1 00:00:01,600 --> 00:00:02,080 Speaker 1: The Street. 2 00:00:02,120 --> 00:00:17,719 Speaker 2: This is listens listens, pray, let hit, shop for the food, Chime, 3 00:00:18,399 --> 00:00:25,120 nogap shop in the t lose blaw the one who 4 00:00:25,160 --> 00:00:29,120 knows it your hope, She's your fortune. We locked in 5 00:00:29,760 --> 00:00:34,119 top in, t lose Low, Spotify, What Up ALREADYO? 6 00:00:34,240 --> 00:00:38,359 Speaker 1: What Up? Amazon Music? What Up? And all other streaming 7 00:00:38,840 --> 00:00:40,479 major plat. 8 00:00:40,320 --> 00:00:44,359 Speaker 2: From begin with this Street. This is listens listen say 9 00:00:44,640 --> 00:00:51,719 Praying the Street. This is listen. 10 00:00:51,920 --> 00:00:52,439 Speaker 3: Listen you. 11 00:00:58,039 --> 00:01:04,959 Speaker 2: Rely Street Listen. It's locked in and we're doing major 12 00:01:05,040 --> 00:01:07,040 things being hiybody doing the. 13 00:01:07,120 --> 00:01:18,079 Speaker 1: Night man high like dumb and y'all to night. I 14 00:01:18,120 --> 00:01:20,159 want to touch on something that. 15 00:01:22,680 --> 00:01:26,319 Speaker 2: Caught my attention, you understand, Uh, as far as like 16 00:01:26,719 --> 00:01:31,959 what's going on with music in the industry, you know 17 00:01:31,959 --> 00:01:36,920 what I'm saying with I'm saying, I'm saying with the Midwest, 18 00:01:37,519 --> 00:01:42,319 starting from Detroit all the way out to you know, 19 00:01:42,480 --> 00:01:43,879 like the West coast in La. 20 00:01:45,359 --> 00:01:47,159 Speaker 1: Yeah. Yeah, yeah, yeah yeah. 21 00:01:47,200 --> 00:01:49,920 Speaker 2: It's something I want to talk talk about and touch 22 00:01:49,959 --> 00:01:54,280 on because like I want to make it be clear 23 00:01:54,920 --> 00:02:01,159 that you know, I actually dropped a song, you know, tonight, 24 00:02:01,680 --> 00:02:05,200 and the name of the song is pretty much called 25 00:02:06,000 --> 00:02:07,239 Drill is Still Alive. 26 00:02:07,760 --> 00:02:11,240 Speaker 1: And this song is pretty much gonna be. 27 00:02:11,800 --> 00:02:17,400 Speaker 2: The actual introduction to the crab voucherl Streets is listening 28 00:02:17,919 --> 00:02:22,879 mixtape that's on the way, volume one, but it's really 29 00:02:22,919 --> 00:02:26,599 a two. You understand what I'm saying, And it's two 30 00:02:26,919 --> 00:02:32,800 of a volume one. It's the mid West Connection Compilation. Man, 31 00:02:33,319 --> 00:02:36,400 so I want all my drill rappers, I want all 32 00:02:36,479 --> 00:02:40,039 my Midwest artistists to stand up and let's pop the 33 00:02:40,039 --> 00:02:42,199 sting golf man because it's about to go down. 34 00:02:42,280 --> 00:02:43,639 Speaker 1: Man, yup the. 35 00:02:43,639 --> 00:02:47,439 Speaker 2: Street about to go down. 36 00:02:47,439 --> 00:02:48,280 Speaker 1: It's about to go down. 37 00:02:48,360 --> 00:02:50,680 Speaker 2: And I'm gonna leave inside this inscription where you can 38 00:02:50,719 --> 00:02:52,240 actually submit your music too. 39 00:02:52,719 --> 00:02:54,199 Speaker 1: But for those. 40 00:02:53,919 --> 00:02:56,800 Speaker 2: Who probably can't read or something, and I ain't trying 41 00:02:56,800 --> 00:02:57,599 to be funny. 42 00:02:57,879 --> 00:02:59,919 Speaker 1: You seeing all music too. 43 00:03:00,199 --> 00:03:04,000 Speaker 2: Top e in TV Music Group at top TV dot 44 00:03:04,120 --> 00:03:07,759 org one at Gmail. That's top TV dot org one 45 00:03:08,080 --> 00:03:11,039 at Gmail. Submit your music for t E m G. 46 00:03:11,479 --> 00:03:13,960 That's Top n T Music Group and you know a 47 00:03:14,080 --> 00:03:16,439 n R S or check it out and the hottest 48 00:03:16,439 --> 00:03:25,639 ones they're going on this the street Mix tape, Volume 49 00:03:25,719 --> 00:03:29,400 one of a tool that's coming to all screaming major 50 00:03:29,439 --> 00:03:32,759 platforms and you'll be able to find it also on YouTube, 51 00:03:33,439 --> 00:03:35,000 and it's a Midwest connection. 52 00:03:35,319 --> 00:03:43,639 Speaker 1: So get ready, man, it's gonna be dope. So and anyway. 53 00:03:43,599 --> 00:03:49,039 Speaker 2: Anyway music right now from the first crab out this 54 00:03:49,240 --> 00:03:52,520 mixtape volume one of the streets is listening. It's out 55 00:03:52,560 --> 00:03:54,840 right now on YouTube and you can gonna go catch 56 00:03:54,879 --> 00:03:57,479 it on on you know, our top n T t 57 00:03:57,680 --> 00:04:01,240 V YouTube channel at top E and T one. 58 00:04:01,360 --> 00:04:06,120 Speaker 1: Man is that like now it's dope? Yep, yep. 59 00:04:06,479 --> 00:04:09,039 Speaker 2: But listen, this fire is fire that's out right now. 60 00:04:09,360 --> 00:04:11,719 You understand what I'm saying. You can actually catch you 61 00:04:11,800 --> 00:04:14,280 no topy and t TV on our social media platform 62 00:04:14,680 --> 00:04:20,439 on Facebook. Yo, Man, Drill Music is still alive. This 63 00:04:20,480 --> 00:04:23,959 one is for old Block liquor shot Man on the Lock. 64 00:04:24,199 --> 00:04:27,319 This one is for Keith Vaughn likor shot Man on 65 00:04:27,360 --> 00:04:27,720 the Lock. 66 00:04:28,000 --> 00:04:28,839 Speaker 1: This one is for a. 67 00:04:28,720 --> 00:04:32,879 Speaker 2: Little dirt l And it's dope and it's lit man, 68 00:04:32,959 --> 00:04:36,000 and it's so lit. It's so lit that you know, 69 00:04:37,879 --> 00:04:39,360 I'm part of myself with this one. 70 00:04:39,439 --> 00:04:40,519 Speaker 1: You understand what I'm saying. 71 00:04:40,560 --> 00:04:41,120 Speaker 2: I really am. 72 00:04:41,240 --> 00:04:42,079 Speaker 1: I'm proud of myself. 73 00:04:42,360 --> 00:04:45,079 Speaker 2: But the reason why I'm prout of myself is because 74 00:04:45,199 --> 00:04:48,360 I don't call myself as no rapper. I ain't no lyricists, 75 00:04:48,360 --> 00:04:50,519 I ain't no artist. You know what I'm saying or 76 00:04:50,519 --> 00:04:53,279 nothing like that. I'm just a CEO that just you know, 77 00:04:53,639 --> 00:04:56,160 got a recording studio. You know what I'm saying, topy 78 00:04:56,199 --> 00:04:58,600 and T studios, and I love to record and make 79 00:04:58,720 --> 00:05:01,879 music for my own content. You understand what I'm saying. 80 00:05:02,199 --> 00:05:06,959 But I just want to just let it be known. Dad, 81 00:05:07,120 --> 00:05:11,480 you understand what I'm saying. And I never thought i'd 82 00:05:11,519 --> 00:05:14,240 be saying this, but I feel like Kendred Lamar is 83 00:05:14,319 --> 00:05:17,720 a little overrated man, and I feel like he's a 84 00:05:17,759 --> 00:05:19,360 little overrated now now. 85 00:05:19,519 --> 00:05:21,079 Speaker 1: I don't like the fact that. 86 00:05:21,240 --> 00:05:25,240 Speaker 2: You know, you know or whoever is disrespecting and you 87 00:05:25,279 --> 00:05:27,240 know what I'm saying, whacking out his murals. 88 00:05:26,800 --> 00:05:28,279 Speaker 1: And shit, you understand what I'm saying. 89 00:05:28,560 --> 00:05:29,040 Speaker 2: The street. 90 00:05:32,680 --> 00:05:33,639 Speaker 1: I don't condone that. 91 00:05:33,759 --> 00:05:35,800 Speaker 2: You know what I'm saying, but they banging on him 92 00:05:35,800 --> 00:05:39,160 for whatever reason they chose to, and I ain't got 93 00:05:39,160 --> 00:05:41,160 nothing to do with that. You understand what I'm saying, 94 00:05:41,199 --> 00:05:43,959 because sure, I mean it is what it is. I 95 00:05:43,959 --> 00:05:47,480 don't but I want to say that I don't know 96 00:05:47,519 --> 00:05:50,800 why his miracle got right down, but maybe it probably 97 00:05:50,800 --> 00:05:53,600 did because he overrated man. 98 00:05:52,519 --> 00:05:54,839 Speaker 1: And I really do mean that. 99 00:05:54,959 --> 00:05:57,600 Speaker 2: I mean, like I feel like drill music is still alive, 100 00:05:58,319 --> 00:06:00,839 and I feel like I feel like Kendri the Lamar 101 00:06:00,959 --> 00:06:05,600 man is not He's not the king of the West. Man. 102 00:06:06,079 --> 00:06:12,120 You know what I'm streets and for many reasons why 103 00:06:12,160 --> 00:06:16,360 you understand what I'm saying now it's far the streets. 104 00:06:19,800 --> 00:06:23,079 Then of course you already know that. You know it's 105 00:06:23,120 --> 00:06:25,560 gonna be an ear to what he's saying. And for 106 00:06:25,680 --> 00:06:28,639 me and how he coming with his music, that's his 107 00:06:28,800 --> 00:06:32,360 music is not really for the streets. To me, kender 108 00:06:32,439 --> 00:06:36,959 Lamar is making commercial music. Man, you like it's it's 109 00:06:37,040 --> 00:06:37,360 to me. 110 00:06:37,319 --> 00:06:38,480 Speaker 1: He's making commercial music. 111 00:06:38,800 --> 00:06:42,759 Speaker 2: And to me, it just feels like his music is 112 00:06:42,879 --> 00:06:47,240 just all about Drake. You understand what I'm saying, like 113 00:06:48,439 --> 00:06:51,720 and a bunch of other little references in the inside this. 114 00:06:51,879 --> 00:06:54,040 Speaker 1: All you know, videos and shit, and. 115 00:06:54,399 --> 00:06:57,959 Speaker 2: But my thing is this, man, Like, be more clear, man, 116 00:06:58,079 --> 00:07:01,879 you understand so so like so like people can really 117 00:07:01,959 --> 00:07:05,079 understand what you're talking about. You understand I'm saying what's 118 00:07:05,079 --> 00:07:10,240 going on now. For me, I'm not the biggest Kendrick 119 00:07:10,319 --> 00:07:15,079 Lamar fan, but I will say that to Pimple. Butterfly 120 00:07:15,240 --> 00:07:17,399 to me is his best album that he ever dropped 121 00:07:17,759 --> 00:07:20,480 inst I'm saying in an album that I can relate to. 122 00:07:20,600 --> 00:07:25,279 It was very controversial, it was very uh profound, and 123 00:07:25,319 --> 00:07:27,319 it was very much needed when it dropped, and it 124 00:07:27,439 --> 00:07:39,959 was dope give up. But I just wanted to let 125 00:07:40,040 --> 00:07:43,399 it be known, you understuf. I'm saying with this episode 126 00:07:44,000 --> 00:07:49,040 that like, I feel like Kendrick Lamar, he's he's overrated, 127 00:07:50,399 --> 00:07:54,120 and you know, I feel like we need a new 128 00:07:54,240 --> 00:07:59,439 King of La, man, a relatable King of La who 129 00:07:59,480 --> 00:08:03,040 can actually relate to what the fuck he's saying. Hey, 130 00:08:03,120 --> 00:08:05,279 and I'm gonna say, man, you know what I'm saying, 131 00:08:05,319 --> 00:08:09,000 I miss Nipsy Man for that purpose right there? 132 00:08:09,040 --> 00:08:09,759 Speaker 1: Man, I really did. 133 00:08:09,759 --> 00:08:16,920 Speaker 2: Man under stating thing, but I just thought i'd put 134 00:08:16,959 --> 00:08:19,040 that out there. Man, you understand what I'm saying as 135 00:08:19,040 --> 00:08:22,240 far as like with music and setting a new tone 136 00:08:22,399 --> 00:08:26,439 for twenty twenty five, because I know for sure that 137 00:08:26,600 --> 00:08:29,759 after this right here, drill music is finna pop off 138 00:08:30,160 --> 00:08:32,639 at an all time high because it didn't down with 139 00:08:32,720 --> 00:08:35,600 King Von, because it didn't start with King Von. And 140 00:08:35,679 --> 00:08:40,279 guess sweat Man, Drill Music is still alive. The mixtape 141 00:08:40,320 --> 00:08:43,200 Crab Vouchers the Street is this and it this. 142 00:08:43,080 --> 00:08:44,600 Speaker 1: Is for the Old Block I'm doing it for that. 143 00:08:45,080 --> 00:08:45,240 Speaker 4: Yeah. 144 00:08:45,399 --> 00:08:46,159 Speaker 1: Feel what I'm saying. 145 00:08:46,600 --> 00:08:57,559 Speaker 2: It is what it is, you know what I'm saying. Yeah, Yeah, 146 00:08:57,600 --> 00:08:59,559 And speaking of the speeches, listening. 147 00:09:01,360 --> 00:09:02,720 Speaker 1: I want the whole world. 148 00:09:02,759 --> 00:09:07,919 Speaker 4: I want every street in the whole world to tap 149 00:09:08,080 --> 00:09:14,399 in and tune in for this crab Voucher Street is 150 00:09:14,639 --> 00:09:17,840 Listen to the street documentary that's. 151 00:09:17,679 --> 00:09:22,679 Speaker 2: About the drug on all screaming major platforms. 152 00:09:23,000 --> 00:09:25,639 Speaker 1: Y'all get ready for this a head man, I'm promoting 153 00:09:25,639 --> 00:09:30,279 the hell out of this. I'm promoting the hair out 154 00:09:30,279 --> 00:09:30,480 of this. 155 00:09:38,879 --> 00:09:42,639 Speaker 2: And bang that link in this biyo on this episode 156 00:09:43,159 --> 00:09:46,519 Top End t Shop Deluxe and get them new Ever 157 00:09:46,759 --> 00:09:49,440 hats man, especially for all y'all that be claiming y'all 158 00:09:49,480 --> 00:09:53,200 hoods and shit, ain't no way y'all ain't banged that 159 00:09:54,399 --> 00:09:59,200 link and the bio on all them social media platforms, 160 00:09:59,240 --> 00:10:01,120 top of the food chain, the table top, n T 161 00:10:01,240 --> 00:10:05,200 TV or inside this episode and get you a hat 162 00:10:05,320 --> 00:10:08,559 from New Era to to you know, rip your hood man, Like, 163 00:10:08,679 --> 00:10:13,519 what y'all on man? What is y'all on gay the Street? 164 00:10:17,120 --> 00:10:18,919 Speaker 1: Yeah? What is y'all on man again? 165 00:10:19,000 --> 00:10:21,960 Speaker 2: Man? Top E and t de Luxe Man, New Era 166 00:10:22,120 --> 00:10:27,039 Hats trans Fashions accessories, tap in and just take shopping 167 00:10:27,080 --> 00:10:29,440 to the next level, man, for your little holidays. 168 00:10:29,440 --> 00:10:38,720 Speaker 1: Man, kick the shop for that Nick your shot for 169 00:10:38,799 --> 00:10:41,080 that you know what I'm saying. I mean, I mean, 170 00:10:41,200 --> 00:10:41,639 you say. 171 00:10:41,559 --> 00:10:43,879 Speaker 2: You love the homies, you say you love the bros. 172 00:10:44,080 --> 00:10:46,759 So what better gift to give the bro What better 173 00:10:46,799 --> 00:10:48,000 gift to give a homie? 174 00:10:48,120 --> 00:10:48,840 Speaker 1: What that hat? 175 00:10:49,000 --> 00:10:54,159 Speaker 2: Man, a new era hat that's actually claiming y'all don't 176 00:10:54,159 --> 00:10:57,480 get no better than that the street. 177 00:11:00,159 --> 00:11:00,360 Speaker 1: Yeah. 178 00:11:00,480 --> 00:11:03,000 Speaker 2: Man, Hey, I'm having my way with this right here though. 179 00:11:03,039 --> 00:11:05,399 Speaker 1: Man, I'm having fun man, and I just. 180 00:11:05,320 --> 00:11:09,720 Speaker 2: Wanna just give a big old warming, you know, like 181 00:11:09,879 --> 00:11:14,120 shout out to you know, all my listeners and followers, 182 00:11:14,159 --> 00:11:17,879 specially on topy and T News blog on Spotify, Hour 183 00:11:17,879 --> 00:11:20,960 All Radio, Amazon Music, any place where you can find podcasts, 184 00:11:21,200 --> 00:11:25,080 y'all need to tap into the video podcast version of 185 00:11:25,159 --> 00:11:28,879 TOPI and T News Blog on Spotify at toppying T Deluxe. 186 00:11:28,879 --> 00:11:43,639 Speaker 1: Man, it's lit, man, I'm telling you, it's really really 187 00:11:43,679 --> 00:11:45,840 really really really really really really really lit man. 188 00:11:45,919 --> 00:11:48,720 Speaker 2: And I'm really really having fun well you know everything 189 00:11:48,720 --> 00:11:53,240 we doing, especially with our community over there on Facebook. 190 00:11:53,399 --> 00:11:53,600 Speaker 4: Man. 191 00:11:54,039 --> 00:11:56,879 Speaker 2: So that's top off spelled together to hit the space 192 00:11:57,200 --> 00:12:00,879 the food chain spelled together topy and te TV a 193 00:12:01,000 --> 00:12:04,440 social media platform, Facebook is lit. You can also hop 194 00:12:04,480 --> 00:12:10,279 on the wave on Instagram at top dot en t dot. 195 00:12:10,000 --> 00:12:12,879 Speaker 1: TV Man, and. 196 00:12:12,759 --> 00:12:15,200 Speaker 2: You know, just tap in with us, man out the 197 00:12:15,200 --> 00:12:19,200 wave with this man. We're doing some major great things. Man, 198 00:12:19,480 --> 00:12:23,440 I'm having fun. Like I say, yo, this type of 199 00:12:23,440 --> 00:12:26,519 the food chain entertainment ain't going nowhere. So you know 200 00:12:26,519 --> 00:12:28,679 what I'm saying, like, get in where you fit in 201 00:12:28,799 --> 00:12:33,600 at and also all my NFL lovers, all my sports lovers, 202 00:12:33,919 --> 00:12:38,200 all my NBA lovers. Man, listen, top in T Deluxe 203 00:12:38,600 --> 00:12:41,960 shop for your merch shot for all your sports merch 204 00:12:42,080 --> 00:12:46,960 because top in T Sports Unlimited is banging. Man. We 205 00:12:47,639 --> 00:12:51,399 actually got a newscasting channel man for top a T TV. 206 00:12:51,919 --> 00:12:55,759 Speaker 1: When it comes to sports, man, it's Dope. 207 00:13:03,519 --> 00:13:10,039 Speaker 2: Street. When y'all already know where y'all lucked into. Man, 208 00:13:10,240 --> 00:13:17,919 y'all already know how it's going down for twenty twenty five. 209 00:13:18,240 --> 00:13:22,240 Now listen, I gotta no cap crown. Then I'm about 210 00:13:22,240 --> 00:13:28,840 to drop again this year cause you know, little baby 211 00:13:28,879 --> 00:13:29,840 got the last one. 212 00:13:29,960 --> 00:13:31,799 Speaker 1: You know what I'm saying. And also. 213 00:13:33,159 --> 00:13:36,399 Speaker 2: I don't know, man, Look, just keep on the lookout 214 00:13:36,440 --> 00:13:39,000 for this dope shit man high and to all y'all 215 00:13:39,200 --> 00:13:41,799 niggas and all y'all bitches that like you know, like 216 00:13:41,799 --> 00:13:44,159 like like actually like turns y'all back on me. Man, 217 00:13:44,399 --> 00:13:48,639 I just got one question for y'all. Man. 218 00:13:46,720 --> 00:13:49,679 Speaker 1: Why they mad at me? 219 00:13:51,559 --> 00:13:51,919 Speaker 3: Nigga? 220 00:13:52,200 --> 00:13:52,879 Speaker 1: They mad at me? 221 00:13:53,960 --> 00:14:01,720 Speaker 2: Street? Are you mad at me? You're supposed to beat 222 00:14:01,720 --> 00:14:03,840 my bow? Put the whole me down there? 223 00:14:03,879 --> 00:14:04,440 Speaker 3: Signing on men? 224 00:14:04,759 --> 00:14:05,600 Speaker 4: What you told me? 225 00:14:06,000 --> 00:14:07,039 Speaker 2: What the pay your des up? 226 00:14:07,080 --> 00:14:07,759 Speaker 4: Pay yo, do that? 227 00:14:07,840 --> 00:14:10,240 Speaker 3: And now you owe me? You try you about got 228 00:14:10,279 --> 00:14:10,960 you didn't show me? 229 00:14:11,600 --> 00:14:11,919 Speaker 4: Old me? 230 00:14:12,360 --> 00:14:13,320 Speaker 3: What the fuck you lie? 231 00:14:13,360 --> 00:14:13,639 Speaker 2: They mean? 232 00:14:13,679 --> 00:14:15,159 Speaker 4: You see me? You gonna speak to me? 233 00:14:15,639 --> 00:14:17,919 Speaker 3: You kin god to be like, don't wanna stup, gonna 234 00:14:17,919 --> 00:14:20,399 bible me? What the fuck you leave? And you told 235 00:14:20,480 --> 00:14:22,879 me that you leave me? Like every time about. 236 00:14:22,639 --> 00:14:23,919 Speaker 1: See you up after them? 237 00:14:23,960 --> 00:14:26,639 Speaker 3: I come see me because I don't see no ops. 238 00:14:26,720 --> 00:14:29,799 I'ma take these ducking cops. Ain't open up no traps 239 00:14:29,879 --> 00:14:33,000 butt to sit into them high. These niggas getting shot, 240 00:14:33,240 --> 00:14:36,279 they probably planning and fly. All all them stumbling blocks 241 00:14:36,320 --> 00:14:39,480 got me climbing to the top. See y'all out bonus money, 242 00:14:39,919 --> 00:14:43,240 you can keep the pops all our bonus throat you 243 00:14:43,279 --> 00:14:44,240 can keep the box. 244 00:14:44,720 --> 00:14:47,519 Speaker 2: I just want the roads fork. You can keep them jump. 245 00:14:47,399 --> 00:14:49,799 Speaker 3: Up, but they give them honey men. Because my husban 246 00:14:49,799 --> 00:14:50,840 a hearted nothing. 247 00:14:58,679 --> 00:14:59,159 Speaker 1: The street. 248 00:14:59,200 --> 00:14:59,960 Speaker 2: This is rious