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Speaker 1: And we are back with another edition of the Federalist

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Radio Hour. I'm Matt Kittle, Senior Elections correspondent at the

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Federalist and your experienced Shirpa on today's quest for Knowledge.

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As always, you can email the show at radio at

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the Federalist dot com, follow us on x at FDRLST,

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make sure to subscribe wherever you download your podcast, and

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course to the premium version of our website as well.

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Our guest today is Michael Walsh, whose new book Against

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the Corporate Media Forty two Ways the Press Hates You

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It's coming out, in fact, it is out and everywhere

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right now, presents a collection of more than forty essays

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on the decline and fall of the America and international

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news media. The book's list of distinguished contributors includes folks

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like Lance Morrow, John Olsullivan, Monica Crowley, Charlie Kirk, Glenn Reynolds,

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and many more. We're going to delve into all of

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that coming up momentarily, but first let us welcome into

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this edition of the Federalist Radio Hour Michael Walsh. Good day, sir,

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Thank you for joining us.

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Speaker 2: Thank you for having me on that. I appreciate it.

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Speaker 1: I want to get fully into the book, and we

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will do that, but we must begin where the media

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has been playing a major role in some horrific events

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in this country of late, and I begin with the

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latest sad to say, the latest assassination attempt against former

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President Donald Trump is obviously the GOP's presidential candidate. The media,

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the corporate media, the accomplice media, as I like to

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call them, really went beyond the pale this weekend, and

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certainly its initial coverage of what the FBI and others

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are calling an assassination attempt against the former president. It

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was your initial thoughts on the coverage and what we

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saw from some of the major players.

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Speaker 2: Well, it's interesting. I'm here in Central Europe at the moment.

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So I first sat on Twitter x last night as

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I was having dinner, and at that point they had

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already dismissed it as so as unbelievable as this makes

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up two guys having a gunfight on the golf course

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in West Palm Beach in where as you know, everybody

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walks around armed all whole lot.

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Speaker 1: Yes to the hell yeah.

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Speaker 2: So I went to bed thinking, well, that's weird that

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you know, it is twenty twenty four and then I

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woke up to the news that it was actually oops,

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yet another assassination attempt. Bye, yet another one of the

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usual suspects for yet again the same reason and driven

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to do what he did by the same people, the

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mainstream media. So it's a perfect tie to what we're

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talking about today, Federalists.

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Speaker 1: You know, we've written a number of stories on that,

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and obviously we're going to take a look as well

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at the way the media has covered this. I think

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what one of the more remarkable stories in Lester Holt

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is not alone, but the anchor man for NBC News

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was quick to blame Donald Trump for having someone try

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to it appears to take his life, just as we've

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seen if they weren't, if they haven't memory hold the

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Butler Pennsylvania assassination attempt against former President Donald Trump on

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July thirteenth of this year. And I will ask you this,

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do you think they will memory hold this again? Because

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it doesn't help Kamala Harris and Tim Walls in their

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election pursuit their campaign pursuit. And also it is just

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absolutely amazing. What do you think about these corporate actors

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talking about Donald Trump means needs to turn down the heat. Well,

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seventy eight year old man really should wear short skirts

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like that out public. It's just that provocative thing that

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he does. But then again, he provokes them simply by existing.

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So I heard real.

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Speaker 2: Statement on MSNBC thanks to the miracle of Elon Musk

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and X, where you can actually learn things that aren't

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covered up and smothered with a pillow. As my friend

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Dave Birch once said about the function of the media,

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I did hear him say that it was in effect

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Trump's fault for ratcheting up the rhetoric. And also there

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is this bogus context device that journalists hughes. The New

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York Times started it. We used to joke about it,

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saying that such and such an event quote comes at

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a time when and then you drag in something completely

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extraneous to the event, just so you can make your

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larger narrative point. So that's effectively what Holt was doing today, saying,

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and this news comes at a time when and then

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we start blaming the republic. The media is wholly in

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the tank in a way that it wasn't even when

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we started this book a year and a half ago.

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You know, these books don't just happen overnight. And in

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this case, I had to commission forty other writers and

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assign them the topic and negotiate and get them done

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and edit them and put them in some kind of order.

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It's a large project, so it takes some time. But

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we were guessing that right around the election, the media

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would disgrace itself. We just had no idea how badly

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they would disgrace themselves.

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Speaker 1: Oh, we get a new level, a lower level every day,

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every time you think that they can see And I

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guess that's the question too. Two questions as we focus

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on your extraordinary new book into this and it is

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a deep dive with a lot of folks who have

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a lot of experience on this front, I guess the

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question is how did we get here? And the other

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related question is do we hate corporate media enough? Well?

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Speaker 2: And he asked the sacd question is you think you can,

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but you haven't plumbed the depth yet. How much you

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can load these people? How we got here is is

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really simple, Donald Trump, That's how we got here. They've

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been wanting to get here for a long time. But

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there's a notorious essay in the New York Times back

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during the first Trump campaign by a man named Jim

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Ruttenberg who said, basically, the Trump's not a normal candidate.

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He will not be extended the courtesy of being treated

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respectfully or with fairness or even handedness, because that's a lie,

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and we will cover him antagonistically. And from that moment on,

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as you've seen by just by watching Morning Joe or

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reading Twitter or any of the outlets of the corporate media,

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you've seen reporters who I thought, in fact somewhat reporters

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I'd worked with, saying this are the unthinkable, which is

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that there are there is not two sides, that there

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are not two sides to this story. Trump is not

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a normal candidate and he should be extended no courtesies

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at all, despite the fact of his status as a

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former president of the United States, despite the fact of

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his status as as the leading now the Republican candidate

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and perhaps ahead in the polls, that Trump would be

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absolutely anathema to them, and you still see it. I

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still read men whom I worked with at Time magazine

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back in the last glory days of Time, when it

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was the best magazine in the world. I've seen guys

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that I've known for a long time, explicitly come out

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and say the gloves are off. It is, in fact

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a sin against journalism and democracy for you to give

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this man any courtesy whatsoever.

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Speaker 1: Man here, we are here, we are Yeah. And isn't

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it amazing? That's how the US Secret Service offers protection

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to the former president as well. How often have we

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heard over the last couple of months in this country.

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You know, he's not the sitting president, so he doesn't

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deserve the kind of protection which is just ludicrous. But

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back back to your point and back to the book.

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You know, I remember I joke, but I don't think

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it's really a joke.

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Speaker 2: I talk about.

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Speaker 1: Journalists today, coming from the Aaron Sorkin School of journalism.

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I bring this up because there was a show called.

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Speaker 2: The news Room.

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Speaker 1: It was about the hard hitting TV news room. It was,

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you know, a kind of a I don't know if

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they were trying to portray themselves as a Fox, you know,

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sort of network. But you had in Jeff Daniels who

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played the main character. You know, he was the main anchor,

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and he was the Republican's pal. And then he had

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an epiphany in his road to Damascus moment where he said,

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you know what, just because somebody says that we don't

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have to cover them, just simply because they have a

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different point of view. That was the whole idea of

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this show. And it really was presented as the leftist

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Aaron Sorkin, you might suspect, presented as this is the

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way we ought to do journalism. That was a fictional show.

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But those are the lessons Michael, that it seems to

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me that were applied to American journalism more than a

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decade ago.

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Speaker 2: Yes, that's true. It's Aaron Sorkin is an extremely skilled writer.

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It's one of the best in Hollywood, and that makes

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him extremely effective. So it's funny that one can joke

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to him that he wrote one of the most conservative

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movies ever made, a Few Good Men. But it will

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be a shock to find that everybody thinks of Jack

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Nicholson as the hero of that movie and not Todd Truce.

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So sometimes the left doesn't understand the message they're actually selling.

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But in this case, Sorkin with selling this notion of

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activist journalism. Now, this goes back to when I started

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in journalism, which was nineteen seventy two, and back then,

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if you wanted to change the world. You became either

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a lawyer or a journalist. Now most journalists starts smart

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enough to be lawyers. And I'm not saying lawyers are

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smarter or anything, trust me, but that's how far down

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the wrong they were. But they were motivated by this

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desire to do good. But in this case it's the

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sixties generation and it's my boomer generation's definition of doing good,

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which means being an activist for social causes. And if

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you'll recall that the watchword, the phrase at that time,

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which is still very much in effect, is by any

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means necessary. That's a Spike Lee. He uses that in

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his movies. It is very characteristic of guys who grew

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up during the sixties who were against the Vietnam War

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or the draft or whatever. The cause through sure was

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by any means necessary. And the problem with conservatives is

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we don't believe it when they say it. We don't

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believe it, but they do mean it, and by any

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means necessary means exactly what it says, so they will

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kill in the pursuit of their objective. And now you've

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seen it twice.

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Speaker 1: You know, it's interesting that you talk about when you

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got your start in journalism in nineteen seventy two. I'm

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going to date myself here. I've been around the block

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for a few years. I was born in the summer

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of Watergate, nineteen seventy two. And I'm curious what you

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think about this, because I believe that there was a time,

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you know, and journalism in America has always tended lefters,

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long tended left, but there was a professional honesty in it,

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you know, and it's hard to believe in modern day journalism,

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but there was an honesty to it in that if

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you know, whoever was was behaving badly, whoever was corrupt,

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those are the politicians you went after, the policymakers or whatever.

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And it didn't matter. We saw a lot of great

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journalism about bad democrats in Chicago over the years. But

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I really do believe that a switch, something changed fundamentally

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in journalism with all the President's men. I mean, the

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coverage of Watergate at that time kind of set the

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template for, you know, the one sided kind of journalism

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that we have seen, the narrative forming, crusading journalism that

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we have seen in this country that I think fundamentally

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changed at that point. Where does it go.

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Speaker 2: Back farther well, I think that's right in a way.

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I don't think Carl Burstein is a friend of mine,

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and simply because we're of the same age. Basically, when

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I was a young reporter that summer watching him, I

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didn't know him at the time. And Woodward breaks story

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after story after story, and they were really a role

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model for a lot of us who realized that the

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or certainly believed that the goal of this job was

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to break stories, was to unearth information that somebody didn't

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want published, under the guidance of more experienced elder journalistic

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Hans Now in retrospect, and we have an essay by

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Monica Crowley in against the corporate media called Nixon and

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the weaponization of media hatred. They all hated Nixon, and

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people young people today are astounded to discover that Nixon

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in nineteen seventy two had just won the biggest landslide

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in American political history, basically one of two or three.

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He swept forty nine states, and less than two years

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later he was gone, just gone, baby gone. That really

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was the beginning of the oh my, we can even

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take down a enormously popularly elected president. And I don't

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think that Carl or Bob meant to do that, but

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I think a lot of people learned the wrong lessons

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from what in fact did happen, and so now today,

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by any means necessary, them is the rules. Baby, we have.

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Speaker 3: A huge hole in our nation's roof.

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Speaker 4: The watch Dout on Wall Street podcast with Chris Markowski

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every day Chris helps unpack the connection between politics and

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the economy and how it affects your wallet.

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Speaker 3: There should be only one priority for our lawmakers. America

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is spending three billion dollars a day in paying off

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our own interests. You only need to be voting for

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candidates who can address this problem. Whether it's happening in

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DC or down on Wall Street, it's affecting you financially.

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Speaker 2: Be informed.

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Speaker 4: Check out the Watchdot on Wall Street podcast with Chris

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Markowski on Apple, Spotify, or wherever you get your podcasts.

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Speaker 1: Oh yeah, I agree. I think that became the ten

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for what has also happened. And I'm curious if the

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book deals with this. The Jim Acostas of the world,

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and he's not alone, but he's one of the more

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egregious examples where you have the journalists and I'm not

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saying Woodward and Bernstein did this. I think you're right.

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I think they were onto a you know, a story

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that had, you know, great historical significance. I think they

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understood that at the time. But I see, you know,

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the modern day journalist and Jim Acosta goes back a

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while where they're infusing themselves into the story. They're becoming

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the story. And that's different in the main in American journalism,

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is it not?

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Speaker 2: Yes, it is. There was always a stricture against becoming

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a celebrity journalist. Journalists were not supposed to be well known.

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In fact, when I went to Time, byelines had just

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begun to be given to the writers at Time magazine.

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You went to Time, and by the way, you didn't

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ask to go to Time. Time asked you to go

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to Time. But you also accepted the notion that I

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worked in the back of the book, and I was

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a critic, so I did get a byline, but it

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was a little tiny byline at the bottom of your story,

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and it could be withheld if they wished to. But

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most of the other writers didn't even get that, and

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that was fine with us. We didn't need to see

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our faces on television. I'm still quite averse to it. Frankly,

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we didn't need the glory. We were being paid well,

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and we had a great job, and we worked for

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a great institution, and that's all that mattered. The gem

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Acostas of the world, the TV airheads, they've always been

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a problem. I mean, there was everyone knew Walter Cronkite,

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but he wasn't an airhead. He was sort of a vuncular,

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a veteran of World War Two journalism, a man with

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a sterling resume, and the other anchors at that time

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were similarly situated. Now they've become basically celebrities in their

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own weird sort of way. No one takes their opinions

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particularly seriously, but they enjoy the notoriety. And I don't

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mean the fame. I mean the notoriety that comes with

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being objects of derision, which they are. But they don't care.

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They're making a fortune. So who's got the last laugh

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at this point? That's the question. I suppose. Our guest

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today is Michael Walsh, whose new book very compelling against

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the corporate media, forty two Waves The Press Hates You.

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You can find it just about everywhere. Now again, the

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book presents a colle election of more than forty essays

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on the decline and fall of the American and international

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news media. Speaking of which, here's something that is anybody

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following the headlines over the last four years in this country,

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and really over the last eight years in this country

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eight plus years now, we're seeing news as psychological operation.

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I believe the book delves into that topic as well.

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But it is an amazing turn of events what we've

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seen through COVID, what we have seen through the election

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of twenty twenty, where we have journalists who are on

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board against the First Amendment. I mean, these are remarkable days, Michael,

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they are they're palling days two. But what has happened

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is that journalists have become now drawn from the same

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social class as the people they covered. And this is

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a very very important change. I think there were several

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important changes. One is a male dominated profession became feminized.

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And two it became an upper middle class to lower

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upper class profession and not the street kids who were

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the editors when I first started. So these are enormous,

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These are enormously important changes. The journalists today, the ones

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who make it as far as Washington and now they

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all want to start in Washington, Uh. They went to

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the same schools. They've married the same people, They've swapped

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spouses with the same people. They have summer houses in

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the same neighborhoods, either in Long Island or in Behoveth

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or in upstate in the Berkshires, which happened to be

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where I live. They all know each other. We go

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back fifty There's still plenty of guys I work with

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fifty two years ago who are still in the business

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because baby boomers never die. As you can see, we

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just keep staggering on forever because we have old soldiers.

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So that's one change. And the fact also that it's

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been feminized, I think has a tremendous impact. We have

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an essay about that by Priscilla Turner in this book

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about how women change journalism, and it changed from that

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rude street wise up yours. I'm getting the story, even

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if it means I have to break the law a

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little bit to do it, if I have to steal

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the photograph off that person's desk, or if I have

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to rummage in the garbage. You can go back to

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the nineteen thirties set and see the great journalism movies,

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one of which start. Each don I died with James

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is reported and get sent to jail. The journalists would

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do anything to get the story and they'd be defended.

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But that was when they were males, and now females

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find that a little bit icky. It's beneath them. They're

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more concerned with consensus and groupthink than men are. I

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think that's a fair statement. And what we see from

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the feminization of journalism is this, everyone has to play nice,

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and if you don't, you will go sit in the

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corner for the rest of your life and those peace

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will get cold. You know how dominating your mom or

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if you're like me you grew up with the nuns

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can be. And so we've got this sort of type

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now in journalism who really feels that they're right and

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they're going to force these piece down your throat of

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what's the last thing they do. So these are two

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of the things that have changed. And the social pressure

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cannot be underestimated. They don't want to make their friends

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look bad. It would be the old days, journalist, you'd

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be friends, but you cut the other guy's throat on

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that morning newspaper. You were in the afternoon newspaper because

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you had to have that story first. And I found

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myself in that position when I went to San Francisco

355
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to report a big story with not in the cosmic

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scheme of things, but locally, and I'd be damned if

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I was not going to get it before the other guy.

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Oh yeah, that's how you thought. But now it really

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doesn't matter because eventually everyone gets to the same place,

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and so journalism has been in a way castrated, and

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I don't think that's been helpful for the country.

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Speaker 1: You talk about it. I think that's interesting. Everybody gets

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to the same place, But what about getting to the

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same narrative where you see the same talking points that

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are basically regurgitated from the White House from you know,

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from the spokes Well, they all go to you know,

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I'm sorry, go ahead, no, no, I did. I'm just curious.

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I mean, how did we we get to this point

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where the talking points of the White House are the

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stories of the day.

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Speaker 2: Well, there's also an essay in the book by John

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O'sump about the revolving door between government and journalism. It

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used to be that if you were a journalist and

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you went into the government, you never went back to journalism.

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If you were a journalist and you went into pr

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you would never be able to go back to journalism

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because you had compromised your inteke, literally compromised your integrity.

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That's not true now. So now you see journalists going

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in and out of the White House depending on which

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party is in power, and while they're out of power,

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they get stored away at some think think tank or

382
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on the New York Times or I remember going to

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a party once for a friend of mine, a liberal journalist,

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and was filled with people from the New York Times,

385
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including Art Sealzburg, and they were all joking how they

386
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were just sort of waiting, you know, for the next

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Democrat administration to come back and then then go back

388
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to Washington again and work in the White House. Wow.

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So that's that's the way the game is played now.

390
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And as a result, consensus. It gets back to my

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critique of the feminization process too. Consensus is much much

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more important than breaking stories. It's just you don't want

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to be the skunk at the garden party, and especially

394
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when you work with and in many cases are married to,

395
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people in the administration.

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Speaker 1: Indeed, but I just keep thinking about you know, I

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guess it harkens back, and you get enough older journalism,

398
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older journalists in the room, and you get stories of

399
00:26:51,839 --> 00:26:54,200
back in my day kind of thing. And obviously you

400
00:26:54,200 --> 00:26:59,079
and I both know that journalism is it ain't going

401
00:26:59,160 --> 00:27:02,240
back to what we used to know it to be. Fourth,

402
00:27:02,279 --> 00:27:05,920
the state used to be respected. The polling numbers show

403
00:27:06,880 --> 00:27:09,440
and you don't need polling numbers, or as Dylan once said,

404
00:27:09,480 --> 00:27:11,200
you don't need a weatherman to know which way the

405
00:27:11,240 --> 00:27:16,160
wind blows. Journalism is not the respected discipline that it

406
00:27:16,279 --> 00:27:19,880
once was. And you pointed out in the book, and

407
00:27:19,920 --> 00:27:21,200
we've discussed.

408
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Speaker 2: Why that is.

409
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Speaker 1: When you have a debate like we saw between Donald

410
00:27:26,720 --> 00:27:31,680
Trump and Kamala Harris, the two ABC moderators doing what

411
00:27:31,839 --> 00:27:36,440
they did. There was a time and again sounding like

412
00:27:36,680 --> 00:27:38,440
the old guy journalist, but there was a time in

413
00:27:38,480 --> 00:27:42,279
American journalism where that kind of performance would get you

414
00:27:42,319 --> 00:27:45,960
in the unemployment line. Now it gets you rewarded in

415
00:27:46,039 --> 00:27:47,920
the eyes of your colleagues.

416
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Speaker 2: Yes, well, that's the bubble effect. The only people they

417
00:27:53,200 --> 00:27:57,279
meet are in that bubble. And what we found, I've

418
00:27:57,319 --> 00:28:00,880
short these experiences socially after all all the years that

419
00:28:01,160 --> 00:28:04,160
I was in that profession, and I'm really not in

420
00:28:04,279 --> 00:28:08,480
it any longer, but you lose friends, you stop getting

421
00:28:09,000 --> 00:28:14,079
invited to people's houses. That it has sorted itself out

422
00:28:14,279 --> 00:28:19,200
and kind of self segregated. Now the leftist worldview is dominant,

423
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so that means a little fewer opportunities for those of

424
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us who are on the conservative side. But we now

425
00:28:28,400 --> 00:28:30,559
have to live with that because we no longer have

426
00:28:30,759 --> 00:28:34,519
the same goals in mind. And I think that's really

427
00:28:34,519 --> 00:28:37,440
a sad thing. But let me just say one thing

428
00:28:37,480 --> 00:28:40,839
about youuralism. It used to be disreputable and that was

429
00:28:40,880 --> 00:28:45,200
the fun of it. We have an opening essay against

430
00:28:45,240 --> 00:28:48,920
the corporate media by Lance Morrow, by dear friend who

431
00:28:49,519 --> 00:28:52,000
was at Time magazine for many, many years, I think

432
00:28:52,079 --> 00:28:55,559
may have written the most cover stories in the history

433
00:28:55,559 --> 00:28:59,799
of Time, distinguished American essays, and he talks about the

434
00:28:59,799 --> 00:29:04,279
good old days when journalism was slightly disreputable. It was raffish.

435
00:29:04,359 --> 00:29:08,160
As I said, you prize yourself on cutting a little

436
00:29:08,200 --> 00:29:13,799
corner here and there, sweet talking somebody, whatever seductive means

437
00:29:13,839 --> 00:29:17,759
you needed to use to get the story you used.

438
00:29:17,799 --> 00:29:23,759
And then it became corporate, and it became an establishment profession.

439
00:29:24,319 --> 00:29:26,200
And it never used to be a profession. It was

440
00:29:26,240 --> 00:29:29,680
a trade. They now talk about themselves as professionals, as

441
00:29:29,680 --> 00:29:32,039
if they were doctors or lawyers or had to pass

442
00:29:32,119 --> 00:29:36,640
some kind of standards or be state ratified to do it.

443
00:29:37,079 --> 00:29:39,240
You don't want that in the first place. But secondly,

444
00:29:39,279 --> 00:29:43,200
they never were that. There were always tradespeople. They came

445
00:29:43,279 --> 00:29:47,920
from the tradesman class. They tended to be Ethnics from

446
00:29:47,960 --> 00:29:52,240
the last great wave of immigration, Irish Italians, Jews. And

447
00:29:52,440 --> 00:29:56,880
you saw their bylines in all the newspapers, all the columnists,

448
00:29:56,920 --> 00:30:01,079
you know, famous Irish American columnists for example, or the

449
00:30:01,119 --> 00:30:04,200
great Jewish reporters on the New York Times like Meerberger

450
00:30:04,559 --> 00:30:08,839
or Abe Rosenthal for that matter. You saw this, And

451
00:30:08,880 --> 00:30:14,119
now you see it's become much more diverse in a

452
00:30:14,160 --> 00:30:16,960
bad sort of way. That is to say, it has

453
00:30:17,039 --> 00:30:22,119
split apart in terms of its appeal to the broad

454
00:30:22,480 --> 00:30:28,079
swath of the country. And you get this consensus journalism now,

455
00:30:28,440 --> 00:30:31,480
which is what everybody seems to want, but the public

456
00:30:31,559 --> 00:30:35,640
doesn't want it, and the public is rejects it constantly,

457
00:30:36,400 --> 00:30:39,720
and yet they really don't have very many alternatives, do.

458
00:30:39,720 --> 00:30:44,319
Speaker 1: They They don't, And that's the problem. As diffuse as

459
00:30:44,359 --> 00:30:49,519
everything has become in modern day journalism, the song or

460
00:30:49,640 --> 00:30:53,960
story remains the same. And a big part of that

461
00:30:54,720 --> 00:30:59,799
story that we've seen over the last couple of decades,

462
00:31:00,000 --> 00:31:05,400
particular in this country, is the going away from what

463
00:31:05,680 --> 00:31:10,400
used to be the core of value of journalism, of

464
00:31:10,440 --> 00:31:15,880
reporting you had to be right. That was prized above

465
00:31:16,119 --> 00:31:21,640
everything else, prized above being first, prized, being above having

466
00:31:21,680 --> 00:31:28,960
the most clicks, prized above everything that involves reporting and journalism.

467
00:31:30,039 --> 00:31:34,240
How is it that? And we've seen this, particularly over

468
00:31:34,279 --> 00:31:37,640
the last four plus years in this country. How can

469
00:31:37,720 --> 00:31:42,279
this industry be so wrong all the time and still

470
00:31:42,759 --> 00:31:46,200
Americans are turning to it. I mean, they wouldn't exist

471
00:31:46,240 --> 00:31:48,200
if Americans didn't go away.

472
00:31:49,160 --> 00:31:51,759
Speaker 2: Well. Michael Crichton once referred to this as the gel

473
00:31:52,240 --> 00:31:56,400
iphen Man effect, which is that when you're a reader

474
00:31:56,599 --> 00:32:00,440
or watch television or however you're getting your news and

475
00:32:00,480 --> 00:32:04,000
a story comes up with which you've been directly involved,

476
00:32:04,079 --> 00:32:07,119
or it's your profession, or you really are an expert,

477
00:32:07,839 --> 00:32:11,720
and you realize the story of self complete crap, and

478
00:32:11,759 --> 00:32:13,559
then you move on to the rest of the publication

479
00:32:13,640 --> 00:32:18,160
and you believe every word of it, so because you

480
00:32:18,279 --> 00:32:20,319
actually know what you're talking about with one of them,

481
00:32:20,599 --> 00:32:22,640
and you assume somehow that the rest of the story

482
00:32:22,759 --> 00:32:25,680
is the rest of the newspaper is more right than

483
00:32:25,680 --> 00:32:27,759
the thing you just read about what goes on down

484
00:32:27,759 --> 00:32:31,119
with the plant where you were. That's been part of

485
00:32:31,119 --> 00:32:41,799
the problem. Americans have no real elsewhere to turn. We

486
00:32:41,880 --> 00:32:46,680
do have alternate media. I was with Andrew Breitbart when

487
00:32:46,680 --> 00:32:50,319
we started the Breitbart big sites back in twenty ten,

488
00:32:51,480 --> 00:32:56,039
and they had a huge electrifying effect at the time.

489
00:32:56,799 --> 00:32:59,880
But the corporate media has survived. Even though the newspapers

490
00:33:00,200 --> 00:33:04,240
out of business and the TV networks keep getting replaced

491
00:33:04,279 --> 00:33:08,599
by cable and now by streaming and by whatever technological

492
00:33:08,640 --> 00:33:16,880
advancement comes up. It's still dominated by the New York Times.

493
00:33:16,960 --> 00:33:20,480
There are two essays in the book about the New

494
00:33:20,559 --> 00:33:23,359
York Times and the Sins of the New York Times,

495
00:33:23,400 --> 00:33:29,079
by two men, Ashley Rinsberg and Jay Peters Zain. Now

496
00:33:29,119 --> 00:33:32,279
I should mention that on Thursday we launched this book

497
00:33:32,319 --> 00:33:36,079
officially in London at the Reform Club, so we had

498
00:33:36,279 --> 00:33:41,720
kind of a very high end cross section of London society,

499
00:33:41,759 --> 00:33:47,440
including famous British politicians there, famous British journalists there. It

500
00:33:47,519 --> 00:33:51,200
was quite quite well attended. So there is an interest

501
00:33:51,279 --> 00:33:56,039
in and hunger for some kind of at least return

502
00:33:56,279 --> 00:34:00,960
to the however elusive standard of objects activity that we've

503
00:34:01,039 --> 00:34:02,799
now forsaken.

504
00:34:05,359 --> 00:34:05,400
Speaker 4: It.

505
00:34:06,519 --> 00:34:09,800
Speaker 2: But Walter Lippman has actually won this argument. He wrote

506
00:34:09,800 --> 00:34:14,480
a book in nineteen twenty nine in which he argued

507
00:34:14,519 --> 00:34:18,800
that the media's opinions called public opinion, that's the name book.

508
00:34:19,199 --> 00:34:23,280
The media's opinion should be formed for it by experts

509
00:34:23,320 --> 00:34:26,920
and government people so that everyone is on the same page.

510
00:34:27,559 --> 00:34:31,440
In a way, he was an early activist against quote

511
00:34:31,599 --> 00:34:38,920
misinformation and disinformation, and he was ignored after the Second

512
00:34:38,920 --> 00:34:41,480
World War when you had all these hustling street kids

513
00:34:41,599 --> 00:34:44,920
go into journalism. But in a way he's won. And

514
00:34:44,920 --> 00:34:50,880
that's I think rather sad because I was talking about

515
00:34:50,880 --> 00:34:52,639
this with a friend of mine the other day, having

516
00:34:52,679 --> 00:34:58,840
been a Cold War correspondent, a veteran. The word disinformation

517
00:34:59,079 --> 00:35:03,920
is actually from the KGB. It's a Russian term for

518
00:35:04,159 --> 00:35:11,199
deliberately false information injected into the body politic via state media. Exactly.

519
00:35:11,199 --> 00:35:15,519
So when it's funny that when Nina Jankowitz or whichever

520
00:35:15,800 --> 00:35:21,960
monster is now advocating for basically censorship advocates for it,

521
00:35:22,280 --> 00:35:26,159
they're advocating for the Soviet position. Let's be very clear

522
00:35:26,199 --> 00:35:29,239
about that, because that's who these people are. They really

523
00:35:29,320 --> 00:35:32,400
are people for whom the loss of the Soviet Union

524
00:35:32,519 --> 00:35:35,960
was a great blow to them personally, because it destroyed

525
00:35:35,960 --> 00:35:38,840
their fantasy about the way the world works and the

526
00:35:38,880 --> 00:35:42,679
way that the art of the universe bends towards justice

527
00:35:42,679 --> 00:35:46,679
and other bologna that you hear them constantly saying. But

528
00:35:46,760 --> 00:35:49,079
now that they have another chance to do it through

529
00:35:49,119 --> 00:35:52,719
the European Union, which is effectively the old USSR, but

530
00:35:52,840 --> 00:35:56,920
in Western Europe now instead of in the East, they're

531
00:35:56,960 --> 00:36:01,199
going to, by God, give it their all. And you

532
00:36:01,239 --> 00:36:05,119
will see journalists now literally arguing against freedom of speech

533
00:36:05,159 --> 00:36:08,400
and against the First Amendment. I was in London leading

534
00:36:08,440 --> 00:36:12,880
these two panels on the subject, quoting to the British

535
00:36:13,440 --> 00:36:16,400
John Milton and two of the British writers of the

536
00:36:16,440 --> 00:36:20,840
eighteenth century who wrote under the name Cato, and these

537
00:36:21,159 --> 00:36:25,320
essays are the foundation of the American First Amendment. Yes,

538
00:36:25,400 --> 00:36:29,039
and when Cato says, a man who cannot call his

539
00:36:29,239 --> 00:36:33,440
tongue his zone can call nothing his own. This is

540
00:36:33,480 --> 00:36:36,119
the key to the importance of freedom of speech, and

541
00:36:36,199 --> 00:36:41,719
yet it is being abandoned in the pursuit of what

542
00:36:41,880 --> 00:36:46,760
I call in our books opening essay a higher loyalty.

543
00:36:47,679 --> 00:36:50,400
Just this, James Comey said he had a higher loyalty

544
00:36:50,599 --> 00:36:53,760
than the actual law of the United States of America.

545
00:36:54,000 --> 00:36:59,559
Journalists have a higher loyalty beyond the First Amendment. And

546
00:37:00,119 --> 00:37:02,800
that is where they get very dangerous.

547
00:37:03,519 --> 00:37:08,119
Speaker 1: That is sad, horrifying, and yes, extremely dangerous. Because it's

548
00:37:08,159 --> 00:37:11,639
one thing when James Comey says it. It's bad enough.

549
00:37:13,039 --> 00:37:16,360
It's one thing when the Department, the Department of Homeland

550
00:37:16,400 --> 00:37:21,480
Security says it. But when journalists, the people who are

551
00:37:21,480 --> 00:37:25,360
making their bread and butter first and foremost off of

552
00:37:25,679 --> 00:37:31,840
the First Amendment, and there is the hypocritical oath, not

553
00:37:31,880 --> 00:37:34,920
the hippocratic oath. Of course, it seems in modern day

554
00:37:35,000 --> 00:37:40,840
journalism a lot. But you know, that whole idea of defender,

555
00:37:41,119 --> 00:37:48,519
actual defender of the first order of business in the

556
00:37:48,559 --> 00:37:52,079
amendments to this Constitution, the First Amendment. You know, that

557
00:37:52,679 --> 00:37:57,280
is something that reporters took pride in and I don't

558
00:37:57,360 --> 00:38:00,440
know what's going on in their minds to day, but

559
00:38:00,480 --> 00:38:02,480
it is not that. And so that leads us to

560
00:38:02,519 --> 00:38:07,800
our final question. It's all very Orwellian what we've experienced

561
00:38:08,000 --> 00:38:11,719
over the last several years in this country. Where do

562
00:38:11,800 --> 00:38:12,519
we go from here?

563
00:38:14,119 --> 00:38:17,920
Speaker 2: I think nowhere good. I don't have a happy ending

564
00:38:18,000 --> 00:38:22,119
to this. I think that the newspaper industry will die

565
00:38:23,000 --> 00:38:28,960
and the New York Times will be the only surviving newspaper.

566
00:38:29,079 --> 00:38:33,199
It's it's like that Sylvester Stallone movie set in the

567
00:38:33,199 --> 00:38:36,360
future where all restaurants have mercha. They're now all Taco

568
00:38:36,480 --> 00:38:42,920
bell So I think it was called Resurrection Man or

569
00:38:42,920 --> 00:38:46,280
something like man. I believe it was, no, I forgot,

570
00:38:46,320 --> 00:38:49,639
but anyway it was. It was quite quite quite a

571
00:38:49,719 --> 00:38:54,760
good futuristic science fiction movie. The Times will go on,

572
00:38:56,159 --> 00:39:01,559
the TV networks will die, which is fun, But then

573
00:39:01,599 --> 00:39:06,039
you'll just have a kind of atomized body politic that

574
00:39:06,239 --> 00:39:10,920
goes and looks for whatever source seems to speak to

575
00:39:11,039 --> 00:39:17,639
its needs. So Alex Jones will have fans forever, doesn't

576
00:39:17,679 --> 00:39:22,360
matter how crazy he is. He'll have fans. On the left.

577
00:39:24,039 --> 00:39:28,480
Keith Olberman, God help us, will have fans no matter

578
00:39:28,519 --> 00:39:32,480
how crazy he is. And then you have a country

579
00:39:32,519 --> 00:39:35,760
with no center. And this is actually what the left wants.

580
00:39:37,519 --> 00:39:40,239
They've never been comfortable with the idea of a strong

581
00:39:40,320 --> 00:39:43,559
independent United States in America. They think it needs to

582
00:39:43,559 --> 00:39:46,000
be conformist, it needs to be forced to be nice,

583
00:39:46,039 --> 00:39:51,039
it needs to force to conform, and they'll get their wish,

584
00:39:51,559 --> 00:39:54,719
but the people will be lost. The one thing I

585
00:39:54,760 --> 00:39:58,199
did argue with Breitbart about quite a bit when we

586
00:39:58,239 --> 00:40:01,639
started was he believed that anyone could be a journalist.

587
00:40:01,719 --> 00:40:05,199
I did not, and I believed that certain rules and

588
00:40:05,239 --> 00:40:11,840
strictures and practices were important in order to make that story.

589
00:40:11,960 --> 00:40:16,840
As we were saying earlier, right, get it first or

590
00:40:16,880 --> 00:40:19,480
get it right. Well, that's the balance you have to find,

591
00:40:19,519 --> 00:40:23,119
and everyone had to find it his own way. It

592
00:40:23,159 --> 00:40:25,800
gave it a kind of electricity to the job, which

593
00:40:25,840 --> 00:40:28,559
made it fun and every day it started over again.

594
00:40:28,639 --> 00:40:30,519
And now, of course it goes twenty four to seven

595
00:40:30,679 --> 00:40:34,239
every second of the day, But that was the balance

596
00:40:34,280 --> 00:40:37,880
that you had to do. Now it won't matter. Eventually

597
00:40:37,920 --> 00:40:41,559
everyone will know the news thanks to I think Twitter.

598
00:40:41,920 --> 00:40:44,239
Twitter will be the source of it. It'll be like

599
00:40:44,320 --> 00:40:48,480
the AP minus the awful Apally it will be the source.

600
00:40:49,320 --> 00:40:51,199
But whether it's right or not, we have no way

601
00:40:51,239 --> 00:40:54,960
of knowing, and so we'll be lost in this fog

602
00:40:56,199 --> 00:40:59,199
of multiple sources. You know, it is that a old

603
00:40:59,239 --> 00:41:01,920
song that one hundred and seventy two channels and that's

604
00:41:02,400 --> 00:41:03,920
not that's Thrue Springsteen.

605
00:41:04,000 --> 00:41:07,039
Speaker 1: Yeah, where we're going. That's exactly exactly right. You see

606
00:41:07,039 --> 00:41:09,119
it every day, and of course there are many, many

607
00:41:09,199 --> 00:41:13,760
more channels than Springsteen originally wrote that song. I believe

608
00:41:13,840 --> 00:41:19,760
in the nineteen eighties, it's scary stuff. And as someone

609
00:41:19,800 --> 00:41:23,440
who has you know, lived in the bridging the gap

610
00:41:23,519 --> 00:41:27,440
between the old journalism, so to speak, in the new,

611
00:41:28,239 --> 00:41:33,400
especially with the dawn of digital journalism, it is a

612
00:41:33,639 --> 00:41:37,960
brave new world that is in many ways a cowardly,

613
00:41:38,119 --> 00:41:42,800
sniveling new world. This is a fascinating book, and again

614
00:41:43,320 --> 00:41:46,920
I go back to a point that we raised earlier

615
00:41:46,920 --> 00:41:51,199
in this conversation. If you think you hate corporate media enough,

616
00:41:52,360 --> 00:41:55,880
try harder. Thanks to my guest today Michael Walsh, whose

617
00:41:55,960 --> 00:41:59,679
new book against the Corporate Media, Forty two Ways the

618
00:41:59,719 --> 00:42:06,559
Press Hates You is everywhere and it covers just about everything.

619
00:42:06,679 --> 00:42:08,559
Thanks so much for joining us today, my friend.

620
00:42:09,400 --> 00:42:10,039
Speaker 2: Thank you, Matt.

621
00:42:10,400 --> 00:42:12,559
Speaker 1: You bet you've been listening to another edition of The

622
00:42:12,559 --> 00:42:16,679
Federalist Radio Hour. I'm Matt Kittle, senior correspondent at the Federalist.

623
00:42:17,039 --> 00:42:20,480
We'll be back soon with more. Until then, stay lovers

624
00:42:20,519 --> 00:42:40,800
of freedom and anxious for the Fray.

