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<v Speaker 1>The Adventures of the Falcon, storrying, let's remain.

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<v Speaker 2>Hello.

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<v Speaker 1>Yes he's the Falcon speaking, Oh Lucy. I'm always sorry, Angel,

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<v Speaker 1>but I'm afraid I'll have to skip tonight. I have

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<v Speaker 1>to check on a character who's handing his girl a

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<v Speaker 1>fast line. Claims he'll make a big.

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<v Speaker 2>Mark in the world, and maybe he will unless somebody

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<v Speaker 2>rub him up.

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<v Speaker 1>Once again, the Mutual Broadcasting System brings you The Adventures

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<v Speaker 1>of the Falcon. The Falcon, as you know, is Michael Werry,

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<v Speaker 1>free lance detective who's always ready with a hand for

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<v Speaker 1>oppressed man and an eye for repressed women. So join

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<v Speaker 1>him tonight when the Falcon learns murder is a bad bluff.

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<v Speaker 1>It's early Monday evening in New York when the door

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<v Speaker 1>of a small Fifth Avenue jewelry store opens and the

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<v Speaker 1>clerk alone in the store turns the face of a

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<v Speaker 1>dupper young man.

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<v Speaker 2>Okay, what's can? I is? William? Were you ever in love?

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<v Speaker 2>Where I well? Nature?

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<v Speaker 3>This year?

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<v Speaker 1>I'm a man. I dare say I love my wife?

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<v Speaker 1>If you dare say you don't. Let's see the most

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<v Speaker 1>expressive breaklest you have, Yes, sir, one of them a.

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<v Speaker 2>Breaklet one Cecle had tiny eyed a down rich.

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<v Speaker 4>Had a dog.

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<v Speaker 1>That's a rod strange imas you tidna say, show you

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<v Speaker 1>may see roster. Now just bring beautiful out table. Now

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<v Speaker 1>let's see something in engageable. Yes, sir see right.

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<v Speaker 2>M Gooden's think actually which find the hole table and

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<v Speaker 2>they just thought.

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<v Speaker 1>Oh, these are the best you have. Let's see the

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<v Speaker 1>really bast o wait up to marry your gun. Yes,

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<v Speaker 1>and no, say I know you're kind of warm all

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<v Speaker 1>of a sudden, so bring out the ice and will

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<v Speaker 1>cool off. Yes, and hurry it up where all of

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<v Speaker 1>a sudden you will be cold, Yes, a stone cold.

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<v Speaker 5>Yes, all right, record, let's go okay.

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<v Speaker 3>Got the stuff.

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<v Speaker 2>I've got the stuff.

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<v Speaker 3>Okay, back leave And what took you so long?

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<v Speaker 2>I wanted to do the job right. Gave the clerk

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<v Speaker 2>a build.

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<v Speaker 3>Up, build up, build up. You got a gun, haven't

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<v Speaker 3>you what more build up?

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<v Speaker 1>You gotta have trouble with this profession record, not enough imagination.

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<v Speaker 1>You walk in with a gun, the clerk sees it's

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<v Speaker 1>a hold up. And right from the start of tin

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<v Speaker 1>against you.

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<v Speaker 6>But with me you would talk to talk to up to

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<v Speaker 6>talk all of that, change your pace.

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<v Speaker 2>That's the secret power believe me, change your pace, keep.

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<v Speaker 1>Them get by the time much didn't you get a

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<v Speaker 1>hatful rain bracelets, necklaces?

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<v Speaker 2>Thirty forty grand? Works of me?

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<v Speaker 3>Okay, we lay load a couple of days in an unload.

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<v Speaker 2>I'll unload. How that?

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<v Speaker 1>Let me handle offense the old change of pay, so

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<v Speaker 1>ought'll be good for an extra ten grand?

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<v Speaker 6>Why okay, Barclay, you unload? I know you say it

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<v Speaker 6>way I don't. But how else can I shut you up?

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<v Speaker 7>Oh? Hello?

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<v Speaker 1>Bade an angel swave lad in my life commission?

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<v Speaker 2>Hey you what's the matter? You call that a kiss?

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<v Speaker 2>Where's the voltage?

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<v Speaker 7>Jest?

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<v Speaker 2>I know you're tired. Well I've got a little surprised

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<v Speaker 2>for you. Baby. It'll pet you up. Yeah, take us

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<v Speaker 2>quit at this like I promise. Look at the size

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<v Speaker 2>of X Barklay, that's what I think of you should

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<v Speaker 2>be You rake the press?

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<v Speaker 7>Where did you get it?

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<v Speaker 2>But I get it? I bought it. I'm in the

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<v Speaker 2>chip sugar swung a big deal with.

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<v Speaker 7>The president of the Midwestern Railroad.

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<v Speaker 2>That's right.

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<v Speaker 7>I told you huge told me a lot of things.

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<v Speaker 7>But I can read, Bud.

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<v Speaker 2>That's that's supposed to be.

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<v Speaker 7>Just that there's an item on the society pages. The

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<v Speaker 7>president of the Midwestern Railroad happens to be away on

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<v Speaker 7>a yachting trip.

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<v Speaker 1>Uh, sure, sure, I know that, sugar. I've been contacting

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<v Speaker 1>them by radio.

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<v Speaker 7>In that case, you ought to be able to tell

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<v Speaker 7>me where this yachting ship is.

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<v Speaker 2>Sure, sure, all right?

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<v Speaker 7>Go ahead? Where is Newport? You'll muse it, doulf of Mexico?

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<v Speaker 2>Maybe what is this a third degree?

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<v Speaker 8>But you're ask me to marry you. I've got a

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<v Speaker 8>right to know something about you. I'm tired of these

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<v Speaker 8>big stories now I want the truth.

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<v Speaker 2>Sure, there's some things you can't explain.

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<v Speaker 7>Why.

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<v Speaker 2>Well, well, look it's like this, a terrific merger's on

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<v Speaker 2>the fire, see but terrific.

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<v Speaker 1>If word gets thought about it, even the hand, it

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<v Speaker 1>will get the bock market on a fearc.

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<v Speaker 7>No, I don't see why you're handed.

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<v Speaker 2>This type sugar. Huh.

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<v Speaker 1>In a couple of days, it'll all be subtle, and

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<v Speaker 1>I'll collect my commission. You'll see they go thirty forty

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<v Speaker 1>thousand bucks on a person storm and then we can

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<v Speaker 1>make shops.

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<v Speaker 7>But if you won't trust me.

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<v Speaker 2>Then you'll trust me.

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<v Speaker 7>Well, give me some reason. I'm getting tired of fairy tape.

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<v Speaker 1>But did you ever happen to think sugar? Maybe I'm

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<v Speaker 1>getting tired of you're nagging.

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<v Speaker 2>I'm on the way up. You don't want to come along? Okay?

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<v Speaker 2>Don't remember you had your chance?

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<v Speaker 7>Maybe I did, but I've heard it's not always healthy

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<v Speaker 7>to take a chance. Hello, Mike are wearing?

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<v Speaker 2>That's right?

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<v Speaker 7>You're a private detective, the one they call a falcon

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<v Speaker 7>Are you very expensive?

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<v Speaker 1>Depends on what you call expensive and what you want

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<v Speaker 1>me to do. Come in, let's talk it over all.

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<v Speaker 2>Right. You might as well sit down, make suf comfortable

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<v Speaker 2>than you. Tell me your name, Gloria Peace? And why

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<v Speaker 2>are your water detective?

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<v Speaker 7>I'm engaged to be mad?

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<v Speaker 2>Congratulations.

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<v Speaker 7>I'm not sure they're in order. That's what I want

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<v Speaker 7>you to find out.

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<v Speaker 1>Just second, Gloria, I don't go in for petty snooping.

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<v Speaker 1>If you're just trying to find out whether your boyfriend

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<v Speaker 1>is stepping out.

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<v Speaker 7>Of I'm not concerned about other women, all right, Then

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<v Speaker 7>what I want to know is what does he do

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<v Speaker 7>for a living?

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<v Speaker 2>Didn't he tell you yes, a number of things, but

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<v Speaker 2>you don't believe him.

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<v Speaker 7>I didn't till yesterday.

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<v Speaker 8>They're too fantastic, all about big business deals, but he

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<v Speaker 8>won't give me any details. It's also secretive. I can't

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<v Speaker 8>help wondering if Baby he's mixed up in something illegal.

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<v Speaker 7>Otherwise why would he try to keep things from him?

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<v Speaker 2>I don't know.

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<v Speaker 7>Well, what'll it cost to have you investigated?

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<v Speaker 1>Quite a lot, But I'll give you some advice for nothing.

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<v Speaker 1>What's that forgetting? I can't as long as you have

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<v Speaker 1>such serious doubts.

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<v Speaker 7>About him, I love him.

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<v Speaker 2>Well, then what are you doing here.

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<v Speaker 7>Hoping you'll prove my doubts are wrong?

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<v Speaker 1>And if they aren't, I don't know, mister Waring, you're

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<v Speaker 1>just asking for heartie Gloria.

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<v Speaker 7>Well, it's my heart and my money, So how much

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<v Speaker 7>do you want for you? The tasing.

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<v Speaker 2>Hello turns my reading. I'd beings to hear wedding. You

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<v Speaker 2>only hang around and bed it when you're looking for something.

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<v Speaker 2>I like television.

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<v Speaker 1>Yes, you shouldn't have such a suspicious nature, turnings bad

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<v Speaker 1>for your detention.

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<v Speaker 2>I don't like coppers, and I don't like private dick

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<v Speaker 2>Well every man with taste.

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<v Speaker 1>You've seen Barkley lately, Oh, Bud Barkley. I don't know Barkley.

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<v Speaker 1>I haven't seen him. I don't know anybody. I don't

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<v Speaker 1>know anything.

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<v Speaker 2>It's funny.

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<v Speaker 1>I was told you're a pretty good friend of Barkley.

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<v Speaker 1>Who oh, I've been getting around. In fact, Barkley himself

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<v Speaker 1>tells me you were on a little.

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<v Speaker 2>Job with him the other day. That's a lie. Sure,

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<v Speaker 2>I was never done a jab with Barkley in my life.

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<v Speaker 2>It was anybody who was Ricard. He's the only one.

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<v Speaker 2>I thought you didn't know Barkley, so I know him.

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<v Speaker 2>So thanks? But what for some very pleasant conversation? Hello

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<v Speaker 2>t I boy your drink tacty just the second back.

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<v Speaker 2>I've been looking for you. Oh hello, Conness. Sorry, I

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<v Speaker 2>can't stop now I've got a date. I did I

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<v Speaker 2>ever wait for you, But I'm late.

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<v Speaker 7>You'll be late.

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<v Speaker 2>It out, that's a clean shirt. Just answer me one

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<v Speaker 2>question then I'll let you go to the devil beating you.

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<v Speaker 2>I'm coming without reading what you did about me? What

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<v Speaker 2>are you talking about? You're already wearing who's wearing? Mike wedding?

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<v Speaker 2>The sports? Are? You're crazy? Tennis? I don't even know

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<v Speaker 2>where he says you do? Well, I don't get you.

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<v Speaker 2>Better go out. I'll take another cab. That's just what

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<v Speaker 2>does wearing say? I told him? He says you told

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<v Speaker 2>him I put a job with you.

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<v Speaker 1>But that's what he said about so you blew your

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<v Speaker 1>top and started japping about me.

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<v Speaker 2>He said it it made me sor you popped off.

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<v Speaker 2>I didn't say, mind you some shirt? Don't you see

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<v Speaker 2>wearing with trying to trap enter spelling on it? I didn't. Still,

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<v Speaker 2>at least you didn't know about the Halloway job. I'm

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<v Speaker 2>wondering Holloway job. Uh?

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<v Speaker 1>Look, looks you got any idea? What's wearing tangle? Is howit?

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<v Speaker 1>That was the jewelry hole?

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<v Speaker 2>Lessen turns you're the boy who pulled that one.

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<v Speaker 3>You were RecA.

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<v Speaker 2>You didn't hear me, right? I heard you very dig

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<v Speaker 2>and you know something, Bodley, I think wedding would be

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<v Speaker 2>kind of interested to hear about it too.

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<v Speaker 1>I don't start getting ideas. I got him already. Go ahead, buddy,

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<v Speaker 1>we won't discuss the pear. You don't want to keep

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<v Speaker 1>your dates waiting, and I gotta hunch you and me

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<v Speaker 1>are going to do business.

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<v Speaker 2>Hello. Sorry, I'm late.

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<v Speaker 7>Well, but I'm afraid to now and it's better never

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<v Speaker 7>than my.

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<v Speaker 2>Are you still on that kid?

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<v Speaker 7>I know how things stand out. That's why I asked you, and.

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<v Speaker 2>I thought maybe it comes to your sense. I have.

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<v Speaker 1>Were my look, Sugar. A lot of things have gone

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<v Speaker 1>wrong today. I don't want to have trouble with you too.

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<v Speaker 1>I have big business deals coming out.

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<v Speaker 8>With business with crooks like Greg Rickards and Lieuturnett, who's

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<v Speaker 8>been talking nobody.

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<v Speaker 7>I had to know the truth, but I had to,

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<v Speaker 7>so I hired a detective.

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<v Speaker 1>Oh so you don't one who hired wearing? Yes, you

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<v Speaker 1>won't be satisfied until.

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<v Speaker 2>I do a stretch what you know?

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<v Speaker 7>But I don't want to cause you any trouble. I

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<v Speaker 7>don't How did I found out what I wanted to know?

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<v Speaker 7>I've called off Mike. Oh it's my mister Waring. What's

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<v Speaker 7>the difference anywhere? I called him off?

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<v Speaker 2>Thanks? What makes you sure he'll stay off?

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<v Speaker 8>He isn't interested in you, but he found out who

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<v Speaker 8>your friends are. That's all I wanted to know.

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<v Speaker 7>Now you better go.

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<v Speaker 1>Oh sure, sure, get out of here. But you're just dirty,

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<v Speaker 1>no good crooked. Go on, why don't you tell me off?

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<v Speaker 1>Tell me what you really think of me?

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<v Speaker 7>Get out?

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<v Speaker 2>But oh so now I'm not even where it's talking

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<v Speaker 2>to I just get out, all right, I'll get out,

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<v Speaker 2>but before I do, hit something from you to remember me?

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<v Speaker 7>Right?

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<v Speaker 2>Oh, I'm sorry, should.

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<v Speaker 1>But I don't know what's the matter because you're You're right,

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<v Speaker 1>I'm no good for anything.

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<v Speaker 2>You are, right, daddy? Huh?

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<v Speaker 7>Just get out of your get out?

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<v Speaker 2>If I record this is Barkley, I gotta see you

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<v Speaker 2>right away. I'll tell you when I see it. I okay,

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<v Speaker 2>you get here, okay, I'll be waiting right if I

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<v Speaker 2>don't you You got oh?

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<v Speaker 1>I see you recognize when you're on liquored up? You

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<v Speaker 1>mean by that you weren't so sociable this afternoon, brush

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<v Speaker 1>right by me without seaking?

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<v Speaker 2>When was there at Barkley?

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<v Speaker 3>What I wasn't at Barclays.

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<v Speaker 2>No funny. I could swear it was you. That's allow

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<v Speaker 2>I get so excited bout so I thought I saw you.

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<v Speaker 2>Is there something to make you blow it? Got?

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<v Speaker 3>No?

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<v Speaker 2>I just well, I wasn't there, okay, my mistake. You see.

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<v Speaker 1>I was going up to see Barkley, and just as

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<v Speaker 1>I started in the building, this character rushes out and,

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<v Speaker 1>like I say.

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<v Speaker 2>The dead dreamer for you. So I start to stay alone.

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<v Speaker 2>But you see, don't.

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<v Speaker 1>Stop by ring barcriast bell and no answer. When I

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<v Speaker 1>try the door and it's not last I go in.

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<v Speaker 2>And what do you think I find? I don't know,

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<v Speaker 2>don't you, Recad?

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<v Speaker 3>I told you, I don't.

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<v Speaker 2>I wasn't there, Okay, I remember that when the low

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<v Speaker 2>art thing. I'll tell them it wasn't you that I saw, Recrd.

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<v Speaker 2>It was just somebody who happens.

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<v Speaker 1>To look exactly like you. Oh wait, I have to

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<v Speaker 1>tell him something, because inside Barkley's apartment, I see how

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<v Speaker 1>come that character who rushes out he is in such

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<v Speaker 1>a hurry you don't.

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<v Speaker 2>Even notice an are you trying to see? You guessed this?

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<v Speaker 2>I find Barclay laying and the sofa, and he don't

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<v Speaker 2>even so much as say hello, which I can't blame.

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<v Speaker 1>Or seeing is how he just happens to be sort

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<v Speaker 1>of kind of danger very dead. Tomorrow throughout our nation,

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<v Speaker 1>Americans who appreciate the right to rule themselves will go

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<v Speaker 1>to the polls and cast their ballots to elect their leaders.

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<v Speaker 1>The right to vote is the very cornerstone of our

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<v Speaker 1>American heritage of freedom.

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<v Speaker 2>When you vote, vote as you please, as your.

279
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<v Speaker 1>Conscience dictates, but vote for freedom is everybody's job, and

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<v Speaker 1>you vote, you're letting America down. Now back to the

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<v Speaker 1>Adventures of the Falcon. A few hours have passed since

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<v Speaker 1>the murder of Bud Barclay. The story has hit the

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<v Speaker 1>newstands and found an interested reader in Mike Waring. He

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<v Speaker 1>was now calling on his ex client, Gloria Page.

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<v Speaker 2>You've seen the paper, Gloria. Yes, well, well you hire

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00:14:30.159 --> 00:14:32.759
<v Speaker 2>me to check on Barkley. I do, and my report

287
00:14:32.840 --> 00:14:33.279
<v Speaker 2>is hardly in.

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<v Speaker 1>When he winds up dead, I can't help wondering if.

289
00:14:35.840 --> 00:14:37.600
<v Speaker 2>There's a connection. Is there?

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00:14:38.720 --> 00:14:40.279
<v Speaker 7>If you mean did I kill him?

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00:14:40.799 --> 00:14:43.720
<v Speaker 2>No, you saw him this afternoon and had a fight.

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<v Speaker 7>What makes you say that?

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<v Speaker 2>Look in the mirror.

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<v Speaker 7>I told him we were through. He didn't like it.

295
00:14:51.039 --> 00:14:53.480
<v Speaker 2>He didn't like kind of rough.

296
00:14:53.799 --> 00:14:55.960
<v Speaker 7>He was curious when he found out that I'd hired you.

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00:14:56.279 --> 00:14:58.759
<v Speaker 2>Oh you told him then, so he slept you around?

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<v Speaker 2>Do you have an alibi for the murder time?

299
00:15:01.759 --> 00:15:04.320
<v Speaker 7>I don't know. I guess not. I was here alone

300
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<v Speaker 7>after he left.

301
00:15:04.960 --> 00:15:06.519
<v Speaker 1>Oh that's not going to sound to go to the police.

302
00:15:06.519 --> 00:15:09.039
<v Speaker 1>When they learn about your fight with Barklay, do they

303
00:15:09.080 --> 00:15:11.039
<v Speaker 1>have to know you were his girl? They're sure to

304
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<v Speaker 1>be around with questions.

305
00:15:13.000 --> 00:15:13.519
<v Speaker 7>What'll I do?

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00:15:13.600 --> 00:15:16.279
<v Speaker 2>That's up to you. You told me you loved barklery.

307
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<v Speaker 7>I thought I did well after this afternoon.

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00:15:20.000 --> 00:15:21.120
<v Speaker 2>Yeah, I see what you mean.

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00:15:21.279 --> 00:15:23.080
<v Speaker 7>You warned me that'd be hearted. There was when he

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00:15:23.159 --> 00:15:26.200
<v Speaker 7>told me he was Frenchy and that's the way he acted.

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00:15:26.200 --> 00:15:29.799
<v Speaker 2>It's all over you heal fast.

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<v Speaker 7>You think I killed him?

313
00:15:31.840 --> 00:15:32.440
<v Speaker 2>I didn't say that.

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<v Speaker 7>Believe me, Mike. I'm sorry he's dead. I was shocked

315
00:15:35.559 --> 00:15:39.320
<v Speaker 7>when I read about it. You don't believe me?

316
00:15:39.720 --> 00:15:41.679
<v Speaker 1>Oh that's all right, glory. Yeah, it's not me. You

317
00:15:41.759 --> 00:15:55.000
<v Speaker 1>have to convince. It's the police.

318
00:15:56.440 --> 00:15:56.679
<v Speaker 3>Yes.

319
00:15:57.320 --> 00:15:59.919
<v Speaker 2>Hello, my name is Michael Waring and like to talk

320
00:16:00.039 --> 00:16:05.279
<v Speaker 2>to you. What about murder? You're greg record, aren't you am? I?

321
00:16:05.600 --> 00:16:07.480
<v Speaker 1>Well, this is his apartment and you're in it, so

322
00:16:07.519 --> 00:16:09.200
<v Speaker 1>it seems like a reasonable assumption.

323
00:16:10.039 --> 00:16:11.679
<v Speaker 2>That's what I call a detective.

324
00:16:12.519 --> 00:16:14.759
<v Speaker 3>Okay, I'm record. Now where do we go from here?

325
00:16:14.799 --> 00:16:19.399
<v Speaker 2>Inside? More comfortable? All right? I'm glad you're not going

326
00:16:19.440 --> 00:16:20.039
<v Speaker 2>to be difficult.

327
00:16:20.559 --> 00:16:24.120
<v Speaker 3>That remains to be seen. How are you want?

328
00:16:24.840 --> 00:16:27.039
<v Speaker 2>I understand you and Bud Barkley were pals.

329
00:16:27.440 --> 00:16:29.200
<v Speaker 3>How can you understand that.

330
00:16:29.120 --> 00:16:31.279
<v Speaker 2>In my business? And fellow asked question that.

331
00:16:31.399 --> 00:16:33.240
<v Speaker 3>He doesn't always get the right answer.

332
00:16:33.320 --> 00:16:34.480
<v Speaker 2>I suppose you give me an answer.

333
00:16:34.519 --> 00:16:34.679
<v Speaker 1>Then?

334
00:16:35.399 --> 00:16:36.320
<v Speaker 2>Was Barkley a pal of you?

335
00:16:36.480 --> 00:16:36.960
<v Speaker 3>I knew him?

336
00:16:37.200 --> 00:16:39.159
<v Speaker 2>When's the last time he saw? A couple of days ago?

337
00:16:39.279 --> 00:16:42.960
<v Speaker 2>Not today? Not today? Where were you this afternoon? Right here?

338
00:16:43.080 --> 00:16:46.840
<v Speaker 2>All afternoon? All afternoon? Suppose I were to tell you

339
00:16:46.879 --> 00:16:49.159
<v Speaker 2>why I tried to phone you and got no answer, and.

340
00:16:49.120 --> 00:16:50.879
<v Speaker 6>I'd tear it in the shower and didn't hear the

341
00:16:50.919 --> 00:16:51.960
<v Speaker 6>phone for over an hour.

342
00:16:52.639 --> 00:16:56.159
<v Speaker 2>I kept trying. I was very dirty. Oh you can

343
00:16:56.200 --> 00:16:57.159
<v Speaker 2>do better than that record.

344
00:16:57.200 --> 00:17:00.000
<v Speaker 6>So I'll be taking an app for the radio plane.

345
00:17:00.039 --> 00:17:03.080
<v Speaker 2>It's better. But at least now I know you were lying.

346
00:17:03.159 --> 00:17:03.519
<v Speaker 2>Oh he know.

347
00:17:04.480 --> 00:17:06.559
<v Speaker 6>Anyhow, you haven't put me at Barkley. If that's what

348
00:17:06.599 --> 00:17:09.519
<v Speaker 6>you're trying to do, give me time. How come you're

349
00:17:09.759 --> 00:17:13.000
<v Speaker 6>trying to nail me for the job anyway, just because

350
00:17:13.079 --> 00:17:14.279
<v Speaker 6>I knew Barblays.

351
00:17:14.319 --> 00:17:17.640
<v Speaker 2>We have to start somewhere. Do you know any better suggests? Yeah,

352
00:17:17.680 --> 00:17:17.960
<v Speaker 2>there are.

353
00:17:17.920 --> 00:17:21.039
<v Speaker 6>Plenty, just as good anybody else who knew Barclay's girl,

354
00:17:21.160 --> 00:17:22.119
<v Speaker 6>For instance.

355
00:17:21.799 --> 00:17:24.920
<v Speaker 2>Gloriam, do you know any reason why she should have

356
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<v Speaker 2>wanted to kill?

357
00:17:25.480 --> 00:17:27.599
<v Speaker 3>But you know any reason why I should.

358
00:17:27.839 --> 00:17:30.559
<v Speaker 1>I'm working on it, But as long as we're playing

359
00:17:30.599 --> 00:17:30.960
<v Speaker 1>the field.

360
00:17:31.039 --> 00:17:36.160
<v Speaker 2>Just now, who else should we consider? Lou Turnez? No, no,

361
00:17:36.480 --> 00:17:38.839
<v Speaker 2>why do you say that? Why not he knew Barklay too?

362
00:17:38.839 --> 00:17:40.920
<v Speaker 2>Didn't he believe me wearing? It wasn't?

363
00:17:41.160 --> 00:17:41.440
<v Speaker 3>NAIs?

364
00:17:41.480 --> 00:17:42.960
<v Speaker 2>What makes you so sure? All right?

365
00:17:43.119 --> 00:17:45.480
<v Speaker 6>I'm not sure only I don't think it was Tournaiz.

366
00:17:45.559 --> 00:17:47.480
<v Speaker 2>It's not like him. Funny, you should be so anxious

367
00:17:47.519 --> 00:17:48.039
<v Speaker 2>to protect him.

368
00:17:48.079 --> 00:17:50.720
<v Speaker 3>I'm not trying to protect him. You think it's Turniz.

369
00:17:50.920 --> 00:17:53.519
<v Speaker 2>Okay, I don't think it's Turnaiz yet.

370
00:17:54.359 --> 00:17:56.240
<v Speaker 1>From the way you've been acting, I may get around

371
00:17:56.240 --> 00:17:59.119
<v Speaker 1>to it at any rate. It's an angle worth checking.

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00:18:00.400 --> 00:18:12.920
<v Speaker 1>Thanks Ricord, Hello Turnans.

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<v Speaker 2>Some people can't take a hint.

374
00:18:15.480 --> 00:18:17.880
<v Speaker 1>Look reading how many times I have to tell you

375
00:18:18.839 --> 00:18:20.279
<v Speaker 1>I don't like people in your racket?

376
00:18:21.440 --> 00:18:23.480
<v Speaker 2>I don't like you. Why should I know a little

377
00:18:23.480 --> 00:18:25.400
<v Speaker 2>thing like that? Stop me? When we have so much

378
00:18:25.440 --> 00:18:28.279
<v Speaker 2>in common? Like what like? You don't like me? I

379
00:18:28.319 --> 00:18:30.720
<v Speaker 2>don't like you. That could be the basis for a

380
00:18:30.720 --> 00:18:33.079
<v Speaker 2>beautiful friendship. How are you going to get out of here? Nope?

381
00:18:34.039 --> 00:18:35.240
<v Speaker 2>And I is, what do.

382
00:18:35.160 --> 00:18:38.480
<v Speaker 1>You know about the Bartley murder? Turnans wedding, go wedding.

383
00:18:41.279 --> 00:18:43.119
<v Speaker 1>I want to talk to you look reading.

384
00:18:43.160 --> 00:18:44.920
<v Speaker 2>I don't know any reason why a record should want

385
00:18:44.920 --> 00:18:45.400
<v Speaker 2>to frame you.

386
00:18:45.359 --> 00:18:45.880
<v Speaker 3>For the murder?

387
00:18:47.400 --> 00:18:53.559
<v Speaker 2>Did he? And you? Don't do adding?

388
00:18:54.400 --> 00:18:56.960
<v Speaker 1>No, I don't want you tell me Ricard is trying

389
00:18:57.000 --> 00:18:59.279
<v Speaker 1>to frame me. That's the first to set me off

390
00:18:59.279 --> 00:19:01.079
<v Speaker 1>on record, Staddy.

391
00:19:01.599 --> 00:19:02.559
<v Speaker 2>I don't want to play.

392
00:19:02.759 --> 00:19:05.079
<v Speaker 1>I didn't say Record tried to frame you. I was

393
00:19:05.119 --> 00:19:07.359
<v Speaker 1>just wondering he tried to keep you out of this.

394
00:19:08.599 --> 00:19:11.359
<v Speaker 1>Maybe he was really protecting you, or maybe he just

395
00:19:11.400 --> 00:19:13.720
<v Speaker 1>thought that would make me suspicious bad. You'll have to

396
00:19:13.759 --> 00:19:17.079
<v Speaker 1>figure it out for yourself. Wedding, I told you, I'm

397
00:19:17.119 --> 00:19:20.480
<v Speaker 1>not going to help you. Go on back to the

398
00:19:20.519 --> 00:19:24.119
<v Speaker 1>babe and tell her you drew a blank babe, bloody

399
00:19:24.119 --> 00:19:26.200
<v Speaker 1>of page. Where'd you get the idea I'm working for

400
00:19:26.279 --> 00:19:31.720
<v Speaker 1>her Barkley quast year round. No, I was working for him,

401
00:19:32.039 --> 00:19:34.880
<v Speaker 1>but that was before the murder. Now I'm strictly on

402
00:19:34.920 --> 00:19:36.960
<v Speaker 1>my own. Where's the traffic in that?

403
00:19:37.079 --> 00:19:39.920
<v Speaker 2>You never can tell? Well, he won't get any dividends

404
00:19:39.920 --> 00:19:40.240
<v Speaker 2>from me.

405
00:19:40.559 --> 00:19:44.279
<v Speaker 1>Can't hurt the try. There's something between you and Record.

406
00:19:44.400 --> 00:19:45.960
<v Speaker 1>I want to know what it is, ask Ricord.

407
00:19:46.039 --> 00:19:48.640
<v Speaker 2>I did now I'm asking you. You're just wasting your

408
00:19:48.680 --> 00:19:50.200
<v Speaker 2>time waiting. I could beat it out of you. You

409
00:19:51.680 --> 00:19:57.359
<v Speaker 2>could you on second talk, I guess I couldn't. Not

410
00:19:57.440 --> 00:19:59.000
<v Speaker 2>as long as you have that busted beer.

411
00:19:58.839 --> 00:20:02.480
<v Speaker 1>Mug in your hand by wedding, and now if you

412
00:20:02.559 --> 00:20:06.000
<v Speaker 1>don't want it in your face, just.

413
00:20:06.000 --> 00:20:21.519
<v Speaker 4>Get out of my way.

414
00:20:22.400 --> 00:20:24.720
<v Speaker 3>Hell no, turner, I've been expecting.

415
00:20:24.279 --> 00:20:30.240
<v Speaker 2>You do it good. Have you uh got the money liquer? Well,

416
00:20:30.279 --> 00:20:32.759
<v Speaker 2>that's what are called coming right to the point if

417
00:20:32.799 --> 00:20:34.759
<v Speaker 2>it's not a social court ricord? Have you got it?

418
00:20:35.200 --> 00:20:36.240
<v Speaker 2>That's true? Girl?

419
00:20:37.519 --> 00:20:41.279
<v Speaker 1>You know I've been thinking maybe I'm letting you off

420
00:20:41.319 --> 00:20:45.200
<v Speaker 1>too easily. Oh yeah, you don't want me to talk

421
00:20:45.240 --> 00:20:47.799
<v Speaker 1>to the police about what happened next to noon, But

422
00:20:48.000 --> 00:20:52.599
<v Speaker 1>the police I'm the only ones interested wearing yeah easiness too,

423
00:20:52.880 --> 00:20:53.440
<v Speaker 1>So your too.

424
00:20:53.799 --> 00:20:55.480
<v Speaker 3>All you can do, Isle is turn it over to

425
00:20:55.519 --> 00:20:55.960
<v Speaker 3>the police.

426
00:20:56.119 --> 00:20:59.160
<v Speaker 1>Maybe I could make a deal. You might pay more

427
00:20:59.240 --> 00:21:01.920
<v Speaker 1>for my information the new vote for silent.

428
00:21:02.319 --> 00:21:03.000
<v Speaker 2>Why don't you ask?

429
00:21:03.359 --> 00:21:07.079
<v Speaker 1>I prefer to do business with you, But I think

430
00:21:07.119 --> 00:21:08.720
<v Speaker 1>you'll better sleep in bikiki.

431
00:21:13.039 --> 00:21:16.799
<v Speaker 3>But did you I've been doing some thinking too, tonnas.

432
00:21:17.759 --> 00:21:20.920
<v Speaker 6>I've been thinking only a sucker based blackmail, because once.

433
00:21:20.799 --> 00:21:22.279
<v Speaker 3>He starts, there's no stopping.

434
00:21:22.559 --> 00:21:26.920
<v Speaker 2>Sometimes you don't have any shot. Yeah, that's right, but

435
00:21:27.160 --> 00:21:29.880
<v Speaker 2>this gun gives me a wait a minute, do the

436
00:21:29.920 --> 00:21:30.839
<v Speaker 2>worry turners.

437
00:21:30.960 --> 00:21:32.079
<v Speaker 3>I won't out here.

438
00:21:33.480 --> 00:21:36.640
<v Speaker 2>It looks like a nice knife for a ride. So

439
00:21:37.480 --> 00:21:37.799
<v Speaker 2>let's go.

440
00:21:38.119 --> 00:21:38.559
<v Speaker 7>Shall we.

441
00:21:49.319 --> 00:21:51.200
<v Speaker 6>Turn right at the next corner and stop when you

442
00:21:51.200 --> 00:21:54.680
<v Speaker 6>get to the door. I'll swear you wanted the buckets

443
00:21:54.720 --> 00:21:57.200
<v Speaker 6>so they don't. Three will swear anything with a gun

444
00:21:57.279 --> 00:22:00.079
<v Speaker 6>looking you away, you'll sing a different song if I

445
00:22:00.079 --> 00:22:03.799
<v Speaker 6>give you a chance, and I do mean saying, here's.

446
00:22:03.640 --> 00:22:09.400
<v Speaker 2>Where we sat. But then tell your head stop. Now

447
00:22:09.839 --> 00:22:11.160
<v Speaker 2>you know if.

448
00:22:11.079 --> 00:22:18.960
<v Speaker 3>You only get out, I'll start walking ahead. I'll be

449
00:22:19.000 --> 00:22:19.559
<v Speaker 3>right behind you.

450
00:22:20.720 --> 00:22:22.519
<v Speaker 6>I have the anything you say, only give you a

451
00:22:22.519 --> 00:22:25.000
<v Speaker 6>break plan walking out to the end of the pier.

452
00:22:25.160 --> 00:22:27.359
<v Speaker 2>You didn't kid Bussy. I can prove it. Give you

453
00:22:27.440 --> 00:22:30.640
<v Speaker 2>a Tranfert's talk it over that you didn't kill him

454
00:22:30.720 --> 00:22:32.640
<v Speaker 2>on sweat with anything only? Okay?

455
00:22:33.680 --> 00:22:34.920
<v Speaker 3>Now stop?

456
00:22:35.200 --> 00:22:36.000
<v Speaker 2>Please good night.

457
00:22:46.559 --> 00:22:48.839
<v Speaker 1>After you have cast your vote for your favorite candidates

458
00:22:48.839 --> 00:22:51.359
<v Speaker 1>in tomorrow's election, you'll want to be among the first

459
00:22:51.359 --> 00:22:52.039
<v Speaker 1>to know who.

460
00:22:51.880 --> 00:22:54.599
<v Speaker 2>The winners are, so tune to Mutual tomorrow night.

461
00:22:54.759 --> 00:22:56.880
<v Speaker 1>For Mutual and the stations which you are now listening

462
00:22:57.200 --> 00:23:00.440
<v Speaker 1>is your best bet for fast, accurate, complete election return.

463
00:23:01.000 --> 00:23:04.279
<v Speaker 1>Yes for radio's clearest, easiest to understand, the most exciting

464
00:23:04.319 --> 00:23:12.119
<v Speaker 1>election returns. It's mutual on the election night. Now back

465
00:23:12.160 --> 00:23:14.160
<v Speaker 1>to the Adventures.

466
00:23:13.440 --> 00:23:14.279
<v Speaker 2>Of the Falcon.

467
00:23:18.079 --> 00:23:21.440
<v Speaker 1>Twelve hours have passed since Rickard switched from buying silent

468
00:23:21.559 --> 00:23:25.039
<v Speaker 1>to gunning for it. Now he's in his room packing

469
00:23:25.559 --> 00:23:26.680
<v Speaker 1>when there's a knock at the door.

470
00:23:28.559 --> 00:23:33.799
<v Speaker 2>Yeah, man, you can take us back. Oh you wear

471
00:23:34.200 --> 00:23:37.359
<v Speaker 2>mm hmm. Would you expect a moving man for that

472
00:23:37.400 --> 00:23:38.480
<v Speaker 2>trunk slip wearing?

473
00:23:38.559 --> 00:23:39.440
<v Speaker 3>I don't have time.

474
00:23:39.519 --> 00:23:41.880
<v Speaker 2>Don't be so sure. You'll probably get plenty of time.

475
00:23:42.279 --> 00:23:43.599
<v Speaker 2>What's that's supposed to me?

476
00:23:43.880 --> 00:23:45.599
<v Speaker 1>Just when I read the Tournez was fished out of

477
00:23:45.599 --> 00:23:46.960
<v Speaker 1>the river with a slug in him, I thought to

478
00:23:47.000 --> 00:23:49.200
<v Speaker 1>you when he said he was still alive, I had

479
00:23:49.200 --> 00:23:52.000
<v Speaker 1>a hunt. You'd be preparing to clear up before Tournez

480
00:23:52.039 --> 00:23:53.039
<v Speaker 1>recovered enough to talk.

481
00:23:53.319 --> 00:23:55.720
<v Speaker 3>All right, I'm moving. It doesn't prove anything.

482
00:23:55.440 --> 00:23:58.319
<v Speaker 1>But Turnez's talking will Next time you toss a peal

483
00:23:58.359 --> 00:24:00.160
<v Speaker 1>and the drink, you better make sure he stopped breathing.

484
00:24:00.319 --> 00:24:01.599
<v Speaker 3>You can't prove anything on it.

485
00:24:01.759 --> 00:24:03.400
<v Speaker 2>You don't intend to wait until I can?

486
00:24:03.519 --> 00:24:05.119
<v Speaker 3>Is that I don't intend.

487
00:24:04.880 --> 00:24:07.160
<v Speaker 6>To wait because I have other plans and you're.

488
00:24:07.039 --> 00:24:10.200
<v Speaker 2>Not stopping me. No, but maybe the law will. May

489
00:24:10.240 --> 00:24:11.000
<v Speaker 2>I use your phone.

490
00:24:11.200 --> 00:24:12.480
<v Speaker 3>You don't be like that.

491
00:24:12.519 --> 00:24:19.200
<v Speaker 2>I'll give you a nickel it. Sorry. I was waiting

492
00:24:19.279 --> 00:24:23.319
<v Speaker 2>for you to reach for your gun. Now I'll take it. Now.

493
00:24:23.319 --> 00:24:26.000
<v Speaker 1>You can get back your packing because you're going for

494
00:24:26.039 --> 00:24:28.759
<v Speaker 1>a trip, all right, but it's not the one you planned.

495
00:24:39.200 --> 00:24:41.599
<v Speaker 1>Hello to nas, the doctor said, I can come in

496
00:24:41.599 --> 00:24:46.200
<v Speaker 1>for a minute. Hello ready, How are you feeling all right?

497
00:24:46.559 --> 00:24:49.400
<v Speaker 1>I tell you, I mean you can turn that off now.

498
00:24:49.440 --> 00:24:52.039
<v Speaker 1>To man, we're on the same team. Would you state's

499
00:24:52.039 --> 00:24:53.039
<v Speaker 1>evidence against Rickards?

500
00:24:53.880 --> 00:24:54.079
<v Speaker 2>Yeah?

501
00:24:54.359 --> 00:24:56.359
<v Speaker 1>The police tell me you've not only tammed Ricord for

502
00:24:56.440 --> 00:24:58.519
<v Speaker 1>plugging you, but for doing the job on Barkley too.

503
00:24:59.359 --> 00:25:01.119
<v Speaker 2>Eh, it's way.

504
00:25:00.920 --> 00:25:04.119
<v Speaker 1>He runs, the Saccinis said, I said, coming in at

505
00:25:04.119 --> 00:25:07.200
<v Speaker 1>the back right after the murder. Well you're doing at Barkley,

506
00:25:07.440 --> 00:25:10.119
<v Speaker 1>recurred to me as to the after Ernie, did you

507
00:25:10.200 --> 00:25:10.960
<v Speaker 1>learned the Cassini?

508
00:25:11.559 --> 00:25:14.160
<v Speaker 2>What about? He didn't say. When I got this space

509
00:25:14.319 --> 00:25:18.400
<v Speaker 2>us say in shame, Well, thanks, NAIs. Looks like we've

510
00:25:18.400 --> 00:25:19.799
<v Speaker 2>pretty well taken care of miss Rickets.

511
00:25:20.400 --> 00:25:22.559
<v Speaker 1>We've got him for attempted murder on you, and now

512
00:25:22.599 --> 00:25:24.759
<v Speaker 1>that he's in so deep anyway, he's admitted pulling some

513
00:25:24.880 --> 00:25:27.559
<v Speaker 1>robberies with Barklay. The only thing he won't admit is

514
00:25:27.640 --> 00:25:30.519
<v Speaker 1>Barkley's murdering. But with your testimony, I think we'll clinch

515
00:25:30.599 --> 00:25:35.000
<v Speaker 1>that too, uh huh, only not against Rickets right, No, Turnus,

516
00:25:35.799 --> 00:25:37.240
<v Speaker 1>that's been the job, was your handiwork.

517
00:25:37.599 --> 00:25:39.960
<v Speaker 2>So hurry up and get well because you've got to face.

518
00:25:39.799 --> 00:25:42.160
<v Speaker 1>A murder trial, and if you're any sort of a man,

519
00:25:42.720 --> 00:25:44.200
<v Speaker 1>you won't want to take it lying down.

520
00:25:53.000 --> 00:25:54.000
<v Speaker 2>I'm sorry, you see, Gloria.

521
00:25:54.359 --> 00:25:56.880
<v Speaker 1>When Turnetz found out at Barkley and Ricker that worked

522
00:25:56.920 --> 00:25:59.160
<v Speaker 1>the jewelry job, he went up to Barkley to ask

523
00:25:59.160 --> 00:26:01.480
<v Speaker 1>for blacknails, and when Barkley didn't want to play as

524
00:26:01.519 --> 00:26:04.480
<v Speaker 1>much as Turnez demanded, Tournez killed him and took everything

525
00:26:04.519 --> 00:26:05.119
<v Speaker 1>he had mm M.

526
00:26:05.480 --> 00:26:06.960
<v Speaker 2>And then just as he was leaving, he saw a

527
00:26:07.000 --> 00:26:08.160
<v Speaker 2>Ricord go into Barclays.

528
00:26:08.799 --> 00:26:10.480
<v Speaker 1>He knew Record wouldn't want it known that he was

529
00:26:10.519 --> 00:26:12.079
<v Speaker 1>at the scene so near the time of the murder,

530
00:26:12.240 --> 00:26:14.079
<v Speaker 1>so Tournez tried to blackmail him.

531
00:26:14.759 --> 00:26:17.279
<v Speaker 2>You see, Tournez wasn't satisfied with just Barkley's half of

532
00:26:17.359 --> 00:26:19.559
<v Speaker 2>the split. He wanted the whole tape so.

533
00:26:19.920 --> 00:26:22.400
<v Speaker 7>He blackmailed Ricord for a murder he committed himself.

534
00:26:22.559 --> 00:26:24.200
<v Speaker 2>Yeah, talk about Gaune.

535
00:26:24.279 --> 00:26:27.400
<v Speaker 7>Huh, Well tell me, Mike, how did you know Tournez

536
00:26:27.519 --> 00:26:27.960
<v Speaker 7>was the murder?

537
00:26:28.119 --> 00:26:30.799
<v Speaker 2>That's simple. Turnez claimed the last time he spoke to

538
00:26:30.880 --> 00:26:32.119
<v Speaker 2>Barkley was yesterday morning.

539
00:26:32.920 --> 00:26:35.440
<v Speaker 1>He said, when he arrived at Barcley's yesterday afternoon, Barkley

540
00:26:35.519 --> 00:26:36.200
<v Speaker 1>was already dead.

541
00:26:36.880 --> 00:26:40.200
<v Speaker 2>But Tournez knew I was working for you. When I

542
00:26:40.279 --> 00:26:41.400
<v Speaker 2>asked him how he knew.

543
00:26:41.240 --> 00:26:44.119
<v Speaker 1>He said, Barkley told him, yeah, Well, don't you see,

544
00:26:44.880 --> 00:26:48.319
<v Speaker 1>Barkley didn't know that until you told him yesterday afternoon.

545
00:26:49.640 --> 00:26:52.759
<v Speaker 2>Cool. So that meant Tournez was lying. He did see

546
00:26:52.799 --> 00:26:54.039
<v Speaker 2>Barkley yesterday afternoon, but.

547
00:26:54.079 --> 00:26:56.920
<v Speaker 1>He arrived before the murder, not after it, and killed

548
00:26:56.960 --> 00:26:58.400
<v Speaker 1>Barkley in order to rob him.

549
00:26:59.039 --> 00:27:03.039
<v Speaker 7>Well, that crazy out there. Now, there's just one other thing.

550
00:27:03.640 --> 00:27:03.960
<v Speaker 2>What's that?

551
00:27:04.880 --> 00:27:07.480
<v Speaker 7>I only hired you to check on blocks, but you

552
00:27:07.599 --> 00:27:11.160
<v Speaker 7>kept right after his murder until you solve that. Why

553
00:27:12.160 --> 00:27:13.240
<v Speaker 7>what did you hope to gain?

554
00:27:14.440 --> 00:27:17.680
<v Speaker 1>It's a beautiful night glowing m hmm, it's a beautiful

555
00:27:17.720 --> 00:27:20.759
<v Speaker 1>moon mm hmm, and a beautiful girl.

556
00:27:22.279 --> 00:27:22.640
<v Speaker 7>Thanks you.

557
00:27:23.519 --> 00:27:27.160
<v Speaker 1>But until the murder was cleared up, you were a suspect.

558
00:27:28.240 --> 00:27:30.599
<v Speaker 1>You know something, Golia I was never much good at

559
00:27:30.839 --> 00:27:31.799
<v Speaker 1>kissing through a wire.

560
00:27:31.880 --> 00:27:32.200
<v Speaker 2>Scream.

561
00:27:39.000 --> 00:27:45.720
<v Speaker 1>Murder doesn't fit the frame. Murder doesn't fit the frame.

562
00:27:45.880 --> 00:27:48.319
<v Speaker 1>That's the title of next week's Adventure of the Falcon.

563
00:27:48.400 --> 00:27:50.359
<v Speaker 1>When Mike Waring learns that if you know the name

564
00:27:50.400 --> 00:27:53.200
<v Speaker 1>of a murderer, you'd better spill that information before he

565
00:27:53.319 --> 00:27:55.920
<v Speaker 1>spills your blood. They'll be sure to listen next week

566
00:27:55.960 --> 00:27:59.039
<v Speaker 1>at the same time to another exciting adventure of the Falcon.

567
00:28:04.680 --> 00:28:06.720
<v Speaker 1>The Adventures of the Falcon are based on the famous

568
00:28:06.759 --> 00:28:10.200
<v Speaker 1>character created by Drexel Drake, Produced by Bernard L. Schubert,

569
00:28:10.359 --> 00:28:13.319
<v Speaker 1>written Tonight by Jerome Epstein, and directed by Richard Lewis,

570
00:28:13.640 --> 00:28:16.680
<v Speaker 1>music by Milton k Les. Tremaine was starred as the Falcon.

571
00:28:17.000 --> 00:28:19.640
<v Speaker 1>Turnez was played by Joe DeSantis. This program came from

572
00:28:19.680 --> 00:28:22.480
<v Speaker 1>New York. This is the Mutual Broadcasting System.