1 00:00:29,920 --> 00:00:36,079 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:36,280 --> 00:00:39,920 This is your host, Adam Graham. In a moment, we're 3 00:00:39,960 --> 00:00:44,000 going to bring you this week's episode of Danger with Granger. 4 00:00:44,079 --> 00:00:46,320 But first I do want to encourage you, if you're 5 00:00:46,439 --> 00:00:50,880 enjoying the podcast, to please follow us using your favorite 6 00:00:50,880 --> 00:00:55,000 podcast software. And today's program is brought you in part 7 00:00:55,039 --> 00:00:57,880 by the financial support of our listeners. You can support 8 00:00:57,880 --> 00:00:59,960 the show on a one time basis support dot com, 9 00:01:00,240 --> 00:01:03,960 Great Detectives dot net, or become one of our ongoing 10 00:01:04,000 --> 00:01:07,359 Patreon supporters for as little as two dollars per month 11 00:01:07,799 --> 00:01:12,879 at Patreon dot Great Detectives dot net. Now Here from 12 00:01:13,000 --> 00:01:18,079 nineteen fifty six or nineteen fifty seven is today's episode 13 00:01:18,640 --> 00:01:19,560 The Rainy not. 14 00:01:19,799 --> 00:01:36,280 Speaker 2: Murder, Danger with Granger. 15 00:01:44,680 --> 00:01:46,840 Speaker 3: You tell me, let's find a policeman quickly. 16 00:01:48,560 --> 00:01:48,799 Speaker 4: There. 17 00:01:49,680 --> 00:01:51,760 Speaker 3: I'm sorry, Oh mister, please help me. 18 00:01:51,959 --> 00:01:52,840 Speaker 4: I gotta get to a priest. 19 00:01:53,040 --> 00:01:54,560 Speaker 5: And before we do anything about I'm moving to the 20 00:01:54,640 --> 00:01:57,719 doorway on this ring. Come on, come on, come on, 21 00:02:00,079 --> 00:02:00,560 what happened? 22 00:02:01,079 --> 00:02:04,560 Speaker 6: Fight with a husband? It's the man. 23 00:02:05,079 --> 00:02:05,879 Speaker 3: He's gonna kill me? 24 00:02:06,040 --> 00:02:07,159 Speaker 6: What man? Where? 25 00:02:07,400 --> 00:02:07,599 Speaker 7: Man? 26 00:02:07,760 --> 00:02:08,759 Speaker 3: He was wearing a great hat. 27 00:02:09,120 --> 00:02:11,280 Speaker 6: He was right behind me. You're wrong, baby, There's nobody 28 00:02:11,280 --> 00:02:12,159 behind you. Take a look. 29 00:02:12,319 --> 00:02:14,360 Speaker 5: When I saw him, I tainment you were running towards 30 00:02:14,400 --> 00:02:15,400 me and nearly knocked me over. 31 00:02:15,639 --> 00:02:17,400 Speaker 6: You may take my word for the little lady. There 32 00:02:17,520 --> 00:02:21,240 was no one behind you, but I know he would. 33 00:02:21,400 --> 00:02:23,960 Speaker 5: You know, this man in the gray hat? No, then, 34 00:02:23,960 --> 00:02:25,479 why would he chase you on a rainy night? 35 00:02:25,879 --> 00:02:28,240 Speaker 3: Because I saw him commit murder. 36 00:02:30,639 --> 00:02:33,599 Speaker 5: This is Steve Granger, private detective, with a story about 37 00:02:33,599 --> 00:02:35,960 a rainy night which was the setting for violent death, 38 00:02:36,479 --> 00:02:39,560 and which just incidentally almost had me labeled by my 39 00:02:39,599 --> 00:02:42,560 friends in the police department as nuts. Just a moment, 40 00:02:42,599 --> 00:02:45,159 I'll take you back to one of my most interesting cases. 41 00:02:56,639 --> 00:02:58,120 I took a good look at the young woman who 42 00:02:58,240 --> 00:02:59,960 bumped into me in the rain and found a blow 43 00:03:00,199 --> 00:03:02,319 youngster in her early twenties, dressed in nothing but a 44 00:03:02,400 --> 00:03:05,080 drenched summer dress which clung to her skin like. 45 00:03:05,039 --> 00:03:07,800 Speaker 6: A label to a perfume bottle. Mister, Please, why did 46 00:03:07,840 --> 00:03:09,919 you see this man in the gray hat commit murder 47 00:03:10,000 --> 00:03:14,280 from my apartment? No? What's your name? Please? 48 00:03:14,599 --> 00:03:16,560 Speaker 3: Please look back again. I'm sure he's following that. 49 00:03:16,680 --> 00:03:21,319 Speaker 6: There's no one else around. Come on, let me take 50 00:03:21,319 --> 00:03:21,680 you home. 51 00:03:22,039 --> 00:03:22,960 Speaker 3: But I'm frightened. 52 00:03:23,280 --> 00:03:24,360 Speaker 7: I can't go back there. 53 00:03:24,479 --> 00:03:28,080 Speaker 6: Look, baby, I'm Steve Granger, a private attective. We'll see 54 00:03:28,120 --> 00:03:30,560 that you're safe. Then he can tell me the whole story. 55 00:03:30,560 --> 00:03:32,360 If it holds together, I'll call in the law. Now 56 00:03:32,400 --> 00:03:32,919 is that a deal? 57 00:03:34,080 --> 00:03:34,520 Speaker 4: Yes? 58 00:03:34,759 --> 00:03:42,360 Speaker 5: Okay, Well, let's hurry, you're soaking wet. I went ahead 59 00:03:42,360 --> 00:03:45,319 of the girl and checked her apartment was empty. Then, 60 00:03:45,319 --> 00:03:47,439 while she changed into some dry clothes. 61 00:03:47,120 --> 00:03:49,800 Speaker 6: I looked it over. There's typical of one hundreds of 62 00:03:49,840 --> 00:03:50,719 New York apartments. 63 00:03:51,000 --> 00:03:53,400 Speaker 5: One room doubling for living and sleeping, a window that 64 00:03:53,439 --> 00:03:55,439 looked out over a fire escape, and three lines of 65 00:03:55,520 --> 00:03:56,759 dingy laundry. 66 00:03:57,479 --> 00:03:59,120 Speaker 6: The window opposite was dark. 67 00:04:00,879 --> 00:04:02,840 Speaker 3: Well I feel better, Almster grangee. 68 00:04:02,919 --> 00:04:06,879 Speaker 6: They look a little bit better too. Wow. Suppose you 69 00:04:07,000 --> 00:04:11,800 tell me how you happened to witness a murder just. 70 00:04:11,680 --> 00:04:14,240 Speaker 3: A little while ago. You see, when I've got nothing 71 00:04:14,240 --> 00:04:15,840 to do at night, I sit by the window and 72 00:04:15,840 --> 00:04:16,519 look out over. 73 00:04:16,399 --> 00:04:18,240 Speaker 6: The cart, look into the tenant's windows. 74 00:04:18,360 --> 00:04:20,639 Speaker 3: Oh, it's a harless diversion, and you'd be surprised what 75 00:04:20,759 --> 00:04:21,319 you see. 76 00:04:21,680 --> 00:04:24,759 Speaker 6: I can imagine. Come on, my room was dark. 77 00:04:25,079 --> 00:04:27,639 Speaker 3: I turned off my lights. There was a man in 78 00:04:27,680 --> 00:04:28,639 a chair by the window. 79 00:04:28,759 --> 00:04:31,199 Speaker 6: Just opposite that one, the one that's dark. 80 00:04:31,399 --> 00:04:34,639 Speaker 3: Yeah, he was reading. Then he got up and went 81 00:04:34,680 --> 00:04:36,759 to the door and opened it. A man and a 82 00:04:36,800 --> 00:04:37,279 woman came. 83 00:04:37,439 --> 00:04:39,319 Speaker 6: This was the man on the gray hat. Yeah. Can 84 00:04:39,319 --> 00:04:40,160 you describe the woman. 85 00:04:40,560 --> 00:04:43,079 Speaker 3: She was wearing a blue dress and a white so 86 00:04:43,560 --> 00:04:45,279 it looked like it was made out of linen or something. 87 00:04:45,279 --> 00:04:48,000 Speaker 6: You see your face. No, and they just s walked 88 00:04:48,040 --> 00:04:50,480 in and killed this man. Was that? 89 00:04:50,680 --> 00:04:52,079 Speaker 3: Oh no, no, no, it wasn't. It wasn't like that 90 00:04:52,199 --> 00:04:54,560 at all. They seem to be a very good friend. 91 00:04:55,160 --> 00:04:57,240 The man had been sitting by the window mixing drinks. 92 00:04:57,519 --> 00:04:59,920 As they talked, the woman sat opposite him. 93 00:05:00,040 --> 00:05:01,560 Speaker 6: Did it look like they were having an argument? 94 00:05:01,759 --> 00:05:04,399 Speaker 3: Oh no. And suddenly the man in the gray hat 95 00:05:04,480 --> 00:05:06,439 moved around to the back of the other man's chair. 96 00:05:07,120 --> 00:05:10,319 The woman looked up at him and nodded ahead. That's 97 00:05:10,360 --> 00:05:13,639 when I saw the knife. He plunged it into the 98 00:05:13,639 --> 00:05:18,199 man's back. Mister Granger was all, I've never seen anything 99 00:05:18,240 --> 00:05:18,879 like that before. 100 00:05:18,920 --> 00:05:20,399 Speaker 6: How did the killer happen to see you? 101 00:05:21,319 --> 00:05:23,759 Speaker 3: I was leaning out of my window the lights in 102 00:05:23,759 --> 00:05:25,600 the appointment up above which turned on, and they shone 103 00:05:25,639 --> 00:05:27,839 right down on me. I screamed, and the man in 104 00:05:27,879 --> 00:05:29,439 the gray hat looked across and he saw me. 105 00:05:29,560 --> 00:05:30,439 Speaker 6: You sure about all this? 106 00:05:30,839 --> 00:05:33,680 Speaker 3: Of course? I moved away from the window. I went 107 00:05:33,680 --> 00:05:35,040 over and picked up the telephone. 108 00:05:35,079 --> 00:05:36,319 Speaker 6: You were going to call the police, said. 109 00:05:36,600 --> 00:05:38,839 Speaker 3: Yes, there was a knock on the door. I had 110 00:05:38,839 --> 00:05:41,040 a terrible feeling with the man in the gray hat. 111 00:05:41,439 --> 00:05:43,279 He knew I was a witness to what had taken place. 112 00:05:43,279 --> 00:05:43,839 Speaker 6: He didn't call. 113 00:05:44,360 --> 00:05:46,319 Speaker 3: I was afraid he'd hear me and break the door down. 114 00:05:47,120 --> 00:05:50,519 I waited. He tried the door. Then I heard scratching 115 00:05:50,879 --> 00:05:52,199 like he was trying a key in the lock. 116 00:05:52,319 --> 00:05:54,279 Speaker 6: He keeps saying, he how did you know it was 117 00:05:54,279 --> 00:05:54,560 a man? 118 00:05:55,000 --> 00:05:57,560 Speaker 3: After a few minutes passed, I went over and opened 119 00:05:57,560 --> 00:05:59,800 my door. I saw him standing at the end of 120 00:05:59,839 --> 00:06:02,279 the Oh, it was a man in the gray head. 121 00:06:02,920 --> 00:06:03,879 He was waiting for him. 122 00:06:03,879 --> 00:06:04,480 Speaker 6: How did you get out? 123 00:06:04,879 --> 00:06:07,680 Speaker 3: I went on the fires gate. Sorry, if I could 124 00:06:07,680 --> 00:06:10,040 find a policeman he could arrest him. 125 00:06:10,199 --> 00:06:11,600 Speaker 6: No, I'll just use your phone. 126 00:06:12,399 --> 00:06:13,480 Speaker 3: Are you calling the police? 127 00:06:15,279 --> 00:06:17,560 Speaker 6: But was there a dial tone on this phone when 128 00:06:17,600 --> 00:06:22,160 you tried it? Yeah, it's dead now he's not working. 129 00:06:22,279 --> 00:06:24,519 Speaker 3: Nope, there must be the man in the gray head. 130 00:06:24,519 --> 00:06:25,240 He cut the line. 131 00:06:25,360 --> 00:06:27,600 Speaker 5: There must be fifty telephones in this building in your 132 00:06:27,720 --> 00:06:29,000 line pretty hard to find. 133 00:06:29,240 --> 00:06:29,920 Speaker 3: What do we do? 134 00:06:30,759 --> 00:06:32,639 Speaker 5: Terminal box should be in the basement. Let's go do 135 00:06:33,240 --> 00:06:34,759 see if your line has been disconnected. 136 00:06:35,040 --> 00:06:40,279 Speaker 3: I'm afraid come back, knows I'm here. What do we do? 137 00:06:40,399 --> 00:06:43,480 Speaker 6: Get in the kitchen? I'll answered all right, but don't 138 00:06:43,519 --> 00:06:44,079 make a sound. 139 00:06:48,759 --> 00:06:53,399 Speaker 5: Yeah, oh, I beg your pardoner. I was looking for 140 00:06:53,439 --> 00:06:54,040 a young woman. 141 00:06:54,879 --> 00:06:57,839 Speaker 6: I'm sorry, there's no young woman here. Yeah. I must 142 00:06:57,839 --> 00:07:00,480 to get the wrong apartment number. What's the young IMA's name? 143 00:07:00,560 --> 00:07:02,240 It doesn't matter. I have a phone number. 144 00:07:02,279 --> 00:07:04,160 Speaker 5: I'll call her and get the correct bad dress. 145 00:07:04,680 --> 00:07:08,000 Speaker 6: Good night. Okay, he's gone. 146 00:07:08,279 --> 00:07:08,959 Speaker 4: I heard him. 147 00:07:09,439 --> 00:07:10,439 Speaker 3: Man wearing the gray hat. 148 00:07:10,839 --> 00:07:12,920 Speaker 6: This was a heavy set filler about forty five, had 149 00:07:12,959 --> 00:07:13,720 on a brown soup. 150 00:07:13,920 --> 00:07:16,399 Speaker 3: That's what was the granger. I'm afraid. 151 00:07:16,519 --> 00:07:20,360 Speaker 6: Okay, locked the window and when I leave, lock the door. 152 00:07:21,199 --> 00:07:22,480 Speaker 3: I'm afraid to eat her alone. 153 00:07:23,600 --> 00:07:26,240 Speaker 6: Okay, miss Benton, and you better come along with me. 154 00:07:34,560 --> 00:07:35,480 Speaker 3: Stock down here. 155 00:07:36,560 --> 00:07:40,399 Speaker 6: Let me see no terminal box on this side. 156 00:07:43,120 --> 00:07:44,480 Speaker 3: Don't you think you had to call the police. 157 00:07:44,680 --> 00:07:52,279 Speaker 6: Just here it is. We'll see if you're lying, this cutter, 158 00:07:52,360 --> 00:07:56,759 what happened? Hey? That light in the far corner. It's out. 159 00:07:58,360 --> 00:08:04,000 Speaker 7: Stands till somebody down here with us, right, God can't 160 00:08:04,079 --> 00:08:04,399 stop that. 161 00:08:06,199 --> 00:08:07,879 Speaker 6: You can't see any bit of the weekend. Now, don't 162 00:08:07,879 --> 00:08:08,560 make a sound. 163 00:08:10,519 --> 00:08:14,759 Speaker 3: He knows where we are. It's coming twish. I can't 164 00:08:14,759 --> 00:08:15,560 stand me any more. 165 00:08:19,040 --> 00:08:20,920 Speaker 6: It's all right, you just want. 166 00:08:24,680 --> 00:08:26,959 Speaker 5: I had started after the mysterious stranger, but must have 167 00:08:27,000 --> 00:08:29,319 misjudged my distance and passed him, because he clipped me right. 168 00:08:29,240 --> 00:08:29,879 Speaker 6: Behind the ear. 169 00:08:30,120 --> 00:08:32,480 Speaker 5: I did a slow, ungraceful swan dive and landed on 170 00:08:32,480 --> 00:08:38,919 my face. I'll continue with this interesting story in a minute. 171 00:08:47,480 --> 00:08:51,919 I came to in the basement of Pat Benton's apartment house, groaning. 172 00:08:51,960 --> 00:08:53,519 I got to my feet and found the light switch. 173 00:08:53,960 --> 00:08:56,399 I didn't glow flooded the basement with a bilious yellow light. 174 00:08:57,240 --> 00:09:03,240 Pat Benton had disappeared. This was the door of the 175 00:09:03,240 --> 00:09:05,919 girl's apartment. I listened to the panel, hoping for some sound. 176 00:09:06,519 --> 00:09:07,679 Speaker 6: There was none. 177 00:09:09,279 --> 00:09:12,120 Speaker 7: Inside. I flipped the light switch. There was no one there. 178 00:09:12,200 --> 00:09:14,159 I picked up the phone. The dial tone, which. 179 00:09:14,000 --> 00:09:16,000 Speaker 5: Hadn't been there a little while before, was back. I 180 00:09:16,080 --> 00:09:20,159 told my friend, Lieutenant Jake rink And at police headquarters, 181 00:09:20,159 --> 00:09:21,120 Oh this is Granger. 182 00:09:21,440 --> 00:09:23,759 Speaker 6: I got something for you. I thankh. 183 00:09:24,279 --> 00:09:26,440 Speaker 5: I haven't a thing to do down here. I'm just 184 00:09:26,600 --> 00:09:28,759 aching for some work along with a ton of labor 185 00:09:28,799 --> 00:09:32,440 on my desk right now. Well, what on you're related mind? 186 00:09:32,519 --> 00:09:34,320 I'm in the apartment of a girl named pat Menton. 187 00:09:34,639 --> 00:09:36,639 It's twenty four to seventy nine West twenty fourth Street. 188 00:09:36,679 --> 00:09:39,519 Are you having a good time? Something strange happening? I 189 00:09:39,559 --> 00:09:41,120 met her on the street. She claimed she saw a 190 00:09:41,200 --> 00:09:44,000 murder committed. I came back to investigator. Telephone was out 191 00:09:44,000 --> 00:09:46,039 of order. We went out of the basement of check up. 192 00:09:46,039 --> 00:09:48,039 I got slut. She disappeared. What do you want me 193 00:09:48,080 --> 00:09:50,600 to do? I'm in Hammerside of the Midting Persons Bureau. 194 00:09:50,679 --> 00:09:53,039 Yet a John Doe warrant and drop around. I'd like 195 00:09:53,080 --> 00:10:00,600 to see the inside of a certain apartment. Okay, So 196 00:10:00,639 --> 00:10:02,919 you went downstairs to check the telephone, you got hit. 197 00:10:03,080 --> 00:10:04,960 Speaker 6: You woke up, the girl was gone. He was sitting 198 00:10:05,000 --> 00:10:06,639 right here by this window. She claims. 199 00:10:06,639 --> 00:10:08,399 Speaker 5: You saw a man stab by another man wearing a 200 00:10:08,399 --> 00:10:11,000 gray hat. There was a woman with him where over 201 00:10:11,080 --> 00:10:14,120 in that apartment across the court. Yes, bright eyes, how 202 00:10:14,159 --> 00:10:16,200 about dropping over and paying a visit? I know this 203 00:10:16,360 --> 00:10:18,360 is a light now it's been dark until just a 204 00:10:18,360 --> 00:10:21,559 few minutes ago. Yeah, I don't know grangeer barging into. 205 00:10:21,360 --> 00:10:22,639 Speaker 6: Apartments at this hour of the night. 206 00:10:23,919 --> 00:10:25,919 Speaker 5: He supposed the girl was a crack, so there's plenty 207 00:10:25,879 --> 00:10:27,120 of frightened. But she wasn't a crack. 208 00:10:27,200 --> 00:10:30,840 Speaker 6: But how about it? All right, I'll go along with 209 00:10:30,919 --> 00:10:37,080 you this once. This must be it. 210 00:10:38,399 --> 00:10:42,360 Speaker 7: Let's see, this is funny. The name of the plate, 211 00:10:42,399 --> 00:10:46,320 says Hannah Rosalie. The mentoring girl gave me the impression 212 00:10:46,320 --> 00:10:47,679 that a man lived in this apartment. 213 00:10:47,759 --> 00:10:50,799 Speaker 5: So what let's take a chance. Anyway, we're shots in 214 00:10:50,799 --> 00:10:56,559 the basement. Should have a legitimate reason to ask questions, right, 215 00:10:57,440 --> 00:10:58,039 somebody's home? 216 00:10:58,080 --> 00:11:00,080 Speaker 6: All right? And here in Rustling. 217 00:11:00,879 --> 00:11:08,200 Speaker 5: Police Department, Police, what's wrong? I'm good, tenant dranking, ma'am. 218 00:11:08,360 --> 00:11:10,399 We've got a report there's been some shots fired in 219 00:11:10,399 --> 00:11:10,919 this building. 220 00:11:11,240 --> 00:11:11,559 Speaker 3: Shot? 221 00:11:11,720 --> 00:11:13,759 Speaker 6: Yes, have you heard anything? 222 00:11:14,039 --> 00:11:14,600 Speaker 3: No? 223 00:11:14,600 --> 00:11:16,320 Speaker 6: No, how long you have been home? 224 00:11:16,840 --> 00:11:18,759 Speaker 3: Why? I just got in a little while ago. 225 00:11:20,639 --> 00:11:21,440 Speaker 6: Would you like. 226 00:11:21,440 --> 00:11:24,679 Speaker 3: To come in look around in case the guys been 227 00:11:24,720 --> 00:11:26,559 indulging in a little target practice. 228 00:11:26,600 --> 00:11:29,840 Speaker 5: Well, miss Rosie, maybe we ought to look down on 229 00:11:29,879 --> 00:11:32,639 that area where lieutenant might spot something. 230 00:11:33,120 --> 00:11:35,360 Speaker 6: Yeah, yeah, you're right by one. 231 00:11:35,480 --> 00:11:38,320 Speaker 3: You come in, look all you like, he'll find out 232 00:11:38,320 --> 00:11:39,679 a very low abiding person. 233 00:11:39,759 --> 00:11:47,559 Speaker 5: I'll just open this window for seconds, see any mean? No, 234 00:11:47,600 --> 00:11:53,559 not a thing, it's too dark. Hell you finished? Yeah, 235 00:11:53,879 --> 00:11:56,559 thank you, miss Roseleie. And we're sorry about the intrusions. 236 00:11:57,960 --> 00:12:02,519 Good night, nice Granger. 237 00:12:02,960 --> 00:12:04,600 Speaker 6: Are you sure you're not dreaming all. 238 00:12:04,600 --> 00:12:05,080 Speaker 2: This up from? 239 00:12:05,120 --> 00:12:07,440 Speaker 6: Nope? Why the gag about the window? 240 00:12:07,639 --> 00:12:10,679 Speaker 5: Wanted to check the chairs the Benton girl told me about, 241 00:12:10,759 --> 00:12:13,879 and it wouldn't be possible for a man to do exactly. 242 00:12:13,519 --> 00:12:16,440 Speaker 6: As she said. I used the window routine to check 243 00:12:16,480 --> 00:12:19,240 the chairs for bloodstains. There were none. 244 00:12:19,440 --> 00:12:22,039 Speaker 5: No, and I didn't see any dead bodies either. They 245 00:12:22,039 --> 00:12:24,639 could have disposed to The body could have been hidden 246 00:12:24,600 --> 00:12:28,320 in a closet, Granger, Hannah Rosey lives in that apartment alone. 247 00:12:28,399 --> 00:12:29,840 Why would a man be sitting there? 248 00:12:29,960 --> 00:12:32,080 Speaker 6: There was a man there some time tonight. 249 00:12:32,159 --> 00:12:34,240 Speaker 5: What the ash tray next to the chair where Pat 250 00:12:34,279 --> 00:12:37,000 Benton claimed she saw the man was loaded with ashes 251 00:12:37,039 --> 00:12:39,000 from a pipe. Well, that doesn't mean a thing. She 252 00:12:39,000 --> 00:12:42,279 could have had a male visitor earlier. Now, load gumshoe. 253 00:12:42,840 --> 00:12:44,159 Speaker 6: I'm leaving this to you. 254 00:12:44,159 --> 00:12:46,759 Speaker 5: Give me a description of the Benton girl our tenant headwaters. 255 00:12:47,080 --> 00:12:51,799 Speaker 6: Okay, I got another idea too, got you can here 256 00:12:51,919 --> 00:12:54,759 part of the curb. Why I think we're being watched? Where? 257 00:12:55,240 --> 00:13:05,399 Speaker 7: Oh the watcher wouldn't be that obvious. 258 00:13:02,840 --> 00:13:04,639 Speaker 6: Car's over there by that fire hydrant. 259 00:13:04,639 --> 00:13:06,159 Speaker 5: I'll go with you, but drop me off at the 260 00:13:06,159 --> 00:13:08,440 next corner. Coming back here, What have I got to lose? 261 00:13:10,519 --> 00:13:12,360 I rode to the corner when the police lieutenant got off, 262 00:13:12,519 --> 00:13:14,480 walked into a phone booth and died. A number A 263 00:13:14,519 --> 00:13:16,240 minute later, I was talking to Cal. 264 00:13:16,000 --> 00:13:19,600 Speaker 6: Hendricks him, DD, watch on your mind. 265 00:13:19,240 --> 00:13:21,320 Speaker 5: Cal, get out your thinking cap un do a take 266 00:13:21,360 --> 00:13:23,679 on a woman named Hannah Rosalie. She's about thirty five, 267 00:13:23,799 --> 00:13:26,080 red hair, five feet six in heels, dress as well, 268 00:13:26,159 --> 00:13:27,600 sounds like a well educated person. 269 00:13:27,720 --> 00:13:29,360 Speaker 2: Okay, you want me to jay Hannah Roseley. 270 00:13:29,840 --> 00:13:32,000 Speaker 5: I'll be probably an apartment building at twenty four to 271 00:13:32,000 --> 00:13:35,080 seventy nine or twenty four eighty one West forty fourth Street. 272 00:13:35,399 --> 00:13:43,399 They come up with anything called rankin. I moved out 273 00:13:43,399 --> 00:13:45,399 of the drug store from where I'd phoned the newspaper 274 00:13:45,399 --> 00:13:48,759 man and back to towards twenty fourth eighty one West. 275 00:13:48,519 --> 00:13:53,240 Speaker 6: Forty fourth block away close to the building. I got 276 00:13:53,279 --> 00:13:53,639 a break. 277 00:13:54,039 --> 00:13:55,799 Speaker 5: The man scarried out of twenty four to seventy nine 278 00:13:55,799 --> 00:13:57,480 and went next door at twenty four eighty one, and 279 00:13:57,559 --> 00:13:59,960 I recognized him was the man who had been looking 280 00:14:00,039 --> 00:14:02,320 for Pet Benton when I answered the door of her apartment. 281 00:14:06,600 --> 00:14:10,039 This was interesting. Twenty four to seventy nine was Pat 282 00:14:10,080 --> 00:14:12,679 Benton's building. Twenty four eighty one was the building in 283 00:14:12,720 --> 00:14:16,559 which Hannah Rosalie had her apartment, the one where Pat 284 00:14:16,600 --> 00:14:19,919 saw a murder committed. Look to me, the tail for 285 00:14:19,960 --> 00:14:23,200 the man in the gray hat was in order. In 286 00:14:23,279 --> 00:14:25,600 just a minute, I'll bring you the climax of the case. 287 00:14:33,440 --> 00:14:35,480 When I saw the man whom Pat Benton said was 288 00:14:35,519 --> 00:14:38,039 a murderer go into number twenty four eighty one, I 289 00:14:38,080 --> 00:14:40,120 slipped through the courtyard between the two buildings and made 290 00:14:40,200 --> 00:14:42,519 use of the fire escape which led to Hannah Rosie's window. 291 00:14:42,919 --> 00:14:45,240 I parked outside, feeling like the young man in a 292 00:14:45,240 --> 00:14:49,000 bad minstrel show. Peering underneath a drawn shade. I could 293 00:14:49,039 --> 00:14:50,600 see the man and could barely. 294 00:14:50,320 --> 00:14:51,039 Speaker 6: Hear the voices. 295 00:14:53,080 --> 00:14:57,399 Speaker 5: Yeah, just as I said, the police officer took the 296 00:14:57,440 --> 00:14:59,679 other man with him in his car. 297 00:15:00,279 --> 00:15:04,240 Speaker 3: The young man he's Steve Grangers private eye. 298 00:15:04,679 --> 00:15:06,480 Speaker 6: Yeah he doesn't know you. 299 00:15:06,559 --> 00:15:10,600 Speaker 5: Oh well, we can't take a chance now, we'll have 300 00:15:10,639 --> 00:15:11,919 to dispose of the girl. 301 00:15:11,720 --> 00:15:13,039 Speaker 6: As well as Kelvin's body. 302 00:15:13,799 --> 00:15:19,960 Speaker 5: How I have Granger's revolver, I'll have a little surprise 303 00:15:20,080 --> 00:15:22,519 for him. 304 00:15:22,720 --> 00:15:25,080 Speaker 2: You're going to kill her with this gun. 305 00:15:26,679 --> 00:15:27,440 Speaker 6: With his gun. 306 00:15:28,320 --> 00:15:30,639 Speaker 5: The police will ask questions when they find our body. 307 00:15:30,720 --> 00:15:35,320 It'll divert suspicion. What we did to our friend was 308 00:15:35,440 --> 00:15:39,480 murdered too, my dear, it was very careful to carry 309 00:15:39,559 --> 00:15:41,159 Granger's gun in my handkerchief. 310 00:15:41,559 --> 00:15:45,399 Speaker 6: The only prince will be his very smart Well, you 311 00:15:45,519 --> 00:15:46,039 go over to. 312 00:15:46,000 --> 00:15:50,519 Speaker 5: The girl's apartment, pack her closing that old suitcase. I'll 313 00:15:50,559 --> 00:15:52,480 sink it in Long Island sound after. 314 00:15:52,320 --> 00:15:54,519 Speaker 6: I dispose of her, Where are you going now? 315 00:15:54,639 --> 00:15:57,519 Speaker 5: To get the car and I'll get the girl out 316 00:15:57,519 --> 00:15:58,080 of the basement. 317 00:15:58,360 --> 00:16:03,960 Speaker 3: Well, it wouldn't it better just to have the girl disappear? 318 00:16:04,159 --> 00:16:05,879 Speaker 5: Look, baby, I'll do it my way. 319 00:16:05,879 --> 00:16:07,679 Speaker 6: And don't you ever forget. 320 00:16:07,279 --> 00:16:15,039 Speaker 5: That I'd heard enough the spot where Pat Bentam was 321 00:16:15,080 --> 00:16:17,279 being held prisoner. It took two minutes to get over 322 00:16:17,360 --> 00:16:18,960 to twenty four to seventy nine and down the steps 323 00:16:18,960 --> 00:16:22,480 to the cellar. I remembered seeing a doorway that led 324 00:16:22,480 --> 00:16:25,440 into a laundry room, probably filled with automatic washes. And whatnot, 325 00:16:25,840 --> 00:16:28,240 and figured it as a logical place to hide the girl. 326 00:16:30,399 --> 00:16:34,000 This was the laundry room. Other than one corner there 327 00:16:34,000 --> 00:16:37,279 was a pile of linens underneath. I looked into the 328 00:16:37,320 --> 00:16:39,080 frightened eyes of the Benton girl. 329 00:16:40,159 --> 00:16:47,279 Speaker 7: Take easy, pat robby out of here in two seconds. 330 00:16:45,320 --> 00:16:48,039 Speaker 6: He held it a nice gag. Job on it me 331 00:16:49,600 --> 00:16:52,559 you are Let's get at those course. 332 00:16:52,600 --> 00:16:54,960 Speaker 3: Come on, I was afraid he'd come back. 333 00:16:55,039 --> 00:16:57,919 Speaker 7: He's going to it'll be in for a disappointment. 334 00:17:01,039 --> 00:17:02,799 Speaker 6: Can you stand? Let me help. 335 00:17:02,679 --> 00:17:05,519 Speaker 3: You my legs I can't move. 336 00:17:05,519 --> 00:17:06,960 Speaker 6: We rub them as hard as you can. We haven't 337 00:17:07,000 --> 00:17:08,759 munch time. You'll be here shortly. 338 00:17:09,279 --> 00:17:10,039 Speaker 3: How did you find me? 339 00:17:10,200 --> 00:17:13,480 Speaker 6: Never mind? Keep rubbing, try walking, I'll help you. Come on, 340 00:17:15,480 --> 00:17:16,039 I've had. 341 00:17:15,920 --> 00:17:17,720 Speaker 3: A foot go to sleep, but nothing like this. 342 00:17:20,000 --> 00:17:24,440 Speaker 7: Hold it, but your friend, We're gonna find a place 343 00:17:24,480 --> 00:17:27,440 to hide over there behind the furnace and move as 344 00:17:27,480 --> 00:17:29,000 softly as you can, quick. 345 00:17:28,799 --> 00:17:29,680 Speaker 6: And don't make a sound. 346 00:17:37,039 --> 00:17:39,519 Speaker 7: You've gone back when he finds out you've gone. And 347 00:17:39,599 --> 00:17:42,079 look around the laundry room. First, Is there a back 348 00:17:42,079 --> 00:17:42,680 way out of here? 349 00:17:42,880 --> 00:17:44,920 Speaker 3: Yes? Over there to do that? Eat up to this tree. 350 00:17:45,079 --> 00:17:48,599 Speaker 7: Come on, watch him backs while I get the store 351 00:17:48,680 --> 00:17:54,599 up him. You see anything he's done in the laundry room, good, 352 00:17:56,400 --> 00:17:59,720 hurry up, and if he sees us, you run when 353 00:17:59,759 --> 00:18:02,279 I just right grab a Texan, go to police headquarters. 354 00:18:02,279 --> 00:18:04,319 Speaker 6: Tell Lieutenant Rank and what's happened. I don't want to 355 00:18:04,359 --> 00:18:07,279 hit him? Turn around? 356 00:18:08,759 --> 00:18:12,960 Speaker 7: Yeah right, come on, let's move really fast the police, 357 00:18:13,119 --> 00:18:14,599 no first to my apartment. 358 00:18:20,680 --> 00:18:22,200 Speaker 3: Don't you think the man in the gray head might 359 00:18:22,240 --> 00:18:23,440 come over here to my apartment? 360 00:18:24,640 --> 00:18:29,759 Speaker 6: That reminds me, that's right. The strip will take no chances. 361 00:18:31,200 --> 00:18:39,599 And I want to make a phone call. Hello, Cal, 362 00:18:40,359 --> 00:18:46,759 what'd you find out? Uh huh? Let me see. Yeah 363 00:18:47,160 --> 00:18:50,680 they did, But did you get a description of the name? 364 00:18:52,279 --> 00:18:54,160 Uh huh. 365 00:18:54,240 --> 00:18:59,240 Speaker 5: This begins to add up. Sure, that's why one was killed. Yeah, 366 00:18:59,240 --> 00:19:02,680 thanks Cal, you great help. And I no, no, I 367 00:19:02,720 --> 00:19:06,599 don't need know the things see tomorrow was Cal Hendrickson, Oldpaler. 368 00:19:07,240 --> 00:19:10,519 He locked up your friends for me. I think I 369 00:19:10,599 --> 00:19:14,359 know why that man was killed. Has been working around 370 00:19:14,359 --> 00:19:16,599 the country with two men. One is named will Stanik, 371 00:19:17,000 --> 00:19:19,599 the other one's name is Unknn. And the last scene 372 00:19:19,599 --> 00:19:21,640 in Chicago where they fleeced some widow out of our 373 00:19:21,640 --> 00:19:24,440 life savings. But why was the one named killed Stanik? 374 00:19:24,480 --> 00:19:27,039 Is the man who tied you up. He knifed his partner, 375 00:19:27,119 --> 00:19:29,720 probably a disagreement about money or even a double craft. 376 00:19:30,000 --> 00:19:31,559 Speaker 3: Then the police can pick him up and want not 377 00:19:31,640 --> 00:19:32,160 to worry. 378 00:19:32,279 --> 00:19:35,680 Speaker 5: Yeah, except for one thing. What happened to the body 379 00:19:35,720 --> 00:19:36,759 of the man who was killed? 380 00:19:37,039 --> 00:19:37,880 Speaker 3: It wasn't fun. 381 00:19:38,119 --> 00:19:40,680 Speaker 5: No, the well, Lieutenant rank and learns the truth. I 382 00:19:40,680 --> 00:19:43,519 have an idea that miss Rosalie will talk. 383 00:19:44,440 --> 00:19:45,359 Speaker 6: I want you to help me. 384 00:19:45,720 --> 00:19:46,720 Speaker 3: Oh. 385 00:19:47,000 --> 00:19:48,119 Speaker 6: Ever seen one of these before? 386 00:19:48,599 --> 00:19:49,960 Speaker 3: Wait? No, no, haven't. 387 00:19:50,039 --> 00:19:52,440 Speaker 6: Well it's a black jack. You hold it like this 388 00:19:53,599 --> 00:19:55,160 and apply it to the top of the person's head. 389 00:19:55,640 --> 00:19:56,799 Speaker 3: I've seen it done in the movies. 390 00:19:57,079 --> 00:19:59,720 Speaker 5: You know how to do well, I could try. Okay, 391 00:20:00,039 --> 00:20:02,839 use it if you have to. Don't spare the muscle. 392 00:20:04,079 --> 00:20:07,880 Both of these people that killers. Remember, I know you've got. 393 00:20:07,720 --> 00:20:10,400 Speaker 6: To bring these characters out into the open door. 394 00:20:10,680 --> 00:20:11,200 Speaker 4: It'll be him. 395 00:20:11,319 --> 00:20:14,079 Speaker 7: Stand over there, look natural and put that black jack 396 00:20:14,079 --> 00:20:23,319 out of sight. All right, Oh, mister Green, come in, 397 00:20:23,400 --> 00:20:24,079 Miss Rosalie. 398 00:20:27,079 --> 00:20:29,559 Speaker 3: Oh there you are, pat I'll be looking all over 399 00:20:29,720 --> 00:20:32,759 for you. Who stay away from me. No, really, that's 400 00:20:32,799 --> 00:20:34,720 no way to talk to your cousin, mister Green. 401 00:20:34,839 --> 00:20:38,440 Speaker 6: To keep her away from explain this. Rosie oh, patted 402 00:20:38,559 --> 00:20:39,079 my cousin. 403 00:20:39,160 --> 00:20:41,880 Speaker 3: She she's been having a little trouble and to sec 404 00:20:41,960 --> 00:20:45,759 in her mind. That's why we go to part ands 405 00:20:45,799 --> 00:20:48,119 overlooking each other. I can keep an eye on her, 406 00:20:49,119 --> 00:20:53,079 you see. She yes, she keeps imagining that she sees murder. 407 00:20:53,200 --> 00:20:55,440 She tells people about them in they're inclined to believe her, 408 00:20:55,480 --> 00:20:58,440 and oh wow, it's very embarrassing. 409 00:20:58,960 --> 00:20:59,880 Speaker 6: I can imagine. 410 00:21:00,319 --> 00:21:01,880 Speaker 3: Oh she's told you. 411 00:21:01,960 --> 00:21:02,920 Speaker 6: Of course she has. 412 00:21:02,960 --> 00:21:05,599 Speaker 5: And I'm inclining to believer in Miss Rosalie, particularly once 413 00:21:05,640 --> 00:21:08,039 she mentions a stabbing in your place. 414 00:21:09,079 --> 00:21:11,759 Speaker 3: Really, now, I just have to take her home. 415 00:21:11,839 --> 00:21:12,680 Speaker 6: If you don't, I. 416 00:21:12,599 --> 00:21:15,960 Speaker 5: Definitely do mind, because your little gag won't work, Miss Rosalie. 417 00:21:17,000 --> 00:21:18,359 Speaker 3: I don't have to stand tradition. 418 00:21:18,480 --> 00:21:20,319 Speaker 5: Now, Miss Roslie, when you came to the door, you 419 00:21:20,359 --> 00:21:22,799 know my name, even though I wasn't introduced when Lieutenant 420 00:21:22,880 --> 00:21:25,640 Rank and I were to a place earlier, but nothing. 421 00:21:26,200 --> 00:21:28,000 I perched on your fire escape. I heard you and 422 00:21:28,079 --> 00:21:29,119 Will standing talking. 423 00:21:28,920 --> 00:21:33,599 Speaker 6: About this girl. That's yes, that's what. 424 00:21:33,680 --> 00:21:36,519 Speaker 5: Happened, and you and your partner guessed it. That's why 425 00:21:36,559 --> 00:21:39,680 you are here pretending to be her cousin. You want 426 00:21:39,680 --> 00:21:42,559 to get her out of here, so he can kill her. 427 00:21:43,240 --> 00:21:46,880 Speaker 6: I need No, you're not. You're staying. There's a certain 428 00:21:46,880 --> 00:21:49,680 police lieutenant that wants to chat with you. Baby. Oh 429 00:21:49,759 --> 00:21:51,960 god still. 430 00:21:51,400 --> 00:21:57,559 Speaker 5: Mister Granger, Yes, my dear, you gave me quite a chase. 431 00:21:59,079 --> 00:22:00,720 Speaker 6: You're a smart care this Stanic. 432 00:22:01,680 --> 00:22:03,279 Speaker 5: You got in here and hit in the kitchen right 433 00:22:03,640 --> 00:22:07,920 right before you make the mistake of reaching for that gun. 434 00:22:09,599 --> 00:22:13,200 Speaker 6: Oh take it. Here we are. 435 00:22:14,720 --> 00:22:20,240 Speaker 5: Wow, nice little party I'm having tonight, even if two 436 00:22:20,240 --> 00:22:25,000 of the guests are uninvited. Quiet, Hannah, get the girl 437 00:22:25,000 --> 00:22:27,319 out of here. My car is around the corner on 438 00:22:27,319 --> 00:22:31,559 the side street. Hurry, quite an organized Stanic. Go on, Hannah, 439 00:22:31,640 --> 00:22:33,680 hurry have you a gun? 440 00:22:33,880 --> 00:22:34,119 Speaker 7: Yeah? 441 00:22:34,240 --> 00:22:37,000 Speaker 5: Good? If she makes any noise or tries to attract 442 00:22:37,000 --> 00:22:38,319 the attention, you know what to do. 443 00:22:40,240 --> 00:22:43,039 Speaker 6: Please, gring General moving around. I don't trust you Banks. 444 00:22:43,079 --> 00:22:47,279 I didn't think it would You won't belong, will not 445 00:22:47,400 --> 00:22:50,359 more than a few moments. Drive around the front. 446 00:22:50,400 --> 00:22:55,119 Speaker 3: The police don't know my car very well, com missus Stanton, 447 00:22:55,400 --> 00:22:56,480 mister Grange. 448 00:22:56,519 --> 00:23:03,240 Speaker 6: With her baby. Oh, this make suggests you and me study? Yeah, 449 00:23:03,400 --> 00:23:09,880 and I haven't got much time. Would you stand over there? Yeah, 450 00:23:10,039 --> 00:23:10,400 I'd be. 451 00:23:10,440 --> 00:23:11,359 Speaker 2: Glad to minute. 452 00:23:12,839 --> 00:23:16,319 Speaker 6: You wouldn't shoot and you know it wouldn't. 453 00:23:15,880 --> 00:23:32,440 Speaker 5: I I don't think so. Now for Hannah Rosalie, okay. 454 00:23:32,160 --> 00:23:35,759 Speaker 6: Miss Rosalie up and hey, what goes? 455 00:23:36,119 --> 00:23:38,279 Speaker 3: I think you'll find that Miss Rosie is in disposed 456 00:23:38,319 --> 00:23:42,400 mister Green once the blood jack, you know, as you suggested, 457 00:23:42,480 --> 00:23:43,640 I hit her over the head. 458 00:23:52,200 --> 00:23:55,160 Speaker 5: Well, friends, that's the story. I'll be back to wrap 459 00:23:55,240 --> 00:23:56,519 up the case in just a minute. 460 00:23:56,680 --> 00:23:57,160 Speaker 1: Hold on. 461 00:24:04,440 --> 00:24:06,559 Speaker 5: About the time it got Hannah Roslyn and Will Stenek 462 00:24:06,559 --> 00:24:10,160 tied up Lieutenant Rank and showed indications were that both 463 00:24:10,200 --> 00:24:11,920 of them would go up on murder raps for the 464 00:24:11,960 --> 00:24:16,359 killing of their unnamed partner. Rank and phoned the transportation, 465 00:24:16,599 --> 00:24:19,920 after which we went downstairs once more. I just wanted 466 00:24:19,920 --> 00:24:21,960 to see in what name this cars registered. 467 00:24:22,559 --> 00:24:24,880 Speaker 6: I think you will find it quite legal. Lieutenant, Oh 468 00:24:25,039 --> 00:24:28,960 you do do you? Uh? 469 00:24:29,680 --> 00:24:34,000 Speaker 5: I guess you're right belonging to Will Stanago right, you 470 00:24:34,039 --> 00:24:35,119 know Grange he did. 471 00:24:34,960 --> 00:24:35,519 Speaker 2: A good job. 472 00:24:35,960 --> 00:24:38,400 Speaker 5: I better thank miss Manton here. She did most of 473 00:24:38,440 --> 00:24:41,240 the work, including the spotting of the murder. 474 00:24:41,519 --> 00:24:45,119 Speaker 6: Holy smoke, I forgot got on the body. 475 00:24:45,400 --> 00:24:47,119 Speaker 5: We haven't got a copy delective. 476 00:24:47,000 --> 00:24:48,319 Speaker 4: You have them? 477 00:24:48,559 --> 00:24:57,000 Speaker 5: Well, just come with me, lieutenant here you are Lieutenant 478 00:24:58,039 --> 00:25:02,920 in the trunk compartment. Well, I'll be a monkey's uncle. 479 00:25:02,920 --> 00:25:05,640 Speaker 6: But Lieutenant, that's what I always thought you were. 480 00:25:09,599 --> 00:25:12,160 Speaker 5: Steve Granger. Again, you've just heard one of the most 481 00:25:12,200 --> 00:25:15,240 interesting cases in my files, and I'll have another one 482 00:25:15,279 --> 00:25:17,960 for you, so be around next time. 483 00:25:27,960 --> 00:25:32,440 Speaker 1: Welcome back. Really a fun, pacy and suspenseful mystery, and 484 00:25:32,480 --> 00:25:35,000 it's the type of plot which would have worked fine 485 00:25:35,039 --> 00:25:36,440 on television. 486 00:25:35,880 --> 00:25:36,480 Speaker 6: In the Iraq. 487 00:25:37,440 --> 00:25:42,799 Speaker 1: Of course, this story illustrates the lot of fictional detectives. Literally, 488 00:25:42,880 --> 00:25:45,559 all Granger had to do to get himself involved in 489 00:25:45,599 --> 00:25:49,440 a murder case is walked down the street. All right, Well, 490 00:25:49,480 --> 00:25:52,680 listener comments and feedback, and we do have a comment 491 00:25:52,839 --> 00:25:57,960 on the first episode we played the FBI and the 492 00:25:58,000 --> 00:26:02,559 scientist Richie on the site called X. That was a 493 00:26:02,559 --> 00:26:05,599 fun episode. I have no experience with the series before 494 00:26:05,640 --> 00:26:08,200 and was pleasantly surprised. Thank you for all of the 495 00:26:08,279 --> 00:26:11,079 investigative work that you did to try and figure out 496 00:26:11,119 --> 00:26:15,119 where this originated from and win. Thanks so much, Ritchie. 497 00:26:15,160 --> 00:26:19,880 It's always interesting to investigate these series. The only thing 498 00:26:20,039 --> 00:26:23,000 is I wish that there were some way to narrow 499 00:26:23,079 --> 00:26:26,279 down the exact dates or order of episodes, but we'll 500 00:26:26,319 --> 00:26:29,960 just do the best we can. Well, now it's time 501 00:26:30,000 --> 00:26:33,079 to think our Patreon supporter of the day and I 502 00:26:33,119 --> 00:26:36,559 want to thank David, Patreon supporter since March of twenty 503 00:26:36,640 --> 00:26:40,119 twenty one, currently supporting the podcast at the Chief of 504 00:26:40,200 --> 00:26:43,759 Detective level of thirty dollars or more per month. Thanks 505 00:26:43,799 --> 00:26:46,160 so much for your support, David, And that will do 506 00:26:46,240 --> 00:26:49,720 it for today. If you're enjoying the podcast, please follow 507 00:26:49,799 --> 00:26:53,960 us using your favorite podcast software. And if you're enjoying 508 00:26:53,960 --> 00:26:57,480 it on YouTube, be sure to like the video, subscribe 509 00:26:57,480 --> 00:27:01,720 to the channel, and mark the notification, all great things 510 00:27:01,720 --> 00:27:05,160 that help YouTube channels to grow. We will be back 511 00:27:05,599 --> 00:27:09,279 next Monday with another episode of Danger with Granger, but 512 00:27:09,440 --> 00:27:13,640 join us back here tomorrow for Charlie chan where but 513 00:27:14,039 --> 00:27:14,440 I know. 514 00:27:14,519 --> 00:27:18,599 Speaker 4: He's just an explanations. This is most unfast in a situation, missus. 515 00:27:18,680 --> 00:27:24,200 Both your son's not as recital tonight. What but why? 516 00:27:24,319 --> 00:27:28,240 What happened to him? What your son involved in serious crimes? 517 00:27:28,640 --> 00:27:28,799 Speaker 3: No? 518 00:27:29,359 --> 00:27:33,640 Speaker 4: Very grilly, Oh, this is ridiculous, very glory which culminated 519 00:27:33,680 --> 00:27:39,160 in murder. You're joking, of course, so sorry. The gloony 520 00:27:39,240 --> 00:27:45,240 is a musician? Why this is obsessed by murder? Was 521 00:27:45,359 --> 00:27:51,240 almost apprehended well shot by artice watchman shot. So sorry, 522 00:27:51,240 --> 00:27:54,200 is this in the brain? So your son might have 523 00:27:54,240 --> 00:27:55,839 returned home because of injuries? 524 00:27:56,279 --> 00:27:58,359 Speaker 7: No, no, he's not home. 525 00:27:58,440 --> 00:28:06,240 Speaker 4: He's well mixed up with gentleness of gently. Please, that's 526 00:28:06,319 --> 00:28:09,559 matter where news would come as shock lestn sich. You'll 527 00:28:09,559 --> 00:28:12,680 permit number one some themselves. Wait homecoming up? Someone in 528 00:28:12,759 --> 00:28:17,920 the tunny No one day, he was late. I never knew. 529 00:28:18,440 --> 00:28:20,480 Can be wait missus bot fight? 530 00:28:21,599 --> 00:28:21,720 Speaker 3: Why? 531 00:28:21,839 --> 00:28:27,880 Speaker 4: Yes, yes, come me to one in bedroom. I just 532 00:28:28,079 --> 00:28:32,359 want him to see you when he gets here. I'm here, inspector, 533 00:28:33,880 --> 00:28:36,880 I need doing here. You just got to give me 534 00:28:36,960 --> 00:28:40,599 a moment alone. I've got to pull myself together. This 535 00:28:40,680 --> 00:28:41,640 would be a shock. 536 00:28:42,200 --> 00:28:45,960 Speaker 1: I hope you'll be with us then in the meantime. 537 00:28:46,359 --> 00:28:50,839 Send your comments to Box thirteen at Great Detectives dot net. 538 00:28:51,000 --> 00:28:55,759 Follow us on Twitter Radio Detectives. Check us out on Instagram, Instagram, 539 00:28:55,920 --> 00:29:00,319 dot com, slash Great Detectives from Boise, Idaho. This is 540 00:29:00,359 --> 00:29:02,720 your host, Adam Graham signing off.