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<v Speaker 1>Callaroga Shark Media.

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<v Speaker 2>Hi there, Johnny Mack. This is a bonus episode on

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<v Speaker 2>this Friday, October third. The Mark Maren documentary Are We

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<v Speaker 2>Good hits theaters. This raw, intimate portrait of comedian and

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<v Speaker 2>podcast pioneer Mark Maron follows the sudden loss of his

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<v Speaker 2>partner and filmmaker Lynn Shelton. Maren struggles with grief, disillusionment,

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<v Speaker 2>and a shifting comedy landscape, processing it all both on

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<v Speaker 2>stage and off. My guest today is Julie Sebaw. She

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<v Speaker 2>is the film's producer, story editor, and originator. She'll explain

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<v Speaker 2>where this came from. She's also working on a Mitch

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<v Speaker 2>Hedberg documentary that'll be out in twenty six. We talked

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<v Speaker 2>about that a little as well. Just while I have

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<v Speaker 2>your attention, I hope I have your attention if you're

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<v Speaker 2>listening to my podcast. Earlier today, the Normal Sunday episode

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<v Speaker 2>went out and Johnny Mack's a little punchy on that one.

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<v Speaker 2>That wasn't a lot of fun, So don't blow that

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<v Speaker 2>one off. Let's jump in midsrailer here. The voices you're

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<v Speaker 2>going to hear are David Cross, Mark Maren, and then

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<v Speaker 2>John mulaney This is a snippet from the trailer to

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<v Speaker 2>give you a little taste.

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<v Speaker 1>I met Mark in the early eighties.

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<v Speaker 2>I was one of a handful of people.

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<v Speaker 1>There weren't many who could tolerate them. I couldn't draw,

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<v Speaker 1>no matter how many Conan's I did. And that was

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<v Speaker 1>part of the beginning of the podcast. It's happening. I'm

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<v Speaker 1>Mark Maren. This is my podcast.

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<v Speaker 2>Yeah, there's that lou read line. I accept the new

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<v Speaker 2>found man, and that that is what Mark became. Are

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<v Speaker 2>we good? The Mark Maren documentary in theaters when hour

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<v Speaker 2>thirty seven minutes long. In Deuter's Friday, October third, here's

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<v Speaker 2>Julie Sebaugh. All right, let me ask the lame question.

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<v Speaker 2>Why Mark Maren?

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<v Speaker 1>Why now Martin Mare? Uh? Yeah, there's something about this

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<v Speaker 1>guy in a sea of comedians where he's always stood out.

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<v Speaker 1>I've always been a massive fan. He speaks from not

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<v Speaker 1>just the brain, not just from his gut. You know,

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<v Speaker 1>this is up he has to say, and he needs

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<v Speaker 1>this connection on stage with people kind of in order

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<v Speaker 1>to function, and you see that a lot in comedians.

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<v Speaker 1>But he's just endlessly watchable for his ability to you know,

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<v Speaker 1>pull no punches, no holds barred. He will go there

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<v Speaker 1>anything that is on his mind. And it's been that

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<v Speaker 1>way for you know, his careers now, however, many decades,

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<v Speaker 1>and he never really felt like he was successful or

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<v Speaker 1>influential or moved a needle in any way. And I

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<v Speaker 1>find not extremely interesting that he couldn't see what his

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<v Speaker 1>fans saw. And then I was watching his instagram lives

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<v Speaker 1>when the pandemic struck. He was kind of the first

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<v Speaker 1>one doing those instagrams at that time. Also, just like

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<v Speaker 1>he was popularizing the podcast, and the stuff he was

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<v Speaker 1>shown was more you know, we're going into quarantine and

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<v Speaker 1>Lynn is here and here's the cats. And then it

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<v Speaker 1>changed very grammatically when Lynn suddenly passed away. It was

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<v Speaker 1>an undiagnosed form of leukemia. Came absolutely out of nowhere,

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<v Speaker 1>just lost her super suddenly. After realizing that he had

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<v Speaker 1>found the love of his life, this was kind of

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<v Speaker 1>what he'd been waiting for the whole time. And so

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<v Speaker 1>I was very struck by the question of know, how

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<v Speaker 1>is he going to go on to create comedy material

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<v Speaker 1>after this, and also is she going to stick with him?

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<v Speaker 1>Is he going to be the person he's always been,

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<v Speaker 1>or is he going to be a new, better version

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<v Speaker 1>of Mark Marin from her influence on him and just

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<v Speaker 1>the way he was talking about her was the most raw, beautiful,

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<v Speaker 1>brilliant stuff I'd seen a comedian putting out there, you know,

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<v Speaker 1>through his Instagram and podcast. And they realized someone should

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<v Speaker 1>docu meant this next time in his life. And after

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<v Speaker 1>thinking about it a while, you know, as a major

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<v Speaker 1>fan who started to make films, I realized it was

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<v Speaker 1>me and I put together, you know, all the materials,

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<v Speaker 1>reread the books, you started pulling some of the clips,

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<v Speaker 1>and eventually approached state Stephen fine Arts, who'd made the

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<v Speaker 1>Bitter Buddha documentary that Maren was in, and they had

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<v Speaker 1>kind of a contentuous relationship, which I know is shocking

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<v Speaker 1>with Marvin, but I also knew that he would yell

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<v Speaker 1>at fine Arts through the camera, and so that was

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<v Speaker 1>the reason. Yeah, I kind of feel like I know

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<v Speaker 1>Maren better than he knows him still up at this point,

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<v Speaker 1>because he's talking about he's going to quit comedy, he's

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<v Speaker 1>going to move to Canada, and I'm just knowing, yeah,

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<v Speaker 1>I don't think that's going to happen. I think he's

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<v Speaker 1>going to go on stage and create the best material

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<v Speaker 1>is ever created in his life, and that is what happened.

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<v Speaker 1>And so the documentary basically follows this period his life

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<v Speaker 1>where he's dealing with grief and who's turning it into comedy.

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<v Speaker 1>And I think that's always my favorite thing about stand

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<v Speaker 1>up comedy is how we can use it to help

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<v Speaker 1>us with all of these emotions that the world constantly

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<v Speaker 1>grows at us. And he even says in the doc

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<v Speaker 1>grief is an unusual it happens to everyone. This is

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<v Speaker 1>just my turn. And so yeah, it's just basically following

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<v Speaker 1>following this guy on his journey, and I think that

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<v Speaker 1>people can learn a lot from it. It's funny, it's

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<v Speaker 1>super sad, and there's lots of cats. The cats are

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<v Speaker 1>proving very popular.

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<v Speaker 2>It's amazing in that he's doing his strongest work now

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<v Speaker 2>on this side of just a horrible, devastating tragedy. He's

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<v Speaker 2>at the peak of his powers, and he's about to

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<v Speaker 2>walk away from the podcast when we probably need him most.

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<v Speaker 1>I think you're right about that. Many fans who thinks

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<v Speaker 1>the podcast should not be indeed, But yeah, it's an

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<v Speaker 1>interesting time for him also because he has been trying

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<v Speaker 1>to find a bit more peace in his life. You know,

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<v Speaker 1>he turned sixty. His birthday party, we're just kind of

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<v Speaker 1>looking back at his life is also included in the documentary.

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<v Speaker 1>And he knows that he can be his own worst enemy,

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<v Speaker 1>and I think he's just trying to be an old

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<v Speaker 1>man in peace. Really, he's been fighting for so long,

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<v Speaker 1>and there's definitely new generations, contrary to what he thinks,

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<v Speaker 1>who are maimulating him in terms of knowing really forcing

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<v Speaker 1>themselves to produce quality comedy that's uniquely personal to them

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<v Speaker 1>that no one else could be doing, and also carrying

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<v Speaker 1>his mantle in terms of, you know, his political beliefs.

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<v Speaker 1>He does think that his popularity with his podcast has

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<v Speaker 1>a some negative consequences. You know, the Joe Rogan parallels

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<v Speaker 1>are always very interesting. But yeah, I think he's already

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<v Speaker 1>established his place in the world enough that I don't

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<v Speaker 1>probably doesn't have anything else to prove. We would like

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<v Speaker 1>to continue having him as long as possible. They'll still

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<v Speaker 1>be doing stand up, of course, but yeah, I think

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<v Speaker 1>it's just interesting to kind of look at the podcast

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<v Speaker 1>as a collection of it's committing it to history. For yeah,

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<v Speaker 1>it's already in you know, the Hall of Fame for podcast.

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<v Speaker 1>He's won all the awards. He's going to start doing

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<v Speaker 1>some directing also, so he's continuing to b mart Maron,

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<v Speaker 1>just in different form.

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<v Speaker 2>We talk about the Joe Rogan of the Left. I

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<v Speaker 2>feel like he could be the Joe Rogan of the Left.

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<v Speaker 2>I totally get the podcast is a body of work

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<v Speaker 2>and we're done with it. But I do see a

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<v Speaker 2>scenario where you could do almost something like Bird does. Hey, Mark,

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<v Speaker 2>could you come on on Monday and do twelve minutes

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<v Speaker 2>about politics and be the Joe Rogan of the left.

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<v Speaker 2>You have to go away totally. Like, I get you

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<v Speaker 2>don't want to prep for guests. I get you want

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<v Speaker 2>to take your foot off the gas. It's six years old.

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<v Speaker 2>I get all that, But can you do ten minutes

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<v Speaker 2>every other week?

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<v Speaker 1>I'll just say, as somebody who knows Maren very well

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<v Speaker 1>at this point, I can I can tell what kind

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<v Speaker 1>of a mood he's in by the pants who's wearing,

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<v Speaker 1>Like I will say, I would not be surprised if

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<v Speaker 1>anything like that, Just despite is saying to the contrary,

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<v Speaker 1>because I think he always knows that his fans will

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<v Speaker 1>be there, and you know, again he's infinitely watchable, and

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<v Speaker 1>that he will do different forms of entertainment. But no

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<v Speaker 1>one's gonna tell him what to do. This is Mark Maren.

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<v Speaker 1>We can't shape his opinions.

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<v Speaker 2>Hopefully I have some good questions later. But I do

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<v Speaker 2>have a few name questions up top, and one of

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<v Speaker 2>which was, what is Mark Maren like? Now? I think

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<v Speaker 2>you may have opened the door there where he said

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<v Speaker 2>he just wants to, you know, go a way in peace.

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<v Speaker 2>I think, and hopefully this isn't a false memory. I

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<v Speaker 2>think I had a conversation with him back in two

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<v Speaker 2>thousand and three or four in my early run at

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<v Speaker 2>Serious Satellite Radio. I feel like I was talking to

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<v Speaker 2>him in the lobby and that would have been Air

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<v Speaker 2>America's Mark Mariner right after that period, and he was

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<v Speaker 2>perfectly nice. I have nothing bad to say about him,

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<v Speaker 2>but I just feel like his vibe was like, no,

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<v Speaker 2>I'm good, you know, let me know when it's time

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<v Speaker 2>to go back in the studio, and wasn't looking to hang,

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<v Speaker 2>wasn't looking at a no hang. It just was like,

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<v Speaker 2>I'm just here, I'm good man. Is that how he's like?

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<v Speaker 1>I try to keep a respectful distance and not bother

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<v Speaker 1>him too much, although I fail frequently. Yeah, even before

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<v Speaker 1>this documentary. I'd written the five different journalistic pieces over

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<v Speaker 1>the years, from Village Boys to La Times. Yeah, he

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<v Speaker 1>certainly does have that prickly exterior, but I think we

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<v Speaker 1>know as all comics, it's hiding something for Shure. Even

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<v Speaker 1>now today, he's kind of been experimenting with medication. I

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<v Speaker 1>think a lot of people think he probably just has

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<v Speaker 1>often is a more ADHD. It's gone undiagnosed, and that

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<v Speaker 1>might not be a lodge if there is some exploraging

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<v Speaker 1>in that area. But yeah, I think it's all It's

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<v Speaker 1>a safety mechanism, you know, it really is. Once your

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<v Speaker 1>nervous system is wired in a certain way, it's very

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<v Speaker 1>difficult to change it. I use comedy to try to

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<v Speaker 1>do it personally. But yeah, I think he's trying to

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<v Speaker 1>kind of figure out between the X tier and IN tier.

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<v Speaker 1>Like you said, how to just have more peace in

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<v Speaker 1>his life. It's been sixty years of chaos. Like you know,

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<v Speaker 1>let the man have a good time for once.

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<v Speaker 2>Makes total sense. We'll circle back to Maren for sure.

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<v Speaker 2>I do want to talk about your resume. I love

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<v Speaker 2>having guests on here. I explain to my audience I

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<v Speaker 2>know more about comedy than most people if we go

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<v Speaker 2>down to the bar, there's a good chance I know

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<v Speaker 2>more about it put us on the bar. But the

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<v Speaker 2>other people who know more about comedy than me know

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<v Speaker 2>way more about comedy I do, and I'll put you

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<v Speaker 2>in that bucket because of the work that you've done.

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<v Speaker 2>I've read your pieces, I know some of your upcoming work.

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<v Speaker 2>I know this work. I just love to hear you

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<v Speaker 2>explain to the audience your comedy journey.

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<v Speaker 1>Oh yeah, thanks. I consider myself a professional comedy fan. Really,

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<v Speaker 1>I did not know what stand up comedy was until

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<v Speaker 1>my senior year of college because I grew up on

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<v Speaker 1>a farm in Missouri without cable and not much to

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<v Speaker 1>do other than read. So I had all the books,

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<v Speaker 1>all the magazines. I was very into film and music,

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<v Speaker 1>and I thought I was going to write about that

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<v Speaker 1>one day. So at the University of Missouri, I studied

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<v Speaker 1>journalism and senior year, David tel Caaman did a show

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<v Speaker 1>and I got to interview him beforehand, and then we

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<v Speaker 1>hung out backstage and we went across the street to

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<v Speaker 1>the journalism bar and he got everyone drunk on Ye

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<v Speaker 1>you're misto and so is the height of insomniac, which

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<v Speaker 1>was the most amazing experience for a college senior about

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<v Speaker 1>to unleash themselves on the world of journalism. And I

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<v Speaker 1>immediately moved to New York and started hanging out the

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<v Speaker 1>Comedy Seller and bugging David tell more More all the time,

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<v Speaker 1>still to both day, But yeah, I just fell in

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<v Speaker 1>love with it because at that time, it felt like

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<v Speaker 1>no one was writing about comedy as seriously as we

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<v Speaker 1>see today. This was a time when comedy coverage was

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<v Speaker 1>more shoved than like with the calendar listings or the

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<v Speaker 1>music events, and it wasn't being perceived as individual artists

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<v Speaker 1>with their own perspectives and their own means to say.

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<v Speaker 1>It was just kind of a generic comedy. It's something

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<v Speaker 1>you can watch on the weekends, and I really wanted

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<v Speaker 1>to change that. Yeah, it's been twenty two years of

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<v Speaker 1>writing about comedy. I've recently decided to call myself less

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<v Speaker 1>of a journalist and more of a opera and documentarian,

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<v Speaker 1>but that's a natural progression anyway. But yeah, I've covered

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<v Speaker 1>all the festivals. I've been freelanced for most of the time,

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<v Speaker 1>so have written for basically any title you can think of,

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<v Speaker 1>and I just can't get enough. I love the live

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<v Speaker 1>comedy experience sitting in the bat row of a room

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<v Speaker 1>and watching all these different people from different backgrounds and

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<v Speaker 1>who knows why they're there tonight, but they've all gathered

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<v Speaker 1>in this one space now, laughing at the same thing

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<v Speaker 1>at the same time in a way that's completely unable

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<v Speaker 1>to be recreated again. And I just leave there feeling

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<v Speaker 1>a little bit more optimism for the world. We can

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<v Speaker 1>all agree in this thing. Maybe we'd agree on more

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<v Speaker 1>that doesn't know its work out well. But that's my

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<v Speaker 1>favorite part about comedy, of being able to kind of

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<v Speaker 1>lose yourself in it and feel that sense of connection.

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<v Speaker 1>And I will talk about comedy all day long. If

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<v Speaker 1>someone lets.

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<v Speaker 2>We're coming up with Julie Sebah. The documentary is called

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<v Speaker 2>Are We Good? It's all about Mark Marin. Now. Behind

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<v Speaker 2>the scenes, we had a little bit of audio problems.

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<v Speaker 2>It was almost as if we were in space, like

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<v Speaker 2>if you watch a space movie, say Apollo thirteen, and

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<v Speaker 2>there's that slight delay, and you may have noticed that

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<v Speaker 2>we were sort of speaking in paragraphs. That I didn't

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<v Speaker 2>do what I normally do and jump in mid sentence

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<v Speaker 2>because I'm enthusiastic. So I don't want you to think

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<v Speaker 2>that I wasn't interested in the answers. We knew about

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<v Speaker 2>the glitches, and I told Julie, I'm just going to

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<v Speaker 2>hang back and let you speak in complete sentences so

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<v Speaker 2>I don't step on you. So I didn't mention that

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<v Speaker 2>at the open because I didn't want to poison your

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<v Speaker 2>brain about it. But if for some reason you listen

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<v Speaker 2>to that last segment you're like just not saying anything.

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<v Speaker 2>That's why John isn't saying anything more with Julie Sebaugh

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<v Speaker 2>after this. Now you dropped a note there. I want

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<v Speaker 2>to circle back to can you tell me about the

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<v Speaker 2>roast of Julie? Who roasted you? That must have been amazing.

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<v Speaker 1>My fortieth birthday roaster was held in the belly room

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<v Speaker 1>of the Comedy Store about two and a half weeks

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<v Speaker 1>before Penn. It was sold out, full room. I mean

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<v Speaker 1>the belly rooms very small, but yeah, there's a lot

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<v Speaker 1>of industry and comics there. And at the end it

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<v Speaker 1>was Jeff Ross and Davittel and I said some jokes

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<v Speaker 1>about let's see the Joka talked about Jeff Ross was, uh,

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<v Speaker 1>we're hey, we're in the belly room home of Jeff

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<v Speaker 1>Ross presents Rose Battle and Jeff Ross presents the historical roast.

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<v Speaker 1>When's Jeff Ross going to present his own material? Again?

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<v Speaker 1>That's why I'm not a comic. But do you tell

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<v Speaker 1>every time I have sex dreams about David Tell, I

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<v Speaker 1>wake up covered and hummus, those are the ones I remember.

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<v Speaker 1>But it's also like Mike Lawrence, Brad Williams. There was

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<v Speaker 1>some roast battlers, Jay Light, Nicole Bacannon. Yeah, that was

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<v Speaker 1>probably the highlight of my comedy career as far as

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<v Speaker 1>I'm being roasted for my fortieth and it's all downhill. Yeah,

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<v Speaker 1>it was a great night. I was too nervous to

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<v Speaker 1>really enjoy it, but looking back, that was really really special.

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<v Speaker 2>I love to tell. If I had to bet on

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<v Speaker 2>one comedian do fifteen minutes and just crushing the room.

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<v Speaker 2>You can't touch your normal material, just wing fifteen minutes,

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<v Speaker 2>I would pick David Tel.

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<v Speaker 1>Yeah. Just the idea of seeing this guy who we

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<v Speaker 1>all think is so brillant, and we all watched his

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<v Speaker 1>last special probably four or five times each.

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<v Speaker 2>I know it.

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<v Speaker 1>I know it's true, and he doesn't think he's that

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<v Speaker 1>good either. I even reproached him about different projects in

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<v Speaker 1>the past, and he's like ah, nobody cares like No,

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<v Speaker 1>people care You're You're very influential and insomniac, got a

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<v Speaker 1>lot of people into comedy myself. Yeah, so I would

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<v Speaker 1>love to do something on him at some point, but

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<v Speaker 1>you gotta again get past that exterior. I'm gonna keep

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<v Speaker 1>working on it.

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<v Speaker 2>Well, let's zero in on the documentary. Who's part of it?

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<v Speaker 2>How did it come together? And how do you get

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<v Speaker 2>Mark Merin even agreed to this thing.

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<v Speaker 1>Yeah, after Lynn died and I started realizing that something

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<v Speaker 1>needs to be made, it was either going to be

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<v Speaker 1>a film or you know, just a regular journalism piece

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<v Speaker 1>something like that. The first time when Fine Arts and

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<v Speaker 1>I approached him was via email to have a zoom pitch,

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<v Speaker 1>which he was completely noncommittal to in late twenty twenty.

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<v Speaker 1>We had another one in early spring, and then when

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<v Speaker 1>the venues started reopening after COVID in May of twenty

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<v Speaker 1>twenty one, and he went up at the Comedy Store finally,

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<v Speaker 1>after a week it had been open, and he'd been

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<v Speaker 1>saying he's quitting moving Canada all that stuff, And when

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<v Speaker 1>I thought he was going to be there, I told

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<v Speaker 1>Fine Arts to bring a camera and show up at

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<v Speaker 1>the Comedy store and we went in and basically told

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<v Speaker 1>him he we're doing this now, and you know, he

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<v Speaker 1>realizes when things can be of value to him and

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<v Speaker 1>it did take a while to kind of break down

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<v Speaker 1>the external shell. But it really is the most raw

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<v Speaker 1>you've ever seen him in a lot of ways. Again,

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<v Speaker 1>there's laughing, that's crying, there's again the cats are a

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<v Speaker 1>big part of it as well. But yeah, when you

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<v Speaker 1>start to get people like John Mulaney, some great stories

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<v Speaker 1>from Caroline Ray, David Cross, Sam Lipsy, his best friend,

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<v Speaker 1>his producer Brendan McDonald, to really kind of fill in

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<v Speaker 1>these places in his story over his life or he

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<v Speaker 1>might have one view of it, but people have a

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<v Speaker 1>different view of it. And actually when he watched it

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<v Speaker 1>for the first time, the first cut he saw was

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<v Speaker 1>the last week of February before South By Southwest, and

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<v Speaker 1>I remember getting an email from him and he said

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<v Speaker 1>he actually learned a lot about himself from watching it.

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<v Speaker 1>So I think it was just trusting that process of

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<v Speaker 1>you know who, those people can tell this story in

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<v Speaker 1>the right way and they're not going to screw over

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<v Speaker 1>And yeah, it was just kind of which is Yeah,

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<v Speaker 1>it was. It was a five year labor of love

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<v Speaker 1>that I think we're all really proud.

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<v Speaker 2>Of in the end, is this therapy for him or

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<v Speaker 2>is this like a low key victory lap or he

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<v Speaker 2>wouldn't admit to that, or both or neither, Yeah, all

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<v Speaker 2>the above. Maybe.

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<v Speaker 1>Yeah, He's definitely still doing therapy here here and there.

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<v Speaker 1>He might think it's not enough, but and still you

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<v Speaker 1>know his meetings, you know the recovery meetings, those are

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<v Speaker 1>still in full effect. I do think that the timing

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<v Speaker 1>of him wanting to quit the podcast now is very

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<v Speaker 1>interesting because he does view it as a statement piece

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<v Speaker 1>about Mark Marin and kind of wrapping up this circle

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<v Speaker 1>of this time in his life. Yeah. I think it's

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<v Speaker 1>going to be a matter of really being honest with

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<v Speaker 1>himself and really opening the door to new possibilities. I

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<v Speaker 1>think he's trying. It's hard. It's hard for all of us,

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<v Speaker 1>and he's just the one we're watching do it and

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<v Speaker 1>try to hit some inspiration in the meantime.

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<v Speaker 2>It's so interesting about Pete Mehren. His last special clearly

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<v Speaker 2>is best. He's even said that, And I teach you

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<v Speaker 2>a few college classes. They teach you about the Obama

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<v Speaker 2>episode as the best podcast episode ever done. No qualifier.

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<v Speaker 2>The reason I say that, if you listen to it.

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<v Speaker 2>At first, the President of the United States shows up,

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<v Speaker 2>and then at some point mister Obama drops that he's

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<v Speaker 2>just baracking a garage having a conversation with Mark, and

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<v Speaker 2>towards the end the President of the United States comes back.

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<v Speaker 2>But for the middle there there's two guys in a

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<v Speaker 2>garage and it's beautiful.

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<v Speaker 1>Yeah, that's the whole goal of WTF is. He wanted

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<v Speaker 1>real people to drop the facade and have a conversation

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<v Speaker 1>with him person to persian, and the formula has worked

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<v Speaker 1>extremely well. My favorite episode is Todd Glass personally because

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<v Speaker 1>when we went on and chose that as a platform

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<v Speaker 1>to come out of the closet and kind of tell

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<v Speaker 1>his story, it was Maren that he trusted and it

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<v Speaker 1>was so again, so beautiful. Just the trust he put

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<v Speaker 1>in Maren and the idea that this was the platform

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<v Speaker 1>where comics felt safe and understood, I thought was hugely just.

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<v Speaker 1>I listened to that all the time, still in a

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<v Speaker 1>lot of ways for different and also I know todded

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<v Speaker 1>last too, but there's just a different way of interacting

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<v Speaker 1>when you can shut out all those distractions and you're

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<v Speaker 1>in the sound proper and it's just you another person

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<v Speaker 1>where you can really I'm going to use the word

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<v Speaker 1>unmask which has to do with neurodivergens. But there's yeah,

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<v Speaker 1>something uniek he created in that he wanted to be

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<v Speaker 1>liked and we wanted to like him, and this was

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<v Speaker 1>kind of our from Avatar for doing so. So yeah,

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<v Speaker 1>I think there's this I would I want to hear

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<v Speaker 1>more about your class, but I think there's endlessly examples

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<v Speaker 1>and I want to take it. I want to take

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<v Speaker 1>your book. Yeah, they're just endless examples of moments from

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<v Speaker 1>the podcast that you know, you really see humanity, you

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<v Speaker 1>know in a way that a lot of these comedians

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<v Speaker 1>and actors and everyone else he has on. It's not

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<v Speaker 1>just typical promotion. And again it says in the movie

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<v Speaker 1>like you're coming into Maren's world, you have to talk

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<v Speaker 1>to him. You have to be yourself. That's the reason

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<v Speaker 1>why WTF has worked all this time.

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<v Speaker 2>So when you flip that and Mark's on the other

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<v Speaker 2>side of the camera, how do you make sure you're

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<v Speaker 2>capturing real Mark Maren and not know I'm on camera

400
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<v Speaker 2>right now, I better turn it on or show this

401
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<v Speaker 2>side of my personality. How do you get the real guy?

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<v Speaker 1>I feel like the real Mark Maren is never far

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<v Speaker 1>from the service. It's oways bursting to come out. And

404
00:22:49.319 --> 00:22:52.640
<v Speaker 1>it really was just a matter of waiting for those moments,

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<v Speaker 1>and we had a lot of footage, We went to

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<v Speaker 1>a lot of cities and again five year labor of love,

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<v Speaker 1>and it was just a matter of really going in

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<v Speaker 1>and focusing on what are the actual merit moments, you know,

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<v Speaker 1>what is uniquely and what is he's saying that no

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<v Speaker 1>one else is going to say, and also being really

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<v Speaker 1>truthful about it and not making it a promotional or

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<v Speaker 1>a pup piece or anything like that. And again he

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<v Speaker 1>didn't see it until the end, so I can say

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<v Speaker 1>all of that. And yet also in certain ways he

415
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<v Speaker 1>didn't have a choice. What's what He decided this is

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<v Speaker 1>going to be a real thing with real emotions, and

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<v Speaker 1>we were all just kind of along for the ride

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<v Speaker 1>with it together with him.

419
00:23:40.400 --> 00:23:42.880
<v Speaker 2>How does it work creatively? Does he have sign off

420
00:23:42.960 --> 00:23:45.279
<v Speaker 2>at all if he doesn't like the final version of it?

421
00:23:46.039 --> 00:23:47.880
<v Speaker 2>So there's the legal aspect of the question, there's the

422
00:23:47.920 --> 00:23:50.640
<v Speaker 2>spiritual aspect of that question. And he clearly didn't set

423
00:23:50.680 --> 00:23:52.119
<v Speaker 2>up to do a hit piece on Mark Marron. But

424
00:23:52.160 --> 00:23:54.400
<v Speaker 2>along the way if we found out, I don't know,

425
00:23:54.559 --> 00:23:57.079
<v Speaker 2>he throws eggs at children on Halloween, and he was like,

426
00:23:57.119 --> 00:23:59.799
<v Speaker 2>don't put that in. That makes me look jerky. What's

427
00:24:00.000 --> 00:24:02.759
<v Speaker 2>signe off there? What's the verbal agreement, the spiritual agreement?

428
00:24:02.799 --> 00:24:04.680
<v Speaker 2>And how do you approach that as a creator?

429
00:24:04.799 --> 00:24:07.559
<v Speaker 1>The only thing was if he could say if something

430
00:24:07.680 --> 00:24:12.799
<v Speaker 1>made him uncomfortable, and there was none of it at all.

431
00:24:14.000 --> 00:24:16.720
<v Speaker 1>There was a few jokes that some of the interviewees

432
00:24:16.839 --> 00:24:20.720
<v Speaker 1>made at his expense that got removed that didn't really

433
00:24:20.759 --> 00:24:22.720
<v Speaker 1>add anything to the story, but that was really it.

434
00:24:24.000 --> 00:24:30.400
<v Speaker 1>He saw it about ninety nine percent as audience. We'll

435
00:24:30.440 --> 00:24:34.599
<v Speaker 1>start seeing it next week on Friday. Yeah, he was

436
00:24:34.759 --> 00:24:37.160
<v Speaker 1>very trusting, probably more so than he should have been.

437
00:24:37.359 --> 00:24:41.440
<v Speaker 2>That's a very interesting answer. Let's expand on that. More

438
00:24:41.480 --> 00:24:43.359
<v Speaker 2>than he should have been? What do you mean there?

439
00:24:44.039 --> 00:24:47.640
<v Speaker 1>It really was just about having these previous relationships. I

440
00:24:47.680 --> 00:24:51.359
<v Speaker 1>don't think anybody else could have pulled this off. I've

441
00:24:51.400 --> 00:24:53.839
<v Speaker 1>known him for fifteen years. I think Fine Arts was

442
00:24:53.920 --> 00:24:57.319
<v Speaker 1>maybe a little bit less, and that was kind of

443
00:24:57.359 --> 00:24:59.559
<v Speaker 1>all the people he had to deal with. Nobody else,

444
00:25:00.599 --> 00:25:04.880
<v Speaker 1>So it was just really having this circle of knowing

445
00:25:05.839 --> 00:25:08.400
<v Speaker 1>we're gonna all do the right thing here and make it,

446
00:25:09.400 --> 00:25:12.519
<v Speaker 1>like I said, not a hit piece, not a puff piece,

447
00:25:12.680 --> 00:25:16.240
<v Speaker 1>but honest, you know, I'm someone who's done journalism twenty

448
00:25:16.279 --> 00:25:17.960
<v Speaker 1>two years and that's what I want. I want a

449
00:25:18.039 --> 00:25:23.920
<v Speaker 1>journalistic story where you're showing, not telling. Everything speaks for itself.

450
00:25:24.119 --> 00:25:28.200
<v Speaker 1>You don't need to color it with opinions. Yeah, I

451
00:25:28.799 --> 00:25:32.640
<v Speaker 1>cannot say how proud I am of finally getting this done.

452
00:25:32.839 --> 00:25:37.440
<v Speaker 1>And I think it's very emotional and you're actually kind

453
00:25:37.440 --> 00:25:39.839
<v Speaker 1>of getting me like thinking like, yeah, we really did

454
00:25:39.960 --> 00:25:43.079
<v Speaker 1>do a good job here. When you're caught up in

455
00:25:43.160 --> 00:25:47.000
<v Speaker 1>it for five years, it's hard to see that. But yeah,

456
00:25:47.440 --> 00:25:51.799
<v Speaker 1>I'm not sure other than like, Maren's an amazing subject

457
00:25:52.119 --> 00:25:55.559
<v Speaker 1>and when he allows you to do what you do best,

458
00:25:56.519 --> 00:25:57.519
<v Speaker 1>then everyone wins.

459
00:25:57.799 --> 00:26:00.559
<v Speaker 2>You're really speaking about trust and the entertainment industries. We

460
00:26:00.640 --> 00:26:02.839
<v Speaker 2>both know there are a few people that aren't so awesome.

461
00:26:03.000 --> 00:26:05.640
<v Speaker 2>There are a few people are awesome. There's someone aren't awesome.

462
00:26:06.160 --> 00:26:08.599
<v Speaker 2>And I think that knowing you're working with somebody who's

463
00:26:08.640 --> 00:26:10.720
<v Speaker 2>not going to hand in a hit piece or a

464
00:26:10.839 --> 00:26:14.759
<v Speaker 2>jerk face piece, I think that really goes a long way.

465
00:26:14.839 --> 00:26:16.920
<v Speaker 2>So I'll plaud you for that for having that with

466
00:26:17.039 --> 00:26:19.640
<v Speaker 2>Mark Marin, who I imagine is guarded.

467
00:26:20.000 --> 00:26:24.000
<v Speaker 1>You are correct, Yes, it really has this been you

468
00:26:24.079 --> 00:26:29.559
<v Speaker 1>know again, she's known us for so long. That being said, Uh,

469
00:26:29.839 --> 00:26:34.200
<v Speaker 1>here's a tip for everyone, especially the ladies. Get it

470
00:26:34.279 --> 00:26:38.200
<v Speaker 1>all on writing record all of your meetings. Don't allow

471
00:26:38.240 --> 00:26:41.880
<v Speaker 1>yourself to be in a position of taking advantage of Uh.

472
00:26:42.400 --> 00:26:45.160
<v Speaker 1>That's yeah, that's just a tip for everyone. Protect yourselves,

473
00:26:45.640 --> 00:26:49.240
<v Speaker 1>but also don't lose that humanity and trust. At the

474
00:26:49.279 --> 00:26:51.799
<v Speaker 1>same time, just backing up with some paperwar.

475
00:26:51.720 --> 00:26:54.720
<v Speaker 2>We're coming up with Julie Seabaws we talk about the documentary.

476
00:26:55.079 --> 00:26:58.039
<v Speaker 2>Are we good? All about Mark Maron? Because I'm an

477
00:26:58.039 --> 00:26:59.559
<v Speaker 2>honest person, I just want to let you know in

478
00:26:59.599 --> 00:27:03.440
<v Speaker 2>that last I did revoice my questions to clear up

479
00:27:03.480 --> 00:27:06.440
<v Speaker 2>some audio glitches, but you didn't notice. Did you know

480
00:27:06.559 --> 00:27:12.799
<v Speaker 2>you didn't? You are also working on a Mitch Hedberg documentary.

481
00:27:12.920 --> 00:27:14.880
<v Speaker 2>Now I'm obsessed with Mitch Edburg. When I heard this

482
00:27:14.920 --> 00:27:17.319
<v Speaker 2>thing was happening, I couldn't wait for it. As I

483
00:27:17.400 --> 00:27:19.960
<v Speaker 2>prepped for a conversation today, I saw that you had

484
00:27:20.039 --> 00:27:23.519
<v Speaker 2>mentioned in a different interview that Mitch Hepburg was a

485
00:27:23.599 --> 00:27:24.759
<v Speaker 2>good interview himself.

486
00:27:25.160 --> 00:27:28.680
<v Speaker 1>I did interview him for a couple different times, but

487
00:27:28.799 --> 00:27:32.480
<v Speaker 1>the main one was for Las Vegas Weekly about six

488
00:27:32.599 --> 00:27:36.359
<v Speaker 1>months before it passed away. This was for the Stephen

489
00:27:36.519 --> 00:27:41.119
<v Speaker 1>Lynch Comedy Central Live tour that they did, and he

490
00:27:41.319 --> 00:27:46.000
<v Speaker 1>was just so expansive and personal and was talking about

491
00:27:47.359 --> 00:27:50.960
<v Speaker 1>loving Lynn, his wife, and the relationship he wanted to

492
00:27:51.079 --> 00:27:54.079
<v Speaker 1>have with his parents, and how he just wanted to

493
00:27:54.160 --> 00:27:56.440
<v Speaker 1>be a free spirit, and these are all things we

494
00:27:56.519 --> 00:27:59.440
<v Speaker 1>loved about Mitch. Anyway, he was another like you can

495
00:27:59.519 --> 00:28:03.839
<v Speaker 1>just tell he's good birth and yeah, his story is

496
00:28:03.960 --> 00:28:07.079
<v Speaker 1>endlessly fascinating to me. He was always my number one.

497
00:28:07.640 --> 00:28:11.480
<v Speaker 1>We have the same birthday. I actually knew his mother

498
00:28:11.680 --> 00:28:15.839
<v Speaker 1>fairly well before she passed away in twenty twelve. But yeah,

499
00:28:15.960 --> 00:28:18.160
<v Speaker 1>we all know the Mitch Hedberg story is one that

500
00:28:18.400 --> 00:28:22.680
<v Speaker 1>is so evergreen. His material can be listened to forever.

501
00:28:23.960 --> 00:28:28.920
<v Speaker 1>It's not about you know, political jokes or sex jokes

502
00:28:29.240 --> 00:28:32.559
<v Speaker 1>or even I think he maybe had one or two

503
00:28:32.680 --> 00:28:36.559
<v Speaker 1>curse words in his material ever, but just the most

504
00:28:36.680 --> 00:28:41.640
<v Speaker 1>pure mind of you know, these kind of well thought

505
00:28:41.680 --> 00:28:45.880
<v Speaker 1>out one liners that put a whole new perspective on

506
00:28:45.920 --> 00:28:49.440
<v Speaker 1>the world. And like you see things through Mitch's lens

507
00:28:49.759 --> 00:28:53.759
<v Speaker 1>when you hear it its material. It's completely unlike anyone else,

508
00:28:54.160 --> 00:28:57.200
<v Speaker 1>although he definitely has a lot of imitators these days.

509
00:28:57.279 --> 00:28:59.599
<v Speaker 1>For sure, I could name a lot of them, but

510
00:28:59.680 --> 00:29:02.039
<v Speaker 1>I will. No one has ever really known the full

511
00:29:02.119 --> 00:29:05.599
<v Speaker 1>Mitch Hedward story because in a lot of ways, it

512
00:29:05.799 --> 00:29:08.079
<v Speaker 1>ended in two thousand and five when he died, when

513
00:29:08.119 --> 00:29:12.039
<v Speaker 1>the Internet was just coming into its own and social media,

514
00:29:12.119 --> 00:29:14.680
<v Speaker 1>whereas you know, kind of the treasure trovee of all

515
00:29:14.759 --> 00:29:18.359
<v Speaker 1>his material. These days, you can watch endless quips and

516
00:29:18.720 --> 00:29:22.200
<v Speaker 1>there's so much about his life that is completely uncovered.

517
00:29:22.920 --> 00:29:26.440
<v Speaker 1>People kind of know that he gives some comedy in Seattle,

518
00:29:27.359 --> 00:29:31.119
<v Speaker 1>but that's about it. But there's a whole entire life

519
00:29:31.400 --> 00:29:34.559
<v Speaker 1>before he was really well known in about ninety eight

520
00:29:35.319 --> 00:29:40.359
<v Speaker 1>that we cover all the entire thing from first hand sources.

521
00:29:40.480 --> 00:29:44.920
<v Speaker 1>That again, Jeff Siegel, the director, has been very adamant

522
00:29:45.000 --> 00:29:49.000
<v Speaker 1>about tracking down everyone. It's over one hundred plus people

523
00:29:50.200 --> 00:29:53.799
<v Speaker 1>and it's gonna be eventually. We've wanted to kind of

524
00:29:53.880 --> 00:29:57.079
<v Speaker 1>keep it small circle and do it the right way

525
00:29:57.720 --> 00:30:00.200
<v Speaker 1>because a lot of people, myself included, have tried to

526
00:30:00.240 --> 00:30:03.480
<v Speaker 1>do different Mitch projects in the past, and there are

527
00:30:03.559 --> 00:30:07.640
<v Speaker 1>reasons that they get shut down, and we kind of

528
00:30:08.000 --> 00:30:12.079
<v Speaker 1>went around some of these reasons for this, and that's

529
00:30:12.160 --> 00:30:16.640
<v Speaker 1>why it's actually going to finally happen. And I cannot

530
00:30:16.720 --> 00:30:19.960
<v Speaker 1>say enough how much this will be a career highlight,

531
00:30:20.200 --> 00:30:23.000
<v Speaker 1>and I know full well, but everything else is dath

532
00:30:23.079 --> 00:30:24.039
<v Speaker 1>ill prem here.

533
00:30:24.839 --> 00:30:27.200
<v Speaker 2>I hope it creates another Mitch renaissance. We had one

534
00:30:27.200 --> 00:30:29.240
<v Speaker 2>when the Internet really took off. But he has so

535
00:30:29.319 --> 00:30:31.880
<v Speaker 2>many signature bits, like if I run into a can

536
00:30:31.960 --> 00:30:34.440
<v Speaker 2>of mister Pibb at the supermarket, I will take a

537
00:30:34.480 --> 00:30:36.799
<v Speaker 2>photo of it and send it to somebody. If I'm

538
00:30:36.799 --> 00:30:39.119
<v Speaker 2>at Hershey Park and they're selling frozen bananas, my daughter

539
00:30:39.160 --> 00:30:40.839
<v Speaker 2>gets a ten minute routine about how I don't want

540
00:30:40.839 --> 00:30:42.599
<v Speaker 2>a frozen banana now, but I might want a regular

541
00:30:42.599 --> 00:30:45.920
<v Speaker 2>banana later. If I'm at a subway, she gets a

542
00:30:46.079 --> 00:30:49.079
<v Speaker 2>duck's bits. It's all just in my brain, So it'd

543
00:30:49.119 --> 00:30:52.319
<v Speaker 2>be great to see another wave of it. I just

544
00:30:52.359 --> 00:30:54.880
<v Speaker 2>feel like edburg Mania has cooled off over time. It

545
00:30:54.920 --> 00:30:57.599
<v Speaker 2>will happen to anybody who's not putting out active material,

546
00:30:58.039 --> 00:31:00.240
<v Speaker 2>But you know, I really look forward to this.

547
00:31:00.559 --> 00:31:03.599
<v Speaker 1>All of us on this team, there's four core members

548
00:31:03.640 --> 00:31:07.680
<v Speaker 1>that we all knew Mitch personally, and it loved him

549
00:31:07.720 --> 00:31:14.160
<v Speaker 1>adored him, and the idea that he does continue having

550
00:31:14.240 --> 00:31:17.279
<v Speaker 1>this legacy is sort of part of the you know,

551
00:31:17.599 --> 00:31:22.519
<v Speaker 1>the pitching per se. His album Mitch Altogether only went

552
00:31:22.640 --> 00:31:25.279
<v Speaker 1>gold a couple of years ago, and we actually have

553
00:31:25.400 --> 00:31:30.160
<v Speaker 1>footage of Jack Vaughn from Comedy Central Records presenting Mitch's father,

554
00:31:30.480 --> 00:31:33.480
<v Speaker 1>Arnie with the gold record that would have been Mitch's.

555
00:31:34.279 --> 00:31:37.480
<v Speaker 1>So that's kind of a team we have in the documentary.

556
00:31:37.599 --> 00:31:41.519
<v Speaker 1>Not not to give it all away, but he does

557
00:31:41.640 --> 00:31:45.279
<v Speaker 1>continue selling. It's true, and especially you know on the

558
00:31:45.359 --> 00:31:49.519
<v Speaker 1>digital stations the Comedy Central Records on serious Sex and

559
00:31:49.519 --> 00:31:53.839
<v Speaker 1>then plays his step all the time. Yeah, he's kind

560
00:31:53.880 --> 00:31:56.960
<v Speaker 1>of perfect for those clips of chopping them up with

561
00:31:57.079 --> 00:32:00.960
<v Speaker 1>small amounts the bite size of Mitch hedbird jokes. Yeah,

562
00:32:01.160 --> 00:32:04.279
<v Speaker 1>and even our team kind of what you're saying, we

563
00:32:04.680 --> 00:32:06.880
<v Speaker 1>still responded his stuff all the time. I said a

564
00:32:06.920 --> 00:32:10.319
<v Speaker 1>picture broke an escalator to the team the other day

565
00:32:10.960 --> 00:32:14.000
<v Speaker 1>because we just want to talk about him all the time,

566
00:32:15.079 --> 00:32:17.000
<v Speaker 1>or like this is hey, I lived by the Coach

567
00:32:17.039 --> 00:32:19.079
<v Speaker 1>and Horses Bar where he used to go with Doug

568
00:32:19.160 --> 00:32:24.039
<v Speaker 1>Stanhope and they once met Quentin Tarantino, and that'll be

569
00:32:24.119 --> 00:32:28.119
<v Speaker 1>a story. We're constantly geeking out about Mitch through this

570
00:32:28.279 --> 00:32:32.960
<v Speaker 1>whole process. It's the best project, and again, it will

571
00:32:33.039 --> 00:32:34.240
<v Speaker 1>never be as good as this one.

572
00:32:34.640 --> 00:32:37.079
<v Speaker 2>I also know Jack Vaughan. He has the job now

573
00:32:37.400 --> 00:32:38.960
<v Speaker 2>that I used to have, and I knew him when

574
00:32:38.960 --> 00:32:40.799
<v Speaker 2>he was running Comedy Central Records, and we did the

575
00:32:40.799 --> 00:32:43.880
<v Speaker 2>Comedy Central Radio deal together. So at some point I

576
00:32:44.000 --> 00:32:46.720
<v Speaker 2>wanted to do a Headbird tribute on serious comedy. This

577
00:32:46.880 --> 00:32:49.519
<v Speaker 2>was pre merger. But I'm not a ghoul, so I'm

578
00:32:49.559 --> 00:32:51.160
<v Speaker 2>not going to call in Shawcroft and be like, hey,

579
00:32:51.160 --> 00:32:52.960
<v Speaker 2>your husband died yesterday. Can we do something? You know,

580
00:32:53.400 --> 00:32:56.559
<v Speaker 2>I waited maybe nine months a year. She said nobody

581
00:32:56.599 --> 00:32:58.359
<v Speaker 2>had really reached down to her. So she comes in

582
00:32:58.440 --> 00:33:00.440
<v Speaker 2>and we do the tribute and stand Hope's part of it.

583
00:33:00.960 --> 00:33:03.559
<v Speaker 2>And I wound up in the back studio with her,

584
00:33:03.559 --> 00:33:05.559
<v Speaker 2>a really small studio and smaller than the room that

585
00:33:05.599 --> 00:33:10.119
<v Speaker 2>I'm in now, and she had Mitch's cassettes and she

586
00:33:10.319 --> 00:33:12.119
<v Speaker 2>hadn't listened to them. I'm telling you this is a

587
00:33:12.200 --> 00:33:14.039
<v Speaker 2>true story. I was sitting there with a woman and

588
00:33:14.160 --> 00:33:16.400
<v Speaker 2>she hadn't heard them. I saw her emotionally react to them,

589
00:33:16.440 --> 00:33:20.799
<v Speaker 2>and she's playing some late in life sets Mitch had

590
00:33:20.880 --> 00:33:24.839
<v Speaker 2>done and I said to her, you've got an album here,

591
00:33:25.079 --> 00:33:27.400
<v Speaker 2>and I don't make albums. I don't want anything out

592
00:33:27.440 --> 00:33:28.799
<v Speaker 2>of this. I just want to hear the materials A

593
00:33:28.880 --> 00:33:30.880
<v Speaker 2>fan and connected her with Jack and that's where that

594
00:33:30.960 --> 00:33:34.200
<v Speaker 2>posthumous album came from. And it was just I'm so

595
00:33:34.440 --> 00:33:36.079
<v Speaker 2>glad that that material got out there.

596
00:33:37.680 --> 00:33:41.920
<v Speaker 1>Mitch was already under contract for an album where he died,

597
00:33:42.880 --> 00:33:46.240
<v Speaker 1>and as far as I know, Wynn had to produce one.

598
00:33:46.960 --> 00:33:50.119
<v Speaker 1>But yeah, I guess it was. Yeah, it wasn't going

599
00:33:50.200 --> 00:33:52.200
<v Speaker 1>to be clear where that material was going to come from.

600
00:33:52.400 --> 00:33:54.720
<v Speaker 1>And I remember that tribute you did too. I was

601
00:33:54.880 --> 00:33:56.720
<v Speaker 1>listening to it crying the whole time too.

602
00:33:57.400 --> 00:34:01.599
<v Speaker 2>It was amazing. I never got meet him. The other

603
00:34:01.880 --> 00:34:04.519
<v Speaker 2>touchdown in my career there was because I remember the

604
00:34:04.559 --> 00:34:07.799
<v Speaker 2>day clearly. We were doing Jim Brewers Afternoon Show and

605
00:34:07.880 --> 00:34:09.800
<v Speaker 2>we were at the car show in New York City

606
00:34:10.599 --> 00:34:14.119
<v Speaker 2>and Jim was crossy because the night before Jim had

607
00:34:14.199 --> 00:34:19.000
<v Speaker 2>to cover for Mitch Heedbergh who didn't show up for reasons.

608
00:34:19.519 --> 00:34:21.320
<v Speaker 2>We didn't know what happened, and we heard in the

609
00:34:21.400 --> 00:34:23.199
<v Speaker 2>middle of the show. We all we're at the car

610
00:34:23.320 --> 00:34:27.159
<v Speaker 2>show and Jim's performing two hundreds of people live and

611
00:34:27.320 --> 00:34:30.039
<v Speaker 2>we heard this. We were all just devastated, and you know,

612
00:34:30.119 --> 00:34:32.760
<v Speaker 2>Brewer did the radio show and then we all felt

613
00:34:32.880 --> 00:34:34.880
<v Speaker 2>like jack holes for the way we were, you know,

614
00:34:35.000 --> 00:34:36.960
<v Speaker 2>five minutes ago. It was like, ah, I can't believe

615
00:34:37.000 --> 00:34:39.119
<v Speaker 2>that guy didn't show up, and they're like, oh my god.

616
00:34:39.239 --> 00:34:41.360
<v Speaker 2>It was just I can still feel it coming back

617
00:34:41.400 --> 00:34:42.280
<v Speaker 2>as I tell you the story.

618
00:34:42.679 --> 00:34:45.880
<v Speaker 1>Yeah, I remember the feeling of it hitting me when

619
00:34:45.920 --> 00:34:49.639
<v Speaker 1>I heard too. I was returning from a comedy show

620
00:34:49.719 --> 00:34:51.719
<v Speaker 1>late at night. I was living in New York at

621
00:34:51.760 --> 00:34:55.159
<v Speaker 1>that time and had just seen him at Carolines just

622
00:34:55.280 --> 00:34:58.360
<v Speaker 1>before with all the when all the rock stars were there.

623
00:34:58.679 --> 00:35:03.760
<v Speaker 1>Mike Brobiglia opened partially that weekend, and someone wrote me

624
00:35:04.159 --> 00:35:07.000
<v Speaker 1>a message that said, by now you've heard that Mitch

625
00:35:07.079 --> 00:35:10.719
<v Speaker 1>Hedberg gets passed away, and I have not until that message.

626
00:35:11.639 --> 00:35:15.679
<v Speaker 1>And the message went on to say something to the

627
00:35:15.760 --> 00:35:19.239
<v Speaker 1>effect of he liked his fans and he knew you

628
00:35:19.360 --> 00:35:23.280
<v Speaker 1>were one of them, and that's what's important. But yeah,

629
00:35:23.559 --> 00:35:26.480
<v Speaker 1>I had a terrible month, that entire month when he died.

630
00:35:27.000 --> 00:35:29.159
<v Speaker 1>A lot of people I think did I don't know

631
00:35:29.159 --> 00:35:32.679
<v Speaker 1>if you were at the Carolines memorial, but I've blocked

632
00:35:32.719 --> 00:35:36.760
<v Speaker 1>a lot of that out because it was so emotionally devastating.

633
00:35:37.039 --> 00:35:39.840
<v Speaker 1>I was sitting next to this publicist, Michael O'Brien on

634
00:35:39.920 --> 00:35:41.679
<v Speaker 1>this side of me, and I had a program on

635
00:35:41.800 --> 00:35:44.559
<v Speaker 1>this side of me, and I couldn't look up at anyone.

636
00:35:45.440 --> 00:35:47.840
<v Speaker 1>I just kept looking down at this program of tears

637
00:35:47.920 --> 00:35:52.280
<v Speaker 1>streaming down life face the entire time. But I do

638
00:35:52.559 --> 00:35:55.360
<v Speaker 1>the few things I do remember is davidtel being on

639
00:35:55.440 --> 00:35:59.679
<v Speaker 1>stage cry and that was horrifictasy. The same with Mike Robiglia.

640
00:36:00.679 --> 00:36:04.760
<v Speaker 1>But then also towards the ending, they let in just

641
00:36:04.840 --> 00:36:07.679
<v Speaker 1>a bunch of fans who had kind of clambered around outside,

642
00:36:08.639 --> 00:36:11.639
<v Speaker 1>and they were telling the stories that we heard about

643
00:36:11.719 --> 00:36:14.440
<v Speaker 1>the time he bought the college students an air conditioner,

644
00:36:14.920 --> 00:36:18.280
<v Speaker 1>or someone needed a radiator for his car and Mitch

645
00:36:18.519 --> 00:36:21.920
<v Speaker 1>bought them a radiator for the Those stories came out

646
00:36:21.960 --> 00:36:26.800
<v Speaker 1>as well. And that was also the first time Jana Johnson,

647
00:36:27.320 --> 00:36:30.360
<v Speaker 1>his longtime girlfriend of nine years prior to Lynn and

648
00:36:31.119 --> 00:36:34.840
<v Speaker 1>the woman who's very essentially responsible for his career, and

649
00:36:34.920 --> 00:36:37.559
<v Speaker 1>she was managing him and got them every opportunity that

650
00:36:37.679 --> 00:36:43.239
<v Speaker 1>she could. She had an elegy that eulogy that she

651
00:36:43.320 --> 00:36:48.119
<v Speaker 1>had written that was the first biographical account of Mitch

652
00:36:48.679 --> 00:36:51.800
<v Speaker 1>before we all started really knowing him around ninety eight

653
00:36:51.960 --> 00:36:56.360
<v Speaker 1>or so, and I do remember feeling like, oh, someone

654
00:36:56.440 --> 00:36:59.880
<v Speaker 1>needs to get projects on him going immediately, because no,

655
00:37:00.000 --> 00:37:03.039
<v Speaker 1>no one knows any of this story. But that was

656
00:37:03.199 --> 00:37:10.400
<v Speaker 1>twenty years ago at this point. So yeah, the amount

657
00:37:10.639 --> 00:37:14.480
<v Speaker 1>of emotion I tied into Mitch just because I did

658
00:37:14.599 --> 00:37:16.800
<v Speaker 1>feel like I connected with so much, and the birthday

659
00:37:16.920 --> 00:37:20.480
<v Speaker 1>thing and these are all very superficial. But I think

660
00:37:20.519 --> 00:37:23.599
<v Speaker 1>you know what I mean and understand that people just

661
00:37:23.880 --> 00:37:27.519
<v Speaker 1>love the Mitch for who he was in so many ways.

662
00:37:28.239 --> 00:37:33.039
<v Speaker 1>We don't feel that personal connection really with He loved

663
00:37:33.079 --> 00:37:40.239
<v Speaker 1>the person behind the jokes a lot. But yeah, Mitch's evergreen, eternal,

664
00:37:40.760 --> 00:37:43.639
<v Speaker 1>his stuff works all around the world, who his will

665
00:37:44.719 --> 00:37:48.559
<v Speaker 1>just a really unique, magical guy. And I will continue

666
00:37:48.599 --> 00:37:50.280
<v Speaker 1>talking about him until you cut me off.

667
00:37:50.760 --> 00:37:53.239
<v Speaker 2>I'm always wanted to think about what if to know

668
00:37:53.679 --> 00:37:56.079
<v Speaker 2>at that stage in his career, he was starting to

669
00:37:56.159 --> 00:37:57.960
<v Speaker 2>have to speed up the act because people in the

670
00:37:58.000 --> 00:38:01.159
<v Speaker 2>audience were stepping on the punchlines and he was working

671
00:38:01.199 --> 00:38:03.239
<v Speaker 2>a little more quickly. It would have been interesting to

672
00:38:03.320 --> 00:38:07.079
<v Speaker 2>see the evolution of ten years later, twenty years later,

673
00:38:07.119 --> 00:38:10.000
<v Speaker 2>as he's still working at that deliberate pace no, Stephen

674
00:38:10.000 --> 00:38:13.239
<v Speaker 2>Wright still does or would there have been an evolution.

675
00:38:13.400 --> 00:38:15.039
<v Speaker 2>We'll never know, And it's just one of those things

676
00:38:15.079 --> 00:38:16.559
<v Speaker 2>that I think about when his name comes up.

677
00:38:17.079 --> 00:38:21.400
<v Speaker 1>Certainly some of the timing of material was affected by

678
00:38:21.480 --> 00:38:25.079
<v Speaker 1>drugs at that point. That's something Jack Rown has also

679
00:38:25.159 --> 00:38:28.960
<v Speaker 1>talked about when he recorded the second album. And it's

680
00:38:29.039 --> 00:38:32.800
<v Speaker 1>pretty obvious, you know, to some people, maybe not if

681
00:38:32.840 --> 00:38:35.280
<v Speaker 1>you were a college student at that point, just thinking

682
00:38:35.360 --> 00:38:39.639
<v Speaker 1>he's a funny character. I'm describing myself in Clasi's not

683
00:38:39.840 --> 00:38:42.679
<v Speaker 1>clear the drug thing hit a lot of people by

684
00:38:42.800 --> 00:38:47.039
<v Speaker 1>surprise if you weren't kind of you know, inner circle

685
00:38:47.079 --> 00:38:52.199
<v Speaker 1>in industry at that time. But yeah, just the idea that, like,

686
00:38:54.039 --> 00:38:56.639
<v Speaker 1>I mean, so many people in the documentary say he

687
00:38:56.719 --> 00:39:00.639
<v Speaker 1>would be doing arenas, he would have so many Netflix vetals,

688
00:39:01.719 --> 00:39:04.679
<v Speaker 1>But other people say he wouldn't like social media at all,

689
00:39:04.800 --> 00:39:08.480
<v Speaker 1>and he probably would have left comedy. So we don't know,

690
00:39:08.719 --> 00:39:11.199
<v Speaker 1>but I think any of those paths make a lot

691
00:39:11.239 --> 00:39:13.599
<v Speaker 1>of sense for the artists that we knew.

692
00:39:14.039 --> 00:39:16.239
<v Speaker 2>I could see that you seem to know Jack Vaughn

693
00:39:16.360 --> 00:39:18.840
<v Speaker 2>pretty well. I used to accuse him of being a

694
00:39:18.880 --> 00:39:20.920
<v Speaker 2>secret agent. First of all, his name is Jack Vaughan,

695
00:39:21.440 --> 00:39:23.840
<v Speaker 2>He's a nice looking guy. If he ever told you

696
00:39:23.880 --> 00:39:25.920
<v Speaker 2>a story about what he would do on vacation, it

697
00:39:26.000 --> 00:39:29.119
<v Speaker 2>was always some exotic locale with like a great story

698
00:39:29.199 --> 00:39:31.760
<v Speaker 2>to it, And I'm like, you're clearly on my sex.

699
00:39:32.440 --> 00:39:36.280
<v Speaker 1>Jack Vonn, I've known since two about two weeks after

700
00:39:36.360 --> 00:39:38.920
<v Speaker 1>I first moved to New York after I graduated college,

701
00:39:39.519 --> 00:39:43.360
<v Speaker 1>when I went to the Virgin Records megastore in Times

702
00:39:43.400 --> 00:39:47.199
<v Speaker 1>Square for David Tell's release of Skanks for the Memories,

703
00:39:47.920 --> 00:39:50.199
<v Speaker 1>and I have a photo that Jack Vaughn took of

704
00:39:50.320 --> 00:39:53.119
<v Speaker 1>me and David's hell, and he's been very nice to

705
00:39:53.199 --> 00:39:55.880
<v Speaker 1>me ever since. I agree that Jack Vaughn is one

706
00:39:55.920 --> 00:39:58.480
<v Speaker 1>of the nicest people in comedy. But he also spent

707
00:39:58.639 --> 00:40:02.280
<v Speaker 1>his you know, his FA was with Peace Corps, right,

708
00:40:03.079 --> 00:40:06.440
<v Speaker 1>and he's traveled the world his entire life. So yeah,

709
00:40:06.559 --> 00:40:12.000
<v Speaker 1>he's a very experienced traveler in lots of ways, physically, mentally.

710
00:40:12.599 --> 00:40:15.239
<v Speaker 1>I trust him more than anyone else in comedy. Jack,

711
00:40:15.320 --> 00:40:15.920
<v Speaker 1>don't listen to.

712
00:40:15.920 --> 00:40:18.400
<v Speaker 2>This, all right, So you came out here to promote

713
00:40:18.400 --> 00:40:20.800
<v Speaker 2>a Marin documentary and I get a headberg Land, and

714
00:40:20.840 --> 00:40:23.519
<v Speaker 2>then we did ten minutes on Jackonville. So let me

715
00:40:23.559 --> 00:40:26.760
<v Speaker 2>ask you about Mark Maron, What was the unexpected thing

716
00:40:26.840 --> 00:40:28.559
<v Speaker 2>that you found out that when you went into this

717
00:40:28.960 --> 00:40:30.400
<v Speaker 2>Oh yeah, Oh.

718
00:40:30.320 --> 00:40:32.440
<v Speaker 1>That's a good one. I think it really was that

719
00:40:32.599 --> 00:40:36.800
<v Speaker 1>idea that he didn't see himself as that successful kind

720
00:40:36.840 --> 00:40:40.719
<v Speaker 1>of shocking, really, and he never really liked the fact

721
00:40:40.920 --> 00:40:44.960
<v Speaker 1>that he became better known for his podcasts than his

722
00:40:45.239 --> 00:40:49.719
<v Speaker 1>comedy and just really kind of trying to understand what

723
00:40:49.800 --> 00:40:52.119
<v Speaker 1>that must be like in his mind. I think was

724
00:40:52.159 --> 00:40:56.079
<v Speaker 1>probably the most shopping partly. You're clearly, clearly one of

725
00:40:56.119 --> 00:40:59.639
<v Speaker 1>the best it's ever existed. But again, maybe that's something

726
00:40:59.679 --> 00:41:02.360
<v Speaker 1>all of us can learn. You know, we're all doing

727
00:41:02.400 --> 00:41:04.679
<v Speaker 1>a little bit better than we think we are.

728
00:41:04.840 --> 00:41:07.320
<v Speaker 2>Maybe one of the all time grades if we made

729
00:41:07.320 --> 00:41:09.800
<v Speaker 2>a list of stand up comedians, he's going to make

730
00:41:09.840 --> 00:41:11.480
<v Speaker 2>it sure. You're one of the all time. You're the

731
00:41:11.519 --> 00:41:15.360
<v Speaker 2>old Ghini podcaster, so there. But again, from stand up

732
00:41:15.400 --> 00:41:18.199
<v Speaker 2>comedy standpoint, at sixty years old, you just put out

733
00:41:18.239 --> 00:41:21.280
<v Speaker 2>your best work, dude. We respect. Everybody loves that special.

734
00:41:21.559 --> 00:41:24.400
<v Speaker 2>I said every year, I do, like everyone else, the

735
00:41:24.559 --> 00:41:27.119
<v Speaker 2>top specials of the year. That's going to be number one.

736
00:41:27.559 --> 00:41:29.320
<v Speaker 2>I can't imagine what's going to knock that out of

737
00:41:29.400 --> 00:41:29.840
<v Speaker 2>number one.

738
00:41:30.159 --> 00:41:33.920
<v Speaker 1>Oh, I agree, for sure. For sure, he just keeps

739
00:41:34.000 --> 00:41:37.679
<v Speaker 1>getting better, and yet yeah, he wants to quit. So

740
00:41:38.800 --> 00:41:41.280
<v Speaker 1>these are why we keep the reasons why we just

741
00:41:41.360 --> 00:41:45.519
<v Speaker 1>keep watching these people like it's endlessly fascinating to follow

742
00:41:45.639 --> 00:41:48.719
<v Speaker 1>these comedy journeys and I can't get en up with it.

743
00:41:48.840 --> 00:41:51.840
<v Speaker 1>I just think Mark Maron was the best at this

744
00:41:52.119 --> 00:41:55.599
<v Speaker 1>at this specific period of time to follow. I don't

745
00:41:55.639 --> 00:41:58.400
<v Speaker 1>think there's going to be unless we have, you know,

746
00:41:58.599 --> 00:42:02.599
<v Speaker 1>other pandemics, or well, we will certainly have other upheavals.

747
00:42:03.280 --> 00:42:05.440
<v Speaker 1>But it was something about the context of being in

748
00:42:05.559 --> 00:42:09.880
<v Speaker 1>that time and watching how he dealt with everything that

749
00:42:10.280 --> 00:42:12.840
<v Speaker 1>not only we were all going through, but his own

750
00:42:12.960 --> 00:42:16.960
<v Speaker 1>loss and grief at the same time. That just meant,

751
00:42:17.039 --> 00:42:20.760
<v Speaker 1>you know, if he can keep going after this, we

752
00:42:20.920 --> 00:42:23.599
<v Speaker 1>can too. And that's just comedy in a nutshell.

753
00:42:23.920 --> 00:42:26.599
<v Speaker 2>So is the thesis here not to be modeling that

754
00:42:27.559 --> 00:42:31.320
<v Speaker 2>the tragic event just pushed him to the next level

755
00:42:31.440 --> 00:42:34.800
<v Speaker 2>or helped him focus. It seems to clearly be a

756
00:42:34.880 --> 00:42:37.519
<v Speaker 2>focal point and his strongest work has come after that.

757
00:42:38.239 --> 00:42:39.599
<v Speaker 2>So is that a moment?

758
00:42:40.320 --> 00:42:43.840
<v Speaker 1>I would say that it was something thrust upon him

759
00:42:44.000 --> 00:42:47.960
<v Speaker 1>and he, yeah, dealt with it as he could, and

760
00:42:48.320 --> 00:42:50.960
<v Speaker 1>we just wanted to make sure we were there to

761
00:42:51.119 --> 00:42:56.320
<v Speaker 1>capture it. Obviously, it's the most dramatic thing that's ever

762
00:42:56.440 --> 00:42:59.519
<v Speaker 1>happened to him, but you know, by far we can

763
00:42:59.599 --> 00:43:03.800
<v Speaker 1>see that very clearly what he manages to keep going

764
00:43:04.320 --> 00:43:08.519
<v Speaker 1>and like you said, create the best material he's ever done.

765
00:43:09.320 --> 00:43:13.400
<v Speaker 1>And how does comedy actually allow us to do that,

766
00:43:13.760 --> 00:43:18.079
<v Speaker 1>especially through his eyes? Yeah, I'm not sure I'm actually

767
00:43:18.119 --> 00:43:20.679
<v Speaker 1>answering the question, but there was just something about that

768
00:43:20.920 --> 00:43:24.960
<v Speaker 1>moment in that time and watching him go through all

769
00:43:25.039 --> 00:43:28.039
<v Speaker 1>this and kind of start to come out the other

770
00:43:28.159 --> 00:43:33.000
<v Speaker 1>side through humor that I think is again universal timeless,

771
00:43:33.880 --> 00:43:38.400
<v Speaker 1>can't get enough of it. I will watch comedians create

772
00:43:38.519 --> 00:43:43.039
<v Speaker 1>material on the challenging times forever. Yeah, and he's just

773
00:43:43.159 --> 00:43:47.440
<v Speaker 1>kind of the best. So that's why it made you know,

774
00:43:48.320 --> 00:43:50.199
<v Speaker 1>it was very difficult, but I'm glad we did it

775
00:43:50.400 --> 00:43:51.599
<v Speaker 1>for sure. For sure.

776
00:43:52.000 --> 00:43:54.639
<v Speaker 2>Do you imagine fans will come away laughing or we'll

777
00:43:54.719 --> 00:43:58.400
<v Speaker 2>be crying? Will we get into understanding of Mark Bhern

778
00:43:58.480 --> 00:43:58.800
<v Speaker 2>all of that?

779
00:43:59.159 --> 00:44:02.559
<v Speaker 1>All the above? For sure? Again, like I said, this

780
00:44:02.840 --> 00:44:06.880
<v Speaker 1>is watching him make new material in the wake of

781
00:44:06.960 --> 00:44:11.679
<v Speaker 1>this tragedy. So you see him experimenting the process, putting

782
00:44:11.800 --> 00:44:16.360
<v Speaker 1>it together for better and for worse, and there's definitely

783
00:44:16.400 --> 00:44:20.840
<v Speaker 1>a lot of crime as well. For sure. I have

784
00:44:21.119 --> 00:44:24.800
<v Speaker 1>not gotten out of a screening yet without people crying.

785
00:44:25.159 --> 00:44:30.800
<v Speaker 1>So yeah, the full emotional spectrum. And it even works

786
00:44:30.840 --> 00:44:33.079
<v Speaker 1>if you're not a fan of Mark Marin, because again

787
00:44:33.280 --> 00:44:36.119
<v Speaker 1>we're you know, be latering the point by now. But

788
00:44:36.519 --> 00:44:40.199
<v Speaker 1>this is something that happens to everyone. Here's how this

789
00:44:40.400 --> 00:44:41.159
<v Speaker 1>guy dealt with it.

790
00:44:42.280 --> 00:44:44.880
<v Speaker 2>And that's all I have for you. See, here's what happened.

791
00:44:44.920 --> 00:44:48.519
<v Speaker 2>When we were recording. The upload stalled at ninety six percent,

792
00:44:48.639 --> 00:44:50.840
<v Speaker 2>so I don't have the rest of the conversation, which

793
00:44:50.920 --> 00:44:53.559
<v Speaker 2>kind of sucks. But I asked her about it being

794
00:44:53.599 --> 00:44:55.519
<v Speaker 2>in theaters, and you know, can I just hide out

795
00:44:55.519 --> 00:44:57.800
<v Speaker 2>in the basement of crying. She's like, nope, it's in theaters.

796
00:44:58.800 --> 00:45:01.079
<v Speaker 2>She did suggest that possible, perhaps maybe there might be

797
00:45:01.119 --> 00:45:03.079
<v Speaker 2>another way to see this down the road, but this

798
00:45:03.199 --> 00:45:07.400
<v Speaker 2>week it's in theaters and it sounds fantastic. So at

799
00:45:07.440 --> 00:45:08.599
<v Speaker 2>the end, you know, like we do, I go, hey,

800
00:45:08.639 --> 00:45:10.280
<v Speaker 2>thanks for coming on. She said nice things to me.

801
00:45:10.360 --> 00:45:11.960
<v Speaker 2>I said nice things back, but I don't have any

802
00:45:11.960 --> 00:45:13.719
<v Speaker 2>of that, so just imagine how that went. I want

803
00:45:13.760 --> 00:45:16.719
<v Speaker 2>something like this, Hey, Julie, appreciate your time, really looking

804
00:45:16.719 --> 00:45:18.559
<v Speaker 2>forward to this. Thanks for coming on today, and then

805
00:45:18.639 --> 00:45:20.840
<v Speaker 2>she said something nice in my general direction, and then

806
00:45:20.840 --> 00:45:23.639
<v Speaker 2>we said bye, and then there was some after stuff

807
00:45:23.719 --> 00:45:25.840
<v Speaker 2>after the recording about you know, hey, I hope you'll

808
00:45:25.840 --> 00:45:27.239
<v Speaker 2>come back with a Mitch thing and we said all that,

809
00:45:27.360 --> 00:45:29.360
<v Speaker 2>but you know, you wouldn't have heard that anyway, because

810
00:45:29.400 --> 00:45:31.199
<v Speaker 2>I wouldn't have included that in the podcast. So you're

811
00:45:31.199 --> 00:45:35.360
<v Speaker 2>actually getting more content that you would have. I'm punchy today.

812
00:45:35.840 --> 00:45:38.239
<v Speaker 2>All right, that is your bonus episode back in the

813
00:45:38.280 --> 00:45:41.199
<v Speaker 2>morning with a normal episode comedy. People. Can we keep

814
00:45:41.239 --> 00:45:43.119
<v Speaker 2>this thing calm. This has just been out of control lately.

815
00:45:43.480 --> 00:45:45.840
<v Speaker 2>Let's keep it simple. So Johnny Mack and watch football

816
00:45:45.840 --> 00:45:49.440
<v Speaker 2>all day, watch the Jets lose, and then we'll come

817
00:45:49.480 --> 00:45:51.880
<v Speaker 2>back in the morning with a normal episode of daily Comedys.

818
00:45:51.920 --> 00:45:52.400
<v Speaker 2>Appreciate you.
