WEBVTT

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<v Speaker 1>Will you wait, miss.

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<v Speaker 2>Merry Christmas Midnight viewers, and welcome to our Christmas clip

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<v Speaker 2>show spectacular. We've covered a lot of anthology series over

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<v Speaker 2>the years, and odds are you're going to get some

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<v Speaker 2>holiday themed episodes in there. For this particular holiday. We've

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<v Speaker 2>gone back through our archives and strung together all the

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<v Speaker 2>various segments pertaining to the Fat Man in the Red Suit.

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<v Speaker 2>God bless us everyone. Now, I said, we've gone back

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<v Speaker 2>through the archives, which means in the earliest segments you're

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<v Speaker 2>going to hear evolution at work. We've been at this

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<v Speaker 2>for some time, so I hope you don't shudder at

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<v Speaker 2>the quality as much as I did upon re listening.

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<v Speaker 2>I think I'm calling in over the phone on a

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<v Speaker 2>few episodes. It's not spectacular, but it gets better. So

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<v Speaker 2>what we have on tap for you today, all you

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<v Speaker 2>major dwelling creeps, are a segment from Tales from the Crypt,

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<v Speaker 2>the television series that's and All through the House from

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<v Speaker 2>the pilot. Then we have and All through the House

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<v Speaker 2>from the Amicus anthology from from the nineteen seventies that's

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<v Speaker 2>also called Tales from the Crypt. Next up is a

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<v Speaker 2>Rod Serling special from his series Night Gallery, we spent

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<v Speaker 2>some time with the Messiah on Mott Street, and finally

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<v Speaker 2>we've got an entire themed episode from Twilight Zone eighty five.

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<v Speaker 2>Those segments are Night of the Meek, but can She Type?

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<v Speaker 2>And the Star from Everyone Here at Midnight viewing Mike White,

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<v Speaker 2>Chris Statue, HP Antonio Lapour, Ripley, Jane, Jasmine Williams and

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<v Speaker 2>myself have a wonderful holiday and a matchit crazy New Year, he.

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<v Speaker 3>Kitties chest, your old pal the clip Keeper having a

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<v Speaker 3>little holiday fun. Why else would I be in this

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<v Speaker 3>get up unless there was a clause.

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<v Speaker 4>In my contract.

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<v Speaker 5>In fact, I.

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<v Speaker 6>Got some Christmas goose for you, goose bumps, that is, yes, indeed,

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<v Speaker 6>a little terror tale full of holiday fear. I mean

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<v Speaker 6>dear of course, so good againder of a your tidio.

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<v Speaker 6>Beyond that goes a little Sunday like, Yes, it was

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<v Speaker 6>the night before Christmas, and all through the house.

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<v Speaker 4>All right, and now we're going to talk about and

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<v Speaker 4>all through the house. The episode aired June tenth, nineteen

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<v Speaker 4>eighty nine, the same evening as The Man who Was Deaf.

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<v Speaker 4>It's directed by Robert Zamechis. Yes that Robert Zamechis. He

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<v Speaker 4>actually helped produce the show as well. It's written by

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<v Speaker 4>Fred Decker, who also wrote Predator. It stars Mary Ellen

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<v Speaker 4>Traynor and Larry Drake, along with Marshall Bell pulling his

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<v Speaker 4>best weekend at Bernie's impersonation, and the synopsis for the

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<v Speaker 4>episode is a greedy woman makes a mistake of murdering

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<v Speaker 4>her husband while an escaped mental patient dressed in a

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<v Speaker 4>Santa outfit is on the loose. Mike, what did you

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<v Speaker 4>think of this episode?

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<v Speaker 5>This is another one I really enjoy. This is actually

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<v Speaker 5>one of my favorite comics. And they had adapted this

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<v Speaker 5>previously when they made the film Tales from the Crypt

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<v Speaker 5>back in the early seventies. That particular one star Joan Collins.

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<v Speaker 5>This one is hard to beat story wise. I mean,

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<v Speaker 5>if you want to talk about manuse, death is kind

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<v Speaker 5>of an anomaly in the Tales from the Crypt sort

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<v Speaker 5>of ec universe. This is pretty much what you would

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<v Speaker 5>expect from any one of the any one of them.

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<v Speaker 5>We have a deplorable character who does get their come up,

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<v Speaker 5>and at the end it's an interesting setting and then

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<v Speaker 5>it's a Christmas time and you effectively have Santa Claus

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<v Speaker 5>attempting to kill your lead character. It is pretty fantastically

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<v Speaker 5>directed by Samachis, and I really like it a lot.

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<v Speaker 5>I think it's up there. I do think it suffers

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<v Speaker 5>a bit from the lead performance by mary Ellen Trainor,

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<v Speaker 5>who is who is good in small roles. Watching her

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<v Speaker 5>try and lead this for the entire episode is a

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<v Speaker 5>bit of a stacked deck. I know we're not talking

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<v Speaker 5>about the original movie that I mentioned yet, but there's

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<v Speaker 5>something that in the comic and in the original one

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<v Speaker 5>that they did very well, which is they made the

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<v Speaker 5>she effectively kills her husband in order to get the

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<v Speaker 5>insurance money. And in the original film they made him

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<v Speaker 5>the sweetest man on earth. In this one they have

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<v Speaker 5>turned him into a in two lines of dialogue, a

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<v Speaker 5>total prick where you kind of like concide with her.

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<v Speaker 5>They kind of stacked the deck in her favor. Other

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<v Speaker 5>than those things, those two things that I have against

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<v Speaker 5>the episode, I think it's really good. And I think

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<v Speaker 5>Larry Drake as these stranged man dressed in a Santa

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<v Speaker 5>Claus outfit is a really scary.

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<v Speaker 4>I like parts of this episode, but I think overall,

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<v Speaker 4>mary Ellen Trainer falls really flat. I think her scream

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<v Speaker 4>queen thing that she's going for doesn't work very well.

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<v Speaker 5>Yeah, I'm yeah, No, I'm with you. I mean, I

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<v Speaker 5>I think I just made that point, like she's she's

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<v Speaker 5>she's not great, Like she doesn't really she doesn't engender

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<v Speaker 5>this kind of sympathy that you got from William Sadler,

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<v Speaker 5>who is also doing horrible things. Like, uh, she's so

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<v Speaker 5>shrill in the role that I'm kind of waiting for

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<v Speaker 5>Santa to kill her, and that's not something you want.

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<v Speaker 5>Like you can have an anti hero who does horrible

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<v Speaker 5>things and as long as they're a bit charming, you

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<v Speaker 5>know you'll go with them and you know, follow them

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<v Speaker 5>to the end. Not only is her performance like really shrill,

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<v Speaker 5>but her character as written is a dummy. She kills

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<v Speaker 5>her husband and then the first thing she does is

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<v Speaker 5>get the will and Testament and then call her lover

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<v Speaker 5>and spill that she killed him onto his answering machine.

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<v Speaker 4>In an affectation that is so hokey it's it's beyond hoki.

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<v Speaker 5>Yeah, I mean it is exposition as dialogue, which is

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<v Speaker 5>the number one crime in in films, like don't have

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<v Speaker 5>the character tell us what they're doing, Let's see what

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<v Speaker 5>they're doing, and like completely superfluous. We didn't need it

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<v Speaker 5>at all. Like if she's just killing this guy and

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<v Speaker 5>then we see her with the will, yeah, we know

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<v Speaker 5>what's going on.

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<v Speaker 1>Don't do that.

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<v Speaker 5>And it should be noted that the guy that she's

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<v Speaker 5>calling is answering the machine message I think is something

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<v Speaker 5>to the effect of leave me your name, number and measurements.

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<v Speaker 5>Like okay, so she's leaving. She's killing this guy to

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<v Speaker 5>get the money to go with. Obviously a douchebag, and

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<v Speaker 5>she's doing it in the stupidest way possible.

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<v Speaker 4>But he's the nick monster. That's what the that's right, Yeah,

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<v Speaker 4>it's yeah. So the thing is with this episode, there

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<v Speaker 4>seems to be a bit of a disconnect in my

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<v Speaker 4>mind between why she's doing what she's doing and the

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<v Speaker 4>rest of the episode, like I didn't need I don't

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<v Speaker 4>know the jex'aposition with her killing Marshall Bell and then

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<v Speaker 4>the killer Santa played by Larry Drake coming around the house.

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<v Speaker 4>There's like a disconnect in a way that the comic

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<v Speaker 4>plays up way better, because in the comics she's like

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<v Speaker 4>dragging the body around in the house trying to figure

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<v Speaker 4>out what she's gonna do with it. In the episode,

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<v Speaker 4>she like drags him outside and then he somehow survives

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<v Speaker 4>having an ice pick or a fireplace poker driven through

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<v Speaker 4>his skull.

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<v Speaker 5>Well. I kind of like that, Shaka. I like that

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<v Speaker 5>in that one moment that you know, I mean, you know,

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<v Speaker 5>you talk about brain injuries. Who knows that the person's

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<v Speaker 5>actually dead, They might not be. That was fine as

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<v Speaker 5>far as I'm concerned. Her plan to throw him into

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<v Speaker 5>the well, however, negates her plan of him being dead

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<v Speaker 5>and her collecting the money because he was just a

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<v Speaker 5>missing person. It's gonna take like a year or two

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<v Speaker 5>for her to collect, like in the comic and again

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<v Speaker 5>in the sort of Joan Collins original film. She's got

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<v Speaker 5>a plan and she's affecting it. In fact, in the

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<v Speaker 5>Joan Collins once she takes his body and just throws

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<v Speaker 5>it down the basement stairs, like that's what happened. He

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<v Speaker 5>fell down a flight of stairs. This one. You know,

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<v Speaker 5>did she have a plan? I don't know, and she

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<v Speaker 5>goes about it in like a really lame way. I

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<v Speaker 5>will say, however, yes, these are problems. Nevertheless, once Santa

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<v Speaker 5>shows up and is menacing her, I think it works

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<v Speaker 5>really good as like a nice sort of a snowy

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<v Speaker 5>cat and Mouse episode.

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<v Speaker 4>Yeah, so that's that's my thing. Like I said, parts

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<v Speaker 4>of the episode don't work, but parts of it do.

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<v Speaker 4>I really like, Like you said, Larry Drake is great,

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<v Speaker 4>but the way that they did it in the comic,

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<v Speaker 4>I actually liked it a little bit more than in

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<v Speaker 4>the episode. For in certain respects, I like what Larry

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<v Speaker 4>Drake did with his serial killer Santa. But in the

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<v Speaker 4>comic you've got this dread of her just looking outside

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<v Speaker 4>and seeing him. Yeah, and then you see him right

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<v Speaker 4>at the end. The final panel is the final shot

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<v Speaker 4>of the episode. They're minuted, and I think that would

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<v Speaker 4>have worked better in some respects. I mean, I get

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<v Speaker 4>why they didn't do it, because showing is better than telling.

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<v Speaker 5>And they needed twenty two minutes. Like the comic is like,

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<v Speaker 5>you know, it's snapped your fingers and it's gone kind

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<v Speaker 5>of a thing where there's not too much meat to it.

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<v Speaker 5>So I mean they had to add in these other

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<v Speaker 5>little beats and stuff like you know, which she has

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<v Speaker 5>to like go get the gun which she can't really reach,

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<v Speaker 5>and she accidentally locks herself in the in the in

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<v Speaker 5>the closet or like when she's outside, And I actually

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<v Speaker 5>really like this beat where she has the keys to

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<v Speaker 5>the house and she drops them onto the stairs and

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<v Speaker 5>it falls into the snow, and then she discovers that

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<v Speaker 5>there's actually a knothole underneath the snow and it's fallen

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<v Speaker 5>all the way through and she can no longer retrieve

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<v Speaker 5>those like those little moments that that I think work

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<v Speaker 5>ultimately it is. I like it. I think it's a

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<v Speaker 5>good episode.

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<v Speaker 7>I think I.

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<v Speaker 5>Appreciate what's going on, even though some of the major

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<v Speaker 5>elements are flawed.

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<v Speaker 4>And what I guess the biggest disappointment for me is

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<v Speaker 4>is you've got Robert Zemeckis who's directing, Fred Decker who's writing,

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<v Speaker 4>and this episode isn't like a superstand now, It's not

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<v Speaker 4>like The Man Who Was Dead.

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<v Speaker 5>They rely a little too much on the setting and

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<v Speaker 5>the twist of it. I'll definitely give you that. Lately,

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<v Speaker 5>there have been a lot of like Christmas horror movies,

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<v Speaker 5>you know, other than Black Christmas and maybe Silent Knight

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<v Speaker 5>Deadly Night. In the early eighties, like, there hadn't been

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<v Speaker 5>too many takes on that shiny, kind of brightly colored

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<v Speaker 5>holiday and the horrors that can sort of lurk or

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<v Speaker 5>come loping out of the night for you. And I

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<v Speaker 5>think this really worked. I mean I liked it a

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<v Speaker 5>lot more when I was, you know, fifteen, I didn't

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<v Speaker 5>not enjoy it while I was watching it.

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<v Speaker 4>Yeah, and again I think Larry Drake is great and

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<v Speaker 4>he's kind of the saving grace of the episode.

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<v Speaker 5>Yeah, he's real scary. Man.

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<v Speaker 4>If you're a fan of the dark Man series, you

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<v Speaker 4>know that he plays Durant in the dark Man series.

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<v Speaker 4>He was Doctor Giggles in that movie.

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<v Speaker 5>The eponymous Doctor Giggles.

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<v Speaker 4>Yeah, he's you know, he was a great actor. He's

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<v Speaker 4>one of the he's one of the better character actors. Again,

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<v Speaker 4>to me, that's the one thing about this show that's

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<v Speaker 4>very similar to a show like Twilight Zone or even Kolchak,

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<v Speaker 4>another show that I talk about once a month. They

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<v Speaker 4>got a lot of really good character actors from the

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<v Speaker 4>eighties and nineties.

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<v Speaker 5>Yeah, it did, and it allowed them to maybe play

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<v Speaker 5>against like, you know know what he was going to.

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<v Speaker 5>I mean, obviously with Layer Drank the cast him, but

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<v Speaker 5>just a couple of years later as a psychonic killer.

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<v Speaker 5>But at the time he was mainly known as a

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<v Speaker 5>like a basically an autistic character on La Law. Like

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<v Speaker 5>we've gotten to know him only as sort of this

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<v Speaker 5>gentle giant character. And I think this pre dates Dark

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<v Speaker 5>Man as well, where he played a villain. Yeah, that's

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<v Speaker 5>that's that's a pretty good hallmark of the series where

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<v Speaker 5>they allowed these people to sort of jump in and

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<v Speaker 5>play and actually sort of like expand the public's perception

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<v Speaker 5>of what they were as performers. I don't think anyone

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<v Speaker 5>was expecting that performance from that guy when this episode aired.

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<v Speaker 4>Yeah, no, definitely not again looking at it now twenty eighteen,

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<v Speaker 4>different story, but then completely out of the kind of

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<v Speaker 4>blue for him as an actor.

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<v Speaker 5>Yeah, yeah, he's real good in the episode Mary Ellen

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<v Speaker 5>Trainer Not so that should be pointed out that that

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<v Speaker 5>was Robertson Meckis's wife at the time, not go well,

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<v Speaker 5>you know.

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<v Speaker 4>I you know, smacks a little bit of Kate capsh

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<v Speaker 4>to me a.

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<v Speaker 5>Little bit, But you know what, Kate Capsure is fucking

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<v Speaker 5>great in Indiana Jones's Sembl of Doom. I mean, that

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<v Speaker 5>character is shrill and awful, but that's what it's supposed

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<v Speaker 5>to be. So that that worked, And you know, I

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<v Speaker 5>don't I don't necessarily believe in dismissing out of hand

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<v Speaker 5>like a filmmaker casting their spouse in something, because sometimes

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<v Speaker 5>it works, fucking like Gangbusters, like I loved Adrian Barbo

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<v Speaker 5>and The Fog and then Escape from New York when

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<v Speaker 5>she was with John Carper at that. Those are good

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<v Speaker 5>performances from her.

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<v Speaker 4>Emily Blunt in a Quiet Place.

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<v Speaker 5>Yeah, she's really good in that movie, Like why wouldn't

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<v Speaker 5>he cast her? And she's fucking really good actress. In

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<v Speaker 5>this case, it speaks to Mary Ann Trainer not being

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<v Speaker 5>that great, although he put her in smaller roles in

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<v Speaker 5>a lot of his movies and she appeared in that.

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<v Speaker 5>It should be pointed out that the Tales from the

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<v Speaker 5>Crypt themselves this series, like the executive producers behind it

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<v Speaker 5>were in fact Robert Semkis and Walter Hill and Joel

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<v Speaker 5>Silver who was like v mega producer in the mid

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<v Speaker 5>to late eighties, and Joel Silver used her a lot too.

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<v Speaker 5>She's in all the legal up in movies and of

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<v Speaker 5>Richard Donner and that's the other guy who is sort

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<v Speaker 5>of behind this series. Was nice of him to like

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<v Speaker 5>let her play the role, but like it's it was

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<v Speaker 5>the wrong It was the wrong way to go, like

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<v Speaker 5>Joan Collins in the original one, like John Collins is

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<v Speaker 5>kind of like, you know, her character is kind of

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<v Speaker 5>like the bitch character and we're not supposed to like her,

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<v Speaker 5>but as horrible as a human being is who's killing

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<v Speaker 5>their nice husband in order to get the money. Like

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<v Speaker 5>through with her in that original take on it, like

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<v Speaker 5>from beginning to end, like one dance shows up, like

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<v Speaker 5>I don't care what she's been doing, Like she as

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<v Speaker 5>a person like draws me in and has that bit

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<v Speaker 5>of charm that we were sort of discussing like an

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<v Speaker 5>anti hero needs Marion trainor just maybe it's a combination

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<v Speaker 5>of what we were saying where the character is so

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<v Speaker 5>dumb and she's portraying it so shrilly that like I

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<v Speaker 5>can't wait for Santa to put an axe in her head.

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<v Speaker 5>That is a terrible thing for your lead character for

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<v Speaker 5>the audience to want. Nevertheless, there it is.

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<v Speaker 4>I agree. It's it feels like a missed opportunity for

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<v Speaker 4>her in the in the episode, it's just one. It's

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<v Speaker 4>very one dimensional and very flat.

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<v Speaker 5>Right And now having said that, I do think the

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<v Speaker 5>direction in the episode is really spot on. Uh, you know,

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<v Speaker 5>obviously Robert Beakers is a great filmmaker. I don't care

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<v Speaker 5>what anyone says, like, you know, when he's on, he's

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<v Speaker 5>really on, and I thought he was on in this episode.

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<v Speaker 5>And he indulges in something at the beginning, which I

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<v Speaker 5>really like that he does in a lot of his movies,

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<v Speaker 5>and nobody does this as well as him. He'll take

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<v Speaker 5>a credit sequence where he just pans a room and

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<v Speaker 5>just showing you the artifacts that people have in their home.

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<v Speaker 5>He tells you their entire story, which he does at

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<v Speaker 5>the beginning of this episode, not to the degree he

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<v Speaker 5>will in some of his other movies. No one does

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<v Speaker 5>that better.

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<v Speaker 4>Yeah, no, I I completely I completely agree. I mean again,

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<v Speaker 4>I agree with Uzebacas is a good film film director,

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<v Speaker 4>So you're not going to get any complaints set of

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<v Speaker 4>me on that one. So I mean, come on, back

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<v Speaker 4>to the future, come.

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<v Speaker 5>On, and he will direct in one of the later episodes.

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<v Speaker 5>Uh is also one of my favorites. And obviously we'll

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<v Speaker 5>talk to that about that when we get it. But

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<v Speaker 5>so you know, he had his hand in a couple

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<v Speaker 5>of other episodes that I thought were a little more

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<v Speaker 5>assured than this one. But I did like coming off

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<v Speaker 5>of Man who is death who? You know, there are

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<v Speaker 5>horrific elements too, but it's not a horror tale specifically.

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<v Speaker 5>I like this one sort of coming on the heels

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<v Speaker 5>of it and diving kind of head on into what

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<v Speaker 5>the horror genre is supposed to be, which is Stephen

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<v Speaker 5>King always said, like you chase the character up a

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<v Speaker 5>tree and then you start cutting down the tree like that.

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<v Speaker 5>I think this works on that level of horror, and

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<v Speaker 5>so I would recommend this episode ultimately.

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<v Speaker 4>Yeah, I would not. Oh, I would say that the

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<v Speaker 4>Larry Drake stuff is good, but the Mary Ellen Trainer stuff.

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<v Speaker 5>Is so Yeah, it's hard to get fast, I know.

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<v Speaker 4>Yeah, her character is so unredeemable and so boring. Unfortunately, Yeah, okay,

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<v Speaker 4>it's yeah, it's just kind of a it's a skip,

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<v Speaker 4>it's a soft skip, but it's not downright atrocious like

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<v Speaker 4>some of the episodes we're gonna watch, even some of

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<v Speaker 4>the episodes later this season.

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<v Speaker 5>So yeah, well we're not my friend right off the bat.

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<v Speaker 4>There we go.

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<v Speaker 5>This episode is not garbage.

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<v Speaker 8>By the way we're introduced to the characters.

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<v Speaker 4>They meet the criptkeeper after wandering off from a tour

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<v Speaker 4>in the catacombs, even though they're told not to, and

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<v Speaker 4>so the first story is the original telling. The first

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<v Speaker 4>screen telling of a story that is very near and

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<v Speaker 4>dear to your heart, and all through the house. Instead

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<v Speaker 4>of Mary Ellen Traynor, it is Joan Collins.

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<v Speaker 9>Joan Collins, who is one billion percent better than Mary

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<v Speaker 9>Ellen Trayer in this role, represents a level of sophisticated

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<v Speaker 9>evil in all the ways that Mary Allen Traynor was

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00:19:14.240 --> 00:19:17.400
<v Speaker 9>kind of a bumbling fool. It completely lacks any of

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<v Speaker 9>the sort of boring expositional dialogue that was peppered through

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<v Speaker 9>the American version of Roberts Ecca's version. The story is

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00:19:25.759 --> 00:19:30.720
<v Speaker 9>effectively exactly the same. It is a wife murders her

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<v Speaker 9>husband on Christmas Eve. She has a young daughter. There

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<v Speaker 9>just so happens that a mental patient has escaped from

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<v Speaker 9>an asylum and has donned a Santa Claus costume, although

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<v Speaker 9>in this case it's Father Christmas. Because these stories all

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<v Speaker 9>take place in England, this movie is an English production.

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<v Speaker 9>Amics was in the English company. All the acting, in

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<v Speaker 9>all the settings are all in England. However, where it

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<v Speaker 9>differs from the American one is how skillful and stylished

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<v Speaker 9>the whole thing is, particularly the set design. Let's sort

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<v Speaker 9>of point to that it's sort of that retro fuere

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<v Speaker 9>tourist early seventies, sort of passing out of the mod

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00:20:03.799 --> 00:20:08.079
<v Speaker 9>phase in England and into a more contemporary design.

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<v Speaker 2>I love the look of the house in this one.

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<v Speaker 9>When we talked about the American version, they I said

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<v Speaker 9>that they kind of stacked the deck in favor of

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<v Speaker 9>the heroine or the villain, if you will, because they

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<v Speaker 9>made her husband to be kind of a prick, like

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<v Speaker 9>from the get go, and in this case they don't

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<v Speaker 9>do that. They go in just in the opposite direction.

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<v Speaker 9>They make him like really really sweet, like he's bought

357
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<v Speaker 9>her this brooch, and like he's written this sweet card.

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<v Speaker 9>This line always sort of sticks in my head where

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<v Speaker 9>they're showing you the note and at the bottom he's

360
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<v Speaker 9>written like an X, like for a kiss, and he

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<v Speaker 9>narrates it in his head to us and he says

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<v Speaker 9>and a big kiss at the very end.

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<v Speaker 2>What does you think of this version of it?

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<v Speaker 4>I mean, obviously it's much better than the Mary Ellen

365
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<v Speaker 4>Trainer one, but again that's not really hard, like you said,

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<v Speaker 4>it's You've got Joan Collins who is much more of

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<v Speaker 4>an evil character, which I think works in this telling

368
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<v Speaker 4>of the story. And it also helps that they downplay

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<v Speaker 4>the idea that her husband is an asshole. I think

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<v Speaker 4>playing up the fact that she's just really mean spirited

371
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<v Speaker 4>and a murderous and downplaying that he's just kind of

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<v Speaker 4>like an asshole works in its favor, which is a

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<v Speaker 4>lot of fun for kind of flipping the original shows

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<v Speaker 4>or the show's premise on its head, because it's not

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<v Speaker 4>what you're expecting if you're going into this expecting it

376
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<v Speaker 4>to be similar to the show. Everything else is the

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<v Speaker 4>same a century pretty much, which is good. And it's

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<v Speaker 4>also feels shorter than the episode, which is also good.

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<v Speaker 2>I believe it actually is.

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<v Speaker 4>Yeah, that was one of the problems I had with

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<v Speaker 4>the episode is that it feels like they were padding

382
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<v Speaker 4>it out for time, and in this it's pretty straight

383
00:21:43.839 --> 00:21:46.119
<v Speaker 4>to the point. There's not a whole lot of dicking around,

384
00:21:46.160 --> 00:21:48.079
<v Speaker 4>there's not a whole lot of wheel spinning. Straight to

385
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<v Speaker 4>the point, really straightforward. I liked it a lot. I

386
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<v Speaker 4>thought it was really good, and Joan Collins is really good.

387
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<v Speaker 4>Joan Collins definitely is the standout.

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<v Speaker 9>The character in the American version, like she kills her

389
00:21:57.839 --> 00:22:00.000
<v Speaker 9>husband and then doesn't really seem to have a place

390
00:22:00.359 --> 00:22:04.319
<v Speaker 9>beyond that, whereas this character has thought it through. She

391
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<v Speaker 9>knows that she's going to hit him in the head

392
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<v Speaker 9>with this thing, and then she's going to make it

393
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<v Speaker 9>look as if he tumbled down the stairs. Now, I mean,

394
00:22:10.440 --> 00:22:15.880
<v Speaker 9>obviously she gets some blood everywhere and that was unforeseen. Nevertheless,

395
00:22:15.960 --> 00:22:19.119
<v Speaker 9>she's ready to scoop it all up into a champagne

396
00:22:19.200 --> 00:22:21.359
<v Speaker 9>flute and then pour it at the bottom of the

397
00:22:21.359 --> 00:22:23.920
<v Speaker 9>stairs so it looks as if he had just fallen

398
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<v Speaker 9>down and died, Whereas the Mary Allen Trainer characters was

399
00:22:28.440 --> 00:22:31.440
<v Speaker 9>going to take his body into the backyard and then

400
00:22:31.519 --> 00:22:34.640
<v Speaker 9>dump him into a well, thus ensuring that she would

401
00:22:34.720 --> 00:22:37.400
<v Speaker 9>never get the insurance money because he would just be

402
00:22:37.440 --> 00:22:40.079
<v Speaker 9>a missing person for a couple of years. So a

403
00:22:40.200 --> 00:22:43.920
<v Speaker 9>much more devious character in this case. And I gotta

404
00:22:43.960 --> 00:22:48.880
<v Speaker 9>say because of that fact, I'm actually on her side

405
00:22:49.519 --> 00:22:52.480
<v Speaker 9>as the episode progresses, whereas the Mary Allen Trainer, I

406
00:22:52.559 --> 00:22:54.200
<v Speaker 9>was kind of like, man, if she gets killed, she

407
00:22:54.200 --> 00:22:54.640
<v Speaker 9>gets killed.

408
00:22:54.640 --> 00:22:56.839
<v Speaker 2>She's kind of an idiot. Anyway, I'm not on her.

409
00:22:56.799 --> 00:23:00.680
<v Speaker 4>Side because she's obviously a very malicious character. But I

410
00:23:00.720 --> 00:23:03.799
<v Speaker 4>think that again, the only thing that is lacking is

411
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<v Speaker 4>the performance by the Father Christmas. But again, kind of

412
00:23:08.240 --> 00:23:10.240
<v Speaker 4>cutting it for time means that you don't have to

413
00:23:10.279 --> 00:23:12.200
<v Speaker 4>really go out of your way to really play it

414
00:23:12.279 --> 00:23:14.400
<v Speaker 4>up like they did with Larry Drake in the Tails

415
00:23:14.400 --> 00:23:15.680
<v Speaker 4>from the Crypt TV show.

416
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<v Speaker 2>Yeah, I mean they just need the outside threat.

417
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<v Speaker 4>Yeah, it's a really good kind of opener to the movie.

418
00:23:22.160 --> 00:23:24.880
<v Speaker 4>I think it's definitely better than the original or the

419
00:23:25.680 --> 00:23:28.839
<v Speaker 4>TV show, which again works in its favor because you

420
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<v Speaker 4>know that I'm not a huge, huge fan of the

421
00:23:30.880 --> 00:23:31.839
<v Speaker 4>TV shows version.

422
00:23:31.880 --> 00:23:34.599
<v Speaker 9>I think it's interesting that they started with this, like,

423
00:23:34.960 --> 00:23:36.839
<v Speaker 9>you know, ordinarily Christmas at the end of the year

424
00:23:36.880 --> 00:23:38.440
<v Speaker 9>and you think this would be sort of the Kappa

425
00:23:38.519 --> 00:23:41.160
<v Speaker 9>at the end, but they sort of they launch with it,

426
00:23:40.880 --> 00:23:45.960
<v Speaker 9>which I like. And it's not a supernatural tale necessarily.

427
00:23:46.799 --> 00:23:49.039
<v Speaker 9>We get a little bit of both or rather, you know,

428
00:23:49.319 --> 00:23:51.279
<v Speaker 9>supernatural and not throughout the thing.

429
00:23:51.359 --> 00:23:53.000
<v Speaker 2>But it's a.

430
00:23:52.920 --> 00:23:58.519
<v Speaker 9>Good, nice intro to the tone that Tails from the

431
00:23:58.559 --> 00:24:01.200
<v Speaker 9>Crypt sort of likes to balance. So yeah, no, I

432
00:24:01.200 --> 00:24:03.279
<v Speaker 9>think this particular story is a winner.

433
00:24:40.480 --> 00:24:44.480
<v Speaker 10>Of course, you're all here by invitation, but don't let

434
00:24:44.480 --> 00:24:47.799
<v Speaker 10>it disturb you if these paintings per se don't happen

435
00:24:47.839 --> 00:24:51.039
<v Speaker 10>to be you a thing. These are rather special paintings.

436
00:24:51.039 --> 00:24:53.119
<v Speaker 10>The kind of hanging generally put up with a noose.

437
00:24:54.400 --> 00:24:57.839
<v Speaker 10>This painting, for example, is of a rather special world

438
00:24:58.839 --> 00:25:02.079
<v Speaker 10>what has become perpetual in the language as the ghetto,

439
00:25:03.000 --> 00:25:07.119
<v Speaker 10>that dismal realm of pushkins and poverty, where hopes are

440
00:25:07.200 --> 00:25:11.240
<v Speaker 10>stamped down like dirty shoes on snow. Death is a

441
00:25:11.240 --> 00:25:16.119
<v Speaker 10>commonplace visitor to these somber alleys, but occasionally someone else visits.

442
00:25:16.880 --> 00:25:20.640
<v Speaker 10>Our painting is called The Messiah on Mott Street. And

443
00:25:20.759 --> 00:25:23.200
<v Speaker 10>this place, should you not already know, it, is the

444
00:25:23.319 --> 00:25:23.920
<v Speaker 10>Night Gallery.

445
00:25:24.960 --> 00:25:27.799
<v Speaker 2>Well boy worried for Rod Sterling. Kind of an evening.

446
00:25:27.960 --> 00:25:30.759
<v Speaker 2>The Messiah on Mott Street is written by Ron Sterling

447
00:25:30.799 --> 00:25:35.160
<v Speaker 2>and directed by Don Taylor. He is a returning director

448
00:25:35.319 --> 00:25:38.440
<v Speaker 2>to Night Gallery. Guys, you know the other episode he directed,

449
00:25:39.160 --> 00:25:43.480
<v Speaker 2>They're Tearing Down Tim Riley's Bar. This one stars This

450
00:25:43.519 --> 00:25:43.799
<v Speaker 2>is the.

451
00:25:43.759 --> 00:25:45.839
<v Speaker 4>Moment I wish I had the soundboard for He's a

452
00:25:45.880 --> 00:25:47.720
<v Speaker 4>jolly good Fellow because really.

453
00:25:47.480 --> 00:25:50.720
<v Speaker 2>I mean literally, the only thing missing from us.

454
00:25:52.640 --> 00:25:54.599
<v Speaker 4>Wow, you know what, You're right?

455
00:25:55.160 --> 00:25:58.680
<v Speaker 2>This one stars Edward G. Robinson, the original Little Caesar,

456
00:25:58.920 --> 00:26:03.359
<v Speaker 2>yathat Coto, Tony Roberts, and Joseph Ruskin as a fanatic.

457
00:26:03.400 --> 00:26:05.599
<v Speaker 2>He was the man in the bottle in the original

458
00:26:05.640 --> 00:26:07.400
<v Speaker 2>Twilight zone. He was a genie in that he was

459
00:26:07.440 --> 00:26:10.119
<v Speaker 2>so goddamn scary. This one's a period piece set in

460
00:26:10.200 --> 00:26:13.559
<v Speaker 2>the nineteen twenties. Oh no, wait, this is contemporary. This

461
00:26:13.640 --> 00:26:16.119
<v Speaker 2>is a contemporary tale of a young boy looking for

462
00:26:16.160 --> 00:26:18.240
<v Speaker 2>the Messiah on the streets of New York to help

463
00:26:18.279 --> 00:26:22.359
<v Speaker 2>his ailing grandfather. What'd you think of this one, Mike?

464
00:26:22.720 --> 00:26:26.240
<v Speaker 11>Was that a mistake that it's nineteen twenties? No, it's

465
00:26:26.240 --> 00:26:29.960
<v Speaker 11>contemporary because I couldn't tell what the hell year this was,

466
00:26:30.119 --> 00:26:33.319
<v Speaker 11>What the hell was going on? I mean, it does

467
00:26:33.400 --> 00:26:37.720
<v Speaker 11>feel like it feels like Grandpa's apartment building is from

468
00:26:37.799 --> 00:26:40.240
<v Speaker 11>a whole other era as well as a lot of

469
00:26:40.279 --> 00:26:43.759
<v Speaker 11>the people out on the street. But not everybody, because

470
00:26:44.880 --> 00:26:47.640
<v Speaker 11>nobody seems to have any sort of issues with this

471
00:26:47.720 --> 00:26:50.039
<v Speaker 11>little kid just going out and bringing the off at

472
00:26:50.200 --> 00:26:55.440
<v Speaker 11>Codo home. It just seems a little weird that there's

473
00:26:55.480 --> 00:26:58.599
<v Speaker 11>a black guy in the living room. Are you aware

474
00:26:58.599 --> 00:27:05.279
<v Speaker 11>of this? It takes so long for the kid to

475
00:27:05.359 --> 00:27:08.839
<v Speaker 11>find the Messiah, like just like for him to leave

476
00:27:08.880 --> 00:27:12.359
<v Speaker 11>the apartment. There's just so much of all of the

477
00:27:12.400 --> 00:27:18.400
<v Speaker 11>stuff in Yeah, I did not mind this episode at all.

478
00:27:18.559 --> 00:27:22.519
<v Speaker 11>In fact, it felt like there was a lot more

479
00:27:22.680 --> 00:27:25.599
<v Speaker 11>to it. That had I read this as a story

480
00:27:25.720 --> 00:27:29.319
<v Speaker 11>or even a novella, that I would have picked up

481
00:27:29.319 --> 00:27:33.839
<v Speaker 11>a lot more. It just felt very literary with the

482
00:27:34.119 --> 00:27:39.160
<v Speaker 11>its construction. I was really happy to see Tony Roberts

483
00:27:39.400 --> 00:27:43.400
<v Speaker 11>show up in this. I mostly know him. We talked

484
00:27:43.400 --> 00:27:46.079
<v Speaker 11>a little bit about Woody Allen recently. I mostly know

485
00:27:46.200 --> 00:27:49.480
<v Speaker 11>him from his work with Woody Allen, like Andy Hall

486
00:27:49.599 --> 00:27:53.240
<v Speaker 11>and played against him, I mean, especially Annie Hall. So

487
00:27:53.319 --> 00:27:55.200
<v Speaker 11>I was very happy to see him. But he feels

488
00:27:55.319 --> 00:28:00.319
<v Speaker 11>very nineteen seventy two seventy three, And yeah, I Coto

489
00:28:00.359 --> 00:28:03.359
<v Speaker 11>feels very nineteen seventy two seventy three. And then the

490
00:28:03.400 --> 00:28:05.079
<v Speaker 11>rest of the story feels like it is in the

491
00:28:05.160 --> 00:28:06.480
<v Speaker 11>nineteen twenties or thirties.

492
00:28:07.079 --> 00:28:10.759
<v Speaker 4>Was I was waiting for Tony Roberts to ask Edward G.

493
00:28:10.960 --> 00:28:15.319
<v Speaker 4>Robinson if jew eat jew? Did jew eat? I distinctly

494
00:28:15.359 --> 00:28:21.519
<v Speaker 4>heard him call me a jew. I I do not

495
00:28:22.000 --> 00:28:27.119
<v Speaker 4>understand what in God's name the point? Excuse me, what

496
00:28:27.279 --> 00:28:33.920
<v Speaker 4>in yf at Koto's name is going on? Here was

497
00:28:33.960 --> 00:28:38.039
<v Speaker 4>this segment forty minutes, and somehow Rod Serling went into

498
00:28:38.079 --> 00:28:40.880
<v Speaker 4>the tartis with it and added another forty I've never

499
00:28:40.960 --> 00:28:46.440
<v Speaker 4>seen a segment take so long like thirty So I'm

500
00:28:47.079 --> 00:28:50.400
<v Speaker 4>not so I was feeling hyperbolic, but more or less

501
00:28:51.240 --> 00:28:55.599
<v Speaker 4>correct like it. It's fucking insane. I cannot believe that

502
00:28:55.680 --> 00:28:58.160
<v Speaker 4>somebody thought that anybody would be compelled by this. I

503
00:28:58.200 --> 00:28:59.960
<v Speaker 4>think we all know the story that they're getting it

504
00:29:00.599 --> 00:29:05.359
<v Speaker 4>and the message that it's trying to I guess attempt

505
00:29:06.279 --> 00:29:10.319
<v Speaker 4>to get out, but wrong way to go. I mean,

506
00:29:10.319 --> 00:29:15.319
<v Speaker 4>if if Camera Obscura was a little long, if the

507
00:29:15.480 --> 00:29:18.319
<v Speaker 4>last episode had some segments that were a little long,

508
00:29:18.680 --> 00:29:22.160
<v Speaker 4>holy shit, this is like, this is just this is

509
00:29:22.559 --> 00:29:25.200
<v Speaker 4>probably the worst segment I've seen on this show in

510
00:29:25.279 --> 00:29:29.319
<v Speaker 4>terms of the length, feeling double what it actually is.

511
00:29:29.519 --> 00:29:32.440
<v Speaker 2>It is a sensitive take on the Jewish experience centered

512
00:29:32.440 --> 00:29:36.000
<v Speaker 2>around Christmas time. Way to go, Rod, I don't know

513
00:29:36.039 --> 00:29:40.759
<v Speaker 2>who Santa is. Wow, this segment is worse to me

514
00:29:40.880 --> 00:29:44.279
<v Speaker 2>in every way than Tim Riley's bar except for the

515
00:29:44.319 --> 00:29:47.359
<v Speaker 2>aforementioned lack of for He's a jolly goodfellow. But you

516
00:29:47.359 --> 00:29:50.680
<v Speaker 2>know why because Tim Riley at least wasn't precious. And

517
00:29:50.799 --> 00:29:55.720
<v Speaker 2>this is thanks to the adorable subplot of grandson Mikey

518
00:29:56.119 --> 00:30:01.079
<v Speaker 2>wandering the streets alone to find the Messiah. By the way,

519
00:30:01.119 --> 00:30:05.519
<v Speaker 2>when he's not doing that incredibly dangerous thing. Evidently, this tiny,

520
00:30:05.839 --> 00:30:10.839
<v Speaker 2>tiny child is taking care of his ailing grandfather. Is

521
00:30:10.839 --> 00:30:13.640
<v Speaker 2>he taking himself to school as well? Is he doing

522
00:30:13.640 --> 00:30:16.359
<v Speaker 2>the grocery shopping? That's what I'm getting out of it.

523
00:30:16.640 --> 00:30:20.400
<v Speaker 2>Why is Tony Roberts not intervening? By the way Tony

524
00:30:20.480 --> 00:30:22.319
<v Speaker 2>Roberts I think of him, I always think of taking

525
00:30:22.319 --> 00:30:24.200
<v Speaker 2>a PILLM. One two three, just trying to make that

526
00:30:24.279 --> 00:30:27.000
<v Speaker 2>ailing mayor get out of bed and come deal with

527
00:30:27.000 --> 00:30:30.559
<v Speaker 2>the subway situation. This episode, I get where he's coming from.

528
00:30:30.599 --> 00:30:34.359
<v Speaker 2>It's yet another the downtrodden man. We also get this

529
00:30:34.720 --> 00:30:40.680
<v Speaker 2>really false happy ending where the check from his long

530
00:30:40.880 --> 00:30:45.640
<v Speaker 2>lost brother arrives and everything's gonna be okay. And you

531
00:30:45.680 --> 00:30:47.759
<v Speaker 2>know what, yeah, fokoto. He might have been the Messiah,

532
00:30:47.759 --> 00:30:49.799
<v Speaker 2>but he might have just been the mailman. You know,

533
00:30:49.880 --> 00:30:52.400
<v Speaker 2>it's a bit ambiguous because we know most mailman are

534
00:30:52.400 --> 00:30:55.799
<v Speaker 2>delivering packages at fucking one o'clock on the morning on Christmas.

535
00:30:56.039 --> 00:30:58.960
<v Speaker 11>Thank you, thank you, thank you. This whole thing where

536
00:30:58.960 --> 00:31:01.440
<v Speaker 11>they had to make suit to point out the clock

537
00:31:01.680 --> 00:31:05.079
<v Speaker 11>and that it was just about midnight, and then everything

538
00:31:05.160 --> 00:31:09.160
<v Speaker 11>else basically contradicting that it was anywhere near midnight, and

539
00:31:09.240 --> 00:31:12.279
<v Speaker 11>especially that the kid was just outside and it was

540
00:31:12.400 --> 00:31:15.440
<v Speaker 11>daylight and now it's pitch black and midnight, and I'm like,

541
00:31:16.400 --> 00:31:18.359
<v Speaker 11>what is going on? Thank you for bringing that up?

542
00:31:18.480 --> 00:31:21.559
<v Speaker 2>Day for another and the back lot? What a combination.

543
00:31:22.480 --> 00:31:25.319
<v Speaker 4>I was so confused at the I just I felt

544
00:31:25.400 --> 00:31:27.440
<v Speaker 4>like I felt like I had fallen asleep for a

545
00:31:27.480 --> 00:31:32.160
<v Speaker 4>minute and like missed it. It's what a choice. Let's

546
00:31:32.160 --> 00:31:34.640
<v Speaker 4>just put it that way, as if, as if thirty

547
00:31:34.640 --> 00:31:37.079
<v Speaker 4>six minutes wasn't enough, you needed to have a time

548
00:31:37.200 --> 00:31:40.759
<v Speaker 4>jump inside of your segment, a couple hour time jump,

549
00:31:40.920 --> 00:31:44.759
<v Speaker 4>Like yeah, and the story that they're telling is not

550
00:31:45.680 --> 00:31:50.559
<v Speaker 4>that interesting. It's just we've seen these, We've wasn't there

551
00:31:50.599 --> 00:31:53.160
<v Speaker 4>a Twilight Zone eighty five thing where the guy was

552
00:31:53.200 --> 00:31:56.400
<v Speaker 4>Santa Claus and it was the drunk guy with Santa

553
00:31:56.559 --> 00:32:00.119
<v Speaker 4>Like this is that has that same just like Sacker.

554
00:32:00.200 --> 00:32:03.200
<v Speaker 11>Which was a remake of a segment from the original

555
00:32:03.279 --> 00:32:04.240
<v Speaker 11>Twilight Zone.

556
00:32:04.039 --> 00:32:06.519
<v Speaker 4>Right night of them, it seems feels like that same

557
00:32:06.720 --> 00:32:08.920
<v Speaker 4>saccarin bullshit that's this.

558
00:32:08.920 --> 00:32:11.079
<v Speaker 2>This is just so like, this is not a night

559
00:32:11.119 --> 00:32:14.000
<v Speaker 2>Gallery segment. This is a Twilight Zone segment.

560
00:32:14.119 --> 00:32:19.160
<v Speaker 4>There's hat in hand, poor man bullshit constantly.

561
00:32:19.079 --> 00:32:22.759
<v Speaker 2>Having him having Edward g Robinson think he's like, facing

562
00:32:22.799 --> 00:32:25.240
<v Speaker 2>the Angel of Death for two seconds does not equal

563
00:32:25.240 --> 00:32:29.240
<v Speaker 2>a horror tale. This is a tale, fantasy and it

564
00:32:29.279 --> 00:32:31.200
<v Speaker 2>has no place. I don't care if this is their

565
00:32:31.279 --> 00:32:33.559
<v Speaker 2>Christmas episode, and it is because it's the aired on

566
00:32:33.599 --> 00:32:36.079
<v Speaker 2>December the fifteenth, but I don't care if it is

567
00:32:36.119 --> 00:32:37.279
<v Speaker 2>their Christmas episode.

568
00:32:37.799 --> 00:32:40.200
<v Speaker 4>I mean, they do point out that Jewish children do

569
00:32:40.240 --> 00:32:43.480
<v Speaker 4>not know who Santa Claus is per Rod Serling. It's like,

570
00:32:43.640 --> 00:32:46.519
<v Speaker 4>we're fucking the no, Like, that's not how that works

571
00:32:46.839 --> 00:32:50.079
<v Speaker 4>at all. It's not how that works at all, Rod,

572
00:32:50.079 --> 00:32:51.559
<v Speaker 4>and we know that, and you know that.

573
00:32:51.960 --> 00:32:52.119
<v Speaker 2>It.

574
00:32:52.599 --> 00:32:56.240
<v Speaker 4>I just it's so masturbatory at this point with Rod Serling,

575
00:32:56.440 --> 00:33:00.519
<v Speaker 4>like just like I need forty minutes of this fifty

576
00:33:00.599 --> 00:33:02.119
<v Speaker 4>minutes show to tell this story.

577
00:33:02.160 --> 00:33:02.480
<v Speaker 2>You know what?

578
00:33:02.480 --> 00:33:06.960
<v Speaker 4>Whatever, Ron, Fine, Fine, sure we'll go and shoot our

579
00:33:06.960 --> 00:33:10.039
<v Speaker 4>segment with Josha Goodbor. Whatever.

580
00:33:10.160 --> 00:33:10.359
<v Speaker 11>Ron.

581
00:33:11.400 --> 00:33:13.640
<v Speaker 4>It's just at some point it's like when is enough

582
00:33:13.680 --> 00:33:16.640
<v Speaker 4>too much? And where it's like thirty minutes is a

583
00:33:16.640 --> 00:33:19.160
<v Speaker 4>little much for this show, frankly, but it's.

584
00:33:19.039 --> 00:33:20.160
<v Speaker 2>Good to see Ethic Codo.

585
00:33:20.720 --> 00:33:20.880
<v Speaker 11>Yeah.

586
00:33:20.880 --> 00:33:22.839
<v Speaker 2>I mean he's got like three lines, but the man

587
00:33:22.920 --> 00:33:26.000
<v Speaker 2>is walking gravity and just that the last interaction between

588
00:33:26.039 --> 00:33:31.599
<v Speaker 2>him and Tony Roberts's pretty good. It doesn't redeem anything.

589
00:33:50.359 --> 00:33:53.720
<v Speaker 4>So. This episode aired December twentieth, nineteen eighty five. It

590
00:33:53.759 --> 00:33:57.480
<v Speaker 4>is ostensibly the first season of the show's Christmas episode

591
00:33:57.839 --> 00:33:59.960
<v Speaker 4>and the first segment, Night of the Meek, is a

592
00:34:00.000 --> 00:34:03.960
<v Speaker 4>a remake of the original episode also titled The Night

593
00:34:04.000 --> 00:34:06.960
<v Speaker 4>of the Meek from the original run of the show.

594
00:34:07.039 --> 00:34:10.360
<v Speaker 4>That episode had Art Carney in it, and it is

595
00:34:10.440 --> 00:34:14.039
<v Speaker 4>a very similar in tone and structure to this episode.

596
00:34:14.079 --> 00:34:17.559
<v Speaker 4>This episode, however, is written by Rockney O'Bannon, adapted from

597
00:34:17.559 --> 00:34:20.800
<v Speaker 4>the original story by Rod Serling, and it stars everyone's

598
00:34:21.159 --> 00:34:26.280
<v Speaker 4>favorite lovable asshole William Atherton and Richard Mulligan from a

599
00:34:26.280 --> 00:34:28.800
<v Speaker 4>sitcom that I am way too young to have any

600
00:34:28.840 --> 00:34:29.519
<v Speaker 4>idea about.

601
00:34:30.199 --> 00:34:34.039
<v Speaker 11>Oh, I sure watch a lot of soap at me too.

602
00:34:35.119 --> 00:34:38.840
<v Speaker 4>But Richard Mulligan replaces the Art Carney character from the

603
00:34:38.840 --> 00:34:41.400
<v Speaker 4>original episode, which is a man a down on his

604
00:34:41.519 --> 00:34:45.039
<v Speaker 4>luck mal Santo, who ends up becoming real Santa for

605
00:34:45.199 --> 00:34:48.199
<v Speaker 4>an evening and then for life, apparently, because that's the

606
00:34:48.199 --> 00:34:52.519
<v Speaker 4>way this episode airs. Forever you didn't even have to

607
00:34:52.559 --> 00:34:56.159
<v Speaker 4>push anybody off of a roof. Isn't that weird? So

608
00:34:56.360 --> 00:34:58.000
<v Speaker 4>what did you guys? Think of this segment.

609
00:34:58.360 --> 00:35:01.840
<v Speaker 11>I was happy to see Richard Mulligan. I always liked

610
00:35:01.920 --> 00:35:06.559
<v Speaker 11>him as Bert on soap and uh, we should make

611
00:35:06.599 --> 00:35:09.559
<v Speaker 11>sure that people do not confuse him for the Captain

612
00:35:09.679 --> 00:35:11.880
<v Speaker 11>on the Police Squad movies, even though there is a

613
00:35:11.960 --> 00:35:15.679
<v Speaker 11>little bit of a similarity between the two guys. And yeah, I.

614
00:35:15.639 --> 00:35:19.679
<v Speaker 4>Was gonna say or confuse him for Donald Moffatt from

615
00:35:19.760 --> 00:35:22.840
<v Speaker 4>The Thing, who actually happens to be in an episode

616
00:35:22.880 --> 00:35:26.920
<v Speaker 4>of this show on this episode, because that's who I

617
00:35:26.920 --> 00:35:28.639
<v Speaker 4>thought he was for Like the first couple of minutes,

618
00:35:28.679 --> 00:35:30.440
<v Speaker 4>I was like, that's the guy from the Thing. Oh wait, no,

619
00:35:30.519 --> 00:35:33.119
<v Speaker 4>it's not. And then when Donald Moffatt shows up later

620
00:35:33.159 --> 00:35:34.800
<v Speaker 4>in the episode, I was like, no, that's the guy

621
00:35:34.800 --> 00:35:35.320
<v Speaker 4>from the Thing.

622
00:35:35.599 --> 00:35:39.039
<v Speaker 11>Holy shit, and the guy from the Reanimator, Holy cow?

623
00:35:39.360 --> 00:35:41.559
<v Speaker 4>Is that not the guy from Reanimated? Oh is it?

624
00:35:41.960 --> 00:35:44.400
<v Speaker 2>No, that's not David Gaile. That was Fritz Weaver.

625
00:35:45.000 --> 00:35:47.800
<v Speaker 11>Yeah, I thought fittz Weaver was in wasn't he in

626
00:35:47.840 --> 00:35:49.519
<v Speaker 11>one of those the Reanimator phone?

627
00:35:49.639 --> 00:35:50.519
<v Speaker 4>No?

628
00:35:50.519 --> 00:35:52.639
<v Speaker 2>No, man, he's in creep Show. He's not in Reanimator.

629
00:35:52.719 --> 00:35:55.519
<v Speaker 2>David Gail is the is Jesus Chris?

630
00:35:55.800 --> 00:35:58.440
<v Speaker 4>So guess what I totally thought the same thing.

631
00:35:59.000 --> 00:35:59.320
<v Speaker 11>Wow.

632
00:36:00.079 --> 00:36:03.360
<v Speaker 4>So yeah, so lots of lots of misidentification.

633
00:36:04.159 --> 00:36:07.119
<v Speaker 2>Yeah, however, this episode was out to confuse us.

634
00:36:07.599 --> 00:36:10.960
<v Speaker 4>I will tell you I liked this segment a lot.

635
00:36:11.920 --> 00:36:14.800
<v Speaker 11>It wasn't bad, as did I. It was pretty predictable.

636
00:36:14.840 --> 00:36:16.960
<v Speaker 11>I was just like, Okay, yeah, some point Athoton is

637
00:36:16.960 --> 00:36:18.840
<v Speaker 11>going to show up and he's going to fuck stuff up,

638
00:36:18.880 --> 00:36:21.960
<v Speaker 11>and then oh there's going to be the fur code

639
00:36:22.079 --> 00:36:24.239
<v Speaker 11>is going to be in the bag. Blah blah blah

640
00:36:24.280 --> 00:36:26.239
<v Speaker 11>blah blah. So I was like, Okay, I see every

641
00:36:26.280 --> 00:36:29.280
<v Speaker 11>turn before it happens. And this is without necessarily being

642
00:36:29.320 --> 00:36:31.800
<v Speaker 11>that familiar with the Art Curney one, but I mean

643
00:36:31.840 --> 00:36:32.800
<v Speaker 11>it was it worked.

644
00:36:33.440 --> 00:36:36.320
<v Speaker 2>Yeah, I mean, you know, it's standing in contrast to

645
00:36:36.400 --> 00:36:38.320
<v Speaker 2>the last episode we watched it. There's a way to

646
00:36:38.360 --> 00:36:42.639
<v Speaker 2>do Heartfeldt without being smallcy, and I think this kind

647
00:36:42.639 --> 00:36:45.119
<v Speaker 2>of achieved that. I think rock New Abandoned script is

648
00:36:45.159 --> 00:36:49.920
<v Speaker 2>actually superior in every way to Alan Brennerd's take on

649
00:36:49.960 --> 00:36:55.039
<v Speaker 2>her Pilgrim Soul. Yeah, I you know, I found this

650
00:36:55.079 --> 00:36:58.840
<v Speaker 2>episode to be kind of rousing and the you know,

651
00:36:59.440 --> 00:37:01.719
<v Speaker 2>actually I leave it to be an improvement on the

652
00:37:01.840 --> 00:37:06.119
<v Speaker 2>Rod Serling original. I liked this one a whole lot more.

653
00:37:07.159 --> 00:37:09.800
<v Speaker 2>The big selling point with that original one was that

654
00:37:09.800 --> 00:37:13.719
<v Speaker 2>they got Urt Carney to do the Santa part. But

655
00:37:13.920 --> 00:37:16.360
<v Speaker 2>I think Richard Mulligan is so much better than him here,

656
00:37:17.000 --> 00:37:21.199
<v Speaker 2>playing both sort of down and out drunkard. He doesn't

657
00:37:21.239 --> 00:37:25.280
<v Speaker 2>like lean too heavily into that standard sort of Advilian

658
00:37:25.800 --> 00:37:28.039
<v Speaker 2>take on what a drunk is like we saw Robert

659
00:37:28.079 --> 00:37:32.039
<v Speaker 2>Morse do earlier this season. I think he does well there,

660
00:37:32.119 --> 00:37:35.360
<v Speaker 2>and then you know, once the miracles start happening, I

661
00:37:35.360 --> 00:37:40.840
<v Speaker 2>think he remains consistent as far as his character. I

662
00:37:41.159 --> 00:37:42.920
<v Speaker 2>don't know. I really liked this episode a lot. I

663
00:37:42.920 --> 00:37:47.280
<v Speaker 2>thought it was as good a Christmas thing, a happy

664
00:37:47.440 --> 00:37:50.239
<v Speaker 2>Christmas idea, as the Twilight Zone could produce.

665
00:37:51.159 --> 00:37:53.079
<v Speaker 4>And I'm not gonna lie I got a little dusty

666
00:37:53.079 --> 00:37:55.920
<v Speaker 4>in the room at the end. I mean it's you know,

667
00:37:56.639 --> 00:37:59.880
<v Speaker 4>it's an effective heart string pulling moment there at the

668
00:38:00.039 --> 00:38:01.719
<v Speaker 4>and when they're sitting on those stairs together.

669
00:38:02.960 --> 00:38:05.880
<v Speaker 11>Yeah, this one fired on all cylinders. I thought it

670
00:38:05.920 --> 00:38:07.360
<v Speaker 11>was very solid.

671
00:38:07.320 --> 00:38:09.679
<v Speaker 4>Which is surprising because it feels like it could have

672
00:38:09.880 --> 00:38:15.639
<v Speaker 4>really easily veered into saccharin just melancholy bullshit.

673
00:38:16.159 --> 00:38:18.880
<v Speaker 11>Oh yeah, and when you're dealing with Christmas, you already

674
00:38:18.960 --> 00:38:22.360
<v Speaker 11>have that huge danger. I mean, you can go over

675
00:38:22.400 --> 00:38:25.760
<v Speaker 11>the edge so quickly and just start relying on oh

676
00:38:25.920 --> 00:38:28.480
<v Speaker 11>Christmas spirit, Oh it's a season on the holiday. But

677
00:38:29.360 --> 00:38:32.519
<v Speaker 11>luckily they they managed to stay away from that. They

678
00:38:32.519 --> 00:38:35.800
<v Speaker 11>managed to keep it more grounded than that than just

679
00:38:35.840 --> 00:38:37.880
<v Speaker 11>having to rely on this being a Christmas thing.

680
00:38:38.360 --> 00:38:40.079
<v Speaker 9>I mean, if I had a quibble with the episode,

681
00:38:40.119 --> 00:38:43.360
<v Speaker 9>it's when he finally does turn into Santa in the end.

682
00:38:43.360 --> 00:38:44.480
<v Speaker 2>I don't think we needed that.

683
00:38:46.039 --> 00:38:49.440
<v Speaker 4>It was a little much, A little much, maybe a

684
00:38:49.440 --> 00:38:50.079
<v Speaker 4>lot much.

685
00:38:50.639 --> 00:38:53.440
<v Speaker 11>What about those incredible special effects though when he disappears,

686
00:38:54.960 --> 00:38:55.320
<v Speaker 11>are a.

687
00:38:55.360 --> 00:38:59.880
<v Speaker 4>Liar, you are charlatan, you are a false profit among men.

688
00:39:00.800 --> 00:39:05.760
<v Speaker 4>Those special effects are bad. Star Trek Tos man like

689
00:39:06.320 --> 00:39:09.480
<v Speaker 4>with Star Trek tos without the charm, just like out

690
00:39:09.519 --> 00:39:13.000
<v Speaker 4>of nowhere, he just demateializes and goes up the chimney.

691
00:39:13.239 --> 00:39:14.880
<v Speaker 2>Okay, sure, yeah.

692
00:39:14.920 --> 00:39:16.400
<v Speaker 11>Well and it was weird too because he was like,

693
00:39:16.480 --> 00:39:18.159
<v Speaker 11>I want to see how he goes up the chimney,

694
00:39:18.199 --> 00:39:21.320
<v Speaker 11>And then I don't think those little sparkle dots go

695
00:39:21.440 --> 00:39:25.000
<v Speaker 11>up the chimney. Do they they do? Oh? Okay they do? Actually, yeah,

696
00:39:25.039 --> 00:39:25.639
<v Speaker 11>thank goodness.

697
00:39:25.760 --> 00:39:28.880
<v Speaker 4>It's like Mike TV, you not a good addition to

698
00:39:28.920 --> 00:39:30.320
<v Speaker 4>the episode.

699
00:39:30.039 --> 00:39:34.000
<v Speaker 2>No no, but it's a again, as I said, it's

700
00:39:34.000 --> 00:39:37.199
<v Speaker 2>a quibble, like I didn't need it, but I wasn't

701
00:39:37.239 --> 00:39:41.480
<v Speaker 2>exactly angry or that it happened like it, you know,

702
00:39:41.559 --> 00:39:45.679
<v Speaker 2>it seemed appropriate but at the same time not necessary.

703
00:39:45.880 --> 00:39:47.840
<v Speaker 4>Yeah, I mean the way to end it is you

704
00:39:47.880 --> 00:39:49.599
<v Speaker 4>have him look in the mirror and pull on his

705
00:39:49.639 --> 00:39:51.760
<v Speaker 4>beard and his mustache, and then it just cuts away

706
00:39:51.840 --> 00:39:56.199
<v Speaker 4>to you hear something William Atherton looking above the house,

707
00:39:56.199 --> 00:39:59.280
<v Speaker 4>and you see him, you see him watching him fly away.

708
00:39:59.320 --> 00:40:01.320
<v Speaker 4>You don't need to see everything else, like, and I

709
00:40:01.360 --> 00:40:03.400
<v Speaker 4>think I would have been exactly fine with it, Like

710
00:40:03.559 --> 00:40:06.679
<v Speaker 4>it's it's too much for once, it's showing too much.

711
00:40:07.039 --> 00:40:07.880
<v Speaker 11>Yeah, I can see that.

712
00:40:08.480 --> 00:40:11.639
<v Speaker 4>But let's talk about something that is just really bad,

713
00:40:12.320 --> 00:40:15.320
<v Speaker 4>because I genuinely don't know how anyone is gonna have

714
00:40:15.360 --> 00:40:17.880
<v Speaker 4>anything nice to say about this episode. Let's talk about

715
00:40:18.199 --> 00:40:19.239
<v Speaker 4>but can she type?

716
00:40:19.480 --> 00:40:23.480
<v Speaker 7>What do you get the woman who has everything but respect?

717
00:40:24.400 --> 00:40:29.239
<v Speaker 7>Ask Karen Billings recipient of a very unusual and definitely

718
00:40:29.280 --> 00:40:35.239
<v Speaker 7>non returnable present, because this year for Christmas, Karen Billings

719
00:40:35.280 --> 00:40:37.960
<v Speaker 7>received The Twilight too.

720
00:40:39.119 --> 00:40:42.000
<v Speaker 11>I don't know, Chris, I really like this one. What

721
00:40:42.199 --> 00:40:45.400
<v Speaker 11>I'm sorry sorry to disappoint you, but I really thought

722
00:40:45.400 --> 00:40:46.519
<v Speaker 11>this was kind of cute.

723
00:40:46.920 --> 00:40:48.400
<v Speaker 2>I like the concept of it.

724
00:40:49.039 --> 00:40:49.280
<v Speaker 4>Wow.

725
00:40:49.519 --> 00:40:52.480
<v Speaker 9>I like the idea of somebody doing a mundane job

726
00:40:52.559 --> 00:40:55.800
<v Speaker 9>suddenly becoming a superstar in some alternate reality.

727
00:40:55.920 --> 00:40:56.079
<v Speaker 12>Yeah.

728
00:40:56.119 --> 00:41:00.159
<v Speaker 4>I like that idea and fun. The execution is bizarre.

729
00:41:01.199 --> 00:41:04.440
<v Speaker 9>Well, the mcguffin of this magic xerox machine is a

730
00:41:04.519 --> 00:41:06.360
<v Speaker 9>little bit much.

731
00:41:07.920 --> 00:41:10.639
<v Speaker 11>But I liked all the characters in here. I like

732
00:41:10.760 --> 00:41:14.079
<v Speaker 11>the boss was a real prick. Yeah. I liked when

733
00:41:14.079 --> 00:41:17.519
<v Speaker 11>she went to the other dimension and Jonathan Frake shows up.

734
00:41:17.559 --> 00:41:20.760
<v Speaker 11>I was just like, oh my god, look at young

735
00:41:20.880 --> 00:41:23.960
<v Speaker 11>Jonathan Frakes with the beard. So good.

736
00:41:24.039 --> 00:41:25.719
<v Speaker 4>Yeah, but you have to do you have to do

737
00:41:26.840 --> 00:41:29.440
<v Speaker 4>you have to know of is it fact or fiction?

738
00:41:32.039 --> 00:41:35.639
<v Speaker 4>This alien autopsy proves to be true. I just kept

739
00:41:35.679 --> 00:41:38.599
<v Speaker 4>waiting fact in the history of our in the history

740
00:41:38.599 --> 00:41:39.159
<v Speaker 4>of the world.

741
00:41:40.039 --> 00:41:41.679
<v Speaker 11>I just kept waiting for him to sit on a

742
00:41:41.760 --> 00:41:42.760
<v Speaker 11>chair all strange.

743
00:41:43.440 --> 00:41:46.199
<v Speaker 4>You mean, swing his leg over the top of the chair.

744
00:41:46.440 --> 00:41:50.639
<v Speaker 11>Yes, exactly, that's not strange. That's a that's the kermannue

745
00:41:50.880 --> 00:41:55.519
<v Speaker 11>I know, pull down his top right twice. Yeah.

746
00:41:55.599 --> 00:42:02.159
<v Speaker 4>Yeah, idea, Like Father Malone said, what is trying to say?

747
00:42:02.480 --> 00:42:07.000
<v Speaker 4>But I think the like usage of a xerox, just

748
00:42:07.159 --> 00:42:08.559
<v Speaker 4>like it just feels weird.

749
00:42:09.800 --> 00:42:13.960
<v Speaker 11>I mean this was the era of those kind of things. Yeah,

750
00:42:14.039 --> 00:42:17.760
<v Speaker 11>I think about the word processor in the one that

751
00:42:17.880 --> 00:42:21.920
<v Speaker 11>Steven Penn for Tales from the Dark Side, where if

752
00:42:21.920 --> 00:42:25.760
<v Speaker 11>he deleted people's names, I actually disappeared from the world.

753
00:42:26.199 --> 00:42:28.559
<v Speaker 11>So I was like, Okay, yeah, it's it's a little

754
00:42:29.239 --> 00:42:31.639
<v Speaker 11>you know, goofy and everything, but I liked it. I'd

755
00:42:31.679 --> 00:42:33.840
<v Speaker 11>like that she went into this souther dimension that her

756
00:42:33.880 --> 00:42:38.159
<v Speaker 11>car keys disappeared, and you know, things were different, and yeah,

757
00:42:38.199 --> 00:42:40.360
<v Speaker 11>the whole idea of like her being treated like this

758
00:42:40.639 --> 00:42:44.880
<v Speaker 11>superstar because she was a secretary. I really got into

759
00:42:44.920 --> 00:42:46.559
<v Speaker 11>that idea. And then I was so glad that she

760
00:42:46.920 --> 00:42:49.320
<v Speaker 11>managed to go back to that world and just live

761
00:42:49.360 --> 00:42:52.039
<v Speaker 11>in that forever and not have to worry about the

762
00:42:52.199 --> 00:42:54.800
<v Speaker 11>shithole that she was working at. I guess going through

763
00:42:55.000 --> 00:42:57.679
<v Speaker 11>like a lot of problems in my job right now,

764
00:42:57.719 --> 00:42:59.920
<v Speaker 11>I just really wish that I was Pam Dauber, or

765
00:43:00.039 --> 00:43:01.840
<v Speaker 11>could be with Pam Dauber. I wish that I was

766
00:43:01.880 --> 00:43:02.400
<v Speaker 11>shot a thing.

767
00:43:05.119 --> 00:43:07.079
<v Speaker 4>You wish you were breaks chair.

768
00:43:07.519 --> 00:43:10.920
<v Speaker 11>That's right, throws leg over me. That'd be fantastic.

769
00:43:11.039 --> 00:43:12.280
<v Speaker 4>Sit on your face.

770
00:43:13.519 --> 00:43:14.400
<v Speaker 11>Feel that Beard.

771
00:43:14.880 --> 00:43:17.159
<v Speaker 4>Yeah, Jonathan Brakes is a nice guy.

772
00:43:18.559 --> 00:43:21.280
<v Speaker 11>And Pam Dauber was making me real thirsty. I was

773
00:43:21.320 --> 00:43:22.760
<v Speaker 11>just really digging her this.

774
00:43:23.280 --> 00:43:25.840
<v Speaker 4>I do like on Jonathan Brakes's character is just referred

775
00:43:25.840 --> 00:43:28.760
<v Speaker 4>to in the belly as single guy.

776
00:43:29.840 --> 00:43:30.639
<v Speaker 2>The single guy.

777
00:43:30.840 --> 00:43:34.079
<v Speaker 4>Yeah, single guy who wants to know if it's fact

778
00:43:34.119 --> 00:43:34.559
<v Speaker 4>or fiction.

779
00:43:35.760 --> 00:43:40.239
<v Speaker 2>No need for names here now, Uh, Chris. When we

780
00:43:40.280 --> 00:43:44.039
<v Speaker 2>talked to rock Me s O'Bannon about Shadow May, we

781
00:43:44.079 --> 00:43:48.159
<v Speaker 2>talked about, uh, this episode, not this particular segment, but

782
00:43:48.360 --> 00:43:52.920
<v Speaker 2>the Christmas episode as it was. And originally Harlan Ellison

783
00:43:52.960 --> 00:43:56.519
<v Speaker 2>was going to make his directorial debut with a segment

784
00:43:56.599 --> 00:43:59.639
<v Speaker 2>called Knackles, which is sort of this anti Santa Claus

785
00:43:59.679 --> 00:44:02.119
<v Speaker 2>when it was gonna be the actual horrific episode or

786
00:44:02.280 --> 00:44:07.320
<v Speaker 2>segment of the piece, and then CBS their censors killed

787
00:44:07.320 --> 00:44:09.559
<v Speaker 2>it like a month before they were going to start filming,

788
00:44:09.559 --> 00:44:12.079
<v Speaker 2>And this is why Harlan Ellison left the show after

789
00:44:12.119 --> 00:44:15.079
<v Speaker 2>this particular episode. So in its place they put in

790
00:44:15.320 --> 00:44:18.960
<v Speaker 2>this and the only real Christmas I mean they mentioned

791
00:44:19.000 --> 00:44:21.280
<v Speaker 2>it's Christmas Eve and we can see a Christmas tree

792
00:44:21.280 --> 00:44:24.000
<v Speaker 2>at one point, but that was their way of shoehorning

793
00:44:24.000 --> 00:44:26.800
<v Speaker 2>this into their otherwise Christmas episode, because the first and

794
00:44:26.840 --> 00:44:30.000
<v Speaker 2>the second or first and third episodes are definitely Christmas based.

795
00:44:32.159 --> 00:44:35.199
<v Speaker 2>But I just thought it was funny, like watching it,

796
00:44:35.280 --> 00:44:38.320
<v Speaker 2>like just seeing the Tristan's tree in the background, going like, oh, okay, yeah,

797
00:44:38.360 --> 00:44:40.719
<v Speaker 2>that's why they that's why this is a quote unquote

798
00:44:40.800 --> 00:44:41.760
<v Speaker 2>Christmas episode.

799
00:44:42.000 --> 00:44:44.000
<v Speaker 11>Yeah. I really had to look for that, and to

800
00:44:44.079 --> 00:44:47.000
<v Speaker 11>the point where I had forgotten until you guys reminded me.

801
00:44:47.119 --> 00:44:48.880
<v Speaker 11>I was, oh, yeah, I guess there was a point

802
00:44:48.920 --> 00:44:50.079
<v Speaker 11>Satia in the background.

803
00:44:50.440 --> 00:44:52.760
<v Speaker 4>Yeah, I mean it's like a passing mentioned like and

804
00:44:52.800 --> 00:44:54.039
<v Speaker 4>it's Christmas tomorrow.

805
00:44:54.480 --> 00:44:58.679
<v Speaker 2>Okay, yeah, I mean you know, okay Christmas.

806
00:44:59.760 --> 00:45:00.000
<v Speaker 5>Yeah.

807
00:45:00.039 --> 00:45:00.480
<v Speaker 1>Yeah.

808
00:45:00.719 --> 00:45:04.360
<v Speaker 2>But I think I think Mike, you might have swayed

809
00:45:04.400 --> 00:45:08.639
<v Speaker 2>me in your direction. I liked the episode just fine.

810
00:45:08.760 --> 00:45:11.280
<v Speaker 2>I thought it was okay, but uh yeah, there's something

811
00:45:11.360 --> 00:45:16.239
<v Speaker 2>sort of charming about the the mundane becoming the spectacular.

812
00:45:16.440 --> 00:45:19.400
<v Speaker 2>But that that like the I'm a high I'm a

813
00:45:19.480 --> 00:45:22.599
<v Speaker 2>high earning supermodel, but really what I want to be

814
00:45:22.840 --> 00:45:24.519
<v Speaker 2>is a secretary, right.

815
00:45:27.000 --> 00:45:29.360
<v Speaker 4>I mean again, I like the idea. I just feel

816
00:45:29.400 --> 00:45:31.599
<v Speaker 4>like it's not much of an episode, does that make sense.

817
00:45:31.599 --> 00:45:34.000
<v Speaker 4>It's like it just feels it falls flat as a segment.

818
00:45:34.239 --> 00:45:35.480
<v Speaker 4>Does that make sense? I don't know.

819
00:45:36.119 --> 00:45:38.719
<v Speaker 9>Yeah, I am respect I'm not a fan of the

820
00:45:38.800 --> 00:45:39.679
<v Speaker 9>Xerox machine.

821
00:45:40.039 --> 00:45:42.280
<v Speaker 2>Uh well, although I do like this.

822
00:45:42.480 --> 00:45:45.199
<v Speaker 4>I do like the symbols transports are the end.

823
00:45:47.079 --> 00:45:51.480
<v Speaker 11>Yeah, cat she used it twice or something like maybe

824
00:45:51.559 --> 00:45:55.079
<v Speaker 11>some different settings took her to another place. I mean,

825
00:45:55.119 --> 00:45:57.639
<v Speaker 11>maybe make it like more central to the episode. And

826
00:45:57.679 --> 00:46:00.280
<v Speaker 11>then it's like, why are these guys coming to this

827
00:46:00.320 --> 00:46:00.800
<v Speaker 11>thing away?

828
00:46:01.039 --> 00:46:04.119
<v Speaker 4>But yeah, and is she the only one who can

829
00:46:04.239 --> 00:46:06.400
<v Speaker 4>use it and go to an alternate dimension?

830
00:46:06.960 --> 00:46:09.840
<v Speaker 11>Right? Yeah, maybe send that friend of her someplace else.

831
00:46:10.119 --> 00:46:12.880
<v Speaker 4>Maybe send her boss someplace else, because that guy's a dickhead.

832
00:46:13.519 --> 00:46:15.119
<v Speaker 2>Yeah, yeah, that would have been nice.

833
00:46:15.159 --> 00:46:17.639
<v Speaker 11>I wonder what they do to bad bosses in that dimension.

834
00:46:17.840 --> 00:46:20.480
<v Speaker 4>Bad bosses don't exist apparently, is kind of what it seems.

835
00:46:21.440 --> 00:46:23.119
<v Speaker 11>Or maybe they'll run out on a rail.

836
00:46:23.199 --> 00:46:23.960
<v Speaker 2>Tard and feathered.

837
00:46:26.119 --> 00:46:27.920
<v Speaker 4>Just it was just it was just a little weird.

838
00:46:28.440 --> 00:46:31.280
<v Speaker 4>But like at the same time, I guess like that's

839
00:46:31.280 --> 00:46:33.400
<v Speaker 4>the universe she lives in now and now she's like

840
00:46:33.480 --> 00:46:36.360
<v Speaker 4>a big hot shot, So there you go.

841
00:46:36.800 --> 00:46:38.960
<v Speaker 2>It's like it's almost like she found her way into

842
00:46:38.960 --> 00:46:39.840
<v Speaker 2>the Twilight Zone.

843
00:46:40.000 --> 00:46:43.159
<v Speaker 4>Yeah, permanently. I do like these episodes where it's like

844
00:46:43.239 --> 00:46:46.320
<v Speaker 4>and now you're in the Twilight Zone permanently. I do

845
00:46:46.360 --> 00:46:47.119
<v Speaker 4>appreciate that.

846
00:46:48.119 --> 00:46:50.760
<v Speaker 9>Yeah, and it is a departure in that most Twilight

847
00:46:50.800 --> 00:46:55.760
<v Speaker 9>Zone episodes, although you know, not recently, where the twist

848
00:46:55.880 --> 00:46:59.639
<v Speaker 9>ends up being horrific and and damaging to the lead character.

849
00:46:59.800 --> 00:47:04.159
<v Speaker 9>Here it's somebody who is a downbeatn downtrodden and gets

850
00:47:04.199 --> 00:47:06.719
<v Speaker 9>what they deserve, right, And I guess we got that

851
00:47:06.760 --> 00:47:08.440
<v Speaker 9>with the with the previous one as well.

852
00:47:08.639 --> 00:47:08.760
<v Speaker 7>Well.

853
00:47:08.840 --> 00:47:15.519
<v Speaker 4>Let's talk about an interesting third segment and what has

854
00:47:15.559 --> 00:47:18.199
<v Speaker 4>been up until this point a very good episode or

855
00:47:18.559 --> 00:47:21.840
<v Speaker 4>middle of good to middle of the road episode. The Star,

856
00:47:22.599 --> 00:47:23.840
<v Speaker 4>the servation.

857
00:47:23.599 --> 00:47:27.119
<v Speaker 7>With John bearing with it the last legacy of a

858
00:47:27.280 --> 00:47:31.800
<v Speaker 7>long dead people, a legacy to be kept and cherished

859
00:47:32.280 --> 00:47:36.480
<v Speaker 7>and in time bequeathed to a world still unborn from

860
00:47:36.480 --> 00:47:40.000
<v Speaker 7>the current inhabitants of the Twilight Zone.

861
00:47:41.639 --> 00:47:44.039
<v Speaker 4>So it is an adaptation of an Arthur C. Clark,

862
00:47:44.159 --> 00:47:47.480
<v Speaker 4>one of the Titans of sci Fi, his short story

863
00:47:47.679 --> 00:47:51.039
<v Speaker 4>The Star. It is adapted by Alan Brenner, so you

864
00:47:51.079 --> 00:47:53.840
<v Speaker 4>know it what it's gonna be good if he adapted

865
00:47:53.840 --> 00:47:56.880
<v Speaker 4>it and didn't outright right it. It stars Fritz Weaver

866
00:47:57.000 --> 00:48:00.079
<v Speaker 4>and Donald Moffatt, yes, Donald Moffatt from the Thing, not

867
00:48:00.599 --> 00:48:04.559
<v Speaker 4>Richard Mulligan who's not in the thing, and its focuses

868
00:48:04.559 --> 00:48:08.440
<v Speaker 4>on Fritz Weaver, who is a father as of the church,

869
00:48:08.800 --> 00:48:11.440
<v Speaker 4>and Doald Moffatt, who is a doctor of the science,

870
00:48:12.119 --> 00:48:17.440
<v Speaker 4>and kind of you're welcome, and it focuses on kind

871
00:48:17.480 --> 00:48:20.400
<v Speaker 4>of an an interesting star that they come upon on

872
00:48:20.519 --> 00:48:21.679
<v Speaker 4>Christmas in space.

873
00:48:22.119 --> 00:48:23.639
<v Speaker 2>Christmas in space, y'all.

874
00:48:24.000 --> 00:48:26.119
<v Speaker 11>But you can't figure out what's gonna happen here.

875
00:48:28.920 --> 00:48:30.519
<v Speaker 2>I'm telegraphed at all.

876
00:48:30.840 --> 00:48:31.639
<v Speaker 4>I did not.

877
00:48:33.960 --> 00:48:35.719
<v Speaker 11>Okay, then it works?

878
00:48:36.079 --> 00:48:36.880
<v Speaker 4>Am I a dumb?

879
00:48:37.480 --> 00:48:37.639
<v Speaker 5>No?

880
00:48:37.679 --> 00:48:40.239
<v Speaker 11>You're not a dumb A dumb?

881
00:48:40.519 --> 00:48:44.000
<v Speaker 4>Am I a dumb No? I better tell you what.

882
00:48:44.079 --> 00:48:46.559
<v Speaker 4>Even though I didn't pick up on it, I really

883
00:48:46.719 --> 00:48:47.079
<v Speaker 4>liked it.

884
00:48:47.920 --> 00:48:51.159
<v Speaker 11>Yeah, this one I wasn't as hot on just because

885
00:48:51.800 --> 00:48:55.880
<v Speaker 11>you didn't have Riker. It's just two guys talking. And

886
00:48:56.440 --> 00:49:00.639
<v Speaker 11>there were times where these two guys look fair different,

887
00:49:00.760 --> 00:49:03.280
<v Speaker 11>but dressed up in their get ups and stuff. There

888
00:49:03.320 --> 00:49:06.000
<v Speaker 11>were times where I was confusing these two characters. And

889
00:49:06.039 --> 00:49:08.280
<v Speaker 11>then when he called him father, I was just like,

890
00:49:08.920 --> 00:49:11.639
<v Speaker 11>is that his dad? What is going on here?

891
00:49:13.840 --> 00:49:15.960
<v Speaker 4>Daddy would have called him daddy. Let's be honest.

892
00:49:18.199 --> 00:49:21.519
<v Speaker 2>I like the I thought I really liked the idea

893
00:49:22.159 --> 00:49:24.880
<v Speaker 2>that they were, like, you know, this is our science officer,

894
00:49:25.239 --> 00:49:27.760
<v Speaker 2>this is our engineer, this is our navigator, and our

895
00:49:27.840 --> 00:49:32.119
<v Speaker 2>jesuit priest, Like what what is happening on the spaceship?

896
00:49:32.559 --> 00:49:34.760
<v Speaker 4>It's a spaceship of value and.

897
00:49:37.320 --> 00:49:40.480
<v Speaker 2>Oh my god, and and you know, look, I actually

898
00:49:40.480 --> 00:49:44.480
<v Speaker 2>do like the concepts of this episode. But the space

899
00:49:44.559 --> 00:49:48.119
<v Speaker 2>outfits that they're wearing like straight from Lost in Space.

900
00:49:48.360 --> 00:49:51.559
<v Speaker 4>Oh my god. Yeah, the space outfits are really boring

901
00:49:51.840 --> 00:49:59.039
<v Speaker 4>and like generically conventional, so shiny, not good. They're wearing

902
00:49:59.039 --> 00:50:00.239
<v Speaker 4>a real bad Yeah.

903
00:50:00.239 --> 00:50:02.639
<v Speaker 11>They looked like something I could see in like outer Mongolia.

904
00:50:02.800 --> 00:50:05.239
<v Speaker 4>You know, Oh, they look like something they look like

905
00:50:05.280 --> 00:50:07.239
<v Speaker 4>something that your mom would make for you when you

906
00:50:07.239 --> 00:50:09.599
<v Speaker 4>were a kid, and you're an astronaut.

907
00:50:09.199 --> 00:50:16.920
<v Speaker 12>Owen, Oh boy, And you know, I hate I mean,

908
00:50:17.000 --> 00:50:20.760
<v Speaker 12>this isn't necessarily like a dialogue as exposition, but when

909
00:50:20.800 --> 00:50:23.079
<v Speaker 12>we open on these two characters, they're having the sort

910
00:50:23.079 --> 00:50:27.239
<v Speaker 12>of age old science versus religion debate, and all I

911
00:50:27.239 --> 00:50:29.480
<v Speaker 12>could think is, these two guys have been in space

912
00:50:29.559 --> 00:50:32.880
<v Speaker 12>for god knows how long they've not had this conversation yet.

913
00:50:33.360 --> 00:50:34.119
<v Speaker 4>Well not on camp.

914
00:50:34.239 --> 00:50:37.199
<v Speaker 2>I mean, right, right.

915
00:50:37.480 --> 00:50:43.239
<v Speaker 11>You're welcome the thing that God me is that. So

916
00:50:43.519 --> 00:50:46.199
<v Speaker 11>it's this whole thing of like, hey, yeah, the civilization,

917
00:50:47.000 --> 00:50:49.280
<v Speaker 11>they seem to be great, and then they died out

918
00:50:49.320 --> 00:50:52.480
<v Speaker 11>and their star exploded and then that ended up being

919
00:50:52.519 --> 00:50:55.920
<v Speaker 11>the star that the mage I saw on the way

920
00:50:55.960 --> 00:51:00.320
<v Speaker 11>to Bethlehem. And oh yeah, so science kind of caused

921
00:51:00.400 --> 00:51:04.559
<v Speaker 11>religion or whatever. And I'm just like, but hasn't Christianity

922
00:51:04.679 --> 00:51:09.679
<v Speaker 11>caused nothing but problems since it was invented? So you're welcome,

923
00:51:11.360 --> 00:51:16.599
<v Speaker 11>thank you science, right, I'm just like, yeah, had had

924
00:51:16.719 --> 00:51:19.119
<v Speaker 11>Christianity never happened, I think we would probably be in

925
00:51:19.159 --> 00:51:22.079
<v Speaker 11>a much better place. I don't know, you know.

926
00:51:22.159 --> 00:51:26.360
<v Speaker 2>And what I liked about the episode was the notion

927
00:51:26.440 --> 00:51:29.480
<v Speaker 2>that doesn't actually pay off. I mean it kind of does,

928
00:51:29.519 --> 00:51:33.920
<v Speaker 2>but then it gets tempered where this Jesuit priest realizes that,

929
00:51:34.320 --> 00:51:38.800
<v Speaker 2>you know, how many billions of people ended up getting extinguished,

930
00:51:38.880 --> 00:51:43.679
<v Speaker 2>so this star could you know, lead these people to

931
00:51:43.840 --> 00:51:47.079
<v Speaker 2>or signified the birth of the Savior on our world? Right,

932
00:51:47.159 --> 00:51:49.760
<v Speaker 2>But then, like I like the idea that everything in

933
00:51:49.800 --> 00:51:53.400
<v Speaker 2>his mind just completely shattered at that moment. But then

934
00:51:53.559 --> 00:51:55.519
<v Speaker 2>of course the science guy, because we have to have

935
00:51:55.559 --> 00:51:59.360
<v Speaker 2>this you know, balance of science and religion, like steps

936
00:51:59.360 --> 00:52:01.920
<v Speaker 2>in it's like it's so because this and this and this,

937
00:52:02.119 --> 00:52:04.800
<v Speaker 2>you know, like, no, how about just let leave this

938
00:52:04.840 --> 00:52:08.079
<v Speaker 2>guy a broken man. This would be very Twilight Zony

939
00:52:08.599 --> 00:52:11.840
<v Speaker 2>if he realized that, like, you know, the birth of

940
00:52:11.840 --> 00:52:15.360
<v Speaker 2>his savior signified the death of another billion Like that,

941
00:52:15.480 --> 00:52:18.079
<v Speaker 2>to me would have been an interesting end to the episode,

942
00:52:18.119 --> 00:52:20.679
<v Speaker 2>something you know, a little bit more macabre and sort

943
00:52:20.719 --> 00:52:23.679
<v Speaker 2>of shocking. But it doesn't ever achieve that. It just

944
00:52:23.800 --> 00:52:26.440
<v Speaker 2>kind of like stays level the whole time, where science

945
00:52:26.440 --> 00:52:28.000
<v Speaker 2>and religion can go hand in hand.

946
00:52:28.280 --> 00:52:31.039
<v Speaker 4>So here's the thing. My dad is a huge fan

947
00:52:31.079 --> 00:52:34.960
<v Speaker 4>of Arthur C. Clark and I when I was younger, my

948
00:52:35.079 --> 00:52:37.639
<v Speaker 4>dad bought me at half price books a bunch of

949
00:52:37.760 --> 00:52:41.239
<v Speaker 4>Arthur C. Clark books, and being someone who reads a lot,

950
00:52:41.360 --> 00:52:44.400
<v Speaker 4>I read all of them. And this story was included

951
00:52:44.480 --> 00:52:48.840
<v Speaker 4>in one of those like collection of short stories. The

952
00:52:49.000 --> 00:52:53.000
<v Speaker 4>original short story ends the way you're talking about Father Malone,

953
00:52:53.079 --> 00:52:56.119
<v Speaker 4>Oh wow, where he's like, oh my god, no, like

954
00:52:56.559 --> 00:52:59.760
<v Speaker 4>what the fuck ever? Like the priest is all like

955
00:53:00.119 --> 00:53:02.840
<v Speaker 4>just completely beside himself.

956
00:53:02.639 --> 00:53:04.039
<v Speaker 11>And like that's fantastic.

957
00:53:05.159 --> 00:53:06.320
<v Speaker 2>Yeah that's how it should have ended.

958
00:53:06.559 --> 00:53:09.039
<v Speaker 4>Well, I like that ending, but I do like the

959
00:53:09.159 --> 00:53:12.320
<v Speaker 4>kind of poem they found in the episode in the Cave.

960
00:53:12.719 --> 00:53:15.039
<v Speaker 4>You know it has a good message. I mean, look,

961
00:53:15.119 --> 00:53:18.840
<v Speaker 4>in this three part Christmas episode of twilight Zone, they

962
00:53:18.840 --> 00:53:20.719
<v Speaker 4>can't end it on a bummer, Like.

963
00:53:21.119 --> 00:53:23.119
<v Speaker 2>Yeah, they should have. This is the twilight Zone.

964
00:53:23.199 --> 00:53:25.639
<v Speaker 11>This is the Twilight Zone if you're gonna end anything

965
00:53:25.679 --> 00:53:26.320
<v Speaker 11>on a bummer.

966
00:53:26.480 --> 00:53:30.679
<v Speaker 4>But but it's their fucking Christmas episode. Guys, I would agree, right,

967
00:53:30.840 --> 00:53:34.119
<v Speaker 4>but with any other episode we've already but like, I

968
00:53:34.159 --> 00:53:36.280
<v Speaker 4>feel like they can't send you off with that.

969
00:53:37.119 --> 00:53:39.559
<v Speaker 9>Well, then they should have started with this segment because

970
00:53:39.880 --> 00:53:43.480
<v Speaker 9>the two others are so thoughtful and uplifting, like you

971
00:53:43.559 --> 00:53:46.400
<v Speaker 9>needed a gut punch in there at some point, maybe

972
00:53:46.400 --> 00:53:47.639
<v Speaker 9>in the middle, they could have put it.

973
00:53:47.760 --> 00:53:50.320
<v Speaker 2>You know what, No, I'm forget everything. I'm saying. It

974
00:53:50.320 --> 00:53:52.360
<v Speaker 2>should have ended this way and it should have been shattering.

975
00:53:52.639 --> 00:53:55.599
<v Speaker 4>Listen here, Jordan appeal, We get it. You want to

976
00:53:55.639 --> 00:53:56.159
<v Speaker 4>be edgy?

977
00:53:56.440 --> 00:53:59.039
<v Speaker 2>Oh stop, no no, no, no, no, no, no.

978
00:53:58.639 --> 00:54:01.639
<v Speaker 4>No, we get it. You have a racial agenda.

979
00:54:02.119 --> 00:54:05.039
<v Speaker 11>That would be if a billion black people died in

980
00:54:05.159 --> 00:54:07.079
<v Speaker 11>order to cause Christianity.

981
00:54:07.159 --> 00:54:10.920
<v Speaker 2>Yeah, that's sad. That would have been the Jordan Peel episode.

982
00:54:11.440 --> 00:54:11.800
<v Speaker 4>The race.

983
00:54:11.880 --> 00:54:16.960
<v Speaker 2>You mean this star exploded and caused slavery exactly.

984
00:54:16.679 --> 00:54:18.760
<v Speaker 4>Do you mean Adam Scott was on the plane the

985
00:54:18.800 --> 00:54:20.440
<v Speaker 4>whole time with a podcast.

986
00:54:21.039 --> 00:54:23.519
<v Speaker 2>Oh my god, my mind is blown.

987
00:54:23.920 --> 00:54:26.360
<v Speaker 11>I am having flashbacks.

988
00:54:25.920 --> 00:54:28.800
<v Speaker 4>A million, a million. Dan Carlin's died so we could

989
00:54:28.800 --> 00:54:31.079
<v Speaker 4>get one episode of hardcore history.

990
00:54:32.119 --> 00:54:34.840
<v Speaker 11>Oh maybe both of us died so you could have

991
00:54:34.920 --> 00:54:36.440
<v Speaker 11>a savior in Christ.

992
00:54:36.719 --> 00:54:40.719
<v Speaker 4>I fucking yeah. Twilight Zone twenty nineteen can go and

993
00:54:40.840 --> 00:54:43.639
<v Speaker 4>fuck itself. But hey, we're getting it in twenty twenty,

994
00:54:43.719 --> 00:54:46.480
<v Speaker 4>So what the fuck do we know nothing? We're just three.

995
00:54:46.599 --> 00:54:49.639
<v Speaker 4>We're just three cisgendered white men. Our opinions don't matter.

996
00:54:50.679 --> 00:54:55.360
<v Speaker 11>Good place to end it, except we can't end it.

997
00:54:55.400 --> 00:55:07.159
<v Speaker 4>They're unfortunate. As much as I want to.

998
00:55:01.599 --> 00:55:41.639
<v Speaker 8>Sis sis

999
00:55:47.320 --> 00:55:52.920
<v Speaker 1>Sis sis
