WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp the

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<v Speaker 1>House Whisper on demand on the iHeart Radio app. Hey,

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<v Speaker 1>do you know this very program is also the House

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<v Speaker 1>Whisperer podcast that you can listen to anytime, anywhere on demand.

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<v Speaker 1>Hundreds of episodes, all searchable by topic. It's your home

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<v Speaker 1>improvement reference library that we've built for you, eight years

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<v Speaker 1>worth of shows there for you at your fingertips. Every

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<v Speaker 1>mistake I've ever made on the radio lives in perpetuity. Yes,

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<v Speaker 1>it's very humbling. Yeah, yeah, which is why I don't

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<v Speaker 1>listen to them. But you should because in between my

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<v Speaker 1>radio mistakes you will learn some things, life changing things

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<v Speaker 1>about your home. Also, if you're thinking that's all great, Dean,

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<v Speaker 1>but what we really need is Dean and Tina sitting

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<v Speaker 1>in our house talking about specifics, you can do that too.

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<v Speaker 1>You can book an in home design console with me

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<v Speaker 1>and the All you have to do is go to

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<v Speaker 1>a house Whisper dot design for more information House Whisperer

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<v Speaker 1>dot Design. All right, we are spending today as we

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<v Speaker 1>spent yesterday, this weekend, this last weekend in twenty twenty four,

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<v Speaker 1>talking about trends and predictions for homes, home decor and

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<v Speaker 1>all that kind of stuff for twenty twenty five. I

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<v Speaker 1>have a very unique take on it because I am

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<v Speaker 1>a real home designer and therefore I don't participate in

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<v Speaker 1>all of the bs that it ends up on social

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<v Speaker 1>media and interest ye kinds of things. I love all

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<v Speaker 1>that stuff. By the way, as far as you know

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<v Speaker 1>the site, you know, the ability for people to see

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<v Speaker 1>things that they haven't seen before. I'm not criticizing that,

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<v Speaker 1>but this time of year, Uh, everybody and their brother

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<v Speaker 1>has a list of trends, and most of them don't

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<v Speaker 1>come from professional designers or architects, and as a result,

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<v Speaker 1>what we get is a lot of information. So I'm

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<v Speaker 1>trying to cut through that for you so you understand

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<v Speaker 1>what is legit and what is not. What's legit and

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<v Speaker 1>what should you quit? Oh my gosh, did he actually

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<v Speaker 1>do that? Yes? He did. All right, we're going to

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<v Speaker 1>get back to that subject in just a bit. But

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<v Speaker 1>top of the hour. You know what that means, it's

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<v Speaker 1>time to go to the phones. I'm going to talk

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<v Speaker 1>to Brad. Hey, Brad, welcome home.

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<v Speaker 2>Yes, Hi, thank you for taking my call. I have

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<v Speaker 2>a back door of my house that sticks and it.

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<v Speaker 2>I will stand the doorframe, and it will seem to

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<v Speaker 2>last for about two or three months, and then all

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<v Speaker 2>of a sudden it begins to stick again, and it

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<v Speaker 2>makes it very difficult for my wife to open the door.

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<v Speaker 1>Okay, you said you stand the doorframe, in other words,

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<v Speaker 1>the jam in the wall.

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<v Speaker 2>That's correct.

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<v Speaker 1>Okay, Well, a couple of things. Number One, when we

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<v Speaker 1>say that it sticks, do we know is it the

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<v Speaker 1>entire side of the door that is sticking or is

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<v Speaker 1>it sticking near the top?

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<v Speaker 2>Is sticking near the top?

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<v Speaker 1>Yeah, okay, I got you. Why how did he know that?

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<v Speaker 3>Uh?

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<v Speaker 1>Here is the thing, my friend. Number one, stop standing

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<v Speaker 1>the jam. Okay, let the jam just be what it is.

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<v Speaker 1>If if we are and sometimes it's worth doing this.

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<v Speaker 1>If we're going to make a modification to a door

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<v Speaker 1>that is sticking, we actually alter the door. We cut

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<v Speaker 1>and or plane and or sand the door, not the frame. Okay,

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<v Speaker 1>we stand the door, which means, you know, maybe taking

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<v Speaker 1>off weather stripping temporarily and getting to the door itself.

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<v Speaker 1>There does need to be an adequate clearance. So the

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<v Speaker 1>idea of just standing just enough to make it clear

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<v Speaker 1>right now and then cold weather hot weather kicks in

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<v Speaker 1>or a little bit of moisture or a little bit

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<v Speaker 1>of dry and it changes the dem intionality of the

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<v Speaker 1>door and it gets stuck again. So just as a

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<v Speaker 1>general rule, As a general rule, you want to be

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<v Speaker 1>addressing the door. Now I say all this, and you're

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<v Speaker 1>going to tell me it's a steel door, exactly, Okay,

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<v Speaker 1>all right, So it's a steel door. So there's no

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<v Speaker 1>standing the door. So in this situation, how long did

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<v Speaker 1>it function well before it started sticking on you?

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<v Speaker 2>I would say it's I haven't had a problem probably

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<v Speaker 2>for ten years, and then all of a sudden.

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<v Speaker 1>All all of a sudden. Okay, yeah, all right, So

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<v Speaker 1>here's the other thing, and here's where I'm going to

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<v Speaker 1>earn my keep. Okay, this is what I want you

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<v Speaker 1>to do. I don't put down the sander, don't go

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<v Speaker 1>any further with any of that. Right now, what I

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<v Speaker 1>want you to do is I want you to open

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<v Speaker 1>up the door, and I want you to take your

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<v Speaker 1>Phillip's head screwdriver, and I want you to remove one

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<v Speaker 1>of the screws from one of the hinges in the

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<v Speaker 1>jam side of the door. Okay, I want you to

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<v Speaker 1>take that screw down to the hardware store, the big

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<v Speaker 1>box store, wherever. And the reason you're taking it with

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<v Speaker 1>you is because you're looking at the width of that screw.

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<v Speaker 1>And you're also most importantly looking at this size of

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<v Speaker 1>the head of the screw and the fact that it's

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<v Speaker 1>a beveled back, beveled head. And I want you to

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<v Speaker 1>find the longest screw that you can find. Would screw

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<v Speaker 1>that you can find that has that same size head.

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<v Speaker 1>In other words, we're going to replace some screws on

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<v Speaker 1>your hinges that whose heads will fit nicely, seat nicely

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<v Speaker 1>into the hinge. Okay, But when I say long, I'm

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<v Speaker 1>not talking about the you know, the screw that you're

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<v Speaker 1>going to pull out is going to be three quarters

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<v Speaker 1>to an inch long, that's screwed into the jam the

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<v Speaker 1>doorframe as it were. Right, the screw that you're going

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<v Speaker 1>to replace it with, I want that screw to be

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<v Speaker 1>three inches long, Okay. And here's what happens. Okay, we

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<v Speaker 1>don't really notice it, Okay, it's not super noticeable, but

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<v Speaker 1>the weight of a whole door on a three hinge door,

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<v Speaker 1>half of the weight of the door is hanging off

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<v Speaker 1>that top hinge. Okay, And even though the hinge itself

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<v Speaker 1>is solid and doing its job. The fact is that

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<v Speaker 1>hinge was installed in that door jam with a short screw.

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<v Speaker 1>Now that if the plate of the butt of the

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<v Speaker 1>hinge is even at all starting to loosen up and door,

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<v Speaker 1>if the frame that it's in, if the jam has

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<v Speaker 1>shifted at all, this is what causes a door to

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<v Speaker 1>start sticking. And the reason I knew it was sticking

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<v Speaker 1>at the top corner is that it's because not because

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<v Speaker 1>the door is swelling, because if the door was swelling,

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<v Speaker 1>or if the jam was swelling, it would swell uniformly

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<v Speaker 1>down the length of the side and you would be

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<v Speaker 1>stuck top to bottom. But because it's rubbing at the top,

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<v Speaker 1>it means that when the door is shut, it's actually tilted.

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<v Speaker 1>It's leaning. And the only reason it's leaning is even

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<v Speaker 1>if it's not perceptible to you those that top hinge

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<v Speaker 1>has shifted in the jam itself. So here's what we're

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<v Speaker 1>gonna do with these three inch long screws that you're

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<v Speaker 1>gonna buy at the hardware store. You're gonna come back

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<v Speaker 1>and you're gonna take all of the screws out of

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<v Speaker 1>the top hinge, not the door side, but the jam

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<v Speaker 1>side and we're gonna get your screw gun and we're

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<v Speaker 1>gonna go all the way and we're going through the

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<v Speaker 1>jam itself. We're going it's not we're not gonna any

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<v Speaker 1>longer support this door off the jam. We're gonna drill

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<v Speaker 1>right through it, and we're gonna go right into the

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<v Speaker 1>two by four trimmer, the wood stud that's on the

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<v Speaker 1>back side of this thing. And when you do, you're

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<v Speaker 1>gonna snug it up, and you're gonna actually see the

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<v Speaker 1>hinge snug and you might even see the jam leg

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<v Speaker 1>shift and move a little bit. But you're going to

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<v Speaker 1>put three or four, however many screws your hinge takes

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<v Speaker 1>of these long guys right on through, and then you're

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<v Speaker 1>gonna close the door and you're going to be amazed

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<v Speaker 1>because suddenly the door is not going to be rubbing

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<v Speaker 1>at the top anymore. Okay, I will do that, all right,

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<v Speaker 1>my friend. That's the trick. It's something that not a

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<v Speaker 1>lot of people notice at first, but it's not rocket

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<v Speaker 1>science to fix, and it's going to save you a

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<v Speaker 1>lot of labor trying to the problem is when you

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<v Speaker 1>said that you've sanded it and then it was free,

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<v Speaker 1>and then it got loose again, it's just because the

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<v Speaker 1>door just tips, is still tipping, and it's still falling

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<v Speaker 1>into the jam. So the problem is on the hinge side,

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<v Speaker 1>not on the you know, not on the latch side

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<v Speaker 1>of the door, and it's at the top because it's leaning.

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<v Speaker 1>So I hope that makes sense to every feel free.

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<v Speaker 1>If you've got a door that has been problematic or

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<v Speaker 1>even a little wobbly, go ahead and use the long

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<v Speaker 1>screw trip. And I will tell you this. When I

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<v Speaker 1>hang a door, okay as a door, hanging as a

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<v Speaker 1>finished carpenter for years and years now has been the case.

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<v Speaker 1>Number one. I will set the jam itself at the

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<v Speaker 1>very top with a hidden long three inch screw that's

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<v Speaker 1>down in the actual routered area of the hinge where

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<v Speaker 1>the hinge going to cover that screw. And then we

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<v Speaker 1>will go ahead and use longer screws to dig into

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<v Speaker 1>the stud that's on the other side of the jam.

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<v Speaker 1>And guess what happens. These doors They never rub, they

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<v Speaker 1>never sag for the life of the door. That's all

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<v Speaker 1>it takes. Got to tie into the framing better and

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<v Speaker 1>it's not going to failure.

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<v Speaker 4>I promise you're listening to Home with Dean Sharp on

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<v Speaker 4>demand from KFI AM six forty.

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<v Speaker 1>We're talking trends and predictions for twenty twenty five today.

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<v Speaker 1>But right now I am taking calls. I want to

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<v Speaker 1>go back to the phones. Let's talk to Sandy. Sandy,

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<v Speaker 1>welcome home.

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<v Speaker 5>Yes, Hi, Hi Diane, thanks for taking my call.

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<v Speaker 1>You're very welcome. How can I help you?

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<v Speaker 3>Yes, I have a shed top got it from top shed.

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<v Speaker 3>It's six by twelve sheet. It's on the side of

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<v Speaker 3>the house. But we would like to insulate the roof

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<v Speaker 3>the ceiling. I just want to get an input from

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<v Speaker 3>you and you know what kind of insulation should be

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<v Speaker 3>be seen.

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<v Speaker 1>What are you planning on doing with the shed? Why

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<v Speaker 1>are we insulating the shed?

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<v Speaker 5>It's just in the summer, it just gets a lot

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<v Speaker 5>of sun in that part of the property. And I'm

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<v Speaker 5>putting all my most of my gardening tools there, and

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<v Speaker 5>you know, for delster, all that stuff, and also some

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<v Speaker 5>probably cushions for a part of set, and any extra

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<v Speaker 5>stuff that we need to put away, like the coolers,

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<v Speaker 5>all that stuff.

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<v Speaker 1>Right, Okay, I got you. And you just don't want

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<v Speaker 1>it excess, you know, you don't want things melting down

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<v Speaker 1>in there. I get it. A tough shed, a tough shed,

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<v Speaker 1>a typical framed gardens. I'm very familiar with tough sheds.

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<v Speaker 1>We have several on our property. Tough sheds use kind

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<v Speaker 1>of a two by four truss kind of roofing system,

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<v Speaker 1>which makes it very strong, small roof, but very lightweight

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<v Speaker 1>at the same time, And and so you only got

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<v Speaker 1>a limited depth as far as the kind of insulation

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<v Speaker 1>that you would put up in there, I would absolutely

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<v Speaker 1>recommend that you go because it's not a big area,

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<v Speaker 1>and so this is not going to break the bank

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<v Speaker 1>that you would go with rigid foam insulation. Rigid you know,

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<v Speaker 1>rigid foam panels that and for two reasons. One, when

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<v Speaker 1>you're whenever you're using rigid foam, you're getting better insulating

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<v Speaker 1>value for a thinner area. And secondly, the rigid foam

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<v Speaker 1>insulation will be foil backed, and that foil is going

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<v Speaker 1>to help a heck of a lot that shiny foil

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<v Speaker 1>backing because it's going to effectively reflect back and kind

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<v Speaker 1>of shut down a lot of infrared transmission that's coming

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<v Speaker 1>in that wants to come into the shed. So a

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<v Speaker 1>tough shed roof I would absolutely, without question use rigid

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<v Speaker 1>foam with foil backing, and if you're not worried about,

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<v Speaker 1>you know, the aesthetic inside it, you could just leave

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<v Speaker 1>it at that. You can just put it up there,

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<v Speaker 1>cut it nice and let it be and it will

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<v Speaker 1>serve you well.

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<v Speaker 5>And do we do I have to put drywall?

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<v Speaker 1>You don't have to put drywall. Not with the rigid foam.

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<v Speaker 1>You'll be able to attach it into place, even with

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<v Speaker 1>some toennailed screws or even nails that will hold it

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<v Speaker 1>into place for you and you'll be good to go.

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<v Speaker 5>Oh okay, Because I've been looking at the insulation available

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<v Speaker 5>at the big box stores. They're R ratings, ours thirteen,

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<v Speaker 5>R thirty. It's just so many choices. And those are

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<v Speaker 5>not the rigid pham panels that you're talking about right

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<v Speaker 5>right now.

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<v Speaker 1>You can find the rigid foam panels at the big

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<v Speaker 1>box store further down the aisle. Just be looking for them.

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<v Speaker 1>But yeah, they don't come into big packages. They're not

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<v Speaker 1>the lofty fiberglass, squishy stuff or the blown in stuff.

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<v Speaker 1>These are just ridgid foam panels. And you're not going

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<v Speaker 1>to get our thirty in there. But you don't need

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<v Speaker 1>our thirty. You don't need our thirty because it's not

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<v Speaker 1>a living space. You just need to be able to

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<v Speaker 1>knock down a good amount of that heat, and the

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<v Speaker 1>rigid foam is going to do it best for you,

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<v Speaker 1>I promise. Sandy. Thank you for your question, thanks for

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<v Speaker 1>the call, Thanks for hanging on as long as you

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<v Speaker 1>did today. I hope that helps, and good luck on

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<v Speaker 1>that shed. Let's talk to Leslie. Leslie, welcome home, Hide.

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<v Speaker 6>How are you?

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<v Speaker 1>I am well? How can I help you?

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<v Speaker 6>I'm renovating my dad's house. I inherit it in San

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<v Speaker 6>Marino and one hundred years old, and I've been painting

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<v Speaker 6>and chasing and doing this well. The realtor lady was

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<v Speaker 6>telling me I should refinish the tubs, but I personally

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<v Speaker 6>don't think I should because now I'm going to maybe

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<v Speaker 6>open a can of worms with potential plumbing issues, but

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<v Speaker 6>I would They're not in bad shape. Do you recommend

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<v Speaker 6>any good kind of cleaner or something to make it

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<v Speaker 6>kind of sparkle?

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<v Speaker 1>Okay, so the tub cast iron tub under year old house.

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<v Speaker 1>Is the porcelain chipped or is it just dull? What's what?

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<v Speaker 1>What are you dealing with?

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<v Speaker 6>I don't think there's really much going on with it.

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<v Speaker 6>I think the only thing is like one hundred years ago.

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<v Speaker 6>In hell, not too long ago, probably about maybe fifteen

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<v Speaker 6>twenty years ago. My dad put a little touch up

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<v Speaker 6>around the faucet itself, like a little white kind of thing,

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<v Speaker 6>you know, just to I guess maybe some of that

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<v Speaker 6>metal was coming through. But other than that, it's an

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<v Speaker 6>excellent condition. So I hate to get it refinished because

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<v Speaker 6>I've seen where they peel and they do all crazy things.

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<v Speaker 1>Yeah, yeah, it's it's it's tough. Well, let's see so

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<v Speaker 1>and and you're not looking to you're not looking to

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<v Speaker 1>pull those tubs out because you just don't want to

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<v Speaker 1>mess with it. You don't want to mess with the

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<v Speaker 1>tile around it.

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<v Speaker 6>Yeah, because I have the original pile from back then

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<v Speaker 6>and they're beautiful and they're in excellent shape. So I

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<v Speaker 6>hope that somebody will enjoy it as much as we have.

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<v Speaker 6>But it's one of those things where I just want

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<v Speaker 6>to kind of clean it up a bit and just

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<v Speaker 6>kind of give it a little more oomph. And the

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<v Speaker 6>same thing with the flooring. I have those little piles

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<v Speaker 6>and I was wondering about that as well. And one

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<v Speaker 6>other question about in the shower, you know, they had

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<v Speaker 6>the wall up on the top. So I was wondering

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<v Speaker 6>if you had a suggestion of what kind of pain

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<v Speaker 6>I should use up there.

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<v Speaker 1>Okay, So it's like a closeted shower, like a like

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<v Speaker 1>a correct Yeah, I know these very well. Those literally

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<v Speaker 1>back in the day where we were first doing showers,

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<v Speaker 1>and we're like, well, just put them in a closet.

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<v Speaker 1>Just put them in a closet. It's dark, you're surrounding, Okay,

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<v Speaker 1>So all right, the tub, there's there's not a ton Unfortunately,

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<v Speaker 1>there's no magic bullet for the tub or the tile, honestly,

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<v Speaker 1>but there are if you'd do your research, if you

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<v Speaker 1>go to your local tile shop, you can find some

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<v Speaker 1>high coil and not the big box store, but your

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<v Speaker 1>local tile shop. You can find some decent, decent okay,

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<v Speaker 1>not bomb proof, but decent glazes that like a seiler

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<v Speaker 1>that has a pretty good glaze on it that brings

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<v Speaker 1>a little bit more shine out. You could use that

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<v Speaker 1>for the tub and for the tile. It's not going

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<v Speaker 1>to last forever, okay, but it can bring a little

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<v Speaker 1>more gloss and a little more out of the tile

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<v Speaker 1>and the tub, especially if it's not something that's just

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<v Speaker 1>getting used constantly, day in and day out. I agree

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<v Speaker 1>with you. If the tub is in decent shape, even

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<v Speaker 1>if it's a little dull, just go with it. Just

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<v Speaker 1>just go with it, go with the fact that you

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<v Speaker 1>give it a good cleaning. You can clean it with

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<v Speaker 1>just any number of materials. I would just stay away

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<v Speaker 1>from the abrasives, okay at this point, and we'll be

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<v Speaker 1>a tub like that. Stay away from the even the

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<v Speaker 1>barkeeper's front, you know. Just I wouldn't use the abrasive cleansers.

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<v Speaker 1>You could use bleach, you could use white vinegar or

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<v Speaker 1>anything like that that that will do a good job

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<v Speaker 1>of getting in and getting a really good clean out

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<v Speaker 1>of it, and some light brushing, But stay away from

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<v Speaker 1>the abrasives, especially if you're not wanting it to look

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<v Speaker 1>any duller than it is. It'll be brighter, but it'll

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<v Speaker 1>leave it duller. So right, yeah, there you go. There

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<v Speaker 1>you go. That that kind of stuff would be the

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<v Speaker 1>way that I would direct you for those things. But

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<v Speaker 1>you could get it. You can get a seiler that

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<v Speaker 1>once it's really really clean. This is true of the tub,

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<v Speaker 1>porcelain and the tile, that you can put a seiler

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<v Speaker 1>on it and get some you know, short term I

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<v Speaker 1>mean it'll it'll it'll be shining for as long as

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<v Speaker 1>nobody starts using it and then but if somebody's showering

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<v Speaker 1>in the day in and day out, then you know,

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<v Speaker 1>six months down the road, it's going to be back

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<v Speaker 1>to it's Matt finishkin, which is at the end of

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<v Speaker 1>the world because it's not expensive stuff and you could

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<v Speaker 1>just reglaze it again if you wanted to. That's about

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<v Speaker 1>as much as I don't paint it. Please don't paint it,

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<v Speaker 1>because that's I'm not.

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<v Speaker 6>Going that'll be the upper part of that shower stall,

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<v Speaker 6>the box shower. Is there recommendations for some kind of

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<v Speaker 6>paint or it doesn't bubble or something else when you

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<v Speaker 6>have the moisture.

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<v Speaker 1>Yeah, so this is true, and I would do this

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<v Speaker 1>with the whole bathroom by the way, personally. Uh. And

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<v Speaker 1>that is that first of all, you're going to get

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<v Speaker 1>all that chipping and peeling stuff off, You're going to

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<v Speaker 1>get it sanded down and prepped really really well. You're

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<v Speaker 1>going to get a really high quality primer on there, Okay,

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<v Speaker 1>onto the walls, and then I want you to go

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<v Speaker 1>to your local Benjamin Moore dealer and get Aura A U. R.

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<v Speaker 1>A Aura Bath and Spa. Okay. It is literally the

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<v Speaker 1>and and you can get it in Matt. It doesn't

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<v Speaker 1>have to be glossy and shiny. You can get it

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<v Speaker 1>in Matt.

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<v Speaker 2>Finish.

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<v Speaker 1>It is literally a paint that is designed to take

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<v Speaker 1>heat and steam and moisture. That's why it's called bath

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<v Speaker 1>and spa and look JUGI gorgeous without reacting to the

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<v Speaker 1>water in a negative way. Literally, it's made for that

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<v Speaker 1>kind of thing.

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<v Speaker 6>Then spell that out for me one more time.

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<v Speaker 1>Aura A U r A Okay, Benjamin, it's a Benjamin

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<v Speaker 1>Moore live is Okay. So you want Aura Bath and

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<v Speaker 1>Spa spa perfect?

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<v Speaker 6>Okay, you're the best. Thank you, you're so I appreciate it.

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<v Speaker 1>Thank you so much for your call. Happy New Year,

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<v Speaker 1>and good luck on that San Marino house. San Marino.

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<v Speaker 1>That's uh, that's Father of the Bride neighborhood right there,

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<v Speaker 1>my friend Sam. I grew up very close to there,

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<v Speaker 1>not in it. How I would have been so fortunate. No, No,

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<v Speaker 1>I grew up near enough so San Marino.

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<v Speaker 5>Uh.

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<v Speaker 1>But yeah, what a class gorgeous Los Angeles actually Pasadena neighborhood.

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<v Speaker 1>Beautiful stuff, all right, y'all. When we return I'm gonna

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<v Speaker 1>give you more off of my list of predictions and

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<v Speaker 1>trends for twenty twenty five.

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<v Speaker 4>You're listening to Home with Dean Sharp on demand from

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<v Speaker 4>KFI AM six forty.

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<v Speaker 1>You are Home with Dean Sharp, the house Whisper. That's me.

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<v Speaker 1>We're here talking about predictions of trends for home decor

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<v Speaker 1>and design for twenty twenty five. Nearing the end of

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<v Speaker 1>my list, but I still got some good stuff to

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<v Speaker 1>talk to you about.

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<v Speaker 2>Here.

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<v Speaker 1>Let's get back into it, shall we. Uh Here, I say,

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<v Speaker 1>I teased you before we were taking calls that the

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<v Speaker 1>next thing I was going to talk to you about

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<v Speaker 1>was flooring. Flooring, there's one very specific trend that is

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<v Speaker 1>growing in temperature. It's hot, It's I don't know if

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<v Speaker 1>it's hot, but it's deafly getting hotter. And I'm again

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<v Speaker 1>glad about it. Seems like there's a theme that several

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<v Speaker 1>of the items that are on this year's trending list,

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<v Speaker 1>the legitimate items, they're harkening back to an older time

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<v Speaker 1>and we're seeing them manifest again. And this one is

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<v Speaker 1>no exception to that. This is a wonderful example of that.

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<v Speaker 1>And that is whether it's tile or wood flooring. Herringbone, herringbone.

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<v Speaker 1>You know what herringbone is, right, It's that zigzag pattern. Now,

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<v Speaker 1>herringbone is about as classic a flooring pattern as a

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<v Speaker 1>flooring pattern can get. What's amazing about it is that

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<v Speaker 1>it's so classic that you can put any period of

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<v Speaker 1>furniture with it, and it works. If you tour through

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<v Speaker 1>Europe and look at one hundred two hundred, three hundred

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<v Speaker 1>plus year old homes and villas, you will find herringbone floors.

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<v Speaker 1>If you travel and find ultra contemporary homes, you will

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<v Speaker 1>find herringbone floors. Because it's such a heavy geometric pattern,

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<v Speaker 1>it works with absolute contemporary design, and it works with

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<v Speaker 1>old world design, and designers are rediscovering it and pushing

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<v Speaker 1>their clients toward at least considering it. I love herringbone floors.

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<v Speaker 1>I absolutely love them. They solve all sorts of problems too.

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<v Speaker 1>By the way, let's say you got this, and these

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<v Speaker 1>are problems sometimes brought on by open concept, open plan

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<v Speaker 1>flooring ideas, and that is that you've got one room

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<v Speaker 1>that runs kind of lengthwise this way, and it's now

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<v Speaker 1>connected without walls to another space that runs ninety degrees

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<v Speaker 1>perpendicular to it in another direction. So if you've got

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<v Speaker 1>traditional plank flooring, you've got to ask the question, well,

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<v Speaker 1>which way should we run the pl playing flooring. Now

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<v Speaker 1>I have a cheat for that too. If you want

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<v Speaker 1>to use plank flooring, you set it at a diagonal,

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<v Speaker 1>at a forty five degree diagonal for both spaces, and

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<v Speaker 1>it works. But herringbone is an absolute example of just that,

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<v Speaker 1>just in shorter format with more detail on the floor.

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<v Speaker 1>And so here's the thing that I want you to consider,

419
00:24:20.960 --> 00:24:24.279
<v Speaker 1>taking this from the mouth of a professional home designer

420
00:24:25.200 --> 00:24:29.440
<v Speaker 1>as opposed to getting caught up in the retail cyclone

421
00:24:29.680 --> 00:24:32.759
<v Speaker 1>of well, I want our new floors to make such

422
00:24:32.799 --> 00:24:35.920
<v Speaker 1>an impact, we've got to step up the budget and

423
00:24:36.000 --> 00:24:40.559
<v Speaker 1>let's just let's just buy more expensive and more expensive

424
00:24:40.599 --> 00:24:44.160
<v Speaker 1>and more flooring material. Yeah, you could go that way,

425
00:24:45.359 --> 00:24:51.720
<v Speaker 1>or you could make a powerfully beautiful, elegant impact by

426
00:24:51.839 --> 00:24:57.200
<v Speaker 1>simply taking a modest flooring material and installing it in

427
00:24:57.279 --> 00:25:02.200
<v Speaker 1>a classic pattern. And that is my love for herringbone

428
00:25:02.440 --> 00:25:05.200
<v Speaker 1>as a pattern for flooring. Okay, Also, by the way,

429
00:25:05.640 --> 00:25:08.920
<v Speaker 1>also my love for herringbone as a backsplash tile or

430
00:25:08.960 --> 00:25:12.880
<v Speaker 1>anything like that. But whether you're using porcelain tile, planks

431
00:25:13.240 --> 00:25:16.279
<v Speaker 1>or whether you're using hardwood or even there are now

432
00:25:16.519 --> 00:25:20.119
<v Speaker 1>luxury vinyl planks a few on the market who are

433
00:25:20.440 --> 00:25:23.160
<v Speaker 1>that are designed to be capable of being installed in

434
00:25:23.200 --> 00:25:26.960
<v Speaker 1>a herringbone pattern. You know what, give it a solid look.

435
00:25:27.039 --> 00:25:31.039
<v Speaker 1>Look online, look at photos of herringbone floors. You don't

436
00:25:31.240 --> 00:25:36.119
<v Speaker 1>have to have all this drama in the wood itself,

437
00:25:36.279 --> 00:25:41.279
<v Speaker 1>in the tile itself. If right back behind that lovely

438
00:25:41.400 --> 00:25:46.599
<v Speaker 1>surface is this pattern. It's not a loud pattern, it's

439
00:25:46.720 --> 00:25:50.960
<v Speaker 1>not you know, it doesn't jump out and take over. Okay,

440
00:25:51.000 --> 00:25:54.559
<v Speaker 1>it's a floor, but it's such an elegant way of

441
00:25:54.599 --> 00:25:57.960
<v Speaker 1>doing a floor, and it's such a beautifully detailed pattern.

442
00:25:58.000 --> 00:26:02.160
<v Speaker 1>And what goes with it everything with it. Round furniture

443
00:26:02.200 --> 00:26:06.359
<v Speaker 1>goes with it, Square furniture goes with it, Rectangular furniture

444
00:26:06.400 --> 00:26:10.240
<v Speaker 1>goes with herringbone. Herringbone fits in any room, running in

445
00:26:10.319 --> 00:26:16.119
<v Speaker 1>virtually any direction. Okay. And as I said before, it

446
00:26:16.240 --> 00:26:19.400
<v Speaker 1>is so old world that you could go back and

447
00:26:19.559 --> 00:26:23.799
<v Speaker 1>emulate a three hundred year old period room, or you

448
00:26:23.839 --> 00:26:28.039
<v Speaker 1>could be installing it in an ultra modern, ultra contemporary setting,

449
00:26:28.319 --> 00:26:34.480
<v Speaker 1>and it works perfectly fine. Herringbone Rediscover Herringbone in twenty

450
00:26:34.519 --> 00:26:37.039
<v Speaker 1>twenty five. It's not for everybody, and it's not for

451
00:26:37.119 --> 00:26:39.599
<v Speaker 1>every house, but I will tell you this, if you

452
00:26:39.720 --> 00:26:42.640
<v Speaker 1>haven't thought of it, if you haven't considered it, and

453
00:26:42.680 --> 00:26:46.000
<v Speaker 1>you're thinking about putting in new floors, pump the brakes

454
00:26:46.400 --> 00:26:50.039
<v Speaker 1>and take a look and see if the entire level

455
00:26:50.119 --> 00:26:54.480
<v Speaker 1>of the room can't be elevated and amplified by a beautiful,

456
00:26:54.559 --> 00:26:57.400
<v Speaker 1>consistent floor pattern like that laying down on your floor.

457
00:26:57.440 --> 00:27:01.519
<v Speaker 1>There you go. Now need to know this. Is there

458
00:27:01.599 --> 00:27:06.440
<v Speaker 1>any additional cost to herringbone? Dean installers are probably gonna

459
00:27:06.519 --> 00:27:08.720
<v Speaker 1>charge you a little bit more to run herringbone than

460
00:27:08.880 --> 00:27:13.839
<v Speaker 1>just straight plank, okay, And because the herringbone floor is

461
00:27:13.880 --> 00:27:16.720
<v Speaker 1>going to be hitting the walls at a forty five

462
00:27:16.799 --> 00:27:20.119
<v Speaker 1>degree angle, that means it's going to create a little

463
00:27:20.119 --> 00:27:23.119
<v Speaker 1>bit more waste that can't be recouped and used like

464
00:27:23.160 --> 00:27:25.119
<v Speaker 1>on the other side of the room, which is sometimes

465
00:27:25.200 --> 00:27:29.480
<v Speaker 1>what we can do with plank flooring. But is it

466
00:27:29.920 --> 00:27:34.000
<v Speaker 1>worth it? And will you save money by purchasing a

467
00:27:34.200 --> 00:27:39.640
<v Speaker 1>less expensive, lessugi loud draw attention to itself flooring material

468
00:27:40.039 --> 00:27:45.000
<v Speaker 1>and installing it herringbone over something really really expensive set

469
00:27:45.079 --> 00:27:47.920
<v Speaker 1>on a traditional pattern, Yes you will. You'll save money

470
00:27:48.000 --> 00:27:50.119
<v Speaker 1>and you'll have a better result in the end. There

471
00:27:50.160 --> 00:27:54.000
<v Speaker 1>you go. Last thing that I'm gonna I'm gonna leave

472
00:27:54.039 --> 00:27:56.440
<v Speaker 1>this for the other side of the break. Do you

473
00:27:56.599 --> 00:28:02.000
<v Speaker 1>know what color drenching is? Okay, Well, if you don't

474
00:28:02.400 --> 00:28:05.039
<v Speaker 1>hang tight, and when we come back, I will explain

475
00:28:05.079 --> 00:28:08.759
<v Speaker 1>to you why it is a well deserved hot trend

476
00:28:09.359 --> 00:28:13.640
<v Speaker 1>for twenty twenty five and beyond, go nowhere. Color drenching

477
00:28:13.720 --> 00:28:14.240
<v Speaker 1>coming up.

478
00:28:14.920 --> 00:28:18.240
<v Speaker 4>You're listening to Home with Dean Sharp on demand from

479
00:28:18.319 --> 00:28:22.759
<v Speaker 4>KFI AM six forty.

480
00:28:22.839 --> 00:28:23.039
<v Speaker 6>Yeah.

481
00:28:23.039 --> 00:28:25.920
<v Speaker 1>I was just talking to Elmer. He was checking out

482
00:28:26.039 --> 00:28:30.160
<v Speaker 1>Elmer was checking out herringbone floor. He's like, man, I

483
00:28:30.240 --> 00:28:33.440
<v Speaker 1>need so cool for me. Aren't they cool? They're awesome?

484
00:28:34.200 --> 00:28:38.119
<v Speaker 1>And then I was telling him that it actually came

485
00:28:38.279 --> 00:28:41.880
<v Speaker 1>from it literally comes from, you know, a herring, the

486
00:28:41.960 --> 00:28:47.599
<v Speaker 1>fish fishbone. If you look at their skeleton from the

487
00:28:47.720 --> 00:28:50.839
<v Speaker 1>side and or from the top, you'll see that diagonal

488
00:28:50.880 --> 00:28:53.599
<v Speaker 1>pattern the way that the bones tie in. And I

489
00:28:53.640 --> 00:28:56.359
<v Speaker 1>don't know who named it. It was hundreds of years ago.

490
00:28:56.480 --> 00:29:00.359
<v Speaker 1>Somebody said it's like a herring, the bones of a herring. Okay,

491
00:29:00.400 --> 00:29:03.160
<v Speaker 1>that's fine, but yeah, that's where it comes from. Very

492
00:29:03.279 --> 00:29:06.720
<v Speaker 1>very cool, and it's always nice It always feels good

493
00:29:06.720 --> 00:29:09.839
<v Speaker 1>when even my colleagues here at the station are like,

494
00:29:10.160 --> 00:29:12.680
<v Speaker 1>you know what, you know what you just said? That

495
00:29:12.839 --> 00:29:20.519
<v Speaker 1>was actually cool. Thanks all the time. I'm glad. I'm glad.

496
00:29:20.559 --> 00:29:23.880
<v Speaker 1>I'm here to help. All right, I got one more

497
00:29:23.960 --> 00:29:26.440
<v Speaker 1>for you? Do I I? Oh, yeah, I do. I

498
00:29:26.519 --> 00:29:32.599
<v Speaker 1>teased you before the break whether you knew anything about

499
00:29:32.880 --> 00:29:36.480
<v Speaker 1>color drenching. You know what color drenching is, well, you

500
00:29:36.480 --> 00:29:38.720
<v Speaker 1>could sort of imagine. It probably has to do with

501
00:29:38.799 --> 00:29:45.160
<v Speaker 1>taking a color and just like saturating everything everywhere with it.

502
00:29:45.160 --> 00:29:49.839
<v Speaker 1>It is pretty much kind of that thing. But you know,

503
00:29:49.839 --> 00:29:53.960
<v Speaker 1>we gotta standard control here, so color drenching you're gonna

504
00:29:54.000 --> 00:29:58.119
<v Speaker 1>hear about it if you're going through trending lists. Color

505
00:29:58.200 --> 00:30:04.559
<v Speaker 1>drenching is take some random sound, and color drenching is

506
00:30:04.640 --> 00:30:09.359
<v Speaker 1>taking a single color in a room and using it

507
00:30:09.519 --> 00:30:15.119
<v Speaker 1>on all the walls and the ceiling. Now, Dean, I've

508
00:30:15.160 --> 00:30:19.559
<v Speaker 1>been listening to your show for years, and you are

509
00:30:19.640 --> 00:30:23.880
<v Speaker 1>a huge advocate of feature walls, of bold color and

510
00:30:24.000 --> 00:30:26.599
<v Speaker 1>letting the other things go. Because you say that when

511
00:30:27.000 --> 00:30:30.799
<v Speaker 1>we paint every wall and the ceiling all some wild color,

512
00:30:31.200 --> 00:30:35.519
<v Speaker 1>it gets to be like a cave. And you're absolutely right,

513
00:30:35.759 --> 00:30:39.279
<v Speaker 1>and I really am not being hypocritical or turning a

514
00:30:39.319 --> 00:30:42.279
<v Speaker 1>one eighty when I tell you that to color drenching

515
00:30:42.880 --> 00:30:47.039
<v Speaker 1>is the exception to that rule. Here's how we do

516
00:30:47.119 --> 00:30:50.799
<v Speaker 1>color drenching in a room. What we do. Number one,

517
00:30:50.920 --> 00:30:56.480
<v Speaker 1>the plan is we're not using wild warm colors. Okay.

518
00:30:56.920 --> 00:30:59.799
<v Speaker 1>I do not color drench a room with anything on

519
00:30:59.799 --> 00:31:03.119
<v Speaker 1>the warm side of the spectrum. No reds, no oranges,

520
00:31:03.200 --> 00:31:09.359
<v Speaker 1>no yellows, because that just gets crazy town. Okay. Number two,

521
00:31:09.519 --> 00:31:14.960
<v Speaker 1>I don't use overly dark colors because unless we're literally

522
00:31:15.039 --> 00:31:19.799
<v Speaker 1>just trying to create that dark, deep, moody space, but

523
00:31:19.920 --> 00:31:23.039
<v Speaker 1>a pleasant color drenched room, a room that could be

524
00:31:23.079 --> 00:31:25.920
<v Speaker 1>a bedroom or a dining room or anything like it.

525
00:31:26.319 --> 00:31:28.039
<v Speaker 1>What we're going to use is we're going to use

526
00:31:28.599 --> 00:31:33.839
<v Speaker 1>muted paints in the cool side of things. Greens and blues, okay,

527
00:31:33.960 --> 00:31:36.519
<v Speaker 1>not gray. Gray is boring for this kind of thing.

528
00:31:36.559 --> 00:31:40.279
<v Speaker 1>We want color, Okay, gray is technically not a color.

529
00:31:41.559 --> 00:31:47.240
<v Speaker 1>So we want these cool, you know, colors that set

530
00:31:47.240 --> 00:31:51.079
<v Speaker 1>a mood almost I dare I say pastel, cool pastels,

531
00:31:51.119 --> 00:31:54.200
<v Speaker 1>but not like baby blue or anything like that. Right,

532
00:31:55.039 --> 00:32:01.240
<v Speaker 1>A muted, naturalistic color. And then we're not just painting

533
00:32:01.279 --> 00:32:05.960
<v Speaker 1>a room. What we're doing is actually we're using this

534
00:32:06.079 --> 00:32:10.720
<v Speaker 1>technique to increase the amount of detail on a wall

535
00:32:10.799 --> 00:32:12.640
<v Speaker 1>and a ceiling. So what I mean by that is

536
00:32:12.960 --> 00:32:14.759
<v Speaker 1>we take this room and we say, you know what,

537
00:32:15.599 --> 00:32:18.960
<v Speaker 1>I want to panel this room. I mean, I want

538
00:32:18.960 --> 00:32:22.400
<v Speaker 1>to put panel applicas all over this room. I want

539
00:32:22.440 --> 00:32:25.200
<v Speaker 1>to take flat moldings and create all sorts of panel

540
00:32:25.319 --> 00:32:28.799
<v Speaker 1>designs geometric floor to ceiling on all these walls. But

541
00:32:28.839 --> 00:32:32.160
<v Speaker 1>I love that look, but I'm afraid it's gonna get

542
00:32:32.200 --> 00:32:35.920
<v Speaker 1>too busy. I want that big old base board coming

543
00:32:35.960 --> 00:32:38.799
<v Speaker 1>off the floor, but I'm afraid that, you know, once

544
00:32:38.839 --> 00:32:41.279
<v Speaker 1>I paint the wall and the baseboard is standing out,

545
00:32:41.359 --> 00:32:43.960
<v Speaker 1>that it's gonna get too busy. Or these panels, once

546
00:32:44.000 --> 00:32:46.599
<v Speaker 1>they stand out against the rest of the room color,

547
00:32:46.799 --> 00:32:49.440
<v Speaker 1>it's gonna get too loud and too busy. Or if

548
00:32:49.440 --> 00:32:52.599
<v Speaker 1>I put even applicase like Dean was talking about earlier

549
00:32:52.640 --> 00:32:55.680
<v Speaker 1>in the show Feature Ceilings, if I put the same

550
00:32:55.799 --> 00:32:58.839
<v Speaker 1>kind of applicate panel on the ceiling, it's just gonna

551
00:32:58.880 --> 00:33:03.440
<v Speaker 1>get too busy. And you're right, it could, and it

552
00:33:03.519 --> 00:33:07.079
<v Speaker 1>seems a little counterintuitive. But all I can tell you

553
00:33:07.160 --> 00:33:09.480
<v Speaker 1>is the tension that is created by what I'm about

554
00:33:09.519 --> 00:33:15.119
<v Speaker 1>to describe ends up becoming in most cases just stunningly elegant.

555
00:33:15.400 --> 00:33:21.759
<v Speaker 1>And it's this go ahead, panel out, crazy town, trim

556
00:33:21.799 --> 00:33:26.640
<v Speaker 1>all over this room, okay, and then ceiling included if

557
00:33:26.640 --> 00:33:31.759
<v Speaker 1>you want, and then paint it all the same color,

558
00:33:32.079 --> 00:33:37.480
<v Speaker 1>no differential from the floor edge right on up across

559
00:33:37.519 --> 00:33:43.000
<v Speaker 1>the ceiling, all one color, the trim, the wall, the

560
00:33:43.000 --> 00:33:51.640
<v Speaker 1>window trims, everything all one cool, muted, naturalistic color. And

561
00:33:51.720 --> 00:33:55.440
<v Speaker 1>you know what the floor stands out in contrast. That's it,

562
00:33:55.839 --> 00:33:58.599
<v Speaker 1>and then all the furnishings in the room that's it.

563
00:33:59.119 --> 00:34:06.640
<v Speaker 1>And it, if it's done well, can be I don't know, scrumptious, elegant, beautiful, tasty,

564
00:34:07.000 --> 00:34:11.320
<v Speaker 1>You pick the adjective of your choice. If you need

565
00:34:11.360 --> 00:34:14.039
<v Speaker 1>to see it, absolutely you need to see it. So again,

566
00:34:14.199 --> 00:34:19.800
<v Speaker 1>go online search color drenched room and you'll see, hopefully

567
00:34:20.039 --> 00:34:23.599
<v Speaker 1>a good example of what I'm talking talking about. It's bold,

568
00:34:23.960 --> 00:34:26.440
<v Speaker 1>it's a bold move for you to make, but it's

569
00:34:26.480 --> 00:34:30.199
<v Speaker 1>not bold in the sense of loud or gaudy or

570
00:34:30.239 --> 00:34:33.199
<v Speaker 1>anything like that. When it's done well, it's done with

571
00:34:33.559 --> 00:34:36.480
<v Speaker 1>just this beautiful. It's as if we've done all the

572
00:34:36.519 --> 00:34:40.960
<v Speaker 1>paneling and that's a bold move forward, and then we've

573
00:34:41.000 --> 00:34:43.039
<v Speaker 1>painted it all the same color, which, by the way,

574
00:34:43.039 --> 00:34:47.079
<v Speaker 1>you could also do with white, okay, And by painting

575
00:34:47.119 --> 00:34:50.440
<v Speaker 1>it all the same color, we've muted the paneling and

576
00:34:50.519 --> 00:34:52.679
<v Speaker 1>pulled it back a step. So we've taken a bold

577
00:34:52.760 --> 00:34:55.400
<v Speaker 1>step forward and then we pull it back half a step,

578
00:34:55.400 --> 00:34:58.119
<v Speaker 1>and what we get is this tension in between anyway,

579
00:34:58.760 --> 00:35:02.159
<v Speaker 1>color drenching. Look it up. It is a hot new trend.

580
00:35:02.239 --> 00:35:04.880
<v Speaker 1>I'm glad, but it's got to be done well. All right,

581
00:35:05.079 --> 00:35:07.320
<v Speaker 1>It's got to be done tastefully. It's got to be

582
00:35:07.360 --> 00:35:10.159
<v Speaker 1>executed with a good amount of planning. But it's worth

583
00:35:10.760 --> 00:35:13.079
<v Speaker 1>you taking a look at. It's worth your attention. It

584
00:35:13.119 --> 00:35:15.920
<v Speaker 1>could make all the difference in a room for years

585
00:35:15.960 --> 00:35:20.039
<v Speaker 1>and years to come. All Right, That's about all we've

586
00:35:20.079 --> 00:35:23.599
<v Speaker 1>got today for this weekend, everybody, This last weekend for

587
00:35:23.800 --> 00:35:27.880
<v Speaker 1>us in twenty twenty. For the new year is looming

588
00:35:28.079 --> 00:35:31.000
<v Speaker 1>right around the corner. It's coming at us on Wednesday.

589
00:35:31.639 --> 00:35:35.719
<v Speaker 1>And I'm sorry, what was that, Tina, No, don't worry

590
00:35:35.760 --> 00:35:40.320
<v Speaker 1>about that. I'm going to leave you with this thought today.

591
00:35:40.400 --> 00:35:44.320
<v Speaker 1>Some people hate New Years, isn't that true? Yeah? I

592
00:35:44.400 --> 00:35:47.199
<v Speaker 1>run into a lot of them. Actually, they say, you

593
00:35:47.239 --> 00:35:48.960
<v Speaker 1>know what, it's a day just like any other day.

594
00:35:49.000 --> 00:35:51.920
<v Speaker 1>There's nothing magical about it or the hope that it

595
00:35:52.000 --> 00:35:54.840
<v Speaker 1>promises us, because you know what, life just turns out

596
00:35:54.880 --> 00:36:01.000
<v Speaker 1>to be the same. I totally get that. I feel

597
00:36:01.039 --> 00:36:04.679
<v Speaker 1>you so much on that. Okay, so I'm going to

598
00:36:04.760 --> 00:36:06.840
<v Speaker 1>jump in that camp just for a second, not hating

599
00:36:06.840 --> 00:36:10.360
<v Speaker 1>New Year's but acknowledging the truth about it. There's nothing

600
00:36:10.519 --> 00:36:16.159
<v Speaker 1>intrinsically magical about New Year's Day. If you didn't know

601
00:36:16.280 --> 00:36:18.960
<v Speaker 1>January first was New Year's Day, nothing would alert you

602
00:36:19.000 --> 00:36:22.920
<v Speaker 1>to its arrival. It would just feel like any other day.

603
00:36:24.920 --> 00:36:29.719
<v Speaker 1>It's not nothing, though, Okay, it's the beginning of another lap.

604
00:36:30.360 --> 00:36:35.000
<v Speaker 1>Astronomically speaking, within a few hours of New Year's Day,

605
00:36:35.159 --> 00:36:39.039
<v Speaker 1>the Earth will be at its closest point to the Sun.

606
00:36:39.760 --> 00:36:43.880
<v Speaker 1>It's called the perihelion. And no, you're not going to

607
00:36:43.920 --> 00:36:47.880
<v Speaker 1>feel it, but it's true. And here, in the first

608
00:36:48.039 --> 00:36:50.519
<v Speaker 1>days of winter, which is where we're at right now,

609
00:36:51.000 --> 00:36:55.119
<v Speaker 1>floating in the vast expanse of the universe, our tiny

610
00:36:55.239 --> 00:37:00.840
<v Speaker 1>blue world begins another year long journey around our star.

611
00:37:02.239 --> 00:37:06.039
<v Speaker 1>And what makes New Year special for those who choose

612
00:37:06.119 --> 00:37:10.559
<v Speaker 1>to make it special is that we mark its arrival.

613
00:37:11.320 --> 00:37:13.800
<v Speaker 1>We all know it's far too easy for us to

614
00:37:14.079 --> 00:37:18.880
<v Speaker 1>allow one day to roll into the next, and the

615
00:37:18.920 --> 00:37:21.079
<v Speaker 1>next and the next, and before we know it, we're

616
00:37:21.119 --> 00:37:25.440
<v Speaker 1>wondering where the time is gone. So human finds ways

617
00:37:25.519 --> 00:37:31.440
<v Speaker 1>to mark our laps. We mark birthdays, we mark wedding anniversaries,

618
00:37:31.519 --> 00:37:35.360
<v Speaker 1>we mark work anniversaries, we mark any anniversary. We can

619
00:37:35.400 --> 00:37:38.679
<v Speaker 1>get our hands on any lap that we can number

620
00:37:39.079 --> 00:37:42.559
<v Speaker 1>in order to remind us the time is passing and

621
00:37:42.639 --> 00:37:47.280
<v Speaker 1>we're not getting any younger. So yeah, it's true. Nothing

622
00:37:47.559 --> 00:37:52.320
<v Speaker 1>about the clock striking midnight makes us new people, with

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<v Speaker 1>new lives, unburdened from our past, free from our present circumstances.

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<v Speaker 1>New Year's is not you. New Year's is not absolution.

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00:38:03.239 --> 00:38:06.400
<v Speaker 1>New Year's is not healing. New Year's is not a

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<v Speaker 1>fresh new start, unless, of course, we choose to make

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<v Speaker 1>it so. And there is the magic, our resolve to

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<v Speaker 1>do better, be better, live better. For a bunch of

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<v Speaker 1>little monkeys caught up with big burdens and even bigger worries,

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<v Speaker 1>I think it's a good thing to get some perspective,

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<v Speaker 1>to mark a lap. Remember that life is short, time

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<v Speaker 1>is passing, and we're not getting any younger. So if

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<v Speaker 1>we're looking for things to change, we want to get

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<v Speaker 1>free from the past. If we want to heal, if

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<v Speaker 1>we want to be better and do better and live better,

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<v Speaker 1>then hey, let's pick a day and celebrate. If there's

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<v Speaker 1>magic in New Year's Day, you, my friend, are that magic,

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<v Speaker 1>your dreams, your resolve, your choices. No, the New year

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00:39:09.719 --> 00:39:13.000
<v Speaker 1>will not do it for you, but if you want

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<v Speaker 1>it to be so, today can be the day that

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<v Speaker 1>you choose to build or rebuild yourself a beautiful life.

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<v Speaker 1>And I hope you do. And so with that, I'm

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<v Speaker 1>going to wish all of you, from Tina and I

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<v Speaker 1>and everyone in the Sharp Plam a very very happy

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<v Speaker 1>New Year, and we will see you right back here

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<v Speaker 1>next weekend. We'll see you next year. Until then, have

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<v Speaker 1>a great one. This has been Home with Dean Sharp,

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<v Speaker 1>the House Whisper. Tune into the live broadcast on KFI

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<v Speaker 1>AM six forty every Saturday morning from six to eight

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<v Speaker 1>Pacific time and every Sunday morning from nine to noon

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<v Speaker 1>Pacific time, or anytime on demand on the iHeartRadio app.
