding out the storm in the shelter of

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Mount Bay. The problem comes in that radio call between

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Morton and the Union Star and Captain Guy Berman on

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the nord Holland, because the tug is not there for rescue,

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it's there for salvage. And if the tug comes along

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and hooks onto the Union Star and toes them back

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into port or back into a place of safety, there's

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a cost implication. And because they can't get hold of

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the owners of the Union Star or the owners of

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the cargo, the only thing open to them is something

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called the Lloyd's open form, which means that well, once

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the Union Star accepts a toe from the nord Holland

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from the tug, the cargo and the ship effectively become

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temporary property of the owners of that tug. So Morton

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falls out with this skipper of the tug because he

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doesn't want to give that over straight away. He thinks

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he can fix it. He thinks what is god is

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a temporary problem. But he is playing it safe. He

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wants to have a helicopter on standby and is looking

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for the tug to just come along and sit there

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just in case. The tug captain quite reasonably says no,

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I'm not going to do that unless we have a

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contract on how to proceed. So Morton gets back in

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touch with the coast guard.

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Speaker 5: Yeah, either woman, hold the money at the moment, but

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quit at this moment we're holding to know where we are.

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We don't see him be good in his name, we quit.

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We have one woman, two children, and the group a helicopter, say.

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Speaker 3: Any the mom alice woman.

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Speaker 1: So this changes things entirely for the coastguard because now

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this situation isn't just merchant marine sailors who know how

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to handle engine failure and know how to behave in

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a storm, know what life at sea is like. This

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is a mother and her children, and that mother is

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Henry Morton's wife, and the kids are two daughters from

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a previous marriage of hers. They're not meant to be

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there because they're they're not stowaways. But Morton had decided

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to take them along on the trip. He had actually

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diverted the ship to go and pick them up from

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England on the way, without telling the owners of the cargo,

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without telling the Union shipping company. He was something of

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a rising star in this business, in this shipping company.

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He was a very young captain in charge of a

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brand new, state of the art vessel. He was confident

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that it was an easy trip. He was confident that

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he had time to go and pick them up, and

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that they could spend Christmas together at sea on this trip.

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Why not. It would make a nice family memory. It

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would be a way of bonding this new family together.

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But now they were adrift in a storm in huge waves,

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waves higher than a house crashing over the side of

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the ship. So you can understand why he wants to

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try and get them out of this situation, at least

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return it just to professional mariners on the ship and

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from the coast guard side. While this is a more

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serious situation. The lifeboat, they say, is anticipatory, which means

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they're just aware of the situation. He's also saying that

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the Sea King is being made ready. In actual fact,

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what it means is that the crew of the Sea

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King have been made aware of the situation and been

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told to come from their homes to base. They're not

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turning up the engines, spooling up the aircraft ready. They're

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just making their way to a point where they can

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get ready. So despite the confidence on both the Coastguard

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side and the skipper's side on Henry Morton's side. There

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this is a really serious situation that's developing that the

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steps to deal with it aren't really there yet. Something

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that's not in that radio call is that the skipper

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of the tug, Captain Guy Burman, he's decided that as

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he's got to go to Falmouth tomorrow anyway, he's going

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to raise the anchor and head out towards the rough

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position of the Union Star, because if he's got to

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head out soon anyway, you may as well head out

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in a direction where maybe he can be useful to

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the situation. At around seven pm, the Coast Guard get

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back in touch with Henry Morton to see if there's

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any improvement to the situation with the engines.

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Speaker 2: With one of the Well Star, and we're hoping that

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one is okay.

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Speaker 3: Could you do?

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Speaker 1: All through that afternoon, the Union Star had been heading

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into this storm with waves crashing over her port side.

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On that port side you have the filling valves for

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the main fuel tanks. It's not known exactly what the

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problem was. It's either going to be that one of

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the covers for the fuel tanks wasn't put on properly

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or had just come off in the storm, or that

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the breather pipe for the fuel tank that equalizes pressure

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the valve on that that stopped seawater getting in had

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failed either way. For several hours, seawater had been pouring

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in by the gallon into one of the fuel tanks.

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Later on in that afternoon, as we standard procedure, the

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engineer had moved fuel from one of the main tanks

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into the tank that were running the engine from and

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at that time had pulled seawater through into the fuel tank,

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which had then made its way into the engine, and

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the engine stalled. It can't run on seawater. The generator

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that powers the electrical gear that can't run on seawater,

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so everything stops. But you've got to think about this

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scene below, decks in complete darkness, with everything rolling, tipping

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right over onto its side and then back up right

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and then back the other way, working by torch, working

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by feel in really tight spaces, breaking apart every single

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fuel pipe, every single joint, trying to find out, okay,

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there's fuel coming to here, there's fuel getting to hear,

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why won't the engine start? And they've tried starting the engines.

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The engines are restarted using compressed air, compressed air held

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in huge tanks that then they run through into the

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engine to turn the pistons over to then draw more

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fuel in and start the engine. They can only do

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that so many times with the air they have in

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those tanks, and by this point they've depleted it. They've

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tried so many times that all the air's gone, and

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they have no way of refilling those tanks because they

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need the generator to do that, so they're stuck. They

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can open all these brand new pipes, all this brand

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new engine gear, but they are trying to work out

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why they've got fuel it's getting into the engine, why

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won't it work until they actually dip the tank and

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discover that it's half full of seawater, So they have

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other fuel on board. But that means they've got to

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redivert everything, refill everything, which will take time. Even in

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calm water a harbor with an experienced crew and good lighting,

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that's going to take several hours. But they haven't got

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several hours because well, they're not where they think they are.

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They thought they were miles out to sea, which sounds drastic,

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but really in a storm if you're a big ship,

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a drift being miles out to sea isn't a huge

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problem because you can't crash into anything if you're miles

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out to see if you're in out in empty space.

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The problem comes when you get close to shore. And

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the Union Star was coming close to shore. It was

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drifting inward mile by mile. It was a hell of

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a lot closer than Morton thought. And the way that

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was confirmed was with radar. The coast Guard fired up

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the radar, they picked up the signal of where the

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Union Star was. It was miles and miles closer than

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it should have been. It was only a few miles

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offshore rather than the ten plus miles he thought he had.

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So this situation is degrading the whole time. It's descending

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into more more, not chaos, but the stakes are getting

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higher and the options are getting less. So the Coastguard

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and Morton, between them, they come up with a wording

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for something called a pan call. So this is a

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bit like a may day, except it's maybe one grade down.

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A may day means all hope is lost, we can't

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do anything. We need as much help as you can

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send now. A pan call means it's a bad situation.

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We need help, but we have some element of control

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left in this, but we still need help. So a

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pan pan call goes out sometime just after seven pm

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at this time. Also they contact the lifeboat at Penley,

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or rather the village of Mausel, just around the corner

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from Newlyn. And this is a tiny fishing community and

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the lifeboat, like pretty much every lifeboat at the time

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around the UK, was staffed by volunteers, volunteers drawn from

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the local fishing community, experienced people and in this case

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all men who were experiencing the sea, experience in the

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local waters and experienced in rescue. But they were volunteers

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who volunteered to go out in all weathers to rescue people,

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to come to the aid of others. They were the

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nearest boat to this problem, so they started to make ready.

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But people have to come from the homes, they have

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to get to the lifeboat station, they have to make

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it ready to launch. This doesn't happen instantly. So while

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that's happening, Rescue eighty a seeking helicopter from Roll Naval

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Air Station called DROs Over on the Lizard so Over

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on another peninsula that sticks out into the English Channel,

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only about twenty or so miles away, is making ready

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to take off. The pilot of that is Russell Smith.

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He's he's not a brit He's an American over on

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an exchange visit from I think the US Navy, and

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he is the pilot of this aircraft that can deal

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with bad weather, but it's operating just at the edge

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of what it can deal with when it heads out

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into this storm at about nineteen thirty seven. The aircraft

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is airborne, and it's five minutes away from the position

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of the Union Star.

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Speaker 2: Pioneer like you, oh yesterday, okay, thank you very much,

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the handler anybody will how many people do you plan

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on trampering? One woman and children mother san one woman

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and children mother by Sagan, one woman and two children

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with throw a reminder order until yes, that's right.

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Speaker 1: So they're five minutes out. They've got to locate this

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completely darkened ship out in the chaos of this rolling sea.

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And you can hear in the pilot's voice there in

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Russell Smith's voice, he didn't know that he was heading

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out to a small family out on this coaster. He

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thought he was heading out to a commercial ship in distress.

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But it's it's not that situation. It's now a much

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more dire situation. So this changes everything for them in

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terms of the rescue, but they can't get there any faster.

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They can't do something different just because there's a woman

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and two children there. They still have to do their job.

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They still have to do a very technical, very dangerous

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job right at the edge of what they can deal

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with operationally. So around this time, the Coast Guard has

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calculated that they've got about an hour, hour and a

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00:16:27,919 --> 00:16:31,200
quarter before the Union Star hits the shore and hits

242
00:16:31,240 --> 00:16:35,120
the rocks, and at this point they request the immediate

243
00:16:35,240 --> 00:16:37,799
launch of the Penley lifeboat. They were already getting ready,

244
00:16:37,879 --> 00:16:40,240
but then they have to get out now and have

245
00:16:40,360 --> 00:16:43,120
to get out into the water, and they issue a

246
00:16:43,240 --> 00:16:48,320
second pan notice with an updated location for the Union Star.

247
00:17:00,360 --> 00:17:01,399
Speaker 6: Mid the Onion.

248
00:17:04,920 --> 00:17:15,680
Speaker 3: Point, nine a mile from I've gone with Echo novem.

249
00:17:19,319 --> 00:17:20,319
Speaker 2: Alma Elma.

250
00:17:27,880 --> 00:17:30,359
Speaker 1: It's difficult to imagine now what that scene out at

251
00:17:30,359 --> 00:17:36,039
the sea would look like. Helicopters are big, particularly rescue helicopters.

252
00:17:36,079 --> 00:17:38,319
I've been in a seeking It's like a block of

253
00:17:38,400 --> 00:17:44,119
flats hovering on its side, huge rotor disc above. You've

254
00:17:44,160 --> 00:17:46,359
got these big search lights that come down from it,

255
00:17:46,519 --> 00:17:49,440
but even then they can only illuminate so much, so

256
00:17:49,519 --> 00:17:52,880
they're pointing out into the darkness, and somewhere out there

257
00:17:52,920 --> 00:17:56,640
in the darkness, you've got the sixty eight meter long

258
00:17:56,839 --> 00:18:01,160
Union Star rolling around in the waves. So you've got

259
00:18:01,240 --> 00:18:05,000
to get up to it, come in at a steady

260
00:18:05,119 --> 00:18:07,359
rate so you can predict where it's going to be

261
00:18:07,640 --> 00:18:12,680
and meet it whilst maneuvering in gale force winds. Gale

262
00:18:12,720 --> 00:18:16,240
force ten at this point, so you've got to maneuver

263
00:18:16,559 --> 00:18:22,880
an aircraft in basically hurricane force winds to a point

264
00:18:22,960 --> 00:18:25,759
that you can barely see. But that ship isn't just

265
00:18:25,799 --> 00:18:29,640
static on the ocean. It's drifting and it's riding up

266
00:18:29,720 --> 00:18:33,240
and down on the waves. These waves are about nine

267
00:18:33,319 --> 00:18:37,440
meters high, which means you can look down on the

268
00:18:37,519 --> 00:18:41,759
ship hovering above it for thirty feet up and within

269
00:18:41,880 --> 00:18:45,480
seconds the ship is almost at your rotor disc. The

270
00:18:45,599 --> 00:18:50,200
Union Star has a large radio mass that sits above

271
00:18:50,440 --> 00:18:54,119
the crew and an accommodation section of the ship where

272
00:18:54,160 --> 00:18:58,759
everyone is. The antenna on top of this mass stick

273
00:18:58,880 --> 00:19:01,160
right up, stick a long way up above the ship

274
00:19:02,000 --> 00:19:03,640
when it goes into port, and it has to go

275
00:19:03,759 --> 00:19:05,880
under bridges and things like that. It can be folded down,

276
00:19:05,960 --> 00:19:09,480
but that's a process that takes time. Right now, it's

277
00:19:09,519 --> 00:19:12,799
a massive obstacle that prevents the helicopter from getting too close.

278
00:19:13,880 --> 00:19:16,000
They throw out the winchman on a cable out of

279
00:19:16,039 --> 00:19:18,599
the side of the helicopter and try and dangle him

280
00:19:18,640 --> 00:19:22,680
down towards the ship, but no way he can get

281
00:19:22,759 --> 00:19:26,319
close enough without endangering the aircraft. And at several points,

282
00:19:26,880 --> 00:19:30,400
as the ship rolls through on the waves, the antenna

283
00:19:30,519 --> 00:19:33,799
on this mass come within meters of the rotor disc,

284
00:19:34,519 --> 00:19:38,160
nearly bringing the helicopter down. So Russell Smith makes the

285
00:19:38,240 --> 00:19:40,880
decision to pull back and they're going to attempt a

286
00:19:40,960 --> 00:19:44,599
different technique. So this technique involves something called a high line,

287
00:19:44,759 --> 00:19:49,079
which is basically a rope that goes between the aircraft

288
00:19:49,359 --> 00:19:51,839
and a point on the sea or on the ground,

289
00:19:52,559 --> 00:19:55,599
and in this case they're trying to get it onto

290
00:19:55,720 --> 00:19:59,759
the rear deck of the Union Star where someone could

291
00:19:59,799 --> 00:20:03,599
hold and then they can direct the wenchmen in effectively

292
00:20:03,680 --> 00:20:07,519
diagonally from the side you would the helicopter hovers out

293
00:20:07,559 --> 00:20:10,119
to one side away from the ship, so the ship

294
00:20:10,200 --> 00:20:12,839
can move in the storm. And then the winchmen comes

295
00:20:12,920 --> 00:20:16,559
down at an angle towards towards the Union Star, and

296
00:20:16,640 --> 00:20:20,920
they attempt this again and again and again. But there

297
00:20:20,960 --> 00:20:24,519
are two problems. There's one the high line they have

298
00:20:25,599 --> 00:20:28,160
isn't long enough. They have a standard one in the

299
00:20:28,200 --> 00:20:31,519
aircraft that is used for all rescue operations, but it's

300
00:20:31,559 --> 00:20:34,119
not long enough. They can't get close enough to get

301
00:20:34,160 --> 00:20:38,799
it onto the ship. And another problem, which seems bizarre,

302
00:20:38,960 --> 00:20:42,920
but you can't look back in time and judge people's actions,

303
00:20:44,119 --> 00:20:47,559
that the crew don't seem to know what to do

304
00:20:47,720 --> 00:20:50,640
with it. They make no efforts to grab this thing.

305
00:20:50,839 --> 00:20:52,599
This thing which is the only way they can get

306
00:20:52,599 --> 00:20:56,839
a winchman aboard the ship or get casualties off the

307
00:20:56,920 --> 00:21:00,400
ship into the helicopter. It goes within meters of them.

308
00:21:00,559 --> 00:21:02,480
At one point one of them sort of just grabs

309
00:21:02,480 --> 00:21:05,839
onto it gently, but then let's go again. Almost immediately

310
00:21:05,880 --> 00:21:12,160
when a wave comes in. Whatever happens, however, that however,

311
00:21:12,240 --> 00:21:15,359
that breaks down. They can't get the high line onto

312
00:21:15,400 --> 00:21:18,480
the ship, and all the while they are drifting closer

313
00:21:18,599 --> 00:21:22,319
and closer and closer to the coast. The crew of

314
00:21:22,480 --> 00:21:26,319
Union Star are having some success, though they've been able

315
00:21:26,440 --> 00:21:30,640
to redirect some clean fuel into the generator and they're

316
00:21:30,640 --> 00:21:33,680
able to get some lights working. Eight minutes past eight.

317
00:21:36,000 --> 00:21:36,200
Speaker 3: Zero.

318
00:21:38,400 --> 00:21:48,359
Speaker 2: Yes you told, yes, we're might you get a generator?

319
00:21:48,440 --> 00:21:49,599
Started off with the lark on.

320
00:21:51,880 --> 00:21:52,680
Speaker 5: Here I goes up.

321
00:21:56,920 --> 00:21:59,319
Speaker 1: The addition of lighting and it's these are pretty big

322
00:21:59,400 --> 00:22:01,240
floodlights all the way down the side of the ship.

323
00:22:02,920 --> 00:22:06,559
That changes the situation, but it doesn't necessarily make it better.

324
00:22:07,000 --> 00:22:09,160
One thing that it changes is that it means the

325
00:22:09,960 --> 00:22:12,960
ship is now visible from the shore. But also everyone

326
00:22:13,039 --> 00:22:15,400
on the ship can see the situation that they're in.

327
00:22:15,960 --> 00:22:20,240
They can see these huge, monstrous waves crashing over the

328
00:22:20,359 --> 00:22:26,039
side of the ship. They can see that it's not

329
00:22:26,720 --> 00:22:29,440
going to be possible to get the helicopter any closer,

330
00:22:29,799 --> 00:22:31,640
so they have to try again and again with a

331
00:22:31,680 --> 00:22:35,440
high line. Now, Rescue eighty is not the only other

332
00:22:35,880 --> 00:22:37,799
crew that started to arrive on the scene.

333
00:22:45,079 --> 00:23:03,160
Speaker 6: They wait.

334
00:23:18,039 --> 00:23:20,079
Speaker 1: So that's Cox and Trevalli and Richards.

335
00:23:20,359 --> 00:23:20,720
Speaker 3: He is.

336
00:23:22,920 --> 00:23:28,720
Speaker 1: An incredibly experienced man. He knows this coastline very very well.

337
00:23:28,799 --> 00:23:32,680
He has spent his entire life working there, fishing there,

338
00:23:33,680 --> 00:23:38,000
and he knows that being one mile from the coast

339
00:23:38,720 --> 00:23:42,160
is not just a bad situation, it's the worst of situations.

340
00:23:44,400 --> 00:23:46,880
He's got twenty minutes to get there, and he's having

341
00:23:46,920 --> 00:23:52,039
to battle through these storms in his forty seven foot lifeboat.

342
00:23:52,319 --> 00:23:55,519
And it's not the lifeboats that we see today it is.

343
00:23:56,359 --> 00:23:59,039
It's just been refitted. It's as modern as it can

344
00:23:59,119 --> 00:24:03,039
be for that time, but it's still a wooden lifeboat

345
00:24:03,160 --> 00:24:06,680
that has to fight its way through these storms. He's

346
00:24:06,759 --> 00:24:10,480
there with his crew, and you, in my experience with that,

347
00:24:11,039 --> 00:24:13,559
the way he says he repeats the call, he's not

348
00:24:13,799 --> 00:24:17,240
just saying it for the radio. He's saying it for

349
00:24:17,359 --> 00:24:21,359
the benefit of the people that he's in that cabin with.

350
00:24:21,640 --> 00:24:24,039
He's saying it for the benefit of his crew. He

351
00:24:24,160 --> 00:24:27,480
sort of says it as a statement rather than repeating

352
00:24:27,799 --> 00:24:32,799
what was said to him by Rescue EIGHTI. So the

353
00:24:32,960 --> 00:24:35,319
fact that they have twenty minutes to get there, the

354
00:24:35,480 --> 00:24:38,519
Union Star is only a mile from the shore, and

355
00:24:39,599 --> 00:24:41,480
that they still haven't been able to get anyone off

356
00:24:41,599 --> 00:24:45,480
this situation is it's about as bad as it can be.

357
00:24:46,200 --> 00:24:48,960
The tug nord Holland also arrives around about this time,

358
00:24:50,000 --> 00:24:53,079
but there's not much they can do either. Tugs can

359
00:24:53,200 --> 00:24:57,079
do amazing things. They can do some amazing rescues and

360
00:24:57,599 --> 00:25:00,400
hook on to anchor chains and hook on with ropes

361
00:25:00,440 --> 00:25:06,039
and do some spectacular rescues in terrible seas, but they

362
00:25:06,079 --> 00:25:08,799
need sea room, they need space to do that. You

363
00:25:09,000 --> 00:25:13,599
can't maneuver delicately in a storm like this when you're

364
00:25:13,640 --> 00:25:16,880
so close to the rocks. And tugs are big, much

365
00:25:16,920 --> 00:25:21,240
bigger than the lifeboat. So if the lifeboat's nervous about

366
00:25:21,240 --> 00:25:25,039
getting into this position, the tug has no chance. And

367
00:25:25,119 --> 00:25:28,559
it's not just the tug that's starting to become concerned

368
00:25:28,559 --> 00:25:31,359
about their proximity to the cliffs and the danger of

369
00:25:31,400 --> 00:25:36,279
the situation. Rescue eighty also decides that they can't do

370
00:25:36,440 --> 00:25:37,079
much else.

371
00:25:36,960 --> 00:25:42,480
Speaker 5: Now, running union start and looking too difficult for refueing neer.

372
00:25:42,359 --> 00:25:44,160
Speaker 2: All Memoir and Safety in the nerd.

373
00:25:44,559 --> 00:25:46,480
Speaker 3: We're getting very quiet near man that the man.

374
00:25:46,599 --> 00:25:49,599
Speaker 2: We don't have a woman of highlight. Yeah, okay, well

375
00:25:49,720 --> 00:25:52,799
very much as well as you have. You're going to.

376
00:25:52,839 --> 00:25:53,519
Speaker 3: Point anchor out.

377
00:25:54,839 --> 00:26:02,079
Speaker 1: I'm you can hear the exhaustion in Morton's voice there

378
00:26:02,119 --> 00:26:06,160
as well. He has to remain professional. He has to

379
00:26:06,240 --> 00:26:09,720
do these radio calls. He has to communicate clearly, but

380
00:26:10,359 --> 00:26:14,000
he has been battling for hours now, not just physically

381
00:26:14,079 --> 00:26:16,119
and trying to keep his balance and trying to move

382
00:26:16,160 --> 00:26:19,279
around the ship in these storms, but also to deal

383
00:26:19,400 --> 00:26:22,160
with his stresses, to deal with the stress of Dawn

384
00:26:22,200 --> 00:26:24,880
and the kids who aren't familiar with these situations, his

385
00:26:25,039 --> 00:26:29,559
responsibility to them, his responsibility to the crew, his responsibility

386
00:26:29,680 --> 00:26:35,000
to his unborn child. He has this huge weight on

387
00:26:35,160 --> 00:26:38,559
him and the things he was hoping on. The tug

388
00:26:39,079 --> 00:26:44,119
and the helicopter. Neither of them can help him. Whether

389
00:26:44,240 --> 00:26:48,079
it was the delay, whether it was something he could

390
00:26:48,119 --> 00:26:50,359
have changed early on. He has to be playing this

391
00:26:50,480 --> 00:26:52,559
over and over again in his mind. He has to

392
00:26:52,640 --> 00:26:56,680
be thinking back to that conversation with the Lord Holland

393
00:26:57,079 --> 00:27:01,119
hours before about could they come out to them away? Well, no,

394
00:27:01,279 --> 00:27:04,839
he hasn't. He won't give over the ship to the

395
00:27:05,079 --> 00:27:09,079
Lloyd's open form. All of this has to be running

396
00:27:09,079 --> 00:27:13,359
through his mind as they face these oncoming waves, and

397
00:27:13,599 --> 00:27:15,720
they do turn to face them because they put an

398
00:27:15,720 --> 00:27:20,480
anchor down and it breaks straight away. The anchor just

399
00:27:20,519 --> 00:27:23,720
snaps up, or the chain does. So they put another

400
00:27:23,799 --> 00:27:28,759
anchor down that holds, or rather it drags on the seabed.

401
00:27:29,480 --> 00:27:32,880
So this turns the ship from being side onto the

402
00:27:32,960 --> 00:27:37,839
waves to being bow onto the waves. It changes the

403
00:27:37,920 --> 00:27:40,359
movement of the deck. It changes the movement of everything.

404
00:27:40,680 --> 00:27:45,119
But now it means that every time the ship goes

405
00:27:45,200 --> 00:27:47,640
down over a wave into the trough and faces the

406
00:27:47,720 --> 00:27:52,720
next wave, that next wave crashes over the bow. Now

407
00:27:53,119 --> 00:27:56,559
you can't go out onto the bow at all, but

408
00:27:56,680 --> 00:27:58,400
you will be killed. You will be crushed by the

409
00:27:58,440 --> 00:28:01,119
way to the water. They've got less of the deck,

410
00:28:01,200 --> 00:28:03,720
they can move around on fewer places that they can

411
00:28:03,759 --> 00:28:06,480
go out on to meet a lifeboat or to meet

412
00:28:06,519 --> 00:28:11,519
the helicopter. So the situation continues to get worse. It

413
00:28:11,599 --> 00:28:15,279
feels like it couldn't possibly get any worse, But there

414
00:28:15,359 --> 00:28:18,759
it is. Behind them. They have the search lights from

415
00:28:19,200 --> 00:28:21,960
another Coastguard team that has come out onto the top

416
00:28:22,000 --> 00:28:24,519
of the cliffs. They've set up there with big search

417
00:28:24,599 --> 00:28:27,559
lights to illuminate the scene. They can show them how

418
00:28:27,720 --> 00:28:33,119
close they are getting to these rocks. I can't imagine

419
00:28:33,160 --> 00:28:37,279
what it's like for Morton in those moments, running everything

420
00:28:37,319 --> 00:28:41,119
through his head, seeing the reality of the situation. It's inescapable.

421
00:28:42,279 --> 00:28:46,319
And then the radio breaks into life again with at

422
00:28:46,400 --> 00:28:47,359
least one more hope.

423
00:29:05,920 --> 00:29:10,200
Speaker 2: Yes, they think I've done a bit of difficulty getting there.

424
00:29:12,319 --> 00:29:15,160
If you would pop out after the women.

425
00:29:15,400 --> 00:29:21,720
Speaker 1: And well the woman off on me very much, pop

426
00:29:21,799 --> 00:29:23,759
out and come and take the women and children off that.

427
00:29:25,599 --> 00:29:28,920
You can still hear the exhaustion, but his note has changed.

428
00:29:29,000 --> 00:29:33,559
Then there's there's something about the power of hope. There's

429
00:29:34,519 --> 00:29:39,039
hopelessness is such an awful feeling, knowing that there's nothing

430
00:29:39,119 --> 00:29:41,279
that can happen. But that's nothing that you can do

431
00:29:41,440 --> 00:29:42,559
to improve this situation.

432
00:29:42,799 --> 00:29:44,559
Speaker 5: But the.

433
00:29:46,200 --> 00:29:50,039
Speaker 1: Voice and a cornish accent of Trevelli and Richards and

434
00:29:50,200 --> 00:29:54,720
his crew coming in there, and this tiny wooden lifeboat

435
00:29:56,000 --> 00:29:59,079
they powering through the waves, have powered through this storm,

436
00:29:59,279 --> 00:30:03,440
and now they've on scene right next to the Union Star.

437
00:30:04,720 --> 00:30:09,519
So hope is there and this seems to sort of

438
00:30:10,519 --> 00:30:13,559
give a resurgence of effort to everyone involved as well.

439
00:30:14,240 --> 00:30:17,599
The tug is watching out from this about a mile away,

440
00:30:18,039 --> 00:30:21,519
watching the lights of this rescue, watching everything silhouetted against

441
00:30:21,519 --> 00:30:26,119
the cliff face Rescue EIGHTI there is hovering just out

442
00:30:26,160 --> 00:30:28,680
to one side. It's spotlight shining down on the scene.

443
00:30:29,279 --> 00:30:33,119
And that helicopter crew. They're all young, bold men. You

444
00:30:33,279 --> 00:30:37,960
don't choose to work in search and rescue and particularly

445
00:30:38,039 --> 00:30:41,880
anything on the Atlantic coast if you're timid. And they

446
00:30:41,960 --> 00:30:46,799
try again. They've cobbled together and extra highline using literally

447
00:30:46,839 --> 00:30:49,400
scraps of rope that they can pull from the existing

448
00:30:49,519 --> 00:30:52,359
kit inside the helicopter. They've tied it all together with

449
00:30:52,480 --> 00:30:55,279
a weight bag on the end. And then they try again,

450
00:30:57,759 --> 00:31:00,960
and then the weight bag is ripped away by a wave.

451
00:31:01,279 --> 00:31:04,160
That's it. They can't get the high line there at all.

452
00:31:04,240 --> 00:31:07,559
There's no other option. They try again with the winchman

453
00:31:08,640 --> 00:31:12,319
and he nearly gets smacked into by the mast. Again

454
00:31:12,640 --> 00:31:16,400
nothing works. They're in danger now of hitting the cliff

455
00:31:16,440 --> 00:31:20,119
face with their rotor disc. So the only thing that

456
00:31:20,240 --> 00:31:24,960
can work now is the lifeboat. They come alongside, and

457
00:31:25,960 --> 00:31:29,440
they're still communicating with the Union Star. This is happening

458
00:31:29,519 --> 00:31:33,759
over just a few minutes, but you can hear the

459
00:31:33,920 --> 00:31:39,519
increase in the urgency in the voices that transfer back

460
00:31:39,519 --> 00:31:43,440
and forth between the radio calls. This radio call is

461
00:31:43,559 --> 00:31:47,240
at twenty to fifty seven, and it's not Travalian Richards,

462
00:31:47,279 --> 00:31:50,319
I don't think on the lifeboat, and the person on

463
00:31:50,400 --> 00:31:52,119
the other end on the Union Star, I think is

464
00:31:52,160 --> 00:31:56,279
one of the mates. It's not Henry Morton. But you

465
00:31:56,400 --> 00:32:00,920
can hear you can hear the urgent seeing their voices.

466
00:32:02,759 --> 00:32:13,759
Speaker 2: If that's going everybody, we're all going on.

467
00:32:15,519 --> 00:32:19,440
Speaker 1: Somewhere around this time, the anchor chain breaks, so now

468
00:32:19,519 --> 00:32:23,119
the Union Star is fully adrift again, rolling side on

469
00:32:23,359 --> 00:32:31,200
towards the cliff face. The helicopter is still there, hovering above,

470
00:32:31,240 --> 00:32:34,880
but pretty much powerless to do anything other than provide

471
00:32:35,079 --> 00:32:39,160
an overview and provide some extra lighting. And they're calling

472
00:32:39,200 --> 00:32:42,079
out the distance to between the Union Star and the

473
00:32:42,119 --> 00:32:45,559
cliff face, both for for everyone on the scene, for

474
00:32:45,640 --> 00:32:48,559
the coast guard back at Falmouth, and really for the record,

475
00:32:53,559 --> 00:32:54,039
like your.

476
00:32:58,519 --> 00:33:01,400
Speaker 2: Having trouble getting a long time family life or wherever

477
00:33:01,599 --> 00:33:09,440
any that rapidly.

478
00:33:10,599 --> 00:33:12,960
Speaker 1: All through this time, the Pendey lifeboat has been making

479
00:33:13,559 --> 00:33:18,799
an attempt to get alongside the coaster and they've made it.

480
00:33:18,880 --> 00:33:20,720
They've made it right up to the railing, and they've

481
00:33:20,799 --> 00:33:24,960
thrown lines onto the deck and they've not quite moored themselves,

482
00:33:25,000 --> 00:33:28,880
but they've held themselves up against the railing. But for

483
00:33:29,039 --> 00:33:33,160
whatever reason, for the crew and the people aboard the

484
00:33:33,240 --> 00:33:37,079
Union Star, that last gap between them and the lifeboat,

485
00:33:37,079 --> 00:33:39,880
the Solomon Brown, it's just too much. They can't make

486
00:33:39,960 --> 00:33:43,599
it out there. At one point, one of the Union

487
00:33:43,640 --> 00:33:47,599
Star crew puts a rope ladder down on the side

488
00:33:48,000 --> 00:33:51,440
but no one's suicidal enough to make that attempt to

489
00:33:51,519 --> 00:33:55,000
get from their one side to the other. And the

490
00:33:55,119 --> 00:33:58,839
Union Star is still moving towards the coast and pushing

491
00:33:59,119 --> 00:34:01,839
the lifeboat with it, so the lifeboat keeps having to

492
00:34:01,920 --> 00:34:05,599
circle around and try again in between the waves. Just

493
00:34:05,680 --> 00:34:08,440
the skill of timing those waves. I've done a tiny

494
00:34:08,559 --> 00:34:12,920
little bit with boats in rough seas and being able

495
00:34:13,000 --> 00:34:17,320
to count between the waves and working out where you

496
00:34:17,519 --> 00:34:19,480
need to be for when the wave pushes in and

497
00:34:19,559 --> 00:34:24,840
pushes you along. It's tiring, it's really occupies all of

498
00:34:24,880 --> 00:34:26,760
your brains. So to be able to do that in

499
00:34:26,880 --> 00:34:31,039
the darkness below deck as well, because they're piloting this

500
00:34:31,159 --> 00:34:35,360
boat from undercover, doing it through tiny windows looking out

501
00:34:35,440 --> 00:34:37,840
onto this scene. But they know their boat, they know

502
00:34:37,960 --> 00:34:41,639
these waters, and they know that they're the only chance

503
00:34:41,760 --> 00:34:44,760
that they have for getting people off. Think of all

504
00:34:44,800 --> 00:34:48,760
the people watching this scene as well. There's a journalist

505
00:34:48,920 --> 00:34:52,360
and there's other people from the village overlooking from the

506
00:34:52,400 --> 00:34:55,960
cliff top. You've got the Coastguard crew up there shining

507
00:34:56,000 --> 00:34:58,199
the spotlights down. You've got the crew of the aircraft,

508
00:34:58,280 --> 00:35:01,400
you've got the tug out at sea, all watching this

509
00:35:01,519 --> 00:35:04,840
scene unfold. And at one point they watch a wave

510
00:35:05,039 --> 00:35:08,719
lift the Solomon Brown, the lifeboat, up onto the deck

511
00:35:08,880 --> 00:35:12,079
of the Union Star, so the entire lifeboat is out

512
00:35:12,119 --> 00:35:14,480
of the water, just perched on top of the deck,

513
00:35:15,320 --> 00:35:18,639
and then it slowly slides backwards back into the water

514
00:35:18,760 --> 00:35:22,159
as the Union Star rolls again. And this seems to

515
00:35:22,239 --> 00:35:25,639
be the moment that everyone kicks into life on the

516
00:35:25,719 --> 00:35:29,480
Union Star. I think they realize that this is not

517
00:35:30,079 --> 00:35:32,480
something that's just going to slowly evolve. They have to

518
00:35:32,559 --> 00:35:37,199
do something now or they're all dead. So they just

519
00:35:37,239 --> 00:35:39,159
all burst out onto the deck and make a run

520
00:35:39,280 --> 00:35:45,440
for it. And people there described watching orange waterproof covered

521
00:35:45,480 --> 00:35:49,800
people just throwing themselves onto the Solomon Brown, onto the lifeboat,

522
00:35:49,880 --> 00:35:52,719
and the crew they're catching them as they hit, as

523
00:35:52,719 --> 00:35:58,079
they hit the lifeboat and just pulling them in. It's

524
00:35:58,320 --> 00:36:02,519
a scene that chaos, but people are trying to maintain

525
00:36:02,599 --> 00:36:06,920
control and and Travellian Riches is there as the the

526
00:36:07,000 --> 00:36:18,400
only hope of these people rescue. EIGHTI is still overhead,

527
00:36:19,119 --> 00:36:25,440
illuminating the scene and giving commentary about what's unfolding beneath them,

528
00:36:26,280 --> 00:36:31,119
and for them, this situation is basically done. The lifeboat

529
00:36:31,159 --> 00:36:33,880
has done all that it can really it would be

530
00:36:33,960 --> 00:36:35,760
too dangerous to do anything else.

531
00:36:36,800 --> 00:36:43,800
Speaker 6: And they make that call close, we're dangerously clotes.

532
00:36:43,800 --> 00:36:51,000
Speaker 2: Would I play whether the coat or if I can't

533
00:36:51,039 --> 00:36:52,119
do they.

534
00:36:57,199 --> 00:36:59,440
Speaker 1: So that's it. The Union Star is about to hit

535
00:36:59,480 --> 00:37:03,719
the cliffs. The helicopter can't be there any longer, and

536
00:37:03,920 --> 00:37:08,440
they go. And all that's left now is the Solomon Brown,

537
00:37:08,559 --> 00:37:13,679
which should just cut its losses, take the people that

538
00:37:13,760 --> 00:37:17,719
it's saved, and just pull out to see move away

539
00:37:17,800 --> 00:37:23,719
from the cliffs and do what's sensible. But I don't know.

540
00:37:24,480 --> 00:37:25,920
There was just something that was driving them.

541
00:37:25,880 --> 00:37:33,159
Speaker 6: Onwards plenty, Like I call it, form of contract.

542
00:37:37,519 --> 00:37:38,000
Speaker 3: We got.

543
00:37:39,599 --> 00:37:41,079
Speaker 5: We got four at the moment.

544
00:37:54,039 --> 00:38:14,559
Speaker 3: Whatever, and they lighted the light, and the light.

545
00:38:25,880 --> 00:38:30,360
Speaker 1: In the hours that followed, desperate attempts were made to

546
00:38:30,480 --> 00:38:33,960
try and reach the crew of the Solomon Brown over

547
00:38:34,000 --> 00:38:38,400
the radio, and then the Coast Guard rescue team upon

548
00:38:38,480 --> 00:38:42,199
the cliffs were able to lower somebody down in towards

549
00:38:42,280 --> 00:38:45,599
the site of the of the wreckage, because by now

550
00:38:45,679 --> 00:38:49,280
the Union Star had rolled over on the rocks and

551
00:38:49,480 --> 00:38:52,320
was visible. It was tipped on its side, sat there

552
00:38:52,400 --> 00:38:56,199
in the rocks amongst the breakers, and that Coast Guard

553
00:38:56,239 --> 00:38:59,880
officer there was able to get down into a zorn

554
00:39:00,119 --> 00:39:03,440
basically a big gully on the cliff face, and was

555
00:39:03,480 --> 00:39:08,159
able to spot well a very very distinctive R and

556
00:39:08,320 --> 00:39:14,159
L rayal National Lifeboat Institution life jacket, pretty distinctive. Is

557
00:39:14,199 --> 00:39:17,559
seen enough of them by that point, and there shouldn't

558
00:39:17,559 --> 00:39:19,800
be one. Just a drift out on the sea. And

559
00:39:19,960 --> 00:39:23,920
in the hours that followed, with even more desperate searches

560
00:39:24,000 --> 00:39:26,480
in the coves up and down the coast, bits of

561
00:39:26,519 --> 00:39:30,880
wreckage started to wash ashore. And there's a very distinctive

562
00:39:30,960 --> 00:39:34,199
livery on the side of a wooden lifeboat like that,

563
00:39:35,400 --> 00:39:38,800
and once bits of it started to wash ashore there

564
00:39:38,920 --> 00:39:42,760
was it became clear that that was the last radio

565
00:39:42,840 --> 00:39:45,840
call of the Solomon Brown and the crew was lost.

566
00:39:47,119 --> 00:39:50,880
No survivors were found. The bodies of the crew of

567
00:39:50,920 --> 00:39:54,159
both the Solomon Brown and the Union Star were washed

568
00:39:54,199 --> 00:39:58,719
up along the Cornish coast over the coming days, and

569
00:39:58,840 --> 00:40:02,960
that was it. That was the loss of eight on

570
00:40:03,039 --> 00:40:08,199
the Union Star and eight on the Penley lifeboat on

571
00:40:08,280 --> 00:40:16,599
the Solomon Brown. This is a very short section to

572
00:40:16,679 --> 00:40:21,760
the podcast because this is a very short telling of

573
00:40:21,840 --> 00:40:26,039
a story. People have told this story much better than

574
00:40:26,079 --> 00:40:30,280
I have. There are three places I urge you to

575
00:40:30,360 --> 00:40:33,719
go to after listening to this one is to go

576
00:40:33,840 --> 00:40:38,039
on to weirdly Enough YouTube where you can see a

577
00:40:38,280 --> 00:40:42,320
copy of a BBC documentary called The Cruel Sea, which

578
00:40:42,800 --> 00:40:44,800
really does tell this story, and it tells a lot

579
00:40:44,840 --> 00:40:49,599
of the human story of the families involved, the relatives

580
00:40:49,639 --> 00:40:53,719
as the surviving relatives, the build up to this story.

581
00:40:56,519 --> 00:41:01,920
There's also the Solomon Brown. It's a radio it's not

582
00:41:02,000 --> 00:41:04,880
quite a documentary, but it's a radio story. You can

583
00:41:04,920 --> 00:41:06,840
get it on the BBC Sounds app and we'll put

584
00:41:06,840 --> 00:41:09,199
a link in the show notes that tells even more

585
00:41:09,239 --> 00:41:13,760
of the human story that's around this and it's where

586
00:41:13,920 --> 00:41:16,480
we found some of these radio calls. Now these are

587
00:41:16,519 --> 00:41:19,519
the original radio calls from that evening. They were recorded

588
00:41:19,559 --> 00:41:22,280
by the Coast Guard, as they always are for rescue situations,

589
00:41:22,360 --> 00:41:25,519
and the BBC had access to them and we were

590
00:41:25,559 --> 00:41:32,239
able to get them via those shows. It's not a

591
00:41:32,360 --> 00:41:35,880
story that it doesn't have a happy ending, and it's

592
00:41:35,880 --> 00:41:39,360
an important story. It's an important story to well, the

593
00:41:39,440 --> 00:41:43,440
people of Mousel, the people of Cornwall, the R and

594
00:41:43,599 --> 00:41:47,760
l I, they raw a national lifeboat institution and weirdly enough,

595
00:41:47,800 --> 00:41:52,440
for our family and my family has become something linked

596
00:41:52,480 --> 00:41:56,559
with Christmas, because we are a Cornish family and this

597
00:41:58,599 --> 00:42:03,000
for some people, the loss of the Solomon Brown was

598
00:42:03,920 --> 00:42:06,480
the day that MOUs all changed and this tiny fishing

599
00:42:06,519 --> 00:42:11,440
village changed, and one member of my family described it

600
00:42:11,480 --> 00:42:15,280
as it's the death of the old Cornwall. And then

601
00:42:15,800 --> 00:42:19,840
on into the eighties and the nineties and the culture

602
00:42:19,840 --> 00:42:23,559
of Cornwall changed, and the people who lived and worked

603
00:42:23,599 --> 00:42:26,360
there gradually moved out or moved to other places, and

604
00:42:26,519 --> 00:42:29,679
their cottages down in the harbor and in the village

605
00:42:29,800 --> 00:42:33,039
became holiday homes and second homes and owned by somebody

606
00:42:33,079 --> 00:42:36,000
who visited maybe a couple of times a year, and

607
00:42:36,159 --> 00:42:41,719
had a nice painted fishing boy hanging outside and newly

608
00:42:41,800 --> 00:42:46,800
whitewashed windows, and had nothing of the people who had

609
00:42:46,880 --> 00:42:53,920
lived and died there. This whole story does seem like

610
00:42:54,039 --> 00:42:57,400
a bit of an odd fit for a podcast series

611
00:42:57,440 --> 00:43:02,280
which is about outdoor safety and survival and decision making,

612
00:43:02,400 --> 00:43:04,760
but well, really this is just.

613
00:43:06,400 --> 00:43:06,599
Speaker 6: For me.

614
00:43:06,719 --> 00:43:11,760
Speaker 1: It's a really good and personal story about decisions and

615
00:43:12,280 --> 00:43:15,719
making decisions, decisions you made days ago, and how they

616
00:43:16,760 --> 00:43:21,320
can come back to haunt you almost and also about

617
00:43:21,440 --> 00:43:27,199
sometimes those decisions they're not yours, they're made by something

618
00:43:27,280 --> 00:43:30,119
outside of you, a different force made by the sea,

619
00:43:30,800 --> 00:43:35,920
made by some other thing, and that just that day

620
00:43:36,599 --> 00:43:41,760
it decided this was going to be the outcome. The

621
00:43:42,119 --> 00:43:47,000
main source we had for the content for this episode

622
00:43:48,360 --> 00:43:51,400
was a book It's a Penley The Loss of a

623
00:43:51,480 --> 00:43:56,000
Lifeboat by Michael Segar Fenton, and that has the whole

624
00:43:56,119 --> 00:43:59,039
story in there. And if you are interested in learning

625
00:43:59,119 --> 00:44:02,559
more about this, then that listen to that radio show,

626
00:44:02,639 --> 00:44:05,440
listen to that, or watch that documentary, but go and

627
00:44:05,519 --> 00:44:08,159
pick up a copy of the book. It will It

628
00:44:08,320 --> 00:44:12,880
really lays out all aspects of this and it's it's

629
00:44:12,880 --> 00:44:16,119
a fascinating story, but also it's a really it's a

630
00:44:16,159 --> 00:44:20,360
really important story, I think as well. So I know

631
00:44:20,480 --> 00:44:27,800
that's not particularly jolly Christmas tale, but for some people

632
00:44:27,880 --> 00:44:32,800
that is Christmas. No matter what you're doing for Christmas

633
00:44:32,880 --> 00:44:35,800
this year, think about the people you have around you,

634
00:44:35,960 --> 00:44:38,639
think about the people you no longer have around you,

635
00:44:40,199 --> 00:44:42,840
and focus on the things that you can make positive

636
00:44:42,920 --> 00:44:47,840
changing and realize that there are some things that are

637
00:44:47,920 --> 00:44:51,079
just outside of you, but there are some things that

638
00:44:51,239 --> 00:44:55,239
you can do and you can make forward progress with,

639
00:44:55,840 --> 00:45:02,599
even if it's something small. So Mary ch Smith Nadolac Loewen,

640
00:45:04,119 --> 00:45:13,320
and we'll be back in the new year aboard the

641
00:45:13,440 --> 00:45:21,480
Union Star that night. Master Henry Mick Morton, mate James Whittaker,

642
00:45:22,400 --> 00:45:29,840
Engineer George Sedgwick, and the crew Agostino Verressimo and Manuel Lopez,

643
00:45:32,000 --> 00:45:42,280
Dawn Morton, Sharon Brown, Dianne Brown, the crew of the

644
00:45:42,360 --> 00:45:51,079
Solomon Brown Coxon, Trevalli and Richards second Cox Mechanic, Stephen Madron,

645
00:45:51,800 --> 00:45:58,519
second mechanic, Nigel Brockman, and the crew John Blewett, Charles Greenow,

646
00:45:59,320 --> 00:46:07,519
Kevin Smith, Barry Tory, Gary Wallace. And if during your

647
00:46:07,639 --> 00:46:11,840
Christmas merriment you pass the donation box for a volunteer

648
00:46:11,920 --> 00:46:16,760
search and rescue team, throw some money in because they

649
00:46:16,840 --> 00:46:17,639
might be out tonight.

