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Speaker 1: From the elections are beginning to come in.

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Speaker 2: NBC will interrupt for any outstanding election developments.

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Speaker 3: We would like to thank the Democratic and Republican parties

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for relinquishing their time that this program could be heard.

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Speaker 4: The medical clients offers.

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Speaker 5: Proved positive no other leading cigarette. It's you less nicotine,

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less throat irritating tars than the new, smoother, better tasting Raleigh.

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Speaker 6: Ron Pollio the Raleigh Cigarette Program starring Red Scouting with

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David Forrester and his orchestra, a singing starrned Alice Gg, Perrison,

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Bernad Felton, Papa Wiful Cleth and you're a sully Rod O'Connor.

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Speaker 4: That's a pleasure to.

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Speaker 6: Bring himut for Golden Mares Popular Committee of the Star.

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They're all the singarette programs, Red Help, Thank you very much.

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Speaker 3: And good evening, ladies and gentlemen.

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Speaker 4: Nine O three Rod, nine O three, Red Red Catcher.

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Let me in on that. Surely someone besides you knows

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what it means.

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Speaker 3: Nine O three means, yes, Rod, there's only one other guy, Kilroy.

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Speaker 4: Well, you know that beautiful girl that came in last

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week and said Nino three, Yeah, Well, I haven't kind

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of showing her around, thinking she might give me a clue,

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you know, like a picture. Yeah, she's pretty.

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Speaker 3: As a picture too, you know, Yeah, she's in.

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Speaker 4: Focus all over to.

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Speaker 3: Say by the little laughing this week, I see, Yes.

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Speaker 4: I read the small print in my contract. Yeah, could

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run away with a shell. I get along with your

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camera hobby.

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Speaker 3: Well, I think I'm beginning to click now. I'm just

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getting onto my four by five speed graphic.

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Speaker 4: What is that? Four by five mets?

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Speaker 3: That means four out of five of my pictures come

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out blank?

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Speaker 4: Was it hard to work a speed graphic?

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Speaker 3: No, it's very simple. First you consult your light meter,

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then you check the distance finder, then you set your

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limbs opening, and then the shutter speed, and then click.

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Speaker 4: And you've got a picture. No, you forgot to put the.

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Speaker 1: Film man, but you had your own dark room.

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Speaker 3: Yeah, we forgot to pay the light bill last morning.

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Speaker 4: Oh she did come back girl with that last week.

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Speaker 7: Mister Skelton, I don't mean to bother you when you do.

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I was wondering you're interested in photography. Could I have

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prose for you sometime?

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Speaker 1: Well?

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Speaker 3: I really don't know.

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Speaker 4: Well could you.

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Speaker 7: Take my picture in a bathing suit?

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Speaker 4: Well?

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Speaker 3: Yes, but it's rather chilly for me to be running

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around the baiting.

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Speaker 7: When you think it over and when you want to

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call me, I'm in the book.

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Speaker 3: Well, can't be too choosy where we.

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Speaker 4: Live these days.

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Speaker 7: Good Bye, Now, I'll be seeing you, mister O'Connor nine

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o three, nine o three.

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Speaker 4: Well, it looks like she's got your number.

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Speaker 1: Yeah, I'm not even a.

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Speaker 4: Well now, folks, we have a surprise for Red.

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Speaker 6: Here's mister Koi Watson with the Los Angeles Press Photographers Association.

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Speaker 3: Go here to buy me up.

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Speaker 8: No, we finally decided to accept you as one of

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our members. Now that you've learned to operate your camera correctly,

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we want you to be one of us.

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Speaker 1: Red.

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Speaker 8: We've listened to your show and decided that you should

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really be a member.

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Speaker 3: The boys like me.

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Speaker 8: Huh yes, yes, we figured you'll be needing a job

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anytime at the rate you're going.

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Speaker 3: Now, this is not my business. You know that my

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mother doesn't know that I'm on the radio or in pictures.

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At the fact, she's never seen me break her heart

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if she knew I was in show business. She thinks

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I'm a bookie.

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Speaker 8: But seriously, Red, the Boys of the Los Angeles Press

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Photographers Association recognize you, as do thousands of others, as

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one of the greatest showmen in the country, and as

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we also know, having worked with you in the past years,

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that you are one of the most cooperative stars in Hollywood.

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But above this, we consider you a regular guy and

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a real fellow. And it was with these thoughts in

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mind that we, the news photographers representing the Los Angeles newspapers,

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national news syndicates, and the national Motion picture news reels,

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voted to make you an honorary member of this association,

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and so in behalf of our ninety seven active members. Hi,

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the president of this group, takes sincere pleasure and presenting

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to you your gold membership card in the Los Angeles

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Press Photographers Association.

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Speaker 3: Well, thank you very much.

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Speaker 4: I'm all right read, but don't forget to.

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Speaker 3: Draw the slide.

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Speaker 4: Now.

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Speaker 5: Medical science offers proof positive no other leading cigarette gives

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you less nicotine less road They were tating.

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Speaker 1: Tars than the new smoother, better tasting.

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Speaker 5: Really, yes, proof positive, no other leading cigarette gives you

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less nicotine less road They werotating tars than the new Raley.

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Speaker 6: Scientific tests of America's six leading brands based on the

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method used by the United States government. Tests certified by

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a jury of fourteen doctors have proved conclusively no other

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leading cigarette gives you less nicotine less throat irritating tars

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than Rawley's, So smokers enjoy than you smoother and better

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tasting rallies.

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Speaker 4: And remember medical science offers proved positive.

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Speaker 5: No other leading cigarette gives you less nicotine less throat

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irritating tars than the new Raleigh cigarettes.

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Speaker 1: And now.

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Speaker 3: Three red and uh a Nader is going to sing tonight.

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A garden in the rain.

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Speaker 9: Is just a god little lame. A touch of colors,

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guys of bird, the range drops kissed the flow, the

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blasting raised that percy.

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Speaker 1: Of perfume.

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Speaker 8: Thank you thing said, Sure he was charing beyond compact.

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Speaker 9: To babe, it was just that I listened with you,

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was just listen game rain. But then the sun came

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out again and samples happy, Oh the way. Surely he

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was charmed beyond complete to do.

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Speaker 4: Maybe it was just that I was.

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Speaker 9: With you, Joe. But then the son came out again

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and samples happen.

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Speaker 3: Oh to night.

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Speaker 1: Castire.

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Speaker 3: The story is in a Skelton scrap book of satire

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is about photography. Our characters are fictional.

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Speaker 6: If you can picture such people living, you'll find that

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they're out of focus and should be overexposed.

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Speaker 3: Character twenty seven is entitled you want to see a picture?

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I doubt if there's a father alive who hasn't proudly

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forced the stranger to look at the photograph of his

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wife or children. And Willie Lumplump is our victim service, Sir,

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what are you gonna have?

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Speaker 4: You serve tea here?

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Speaker 3: Oh? Yes, we do. Why I was in the wrong place,

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mister lap lamp? Well, well, what are you going to

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eat today? Food?

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Speaker 4: For a change.

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Speaker 3: I'll hurry it up.

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Speaker 4: But you haven't honored yet.

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Speaker 3: I'm in a hurry. I'll order a wallow meating. He

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got any meat? I likes to meet?

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Speaker 4: You?

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Speaker 3: Got what I mean?

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Speaker 4: Yes, Sam?

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Speaker 3: We got chicken roasted toasted fries, dude, And I like chicken, chicken, chicken.

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I've beaten some like chicken the last two years. I'm

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getting a foul mine.

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Speaker 4: I don't have a cup of tea.

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Speaker 3: A cup of tea? Do you mind if I sit here, buddy.

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Speaker 1: Not at all.

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Speaker 3: I'm just having a cup of tea. You know I

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usually drink can he coffee keeps me awake.

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Speaker 1: My name is Long Thompson. I didn't catch your name.

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Speaker 3: I didn't throw it. It's wooly ump for him?

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Speaker 4: How do you spell with two lumps?

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Speaker 3: Neck?

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Speaker 4: Oh, here's your teeth?

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Speaker 3: Anything else I can do for you?

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Speaker 1: Yeah?

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Speaker 3: Homer nos while I drink it.

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Speaker 1: Brother, you have what is generally known as bets and

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the belfry.

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Speaker 3: Yeah. And what's more, they ring a chime every hour

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on the hour.

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Speaker 1: By the way, how is your wife?

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Speaker 3: You trying to start an argument?

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Speaker 1: I like it If i'm married, I don't know.

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Speaker 3: I was track.

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Speaker 1: Oh how old were you when you got married?

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Speaker 3: We were both twenty nine. I'm thirty two now I'm

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my wife twenty six. Anyway, I'm celebrating my wooden wedding anniversary.

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Speaker 1: Wooden wedding, that's five years.

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Speaker 3: Oh, we've been married too.

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Speaker 4: But she's a blockhead, you.

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Speaker 3: Boy, and she nag rude wine nick nag.

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Speaker 1: Now, I guess I'm lucky. My wife's an angel.

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Speaker 3: I'm sorry. How long have you been dead?

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Speaker 1: I didn't mean it that way. I meant that she's kind. Oh,

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I should we have three kids? Have you been blessed?

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Speaker 3: Yeah?

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Speaker 4: We ain't got any.

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Speaker 2: Well, maybe you be happier if you had a youngster.

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You can watch them grow up and follow your footsteps.

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Speaker 3: Oh, they couldn't follow my footsteps.

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Speaker 4: I hardly made it here, Mosel.

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Speaker 1: Don't happen to have a picture of your wife on you? Dah?

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Speaker 3: Yeah, I mind, that's why I got this shocked express

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you know?

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Speaker 1: I mean, don't you have a photograph?

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Speaker 4: No?

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Speaker 3: I can't get a picture developed. They're afraid to stay

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in the dark room with a face.

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Speaker 1: You'd be lots happier if you carried a picture. Would

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you care to see the pictures of my wife and kids?

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Speaker 4: No? I wouldn't.

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Speaker 3: What did you say, I said, no, I don't want

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to see him.

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Speaker 1: Just a second, wise guy.

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Speaker 2: I am a proud father, and it's been the customs

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since the beginning of photography for a man to carry

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pictures of his kids.

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Speaker 3: Thanks why I never liked the Indians, do you They

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didn't stop with carrying pictures. They carried the kids to.

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Speaker 1: Lonely take a second to show him.

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Speaker 10: I don't want to see him, Bob. If you don't mind, Bob,

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I don't want.

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Speaker 4: To see him. I came in here for a cup

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of tea, nothing else. Look.

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Speaker 3: All the time I was in the army, I allly

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did was looking pictures going across the ocean in Italy

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every five minutes. Some guys can watch your picture my wife. Good,

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I did watch your picture of a kid?

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Speaker 4: Yeah, I kid, youse.

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Speaker 3: Kids have some of the ugliest things.

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Speaker 1: I haven't.

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Speaker 10: Now I'm I don't have to look at them things anymore,

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and I don't want to see yours.

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Speaker 4: If you don't mind, I'll just have my tea. Look,

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wise guy, Yeah, let go my lapel.

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Speaker 2: You're going to look at my family pictures? Are I'll

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take you out to my truck and wind you around

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the cranks.

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Speaker 3: Now, come on, let go my suit, will you? Hey,

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Bob Hope, he's got an award for being best dressed sportsman.

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You know you know what he was wearing at the time.

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But what have bing Crosby shirts?

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Speaker 4: You truck clim Oh?

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Speaker 3: Well, why didn't you say that?

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Speaker 4: Here?

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Speaker 3: You don't have to if I any chance to have

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a picture of your beautiful wife and kids when you do.

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Speaker 1: Uh, would you really like to see them? Would you

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really would? Is really?

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Speaker 3: Well, let's not get sickening about it.

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Speaker 1: Gosh, I ain't showed them for so long. I almost

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forgot what they look like.

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Speaker 3: It's been all ten minutes.

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Speaker 1: Let's see what I do with them. Here are here

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my wallet. I've got some pictures of my kids.

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Speaker 3: Hey, it kid looks like Abraham Lincoln.

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Speaker 4: Give me back that five dollar pill.

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Speaker 3: Had too many wrinkles for young prick.

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Speaker 4: Now medical science offers proof positive, no.

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00:15:29,919 --> 00:15:33,440
Speaker 5: Other leading cigarette gives you less nicotine less throat debritating

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00:15:33,519 --> 00:15:38,519
tars than the new smoother, better tasting Ray. Yes, proof positive,

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00:15:38,840 --> 00:15:41,919
No other leading cigarette gives you less nicotine less throat

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irritating tars than the new Ray. That lovely star of

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00:15:46,080 --> 00:15:50,080
the Shocking Miss Pilgrims, Betty Grable says, quote, I've read.

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Speaker 7: Reports and medical science has proved no other leading cigarette

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gives you less nicotine. Let's throat irritating tars.

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Speaker 1: That's why I've switched to Rallies for smoking place.

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Speaker 6: Right, Betty Grable. Those tests were based on the method

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used by the United States government. So friends enjoy than

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you smoother, better tasting Ray. And remember, medical science offers

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proof positive.

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Speaker 5: No other leading cigarette gives you less nicotine less throat

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irritating tars than the new Raleigh cigarettes.

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Speaker 6: David Forrester now introduces a new number by Gil Baumguard,

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one of our outstanding young composers.

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Speaker 4: It's called Frustration.

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Speaker 3: Chapter twenty eight is entitled Amateur Photographers. Children are always

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interested in pictures, and a great pastime for them would

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be let them have a camera of their own.

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Speaker 11: Junior, where are you, dear? Are you in the kitchen

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near the cookie jar? No, I'm in the living room, Junia.

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How would you like to do something? Well, I'm not

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kind of weak from life of sleep, you know. I

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didn't take me now for well, I wanted to send

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John an Errand to the drug store. You mean when

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they got their ice cream cones pineapple flow. Yes, I'm

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still a little weak, but I think I can hobble

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down now.

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Speaker 3: I'm not going to give you money for any of

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those things, Junior. They're bad for your stomach. Well, I

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00:20:24,079 --> 00:20:26,319
won't follow them here. I'll just take them and didn't

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fit them out, you know, But I only wanted to

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get the film I left there to be developed. Oh

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you mean the grand clok. Yes, I'm dying to see

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how they came out. They'll be blurred like they always

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00:20:35,839 --> 00:20:39,000
you know, world we get can't get nothing and focus.

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That's because he's nearsighted, beer sided. And while you're at

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the drug store, ask the man to reload this box

285
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camera for me. And here's a dollar and a court Okay, okay,

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00:20:53,480 --> 00:20:56,039
all right, now you take that and read keeat what

287
00:20:56,160 --> 00:20:58,200
you're supposed to do at the drug store, Well, get

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00:20:58,240 --> 00:21:00,599
your pictures, reload your camera, and pick up a few

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00:21:00,640 --> 00:21:04,680
gum drops. I didn't say anything about gum drop, I know,

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00:21:04,839 --> 00:21:08,559
but you will when I get home. Do you want

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00:21:08,640 --> 00:21:10,640
to take your dog? No, he got fleas. I don't

292
00:21:10,680 --> 00:21:13,200
want to take h embarrass his meer. Gush he squatches

293
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right out in the open. Will if it had so

294
00:21:17,720 --> 00:21:19,079
many fleas, why don't you give.

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Speaker 4: Him a back?

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Speaker 3: Never, boy, I wouldn't give him anything. I wouldn't take myself.

297
00:21:24,640 --> 00:21:27,960
Come on, if we're gonna Junior, be careful crossing the street.

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The car might hit you don't have bumpers, No, they don't.

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00:21:33,279 --> 00:21:35,160
And you don't want the cave in front.

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Speaker 4: Of a car in.

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Speaker 3: Okaya.

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Speaker 4: Oh, I'm sorry, little not.

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Speaker 3: Okay, I'm not hurt. You just knocked me down with

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your aunt you see.

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00:22:00,319 --> 00:22:04,519
Speaker 7: Well, goodbye, and remember nine o three, nine o three.

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Speaker 3: I got a feeling of stuff like that. It's gonna

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00:22:07,839 --> 00:22:17,759
make me lose interest in me. Tricycle wall, get a

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00:22:17,839 --> 00:22:20,319
funny shot, won't nobody looking. I think I'll spend some

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00:22:20,359 --> 00:22:21,799
of these schools around at the county.

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Speaker 4: Junior stopped. Stop spending these empty schools around.

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Speaker 3: Well, you're too heavy with your people in them there.

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00:22:28,920 --> 00:22:32,119
I can't explain them with a Hey when my grandma

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want them pictures, she left her to be developed, and

314
00:22:34,200 --> 00:22:35,920
she wants you to reload the box camera here.

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Speaker 4: Well that's simple. Let me have the camera. Sun.

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Speaker 3: Look, don't call me Shane if you don't mean it,

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because my grandma. You're awful quick on the uptake, you.

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Speaker 4: Know, Junior, I'd love to have a little boy like you.

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00:22:49,000 --> 00:22:51,119
Speaker 3: You've been drinking and prescriptions to get anxious.

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Speaker 4: I'll here's your camera, all of it. Now you better

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get home.

322
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Speaker 3: Okay. I want to learn how to take pictures. I

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00:22:56,839 --> 00:22:58,759
haven't the time the teacher, you got time to sweep

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00:22:58,799 --> 00:22:59,319
up the store?

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Speaker 1: No I have.

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00:23:00,119 --> 00:23:02,079
Speaker 3: Can you better show me how to take picture?

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00:23:03,279 --> 00:23:04,039
Speaker 4: I said, beat it?

328
00:23:04,119 --> 00:23:09,759
Speaker 3: Oh yeah, not going to tell me that boy, you

329
00:23:10,559 --> 00:23:11,079
don't kill me.

330
00:23:11,240 --> 00:23:13,559
Speaker 4: Oh all right, take pictures.

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00:23:13,240 --> 00:23:13,720
Speaker 1: With this camera.

332
00:23:13,839 --> 00:23:15,359
Speaker 4: I had just looked through this little window on the

333
00:23:15,400 --> 00:23:18,880
top movie big fat head. Will you and when you

334
00:23:18,960 --> 00:23:21,000
see what you want, push down on this little level. Yeah,

335
00:23:21,400 --> 00:23:23,319
just turn this little nobb until you come to another number.

336
00:23:23,440 --> 00:23:25,279
Speaker 3: Well here I am three years you and I didn't

337
00:23:25,319 --> 00:23:26,440
know that. Well, live and learn.

338
00:23:26,480 --> 00:23:28,480
Speaker 4: I always said, this is the rate you're learning. You

339
00:23:28,519 --> 00:23:32,400
won't live long now. It all comes to a dollar

340
00:23:32,480 --> 00:23:32,880
twenty five.

341
00:23:32,920 --> 00:23:35,440
Speaker 3: Here's a dollar. Take it out of that doughter's not enough.

342
00:23:36,319 --> 00:23:37,240
Speaker 4: I can't take it out of that.

343
00:23:37,480 --> 00:23:39,759
Speaker 3: Well, give it back to me. I don't force money

344
00:23:39,799 --> 00:23:40,319
on anybody.

345
00:23:41,759 --> 00:23:44,039
Speaker 6: Your grandmother must have given you more money, another quarter

346
00:23:44,119 --> 00:23:45,359
perhaf No she didn't know.

347
00:23:46,039 --> 00:23:47,559
Speaker 4: And what if you got your fist doubled up like

348
00:23:47,640 --> 00:23:48,759
that for I still hit you in.

349
00:23:48,759 --> 00:23:50,440
Speaker 3: The nose if you try to take this quarter out

350
00:23:50,480 --> 00:23:51,119
of the other head.

351
00:23:52,920 --> 00:23:54,440
Speaker 4: Oh so you do have another quarter?

352
00:23:54,519 --> 00:23:58,160
Speaker 3: All right, take a take it down. No means enough

353
00:23:58,200 --> 00:23:59,599
to meet me, poor little piggy back. I'll go to

354
00:23:59,640 --> 00:24:00,720
bed with it. He's shepperate and.

355
00:24:03,000 --> 00:24:05,119
Speaker 4: Well, I'm sorry, junire. Here's a peppermint con soul.

356
00:24:05,279 --> 00:24:05,960
Speaker 3: I don't want one.

357
00:24:06,240 --> 00:24:10,480
Speaker 4: You don't know I want to. Here's your camera. Goodbye,

358
00:24:10,519 --> 00:24:10,799
Come on.

359
00:24:10,839 --> 00:24:19,440
Speaker 3: Skip me, come on by, come on my one. A

360
00:24:19,680 --> 00:24:24,279
nice day. Everybody looks so happy widow. Does they know

361
00:24:24,519 --> 00:24:31,400
I room in the streets loose, brand new one boy,

362
00:24:31,440 --> 00:24:32,039
that's really new?

363
00:24:32,839 --> 00:24:33,319
Speaker 1: What you matter?

364
00:24:33,400 --> 00:24:36,480
Speaker 3: But you never ground unless there's something wrong. Don't you

365
00:24:36,640 --> 00:24:38,480
like that car? Or you just growl them like everybody

366
00:24:38,559 --> 00:24:41,880
else cause you I'm gonna take a picture of the car.

367
00:24:42,000 --> 00:24:45,599
Throw the grandma here? You mean you get him getting

368
00:24:45,599 --> 00:24:48,519
down the fixed? Shoot tastes. There's one standing here all

369
00:24:48,519 --> 00:24:50,559
by himself. I think I'm moozy over and see what's

370
00:24:50,599 --> 00:24:51,240
cooking around?

371
00:24:52,759 --> 00:24:53,440
Speaker 4: Hey? You missed?

372
00:24:53,440 --> 00:24:53,559
Speaker 8: Then?

373
00:24:53,680 --> 00:24:55,440
Speaker 1: Okay, kid, keep moving. We're doing a little job on

374
00:24:55,480 --> 00:25:01,839
the inside. Nothing but a big fag out where you

375
00:25:02,480 --> 00:25:03,400
there's your grandmother?

376
00:25:03,720 --> 00:25:07,839
Speaker 3: How do you know? You know? You know?

377
00:25:08,000 --> 00:25:10,119
Speaker 2: Mike dog don't like you? He goes, that's tough. Don't

378
00:25:10,160 --> 00:25:11,799
get going, kid, Head from home before you get hurt.

379
00:25:11,839 --> 00:25:13,240
Speaker 3: Well I can get hurt there. I guess he's fast.

380
00:25:13,279 --> 00:25:15,519
You know, Hey, why didn't you go in the bank

381
00:25:15,599 --> 00:25:16,119
with you buddies?

382
00:25:16,359 --> 00:25:19,200
Speaker 1: They won't let me go with him. I don't use puns.

383
00:25:19,960 --> 00:25:24,519
Speaker 3: Oh, I couldn't use that guy either, now, Uh, don't

384
00:25:24,920 --> 00:25:25,440
you know?

385
00:25:25,519 --> 00:25:26,079
Speaker 4: I do like you?

386
00:25:26,200 --> 00:25:28,400
Speaker 3: Look, I've never seen somebody so henry looking at me

387
00:25:28,559 --> 00:25:29,880
like since I looked in the mirror last.

388
00:25:29,920 --> 00:25:32,319
Speaker 2: I never seen nobody that yet moving kids. When my

389
00:25:32,400 --> 00:25:33,880
friends come out of that bank, there's leble to be

390
00:25:33,920 --> 00:25:34,480
some fireworks.

391
00:25:34,599 --> 00:25:37,839
Speaker 3: Fireworks. Well again, you wouldn't mind having a little punk

392
00:25:37,960 --> 00:25:38,599
like me around.

393
00:25:38,640 --> 00:25:41,480
Speaker 1: Then I'm warning her for the last time.

394
00:25:41,599 --> 00:25:43,279
Speaker 3: Oh you got a water place, so too. I can

395
00:25:43,359 --> 00:25:45,200
see you done your cook squirt me with it? God

396
00:25:45,480 --> 00:25:50,640
squeak me on your way here, don't go, and I

397
00:25:50,759 --> 00:25:51,799
don't be carry the ripping.

398
00:25:51,880 --> 00:25:54,400
Speaker 2: You see how he's frowning at if he protects me, well,

399
00:25:54,440 --> 00:25:56,440
come on and get come under the car and protect me.

400
00:25:57,759 --> 00:25:59,640
I'm going to count three, and if you ain't out

401
00:25:59,640 --> 00:26:00,079
of sight.

402
00:26:00,200 --> 00:26:03,240
Speaker 3: I'm gonna take your picture. Foot you can't take my picture?

403
00:26:03,279 --> 00:26:04,960
Come on, I can't take Come on? Good? I right?

404
00:26:15,079 --> 00:26:15,880
Speaker 4: Is that you? I?

405
00:26:15,920 --> 00:26:18,160
Speaker 3: You know I've been running to fast house way beyond me?

406
00:26:18,279 --> 00:26:20,559
Speaker 4: So? Oh yes, why here's a sheet.

407
00:26:20,599 --> 00:26:21,960
Speaker 3: I mean, I'm cattletail Gray.

408
00:26:22,279 --> 00:26:22,920
Speaker 4: What's happened?

409
00:26:23,079 --> 00:26:24,839
Speaker 3: Well, I was walking past the bank and she men

410
00:26:24,920 --> 00:26:26,720
jump out a great big crn and went inside. And

411
00:26:26,839 --> 00:26:30,400
they had guns, old cannons. They got dirty looking bunch

412
00:26:30,440 --> 00:26:32,279
of bank robbers. They want how do you know they

413
00:26:32,279 --> 00:26:36,400
were a bank cropping? They all look like comforty bull guard. Now,

414
00:26:36,440 --> 00:26:38,240
who could I don't know about eight to five?

415
00:26:38,319 --> 00:26:38,599
Speaker 4: Whoever?

416
00:26:38,640 --> 00:26:40,480
Speaker 3: They say you're looking for me? No, no, no, don't

417
00:26:40,519 --> 00:26:45,200
roll up with your door up to cover. They're gonna

418
00:26:45,240 --> 00:26:48,839
take me for a while. Don't how did that birdcake?

419
00:26:52,079 --> 00:26:55,000
They'd have to take me too. Maybe they're enough room,

420
00:26:55,079 --> 00:26:57,759
you know. Okay, it's off the John.

421
00:26:58,359 --> 00:27:00,240
Speaker 2: We just received word that Junior was a with the

422
00:27:00,279 --> 00:27:02,880
snow Bank horn up. I ain't talking telling me mosspe

423
00:27:03,920 --> 00:27:05,359
what about a round the block away? He said he

424
00:27:05,359 --> 00:27:06,599
saw the boy take a picture of one of the

425
00:27:06,680 --> 00:27:09,160
bonders escaping. No, the insurance company would pay two thousand

426
00:27:09,200 --> 00:27:11,680
dollars for the pictures, they say identify the boutles.

427
00:27:11,279 --> 00:27:13,799
Speaker 3: Ten thousand dollars. Couldn't it t keep me in bubble

428
00:27:13,839 --> 00:27:16,079
gum for the rest of me life. W I'll go

429
00:27:16,200 --> 00:27:18,960
get the camera. I go get the tell now hit

430
00:27:19,000 --> 00:27:19,680
it under the port.

431
00:27:19,960 --> 00:27:20,680
Speaker 4: There you is.

432
00:27:20,799 --> 00:27:22,279
Speaker 3: You were no money making rascal.

433
00:27:22,440 --> 00:27:22,480
Speaker 4: You.

434
00:27:23,599 --> 00:27:25,960
Speaker 3: I'm gonna see if the pictures you're in focused. Look

435
00:27:26,000 --> 00:27:29,079
at the pictures. See red and black on one side

436
00:27:29,079 --> 00:27:30,119
and yellow stuff.

437
00:27:29,839 --> 00:27:30,279
Speaker 1: In the middle.

438
00:27:31,759 --> 00:27:34,000
Speaker 3: My eyes must be getting bad. I don't remember taking

439
00:27:34,039 --> 00:27:37,920
anything like that. Well, you can save your money here's

440
00:27:37,920 --> 00:27:40,000
the film. Took it out of camera and dog blank,

441
00:27:40,400 --> 00:27:43,279
oh soon you didn't has to be developed first. Now

442
00:27:43,440 --> 00:27:48,319
she tells me, sorry, fish Coppetence, Well you stay here.

443
00:27:48,359 --> 00:27:50,279
I'm gonna go catch them crooks and get me bubble

444
00:27:50,319 --> 00:27:53,319
gum money. You're too little, No I'm not. I take

445
00:27:53,359 --> 00:27:55,160
some rocks with me. Now put your jumps on their

446
00:27:55,200 --> 00:27:58,279
head so big. When the ambulance come, the pumps will ride.

447
00:27:58,359 --> 00:28:01,279
Now have to walk behind the wire, gosh, sneak up

448
00:28:01,279 --> 00:28:03,240
to their hideout, and no riddle me to pick with

449
00:28:03,359 --> 00:28:05,720
a fute gun and nick got gun, and then they're

450
00:28:05,759 --> 00:28:10,759
gonna keep right on working. Gona bow me down the

451
00:28:10,880 --> 00:28:14,079
fifteen gun fire, and there I will be dead, a

452
00:28:14,279 --> 00:28:21,960
hero against crime. No, no, no, he scared me. Is

453
00:28:22,079 --> 00:28:22,799
a little hard.

454
00:28:29,759 --> 00:28:32,079
Speaker 6: In the same time, let's scalpon there the course of

455
00:28:32,359 --> 00:28:35,000
Briny to Alice a balcony parsap again one of us

456
00:28:35,039 --> 00:28:35,880
man y.

457
00:28:36,519 --> 00:28:40,720
Speaker 3: Blacks kier gooas French scout, saying, snakresting and thanks for buying.

458
00:28:40,519 --> 00:28:45,400
Speaker 6: A wale, Sir Walter Raleigh, the pipe tobacco, the great

459
00:28:45,480 --> 00:28:48,880
superior on all five counts. Check them a rich ripe,

460
00:28:49,000 --> 00:28:52,240
full bodied burly blend Sir Walter Raleigh pipe tobacco mellowed

461
00:28:52,279 --> 00:28:56,119
with rum for extra smoothness, deep down satisfying goodness. That's

462
00:28:56,160 --> 00:28:59,359
Sir Walter Raleigh pipe tobacco. Clean smoking all the way down,

463
00:28:59,559 --> 00:29:02,319
no leaves, only a clean dry egg.

464
00:29:02,400 --> 00:29:05,240
Speaker 4: And that's Sir Walter Raleigh. Pipe tobacco ripped cut for

465
00:29:05,400 --> 00:29:06,680
slow even cool.

466
00:29:06,759 --> 00:29:07,079
Speaker 1: Bernie.

467
00:29:07,200 --> 00:29:10,559
Speaker 6: Yes, Sir Walter Raleigh pipe tobacco, a brand of Grand

468
00:29:10,640 --> 00:29:14,000
Aroma keeps Home, Sweet Home. It's Sir Walter Raleigh. Sooner

469
00:29:14,119 --> 00:29:17,519
or later your favorite tobacco smoke, Sir Walter Raleigh, the

470
00:29:17,759 --> 00:29:21,559
quality pipe Tobacco of America. Brown Williamson invites you toother

471
00:29:21,599 --> 00:29:23,079
good listening during the week. Listen to the People That

472
00:29:23,160 --> 00:29:25,000
Funny program with Odd link Letter next Friday, and.

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Speaker 4: Join us again with Red Skelton next Tuesday.

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Speaker 6: Rad Skelvin has heard in this program to the Curtesy

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of Metro Golden May that Scaldon is brought to you

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by the Brown and Williamson Tobacco Corporation.

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Speaker 4: I know great, it's the NBC, the National Roo