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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of The Eve

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Hunter Murder Case. But first I want to encourage you.

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If you're enjoying the podcast, please follow us using your

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favorite podcast software. And today's program is brought you in

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part by the financial support of our listeners. You can

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support the show on a one don basis support dot

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Great Detectives dot net and thank you to Samantha for

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supporting the show that way. You can also become one

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of our ongoing Patreon supporters for as little as two

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dollars per month. Just go to Patreon dot Great Detectives

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dot net. I want to welcome Herk as our latest

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Patreon supporter at the Detective Sergeant level of seven dollars

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and fourteen cents or more per month. Thanks so much

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for your support. Now from March eighth, nineteen fifty two,

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here is The Eve Hunter Murder Case.

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Speaker 2: Broadways My beat from Times Square to Columbus Circle. The

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gaudiis the most violent, the lonesomest mile in the world.

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Broadways My Beat with Larry Thor as Detective Danny Kloberg,

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the pallor of the long day ebbs. Finally from Broadway,

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what had been sallow and gray is a sudden scarlet

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where drabness was, where surfaces were drained of color. There

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is a glitter, now silvery, darted through with splinters of

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neon light. And at this edge of twilight, the shock

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gathers waits for the revelers. The sryhing wind draws them

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into it, one by one, from the long corridors, from

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hall bedrooms, from the embrace of solitude. They drift, they run,

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they whirl to the dancing of the wind, and shock waits,

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and shock comes and answer a call from Spanish column.

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In the barrio, in a room of cracked and dusting plaster,

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there's lurid and grotesque and somehow of a piercing and

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dread beauty. A dwarf who set on a cop carrying

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from his guitar a savage lament tears in the furrows

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of his earthen face for the girl. Let to speak,

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for the dead girl, let her speak. I'm from the

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police the show place. Do you hear me? I said

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I was from the police. I want you to tell

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me what happened here? Put that thing down and listen

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to me. Who are you? Look at it? Look at

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this badge? See police, that's right, police, tell me about it.

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You live here is the showroom. This girl, that's right,

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Marty dead. You kill her?

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Speaker 3: You kill her?

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Speaker 2: This thing that killed her? This barb what is it?

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Look at it? Tell me no, no, I don't understand

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the put you on this too. Yeah.

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Speaker 4: Call just came through from headquarters to Harland pres. They

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sent me over thought. Maybe I can help you.

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Speaker 2: You can. He doesn't speak English, you talk, didn't get

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every linguine girls of beauty, Danny. Why does it have

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to happen this way with a beautiful girl like les

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stick bulls with those things? Talk to him?

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Speaker 4: Thank gar Scucci, Antonio Valdis, Yes, then break tambiennas that

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the people.

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Speaker 5: Maria mate, Yeah, you see yes, Jinns is that Cardi Gardia,

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the one Sinto.

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Speaker 6: That is the one Sinto viele.

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Speaker 3: You know, God's too much of the stocase they.

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Speaker 4: Want you get something that this man, this work, this

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is ad It's a sword carrier for one Sinto and

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was brilliant matadors and his man of la one Sinto

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of Sevilia.

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Speaker 2: Sinto the bowdown, Just tell me about it.

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Speaker 4: STOs in this country. Then he just came here from Sevilla.

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He's on his way to fight in Mexico. The Spanish

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language papers have been headlining it ever since he got it.

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Is part of his true Yeah, sword carrier Dan.

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Speaker 2: The driver's license and the girl's purse identifies her as

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he hunter Park Avenue address. Ask him if he knows her, Yeah,

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but not used, that is cha eve hater. Yeah, don't.

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Speaker 3: Yeah, I got Corrida via Barcelona, Madrid. Don't este, don't

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be an istae in la pleasa the prase, that's the lather.

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Speaker 2: He said.

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Speaker 4: She belonged to one Sinto. Also wherever he went in Spain,

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wherever he thought she was there. Ask him if a

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Cento's room, if if center was here sel Quartera de

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Cinto is the way a key el sinto Quarter de Cadiz.

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Speaker 3: There is but standing bray know a part.

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Speaker 7: Sinto that Sto it does in Lorma, suppose Nicola the other.

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Speaker 4: This is his room, Danny, it's not good enough for Sinto.

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Sinto's at the Hotel Loma with his wife and manager.

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Speaker 2: That's what happened.

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Speaker 3: Yeah, like puerta a multa, there is.

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Speaker 7: He isason, this is the lasson lam.

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Speaker 2: The term he says.

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Speaker 6: He came home.

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Speaker 4: He says, there's death and it's ended round the girl

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like that. That's how we get out of them, Danny,

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I know my people, that's all we'll get out of Cadiz.

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The sid carrier of Juan sinto you helped.

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Speaker 2: All those Thanks, Now get them the headquarters and live

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and out into the streets of the my old evening

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and briefly letters over you a special corner of the world.

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The body of blooded now with sounds of restlessness, the

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beginning spring and lost memories from another time, and shake

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it off and make a phone call to the residence

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of a murdered girl. Eve Hunter no answers to the

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squad car and the drive downtown to Park Avenue near

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seventieth to the Larma Hotel. The doorman with medals opens

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a door with brill work, and the clerk the carnation

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smiles A smile plot by the management gives you one

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sinto sweet number on the tenth floor.

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Speaker 5: One.

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Speaker 2: The face of a woman who opens the door holds

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disappointment and dark beauty.

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Speaker 8: I am very sorry. I thought it was my husband's one.

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But see how good I think that since one would

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not know.

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Speaker 2: My name is Danny Clover and I am senior to please.

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Speaker 8: Call me.

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Speaker 9: Nic We have a visited Nicholas, so you have clover Is.

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Please just need to present to use your Nicholas Minat

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or the manager.

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Speaker 8: Of my hospital.

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Speaker 2: How do you do? I asked you whether your husband

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is homes No, he's not.

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Speaker 8: He's seeing your city of Magnificus. I wait for you.

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Speaker 2: I'm from a police there's been a murder of town.

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There seems to be some connection between your husband and

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a girl who was found dead in the barer like

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girl in the bar. That's why a girl named eve Hunter.

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She was found in a room rented by a man

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named Cadis. Cadiz. Of course we know one of the quadrillo,

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but this girl is eve Hunter.

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Speaker 9: You know her in Sabia, in Spream I first started

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the Senorita e hunted, and in Barcelona and Lisa in Cordo.

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In these places and others, the flame of this girl

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and that of my husband.

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Speaker 2: You me and eve Hunter followed your husband around and

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why not? Then you didn't mind the fact of this girl.

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Speaker 8: One simpo is to me, I am his Wif you

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hold that close atin I've discoursed. I'm sorry, which I

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know it. There will be other Eve Hunters. Nor will

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I mind my husband is not home. I too much.

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Speaker 2: Yeah, I'm from the police. My name's Danny Clover. Yes,

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is this the home of Beef Hunter? Yes, I've been

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phoning here all evening, which lends itself nicely to coincidence.

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I haven't answered the phone all evening? And why am

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I dangling this intelligence in front of you? Who are

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you very well? So that we may have some basis

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for rappor identification. I'm a believer in it, Hunter. And

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since you mentioned Eve and added tidbit, we were plucked

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from the same parents. Therefore we had the same face

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and I and her brother let's go in slide sholemn

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mischief that tell me? Please do tell me she's dead,

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mister Hunter. I'm here, please to study How did Eve die?

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I suppose you'd call it by stabbing with a steel

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barb that bullpier, So you's right, agree for a sister,

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mister c how is it done? Wailing and gnashing your

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teeth and saying no, no, saying this is a dream, protesting,

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saying I don't believe it, and you're a liar. Or

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this way, hold the cup at arms length toward eternity,

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and wish a happy journey and rest. I want you

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to tell me something about your sister, mister hunter, look around,

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your mister clover at this room and share her with me.

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You a stranger and I a stranger. Those things in

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the wall, andrias again, andrias photographs, will fights, glances, and

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here Terrero's costume given to hereby and admire own, and

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here the ear of bull dedications. What kind of woman

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was my sisters? You tell me? A seeker? I'm so

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a stranger to everyone. To me, I hardly knew it.

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She wondered, I wondered. She had her places to see

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and taste, my min. I learned that your sister spent

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a good deal of time in Spain. How about yourself?

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I've been in Spain, but mostly after our parents died.

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I traveled all about South America a symnabe. And who

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killed your sisters? Ah? The question distilled from the banter,

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the essence squeezed from situation. Who killed my sister? I

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don't know, but this, yes, there was a phone call

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this afternoon. My sister spoke in Spanish, then she got dressed,

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went up. I'm afraid that's all this morsel from me

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to a detective this parting, Yeah, right right in here.

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This gentleman wants to see you, mister Klover.

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Speaker 4: While I was waiting for you, just came over on

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the squad car radio. What did fuen sinto room around

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the barrio? He's supposed to put in an appearance a

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little nightclub on one hundred and twelve.

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Speaker 2: Let's go, so ride a scream up to the barrio

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through the night streets of the night crowd, where the

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glitter ebbs off and the grayness take a turn and

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uptown again, and the barrio slides in to meet you.

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The people of the stop on the cushion of the

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window sill. The lights somehow always dimmer, shadows, more custard.

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That's it. Then down the street and problem.

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Speaker 6: Then Danny, look what there was.

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Speaker 2: To see was in the center of a small dance floor,

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under the single light, the slim figure of a man,

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his face somehow tortured, a man holding a sword and

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spinning his silken and scarlet claw. And now with slow grace,

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now in a fury of movement and the watchers in

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the shadows. It's one sad seen anything like that. Watch

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what's the way he handles the sword and the muleta.

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Speaker 4: On sinto He's calling out the cape passes he makes

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in the arena.

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Speaker 2: Before he kills the bull. Look at it.

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Speaker 3: Bobby of the Bit.

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Speaker 2: Said, what did Something's happened to him? Bout this? Come on,

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let us see a Florida flora instead. Okay, the blood,

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it's just like you've been goored by a bull.

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Speaker 10: You are listening to Broadways My Be written by Martin

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Fine and David Freakin and starring Larry Thor as Detective

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Danny Clover.

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Speaker 6: And now a message from the Veterans Administration. Why the

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Veterans Administration? Well, because one of the days a lot

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of you servicemen will be out of the Armed forces,

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back home again as veterans, ready to apply for education

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and training under the Korean gi Bill. Well, the VA

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has all the answers to that. Here are a few

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to tuck away for future reference. You may want a

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high school diploma or a college degree, or maybe you'd

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like to become a doctor, or a lawyer, or perhaps

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a carpenter. Or a machinist. The choice is pretty much

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up to you. You select your own training program, and

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if they're willing to enroll you, you pick your own school.

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But if you want to take a course that's usually

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considered to be recreational in character, you'll have to show

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the VA that it will contribute to your future career.

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As for courses say in dancing, bartending, and personality development,

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they'll never be approved by the VA under any circumstances.

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So keep those things in mind, fellows for use later on.

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Speaker 2: You listen close to Broadway and you hear it, the

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measured thrumming of the spectaculars that echo off into the night,

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and its cadence is the beat of a mechanical and

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metallic heart. This is the rhythm assigned to Broadway. It's

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muted song, it's dance, and it rhymes well with a

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whisper or a plea or a cry, the gaudy talk

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and shouts and the hawker's tune. So lean into it

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and listen, and the sound you get is a scream

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deep from your own throat. When the clatter dies and

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the night is done and sleeping is done, it's work.

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Time checking in time, start a new daytime. So go

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to your office and wait, wait for an autopsy report

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on one THINKO, can I come in, Denny? I got

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anything from me?

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Speaker 11: Sergeant autose report Danny from doctor Gonzalez.

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Speaker 2: No, what do you find? Oh, it's true that one Shinto.

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Speaker 11: Died while there was no one name, and the doctor

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has determined how that happened. Well, the bull fighter was

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shot where were you in the day, bullet removed by

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an amateur, causing damage, and the wound dressed like many

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bullfighters have their wounds dressed, and was stuffed with gauze.

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One systel knew he was dying, the doctor believes, and

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sure enough the exertions of his mark fight which you witnessed.

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Speaker 2: Did judge that killed him? Yeah? What are you thinking? Then?

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I think someone found Eve Hunter and Cinto in that

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room in the barrier, killed miss Hunter and thought he'd

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killed Sinto and the killer ran. Yeah, the dwarf cad this,

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came back to his room and saw what had happened,

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extracted the bullet and banded Cinto's wounds the way he'd

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done a lot of times before, then hid Sinto someplace.

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That's what I think. That's why we're holding him. Yes, oh,

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come in, please sit down, Sergeant Protagonia, Senor Nicholas Manacho,

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all right, how do you do?

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Speaker 11: I was just going out for coffee, Senor, anything I

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can get for your poor Pavoi.

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Speaker 6: Well, why everybody?

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Speaker 2: What can I do for you? Senor?

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Speaker 12: As managed it? And then the great sins of I

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wish to make the necessary arrangements for that remains to

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be sent practice.

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Speaker 2: Of India for Berry. That will be arranged, Senor Manactual. See,

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I want your opinion on the death of once centur.

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Speaker 12: I will explain last night, this tragedy he played out

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until it's been other typical of his greatness of his

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I don't understand so many times he has looked at

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death in the arena, and so he wished to embrace

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his path as a matador, as a killer of bull

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in the tragedy of last.

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Speaker 2: Night, he died a matador. Why didn't he say who

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killed him? To admit that he died because another man

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had given him death would be shameful to him. Did

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you kill him, Senor? I did not. Did you kill

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a hunter? No? I think his wife could have murdered him.

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You are a fool, But she did have motive for

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killing ave hunter.

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Speaker 12: At your service, whenever you wish to talk with me

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of the arrangements for the body of one system, I

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will speak no more.

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Speaker 2: The foolish stick down the house in your room three twelve.

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Detective Magavin will take care of him. That's Go back

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now to the Laurama Hotel. Ask for the Senora Sinto

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be told she had gone out for the afternoon. The

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Spanish language theater or Cabre, one hundred and sixteenth Street

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off Lennox. When you get there, the wind torn posters

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blazing with one into the dorman announcing in English and Spanish.

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They all along New Israel in memory of a dead Matador,

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and inside the scattering of afternoon, wondering what the one s.

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Speaker 4: Cornback one and.

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Speaker 2: Against the darkness and the puppet image of her dead husband.

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The light of the old film spangles across the face

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of a woman whose beauty you would have found in

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any shadow place.

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Speaker 6: Lagorida, like the corn.

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Speaker 8: That is fun position from me, Marie.

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Speaker 2: I want to talk to you.

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Speaker 8: Can if I said, and the world wits what then

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will you talk?

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Speaker 2: I want to find his killers.

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Speaker 8: Look there is a bisa. Look there's not to get.

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Speaker 2: To the bull and.

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Speaker 8: With the moon let.

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Speaker 2: The fly comes. You can talk here if you want.

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Speaker 8: What actly do you wish so her?

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Speaker 2: You told me you knew about Evand and your husband. Yeah,

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I knew you could have killed her for that. You

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00:21:10,000 --> 00:21:12,319
could have killed once into I.

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Speaker 8: Totally because of such as this girl. There were many

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for yet always there.

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Speaker 2: Was still you could have killed him.

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Speaker 8: I did not kill the girl because she was pleasing

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to an into what pleased him. I could not kill.

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Speaker 2: How long have you known Nicholas Menacho.

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Speaker 8: Rum And I knew one.

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Speaker 9: One brought him to me, said to me, this is

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my father and my brother Almania.

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Speaker 8: Smile on him. Smile on Nicholas.

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Speaker 2: Nacho is a man who could kill out of jealousy,

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00:21:50,240 --> 00:21:52,599
because he was jealous of one's famous woman.

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Speaker 8: You have seen Nicholas to kid, then you know what

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00:21:58,839 --> 00:22:04,799
to say. Has Innus and Cadiz the sword carrier about him?

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00:22:05,680 --> 00:22:08,400
Speaker 9: It's for each careser. Whenia touched the back of carrist

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00:22:08,440 --> 00:22:12,839
for luck for another day of life, Caddis was a

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00:22:13,000 --> 00:22:17,000
door by Majo. This does not happen noth into such

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Merit carries the dwarf.

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00:22:18,400 --> 00:22:21,319
Speaker 2: Your husband was murdered Senoras. Someone wanted him dead.

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00:22:22,200 --> 00:22:32,720
Speaker 8: Someone has leftness, thank you and kill kill him?

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00:22:45,799 --> 00:22:48,519
Speaker 2: Well up, well up, I want on your mind.

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Speaker 11: You know a senior Cadiz Danny the dwarf, he's been

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00:22:51,720 --> 00:22:54,480
screaming for you wants to Cartier. It's his fist and

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00:22:54,480 --> 00:22:56,640
the wall says he wants to talk to the detective.

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Speaker 2: How do you know? That's what he's saying?

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00:22:58,640 --> 00:23:02,759
Speaker 11: How do I know any The man screams in plain English,

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00:23:03,079 --> 00:23:05,279
bring me to the title, screams.

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00:23:05,200 --> 00:23:06,240
Speaker 6: With a slight accent.

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Speaker 2: I admit, but play.

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00:23:07,519 --> 00:23:11,200
Speaker 8: Three years of any English speaking, I shouldn't.

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00:23:10,759 --> 00:23:16,759
Speaker 2: Have understood him then, that is I told me he.

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00:23:16,799 --> 00:23:19,720
Speaker 3: Wanted me to tell you of the dying of Anita.

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00:23:20,359 --> 00:23:22,680
Speaker 2: You could have told me before you pretended you didn't

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00:23:22,720 --> 00:23:23,160
know English.

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00:23:23,240 --> 00:23:26,440
Speaker 13: Why then, when Ito was not dead, tell me about it.

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00:23:27,359 --> 00:23:30,799
Jan Ito asked me for my room. He wished to

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00:23:30,880 --> 00:23:33,920
be loneliness with the girl with eve Hunter while I

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00:23:34,079 --> 00:23:34,440
played it.

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Speaker 3: But I left him. I left to an Ita.

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00:23:38,000 --> 00:23:40,119
Speaker 2: When it came back, he found her dead and sent

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00:23:40,240 --> 00:23:42,200
her dying. He treated his wound, hit him from us.

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00:23:43,000 --> 00:23:45,759
Why because he killed the girl and tried to kill himself.

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00:23:46,039 --> 00:23:49,839
Speaker 3: He wished not to day. Juanito asked that I hide

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00:23:49,880 --> 00:23:51,440
him and then help him to find him.

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00:23:51,480 --> 00:23:56,480
Speaker 2: Mother, you've known all along who the killer was, A

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00:23:56,640 --> 00:24:00,079
nameless one, but none to me, you know him what

354
00:24:00,200 --> 00:24:02,000
you can't name in Spain?

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00:24:02,160 --> 00:24:04,359
Speaker 3: Whatever was one Ito for your corrida?

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00:24:04,880 --> 00:24:05,559
Speaker 11: Was this man?

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00:24:05,720 --> 00:24:09,480
Speaker 3: Also leaning down from the first each of the plaza

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00:24:10,559 --> 00:24:12,920
after a niche place in the street the cafe. He

359
00:24:13,039 --> 00:24:16,279
come to me, say talk with me about one Itito

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00:24:16,359 --> 00:24:20,359
and the girl one it and Misshunter. Tell me say

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00:24:20,440 --> 00:24:26,640
to me, whisper, I said, I turn my back to him.

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00:24:26,920 --> 00:24:28,960
Speaker 2: Is here if I'm intent over here?

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00:24:31,240 --> 00:24:33,920
Speaker 3: A man would do this, A man who had the

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00:24:34,039 --> 00:24:35,759
face of Eve Hunter, a.

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00:24:35,920 --> 00:24:41,119
Speaker 2: Mad open a cell. I want this man released. Let's

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00:24:41,160 --> 00:24:57,359
go with this. Let's go identify a man. Come on

367
00:24:57,480 --> 00:25:13,200
to this, ah, mister Clover with friends mind if we

368
00:25:13,319 --> 00:25:16,160
come in. I had bored myself a drink, and when

369
00:25:16,240 --> 00:25:19,000
I drink, it's a time for solid inside Mistada, you

370
00:25:19,039 --> 00:25:20,559
can have your drink and will turn out back. So

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00:25:20,599 --> 00:25:22,400
that'll make it longly for you. You want me to

372
00:25:22,519 --> 00:25:26,920
invite your friend in here? Well, the large muscle of

373
00:25:27,000 --> 00:25:31,920
the law come along it. This is oh so the

374
00:25:32,039 --> 00:25:40,480
dead girls that's right in here? You tequila not as

375
00:25:42,319 --> 00:25:49,640
you nothing and I'm not disappointed. I drink alone. Now

376
00:25:50,400 --> 00:25:53,359
this is to this he traveled with one Sinto.

377
00:25:53,680 --> 00:25:56,559
Speaker 3: His pictures on the wall, all of them of one Cinto.

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00:25:56,799 --> 00:25:59,440
Speaker 2: And now this told me of a man who followed

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00:25:59,519 --> 00:26:03,359
one Sinner and your sister around Spain. He would come

380
00:26:03,440 --> 00:26:05,680
to Cadis after the fight and ask him to talk

381
00:26:05,759 --> 00:26:10,119
about your sister and the matador. Really, this picture of.

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00:26:10,200 --> 00:26:14,440
Speaker 3: One Cinta, I remember Barcelona when he was almost looked

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00:26:14,480 --> 00:26:15,759
upon the horns of a bull.

384
00:26:16,200 --> 00:26:18,960
Speaker 2: He've always had a sordid esthetic sent Let me go

385
00:26:19,000 --> 00:26:22,599
on understand him. This man, this man who followed them

386
00:26:22,640 --> 00:26:26,400
around Spain, finally made up his mind about some pride

387
00:26:26,519 --> 00:26:30,759
or whatever. He would kill them, and he did yesterday.

388
00:26:32,079 --> 00:26:34,799
It is is this the man?

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00:26:35,440 --> 00:26:36,599
Speaker 3: No signor.

390
00:26:38,599 --> 00:26:41,240
Speaker 2: I see you've had your fun and games. Now please

391
00:26:41,359 --> 00:26:43,440
leave you two. Can I drive you any place? Pi?

392
00:26:43,880 --> 00:26:46,720
Am I? Not on the ray no more, wherever you like?

393
00:26:47,480 --> 00:26:51,599
Speaker 3: Hunter, Yes, so many of the pictures of one Sinto

394
00:26:51,680 --> 00:26:55,559
on this wall. There have so many memories. I stay

395
00:26:55,599 --> 00:26:56,920
awhile and look at them.

396
00:26:57,119 --> 00:26:59,559
Speaker 2: I'll tell you quite simply, no you may not.

397
00:27:00,039 --> 00:27:02,599
Speaker 3: They are of deepest memory. Sen you, and I asked

398
00:27:02,720 --> 00:27:05,480
you the dwarf, the man asked you.

399
00:27:07,319 --> 00:27:23,400
Speaker 2: I asked you. I'll be going on, ah, what about

400
00:27:23,480 --> 00:27:24,240
what this.

401
00:27:25,839 --> 00:27:26,400
Speaker 3: Steaky with.

402
00:27:29,200 --> 00:27:31,039
Speaker 2: I don't want to use this gun cut. He is

403
00:27:31,119 --> 00:27:38,279
the man You killed him, didn't you. That is because

404
00:27:38,359 --> 00:27:40,720
you say you killed mister Hunter.

405
00:27:41,680 --> 00:27:48,880
Speaker 14: Why my sister with wich are without Rubbie, killer of pools?

406
00:27:49,000 --> 00:27:52,480
My sister the world of filth.

407
00:27:52,680 --> 00:27:57,920
Speaker 3: Sweat and screaming chance, My sister mine? What the man

408
00:27:58,160 --> 00:28:00,920
is decent? I am called it, or.

409
00:28:02,400 --> 00:28:24,240
Speaker 2: Let's call mister Hunter. They race against the fugitive night

410
00:28:24,319 --> 00:28:28,000
on Broadway. The people of the swan, each in his

411
00:28:28,079 --> 00:28:32,240
own way, make time stand still. That's the trick. But

412
00:28:32,440 --> 00:28:36,160
dawn comes, the gutters are choked with a wasted minutes,

413
00:28:37,039 --> 00:28:42,680
the infinite man hours of loneliness and tears. It's Broadway,

414
00:28:43,720 --> 00:28:50,039
the gaudiest, the most violent, the lonesomest mile in the world,

415
00:28:52,160 --> 00:28:55,039
Broadway My Beat.

416
00:29:11,640 --> 00:29:15,640
Speaker 10: Broadway's My Beat stars Larry Thor as Detective Danny Clover,

417
00:29:16,079 --> 00:29:20,160
with Charles Calvert as Tartaglia and Jack Krushian Asmagavin. The

418
00:29:20,279 --> 00:29:23,599
program was produced and directed by Elliot Lewis, with musical

419
00:29:23,680 --> 00:29:27,960
score composed and conducted by Alexander Courage. In Tonight's story,

420
00:29:28,279 --> 00:29:32,480
Paul Freeze was heard as Cadiz Whitfield Connor as Teddy Hunter.

421
00:29:33,000 --> 00:29:37,039
Featured in the cast were Virginia Greg Edgar Barrier, Anthony Barrett,

422
00:29:37,279 --> 00:29:40,359
and Harry Bartel. A brief look into the Crystal Ball

423
00:29:40,440 --> 00:29:42,640
for the benefit of you future veterans who may want

424
00:29:42,680 --> 00:29:45,240
to take education and training under the Korean gi build,

425
00:29:45,839 --> 00:29:48,359
the Veterans Administration says, your choice of a program of

426
00:29:48,440 --> 00:29:50,839
study is pretty much up to you, but you've got

427
00:29:50,920 --> 00:29:53,119
to decide upon a goal before you start.

428
00:29:53,640 --> 00:29:56,240
Speaker 6: You can work for a high school or a college diploma.

429
00:29:56,480 --> 00:29:58,440
You can go to a trade school, or you can

430
00:29:58,480 --> 00:30:01,480
set your sights on a professional as a doctor, a dentist,

431
00:30:01,880 --> 00:30:05,480
or a lawyer. That's something to keep in mind. Broadway

432
00:30:05,640 --> 00:30:08,279
is My Beat was produced and directed by Elliott Lewis.

433
00:30:08,480 --> 00:30:12,079
Musical Scar was composed and conducted by Alexander Curry. Bob

434
00:30:12,160 --> 00:30:16,200
Stevenson speaking This is the United States Armed Forces Radio Service.

435
00:31:17,240 --> 00:31:22,960
Speaker 1: Welcome back. Well a very clever ending. I think that

436
00:31:23,519 --> 00:31:28,440
the end part where Danny confronts the killer is really

437
00:31:28,640 --> 00:31:31,799
a big part of the formula of this series. So

438
00:31:32,839 --> 00:31:37,119
when he walks away and it looks like the person

439
00:31:37,200 --> 00:31:40,640
we were interviewing was not the killer, it's kind of like, Okay,

440
00:31:40,759 --> 00:31:44,119
how much time is left in this episode? What exactly

441
00:31:44,440 --> 00:31:46,920
is going to happen from here? But there's like ah,

442
00:31:47,279 --> 00:31:51,960
I see all right. Well now it's time to or

443
00:31:52,160 --> 00:31:56,680
Patreon supporter of the day. Thank you to Maurice, Patreon

444
00:31:56,799 --> 00:32:01,440
supporter since January twenty twenty five, for currently supporting the

445
00:32:01,599 --> 00:32:05,599
podcast at the Shamus level of four dollars or more

446
00:32:05,640 --> 00:32:08,680
per month. Thanks so much for your support, Maurice, And

447
00:32:08,799 --> 00:32:11,920
that will do it for today. If you're enjoying the podcast,

448
00:32:12,039 --> 00:32:16,480
please follow us using your favorite podcast software and be

449
00:32:16,559 --> 00:32:19,400
sure to rate and review the podcast wherever you download

450
00:32:19,440 --> 00:32:23,160
it from. We'll be back next Wednesday with another episode

451
00:32:23,200 --> 00:32:26,839
of Broadways My Beat, but join us back here tomorrow

452
00:32:27,079 --> 00:32:29,000
for Dragonnat where.

453
00:32:29,559 --> 00:32:31,960
Speaker 2: I said, I do it just behind the shrub over there.

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00:32:32,200 --> 00:32:32,960
Speaker 10: Here's a little time.

455
00:32:32,880 --> 00:32:34,559
Speaker 2: To get around here. You know. When I call out

456
00:32:34,559 --> 00:32:36,880
the rush, make it fast. The only thing we've got

457
00:32:36,920 --> 00:32:39,160
in our favor. We're trying surprising, right see you Let

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00:32:39,240 --> 00:32:47,200
bab you care thiss Radford? Does Radford? Can you hear me?

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00:32:48,680 --> 00:32:51,799
Speaker 1: Police officers got your place around it. I want you

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00:32:51,880 --> 00:32:54,920
to come out, can you hear me?

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00:32:54,960 --> 00:32:55,599
Speaker 2: Miss Radford?

462
00:32:55,799 --> 00:32:56,880
Speaker 1: We want you to come out.

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00:32:58,599 --> 00:32:59,240
Speaker 10: Miss Radford.

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00:33:01,240 --> 00:33:02,559
Speaker 2: All right, let's go hit the door.

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00:33:09,920 --> 00:33:11,880
Speaker 1: Go Joey all right, yeah, what about you?

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00:33:12,000 --> 00:33:12,960
Speaker 3: In the kitchen's empty?

467
00:33:13,079 --> 00:33:13,960
Speaker 1: Okay, just a minute.

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Speaker 6: Living room's empty, not in here?

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Speaker 2: Add in the bedroom nothing here?

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Speaker 3: Yeah, how about that?

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Speaker 1: Hey joe back here?

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00:33:20,400 --> 00:33:22,279
Speaker 2: Ah yah, bedroom freak back all right.

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Speaker 3: I have a look.

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Speaker 2: When you check the bathroom, in all the closet, everything

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to you're gone.

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Speaker 1: I hope you'll be with us then in the meantime,

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00:33:30,000 --> 00:33:34,839
send your comments to Box thirteen at Greatdetectives dot net,

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00:33:34,920 --> 00:33:38,160
follow us on Twitter at Radio Detectives, and check us

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00:33:38,200 --> 00:33:44,559
out on Instagram, Instagram, dot com, slash Great Detectives From Boise, Adaho.

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This is your host, Adam Graham's son and all