1 00:00:17,120 --> 00:00:22,039 Speaker 1: Wide awake, but my mind's in pieces, trying to slow 2 00:00:22,199 --> 00:00:24,480 down my stride. 3 00:00:25,440 --> 00:00:26,800 Speaker 2: You can't believe. 4 00:00:26,559 --> 00:00:35,200 Speaker 3: All the thoughts that film my side. Gotta feeling better. 5 00:00:35,280 --> 00:00:42,719 Speaker 1: I can't escape it rising deep in my mind. Maybe 6 00:00:42,960 --> 00:00:48,240 I don't want to no more. It's wasting too much time. 7 00:00:49,520 --> 00:00:55,119 Speaker 4: And it's all the times I shake, and it's all. 8 00:00:56,320 --> 00:01:01,960 Speaker 3: The fears I think, And it's cool down sun, make 9 00:01:02,119 --> 00:01:02,479 it so. 10 00:01:03,280 --> 00:01:11,079 Speaker 5: Right, And it's all the times are shake, and it's 11 00:01:11,439 --> 00:01:15,959 all the fierce are fake, and it's. 12 00:01:15,640 --> 00:01:18,480 Speaker 3: All the downs. 13 00:01:18,159 --> 00:01:44,560 Speaker 6: I make song. The terms of shake get. 14 00:01:46,879 --> 00:01:51,959 Speaker 3: A fierce are fake, and the chaps of. 15 00:01:52,159 --> 00:01:53,040 Speaker 6: Make it a. 16 00:01:58,200 --> 00:01:58,959 Speaker 2: One week. 17 00:01:59,200 --> 00:02:07,359 Speaker 3: But I'm trying silence. I can't confide. I can't believe 18 00:02:07,560 --> 00:02:10,360 when my thoughts a twisted. 19 00:02:10,039 --> 00:02:17,840 Speaker 1: Right well Frozenn, I'm catt inside. 20 00:02:17,960 --> 00:02:21,400 Speaker 3: It can't see past the lights. 21 00:02:23,439 --> 00:02:26,520 Speaker 1: Maybe I don't want to don't more. 22 00:02:26,840 --> 00:02:31,599 Speaker 3: It's waste it too much time, And it's. 23 00:02:31,479 --> 00:02:38,039 Speaker 4: All the times I shame, And it's all the fears 24 00:02:38,159 --> 00:02:44,520 I think, And it's all the townside make it all night, 25 00:02:47,439 --> 00:02:53,360 And it's all the times I shake, and it's all 26 00:02:54,280 --> 00:02:59,840 the fears I think, And it's all the touchside make. 27 00:03:00,080 --> 00:03:33,680 Speaker 3: It's a fake townside man. 28 00:03:41,520 --> 00:03:44,400 Speaker 2: That is all the times Temple Mountain, who is here 29 00:03:44,439 --> 00:03:46,840 with us in studio. We have Eric with from Temple 30 00:03:46,879 --> 00:03:49,159 Mountain with us in studio. Here we have entered our 31 00:03:49,240 --> 00:03:52,599 number three New Marrow trace of Matt Connorton unleashed and 32 00:03:52,639 --> 00:03:55,479 we are live from the studios of w m n 33 00:03:55,680 --> 00:03:59,560 H ninety five point three FM in Glorious Manchester, New Hampshire. 34 00:03:59,560 --> 00:04:01,599 Of course, you can stream the show from anywhere. Go 35 00:04:01,639 --> 00:04:04,439 to Matt connorton dot com slash live for all your 36 00:04:04,439 --> 00:04:07,840 live streaming options, social media links, contact info, show archives, 37 00:04:07,840 --> 00:04:10,159 et cetera, et cetera. It's our first show of the 38 00:04:10,159 --> 00:04:14,719 new year. Happy New Year, everybody. January third, twenty twenty six. 39 00:04:14,840 --> 00:04:17,879 Jenny is here, of course at the news table for 40 00:04:18,199 --> 00:04:22,000 I really love that song. I really I do too. Yes, yes, 41 00:04:22,040 --> 00:04:26,120 we have Eric, Eric, Eric Hannings now Eric Hanning. I 42 00:04:26,160 --> 00:04:29,600 was I was saying, I was saying off air when 43 00:04:29,600 --> 00:04:31,399 you got here, I said, I finally learned how to 44 00:04:31,439 --> 00:04:34,040 say your your last name, and then you changed it. 45 00:04:34,079 --> 00:04:38,199 Say the last name in Palamini, Many, Palamy. You didn't 46 00:04:38,240 --> 00:04:41,000 get it. It's Many, all right, Well never mind. 47 00:04:40,759 --> 00:04:43,959 Speaker 7: Everyone says, mean it should be Meani. Oh yeah, yeah, oh. 48 00:04:43,839 --> 00:04:46,160 Speaker 2: Okay, all right, well never mind. 49 00:04:46,160 --> 00:04:48,040 Speaker 7: Then I feel bad I corrected you on air. 50 00:04:48,279 --> 00:04:52,000 Speaker 2: That's that's okay. I mean I kind of set myself 51 00:04:52,079 --> 00:04:52,439 up for that. 52 00:04:54,800 --> 00:04:57,439 Speaker 7: Ah you did, you know what that's That's all that 53 00:04:57,480 --> 00:04:58,759 means is they took the right name. 54 00:04:59,040 --> 00:05:02,360 Speaker 2: Yeah, I mean yes, yeah, I remember you saying before 55 00:05:02,399 --> 00:05:04,560 on the show, because I think the last time you 56 00:05:04,600 --> 00:05:07,639 were on you you were not wedded yet. No, you 57 00:05:07,680 --> 00:05:10,319 were engaged. Yeah, but I but you would talked about that, 58 00:05:10,360 --> 00:05:12,000 how you were going to take her last name, which 59 00:05:12,040 --> 00:05:15,759 is unusual in our in our culture. But you you 60 00:05:15,800 --> 00:05:17,480 didn't really like your name. 61 00:05:17,560 --> 00:05:20,319 Speaker 7: No, and I liked I know how much she liked 62 00:05:20,319 --> 00:05:23,199 her name. Yeah, and uh, I don't know. It just 63 00:05:23,199 --> 00:05:26,639 felt right. Yeah, I felt right. And technically I'm still 64 00:05:27,439 --> 00:05:29,600 I'm not I'm technically handings now, but I'm technically in 65 00:05:29,639 --> 00:05:32,120 Polmont still. I have my We were just on our 66 00:05:32,120 --> 00:05:33,839 honeymoon and I didn't want to have to deal with 67 00:05:34,040 --> 00:05:35,959 changing my name and then the passport stuff. 68 00:05:36,040 --> 00:05:37,319 Speaker 2: Oh yeah, yeah. 69 00:05:38,240 --> 00:05:42,079 Speaker 7: So we ended up going I have my appointment with 70 00:05:42,120 --> 00:05:45,439 the Social Security this Monday. Okay, that's the first step. 71 00:05:45,639 --> 00:05:49,519 Speaker 2: Okay, yeah, yeah, is that a Is it a hassle? 72 00:05:49,639 --> 00:05:50,959 It must be yeah. 73 00:05:51,040 --> 00:05:55,920 Speaker 8: Yeah, Well when you get married, it's not as much. 74 00:05:56,240 --> 00:05:59,959 Speaker 7: So it's on my document, It's on my marriage certificates. 75 00:06:00,000 --> 00:06:02,839 So at least I have that as proof for change. Okay, 76 00:06:02,959 --> 00:06:04,480 but then I have to do so security, and I 77 00:06:04,480 --> 00:06:06,360 have to do my driver's license, and then from what 78 00:06:06,439 --> 00:06:08,600 I've understood, I have to do my bank accounts. And 79 00:06:08,639 --> 00:06:10,680 that's actually where it's like the most pain in the butt, 80 00:06:10,720 --> 00:06:11,199 oh is it? 81 00:06:11,639 --> 00:06:16,720 Speaker 8: Yeahah yeah, and now you have to prove so much more. 82 00:06:17,120 --> 00:06:20,439 Speaker 2: Yeah, it's a little harder, but you know it's worth it. Yeah. 83 00:06:20,639 --> 00:06:21,240 Well there you go. 84 00:06:21,279 --> 00:06:23,079 Speaker 3: Well I don't blame you. I don't blame you. 85 00:06:23,240 --> 00:06:27,800 Speaker 2: Yeah, lovely, I thank you. So we should talk about 86 00:06:27,959 --> 00:06:31,360 so the new ep A dress sharp. Yeah this this 87 00:06:31,439 --> 00:06:33,480 is really new, right, this just came out, came out 88 00:06:33,560 --> 00:06:35,600 on New Year's Eve. Oh so this this is as 89 00:06:35,600 --> 00:06:37,240 new as a guest. Oh yeah it was. 90 00:06:37,319 --> 00:06:37,560 Speaker 9: You know. 91 00:06:37,639 --> 00:06:41,720 Speaker 7: Twenty twenty five was literally the best year of my life. 92 00:06:41,800 --> 00:06:42,000 Speaker 10: Yeah. 93 00:06:42,399 --> 00:06:45,319 Speaker 7: I normally don't say that, but it was just I 94 00:06:45,360 --> 00:06:47,959 mean I saw both Paul Simon and Paul McCartney in 95 00:06:47,959 --> 00:06:49,959 one year, Like, yeah, you can't really get much better 96 00:06:50,000 --> 00:06:53,000 than that. Yeah, But so I just wanted to end 97 00:06:53,079 --> 00:06:54,600 the year on a high note. And this is an 98 00:06:54,600 --> 00:06:56,920 album I was working with with a producer. His name 99 00:06:57,000 --> 00:07:00,199 is Andrew Morrissey, and I've it was something that I 100 00:07:00,199 --> 00:07:02,759 always wanted to try and go out of my comfort zone, 101 00:07:02,839 --> 00:07:05,480 especially compared to my last album, which was much more 102 00:07:05,839 --> 00:07:08,560 of a low fi kind of organic. 103 00:07:09,920 --> 00:07:10,879 Speaker 2: Produced album. 104 00:07:10,959 --> 00:07:13,199 Speaker 7: This is kind of the exact opposite where it's like, 105 00:07:13,279 --> 00:07:16,480 how how much layer can we add to it? How 106 00:07:16,560 --> 00:07:19,560 much gloss can we put on the song? I'm really 107 00:07:19,560 --> 00:07:20,839 proud of it, to be honest with you. 108 00:07:20,959 --> 00:07:24,079 Speaker 2: Yeah, yeah, no, I love that song all the times. 109 00:07:24,120 --> 00:07:26,560 It's kind of you know, it's pop, but it's like 110 00:07:26,639 --> 00:07:30,360 it's like alternative pop. It's like you know it, yeah, 111 00:07:30,399 --> 00:07:35,279 it's it's it's interesting. It's a surprise first of all 112 00:07:35,319 --> 00:07:37,040 because when I when I played it the first time, 113 00:07:37,040 --> 00:07:39,120 I was like, oh, this is different for him. But 114 00:07:39,279 --> 00:07:43,360 also this is really interesting. The production is really interesting, 115 00:07:43,439 --> 00:07:45,000 and I did want to ask you about that especially. 116 00:07:45,000 --> 00:07:47,360 I love I love what happens when the guitar comes 117 00:07:47,360 --> 00:07:50,519 in at the end solo. Yeah yeah, yeah, I had 118 00:07:50,600 --> 00:07:50,839 you know. 119 00:07:51,240 --> 00:07:54,240 Speaker 7: There was a while where I was purchasing from Manchester 120 00:07:54,360 --> 00:07:58,240 Music Mill sponsor and not sponsored. I was really getting 121 00:07:58,279 --> 00:07:59,800 like a bunch of youth gear and I had this 122 00:08:00,240 --> 00:08:03,199 Paul with Demarcio pickups that I don't have anymore. And 123 00:08:03,319 --> 00:08:05,959 what's funny is the guitar actually had a malfunction on it, 124 00:08:06,079 --> 00:08:09,480 like there was some circuit or ground that wasn't attached 125 00:08:09,519 --> 00:08:11,639 to it, right, Yeah, So it just had this weird 126 00:08:11,800 --> 00:08:15,040 trebly in and out kind of sound, and I just 127 00:08:15,519 --> 00:08:19,639 I stacked it with some uh, I forget what overdrive 128 00:08:19,680 --> 00:08:22,079 I used, but I just I had this marshal and 129 00:08:22,160 --> 00:08:24,600 overdrive and we cranked it up in the studio. Yeah, 130 00:08:24,639 --> 00:08:26,639 and I just kind of played a guitar solo over 131 00:08:26,759 --> 00:08:29,319 and that's what you hear. That's why that huge feedbacks 132 00:08:29,360 --> 00:08:32,399 at the end. It was so it was just so loud. 133 00:08:32,879 --> 00:08:35,759 The other thing I'll say about that song is it 134 00:08:35,799 --> 00:08:39,039 was actually I wrote it because I have an obsession 135 00:08:39,159 --> 00:08:42,600 with like Eurodrans tracks from the early two thousands, Yeah, 136 00:08:42,639 --> 00:08:45,200 like Cascatta's every Time we Touched and stuff like that, 137 00:08:45,240 --> 00:08:46,679 and I was like, I want to write a song 138 00:08:46,799 --> 00:08:50,720 like that on the acoustic guitar. And that's what we were, 139 00:08:51,000 --> 00:08:53,159 you know, I don't know if we necessarily got there, yeah, 140 00:08:53,159 --> 00:08:55,679 but that was what your initial inspiration was. 141 00:08:55,799 --> 00:08:59,240 Speaker 2: Okay, Okay, is that is that the case with all 142 00:08:59,240 --> 00:09:01,200 these on the EP? You write them on the on 143 00:09:01,240 --> 00:09:04,039 the guitar first, they're all they're all on guitar first. 144 00:09:04,600 --> 00:09:06,840 I can't. I wouldn't. I wouldn't do it otherwise. 145 00:09:06,879 --> 00:09:08,879 Speaker 7: So the way that worked was I would send him 146 00:09:09,320 --> 00:09:13,320 Andrew the songs and then he would kind of layer 147 00:09:13,360 --> 00:09:15,440 it with production. Then I would go in one day 148 00:09:15,480 --> 00:09:17,840 and we would do vocal layers together and create all 149 00:09:17,840 --> 00:09:20,440 these kind of stacks on them. Okay, So it was 150 00:09:20,480 --> 00:09:23,720 a real collaboration, and uh, it was a It's a 151 00:09:23,759 --> 00:09:27,120 beautiful rapport and relationship that I'm so grateful to have. 152 00:09:27,200 --> 00:09:29,200 So shout out to Andrew. He's an amazing man. 153 00:09:29,360 --> 00:09:31,080 Speaker 2: Yeah. No, he did did a great job. Now how 154 00:09:31,080 --> 00:09:32,840 did you connect with him? As far as I'm producing 155 00:09:32,840 --> 00:09:33,320 the EP? 156 00:09:33,960 --> 00:09:34,080 Speaker 3: Uh? 157 00:09:34,360 --> 00:09:37,320 Speaker 7: I think I posted on Facebook saying like I'm looking 158 00:09:37,360 --> 00:09:39,879 for a producer. And then Dan Fallon, I don't know 159 00:09:39,919 --> 00:09:44,399 if you know that name, great man. He he he's 160 00:09:44,480 --> 00:09:48,480 Andrew's dance drummer. Andrew's a multi instrumentalist. The guy can 161 00:09:48,480 --> 00:09:51,639 play drums like. He's so talented that everything he does. 162 00:09:52,200 --> 00:09:54,159 And I sent him a song, the first song that 163 00:09:54,200 --> 00:09:58,440 we recorded, which is called the crowd and I wanted 164 00:09:58,480 --> 00:10:00,519 like a no such thing by John Air kind of 165 00:10:00,559 --> 00:10:02,279 song and held it in my opinion. 166 00:10:02,320 --> 00:10:06,240 Speaker 2: And yeah, yeah, Dan Fallon he's been oh run like 167 00:10:06,279 --> 00:10:09,000 thieves yeaheah. They were on the show. Yeah, and Jenny 168 00:10:09,039 --> 00:10:10,840 and I went to see them live too. Yeah, really 169 00:10:10,879 --> 00:10:13,120 really good? Was that at the BNH stage? 170 00:10:13,200 --> 00:10:15,480 Speaker 7: Yes, yeah, yeah, I missed that show unfortunately, but I 171 00:10:15,559 --> 00:10:17,399 really I'm a huge fan of Dan. 172 00:10:17,320 --> 00:10:22,080 Speaker 2: So yeah, yeah, all very talented. Yeah, yeah absolutely. And 173 00:10:22,120 --> 00:10:25,200 then why why an EP? Because Schema was your previous 174 00:10:25,360 --> 00:10:27,720 release was a full album? So why now? Why the 175 00:10:27,799 --> 00:10:29,879 choice to do an EP this time? I'm always curious 176 00:10:29,919 --> 00:10:32,679 about because there's so many different ways to approach it now. Yeah, 177 00:10:32,759 --> 00:10:34,200 it's just cost Yeah. 178 00:10:34,279 --> 00:10:37,679 Speaker 7: In fact, if I've the reason why I released it 179 00:10:37,679 --> 00:10:40,320 as an EP and not as individual singles is because 180 00:10:40,320 --> 00:10:43,519 I was so burnt out from this year that I 181 00:10:43,600 --> 00:10:46,120 kind of needed to. I've been taking a break, Like 182 00:10:46,759 --> 00:10:48,600 I came on here as kind of like it was 183 00:10:48,600 --> 00:10:50,759 a spontaneous women. I was like, I can't not go 184 00:10:50,879 --> 00:10:53,080 it's quit. Like, if the timing's just right, I had 185 00:10:53,120 --> 00:10:54,480 an EP release, let's do this. 186 00:10:54,639 --> 00:10:57,480 Speaker 2: Yeah yeah. But the truth is is, like I haven't 187 00:10:57,519 --> 00:11:03,879 been really very musically pushed okay lately. 188 00:11:04,159 --> 00:11:06,320 Speaker 7: Yeah, And so I just wanted to release it because 189 00:11:06,360 --> 00:11:08,120 I knew if I didn't release it, then it would 190 00:11:08,120 --> 00:11:10,200 always be out there in the zeitgeist. Then I would 191 00:11:10,200 --> 00:11:11,080 be thinking about. 192 00:11:10,879 --> 00:11:11,279 Speaker 2: All the time. 193 00:11:11,360 --> 00:11:13,679 Speaker 7: So, yeah, decided to push it out there. And uh, 194 00:11:14,440 --> 00:11:17,440 but you know, the record songs with higher production means 195 00:11:17,480 --> 00:11:19,679 there's also a higher cost when it comes to mastering 196 00:11:19,679 --> 00:11:24,240 and mixing. And I don't know, like albums aren't are 197 00:11:24,320 --> 00:11:25,919 kind of a thing of the past, aren't they. 198 00:11:26,320 --> 00:11:30,120 Speaker 2: You know, I don't know to a third degree, it depends. 199 00:11:30,159 --> 00:11:35,720 I mean, it's all perspective sometimes because you know, a 200 00:11:35,720 --> 00:11:38,399 lot of our guests, a lot of them do EPs, 201 00:11:38,679 --> 00:11:41,200 some of them, some of them just you know, there's 202 00:11:41,200 --> 00:11:43,200 a sort of it's different from how I was growing up, 203 00:11:43,240 --> 00:11:46,240 where you know, like an album would be coming out 204 00:11:46,360 --> 00:11:48,360 for a single goes to radio six eight weeks, and 205 00:11:48,399 --> 00:11:50,480 then the album comes out and if it all goes well, 206 00:11:50,519 --> 00:11:52,559 you might get a second single, a third single, Whereas 207 00:11:52,600 --> 00:11:54,600 now what a lot of artists are doing is, you know, 208 00:11:54,600 --> 00:11:56,600 they call it the waterfall effect. They're releasing a series 209 00:11:56,639 --> 00:11:58,840 of singles that eventually become an album. Yeah, it was 210 00:11:58,919 --> 00:12:01,399 just kind of the inversion of that. But but I 211 00:12:01,399 --> 00:12:03,159 don't know some of the some of the guests we have, 212 00:12:03,320 --> 00:12:05,360 they really feel like like it has to be an 213 00:12:05,399 --> 00:12:08,279 album because that's what they grew up with or that's 214 00:12:08,360 --> 00:12:11,840 what it's the art. Yeah, yeah, yeah, well. 215 00:12:11,679 --> 00:12:14,679 Speaker 7: And also the that's it's important to mention, like I 216 00:12:14,679 --> 00:12:16,960 think a lot of artists, including myself who have done it, 217 00:12:17,279 --> 00:12:20,720 we don't do the waterfall effects because that's how we 218 00:12:20,759 --> 00:12:23,679 want to release music. We do it because we live 219 00:12:23,679 --> 00:12:28,799 in a time of algorithmic pace production and apps, and 220 00:12:28,840 --> 00:12:31,559 that's how you can get your voice out there. And 221 00:12:32,320 --> 00:12:34,480 you know, when you see more than a thousand likes 222 00:12:34,519 --> 00:12:36,360 on your song, you get a dopamine high. 223 00:12:36,399 --> 00:12:41,320 Speaker 2: Of course this tastes good, of course. Yeah, that's why 224 00:12:41,360 --> 00:12:43,519 we do it. Well, I feel like that that's probably 225 00:12:43,559 --> 00:12:47,159 one of the hardest things about if you're if you're 226 00:12:47,159 --> 00:12:49,279 someone who writes a lot of music, or if or 227 00:12:49,279 --> 00:12:51,080 if you write and record music and then you want 228 00:12:51,120 --> 00:12:53,600 to you want to share it with the world as 229 00:12:53,639 --> 00:12:56,039 soon as possible, right, That's there has to be you know, 230 00:12:56,080 --> 00:12:58,759 there's a certain discipline when you're a when you're a 231 00:12:58,840 --> 00:13:02,879 musician where you have to nobody ever talks about this part. 232 00:13:02,879 --> 00:13:05,120 But for some reason, I've been thinking about this lately 233 00:13:05,120 --> 00:13:09,039 a lot where you you have to you know, you 234 00:13:09,080 --> 00:13:12,759 create something and and if you're proud of it, you 235 00:13:12,799 --> 00:13:16,360 want to share it with everybody, but you can't. You 236 00:13:16,440 --> 00:13:18,320 have to wait, you have to be you have to 237 00:13:18,320 --> 00:13:20,320 be strategic about it. I mean you don't have to be. 238 00:13:20,600 --> 00:13:22,399 I mean you can. You can just put whatever is 239 00:13:23,120 --> 00:13:24,559 you know, you can do it that way, and there's 240 00:13:24,559 --> 00:13:26,519 nothing wrong with that, But if you want to get 241 00:13:26,519 --> 00:13:28,960 the most out of it, it's like you because not 242 00:13:29,000 --> 00:13:30,320 only do you want people to hear it, but you 243 00:13:30,320 --> 00:13:32,399 want as many people as possible to hear it. You 244 00:13:32,399 --> 00:13:34,159 want to share it with as many people as possible, 245 00:13:34,159 --> 00:13:36,600 which means you do have to be strategic about it. 246 00:13:36,639 --> 00:13:40,799 And there is a discipline that comes with that, you know. Yeah, 247 00:13:40,840 --> 00:13:43,120 And there's also an ego that comes with that, isn't there? 248 00:13:43,240 --> 00:13:43,559 Speaker 4: M m? 249 00:13:43,919 --> 00:13:44,360 Speaker 2: Yeah? 250 00:13:44,440 --> 00:13:48,919 Speaker 7: Because you know where is the It's the catharsis in 251 00:13:48,960 --> 00:13:51,039 the making of the music, or is the catharis in 252 00:13:51,120 --> 00:13:53,919 the population of ears? 253 00:13:53,960 --> 00:13:55,399 Speaker 2: You know, right? Right? 254 00:13:55,559 --> 00:14:00,240 Speaker 7: Yeah, absolutely think about that. I mean, I've been kind 255 00:14:00,279 --> 00:14:02,639 of transitioning. I'm almost done with grad school, so I've 256 00:14:02,679 --> 00:14:04,440 been transitioning into my job. 257 00:14:04,240 --> 00:14:06,440 Speaker 2: Of oh therapist, congratulations, thanks you. 258 00:14:06,799 --> 00:14:11,200 Speaker 7: And so I think about this stuff a lot now, Like, Yeah, 259 00:14:11,279 --> 00:14:13,000 one of the reasons why I slowed down was because 260 00:14:13,000 --> 00:14:15,279 I had to ask myself, like, how good, how healthy 261 00:14:15,360 --> 00:14:18,519 is this for me to like do like three shows 262 00:14:18,559 --> 00:14:20,879 a week and like gues, the crowds are so happy 263 00:14:20,879 --> 00:14:23,519 to giving you all this positive feedback, but it's like 264 00:14:25,360 --> 00:14:28,960 it's hard to explain, but there there's a structural balance 265 00:14:29,000 --> 00:14:31,159 that could be a little bit tricky with that, you know, 266 00:14:31,240 --> 00:14:34,799 especially with someone like myself who can have an ego 267 00:14:35,039 --> 00:14:38,200 and I mean we all do and maybe has an 268 00:14:38,240 --> 00:14:40,480 awareness of it and wants to keep it in check. 269 00:14:40,559 --> 00:14:46,600 Speaker 2: Right right, Yeah? Absolutely? Are you Have you been surprised 270 00:14:46,639 --> 00:14:49,759 at all about the the end result of this, because 271 00:14:49,799 --> 00:14:51,639 this is a this is a departure for you, this 272 00:14:51,720 --> 00:14:55,399 ep like going into these songs, any of these songs. 273 00:14:55,440 --> 00:14:58,799 Did you at the end of it? Did you go, Wow, 274 00:14:58,879 --> 00:15:01,639 that turned out different than I I mean, I assume 275 00:15:01,679 --> 00:15:03,159 you were happy with how they all turned out or 276 00:15:03,159 --> 00:15:05,720 you wouldn't put them out, But but were you surprised 277 00:15:05,720 --> 00:15:07,559 at at what they turned out to be? 278 00:15:08,039 --> 00:15:12,039 Speaker 7: No, I'm really proud because I think I always wanted 279 00:15:12,080 --> 00:15:16,279 to do music like this, like again, like kind of poppy, 280 00:15:16,440 --> 00:15:21,320 kind of not overproduced but very produced. Yeah, and I 281 00:15:21,360 --> 00:15:25,840 feel like that I always had this insecurity of I 282 00:15:25,879 --> 00:15:28,240 can't do this, I'm really Yeah. So I think that 283 00:15:28,879 --> 00:15:33,120 doing it was a real again cathartic moment, allowing myself 284 00:15:33,200 --> 00:15:36,480 to say, you know, you can do whatever voice you 285 00:15:36,519 --> 00:15:37,159 want to have. 286 00:15:37,080 --> 00:15:39,399 Speaker 2: In this world. Yeah, and you can talk about whatever 287 00:15:39,440 --> 00:15:39,840 you want. 288 00:15:40,039 --> 00:15:43,840 Speaker 7: Yeah, and you could have opinions and think about these things. 289 00:15:44,080 --> 00:15:45,360 Speaker 2: Yeah. 290 00:15:44,679 --> 00:15:47,919 Speaker 7: I think I went into it knowing this is the 291 00:15:48,000 --> 00:15:49,879 sound I wanted to have, which was like a John 292 00:15:49,919 --> 00:15:54,919 Mayer meets Dave Matthews meets like kind of like in 293 00:15:55,080 --> 00:15:59,120 sync kind of thing. And you know it, I like 294 00:15:59,200 --> 00:16:02,679 it And if people don't like it, not that I 295 00:16:02,720 --> 00:16:05,600 have been getting really great positive response, yeah, but it's 296 00:16:05,600 --> 00:16:06,879 like I just don't care anymore. 297 00:16:07,320 --> 00:16:09,440 Speaker 2: Yeah. Well that's the best way to approach it, right. 298 00:16:09,519 --> 00:16:11,960 Speaker 7: I Mean it's nice though, because when you play a 299 00:16:11,960 --> 00:16:14,360 lot of gigs you don't feel that way. Sometimes you 300 00:16:14,519 --> 00:16:16,399 are basing your life on like, oh, I hope the 301 00:16:16,440 --> 00:16:17,279 audience likes me. 302 00:16:17,840 --> 00:16:20,039 Speaker 2: Well, there is that idea too. I've heard Billy Joel 303 00:16:20,080 --> 00:16:21,759 say this, and I think I've heard Trent Reznors say 304 00:16:21,840 --> 00:16:25,360 this too, in different ways, but the idea that when 305 00:16:25,360 --> 00:16:27,279 you're creating the music in the studio, you got to 306 00:16:27,279 --> 00:16:29,240 create it for yourself. You can't do it to please 307 00:16:29,279 --> 00:16:31,799 anybody else. You have to make music that you're passionate about. 308 00:16:32,039 --> 00:16:36,000 But then when you go to play live, that that's 309 00:16:36,639 --> 00:16:38,240 then you got to be thinking about the other way. 310 00:16:38,279 --> 00:16:39,879 You got to be thinking about what's going to make 311 00:16:39,879 --> 00:16:42,480 the audience happy. Yeah, and I agree with that. 312 00:16:42,519 --> 00:16:46,279 Speaker 7: I think the difference between myself and those artists is 313 00:16:46,360 --> 00:16:48,559 when the reason why they feel that way is because 314 00:16:48,600 --> 00:16:51,200 people pay like three hundred dollars a ticket, right where 315 00:16:51,679 --> 00:16:53,919 when I'm at a bar, I mean there, I'm getting 316 00:16:54,000 --> 00:16:55,480 paid just to be there. 317 00:16:55,519 --> 00:16:59,720 Speaker 2: So it's it's complicated my point. Yeah, yeah, absolutely absolutely. 318 00:17:00,080 --> 00:17:02,440 But but so you always wanted to do an EP 319 00:17:02,679 --> 00:17:04,799 like this or something like this? Yeah? 320 00:17:04,960 --> 00:17:07,000 Speaker 7: Absolutely, I always wanted to do it like an early 321 00:17:07,000 --> 00:17:09,880 two thousands pop record, No kidding, Yeah, still do. I 322 00:17:09,880 --> 00:17:12,200 mean I'm actually going back into the studio next month, 323 00:17:12,240 --> 00:17:14,359 and oh wow, yeah I want it. 324 00:17:14,440 --> 00:17:14,759 Speaker 2: Uh. 325 00:17:14,799 --> 00:17:19,319 Speaker 7: It's funny as I get older because and I'm not 326 00:17:19,400 --> 00:17:21,559 like an amazing guitar player any means but like I 327 00:17:21,640 --> 00:17:26,440 have my finesse. Yeah, and I find that my writing 328 00:17:26,480 --> 00:17:29,000 becomes less focused on that as I get older, Like 329 00:17:29,039 --> 00:17:32,160 I'm much more interested in, like, how can I use 330 00:17:32,200 --> 00:17:34,640 the Cowboy chords in a way that's kind of new 331 00:17:34,680 --> 00:17:39,160 and refreshing but still like very relaxing. 332 00:17:39,440 --> 00:17:40,440 Speaker 2: Yeah, to do it for me? 333 00:17:40,559 --> 00:17:40,759 Speaker 10: Yeah? 334 00:17:40,799 --> 00:17:45,200 Speaker 2: Yeah, what's interesting about to your earlier work, you know, 335 00:17:45,480 --> 00:17:47,880 because we've well you've played live in studio too, but 336 00:17:47,920 --> 00:17:51,440 we've also played studio tracks from Schema and and at 337 00:17:51,480 --> 00:17:53,440 that time, you were going for that kind of lo fi, 338 00:17:54,279 --> 00:17:57,279 which is not easy to pull off necessarily because when 339 00:17:57,400 --> 00:18:00,240 you know, when we say lo fi, you know, don't 340 00:18:00,319 --> 00:18:02,880 just mean you know, because someone who hasn't heard it 341 00:18:02,960 --> 00:18:05,240 might think, oh, so, what is it just demos that 342 00:18:05,319 --> 00:18:07,680 don't sound that great or whatever, But no, there's an 343 00:18:07,799 --> 00:18:12,759 art to getting that sound too, to actually doing it right. 344 00:18:14,160 --> 00:18:19,680 And I always thought that was you know, ambitious, you know, 345 00:18:20,359 --> 00:18:22,359 on your part to do that and and and the 346 00:18:22,400 --> 00:18:23,599 result was great, you know. 347 00:18:23,880 --> 00:18:26,799 Speaker 7: You know, I always liked like artists like Elliott Smith, who, like, 348 00:18:26,960 --> 00:18:29,640 you know, his first three albums are very low five, 349 00:18:29,680 --> 00:18:32,440 but then he did Figure eight and he did XO 350 00:18:32,559 --> 00:18:35,799 and those are highly produced Records. Yeah, you know, I 351 00:18:36,240 --> 00:18:38,799 didn't want to do the same thing twice. Yeah, And 352 00:18:39,119 --> 00:18:41,160 I actually tried doing that. I went to a studio 353 00:18:41,200 --> 00:18:44,279 and I recorded. I tried to do another schema, and 354 00:18:44,319 --> 00:18:47,000 it just felt it. It's not that it felt ingenuine. 355 00:18:47,039 --> 00:18:49,319 It just felt very repetition. 356 00:18:49,599 --> 00:18:49,880 Speaker 2: Really. 357 00:18:50,000 --> 00:18:52,359 Speaker 7: Yeah, like I felt like I'm here before one of 358 00:18:52,400 --> 00:18:54,000 the things that there was a song that came out 359 00:18:54,000 --> 00:18:56,200 of that, which is called Stacy's Song that's on Spotify 360 00:18:56,279 --> 00:18:58,599 and that I'm I love that song, but. 361 00:19:00,240 --> 00:19:02,359 Speaker 2: I don't know. I it's like, you. 362 00:19:02,319 --> 00:19:06,599 Speaker 7: Know, once you now that I've tasted production, it's hard 363 00:19:06,640 --> 00:19:08,799 to go back from it, right right, It'd be hard 364 00:19:08,799 --> 00:19:10,440 for me to make a lo fi album now now 365 00:19:10,440 --> 00:19:14,319 that I know what my voice sounds like with you know, orchestration. 366 00:19:14,559 --> 00:19:17,240 Speaker 2: Yeah, yeah, well we should play another track from this 367 00:19:17,960 --> 00:19:19,960 of course? Should we play? Well, we could play the 368 00:19:20,000 --> 00:19:22,480 next one in the eph the crowd. Uh do you 369 00:19:22,519 --> 00:19:24,920 want to pa? How about there's a song I did. 370 00:19:25,000 --> 00:19:27,880 You've actually had her on the show. Her name's kat Ivy. Yeah. 371 00:19:28,599 --> 00:19:30,400 We did a song together on the EP. It's called 372 00:19:30,680 --> 00:19:34,559 No collect Calls. Oh yeah, oh oh yeah, she was great. 373 00:19:34,680 --> 00:19:36,799 Yeah that was that was a while ago. What was 374 00:19:36,799 --> 00:19:39,240 maybe a year ago she was on Yeah, she was fantastic, 375 00:19:39,240 --> 00:19:41,240 So I didn't realize that was her on this track 376 00:19:41,279 --> 00:19:44,519 with you. Oh very cool. Yeah, let's give this a spin. Excellent. 377 00:19:44,640 --> 00:19:48,440 So this is kat Ivy? Is she the only sort 378 00:19:48,440 --> 00:19:49,839 of a guest artist on the EP? 379 00:19:50,039 --> 00:19:50,200 Speaker 10: Yeah? 380 00:19:50,279 --> 00:19:50,400 Speaker 9: Uh? 381 00:19:51,400 --> 00:19:55,119 Speaker 7: On my song Prozac, I have a guitar solo that 382 00:19:55,240 --> 00:19:58,200 was done by the Whole loafs band, a band called 383 00:19:58,240 --> 00:20:00,680 the Whole Loaf. Their guitar player on the show Really 384 00:20:00,759 --> 00:20:03,839 Yeah yeah Kyle the guitar player Krosskey. Uh, he played 385 00:20:03,839 --> 00:20:04,880 the guitar saloon pros that. 386 00:20:05,079 --> 00:20:07,119 Speaker 2: Oh, very cool. We'll have to spend that one later too, 387 00:20:07,440 --> 00:20:10,720 but great. So this is uh, this is Temple Mountain 388 00:20:10,759 --> 00:20:13,799 with kat Ivy on this track from the new EP, 389 00:20:14,319 --> 00:20:16,759 Dress Sharp. This is called no collect Call. 390 00:20:32,240 --> 00:20:32,279 Speaker 11: M. 391 00:20:38,559 --> 00:20:41,480 Speaker 12: I have a dream to make it, but this feeling 392 00:20:41,559 --> 00:20:49,160 that I can't shake today. With every step I make, 393 00:20:50,000 --> 00:20:56,920 there's always something new in my way with. 394 00:20:57,039 --> 00:20:58,000 Speaker 6: The future here too. 395 00:20:59,160 --> 00:21:04,319 Speaker 13: Nigga's words are monsty. 396 00:21:06,240 --> 00:21:07,400 Speaker 12: The father was so let it go? 397 00:21:08,400 --> 00:21:11,039 Speaker 6: Then who is truly letting life? 398 00:21:17,079 --> 00:21:17,319 Speaker 11: Well? 399 00:21:17,400 --> 00:21:19,519 Speaker 3: I guess so fun my. 400 00:21:19,880 --> 00:21:29,640 Speaker 14: Way on my own, the fun, the way. 401 00:21:35,599 --> 00:21:44,839 Speaker 3: All your words day of pit emptually our prey with 402 00:21:45,079 --> 00:22:13,759 this like fun have a mother monacle, but my mother's 403 00:22:13,839 --> 00:22:20,720 a sat this one because you. 404 00:22:20,759 --> 00:22:23,480 Speaker 1: Want to move, Oh you want to do. 405 00:22:25,000 --> 00:22:25,359 Speaker 3: Straight? 406 00:22:28,920 --> 00:22:39,200 Speaker 6: And I try try, try to you, and I try to. 407 00:22:39,279 --> 00:22:50,599 Speaker 3: Try, try try as he still well, I guess so 408 00:22:51,079 --> 00:23:02,400 fun away on my own fine away. 409 00:23:07,799 --> 00:23:09,200 Speaker 6: All your words. 410 00:23:10,960 --> 00:23:18,440 Speaker 3: Wake up to the play will slide around? 411 00:23:19,960 --> 00:23:38,400 Speaker 10: When will that? 412 00:23:38,839 --> 00:23:39,000 Speaker 5: Ess? 413 00:23:40,000 --> 00:23:42,519 Speaker 11: I'll find uh? 414 00:23:47,400 --> 00:23:47,680 Speaker 6: Will that? 415 00:23:47,960 --> 00:24:06,000 Speaker 11: Jess oh fine? Y will that jess oh fine? Will 416 00:24:06,119 --> 00:24:09,400 not just oh fine. 417 00:24:10,920 --> 00:24:26,960 Speaker 3: Way? Where I guess some fine way? Oh no, no, 418 00:24:27,519 --> 00:24:29,400 no fine go away? 419 00:24:35,720 --> 00:24:36,799 Speaker 9: Or the words. 420 00:24:38,400 --> 00:24:45,759 Speaker 3: I'll get done to him? This ladder? 421 00:24:56,599 --> 00:24:59,799 Speaker 11: Will I guess? Oh fine? 422 00:25:01,680 --> 00:25:07,920 Speaker 3: Why that? Yess oh? 423 00:25:08,759 --> 00:25:17,200 Speaker 2: Find moum way? Oh that is really nice, Thank you, 424 00:25:17,359 --> 00:25:22,079 really nice. Temple Mountain with kat Ivy on that one. Yeah, 425 00:25:22,400 --> 00:25:24,680 how did that come about? You're you're collaborating with her 426 00:25:24,720 --> 00:25:25,200 on that song? 427 00:25:25,680 --> 00:25:28,119 Speaker 7: We've been We just hit it off right away. Yeah 428 00:25:29,319 --> 00:25:33,559 we Where did we first meet? I have no memory 429 00:25:33,599 --> 00:25:35,640 of how we first met. I'm sure she does. But 430 00:25:36,519 --> 00:25:40,200 we did a show together in Wilton, New Hampshire at 431 00:25:40,240 --> 00:25:42,119 place called the Listening Room with Darling Hill. 432 00:25:42,279 --> 00:25:45,839 Speaker 2: Yes, yes, and we just we've started. 433 00:25:46,319 --> 00:25:48,359 Speaker 7: I was like, I loved her voice to me, it's 434 00:25:49,400 --> 00:25:54,000 original and really kind of complimentary towards my own kind 435 00:25:54,039 --> 00:25:56,599 of style. And I asked if she would do and 436 00:25:56,680 --> 00:26:00,200 she said of course, and she was. She helped write 437 00:26:00,240 --> 00:26:03,640 it with me. We did some like webcam sessions together 438 00:26:03,799 --> 00:26:08,920 to kind of discuss certain arrangements, and ye, she came 439 00:26:09,000 --> 00:26:11,599 to the she came to Andrew's place, and we really 440 00:26:11,759 --> 00:26:15,400 just banged it out and lyrically. It had to be 441 00:26:15,480 --> 00:26:19,799 about something that we both kind of agree with, and 442 00:26:19,880 --> 00:26:23,319 the songs kind of about are dislike for certain things 443 00:26:23,359 --> 00:26:24,799 in the music business. 444 00:26:25,039 --> 00:26:27,359 Speaker 2: Yeah, so interesting. Yeah, yeah, so. 445 00:26:29,880 --> 00:26:32,039 Speaker 7: The I'm not I won't explain it on there, but 446 00:26:32,160 --> 00:26:34,440 all I'll say is the title of the song is 447 00:26:34,440 --> 00:26:35,559 a bit of a hidden message. 448 00:26:35,839 --> 00:26:39,960 Speaker 2: Okay, okay when you talk about like things that that 449 00:26:40,160 --> 00:26:42,119 you both don't like in the music business, like what 450 00:26:42,160 --> 00:26:42,559 do you mean? 451 00:26:42,720 --> 00:26:42,880 Speaker 11: Like what? 452 00:26:43,160 --> 00:26:43,279 Speaker 3: Uh? 453 00:26:43,720 --> 00:26:44,680 Speaker 2: I think both of us. 454 00:26:44,680 --> 00:26:48,599 Speaker 7: Were really frustrated with the fact that, you know, as 455 00:26:48,640 --> 00:26:51,440 a musician, especially in a local town, I want to 456 00:26:52,400 --> 00:26:54,640 if I'm booking a show with someone, I want to 457 00:26:54,880 --> 00:27:00,680 have a relationship with the venue, And unfortunately you can't 458 00:27:00,720 --> 00:27:02,880 do that with a lot of places around here because 459 00:27:02,920 --> 00:27:06,480 they work with other people. Right, So it's like there's 460 00:27:06,519 --> 00:27:09,680 a middle man, and then you're giving this middleman some 461 00:27:09,799 --> 00:27:12,799 money and for what why am I giving you money? 462 00:27:12,799 --> 00:27:13,559 Speaker 2: I don't understand that. 463 00:27:14,359 --> 00:27:16,839 Speaker 7: It was about that and things that I've done, you know, 464 00:27:17,119 --> 00:27:20,119 so like it was just it was a song about frustration. 465 00:27:20,440 --> 00:27:22,720 Speaker 2: Okay, okay, that makes sense. By the way, I just 466 00:27:23,039 --> 00:27:24,440 as you were talking to it just occurred to me 467 00:27:24,880 --> 00:27:27,440 because we had had kat Ivy on the show. I 468 00:27:27,519 --> 00:27:29,519 think we met her through you, right or did we 469 00:27:29,599 --> 00:27:32,920 mean or something? I like, I like to send people 470 00:27:32,960 --> 00:27:35,000 your way because does she kind of live out your 471 00:27:35,039 --> 00:27:39,519 way too? Isn't she from that close to here? Lounderry? 472 00:27:39,680 --> 00:27:42,279 Oh okay? Oh yeah, very okay, Yeah, but I think 473 00:27:42,319 --> 00:27:47,160 we met her through you. Yeah, so that that makes sense. Yeah, yeah, absolutely, no, 474 00:27:47,319 --> 00:27:51,440 that that came out great, that's that's yeah, that's a 475 00:27:51,559 --> 00:27:55,359 that's a wonderful song. Thank you, absolutely absolutely. Now, So 476 00:27:55,519 --> 00:27:58,319 what's like, what does this next year look like for 477 00:27:58,400 --> 00:28:00,559 you as far as playing shows? Are you to be uh, 478 00:28:01,119 --> 00:28:03,480 you're gonna be doing a lot of shows or doesn't know? Yeah, 479 00:28:03,519 --> 00:28:06,119 because you mentioned you were a little burnt out. Yeah 480 00:28:06,279 --> 00:28:06,960 this past year. 481 00:28:07,079 --> 00:28:09,680 Speaker 7: Yeah, I did like one hundred and sixty shows last year. Yeah, 482 00:28:09,880 --> 00:28:12,799 like two three hour shows. Wow, I did there. There 483 00:28:12,839 --> 00:28:14,480 was one day where I had four shows in a row, 484 00:28:14,599 --> 00:28:16,559 and I think most of them are three hours long. 485 00:28:16,960 --> 00:28:20,799 Speaker 2: Wait, so for four shows in one day or yeah, 486 00:28:20,799 --> 00:28:22,960 four shows and four shows in one day, yeah, like 487 00:28:23,000 --> 00:28:25,039 two farmers' markets in the morning and then two shows 488 00:28:25,079 --> 00:28:27,480 in the afternoon. Good lord. Yeah, it must have been 489 00:28:27,480 --> 00:28:29,519 in the summertime, right, it was summertime. Yeah, yeah, that's 490 00:28:29,519 --> 00:28:30,880 the only time that would happen. Yeah. 491 00:28:30,920 --> 00:28:31,119 Speaker 3: Yeah. 492 00:28:31,559 --> 00:28:35,400 Speaker 7: Wow, it's hard, you know, the music industry, the music, 493 00:28:35,480 --> 00:28:39,440 but the scene has changed, even I've only been doing 494 00:28:39,480 --> 00:28:42,240 it for two years and I'm noticing differences. Yeah, and uh, 495 00:28:43,039 --> 00:28:45,319 there's a huge saturation of artists at the moment, which 496 00:28:45,359 --> 00:28:49,039 is a really beautiful thing, like anyone can do this. Yeah, 497 00:28:49,200 --> 00:28:51,240 but it just means that you have to really hustle 498 00:28:51,400 --> 00:28:54,119 to get gigs. Oh yeah, I have a job at 499 00:28:54,160 --> 00:28:57,519 the moment. I'm an intern for a therapy agency, and 500 00:28:57,640 --> 00:29:01,599 it's like, when I get home, there's other things in 501 00:29:01,720 --> 00:29:04,039 my life that I want to make sure that I'm doing, 502 00:29:04,200 --> 00:29:07,880 which is spend time with family and my cats and 503 00:29:08,000 --> 00:29:09,960 make sure I'm taking better care of my health, which 504 00:29:10,000 --> 00:29:12,160 I've started doing about two months ago. 505 00:29:12,839 --> 00:29:17,319 Speaker 2: So I don't know yet. I think I think I 506 00:29:17,440 --> 00:29:18,880 am limiting myself to gigs. 507 00:29:18,920 --> 00:29:21,599 Speaker 7: I have gigs. I have a show tonight, for example, But. 508 00:29:21,880 --> 00:29:24,039 Speaker 2: Where are you playing tonight? We should plug that at 509 00:29:24,079 --> 00:29:27,839 the Whiskey Tavern in Laconia. Okay, okay, excellent, But. 510 00:29:28,720 --> 00:29:33,000 Speaker 7: I'm kind of willing to diminish playing live. I'm going 511 00:29:33,079 --> 00:29:35,559 to go into the studio and record some songs, yeah, 512 00:29:35,759 --> 00:29:37,880 and focus on that for a little bit and then 513 00:29:38,599 --> 00:29:39,519 see where that takes me. 514 00:29:39,759 --> 00:29:40,000 Speaker 2: Yeah. 515 00:29:40,240 --> 00:29:43,119 Speaker 7: I've done almost everything I wanted to do musically in 516 00:29:43,240 --> 00:29:45,400 this state, and I'm very proud of that. Yeah, and 517 00:29:45,559 --> 00:29:48,000 so I don't mind taking a bit of a break. 518 00:29:48,279 --> 00:29:52,880 Speaker 2: Yeah, yeah, absolutely. The songs that are on the CP 519 00:29:54,079 --> 00:29:56,839 will you be? I mean, how does the what's the 520 00:29:56,920 --> 00:29:59,519 process of sort of translating those who like, if it's 521 00:29:59,559 --> 00:30:02,720 just you and a guitar live? Is that easy to 522 00:30:03,960 --> 00:30:04,400 I think so. 523 00:30:06,240 --> 00:30:09,160 Speaker 7: Because they were written originally, and like you've seen my 524 00:30:09,240 --> 00:30:12,160 guitar playing. I'm not someone that just like drums the chord. 525 00:30:12,960 --> 00:30:14,559 So for example, that song has a lot of two 526 00:30:14,599 --> 00:30:17,160 hands tapping in it. Yeah, so I do that live, 527 00:30:17,359 --> 00:30:22,519 and the arrangement is based on the guitar riffs first 528 00:30:22,559 --> 00:30:28,079 and foremost. So you're you know, because the foundation is 529 00:30:28,200 --> 00:30:31,480 already there, it's kind of easy to emulate it so 530 00:30:33,200 --> 00:30:35,240 now to a certain degree. So for example, I think 531 00:30:35,279 --> 00:30:37,359 my favorite song on the album is a song called Prozac, 532 00:30:37,839 --> 00:30:39,359 And if you listen to the song, it has a 533 00:30:39,440 --> 00:30:41,880 bit of a I don't know if caribbean is the 534 00:30:41,960 --> 00:30:43,759 right word, but like it reminds me of like Little 535 00:30:43,799 --> 00:30:46,599 Mermaid under the Sea. It has that kind of sound 536 00:30:46,680 --> 00:30:49,680 to it. When you play it live, it sounds more 537 00:30:49,720 --> 00:30:54,039 like John Mayer's Neon. But I think they translate still 538 00:30:54,279 --> 00:30:56,079 like you wouldn't You wouldn't be like, oh, that's a 539 00:30:56,119 --> 00:30:58,599 totally different song. Okay, it's still the same song because 540 00:30:58,599 --> 00:30:59,599 the grief is still there. 541 00:31:00,079 --> 00:31:03,160 Speaker 2: Uh yeah, should we? Maybe we should play that one next? 542 00:31:03,200 --> 00:31:04,880 You want to want to give that one a spence? Sure? 543 00:31:05,599 --> 00:31:08,039 If you're just joining us, Temple Mountain is here, Eric 544 00:31:08,079 --> 00:31:10,480 from Temple Mountain. We should clarify to for a new 545 00:31:10,680 --> 00:31:12,160 You've been on the show a bunch now, but for 546 00:31:12,359 --> 00:31:13,920 but for people who don't know, why are you called 547 00:31:13,960 --> 00:31:14,640 Temple Mountain? 548 00:31:15,359 --> 00:31:15,480 Speaker 3: Uh? 549 00:31:16,039 --> 00:31:18,319 Speaker 7: Because I say, but at the time, I was a 550 00:31:18,400 --> 00:31:22,000 case manager and I just don't you know, you don't 551 00:31:22,039 --> 00:31:24,880 want you want to be able to separate your life 552 00:31:24,920 --> 00:31:27,279 a little bit. Yeah, so having And you know, I 553 00:31:27,400 --> 00:31:29,279 grew up watching a lot of power Rangers, so I 554 00:31:29,359 --> 00:31:31,599 always have been into like alter egos. 555 00:31:31,640 --> 00:31:34,640 Speaker 2: I guess, yeah, yeah, yeah, all right, well very good, 556 00:31:34,799 --> 00:31:36,359 very good. All right. So this is from the new 557 00:31:36,400 --> 00:31:38,920 EP Dress Sharp. This is Temple Mountain and this track 558 00:31:39,039 --> 00:31:39,839 is called Prozac. 559 00:31:59,359 --> 00:32:03,680 Speaker 3: This has lost its way words. 560 00:32:08,160 --> 00:32:16,200 Speaker 13: Shouting loud, run but I can't be here. Did I 561 00:32:16,519 --> 00:32:21,839 fall from those magic curves? Did I get all that 562 00:32:22,200 --> 00:32:37,400 anti jet she would plant to roll around my mind? 563 00:32:39,279 --> 00:32:41,240 Speaker 2: Did the voices were so loud? 564 00:32:43,720 --> 00:32:46,839 Speaker 3: Now I don't ship tear from my eyes. 565 00:32:48,279 --> 00:32:50,079 Speaker 2: I don't want to so any hell. 566 00:32:52,000 --> 00:32:57,880 Speaker 3: Choices cute made now all up here. 567 00:32:58,119 --> 00:33:10,000 Speaker 14: You say, I'm not okay. No, I'm not oh okay. 568 00:33:11,640 --> 00:33:14,880 I'm not oh okay. 569 00:33:16,480 --> 00:33:19,240 Speaker 3: Factual without you. 570 00:33:19,599 --> 00:33:20,839 Speaker 2: I'm not okay. 571 00:33:30,319 --> 00:33:33,000 Speaker 3: Su stay generation in words. 572 00:33:34,880 --> 00:33:45,599 Speaker 15: Simultaneously outside, separated from my aboudy, I struggling to rise. 573 00:33:47,319 --> 00:33:49,240 Speaker 9: The choices cu. 574 00:33:51,880 --> 00:33:53,440 Speaker 3: Now al up here. 575 00:33:53,640 --> 00:33:58,920 Speaker 6: You say, I am not. 576 00:34:00,960 --> 00:34:07,720 Speaker 3: Jams, I'm not. 577 00:34:09,920 --> 00:34:12,519 Speaker 5: J Thatt. 578 00:34:14,360 --> 00:34:16,639 Speaker 6: Thatt you, I'm not O Jay. 579 00:34:29,320 --> 00:34:47,800 Speaker 14: Liter not. 580 00:34:56,440 --> 00:34:58,760 Speaker 3: Session queen. 581 00:35:00,079 --> 00:35:13,599 Speaker 2: Oh kay. That is Brozac. That is from the new 582 00:35:13,679 --> 00:35:17,840 EP from Temple Mountain called a Dress Sharp and very 583 00:35:17,920 --> 00:35:20,440 very catchy. I like that a lot, Thank you. So 584 00:35:20,880 --> 00:35:23,519 what's the genesis of the Uh why is it called 585 00:35:23,719 --> 00:35:24,280 dress sharp? 586 00:35:25,119 --> 00:35:25,239 Speaker 7: Uh? 587 00:35:25,440 --> 00:35:25,920 Speaker 2: It's asked. 588 00:35:26,000 --> 00:35:29,159 Speaker 7: So there's a line in the crowd this on the 589 00:35:29,159 --> 00:35:30,840 crowd that says dress sharp. But that's not why I 590 00:35:30,920 --> 00:35:33,800 called it that. I asked a friend of mine to 591 00:35:33,840 --> 00:35:36,760 do the album artworker. Name's Casey Arnold. She's an incredible 592 00:35:36,800 --> 00:35:40,519 local artist. Uh strong shout out there. We met at 593 00:35:40,599 --> 00:35:44,280 a gig, actually she did the She did the audio 594 00:35:44,519 --> 00:35:47,719 for me at a place called Madhouse Coffee mad River 595 00:35:47,800 --> 00:35:52,199 Coffee House in Campton, New Hampshire, and her art was 596 00:35:52,239 --> 00:35:53,960 on the walls and I was like, I'm in love 597 00:35:54,000 --> 00:35:56,119 with this. So she did the art for another song 598 00:35:56,159 --> 00:35:59,880 of mine called Bend, and which isn't on Spotify anymore. 599 00:36:00,039 --> 00:36:02,320 But uh, when this album came out, I knew she 600 00:36:02,480 --> 00:36:04,239 was who I wanted to do, and I told her 601 00:36:04,320 --> 00:36:06,880 just listen to the album and paint whatever you feel. 602 00:36:07,480 --> 00:36:10,960 And she painted this with the album the uh the 603 00:36:11,119 --> 00:36:13,199 image that you see, and just it was like, oh, 604 00:36:13,400 --> 00:36:13,880 dress sharp. 605 00:36:14,079 --> 00:36:17,239 Speaker 2: Okay, okay, very good, very good. Oh you said something 606 00:36:17,320 --> 00:36:19,159 interesting just now too. You said, so you had you 607 00:36:19,239 --> 00:36:21,599 had a song called Bend, that's not on Spotify anymore, 608 00:36:21,639 --> 00:36:22,440 did you remove it? 609 00:36:22,599 --> 00:36:22,760 Speaker 10: Yeah? 610 00:36:22,800 --> 00:36:26,000 Speaker 7: I removed that song, a song called Grateful, and a 611 00:36:26,079 --> 00:36:28,360 song called Lonely because I just couldn't stand the production 612 00:36:28,519 --> 00:36:30,800 on it. Really it was it was it was when 613 00:36:30,840 --> 00:36:33,199 I in between Schema and this album, I went to 614 00:36:33,320 --> 00:36:36,679 a different studio to record some stuff. Yeah, and I 615 00:36:36,760 --> 00:36:39,639 didn't know what I was doing, okay, and it was 616 00:36:40,000 --> 00:36:43,400 too unproduced. So like it was cool, they're great songs, 617 00:36:43,440 --> 00:36:47,599 but like they were double voiced and they the audios 618 00:36:47,719 --> 00:36:50,360 and it was pitchy and it just didn't feel like 619 00:36:50,400 --> 00:36:51,519 I was representing myself. 620 00:36:51,599 --> 00:36:55,960 Speaker 2: Well okay, yeah, what was it? Was it a situation 621 00:36:56,000 --> 00:36:59,800 where like the engineer there didn't uh wasn't helpful and 622 00:37:00,079 --> 00:37:00,920 train your sound or. 623 00:37:02,360 --> 00:37:04,840 Speaker 7: Yeah, I think he understood that I liked low five. 624 00:37:05,119 --> 00:37:07,199 He's a great engineer. So it's like I don't want 625 00:37:07,239 --> 00:37:09,519 to diminish his thing. 626 00:37:11,000 --> 00:37:13,280 Speaker 2: But that's why, that's why I'm not asking you who 627 00:37:13,320 --> 00:37:15,039 it is. I know you don't want to throw anybody 628 00:37:15,079 --> 00:37:15,519 under the bus. 629 00:37:15,719 --> 00:37:20,039 Speaker 7: Now, I could say what his name rhyme's with no, no, no, 630 00:37:22,480 --> 00:37:24,679 I just say it just didn't feel right, and I think, uh, 631 00:37:25,360 --> 00:37:27,239 I think I knew I wanted to head in the 632 00:37:27,360 --> 00:37:29,880 direction of address Sharp, which is why I entered the studio, 633 00:37:30,760 --> 00:37:32,679 and instead I just it was like I was taking 634 00:37:32,719 --> 00:37:35,280 a step back instead of going forward. Okay, it's funny 635 00:37:35,280 --> 00:37:38,920 because those songs actually performed really well on Spotify because 636 00:37:39,079 --> 00:37:41,440 I did the waterfall effect on them and my views, 637 00:37:41,800 --> 00:37:45,639 my numbers went up. I just, you know, if you're 638 00:37:45,679 --> 00:37:47,920 not proud of something, you shouldn't. I didn't want to 639 00:37:47,960 --> 00:37:48,639 do keep it there. 640 00:37:48,880 --> 00:37:50,480 Speaker 2: Yeah, was that a hard decision? 641 00:37:50,840 --> 00:37:50,880 Speaker 6: No? 642 00:37:51,280 --> 00:37:54,199 Speaker 2: No, no, it was really really Yeah, I've been I 643 00:37:54,280 --> 00:37:56,360 knew I was going to do it for a while. Okay. 644 00:37:56,360 --> 00:37:59,320 Speaker 7: And it's funny because and I forget how to play 645 00:37:59,360 --> 00:38:02,079 a lot I saw sometimes really yeah, it's really unhealthy. 646 00:38:02,440 --> 00:38:05,119 But uh, I totally forgot how to play Ben's. And 647 00:38:05,360 --> 00:38:07,480 there's another song called Lonely, which I actually really like 648 00:38:07,559 --> 00:38:09,519 that song, but I can't play. Every time I try 649 00:38:09,519 --> 00:38:11,760 to pick up the guitar, I'm like, what are these chords? 650 00:38:12,199 --> 00:38:13,599 Speaker 2: Interesting? Yeah? Because I try. 651 00:38:13,639 --> 00:38:16,199 Speaker 7: I don't normally use like theory or anything like that. Yeah, 652 00:38:16,320 --> 00:38:19,360 like use my ear and try to find these patterns 653 00:38:19,400 --> 00:38:22,800 and motifs, and eventually, like then I have to learn 654 00:38:22,880 --> 00:38:24,760 the song again, and it's like I can't figure I 655 00:38:24,800 --> 00:38:25,199 can't do it. 656 00:38:25,360 --> 00:38:29,000 Speaker 2: No kenning happens all the time, does it really? Yeah? Yeah, 657 00:38:29,159 --> 00:38:31,559 I can only play like four songs on Schema still 658 00:38:32,199 --> 00:38:33,920 no kennying. Yeah, that's interesting. 659 00:38:34,159 --> 00:38:36,519 Speaker 7: By the way, this isn't something I recommend other people 660 00:38:36,599 --> 00:38:39,960 to do. Learn your music, right right? Yeah, but you 661 00:38:40,039 --> 00:38:42,199 know I can play Wonderwall like it's no tomorrow. So 662 00:38:42,599 --> 00:38:45,119 it's I don't know. Maybe it's a uh, maybe it's 663 00:38:45,159 --> 00:38:47,480 an insecurity thing towards my own music where I purposely 664 00:38:47,519 --> 00:38:47,920 forget it. 665 00:38:48,239 --> 00:38:50,719 Speaker 2: Yeah, Like I wonder if subconsciously or maybe you just 666 00:38:50,760 --> 00:38:53,480 get bored with the songs, and so your brain, the 667 00:38:53,639 --> 00:38:55,400 part of your brain kind of says, eh, we're done 668 00:38:55,440 --> 00:38:57,360 with this one. I feel like that's what Alfred Adler, 669 00:38:57,440 --> 00:39:01,440 a psychotherapist, would say. Yeah, well, there you go, there 670 00:39:01,480 --> 00:39:05,440 you go. There's a reason for everything. Yeah. Do you 671 00:39:05,519 --> 00:39:07,519 have any you plan to do any music videos for 672 00:39:07,639 --> 00:39:08,039 these or. 673 00:39:08,519 --> 00:39:11,679 Speaker 7: I have an idea for prozac? Yeah, yeah, but it's 674 00:39:11,760 --> 00:39:13,840 just I don't know if I will. I have an 675 00:39:13,880 --> 00:39:16,599 idea of me like being in a relationship with someone 676 00:39:16,639 --> 00:39:20,760 that's in like a pill bottle costume. Oh, and then 677 00:39:20,920 --> 00:39:23,000 like at the end it would be me like dancing 678 00:39:23,079 --> 00:39:27,599 with a bunch of pill bottles. But that could that 679 00:39:27,679 --> 00:39:30,440 maybe that could sound a little what you might call it, 680 00:39:30,519 --> 00:39:32,840 maybe that would provide the wrong image of what I'm 681 00:39:32,880 --> 00:39:34,920 trying to get with the song, because the song's about 682 00:39:35,480 --> 00:39:39,360 the benefits of how it's helped change my life. Yeah yeah, 683 00:39:39,480 --> 00:39:43,159 but you know again it's I would do it. I 684 00:39:43,280 --> 00:39:45,920 have people that I could use that I I would do, 685 00:39:46,039 --> 00:39:49,559 but I don't know if I'm interested. Yeah, Like, what's 686 00:39:49,599 --> 00:39:51,559 the point of doing the music video just from I 687 00:39:51,599 --> 00:39:55,800 guess maybe for my own catharsis but yeah, yeah, and 688 00:39:55,920 --> 00:39:57,599 I feel like I sound like it to be downer 689 00:39:57,639 --> 00:40:00,639 at the moment, but you know, like people should music videos. 690 00:40:00,679 --> 00:40:02,800 Speaker 2: But I just if I would do it if I 691 00:40:02,840 --> 00:40:05,440 felt the need to, right right, Yeah at the moment. 692 00:40:05,519 --> 00:40:08,320 I do like your idea, though, I think that's fine. 693 00:40:08,320 --> 00:40:11,039 Speaker 7: I've looked up on Amazon for pill bottle costumes and 694 00:40:11,239 --> 00:40:14,199 I haven't found the one that like in my you know, 695 00:40:14,320 --> 00:40:18,679 the CVS pill bottle. Yeah yeah, it requires like instructions 696 00:40:18,719 --> 00:40:21,199 to open. Yeah, yeah, that's the bottom, and I can't 697 00:40:21,239 --> 00:40:24,599 find one. I found one, but it was it's like 698 00:40:24,679 --> 00:40:28,360 a cannabis costume, so it shows like, uh, shows buds 699 00:40:28,440 --> 00:40:29,639 in the I don't know if I'm not to sit 700 00:40:29,679 --> 00:40:30,119 on the radio. 701 00:40:30,480 --> 00:40:33,760 Speaker 2: Yeah, that's it shows like buds in the in the. 702 00:40:33,800 --> 00:40:35,880 Speaker 7: Bottle and it's like, no, that's not that's not what 703 00:40:35,920 --> 00:40:38,840 I'm right, right, So i'd have to be creative and 704 00:40:39,519 --> 00:40:42,000 yeah no, not yet maybe someday. 705 00:40:42,159 --> 00:40:46,840 Speaker 2: But you can't order a pill bottle, uh costume. That's interesting. Yeah, yeah, 706 00:40:47,440 --> 00:40:49,199 I guess you can get just about anything on animals 707 00:40:49,280 --> 00:40:54,719 type in anything on Amazon. Well yeah, just about Yeah. 708 00:40:55,039 --> 00:40:57,639 So you did mention, So so you've got new music 709 00:40:57,679 --> 00:40:59,679 that you're going to be working on as far as uh. 710 00:41:00,079 --> 00:41:02,079 Speaker 7: It's very this is a very recent thing, like two 711 00:41:02,159 --> 00:41:06,119 days ago when when the album I was burnt out 712 00:41:06,320 --> 00:41:09,000 until I released this album, like yeah, And I mean, 713 00:41:09,199 --> 00:41:11,639 like you ask anyone that was that saw me there 714 00:41:11,920 --> 00:41:13,960 at gigs and stuff like that. They could tell like, uh, 715 00:41:14,320 --> 00:41:17,199 kat Ivy, actually we had a show, our last show 716 00:41:17,320 --> 00:41:20,159 was together at a place called the Francistown Coffee House 717 00:41:21,199 --> 00:41:24,280 in Francis Town, New Ham Sure, and she went up 718 00:41:24,320 --> 00:41:26,800 to me, She's like are you are you okay? I 719 00:41:26,920 --> 00:41:28,519 just didn't want to be there. I really wanted to 720 00:41:28,559 --> 00:41:30,639 be home, you know, yeah, yeah, I just I couldn't 721 00:41:30,639 --> 00:41:30,840 take it. 722 00:41:30,880 --> 00:41:31,280 Speaker 2: Anymore. 723 00:41:31,400 --> 00:41:34,760 Speaker 7: And uh, when I released this album and I could, 724 00:41:34,840 --> 00:41:37,519 I haven't been able to write a song. And since May, 725 00:41:37,800 --> 00:41:39,480 let's say which for me, that's a long time. 726 00:41:39,599 --> 00:41:44,119 Speaker 2: Yeah, and uh, two days ago something happened. 727 00:41:44,920 --> 00:41:48,360 Speaker 7: Yeah, I've written a few songs in the past couple 728 00:41:48,480 --> 00:41:50,199 days and one of them I really like, and I 729 00:41:50,239 --> 00:41:51,400 reached out to Andrew. 730 00:41:51,119 --> 00:41:52,639 Speaker 2: And I showed it to him and we're going to 731 00:41:52,719 --> 00:41:54,800 do it. Excellent. I'm excited. Excellent. Are you gonna do 732 00:41:54,840 --> 00:41:55,719 it as a single. 733 00:41:55,559 --> 00:41:57,760 Speaker 7: Or I think I think I'm gonna do. I think 734 00:41:57,880 --> 00:42:00,440 I'll record two or three songs this year and I'll 735 00:42:00,519 --> 00:42:05,599 release them individually, and I don't know if I'll promote 736 00:42:05,599 --> 00:42:08,360 them very much. I think it's just not about that anymore. 737 00:42:08,360 --> 00:42:09,719 Speaker 2: I just want to you know. 738 00:42:09,800 --> 00:42:11,280 Speaker 7: I say that now and then you're gonna see me. 739 00:42:11,320 --> 00:42:13,320 I'll do an interview and like a few months and 740 00:42:13,400 --> 00:42:14,639 I'm like working harder than ever. 741 00:42:14,760 --> 00:42:17,320 Speaker 2: But yeah, yeah, I think I think musicians go through this, 742 00:42:17,800 --> 00:42:19,920 of course, yeah, oh absolutely. 743 00:42:20,199 --> 00:42:22,639 Speaker 7: In fact, you know, there are people and I mean 744 00:42:22,679 --> 00:42:24,719 this is the comp like Katie Dobbs is a great 745 00:42:24,719 --> 00:42:26,880 example where I don't think she gets like she's just 746 00:42:27,119 --> 00:42:29,760 she's a power horse, keeps going and going and going 747 00:42:30,400 --> 00:42:33,800 so inspiring and I'm I can't do that really, Yeah, 748 00:42:34,119 --> 00:42:34,960 I mean I did. 749 00:42:34,880 --> 00:42:38,239 Speaker 2: And then I need you need a few months off sometimes. Yeah, 750 00:42:38,559 --> 00:42:41,880 well you also have a career, you know, so it's 751 00:42:42,239 --> 00:42:45,719 it's hard. I appreciate that empathy. Yeah, nice to hear 752 00:42:45,800 --> 00:42:48,440 that it's hard. It's hard to do like everything that 753 00:42:48,559 --> 00:42:49,360 you want to do, you know. 754 00:42:49,599 --> 00:42:49,800 Speaker 3: Yeah. 755 00:42:49,920 --> 00:42:52,119 Speaker 7: All at once I was I was, I know, like 756 00:42:52,159 --> 00:42:54,320 I'm looking at the time, but I was really curious 757 00:42:54,320 --> 00:42:55,639 about how you got this job. 758 00:42:56,679 --> 00:42:59,719 Speaker 2: Well, so this show actually started as a podcast in 759 00:42:59,800 --> 00:43:03,239 one eleven, although I was doing podcasts way but I'm 760 00:43:03,280 --> 00:43:06,280 like an og podcaster. But I started out doing podcasts 761 00:43:06,320 --> 00:43:09,920 and then but I had a I used to do. Actually, 762 00:43:09,960 --> 00:43:13,239 I did multiple television shows at because you know this 763 00:43:13,400 --> 00:43:16,639 is owned by Manchester Public Television, so on the channel 764 00:43:16,679 --> 00:43:19,519 twenty three, I did shows and but then I had 765 00:43:19,559 --> 00:43:23,400 an opportunity. I was invited to bring my podcast to 766 00:43:23,800 --> 00:43:27,039 w M and H And it was April of twenty seventeen, 767 00:43:27,719 --> 00:43:31,199 so coming up on nine years. So is in terms 768 00:43:31,280 --> 00:43:33,960 of like careers in this field, is this been the 769 00:43:34,000 --> 00:43:36,840 one that you have the most longevity with? Is this show? No? 770 00:43:37,000 --> 00:43:39,159 Because I've been doing I've been doing. Uh well, I 771 00:43:39,239 --> 00:43:41,039 I'm a hypnotherapist. As you know, I've been right, I've 772 00:43:41,039 --> 00:43:44,159 been doing that for more more than twenty years. Yeah, 773 00:43:44,840 --> 00:43:46,960 I'm I'm so upset we didn't discuss that. 774 00:43:47,800 --> 00:43:51,039 Speaker 7: Now I'm like, I have so many questions. Yeah, yeah, 775 00:43:51,400 --> 00:43:54,039 so funny, Yeah yeah, how has that been good? 776 00:43:54,480 --> 00:43:56,760 Speaker 2: Good? Well, you know it's January, it's you know, New 777 00:43:56,840 --> 00:43:57,880 Year's resolution time. 778 00:43:58,000 --> 00:43:58,960 Speaker 3: So uh. 779 00:44:00,599 --> 00:44:03,599 Speaker 2: So you don't have like necessarily do you have consistent clients? Hell? 780 00:44:03,719 --> 00:44:07,400 Or is it always uh new people? There's always new people, 781 00:44:07,400 --> 00:44:09,400 because the thing about hypnotherapy is if I'm doing a 782 00:44:09,440 --> 00:44:11,760 really good job, want and done, they don't come back. Yeah, 783 00:44:11,800 --> 00:44:12,960 they don't need to fascinate. 784 00:44:13,079 --> 00:44:17,000 Speaker 16: Yea, the opposite with the I know, I know exactly 785 00:44:17,280 --> 00:44:20,599 exactly if you do want and done, Yeah, you got 786 00:44:20,679 --> 00:44:25,840 a gift if you want to know, if. 787 00:44:24,159 --> 00:44:26,440 Speaker 2: You want to help someone with a phobia, you have 788 00:44:26,599 --> 00:44:28,679 to take a while, you take your time with it. 789 00:44:29,079 --> 00:44:30,880 Speaker 7: Or well, it depends on what it depends on what 790 00:44:30,960 --> 00:44:33,440 you define as helping a phobia. Well true, yeah, yeah, 791 00:44:33,480 --> 00:44:35,880 I I kind of also am a part of accepting 792 00:44:36,159 --> 00:44:38,440 like the idea of can you accept your fear before 793 00:44:39,000 --> 00:44:40,639 moving on the right right. 794 00:44:40,800 --> 00:44:45,519 Speaker 2: Yeah, that's so interesting. Yeah, well, we are approaching the 795 00:44:45,599 --> 00:44:47,239 top of the hour, so I want to make sure 796 00:44:47,280 --> 00:44:49,400 because we got there's one more track on the EP. 797 00:44:49,559 --> 00:44:52,480 I want to make sure we play. Where should people 798 00:44:52,599 --> 00:44:55,280 go online to keep up with everything that you're doing. 799 00:44:55,880 --> 00:44:58,960 Speaker 7: As of yesterday? I just I just renewed my website. 800 00:44:59,000 --> 00:45:01,840 It turns out that site I forgot to renew it. 801 00:45:02,119 --> 00:45:04,800 Oh so I just renewed, so Temple Mountain Music dot com. Okay, 802 00:45:06,519 --> 00:45:08,360 or you can just you know, find if you type 803 00:45:08,400 --> 00:45:10,480 in Temble Mounts and Music, you'll find me reach out. 804 00:45:11,039 --> 00:45:14,199 I'm friendly and uh you know, get me a gig 805 00:45:14,519 --> 00:45:15,719 quote Jocko Pistorius. 806 00:45:15,960 --> 00:45:18,599 Speaker 2: Yeah, yeah, and you don't you uh oh, you have 807 00:45:18,719 --> 00:45:20,599 something tonight too. We should for our live listeners, we 808 00:45:20,599 --> 00:45:21,400 should plug that again. 809 00:45:21,519 --> 00:45:24,360 Speaker 7: You're playing at the Whiskey Tavern in Laconia. Yeah, and 810 00:45:24,480 --> 00:45:27,760 then actually I'll also promote I'm doing the Singer in 811 00:45:27,880 --> 00:45:33,039 the Rounds at Hermit Woods Winery in Meredith, New Hampshire, 812 00:45:33,039 --> 00:45:34,320 which is hosted by Katie Dobbins. 813 00:45:34,440 --> 00:45:36,639 Speaker 2: Oh, very nice. I'm doing that on the twenty ninth. 814 00:45:36,880 --> 00:45:39,239 Oh excellent, yeah, excellent. Those are my two. 815 00:45:39,280 --> 00:45:42,280 Speaker 7: I'm doing a couple more gigs throughout this month, But 816 00:45:42,360 --> 00:45:44,599 those are the two ones that I guess I'll push 817 00:45:44,719 --> 00:45:45,159 right now. 818 00:45:45,159 --> 00:45:47,119 Speaker 2: And you'll be playing songs from the new EP at those. 819 00:45:47,159 --> 00:45:49,239 Oh yeah, very good, Yeah, very good. You're gonna play 820 00:45:49,239 --> 00:45:51,760 all four of them. Maybe I have to relearn the crowd? 821 00:45:52,119 --> 00:45:57,800 Oh gotcha? Gotcha? Yeah, very good, very good. So in 822 00:45:57,880 --> 00:46:00,400 a moment, we will play what's the one we didn't 823 00:46:00,400 --> 00:46:03,199 play at the crowd, the crowd, We'll play that one 824 00:46:03,280 --> 00:46:06,000 in a moment. Jenny too. We should remind people because 825 00:46:06,000 --> 00:46:09,400 you've been you've been busy as always. Oh well, we 826 00:46:09,440 --> 00:46:11,480 get that mic on there. Sorry, well you had gotten 827 00:46:11,559 --> 00:46:13,119 up at one point, I was muted. I was mute 828 00:46:13,119 --> 00:46:14,440 at when you get up of course. 829 00:46:14,599 --> 00:46:17,920 Speaker 8: Yes, yes, yes, always getting into some good trouble. You 830 00:46:18,000 --> 00:46:20,199 can keep tabs on me at Gencoffee dot com. 831 00:46:20,360 --> 00:46:20,800 Speaker 11: J E. N. 832 00:46:20,960 --> 00:46:24,280 Speaker 2: N c ot Eli dot com. Yes, very good, And 833 00:46:24,320 --> 00:46:25,800 if you want to keep up with everything I'm doing, 834 00:46:26,480 --> 00:46:29,079 my website is Matt Connorton dot com. Especially if you'd 835 00:46:29,119 --> 00:46:31,079 like to book a hypnotherapy session, you can do that 836 00:46:31,199 --> 00:46:33,639 right through the website Matt Connorton dot com. You just 837 00:46:33,679 --> 00:46:35,639 have to figure out how to spell connorton. Some people 838 00:46:35,679 --> 00:46:37,760 struggle with it. But now if you're a listener of 839 00:46:37,800 --> 00:46:40,960 the show, you know anyway, So, uh, this has been wonderful. 840 00:46:41,000 --> 00:46:43,559 Thank you so much, Eric, Thank you guys. What should 841 00:46:43,559 --> 00:46:45,079 we know about this song before we play it to 842 00:46:45,440 --> 00:46:46,559 close us out? Uh? 843 00:46:46,760 --> 00:46:49,880 Speaker 7: This song was about well, so this is the song 844 00:46:49,960 --> 00:46:52,159 that the first song that I wrote for the album. Oh, 845 00:46:53,079 --> 00:46:55,639 it's inspired by no Such Thing, which is a song 846 00:46:55,679 --> 00:46:58,119 from John Mayer off his album Room for Squares. And 847 00:46:58,800 --> 00:47:03,559 I was really writing about my appreciation for the crowds 848 00:47:03,599 --> 00:47:04,639 that the gigs I was doing. 849 00:47:04,760 --> 00:47:07,360 Speaker 2: Oh, very good, very good, all right, excellent, I love it, 850 00:47:07,599 --> 00:47:09,480 all right, Thank you again. Thank you to everybody who 851 00:47:09,559 --> 00:47:11,320 joined us today, of course, and if you miss any 852 00:47:11,320 --> 00:47:12,719 part of today's show, it will be up in just 853 00:47:12,760 --> 00:47:14,880 a little bit at w m n H Radio dot 854 00:47:15,039 --> 00:47:18,480 Orge on my website Matt Connorton dot com and happy 855 00:47:18,519 --> 00:47:21,000 to do your everybody, and we will close out today's 856 00:47:21,000 --> 00:47:23,800 show with this. This is the crowd from Temple Mountain 857 00:47:23,960 --> 00:47:26,039 and his new EP dress Sharp. 858 00:47:46,239 --> 00:47:49,880 Speaker 3: And Shine Up, Watch my life. 859 00:47:52,880 --> 00:48:06,480 Speaker 9: Wit fine, I have horns and blis that does warm? 860 00:48:07,440 --> 00:48:16,400 That's so big now, ways to find down cool world? 861 00:48:22,760 --> 00:48:24,119 That's that's so weird? 862 00:48:25,000 --> 00:48:27,800 Speaker 3: Dry Oh. 863 00:48:31,239 --> 00:48:32,840 Speaker 7: As that you all. 864 00:48:36,280 --> 00:48:37,559 Speaker 2: Show the word at your. 865 00:48:40,519 --> 00:48:41,119 Speaker 14: Take away. 866 00:48:41,239 --> 00:48:45,000 Speaker 3: The pain and the poor got the girl down say it. 867 00:48:45,159 --> 00:48:53,079 Speaker 9: She has to make the sound. The crowd, the crowd. 868 00:49:11,199 --> 00:49:12,480 Speaker 3: I tres. 869 00:49:13,760 --> 00:49:18,280 Speaker 1: Spine, watch my life cale. 870 00:49:18,159 --> 00:49:22,960 Speaker 9: Fire, know my way to find. 871 00:49:29,000 --> 00:49:34,159 Speaker 3: Cool. It's enough to be way. 872 00:49:35,039 --> 00:49:37,880 Speaker 14: Try oh. 873 00:49:41,280 --> 00:49:48,039 Speaker 10: As less you want behind all the work that you out, 874 00:49:50,840 --> 00:49:54,280 going to go on, hide and let go down. 875 00:49:54,920 --> 00:50:03,199 Speaker 9: Sitches make sound a crowd, the crowd. 876 00:50:07,679 --> 00:50:09,559 Speaker 3: They don't have the same words. 877 00:50:11,880 --> 00:50:13,559 Speaker 6: They don't have to come by. 878 00:50:14,000 --> 00:50:15,360 Speaker 4: They'll have to come. 879 00:50:17,559 --> 00:50:20,840 Speaker 14: As between. 880 00:50:24,599 --> 00:50:25,639 Speaker 11: Sudn't well, but you. 881 00:50:28,840 --> 00:50:30,719 Speaker 5: Trick away and pay that call. 882 00:50:31,079 --> 00:50:32,559 Speaker 2: I got out. 883 00:50:33,480 --> 00:50:34,880 Speaker 9: Ches make the sound 884 00:50:36,480 --> 00:50:41,440 Speaker 3: The crowd, the crowd,