WEBVTT

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<v Speaker 1>Welcome to spacing out with BB and Jason this week,

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<v Speaker 1>covering Foundation season two, episode five decided in the scene.

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<v Speaker 2>Yes, welcome to spacy Now.

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<v Speaker 3>I'm BB and I'm Jason, and we are discussing the

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<v Speaker 3>Apple TV sci fi series Foundation, one episode at a

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<v Speaker 3>time and spoiler free. This is our first time watching

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<v Speaker 3>the series, and we're not watching ahead, so we don't

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<v Speaker 3>have our spoiler section or really any spoilers at all.

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<v Speaker 3>In this episode, Harry experiences a vision of Rach before

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<v Speaker 3>waking aboard the Beggar, which crash lands on Igness due

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<v Speaker 3>to negative ions on Trentor. Sarah gains access to Cleon's chambers,

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<v Speaker 3>argues with brother Day, and ultimately accepts his marriage proposal.

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<v Speaker 3>Then Sarah and Rue discover Themrzil's robotic nature on Igness.

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<v Speaker 3>Salver encounters are seemingly alive Hugo, but Harry grows suspicious,

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<v Speaker 3>leading to the revelation that he and the others are

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<v Speaker 3>telepaths who can after the trio they are brought before

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<v Speaker 3>tell them Bond, the leader of the Mentallics, who already

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<v Speaker 3>knows about their plans for a second Foundation, and says

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<v Speaker 3>that is not going to happen.

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<v Speaker 1>Vive check. Did we like the episode overall?

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<v Speaker 2>Eh, it was all right. I got pissed off a

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<v Speaker 2>couple of times, but it was fine.

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<v Speaker 3>Yeah. I feel like it was a mix of some

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<v Speaker 3>good and some bad. For me, it was some things

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<v Speaker 3>I didn't like and then some things I was really into,

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<v Speaker 3>So it averages out to be okay.

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<v Speaker 2>I don't know if that's like a great like marker

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<v Speaker 2>of an episode. Let's say it was like, all right,

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<v Speaker 2>it passed.

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<v Speaker 3>Well, we'll get into it later, but there's just some

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<v Speaker 3>aspects that I'm not vibing with.

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<v Speaker 1>Trivia time, What facts for news could we uncover for

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<v Speaker 1>The Sighted and the Scene?

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<v Speaker 3>All right? This is Foundation season two, episode five, The

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<v Speaker 3>Sighted and the Scene. This originally aired on August eleventh,

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<v Speaker 3>twenty twenty three. Written by Joel Garfinkel and Jane Espinson

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<v Speaker 3>and directed by Alex Graves. So we talked about Jane

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<v Speaker 3>Espinson in the previous episode, So talk about the other writer,

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<v Speaker 3>Joel Garfinkel, who has a handful of writing credits, including

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<v Speaker 3>a show called Camgirls another one called Ordinary Joe. But

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<v Speaker 3>she also worked on several shows as a script coordinator,

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<v Speaker 3>including season one of Foundation. A script coordinator is someone

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<v Speaker 3>who kind of manages the formatting, distribution of scripts and

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<v Speaker 3>the continuity and all that stuff. So it's kind of

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<v Speaker 3>cool that she moved up from that job into the

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<v Speaker 3>writer's room and then director Alex Graves directing credits and

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<v Speaker 3>include the West Wing, Game of Thrones, seven episodes of Foundation,

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<v Speaker 3>and many more, and twelve of the fourteen pilot episodes

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<v Speaker 3>he's directed were picked up for a series, Oh Wow,

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<v Speaker 3>which is a lot because most pilots do not get

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<v Speaker 3>picked up. And notable to us, he's from Kansas City,

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<v Speaker 3>Missouri and intended to University of Kansas. A fellow Jayhawk.

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<v Speaker 1>Deep Space Dive. Let's break down some of our thoughts

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<v Speaker 1>on the episode. You can share your thoughts with us

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<v Speaker 1>through email or social media. We may use your comments

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<v Speaker 1>on an upcoming episode.

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<v Speaker 2>Well, I vaguely remember anything about this show, and yeah,

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<v Speaker 2>so upon a clarity, it's just with the way our

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<v Speaker 2>schedules and lives have been.

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<v Speaker 3>It's been several weeks since we last watched an episode

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<v Speaker 3>of this. I think in terms of the episodes being released,

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<v Speaker 3>they'll probably still be every week, but there was a

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<v Speaker 3>big gap here for us in terms of watching, so

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<v Speaker 3>it was kind of hard to remember exactly what was

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<v Speaker 3>going on in every storyline, but feel pretty caught up

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<v Speaker 3>on it.

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<v Speaker 2>Yeah, I really hate this Harry Selden guy. I don't

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<v Speaker 2>understand how he's like the basis of the foundation, you

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<v Speaker 2>know what I mean, because he turned himself into an idea,

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<v Speaker 2>but now he's a real person.

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<v Speaker 3>I don't know.

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<v Speaker 2>He's annoying, too condescending.

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<v Speaker 3>He is, And the one silver lining of that is

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<v Speaker 3>multiple times in the episode they kind of shut him

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<v Speaker 3>down for the way he talks to them.

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<v Speaker 2>I don't know, it's weird. He's weird. I don't like him.

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<v Speaker 2>He's not my favorite character right now, and I'm just like,

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<v Speaker 2>what's the point of him? I don't know. I was

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<v Speaker 2>really interested in this like group of people they ran

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<v Speaker 2>into though.

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<v Speaker 3>Yeah. So, and then we kind of bring up some

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<v Speaker 3>old characters. We saw a vision of Rach and of

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<v Speaker 3>Salbar's boyfriend. I don't remember his name, so I don't

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<v Speaker 3>think he's going to come up again.

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<v Speaker 2>Yeah, it seems like he's a goner.

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<v Speaker 3>That scene with Rach. I'm not sure if that was

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<v Speaker 3>like any new information for us, or if we already

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<v Speaker 3>kind of understood all that about how he wasn't supposed

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<v Speaker 3>to involve Gail in any of this.

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<v Speaker 2>I don't know if he was. I mean, that wasn't

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<v Speaker 2>even him right, like.

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<v Speaker 3>No, but it was a a memory of what happened.

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<v Speaker 2>I thought it was interesting to meet people that are

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<v Speaker 2>on the same wavelength as you, like that call you

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<v Speaker 2>and like lure you in. That's so interesting. And then

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<v Speaker 2>to use a child as a deity and they're like, actually,

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<v Speaker 2>don't worship children, it's not good for them. That was

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<v Speaker 2>really good. And it also kind of like juxtaposition to

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<v Speaker 2>the ideology of Empire and how you are worshiping this

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<v Speaker 2>like entity from childhood all the way up to adulthood,

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<v Speaker 2>and that whole storyline was super interesting in this one.

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<v Speaker 2>I think that's where the meat of the episode was

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<v Speaker 2>this season, for this particular episode.

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<v Speaker 3>Yeah, and I like how they're showing that there's more

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<v Speaker 3>I think they phrased there's more like competition out there.

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<v Speaker 3>Because first, so we know that Harry was cloned. That's

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<v Speaker 3>how he has a body. Now I don't know exactly

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<v Speaker 3>the details of how that came to be, but so

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<v Speaker 3>the Empire is not the only one who can do cloning.

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<v Speaker 3>And then we have this group with these mental powers.

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<v Speaker 2>Yeah, so it's very interesting.

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<v Speaker 3>And they seem to be a step ahead of Harry

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<v Speaker 3>and Gale and salvoor So.

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<v Speaker 2>And they want to destroy the Foundation.

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<v Speaker 3>Yeah, or at least they don't want to be part

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<v Speaker 3>of the second Foundation.

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<v Speaker 2>Whatever that means. I still don't get it. I still

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<v Speaker 2>don't get it. What the fuck is a foundation? It's

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<v Speaker 2>a it's like a collection of knowledge for when the

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<v Speaker 2>world ends somewhat.

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<v Speaker 3>I don't know.

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<v Speaker 2>It's confusing. I don't get it. I'm just like, I

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<v Speaker 2>don't know. I like the Empire storyline because he's like

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<v Speaker 2>creepy KORALI like the whole interaction with his step mom

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<v Speaker 2>robot was fucking awful and it made me cringe so bad.

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<v Speaker 3>It's super cringe. It was awful. That whole section. Just

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<v Speaker 3>it's like it was written by a It's like a

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<v Speaker 3>teen boys fantasy.

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<v Speaker 2>Me and my hot mom gonna hold your dick and

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<v Speaker 2>say you feel ready.

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<v Speaker 3>And then there's also there's like one like him expecting

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<v Speaker 3>Sarah to be a virgin. He has an idea in

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<v Speaker 3>his head or somehow, and then there's also the scene

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<v Speaker 3>of the brother Dusk well I guess when he was

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<v Speaker 3>brother day. It's so confusing, but when he's like walking

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<v Speaker 3>to that garden, like going to pick out a woman

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<v Speaker 3>from like he's shopping.

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<v Speaker 2>Are you like not familiar with the common stereotype of

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<v Speaker 2>women being like virtuous and men being like disgustingly like

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<v Speaker 2>filled with just semen in such excess that they must

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<v Speaker 2>expel it with any woman that's willing and able and

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<v Speaker 2>sometimes unwilling, and it's totally fine. Do you not understand

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<v Speaker 2>the double standard that women live with every day with

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<v Speaker 2>the Madonna horr complex.

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<v Speaker 3>No, it's the first I'm hearing.

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<v Speaker 2>Oh my god. Yeah. No, every fucking romance novel, every

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<v Speaker 2>fucking romance novel, every book written for women by women,

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<v Speaker 2>in most cases is a man who has a laundry

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<v Speaker 2>list of ladies that he's conquered, and the woman has

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<v Speaker 2>only been touched by maybe like a fun horse ride.

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<v Speaker 2>Maybe maybe one day she was churning butter a little

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<v Speaker 2>too hard and got excited. But her first experience in

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<v Speaker 2>a dalliance with a man is this very rough, knowing

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<v Speaker 2>hand that's gonna guide her into womanhood. And that's the romance, which,

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<v Speaker 2>to me, I could take it or leave it, Like

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<v Speaker 2>I understand what fantasy is, but I think it's harmful

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<v Speaker 2>when you talk about women's body counts or women's values.

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<v Speaker 2>When it comes to their experience, I don't think a

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<v Speaker 2>woman having any quote unquote mind eyelage on her makes

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<v Speaker 2>her less of a woman or more of a woman.

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<v Speaker 2>Experience makes a person experienced, and I think that can

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<v Speaker 2>be intimidating to a lot of men, especially because it

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<v Speaker 2>is harder for men to gain experience compared to women.

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<v Speaker 2>I think a woman might have an easier time finding

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<v Speaker 2>men to conquer versus a man. And if a man

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<v Speaker 2>does do this, it's usually nothing of significance in terms

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<v Speaker 2>of a relationship. It's just an interaction. So very interesting

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<v Speaker 2>conversation about that, and also the age difference disgusting, gross vile,

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<v Speaker 2>And she like getting on top and being in a

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<v Speaker 2>position of power, and he's like, actually, well, actually I

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<v Speaker 2>know more about sex, so the right way to do

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<v Speaker 2>it is me on top. That was so ick like

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<v Speaker 2>right then, and there Sahara desert in the pussy. It's

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<v Speaker 2>the Sahara desert like that, right there was the line

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<v Speaker 2>that literally killed the vibe for me, like no, sir no.

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<v Speaker 2>But it also shows how he refuses to be conquered

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<v Speaker 2>by this strange woman. Because if we remember back to

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<v Speaker 2>the scene where he was getting fucked by his robot mom,

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<v Speaker 2>she was on top. That's how she got the knife

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<v Speaker 2>in the head. Yeah, so does her pleasure not count?

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<v Speaker 2>Like it's very interesting, very nuanced. I would love to

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<v Speaker 2>like for that interaction to have been more. I think

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<v Speaker 2>it was very abrupt and very rough, and I was

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<v Speaker 2>worried for a minute that he was gonna rape her.

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<v Speaker 2>But thankfully he has a rectile dysfunction at the correct

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<v Speaker 2>time and she doesn't have to fuck him. But somehow

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<v Speaker 2>they're engaged. Hooray, what an engagement. Not only are you

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<v Speaker 2>getting mansplained how to have pleasure, brole in a course,

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<v Speaker 2>but also your family is like being investigated, and the

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<v Speaker 2>fucking robot lady tells on her and says, don't worry,

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<v Speaker 2>it will never lead back to you, And it's like,

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<v Speaker 2>what the fuck is happening?

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<v Speaker 3>Bro Yeah, so I think that's the first confirmation that

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<v Speaker 3>he did kill her family.

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<v Speaker 2>Yeah, he had something to do with it, for sure.

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<v Speaker 2>But the fucking revelation of the fucking episode was when

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<v Speaker 2>they find the memories of the person who worked on

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<v Speaker 2>him the day he was dying, and they find out

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<v Speaker 2>that the bitch is a robot. H fucking and that

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<v Speaker 2>moment that should have been more explosive, that should have

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<v Speaker 2>been like like, I think they did really good, but

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<v Speaker 2>I wish we would have lingered there more, like I

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<v Speaker 2>wish they would have been able to put together like,

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<v Speaker 2>oh my god, how long has she been here? Oh

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<v Speaker 2>my god? You know what does she know? Like can

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<v Speaker 2>we access her memories? Because apparently her memories are like

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<v Speaker 2>double downloaded. And that whole mess with the memories was

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<v Speaker 2>very interesting when they talked to the original Homeboy. I

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<v Speaker 2>didn't know they could do that. Yeah, either, I didn't

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<v Speaker 2>know they could do that. I wish they would have

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<v Speaker 2>explored that in earlier seasons because I would be there

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<v Speaker 2>every day trying to trick it, trying to figure out

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<v Speaker 2>like the algorithm, you know, because there's something happening, there's

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<v Speaker 2>something amiss, and I think Brother don No, Brother Dusk

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<v Speaker 2>is like uncovering it. When he looked at the memories

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<v Speaker 2>from the original to them, He's like, he has two

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<v Speaker 2>hundred memories and I only have eighty seven? Tops, How

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<v Speaker 2>is where is the discrepancy? What is going on here?

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<v Speaker 2>What are we not knowing? And we don't know how

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<v Speaker 2>to ask the question of what is missing because you

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<v Speaker 2>don't know what's missing.

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<v Speaker 3>Yeah. I think once we got past all their sexcapades,

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<v Speaker 3>I think the cleon stuff was actually really interesting and

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<v Speaker 3>how there's so much division between them.

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<v Speaker 2>Yeah, and how the og was like to be divided

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<v Speaker 2>is to not be and it does not you, brother,

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<v Speaker 2>It is totally not you.

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<v Speaker 3>They're like, yeah, but okay, we still have this problem

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<v Speaker 3>with brother day.

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<v Speaker 2>Can you help us resolve it? No, He's like, don't

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<v Speaker 2>worry about it. This has nothing to do with you

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<v Speaker 2>right now.

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<v Speaker 3>Yeah, Peace and love.

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<v Speaker 2>Peace and love very interesting. I love. I did like

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<v Speaker 2>that part. And I also enjoyed the older couple kind

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<v Speaker 2>of watching themselves as the younger couple watching the memory

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<v Speaker 2>of their interaction.

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<v Speaker 3>Oh yeah, and.

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<v Speaker 2>I'm glad it wasn't negative for her because it could

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<v Speaker 2>have been. It could have been something that she didn't

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<v Speaker 2>want to do.

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<v Speaker 3>So that's good, Yeah, because that could very easily be

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<v Speaker 3>uncomfortable to watch yourself doing something you have no memory of. Yeah, Like, oh,

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<v Speaker 3>anyone ever showed you a video of like when you

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<v Speaker 3>were drunk or something like that.

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<v Speaker 2>Yeah, or when you were really young and you don't

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<v Speaker 2>have a memory of it, Like being that young so

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<v Speaker 2>very interesting, and I'm glad they kind of made it

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<v Speaker 2>kind of a romantic moment for them. Very interesting that

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<v Speaker 2>Dusk has a romance. When Dawn had a romance, it

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<v Speaker 2>was very volatile and very scary and undercover. But now

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<v Speaker 2>that as Dusk, it's more free, relaxed. It's very it's

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<v Speaker 2>not we don't know yet if there's any manipulation, because

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<v Speaker 2>there could be that and we don't know yet. She's

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<v Speaker 2>like learning about like, oh, this is where they store

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<v Speaker 2>the memories, so there is some intel that's being drawn

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<v Speaker 2>from that experience.

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<v Speaker 3>But yeah, like, is she also like sincere in this

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<v Speaker 3>relationship at the same.

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<v Speaker 2>Time, We don't know. But I appreciate her being present

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<v Speaker 2>and her having like this history because I think in

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<v Speaker 2>a show where we do so much jumping in time

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<v Speaker 2>with like millennia or like decades or centuries or whatever,

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<v Speaker 2>it's nice to just go back, like a couple years back,

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<v Speaker 2>like when I was young. To play with time is

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<v Speaker 2>interesting in that way because we keep jumping forward, but

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<v Speaker 2>I like to go back.

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<v Speaker 3>Yeah, what else? That was really our two storylines, right was?

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<v Speaker 2>Yeah? That was it?

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<v Speaker 3>Two groups?

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<v Speaker 2>Yeah, very simple?

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<v Speaker 3>All right, Well, then let's do our Astral queen.

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<v Speaker 1>Astral queen, who was the standout character in the episode.

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<v Speaker 3>Who was the best character in this episode? We had

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<v Speaker 3>Salvar kind of being a badass.

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<v Speaker 2>Oh, she was so good when she when they landed,

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<v Speaker 2>Like the first thing she did was like, I saw

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<v Speaker 2>people out there, we need to go. But then she

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<v Speaker 2>got fucking got man.

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<v Speaker 3>Yeah, she saw those eyes.

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<v Speaker 2>And those unrealistically blue eyes. Yeah, white people, man.

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<v Speaker 3>When I did like her her attitude when they met

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<v Speaker 3>the religious cult. Yeah, we're like, sorry, we use your

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<v Speaker 3>memories against you. So yeah, fuck you for that. And

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<v Speaker 3>then so our other options would probably be the Queen.

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<v Speaker 2>Say, doing her sleuthing, doing.

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<v Speaker 3>Her investigation, which was successful in learning.

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<v Speaker 2>I'm gonna give it to that evil bitch that wants

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<v Speaker 2>to destroy the thing that's the show's about.

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<v Speaker 3>What's her name? Tell them bonds, that's hers. There will

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<v Speaker 3>be no second foundation.

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<v Speaker 2>That's what I say. Fuck this show. No, I didn't

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<v Speaker 2>mean it like that, but I like that she was

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<v Speaker 2>ready for them, She lured them in, she tricked them,

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<v Speaker 2>and then she made them feel safe, and she's infiltrating

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<v Speaker 2>their minds and she wants to destroy everything they stand for. Yeah,

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<v Speaker 2>all in like fucking what like five minutes, three minutes

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<v Speaker 2>of airtime screen time, and.

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<v Speaker 3>She called out Harry on his misogyny when.

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<v Speaker 2>He's like, do they not speak for themselves? And then

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<v Speaker 2>the line you should not worship children, it's not good

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<v Speaker 2>for them iconic. I want that on a T shirt

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<v Speaker 2>because you know some parents like literally like it's like

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<v Speaker 2>idle worship, like they're little kings and queens. They're people,

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<v Speaker 2>freedom like people. It's yours.

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<v Speaker 3>I'm gonna go with I'm just gonna go with Salve War.

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<v Speaker 3>I feel like she was the one really fighting to

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<v Speaker 3>keep the energy up in this episode.

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<v Speaker 2>Yeah, she was doing a lot. Oh. I really hated

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<v Speaker 2>when Harry was like, don't think about salt War, don't

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<v Speaker 2>think about that, Like, bitch, get away for me.

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<v Speaker 3>Like she's like, then stop bringing it.

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<v Speaker 2>Up for real. God, what an annoying bastard.

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<v Speaker 3>Ah. Okay, So I think that wraps up our coverage

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<v Speaker 3>of the sighted and the scene. The next episode will

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<v Speaker 3>be episode six, Why the Gods made Wine answers to drinking,

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<v Speaker 3>So thank you for spacing out with us. And remember,

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<v Speaker 3>don't worship a child as a god. It's not good

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<v Speaker 3>for them.

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<v Speaker 1>Yeah, all right, let me bite Thank you for spacing

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<v Speaker 1>out with Phoebe and Jason. You can help us out

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<v Speaker 1>by subscribing and leaving a positive rating or review. Remember,

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<v Speaker 1>you can contact us through email or social media. Next time,

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<v Speaker 1>we will cover Foundation season two, episode six, Why the

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<v Speaker 1>Gods Made Wine.
