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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What what's gonna happen?

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<v Speaker 1>I think what welcome everybody do. Another head list is

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<v Speaker 1>Magical mail Bag. I'm joined by my co host Nick

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<v Speaker 1>Nick tell them where you going to be tomorrow.

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<v Speaker 2>Is well, oh tomorrow, you call Rajex. You'll have a

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<v Speaker 2>booth at Fort Myers in Florida at Charlie's Beyond Belief

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<v Speaker 2>And uh yeah, oh no, no not tomorrow. Well I will

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<v Speaker 2>be out there around there tomorrow, but Saturdays the events. Yeah,

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<v Speaker 2>I'm already living in I was thinking of his Friday also, Uh,

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<v Speaker 2>I don't know, I could be. I could be at

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<v Speaker 2>this point right now, go something with Brooke. Actually I

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<v Speaker 2>have to see what's going on with that. But tomorrow,

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<v Speaker 2>but Saturday, yes, Fort Myers, Florida, I think from ten

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<v Speaker 2>to six Charlie's Beyond Belief. Check out the link below

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<v Speaker 2>on my side, we'll have the link up there for

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<v Speaker 2>the address. But yeah, Brook will be speaking. It's ten

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<v Speaker 2>dollars to get in. Uh yeah, there will be a

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<v Speaker 2>bunch of other speakers. And I also got yeah, well

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<v Speaker 2>I'll have a booth there. I have some free stickers,

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<v Speaker 2>love some T shirts come by chill out. I'll be

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<v Speaker 2>right next to Brooks. She's got a booth as well,

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<v Speaker 2>and her Bigfoot Chicks team friends and stuff. They'll have

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<v Speaker 2>a booth two booths down too, So be a nice

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<v Speaker 2>little corner a bunch of us down there, So come

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<v Speaker 2>hang out. Say what's up. If you smoke, we'll smoke one.

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<v Speaker 2>We'll make it happen. Yeah.

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<v Speaker 1>Are you bringing your equipment on that ghost?

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<v Speaker 2>Yeah? Yeah, well I'm am Actually, yes, I am bringing

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<v Speaker 2>my equipment regardless to record Brooke Charlley. Charlie from Charlie's

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<v Speaker 2>Beyond Belief is going to allow me to mike her

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<v Speaker 2>and use my good camera and put it up on

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<v Speaker 2>a stand then actually record her presentation so I can

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<v Speaker 2>give it to her to share and we can share.

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<v Speaker 2>So yes, so yes, I will have my stuff.

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<v Speaker 1>Yeah yeah, man, So if you got any of that

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<v Speaker 1>thermal stuff, maybe get the thermal out.

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<v Speaker 2>Oh yeah no, I got I got that COVID yeah,

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<v Speaker 2>the thurble thurble, the MF and.

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<v Speaker 1>So bad. Yeah.

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<v Speaker 2>Oh you have to find something too to make it interesting,

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<v Speaker 2>you hope?

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<v Speaker 1>Right. Well, last time I tried to go on location

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<v Speaker 1>at that at the baby grave and that other place.

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<v Speaker 1>If I could do that more.

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<v Speaker 2>Oh, that would have been cool as shit if it

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<v Speaker 2>actually worked. Yeah, right, you know, it sucks if you

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<v Speaker 2>went with somebody else, Like, it might work better if

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<v Speaker 2>somebody created a hot spot and then you connected. Believe

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<v Speaker 2>it or not, that is silly, But having somebody else

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<v Speaker 2>sometimes that will work. Because I pulled that off once.

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<v Speaker 1>That's interesting.

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<v Speaker 2>Well, for some reason, the hotspot will work better than

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<v Speaker 2>your phone into net every once in aun Bulow.

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<v Speaker 1>It's very weird, right, Well, you know the backroads of

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<v Speaker 1>Wisconsin are not known for their connective ability. Gotcha, Well

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<v Speaker 1>i'll start it off. Since I normally throw it to you,

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<v Speaker 1>I'll take it.

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<v Speaker 2>Okay, there you go. Hello.

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<v Speaker 1>I went with aegis agis. So two features of the

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<v Speaker 1>Greek sort of symbol of protection is you've got the

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<v Speaker 1>face of Medusa and also the shield of the curegos.

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<v Speaker 1>So theus is more of the athena thing like she's

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<v Speaker 1>the only one that has the aegis cregus, which is interesting.

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<v Speaker 1>But usually you've got the head of Medusa on the

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<v Speaker 1>shield that they're bringing into battle. You can see this

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<v Speaker 1>in recreations of the Iliad. Right, So in the big

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<v Speaker 1>Trojan War, they've all got Medusa on their shields, and

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<v Speaker 1>then you see that motif also in the Sicily flag,

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<v Speaker 1>where you've got the head of Medusa with the triscalian

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<v Speaker 1>legs behind. And the idea is that the agis it's

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<v Speaker 1>still that's used today. It's it's weird. It's kind of

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<v Speaker 1>like it's slang that survived for close to three thousand

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<v Speaker 1>years now. But when somebody says whose ages are you under,

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<v Speaker 1>they're referring to the ages from Greek mythology. So Perseus

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<v Speaker 1>cut off the head of Medusa and he used that

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<v Speaker 1>head to turn his ar. I guess it would be

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<v Speaker 1>his his prospective wife's uncle, I believe, to stone. So

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<v Speaker 1>he's just, you know, spreading and praying. The whole room

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<v Speaker 1>is turned to stone and he can't look. So Athena

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<v Speaker 1>takes the head of Medusa and puts it into the shield,

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<v Speaker 1>and so now the head of Medusa is inside of

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<v Speaker 1>the ages, and so that shield is what you always

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<v Speaker 1>see her carrying around with the spear, and also Medusa

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<v Speaker 1>on the cugous as well, So she's got Medusa frickin everywhere.

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<v Speaker 1>But Medusa was everywhere in the ancient world anyway, Like

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<v Speaker 1>this was just a common motif of the woman's head

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<v Speaker 1>with the snakes coming off the off the hair, and

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<v Speaker 1>then the two you know, wings of Pegasus behind her,

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<v Speaker 1>because after Percy has chopped her head off, Pegasus came

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<v Speaker 1>springing out of her neck, and so that's where Pegasus

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<v Speaker 1>comes from. That was the origin. So that's what he

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<v Speaker 1>flies into. And you know, we've got the Pegasus constellation,

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<v Speaker 1>we've got the Percy's constellation, and he's holding up the

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<v Speaker 1>head of Medusa with al gold in the eye. So

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<v Speaker 1>I think it's a pretty significant shield or symbol in

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<v Speaker 1>the background of everything else. You know, it's sort of

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<v Speaker 1>like running on autopilot in the subconscious mind of everybody,

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<v Speaker 1>but it's still in there. Yep. So that's my symbol,

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<v Speaker 1>the aegis.

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<v Speaker 2>I gotta switch back to Oh nice, that's right, you're

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<v Speaker 2>in charge of this. I had to blow that up,

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<v Speaker 2>so I want I want to be able to look

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<v Speaker 2>at that thing better. All right, let me get my

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<v Speaker 2>notes up of this. Yes, this is the uh, the

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<v Speaker 2>spade of Marduk. So it's a small triangle spade or

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<v Speaker 2>hoe emblem carved the top of tiny shrine or altar

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<v Speaker 2>on Babylonian Cadua's boundary stones. It serves as a symbol

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<v Speaker 2>of Marduk, the city god of Babylon, and is frequently

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<v Speaker 2>shown beside Marduke's dragon and the Met. The Met has

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<v Speaker 2>one there and when it first shows up. This emblem

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<v Speaker 2>is securely attested in the K A. S. S I.

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<v Speaker 2>T Period, Casite Kasite period fourteenth to twelfth century BCE,

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<v Speaker 2>and later on on Land Grant. The curderers are set

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<v Speaker 2>up in temples the famous caduau of King Melay Shippak.

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<v Speaker 2>I'm saying that correctly twelve BC at the Levore preserves

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<v Speaker 2>the full band of God's symbols, Star of Ishtar, the

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<v Speaker 2>crescent of Sin son of Shamash and alongside others on

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<v Speaker 2>stacked registers where it's been seen where it's collected the

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<v Speaker 2>Metropolitan Museum of Art. They got one there like the

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<v Speaker 2>one I just mentioned now, the two kudros and including

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<v Speaker 2>the melee chappek Pak with the classic top register of

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<v Speaker 2>divine emblems, and again that has the ishtar sign and

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<v Speaker 2>has a disc and a horned tiaras or an annual

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<v Speaker 2>or in lil on there sometimes as well. Sometimes it

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<v Speaker 2>has a goat or a fish or the goat fish

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<v Speaker 2>and the British Museum also has another one, and they

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<v Speaker 2>have the one with the goat fish, and they have

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<v Speaker 2>the ram headed crook, and they have the one with

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<v Speaker 2>the bird on the perch, which I think I have

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<v Speaker 2>have images of those which I can show you what

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<v Speaker 2>I've done, what it means identify mark of Marduk. It's

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<v Speaker 2>authorative Mesopotamian deity lists and describes Marduke's symbol as a

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<v Speaker 2>triangular spade shown on top of a temple shrine on Carduus,

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<v Speaker 2>the recorded royal land grants and Cardura's recorded royal land

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<v Speaker 2>grants and were set up in temples, combining cuneiform deeds

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<v Speaker 2>with a skyline of the god's emblems as legal divine

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<v Speaker 2>guarantees and curses on violators. Some overviews note the spade

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<v Speaker 2>may reflect agricultural canal management associations of Marduk used with

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<v Speaker 2>caution its secondary interpretation not a requirement for reading the sun.

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<v Speaker 2>How was it used as a carved divine signature anchoring

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<v Speaker 2>a land grant's legitimacy and the curse formulas that protected

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<v Speaker 2>Carduro's routine routinely stack multiple gob em emblems, so the

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<v Speaker 2>entire antheon witnesses the document Jesus. Oh, that's kind of interesting. Classic.

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<v Speaker 2>So I guess like the more you bring against the

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<v Speaker 2>more valuable it is classic of pora math. I mean

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<v Speaker 2>that just depends on who has got more fucking time

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<v Speaker 2>to call these things then, right, well I made ten

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<v Speaker 2>of these, so you better make sure you do it now.

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<v Speaker 2>Is that what we're talking.

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<v Speaker 1>I think there's a really interesting link between these stones

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<v Speaker 1>and the mounds, right because the mounds would have these

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<v Speaker 1>uh property deeds inside of them, you know, sort of

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<v Speaker 1>granting everybody in that region access to the thing. And

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<v Speaker 1>so these things are sort of planted out by the uh,

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<v Speaker 1>the the borderline to tell people, you know, who owns

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<v Speaker 1>this land and not Comny closer or whatever. They still

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<v Speaker 1>have those boundary stones in Washington, d C. Which that's

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<v Speaker 1>a very if they're putting boundary stones with that.

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<v Speaker 2>I wonder if I actually saw any out there. I

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<v Speaker 2>didn't even realize what I was looking at.

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<v Speaker 1>Well, if you hang on around the border of Washington,

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<v Speaker 1>d C. They still have some in Alexandria too, because

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<v Speaker 1>Washington d C was supposed to encompass all of Alexandria

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<v Speaker 1>down across the Potomac, and so you can find the

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<v Speaker 1>boundary stones of where they were supposed to have property.

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<v Speaker 1>But now that's all Alexandria, but the boundary stones are

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<v Speaker 1>still there. It's kind of interesting. So DC was supposed

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<v Speaker 1>to be a perfect cube, and the thing that cut

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<v Speaker 1>it off was the Potomac River and into Virginia. They

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<v Speaker 1>wanted to have it between the two spaces so that

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<v Speaker 1>it couldn't be controlled by either the north or the south. Right,

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<v Speaker 1>that's the boundary line. And understanding that they kind of

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<v Speaker 1>cut off the south by the Potomac and that's no

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<v Speaker 1>longer part of Washington, d C properts really kind of

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<v Speaker 1>says something about the politics there. That's amazing is that

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<v Speaker 1>a tm att.

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<v Speaker 2>Let me choose? Uh, I don't think that was mentioned,

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<v Speaker 2>but I mean it could be. What are these I

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<v Speaker 2>mean you've seen we've seen these before.

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<v Speaker 1>Yeah, that's also a very common Native American motif, at

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<v Speaker 1>least the one on the left. Is that's just amazing work.

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<v Speaker 1>And which which period was this? Was this the Sumerian

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<v Speaker 1>or Akadian?

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<v Speaker 2>What I'm gonna say kiss site I think it said

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<v Speaker 2>and it was twelfth to uh they cut I could

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<v Speaker 2>be say this wrong. K A S S I T. E.

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<v Speaker 2>Period fourteenth to twelfth century b C. Mm hmm.

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<v Speaker 1>Yeah, so that's definitely in the what's it called, well,

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<v Speaker 1>a Kadian period because the I know, the line between

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<v Speaker 1>uh Samerian and all the rest of it comes through

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<v Speaker 1>Sargon of a Cad, and Sargon of a Cad was

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<v Speaker 1>like I don't know, maybe three thousand BC, and so

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<v Speaker 1>there was a long period of time between them and this.

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<v Speaker 1>I think I could be wrong on those days.

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<v Speaker 2>No, I couldn't even tell you if you are. I

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<v Speaker 2>just know that, Yeah, this is from the fourteenth century BC. Uh, yeah,

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<v Speaker 2>I think I pretty much. Really again, you know, it's

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<v Speaker 2>it's recorded loyal or royal land grants and we're set

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<v Speaker 2>up in temples showing legal divine guarantees or curses or

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<v Speaker 2>on violators. Some had again agricultural canal management associations on there.

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<v Speaker 2>But yeah, I thought it was pretty interesting. I've never

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<v Speaker 2>seen it before. I mean, it wasn't anything too like,

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<v Speaker 2>you know, a cult of magical but it's bugged out looking.

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<v Speaker 2>I mean, honestly, to tell you the truth, for all

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<v Speaker 2>we know, it actually says something completely different and they

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<v Speaker 2>think that's what the mutes, right, But.

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<v Speaker 1>Look at the repeating motifs though, Like we're seeing the

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<v Speaker 1>two pillars, right, you've got this that that tree right,

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<v Speaker 1>that tree shows up in all of them. It's just

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<v Speaker 1>slightly shaped differently there. Yeah, it's it's it is the

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<v Speaker 1>angular but and then you've got these the sun pieces

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<v Speaker 1>that seem to be different sizes and shapes, but it's

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<v Speaker 1>all the same scene that they're showing, right, you know,

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<v Speaker 1>one's the moon, one's the sun. And then yeah, it's

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<v Speaker 1>it's really interesting how they would you know, they're remixing

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<v Speaker 1>each one of these stones, but it's the same image.

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<v Speaker 1>They did that a lot with Tannate stones as well,

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<v Speaker 1>the ones and h the Peutic wars, the Carthage. I

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<v Speaker 1>forgot that, but yeah, they had the similar thing going

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<v Speaker 1>on with the Tannate top its stones. Also a big

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<v Speaker 1>influence is the uh you know this Samarian Akkadian influence.

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<v Speaker 2>Yeah, there you go, I'll show you want me to

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<v Speaker 2>go back? Sorry?

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<v Speaker 1>Yeah, So sudden moon right there, right, you got that tree,

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<v Speaker 1>it's nice and angular there, that's the same God. He's

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<v Speaker 1>sort of pointing up towards the heavens with those things.

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<v Speaker 1>And then you got the pillars right below it. So

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<v Speaker 1>it's really these are just different styles of depicting the

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<v Speaker 1>same event.

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<v Speaker 2>Yeah, yeah, I like that. Good is say that I

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<v Speaker 2>didn't even noticed that ship before.

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<v Speaker 1>Dragon. Dude, that's totally the dragon. That's awesome because you

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<v Speaker 1>know that's that's the chaos dragon that they mentioned in

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<v Speaker 1>the Bible. Yeah, that's the same.

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<v Speaker 2>You got the same stalls up here again in the

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<v Speaker 2>crist Yeah, there you go.

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<v Speaker 1>See the image now the pillars. Look at this at

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<v Speaker 1>the sun and the moon.

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<v Speaker 2>Again. The crescent is the way that I depict it

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<v Speaker 2>for an eclipse, for the way I see it. It's

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<v Speaker 2>interesting when you I always take that into consideration when

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<v Speaker 2>I see people use crescents like this. I don't know.

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<v Speaker 2>Maybe I don't know.

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<v Speaker 1>Well, in Canaanite Phoenician tannet worship, on top of TANet

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<v Speaker 1>was bail, which was the combination of the sun disk

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<v Speaker 1>and the moon horn.

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<v Speaker 2>Well, tell you the truth, whatever I think told you

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<v Speaker 2>Tolt's headdress where it looks like the moon and the

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<v Speaker 2>where the sun disc and the moon crescent, that's exactly

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<v Speaker 2>what it looks like as the black is separating from

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<v Speaker 2>the fucking white. Actually, it looks like the same, both

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<v Speaker 2>of them put together, looks like one full image, That's

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<v Speaker 2>what I'm saying.

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<v Speaker 1>And isn't it weird that they're putting these trees up

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<v Speaker 1>on these pedestals that have these uh columns down beneath them.

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<v Speaker 2>Yeah, I wish I could zooming.

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<v Speaker 1>What are those things? Yeah?

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<v Speaker 2>Right?

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<v Speaker 1>Are those temples like ziggurat some sort of structure that

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<v Speaker 1>they built? It looks like trees?

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<v Speaker 2>Is that? Isn't that a zodiac sign?

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<v Speaker 1>Yeah? That's the goat? That's the seagoat again? Is that

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<v Speaker 1>uh Leo Sagittarius?

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<v Speaker 2>Look at that? M all right, I'm sorry taking up

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<v Speaker 2>too much time.

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<v Speaker 1>Ah, dude, I love these things, the similarities, they just

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00:16:38.440 --> 00:16:41.200
<v Speaker 1>start popping out. It feels so much richer, like there

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<v Speaker 1>was really something that you can read from these things,

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<v Speaker 1>some kind of story that could be the entire entire

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<v Speaker 1>Baale cycle sort of summed up in a single image

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<v Speaker 1>that makes sense at least.

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<v Speaker 2>Damn. I didn't get an answer about this. It doesn't

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<v Speaker 2>really matter. I'm not persuing the person's name. I remember

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<v Speaker 2>that you well, I mean some yeah kind of, I

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<v Speaker 2>just I never find I forgot that be Like, I mean,

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<v Speaker 2>I don't know, I'm assuming I got.

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<v Speaker 1>I got one. You want to go first with yours.

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<v Speaker 1>Mine's pretty long, so oh jeez, you don't have to

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<v Speaker 1>say her name or his name, his or her name.

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<v Speaker 2>It's funny how like, well, it's funny how you say

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<v Speaker 2>her because like nine out of ten, isn't it women

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00:17:30.400 --> 00:17:34.559
<v Speaker 2>that send them in? Actually? Right, you're so used to that,

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<v Speaker 2>that's funny.

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<v Speaker 1>Come on, guys, you need to have some occult experiences.

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<v Speaker 1>We're getting beaten by the ladies. Get out there and

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<v Speaker 1>dink something up in the middle of the night. You

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00:17:44.160 --> 00:17:45.480
<v Speaker 1>never know what you're gonna find.

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<v Speaker 2>You are, right, Uh. I was in some unfamiliar Polish

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<v Speaker 2>city with a man in another man's apartment. I was

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<v Speaker 2>talking to the man who lived there about something completely unimportant,

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00:17:56.240 --> 00:17:59.559
<v Speaker 2>and the conversation was quite short. But I remember more

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00:17:59.599 --> 00:18:02.640
<v Speaker 2>clearly is the layout of his apartment. There was quite

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<v Speaker 2>a few rooms, and it was quite well furnished for

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<v Speaker 2>his age and for being a block of flats. And

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<v Speaker 2>what I saw outside the window in an ordinary busy street,

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00:18:14.480 --> 00:18:17.039
<v Speaker 2>it looked like I might have been somewhere near my

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00:18:17.160 --> 00:18:20.519
<v Speaker 2>family city. Throughout the dream, I had the feeling that

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<v Speaker 2>another dream had somehow merged into it, like I was

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00:18:23.720 --> 00:18:27.799
<v Speaker 2>in between realism and some kind of mystical reality. I

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00:18:27.839 --> 00:18:30.759
<v Speaker 2>know that again. I saw my grandmother in the dream.

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<v Speaker 2>I was making some strange mix, some strange mixtures and

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00:18:34.680 --> 00:18:38.799
<v Speaker 2>gel like spheres, intending for the materials to be flammable.

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00:18:39.960 --> 00:18:43.400
<v Speaker 2>And there are three puppies. Both of the men had

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<v Speaker 2>completely disappeared. I was doing something like distilling flammable substance

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00:18:48.839 --> 00:18:52.880
<v Speaker 2>and petting the puppies, even though they were just puppies,

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00:18:53.079 --> 00:18:55.759
<v Speaker 2>and my grandmother was there. None of them seemed real.

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00:18:56.400 --> 00:18:58.720
<v Speaker 2>It felt as if they had been dead for years

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00:18:58.759 --> 00:19:02.880
<v Speaker 2>but were still somehow functioning on earth, mistaken for the living,

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00:19:03.480 --> 00:19:06.720
<v Speaker 2>but they weren't. Later, I went to the bathroom and

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00:19:06.799 --> 00:19:10.119
<v Speaker 2>the first man said we had to leave. He seemed

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00:19:10.160 --> 00:19:13.119
<v Speaker 2>real and alive. I don't know him. I don't know

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00:19:13.240 --> 00:19:16.200
<v Speaker 2>the other one either. In the dream story, they were

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00:19:16.200 --> 00:19:20.799
<v Speaker 2>both rather unnecessary. Then it transitioned into the next dream,

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00:19:21.119 --> 00:19:23.640
<v Speaker 2>which was really nice. I dreamed that I was in

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00:19:23.640 --> 00:19:26.599
<v Speaker 2>a huge building, something like a space station or an

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00:19:26.640 --> 00:19:30.880
<v Speaker 2>aviation complex, but not exactly a station, more like an

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00:19:30.920 --> 00:19:35.359
<v Speaker 2>official refined building for people associated with that station. I

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00:19:35.440 --> 00:19:37.799
<v Speaker 2>was among many people, a crowd, and I think my

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00:19:37.880 --> 00:19:40.759
<v Speaker 2>mom and dad were there. Yes, they would definitely work.

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00:19:41.400 --> 00:19:44.200
<v Speaker 2>I was looking at the sky which was completely black,

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00:19:44.839 --> 00:19:48.759
<v Speaker 2>and on it the moon in its third quarter. I

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00:19:48.799 --> 00:19:50.960
<v Speaker 2>was watching the moon and saw a ring around it,

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00:19:51.079 --> 00:19:54.039
<v Speaker 2>not circular though. Just as the moon was shaped like

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00:19:54.079 --> 00:19:58.319
<v Speaker 2>a crescent, that thin line around it, that thin unlined it.

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00:19:58.640 --> 00:20:01.640
<v Speaker 2>The thin line around it was also in the same shape,

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00:20:01.799 --> 00:20:07.759
<v Speaker 2>like a water. I looked closely. The moon was huge.

328
00:20:08.200 --> 00:20:10.799
<v Speaker 2>I wanted to take a photo. My phone rarely works

329
00:20:10.839 --> 00:20:13.640
<v Speaker 2>properly in dreams, but I've already learned how to make

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00:20:13.680 --> 00:20:18.160
<v Speaker 2>it show the image. And when I zoomed in, I

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00:20:18.200 --> 00:20:21.480
<v Speaker 2>could see the moon, an incredible detail and an interesting thing,

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00:20:21.960 --> 00:20:26.519
<v Speaker 2>and installation around it, complex but very retro. I took

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00:20:26.519 --> 00:20:28.519
<v Speaker 2>a photo and it showed it and showed it to

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00:20:28.559 --> 00:20:30.680
<v Speaker 2>my father and turned. And it turned out that this

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00:20:30.799 --> 00:20:35.079
<v Speaker 2>installation could change the moon's position. I went into the

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00:20:35.119 --> 00:20:37.720
<v Speaker 2>building and looked at all those people. It was some

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00:20:37.799 --> 00:20:41.240
<v Speaker 2>kind of gaya an no gala. I left because it

338
00:20:41.279 --> 00:20:44.920
<v Speaker 2>wasn't the right place for me. I started looking at

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00:20:44.960 --> 00:20:47.960
<v Speaker 2>for the moon again, and it had moved away. It

340
00:20:48.000 --> 00:20:50.880
<v Speaker 2>was smaller now, but nearby I found something that had

341
00:20:50.920 --> 00:20:54.559
<v Speaker 2>the same shape. I took out some tools and an

342
00:20:54.599 --> 00:20:58.559
<v Speaker 2>app that searches for objects in space, and according to

343
00:20:58.599 --> 00:21:00.640
<v Speaker 2>what my brain came up with it was either a

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00:21:00.640 --> 00:21:03.519
<v Speaker 2>black hole because it looked like a black, torn out

345
00:21:03.599 --> 00:21:08.599
<v Speaker 2>patch of sky, or quoting my own mind, a neutron star.

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00:21:09.720 --> 00:21:12.000
<v Speaker 2>I tried to observe that object with my eyes. Just

347
00:21:12.039 --> 00:21:14.599
<v Speaker 2>looking at it, I had the impression it was about

348
00:21:14.640 --> 00:21:18.400
<v Speaker 2>five to seven centimeters in size, and so I kept

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00:21:18.440 --> 00:21:21.519
<v Speaker 2>deserving the sky. Then I went for a walk down

350
00:21:21.599 --> 00:21:24.480
<v Speaker 2>some country road. I passed by some bushes and on

351
00:21:24.519 --> 00:21:27.000
<v Speaker 2>the right I saw a line of starlings very close

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00:21:27.039 --> 00:21:30.160
<v Speaker 2>to me, and on the left about five airplanes landing

353
00:21:30.200 --> 00:21:33.519
<v Speaker 2>one after another. Then I went back to the gala

354
00:21:33.559 --> 00:21:36.960
<v Speaker 2>and the dream ended. The first dream, I didn't feel

355
00:21:37.039 --> 00:21:39.519
<v Speaker 2>very comfortable. The puppies were quite skittish, and I felt

356
00:21:39.519 --> 00:21:42.759
<v Speaker 2>more an easy than okay. But in the second one,

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00:21:42.920 --> 00:21:47.240
<v Speaker 2>that was yeah, that was it. That one was okay,

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00:21:48.440 --> 00:21:48.759
<v Speaker 2>that's it.

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00:21:49.200 --> 00:21:54.000
<v Speaker 1>Oh yeah. Interesting. So a lot of astrological symbolism, a

360
00:21:54.039 --> 00:21:57.240
<v Speaker 1>lot of moon symbolism, sort of being able to dial

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00:21:57.359 --> 00:22:00.559
<v Speaker 1>forward and dial back the energies of these different planes.

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00:22:01.480 --> 00:22:06.400
<v Speaker 1>And I think there there's that concept that all the

363
00:22:06.440 --> 00:22:09.480
<v Speaker 1>planets are kind of their own dimension, Like if you

364
00:22:09.599 --> 00:22:13.759
<v Speaker 1>astrally project to these planets, you've got a whole different dimension,

365
00:22:14.200 --> 00:22:16.319
<v Speaker 1>and I see a lot of that kind of reflected

366
00:22:16.759 --> 00:22:21.400
<v Speaker 1>you know, that astral projection type feel to that dream, right,

367
00:22:21.680 --> 00:22:24.240
<v Speaker 1>sort of more mechanical, more detailed.

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<v Speaker 2>Yeah, I told the interesting Well the first thing I

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00:22:27.519 --> 00:22:28.680
<v Speaker 2>thought it was the first one. I was like, it

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00:22:28.720 --> 00:22:33.160
<v Speaker 2>sounds like an alchemist, right, mixing all these things up

371
00:22:33.160 --> 00:22:37.000
<v Speaker 2>in your place, this distilling shit. I was like, that's

372
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<v Speaker 2>interesting because I don't like that person is into the occult,

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00:22:42.160 --> 00:22:44.599
<v Speaker 2>you know, probably a little bit more into certain things

374
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<v Speaker 2>than I was. So, I mean, it just seemed weird

375
00:22:47.200 --> 00:22:48.960
<v Speaker 2>that they kind of had like their own version of

376
00:22:49.000 --> 00:22:51.200
<v Speaker 2>a different version of maybe a new age version of

377
00:22:51.200 --> 00:22:53.000
<v Speaker 2>an alchemist, you know what I'm saying in their dream

378
00:22:53.039 --> 00:22:55.000
<v Speaker 2>and they are into practicing the occult or reading it.

379
00:22:54.960 --> 00:23:00.240
<v Speaker 1>At least, right, or maybe that's what turned them ontolcome

380
00:23:00.279 --> 00:23:02.000
<v Speaker 1>me in the first place, is having these dreams.

381
00:23:02.200 --> 00:23:07.200
<v Speaker 2>Yeah right, yeah, yeah I should ask him about that. Yeah.

382
00:23:07.279 --> 00:23:09.839
<v Speaker 2>Whereas yes, I just figured, yeah, I got that one.

383
00:23:09.880 --> 00:23:11.599
<v Speaker 2>I'm pretty sure was like, you know, sent to me

384
00:23:11.640 --> 00:23:15.079
<v Speaker 2>to be used. I just just wanted to double check. Really,

385
00:23:15.079 --> 00:23:16.920
<v Speaker 2>I just wanted to say, can I keep the name?

386
00:23:17.000 --> 00:23:17.240
<v Speaker 1>Really?

387
00:23:17.359 --> 00:23:18.839
<v Speaker 2>I was just just making sure about the name. I'll

388
00:23:18.839 --> 00:23:21.599
<v Speaker 2>just leave the name out It doesn't matter. Yeah, we

389
00:23:22.000 --> 00:23:23.880
<v Speaker 2>finally got ones. Finally someone sent one to me.

390
00:23:25.480 --> 00:23:28.640
<v Speaker 1>Yeah. It's funny because you know, I put my email

391
00:23:28.640 --> 00:23:32.079
<v Speaker 1>out there every time, and they said it all right,

392
00:23:32.200 --> 00:23:35.599
<v Speaker 1>I got Joe Ferguson. He says, guys, this is not

393
00:23:35.759 --> 00:23:37.960
<v Speaker 1>my story, but my cousins. First, I will give you

394
00:23:37.960 --> 00:23:39.920
<v Speaker 1>a little informations.

395
00:23:40.079 --> 00:23:42.680
<v Speaker 2>I've seen his name. Sorry, this isn't rot. I've seen

396
00:23:42.680 --> 00:23:43.519
<v Speaker 2>his name out there. Yeah.

397
00:23:43.599 --> 00:23:47.759
<v Speaker 1>Yeah, it was so man, Thank you, Joe nice. Uh.

398
00:23:47.839 --> 00:23:50.559
<v Speaker 1>It is called the Pliny Woods in East Texas. It

399
00:23:50.640 --> 00:23:53.599
<v Speaker 1>is so dense with pine trees. There are some very

400
00:23:53.640 --> 00:23:56.839
<v Speaker 1>secluded areas. It's so funny how all these motifs that

401
00:23:56.839 --> 00:24:01.559
<v Speaker 1>we were pointing out in that uh cycle video or

402
00:24:01.640 --> 00:24:04.720
<v Speaker 1>the not the video, but the you know, the stones

403
00:24:04.759 --> 00:24:07.920
<v Speaker 1>that you have are reoccurring themes and motifs in the

404
00:24:08.000 --> 00:24:10.200
<v Speaker 1>emails that we're reading. You know, you've got the moon

405
00:24:10.400 --> 00:24:15.359
<v Speaker 1>and now we've got these pine trees. We also have

406
00:24:16.359 --> 00:24:18.960
<v Speaker 1>plenty woods texts. It's so dense with pine trees. There

407
00:24:18.960 --> 00:24:21.599
<v Speaker 1>are some very secluded areas. But we also have our

408
00:24:22.079 --> 00:24:26.279
<v Speaker 1>fair share of burial mound sites called the New Diana

409
00:24:26.880 --> 00:24:31.039
<v Speaker 1>New Diana interesting. It pretty much has three stores and

410
00:24:31.119 --> 00:24:34.519
<v Speaker 1>a school. Now, my cousin is a no nonsense kind

411
00:24:34.519 --> 00:24:36.920
<v Speaker 1>of girl who doesn't play around and tells you how

412
00:24:36.960 --> 00:24:39.799
<v Speaker 1>it is. She said that one night her and her

413
00:24:39.839 --> 00:24:42.519
<v Speaker 1>friend were coming home and they pulled up to my

414
00:24:43.119 --> 00:24:45.680
<v Speaker 1>aunt's house. When you pull up in the drive, you

415
00:24:45.759 --> 00:24:49.680
<v Speaker 1>see a panoramic view of the backyard. My aunt has

416
00:24:49.720 --> 00:24:52.519
<v Speaker 1>a little garden and some chicken coops in the back,

417
00:24:52.640 --> 00:24:56.000
<v Speaker 1>close to the tree line where the woods start. As

418
00:24:56.039 --> 00:24:58.440
<v Speaker 1>they were pulling in and it was like two am,

419
00:24:58.640 --> 00:25:02.079
<v Speaker 1>she said, she was completely sober, and she noticed someone

420
00:25:02.079 --> 00:25:05.640
<v Speaker 1>in the back by the chicken coops. She said, who

421
00:25:05.680 --> 00:25:08.519
<v Speaker 1>the fuck is in my mom's backyard at two am?

422
00:25:09.000 --> 00:25:11.799
<v Speaker 1>And she turned the brights on. She said that there

423
00:25:11.880 --> 00:25:14.799
<v Speaker 1>was a man standing there with two chickens in his hands,

424
00:25:15.079 --> 00:25:18.359
<v Speaker 1>but he had the head of a dog. I asked

425
00:25:18.400 --> 00:25:21.440
<v Speaker 1>her what if it was like a werewolf and she

426
00:25:21.519 --> 00:25:25.599
<v Speaker 1>said no, it was a man's body but with a

427
00:25:25.680 --> 00:25:28.759
<v Speaker 1>dog's head. She said, it looked up at her and

428
00:25:28.880 --> 00:25:33.200
<v Speaker 1>turned around and walked into the woods. More like, what's

429
00:25:33.240 --> 00:25:39.279
<v Speaker 1>that at Egyptian God's name, Cheez a blanket Anubis? There

430
00:25:39.319 --> 00:25:46.119
<v Speaker 1>we go, YEA. My cousin forgot her friend was with

431
00:25:46.160 --> 00:25:49.079
<v Speaker 1>her and She looks over and her friend is wide

432
00:25:49.079 --> 00:25:51.839
<v Speaker 1>eyed with her mouth open. My cousin said that she

433
00:25:52.000 --> 00:25:54.559
<v Speaker 1>talked to her friend, did you see that? And her

434
00:25:54.599 --> 00:25:57.160
<v Speaker 1>friend was literally out of the car and running up

435
00:25:57.200 --> 00:26:00.759
<v Speaker 1>to my aunt's front door, which is usually unlocked. My

436
00:26:00.880 --> 00:26:03.119
<v Speaker 1>cousin came in and she tried to talk about it

437
00:26:03.119 --> 00:26:05.000
<v Speaker 1>with her friend, but her friend was so freaked out

438
00:26:05.039 --> 00:26:08.039
<v Speaker 1>that she wouldn't talk about it and couldn't sleep. As

439
00:26:08.079 --> 00:26:10.880
<v Speaker 1>soon as the day broke, she was out there and

440
00:26:10.920 --> 00:26:14.359
<v Speaker 1>has never went back to my aunt's place now. The

441
00:26:14.400 --> 00:26:17.960
<v Speaker 1>house that my aunt lives in was where she and

442
00:26:18.079 --> 00:26:21.200
<v Speaker 1>my dad and other siblings grew up, so there's a

443
00:26:21.240 --> 00:26:25.279
<v Speaker 1>lot of history there and had some paranormal activity. I

444
00:26:25.319 --> 00:26:28.759
<v Speaker 1>feel like these things are more spiritual rather than physical.

445
00:26:28.880 --> 00:26:31.000
<v Speaker 1>I'm not sure, but I will try and see if

446
00:26:31.039 --> 00:26:34.640
<v Speaker 1>she will message in with more information. But I hope

447
00:26:34.640 --> 00:26:39.240
<v Speaker 1>you guys enjoyed the story. That's freaking amazing. It's funny

448
00:26:39.240 --> 00:26:45.200
<v Speaker 1>about the burial mounds too. What did you say about

449
00:26:45.200 --> 00:26:47.039
<v Speaker 1>the curses on these stones?

450
00:26:49.559 --> 00:26:52.079
<v Speaker 2>Oh? Yeah, all those stones that I had could be curses.

451
00:26:52.160 --> 00:26:53.880
<v Speaker 2>Yet what are those things of that? Right?

452
00:26:53.960 --> 00:26:57.960
<v Speaker 1>Yeah? You think maybe the mounds are cursed because you're

453
00:26:58.000 --> 00:27:04.079
<v Speaker 1>trespassing kind of like God had the curses on them, right, Yeah,

454
00:27:04.799 --> 00:27:11.799
<v Speaker 1>they're King Tut's tomb, all the people die. All I'm

455
00:27:11.839 --> 00:27:15.000
<v Speaker 1>saying is that curses might be more prevalent than we realize,

456
00:27:15.079 --> 00:27:18.039
<v Speaker 1>and they might be on these, uh, these mound sites

457
00:27:18.039 --> 00:27:21.079
<v Speaker 1>because they are boundary stones between two different tribes, so

458
00:27:21.200 --> 00:27:27.519
<v Speaker 1>you kind of want to keep them away. Why wouldn't

459
00:27:27.519 --> 00:27:30.039
<v Speaker 1>you be cursing these things pretty much?

460
00:27:30.240 --> 00:27:33.880
<v Speaker 2>You want to keep people out right, right, I mean,

461
00:27:33.920 --> 00:27:35.160
<v Speaker 2>who knows what you could be doing with that?

462
00:27:35.359 --> 00:27:42.039
<v Speaker 1>Yeah, sure, just the thought, just the thought. But you know,

463
00:27:42.079 --> 00:27:44.680
<v Speaker 1>boundary stones were very important back then. That's how people

464
00:27:44.720 --> 00:27:46.799
<v Speaker 1>marked everything out.

465
00:27:46.440 --> 00:27:52.400
<v Speaker 2>So you know, they didn't see any h on them.

466
00:27:52.599 --> 00:27:55.079
<v Speaker 2>I mean, but if you go I mean I technically,

467
00:27:55.119 --> 00:27:57.799
<v Speaker 2>I mean, I don't know, would you consider that kind

468
00:27:57.799 --> 00:27:59.799
<v Speaker 2>of like boundary stones when you start going up like

469
00:27:59.880 --> 00:28:02.200
<v Speaker 2>in main and like up north where it's like everybody's

470
00:28:02.319 --> 00:28:05.079
<v Speaker 2>yards is like built off with rocks. Shit, I mean,

471
00:28:05.079 --> 00:28:08.640
<v Speaker 2>it's kind of almost the same thing. Everybody's fucking boundaries

472
00:28:08.680 --> 00:28:11.680
<v Speaker 2>of their properties. There are all stumb by stone walls.

473
00:28:12.759 --> 00:28:13.960
<v Speaker 1>Right right.

474
00:28:14.079 --> 00:28:16.839
<v Speaker 2>That's weird. I was like, this is so weird.

475
00:28:16.880 --> 00:28:23.279
<v Speaker 1>Looking in the Greek days, you had Hermes manifesting as

476
00:28:23.319 --> 00:28:27.319
<v Speaker 1>these hermstones, and the hermstones would have his bust on

477
00:28:27.440 --> 00:28:32.680
<v Speaker 1>them right up to his shoulders and then it would

478
00:28:32.680 --> 00:28:37.000
<v Speaker 1>be solid stone or rough stone from that point down,

479
00:28:37.279 --> 00:28:40.319
<v Speaker 1>and that would mark the boundary lines between properties as well.

480
00:28:40.400 --> 00:28:45.279
<v Speaker 1>So Hermes kind of plays as the the go between

481
00:28:45.720 --> 00:28:48.960
<v Speaker 1>between borders, right, So that's why the hermstones would be

482
00:28:48.960 --> 00:28:52.440
<v Speaker 1>sort of marking the borders like this is only Hermes

483
00:28:52.519 --> 00:28:58.480
<v Speaker 1>is allowed to cross here kind of thing. Kind of interesting,

484
00:28:58.559 --> 00:29:02.400
<v Speaker 1>but you know, they've always been sort of declared.

485
00:29:02.839 --> 00:29:06.039
<v Speaker 2>He's the one who can cross the borders, right right

486
00:29:06.400 --> 00:29:08.720
<v Speaker 2>that she again, that fits with me. Hermes would fit

487
00:29:08.799 --> 00:29:11.319
<v Speaker 2>on the Mercury sphere where I think that starts his

488
00:29:11.480 --> 00:29:17.640
<v Speaker 2>journey to cross the Again, he's the one who's doing it, kind.

489
00:29:17.480 --> 00:29:18.799
<v Speaker 1>Of starts to a Newbiss.

490
00:29:19.599 --> 00:29:22.559
<v Speaker 2>That could Yeah, it could be him at the end,

491
00:29:22.640 --> 00:29:23.880
<v Speaker 2>you know what I'm saying, Like at the end of.

492
00:29:23.839 --> 00:29:29.160
<v Speaker 1>The who knows, right, So these boundary stones having a

493
00:29:29.319 --> 00:29:34.480
<v Speaker 1>dog headed man grabbing chickens could have something to do

494
00:29:34.519 --> 00:29:37.319
<v Speaker 1>with the underworld because a new Biss is from the

495
00:29:37.400 --> 00:29:43.720
<v Speaker 1>underworld and these are boundary lines between different spaces. Maybe

496
00:29:43.759 --> 00:29:47.680
<v Speaker 1>you're talking about the underworld. Maybe it's a cursed space

497
00:29:48.200 --> 00:29:51.440
<v Speaker 1>something like that. They just want to mark it out,

498
00:29:51.960 --> 00:29:56.119
<v Speaker 1>or it's a worship site. Yeah, these things we're given chickens.

499
00:29:57.079 --> 00:30:01.079
<v Speaker 2>That's quite possible, just taking what's theirs, right, it could

500
00:30:01.079 --> 00:30:02.519
<v Speaker 2>have been uh.

501
00:30:02.160 --> 00:30:07.960
<v Speaker 1>Offerings, exactly. It's much more prevalent. You know, we don't

502
00:30:07.960 --> 00:30:16.680
<v Speaker 1>even think about sacrifices anymore, especially with everywhere. Yeah, that's

503
00:30:16.680 --> 00:30:19.400
<v Speaker 1>how the communities got together. You know, they would sacrifice

504
00:30:19.400 --> 00:30:22.480
<v Speaker 1>to the gods. Everybody would eat. It was a good time.

505
00:30:22.559 --> 00:30:27.240
<v Speaker 1>So maybe we should bring that back, big old barbecues, like,

506
00:30:28.759 --> 00:30:33.680
<v Speaker 1>oh yeah, well exactly, that's what that's what a sacrifice

507
00:30:33.680 --> 00:30:35.359
<v Speaker 1>would be. It was kind of like the Luau, and

508
00:30:35.359 --> 00:30:38.039
<v Speaker 1>and they incorporated their gods with the Luau too. So

509
00:30:38.359 --> 00:30:42.279
<v Speaker 1>there's actually a lot of uh, you know, Da Nancy,

510
00:30:42.319 --> 00:30:45.000
<v Speaker 1>with all these cookouts and stuff like that. It's just

511
00:30:45.119 --> 00:30:48.480
<v Speaker 1>people don't consider it that sort of stuff anymore, even

512
00:30:48.480 --> 00:30:52.079
<v Speaker 1>though it is, you know, all these symbols transfer. But uh,

513
00:30:52.079 --> 00:30:55.039
<v Speaker 1>this has been about thirty minutes. Thank you everybody for

514
00:30:55.160 --> 00:30:55.759
<v Speaker 1>joining us.

515
00:30:57.160 --> 00:30:59.480
<v Speaker 2>What's that Trevor down there? Just check out that Trevor.

516
00:30:59.559 --> 00:31:01.799
<v Speaker 2>Somebody say down there in the comments. It might be

517
00:31:01.839 --> 00:31:07.279
<v Speaker 2>on my side. It says Trevor Plant something like that.

518
00:31:07.319 --> 00:31:09.319
<v Speaker 2>I have a kind of a niche ocult topic. I

519
00:31:09.319 --> 00:31:12.880
<v Speaker 2>would like to chat with you both. It's under him.

520
00:31:12.880 --> 00:31:14.640
<v Speaker 2>That's so wild. You don't see the one under this guy?

521
00:31:15.519 --> 00:31:20.319
<v Speaker 2>Oh yes, yeah, I don't know who this person is

522
00:31:20.480 --> 00:31:21.920
<v Speaker 2>telling the hit up you, right.

523
00:31:22.839 --> 00:31:23.880
<v Speaker 1>Yeah, send me an email?

524
00:31:24.559 --> 00:31:28.920
<v Speaker 2>Yeah, hit us up? Whoever? That was Trevor Plant thirty

525
00:31:28.960 --> 00:31:34.079
<v Speaker 2>five sixty two, All right, yeah, that was Oh yeah,

526
00:31:34.079 --> 00:31:35.720
<v Speaker 2>it's uh wait, oh you know what I do you

527
00:31:35.720 --> 00:31:38.440
<v Speaker 2>want to plug for us? It's something I do want

528
00:31:38.440 --> 00:31:40.559
<v Speaker 2>to do. I have mentioned in the chat I was

529
00:31:40.599 --> 00:31:44.240
<v Speaker 2>gonna mention, though I think we will end up covering

530
00:31:45.279 --> 00:31:48.119
<v Speaker 2>I was looking to maybe shoot for right after Halloween

531
00:31:48.440 --> 00:31:49.319
<v Speaker 2>Serpent in the Rainbow.

532
00:31:50.720 --> 00:31:52.680
<v Speaker 1>Oh shit, yeah yeah, because.

533
00:31:52.440 --> 00:31:56.079
<v Speaker 2>I know, like me, you, Robbie and maybe Annie and Jewels,

534
00:31:56.480 --> 00:31:58.279
<v Speaker 2>a bunch of us are actually totally down for that.

535
00:31:58.400 --> 00:31:59.960
<v Speaker 2>I know I haven't sent anything since I threw the

536
00:32:00.039 --> 00:32:02.279
<v Speaker 2>I pick out there, but yeah, I do want to

537
00:32:02.319 --> 00:32:04.279
<v Speaker 2>do that, So I was hoping you'll just announce that that.

538
00:32:04.359 --> 00:32:06.319
<v Speaker 2>Hopefully within a few weeks you should see the recall

539
00:32:06.319 --> 00:32:10.519
<v Speaker 2>rejects talking about a Serpent in the rainbow. That should

540
00:32:10.519 --> 00:32:10.759
<v Speaker 2>be fun.

541
00:32:10.799 --> 00:32:12.079
<v Speaker 1>Are you coming on with Jewels tomorrow.

542
00:32:13.720 --> 00:32:15.640
<v Speaker 2>Oh, I do what I'm yo, believe it or not,

543
00:32:15.839 --> 00:32:19.839
<v Speaker 2>I am. I'm leaving in about five hours to start

544
00:32:19.880 --> 00:32:23.039
<v Speaker 2>heading to Florida for this fucking thing tomorrow. No, I

545
00:32:23.079 --> 00:32:26.839
<v Speaker 2>will not be angels. So wait, No, you know what,

546
00:32:27.640 --> 00:32:30.319
<v Speaker 2>Technically I could use my phone and possibly pull that

547
00:32:30.400 --> 00:32:32.960
<v Speaker 2>off if I'm at the Airbnb at that point, and

548
00:32:33.000 --> 00:32:34.759
<v Speaker 2>if I am, I will, I will, I will come on.

549
00:32:34.759 --> 00:32:38.000
<v Speaker 2>I'll jump on with my phone if he lets me.

550
00:32:38.000 --> 00:32:39.200
<v Speaker 2>If he lets me, I don't want to, you know,

551
00:32:39.240 --> 00:32:41.160
<v Speaker 2>put him on the spot. But no, I'll come on.

552
00:32:41.359 --> 00:32:43.119
<v Speaker 2>I'll even have I might even be able to hook

553
00:32:43.200 --> 00:32:46.119
<v Speaker 2>up my my wireless road mics. I can plug into

554
00:32:46.160 --> 00:32:48.079
<v Speaker 2>my phone and I might actually have like a decent mic.

555
00:32:49.680 --> 00:32:50.000
<v Speaker 1>Nice.

556
00:32:50.079 --> 00:32:51.519
<v Speaker 2>Yeah, yeah, I might be able to pull that off.

557
00:32:51.559 --> 00:32:53.480
<v Speaker 2>I'll try. I'll try. Yeah. Yeah. If I'm around, I'll

558
00:32:53.480 --> 00:32:55.079
<v Speaker 2>definitely jump on. I'll fuck it. Who cares. I'll be

559
00:32:55.119 --> 00:32:57.799
<v Speaker 2>in an Airbnb by myself, like lose it, you know,

560
00:32:58.000 --> 00:32:59.720
<v Speaker 2>or I'll be out go something with Brooke. I don't

561
00:32:59.759 --> 00:33:00.880
<v Speaker 2>know who else.

562
00:33:02.400 --> 00:33:05.440
<v Speaker 1>Right, So we're gonna be talking about nature spirits, and

563
00:33:05.559 --> 00:33:08.920
<v Speaker 1>we're gonna be talking about our viewing and how the

564
00:33:08.960 --> 00:33:11.079
<v Speaker 1>two are linked and like elementals.

565
00:33:11.720 --> 00:33:14.039
<v Speaker 2>Oh yeah, yeah, no, if I'm a right, I'll jump

566
00:33:14.039 --> 00:33:15.640
<v Speaker 2>off for shure Man. Thank you.

567
00:33:16.920 --> 00:33:18.720
<v Speaker 1>There's a lot of that going on in ghost hunting,

568
00:33:18.839 --> 00:33:24.400
<v Speaker 1>just people don't realize that's what's happening. Yes, I think

569
00:33:25.039 --> 00:33:27.759
<v Speaker 1>all right, guys, we will talk again next time and

570
00:33:27.880 --> 00:33:32.920
<v Speaker 1>check out the Trialogus and Jules' podcast tomorrow and we'll

571
00:33:32.920 --> 00:33:41.960
<v Speaker 1>see you again next time. Yeah, cancel. I hit the

572
00:33:41.960 --> 00:33:45.519
<v Speaker 1>wrong button. I'm thinking it's on your podcast, so I'm

573
00:33:45.599 --> 00:33:47.359
<v Speaker 1>hitting the h away button.

574
00:34:01.519 --> 00:34:12.360
<v Speaker 2>The d S D six six, the Millers among the

575
00:34:12.480 --> 00:34:13.159
<v Speaker 2>L six