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Speaker 1: We're back from the brain consul The Donu Chop, Trouble Lut,

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the donut Shop, Trouble, Trouble, Trouble, Trouble, trouble lut a

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dollar Chop.

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Speaker 2: I was walking down the street. I wanted something to eat.

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How about something sweet? That would be such a treat.

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When I saw it, I curtain believe my eyes. I

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almost began to cry.

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Speaker 3: Bubba lut the dona Chop, Trouble Lut, the donut Shop,

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Trouble Trouble, Trouble, Trouble, trouble lut a dollar chop.

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Speaker 2: There was a line around the block. I bally could

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handle the shop. I had to walk walk.

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Speaker 4: Away to keep.

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Speaker 2: My mind okay. But when I got back to the shop,

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the sign said stop when all.

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Speaker 3: Out now, Bubble the donor Chuck, trouble Let the donut Shop,

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Trouble Trouble, Trouble, Trouble, trouble Uta don Jump.

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Speaker 2: I stormed into the shop to see the reality.

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Speaker 5: They said, we're really so loud.

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Speaker 2: I said, what about the donuts right there? She said

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those donuts are non for sale. But I grabbed them

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and ran out of the dark.

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Speaker 3: Bubble Let the donut Chuck Trouble, Let the Donut Shop, Trouble, Trouble, Trouble, Trouble, Trouble,

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Uta Dona Chuck.

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Speaker 6: The next thing I know, I was getting arrested for

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stealing the.

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Speaker 4: Dollnut Trouble the Donut Shop.

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Speaker 2: I was so so embarrassed, but I had a donut

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in my jacket, cat it in the way to jail.

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Speaker 7: Trouble, Violent, Trouble, Trouble, Trouble, Job.

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Speaker 3: The donut shot, Trouble at the Donut Shop, Trouble, Trouble, Trouble, Trouble,

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Trouble at.

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Speaker 6: The Donut Jomp, Trouble at the Donut Shop, by the

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Great Ricky Mapleton. And he is here with us. We're

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gonna talk with him and just a moment, welcome everybody.

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Here we go. We have entered our number two new

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maridos of Matt Connorton Unleashed, and we are live from

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the studios of w m NH ninety five point three FM, Inglorious, Manchester,

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New Hampshire. Of course, you can also stream the show

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from anywhere. Go to Matt conorton dot com slash live

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for all of your live streaming options, social media links,

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contact info, show archives, et cetera, et cetera. Today is Saturday,

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March twenty one, twenty twenty six. Jenny is here, of course,

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at the news table president account of for By the way,

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we're only two weeks away from the nine year anniversary.

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Speaker 5: That's so crazy.

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Speaker 6: Matt Connorton unleashed here at WMNH ninety five point three FM.

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Speaker 8: We have to throw your birthday, Patty.

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Speaker 6: Can't believe you want to Patty, No, but no, look

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eight no, no, I eleventh pound cake. I don't even

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eat that anymore. Although that lemon pound cake did look

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good in that video. Now, I will say Afroman's original

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hit Because I Got High does share something in common

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with Trouble at the Donut Shop by Ricky Mapleton in

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that they are, both, in my opinion, a cautionary tale.

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Oh absolutely absolutely, yes, yes, nice, yes, because things go

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awry for you in Trouble at the Donut Chess. Very insightful.

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Speaker 9: That is based on a true experience.

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Speaker 6: You shoplifted a donut that was.

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Speaker 9: A little bit embellished. Yes, for the sake of conversation, yes, but.

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Speaker 6: No, okay, artistic license.

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Speaker 9: I think my mind, yes, I think my mind was

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there at the moment of seeing all was true up

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to the moment of stealing the donut. Okay, going there

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realizing that I was not going to get a donut

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because they were sold out was absolutely mind blowing, right,

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mind blowing right. But there I was face and on

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the way home as I went to a other donut shop,

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what's your thousands of them around and got their donuts

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with no, we're sold out.

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Speaker 6: Okay I was, but it was disappointing. So you in

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your mind, you were you take me back to that

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moment in the mind and in your mind you're at

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the donut shop, and.

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Speaker 9: Then well, let's backtrack a little, can we?

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Speaker 10: Yeah?

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Speaker 6: Yeah, please please okay?

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Speaker 9: You know, happy uh person living with you, happy wife,

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happy life, happy Okay, So nice, Ricky Mapleton, carry nurturer off.

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I went on a Sunday morning. I'm gonna go get

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these awesome donuts that we had a while back. Don't

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need them all the time. Not super healthy for you, obviously,

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but do you have gluten free?

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Speaker 6: There? I see where you're going. You're gonna blame this

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on your wife.

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Speaker 9: No blanging on, miss blaming son. Ricky Mapleton caring nurture okay,

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and really not being tuned in to the hip place

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to get your donut. I mean, I guess like Queen.

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Remember was Queen's Donuts still around?

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Speaker 6: I have no idea.

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Speaker 9: They were big for a while. I was the big thing.

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Cupcakes Bill Bill sorry Queen City Cupcakes. Bills Donuts are

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still around. I see if you've heard I see the

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Bills Donuts sign right there.

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Speaker 6: Legendary bills donuts.

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Speaker 9: How do they compare with? Should I say this donut

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shops name?

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Speaker 6: I think you can.

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Speaker 9: It is New Hampshire Donut Company, okay, and they're in

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Bedford and I was first exposed to them at a event,

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and I'm like, these are fantastic donuts. Yes, we're fourth

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out though, And so I said, okay, I'm going to

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go get some. Went there, signed on the door. I

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was there at ten thirty eleven.

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Speaker 6: Yeah.

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Speaker 9: I looked in line and it was the cheap white

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inch cheap old paper plates. Yeah, stuck on the window.

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Where sold out?

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Speaker 11: Wow?

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Speaker 6: Yeah? Okay? So I walked up, beautiful day. How good

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this place is?

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Speaker 9: Huh? They are fantastic? I mean they're not. Yeah, they're good.

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They're good. Are they stand in line? I just dedicated

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half an hour of my life getting there and then

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going back empty handed. No, no, but there is a

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happy ending to this, okay. Number one, it was a

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fantastic idea to start the donut chips on and it

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was the seed, the seed. And second, I did go

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back the week following week, but I went online, which

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was terrifying for me. But I went online and if

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you order them online before five o'clock, you can pick

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them up. You walk in the door, around the side,

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and you get them. So that was the plan of action.

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I did have my wife, of course, helped me through

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the quagmire that is online ordering. Yes, the beautiful word quagmire. Yes,

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the quagmire von Blagmire. So I it was my favorite

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family character.

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Speaker 6: I'm not going to do a quagmire. Yeah.

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Speaker 9: So that's the story of the Donut Shop. It really

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I think it's really it's really fun. It's really upbeat, donuts,

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a yummy and now we have I think that project

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was called Celebrating the Donut twenty four songs Celebrating the

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Donut Too Bad.

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Speaker 6: I don't even know the title of that CD.

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Speaker 9: But there's a big pink Simpsons sort of donut on

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the front cover. When you look at it ladies and gentlemen.

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So that has that, it has one donut, one song

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about twenty four other types of donuts.

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Speaker 6: I have the actual title truble, thank You, Thank You,

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Trouble at the Donut Shop, two dozen songs celebrating the donut.

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Come on?

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Speaker 9: Is that not not called warm and warm and yummy?

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That is warm on?

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Speaker 6: Come on?

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Speaker 9: So yeah, I did not get arrested on them on

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the way home. I was like I should. I wasn't impressed.

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Speaker 6: But you fantasized at some point about stealing the donut.

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Speaker 9: Clearly, I think we all have that quick flash of uh,

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I'm steal these donuts? Yeah, yeah, how what Then of

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course reality sets in. Yeah, and not wanting to be

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the old guy stealing donuts set New Hampshire Donut Company.

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Speaker 6: M yum yum.

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Speaker 9: Right, So yeah, that's the and then now we have

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other songs about donuts on that. And that was the

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last the project before the bread Man of bread Time story,

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which is all kind of connected in Flour in its

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own particular way.

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Speaker 6: I yes, yes.

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Speaker 9: This, this last couple, this last six to eight months

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has been very entertainment entertainment wise, revolving around baked goods

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such as donuts, bread rolls, so.

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Speaker 6: A lot of gluten.

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Speaker 9: I feel like, well, they do have a gluten donut

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at New Hampshire Donut Company, and I just would like

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to give them a quick word of advice if I could.

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When you go in there, they have these beautiful display

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that you choose from a cream and they look fantas

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behind this nice little guard. Then they have the poor

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little gluten free guy and it looks like half the size.

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Super sad. It's like, why don't you just make that

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big too. I know it's more money for that flower,

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but make it this big as that give you know,

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there's gluten free and then and then there's a vegan free,

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and they're both just made with different types of flour,

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which does give challenges when you're baking a donut. You

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have to use something called cilium husk and you have

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to use some other things to hold a donut together,

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so usually it's not as fluffy and delicious. But the

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small little donut when I went in there. You go

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in there and go look at that small little gluten

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free and that's the one that I usually get. So

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I eat it on the way home and I'm not

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feeling really bloated. When I get home, I just ate.

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But then of course I'll have a piece of the

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Boston Cream, my favorite.

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Speaker 6: Oh my god. Yeah, so yeah that's the well, very good. Yeah. Donut, donut, donut.

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We'll have to listen to some of those. Oh, we

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do have a call though. Let's see us on the line.

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Speaker 12: Matt Goton, Ricky Mapleton, happy Saturday morning, and wow, thank

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you for really this is exciting to be on. We

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here at the community are thrilled that you are having

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us on today. We first of all, if you could

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play someday I'm going to live in the castle on

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the new Ricky Mapleton.

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Speaker 6: This we just love.

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Speaker 4: That.

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Speaker 6: We really set the mood.

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Speaker 12: We have some Danish, we have some bread, we have

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some toast, we had some bagels, we had some whole.

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Speaker 6: Week, we got some pump and nipogol, we got.

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Speaker 13: Some rye, we got a lot of bread here.

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Speaker 12: So if you could play something off that, that would

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be fantastic.

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Speaker 6: And thank you.

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Speaker 12: Uh Matt, you look as fabulous as always than you would.

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Just really thinks you're a fantastic person. Hold nothing to

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Ricky Mapleton, of course we are.

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Speaker 5: We hold him.

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Speaker 9: In high respects here at the community as well.

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Speaker 6: So okay, well it's coming right up. Well, oh, I

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think he's gone. Agnes has called before, and oh that

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was Agnes. That was Oh I think I think I

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misgendered Agnes. I apologize. I feel terrible.

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Speaker 9: No, Agnes is thank you Agnes for calling in.

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Speaker 6: Thank you Agnes.

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Speaker 9: Yeah, and it sounds like your friend Guilda Hont has

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a little h twinkling arrived for you. She's she's mentioned

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you before, Guilda Haunt, guilda Herd, guilde Heart. She lives

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with uh she lives with Agnes in in a group

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of other senior citizens.

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Speaker 6: Oh so they're in Uh so she's an older lady.

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Speaker 9: You're living in a in a fabulous community. And yeah,

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and they call up all the time. They're big fans

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of you. They're big fans of us, and we need

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all the fans we can get, at least I do.

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Speaker 6: Well, all right, well, I guess we'll play this for

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Agnes and Guildahart. Someday I'm gonna live in the castle.

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And and this is from we should.

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Speaker 9: Yes, this is from the project called The bread Man,

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a bread Time Story. The beauty about this is we

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made this. Uh with narration before each song, and I

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really feel it sets things up. It's uh my, uh boy,

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I'm gonna step on some hollow ground, but it's my

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twenty one twelve, my, my, my Tommy, my quadrophenia. While

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uh with of course everybody that helped me with it.

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Of course couldn't have done without them. But this is,

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this is, it's a it's an epic in my mind.

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Speaker 6: You so enjoy, all right, Someday I'm gonna live in

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the castle, Ricky Mimpleton.

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Speaker 11: Knowing no more to work.

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Speaker 5: Okay, father, you'll never mean nothing gonna make a boy,

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make a boy?

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Speaker 4: What what do you mean.

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Speaker 5: You think you're gonna marry the prince?

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Speaker 14: Well, you're I'm gonna.

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Speaker 5: Live in a castle, no, father, get back to work.

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Don't hit me from to work, go to bry No,

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not the bag.

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Speaker 15: Some of them gonna live in castle, some them gonna

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live on hill. Someday I'm gonna live in that castle.

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Speaker 11: Some day a boh, no more.

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Speaker 15: Making print for Masala, nor more bacon the Prince.

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Speaker 5: Some damn gonna some dale, gonna some dale, gonna.

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Speaker 11: Get back door. You'll never never back castle down to

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my guttas on again.

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Speaker 4: What do you think you're gonna matter?

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Speaker 11: The princess.

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Speaker 4: No more begain that bread.

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Speaker 5: Gone Rulest is.

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Speaker 16: Still gonna live in the castle. Still fill.

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Speaker 15: Live castle, some them gone live.

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Speaker 6: Mm hmmmmm. Someday I'm going to live in the castle.

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That is Ricky Mapleton from The bread Man a bread

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Time Story. That's that's a pretty intense song. Wow. Yeah,

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it's very emotional.

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Speaker 9: Yes, we all have dreams, yes, pretty much what that

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song is about we all, we all aspire to something.

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Ricky Mapleton's speechless. I've heard that a million times, but

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I'm really kind of I hope everybody's kind of right there.

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Speaker 6: Wow, I hope. So if you are just joining us,

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Ricky Mapleton is here of course, and uh we are

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featuring also some songs from Trouble at the Donut Shop,

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two dozen songs celebrating the Donut because, uh, this is

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something that you would released uh a little bit ago

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back in December, but we never really got a chance

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to feature it within the year.

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Speaker 9: Yeah, yeah, yeah, it's right, fun, whimsical, happy songs about

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donut right and Ricky Mapleton's wheelhouse. I'd love happy, I

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love snappy, I love just fun stuff. Fun stuff. And

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then of course we have The bread Man, which is

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a mind bending.

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Speaker 6: Story.

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Speaker 9: Yeah, so I went quite It's been quite a great year.

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And I think someday we live in the castle. Someday

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we all have to if we if we focus on something,

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It's hard to do in today's world, isn't you know,

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to focus creatively, whether you're building a car, or you're

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making donuts or your whatever. Yeah, well, I'm sorry, I'm

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getting a little bit. That's what I'm looking for. I'm

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choked up on a donut. I guess, I guess, so,

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I guess so yeah, so yeah. Well, speaking of which,

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so one of the songs on Trouble at.

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Speaker 6: The Donut Okay, we're gonna shift gears. Two dozen songs,

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OKAYK goodness. One of these is called maple bacon Donut.

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Now I've never had a macon maple bacon donut, but

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that that actually sounds disgusting to me. H, maple bacon.

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Speaker 9: You got your sweet and savory grumble platter, Oh, maple bacon,

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maple bacon bacon.

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Speaker 6: I haven't heard this song. I don't know the uh.

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Speaker 9: Yeah, you want to just touch base on a few

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of them and not go through the whole song. If

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they're not super well, I shouldn't say that about my music.

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I'm sorry.

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Speaker 6: I'm curious to play this one because I'm wondering if

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it can convince me. Because to me, the idea of

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a maple bacon donut sounds disgusting. But I'm wondering if

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the song will kind of convince me that it's something

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that could be delicious. That is a great segue. Let's

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find out. All right, all right, let's give this a spin.

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We'll see. This is called the maple Bacon donut Song.

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Speaker 5: Babe boo bag and.

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Speaker 17: Donut me boot bake and don'ut me boot bakeon, donut

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me boo bacon.

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Speaker 2: Cron on me outside heaven on me insund maple baking donut,

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never let me down, the king of the morning, the

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talk of the town.

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Speaker 10: Out maple baking donnut you walk this town.

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Speaker 18: B bacon donut me b bakeon, don't yum y bacon

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let bag, sticky fingers on the counter way, shining like

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the sun.

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Speaker 6: One bite in, I'm lifted.

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Speaker 5: Up to the sun.

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Speaker 17: Babe boo bacon, don'nut me boot bakeon, donut me boot

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bag and don't ut me blue bag.

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Speaker 2: And bacon, crackling like Ganda maple, smooth like a dream.

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I'm a flavor revolution, come in straight, straight from a

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donuts dream. It's not gone outs like you, so savory.

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Speaker 17: And sweetie, blue bag and donut, maple boot bag and donut,

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maple bo bagon donut mape bacon donut.

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Speaker 6: Are you convinced? No donuts in the world? Could we

330
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do it?

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Speaker 11: No?

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Speaker 12: It is good.

333
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Speaker 6: Could you do one of my personal favorites on this one?

334
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Speaker 9: Oh?

335
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Speaker 6: Sure, I think when you look at the.

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Speaker 9: Overall ask aspect of donuts, the blueberry donut, the forgotten.

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Speaker 6: Oh, I like blueberry do okay donut.

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Speaker 9: So there's a song on this called Blueberry Donut go

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figure on the Donut collection, right, so it just talks

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00:20:54,720 --> 00:20:57,519
about how well I think it's half explanatory if you

341
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want to give that a spin.

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Speaker 6: All right, let's try this one blue very Donuts song,

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because yeah, now I did like the song about the

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maple bank. Are you convinced? But I just but I'm not?

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Speaker 4: No?

346
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Speaker 6: Is that actually a real thinger to use me?

347
00:21:08,319 --> 00:21:09,400
Speaker 9: No, it's conven's there.

348
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Speaker 8: People put bacon on the wrong things all the time.

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Speaker 9: No, No, no, no, don't don't be a don't be

350
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a hater. Don't be a hater.

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Speaker 8: I'm gonna be a hater.

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Speaker 9: The sweet and savory combination. Flavor profile. How's that for

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a calling every term?

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Speaker 6: There's a term. That's a phrase I've never used in

355
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my life. What flavor profile? Favorite profile?

356
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Speaker 9: Flavor I'm getting hungry just thinking about it.

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Speaker 6: Flavor profile.

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Speaker 8: You know what is good if you put jelly inside

359
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of maple donut?

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Speaker 6: And now we're getting Now that's I agree.

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Speaker 8: A long time ago, back in the days with the

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donut tree dress, when I worked at Duncans when I

363
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was eighteen and we were.

364
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Speaker 6: Bored, you made your own donut.

365
00:21:51,799 --> 00:21:55,000
Speaker 8: We well, my store made fresh donuts every morning, like

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the real deal. They'd come in and make the donuts.

367
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Speaker 11: Wow.

368
00:21:58,759 --> 00:22:00,559
Speaker 9: Yeah, it wouldn't not be nice if they could. Like

369
00:22:00,640 --> 00:22:03,119
a krispy Kreme kind of situation around here? Will you

370
00:22:03,880 --> 00:22:05,359
when you go to krispy Kreme, I don't know if

371
00:22:05,359 --> 00:22:08,359
you've ever been to one the a krispy Kreme factory.

372
00:22:09,079 --> 00:22:11,599
You go there like you would go to a Dunkin Donuts,

373
00:22:11,599 --> 00:22:14,440
and you can see the donuts being on the conveyor

374
00:22:14,519 --> 00:22:17,160
bell and you get what's called a hot one right

375
00:22:17,240 --> 00:22:21,359
off and only happened between I don't know five am

376
00:22:21,480 --> 00:22:27,960
and ten when they're making them. It's unbelievable. I don't

377
00:22:28,000 --> 00:22:31,799
think warm. No, these are usually honey glazed, the number

378
00:22:31,799 --> 00:22:35,519
one donut in the world if you were keeping track, Okay,

379
00:22:36,759 --> 00:22:39,160
did I did learn that making the donut thing that

380
00:22:39,240 --> 00:22:40,839
the honey glaze is number one?

381
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Speaker 6: All right? Worldwide?

382
00:22:43,519 --> 00:22:44,119
Speaker 5: Well, let's give this.

383
00:22:44,359 --> 00:22:46,400
Speaker 6: Let's give this a listen. I do like a blueberry donut,

384
00:22:46,480 --> 00:22:49,200
so let's let's give this a shot. Blueberry Donuts song.

385
00:22:49,799 --> 00:22:53,519
This is from Ricky Mapleton's album Trouble at the Donut Shop,

386
00:22:53,599 --> 00:23:01,240
two dozen songs celebrating the doughnuts very donuts.

387
00:23:01,359 --> 00:23:03,680
Speaker 2: You find them in the back of the rack of

388
00:23:03,799 --> 00:23:07,039
the bakorio under appreciated.

389
00:23:07,160 --> 00:23:08,039
Speaker 11: How can this be.

390
00:23:09,119 --> 00:23:13,079
Speaker 19: Full of anti oxes, danced healthy donut?

391
00:23:13,559 --> 00:23:17,480
Speaker 6: How can this be? Yeah, it's tasty and it's.

392
00:23:17,400 --> 00:23:18,000
Speaker 11: Good for you.

393
00:23:18,400 --> 00:23:21,319
Speaker 5: What else do you want from a donut?

394
00:23:22,400 --> 00:23:22,880
Speaker 11: Donuts?

395
00:23:22,960 --> 00:23:26,799
Speaker 5: Blue, very donuts, very donuts.

396
00:23:26,960 --> 00:23:29,279
Speaker 19: You find them in the back of the rack of

397
00:23:29,400 --> 00:23:32,640
the bakerio under appreciated.

398
00:23:32,759 --> 00:23:37,839
Speaker 20: How can this be from the first soft crumble, the

399
00:23:37,960 --> 00:23:38,759
juicy center.

400
00:23:39,039 --> 00:23:44,440
Speaker 2: First, you're the kind of flavor that gets rid of

401
00:23:44,599 --> 00:23:45,759
the Monday curse.

402
00:23:47,400 --> 00:23:49,720
Speaker 21: You don't need flashy lights.

403
00:23:50,359 --> 00:23:52,920
Speaker 5: You're a legend in the sky.

404
00:23:53,720 --> 00:23:56,640
Speaker 6: Yum, yum. All right, here's the thing. Here's the thing, though.

405
00:23:57,000 --> 00:23:59,680
You're trying to convince us that it's good for us, Like, no,

406
00:24:00,599 --> 00:24:03,079
what are you rfk You're trying to tell us that, wow,

407
00:24:03,359 --> 00:24:05,680
this is blueberry. Don't oh, it's actually healthy for you.

408
00:24:06,240 --> 00:24:09,720
Speaker 9: I just wanted to use the word anti oxidants in

409
00:24:09,839 --> 00:24:10,319
a song.

410
00:24:10,559 --> 00:24:12,720
Speaker 6: Oh, fair enough, Okay, okay. I don't know if that's

411
00:24:12,759 --> 00:24:18,559
ever happened before. The blueberry. Weren't you listening to the words? Oh, yes,

412
00:24:18,640 --> 00:24:19,640
the blueberry.

413
00:24:19,720 --> 00:24:21,640
Speaker 9: They sit in the back of the rack of the bakery.

414
00:24:21,920 --> 00:24:23,359
Kind of do you even notice when you go to

415
00:24:23,640 --> 00:24:25,920
like Duncans or what have you? The blueberry? Is that

416
00:24:26,039 --> 00:24:29,119
one kind of always the last the last one picked?

417
00:24:29,640 --> 00:24:33,480
If you would, I noticed, yeah, and I quite didn't understand. Well,

418
00:24:33,559 --> 00:24:36,839
it's not as good as we need more phone calls. Uh,

419
00:24:38,519 --> 00:24:42,839
I don't want to talk about donuts anymore. I'm trying

420
00:24:42,880 --> 00:24:46,119
to be good and really, wow, I'm trying to watch

421
00:24:46,200 --> 00:24:46,960
my waistline.

422
00:24:47,200 --> 00:24:49,799
Speaker 6: Oh good, well, that's that's excellent. Actually, we do watch

423
00:24:50,039 --> 00:24:50,400
all the time.

424
00:24:50,680 --> 00:24:52,640
Speaker 9: I put out a whole thing about donuts.

425
00:24:53,839 --> 00:24:55,279
Speaker 6: We do we do have a thought. Let's say is

426
00:24:55,279 --> 00:24:56,000
online here.

427
00:24:59,119 --> 00:25:01,119
Speaker 12: Copy damn seize the day.

428
00:25:01,200 --> 00:25:08,160
Speaker 17: Happy Saturday morning, you look as lovely as always.

429
00:25:08,240 --> 00:25:10,160
Speaker 5: A copy dem to you all?

430
00:25:10,200 --> 00:25:12,920
Speaker 4: If you could play, if you could play copy dem

431
00:25:13,400 --> 00:25:14,200
seize the day?

432
00:25:14,759 --> 00:25:16,519
Speaker 19: Who that would just.

433
00:25:17,480 --> 00:25:19,400
Speaker 5: Make everything complete?

434
00:25:19,599 --> 00:25:19,759
Speaker 20: Oh?

435
00:25:21,319 --> 00:25:21,960
Speaker 11: Are you having me?

436
00:25:22,039 --> 00:25:26,160
Speaker 6: All, gentlemen? And there's always copy DM seize the day? Okay.

437
00:25:26,759 --> 00:25:28,359
I do have a question. Why do all of your

438
00:25:29,000 --> 00:25:32,319
friends call the call the show and objectify me? I'm

439
00:25:32,359 --> 00:25:35,400
not a piece of me? I mean, my goodness, I mean,

440
00:25:35,440 --> 00:25:36,000
I know I'm.

441
00:25:35,880 --> 00:25:38,440
Speaker 9: You're a piece of donut from where I'm sitting.

442
00:25:38,480 --> 00:25:40,839
Speaker 6: You are you are? You're don't you are like a

443
00:25:42,000 --> 00:25:44,359
a What are those? What do they call them? Stick

444
00:25:44,440 --> 00:25:46,680
donuts or jelly stick?

445
00:25:46,759 --> 00:25:46,799
Speaker 4: You?

446
00:25:48,400 --> 00:25:51,000
Speaker 6: Oh boy, no, you write the donut little early in

447
00:25:51,039 --> 00:25:51,599
the day for that.

448
00:25:51,720 --> 00:25:54,599
Speaker 9: What's the donut that is not in the circle?

449
00:25:54,799 --> 00:25:58,079
Speaker 6: What is that? What is a donut stack? A donuts stick?

450
00:25:58,079 --> 00:26:04,519
Speaker 9: Okay, okay, so you're okay, wow, all right. So that's

451
00:26:04,519 --> 00:26:07,519
a whole different baking technique, the French curler. Oh but

452
00:26:07,839 --> 00:26:09,759
there's a different that's a that's one of the more

453
00:26:09,799 --> 00:26:11,480
difficult standard donuts.

454
00:26:11,519 --> 00:26:13,880
Speaker 6: To make the French curler. Why do I feel like

455
00:26:13,960 --> 00:26:16,799
if I looked up French crawler on Urban Dictionary, I

456
00:26:16,839 --> 00:26:18,039
would find something horrifying.

457
00:26:19,200 --> 00:26:23,039
Speaker 9: Oh you've been like a like a torture devices. Maybe

458
00:26:23,480 --> 00:26:27,680
you get in the French curler. All right, let's play

459
00:26:27,720 --> 00:26:30,400
this for our friend English Bank of English you for Colin.

460
00:26:30,519 --> 00:26:33,559
This is called Seize the Day Carpe d M by

461
00:26:33,799 --> 00:26:34,559
Ricky Mippleton.

462
00:26:36,960 --> 00:26:37,160
Speaker 2: Like that.

463
00:26:50,839 --> 00:26:51,880
Speaker 4: Doubt is what I'm.

464
00:26:51,839 --> 00:26:59,240
Speaker 5: Gonna right right now, Shine Cabal.

465
00:27:01,359 --> 00:27:07,319
Speaker 22: Comer Day, see Today coming Heartening every said to take

466
00:27:07,359 --> 00:27:10,200
I'm running out short for goodness sake, got break deal.

467
00:27:10,319 --> 00:27:13,319
Speaker 6: I call it loud, looking for the moment, make it out, drop.

468
00:27:13,200 --> 00:27:16,960
Speaker 5: Coming Neil See Today com.

469
00:27:18,599 --> 00:27:26,480
Speaker 17: See Today, co bay deal, see the Day Comedy, see

470
00:27:26,559 --> 00:27:26,920
the day.

471
00:27:28,680 --> 00:27:30,400
Speaker 5: Look around man, It's good to be seen.

472
00:27:30,559 --> 00:27:32,880
Speaker 6: Every birthay spring him in the sweet from seeing the.

473
00:27:32,960 --> 00:27:36,119
Speaker 22: Nights to mount time, reaching up and touching this scot

474
00:27:36,200 --> 00:27:44,440
every deal, see the day Comer, see Today, Convey deal,

475
00:27:45,400 --> 00:27:50,240
see the Day Comedy, See the day.

476
00:27:51,240 --> 00:27:59,759
Speaker 5: Com Deal Day, come on, go out and play confree deal.

477
00:28:18,480 --> 00:28:18,799
Speaker 16: I like it.

478
00:28:18,839 --> 00:28:21,839
Speaker 6: It's very positive. Yes, yes, I like that. I like

479
00:28:21,920 --> 00:28:24,039
that Ricky Mapleton is here with us.

480
00:28:25,279 --> 00:28:28,400
Speaker 9: Can I do a shameless plug absolutely okay. That is

481
00:28:28,519 --> 00:28:33,359
from the collection called Happy Fun Joy Okay. Carpe DM

482
00:28:33,559 --> 00:28:38,200
sees the Day Big Orange cover happy about ten or

483
00:28:38,319 --> 00:28:42,960
fifteen Latin based songs on their carpe DM epl and

484
00:28:43,000 --> 00:28:48,079
it's unum and yeah it's it's super upbeat, super happy,

485
00:28:48,160 --> 00:28:49,519
super fun, happy fun joy.

486
00:28:49,799 --> 00:28:51,000
Speaker 6: Yes, yes I like it.

487
00:28:51,480 --> 00:28:53,599
Speaker 9: Or my heart was broken at the donut chop and

488
00:28:53,720 --> 00:28:55,880
then things changed.

489
00:28:56,039 --> 00:28:58,799
Speaker 6: Right right, But what are you gonna do? That's right?

490
00:28:59,359 --> 00:28:59,440
Speaker 11: Uh?

491
00:28:59,599 --> 00:28:59,880
Speaker 20: I think?

492
00:29:00,160 --> 00:29:00,279
Speaker 11: Uh?

493
00:29:00,960 --> 00:29:02,839
Speaker 6: Oh wait a minute, I think we have another call here.

494
00:29:02,960 --> 00:29:05,680
Hang on, see who's uh on the line.

495
00:29:06,680 --> 00:29:12,799
Speaker 23: Wow, things are getting so intense. We just got a

496
00:29:13,119 --> 00:29:13,799
mellow out.

497
00:29:13,960 --> 00:29:14,160
Speaker 20: Man.

498
00:29:14,640 --> 00:29:20,240
Speaker 23: Wow, this is mellow Mike. Come on, could we maybe

499
00:29:20,960 --> 00:29:24,960
chill things out a little bit and play Say and

500
00:29:25,119 --> 00:29:30,279
Do from from the Rock Opera?

501
00:29:31,039 --> 00:29:31,279
Speaker 6: Wow?

502
00:29:31,720 --> 00:29:35,920
Speaker 23: Man, Wow, that that last call really freaked me out.

503
00:29:36,039 --> 00:29:43,000
Speaker 6: Metal mic whoa, Oh he's a clairvoyant. Good boys there,

504
00:29:43,079 --> 00:29:44,200
good boy, Wow.

505
00:29:45,920 --> 00:29:46,519
Speaker 3: Mellow Mike.

506
00:29:46,680 --> 00:29:48,279
Speaker 6: Uh can predict the future?

507
00:29:48,920 --> 00:29:49,640
Speaker 11: What gigs up?

508
00:29:49,880 --> 00:29:50,759
Speaker 6: Gigs up? My friend?

509
00:29:50,799 --> 00:29:51,839
Speaker 20: What not?

510
00:29:52,000 --> 00:29:53,920
Speaker 6: That the gig was ever going on? But it's up now,

511
00:29:54,319 --> 00:29:57,480
isn't it the jig? Everyone says that wrong? What did

512
00:29:57,519 --> 00:29:59,839
I say? You said? The gig? The gig is up. Yeah, you,

513
00:30:00,079 --> 00:30:02,519
millions of other people say it wrong. It's tick us up?

514
00:30:04,519 --> 00:30:04,559
Speaker 21: What?

515
00:30:04,759 --> 00:30:09,000
Speaker 6: What's mellow? Mic requests of this? I don't know. Was

516
00:30:09,039 --> 00:30:11,400
it saying can we listen to? Can we I see

517
00:30:11,440 --> 00:30:12,480
that metal? Mic is on?

518
00:30:12,960 --> 00:30:13,079
Speaker 17: Oh?

519
00:30:13,240 --> 00:30:13,400
Speaker 4: Is he?

520
00:30:13,759 --> 00:30:16,039
Speaker 6: I think I love metal? Mic?

521
00:30:16,200 --> 00:30:16,359
Speaker 2: Oh?

522
00:30:16,559 --> 00:30:19,039
Speaker 6: Don't don't we all? I don't know? Don't don't we

523
00:30:19,079 --> 00:30:19,720
all love metal?

524
00:30:19,759 --> 00:30:19,920
Speaker 3: Mic?

525
00:30:20,039 --> 00:30:20,119
Speaker 11: Oh?

526
00:30:20,200 --> 00:30:23,119
Speaker 6: Yes, I can see him on the caller ID. Let's

527
00:30:23,160 --> 00:30:25,240
see what he wants metal?

528
00:30:25,680 --> 00:30:34,319
Speaker 13: Oh, come on, wow, play good out of my pool?

529
00:30:35,240 --> 00:30:38,960
Come on, okay, let's play some rock down. Come on,

530
00:30:39,119 --> 00:30:43,920
we've heard that metal stuff. Let's pick it up metal mic.

531
00:30:44,319 --> 00:30:49,200
Speaker 6: Okay, all right, get out of my pool? You needs

532
00:30:49,240 --> 00:30:52,160
some uh what is emodium a D or something? Metal? Mic?

533
00:30:52,240 --> 00:30:54,200
Speaker 9: Man, he's got a point man, just a metal mic

534
00:30:54,240 --> 00:30:58,319
in all of us? Come on, wimpy la la la music.

535
00:30:58,440 --> 00:31:00,119
Let's get to some metal. Play Get out of My

536
00:31:00,200 --> 00:31:01,599
Pool by Ricky Mapleton off.

537
00:31:03,240 --> 00:31:05,359
Speaker 6: Don't count me out. I was in a metal band

538
00:31:05,440 --> 00:31:08,680
with a guy named him Evil Mike. Ooh, evil Mike.

539
00:31:09,480 --> 00:31:11,079
All right, here it is, get out of my pool

540
00:31:11,200 --> 00:31:13,000
Ricky Mapleton rock on in America.

541
00:31:24,039 --> 00:31:29,200
Speaker 21: Good out of my pool. You're using all the corene

542
00:31:30,680 --> 00:31:35,559
I don't even know you. I only see you when

543
00:31:35,640 --> 00:31:36,359
it's odd out.

544
00:31:37,880 --> 00:31:39,480
Speaker 6: Get out of my pool.

545
00:31:43,519 --> 00:31:45,119
Speaker 21: Good out of my pool.

546
00:31:46,880 --> 00:31:48,359
Speaker 4: I don't even know you.

547
00:31:50,000 --> 00:31:51,599
Speaker 15: Get out of my pool.

548
00:31:53,039 --> 00:31:56,839
Speaker 21: You're using a Bubba corene I never seen when they's

549
00:31:56,880 --> 00:31:57,759
seven feet.

550
00:31:57,559 --> 00:31:58,400
Speaker 2: Of stolen the ground.

551
00:31:58,720 --> 00:32:01,680
Speaker 21: You're walking around with a beautiful snowblower.

552
00:32:06,240 --> 00:32:10,880
Speaker 4: Good out of my pool. I am your summer pool.

553
00:32:12,559 --> 00:32:14,279
I know what makes you truel.

554
00:32:15,160 --> 00:32:19,359
Speaker 21: Why don't you get your own pool then you can

555
00:32:19,640 --> 00:32:20,599
be the pool.

556
00:32:21,640 --> 00:32:24,920
Speaker 5: Why don't you just good out of my pool?

557
00:32:25,920 --> 00:32:26,200
Speaker 4: Wow?

558
00:32:26,720 --> 00:32:29,359
Speaker 6: Wow, that's intense. Don't have to ask you. Is that

559
00:32:29,759 --> 00:32:33,079
based on a true story? Yes? Oh? Really? Yes, someone

560
00:32:33,200 --> 00:32:37,240
was in your pool? Yes? Who wasn't a neighbor?

561
00:32:37,640 --> 00:32:37,839
Speaker 3: Oh?

562
00:32:38,599 --> 00:32:38,759
Speaker 14: Who?

563
00:32:39,440 --> 00:32:43,599
Speaker 9: During that past winter, as the song talks about, I'm

564
00:32:43,880 --> 00:32:48,279
my snowblower broke, okay, which happens in the world of snowblowing?

565
00:32:48,519 --> 00:32:50,200
Speaker 6: Yes, and there I was.

566
00:32:50,319 --> 00:32:52,440
Speaker 9: I looked down the street and there he is in

567
00:32:52,519 --> 00:32:55,279
this beautiful shop. I could see the glimmering of the

568
00:32:55,400 --> 00:32:57,279
newness of his snowblow.

569
00:32:57,319 --> 00:32:58,000
Speaker 6: And I really don't.

570
00:32:58,480 --> 00:33:01,680
Speaker 9: I live in a fantastic community, Okay, in Manchester there

571
00:33:01,720 --> 00:33:06,119
are there are fantastic and he's inn and except I

572
00:33:06,240 --> 00:33:09,240
saw down there, and uh, he looked over at me.

573
00:33:09,519 --> 00:33:10,240
Speaker 19: He gave me.

574
00:33:10,319 --> 00:33:12,559
Speaker 9: He looked over from five or six houses down. He

575
00:33:12,640 --> 00:33:16,079
looked over and said and kind of just like gave

576
00:33:16,119 --> 00:33:18,519
me the I'm kind of like looking at him like

577
00:33:18,920 --> 00:33:19,880
maybe I.

578
00:33:19,920 --> 00:33:20,960
Speaker 6: Didn't like wave them over.

579
00:33:21,440 --> 00:33:25,920
Speaker 9: Yeah, and no, fast forward to the summer one hundred

580
00:33:25,960 --> 00:33:28,400
degrees that those two weeks when we get one hundred

581
00:33:28,400 --> 00:33:31,039
degrees here in New Hampshire, right, oh, yeah, And I

582
00:33:31,240 --> 00:33:34,599
was out in my front with my bathing suit on,

583
00:33:34,880 --> 00:33:37,039
enjoying the hot, hot summer day.

584
00:33:37,400 --> 00:33:39,200
Speaker 6: But he's walking down the street.

585
00:33:39,440 --> 00:33:39,759
Speaker 11: With his.

586
00:33:41,480 --> 00:33:42,079
Speaker 6: Offspring.

587
00:33:42,759 --> 00:33:46,559
Speaker 9: If you would, young, young, I would say between mil

588
00:33:46,680 --> 00:33:49,960
Say Junior Highest High School. Okay, all right, And they

589
00:33:50,079 --> 00:33:53,880
walked by and gave me the pity look. Really yeah, Okay,

590
00:33:54,240 --> 00:33:56,079
what is carrying nurture a Ricky Mapleton?

591
00:33:56,200 --> 00:33:57,359
Speaker 4: Do a.

592
00:33:58,960 --> 00:34:02,079
Speaker 9: Write a song about him? B invite him in, then

593
00:34:02,119 --> 00:34:05,839
write a song about him? Later on, D gave him

594
00:34:05,880 --> 00:34:07,640
the hey, what the heck man?

595
00:34:07,880 --> 00:34:09,280
Speaker 6: Remember me? Remember me?

596
00:34:09,880 --> 00:34:13,639
Speaker 9: My back still hurts from shoveling that day, because never mind,

597
00:34:13,760 --> 00:34:16,039
So that's where the energy from that song came from.

598
00:34:16,159 --> 00:34:18,239
Speaker 6: Okay, And then I did invite him in. Okay.

599
00:34:18,480 --> 00:34:21,679
Speaker 9: They swam for a few hours I think one of

600
00:34:21,719 --> 00:34:25,679
the kids may have ruined my pH level, if you

601
00:34:25,719 --> 00:34:26,360
know what I'm saying.

602
00:34:26,559 --> 00:34:27,199
Speaker 6: Huh huh.

603
00:34:27,239 --> 00:34:29,199
Speaker 9: And you figure people would shower before they go in

604
00:34:29,239 --> 00:34:33,079
your poolice say, hey, can I hose down? Nothing? Really nothing?

605
00:34:33,800 --> 00:34:36,039
And that's where that whole don't don't count Me Out

606
00:34:36,079 --> 00:34:39,119
album came from. There's a lot of let it go,

607
00:34:39,440 --> 00:34:41,920
let's go okay kind of stuff on there.

608
00:34:42,000 --> 00:34:42,400
Speaker 18: I like that.

609
00:34:42,639 --> 00:34:44,320
Speaker 9: It was about two years ago that came up, but

610
00:34:44,360 --> 00:34:46,639
I just loved that heaviness of that. Yeah, yeah, I

611
00:34:46,760 --> 00:34:49,159
get that nice Fender Precision sound and that's what I

612
00:34:49,280 --> 00:34:50,000
really lived for that.

613
00:34:50,360 --> 00:34:51,920
Speaker 6: No, that is a lot of fun. I like that too.

614
00:34:52,000 --> 00:34:52,639
I like that too.

615
00:34:53,559 --> 00:34:55,400
Speaker 9: Ricky Mapleton is here with us. But you could come

616
00:34:55,440 --> 00:34:58,199
swimming if you'd like. Matt, Oh, thank you, thank you, okay,

617
00:34:58,559 --> 00:35:03,639
and you too. I don't okay, Yes, my pool is

618
00:35:03,639 --> 00:35:05,159
always open to creative people.

619
00:35:05,360 --> 00:35:08,639
Speaker 6: Thank you. Just maybe you can come over though and

620
00:35:09,599 --> 00:35:09,920
mow my.

621
00:35:10,039 --> 00:35:14,400
Speaker 9: Launch during the summer. Probably not, but it's got to

622
00:35:14,400 --> 00:35:16,440
be a trade off somewhere. I suppose you could bring

623
00:35:16,519 --> 00:35:19,480
some donuts perhaps, oh right, maybe, and then the ants

624
00:35:19,559 --> 00:35:23,320
come with the donuts. We don't want that, okay, I'm

625
00:35:23,320 --> 00:35:24,599
o seeding right now in the summer.

626
00:35:25,159 --> 00:35:27,039
Speaker 6: That's right, we do. We do have another call here.

627
00:35:27,119 --> 00:35:28,440
Let's see what's online here.

628
00:35:28,559 --> 00:35:33,280
Speaker 10: Good morning, Matt Connerton and Ricky Mapleton. This is Tom

629
00:35:33,400 --> 00:35:38,039
toming I am sitting here having some whole weet toast

630
00:35:38,679 --> 00:35:42,000
with a jelly and a little bit of peanut butter,

631
00:35:42,559 --> 00:35:46,079
and I decided to call in and see if you

632
00:35:46,280 --> 00:35:49,639
would be kind enough to play a song called what

633
00:35:49,960 --> 00:35:56,400
About Me from a bread time story. I think it

634
00:35:56,440 --> 00:35:59,559
would definitely set the tone, and perhaps I might risk

635
00:35:59,599 --> 00:36:04,880
it and have a bagel. Oh, don't be silly, all right,

636
00:36:05,239 --> 00:36:06,800
Thank you very much, mister Connaton.

637
00:36:07,039 --> 00:36:07,679
Speaker 6: Here, you're welcome.

638
00:36:07,760 --> 00:36:10,280
Speaker 10: Ricky Mapleton, what about Me?

639
00:36:10,599 --> 00:36:11,079
Speaker 6: What about Me?

640
00:36:11,440 --> 00:36:19,679
Speaker 10: Really is a impactful song during this narrated just voyage,

641
00:36:20,719 --> 00:36:25,800
okay of entertainment. This is Tom Tomilson, wishing you all

642
00:36:25,880 --> 00:36:28,840
a happy Saturday, and thank you for taking my call.

643
00:36:28,960 --> 00:36:32,960
Mister Connaton. This is Tom tom Wilson signing off.

644
00:36:33,559 --> 00:36:36,360
Speaker 6: Oh all right, well goodbye. He's a long time caller too.

645
00:36:36,440 --> 00:36:38,920
It's called before. Your friends are all very polite, Yeah,

646
00:36:39,760 --> 00:36:40,440
yeah they are.

647
00:36:40,760 --> 00:36:44,440
Speaker 9: Well, I strive they know they know, yeah we we

648
00:36:44,719 --> 00:36:48,079
I didn't meet all of them at one time last

649
00:36:48,119 --> 00:36:51,760
summer we got together okay at Applebee's. Oh really, yes,

650
00:36:51,960 --> 00:36:52,679
common ground?

651
00:36:53,199 --> 00:36:54,159
Speaker 6: Have they been in your pool?

652
00:36:55,960 --> 00:36:56,000
Speaker 7: No?

653
00:36:56,400 --> 00:36:59,039
Speaker 6: Okay, no, no, but uh.

654
00:36:59,039 --> 00:37:01,960
Speaker 9: Well I guess technic if I if you really want

655
00:37:02,000 --> 00:37:04,519
to think about it, they've all they've all been in

656
00:37:04,639 --> 00:37:08,880
my pool fair enough, if you know what I'm saying. Yes, yes,

657
00:37:09,000 --> 00:37:11,000
well we don't want to break the fourth wall. Yes,

658
00:37:11,199 --> 00:37:13,920
I think we What is that called in wrestling when

659
00:37:13,960 --> 00:37:17,960
you when you o k fob k fabe, k fabe.

660
00:37:18,320 --> 00:37:19,920
So we're doing kind of a am I is that

661
00:37:20,000 --> 00:37:20,719
what I'm kind of doing?

662
00:37:20,800 --> 00:37:21,400
Speaker 2: A k fabe?

663
00:37:21,559 --> 00:37:23,440
Speaker 6: Well, we don't want to break k fab do what

664
00:37:23,519 --> 00:37:28,199
I'm saying. I'm ready to come clean. No, don't do that. Wow,

665
00:37:28,320 --> 00:37:29,360
this is intense man.

666
00:37:29,800 --> 00:37:31,280
Speaker 9: You know you don't set up a bit just to

667
00:37:31,400 --> 00:37:35,360
ruin it. So yes, wow, So yes that's what John

668
00:37:35,440 --> 00:37:37,280
Hopwood you say. Maybe you do when I was on

669
00:37:37,360 --> 00:37:42,320
Afternoons coming in and just ruined the bit. So yeah,

670
00:37:42,800 --> 00:37:47,119
to answer your question, yes, all my all, the all

671
00:37:47,199 --> 00:37:50,519
our friends and Collins have technically been in my pool.

672
00:37:50,719 --> 00:37:52,840
Speaker 6: Okay, we'll leave it at that. Well, we'll leave it

673
00:37:52,840 --> 00:37:54,760
at that, so we should play this. This is so

674
00:37:54,880 --> 00:37:58,559
The actual title is Drunk and Disillusion yes, what about me?

675
00:37:58,840 --> 00:38:01,880
Speaker 9: Okay, So this is later on in the Operator. This

676
00:38:01,960 --> 00:38:04,719
is during scene two. This is from the bread Man

677
00:38:04,840 --> 00:38:09,119
the bread Man, Yes, what has happened now? Is the

678
00:38:09,199 --> 00:38:11,119
bread Man who we were introduced to as a young

679
00:38:11,239 --> 00:38:13,719
child earlier in the show, Yes, who gets beat by

680
00:38:13,800 --> 00:38:17,039
bread by his dad the bag and and ends up

681
00:38:17,079 --> 00:38:21,760
having a trist or a relationship with the princess who

682
00:38:21,840 --> 00:38:26,840
comes down and gets bread. And now years later he's

683
00:38:26,960 --> 00:38:30,079
made it into the key due to a lot of

684
00:38:30,119 --> 00:38:33,039
different murders and there's a lot of stuff going on.

685
00:38:33,239 --> 00:38:37,079
But he eventually ends up living in the castle as

686
00:38:37,280 --> 00:38:41,239
the not new King, but moves in with the princess

687
00:38:41,360 --> 00:38:46,199
once they have kind of how do I How they

688
00:38:46,320 --> 00:38:50,000
got rid of the queen the prince, Yes, due to

689
00:38:50,199 --> 00:38:52,960
poison bread and everything else that goes along with it.

690
00:38:53,079 --> 00:38:57,519
Now he's looking at what he's created, and since the princess,

691
00:38:57,679 --> 00:39:04,760
who now is the queen's getting all the attention, he's disillusioned.

692
00:39:04,880 --> 00:39:06,280
I guess it's a great way of saying it. And

693
00:39:06,360 --> 00:39:08,880
as he looks kind of into himself during this portion

694
00:39:09,039 --> 00:39:10,559
of the play, all right, very good.

695
00:39:10,840 --> 00:39:14,360
Speaker 6: This is called Drunken Disillusioned What about Me? By Ricky

696
00:39:14,440 --> 00:39:16,719
Mapleton from The bread Man a bread Time Story.

697
00:39:17,679 --> 00:39:22,119
Speaker 14: With the death of the King, the princess becomes the Queen.

698
00:39:23,000 --> 00:39:28,280
She's in charge, and everyone seems to be respecting the queen,

699
00:39:29,320 --> 00:39:32,840
and really the bread Man is in the back of

700
00:39:32,920 --> 00:39:36,079
the scenes. Nobody's really paying attention to the bread Man.

701
00:39:37,199 --> 00:39:41,559
He's getting a little frustrated that even the queen is

702
00:39:41,679 --> 00:39:46,719
not taking his advice. He's become jealous and he's losing

703
00:39:46,760 --> 00:39:48,000
affection for the queen.

704
00:40:00,119 --> 00:40:00,400
Speaker 11: Queen.

705
00:40:24,440 --> 00:40:32,119
Speaker 14: The bread Man stares into the mirror. He looks at himself, perplexed,

706
00:40:33,039 --> 00:40:36,440
wondering why the queen is getting so much attention and

707
00:40:36,639 --> 00:40:37,440
none for him.

708
00:40:38,679 --> 00:40:46,760
Speaker 15: No real beautiful, every one gaincy, I'm.

709
00:40:46,719 --> 00:40:55,320
Speaker 4: No real beautiful? What about me? What about me?

710
00:40:56,000 --> 00:40:59,360
Speaker 18: What about about me?

711
00:41:00,119 --> 00:41:01,360
Speaker 11: What about me?

712
00:41:02,119 --> 00:41:03,360
Speaker 22: What aboundy?

713
00:41:04,119 --> 00:41:05,440
Speaker 16: What about me?

714
00:41:06,719 --> 00:41:35,000
Speaker 4: What about me? I know a beautiful everyone can see yo,

715
00:41:35,840 --> 00:41:43,440
all beautiful? What about see? What a bouncy?

716
00:41:44,159 --> 00:41:49,480
Speaker 11: What about me? What about me? What about me?

717
00:41:50,159 --> 00:41:51,480
Speaker 6: What aboundy?

718
00:41:52,199 --> 00:41:53,440
Speaker 5: What about me?

719
00:41:54,199 --> 00:41:57,960
Speaker 11: What about abound.

720
00:41:58,679 --> 00:42:13,079
Speaker 6: About It's very emotional songs.

721
00:42:13,280 --> 00:42:15,400
Speaker 9: Yeah, there's a lot of emotion in The bread Man

722
00:42:15,480 --> 00:42:17,760
of bread Time Story. Yes, a lot of a lot

723
00:42:17,840 --> 00:42:21,320
of a lot of insight. Take it or you can

724
00:42:21,360 --> 00:42:23,239
take it from face value. It's just a fun, little,

725
00:42:24,079 --> 00:42:28,960
fun little play we did. But yeah, there's a lot

726
00:42:29,000 --> 00:42:31,440
of impactful things, and I just would like to thank

727
00:42:31,559 --> 00:42:38,280
again the amazing musicians that were all over this compilation.

728
00:42:38,480 --> 00:42:42,119
Is that a good word I'm saying compilation, compilation of songs,

729
00:42:42,159 --> 00:42:44,000
and there was I would say, it's twenty five musicians

730
00:42:44,039 --> 00:42:44,320
on here.

731
00:42:44,519 --> 00:42:44,719
Speaker 24: Wow.

732
00:42:44,800 --> 00:42:46,400
Speaker 9: But I rarely want to get a big shout out

733
00:42:46,440 --> 00:42:55,039
to Larry Holt, doctor Holton. Okay, and Larry Holton and

734
00:42:55,239 --> 00:42:59,880
Ryan Fitzpatrick or the big two that did this with me.

735
00:43:00,079 --> 00:43:03,320
Then we had all fabulous musicians come in and help out.

736
00:43:04,440 --> 00:43:07,480
You can tell the difference I would think of people listening,

737
00:43:08,239 --> 00:43:12,760
can tell the difference between the bread Time story versus

738
00:43:14,320 --> 00:43:16,239
some of my other stuff that may not be as

739
00:43:16,360 --> 00:43:21,039
layered but still fun. This is kind of a little

740
00:43:21,079 --> 00:43:24,920
adventure off into something a little different as far as

741
00:43:25,599 --> 00:43:28,679
Ereky Mapleton Galaxy of Stars. Yes, but I want to

742
00:43:28,679 --> 00:43:31,079
thank everybody, and my wife of course, who puts up

743
00:43:31,119 --> 00:43:33,519
with everything that I do so right right, so I

744
00:43:33,559 --> 00:43:34,760
got gotta plug her.

745
00:43:35,159 --> 00:43:40,719
Speaker 6: Very good, very good. So we're running out of time?

746
00:43:41,000 --> 00:43:43,639
Should we hour ago? Should we play?

747
00:43:44,880 --> 00:43:45,039
Speaker 9: Well?

748
00:43:45,199 --> 00:43:48,559
Speaker 6: Okay, so I figured out what song Mellow Mike requested, Yes, Uh,

749
00:43:49,440 --> 00:43:52,280
someone sent me a message who was paying more attention

750
00:43:52,360 --> 00:43:53,960
than I was in the moment, So we'll play that.

751
00:43:54,119 --> 00:43:55,480
We'll play that one at the end of the segment.

752
00:43:55,599 --> 00:43:58,599
Should we play though, Uh? Just quickly? Should we play

753
00:43:58,639 --> 00:44:01,360
one more track from Trouble at the Donut Shop? Two

754
00:44:01,360 --> 00:44:03,400
dozen songs celebrating the donut?

755
00:44:04,000 --> 00:44:06,840
Speaker 9: Will you seem to be very pro donut today? When

756
00:44:06,920 --> 00:44:09,719
I came in the studio, you were all a gleam.

757
00:44:09,880 --> 00:44:12,000
You had the gleam of a donut in your eye.

758
00:44:12,239 --> 00:44:13,280
Speaker 6: Yes, and so.

759
00:44:13,599 --> 00:44:16,519
Speaker 9: Whatever you would like to place her, I would be honored.

760
00:44:16,880 --> 00:44:19,360
Speaker 6: Jenny said the same thing this morning. She said, you've

761
00:44:19,400 --> 00:44:20,840
got the gleam of a donut in your.

762
00:44:20,800 --> 00:44:22,239
Speaker 9: Eye and a donut stick.

763
00:44:22,480 --> 00:44:24,920
Speaker 6: But yes, but we we and we did go. We

764
00:44:24,960 --> 00:44:26,960
did stop at Duncan, But I didn't have a donut.

765
00:44:27,760 --> 00:44:29,280
Speaker 9: Is it that something that we go to there for

766
00:44:29,599 --> 00:44:33,800
for drinks more than donuts? You with the name Duncan Donuts.

767
00:44:34,079 --> 00:44:40,119
Speaker 6: In my case it was for a sausage and eggage.

768
00:44:40,199 --> 00:44:43,800
What are you thinking that let's protein need protein?

769
00:44:44,320 --> 00:44:45,559
Speaker 9: How's your acid reflux?

770
00:44:45,760 --> 00:44:48,360
Speaker 6: Fine? So far? Okay? Perky?

771
00:44:48,440 --> 00:44:51,199
Speaker 9: Beating that you were after leafles go, I coming on

772
00:44:51,320 --> 00:44:52,239
your back hard and heavy.

773
00:44:52,480 --> 00:44:55,719
Speaker 6: I did burp earlier. There is that's good to know.

774
00:44:55,880 --> 00:44:58,199
Thank you tell me about this. There's there's a song

775
00:44:58,440 --> 00:45:01,119
on here that stands out to me. The title stands

776
00:45:01,159 --> 00:45:03,719
out to me because it's unlike all the others. It's

777
00:45:03,800 --> 00:45:07,760
called us a number one? What an awesome country? Ducks

778
00:45:07,960 --> 00:45:08,880
in my pool?

779
00:45:09,440 --> 00:45:10,599
Speaker 21: What is this?

780
00:45:10,840 --> 00:45:14,400
Speaker 9: So here are some probably when I was doing the

781
00:45:14,480 --> 00:45:20,960
project has nothing to do with donuts. Usually, when you

782
00:45:21,079 --> 00:45:24,800
put out a project on a with a distributor, a

783
00:45:25,480 --> 00:45:30,039
someone that you distribute to your music, you might as

784
00:45:30,079 --> 00:45:32,840
well put out as many as many tracks as you

785
00:45:33,039 --> 00:45:37,679
can my theory, because you get X amount of tracks

786
00:45:37,840 --> 00:45:41,159
per submission if you would in the independent world of

787
00:45:41,559 --> 00:45:45,920
releasing music. So I always at least try to have

788
00:45:46,719 --> 00:45:49,000
And when all said and done, if I'm looking through

789
00:45:49,039 --> 00:45:49,920
the files, what's this?

790
00:45:50,360 --> 00:45:50,559
Speaker 16: Yeah?

791
00:45:51,079 --> 00:45:56,119
Speaker 9: Okay, yeah, this is This was done last summer as

792
00:45:56,199 --> 00:46:01,280
I was had a moment of clarity. Watch my plastic

793
00:46:01,800 --> 00:46:07,039
chlorine floater float around my small little pool. Yes, and uh,

794
00:46:07,199 --> 00:46:08,800
I said, what a great country we live in And

795
00:46:08,960 --> 00:46:11,159
I just kind of pop this. Can we listen to

796
00:46:11,280 --> 00:46:12,039
a second of it?

797
00:46:12,239 --> 00:46:12,360
Speaker 4: Oh?

798
00:46:12,480 --> 00:46:12,679
Speaker 20: Sure?

799
00:46:12,679 --> 00:46:15,320
Speaker 9: Because to be honest with you, I don't know what

800
00:46:15,440 --> 00:46:17,199
it is. I kind of think I know what it is,

801
00:46:17,280 --> 00:46:21,559
but I'm not sure. Because Ricky Magnilton myself, I have

802
00:46:21,639 --> 00:46:26,119
about one thousand, three hundred songs for my good Lord,

803
00:46:26,239 --> 00:46:29,960
for my troop too, and my people that like to

804
00:46:30,840 --> 00:46:32,440
enjoy my music and can dig into.

805
00:46:33,159 --> 00:46:34,159
Speaker 6: Well, here's the second of it.

806
00:46:35,320 --> 00:46:43,159
Speaker 24: Oh the sound of yes. Yeah, you know what makes

807
00:46:43,320 --> 00:46:47,960
this country number one? It's my ducking the wool, having

808
00:46:48,079 --> 00:46:52,719
so much fun. Got a flag tick too, what's back?

809
00:46:53,880 --> 00:46:56,320
You would say, Hey, that's where it's that.

810
00:46:56,519 --> 00:46:58,280
Speaker 4: You gotta work.

811
00:46:58,199 --> 00:47:04,159
Speaker 19: Hard, keep it cool, jun't be no bodies fool.

812
00:47:04,239 --> 00:47:06,119
Speaker 22: That's what maks us say.

813
00:47:06,880 --> 00:47:13,400
Speaker 19: Number one, US say, just having some fun, got my

814
00:47:13,639 --> 00:47:19,559
duck in my pool, corting things that ain't nobody's fool

815
00:47:19,639 --> 00:47:21,519
because I'm keeping my boot clean.

816
00:47:22,280 --> 00:47:25,280
Speaker 4: US say, USA, keeping my coreer.

817
00:47:26,159 --> 00:47:30,440
Speaker 5: US say, US say keeping it all fields. USA.

818
00:47:30,920 --> 00:47:34,679
Speaker 20: Usay you gotta live in the US say boy, just

819
00:47:35,239 --> 00:47:36,280
go go away.

820
00:47:36,719 --> 00:47:42,800
Speaker 4: Come on, duck, swim swim red what in blue? Come on?

821
00:47:43,280 --> 00:47:47,840
Speaker 20: Swim swim red white and blue eye. Love my duck

822
00:47:48,000 --> 00:47:57,880
so much, but coreen in the water. US say number one,

823
00:47:58,679 --> 00:48:01,880
I'm saying, having so much fun.

824
00:48:02,519 --> 00:48:05,400
Speaker 11: You loved ones.

825
00:48:07,880 --> 00:48:09,760
Speaker 5: I'm living in the USA.

826
00:48:11,840 --> 00:48:16,000
Speaker 6: Patriotic it is. I'm ready to invade the entire Middle East.

827
00:48:16,039 --> 00:48:18,599
Speaker 9: So we get a little I like the fact that

828
00:48:18,679 --> 00:48:22,360
we're talking about spring. You seem right now, right, Yes,

829
00:48:22,559 --> 00:48:24,760
we got ducks in the pool. Yep, we gotta get

830
00:48:24,840 --> 00:48:25,800
out of my pool.

831
00:48:28,840 --> 00:48:31,800
Speaker 6: Yeah. So I really feel that this is good. This

832
00:48:31,960 --> 00:48:35,840
is spring is almost here? Is that true? It's here officially,

833
00:48:35,880 --> 00:48:37,280
it is totally here.

834
00:48:37,559 --> 00:48:42,000
Speaker 9: So this is our celebration. Yes, okay, so uh boy

835
00:48:42,119 --> 00:48:43,519
defended precision right there?

836
00:48:44,960 --> 00:48:49,840
Speaker 6: Oh M love it. That's my one true love in music?

837
00:48:50,039 --> 00:48:53,760
Is the bass? Oh really? Yes? As a bass player,

838
00:48:53,800 --> 00:48:54,960
I certainly approved.

839
00:48:54,760 --> 00:48:58,239
Speaker 9: Yes, absolutely, And I dabble in the bass on some

840
00:48:58,440 --> 00:49:02,480
of these songs, and I the base is just so

841
00:49:02,920 --> 00:49:03,639
so wonderful.

842
00:49:03,840 --> 00:49:04,360
Speaker 6: Absolutely.

843
00:49:04,440 --> 00:49:06,880
Speaker 9: Can I tell you a quick joke about yes, okay,

844
00:49:07,000 --> 00:49:10,039
there there's a guy on an island and he keeps

845
00:49:10,079 --> 00:49:12,559
hearing these drums in the background. He's he's on like

846
00:49:12,679 --> 00:49:15,400
fantasy island or a vacation island. Keeps hearing these drums.

847
00:49:15,400 --> 00:49:17,519
He goes up to the guy says, hey, what's all

848
00:49:17,559 --> 00:49:19,880
these drums? And the guy goes, you do not want

849
00:49:20,000 --> 00:49:24,519
those drums to stop, sir, bad, bad, bad. You guys say,

850
00:49:24,559 --> 00:49:26,480
here's that all night line goes up? He goes, what's

851
00:49:26,559 --> 00:49:29,519
up with these drums? You do not want these drums

852
00:49:29,639 --> 00:49:31,880
to stop? He goes, what happened to wing the drum stop?

853
00:49:31,920 --> 00:49:35,639
He goes, oh, very bad drums start based solo start.

854
00:49:36,679 --> 00:49:39,079
Speaker 6: Come on, Uh, it's not a big lead up to

855
00:49:39,159 --> 00:49:44,440
that joke. That was a long way to drive. All right,

856
00:49:45,000 --> 00:49:47,119
we are almost out of time. Where should people go

857
00:49:47,559 --> 00:49:49,360
to keep up with everything that you're doing and get

858
00:49:49,400 --> 00:49:50,239
all their musics Go.

859
00:49:50,440 --> 00:49:54,800
Speaker 9: To Ricky maple ten I am all over the place

860
00:49:54,920 --> 00:49:59,840
on Spotify, YouTube and all your other digital plaiform.

861
00:50:00,400 --> 00:50:03,679
Speaker 6: Yes, yes, yes, yes, very good. Well, always a pleasure.

862
00:50:03,760 --> 00:50:05,760
This was kind of last minute, but so so glad

863
00:50:05,800 --> 00:50:07,519
to have you this morning. Always a good time. I

864
00:50:07,599 --> 00:50:10,079
really appreciate you having me on that. It's fun. Absolutely,

865
00:50:10,119 --> 00:50:11,599
we'll do it again. We should do it more often

866
00:50:11,599 --> 00:50:14,559
because you've got a lot of great stuff, very very good.

867
00:50:14,719 --> 00:50:17,679
So we'll close out the segment with say and do,

868
00:50:18,039 --> 00:50:19,880
because I think this is the one mellow Mike was

869
00:50:19,920 --> 00:50:21,039
trying to request.

870
00:50:21,199 --> 00:50:23,760
Speaker 9: There's another emotional gut wrenchure to end with.

871
00:50:24,320 --> 00:50:27,119
Speaker 6: And it's from of course the bread Man, A bread

872
00:50:27,159 --> 00:50:30,519
time story and if you are listening live on Saturday,

873
00:50:30,519 --> 00:50:33,199
of course stick around. Andrew Deevie is coming up next

874
00:50:33,360 --> 00:50:35,920
via WhatsApp all the way from the UK. But we

875
00:50:35,960 --> 00:50:40,239
will close out with this say and do from Ricky Mapleton.

876
00:50:40,320 --> 00:50:40,599
Thank you.

877
00:50:41,519 --> 00:50:44,239
Speaker 14: Over time, the poison yeast begins to take its toll

878
00:50:44,360 --> 00:50:48,000
on all those who consume the royal bread. The poison

879
00:50:48,119 --> 00:50:51,800
quickly overtakes the Prince of yeast Land due to his

880
00:50:51,960 --> 00:50:56,559
bread gluttony, and he expires like stale, outdated bread. The

881
00:50:56,679 --> 00:51:00,719
servants find him on the floor diff is a week

882
00:51:00,800 --> 00:51:06,199
old bagette. The King himself too feels the effects of

883
00:51:06,280 --> 00:51:10,360
the poison yeast. However, due to his slight gluten allergies,

884
00:51:10,840 --> 00:51:15,920
he consumes bread only on special occasions, though over time

885
00:51:16,079 --> 00:51:20,280
he becomes frail. A funeral is held for the Prince,

886
00:51:21,599 --> 00:51:24,800
and the princess and the baker the bread man start

887
00:51:24,920 --> 00:51:26,679
sneaking off together more often.

888
00:51:27,519 --> 00:51:34,519
Speaker 6: Rumors are abound. The princess and the bread.

889
00:51:34,440 --> 00:51:37,039
Speaker 14: Man begin to spend a lot of time with each other,

890
00:51:37,440 --> 00:51:39,599
and they don't really care what other people think. At

891
00:51:39,599 --> 00:51:43,079
this point, the prince is dead and it's their time

892
00:51:43,480 --> 00:51:44,159
to be together.

893
00:51:45,119 --> 00:52:00,760
Speaker 4: It doesn't really what this emboud me, and you doesn't

894
00:52:01,000 --> 00:52:03,400
really mad.

895
00:52:06,679 --> 00:52:07,239
Speaker 11: Even in.

896
00:52:09,639 --> 00:52:17,679
Speaker 4: A true we can have justice mom man.

897
00:52:19,679 --> 00:52:23,079
Speaker 11: Again seen.

898
00:52:29,320 --> 00:52:35,079
Speaker 4: Says due, save different.

899
00:52:36,519 --> 00:52:36,559
Speaker 11: Z.

900
00:52:47,719 --> 00:52:52,280
Speaker 4: It's so with all good fallach other.

901
00:52:54,679 --> 00:52:56,159
Speaker 5: That we could have had.

902
00:52:57,559 --> 00:52:57,800
Speaker 11: Been.

903
00:53:01,360 --> 00:53:09,000
Speaker 4: People say down long together, but we can.

904
00:53:09,440 --> 00:53:11,800
Speaker 5: Live by all the albums.

905
00:53:17,639 --> 00:53:18,639
Speaker 11: Look up.

906
00:53:21,320 --> 00:53:32,079
Speaker 16: Together mege.

907
00:53:31,320 --> 00:53:42,840
Speaker 4: Said, said said say Due.

908
00:53:44,880 --> 00:53:49,599
Speaker 16: Said said Dune.

909
00:53:51,599 --> 00:53:58,760
Speaker 11: Said said du said.

910
00:54:25,360 --> 00:54:27,719
Speaker 14: Things are really looking up for the Princess and the

911
00:54:27,800 --> 00:54:30,920
bread Man. It turns out that the bread Man's father

912
00:54:31,039 --> 00:54:34,199
has died and left a fortunate yeast to the bread Man.

913
00:54:35,360 --> 00:54:38,559
Where and how his father accumulated his vast scores of

914
00:54:40,000 --> 00:54:42,960
his only rumor at this point, but it is believed

915
00:54:43,000 --> 00:54:46,599
that when the bread Man was young, he sold off

916
00:54:46,719 --> 00:54:52,079
the baker boy's mother and gained a fortunate yeast. Granted

917
00:54:52,400 --> 00:54:58,400
this is only speculation regardless. In return for the Princess's

918
00:54:58,519 --> 00:55:02,320
hand in marriage, the bread Man offers the frail king

919
00:55:03,000 --> 00:55:06,559
a promise to supply all of Wheatland with his yeast

920
00:55:06,719 --> 00:55:11,480
import and export monopoly on the worldwide bread market. Of course,

921
00:55:11,599 --> 00:55:14,800
with recent death of the prince, the king has no

922
00:55:15,079 --> 00:55:19,039
choice but to accept, as he no longer has access

923
00:55:19,119 --> 00:55:22,679
to yeas from the Prince's family in Yeastland the king

924
00:55:22,800 --> 00:55:25,440
agrees to let them get married,