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Speaker 1: Welcome back to thrilling Threads. If you are driving right now,

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keep your eyes on the road. But I want you

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to prepare yourself because today we are pulling on a

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thread that might just unravel the entire fabric of your reality.

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Speaker 2: Hey, no small claim.

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Speaker 1: I know, I know every podcast says this will change

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your life. But today we are not talking about productivity

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hacks or diet tips. We are talking about an existential

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thriller that is playing out right now inside your own head.

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Speaker 2: It is good to be back, and you are right

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to set the stakes that high. Usually we look at

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things in the world, you know, history, tech, biology. Today

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we are turning the camera around. We are looking directly

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at the thing that is doing the looking exactly.

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Speaker 1: And to kick this off, I want to start with

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a hook that has been well, it's been haunting me

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since I started prepping for this deep dive.

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Speaker 2: Oh I'm intrigued.

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Speaker 1: I want you, the listener, to imagine for a second

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that you are a worm. You are inching through the cool,

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damp dirt in a garden.

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Speaker 2: Okay with you so far?

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Speaker 1: Or if you prefer, imagine you are a vine twisting

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around a trellis hunting for sunlight. Now here's the question.

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Is there something it feels like to be you?

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Speaker 2: Ah? That is the fundamental question, as the philosopher Thomas

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Nagel would put it. Is the light on inside the

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house or is it just an empty building with automatic sensors?

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Speaker 1: Right? Are you just a biological robot input dart on,

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skin output, wiggle muscle? Is it just data processing without

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a movie playing inside your head?

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Speaker 2: Or is there a tiny, dim, primitive spark of experience?

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Is there a you in the worm?

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Speaker 1: This brings us to the gateway of what is known

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as the hard problem of consciousness. Why does a specific

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arrangement of atoms carbon, hydrogen, nitrogen result in.

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Speaker 2: A feeling why anything at all? Theoretically we could be zombies.

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We could walk, talk, eat, and sleep without actually feeling

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any of it, but we do feel. The question is why?

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Speaker 1: And to help us navigate this absolute mindfield without losing

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our minds, or maybe while losing them intentionally, we are

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digging into a fascinating stack of material. Today.

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Speaker 2: We have some great guides.

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Speaker 1: Our primary guide is an in depth interview with Annika Harris.

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She's the author of the New York Times bestseller Conscious,

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A brief guide to the fundamental mystery of the mind.

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And she's the creator of the docuseries lights On.

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Speaker 2: We are also pulling heavily from the video titled Science's

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Difficult Journey to Try to Understand Consciousness, which was released

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by Big Think.

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Speaker 1: And what I appreciate about Annika Harris and why I

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think she's perfect for this, is that she sits at

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this very specific, very difficult intersection.

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Speaker 2: Oh absolutely, she is working with neuroscience, philosophy, and physics

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trying to get these disciplines which usually hate talking to

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each other, to collaborate on the mystery of the mind.

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Speaker 1: Yeah. They don't play well in the sandbox together, do they?

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Not at all? And that is our mission today. We're

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going to try to dismantle your most basic intuitions about reality.

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We are going to question if you actually have a

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self spoiler alert you might not.

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Speaker 2: We're also going to ask if you have free will

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spoiler alert. It's very complicated, and we.

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Speaker 1: Are going to ask if consciousness is actually everywhere like gravity,

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rather than just something your brain cooks up.

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Speaker 2: And I know that sounds radical, right, It sounds almost

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like mysticism.

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Speaker 1: It does.

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Speaker 2: But as we unpack the source material, you might find

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that the radical explanation is actually the most logical one scientifically.

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Speaker 1: So let's get into it. Section one. What the heck

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are we even talking about? Because when I say consciousness,

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I feel like most people imagine complex stuff.

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Speaker 2: For sure. They think of Hamlet, or solving a math problem,

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or worrying about their taxes.

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Speaker 1: Yeah, the internal monologue, the voice in.

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Speaker 2: Your head, That is the most common misconception. And Harris

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clears us up immediately in the interview. She makes a

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very very sharp distinction.

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Speaker 1: Okay, when she talks.

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Speaker 2: About consciousness, she is not talking about intellect. She is

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not talking about linguistic thought or complex planning.

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Speaker 1: So it's not the smart stuff. I mean, my calculator

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is smart in a way, but we aren't asking if

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it's conscious.

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Speaker 2: Precisely, your calculator can do calculus facts than any human,

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but we're pretty sure there's nothing it's like to be

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that calculator.

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Speaker 1: It's dark inside the ship, right.

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Speaker 2: So Harris defines consciousness as the bare fact of felt experience.

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Speaker 1: Well, let's unpack this felt experience. I want to make

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sure we really nail this definition, because everything else, I

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mean everything hangs on it.

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Speaker 2: It does, so think back to that worm example, you

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started with. A worm is obviously not writing poetry. Obviously

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it isn't contemplating its mortality or wondering if it left

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the obanon. But as it moves through the soil, does

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it feel the friction of the dirt against its skin?

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Speaker 1: Right? Is there a sensation? Is there a qualia? As

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the philosophers say, exactly?

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Speaker 2: Does it have an internal drive? A feeling of hunger

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that pushes it toward food or a feeling of bad

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that pulls it away from a sharp rock?

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Speaker 1: So it doesn't need to have the word for hunger.

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It just needs the raw feeling.

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Speaker 2: The raw feeling. If the answer is yes, if there

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is any experience happening there, no matter how dim, no

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matter how alien to us, then the worm is conscious.

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Speaker 1: I love that it lowers the bar in a way

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that makes the universe feel a lot more crowded.

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Speaker 2: It does, doesn't it.

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Speaker 1: It really reminds me of that famous essay by Thomas Nagel,

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What is it Like to Be a bat? Harris brings

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this up as a cornerstone at the discussion.

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Speaker 2: Yes, Nagel's bat is iconic in philosophy. He published that

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back in nineteen seventy four, and it is still the

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gold standard for explaining the gap between knowing how something

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works and knowing what it feels like.

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Speaker 1: It's such a perfect example because we can describe a

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bat perfectly. We know it's a mammal, we know it flies,

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we know it uses sonar. We can dissect it and

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map every single nerve.

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Speaker 2: We can understand the physics of echolocation perfectly. We can

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explain how the sound waves bounce off the cave wall,

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hit the bat's ears and get processed by the auditory cortex.

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We can map the neurons firing.

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Speaker 1: We can have all the data, all of it.

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Speaker 2: But Nagel's point, and Harris emphasizes this, is that even

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if you have all that data, you still have zero

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idea what it feels like to perceive a room through sound.

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Speaker 1: None. What is the texture of a chair when perceived

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through echoes? What is the color of a moth's fluttering

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wings and sound?

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Speaker 2: We can't even begin to imagine it. And that's the

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umweald right, Yes, the.

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Speaker 1: German term umwaldt. It refers to the self centered world

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of an organism, the specific sensory bubble they live in.

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Speaker 2: It's such a useful concept. The bat's umwald is built

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of sound, textures, and echoes. Our umwaldt is built largely

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of color and light. A dog's is built on a

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universe of smells we can't even.

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Speaker 1: Detect, and you just can't translate between them. You can't

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explain the experience of the color red to someone who

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has been blind from birth. No matter how much you

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talk about wavelengths and photon frequencies.

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Speaker 2: It's impossible. You can give them all the objective facts,

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but you can't transmit the subjective experience.

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Speaker 1: It really highlights that experience is primary. It's the foundation.

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You can't engage with the world without it. Harris makes

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this point that we can't even imagine living without consciousness

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because it's the medium for everything we know.

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Speaker 2: It's like a fish trying to imagine not being in

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water exactly. She challenges us to imagine moments without that

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internal monologue, you know, to get closer to what this

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pure consciousness is.

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Speaker 1: I tried this earlier today while I was making coffee.

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It's actually really hard because my brain just wants to

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chatter constantly.

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Speaker 2: Oh it, shut up.

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Speaker 1: I'm sitting there trying to have a pure experience of

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the steam rising, and my brain is like, am I

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doing it? I think of doing it. I'm hungry. Don't

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forget to buy milk.

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Speaker 2: The narrator is very persistent, but Harris suggests thinking about

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an infant, think of a newborn baby. Okay, they feel

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pressure on their skin. They don't know the word skin,

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they don't know the word of pressure. They don't know

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where their body ends. And the blanket begins. But the

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feeling is there. That raw sensation is there.

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Speaker 1: Or hearing a bell ring before your brain slaps the

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label bell on it, there is just the raw sound,

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the vibration in the air.

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Speaker 2: Or seeing the color grain, just the raw greenness of

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it before you think that's the color of grass.

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Speaker 1: Exactly. That raw sensation is consciousness. Thought is just an

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add on. Thought is secondary. The experience is the foundation.

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Speaker 2: And once you strip away the complex thoughts, you realize

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that consciousness might be a lot more common than we think.

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It might not be this exclusive club for big brained mammals.

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Speaker 1: Which brings us directly to the hard problem. This is

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the term coined by the philosopher David Chalmers, and it

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seems to be the wall that science keeps banging its

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head against.

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Speaker 2: It really is.

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Speaker 1: But to understand why it's hard, we have to understand

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what the so called easy problems are.

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Speaker 2: Right, and easy is a bit of a joke here

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in neuroscience. The easy problems are things like how does

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the eye focus light? How does a neuron fire? How

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does the brain distinguish a cat from a dog?

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Speaker 1: Those don't sound easy to me. That sounds like a

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PhD thesis.

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Speaker 2: They are incredibly complex, but they are solvable through engineering.

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They're problems of mechanism. We can, in theory, build a

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machine to do them right.

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Speaker 1: Your smartphone can focus light, you can process data. It

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can even use AI to identif that there's a cat

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in your photo. It draws a little box around it

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and says cat exactly.

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Speaker 2: Your phone can label it as a cat. But, and

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this is the crux of the hard problem. Does your

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phone know it is looking at a cat?

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Speaker 1: Is there a movie playing inside the microchip?

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Speaker 2: Does the phone enjoy the cuteness of the cat? Does

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it feel anything at all?

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Speaker 1: I certainly hope not. That would make deleting photos really

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really awkward.

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Speaker 2: It would we assume the phone is dark inside, it's

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processing without feeling. The hard problem as Chalmers defined it

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is why aren't we like the phone? Why does our

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processing feel like anything?

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Speaker 1: It is so weird when you stop and think about it.

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The universe is mostly dead stuff, right, Yeah, atoms, rocks, stars, vacuum.

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It's all just physics playing out correct.

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Speaker 2: It's non conscious matter obeying physical laws.

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Speaker 1: So how do you take a bunch of dead, non

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conscious atoms, carbon, hydrogen, oxygen, arrange them into a brain

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and suddenly, poof the lights turn on? Where does the

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feeling come from?

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Speaker 2: That is a mystery. It's what some philosophers call the

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explanatory gap. How does matter get configured to create a subject,

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to create a point of view?

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Speaker 1: And Harris poses a very provocative question here in the

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Big Think video. She asks, what if we are looking

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at it the wrong way? What if the whole premise

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is wrong exactly? What if consciousness isn't something the brain makes?

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What if it goes deeper than biology?

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Speaker 2: This is where it gets really sci fi, and I

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absolutely love it. She uses the analogy of gravity.

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Speaker 1: It's a great analogy.

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Speaker 2: Yes, think about gravity. It's a fundamental property of the universe.

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It's a field. It pervades everything.

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Speaker 1: It's not like the Earth decides to have gravity.

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Speaker 2: No mass warps space time, and we call that gravity.

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We don't say that a planet creates gravity out of nowhere.

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We say the planet interacts with the fundamental field of

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gravity that is already there, inherent in the fabric of

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the cosmos.

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Speaker 1: So she's suggesting consciousness might be like that, a fundamental

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field that's just part of reality precisely.

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Speaker 2: It's a view often linked to a philosophical position called panpsychism,

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the idea that consciousness in some extremely basic, primitive form

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might be a fundamental property of matter itself.

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Speaker 1: So wait, let me get this straight. Are you saying

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an electron has a tiny, tiny, tiny bit of experience.

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Speaker 2: Not thoughts, An electron isn't worrying about the stock market

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or its place in the universe. Okay, good, But maybe

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there is a tiny spark of being a minuscule proto

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conscious field associated with it. If this is true, the

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brain isn't a magical generator of consciousness.

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Speaker 1: It because more like a receiver then, or an antennae.

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Speaker 2: A receiver or a concentrator or an amplifier. It takes

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this fundamental property that's everywhere and organizes it, structures it

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into the rich three D high definition movie of human life.

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Speaker 1: That completely shifts the whole picture. It goes from being

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a magic trick of the brain abricadabra, here's a feeling,

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to a fundamental force of nature.

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Speaker 2: It reframes the question instead of how does dead matter

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create consciousness, the question becomes how does consciousness organize itself

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into complex forms like us?

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Speaker 1: And if that's true, if consciousness is fundamental, then it's

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not just in brains.

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Speaker 2: And that leads us to one of the most surprising

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and frankly controversial parts of the source material. We need

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to talk about plants.

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Speaker 1: Yes, vegetable intelligence. And this is where I started looking

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at my salad very very differently. It's hard not to,

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but I have to be the skeptic here for a second.

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We are talking about plants, no brain, no central nervous system,

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just you know, cellulose and water. How can we possibly

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talk about them being conscious?

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Speaker 2: And I am glad you are skeptical. You should be.

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This is a very counterintuitive idea, But Harris discusses some

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incredible experiments that challenge the idea that you need a

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brain to process information or make decisions.

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Speaker 1: Oh wait, let's talk about the p seed links. This

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experiment just it blew my mind. Yeah, walk us through

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the setup.

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Speaker 2: So this is the Y maze experiment. It's a classic

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setup in animal behavior, but applied to plants. Scientists took

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pea seedlings and planted their roots in a maze shaped

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like the letter Y.

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Speaker 1: So the root grows down in hits a fork in

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the road.

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Speaker 2: Exactly, it hits a fork in the road that has

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to decide whether to grow left or right.

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Speaker 1: Okay, So normally that would just be random chance right,

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fifty to fifty, yeah, or maybe following gravity.

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Speaker 2: You would think. But then they added a stimulus. In

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the first part of the experiment. They put a water

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source at one end of the Y and the roots,

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the roots obviously grew toward the water.

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Speaker 1: Sure, that makes sense, that's just mechanics, right, they can

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physically sense the moisture gradient in the soil. Gamp soil

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feels different to the root tip.

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Speaker 2: Right, that's tropism, it's a known mechanism. But then, and

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this is the kicker, they removed the water instead, they

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just played the sound of running water through a speaker

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at one end of the maze.

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Speaker 1: Wait, what the plants could hear the water?

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Speaker 2: The roots grew toward the sound. Get out, seriously, seriously,

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They perceived the vibration of the water and made a

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decision to grow in that direction to ensure their survival.

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Speaker 1: Okay, but hearing, isn't that just feeling vibrations, like when

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you stand next to a big speaker at a concert

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and feel the base in your chin.

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Speaker 2: It is exactly like that. They have mechana receptors that

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are sensitive to vibration. But here's the thing. They utilize

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that sensory data to make a prediction.

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Speaker 1: Prediction.

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Speaker 2: Yes, they bet their energy on the idea that sound

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of water equals water. That is information processing. That is

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a choice based on sensory input.

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Speaker 1: That is wild, no ears, no brain, but they're listening

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and choosing.

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Speaker 2: And it gets even creepier with the daughter vine.

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Speaker 1: The vampire plant.

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Speaker 2: Essentially, yes, the daughter vine is a parasite. It looks

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like a bunch of orange spaghetti. It has no roots

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of its own. It can't survive on its own. It

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needs to attach to a host plant and suck out

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its nutrients. Okay, but it's picky. It has preferences. It

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prefers tomato plants over wheat, for example, because tomatoes are

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a better source of nutrients.

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Speaker 1: So how does a vine without eyes or a nose

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find a tomato plant from across the garden.

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Speaker 2: Smell is part of it. They can sense chemical volatiles

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in the air. That's been known for a while, but

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hair is Eng's recent research showing they can also detect

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light waves passing through leaves.

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Speaker 1: Whoa explain that? How does that work?

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Speaker 2: Think about it. When we see a green leaf, we

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are seeing the green wavelengths of light that are bouncing

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off it.

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Speaker 1: Right. The other colors are absorbed exactly.

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Speaker 2: But other wavelengths pass through the leaf. The quality of

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that light changes depending on the leaf's shape. It's chemistry,

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how healthy it is. The daughter vine analyzes the light

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that passes through potential hosts.

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Speaker 1: It's doing spectroscopy.

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Speaker 2: It's doing complex trigonometry with light waves. It can determine

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the shape and distance of the plant based on how

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the light is altered. It can tell a good host

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from a bad one.

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Speaker 1: That is calculation. It is analyzing the quality of the host,

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and then it grows toward the good host and ignores

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the bad one.

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Speaker 2: It makes a choice.

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Speaker 1: So here's the implication, And I want to ask you

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this because you're the expert here. If a plant can

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process data, perceive the environment through sound and light, and

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make decisions growing left versus growing right, is there a

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felt sense there?

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Speaker 2: That is the million dollar question. If we go back

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to our definition of consciousness as Baar felt experience, and

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we see an organism reacting to sound and light in

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a way that looks like desire for water or food,

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can we confidently say it's dark inside.

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Speaker 1: It sounds crazy to say a salad has feelings. My

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brain just rebels against that. But Harris argues that we

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only think it's crazy because of our intuition exactly.

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Speaker 2: And this brings us to a major theme of the interview,

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the trap of intuition.

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Speaker 1: We love our intuition, We love our gut feelings. Trust

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your gut, right, That's what everyone.

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Speaker 2: Tells you, and evolutionarily, intuition is fantastic. It keeps you alive.

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If you are walking down a dark alley and the

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hair on the back of your neck stands up, that's

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your intuition processing subtle cues, maybe a shadow, a sound

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you didn't consciously register, dilated pupils in a stranger's eyes.

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It tells you danger. Long before you can logically explain

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why it's a survival mechanism.

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Speaker 1: It's great for avoiding tigers in the tall grass, perfect

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for that.

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Speaker 2: But Harris points out that intuition is terrible at physics.

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It is terrible at understanding the true nature of reality

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when you go beyond the scale of everyday survival.

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Speaker 1: Give us some examples of where it just completely fails.

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Speaker 2: The classic one. The Earth feels flat.

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Speaker 1: It absolutely doesn't looks flat. If I drop a ball,

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it falls down, not towards the center of a giant's

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spinning sphere. My whole experience.

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Speaker 2: Screams flat exactly. Our intuition screams flat plane. But reality

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is a sphere spinning at one thousand miles an hour

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in a vacuum. Intuition fails spectacularly.

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Speaker 1: Okay, what's another one?

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Speaker 2: Or look at solid objects. This table in front of

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us feels solid. If I bang my hand on it,

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it stops me. My intuition says, this is a continuous

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solid block of matter.

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Speaker 1: Oach, Yeah, that sounded solid.

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Speaker 2: But physics tells us that the atoms making up that

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table are ninety nine point nine nine nine percent empty space.

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Speaker 1: That number always gets me.

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Speaker 2: It's mind boggling. If the nucleus of an atom were

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a marble on the fifty yard line of a football state,

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the electrons would be tiny specks in the highest bleachers.

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The rest is empty space.

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Speaker 1: So my coffee cup is technically resting on a force

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field of electron shells repelling each other. Not a solid object.

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Speaker 2: Correct, But if we trusted our intuition, we would never

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have discovered atoms. We would just say it's hard, so

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it's solid. End of story.

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Speaker 1: Or what about germs? For centuries people didn't believe in

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germs because we couldn't see them. Our intuition was, if

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I can't see it, it's not there.

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Speaker 2: And millions of people died because of that intuition. Doctors

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didn't watch their hands. So Harris applies this consistent failure

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of intuition to consciousness.

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Speaker 1: Okay, so bring it back.

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Speaker 2: We have a strong intuition that only things with faces, brains,

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and screams are conscious.

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Speaker 1: Because they look like us, they behave like us.

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Speaker 2: Right, it's a deep seated biological bias. Just as we

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had to accept the counterintuitive truth that the Earth is round,

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Harris suggests we are in the middle of a paradigm

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shift where we may have to accept the counterintuitive truth

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that consciousness might exist without a brain.

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Speaker 1: It's the next the world is aund moment, it could be.

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Speaker 2: And she gives two questions to help break this intuition,

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to prove that our gut check on consciousness is totally unreliable.

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Speaker 1: Okay, let's hear them. Yes.

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Speaker 2: Question one, is there any external evidence that conclusively proves

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consciousness in another being, even another human?

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Speaker 1: I mean, if I see you smiling, I assume you're happy.

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If I pitch you and you scream, I assume you

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feel pain. That feels like pretty good evidence, you.

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Speaker 2: Assume, But can you prove it? No, you can't. You

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can build a robot that smiles, you can program a

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character on a screen to scream ouch when you click

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on it. That doesn't prove there is a feeling behind it.

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Speaker 1: The West World problem, the philosophical zombie exactly.

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Speaker 2: So the answer to question one is no, we have

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no external proof that anyone else is conscious. You just

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assume it because they are like you. It's an inference.

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Speaker 1: And question two, this one is even weirder.

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Speaker 2: Question two, is consciousness actually doing anything? Is it driving behavior?

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Speaker 1: Oh? Yeah, of course course it is. I feel thirsty,

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so I reach from my glass of water. The feeling

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drives the action. That's my intuition.

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Speaker 2: Intuition says yes, absolutely, but neuroscience is starting to say

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maybe not. And this is where it gets very strange.

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Speaker 1: This is where we get into the illusion of behavior.

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And this part really really shook me because we assume

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that if something is conscious, it acts conscious, and if

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it's acting like a rock, it's not conscious.

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Speaker 2: But we know that is false. We have definitive proof that

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it's false because of conditions like locked in syndrome.

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Speaker 1: She talks about gen Dominique Bobby. He wrote the book

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The Diving Bell and the Butterfly.

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Speaker 2: An incredible, tragic and beautiful story. Bobby suffered a massive stroke.

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He was completely paralyzed. He couldn't speak, couldn't move a finger,

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couldn't even breathe on his own.

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Speaker 1: So to the outside world, for all intents and purposes,

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he looked like a vegetable. He looked lights.

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Speaker 2: Out, completely unresponsive, but inside his mind was completely intact.

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He was fully conscious. He felt, he thought, he remembered,

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he composed sentence, and.

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Speaker 1: He wrote his entire memoir. How did he do it?

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Speaker 2: By blinking his one working eye, his left eyelid. Someone

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would read the alphabet to him over and over, and

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he would blink when they got to the right letter.

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Letter by Edter, he wrote a masterpiece that.

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Speaker 1: Is terrifying and inspiring at the same time. But it

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proves the point. You can have a rich, complex inner

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world with zero external behavior.

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Speaker 2: Exactly so, just because a rock or a plant isn't

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writing memoirs or screaming, it doesn't prove a lack of consciousness.

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The silence of the outside tells us absolutely nothing about

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the experience on the inside.

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Speaker 1: She also mentions anesthesia awareness, which is my personal nightmare fuel.

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Speaker 2: It is horrific. It's rare, but it happens. People are

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given muscle paralytics but not enough anesthetic. They can't move,

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they can't speak, but they are awake and feel the surgery.

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Speaker 1: I can't even imagine.

476
00:21:48,200 --> 00:21:51,359
Speaker 2: It's the ultimate locked in state. They are conscious, but

477
00:21:51,400 --> 00:21:55,119
they cannot behave so the link between consciousness and behavior

478
00:21:55,240 --> 00:21:55,799
is broken.

479
00:21:55,920 --> 00:21:58,480
Speaker 1: Okay, let's move away from the nightmares, please. But I

480
00:21:58,480 --> 00:22:01,880
get the point. Absence of evidence is not evidence of absence.

481
00:22:02,359 --> 00:22:05,559
But then she flips it. What about when we do act?

482
00:22:05,759 --> 00:22:08,400
You asked earlier, if consciousness drives the bus, right.

483
00:22:08,279 --> 00:22:10,960
Speaker 2: The intuition is I see a bear, I feel fear,

484
00:22:11,319 --> 00:22:13,440
and because I feel fear, I run A.

485
00:22:13,960 --> 00:22:16,839
Speaker 1: Then B, then C, cause and effect. The feeling of

486
00:22:16,880 --> 00:22:18,160
fear causes the running.

487
00:22:18,319 --> 00:22:20,480
Speaker 2: But the reality of the biology when they measure it

488
00:22:20,480 --> 00:22:22,799
in the lab is often you see the bear, your

489
00:22:22,799 --> 00:22:26,359
amigdala triggers a response, Your body releases adrenaline, your muscles tense,

490
00:22:26,440 --> 00:22:30,240
you start running, and then your brain registers the conscious

491
00:22:30,279 --> 00:22:31,039
feeling of fear.

492
00:22:31,400 --> 00:22:34,319
Speaker 1: Wait, so the running happens before the feeling or at

493
00:22:34,319 --> 00:22:35,240
the same time.

494
00:22:35,039 --> 00:22:38,440
Speaker 2: The physical reaction often begins before the conscious awareness of

495
00:22:38,440 --> 00:22:42,359
the emotion fully forms. The conscious feeling is a laggy report.

496
00:22:42,720 --> 00:22:45,279
It's the news anchor reading the script after the event

497
00:22:45,319 --> 00:22:46,599
has already happened on the ground.

498
00:22:46,839 --> 00:22:50,640
Speaker 1: So my consciousness isn't the driver, it's the passenger screaming

499
00:22:50,720 --> 00:22:53,440
whoa yeah, after the car has already swerved to avoid

500
00:22:53,480 --> 00:22:53,920
the poddle.

501
00:22:54,119 --> 00:22:57,000
Speaker 2: In many cases of rapid response, Yes, that's a great

502
00:22:57,000 --> 00:22:59,759
way to put it, and Harris talks about the binding

503
00:22:59,799 --> 00:23:04,039
problem to explain this temporal weirdness. She uses the piano example.

504
00:23:04,279 --> 00:23:07,400
Speaker 1: Right, when you play a piano key, I do this,

505
00:23:07,759 --> 00:23:09,079
It feels instantaneous.

506
00:23:09,440 --> 00:23:13,119
Speaker 2: It does. You experience three things simultaneously. It seems you

507
00:23:13,160 --> 00:23:15,160
feel your finger hit the key, you see the key

508
00:23:15,200 --> 00:23:17,240
go down, and you hear the note. It feels like

509
00:23:17,319 --> 00:23:18,519
one single.

510
00:23:18,240 --> 00:23:19,880
Speaker 1: Instant moment, a single now.

511
00:23:20,240 --> 00:23:23,519
Speaker 2: But physics tells us that's impossible. Light travels much much

512
00:23:23,519 --> 00:23:26,640
faster than sound, and the nerve impulses from your finger

513
00:23:26,680 --> 00:23:29,200
travel at a different speed and a different distance up

514
00:23:29,279 --> 00:23:31,680
your arm than the auditory signals from your ear.

515
00:23:31,880 --> 00:23:35,039
Speaker 1: So those three signals arrive at the brain at completely different.

516
00:23:34,720 --> 00:23:37,640
Speaker 2: Times, milliseconds apart, but definitely not at the same time.

517
00:23:37,920 --> 00:23:40,759
Speaker 1: So the brain is editing reality. It's time shifting things.

518
00:23:40,839 --> 00:23:43,680
Speaker 2: It is post production. The brain holds all the data

519
00:23:43,720 --> 00:23:46,039
in a buffer, waits for all the feeds to come in,

520
00:23:46,200 --> 00:23:48,559
syncs them up, and then presents it to your consciousness

521
00:23:48,599 --> 00:23:49,559
as a live event.

522
00:23:50,000 --> 00:23:53,319
Speaker 1: But we are actually living in a slightly delayed, edited

523
00:23:53,680 --> 00:23:55,000
tape delay of reality.

524
00:23:55,319 --> 00:23:58,200
Speaker 2: Correct. You are always living in the very recent past.

525
00:23:58,519 --> 00:24:01,759
Your conscious now is actually a split second ago.

526
00:24:01,920 --> 00:24:04,240
Speaker 1: That is deeply, deeply unsettling.

527
00:24:04,319 --> 00:24:05,000
Speaker 2: It really is.

528
00:24:05,160 --> 00:24:07,039
Speaker 1: Okay, if we can't trust our behavior, and we can't

529
00:24:07,039 --> 00:24:10,400
trust our sense of time, can we at least trust

530
00:24:10,440 --> 00:24:12,079
that we exist. I mean I am here, I am

531
00:24:12,079 --> 00:24:14,240
a self. I am the pilot of this meat suit.

532
00:24:14,759 --> 00:24:17,200
Speaker 2: Now we arrive at the illusion of self, and this

533
00:24:17,240 --> 00:24:19,440
is perhaps the hardest pill for people to swallow.

534
00:24:19,920 --> 00:24:22,799
Speaker 1: Harris is very careful here, which I appreciate. She says,

535
00:24:22,839 --> 00:24:25,680
there are things that aren't illusions. My history, my body,

536
00:24:25,720 --> 00:24:29,799
my personality, my likes, my dislikes, my autobiography. Those are

537
00:24:29,880 --> 00:24:30,559
real patterns.

538
00:24:30,759 --> 00:24:33,359
Speaker 2: Yes, the story of you is real. The collection of

539
00:24:33,400 --> 00:24:36,559
memories and habits is real. But the illusion is the

540
00:24:36,599 --> 00:24:40,799
feeling that there is a static, solid entity, a little

541
00:24:40,799 --> 00:24:44,440
man behind your eyes that is unchanging and separate from the.

542
00:24:44,400 --> 00:24:46,599
Speaker 1: World, the CEO and the control room of your.

543
00:24:46,480 --> 00:24:49,240
Speaker 2: Head exactly that CEO is the illusion.

544
00:24:49,359 --> 00:24:52,160
Speaker 1: She uses the wave analogy, which I found really beautiful

545
00:24:52,160 --> 00:24:52,720
and helpful.

546
00:24:53,039 --> 00:24:55,440
Speaker 2: It is a great analogy. Think of a wave in

547
00:24:55,480 --> 00:24:57,279
the ocean. We look at it, we point to it,

548
00:24:57,319 --> 00:24:59,640
and we say, there is a wave. We can measure

549
00:24:59,640 --> 00:25:02,119
its high, it's speed, it has a name. It's a

550
00:25:02,160 --> 00:25:06,359
distinct thing. But is the wave a solid object.

551
00:25:06,640 --> 00:25:09,839
Speaker 1: No, It's just water moving in a particular pattern.

552
00:25:10,039 --> 00:25:13,160
Speaker 2: Right. It is a process. The water molecules that make

553
00:25:13,240 --> 00:25:15,960
up the wave one second are left behind the next

554
00:25:16,039 --> 00:25:18,279
as the pattern moves on. The wave isn't a thing,

555
00:25:18,799 --> 00:25:21,319
It's a pattern of energy moving through the water.

556
00:25:21,400 --> 00:25:22,200
Speaker 1: And we are the wave.

557
00:25:22,319 --> 00:25:24,000
Speaker 2: We are the wave. We are a process. We are

558
00:25:24,000 --> 00:25:28,440
not static. We are a continuous flow of changing biology,

559
00:25:28,559 --> 00:25:31,759
changing thoughts, changing atoms. You are not the same person

560
00:25:31,880 --> 00:25:34,119
physically or mentally that you were at the start of

561
00:25:34,160 --> 00:25:34,880
this sentence.

562
00:25:35,000 --> 00:25:37,720
Speaker 1: My cells have died and been replaced. My neural connections

563
00:25:37,720 --> 00:25:40,480
have shifted, just from listening to you speak exactly.

564
00:25:40,720 --> 00:25:43,160
Speaker 2: But we suffer from what you could call change blindness.

565
00:25:43,519 --> 00:25:46,359
We don't notice the constant, subtle changes. So we create

566
00:25:46,400 --> 00:25:49,160
a story of a solid, continuous self.

567
00:25:49,720 --> 00:25:53,000
Speaker 1: And there is actual neuroscience behind this. No self idea, right,

568
00:25:53,039 --> 00:25:55,799
it's not just poetry or you know Eastern philosophy.

569
00:25:56,119 --> 00:25:59,039
Speaker 2: Oh absolutely. It centers on a brain network called the

570
00:25:59,119 --> 00:26:01,359
default mode network or DMN.

571
00:26:01,599 --> 00:26:02,200
Speaker 1: Okay, what's that.

572
00:26:02,440 --> 00:26:05,079
Speaker 2: This is a network of brain regions that is most

573
00:26:05,160 --> 00:26:08,279
active when we are at rest, not focused on a task.

574
00:26:08,519 --> 00:26:12,400
It's active when we are daydreaming, ruminating, worrying about ourselves,

575
00:26:12,519 --> 00:26:14,400
thinking about the past or future.

576
00:26:14,519 --> 00:26:15,480
Speaker 1: So it's the me network.

577
00:26:15,519 --> 00:26:18,039
Speaker 2: It's the me network. When the DMN is loud, the

578
00:26:18,119 --> 00:26:21,759
self feels very solid. I am worried, I want this.

579
00:26:21,960 --> 00:26:24,319
I regret that that's the DMN talking.

580
00:26:24,359 --> 00:26:26,759
Speaker 1: But when does it go quiet in flow states? Yeah?

581
00:26:26,880 --> 00:26:29,680
Speaker 2: Think about when you are an athlete in the zone,

582
00:26:29,960 --> 00:26:32,359
or deeply engast in a video game or playing a

583
00:26:32,440 --> 00:26:34,160
musical instrument. You lose yourself.

584
00:26:34,240 --> 00:26:37,720
Speaker 1: Oh totally, You're just doing there's no internal narrator second

585
00:26:37,759 --> 00:26:39,559
guessing you. You become the action.

586
00:26:39,920 --> 00:26:43,480
Speaker 2: The neuroscience shows that in those moments, the DMN goes quiet.

587
00:26:43,799 --> 00:26:47,319
The same thing happens in deep meditation or with certain psychedelics.

588
00:26:47,559 --> 00:26:49,359
And notice the description people use.

589
00:26:49,519 --> 00:26:51,720
Speaker 1: They say they feel at one with the universe.

590
00:26:51,799 --> 00:26:54,720
Speaker 2: They feel the boundaries between themselves and the world dissolve.

591
00:26:55,119 --> 00:26:59,359
Speaker 1: And Harris argues that this feeling, this oneness, is actually

592
00:26:59,400 --> 00:27:02,960
closer to the physical truth than are normal state of feeling.

593
00:27:02,759 --> 00:27:07,240
Speaker 2: Separate exactly because physically we are continuous with the environment.

594
00:27:07,480 --> 00:27:09,680
The feeling of separation is the illusion.

595
00:27:10,079 --> 00:27:13,559
Speaker 1: She has this amazing visual thought experiment. She says, imagine

596
00:27:13,559 --> 00:27:15,400
if we could see air molecules.

597
00:27:15,519 --> 00:27:16,880
Speaker 2: Yes, this is a great one.

598
00:27:16,920 --> 00:27:20,200
Speaker 1: If you could see the air like a thick, swirling soup,

599
00:27:20,880 --> 00:27:24,000
you would see the molecules flowing out of my lungs.

600
00:27:24,000 --> 00:27:27,400
With my breath and directly into yours. You'd see the

601
00:27:27,440 --> 00:27:30,759
sound waves from my voice physically touching your ear drums.

602
00:27:30,839 --> 00:27:33,680
Speaker 2: You would see that there is no empty space separating us.

603
00:27:33,839 --> 00:27:36,960
We are physically connected to everything around us constantly. The

604
00:27:37,039 --> 00:27:40,240
skin is not a solid wall, It's a permeable membrane,

605
00:27:40,480 --> 00:27:43,039
constantly exchanging matter and energy with the world.

606
00:27:43,440 --> 00:27:46,319
Speaker 1: That is both beautiful and slightly gross about the sharing

607
00:27:46,359 --> 00:27:49,279
breath part, but I totally get it. We aren't isolated,

608
00:27:49,279 --> 00:27:50,759
separate egos. We are part of the soup.

609
00:27:50,880 --> 00:27:54,440
Speaker 2: We're just a local thickening of the soup, a temporary pattern.

610
00:27:54,160 --> 00:27:57,039
Speaker 1: A local thickening of the soup. I'm gonna put that

611
00:27:57,079 --> 00:27:59,119
on my business card. I want to sit with that

612
00:27:59,200 --> 00:28:02,759
idea for a second. If we accept that we are

613
00:28:02,799 --> 00:28:06,319
continuous with the universe, just a process of atoms flowing

614
00:28:06,359 --> 00:28:09,160
through a pattern we call a body that has a

615
00:28:09,200 --> 00:28:11,920
really distinct and scary consequence.

616
00:28:11,440 --> 00:28:12,960
Speaker 2: I think I know where you're going with this.

617
00:28:13,200 --> 00:28:15,920
Speaker 1: Well, if I am just a process of the universe,

618
00:28:16,000 --> 00:28:20,000
like a wave or a weather pattern. Waves don't decide

619
00:28:20,039 --> 00:28:23,559
to crash, Tornadoes don't choose which house to hit. They

620
00:28:23,599 --> 00:28:24,960
just follow the laws of physics.

621
00:28:25,160 --> 00:28:27,160
Speaker 2: And this is the part that makes people really angry,

622
00:28:27,400 --> 00:28:29,799
because if you follow the logic of physics and biology

623
00:28:29,880 --> 00:28:33,839
all the way down, you inevitably run headfirst into the problem.

624
00:28:33,559 --> 00:28:36,319
Speaker 1: Of free will or the illusion of free will. So

625
00:28:36,400 --> 00:28:37,799
let's tackle the final boss.

626
00:28:38,119 --> 00:28:40,480
Speaker 2: Annaka Harris is very gentle about this in her work,

627
00:28:40,480 --> 00:28:43,480
but she's also very firm. She draws a sharp line

628
00:28:43,519 --> 00:28:46,799
between what she calls conscious will and free will.

629
00:28:47,160 --> 00:28:50,200
Speaker 1: What's the difference because to me they sound like the

630
00:28:50,200 --> 00:28:50,680
same thing.

631
00:28:50,960 --> 00:28:55,720
Speaker 2: She acknowledges that choice exists as a process. Humans weigh options,

632
00:28:56,000 --> 00:28:59,200
We deliberate, even the pea plant weighs options in its

633
00:28:59,240 --> 00:29:03,920
own way. Complex decision making is a real biological phenomenon.

634
00:29:04,160 --> 00:29:06,759
Speaker 1: Okay, so I did choose to wear this shirt today.

635
00:29:06,920 --> 00:29:09,359
My brain went through a process, A choice happened.

636
00:29:09,759 --> 00:29:13,240
Speaker 2: But the illusion is that you, that little pilot, that

637
00:29:13,279 --> 00:29:16,079
separate self in your head, swooped in and made that

638
00:29:16,200 --> 00:29:18,839
choice independently of the laws of physics and the prior

639
00:29:18,880 --> 00:29:19,799
state of the universe.

640
00:29:20,000 --> 00:29:22,519
Speaker 1: The illusion is that I could have done otherwise in.

641
00:29:22,480 --> 00:29:26,119
Speaker 2: That exact same atomic configuration, with the exact same brain

642
00:29:26,200 --> 00:29:29,079
chemistry and history leading up to that moment. Yes, the

643
00:29:29,119 --> 00:29:31,359
illusion is that you could have freely chosen.

644
00:29:31,079 --> 00:29:37,079
Speaker 1: Differently, she brings up this twenty thirteen fMRI study that is, frankly, it's.

645
00:29:36,960 --> 00:29:39,759
Speaker 2: Spooky, the outcome prediction study. It's one of many, but

646
00:29:39,799 --> 00:29:41,920
it's a powerful one. They put people in a scanner

647
00:29:41,960 --> 00:29:44,240
and gave them a simple choice, add two numbers or

648
00:29:44,279 --> 00:29:44,960
subtract them.

649
00:29:44,920 --> 00:29:47,160
Speaker 1: A simple binary choice left to right AARB.

650
00:29:47,519 --> 00:29:50,799
Speaker 2: The researchers monitored their brain activity, and they found that

651
00:29:50,839 --> 00:29:53,559
the patterns of activity in the brain predicted the choice

652
00:29:53,599 --> 00:29:57,119
with high accuracy up to four seconds before the participant

653
00:29:57,160 --> 00:29:59,920
felt they had consciously decided four seconds.

654
00:30:00,400 --> 00:30:04,319
Speaker 1: That's an eternity in brain time. One two, three, four.

655
00:30:04,799 --> 00:30:05,920
That's a huge gap.

656
00:30:06,079 --> 00:30:08,839
Speaker 2: It is a massive gap. The brain had already crunched

657
00:30:08,839 --> 00:30:12,279
the data, fired the relevant neurons, and committed to add.

658
00:30:13,039 --> 00:30:15,640
Four seconds later, the conscious mind had the thought, hmm,

659
00:30:16,039 --> 00:30:17,200
I think I'll choose to add.

660
00:30:17,480 --> 00:30:19,920
Speaker 1: So the conscious mind is just taking credit for the

661
00:30:19,960 --> 00:30:23,480
brain's work. It's like the press secretary announcing a decision

662
00:30:23,519 --> 00:30:26,119
the president made an hour ago in a closed room.

663
00:30:26,240 --> 00:30:29,799
Speaker 2: Essentially, the decision bubbles up from the darkness of the unconscious.

664
00:30:30,039 --> 00:30:33,079
You don't make the thought, you witness the thought appearing

665
00:30:33,079 --> 00:30:34,000
in your consciousness.

666
00:30:34,039 --> 00:30:36,319
Speaker 1: She success a little finger lift experiment we can do

667
00:30:36,400 --> 00:30:39,160
right now, and if you're listening, try this. Put your

668
00:30:39,160 --> 00:30:41,799
hand on your lap, decide to lift your index finger

669
00:30:41,839 --> 00:30:45,000
sometime in the next few seconds. Just wait for the impulse,

670
00:30:45,440 --> 00:30:47,200
wait and then lift it.

671
00:30:47,440 --> 00:30:51,799
Speaker 2: And observe closely what happens. Did you command the finger

672
00:30:51,880 --> 00:30:55,480
to move or did the impulse to lift it just

673
00:30:55,799 --> 00:30:58,880
arise on its own. Did you choose when the impulse would.

674
00:30:58,680 --> 00:31:01,039
Speaker 1: Come it just pops up. I didn't say okay on

675
00:31:01,039 --> 00:31:04,960
the cant of three, three to one go, It just happened.

676
00:31:05,000 --> 00:31:06,200
It felt like a hiccup of will.

677
00:31:06,400 --> 00:31:09,200
Speaker 2: That is the illusion of free will in action. You

678
00:31:09,240 --> 00:31:11,920
are not the author of your impulses or your thoughts.

679
00:31:12,000 --> 00:31:14,559
They emerge from a complex system you don't control.

680
00:31:14,640 --> 00:31:17,039
Speaker 1: But this leads to what you called an ethical tornado.

681
00:31:17,680 --> 00:31:20,319
If I'm not the author, I'm just a biological robot

682
00:31:20,359 --> 00:31:23,319
reacting to my genetic programming in my environment. Yeah, how

683
00:31:23,359 --> 00:31:25,039
can you blame me for anything? If there is no

684
00:31:25,119 --> 00:31:27,799
free agent? What happens to justice and responsibility?

685
00:31:28,039 --> 00:31:31,440
Speaker 2: This is where Harris pivots to a very compassionate but

686
00:31:31,519 --> 00:31:35,319
also very logical view. She uses the tornado analogy.

687
00:31:35,559 --> 00:31:38,519
Speaker 1: Right, if a tornado destroys your house. Are you angry

688
00:31:38,519 --> 00:31:39,160
at the tornado?

689
00:31:39,440 --> 00:31:42,119
Speaker 2: You might be devastated, you might grieve the loss of

690
00:31:42,119 --> 00:31:44,359
your home, but you don't hate the tornado. You don't

691
00:31:44,359 --> 00:31:46,359
want to punish the tornado because it's evil.

692
00:31:46,440 --> 00:31:47,640
Speaker 1: You don't think it had a choice.

693
00:31:47,720 --> 00:31:50,599
Speaker 2: You understand it is a weather pattern behaving according to

694
00:31:50,640 --> 00:31:54,640
the laws of physics. It couldn't have done otherwise. Harris

695
00:31:54,680 --> 00:31:56,680
suggests we view humans the same way.

696
00:31:57,039 --> 00:31:59,240
Speaker 1: So if someone commits a crime, they.

697
00:31:59,079 --> 00:32:02,799
Speaker 2: Are like a dangerweather pattern, or a better analogy might

698
00:32:02,839 --> 00:32:06,359
be they are a computer running broken software.

699
00:32:05,799 --> 00:32:08,039
Speaker 1: So we still stop them. We put them in prison

700
00:32:08,079 --> 00:32:11,119
to protect society, just like we build storm shelters to

701
00:32:11,160 --> 00:32:12,400
protect ourselves from tornado.

702
00:32:12,559 --> 00:32:16,319
Speaker 2: Yes, you absolutely contain the tornado. You fix the broken

703
00:32:16,359 --> 00:32:20,359
software if you can through rehabilitation. But you drop the hatred,

704
00:32:20,640 --> 00:32:24,319
You drop the retributive, moralizing desire to make them suffer

705
00:32:24,799 --> 00:32:26,039
just for the sake of suffering.

706
00:32:26,200 --> 00:32:29,319
Speaker 1: It changes the conversation from you are a bad person

707
00:32:29,359 --> 00:32:32,640
who deserves to be punished to you are a person

708
00:32:32,680 --> 00:32:35,680
with bad programming or bad brain chemistry, and you are

709
00:32:35,720 --> 00:32:37,240
a danger that needs to be managed.

710
00:32:37,400 --> 00:32:40,119
Speaker 2: It's a much more clinical, but also a more humane

711
00:32:40,279 --> 00:32:43,240
way to look at human error and harmful behavior. It

712
00:32:43,279 --> 00:32:47,079
removes the ego and the satisfying but ultimately illogical feeling

713
00:32:47,079 --> 00:32:49,519
of blame from the equation of justice.

714
00:32:49,680 --> 00:32:55,279
Speaker 1: Wow, okay, we have dismantled pretty much everything self will reality.

715
00:32:55,599 --> 00:32:57,920
Where does this leave us? What do we do with this?

716
00:32:58,440 --> 00:33:01,119
Harris ends with some speculation on the future. She calls

717
00:33:01,160 --> 00:33:02,880
it experiential science.

718
00:33:03,039 --> 00:33:05,640
Speaker 2: This is her wildest, most far out idea, but it

719
00:33:05,720 --> 00:33:10,039
flows logically from everything else. If consciousness is fundamental, and

720
00:33:10,079 --> 00:33:13,440
if the boundaries between us are illusions, could we one

721
00:33:13,519 --> 00:33:15,920
day share subjective experiences like.

722
00:33:15,960 --> 00:33:18,559
Speaker 1: Actually beam a thought or a feeling from my brain

723
00:33:18,640 --> 00:33:20,960
directly to yours, a mind meld.

724
00:33:20,920 --> 00:33:23,759
Speaker 2: Not just the words. Imagine if Einstein could have beamed

725
00:33:23,759 --> 00:33:27,000
his intuition of space time directly into your brain, not

726
00:33:27,119 --> 00:33:31,279
the math, not the equations, the actual feeling of understanding relativity.

727
00:33:31,359 --> 00:33:35,440
Speaker 1: That would change everything, education, communication, empathy. If I could

728
00:33:35,480 --> 00:33:37,799
feel your pain literally, not just sympathize with it, but

729
00:33:37,839 --> 00:33:40,240
actually feel it, wars would end overnight.

730
00:33:40,319 --> 00:33:42,440
Speaker 2: It would be the ultimate dissolution of the self, a

731
00:33:42,480 --> 00:33:43,160
true connection.

732
00:33:43,519 --> 00:33:46,519
Speaker 1: She ends the interview with this lovely simple story about jogging.

733
00:33:47,319 --> 00:33:49,240
She decided to run a thought experiment. While she was

734
00:33:49,240 --> 00:33:51,839
out for a run in the woods. She decided to

735
00:33:51,839 --> 00:33:55,240
imagine that all the plants she passed weren't plants, but

736
00:33:55,319 --> 00:33:56,480
were animals.

737
00:33:56,839 --> 00:33:58,519
Speaker 2: Like insects or strange creatures.

738
00:33:58,640 --> 00:34:01,200
Speaker 1: Yeah, and just that mental shift, that change in her

739
00:34:01,240 --> 00:34:04,680
belief about them totally changed how the world felt. Suddenly

740
00:34:04,720 --> 00:34:07,240
the forest wasn't just seen or he was alive, It

741
00:34:07,359 --> 00:34:09,440
was watching her. It was full of other subjects.

742
00:34:09,519 --> 00:34:12,199
Speaker 2: It highlights that our experience of the world is largely

743
00:34:12,239 --> 00:34:15,639
a construct of our beliefs and assumptions. Change the belief

744
00:34:15,719 --> 00:34:16,679
change the experience.

745
00:34:16,920 --> 00:34:20,320
Speaker 1: So we have gone from worms to waves. Yeah, from

746
00:34:20,320 --> 00:34:22,079
the illusion of the self to the reality of the

747
00:34:22,159 --> 00:34:25,239
pea plant. This has been heavy, but in a good way.

748
00:34:25,519 --> 00:34:27,920
Speaker 2: You know, it is a lot to process. But I

749
00:34:27,960 --> 00:34:30,800
think the takeaway, if there is one, is that we

750
00:34:30,840 --> 00:34:33,599
are part of something much larger, much more mysterious, and

751
00:34:33,679 --> 00:34:37,039
much more interconnected than our daily intuition tells us. We're

752
00:34:37,039 --> 00:34:39,039
not just a ghost in a machine. We're part of

753
00:34:39,039 --> 00:34:39,840
the whole system.

754
00:34:40,000 --> 00:34:43,760
Speaker 1: Absolutely. So here is our final provocation for you, the listener.

755
00:34:44,320 --> 00:34:46,800
The next time you feel angry at someone, maybe someone

756
00:34:46,840 --> 00:34:49,559
cuts you off in traffic, or your boss is being

757
00:34:49,599 --> 00:34:54,119
particularly annoying. Stop for just a second, ask yourself, who

758
00:34:54,199 --> 00:34:55,719
is the eye that is angry?

759
00:34:55,880 --> 00:34:57,480
Speaker 2: Where is this eye located?

760
00:34:57,800 --> 00:35:00,400
Speaker 1: And if you stop telling yourself the story of you

761
00:35:00,559 --> 00:35:04,360
being disrespected, if you just observe the raw feeling of anger,

762
00:35:05,280 --> 00:35:07,800
does it change? Does the anger lose his power and

763
00:35:07,920 --> 00:35:08,679
just disappear?

764
00:35:08,920 --> 00:35:12,000
Speaker 2: Is the anger a property of a solid self or

765
00:35:12,079 --> 00:35:14,920
is it just a temporary weather pattern passing through the system.

766
00:35:15,159 --> 00:35:17,519
Speaker 1: Mull on that. Let us know in the comments. Do

767
00:35:17,599 --> 00:35:19,960
you feel like a pilot in your life or a passenger?

768
00:35:20,599 --> 00:35:22,039
Are you a wave or a particle?

769
00:35:22,199 --> 00:35:24,000
Speaker 2: I'm definitely feeling like a wave today.

770
00:35:24,199 --> 00:35:26,000
Speaker 1: I think I'm a pea plant listening for the sound

771
00:35:26,079 --> 00:35:30,599
of water. Thank you for listening to thrilling threads. Keep

772
00:35:30,639 --> 00:35:32,639
pulling at reality and see what unravels.

773
00:35:32,719 --> 00:35:33,519
Speaker 2: Until next time.

