WEBVTT

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<v Speaker 1>Tired of the every day grind, ever dream of a

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<v Speaker 1>life of romantic adventure, want to get away from it all.

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<v Speaker 2>We offer you.

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<v Speaker 3>Escape, Escape design to free you from the four walls

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<v Speaker 3>of to day for a half hour of high adventure.

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<v Speaker 1>You are drifting along the muddy reaches of a South

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<v Speaker 1>American river, your diving gear in readiness. The air comes going.

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<v Speaker 1>Yet you know that in the murky depths below you

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<v Speaker 1>waiting in the slime. Therefore you is a mortal enemy

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<v Speaker 1>from whom there may be no escape.

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<v Speaker 3>Listen now, as a scape brings you Tony Barrett's story Bloodwaters.

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<v Speaker 2>They take you up slowly, always slowly, even in a

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<v Speaker 2>nothing job like this one a harbor bottom dive at

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<v Speaker 2>a beginner would laugh at. I kicked away from the

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<v Speaker 2>heavy pilings harder than I had to, and I knew

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<v Speaker 2>I was trying to dull my mind again, not to

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<v Speaker 2>think about it, trying to sell myself the same old

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<v Speaker 2>story that a diver shouldn't care where he works because

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<v Speaker 2>the job's always the same. There's something down there. They

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<v Speaker 2>wanted you get it, period, but it didn't work too well.

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<v Speaker 2>The story was wearing thin. There you are, you know

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<v Speaker 2>you want to suit off, or you want to rest

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<v Speaker 2>for us? Rest from what a fifty foot dive? Get

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<v Speaker 2>me out of the suit seat, you see?

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<v Speaker 4>Perhaps the man knows.

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<v Speaker 2>Best trance, Murdac.

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<v Speaker 4>Fifty foot dive can be dangerous, but then danger never

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<v Speaker 4>bothered you did it?

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<v Speaker 2>What are you doing here, Murdac? What do you want?

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<v Speaker 2>Does an old friend have to want something? I'm not

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<v Speaker 2>interested in any of your deals. Really. With this job finished,

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<v Speaker 2>then nothing else inside. I'm busy, Murdac. Beat it.

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<v Speaker 4>No curiosity trend, not so much as a what are

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<v Speaker 4>you doing in a four second hole in Argentina?

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<v Speaker 2>You never were much at small talk? Were you? You'd

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<v Speaker 2>buy Murdoc. Wait a minute, take your hand off me

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<v Speaker 2>by the rush?

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<v Speaker 4>Where are you going?

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<v Speaker 2>You know it all? You tell me? All right? I will.

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<v Speaker 2>What you do between now and tonight does not matter.

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<v Speaker 4>But at nine o'clock I shall expect you at the

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<v Speaker 4>Carfeo Rondo promptly.

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<v Speaker 2>And if I don't come, then you.

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<v Speaker 4>Are afford not to come, Trent, it still takes money

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<v Speaker 4>to live even down here.

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<v Speaker 2>I will see you at nine o'clock. You've been talking

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<v Speaker 2>for an hour now, Murderach, and you haven't said anything.

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<v Speaker 4>Get to it, you have no social graces? Pity, uh, Trent?

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<v Speaker 4>How you like never to have to get into diving

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<v Speaker 4>gear again? To be rich, really rich, to have everything

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<v Speaker 4>you ever wanted.

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<v Speaker 3>I had everything I wanted once? You remember that, don't

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<v Speaker 3>your Murdoch?

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<v Speaker 2>How long have you been away from the States trend?

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<v Speaker 2>What's that got to do with it? Hello? Three years?

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<v Speaker 2>Three stinking years? And don't you want to go back now?

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<v Speaker 2>I like working jungle holes like this. I like fifty

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<v Speaker 2>foot dock site dives with Native boys that fall asleep

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<v Speaker 2>on the pumps while you're down there? What are you

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<v Speaker 2>building fortune for both of us? What do you want

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<v Speaker 2>this time? My right eye? Can't you forget what happened?

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<v Speaker 2>Can you? You're being stupid. You're out of your territory

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<v Speaker 2>down here, Murdoch, So talk nice to me, Look, Trent.

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<v Speaker 4>In two months we can both walk out of here

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<v Speaker 4>with more money than you ever dreamed of.

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<v Speaker 2>I don't dream anymore, gold, Trent. If I told you

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<v Speaker 2>how much you would think me mad? You want to

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<v Speaker 2>give me hair? You will learn it? My diving? Yes,

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<v Speaker 2>did I say something humorous? So you fell for the

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<v Speaker 2>national industry?

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<v Speaker 3>Don't you know there's a peddler on every corner down

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<v Speaker 3>here selling maps of sunken treasure.

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<v Speaker 2>I love that the smooth Vincent Murdoch is a tourist.

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<v Speaker 2>And now do you want to hear what I have

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<v Speaker 2>to say? Say your peace?

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<v Speaker 4>Did you ever hear of the ground Chuko's rebellion?

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<v Speaker 2>Ah, Maria, my dear.

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<v Speaker 4>May?

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<v Speaker 2>I present Trent Poll. This is Maria sand Yeah.

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<v Speaker 4>Sit down, Maria, something to drink.

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<v Speaker 2>You said something about a rebellion fourteen years ago.

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<v Speaker 4>To be exactly, Olivia and Paraguay were at.

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<v Speaker 2>Each other's throats. It's in the history books. I didn't

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<v Speaker 2>know you were a reader murder.

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<v Speaker 4>The Paraguarians were getting the worst of it, so they

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<v Speaker 4>loaded a small boat in Santa Rosa with millions in

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<v Speaker 4>gold for shipping up.

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<v Speaker 2>The Paraguay River.

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<v Speaker 4>It was to go to Brazil for safe keeping. Well

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<v Speaker 4>after the boat left where Topinasco. It was never seen

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<v Speaker 4>a game, nor was the goal.

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<v Speaker 2>Storm.

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<v Speaker 4>They never even found survivors. Besides, where would they look?

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<v Speaker 2>Have you had the idea of the length of the

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<v Speaker 2>Paraguay River? Two governments can't find the gold? But you can't?

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<v Speaker 2>That is correct, I can. What do you got charts

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<v Speaker 2>better than that? What? Then? I said? Before that they

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<v Speaker 2>never found survivors. I did. The only one interested Trench.

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<v Speaker 2>I don't want any part of you, Murdoch, now or anytime,

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<v Speaker 2>so get off my back. Don't you realize what I'm

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<v Speaker 2>offering you. I understand this. It's over. I'm through with

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<v Speaker 2>you and your schemes and I'm not running anymore. Get

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<v Speaker 2>that through your head. Your fat's like you listen to

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<v Speaker 2>me three years ago.

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<v Speaker 3>I listened to you three years down in this sinkhole.

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<v Speaker 2>Is what I got for it? Three years you foul,

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<v Speaker 2>filthy fit. I'm good to cut you a new throb doll.

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<v Speaker 2>I don't know how long it lasted, how many times

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<v Speaker 2>I hit him, trying to pay him back for the

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<v Speaker 2>lonely years. But finally it was over, finished, and I

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<v Speaker 2>was back at the waterfront again, tasting the soft breeze

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<v Speaker 2>coming in from the sea. You know your what do

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<v Speaker 2>you want? Oh, Maria, isn't it?

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<v Speaker 5>See Maria?

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<v Speaker 2>I'm sorry if I messed up your friend Murdoch.

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<v Speaker 5>He's all right now. Besides, I have seen men five before.

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<v Speaker 2>Yeah, I'm sure you have. You always follow the winner.

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<v Speaker 5>Anger forces words. The tongue does not want to say.

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<v Speaker 2>My name is Trent, not Murdoch, plain enough.

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<v Speaker 5>I know your name, Sinno.

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<v Speaker 6>Oh there is a scrutch on your cheeks and not

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<v Speaker 6>a little blood. Let me, a woman knows how, Senor?

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<v Speaker 5>Senor?

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<v Speaker 2>Is that the way you kiss Murdoch?

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<v Speaker 5>Rise, Bolito, the younger is still there and.

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<v Speaker 2>It shouldn't be, not after that. Huh, Baldi, who were

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<v Speaker 2>you really kissing Maria? Me or him? What do you

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<v Speaker 2>want the gold, Murdoch? Everybody wants something more. It's yours.

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<v Speaker 6>I want you to come with me, Senor, no more Polito. Huh,

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<v Speaker 6>please come with me. Please, I'll show you what I want.

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<v Speaker 2>She turned and moved away, without every once looking back.

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<v Speaker 2>So she was sure i'd follow her, and she was right.

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<v Speaker 2>The shack she led me to was less than a

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<v Speaker 2>half mile away, no different than any of the others

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<v Speaker 2>around it. She turned to look at me once as

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<v Speaker 2>she opened the door, and her eyes were a thousand

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<v Speaker 2>years old. She little lamp, and I looked where she

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<v Speaker 2>was pointing. He lay on a bed in the corner,

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<v Speaker 2>a little Portuguese, maybe fifty, cackling softly to himself as

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<v Speaker 2>though he knew a joke that nobody else would ever know.

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<v Speaker 2>His hair was pure white, the kind that comes from

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<v Speaker 2>too much terror, too much shock. And then I saw

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<v Speaker 2>his hands, from finger tips to elbows. They were a

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<v Speaker 2>mass of little scars, ugly needle like scars that spoke

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<v Speaker 2>of some past moment of horror. We moved closer, but

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<v Speaker 2>he never looked, just sat crooning softly to a bottle

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<v Speaker 2>of whiskey cradled in his arm. Riao, who is he?

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<v Speaker 5>Have you never seen a man who has lost his

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<v Speaker 5>mind to fear? Look where? For he is such a

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<v Speaker 5>one for his sea.

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<v Speaker 2>So ya? He thought?

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<v Speaker 5>Have you seen enough? Siner?

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<v Speaker 2>Is he a uh?

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<v Speaker 5>My father? What is left of him?

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<v Speaker 2>How did it happen? Maria?

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<v Speaker 6>You have already been told. Murdok spoke truth tonight when

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<v Speaker 6>he told it his survivor of Missan Barossa.

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<v Speaker 3>Later, as we sat staring out at the water, she

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<v Speaker 3>told me all of it. And it wasn't hard to follow.

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<v Speaker 2>An old man driven insane by terror, who clung to

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<v Speaker 2>Murdoch because Murdoch kept him in whiskey, the one thing

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<v Speaker 2>that pushed the terror away for a wire, very neat

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<v Speaker 2>and tidy, the Murdoch touch.

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<v Speaker 5>You understand now?

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<v Speaker 2>Yeah? What do you want me to do, Maria? Make

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<v Speaker 2>the trip with Murdoch as his diver. Is that what

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<v Speaker 2>you want?

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<v Speaker 5>My father is a child. Now Modac will lose him, then, Oh.

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<v Speaker 2>That's all you want it from the beginning. Isn't it

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<v Speaker 2>for me to be a watchdog? He is my father? Yeah?

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<v Speaker 2>I never asked you're going along? See I go, all right, Maria,

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<v Speaker 2>I'll dive for Murdoch grass, all right, gratitude for your father.

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<v Speaker 5>No, not this time, getting this time for me.

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<v Speaker 2>Murdoch was all sweetness and light next morning when I

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<v Speaker 2>told him he had a diver, you just sworn we

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<v Speaker 2>were old buddies. He balked at only one thing, by

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<v Speaker 2>wanting to take along Jose, the kid who'd handle pumps

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<v Speaker 2>for me on the harbor job.

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<v Speaker 3>But I wasn't about to do any diving without somebody

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<v Speaker 3>I trusted handling lines.

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<v Speaker 2>But I didn't like it. But he couldn't afford argue.

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<v Speaker 3>Jose turned out to be a real good investment before

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<v Speaker 3>we ever got started that night.

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<v Speaker 2>As a matter of fact, Oh you finish out Jose

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<v Speaker 2>or finished you watch him creak the gear. I did

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<v Speaker 2>it myself. I shouldn't known. Thanks know how well you

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<v Speaker 2>know this genteral murder too? Well? Why? Well, come on, ose,

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<v Speaker 2>what is it? While I was taking care of the gear,

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<v Speaker 2>he was getting there. The missis how the permits government

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<v Speaker 2>permits for the interior. See see, you're supposed to name

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<v Speaker 2>all the people that go. I know that. What about it?

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<v Speaker 2>I saw the papers on your well it's every name

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<v Speaker 2>there except yours? I see? But why why does he

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<v Speaker 2>do a thing like that? You know what? Reason to save?

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<v Speaker 2>Explain later? Okay, Murdoch's got it all figured out. I say,

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<v Speaker 2>I still do not understand. Why are you not on

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<v Speaker 2>that list? It's real simple. A man who doesn't make

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<v Speaker 2>a trip can't be expected to come back from it.

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<v Speaker 3>You are listening to Blood Waters tonight's pleasant of Escape.

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<v Speaker 3>Millions in Asia living on inadequate diets and additional millions

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<v Speaker 3>in pre Europe fighting for post war recovery are the beneficiaries.

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<v Speaker 3>When you give to care ce are send a ten

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<v Speaker 3>dollars care package or the six ninety five budget package

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<v Speaker 3>for further details, Right Care New York. That's Care New

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<v Speaker 3>York and now Escape and the second act of Blood Waters.

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<v Speaker 3>It's a thing you got to see to believe, a

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<v Speaker 3>thing that exists every foot of the length of Argentina.

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<v Speaker 3>Yet a couple of hours inland from the coast, and

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<v Speaker 3>you've gone back a thousand years nothing but jungle, jungle,

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<v Speaker 3>so thick and green, you can travel a full day

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<v Speaker 3>without every once getting a glimpse of sunlight.

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<v Speaker 2>Bad enough anyway you try it, but doing it Murdoch's

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<v Speaker 2>way was the worst. Murdoch a gold hungry, penny pinching

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<v Speaker 2>man who hadn't hired enough bearers, who skimped on food,

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<v Speaker 2>and who hated every minute wasted on rest. Maria took

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<v Speaker 2>it well, quiet for the most part, her eyes never

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<v Speaker 2>far from Sandoval. The old man was pathetic, shambling along,

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00:16:24.720 --> 00:16:29.360
<v Speaker 2>falling off and uncaring and never hearing. There was only

219
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<v Speaker 2>one sound that mattered in his world, the cork coming

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<v Speaker 2>out of the bottle. And Murdoch was master at the bottle.

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<v Speaker 2>Four days of it, four stinking, crawling days, and on

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<v Speaker 2>the morning of the fifth we came out of it.

223
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<v Speaker 2>Stood there looking out at the Paraguay River. The gold

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<v Speaker 2>was showing in Murdoch's eyes again. Look and trend beautiful,

225
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<v Speaker 2>isn't it. It's a river, It's all it is. It's

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<v Speaker 2>been a long walk. We're to now three days up river.

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<v Speaker 2>Do you have any objections?

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<v Speaker 4>From the bill, and you should remember that to check

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<v Speaker 4>out the supplies while I make our agements for the boat.

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<v Speaker 2>Don't you want me to take a look at the

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<v Speaker 2>boat before you make a deal. Make sure you got

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<v Speaker 2>a good winch.

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<v Speaker 4>You'll have a short memory trend. I'd say I'm fairly

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<v Speaker 4>capable of making deals, wouldn't you. You just make sure

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<v Speaker 4>the bearers don't steal anything when they leave.

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<v Speaker 2>I take care of that for you, Cino, and thanks

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<v Speaker 2>as a and keep an eye on the old manor Maria.

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<v Speaker 2>You are right, I see.

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<v Speaker 5>I'm so grateful to you for what for everything, everything PLO.

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<v Speaker 5>You take care with Murdoch. He's a dangerous man.

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<v Speaker 2>Yeah, now listen to me. From here on, it's going

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<v Speaker 2>to be different. We'll all be in a small boat

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<v Speaker 2>for days, maybe weeks. I won't always be around because

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<v Speaker 2>of the diving. Here. Take the gun, just take it

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<v Speaker 2>and hope you don't have to use it. A couple

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<v Speaker 2>of hours later, Murdach came back and waved us down

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<v Speaker 2>to the river. Instead of being alone, now he had

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<v Speaker 2>a native with him, a big man, he called, but

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<v Speaker 2>two a lot of men. Even through the paint on

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00:18:30.880 --> 00:18:33.519
<v Speaker 2>his face, you could see the combination of Mayan and Inca,

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<v Speaker 2>the thousand year old dignity. As he stood looking at us.

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<v Speaker 4>Straight, this is but two. I've just arranged for the boat,

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<v Speaker 4>and he's going up rival with us to help with

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<v Speaker 4>the loading.

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00:18:44.559 --> 00:18:49.799
<v Speaker 2>But tu, but to help? What are we taking him for? Murdac.

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<v Speaker 2>He wants to go up river to his people, and

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<v Speaker 2>he will work for his passage. We can use him.

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<v Speaker 2>You keep adding, people, somebody's gonna have to swim alongside.

259
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<v Speaker 2>Not ain't much of a boat, No, Trent, this is

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00:19:01.279 --> 00:19:04.119
<v Speaker 2>no time to be at each other's throats. I know

261
00:19:04.319 --> 00:19:07.319
<v Speaker 2>we are on the right track. Sam Deval started getting

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00:19:07.440 --> 00:19:09.720
<v Speaker 2>excited the moment he saw this spot of the river.

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<v Speaker 2>For a guy in his condition, you're doing a lot

264
00:19:12.240 --> 00:19:14.599
<v Speaker 2>of depending on him. You'll let me worry about that.

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<v Speaker 4>All you have to do is handle your end of things,

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<v Speaker 4>and that won't begin until we start diving.

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00:19:20.079 --> 00:19:24.359
<v Speaker 2>You're wrong, Murdoch. I started worrying three years ago. Remember

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00:19:35.960 --> 00:19:39.799
<v Speaker 2>two days on the river, Two long days with Murdoch

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00:19:39.880 --> 00:19:44.400
<v Speaker 2>never once taking his eyes off Sandoval, watching each slightest reaction,

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00:19:44.680 --> 00:19:48.759
<v Speaker 2>the bottle always ready, and the old man needed that bottle. Now,

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00:19:49.319 --> 00:19:52.400
<v Speaker 2>his terror growing by the minute, and Murdoch loving it

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00:19:52.519 --> 00:19:56.920
<v Speaker 2>because it told him we were getting closer. That night,

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00:19:57.400 --> 00:19:59.480
<v Speaker 2>I was laying out my gear back in the stern

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<v Speaker 2>when Too, the big native came toward me. He wasn't

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00:20:03.000 --> 00:20:05.839
<v Speaker 2>the calm giant anymore, just a man, a terrified man

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<v Speaker 2>with words tumbling out of his mouth.

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<v Speaker 3>You tell bat too, you tell tell you what about

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00:20:12.680 --> 00:20:13.400
<v Speaker 3>crazy man?

279
00:20:13.720 --> 00:20:18.680
<v Speaker 2>Crazy sand of arrow? Or what about him hands? The scars?

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00:20:18.759 --> 00:20:21.400
<v Speaker 2>You mean, how did he get him? Yeah? I don't

281
00:20:21.440 --> 00:20:23.279
<v Speaker 2>know what happened to his hands, But what about him?

282
00:20:23.759 --> 00:20:27.359
<v Speaker 2>Why you come here to dive to bring from the water?

283
00:20:27.559 --> 00:20:28.000
<v Speaker 6>Why no?

284
00:20:28.759 --> 00:20:32.279
<v Speaker 2>Not going water? No? Why not? What's wrong? Not go

285
00:20:32.839 --> 00:20:40.000
<v Speaker 2>devil water? Devil water? You not going devil water? And

286
00:20:40.160 --> 00:20:41.880
<v Speaker 2>that's all I could get out of him, just that.

287
00:20:42.799 --> 00:20:45.039
<v Speaker 2>It was a long time before I got to sleep.

288
00:20:49.000 --> 00:20:51.519
<v Speaker 2>Late on the third day, we dropped anchor just outside

289
00:20:51.519 --> 00:20:55.240
<v Speaker 2>a small coal Murdoch was out of his mind with excitement,

290
00:20:55.640 --> 00:20:57.480
<v Speaker 2>but it was too dark for diving. We'd start in

291
00:20:57.519 --> 00:21:00.240
<v Speaker 2>the morning, but Two wanted to go a short see

292
00:21:00.279 --> 00:21:03.359
<v Speaker 2>his people spore. He'd be back before Son of Murdoch

293
00:21:03.440 --> 00:21:05.440
<v Speaker 2>didn't like it, but he had no choice. We needed

294
00:21:05.480 --> 00:21:09.319
<v Speaker 2>the big man on pumps. In the morning. We were

295
00:21:09.400 --> 00:21:12.200
<v Speaker 2>up at dawn, and but two was back aboard. He

296
00:21:12.240 --> 00:21:15.000
<v Speaker 2>didn't say much. He was never moren a couple of

297
00:21:15.039 --> 00:21:17.880
<v Speaker 2>feet away from me, and his eyes never left me.

298
00:21:19.400 --> 00:21:20.880
<v Speaker 2>But I didn't have time to think about it. I

299
00:21:20.960 --> 00:21:24.000
<v Speaker 2>had my own troubles. Let's take you so long, tread

300
00:21:24.079 --> 00:21:26.559
<v Speaker 2>for you and your penny pension. You've been had, Murdoc.

301
00:21:26.680 --> 00:21:28.920
<v Speaker 2>We were wrong for not a thing except this winch

302
00:21:29.039 --> 00:21:32.039
<v Speaker 2>is on its last leg. Well, let's not argue. Repair

303
00:21:32.079 --> 00:21:34.920
<v Speaker 2>it the best you can talk cheap. But I'm the

304
00:21:35.000 --> 00:21:38.240
<v Speaker 2>guy who goes down there. Listen to me, Trent. We're close,

305
00:21:38.319 --> 00:21:41.400
<v Speaker 2>really close. Son of elswass right beneath us. He has

306
00:21:41.480 --> 00:21:43.480
<v Speaker 2>to be right. He's pointed out landmarks all the way.

307
00:21:43.519 --> 00:21:48.960
<v Speaker 2>Wait a minute, what's that his native drums? Probably a

308
00:21:49.039 --> 00:21:52.920
<v Speaker 2>welcome get the chet close trend. We're losing time. You'll

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00:21:52.960 --> 00:21:55.559
<v Speaker 2>remember what I say about the clear lines down their cinema.

310
00:21:55.960 --> 00:22:01.279
<v Speaker 2>I'll remember, and don't you forget. Look said look on

311
00:22:01.319 --> 00:22:04.680
<v Speaker 2>the shore natives, six or seven of them. It's part

312
00:22:04.680 --> 00:22:07.519
<v Speaker 2>of buttoo's trick. What's that they carry? It looks like

313
00:22:07.599 --> 00:22:10.079
<v Speaker 2>a pig or a goat, and the throat is cut.

314
00:22:10.400 --> 00:22:10.759
<v Speaker 5>What is it?

315
00:22:10.839 --> 00:22:13.400
<v Speaker 2>But what are they doing? Make sacrifice?

316
00:22:13.799 --> 00:22:14.240
<v Speaker 4>To river.

317
00:22:14.400 --> 00:22:18.359
<v Speaker 2>God, But why now? Save you from what? What's down there?

318
00:22:18.400 --> 00:22:21.559
<v Speaker 2>A native superstition? Grant? Where's your intelligence? Are you ready?

319
00:22:21.640 --> 00:22:30.960
<v Speaker 2>But too you not staying water along got on the beach.

320
00:22:31.079 --> 00:22:33.319
<v Speaker 2>They heard his command, and the pig was thrown into

321
00:22:33.359 --> 00:22:36.640
<v Speaker 2>the river. A moment later, Jose had bolted my helmet

322
00:22:36.680 --> 00:22:38.559
<v Speaker 2>in place, and I was being lowered over the side

323
00:22:38.559 --> 00:22:44.839
<v Speaker 2>of the boat. Everything was forgotten. Now the work is

324
00:22:44.880 --> 00:22:49.920
<v Speaker 2>staying alive. That's how it is with diving. You can

325
00:22:50.000 --> 00:22:54.480
<v Speaker 2>do it a thousand times, but it's always new. Jose

326
00:22:54.680 --> 00:22:58.359
<v Speaker 2>knew it through the phone. I could hear him worrying

327
00:22:58.480 --> 00:23:06.000
<v Speaker 2>with me. You're right, yeah, read me see you live

328
00:23:06.039 --> 00:23:10.599
<v Speaker 2>in bottoms. Stay with me. I'm gonna have a little

329
00:23:10.640 --> 00:23:16.400
<v Speaker 2>rock around. I checked my lines and started toward a

330
00:23:16.519 --> 00:23:21.799
<v Speaker 2>large mass of shadow distances underwater. Fool you, and I

331
00:23:22.039 --> 00:23:27.079
<v Speaker 2>was on it almost before I started. It was a ship,

332
00:23:28.000 --> 00:23:31.519
<v Speaker 2>or what was left of one. Her back had been

333
00:23:31.559 --> 00:23:35.640
<v Speaker 2>broken in two, and her stern was right in front

334
00:23:35.640 --> 00:23:42.160
<v Speaker 2>of me. I read it aloud, Santa Rosa, what's that?

335
00:23:43.680 --> 00:23:47.880
<v Speaker 2>I found it? Start a line down, she's folding. You're here,

336
00:23:48.119 --> 00:23:54.119
<v Speaker 2>He's fine. I went in carefully, slowly, making sure of

337
00:23:54.240 --> 00:23:58.519
<v Speaker 2>my lines. It didn't take me twenty minutes to find it.

338
00:23:59.079 --> 00:24:04.559
<v Speaker 2>A tremendous iron bound chest. I scratched the slime off

339
00:24:04.640 --> 00:24:08.359
<v Speaker 2>with my knife and there it was the official seal

340
00:24:08.400 --> 00:24:12.640
<v Speaker 2>of Paraguay. There wasn't any doubt now what was inside.

341
00:24:13.319 --> 00:24:15.920
<v Speaker 3>I got a line around it, told them which way

342
00:24:16.000 --> 00:24:18.720
<v Speaker 3>to swing the winch and manage to get it out

343
00:24:18.759 --> 00:24:20.000
<v Speaker 3>in the clear for the trip up.

344
00:24:21.160 --> 00:24:23.119
<v Speaker 2>I just about finished when I felt a signal on

345
00:24:23.240 --> 00:24:28.640
<v Speaker 2>my lines. What is it? Bato says, to get up

346
00:24:28.680 --> 00:24:32.000
<v Speaker 2>here quick. You went down to long Why French? This

347
00:24:32.160 --> 00:24:35.000
<v Speaker 2>is Murdoch. Let's get to go on the first at

348
00:24:35.039 --> 00:24:35.319
<v Speaker 2>the moment.

349
00:24:35.319 --> 00:24:35.839
<v Speaker 4>Won't hurt you.

350
00:24:36.079 --> 00:24:38.440
<v Speaker 2>It's gonna take chances on the phone line. Let's not

351
00:24:38.799 --> 00:24:42.599
<v Speaker 2>take chances on me. Tell us to take me up.

352
00:24:45.480 --> 00:24:49.440
<v Speaker 2>The door comes up first, stand clear trench, Murdac. Listen,

353
00:24:50.839 --> 00:24:54.880
<v Speaker 2>my knife is across the line. You turn that winch

354
00:24:54.960 --> 00:24:58.319
<v Speaker 2>and I'll cut the line. You hear me. You're insane.

355
00:24:58.920 --> 00:25:01.119
<v Speaker 2>I could cut your hair. Hoole, go on, cut it.

356
00:25:01.759 --> 00:25:04.279
<v Speaker 2>I'm tired of livin with you on my back. Anyway.

357
00:25:04.599 --> 00:25:07.240
<v Speaker 2>Oh all right, trend all right now, don't get excited.

358
00:25:07.279 --> 00:25:11.880
<v Speaker 2>We're taking you up slowly. They began taking me up

359
00:25:12.960 --> 00:25:17.119
<v Speaker 2>and then I realized why Murdoc knew once I started up,

360
00:25:17.160 --> 00:25:19.559
<v Speaker 2>I couldn't possibly cut the line that held the chest.

361
00:25:20.480 --> 00:25:22.000
<v Speaker 2>He took me up just far enough to get my

362
00:25:22.079 --> 00:25:24.920
<v Speaker 2>hands on the bottom rung of the Jacob's ladder and

363
00:25:25.119 --> 00:25:32.480
<v Speaker 2>hang there helplessly. Then through the phones, I could hear

364
00:25:32.519 --> 00:25:34.720
<v Speaker 2>the creak of the winch as he started hauling up

365
00:25:34.799 --> 00:25:38.359
<v Speaker 2>the chest. Looking up through the water, I could see

366
00:25:38.440 --> 00:25:41.079
<v Speaker 2>Murdoch leaning over the rail as he waited for the

367
00:25:41.200 --> 00:25:46.519
<v Speaker 2>chest to break water. And then it happened, a sudden

368
00:25:46.599 --> 00:25:49.079
<v Speaker 2>sharp sting on my hand. From when I looked, I

369
00:25:49.160 --> 00:25:51.960
<v Speaker 2>saw blood, blood, and a six inch fish racing in

370
00:25:52.079 --> 00:25:54.880
<v Speaker 2>for another bight. In a second, there were more of them,

371
00:25:55.160 --> 00:25:59.079
<v Speaker 2>little needle tooth devils, plunging at the canvas suit, even

372
00:25:59.119 --> 00:26:01.160
<v Speaker 2>trying to bite through the steel at a helmet to

373
00:26:01.200 --> 00:26:05.240
<v Speaker 2>get at the flesh inside. And at last I understood everything.

374
00:26:05.799 --> 00:26:08.799
<v Speaker 2>Why but two called it devil water, why Sandoval had

375
00:26:08.839 --> 00:26:11.319
<v Speaker 2>gone insane, and what happened to the crew at the

376
00:26:11.359 --> 00:26:15.799
<v Speaker 2>Santa Rosa. That six inch fish was the South American pirana,

377
00:26:16.119 --> 00:26:18.799
<v Speaker 2>a cannibal so deadly it strips a man to the

378
00:26:18.880 --> 00:26:26.119
<v Speaker 2>bone in thirty seconds. Then I heard something else, the winch.

379
00:26:27.000 --> 00:26:29.119
<v Speaker 2>Murdoch had been driving it too fast even for a

380
00:26:29.200 --> 00:26:32.119
<v Speaker 2>good winch. It started to crumple just as the chest

381
00:26:32.200 --> 00:26:35.480
<v Speaker 2>broke water. Murdoch saw the chest, inches from his hand

382
00:26:35.599 --> 00:26:38.440
<v Speaker 2>start slipping back, and the thought of losing the gold

383
00:26:38.559 --> 00:26:50.440
<v Speaker 2>drove in crazy. He grabbed wallet. Even as the chest

384
00:26:50.519 --> 00:26:53.240
<v Speaker 2>pulled him down past me. He was still holding onto it,

385
00:26:53.960 --> 00:26:56.839
<v Speaker 2>Even as the piranha left me to strip easier pickings

386
00:26:56.920 --> 00:26:59.799
<v Speaker 2>than steel and canvas. He held onto it, and I

387
00:27:00.119 --> 00:27:06.400
<v Speaker 2>you he'd never let go. How could he hadn't The

388
00:27:06.519 --> 00:27:12.160
<v Speaker 2>gold pulled him halfway around the world, and then climbed

389
00:27:12.200 --> 00:27:29.720
<v Speaker 2>out of the water to get him under the direction

390
00:27:29.799 --> 00:27:30.680
<v Speaker 2>of Norman McDonald.

391
00:27:30.880 --> 00:27:34.319
<v Speaker 3>Escape has Brought You Bloodwaters by Tony Barrett, starring Vic Perrin.

392
00:27:34.720 --> 00:27:37.839
<v Speaker 3>Featured in the cast were Jack Krusian, Lillian Baya, Tony Barrett,

393
00:27:37.880 --> 00:27:38.680
<v Speaker 3>and Barney Phillips.

394
00:27:38.960 --> 00:27:40.279
<v Speaker 2>You're announcer George Walsh.

395
00:27:40.759 --> 00:27:43.440
<v Speaker 3>The special music for Escape is composed and conducted by

396
00:27:43.519 --> 00:27:44.319
<v Speaker 3>Leith Stephens.

397
00:27:45.720 --> 00:27:50.839
<v Speaker 2>Next week, you.

398
00:27:50.920 --> 00:27:54.519
<v Speaker 1>Are one of four people trapped in an isolated trading

399
00:27:54.680 --> 00:27:59.480
<v Speaker 1>post somewhere in the Yukon Territory, the blizzard outside making

400
00:27:59.680 --> 00:28:04.079
<v Speaker 1>escape impossible, and you know that before the spring thaws

401
00:28:04.200 --> 00:28:08.160
<v Speaker 1>release you. Before you can leave this cabin behind you,

402
00:28:09.160 --> 00:28:13.720
<v Speaker 1>one of your companions, by consent of the others, will

403
00:28:13.759 --> 00:28:14.359
<v Speaker 1>be killed.

404
00:28:14.920 --> 00:28:17.799
<v Speaker 3>So listen next week when escape brings you Less Crutchfield

405
00:28:17.880 --> 00:28:40.680
<v Speaker 3>Story Judgment Day at Cripple Deer. Every weekday, for ninety

406
00:28:40.759 --> 00:28:44.200
<v Speaker 3>solid minutes, Arthur Godfrey Time presents that redhead himself coming

407
00:28:44.319 --> 00:28:47.359
<v Speaker 3>up with one surprise after another. And every Friday night

408
00:28:47.480 --> 00:28:50.359
<v Speaker 3>on most of these same CBS radio stations, we take

409
00:28:50.400 --> 00:28:53.200
<v Speaker 3>the top surprises, loss the bellungs, the biggest laughs out

410
00:28:53.240 --> 00:28:55.799
<v Speaker 3>of the daytime shows and grew them together into a

411
00:28:55.839 --> 00:28:58.839
<v Speaker 3>big once a week treat. Tomorrow night, don't miss the

412
00:28:59.000 --> 00:29:02.440
<v Speaker 3>Arthur Godfrey Died Yet at the Star's Address. Daytime is

413
00:29:02.440 --> 00:29:05.400
<v Speaker 3>a Gay Time with Arthur Godfrey Time on the CBS

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00:29:05.640 --> 00:29:06.480
<v Speaker 3>Radio network
