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Speaker 1: Told you and nature rips the normals.

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Speaker 2: Well, everything I'm told that's about true every day it's abode,

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but it's never you.

4
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Speaker 3: Nothing deal.

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Speaker 2: I'm aging out of everything nothing really, it's just a thing.

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Everything I'm told as a nod true every day is

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a bide, but it's never you. Think it feels right anymore.

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I'm aging out of everything.

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Speaker 4: Nothing's real.

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Speaker 5: It's just I think reb Lake, South Down, trying to keep.

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Speaker 1: That theme ins out.

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Speaker 3: Nothing is real.

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Speaker 2: Get the scream that job the best world things he's

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ode and we live in at a garden goes culture

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replet Lakes South Downs. Try to keep that dem ins out.

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Speaker 3: Nothing is real. Get scream that job.

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Speaker 5: See there's world bags he's at.

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Speaker 3: We live in a gard as God's culture.

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Speaker 1: You you.

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Speaker 6: You you.

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Speaker 5: Battle back.

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Speaker 7: You you you you you you.

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Speaker 1: You you.

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Speaker 4: Quit right back.

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Speaker 2: Everything I'm told that's not true. Every day it's abiding,

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but it's never you. Nothing feels right any more. I'm

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aging not of everything.

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Speaker 4: Nothing drill.

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Speaker 1: It's just a thing.

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Speaker 2: Everything I'm told that's amage every day it's ablied, but

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it's never you.

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Speaker 3: Nothing feels right any more.

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Speaker 8: I'm aging not of everything.

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Speaker 4: Something.

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Speaker 2: Drill is just a thing. Everything I'm told that's amg

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true every day it's abided by not for you. Know,

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nothing feels right any bar. I'm aging not everything. Nothing's

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really it's just that everything i'm I'm not.

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Speaker 3: Every day it's a fight. But it's not for you.

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Speaker 2: Nothing feels right any arm. I'm anything, not of everything,

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nothing real.

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Speaker 9: It's just that.

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Speaker 2: Everything I'm old that's a bad true every day it's

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a fie.

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Speaker 1: But it's not for you.

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Speaker 2: Nothing bills right anymore.

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Speaker 3: I'm aging, not that everything. Nothing's real. It's just a thing.

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Speaker 10: Oh that is cool. That is nothing's real. It's just

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a thing. By Aaron Villadeau, who is here with us

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the new album Aaron and the Argonauts, and Aaron's gonna

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play for us in a minute. Really looking forward to this.

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This is Matt Connorton Unleashed. We have entered our second

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hour on this Saturday, November twenty third, twenty twenty four.

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We are live from the studios of w m n

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H ninety five point three FM in Glorious Manchester, New Hampshire.

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Jenny is here at the news table and Aaron Billado

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is here. He is all set up. Now I'm going

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to turn this on and let's see if we can

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hear you hello, erin, Oh say that again?

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Speaker 3: Hello, good to be here.

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Speaker 10: Let's see I think I might Oh, there we go

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say that one more time.

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Speaker 3: Eron Hello, testing one two, there, we got.

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Speaker 10: We got you, We got you. Aaron is So for

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those of you, let me go ahead and put the

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camera on you. For those watching online, actually let me

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put on a little bit of a wider shot here,

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because Aaron is entirely self contained. He's got this whole

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setup and it's all but it all just plugs into

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one channel on our board, which is amazing. And do

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you want to tell us any or do you prefer

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to keep the mistique of it all? It's pretty impressive.

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Soarin's Aaron's gonna play some live songs for us and

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then uh, and then he's going to go over to

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the chair and I kind of like the tonight show.

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He's gonna go over to the chair and we're going

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to talk and uh, and Amy is here and Jay

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is here as well, and so looking forward to this.

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But I'm dying to hear you play and uh, the miss.

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Speaker 4: And the.

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Speaker 8: We roll he sat.

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Speaker 11: Not temptation of man today, Both parents, old brother.

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Speaker 8: Without fears. We tell the r.

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Speaker 12: I'll go my pride probably outside the serb side.

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Speaker 6: There's something in the s fister.

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Speaker 4: Ro five.

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Speaker 8: Five we'll call you like faster.

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Speaker 13: Faster ro five fier roll you like faster.

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Speaker 14: Five rose bad faster the boil like faster.

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Speaker 15: There was that time of a sis billies will never

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be for real that as God commands of the huttee,

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Si'll be my hair off.

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Speaker 12: Argonots forever.

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Speaker 3: Harmon outside. It's gonna start inside.

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Speaker 4: Right, thank you.

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Speaker 3: That song was called song and a temptation.

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Speaker 16: This next song is called slow clap mm hmm, Hold alright.

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Speaker 4: I would be.

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Speaker 3: One song don't see.

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Speaker 1: Still almost.

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Speaker 4: Greg way the found.

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Speaker 8: No void happiness.

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Speaker 5: Go by.

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Speaker 3: Through the night break a side echo back.

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Speaker 2: The void.

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Speaker 4: Wariness by.

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Speaker 1: Yeah o.

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Speaker 5: God, that weariness.

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Speaker 9: To the far.

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Speaker 4: Lap queen face.

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Speaker 14: Cards start wearness.

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Speaker 4: To the fire bap bequeen which is fall rain on

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the way, on the.

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Speaker 8: Way, I wanna recumped off the side.

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Speaker 9: See only thing across my my hide.

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Speaker 3: Another any time to think of you. They posed me away,

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The sposed me all I had. I wanna be stoned

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out that side high.

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Speaker 6: It's the only sting across my my hide.

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Speaker 17: And h the time to take off.

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Speaker 12: You couse your hide.

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Speaker 17: Cause you're I hide.

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Speaker 4: I'm gared of old.

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Speaker 3: Well you understand, Oh can't be crush?

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Speaker 1: What is that?

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Speaker 3: You won't come to me?

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Speaker 6: Wad I want to be drunk of an hid.

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Speaker 12: It's the only thing across.

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Speaker 5: My my hide.

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Speaker 1: And me.

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Speaker 5: Every time I think I got.

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Speaker 17: It, posed me a lad spose me I had.

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Speaker 1: Mm hmm.

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Speaker 8: Sa songs called hi to behind the sun, your sacon,

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big God.

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Speaker 4: D by day, bigger fun you tabo, don't fall away father, no.

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Speaker 9: Body big on.

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Speaker 17: The fund, hold on time so you don't die. If

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you want to go, just take your thumb up to die.

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Speaker 1: Be mean.

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Speaker 4: Up to the guy b ray Lie.

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Speaker 9: Not he has si.

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Speaker 3: Deept this world.

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Speaker 4: One man.

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Speaker 5: Hid Ie.

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Speaker 4: Hot he had the side.

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Speaker 1: To God.

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Speaker 9: Hold anti.

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Speaker 3: Auntie. You want to go, Just sake your comb up

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to this guy.

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Speaker 11: Taking with the alience. All right, I have one more

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song for you called Grind. This is gonna be a

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clean version. If you like this song.

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Speaker 3: The official video for it just went up at ten o'clock.

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We'll catch it on YouTube.

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Speaker 1: Oh what heck, well, my head, I pay.

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Speaker 9: Every day every day?

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Speaker 1: Why every day? Ride a day crime.

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Speaker 9: As the day, every day, every.

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Speaker 4: Day, Ride.

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Speaker 9: At day, ride every day, ride.

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Speaker 6: Well my pay.

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Speaker 1: As day.

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Speaker 8: You don't know where tay why?

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Speaker 2: I mean, what the heck?

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Speaker 6: I a poscata a day every day.

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Speaker 9: And you prob crime. Here, you pride Tuesday crime here.

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Speaker 8: You pray.

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Speaker 1: You from crime.

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Speaker 9: Hyme and wen yayay wow Glass that's him.

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Speaker 1: I s.

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Speaker 4: All right, thank you.

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Speaker 10: The great Aaron Billado is here with us live in studio.

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We're gonna play another studio track. While Aaron gets settled in,

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we're gonna talk a bit about the new project and

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uh and all it goes with it. So check this out.

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This is called the End of Time. This is from

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the album Aaron and the Argonauts.

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Speaker 7: See you still.

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Speaker 6: Come back.

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Speaker 5: Comes sad.

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Speaker 1: Us?

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Speaker 10: All right, that is the end of Time. That's from

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the new album Aaron and the Argonauts. Aaron Bildeo is

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here with us, and Aaron, you brought a couple of

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fine people with you as well.

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Speaker 3: Yes, yes I did. I brought the drummer of this album,

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Jason Staples and my wife Amy Bildto.

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Speaker 10: Well, welcome to everyone. Welcome, So, Aaron, so tell us

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more about so the video. We want to make sure

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people know about this. So the video for grind that

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just dropped today.

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Speaker 3: Yes, that just dropped that at the beginning of this

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interview at ten o'clock.

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Speaker 10: Excellent.

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Speaker 3: So as of now, I wanted to put it up

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as soon as like I played it.

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Speaker 10: Yeah, yeah, yeah, no, that's perfect. That's perfect. And the

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video now, so Amy, we're gonna make you talk because

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you had said something, you had said something off air

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about how much fun it was to make that video. Oh,

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it was a blast. So what what do you like?

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Are you do you direct? Do you film everything?

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Speaker 13: Do you know?

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Speaker 3: Aaron did all of it. She's the female voice in

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the song. Oh you're on the song?

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Speaker 4: Yeah, yeah, yeah, and.

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Speaker 3: Then yeah, you can hear her in the video. It's explicit,

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so you can hear it swear right right, all those

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all those clicks you heard, Oh I got you edit?

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Speaker 10: Yes, yeah, I appreciate that. Appreciate that. And then so now, Jason,

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how did you get involved in this project? You're you're

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one of the Argonauts.

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Speaker 18: I yeah, since since band mix. Aaron reached out to

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me last year year and a half ago and about

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about doing a project. And at the time my house

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was under construction and stuff like that. So I couldn't

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do anything. So I like, I'll get back to you.

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I'll get back to here. I'm like, but you know,

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I kept we kept bouncing back and forth and like, hey, like,

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my I'm still not back in my house yet, but

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once as soon as I am, i'll let you know. Yeah,

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I got back in my house and he did.

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Speaker 3: Yeah, you know, and I went right to his house

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and his his wife was all freaked out because the

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stranger was showing.

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Speaker 10: Up right right Caarel house.

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Speaker 3: Yeah, and then we just started, uh playing for brand

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new songs from scratch. We played a couple of my

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old songs, just you know, to get the groove down,

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and then we just started writing and writing and writing,

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and it really took most of the year to write

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and record.

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Speaker 10: Yeah, what's the meaning of like what is an argonaut?

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Speaker 3: So so that's that's that's the old Greek stories. Uh uh.

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There a group of travelers, one of them was Hercules, uhh,

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and you know they were set off on on on

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a quest. It's the old movies like Clash of the

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Tight Ends, uh, Jason in the Argonauts, Hercules, the old

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fifties sixties movies with the stop motion. I used to

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really like those when I was a kid, and you know,

242
00:30:09,640 --> 00:30:12,079
I was just sitting there smoking and uh, it just came,

243
00:30:12,200 --> 00:30:13,359
you know, it came to me and I thought it

244
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sounded neat and I went with it.

245
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Speaker 4: Yeah, yeah, you know.

246
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Speaker 3: And then so, like the album has a three songs

247
00:30:20,000 --> 00:30:22,960
on it that are kind of loosely based on like

248
00:30:23,079 --> 00:30:27,519
the old movies, like the intro overture for the Argonauts, right,

249
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and it starts off with like drums in the background

250
00:30:30,960 --> 00:30:34,920
and it builds up the horns and war. Yeah, it's awesome.

251
00:30:34,960 --> 00:30:37,720
And it's like the opening credits to those old movies,

252
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you know, because they had all the credits at the beginning. Yeah,

253
00:30:40,279 --> 00:30:42,319
back in the old movies, and they would have all

254
00:30:42,359 --> 00:30:45,240
this epic music and then these cards like you know,

255
00:30:45,440 --> 00:30:47,559
changing around of like different gods and stuff.

256
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Speaker 1: You know.

257
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Speaker 3: So that's that was kind of you know, it was

258
00:30:50,680 --> 00:30:54,400
all very loosely based off of that old stuff.

259
00:30:54,400 --> 00:30:55,920
Speaker 10: Right, right, Oh, very cool.

260
00:30:56,039 --> 00:30:56,200
Speaker 3: Yes.

261
00:30:57,480 --> 00:31:00,160
Speaker 10: Now, so when you play a lot now obviously, as

262
00:31:00,519 --> 00:31:04,160
we said here, you're you're entirely self contained.

263
00:31:03,799 --> 00:31:05,200
Speaker 3: Which is which is pretty cool.

264
00:31:05,839 --> 00:31:09,039
Speaker 10: But when you when you play live in venues, obviously

265
00:31:09,079 --> 00:31:10,359
we don't have a lot of room here. So this

266
00:31:10,519 --> 00:31:14,200
is necessary, but do do Jay and and and you're

267
00:31:14,519 --> 00:31:15,400
amy perform with.

268
00:31:15,480 --> 00:31:19,279
Speaker 3: You No, No, it's it's the same. Well, I've never

269
00:31:19,359 --> 00:31:20,920
performed on a song except for Grind.

270
00:31:21,000 --> 00:31:23,839
Speaker 10: Oh so maybe when so when he plays Grind, maybe.

271
00:31:24,880 --> 00:31:26,039
Speaker 3: That's something we've discressed.

272
00:31:26,400 --> 00:31:30,359
Speaker 10: And yeah, the little stage right, Oh, she doesn't really.

273
00:31:30,240 --> 00:31:32,720
Speaker 3: Have space fright because uh we we had like a

274
00:31:32,799 --> 00:31:36,200
performance part of the Grind video, right and she she

275
00:31:36,920 --> 00:31:38,839
was up there performing with me and we had like

276
00:31:38,960 --> 00:31:42,680
a whole crew of people, yeah, you know, dancing and everything.

277
00:31:42,720 --> 00:31:44,680
It was it was kind of like a mock performance,

278
00:31:44,759 --> 00:31:47,440
but she was getting into it. Yeah, you know, so

279
00:31:47,559 --> 00:31:49,759
I think she'll just she'll be fine. You know if

280
00:31:50,240 --> 00:31:52,519
I make an edit yah for when she wants to

281
00:31:52,640 --> 00:31:54,960
join me, right right, you pull out her vocals and

282
00:31:55,039 --> 00:31:55,720
then she can do it.

283
00:31:55,880 --> 00:31:58,319
Speaker 10: There you go, There you go? Now is there anyone

284
00:31:58,359 --> 00:31:59,119
else on the album?

285
00:32:00,200 --> 00:32:05,799
Speaker 3: So you know, it's just it's Jay. It's Gary Smith.

286
00:32:05,880 --> 00:32:08,640
Oh Gary Smith, Yeah, yeah, from Fox and the Flamincos

287
00:32:09,000 --> 00:32:11,920
and various other Oh my god, like RDV.

288
00:32:12,240 --> 00:32:13,680
Speaker 10: He's one of the busiest people I know.

289
00:32:13,839 --> 00:32:16,960
Speaker 3: Yeah, he's like in six bands right off the top

290
00:32:17,000 --> 00:32:18,920
of my head, Cosmic Blosso and he's do like all

291
00:32:18,960 --> 00:32:22,039
of them. Yeah, and solo thing the get Gos on

292
00:32:22,160 --> 00:32:26,160
this album, he's he's been on everything Destroyer. Yeah, and

293
00:32:26,359 --> 00:32:27,519
of course my wife Amy.

294
00:32:27,799 --> 00:32:31,720
Speaker 10: Yes, yes, very good, very good. This is not your

295
00:32:31,880 --> 00:32:35,400
first full length, no no, no, no, it's my fourth,

296
00:32:35,640 --> 00:32:37,240
your fourth okay yeah, yeah.

297
00:32:37,359 --> 00:32:39,599
Speaker 3: My fourth full length. And then I also have an

298
00:32:39,640 --> 00:32:43,440
EP out there and a collab album as well with here.

299
00:32:43,839 --> 00:32:45,839
Oh okay, right right, Yeah, I got a bunch of

300
00:32:45,880 --> 00:32:47,920
stuff out there. Yeah, you know if you like it?

301
00:32:48,160 --> 00:32:50,559
Speaker 10: Yeah, yeah. Are you playing out.

302
00:32:50,480 --> 00:32:52,960
Speaker 3: Much or a little bit? I guess some shows coming up?

303
00:32:53,480 --> 00:32:57,400
Yeah yeah, yeah, let's see here. Okay. So December seventh,

304
00:32:57,480 --> 00:33:01,640
I'm playing at the Pophole Theater in Shelburne, Falls, mass

305
00:33:01,720 --> 00:33:04,440
And it's a movie theater, so I'm gonna be opening

306
00:33:04,519 --> 00:33:07,319
up an old nineteen seventy five film called A Face

307
00:33:07,440 --> 00:33:10,480
in the Crowd I've never seen. It's an Andy Griffith movie.

308
00:33:10,559 --> 00:33:12,960
It's a black and white, but i'm gonna be opening

309
00:33:13,000 --> 00:33:16,319
I'm gonna be doing a half hour before that movie starts,

310
00:33:16,839 --> 00:33:18,960
and then this one's cool. This one was just added.

311
00:33:19,039 --> 00:33:21,799
So December fourteenth, at eight pm, I'm gonna be doing

312
00:33:21,880 --> 00:33:26,440
the Jimmy's Deadheads X mess in Hell at Terminus. Okay,

313
00:33:26,559 --> 00:33:28,680
So I'm going to be doing a set at Terminus

314
00:33:29,039 --> 00:33:31,480
December fourteenth, and this is this is gonna be a

315
00:33:31,559 --> 00:33:35,200
benefit show for my friend Ben, who has he's been

316
00:33:35,240 --> 00:33:39,200
doing an annual toy drive now for the last eighteen years.

317
00:33:39,319 --> 00:33:41,720
You know Ben from Change the Season. Yes, yes, he

318
00:33:41,839 --> 00:33:44,079
was the singer of Changing Season. And he's been doing

319
00:33:44,119 --> 00:33:46,400
this like since we were in the band. Like his

320
00:33:46,640 --> 00:33:49,759
first toy drive was a show we did at the

321
00:33:49,960 --> 00:33:53,960
Spider Room, no kidding, Yeah, called a clause for rock

322
00:33:54,240 --> 00:33:56,480
Oh wow. And you know, I don't know how much

323
00:33:56,519 --> 00:33:57,960
he raised it. I don't think it was that much.

324
00:33:58,039 --> 00:33:59,119
Maybe a couple hundred bucks.

325
00:33:59,200 --> 00:33:59,440
Speaker 10: Sure.

326
00:34:00,160 --> 00:34:02,240
Speaker 3: Last year he raised seven thousand dollars.

327
00:34:02,400 --> 00:34:02,680
Speaker 5: Wow.

328
00:34:03,200 --> 00:34:03,400
Speaker 9: Yeah.

329
00:34:03,720 --> 00:34:03,920
Speaker 5: Yeah.

330
00:34:04,000 --> 00:34:06,720
Speaker 3: He He used to like make videos of himself going

331
00:34:07,000 --> 00:34:09,639
shopping at like Toys, r US and all that, make

332
00:34:09,719 --> 00:34:11,840
a big production of it. I think he still does

333
00:34:11,880 --> 00:34:14,280
because he's got he's got a channel called Bike's Beards

334
00:34:14,320 --> 00:34:15,639
and Bruce, I.

335
00:34:15,639 --> 00:34:17,360
Speaker 10: Remember checking it out after you told me about it.

336
00:34:17,559 --> 00:34:18,719
I was like, oh my god, there's Ben.

337
00:34:18,920 --> 00:34:19,119
Speaker 3: Yeah.

338
00:34:19,320 --> 00:34:19,840
Speaker 4: Yeah yeah.

339
00:34:20,320 --> 00:34:25,519
Speaker 3: So anyways, Uh, they're uh they're raising money for child

340
00:34:25,639 --> 00:34:29,119
health uh, the child Health Services here in Manchester.

341
00:34:29,400 --> 00:34:29,599
Speaker 10: Yeah.

342
00:34:29,880 --> 00:34:32,320
Speaker 3: Uh and uh, if you want, you know, just go

343
00:34:32,559 --> 00:34:35,280
there's pictures of him going there every year, videos of

344
00:34:35,360 --> 00:34:38,039
him going there every year. Uh, and and loading and

345
00:34:38,239 --> 00:34:39,559
filling this room up.

346
00:34:40,199 --> 00:34:40,320
Speaker 19: You know.

347
00:34:40,480 --> 00:34:42,679
Speaker 3: First it was just a couple of tables back in

348
00:34:42,760 --> 00:34:45,320
the day, and now it's the entire room. Yeah, he

349
00:34:45,480 --> 00:34:48,119
fills it up and it's a big production. So I

350
00:34:48,480 --> 00:34:51,559
definitely recommend donate to this charity. I don't like donating

351
00:34:51,679 --> 00:34:55,199
anybody else. Nothing else goes anywhere else. He spends every

352
00:34:55,280 --> 00:34:58,960
dime on toys and then drops them off. Yeah, so

353
00:34:59,280 --> 00:35:01,880
this is a great already, go to the show Terminus

354
00:35:02,840 --> 00:35:06,679
December fourteenth, or just go to his website. He's got

355
00:35:06,760 --> 00:35:08,639
to go fundme. H. You can donate there.

356
00:35:09,119 --> 00:35:10,280
Speaker 10: Terminus is a great place.

357
00:35:10,840 --> 00:35:13,119
Speaker 3: Absolutely. I haven't played there yet.

358
00:35:13,440 --> 00:35:14,599
Speaker 10: Oh you've been there.

359
00:35:14,800 --> 00:35:17,639
Speaker 3: I've been there. I've been there to see Atlanta Corvette.

360
00:35:18,559 --> 00:35:20,320
I was supposed to play that show, but I got

361
00:35:20,400 --> 00:35:23,039
sick over the summer. Yeah, so I couldn't. I couldn't

362
00:35:23,039 --> 00:35:26,519
play that show at that point, but I'm going to

363
00:35:26,559 --> 00:35:27,039
play now.

364
00:35:27,039 --> 00:35:29,639
Speaker 10: So yeah, yeah, excellent, excellent.

365
00:35:29,559 --> 00:35:31,880
Speaker 3: Let's see here and then I don't have anything for

366
00:35:31,920 --> 00:35:34,159
a long time until October I'm going to be playing

367
00:35:34,960 --> 00:35:39,039
Grafton Palooza, which is a new show out there. Really yeah, yeah,

368
00:35:39,480 --> 00:35:42,559
so that's going to be uh October eleventh, way way

369
00:35:42,599 --> 00:35:45,239
out then. Yeah, those are my shows right now.

370
00:35:45,360 --> 00:35:49,000
Speaker 10: Okay, okay, excellent. Is it difficult to find because what

371
00:35:49,159 --> 00:35:51,039
you do is obviously very unique.

372
00:35:51,119 --> 00:35:57,559
Speaker 3: Yeah, so it's insanely difficult to find gigs. I've been

373
00:35:57,599 --> 00:35:59,039
told I don't fit in a lot of places, and

374
00:35:59,119 --> 00:36:01,840
a lot of places just don't respond. Yeah, you know,

375
00:36:01,920 --> 00:36:03,440
and it's hard, like I don't have a like I

376
00:36:03,440 --> 00:36:05,960
don't have a live band with me, and it's it's

377
00:36:06,239 --> 00:36:10,000
people just like don't understand it if you explain it right,

378
00:36:10,280 --> 00:36:12,039
you know, So I don't know, like, you know, I

379
00:36:12,159 --> 00:36:15,960
keep grinded, yeah, you know, and I get gigs here

380
00:36:16,000 --> 00:36:16,280
and there.

381
00:36:16,480 --> 00:36:20,079
Speaker 10: Yeah, and you know, when you do play out though,

382
00:36:20,239 --> 00:36:22,119
like if you're on a show with other with with

383
00:36:22,280 --> 00:36:24,800
like full bands, I bet they love you, yeah, because

384
00:36:24,880 --> 00:36:26,239
you're set up and takedown.

385
00:36:26,519 --> 00:36:31,079
Speaker 3: So I'm great for opening any band, yeah, act because

386
00:36:31,159 --> 00:36:34,000
yeah it's I'm I'm out in like a couple of minutes,

387
00:36:34,719 --> 00:36:36,159
you know, off on the side stage, and then it

388
00:36:36,199 --> 00:36:38,360
takes me forever to pack up there. But right right,

389
00:36:38,440 --> 00:36:40,320
I can get everything off the stage within a couple

390
00:36:40,320 --> 00:36:43,280
of minutes. Yeah, you know, it's really nice. Yeah, no,

391
00:36:43,440 --> 00:36:44,039
that's amazing.

392
00:36:45,800 --> 00:36:49,559
Speaker 10: Is it like, is it easier doing it this way

393
00:36:49,719 --> 00:36:52,000
because it's all you or like, do you ever have

394
00:36:52,119 --> 00:36:54,800
moments where you think this would be easier with a band? Oh?

395
00:36:54,920 --> 00:36:58,440
Speaker 3: Yeah, So so the Erin and the Argonaut's idea first

396
00:36:58,559 --> 00:37:03,280
came about. I wanted a live band to play this album,

397
00:37:04,639 --> 00:37:07,559
and uh, the idea was to form, you know, a

398
00:37:07,679 --> 00:37:13,639
live band and call that band. And you know, I tried,

399
00:37:13,719 --> 00:37:15,960
I tried, I tried, I tried it, and it just

400
00:37:16,239 --> 00:37:20,440
didn't happen. So you know, like it's either that or

401
00:37:20,480 --> 00:37:23,920
don't play, you know, so I do what I gotta do, yeah,

402
00:37:24,639 --> 00:37:25,920
to get my show out.

403
00:37:26,079 --> 00:37:30,480
Speaker 10: Yeah, exactly exactly. How How did you like, do you

404
00:37:30,559 --> 00:37:33,559
record this on your own or no kidding?

405
00:37:33,880 --> 00:37:34,079
Speaker 4: Yeah?

406
00:37:34,280 --> 00:37:37,519
Speaker 3: I recorded, yeah, on a laptop. Most most of it's

407
00:37:37,559 --> 00:37:39,519
at my house and then I bring all my stuff

408
00:37:39,559 --> 00:37:42,519
over to his house and I record all his drums

409
00:37:42,559 --> 00:37:47,760
there on drum days. Okay, okay, this was quite an

410
00:37:47,800 --> 00:37:51,239
experiment that I've never recorded drums like this before. I've

411
00:37:51,280 --> 00:37:53,440
only done like two mics in a room before, and

412
00:37:53,559 --> 00:37:55,559
this was like a whole bunch of mics for the

413
00:37:55,639 --> 00:37:58,480
first time, so like, uh, it was a lot of

414
00:37:58,519 --> 00:37:59,159
trial and error.

415
00:37:59,440 --> 00:38:05,159
Speaker 10: Yeah, no, out No, that's a great experience though. So Jason,

416
00:38:05,239 --> 00:38:07,719
in terms of your becoming a part of the project,

417
00:38:07,960 --> 00:38:10,079
have you ever done because this is, like I said,

418
00:38:10,079 --> 00:38:12,960
it's pretty unique, right, Yeah, is this the most unusual

419
00:38:13,079 --> 00:38:15,360
thing you've done in terms of playing drums.

420
00:38:15,079 --> 00:38:15,519
Speaker 4: More or less?

421
00:38:15,719 --> 00:38:18,320
Speaker 18: Yeah, I mean, I'm figured I'm more like a I'm

422
00:38:18,360 --> 00:38:21,920
a I'm a progue like metal rock, jazz, yeah, you know,

423
00:38:22,000 --> 00:38:24,719
And I mean I've played I played in everything from

424
00:38:24,800 --> 00:38:27,400
jazz bands to to metal bands. And actually we never

425
00:38:27,480 --> 00:38:31,199
played gigs. We never played gigs together, but actually played

426
00:38:31,199 --> 00:38:34,440
a lot of shows at my rock club that changes

427
00:38:34,519 --> 00:38:37,119
he used to play back in the day I put

428
00:38:37,159 --> 00:38:38,199
in the band Akila Dama.

429
00:38:38,639 --> 00:38:38,800
Speaker 19: You know.

430
00:38:39,000 --> 00:38:41,840
Speaker 18: So, but as far as being as far as uniqueness,

431
00:38:41,960 --> 00:38:45,559
this is the most unique I've done, like band wise, Yeah.

432
00:38:46,599 --> 00:38:49,519
Speaker 10: So, so how does that work in terms of like

433
00:38:49,679 --> 00:38:51,920
what you're going to play like Aaron, do you do

434
00:38:52,000 --> 00:38:54,280
you explain what you're looking for or Jason do you

435
00:38:54,400 --> 00:38:56,360
just kind of feel your way through it? Or I mean,

436
00:38:56,400 --> 00:38:59,440
how does how does that work a little bit of both. Yeah.

437
00:38:59,679 --> 00:39:04,280
Speaker 3: Yeah, Sometimes it's jamming. Yeah, and sometimes like I just

438
00:39:04,320 --> 00:39:06,480
write the songs at home and then I throw it

439
00:39:06,559 --> 00:39:08,199
on the Google Drive and I send it to him

440
00:39:08,280 --> 00:39:10,440
and then we go to his house and uh, I

441
00:39:10,559 --> 00:39:11,840
play it and we work it out.

442
00:39:12,039 --> 00:39:12,639
Speaker 4: Yeah, you know.

443
00:39:13,039 --> 00:39:14,679
Speaker 3: So it's kind of like a half and half thing.

444
00:39:15,199 --> 00:39:15,360
Speaker 19: You know.

445
00:39:15,519 --> 00:39:18,639
Speaker 3: Sometimes it's you know, just formed together, and sometimes I

446
00:39:18,719 --> 00:39:19,360
bring him songs.

447
00:39:19,599 --> 00:39:24,320
Speaker 10: Right, I would imagine too, so as you're as you're recording,

448
00:39:24,440 --> 00:39:26,360
and you know, and you're doing it yourself, using able

449
00:39:26,440 --> 00:39:30,320
to the songs, probably change from what you originally had

450
00:39:30,400 --> 00:39:32,079
in mind. Right, I would imagine that I.

451
00:39:32,119 --> 00:39:35,360
Speaker 3: Write, I write like drum machine stuff, yeah, you know,

452
00:39:35,599 --> 00:39:38,599
and enable him so you know, I'll do like a

453
00:39:39,199 --> 00:39:41,360
like a techno drum bait, and then I bring it

454
00:39:41,440 --> 00:39:44,199
to him and he throws his drums on there you

455
00:39:44,480 --> 00:39:45,159
want to pull him out.

456
00:39:45,320 --> 00:39:45,559
Speaker 4: Yeah.

457
00:39:45,920 --> 00:39:47,400
Speaker 10: But doing it the way you do it allows for

458
00:39:47,440 --> 00:39:50,519
a lot of experimentation obviously, you know, because I'm sure

459
00:39:50,519 --> 00:39:52,599
you have like when you first conceive of a song,

460
00:39:52,639 --> 00:39:54,039
I'm sure you have ideas of what it's going to

461
00:39:54,079 --> 00:39:55,199
be and then it ends up being something.

462
00:39:55,360 --> 00:39:59,000
Speaker 3: I'm always open. Yeah, that's kind of nothing. Nothing is absolute,

463
00:39:59,159 --> 00:40:00,719
you know what it's got to be like this.

464
00:40:01,079 --> 00:40:03,559
Speaker 18: Right, that's kind of the adventure of it, right, yeah, yeah,

465
00:40:03,880 --> 00:40:05,960
but that was that was Hiding behind the Sun too,

466
00:40:06,039 --> 00:40:08,559
because I play. I play a lot of like weird

467
00:40:08,679 --> 00:40:11,960
math stuff, like on my own practicing like nobody else

468
00:40:12,000 --> 00:40:14,360
but myself, like I record it, yeah, you know, and

469
00:40:14,599 --> 00:40:16,599
on my go pros and stuff. And he saw one

470
00:40:16,639 --> 00:40:19,800
that I did, and he's just like, hold on and

471
00:40:19,920 --> 00:40:22,159
he went he wrote, he wrote Hiding behind the Sun,

472
00:40:22,199 --> 00:40:25,079
which changes from five to to three to four and

473
00:40:25,199 --> 00:40:29,039
then back and back and forth and really fine.

474
00:40:29,039 --> 00:40:31,039
Speaker 3: Signatures in it. How many three?

475
00:40:31,519 --> 00:40:31,719
Speaker 1: Yeah?

476
00:40:31,760 --> 00:40:34,800
Speaker 3: Yeah, five four and then three and then four four.

477
00:40:34,920 --> 00:40:38,840
Speaker 10: Yeah, wow yeah and then back again. Yeah.

478
00:40:39,320 --> 00:40:40,719
Speaker 3: You know, I want I wanted to see if I

479
00:40:40,719 --> 00:40:43,159
could do it like Pink Floyd did it with money. Yeah,

480
00:40:43,280 --> 00:40:46,480
you know, so like they switched back and forth, true,

481
00:40:47,679 --> 00:40:49,280
from jazz times to rock time.

482
00:40:49,440 --> 00:40:54,800
Speaker 10: Right, right. Has your approach changed over the years with uh,

483
00:40:55,800 --> 00:40:58,199
with with what you're doing with your solo work?

484
00:40:58,400 --> 00:41:00,840
Speaker 3: I mean, oh yeah, I mean every year it's different. Yeah,

485
00:41:01,039 --> 00:41:03,360
you know, every year you gross more you want to try,

486
00:41:03,480 --> 00:41:06,039
Like what one year I did a techno album, you know,

487
00:41:06,159 --> 00:41:09,440
you know, yeah, a couple of years ago, and that

488
00:41:09,599 --> 00:41:11,960
was very different, you know, and my first album is

489
00:41:12,119 --> 00:41:15,639
very different from myself. I feel like everything's getting gotten

490
00:41:15,760 --> 00:41:20,719
more smooth as far as the sound, the songs themselves,

491
00:41:20,800 --> 00:41:21,559
that have been better.

492
00:41:22,119 --> 00:41:22,360
Speaker 10: Yeah.

493
00:41:22,920 --> 00:41:29,199
Speaker 3: Every year, it's it's amazing. It's it's just it's like

494
00:41:29,239 --> 00:41:33,559
a reflection of your whole year. It's because I put

495
00:41:33,599 --> 00:41:36,119
out an album once a year. Now it's my goal.

496
00:41:36,360 --> 00:41:39,360
Speaker 10: Okay, every fall put out a full length Okay, are

497
00:41:39,400 --> 00:41:40,559
you already working on the next one?

498
00:41:40,679 --> 00:41:45,239
Speaker 3: No, no, I'm not. I'm going to be taking the

499
00:41:45,559 --> 00:41:48,159
old Christmas break right and then and then come back

500
00:41:48,239 --> 00:41:50,559
and start fresh. Yeah, you have to take a couple

501
00:41:50,559 --> 00:41:53,599
of months off, you really do. Yeah, yeah, learned that

502
00:41:53,800 --> 00:41:54,400
like right away.

503
00:41:54,559 --> 00:41:59,320
Speaker 10: Yeah, absolutely absolutely. So Grind is the first video. Do

504
00:41:59,360 --> 00:42:01,199
you have plans to make more videos from this album?

505
00:42:01,280 --> 00:42:03,639
Speaker 3: So that's not the first video that there's this video

506
00:42:03,719 --> 00:42:05,719
for the End of Time. That was the first video,

507
00:42:07,159 --> 00:42:08,760
and that came out like a month ago.

508
00:42:09,039 --> 00:42:11,079
Speaker 10: Oh I didn't realize. Okay, I'll go back and check

509
00:42:11,119 --> 00:42:11,360
that out.

510
00:42:11,440 --> 00:42:13,880
Speaker 3: Yeah, the video is awesome. It's I wanted to do

511
00:42:14,039 --> 00:42:19,400
a film noir look to it, so uh yeah, me Jay,

512
00:42:19,840 --> 00:42:22,559
And then I got Gary on that video too, so cool.

513
00:42:23,280 --> 00:42:25,199
I made him climb through like a little covey up

514
00:42:25,199 --> 00:42:29,719
to my attic and filmed him in my attic. You know,

515
00:42:29,840 --> 00:42:33,039
with Dale sticking out of that. You got to watch

516
00:42:33,079 --> 00:42:35,599
your head otherwise you're gonna need a tennis shot.

517
00:42:36,039 --> 00:42:36,199
Speaker 10: Right.

518
00:42:36,880 --> 00:42:40,239
Speaker 3: It's a great video. My wife thought it was my

519
00:42:40,280 --> 00:42:41,960
best video yet when I did it.

520
00:42:42,199 --> 00:42:42,400
Speaker 2: Yeah.

521
00:42:44,440 --> 00:42:47,000
Speaker 3: Yeah, did shoot some a little bit of it, all

522
00:42:47,039 --> 00:42:49,519
the all the scenes where the camera's floating on me.

523
00:42:49,840 --> 00:42:53,480
Speaker 10: Oh okay, okay, oh very cool. Yeah, yeah, so I'll

524
00:42:53,480 --> 00:42:55,599
have to check that out. And that's cool that Gary

525
00:42:55,639 --> 00:42:57,840
Smith is in that. Yeah, he's been on the show

526
00:42:57,840 --> 00:42:59,920
a bunch of times and actually times when we closed

527
00:42:59,920 --> 00:43:03,440
the segment, that's the song we're gonna we're gonna end with.

528
00:43:03,559 --> 00:43:07,320
So looking forward to sharing that with everybody. Very cool.

529
00:43:07,639 --> 00:43:09,239
Is is there anything we didn't mention that you have

530
00:43:09,320 --> 00:43:12,159
coming up? I only ask because you you came extra prepared.

531
00:43:12,199 --> 00:43:13,199
You brought a piece of paperwork.

532
00:43:13,519 --> 00:43:15,800
Speaker 3: No, No, I mean the big things that it uh

533
00:43:16,360 --> 00:43:16,920
were the gigs?

534
00:43:17,079 --> 00:43:20,159
Speaker 10: Yeah, yeah, very good. And so this is out on

535
00:43:20,199 --> 00:43:23,360
all the streaming platforms assume correct? Yeah? Yeah, any plans

536
00:43:23,400 --> 00:43:25,320
to make physical copies of anything, or maybe you already

537
00:43:25,360 --> 00:43:28,880
have or that's something every every everybody agonizes over do

538
00:43:28,960 --> 00:43:29,599
we do that or not?

539
00:43:29,960 --> 00:43:31,639
Speaker 3: You know why because it because it because it's like

540
00:43:32,039 --> 00:43:35,239
fifteen hundred to three thousand dollars and then it's like

541
00:43:35,320 --> 00:43:38,320
a four to six month wait. Yeah, you know, it's

542
00:43:38,440 --> 00:43:42,360
just it's such a chore, right right, like I want

543
00:43:42,440 --> 00:43:44,519
it and it's but it's it's a it's a lot. Yeah,

544
00:43:44,599 --> 00:43:46,960
they'd like to get it out on time, right, it

545
00:43:47,320 --> 00:43:51,920
just is the nightmare. It never happens, right maybe next year.

546
00:43:52,320 --> 00:43:54,480
Speaker 10: Yeah, And do you have any other projects that you're

547
00:43:54,519 --> 00:43:56,840
doing or are you just focused on now solo stuff

548
00:43:56,840 --> 00:43:57,320
at this point?

549
00:43:57,480 --> 00:43:59,760
Speaker 3: That's it. Yeah, it's been the solo stuff. You know.

550
00:44:00,800 --> 00:44:02,840
You know, I have friends and if they, uh, if

551
00:44:02,880 --> 00:44:04,719
they asked me to come help home and stuff, you

552
00:44:04,800 --> 00:44:05,280
know I will.

553
00:44:05,559 --> 00:44:05,800
Speaker 4: Yeah.

554
00:44:06,400 --> 00:44:09,360
Speaker 3: But yeah, that's that's just been it very cool.

555
00:44:09,760 --> 00:44:09,880
Speaker 19: Oh.

556
00:44:09,960 --> 00:44:11,800
Speaker 3: Another thing about the Grind video let me let me

557
00:44:12,320 --> 00:44:15,320
do this shout out is uh that was filmed at

558
00:44:15,559 --> 00:44:20,760
Jim Hurley's place. Uh uh uh Turbo Cats, Oh you've

559
00:44:20,840 --> 00:44:22,639
met him. He was there right in here not too

560
00:44:22,679 --> 00:44:25,000
long were on the show, Yeah, and he Jim Hurley

561
00:44:25,039 --> 00:44:29,199
plays the Grinder, Yeah, and so he played he plays

562
00:44:29,280 --> 00:44:35,880
like the antagonist, you know, yeah, chasing, chasing, chasing me

563
00:44:35,960 --> 00:44:39,800
around with his grinders, you know. So he did a

564
00:44:39,840 --> 00:44:41,639
great job doing that.

565
00:44:42,000 --> 00:44:43,639
Speaker 10: By the way, I just realized I got confused. We

566
00:44:43,679 --> 00:44:45,119
already played the end of Time. I don't know what

567
00:44:45,840 --> 00:44:48,559
we played that one. You're going over to the seat.

568
00:44:48,559 --> 00:44:51,360
I'm sorry, I'm all discombobulate. That's a busy show this week,

569
00:44:51,639 --> 00:44:54,119
but a busy weekend for us. We have spelfy Fest tomorrow.

570
00:44:54,639 --> 00:44:56,480
Speaker 3: Yeah, that's the big one. Everybody's playing there.

571
00:44:56,639 --> 00:44:56,880
Speaker 1: Yeah.

572
00:44:57,079 --> 00:44:58,840
Speaker 10: Yeah, there's a lot of bands on that show. That's

573
00:44:58,840 --> 00:45:00,519
gonna be a lot of fun. He's going to give

574
00:45:00,519 --> 00:45:03,199
a talk at the beginning, and I'm gonna hypnotize some people,

575
00:45:03,440 --> 00:45:05,639
and so we're trying to many people as we cant

576
00:45:05,679 --> 00:45:08,320
a short one short Jenny. Jenny's giving a short talked

577
00:45:08,360 --> 00:45:11,239
over the show. But uh yeah, and I'm gonna mcuh

578
00:45:11,559 --> 00:45:13,199
introduce some of the bands and stuff. So it's gonna

579
00:45:13,199 --> 00:45:15,840
be a good time. But Jason, do you have any

580
00:45:15,840 --> 00:45:17,639
other Every drummer we have on the show is in

581
00:45:17,760 --> 00:45:19,159
like ten different bands. You must have something.

582
00:45:19,280 --> 00:45:21,960
Speaker 18: No, I'm honestly like, this is this is it? Like

583
00:45:22,199 --> 00:45:24,360
I'm trying to find, you know, I live. I live

584
00:45:24,480 --> 00:45:27,400
right on the mass New Hampshire border, and nobody, nobody

585
00:45:27,440 --> 00:45:30,599
around me wants to play anything other than metal or

586
00:45:30,719 --> 00:45:33,280
like maybe blues or whatever. And you know, and I'm

587
00:45:33,440 --> 00:45:34,800
I'm I'm a weekend.

588
00:45:34,559 --> 00:45:35,679
Speaker 10: Warrior I have you know.

589
00:45:35,800 --> 00:45:39,480
Speaker 18: So yeah, exactly that too. So it's just like and

590
00:45:39,599 --> 00:45:42,360
it's something like I have you'll see in the video.

591
00:45:43,079 --> 00:45:45,400
Then at the end of the time that my kit,

592
00:45:45,719 --> 00:45:47,840
like I don't travel with that, like I don't. That's

593
00:45:47,840 --> 00:45:50,559
why I'm a studio drummer because I have my kit

594
00:45:50,679 --> 00:45:52,239
the way that I want to, you know.

595
00:45:52,360 --> 00:45:53,159
Speaker 10: And it's just like and I.

596
00:45:55,000 --> 00:45:57,840
Speaker 18: When when we were getting the project together, was when

597
00:45:57,880 --> 00:46:00,599
I was finalizing my room, you know, like I said,

598
00:46:00,639 --> 00:46:03,199
another projects around my house. So it was like I

599
00:46:03,280 --> 00:46:05,559
already I built the I built the room, and I'm

600
00:46:05,599 --> 00:46:08,159
building the studio around my drum set. So you know,

601
00:46:08,559 --> 00:46:11,679
I'll know what anybody is. He's available for studio work. Yeah,

602
00:46:11,880 --> 00:46:14,719
come to me, come to me, and I will play anything.

603
00:46:15,079 --> 00:46:15,239
Speaker 1: Yeah.

604
00:46:15,280 --> 00:46:17,320
Speaker 3: And also he's got Jay Staples lessons.

605
00:46:17,559 --> 00:46:17,800
Speaker 9: Yeah.

606
00:46:17,920 --> 00:46:20,400
Speaker 3: Oh, if you're interested in drum lessons.

607
00:46:20,440 --> 00:46:22,719
Speaker 10: Oh, okay, very cool, very cool.

608
00:46:23,119 --> 00:46:23,320
Speaker 4: Yeah.

609
00:46:23,400 --> 00:46:25,960
Speaker 10: The drummers are most of the drummers we know they're

610
00:46:26,000 --> 00:46:28,039
they're in so many different bands. And you know, my

611
00:46:28,159 --> 00:46:30,599
theory has always been when you first have the conversation

612
00:46:30,760 --> 00:46:32,800
with the parents about, you know, you want to play

613
00:46:32,800 --> 00:46:34,559
an instrument, and if you tell them the drums, they

614
00:46:34,880 --> 00:46:36,960
try to talk you out of it because because they

615
00:46:36,960 --> 00:46:37,960
don't want all that sound.

616
00:46:39,000 --> 00:46:41,199
Speaker 18: My dad was blaring music when I was little. He's

617
00:46:41,239 --> 00:46:43,159
just like, nope, I'm turning the radio all the way up.

618
00:46:43,320 --> 00:46:43,519
Speaker 10: Yeah.

619
00:46:43,559 --> 00:46:45,039
Speaker 3: You know my father was a drummer.

620
00:46:46,199 --> 00:46:46,440
Speaker 19: Yeah.

621
00:46:46,800 --> 00:46:52,079
Speaker 10: No, that's uh, that's good, that is uh, that is yes, excellent, excellent.

622
00:46:52,199 --> 00:46:53,159
Speaker 3: I played the clarinet.

623
00:46:54,719 --> 00:46:59,320
Speaker 10: Yeah, oh, very good, all right, outstanding. Well we will

624
00:46:59,400 --> 00:47:02,360
uh will was out the segment. But thank you guy. Yeah,

625
00:47:02,360 --> 00:47:04,480
it's the time goes so quick. But thank you so

626
00:47:04,599 --> 00:47:06,920
much for coming in, all three of you. And you know, Aaron,

627
00:47:07,119 --> 00:47:10,119
I love what you're doing. It's it's very unique, it's cool,

628
00:47:10,440 --> 00:47:10,920
it's fun.

629
00:47:11,320 --> 00:47:12,519
Speaker 3: I'll definitely see you next.

630
00:47:12,440 --> 00:47:15,519
Speaker 10: Year, absolutely, well before yeah, well yeah, it is almost

631
00:47:15,519 --> 00:47:16,639
the end of the year. I was gonna say, well

632
00:47:16,679 --> 00:47:18,840
before that, but you didn't mean a year from now

633
00:47:18,920 --> 00:47:19,519
you met next one?

634
00:47:19,559 --> 00:47:23,159
Speaker 3: Well, no, definitely, yes, from because we definitely gonna have

635
00:47:23,280 --> 00:47:24,519
something out next fall.

636
00:47:24,639 --> 00:47:26,679
Speaker 10: We'll have you back before then, all right, because next

637
00:47:26,760 --> 00:47:29,440
year is coming right up. Next year is uh yeah,

638
00:47:29,480 --> 00:47:31,719
it's all right, come play anytime. It's already almost December.

639
00:47:31,760 --> 00:47:33,519
Oh yeah, we'll have you back. We'll have you back before.

640
00:47:34,400 --> 00:47:36,079
We're not gonna let a year go by, that's for sure.

641
00:47:37,360 --> 00:47:39,280
All right, Thank you very much, and remind people one

642
00:47:39,320 --> 00:47:41,320
more time the video for Grind because it just dropped.

643
00:47:41,400 --> 00:47:44,639
Speaker 3: The video for Grind is on YouTube only right now. Okay,

644
00:47:44,840 --> 00:47:47,639
so you can find that on YouTube dot com. Slash

645
00:47:47,840 --> 00:47:50,519
Aaron billod O b I l O d e Au.

646
00:47:51,000 --> 00:47:54,239
Speaker 10: Anybody ever get your name wrong in a flyer or anything, Well.

647
00:47:54,159 --> 00:47:56,039
Speaker 3: No, they always get my first name wrong. I'm always

648
00:47:56,159 --> 00:47:57,079
erin everywhere I go.

649
00:47:57,199 --> 00:47:57,719
Speaker 4: Oh really.

650
00:48:00,039 --> 00:48:03,199
Speaker 10: All right, so thank you again so much. And uh,

651
00:48:03,320 --> 00:48:06,679
if you're listening live on Saturday, we have Vigil coming

652
00:48:06,760 --> 00:48:08,599
up next. We got a little something from them here

653
00:48:08,760 --> 00:48:12,039
and it's gonna get loud and heavy. Stick around.

654
00:48:24,639 --> 00:49:18,880
Speaker 1: That God talk. Well, what are your your get, birhad?

655
00:49:20,599 --> 00:49:21,639
Speaker 19: Is they yap their.

656
00:49:23,239 --> 00:49:24,199
Speaker 1: Do that talking? Here?

657
00:49:25,800 --> 00:49:26,599
Speaker 5: I be bumping.

658
00:49:26,679 --> 00:49:32,440
Speaker 1: Third favorite tal the tea neighbor voll tag.

659
00:49:33,800 --> 00:50:17,360
Speaker 5: Call that all in school or ship toward your.

660
00:50:24,880 --> 00:50:29,280
Speaker 1: Culture to or so.

661
00:50:33,360 --> 00:51:12,920
Speaker 5: The true true more so Joy what woo ooo oh York.

662
00:51:18,920 --> 00:51:35,440
Speaker 19: Everybody saw you talk uh y y Doll Day or

663
00:51:35,880 --> 00:51:36,840
time for Doll?

664
00:51:42,440 --> 00:51:47,119
Speaker 6: Go oh y.

665
00:51:47,480 --> 00:51:48,559
Speaker 1: Cat fuck doll.

666
00:51:59,639 --> 00:52:07,119
Speaker 19: Youk the gout on dirt, the door, the bold Blida,

667
00:52:07,800 --> 00:52:08,840
the story.

668
00:53:48,239 --> 00:53:48,599
Speaker 3: Last.

669
00:54:17,679 --> 00:54:29,239
Speaker 5: So Boss.

670
00:54:40,519 --> 00:55:03,239
Speaker 1: Said m M.

671
00:56:47,079 --> 00:56:49,639
Speaker 10: On November twenty second, to join us at the Sister

672
00:56:49,719 --> 00:56:51,960
Witch Company for a pre Black Friday event.

673
00:56:52,280 --> 00:56:55,559
Speaker 1: You are listening to w M and h w M

674
00:56:55,639 --> 00:56:58,920
and H rips the novels you.

675
00:56:59,039 --> 00:57:00,880
Speaker 10: Command God, don't get sup.

676
00:57:01,000 --> 00:57:04,599
Speaker 9: Green Leader Maso Gobby Dinner