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<v Speaker 1>Right now. Supposedly, Warner Bros. Wants to make Barbie two.

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<v Speaker 1>Obviously Barbi one massive hit, right that summer billion dollar movie,

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<v Speaker 1>So you want to make that. Greta, Margot, Robbie Ryan

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<v Speaker 1>Goslin Are like, yeah, we're on board. Warner Bros. Is

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<v Speaker 1>like great, But then apparently when they come to the

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<v Speaker 1>money side, Greta, Gosling and Robbie, they want a lot

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<v Speaker 1>of money. No, Dot, it's a billion dollar movies and

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<v Speaker 1>as of right now, Warner Bros. Says, Hey, we don't

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<v Speaker 1>want to pay that, And Greta's like, hey, I even

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<v Speaker 1>got like it sounds like she's writing a script or

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<v Speaker 1>has a script like, hey, we could get this to go.

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<v Speaker 1>We will be good to go. He's gonna say the word,

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<v Speaker 1>and I guess Zazov says he felt like the price

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<v Speaker 1>they were all asked for was too egregious. But here's

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<v Speaker 1>the monkey wrench tailor is. I guess If by December

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<v Speaker 1>Warner Brothers does not pay them and decide to make

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<v Speaker 1>a sequel to Barbie two, Mattel is gonna take the

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<v Speaker 1>rights away from Warner Bros. And go to a different

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<v Speaker 1>studio and reboot Barbie. So Ossie wouldn't be with Margot

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<v Speaker 1>and all that, but they would just make a new

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<v Speaker 1>Barbie film. What do you do if you're David zas

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<v Speaker 1>Off in this situation, tam Do you give people this

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<v Speaker 1>big money and hopefully strike lightning like lightning strikes twice

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<v Speaker 1>in the same place, or do you just go, you

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<v Speaker 1>know what, we don't want another Joker Too situation where

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<v Speaker 1>the first minute billion, this doesn't that's wipe our hands?

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<v Speaker 1>What do you do? Taylor?

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<v Speaker 2>The Joker Too situation is the first thing that comes

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<v Speaker 2>to my mind. It's such a good example, and I

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<v Speaker 2>mean you have to be cautious of that outcome for sure,

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<v Speaker 2>because what was the ian What was the budget for

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<v Speaker 2>Joker Too? All?

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<v Speaker 1>So much more money that the same thing, because Gaga,

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<v Speaker 1>Phillips and Walking all got big pay raises versus the

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<v Speaker 1>first one, right, so it sounds like that would happen here,

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<v Speaker 1>which again, you could make that case of it. It

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<v Speaker 1>was a billion dollar thing, right, so you can say, hey,

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<v Speaker 1>we want to come back because we made it in

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<v Speaker 1>this huge it could be a franchise, but you need

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<v Speaker 1>us back, right So.

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<v Speaker 3>Yeah, yeah, that's right.

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<v Speaker 1>So you're on the camp. So you're on the camp

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<v Speaker 1>of for sure, No, for sure, No, then I but

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<v Speaker 1>some matel takes that franchise, they go somewhere else in

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<v Speaker 1>that movie is almost like close to a billion again, right,

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<v Speaker 1>it's not grand then, but what if it's just like

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<v Speaker 1>people want to see Barbie because like I could argue

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<v Speaker 1>that Barbie that's a great summer movie, right, you market

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<v Speaker 1>it right? It has that vibe of beach and fun time,

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<v Speaker 1>pretty colors. Do you look like the idea goes somewhere

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<v Speaker 1>else makes a bunch of money. It's like, hey, you

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<v Speaker 1>let Barbie go? We could have had that, you know, m.

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<v Speaker 2>Yeah, I mean your place. It is a rock on

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<v Speaker 2>our place. I think it's because I was thinking about

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<v Speaker 2>this earlier too. I I don't think it's gonna do

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<v Speaker 2>as good as the first one. And I do think

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<v Speaker 2>though that because a good comparison might be the Lego Movie.

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<v Speaker 2>And I think about it, Yeah, because Lego Movie two.

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<v Speaker 2>What did that do compared to the first one? Because

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<v Speaker 2>the first Legle movie did pretty well, but that second

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<v Speaker 2>one didn't.

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<v Speaker 1>Yeah, I think it did so bad. It's so underwhelming

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<v Speaker 1>that that kind of killed those those movies. You know, Yes,

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<v Speaker 1>what is it like? But then can you not look

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<v Speaker 1>at because someone not say like, oh, Barbie could be

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<v Speaker 1>like a superhero brand, where like the Spider Man movies. Look,

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<v Speaker 1>spider Man Far from Home comes and then knowing home

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<v Speaker 1>is bigger, No Way Home, and then brand New Day

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<v Speaker 1>is bigger. Right, It's not the exact same, but there

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<v Speaker 1>are situations where there's movies that make a billion and

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<v Speaker 1>they can Dark Knight, Dark Knight Rises right again, superhero stuff.

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<v Speaker 1>But they could say, I think Barbie is like a

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<v Speaker 1>superhero project but for females, right in that sort of sense,

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<v Speaker 1>like big ip, big characters, big world. So you could

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<v Speaker 1>make that case that we could be the female superhero

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<v Speaker 1>or like Taylor was product. Right, the second one comes

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<v Speaker 1>out massive compared to.

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<v Speaker 3>The first, right, No, just under seven hundred.

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<v Speaker 1>Yeah, and also there was some time but you could

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<v Speaker 1>see them in that board. We're making that pitch for

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<v Speaker 1>Barbie two, being like we could be the next product too,

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<v Speaker 1>it could be even bigger. Right, what did you like

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<v Speaker 1>a movie to make?

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<v Speaker 2>So the first one made a wonderful was it worldwide?

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<v Speaker 2>Four hundred and sixty eight million?

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<v Speaker 1>It wasn't the second like three hundred something or under

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<v Speaker 1>three hundred.

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<v Speaker 2>The second one points.

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<v Speaker 1>Oh my god, yeah, that's why those things stopped.

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<v Speaker 2>I feel like that's a Barbie situation. Although oh once,

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<v Speaker 2>this all though, so.

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<v Speaker 3>Lego Batman movie.

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<v Speaker 1>Is how we keep Taylor awake. He's looking at stats.

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<v Speaker 1>I haven't seen him so awaking.

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<v Speaker 2>Yeah, so yeah, Sony came out in twenty seventeen.

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<v Speaker 1>Stuff, what never any storied part two make Taylor?

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<v Speaker 2>Oh yeah, well the Batman came out between Lego Movie

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<v Speaker 2>one and two's and that did all right?

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<v Speaker 1>Didn't that do like three hundred something? Or did that

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<v Speaker 1>did two hundreds? Actually, like I thought, Lego Batman two

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<v Speaker 1>did a lot less than we all thought I was

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<v Speaker 1>gonna do, especially with the great reviews and twelve million.

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<v Speaker 1>Yeah three, that's what I thought. It was like three

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<v Speaker 1>hundred something, so yeah, which again not bad, but they

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<v Speaker 1>were definitely going down, right.

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<v Speaker 3>And they were trending down.

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<v Speaker 1>Yeah, I think I'm with you. I guess for me,

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<v Speaker 1>it just has to like, let me see now, I'm

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<v Speaker 1>look at my stats here, Barbie budget, I just gotta

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<v Speaker 1>see the budget that first movie is right, because if

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<v Speaker 1>it's a situation, so even then right, like the budget

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<v Speaker 1>of the first movie one one forty five, that's not

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<v Speaker 1>crazy for like how good the movie looked, and for

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<v Speaker 1>those stars that they had in it, I would have like,

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<v Speaker 1>I would really have to know how big. And that's

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<v Speaker 1>the rumored quote is that they they want egregious raises, right,

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<v Speaker 1>but I'd have to know how big I think. I

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<v Speaker 1>know this might sound crazy, but I think if they

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<v Speaker 1>even got up to two fifty, right, so another one

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<v Speaker 1>hundred million more, I might Taylor where I don't think

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<v Speaker 1>Barbie two would do as good as one. I think,

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<v Speaker 1>you know, there was the Barbenheimer. I think the magic

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<v Speaker 1>of the first one helps elevate it. But I don't

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<v Speaker 1>think it would be like Joker too or I don't

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<v Speaker 1>think it would bomb. Barbi two I think would still

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<v Speaker 1>be a success. I think it could still be in

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<v Speaker 1>that like six hundred and eight hundred million if done,

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<v Speaker 1>if good, if it's a ship storm, then yeah, but

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<v Speaker 1>I think it could still be hit, especially make sure

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<v Speaker 1>it's in the summer. So that's where it's like, even

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<v Speaker 1>if you go to two fifty, what you gonna make

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<v Speaker 1>five hundred? Like, I do you think a Barbie film

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<v Speaker 1>could make five hundred million? Taylor Barbie two, ooh, really

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<v Speaker 1>think five or a million?

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<v Speaker 2>I think it is and that's just because the damage

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<v Speaker 2>up again Lego movie and then Joker too, but.

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<v Speaker 1>Then I gave you The Spider Man Far from Home,

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<v Speaker 1>Dark Knight Rises. Yeah.

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<v Speaker 3>But for me, the way I had canonate is.

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<v Speaker 2>This movie just kind of falls in line with those

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<v Speaker 2>other ones before at that where sequels just don't seem

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<v Speaker 2>to take off. And if it does, I mean I'll

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<v Speaker 2>chew my words, but I just don't necessarily see the Well, look.

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<v Speaker 1>It's not a sequel. But like I think you mean

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<v Speaker 1>were on Lyne, we didn't think out he's gonna make

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<v Speaker 1>a billion, It's gonna make a billion, right. We thought

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<v Speaker 1>I was gonna do less than Alpenheimer and that's gonna

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<v Speaker 1>Now it's projected Taylor to make one point four to

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<v Speaker 1>one point five, not even just one billion, like almost

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<v Speaker 1>like half a two billion. So it's just like you

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<v Speaker 1>never know. So I'm in the camp I'm against say that.

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<v Speaker 1>I think it could make five hundred. It's just a

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<v Speaker 1>question of what the goal is and I same thing,

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<v Speaker 1>what do you think makes more money? Taylor? The Barbie

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<v Speaker 1>two movie with Gossing, Robbie and Grete back as director

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<v Speaker 1>or Mattel rebooting at a different studio.

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<v Speaker 3>Who rebooting a different studio.

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<v Speaker 1>What I still go with the sequel because I just

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<v Speaker 1>feel like people, especially Grian Gossling as Ken, I feel

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<v Speaker 1>like people want more of that, where like you have

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<v Speaker 1>to what if you go to another studio and you

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<v Speaker 1>get a bunch of new actors and it's like, oh,

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<v Speaker 1>like like Robbie's not back. It feels like one of

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<v Speaker 1>those like trait to DVD sequels back in the day

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<v Speaker 1>where they don't have all the original actors back. Right,

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<v Speaker 1>But do you think a reboot would do better than

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<v Speaker 1>a two?

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<v Speaker 3>I feel like it could.

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<v Speaker 2>Yeah, I know it's bold, it's bold, but I do

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<v Speaker 2>feel like it it could.

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<v Speaker 1>Huh. Okay, I'm gonna I'm gonna have to maybe make

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<v Speaker 1>a discord poll at some point, so I'm in there.

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<v Speaker 1>Now here's the question. Now, I asked you what you

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<v Speaker 1>think what you would do? What do you think Warner

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<v Speaker 1>brother does? Like, what do you think they decide? Do

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<v Speaker 1>you think they cough up and pay the money or

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<v Speaker 1>do the think they stand back and say we're not

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<v Speaker 1>going to do it. They got till December de side,

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<v Speaker 1>oh cough of the money? I think so too, Especially

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<v Speaker 1>right now, we haven't talked about much that Paramount deal

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<v Speaker 1>got blocked. It could still happen, but I'm not sure

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<v Speaker 1>if you saw this Taylor, where like I can't remember

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<v Speaker 1>what it oh, I can't remember what it is, so

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<v Speaker 1>like it gets blocked and I think they have something

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<v Speaker 1>like in the Fall to figure it out, and then

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<v Speaker 1>what happens if they don't figure out on the Fall

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<v Speaker 1>gets kicked to like April whatever, and it's something like

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<v Speaker 1>almost every quarter Paramount has to pay Warner Brothers like

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<v Speaker 1>two to three billion dollars because they're like the day

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<v Speaker 1>the deal has been delayed, It's like if this lawsuit

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<v Speaker 1>doesn't get settled, they just gn't get sending money to them.

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<v Speaker 1>So like Paramoun could be like blean out a bunch

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<v Speaker 1>of money. They got a lot of Britchi people are fine,

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<v Speaker 1>but I just think if you're Warner Bros. You gotta operate.

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<v Speaker 1>Let's say Paramount doesn't buy us, right, we're not combining

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<v Speaker 1>those other franchises. I think Barbie is a franchise, and

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<v Speaker 1>I think you call up the money to take a risk. Now, granted,

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<v Speaker 1>I was the same idiot that said about Joker too

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<v Speaker 1>to walk it back, though I never thought Joker two

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<v Speaker 1>was gonna get that, like those budgets were gonna go

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<v Speaker 1>so raised, right. I thought it was gonna be relatively same.

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<v Speaker 1>It's like, oh the bombs whatever, You're fine, that did bomb.

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<v Speaker 1>So I was somebody that said I don't take the risk.

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<v Speaker 1>I still think Barbie two is way more accessible than

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<v Speaker 1>Joker too, So I still think they call of the

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<v Speaker 1>money and do it. I guess we'll find out in December.

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<v Speaker 1>And then our last topic, speaking about Warner Brothers, this

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<v Speaker 1>weird story. So Tay, sit with me now, I'm gonna

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<v Speaker 1>read you something. So Austin, a couple of weeks ago,

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<v Speaker 1>we heard, hey night elm Street. Fine, the Cravens have

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<v Speaker 1>sold it to Paramount, and I thought that was it.

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<v Speaker 1>But I don't know what happened here, so never blah

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<v Speaker 1>blah blah. A report late Thursday night from Puck News

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<v Speaker 1>says that not only is Paramount trying to get a

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<v Speaker 1>new film out the ground, but Warner Bros. Is also

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<v Speaker 1>developing a project, which is interesting because they're buying them,

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<v Speaker 1>so you would think that they would just like pause

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<v Speaker 1>and like let's figure this out after right, But the

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<v Speaker 1>Paramount project was revealed a few days ago, and as

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<v Speaker 1>reportedly based off the original script by Wes Craven. Now

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<v Speaker 1>Warner Brothers project has detailed, with Lee Cronin attached to direct.

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<v Speaker 1>Lee Cronan did The Mummy and he did Evil Dead

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<v Speaker 1>Rise if you remember that name. Warner Bros. Holds the

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<v Speaker 1>international rights for nightmar elm Street and would look to

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<v Speaker 1>release the film internationally, with Paramount handing the domestic distribution

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<v Speaker 1>for the complicating the manners Paramount's deal to buy Warner Brothers.

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<v Speaker 1>Surely if this goes through, only one of these films

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<v Speaker 1>would be made. Let's see. And here's where it gets weird.

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<v Speaker 1>Sources with knowledge of the matter. I think Paramount figured

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<v Speaker 1>by the time their movie got underway that Warner deal

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<v Speaker 1>would have been closing. Warriors would have been compelled to

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<v Speaker 1>release the Paramount version overseas, but Warners Michael de Luke

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<v Speaker 1>and Pama Abley didn't care for that plan. Now they're

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<v Speaker 1>looking to make their own movie, which they can only

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<v Speaker 1>distribute overseas, and our talks to with Lee Cronin to

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<v Speaker 1>produce Brange. So this is so fucking weird. So I

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<v Speaker 1>guess Warner Bros. Has the right to Nightmare on Eland

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<v Speaker 1>Street non Canada in America, So They're like, we're gonna

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<v Speaker 1>make this film and release it overseas where Paramount has

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<v Speaker 1>the domestic distribution right, so they'll release it here. So

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<v Speaker 1>I guess Paramount was like, hey, we're buying you, so

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<v Speaker 1>don't make that movie. Let's just get together. We're gonna

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<v Speaker 1>make one movie. And Warner Brothers people running there like

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<v Speaker 1>that world still gonna make this international one. And then

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<v Speaker 1>the other thing that was super weird they didn't have

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<v Speaker 1>in this article, but apparently the Paramount version. I don't

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<v Speaker 1>think this is gonna be true, but the rumor was

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<v Speaker 1>that it was a uh, it was gonna be based

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<v Speaker 1>off the original script, and it was gonna be like

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<v Speaker 1>a shot for shot remake of the original Nightmare on

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<v Speaker 1>Elm Street, where the new one with or the Warner Bros.

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<v Speaker 1>One was gonna be like just like new, like a reboot.

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<v Speaker 1>So what do you think? Obviously it's a mess. I

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<v Speaker 1>don't know if it's gonna happen. I think they'll figure

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<v Speaker 1>that all out. But if I think, I know your answer.

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<v Speaker 1>But if you're looking at the shot for shot remake

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<v Speaker 1>or the reboot, which way are you going with Taylor?

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<v Speaker 2>Oh my gosh, probably the shot for shot remake. What

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<v Speaker 2>the fuck are You're pulling the opposites here?

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<v Speaker 1>You're joking? Are you fucking kidding me? H? Isn't that right?

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<v Speaker 3>How brother? They're they are going out of their way

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<v Speaker 3>to fuck me.

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<v Speaker 2>Oh fuck, I feel like it's safe, and I feel

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<v Speaker 2>like that's exactly what they want to do with this character.

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<v Speaker 2>I think that it's it's it's just.

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<v Speaker 1>A twenty ten one was kind of a it was

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<v Speaker 1>a shot for shot, but it was a remake where

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<v Speaker 1>I had a lot of similar scenes and story beats.

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<v Speaker 2>Though true, and again I haven't seen all of them,

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<v Speaker 2>so I don't know all and any of them from

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<v Speaker 2>that original.

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<v Speaker 1>But you even do the retro now that this is

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<v Speaker 1>actually happening, you know? Yeah?

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<v Speaker 2>No, I do think though that a shot for shot

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<v Speaker 2>remake is just gonna be safe in their books, and

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<v Speaker 2>I feel like they don't have the balls to something

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<v Speaker 2>else that's a little more improvised, right.

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<v Speaker 1>So yeah, do you think that there is any so? Like, Okay,

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<v Speaker 1>I guess I'll say I'll ask this question after I

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<v Speaker 1>I don't want to at all because I want them

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<v Speaker 1>to do something new. I think that twenty ten one

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<v Speaker 1>scarred me, especially there's a shot the classic one of

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<v Speaker 1>Freddy pushing his head through the wall in the twenty

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<v Speaker 1>twenty one at CGI and he's just run around like

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<v Speaker 1>it does all the original stuff, but worse in my opinion,

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<v Speaker 1>any of you're gonna remake it, sure, but a shot

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<v Speaker 1>for shot remake to have it like identical to the

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<v Speaker 1>old one but just updated, to me, is asking for

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<v Speaker 1>a lot of trouble. Shot for shot remakes really don't

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<v Speaker 1>usually work, especially if they gotta be like really old

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<v Speaker 1>and like I still't think this is old enough to do.

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<v Speaker 3>That, but it's obscure enough.

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<v Speaker 2>Wow, No, because I mean it's obscure generation for a

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<v Speaker 2>certain generation. Yeah, when I grew up, it was Michael

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<v Speaker 2>Myers and it was Jason Vorhees and Chucky. Yeah, so

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<v Speaker 2>I mean Freddy Krueger was just kind of on the

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<v Speaker 2>back burner for my childhood, right.

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<v Speaker 1>I guess. Yeah, it's weird because I'm surprised you didn't

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<v Speaker 1>see those because like I had Chucky, but I had

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<v Speaker 1>Freddy in there as well, you know, so I don't

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<v Speaker 1>know why. I don't know where you missed out there,

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<v Speaker 1>But that's right, Yeah, I very much hope this happens. Well,

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<v Speaker 1>maybe two of them happen. But like, I want the

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<v Speaker 1>new take, whether it's remaking another one, I want to

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<v Speaker 1>full just this is our Freddy, We're doing something different.

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<v Speaker 1>Don't care, change orge of it, don't care if it's

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<v Speaker 1>a female this time, doesn't matter. I just don't. I

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<v Speaker 1>just don't think the shot for shot remake. Now. Granted, yes,

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<v Speaker 1>there is a whole new audience that might seem like

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<v Speaker 1>oh great, But and I hope that's just like an exaggeration.

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<v Speaker 1>I hope it's just a remake. I don't want a

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<v Speaker 1>shot for shot because I do think there's a chances

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<v Speaker 1>that that movie looks worse. So, Austie, I'm in the paramouna,

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<v Speaker 1>in the Warner Brothers camp of doing something new. I

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<v Speaker 1>guess I didn't ask you about that. How would you

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<v Speaker 1>feel about Lee Cron And obviously you stidn't seen The

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<v Speaker 1>Mummy yet?

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<v Speaker 2>Right?

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<v Speaker 1>No? You sure? I think that's up your bandwig. But

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<v Speaker 1>obviously after COVID we saw they released a bunch of movies.

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<v Speaker 1>You saw a nightmareland Street, so you've only seen the one.

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<v Speaker 1>But do you think Lee Krohne for Evil to Rise

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<v Speaker 1>would be a good fit for this?

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<v Speaker 2>Well, that just means it's gonna be a movie in

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<v Speaker 2>the cinematic universe of people dead, right.

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<v Speaker 1>Oh he better not better not touch upon it. No,

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<v Speaker 1>you better not. That's only up for Sam to side.

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<v Speaker 1>But as a what you see from Eel that Rise,

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<v Speaker 1>do you look at them and be like, oh, this

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<v Speaker 1>guy could make like a Freddy movie that's about dreams

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<v Speaker 1>and that kind of stuff.

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<v Speaker 3>Hmmm hmm, Yeah, I mean not again.

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<v Speaker 2>I haven't seen The Mummy, but from what I've seen

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<v Speaker 2>from trailers, it feels like there's a lot of that

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<v Speaker 2>kind of mental fuckery that the skuy Lee could could tackle.

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<v Speaker 3>For sure.

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<v Speaker 1>Yeah, I think. Uh, obviously, I can't remember all my

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<v Speaker 1>lists I looked up. I did delete it if you

339
00:15:50.919 --> 00:15:53.000
<v Speaker 1>guys want to go back, if you're Freddy fans as well.

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<v Speaker 1>A last month they did trest told you where I

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<v Speaker 1>listed my top ten choices for actor and directors. Lee

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<v Speaker 1>didn't quite get on there because I need to see

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<v Speaker 1>more because I loved Rise. I did enjoy The Mummy,

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<v Speaker 1>I think more than other people, but I wasn't like

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<v Speaker 1>blown away by it as many people said. It did

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<v Speaker 1>feel like Egle Dead Light, so I would want to

347
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<v Speaker 1>see one more. But he's also not a name where

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<v Speaker 1>I'm like, oh fuck, Like I'm like, okay, I got

349
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<v Speaker 1>more faith. And what he did with Rise and what

350
00:16:19.360 --> 00:16:22.120
<v Speaker 1>he did with Alissa Sutherland is I can't owe Ellie

351
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<v Speaker 1>he I think he can show that he's tackled like

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<v Speaker 1>a good villain, right, And I think that's a big

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<v Speaker 1>thing even the Mummy did at some point. So I

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<v Speaker 1>like that. Now my last question for this, and yeah,

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<v Speaker 1>I want this version to do you think there's so

356
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<v Speaker 1>I guess it all depends on the merger, right, But

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<v Speaker 1>the thing is with this merger, I says blocked. I

358
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<v Speaker 1>think it could still very much happen, but it could

359
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<v Speaker 1>get Instead of it being closed like this summer, it

360
00:16:44.440 --> 00:16:46.519
<v Speaker 1>could be not closed all the way to April twenty

361
00:16:46.559 --> 00:16:49.200
<v Speaker 1>twenty seven, and even then it could be further because

362
00:16:49.240 --> 00:16:51.039
<v Speaker 1>the rumor is like they want that to be the

363
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<v Speaker 1>trial state for all these like anti trust laws and stuff.

364
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<v Speaker 1>So if the trial starts in April, that means it

365
00:16:56.759 --> 00:16:58.919
<v Speaker 1>could be a little while before it closes. So let's

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<v Speaker 1>say we're in some weird situation where it takes a

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<v Speaker 1>while or it doesn't close. Do you think this could

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<v Speaker 1>work where Warner Brothers releases a Freddy movie but it's

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<v Speaker 1>just overseas. And then Paramount releases the domestic movie, which

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<v Speaker 1>is weird because that means does that mean I'm gonna

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<v Speaker 1>find a way, But I guess that would mean like

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<v Speaker 1>the that the Warner Bros. Won, Like I'll read while

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<v Speaker 1>you're talking about, I think that would mean like we

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<v Speaker 1>wouldn't get a theatrical release of the Freddy Kruger movie

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<v Speaker 1>like by Warner Brothers, like the Lee Crohnin one.

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<v Speaker 2>Yeah, that's that's weird, and I don't think I've ever

377
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<v Speaker 2>heard of a I mean, I have as movies done

378
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<v Speaker 2>that before. I mean, obviously it'd be two different versions.

379
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<v Speaker 2>But that's just that's very very weird.

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<v Speaker 1>Yeah, because yeah, Paramount got the domestic one, and Warner

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<v Speaker 1>Brothers controls the franchise international distribution rights.

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<v Speaker 3>To get partner up then right.

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<v Speaker 1>No, because Warner Brothers could just say we're well, you'd

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<v Speaker 1>have to partner with somebody, right, Because remember that's the

385
00:17:52.519 --> 00:17:54.680
<v Speaker 1>reason Marvel can't do when you ask about weird stuff.

386
00:17:54.680 --> 00:17:56.680
<v Speaker 1>They can't do a soul Halt because the Universal has

387
00:17:56.680 --> 00:17:59.119
<v Speaker 1>the distribution rights to it, so they don't have to

388
00:17:59.119 --> 00:18:00.920
<v Speaker 1>make a Hulk movie. But it's like if anyone makes

389
00:18:00.960 --> 00:18:03.240
<v Speaker 1>a whole movie, you got to release it through us,

390
00:18:03.319 --> 00:18:05.319
<v Speaker 1>So there is some weird things and even though it's

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<v Speaker 1>not the exact same, remember that's weird shit where some

392
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<v Speaker 1>people own Jason Voorhies and some people own Friday thirteenth,

393
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<v Speaker 1>So like some of these fucking horror icons has some

394
00:18:14.079 --> 00:18:16.400
<v Speaker 1>weird stuff going on. So like, do you think it's

395
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<v Speaker 1>possibility where we get like two Freddy Kruger movies and

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<v Speaker 1>one's domestic only and then one's international.

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<v Speaker 2>I mean, after how you explained it, yeah, I could

398
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<v Speaker 2>kind of, I could potentially see it happening, but again

399
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<v Speaker 2>I've I have no recent memory of this being an

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<v Speaker 2>actual thing anywhere else.

401
00:18:33.559 --> 00:18:38.000
<v Speaker 1>Yeah, I just wonder, for I wonder what the finances

402
00:18:38.000 --> 00:18:41.400
<v Speaker 1>are for both of them, right, because if it's like Paramount,

403
00:18:41.519 --> 00:18:44.079
<v Speaker 1>you can do okay just Canada and America, but then

404
00:18:44.119 --> 00:18:46.920
<v Speaker 1>you miss out everywhere else, right, So like I feel

405
00:18:46.960 --> 00:18:48.640
<v Speaker 1>like an even warnable the same thing. You can go

406
00:18:48.680 --> 00:18:51.799
<v Speaker 1>everywhere else but North America. I imagine once against the

407
00:18:51.799 --> 00:18:55.000
<v Speaker 1>Blu ray DVD, it can go everywhere, So maybe they

408
00:18:55.039 --> 00:18:57.279
<v Speaker 1>would think like we could make money there and on

409
00:18:57.400 --> 00:19:00.359
<v Speaker 1>vod and stuff. But then I feel like, don't you

410
00:19:00.400 --> 00:19:01.839
<v Speaker 1>feel like the budget has to be a lot lower

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<v Speaker 1>for both of them. If like you take out for

412
00:19:03.599 --> 00:19:07.599
<v Speaker 1>sure as markets and it's just like and it's tough

413
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<v Speaker 1>because I'm like, you should combine the films, just figure

414
00:19:10.160 --> 00:19:12.839
<v Speaker 1>it out. But then it also if they both don't agree.

415
00:19:12.920 --> 00:19:15.920
<v Speaker 1>If if Paramants heavy and like, hey, we want to

416
00:19:15.960 --> 00:19:18.119
<v Speaker 1>remake this and Warner Brothers teams like we want to

417
00:19:18.920 --> 00:19:21.559
<v Speaker 1>like reboot it, and they can't agree. I don't know.

418
00:19:21.759 --> 00:19:23.799
<v Speaker 1>At the end of the day, it would be very

419
00:19:23.799 --> 00:19:27.160
<v Speaker 1>funny for myself, who's not got a movie since twenty ten.

420
00:19:27.640 --> 00:19:29.319
<v Speaker 1>And then if I were to get two movies, because like,

421
00:19:29.359 --> 00:19:32.160
<v Speaker 1>I don't care, I will find a way to see

422
00:19:32.200 --> 00:19:36.039
<v Speaker 1>that international Freddy Kruger movie. I even if I pay,

423
00:19:36.119 --> 00:19:38.680
<v Speaker 1>I will pay for it. If it's on vody sure,

424
00:19:38.960 --> 00:19:42.559
<v Speaker 1>it's like remember what saw fucking uh? What was it?

425
00:19:42.599 --> 00:19:44.480
<v Speaker 1>The Book of Spiral? We didn't get that and can

426
00:19:44.599 --> 00:19:47.160
<v Speaker 1>I remember because the COVID times they just didn't release

427
00:19:47.200 --> 00:19:47.480
<v Speaker 1>it here?

428
00:19:47.599 --> 00:19:48.680
<v Speaker 3>Oh yeah's we.

429
00:19:48.799 --> 00:19:51.000
<v Speaker 1>Define a friend find it for us, you know, like

430
00:19:51.039 --> 00:19:54.039
<v Speaker 1>that sort of backup off a truck situation. So I

431
00:19:54.119 --> 00:19:56.440
<v Speaker 1>will find a way, And it would be very funny

432
00:19:56.480 --> 00:19:59.079
<v Speaker 1>if to the like if we got two Fredday Krueger's

433
00:19:59.119 --> 00:20:01.559
<v Speaker 1>two movies. But then I think that also like hurts

434
00:20:01.599 --> 00:20:03.839
<v Speaker 1>each other because people will be confused, like what's going

435
00:20:03.880 --> 00:20:06.960
<v Speaker 1>on here, So I really don't know. It's a fascinating

436
00:20:07.000 --> 00:20:09.880
<v Speaker 1>situation with these rights. But at the same time, if

437
00:20:09.880 --> 00:20:12.599
<v Speaker 1>Paramount buys them and it goes through, then it goes

438
00:20:12.599 --> 00:20:14.160
<v Speaker 1>away because then they just got the rights to both

439
00:20:14.160 --> 00:20:16.480
<v Speaker 1>of them. So we'll have to see what happens. I

440
00:20:16.519 --> 00:20:18.039
<v Speaker 1>don't know. I don't love the shot for shot thing,

441
00:20:18.119 --> 00:20:19.759
<v Speaker 1>but as you can hear me and Taylor on different

442
00:20:19.799 --> 00:20:22.359
<v Speaker 1>wavelengths for Barbie and this, so we'll have to see

443
00:20:22.400 --> 00:20:24.480
<v Speaker 1>what happens. Let me check. I think that is everything.

444
00:20:24.640 --> 00:20:30.079
<v Speaker 1>So that's all for the newscast tonight. Tale Fields It

445
00:20:30.400 --> 00:20:33.720
<v Speaker 1>You did, easy, Easy, You're on the road, skull times.

446
00:20:33.759 --> 00:20:37.400
<v Speaker 1>This guy, this guy man, he's you know, eventually you

447
00:20:37.400 --> 00:20:39.079
<v Speaker 1>gotta get that. You gotta get those go out of

448
00:20:39.160 --> 00:20:41.839
<v Speaker 1>pills that I popped one before I'm rocking.

449
00:20:42.480 --> 00:20:45.640
<v Speaker 3>I did have a long str energy. No, sorry, I'm monster.

450
00:20:45.759 --> 00:20:49.480
<v Speaker 2>It was a rain because they've got an orange creamsicle flavor.

451
00:20:49.519 --> 00:20:53.119
<v Speaker 2>And that was on Saturday. That was the night that

452
00:20:54.319 --> 00:20:57.839
<v Speaker 2>two o'clock, no supposed to be three day but yeah,

453
00:20:57.920 --> 00:20:59.519
<v Speaker 2>Kirklam was up laying you're up late, and then I

454
00:20:59.559 --> 00:21:01.480
<v Speaker 2>was I was a rod or not. It's like two

455
00:21:01.480 --> 00:21:03.920
<v Speaker 2>o'clock in the morning, and that was that was great.

456
00:21:03.960 --> 00:21:05.799
<v Speaker 2>I had it at like eight thirty and I was

457
00:21:05.839 --> 00:21:07.119
<v Speaker 2>just wired working.

458
00:21:07.160 --> 00:21:07.759
<v Speaker 3>It was nice.

459
00:21:08.039 --> 00:21:10.359
<v Speaker 1>Well, and that's how I say people were working hard.

460
00:21:10.440 --> 00:21:12.480
<v Speaker 1>Today is working on rod or not. I'm still working

461
00:21:12.480 --> 00:21:14.400
<v Speaker 1>on some edits that I can't talk about. There's a

462
00:21:14.400 --> 00:21:16.039
<v Speaker 1>couple of things I can't talk about yet that are

463
00:21:16.079 --> 00:21:20.240
<v Speaker 1>gonna come out there. It's funny. I wanted to have

464
00:21:21.319 --> 00:21:24.519
<v Speaker 1>the new opening ready for GV Day, but I think,

465
00:21:24.559 --> 00:21:27.160
<v Speaker 1>you know, the Shawan Tombolt. There's something I really want

466
00:21:27.160 --> 00:21:30.359
<v Speaker 1>to use in the new opening, but it would spoil

467
00:21:30.440 --> 00:21:33.160
<v Speaker 1>something that's happening in GV Day. I'll just say the

468
00:21:33.200 --> 00:21:36.359
<v Speaker 1>thing with the sky, the thing with the sky, Oh,

469
00:21:36.839 --> 00:21:38.599
<v Speaker 1>the one that was really good, and I want to

470
00:21:38.799 --> 00:21:40.960
<v Speaker 1>have that in the opening, but I don't know. So

471
00:21:41.359 --> 00:21:43.319
<v Speaker 1>my theory is I might have the stream end with

472
00:21:43.359 --> 00:21:45.920
<v Speaker 1>the opening, maybe start the opening with the og opener,

473
00:21:46.240 --> 00:21:48.480
<v Speaker 1>and then say at the end like, oh, you know cool.

474
00:21:48.519 --> 00:21:50.000
<v Speaker 1>That's what I think I might do because I really

475
00:21:50.039 --> 00:21:52.319
<v Speaker 1>want that in there. So but yeah, we're we're working

476
00:21:52.440 --> 00:21:55.519
<v Speaker 1>lots of stuff. We again, we try our best these streams,

477
00:21:55.519 --> 00:21:58.039
<v Speaker 1>this and Extra Life. There is of course a podcast

478
00:21:58.119 --> 00:21:59.680
<v Speaker 1>element at the gaming element, but we try and make

479
00:21:59.680 --> 00:22:02.119
<v Speaker 1>it a show and worthroughw while in something different and special.

480
00:22:02.200 --> 00:22:04.559
<v Speaker 1>So we hope to see a lot that's August. Like

481
00:22:04.599 --> 00:22:06.319
<v Speaker 1>I said, we got other casts coming out this week,

482
00:22:06.640 --> 00:22:08.599
<v Speaker 1>Taylor's on Side Quest me and TAYR got x men.

483
00:22:08.599 --> 00:22:10.599
<v Speaker 1>We got a preview, maybe another newscast on Wednesday. If

484
00:22:10.640 --> 00:22:12.960
<v Speaker 1>there's stuff, I'm gonna try a new Trys told you

485
00:22:13.000 --> 00:22:16.119
<v Speaker 1>for Cape Crusader. We'll see And yeah, everyone keep listening

486
00:22:16.119 --> 00:22:18.000
<v Speaker 1>to other reviews. Thank you very much for tuning in.

487
00:22:18.079 --> 00:22:19.720
<v Speaker 1>I promise when you hear from us next it will

488
00:22:19.759 --> 00:22:21.039
<v Speaker 1>not be boring.

489
00:22:22.039 --> 00:22:22.519
<v Speaker 3>Bye bye
