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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What's going to happen?

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<v Speaker 1>What?

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<v Speaker 3>Welcome to the Occult Rejects. This episode will be continuing

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<v Speaker 3>on the Kabala Talk that me and Frida Jin the

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<v Speaker 3>Ninja we're doing.

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<v Speaker 4>UH started off already.

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<v Speaker 3>With Uh Catherine Chokla, and we will be continuing today

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<v Speaker 3>with Donna and doth and we will be we will

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<v Speaker 3>be adding somebody else at the show, hopefully even continuing

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<v Speaker 3>the series with us.

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<v Speaker 4>We got mat with us uh before we get to

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<v Speaker 4>mad Jin.

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<v Speaker 3>Let everybody know, just in case they don't know who

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<v Speaker 3>you are already where they can find all your amazing work.

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<v Speaker 2>Sure well, thank you boss, Thank you, mister Andy three.

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<v Speaker 2>And then of course I have I'm with Matt. So

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<v Speaker 2>I'm so excited because Matt is a content creator and

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<v Speaker 2>also co hosts with me in the Gray Lodge, and

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<v Speaker 2>he also runs the Gray Lodge YouTube channel, and so

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<v Speaker 2>he's been an incredible person to get to know and

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<v Speaker 2>I'm really lucky. So I just want to say that

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<v Speaker 2>first of all, but if people want to follow me,

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<v Speaker 2>they can actually listen to Matt and I on the

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<v Speaker 2>latest episode of Threshold Saints, episode sixty five, which is

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<v Speaker 2>Love and K pop, which is about Matt's idea, which

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<v Speaker 2>is pop Cabala. So using anime, video games, and pop

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<v Speaker 2>culture just generally music as a kind of hermeneutic to

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<v Speaker 2>understand Cabala. So this is also something that I do

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<v Speaker 2>on my show. I call it something a little different,

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<v Speaker 2>but I do. I told Matt that I was sealing

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<v Speaker 2>pop Cabala, so I will. And so we also have

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<v Speaker 2>a Gray Lodge space tonight, a data record. It's Friday,

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<v Speaker 2>August eighth, and so if you're interested in hearing Matt

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<v Speaker 2>and I and Solar Manty the Branch Branch, Joseph Reid

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<v Speaker 2>and Mike, if you're interested in hearing the seven of

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<v Speaker 2>us discourse about cabala, about meta politics, about meta magic,

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<v Speaker 2>then that is the place for you. So come follow

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<v Speaker 2>us both on Twitter and you'll see the spaces. And

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<v Speaker 2>thank you guys so much.

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<v Speaker 4>No, thank you for joining us. I really appreciate it.

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<v Speaker 3>And uh, first time on the show, and we will

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<v Speaker 3>have to get them on probably just separ lated, you know,

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<v Speaker 3>kick it with us and talk some ship.

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<v Speaker 4>But we got Matt. So, Matt, how do you say

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<v Speaker 4>your last name again?

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<v Speaker 3>More?

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<v Speaker 4>I don't want to fuck it up. It already did.

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<v Speaker 5>Yeah you can say moat it would be Moda, but yeah,

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<v Speaker 5>pretty much thinking.

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<v Speaker 4>And you're you're over in Italy right now.

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<v Speaker 6>Right, yes, speaking from that is awesome.

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<v Speaker 3>I'm hoping to be going there eventually soon myself. That

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<v Speaker 3>is great stuff. Nice, nice, good for you. Please let

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<v Speaker 3>everybody know what your deal is, you know what your

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<v Speaker 3>thing is, where they can find you, you know, get

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<v Speaker 3>a little introduction.

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<v Speaker 4>Don't worry about spending too much line.

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<v Speaker 5>First of all, thanks a lot Nick for calling and

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<v Speaker 5>Gin as well for the bridge. So very healthy to

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<v Speaker 5>be here, sell some shows before and very cool stuff.

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<v Speaker 5>So I'm at Mora, you know, talk about Kabbala, astrology, tyrot, numerology,

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<v Speaker 5>all the stuff related. You can find me on Twitter, Instagram,

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<v Speaker 5>YouTube always at met Mora nineteen and there's also my

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<v Speaker 5>website Kabala dot com. It's written a little bit differently,

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<v Speaker 5>but we're probably going to show here afterwards. And yeah,

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<v Speaker 5>I mean talk about a bunch of crazy stuff, but

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<v Speaker 5>that's what I like. So if you like that as well,

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<v Speaker 5>make sure to follow me there.

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<v Speaker 3>Awesome, awesome, And yeah, I mean obviously is that you're

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<v Speaker 3>on here, you're big into the Cabala.

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<v Speaker 4>I would assume right.

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<v Speaker 5>Yeah, exactly, that's what I was initiated in, and the

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<v Speaker 5>one that it's like the foundation for all the other systems.

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<v Speaker 5>So when I talk about astrology, he talking about astrology

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<v Speaker 5>with lens.

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<v Speaker 3>Yes, yes, I would have to say it's probably maybe

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<v Speaker 3>Jan could even like verify more than I could, because

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<v Speaker 3>he probably sees how I look at it. But and

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<v Speaker 3>I'm just used to looking at it like this and

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<v Speaker 3>don't even realize it. I think probably the same thing

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<v Speaker 3>with me. I think I tend to just always look

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<v Speaker 3>at something how it fits on the cabala or the

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<v Speaker 3>harmatic cabala.

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<v Speaker 4>I don't think I can. To me, it just makes

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<v Speaker 4>the most sense to do it like that.

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<v Speaker 6>Yeah, exactly, it's the same.

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<v Speaker 4>How long?

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<v Speaker 7>Uh?

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<v Speaker 4>How old are you? If you don't mind me asking?

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<v Speaker 5>Yeah, I mean the face doesn't doesn't make it clear.

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<v Speaker 6>But three right now?

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<v Speaker 4>Holy shit, I did think you were young.

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<v Speaker 2>He's our baby brother in the launch. I always feel

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<v Speaker 2>like responsibility. I can never, you know, say anything too wilder.

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<v Speaker 6>You just the next TikTok TikTok generation.

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<v Speaker 4>Yeah. I don't know if he was ready ready yet

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<v Speaker 4>to come on deal with me.

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<v Speaker 5>Fuck, it's just this character you know.

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<v Speaker 4>Yeah, So who were you, like twelve when you got

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<v Speaker 4>into this ship.

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<v Speaker 5>So you know it's actually I'm in itly right now.

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<v Speaker 5>But I'm from Brazil, So in Brazil we have a

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<v Speaker 5>lot of.

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<v Speaker 4>Oh yeah, that place is fucking loaded with ship.

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<v Speaker 6>Yeah exactly.

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<v Speaker 5>So I'll say my family helped a lot in the

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<v Speaker 5>sense of letting me know this kind of stuff. So

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<v Speaker 5>I was skeptic at first, not about Cabala necessarily, but

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<v Speaker 5>like spiritually spirituality in general, right, but my family kind

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<v Speaker 5>of made it easier for me to double along. I'll

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<v Speaker 5>say fifteen years when I was when I started actually studying,

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<v Speaker 5>like okay, let me try and see this without this skepticism,

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<v Speaker 5>and I was. I got initiated I think three years

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<v Speaker 5>ago in this Cabala system that I use. So before

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<v Speaker 5>I was studying by myself, but then I got a

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<v Speaker 5>proper master and so on and so on, and then

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<v Speaker 5>it's a a game changer. Really, So I'll say like

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<v Speaker 5>three years initiated practicing this system that I'm using, but

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<v Speaker 5>it's studying since fifteen years old, so eight eight years now, yeah,

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<v Speaker 5>eight nine years.

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<v Speaker 4>And you said I guess, like I mean, it was

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<v Speaker 4>just like I guess.

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<v Speaker 3>Family or friends were kind of like, we're into this already,

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<v Speaker 3>and that's where you were kind of influenced by.

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<v Speaker 4>Did you find it like yourself?

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<v Speaker 5>Yeah, so my family was very big into like spiritualism

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<v Speaker 5>or spiritism sorry, spiritism in Brazil, which is big there.

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<v Speaker 5>So there's like very very minute different branches and one

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<v Speaker 5>or other things that are kind of related, you know,

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<v Speaker 5>because in Brazil and there's a lot of mixture. There's

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<v Speaker 5>like Japanese stuff with like African stuff with native stuff

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<v Speaker 5>with like Christian stuff is like everything, you know, mixed.

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<v Speaker 5>So I'd say they gave me some kind of way

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<v Speaker 5>to start because I would hear the stories. So then

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<v Speaker 5>I would be curtzy, you know, what the fuck are

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<v Speaker 5>they talking about? You know, some past life for some

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<v Speaker 5>person that already died, but somehow they're interacting with them,

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<v Speaker 5>Like what.

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<v Speaker 6>The fuck is do?

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<v Speaker 2>I know?

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<v Speaker 5>But I would always be skeptical At first. I was like, no,

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<v Speaker 5>you know what are you talking about? Because I wouldn't

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<v Speaker 5>have the experiences. But yeah, at least being in Brazil

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<v Speaker 5>gave me a lot of possibilities to search for this.

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<v Speaker 5>Like it's very people talk about it. It's kind of common,

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<v Speaker 5>like even people which are like very strict you know,

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<v Speaker 5>Catholic or Christians day. They will talk about it, so

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<v Speaker 5>you'll hear about it. It's not gonna be very foreign.

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<v Speaker 5>I feel like in Italy or let's say European in general,

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<v Speaker 5>now since I came, it's it's like very different people

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<v Speaker 5>are more used to the traditional things, that is, the

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<v Speaker 5>ones that I interacted with. I don't know, like maybe

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<v Speaker 5>I'm not in the correct groups, but it feels like

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<v Speaker 5>it's harder to talk about these things or they are

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<v Speaker 5>coming up to some ideas which we are talking about

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<v Speaker 5>in Brazil, like for so long already. The environment definitely.

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<v Speaker 3>Helped, Yeah, I think I yeah, Brazil trees. Honestly, I

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<v Speaker 3>think if anybody to start a cult, just go to Brazil.

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<v Speaker 4>Yeah, exactly, definitely make it. If you got the money to,

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<v Speaker 4>you know, go over to Brazil. You got it.

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<v Speaker 2>Man.

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<v Speaker 5>It's a double edged story because there's a lot of

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<v Speaker 5>serious people there and doing like good mercy. There's a

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<v Speaker 5>lot of then like I called him, schizoterism, you know,

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<v Speaker 5>like there's a lot of skitz.

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<v Speaker 3>Have you real quick, and then we'll get into the

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<v Speaker 3>actual topics like what we're going to talk about. If

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<v Speaker 3>you don't want Matt. Have you ever heard of the

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<v Speaker 3>Valley of the Dawn. It's a it's a cult out

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<v Speaker 3>in Brazil.

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<v Speaker 6>Let me see.

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<v Speaker 3>Yeah yeah maybe yeah, Value of the Value of the Dawn.

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<v Speaker 3>There is like a name for.

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<v Speaker 6>Yeah, okay, with the thing.

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<v Speaker 4>There in Brazil.

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<v Speaker 6>There's a lot of crazy been talking about covered.

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<v Speaker 4>That the last three years. Maybe it will happen.

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<v Speaker 6>Yeah.

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<v Speaker 5>There was a guy I think like in English would

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<v Speaker 5>be Joan of God or something like that, like he

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<v Speaker 5>used to like Oprah.

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<v Speaker 3>Yeah, yeah, tell anybody wants to start a weird stuff, Yeah,

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<v Speaker 3>you can make it.

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<v Speaker 2>Okay, I'm not being shady, But there is something funny

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<v Speaker 2>about this is that a lot of modern a lot

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<v Speaker 2>of guests that we've had, that you've had on this

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<v Speaker 2>show probably have been there at are modern magicians. They're

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<v Speaker 2>really into fucking Kimbanda. This is something Madden and I

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<v Speaker 2>have talked about, like very extensively for like a year

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<v Speaker 2>almost is like this interest in like modern Kimbanda and

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<v Speaker 2>what it means for modern magic in general, and like

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<v Speaker 2>why why in particular Kimbanda. I just think it's interesting

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<v Speaker 2>And then they'll say, oh, I'm a shaman, Okay, you're

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<v Speaker 2>a shaman, but you're also practicing kimbanda, so you're not

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<v Speaker 2>quite a shaman.

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<v Speaker 4>I don't even what is that. I don't tell you.

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<v Speaker 5>Hand it's like left hand path usually mixture with like African.

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<v Speaker 6>Uh spiritual spiritual stuff.

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<v Speaker 5>But also like Native Native Latin American and like they

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<v Speaker 5>always mix some stuff, but it's very like left handed.

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<v Speaker 3>The reason I wanted to cover that cult that I

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<v Speaker 3>promise we'll get to do the Cabalah. They they are

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<v Speaker 3>another ones thinking like aliens are coming, you know, usual,

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<v Speaker 3>and so like those always just assumed like there's gotta

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<v Speaker 3>be a scam out of somewhere and you know, or

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<v Speaker 3>an actual real occult is somewhere that's duping people. And

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<v Speaker 3>like I was going through like all these sites and

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<v Speaker 3>just looking at their pictures and shit, you know, and

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<v Speaker 3>I'm like starting to collect stuff because I was like, yeah,

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<v Speaker 3>I think at this point i'll cover them. You know

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<v Speaker 3>again three years ago, still have the folder. I haven't

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<v Speaker 3>covered them, but I was looking at this shit and

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<v Speaker 3>like I think National Geographic even did something on them.

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<v Speaker 3>So like these had good quality pictures and there was

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<v Speaker 3>one that I was like it was like showing like

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<v Speaker 3>it's some Egyptian set up, and like in the middle

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<v Speaker 3>of it was like it was like a cut open

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<v Speaker 3>you could walk in, and then there's like this drape

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<v Speaker 3>that's hanging from the ceiling and it looks like this

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<v Speaker 3>like circular cushioned.

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<v Speaker 4>Seat in the middle of it.

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<v Speaker 3>But it just looks like that's kind of like in

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<v Speaker 3>the background, just hanging out there. I don't know what

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<v Speaker 3>it was, and it was probably stone to some shit.

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<v Speaker 3>And I was like, looking at the picture, I was like, Yo,

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<v Speaker 3>it looks like this somebody in there, and I assumed

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<v Speaker 3>that thing open and I'm like, yo, there's a motherfucker

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<v Speaker 3>in there with the Astra margentum robe on.

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<v Speaker 4>I was like, oh, here we go. Now I know

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<v Speaker 4>what the fuck is going on.

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<v Speaker 3>That's why everything looks like it's golden dawn and Oto

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<v Speaker 3>style over there.

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<v Speaker 4>Makes sense now I know who's making money.

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<v Speaker 5>Yeah, I cannot speak for those guys. I don't I

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<v Speaker 5>didn't double that much on them. But there is definitely

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<v Speaker 5>a lot of like siops right now there in Brazil,

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<v Speaker 5>like a lot of stuff they cook there because there's

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<v Speaker 5>also a lot of people in there open to this,

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<v Speaker 5>so they'll test is like test grounds you know, for

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<v Speaker 5>the special like especially also with the you know, uh

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<v Speaker 5>because in Brazil if.

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<v Speaker 4>It works, yeah, we'll bring it over to America.

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<v Speaker 5>Yeah, I Auska's sleep of in Brazil, so you can

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<v Speaker 5>actually use it in like uh ritualistic or spiritual setting

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<v Speaker 5>and also much rooms. So again it's very easy to

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<v Speaker 5>like start something and then you put people into this

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<v Speaker 5>kind of stuff and don't knows what comes from there,

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<v Speaker 5>you know, so you've got our ready to know how

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<v Speaker 5>to filter out the I'll say anywhere.

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<v Speaker 6>But they're especially like.

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<v Speaker 3>All right, so now we're gonna get into it. But

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<v Speaker 3>nah uh yeah, that is the third the third sep

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<v Speaker 3>third sphere on the tree, and it would be like

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<v Speaker 3>on the top of the top of the pillar of severity.

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<v Speaker 3>Some people look at that. It would be the left

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<v Speaker 3>hand side. Some people would say that's you know, the

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<v Speaker 3>feminine part of the tree. I'm just gonna read off

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<v Speaker 3>like some of the kind of basic associations with it,

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<v Speaker 3>and then we'll kind of get into I guess, you know,

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<v Speaker 3>freestyle on our experience, our idea of it. If any

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<v Speaker 3>of you want to interrupt me, please just interrupt me

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<v Speaker 3>as I'm going through it. You know, a lot of

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<v Speaker 3>these I had mentioned it last time. They have associations

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<v Speaker 3>with it with Benigh again. That will be the third

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<v Speaker 3>sphere of the black sphere on the top of the

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<v Speaker 3>left pillar, and the magical image for that would be

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<v Speaker 3>considered a mature woman or a matron.

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<v Speaker 4>I think jen Pie Matt would even agree with me.

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<v Speaker 3>I think sometimes you'll get a little bit more of

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<v Speaker 3>a mature woman, maybe a little bit like older or

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<v Speaker 3>maybe the old hag might go there. Sometimes the divine

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<v Speaker 3>name would be Jehovah Elohim. The archangel would be Zafkiel,

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<v Speaker 3>which is governing the Ralim with the thrones, the planetary

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<v Speaker 3>you know. Thing that would go along with it would

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<v Speaker 3>be Saturn. I think everybody will not everybody may know that,

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<v Speaker 3>but yeah, that's where Sading goes spiritual experience, the vision

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<v Speaker 3>of sorrow, and then the virtue is silence, but the

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<v Speaker 3>vice is avarice. And if people don't know what avarice means,

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<v Speaker 3>it's basically just being like a sloth or not doing anything.

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<v Speaker 3>Symbols and colors, you could have a chalice, vesica, pisces.

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<v Speaker 3>It's also considered the outer robe of concealment. Chokla is

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<v Speaker 3>considered the inner robe of concealment. Crimson would go with this,

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<v Speaker 3>Black would go with this, Brown would go with this, uh,

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<v Speaker 3>gray and pink through the full world. The Taro threes

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<v Speaker 3>would go with that cosmic Uh what else? Uh Yeah,

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<v Speaker 3>that's basically kind of just I wanted to just get

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<v Speaker 3>that in there because a lot of that stuff I

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<v Speaker 3>think will show up as like symbology.

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<v Speaker 4>Uh you'll see it in art possibly taro and stuff

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<v Speaker 4>like that.

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<v Speaker 3>So uh but yeah, I guess if you don't mind,

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<v Speaker 3>jen if I put you on the spot for you,

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<v Speaker 3>like I guess through your workings and experience with the Kabbala,

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<v Speaker 3>how do you kind of like view I guess be

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<v Speaker 3>Na in a sense.

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<v Speaker 2>I always this is a rhyme I always do because

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<v Speaker 2>I find it very mnemonic, like a way to remember things.

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<v Speaker 2>Is time is always contained in your mind, but it

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<v Speaker 2>really starts at the nah, Like the greatest conception of

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<v Speaker 2>time is really there. So it is really the understanding

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<v Speaker 2>of cosmic time rather than our individual experience of time,

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<v Speaker 2>which is more ysotic. So there's that's again, to bring

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<v Speaker 2>that back from last night. It's the Saturn moon matrix.

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<v Speaker 2>It's like the it's the through their three worlds of

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<v Speaker 2>conceptions of time. Right, there's the sun and moon, which

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<v Speaker 2>is a second like a tertiary, which would be like

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<v Speaker 2>Gebra and Hesseid, sort of tipherotic time. Then you would

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00:15:29.480 --> 00:15:33.440
<v Speaker 2>have individualized time or phenomenological time. Even you could say

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<v Speaker 2>that's very asotic. But then you have the more intellectualized

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<v Speaker 2>expansion or maybe you're coming to that if you're saying, oh,

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<v Speaker 2>I'm Adam Kadmon, or I'm the adamante Man or I'm Enoch,

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<v Speaker 2>and so my at my peak of who I am,

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<v Speaker 2>i am maybe infused with cosmic time. So maybe that's

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<v Speaker 2>kind of a way that Saturn gets to be the

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<v Speaker 2>king of at least least some of the world's Like

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<v Speaker 2>everybody says, oh Saturn, black cub matrix, that's like the

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<v Speaker 2>you know, the evil, the evil time king. But in

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<v Speaker 2>a way, as we always talk about, Saturn is just

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<v Speaker 2>an outer density name. It's just a planet. So it's

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00:16:14.360 --> 00:16:19.039
<v Speaker 2>not what we're essentially referring to in the Sephra, but

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<v Speaker 2>it definitely it tells you a story. It's it says

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<v Speaker 2>like there are elements of this, they're just bringing things in.

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<v Speaker 2>So in Joe Tish, Saturn is the lord of Karma Saturn.

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<v Speaker 2>Praise to Mahakala, the king of Time as a much

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00:16:34.840 --> 00:16:39.840
<v Speaker 2>higher god. Mahakala, Praise to Maha Kali who is his

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<v Speaker 2>consort or his wife. And I even put a pick

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<v Speaker 2>diagnested a picture in that. You don't have to bring

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<v Speaker 2>it up, Nick, but I'm just saying it's there if

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<v Speaker 2>you want it.

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<v Speaker 4>Yeah, I wasn't sure who pulled that up, Sar.

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<v Speaker 2>No, that's okay, and so it so Nex's right. So

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00:16:56.080 --> 00:16:58.279
<v Speaker 2>there is the idea that she can. So I could

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00:16:58.320 --> 00:17:01.639
<v Speaker 2>have chosen an image with Collie by and I maybe

335
00:17:01.679 --> 00:17:04.680
<v Speaker 2>will for later. I'll find one when I'm not going.

336
00:17:04.720 --> 00:17:07.960
<v Speaker 2>But this is them together. So this is a more

337
00:17:08.119 --> 00:17:12.720
<v Speaker 2>contract conception of Benna really is that it's really in

338
00:17:13.160 --> 00:17:15.599
<v Speaker 2>because you see even the fire, the fire is rising

339
00:17:15.640 --> 00:17:19.599
<v Speaker 2>beneath them. The carnal fire from Geverra and Saturn is

340
00:17:19.640 --> 00:17:23.440
<v Speaker 2>sort of tempered by Mars in many ways, especially in

341
00:17:23.519 --> 00:17:28.160
<v Speaker 2>Vida astrology. Mars is the sort of protective force that

342
00:17:29.640 --> 00:17:33.079
<v Speaker 2>people often pray to. Mars or martial deities. Hanuman the

343
00:17:33.319 --> 00:17:36.599
<v Speaker 2>Monkey King, or for Indians they think of him as

344
00:17:36.599 --> 00:17:39.119
<v Speaker 2>the Monkey King. He's not quite the same, but they

345
00:17:39.119 --> 00:17:42.960
<v Speaker 2>pray to him for kind of protecting them against Shanning

346
00:17:43.079 --> 00:17:45.640
<v Speaker 2>or Saturn, because he is the power of Mars in

347
00:17:45.680 --> 00:17:48.680
<v Speaker 2>its fullness. So you can see there's like a fire

348
00:17:48.720 --> 00:17:52.480
<v Speaker 2>of effulgence coming up from the burning ground. So the

349
00:17:52.559 --> 00:17:55.680
<v Speaker 2>earth Bna is very much related to the earth, like

350
00:17:55.720 --> 00:17:58.920
<v Speaker 2>it's really true earth almost you could say, like a

351
00:17:59.000 --> 00:18:03.200
<v Speaker 2>true that's purified, and that's even what the fire is doing.

352
00:18:03.400 --> 00:18:06.000
<v Speaker 2>So it's a solid ground. But with the concert there,

353
00:18:06.359 --> 00:18:09.359
<v Speaker 2>it's really interesting. If you say the husband or the

354
00:18:09.400 --> 00:18:13.119
<v Speaker 2>male archetype is time, then the female concert has to

355
00:18:13.160 --> 00:18:17.079
<v Speaker 2>be Kully the destruction of time. So when they're together,

356
00:18:17.160 --> 00:18:21.480
<v Speaker 2>it's a constant sort of dialectical arrangement of coming and going,

357
00:18:21.559 --> 00:18:25.839
<v Speaker 2>matter densifying and then breaking up. It's kind of like

358
00:18:25.920 --> 00:18:29.039
<v Speaker 2>the I think of it all as layers of consciousness.

359
00:18:29.240 --> 00:18:31.720
<v Speaker 2>So when we sort of come across a new idea

360
00:18:32.279 --> 00:18:35.160
<v Speaker 2>and then we explore that new idea and then we say, okay,

361
00:18:35.279 --> 00:18:38.119
<v Speaker 2>I don't need to be contained in that, and we

362
00:18:38.200 --> 00:18:42.799
<v Speaker 2>kind of destroy it, there's kind of the apocalypse of revelation,

363
00:18:43.200 --> 00:18:45.720
<v Speaker 2>and so that's what I personally. So this is just

364
00:18:45.799 --> 00:18:49.200
<v Speaker 2>me ginriffing, but those are things that I associate, particularly

365
00:18:49.279 --> 00:18:53.039
<v Speaker 2>with Bana and text on paper. That's a very important

366
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<v Speaker 2>allegory I've used before, and I think that a lot

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<v Speaker 2>of misunderstanding of Banah. I'm using that word very specifically,

368
00:19:02.240 --> 00:19:05.480
<v Speaker 2>but a lot of misunderstanding arises in what Saturn and

369
00:19:05.519 --> 00:19:08.920
<v Speaker 2>Bana is. It's really the text on the page, the

370
00:19:09.000 --> 00:19:13.400
<v Speaker 2>black text, which can also appear flashing purple very interesting,

371
00:19:13.839 --> 00:19:18.039
<v Speaker 2>can also appear red in candle light. Bright black has

372
00:19:18.079 --> 00:19:22.880
<v Speaker 2>many interesting qualities, especially on a white vellum page. So

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<v Speaker 2>the text is really the codified thing. So the text

374
00:19:27.440 --> 00:19:30.000
<v Speaker 2>can also be said to be like the Bible or

375
00:19:30.039 --> 00:19:33.480
<v Speaker 2>the law or things of that nature. Now we don't

376
00:19:33.519 --> 00:19:38.759
<v Speaker 2>interact with those texts specifically at Bana. Like we've talked

377
00:19:38.799 --> 00:19:43.559
<v Speaker 2>about in the last episode. I said, has lawyers in

378
00:19:43.599 --> 00:19:47.200
<v Speaker 2>particular embody has said really well, because they pull at

379
00:19:47.240 --> 00:19:53.759
<v Speaker 2>the reins of like the fixed conceptions of Saturn. Sorry, guys,

380
00:19:53.759 --> 00:19:55.359
<v Speaker 2>you guys, go ahead, just give me one second.

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<v Speaker 3>One thing I did want to say with the fire,

382
00:20:00.759 --> 00:20:02.119
<v Speaker 3>you know, the thing I was thinking about that with

383
00:20:02.200 --> 00:20:05.000
<v Speaker 3>Gouboro being underneath the Saturn on the left hand side

384
00:20:05.000 --> 00:20:08.240
<v Speaker 3>of the tree, I often do think that could be

385
00:20:08.279 --> 00:20:11.720
<v Speaker 3>even like almost like alchemical where you're getting the black

386
00:20:12.000 --> 00:20:14.920
<v Speaker 3>purification by fire you even get like a lot of

387
00:20:14.960 --> 00:20:17.319
<v Speaker 3>old the alchemists that I've covered on the show or

388
00:20:17.359 --> 00:20:21.480
<v Speaker 3>occultists that go on about this purification of the soul

389
00:20:21.720 --> 00:20:28.319
<v Speaker 3>through fire. So I you know, again, just you burn

390
00:20:28.440 --> 00:20:31.000
<v Speaker 3>something down to soot, I mean, it's gonna be black.

391
00:20:31.359 --> 00:20:34.039
<v Speaker 3>So I do wonder about like the whole red and black,

392
00:20:34.400 --> 00:20:37.000
<v Speaker 3>you know, if that's that plays into each.

393
00:20:36.839 --> 00:20:40.960
<v Speaker 2>Other absolutely, especially when you note like the sounds for

394
00:20:41.119 --> 00:20:43.759
<v Speaker 2>color theory, blue is really black when you're at this,

395
00:20:44.319 --> 00:20:47.279
<v Speaker 2>like for this image, this is really black, Like this

396
00:20:47.319 --> 00:20:51.880
<v Speaker 2>is Collie or Croda or Krishna, all words to describe block,

397
00:20:52.160 --> 00:20:54.240
<v Speaker 2>but it's really blue black. It's really the color of

398
00:20:54.279 --> 00:20:57.680
<v Speaker 2>lapis lazuli. That's also a sky blue color.

399
00:20:57.799 --> 00:21:00.559
<v Speaker 3>That's what the ceiling of the oto is a blue

400
00:21:00.640 --> 00:21:03.279
<v Speaker 3>black with the white stars. And I know I've mentioned

401
00:21:03.319 --> 00:21:05.400
<v Speaker 3>this before, whatever, I'm just going to say it again.

402
00:21:06.680 --> 00:21:12.359
<v Speaker 3>The Sistine Chapel wherever Michaelangelo did that shit, uh before

403
00:21:12.400 --> 00:21:15.039
<v Speaker 3>he painted that on, then it had the same ceiling

404
00:21:15.039 --> 00:21:20.039
<v Speaker 3>that the Oto uses, blue black ceiling and white stars.

405
00:21:21.079 --> 00:21:23.079
<v Speaker 2>I mean you can say, Nick that that's the whole

406
00:21:23.160 --> 00:21:26.759
<v Speaker 2>lesson of Kabbala, is that the differentiation of like the

407
00:21:26.920 --> 00:21:31.400
<v Speaker 2>dark sky the night sky with the clear blue sky,

408
00:21:31.680 --> 00:21:34.440
<v Speaker 2>because both of those things are really clear, the turquoise

409
00:21:34.599 --> 00:21:39.119
<v Speaker 2>color of Hessaid as well as the Lapislazuli color of Bina.

410
00:21:39.359 --> 00:21:42.440
<v Speaker 2>So I think that there is a way to sort

411
00:21:42.440 --> 00:21:45.200
<v Speaker 2>of come to understanding of what the natures of things

412
00:21:45.240 --> 00:21:47.680
<v Speaker 2>are just because they appear as something, which is a

413
00:21:47.799 --> 00:21:51.680
<v Speaker 2>very Bana way to sort of be in misunderstanding is

414
00:21:51.720 --> 00:21:56.079
<v Speaker 2>to fear maybe the thing that appears before you, just

415
00:21:56.119 --> 00:21:59.640
<v Speaker 2>like Collie on the carnal ground, like all the demons,

416
00:21:59.680 --> 00:22:02.559
<v Speaker 2>all the ghosts, all the vitalis, all the pretas, they're

417
00:22:02.599 --> 00:22:06.279
<v Speaker 2>all surrounding her, and so she has to rise up

418
00:22:06.359 --> 00:22:09.000
<v Speaker 2>on the corpse fire and sort of like say like

419
00:22:09.279 --> 00:22:12.640
<v Speaker 2>I mean, actually destroy time. But time is really the

420
00:22:12.680 --> 00:22:16.119
<v Speaker 2>perception of your mind.

421
00:22:18.440 --> 00:22:21.039
<v Speaker 3>Yeah, that is something that I would would definitely like

422
00:22:21.079 --> 00:22:25.440
<v Speaker 3>to ad with Nah when it comes to time, even

423
00:22:25.519 --> 00:22:26.200
<v Speaker 3>life and death.

424
00:22:27.839 --> 00:22:29.599
<v Speaker 4>Yeah, I think once you like burst into this.

425
00:22:30.319 --> 00:22:32.519
<v Speaker 3>Physical reality, even if it's a thought, I mean either

426
00:22:32.559 --> 00:22:35.279
<v Speaker 3>it's gonna you know, or physical or ends up turning physical.

427
00:22:35.359 --> 00:22:37.759
<v Speaker 3>It's you know, has an expiration date and.

428
00:22:39.400 --> 00:22:39.720
<v Speaker 4>Time.

429
00:22:39.799 --> 00:22:42.839
<v Speaker 3>I feel like I guess first I'd like to say,

430
00:22:42.920 --> 00:22:45.240
<v Speaker 3>like the way I look at it, Beina is kind

431
00:22:45.279 --> 00:22:47.359
<v Speaker 3>of like two different ways, or it's a door that

432
00:22:47.799 --> 00:22:52.400
<v Speaker 3>swings both ways. You're either going into the abyss and

433
00:22:52.599 --> 00:22:55.319
<v Speaker 3>separating your soul from the flesh. You're kind of going

434
00:22:55.359 --> 00:22:58.160
<v Speaker 3>back before you were conceived into the flesh. I already

435
00:22:58.119 --> 00:23:00.519
<v Speaker 3>even say a little crazy like almost back in time,

436
00:23:01.559 --> 00:23:05.119
<v Speaker 3>or you're coming back into reality after the magical experience,

437
00:23:05.559 --> 00:23:07.640
<v Speaker 3>or you're being berthed into here. I guess your next

438
00:23:07.680 --> 00:23:12.839
<v Speaker 3>go round or whatever it is. So like I see, like, fuck,

439
00:23:12.839 --> 00:23:13.680
<v Speaker 3>where was I going with that?

440
00:23:14.000 --> 00:23:14.200
<v Speaker 4>Yeah?

441
00:23:14.240 --> 00:23:17.000
<v Speaker 3>Well, time, I see it as constructing time when you

442
00:23:17.079 --> 00:23:21.839
<v Speaker 3>come into here. Uh, I don't know something I've even

443
00:23:21.880 --> 00:23:23.720
<v Speaker 3>struggled with before. And then I even like when I

444
00:23:23.759 --> 00:23:26.079
<v Speaker 3>was covering someone else, I think it was Platinus. He

445
00:23:26.200 --> 00:23:28.319
<v Speaker 3>was even saying, like to even try to like time

446
00:23:28.400 --> 00:23:30.440
<v Speaker 3>doesn't in his mind doesn't or the way he was

447
00:23:30.480 --> 00:23:33.759
<v Speaker 3>explaining it doesn't apply to the abyss in his way,

448
00:23:33.759 --> 00:23:35.160
<v Speaker 3>And like I would have to say, I guess from

449
00:23:35.160 --> 00:23:37.440
<v Speaker 3>my experience, I don't think it is sort of even

450
00:23:37.480 --> 00:23:40.319
<v Speaker 3>for me to try to say, I guess some all

451
00:23:40.319 --> 00:23:42.000
<v Speaker 3>this sort of different time. But I guess it's the

452
00:23:42.079 --> 00:23:45.240
<v Speaker 3>removal of it or making it, you know, making it exist.

453
00:23:45.720 --> 00:23:49.559
<v Speaker 3>I feel like like binad does does both of that again,

454
00:23:49.640 --> 00:23:51.359
<v Speaker 3>I do think, you know, when it comes to magic,

455
00:23:51.400 --> 00:23:54.279
<v Speaker 3>there is an actual physical death if you want to

456
00:23:54.319 --> 00:23:57.160
<v Speaker 3>go that far. And I do think that is even

457
00:23:57.200 --> 00:23:59.519
<v Speaker 3>represented in in being ad like.

458
00:23:59.519 --> 00:23:59.920
<v Speaker 4>That's why I.

459
00:24:00.079 --> 00:24:03.440
<v Speaker 3>Think death is actually you know, considered to go along

460
00:24:03.480 --> 00:24:07.119
<v Speaker 3>with Saturn, and then the rebirth, in my opinion, happens

461
00:24:07.119 --> 00:24:10.519
<v Speaker 3>in the same sphere. It's just into the spirit, it's

462
00:24:10.599 --> 00:24:13.039
<v Speaker 3>or it's into like the mind, you know, it's not

463
00:24:13.160 --> 00:24:17.759
<v Speaker 3>actually like matter anymore, you know. The vision of sorrow,

464
00:24:18.720 --> 00:24:24.359
<v Speaker 3>that's an experience and for me, I could be wrong,

465
00:24:24.480 --> 00:24:27.440
<v Speaker 3>but like I could say, for me, the vision of

466
00:24:27.480 --> 00:24:31.880
<v Speaker 3>sorrow was real in the sense that after I had

467
00:24:31.960 --> 00:24:37.000
<v Speaker 3>experienced what I experienced, divisions and the experiences that I

468
00:24:37.279 --> 00:24:43.039
<v Speaker 3>had in the Abyss obviously let me know that the

469
00:24:43.079 --> 00:24:46.119
<v Speaker 3>way I had viewed the world prior was not correct

470
00:24:46.880 --> 00:24:49.480
<v Speaker 3>and it's not what I thought it was. And I

471
00:24:49.519 --> 00:24:51.559
<v Speaker 3>will be honest, there was a little bit of being

472
00:24:51.599 --> 00:24:55.440
<v Speaker 3>upset about that. I felt like I was lied to

473
00:24:57.000 --> 00:24:59.680
<v Speaker 3>and like just things aren't. It's hard to explain, but

474
00:24:59.799 --> 00:25:02.039
<v Speaker 3>to for me, it was a it was a little

475
00:25:02.039 --> 00:25:05.400
<v Speaker 3>bit of sorrow with knowing truths that maybe I wasn't

476
00:25:05.440 --> 00:25:08.799
<v Speaker 3>like looking for you, I don't know. Maybe that was

477
00:25:08.880 --> 00:25:10.400
<v Speaker 3>just me being a pussy and that's not what the

478
00:25:10.880 --> 00:25:12.200
<v Speaker 3>that's not what the experience is.

479
00:25:12.119 --> 00:25:14.200
<v Speaker 4>But that's how it worked for me. I did feel

480
00:25:14.200 --> 00:25:15.240
<v Speaker 4>some sort of sorrow.

481
00:25:15.599 --> 00:25:18.039
<v Speaker 3>I would even say I felt sorrow from being separated

482
00:25:18.039 --> 00:25:21.960
<v Speaker 3>from that experience again, you know, of having that experience

483
00:25:21.960 --> 00:25:23.960
<v Speaker 3>and being like, what the fuck? Why am I stuck here?

484
00:25:24.400 --> 00:25:26.559
<v Speaker 3>If that's existence? Why the fuck am I stuck in

485
00:25:26.559 --> 00:25:30.720
<v Speaker 3>this fucking reality? So all I had that in and

486
00:25:30.720 --> 00:25:32.680
<v Speaker 3>then anybody else can go have some.

487
00:25:32.640 --> 00:25:33.240
<v Speaker 4>Other shit all.

488
00:25:33.319 --> 00:25:37.920
<v Speaker 5>It is very interesting though, that the saturn or banaw

489
00:25:38.039 --> 00:25:40.400
<v Speaker 5>or whatever, right, the black sphere is supposed to be

490
00:25:40.400 --> 00:25:44.519
<v Speaker 5>the one that is contracting right or organizing or even

491
00:25:44.640 --> 00:25:46.799
<v Speaker 5>you can say destroying when you say, when you put

492
00:25:46.799 --> 00:25:49.519
<v Speaker 5>like Shiva in that swhere, you can say it's destroying

493
00:25:49.519 --> 00:25:52.720
<v Speaker 5>the illusions. So it's when you come into the understanding

494
00:25:52.720 --> 00:25:55.440
<v Speaker 5>of the situation, like what you're saying, Okay, I understood

495
00:25:55.680 --> 00:25:58.240
<v Speaker 5>the experience that I was having. Maybe wasn't the best.

496
00:25:58.400 --> 00:26:00.799
<v Speaker 5>Now what do you do with it? You know, in theory,

497
00:26:00.920 --> 00:26:03.640
<v Speaker 5>you should grow wise, you should become wiser now that

498
00:26:03.680 --> 00:26:06.640
<v Speaker 5>you understand. But at the same time, it's also like

499
00:26:06.759 --> 00:26:10.640
<v Speaker 5>you're it's kind of like you're almost out, so you get.

500
00:26:10.480 --> 00:26:12.720
<v Speaker 6>A taste of you know, do I go out out

501
00:26:12.880 --> 00:26:13.599
<v Speaker 6>or now I.

502
00:26:13.519 --> 00:26:16.559
<v Speaker 5>Have to come back and you know, completely experience or

503
00:26:16.599 --> 00:26:21.720
<v Speaker 5>whatever it is. So also regarding time, it is so

504
00:26:21.799 --> 00:26:24.920
<v Speaker 5>we can use, for example, the Greek example of chronos time,

505
00:26:25.160 --> 00:26:28.079
<v Speaker 5>but also there's the kitos time, right, So chronos time

506
00:26:28.119 --> 00:26:30.559
<v Speaker 5>being the one which is ordering things, so the let's

507
00:26:30.559 --> 00:26:33.759
<v Speaker 5>say the calendar or the hours like they counted time,

508
00:26:33.839 --> 00:26:36.720
<v Speaker 5>thee the future that we expect, the past that already went,

509
00:26:36.759 --> 00:26:38.799
<v Speaker 5>and so on and so on. But then there's also

510
00:26:38.880 --> 00:26:42.119
<v Speaker 5>kitos time, which you could say it's like the digital time,

511
00:26:42.279 --> 00:26:44.799
<v Speaker 5>like chronos being the analog the one you count, Kitos

512
00:26:44.799 --> 00:26:48.279
<v Speaker 5>being the digital because it's the time that it's actually

513
00:26:48.319 --> 00:26:50.680
<v Speaker 5>the only time that exists. It's like the actual moment,

514
00:26:50.960 --> 00:26:53.559
<v Speaker 5>the moment right now, that that when you are experiencing

515
00:26:53.599 --> 00:26:55.680
<v Speaker 5>something and you are present there, like you when the

516
00:26:55.720 --> 00:26:58.480
<v Speaker 5>flow in once on. And I would say that time

517
00:26:58.759 --> 00:27:03.680
<v Speaker 5>isn't necessarily be nah because it's this kind of time.

518
00:27:04.079 --> 00:27:07.319
<v Speaker 5>It could be even maybe in that it's like outside right,

519
00:27:07.400 --> 00:27:10.359
<v Speaker 5>like you're outside of the experience. Or another way to

520
00:27:10.440 --> 00:27:13.119
<v Speaker 5>visualize it. Also it's imagine you have like for people

521
00:27:13.119 --> 00:27:15.680
<v Speaker 5>who edit videos, or when you're watching a video, you

522
00:27:15.759 --> 00:27:18.839
<v Speaker 5>have the whole timeline, right, but you're always watching the

523
00:27:18.920 --> 00:27:21.720
<v Speaker 5>video at one point, but you as an outsider, you

524
00:27:21.720 --> 00:27:24.119
<v Speaker 5>can see the whole timeline, so you could skip and

525
00:27:24.200 --> 00:27:26.680
<v Speaker 5>come back and so and so. Again you're outside of

526
00:27:26.720 --> 00:27:29.519
<v Speaker 5>the chronos time, but you have to interact with it,

527
00:27:29.720 --> 00:27:32.599
<v Speaker 5>you know. So again, it's a very interesting to visualize

528
00:27:32.640 --> 00:27:34.880
<v Speaker 5>your life as well, when you look back at things

529
00:27:34.920 --> 00:27:35.480
<v Speaker 5>and see.

530
00:27:36.119 --> 00:27:38.000
<v Speaker 3>You know what I think is probably a really good

531
00:27:38.000 --> 00:27:40.359
<v Speaker 3>way to explain it. It just sound cheesy. It's like going

532
00:27:40.400 --> 00:27:42.440
<v Speaker 3>from like you know, in the flesh and all of

533
00:27:42.480 --> 00:27:44.640
<v Speaker 3>a sudden, like now I'm looking like at the orphan,

534
00:27:46.440 --> 00:27:48.279
<v Speaker 3>how like you can almost like just see like be

535
00:27:49.039 --> 00:27:51.240
<v Speaker 3>all over you know what I'm saying. That's what it

536
00:27:51.599 --> 00:27:53.160
<v Speaker 3>just seemed like to me. I was like that was

537
00:27:53.200 --> 00:27:55.559
<v Speaker 3>a you know, one from one extreme to the next.

538
00:27:55.880 --> 00:27:57.559
<v Speaker 3>I'm saying, just from this point of view to like

539
00:27:57.640 --> 00:28:00.119
<v Speaker 3>fucking everything everywhere once, it was just weird.

540
00:28:01.559 --> 00:28:02.240
<v Speaker 6>Exactly you need.

541
00:28:02.519 --> 00:28:04.200
<v Speaker 5>And that's the thing as well about me now, which

542
00:28:04.240 --> 00:28:07.640
<v Speaker 5>is I'm guessing you guys already did an episode on Homan,

543
00:28:08.200 --> 00:28:11.000
<v Speaker 5>but it would be like the thing was now expanded,

544
00:28:11.079 --> 00:28:14.359
<v Speaker 5>right the light was reflected. So now you have everything

545
00:28:14.440 --> 00:28:16.920
<v Speaker 5>going on in the chaos, everything going on. But if

546
00:28:16.920 --> 00:28:19.039
<v Speaker 5>you only have that, then you cannot have anything like

547
00:28:19.079 --> 00:28:21.839
<v Speaker 5>you cannot have let's say a particle, a thing that

548
00:28:22.039 --> 00:28:24.759
<v Speaker 5>to hold on to. So Bna comes to again aggregate.

549
00:28:25.000 --> 00:28:28.799
<v Speaker 5>It's like the I think it's like the Zin, which

550
00:28:28.839 --> 00:28:31.119
<v Speaker 5>is like the contractor to zoom, I think expands and

551
00:28:31.359 --> 00:28:33.480
<v Speaker 5>zing is the contractor. I don't remember exactly the name

552
00:28:33.720 --> 00:28:36.680
<v Speaker 5>in Hebrew, but that's idea, like you're contracting the chaos

553
00:28:36.720 --> 00:28:38.759
<v Speaker 5>so that you can have an experience. So like to me,

554
00:28:38.839 --> 00:28:42.039
<v Speaker 5>that's what the left column is mostly about, the savery column.

555
00:28:42.200 --> 00:28:45.119
<v Speaker 5>It's like contracting things again mars like being disciplined, or

556
00:28:45.160 --> 00:28:49.200
<v Speaker 5>like the control of things again hot making things rational,

557
00:28:49.640 --> 00:28:52.759
<v Speaker 5>like place things inside your left brain in one and

558
00:28:52.799 --> 00:28:55.960
<v Speaker 5>the right colm the opposite. So again at dens like

559
00:28:56.000 --> 00:28:59.079
<v Speaker 5>the beginning of the contraction, the beginning of again trying

560
00:28:59.079 --> 00:29:02.200
<v Speaker 5>to understand something. So if you cannot like away, also,

561
00:29:02.200 --> 00:29:04.880
<v Speaker 5>I like to explain it when you're getting down the tree.

562
00:29:04.960 --> 00:29:07.799
<v Speaker 5>So like the lightning path, when you need to create

563
00:29:07.799 --> 00:29:10.400
<v Speaker 5>something again, you need to first have the idea of

564
00:29:10.440 --> 00:29:13.079
<v Speaker 5>what you need to create the insight right the cat there.

565
00:29:14.319 --> 00:29:16.519
<v Speaker 5>You need to be able to like visualize it and

566
00:29:16.880 --> 00:29:20.160
<v Speaker 5>see it again the wisdom of it, because if you cannot,

567
00:29:20.240 --> 00:29:23.440
<v Speaker 5>then well, whatever you want something, but you cannot even

568
00:29:23.519 --> 00:29:27.279
<v Speaker 5>describe it, It's it's impossible, right and be nah, it's

569
00:29:27.319 --> 00:29:30.039
<v Speaker 5>like the light which is homa becoming sound. So it's

570
00:29:30.079 --> 00:29:33.200
<v Speaker 5>when again you're understanding the thing in a way that

571
00:29:33.240 --> 00:29:37.039
<v Speaker 5>you can actually explain it. So and that again it

572
00:29:37.039 --> 00:29:39.440
<v Speaker 5>doesn't have to be crazy, right, Like when you're ordering food,

573
00:29:39.480 --> 00:29:40.759
<v Speaker 5>you need to be able to explain the type of

574
00:29:40.759 --> 00:29:42.759
<v Speaker 5>food you need you want to order, otherwise you cannot

575
00:29:42.799 --> 00:29:46.720
<v Speaker 5>order food like such a basic thing, right. So, and

576
00:29:46.880 --> 00:29:49.440
<v Speaker 5>it grows to to other complexities whenever you want to

577
00:29:49.559 --> 00:29:52.039
<v Speaker 5>manage cooperations as one.

578
00:29:53.119 --> 00:29:55.559
<v Speaker 2>That's one of the I think you said that great man.

579
00:29:55.599 --> 00:29:58.200
<v Speaker 2>I think that's and also neck of course, but I

580
00:29:58.240 --> 00:30:00.480
<v Speaker 2>think you know, I think you're both right. Think it

581
00:30:00.599 --> 00:30:03.839
<v Speaker 2>all sort of converges on this thing. It's like it's gravitational.

582
00:30:03.960 --> 00:30:06.680
<v Speaker 2>I think that's also very much associated with bana. If

583
00:30:06.720 --> 00:30:09.200
<v Speaker 2>you want to give it more of an astro physical

584
00:30:09.880 --> 00:30:13.440
<v Speaker 2>sort of idea, it's like Matt said, it's the densifying factor,

585
00:30:13.480 --> 00:30:17.759
<v Speaker 2>it's the aggregating factor, it's the conglomerting factor. It brings

586
00:30:17.839 --> 00:30:20.960
<v Speaker 2>things in. And that's also why like this Attornian element

587
00:30:21.119 --> 00:30:24.680
<v Speaker 2>is led, and it's also why like there are different ideas,

588
00:30:24.720 --> 00:30:28.160
<v Speaker 2>different colors that you can describe. Obviously Nick describes some.

589
00:30:28.559 --> 00:30:30.519
<v Speaker 2>But I want to bring this in because I find

590
00:30:30.559 --> 00:30:33.200
<v Speaker 2>it really interesting just intellectually, whether you believe it or not.

591
00:30:33.720 --> 00:30:37.920
<v Speaker 2>But there is Ramic Rabbi Cordovero who spoke about last

592
00:30:37.920 --> 00:30:41.640
<v Speaker 2>time he did write about the green flashing of Banah.

593
00:30:42.160 --> 00:30:45.519
<v Speaker 2>So I always found this quite interesting because in a

594
00:30:45.559 --> 00:30:49.160
<v Speaker 2>lot of the Sufi texts they will often also talk

595
00:30:49.200 --> 00:30:53.279
<v Speaker 2>about this in terms of like they'll I've seen images

596
00:30:53.319 --> 00:30:55.559
<v Speaker 2>where they'll have El Kadeer. So if you're familiar with

597
00:30:55.640 --> 00:30:59.400
<v Speaker 2>El Kadeer, he is the green man, and he's like

598
00:30:59.440 --> 00:31:01.880
<v Speaker 2>a Sufi and he wears a green rope. He's not

599
00:31:02.000 --> 00:31:03.799
<v Speaker 2>quite as Sube saying, I mean he is and he isn't.

600
00:31:03.799 --> 00:31:08.480
<v Speaker 2>So it's kind of a mixture, but it's a The

601
00:31:08.559 --> 00:31:11.200
<v Speaker 2>idea is is like when you're there, there is a

602
00:31:11.279 --> 00:31:15.359
<v Speaker 2>green sort of element of reflection. So you can probably

603
00:31:15.440 --> 00:31:18.920
<v Speaker 2>understand that through you could say through nets SoC you

604
00:31:18.960 --> 00:31:22.200
<v Speaker 2>could also say through hesse and and maybe even through

605
00:31:22.240 --> 00:31:24.519
<v Speaker 2>different and then I think all of those things. Obviously,

606
00:31:24.559 --> 00:31:27.759
<v Speaker 2>Matt uses a different system, so I'm not I'm not

607
00:31:27.799 --> 00:31:31.079
<v Speaker 2>saying anything in contradiction. Of course, I see it to Matt.

608
00:31:31.400 --> 00:31:34.960
<v Speaker 2>But I think it's an interesting thing to think about

609
00:31:35.279 --> 00:31:40.799
<v Speaker 2>because why it's a very specific sort of idea. Anyways,

610
00:31:40.839 --> 00:31:43.519
<v Speaker 2>I pulled up an icon that kind of shows this, Nick,

611
00:31:43.599 --> 00:31:45.079
<v Speaker 2>and I just want to say, like, so if you

612
00:31:45.119 --> 00:31:49.240
<v Speaker 2>hear about this a green flashing at Bina, you can

613
00:31:49.279 --> 00:31:52.839
<v Speaker 2>also relate it to, as I said, the sort of

614
00:31:52.880 --> 00:31:56.799
<v Speaker 2>Bina nets SoC connection, sort of like the feminine divinity

615
00:31:57.359 --> 00:32:01.960
<v Speaker 2>with the sort of forming formational force of the world

616
00:32:01.960 --> 00:32:04.839
<v Speaker 2>that is Bana. But of course I like what Nick

617
00:32:04.880 --> 00:32:07.720
<v Speaker 2>said last time, which is like every suffra has a

618
00:32:07.759 --> 00:32:14.039
<v Speaker 2>masculine and feminine component. There's it's it doesn't. In my opinion,

619
00:32:14.119 --> 00:32:16.720
<v Speaker 2>it's just me. I don't think it serves anyone to

620
00:32:16.799 --> 00:32:20.799
<v Speaker 2>be inherently dualistic in how they approach the suffra. I

621
00:32:20.799 --> 00:32:25.759
<v Speaker 2>think that's going to color your kind of relationship with death,

622
00:32:26.559 --> 00:32:28.839
<v Speaker 2>which is obviously in the inner density.

623
00:32:29.079 --> 00:32:40.920
<v Speaker 7>I would say, yeah, somebody think somebody made a question

624
00:32:40.960 --> 00:32:44.559
<v Speaker 7>here about misunderstanding possibly being the cliff of Bina.

625
00:32:45.640 --> 00:32:48.200
<v Speaker 5>I would say, in a way to me it's more

626
00:32:48.240 --> 00:32:51.839
<v Speaker 5>about coding things. So when again you when you're using

627
00:32:51.920 --> 00:32:56.680
<v Speaker 5>the power of contract contraction to prevent the life from

628
00:32:56.759 --> 00:32:59.480
<v Speaker 5>going outside, then you're being an agent, you know, and

629
00:32:59.640 --> 00:33:02.000
<v Speaker 5>a coal agent, like you're trying to not get the

630
00:33:02.039 --> 00:33:06.880
<v Speaker 5>information to be understood, therefore misunderstanding. Kind of yeah in

631
00:33:07.240 --> 00:33:11.079
<v Speaker 5>a way, but you see the way I understand being

632
00:33:11.200 --> 00:33:14.319
<v Speaker 5>as well. It is one of the spheres most used

633
00:33:14.400 --> 00:33:19.000
<v Speaker 5>for coding stuff or couding things in this reality. So

634
00:33:19.039 --> 00:33:22.319
<v Speaker 5>like I really relate sound to be not so like

635
00:33:22.519 --> 00:33:26.240
<v Speaker 5>music is a very potent way to control people like that.

636
00:33:27.000 --> 00:33:29.759
<v Speaker 5>You go to like the church mass, they're like playing

637
00:33:29.759 --> 00:33:32.680
<v Speaker 5>the music, especially like the most crazy ones which they get,

638
00:33:32.839 --> 00:33:36.240
<v Speaker 5>you know, all the performance there in Brazil you have

639
00:33:36.279 --> 00:33:39.000
<v Speaker 5>a lot of those, and you are again playing that

640
00:33:39.119 --> 00:33:41.519
<v Speaker 5>music in the background the guys like talking all the

641
00:33:41.519 --> 00:33:43.400
<v Speaker 5>things that you want to hear and so and so on.

642
00:33:43.599 --> 00:33:45.880
<v Speaker 5>But the same like you go to a concert, they're

643
00:33:45.880 --> 00:33:49.240
<v Speaker 5>playing the music there to you know, change how you

644
00:33:49.240 --> 00:33:51.799
<v Speaker 5>are feeling, how you're thinking. And the same now with

645
00:33:51.880 --> 00:33:54.759
<v Speaker 5>even TikTok, they put like the music in your head

646
00:33:54.799 --> 00:33:57.119
<v Speaker 5>all the time, like the same music over and over,

647
00:33:57.279 --> 00:34:01.279
<v Speaker 5>like reprogramming you and so on, and music it's a

648
00:34:01.400 --> 00:34:05.279
<v Speaker 5>very powerfu way to like occult stuff. Or even I

649
00:34:05.319 --> 00:34:08.360
<v Speaker 5>saw the other couple of months ago, I think in Serbia,

650
00:34:08.400 --> 00:34:11.000
<v Speaker 5>if I'm not being saken, there was this like protest.

651
00:34:11.199 --> 00:34:12.559
<v Speaker 5>There was a lot of people in the streets in

652
00:34:12.599 --> 00:34:14.760
<v Speaker 5>this one, and they used like a super sonic whatever

653
00:34:15.159 --> 00:34:17.559
<v Speaker 5>weapon like just made a huge sound and like it

654
00:34:17.639 --> 00:34:20.119
<v Speaker 5>dispersed everyone, Like nobody knows knew what the fuck was

655
00:34:20.159 --> 00:34:22.119
<v Speaker 5>going on because it was such like a huge sound.

656
00:34:22.360 --> 00:34:25.559
<v Speaker 5>It was like high pitch or whatever, and people just

657
00:34:25.599 --> 00:34:28.280
<v Speaker 5>were dispersed like with the easy you know, quote unquote

658
00:34:28.320 --> 00:34:30.719
<v Speaker 5>easy like there's no guns anything, it's just the sound

659
00:34:30.719 --> 00:34:32.719
<v Speaker 5>thing made everyone go away.

660
00:34:33.480 --> 00:34:34.960
<v Speaker 6>So again, it's very very powerfult.

661
00:34:36.440 --> 00:34:40.320
<v Speaker 3>You don't want to rip uh when you talk about

662
00:34:40.320 --> 00:34:42.360
<v Speaker 3>the expansion of the contraction and stuff like that. That

663
00:34:42.440 --> 00:34:45.639
<v Speaker 3>even makes me think about how I attribute the eyeballs stuff,

664
00:34:46.960 --> 00:34:50.199
<v Speaker 3>you know, because that does happen, and that determines how

665
00:34:50.280 --> 00:34:52.320
<v Speaker 3>much light is getting sucked in or not.

666
00:34:53.800 --> 00:34:55.360
<v Speaker 4>So I just wanted to throw that in there.

667
00:34:56.280 --> 00:34:59.119
<v Speaker 2>I think that the eye stuff that you've pioneered neck

668
00:34:59.119 --> 00:35:01.719
<v Speaker 2>in the sense that like what modern people are talking about,

669
00:35:01.800 --> 00:35:06.000
<v Speaker 2>I think that that's one hundred percent correlates with Bena.

670
00:35:06.199 --> 00:35:08.239
<v Speaker 2>I think it makes sense even in the iconography you

671
00:35:08.239 --> 00:35:10.760
<v Speaker 2>have pulled up right now. I think it looks very

672
00:35:10.840 --> 00:35:15.199
<v Speaker 2>much like a magical experience and like an eye and

673
00:35:15.320 --> 00:35:18.320
<v Speaker 2>things you'd see. So I'm hung there. And but also

674
00:35:18.440 --> 00:35:21.320
<v Speaker 2>to go off with what Matt said about sound, I

675
00:35:21.360 --> 00:35:24.400
<v Speaker 2>think this is a really interesting point. Collie is kind

676
00:35:24.440 --> 00:35:26.840
<v Speaker 2>of the time of silence. Like Nick will often say this,

677
00:35:27.079 --> 00:35:29.159
<v Speaker 2>because it's very it's a hermetic kind of way to

678
00:35:29.239 --> 00:35:32.480
<v Speaker 2>frame that same experience that everybody really has, like any

679
00:35:32.519 --> 00:35:36.280
<v Speaker 2>magician has. But yeah, she doesn't speak because her tongue

680
00:35:36.320 --> 00:35:41.119
<v Speaker 2>is lolling. She can't speak the primordial word. So it's

681
00:35:41.199 --> 00:35:43.079
<v Speaker 2>kind of interesting if you think of it like that.

682
00:35:43.679 --> 00:35:49.440
<v Speaker 2>He's not the prime creatrix, she's just the prime mover.

683
00:35:50.840 --> 00:35:54.039
<v Speaker 2>So that's kind of an interesting difference that Tantra sort

684
00:35:54.039 --> 00:35:56.000
<v Speaker 2>of applies to the tree, is that Collie is not

685
00:35:56.119 --> 00:36:02.639
<v Speaker 2>the originator of either knowledge or the sort of greater

686
00:36:02.760 --> 00:36:06.199
<v Speaker 2>tree itself, but she's maybe exactly what Matt said, the

687
00:36:06.280 --> 00:36:09.920
<v Speaker 2>encoder of it. And then you can also say that

688
00:36:11.639 --> 00:36:17.280
<v Speaker 2>the klipa of Benna really is the occulting of things, occulting,

689
00:36:17.360 --> 00:36:24.679
<v Speaker 2>particularly of both exoteric and esoteric knowledge. So institutions, any

690
00:36:24.679 --> 00:36:30.639
<v Speaker 2>institution and university, you know, a secret fraternity of magicians

691
00:36:31.039 --> 00:36:35.400
<v Speaker 2>that they're all guilty of occulting the government. They all

692
00:36:35.440 --> 00:36:38.280
<v Speaker 2>you know, it's all the practice of Kleipa making all

693
00:36:38.320 --> 00:36:38.639
<v Speaker 2>of that.

694
00:36:39.000 --> 00:36:41.920
<v Speaker 5>All the big corporations, Like the CEO is not going

695
00:36:42.000 --> 00:36:45.079
<v Speaker 5>to have like a camera at the room, but everyone

696
00:36:45.119 --> 00:36:48.760
<v Speaker 5>is going to be watchable by the corporation, right, like

697
00:36:48.920 --> 00:36:51.679
<v Speaker 5>the higher you go, the bigger the company. Again, it's

698
00:36:51.719 --> 00:36:54.800
<v Speaker 5>going to be less and less transparent what exactly is

699
00:36:54.800 --> 00:36:57.559
<v Speaker 5>going on. And also governments, Yeah, like you.

700
00:36:57.559 --> 00:37:02.920
<v Speaker 2>Said, absolutely absolutely and so the but there is a

701
00:37:03.400 --> 00:37:07.280
<v Speaker 2>like we said, also it's like there's something inherently unstable

702
00:37:08.079 --> 00:37:11.199
<v Speaker 2>about this sephra because it's not really it's not really

703
00:37:11.239 --> 00:37:15.320
<v Speaker 2>meant to be. Uh, it's outside of the eternity that

704
00:37:15.519 --> 00:37:20.880
<v Speaker 2>is nuts socks. It's almost it's not quite unbound from

705
00:37:21.000 --> 00:37:25.679
<v Speaker 2>the you know, fixture, but it kind of goes according

706
00:37:25.719 --> 00:37:27.760
<v Speaker 2>to its own rules, which has very been all like

707
00:37:27.800 --> 00:37:32.360
<v Speaker 2>it's its own ruler. So exactly what Nick said, like

708
00:37:32.440 --> 00:37:35.480
<v Speaker 2>you both come and go here, you come into flesh

709
00:37:35.519 --> 00:37:37.800
<v Speaker 2>and you come out of flesh. You can say you're

710
00:37:37.840 --> 00:37:39.360
<v Speaker 2>stripped down to your bones. That would be a very

711
00:37:39.440 --> 00:37:42.440
<v Speaker 2>contract way to describe it, right, like you put the

712
00:37:42.480 --> 00:37:44.880
<v Speaker 2>body in the in the cremation fire and you strip

713
00:37:44.920 --> 00:37:46.760
<v Speaker 2>it all the way down to the bones and then

714
00:37:46.760 --> 00:37:49.000
<v Speaker 2>the vultures eat the rest or the crows, depending on

715
00:37:49.440 --> 00:37:53.480
<v Speaker 2>where you are. But no, that's basically it. So I agree.

716
00:37:53.519 --> 00:37:56.480
<v Speaker 2>It's it's like it is the prime representation of the

717
00:37:56.519 --> 00:37:59.039
<v Speaker 2>carnal ground where we exist. You could say, but this

718
00:37:59.119 --> 00:38:02.800
<v Speaker 2>is also obviously consciousness. I'm not saying it necessarily real,

719
00:38:03.199 --> 00:38:06.280
<v Speaker 2>but you could say, that's one way to think of it.

720
00:38:06.440 --> 00:38:08.840
<v Speaker 2>But once you get greater in your understanding, you're like, oh,

721
00:38:08.880 --> 00:38:12.880
<v Speaker 2>I can actually look at these things in different ways.

722
00:38:13.239 --> 00:38:16.639
<v Speaker 2>I can perceive them. My view has changed. The way

723
00:38:17.000 --> 00:38:20.000
<v Speaker 2>the angle I approach things from can be different because

724
00:38:20.039 --> 00:38:25.400
<v Speaker 2>I'm not so locked into a discursive mode ideological mode.

725
00:38:25.760 --> 00:38:29.320
<v Speaker 2>That's another really interesting klipa of Bena is to put

726
00:38:29.360 --> 00:38:32.880
<v Speaker 2>people into silos. That's also very academic, right, like, oh,

727
00:38:32.960 --> 00:38:36.719
<v Speaker 2>this person studies, okay, so for me, I studied the

728
00:38:37.239 --> 00:38:44.719
<v Speaker 2>tontric art. I mean basically, so that's a very limited

729
00:38:44.960 --> 00:38:48.639
<v Speaker 2>way to look at the world. You're really in like

730
00:38:48.719 --> 00:38:51.960
<v Speaker 2>a very fixed perception. But ben not can also help

731
00:38:52.000 --> 00:38:54.519
<v Speaker 2>you break out of that. But people don't realize that

732
00:38:54.719 --> 00:38:57.719
<v Speaker 2>usually because it's so much associated with Saturn and so

733
00:38:57.840 --> 00:39:02.079
<v Speaker 2>much associated with fixed things and magnetization and all that.

734
00:39:02.480 --> 00:39:07.360
<v Speaker 2>But really it's a we're talking supernova. It's really processes

735
00:39:07.360 --> 00:39:10.079
<v Speaker 2>of consciousness. And that's really where, in my opinion, real

736
00:39:10.119 --> 00:39:10.679
<v Speaker 2>magic is.

737
00:39:12.719 --> 00:39:13.159
<v Speaker 4>I like that.

738
00:39:13.280 --> 00:39:17.079
<v Speaker 3>The magnetization, Yeah, I would even look at the left

739
00:39:17.079 --> 00:39:19.000
<v Speaker 3>pillar alone as a magnet in the right pillar is

740
00:39:19.039 --> 00:39:23.880
<v Speaker 3>like electricity or energy. Yes, something, you know, I did think,

741
00:39:23.920 --> 00:39:26.280
<v Speaker 3>like you know, we're talking about, you know, kind of

742
00:39:26.320 --> 00:39:30.320
<v Speaker 3>a doorway. You know, even sat In itself is associated

743
00:39:30.360 --> 00:39:32.119
<v Speaker 3>with air, which is where I think, like you kind

744
00:39:32.159 --> 00:39:34.960
<v Speaker 3>of start going into spirit, does not't matter anymore, you're

745
00:39:35.000 --> 00:39:38.960
<v Speaker 3>traveling through the air. And not to sound cheesy, I

746
00:39:39.079 --> 00:39:41.760
<v Speaker 3>brought this up a while ago, and there's newer people listening,

747
00:39:42.000 --> 00:39:44.599
<v Speaker 3>so maybe they'll they haven't heard me say it, and

748
00:39:44.639 --> 00:39:47.079
<v Speaker 3>it's just something I swear. I just I think I

749
00:39:47.159 --> 00:39:49.039
<v Speaker 3>might be onto something with this. You know, I have

750
00:39:49.119 --> 00:39:51.519
<v Speaker 3>brought up Charlie Brown before when it comes to Saturn.

751
00:39:52.039 --> 00:39:54.719
<v Speaker 3>You know, I mentioned before that brown can be a color.

752
00:39:56.119 --> 00:39:58.559
<v Speaker 3>And he's even got a yellow shirt on, which is

753
00:39:58.559 --> 00:40:00.880
<v Speaker 3>the color for air, and then that does look like

754
00:40:01.039 --> 00:40:04.960
<v Speaker 3>the Aquarius symbol across his fucking shirt. So I do

755
00:40:05.159 --> 00:40:08.119
<v Speaker 3>question if Charlie Brown is actually really like Saduren in

756
00:40:08.119 --> 00:40:10.800
<v Speaker 3>a sense. Yeah, And then he's got his boy on

757
00:40:10.840 --> 00:40:13.679
<v Speaker 3>top of the red barn. Is that a bora right

758
00:40:13.760 --> 00:40:14.920
<v Speaker 3>underneath him?

759
00:40:15.159 --> 00:40:15.840
<v Speaker 6>His dog.

760
00:40:17.480 --> 00:40:19.519
<v Speaker 3>The red the red little doghouse at the barn. But

761
00:40:20.000 --> 00:40:21.840
<v Speaker 3>I think there's actually a lot of a cult symbolism

762
00:40:21.840 --> 00:40:22.559
<v Speaker 3>in Jolly Room.

763
00:40:24.280 --> 00:40:25.000
<v Speaker 4>That sounds crazy.

764
00:40:25.039 --> 00:40:27.280
<v Speaker 2>Well if you interpret it, if you interpret it as

765
00:40:27.280 --> 00:40:31.599
<v Speaker 2>like like how Matt says is pop Cabala, then absolutely

766
00:40:31.800 --> 00:40:35.320
<v Speaker 2>then you can just see like he's using his associations.

767
00:40:35.800 --> 00:40:38.239
<v Speaker 2>Maybe he's not even thinking of Cabala per se, even

768
00:40:38.239 --> 00:40:38.480
<v Speaker 2>if you.

769
00:40:38.519 --> 00:40:41.679
<v Speaker 3>Go like Croley's New Wheat or Crowley's Chick, you know, uh,

770
00:40:41.960 --> 00:40:45.199
<v Speaker 3>always talking about again going back to the blue and black.

771
00:40:45.440 --> 00:40:49.360
<v Speaker 4>He's got Lucy, you know what I'm saying, black hair,

772
00:40:49.519 --> 00:40:51.199
<v Speaker 4>blue outfit. I don't know.

773
00:40:51.280 --> 00:40:53.719
<v Speaker 3>I just think there's like a lot of like again,

774
00:40:53.800 --> 00:40:56.719
<v Speaker 3>that same symbology. This is something weird in that that's.

775
00:40:56.599 --> 00:40:59.239
<v Speaker 4>Just my you know. And and if you think about it.

776
00:41:01.440 --> 00:41:04.480
<v Speaker 3>Technically, at the bottom of the blue pillar, you know,

777
00:41:04.599 --> 00:41:07.400
<v Speaker 3>the top of the blue the right hand side, even

778
00:41:07.440 --> 00:41:09.159
<v Speaker 3>though it's male down at the bottom, you would have

779
00:41:09.159 --> 00:41:11.679
<v Speaker 3>a female even though the top of it is a

780
00:41:11.679 --> 00:41:15.480
<v Speaker 3>blue color whatever. Just I do think that might be

781
00:41:15.559 --> 00:41:22.159
<v Speaker 3>called symbolism and Jolie frem.

782
00:41:19.599 --> 00:41:21.960
<v Speaker 2>No, there absolutely is. But even the way you said

783
00:41:21.960 --> 00:41:25.280
<v Speaker 2>about like Bena and nuts sock like Matt. We'll speak

784
00:41:25.320 --> 00:41:28.840
<v Speaker 2>more to this, I'm sure, but that's a really interesting

785
00:41:29.760 --> 00:41:33.199
<v Speaker 2>sort of pathworking. Ye, and it's all right. And then

786
00:41:33.280 --> 00:41:35.920
<v Speaker 2>it's also like so has a connection to tiffer it

787
00:41:36.519 --> 00:41:39.079
<v Speaker 2>so you would get like slight green, you would get

788
00:41:39.119 --> 00:41:41.559
<v Speaker 2>slight gold, you would get like there are elements that

789
00:41:41.639 --> 00:41:44.480
<v Speaker 2>you are coming up and so you can see where

790
00:41:44.480 --> 00:41:49.360
<v Speaker 2>people are maybe getting stuck, since that is kind of

791
00:41:49.440 --> 00:41:52.960
<v Speaker 2>Beenah's kind of quality until you choose or you kind

792
00:41:53.000 --> 00:41:55.920
<v Speaker 2>of orient yourself to not be stuck because you need it,

793
00:41:56.719 --> 00:41:59.039
<v Speaker 2>but you have to, like I think, be conscious of

794
00:41:59.079 --> 00:42:00.360
<v Speaker 2>your relationship with it too.

795
00:42:02.039 --> 00:42:05.280
<v Speaker 5>Yeah, it's also an interesting way to meditate on what

796
00:42:05.480 --> 00:42:08.679
<v Speaker 5>you are hiding from yourself, like especially failures. Right we

797
00:42:08.800 --> 00:42:11.079
<v Speaker 5>tend to say, no, you know, I'm perfect, I don't

798
00:42:11.079 --> 00:42:13.000
<v Speaker 5>have any failures in some one that's going to be

799
00:42:13.039 --> 00:42:15.679
<v Speaker 5>like the cliff of Beina acting on you, which you

800
00:42:15.719 --> 00:42:18.519
<v Speaker 5>can again you can rectify, you can know like shine

801
00:42:18.599 --> 00:42:20.800
<v Speaker 5>light on that. So that you start to work on

802
00:42:20.800 --> 00:42:23.679
<v Speaker 5>those like that that should be the cliff I work

803
00:42:23.760 --> 00:42:26.639
<v Speaker 5>from my perspective, like you're using it to understand how

804
00:42:27.440 --> 00:42:30.000
<v Speaker 5>you like you can see in others, but to understand

805
00:42:30.039 --> 00:42:32.199
<v Speaker 5>how you are using it in yourself, and then you

806
00:42:32.239 --> 00:42:37.920
<v Speaker 5>can rectify it, like change the experience here, because indeed,

807
00:42:38.039 --> 00:42:42.960
<v Speaker 5>like any like even any, the tree can become super complex,

808
00:42:43.000 --> 00:42:45.440
<v Speaker 5>right if you get into for example, spheres inside of

809
00:42:45.559 --> 00:42:48.079
<v Speaker 5>like trees inside of the spheres and like moving and

810
00:42:48.119 --> 00:42:51.920
<v Speaker 5>so on, because we tend to study it like fixed right,

811
00:42:52.000 --> 00:42:54.159
<v Speaker 5>like the tree always in the same way, but maybe

812
00:42:54.559 --> 00:42:57.840
<v Speaker 5>the aspect is going to be slightly different with time

813
00:42:57.880 --> 00:42:59.960
<v Speaker 5>and so and so on, so it starts to get

814
00:43:00.039 --> 00:43:04.360
<v Speaker 5>really crazy. But yeah, i'ld say that the main idea

815
00:43:04.719 --> 00:43:06.440
<v Speaker 5>of like condensing.

816
00:43:05.920 --> 00:43:07.800
<v Speaker 6>Things but also destroying them.

817
00:43:08.000 --> 00:43:11.039
<v Speaker 5>Again, if you relate Shiva to it to be not

818
00:43:12.159 --> 00:43:13.960
<v Speaker 5>it's gonna be your your best friend, you know, to

819
00:43:14.039 --> 00:43:16.000
<v Speaker 5>killing all the illusions, all the illusions that you created

820
00:43:16.000 --> 00:43:18.760
<v Speaker 5>about yourself, like the character you are right now, Like

821
00:43:18.840 --> 00:43:22.199
<v Speaker 5>Matt MAT's a character, right, I'm not this, I am

822
00:43:22.519 --> 00:43:25.320
<v Speaker 5>experiencing this character right now, and it has a lot

823
00:43:25.360 --> 00:43:28.119
<v Speaker 5>of illusions, like let's say, from when I was born

824
00:43:28.840 --> 00:43:30.960
<v Speaker 5>people would say something and then I would aggregate that

825
00:43:31.000 --> 00:43:32.840
<v Speaker 5>to me again. But now I can use that same

826
00:43:32.920 --> 00:43:36.039
<v Speaker 5>energy the aggregator to you know, clear it and say no,

827
00:43:36.079 --> 00:43:39.320
<v Speaker 5>wait a second, I don't want that anymore. That's like,

828
00:43:39.639 --> 00:43:41.400
<v Speaker 5>let's not be fixed. I can change that. I can

829
00:43:41.440 --> 00:43:45.199
<v Speaker 5>evolve with like your taste and so and so. Also

830
00:43:45.320 --> 00:43:48.000
<v Speaker 5>Nick beautifully said, like the colors that you're wearing tell

831
00:43:48.039 --> 00:43:50.639
<v Speaker 5>a lot about where your consciousness is. And it is

832
00:43:50.679 --> 00:43:52.800
<v Speaker 5>funny that a lot of people tend to wear black

833
00:43:52.920 --> 00:43:55.800
<v Speaker 5>or all black or like prefer like it's a color

834
00:43:55.840 --> 00:43:58.599
<v Speaker 5>that you see everywhere, right, even though it's if you

835
00:43:58.639 --> 00:44:01.000
<v Speaker 5>stop to think about it's not like an natural color, right,

836
00:44:01.039 --> 00:44:05.840
<v Speaker 5>it's not like you see black like in everyday things.

837
00:44:05.880 --> 00:44:09.239
<v Speaker 5>You're not like in nature or whatever, but in people

838
00:44:09.239 --> 00:44:12.079
<v Speaker 5>with things like in things we buy, there is a

839
00:44:12.079 --> 00:44:16.679
<v Speaker 5>lot of black, like in cars, like clothing, cell phones, again,

840
00:44:17.039 --> 00:44:20.880
<v Speaker 5>the little black mirror. So it's every really, if you

841
00:44:20.960 --> 00:44:21.880
<v Speaker 5>start to think about it.

842
00:44:24.960 --> 00:44:27.760
<v Speaker 2>There's a great comment from Nature's Path to Wholeness that

843
00:44:27.840 --> 00:44:30.360
<v Speaker 2>I think Matt is well equipped to a handle. When

844
00:44:30.400 --> 00:44:33.239
<v Speaker 2>you say the Kleipa of Bana, are you speaking of

845
00:44:33.280 --> 00:44:37.599
<v Speaker 2>the that is the partner of Bana I'll just say

846
00:44:37.639 --> 00:44:40.360
<v Speaker 2>for me, I'm not I'm speaking of it in a

847
00:44:40.360 --> 00:44:44.000
<v Speaker 2>more traditional, maybe even a more Lurianic way, where they

848
00:44:44.239 --> 00:44:48.239
<v Speaker 2>are ideas in the suffer of themselves. I only believe

849
00:44:48.280 --> 00:44:51.159
<v Speaker 2>in the one tree. I don't believe in the many trees,

850
00:44:51.519 --> 00:44:54.239
<v Speaker 2>like the tree is infinite and it's like that will

851
00:44:54.400 --> 00:44:57.679
<v Speaker 2>Get explains this quite well. But for me, I think

852
00:44:57.679 --> 00:45:01.079
<v Speaker 2>that you experienced all the klipas are ready. I don't

853
00:45:01.119 --> 00:45:05.920
<v Speaker 2>think that it serves a It doesn't serve any beginner,

854
00:45:06.239 --> 00:45:09.760
<v Speaker 2>especially beginner, to study the kleepers in any way. You're

855
00:45:09.760 --> 00:45:12.440
<v Speaker 2>gonna just gonna be aggregated. And you see this all

856
00:45:12.480 --> 00:45:15.280
<v Speaker 2>the left hand path guys, they're all emo, They're all like,

857
00:45:15.360 --> 00:45:19.079
<v Speaker 2>I'm depressed. There's I read a book. I know it's

858
00:45:19.079 --> 00:45:22.960
<v Speaker 2>like funny, but I read a Fraternitous saturn eyebook and

859
00:45:23.039 --> 00:45:25.800
<v Speaker 2>he was like, depression is the left hand path. And

860
00:45:25.880 --> 00:45:28.679
<v Speaker 2>I'm like, no, that's a you problem. That's not a

861
00:45:28.760 --> 00:45:31.360
<v Speaker 2>left hand path problem. That's a you problem. So I

862
00:45:31.360 --> 00:45:34.679
<v Speaker 2>think that's exactly what the kleepas are for too, to

863
00:45:34.760 --> 00:45:39.199
<v Speaker 2>capture your consciousness in low ideas. So, like Matt saying,

864
00:45:39.719 --> 00:45:43.840
<v Speaker 2>Banna is a supernal triad. So try and break those

865
00:45:43.920 --> 00:45:47.480
<v Speaker 2>klipas of those lower conceptions of you have of both

866
00:45:47.519 --> 00:45:50.280
<v Speaker 2>the world and yourself. That's what I think too. Sorry,

867
00:45:50.320 --> 00:45:51.960
<v Speaker 2>I didn't mean to do a sermon there, but I

868
00:45:52.000 --> 00:45:54.360
<v Speaker 2>just want to say it's yeah, it's kleep as are

869
00:45:55.239 --> 00:45:58.599
<v Speaker 2>It's really the the It's like the aggregates that we

870
00:45:59.199 --> 00:46:02.320
<v Speaker 2>that we name, the vessels that we name, and whether

871
00:46:02.400 --> 00:46:06.159
<v Speaker 2>we whether those vessels have the truth in them or not,

872
00:46:06.719 --> 00:46:08.639
<v Speaker 2>I think is up to us to discern. But we

873
00:46:08.679 --> 00:46:12.320
<v Speaker 2>also have to make sure that we're not worshiping husks

874
00:46:12.400 --> 00:46:13.159
<v Speaker 2>or vessels.

875
00:46:13.559 --> 00:46:14.119
<v Speaker 6>Yeah.

876
00:46:14.159 --> 00:46:16.280
<v Speaker 5>Well, one way you can say it, it's like when

877
00:46:16.320 --> 00:46:19.480
<v Speaker 5>you have an oyster. You have the like the oyster

878
00:46:19.559 --> 00:46:22.320
<v Speaker 5>and the meat inside of it, right, and after you eat,

879
00:46:22.440 --> 00:46:25.079
<v Speaker 5>like you remove the meat, you have just the husk,

880
00:46:25.159 --> 00:46:28.360
<v Speaker 5>really just the thing left there without any life anymore.

881
00:46:28.400 --> 00:46:32.079
<v Speaker 5>There's maybe some speckles of whatever was left there, but

882
00:46:32.199 --> 00:46:35.119
<v Speaker 5>it's really not the thing that they wanted anymore. And

883
00:46:35.599 --> 00:46:37.880
<v Speaker 5>when I talk about like the klif us or husks,

884
00:46:37.880 --> 00:46:40.440
<v Speaker 5>that's what I'm talking about. Like the light king, it

885
00:46:40.920 --> 00:46:45.559
<v Speaker 5>filled the sphere with light, but it didn't hold all

886
00:46:45.559 --> 00:46:47.880
<v Speaker 5>the light, so it broke and it shattered, and now

887
00:46:47.920 --> 00:46:51.239
<v Speaker 5>you have this kind of leftovers from the thing, but

888
00:46:51.280 --> 00:46:53.320
<v Speaker 5>it was it is part of the same thing like

889
00:46:53.440 --> 00:46:56.760
<v Speaker 5>Jin is saying. So again, it's really in new anytime

890
00:46:56.800 --> 00:46:58.599
<v Speaker 5>you are interacting with any of the and I would

891
00:46:58.639 --> 00:47:01.679
<v Speaker 5>say not only the spheres, but also the paths, right

892
00:47:01.679 --> 00:47:03.239
<v Speaker 5>if you want to get into let's say tarot and

893
00:47:03.320 --> 00:47:05.599
<v Speaker 5>correcting them to the paths. So in the same way,

894
00:47:05.639 --> 00:47:08.159
<v Speaker 5>whenever you have on r kunna, you're not only using

895
00:47:08.159 --> 00:47:10.920
<v Speaker 5>them in the light. So that's when all the you know,

896
00:47:11.000 --> 00:47:13.599
<v Speaker 5>light workers piece and some one like that's bullshit as well.

897
00:47:14.079 --> 00:47:16.079
<v Speaker 5>You're working with both, you know, like if you're on

898
00:47:16.119 --> 00:47:18.360
<v Speaker 5>every really middle pillar, you've got to work with both.

899
00:47:18.400 --> 00:47:19.519
<v Speaker 6>That's that's how it goes.

900
00:47:19.679 --> 00:47:23.000
<v Speaker 5>But you rectify the bat the quote unquote bat or shadow,

901
00:47:23.320 --> 00:47:26.719
<v Speaker 5>you integrate, and you use the light like you use

902
00:47:27.159 --> 00:47:28.280
<v Speaker 5>get both of them, all.

903
00:47:28.159 --> 00:47:33.480
<v Speaker 2>Of them exactly. I want to just sucking that what

904
00:47:33.559 --> 00:47:36.880
<v Speaker 2>Matt said. It's not about going to the extreme opposite

905
00:47:36.960 --> 00:47:39.639
<v Speaker 2>of the right hand pillar either. It's really at least

906
00:47:39.639 --> 00:47:43.920
<v Speaker 2>for how the Gray Lodge and just knee Jin personally

907
00:47:43.920 --> 00:47:47.159
<v Speaker 2>approaches Kabala. I'm a middle path person. I also practice

908
00:47:47.159 --> 00:47:50.360
<v Speaker 2>Buddhism obviously, so we're a middle path religion. So this

909
00:47:50.480 --> 00:47:53.360
<v Speaker 2>is like something that's very very very important to us.

910
00:47:53.639 --> 00:47:57.559
<v Speaker 2>But I also see that it's metaphysically, metaphysically very potent.

911
00:47:58.079 --> 00:48:00.840
<v Speaker 2>Now it doesn't have the same necessarily the qualities, but

912
00:48:00.920 --> 00:48:03.679
<v Speaker 2>as we discussed in the Lost episode with Nick and Ice,

913
00:48:04.280 --> 00:48:08.880
<v Speaker 2>like there is everything and Oakma has all the potential.

914
00:48:09.719 --> 00:48:13.599
<v Speaker 2>So you know, there's just because it doesn't seem maybe

915
00:48:13.639 --> 00:48:17.360
<v Speaker 2>as metaphysically potent to draw from other sufferer or to

916
00:48:17.440 --> 00:48:21.239
<v Speaker 2>balance yourself out or to rectify it. Actually is it

917
00:48:21.360 --> 00:48:23.599
<v Speaker 2>just it takes a little longer and it's a lot harder.

918
00:48:26.360 --> 00:48:29.880
<v Speaker 3>M Something I did want to add too. When I've

919
00:48:29.880 --> 00:48:34.800
<v Speaker 3>had my experience. You know, I've said that I've gone

920
00:48:34.920 --> 00:48:38.519
<v Speaker 3>kind of death. I don't hear anything. Well, of course

921
00:48:38.559 --> 00:48:40.280
<v Speaker 3>the abyss. So I have wondered if that has something

922
00:48:40.280 --> 00:48:41.119
<v Speaker 3>to do with the silence.

923
00:48:43.519 --> 00:48:44.760
<v Speaker 4>What else did I want to say?

924
00:48:45.920 --> 00:48:49.519
<v Speaker 5>You could say that silence was like, for example, one

925
00:48:49.519 --> 00:48:52.199
<v Speaker 5>way to interpret it would be even in the eyeindsoft,

926
00:48:52.519 --> 00:48:55.039
<v Speaker 5>like you're getting into you're getting already outside.

927
00:48:54.639 --> 00:48:57.719
<v Speaker 6>Of the tree and to the to the endless right, and.

928
00:48:57.679 --> 00:49:01.559
<v Speaker 5>Some i'ld say mostly left hand path workers would say

929
00:49:01.599 --> 00:49:03.239
<v Speaker 5>that's the end right, like you end there in the

930
00:49:03.599 --> 00:49:05.840
<v Speaker 5>whenever you die, you go to the void and whatever,

931
00:49:05.880 --> 00:49:08.280
<v Speaker 5>you don't have anything anymore. Sure you can in there,

932
00:49:08.320 --> 00:49:10.480
<v Speaker 5>but there's still the ein right, you don't need to

933
00:49:10.480 --> 00:49:13.880
<v Speaker 5>to get that far. But indeed, like if you if

934
00:49:13.920 --> 00:49:15.920
<v Speaker 5>you remove all the illusions, that's the question, if you

935
00:49:16.000 --> 00:49:19.519
<v Speaker 5>remove everything that are that is an illusion, what's left?

936
00:49:19.719 --> 00:49:21.920
<v Speaker 5>Like who's the real you? You know, if if your

937
00:49:22.000 --> 00:49:26.239
<v Speaker 5>character here like Matt nick Gin whatever was something built

938
00:49:26.320 --> 00:49:30.559
<v Speaker 5>from its environment, family, anything, and you start removing that,

939
00:49:30.599 --> 00:49:32.119
<v Speaker 5>you start tring to say, okay that that was just

940
00:49:32.159 --> 00:49:36.400
<v Speaker 5>like a mini ai mini character programmed. Then okay, what's left?

941
00:49:36.440 --> 00:49:39.360
<v Speaker 5>You know, what's the essence? Really the same with the

942
00:49:39.440 --> 00:49:41.920
<v Speaker 5>kliff As were built out of the tree. You know

943
00:49:41.960 --> 00:49:44.119
<v Speaker 5>when they start doing some associations and one.

944
00:49:46.039 --> 00:49:48.280
<v Speaker 2>Right, that's a klipa. That's a great point, Matt, is

945
00:49:48.280 --> 00:49:52.440
<v Speaker 2>that even us to give attributions to the suffra it.

946
00:49:52.840 --> 00:49:54.519
<v Speaker 2>Like we said the last time, it should be always

947
00:49:54.559 --> 00:49:58.840
<v Speaker 2>be quality less. Like whether it's lapisla ua or turquoise,

948
00:49:58.880 --> 00:50:02.239
<v Speaker 2>it's still clear. So if we can get our consciousness

949
00:50:02.239 --> 00:50:05.920
<v Speaker 2>to recognize that at all times, then that's really the

950
00:50:05.960 --> 00:50:16.559
<v Speaker 2>potent sort of element of the tree.

951
00:50:15.679 --> 00:50:19.719
<v Speaker 4>Well, uh, was there anything else you wanted to say about.

952
00:50:19.880 --> 00:50:21.719
<v Speaker 4>You know, maybe we'll move on.

953
00:50:24.840 --> 00:50:26.679
<v Speaker 2>Oh, I just wanted to throw this out there, that

954
00:50:26.719 --> 00:50:31.760
<v Speaker 2>there are some interesting Vedic astrological associations. There is an

955
00:50:31.920 --> 00:50:36.960
<v Speaker 2>amethyst is sometimes given as a remedy for Saturn or Shawnee,

956
00:50:37.760 --> 00:50:43.360
<v Speaker 2>also sapphire, blue sapphire. I always thought this was really interesting.

957
00:50:43.400 --> 00:50:46.159
<v Speaker 2>I brought it also many years ago with you Nick

958
00:50:46.280 --> 00:50:49.159
<v Speaker 2>on our Tantra Ancobala series, but and you seemed really

959
00:50:49.199 --> 00:50:51.719
<v Speaker 2>interested in it. Is that blue sapphire is actually the

960
00:50:51.760 --> 00:50:56.719
<v Speaker 2>planetary It's considered the highest planetary stone of Saturn in

961
00:50:56.960 --> 00:50:59.840
<v Speaker 2>Vedic astrology, and so it's a little different. You can

962
00:50:59.840 --> 00:51:02.159
<v Speaker 2>see that they're much more oriented to that blue or

963
00:51:02.199 --> 00:51:06.440
<v Speaker 2>color rather than a pure pitch black. So I always

964
00:51:06.440 --> 00:51:09.039
<v Speaker 2>thought that was really interesting. And also like the what

965
00:51:09.119 --> 00:51:11.719
<v Speaker 2>we were talking about, especially what you talked about, Nick,

966
00:51:11.920 --> 00:51:17.320
<v Speaker 2>was that kind of constrictive and destructive mode that is

967
00:51:17.360 --> 00:51:22.440
<v Speaker 2>that path between Hope, Ma and Benna. It's a path

968
00:51:22.440 --> 00:51:26.400
<v Speaker 2>of fire and earth and air obviously arises through that interaction.

969
00:51:26.920 --> 00:51:28.599
<v Speaker 2>So it's it's it's very interesting.

970
00:51:31.920 --> 00:51:35.000
<v Speaker 3>Thank you, Uh, Matt, is there anything that you wanted

971
00:51:35.000 --> 00:51:37.679
<v Speaker 3>to add?

972
00:51:37.760 --> 00:51:42.159
<v Speaker 4>I think, uh, thank you both.

973
00:51:42.239 --> 00:51:44.480
<v Speaker 3>You know again, I think an overall theme is a

974
00:51:44.599 --> 00:51:50.679
<v Speaker 3>you know, time, death and stuff like that. All right,

975
00:51:50.760 --> 00:51:52.760
<v Speaker 3>So yeah, now when I go into I'm going to

976
00:51:52.840 --> 00:51:56.159
<v Speaker 3>cover death, and like I had said, you know, I

977
00:51:56.280 --> 00:51:59.639
<v Speaker 3>really didn't get much into even really acknowledging that street

978
00:51:59.719 --> 00:52:03.280
<v Speaker 3>until after I had magical experience. The way I'll be,

979
00:52:03.440 --> 00:52:06.360
<v Speaker 3>you know, kind of giving these associations is that of

980
00:52:06.400 --> 00:52:11.159
<v Speaker 3>Gareth Knight's book, Practical Guide to Cabalistic Symbolism. His book

981
00:52:11.239 --> 00:52:13.440
<v Speaker 3>has the spheres and the pats in it, and it's

982
00:52:13.639 --> 00:52:15.960
<v Speaker 3>it was probably my favorite Kabbala book out of all the.

983
00:52:15.920 --> 00:52:19.199
<v Speaker 4>Ones I've read. So I just figured i'd pull his

984
00:52:19.639 --> 00:52:22.760
<v Speaker 4>you know stuff that he has for the associations.

985
00:52:24.079 --> 00:52:26.840
<v Speaker 3>I guess, you know, the Hebrew meeting knowledge. Well, that's

986
00:52:26.920 --> 00:52:29.239
<v Speaker 3>kind of like, you know, I think, what's the names

987
00:52:29.239 --> 00:52:33.159
<v Speaker 3>for the sphere? It's you know, considered invisible or unnumbered.

988
00:52:34.559 --> 00:52:38.360
<v Speaker 3>He hasn't hear. The magical image would be Janus, the

989
00:52:38.440 --> 00:52:42.559
<v Speaker 3>divine name. I think he leaves it open, but some

990
00:52:42.599 --> 00:52:46.480
<v Speaker 3>people have used jah hevad Heyliam that kind of like,

991
00:52:47.239 --> 00:52:50.039
<v Speaker 3>I don't know, I think that's usually ready. There's no

992
00:52:50.159 --> 00:52:52.719
<v Speaker 3>archangel that he doesn't attribute anything to that. The colors

993
00:52:52.760 --> 00:52:56.280
<v Speaker 3>he attributes to it would be lavender, silver gray, pure

994
00:52:56.400 --> 00:53:01.079
<v Speaker 3>violet gray flecked with yellow. The virtue would be in

995
00:53:01.320 --> 00:53:05.920
<v Speaker 3>personal justice, the capacity to act without ego, eat with

996
00:53:05.960 --> 00:53:14.440
<v Speaker 3>the ego and bias, vices, doubt, apathy and nurture, cowardice, pride, vision,

997
00:53:15.000 --> 00:53:19.760
<v Speaker 3>vision across the abyss Mundane correspondence.

998
00:53:21.679 --> 00:53:27.039
<v Speaker 4>Knights favor Serious. So that's interesting. They he's using, I

999
00:53:27.039 --> 00:53:29.079
<v Speaker 4>guess serious as the fixed star.

1000
00:53:30.639 --> 00:53:35.880
<v Speaker 3>Wonderf won. If Mario does that, that's interesting. Keith symbol

1001
00:53:35.920 --> 00:53:39.639
<v Speaker 3>could be prism, an empty room, a condemned cell, sacred mountaintop,

1002
00:53:40.480 --> 00:53:45.719
<v Speaker 3>grain of corn, and the Yeah, that's about it for

1003
00:53:45.760 --> 00:53:49.440
<v Speaker 3>the associations that I have. I don't know if maybe

1004
00:53:49.480 --> 00:53:51.840
<v Speaker 3>a gin. I know you do go on about Doth

1005
00:53:51.880 --> 00:53:54.440
<v Speaker 3>a lot and I put you on the spot now,

1006
00:53:54.480 --> 00:53:56.280
<v Speaker 3>But like I guess what would be your if you

1007
00:53:56.360 --> 00:53:58.960
<v Speaker 3>want to take it away with your experience with Doth.

1008
00:54:00.639 --> 00:54:03.079
<v Speaker 2>Like you said, Nick, I think you said it the best,

1009
00:54:03.119 --> 00:54:04.920
<v Speaker 2>and you said it first, like I'm not going to

1010
00:54:05.199 --> 00:54:07.880
<v Speaker 2>take that from you, but you said it. You only

1011
00:54:08.000 --> 00:54:11.880
<v Speaker 2>became more interested in it after you add magical experiences.

1012
00:54:12.119 --> 00:54:14.039
<v Speaker 2>So this was really interesting to me When you first

1013
00:54:14.079 --> 00:54:18.559
<v Speaker 2>said that. I can't remember exactly when, but that's exactly

1014
00:54:18.599 --> 00:54:22.199
<v Speaker 2>my experience as well, it seemed like almost impossible to

1015
00:54:22.280 --> 00:54:26.960
<v Speaker 2>get to place. Just reading about it intellectually, it didn't

1016
00:54:26.960 --> 00:54:30.360
<v Speaker 2>seem and I think it's actually supposed to be like that.

1017
00:54:30.880 --> 00:54:33.800
<v Speaker 2>I think it's actually supposed to be a threshold. Obviously

1018
00:54:33.800 --> 00:54:36.599
<v Speaker 2>that's part of the name of my show. So I

1019
00:54:36.639 --> 00:54:40.320
<v Speaker 2>do think that Doth is a threshold, and I think

1020
00:54:40.400 --> 00:54:45.519
<v Speaker 2>it is. You don't need to worry about it so much,

1021
00:54:45.639 --> 00:54:48.039
<v Speaker 2>like I have a contour of what it is, but

1022
00:54:48.119 --> 00:54:51.760
<v Speaker 2>be flexible, because I think a lot of magicians, like

1023
00:54:51.880 --> 00:54:54.440
<v Speaker 2>I like Kenneth Grant, and I like mom Zone, and

1024
00:54:54.760 --> 00:54:57.440
<v Speaker 2>it's very interesting to me all that, but I think

1025
00:54:57.480 --> 00:55:00.960
<v Speaker 2>they get very fixed on what these kinds of places

1026
00:55:01.119 --> 00:55:04.039
<v Speaker 2>or what these things are. And it's also about, like

1027
00:55:04.239 --> 00:55:06.559
<v Speaker 2>we've talked about many times, it's about like the meta

1028
00:55:06.599 --> 00:55:10.119
<v Speaker 2>myth of other magicians telling you, oh, when you're climbing

1029
00:55:10.119 --> 00:55:13.840
<v Speaker 2>the tree, you're going to experience you're going to see machineows.

1030
00:55:13.840 --> 00:55:16.280
<v Speaker 2>Like to bring up Brogan, you tell people you're going

1031
00:55:16.360 --> 00:55:19.440
<v Speaker 2>to see machineows, they're more inclined to see machineows. That's

1032
00:55:19.480 --> 00:55:24.039
<v Speaker 2>just the reality you're suggestive, right, So Kenneth Grant really

1033
00:55:24.039 --> 00:55:26.440
<v Speaker 2>places this idea of like a very fixed kind of

1034
00:55:26.519 --> 00:55:29.239
<v Speaker 2>like you know, I often joke about this. I won't

1035
00:55:29.360 --> 00:55:32.679
<v Speaker 2>use the specific language that I do, but a kind

1036
00:55:32.800 --> 00:55:40.920
<v Speaker 2>of we'll say hermaphroditic, feminine ish kind of quibel goddess thing.

1037
00:55:41.199 --> 00:55:44.559
<v Speaker 2>And I don't necessarily agree with that. I'm not saying

1038
00:55:44.599 --> 00:55:47.320
<v Speaker 2>that that's not through in some ways, but I think

1039
00:55:47.360 --> 00:55:50.760
<v Speaker 2>that I wouldn't. I never used that container to describe it.

1040
00:55:50.960 --> 00:55:55.079
<v Speaker 2>And I think it's actually a very masculine sephra. That's

1041
00:55:55.079 --> 00:55:57.960
<v Speaker 2>how Buddhist would understand it. It'd be a very masculine

1042
00:55:58.119 --> 00:56:02.800
<v Speaker 2>sepher And there's actually a really interesting named Manjusri and

1043
00:56:02.920 --> 00:56:08.639
<v Speaker 2>Manjutrie is the Bodhisappa of nondual nosis. So this is

1044
00:56:08.679 --> 00:56:14.440
<v Speaker 2>also how Doth is sometimes translated ass So I just think, well,

1045
00:56:14.519 --> 00:56:17.800
<v Speaker 2>isn't that interesting. Maybe the sort of idea of Doth

1046
00:56:18.039 --> 00:56:21.480
<v Speaker 2>is nondual in its core, it's like beyond death and

1047
00:56:21.519 --> 00:56:25.360
<v Speaker 2>it's beyond time, and it's also beyond the conceptualization of

1048
00:56:25.400 --> 00:56:28.960
<v Speaker 2>our minds, and then what is left, well there's smoke.

1049
00:56:29.480 --> 00:56:32.800
<v Speaker 2>So I think that's a lot of sort of that experience,

1050
00:56:32.840 --> 00:56:35.400
<v Speaker 2>and I think even the colors really spoke to that

1051
00:56:35.480 --> 00:56:40.199
<v Speaker 2>when Nick went through them.

1052
00:56:40.320 --> 00:56:43.079
<v Speaker 5>Yeah, that is very it's a very interesting sphere. Like

1053
00:56:43.840 --> 00:56:49.519
<v Speaker 5>the way I understand it also from experiences is it's

1054
00:56:50.280 --> 00:56:54.039
<v Speaker 5>basically after light, so you have again farmless thearity right

1055
00:56:54.599 --> 00:56:59.079
<v Speaker 5>became light at Hofman Goth compressed and that's the compression,

1056
00:56:59.159 --> 00:57:04.400
<v Speaker 5>the the contraction. Here it gets expanded again, so it's

1057
00:57:04.440 --> 00:57:07.760
<v Speaker 5>like the portal again between the three at the top

1058
00:57:08.079 --> 00:57:11.039
<v Speaker 5>and all the rest. So another way also you can

1059
00:57:11.079 --> 00:57:14.400
<v Speaker 5>see it in that's the way I risk on Kabbala.

1060
00:57:14.440 --> 00:57:17.320
<v Speaker 5>It is like connecting other cultures. You can see it

1061
00:57:17.360 --> 00:57:21.000
<v Speaker 5>in the and the ying yang. Actually the way I

1062
00:57:21.079 --> 00:57:24.280
<v Speaker 5>understand it, you can see like as the duality itself,

1063
00:57:24.480 --> 00:57:26.599
<v Speaker 5>so the black part of the ying yang, which is

1064
00:57:26.639 --> 00:57:29.320
<v Speaker 5>the ying in this case would be the bina kind

1065
00:57:29.320 --> 00:57:33.039
<v Speaker 5>of going again in the this portal towards all the

1066
00:57:33.119 --> 00:57:35.079
<v Speaker 5>other things. And the way they explain it also is

1067
00:57:35.159 --> 00:57:38.800
<v Speaker 5>very interesting because they say from like the tall the

1068
00:57:38.920 --> 00:57:42.760
<v Speaker 5>towel comes the ying yang or something like that. From

1069
00:57:42.800 --> 00:57:45.239
<v Speaker 5>the towel comes to yang, the yang comes the ying

1070
00:57:45.320 --> 00:57:47.639
<v Speaker 5>and so on, like it's just tryad and then from

1071
00:57:47.679 --> 00:57:51.199
<v Speaker 5>it comes all the like ten thousand things. So again

1072
00:57:51.239 --> 00:57:55.039
<v Speaker 5>from Benig it's everything is it's berthed and one. So

1073
00:57:55.679 --> 00:57:59.039
<v Speaker 5>it's again and when people say, oh, it's the sphere

1074
00:57:59.079 --> 00:58:02.039
<v Speaker 5>not sphere, the thing not thing that, and when you

1075
00:58:02.039 --> 00:58:05.280
<v Speaker 5>interact with it you understand. Okay, at least from my perspective,

1076
00:58:05.599 --> 00:58:09.199
<v Speaker 5>it's this kind of duality, this kind of in between worlds.

1077
00:58:10.280 --> 00:58:14.480
<v Speaker 5>You could say also it's the hades or other correspondss

1078
00:58:14.519 --> 00:58:18.239
<v Speaker 5>like Pluto osires like this under.

1079
00:58:19.599 --> 00:58:20.480
<v Speaker 6>Underworld God.

1080
00:58:20.760 --> 00:58:22.840
<v Speaker 5>So again it's the one and where is the underworld

1081
00:58:22.920 --> 00:58:25.440
<v Speaker 5>again in the mind always right, it's the you can

1082
00:58:25.440 --> 00:58:26.719
<v Speaker 5>say it's like the subconscious.

1083
00:58:26.760 --> 00:58:30.760
<v Speaker 6>So it's it's.

1084
00:58:29.199 --> 00:58:32.280
<v Speaker 5>Behind, it's it's guarding all the richness again, all the

1085
00:58:32.320 --> 00:58:34.159
<v Speaker 5>things that you have, all the programmings that you have

1086
00:58:34.199 --> 00:58:36.960
<v Speaker 5>in your mind. And to go there you need to,

1087
00:58:37.199 --> 00:58:39.519
<v Speaker 5>you know, go through this quote unquote Porto. You need

1088
00:58:39.599 --> 00:58:43.000
<v Speaker 5>to not be here, not so here anymore and there.

1089
00:58:43.079 --> 00:58:45.760
<v Speaker 5>So it's kind of duality. I think that plays a lot.

1090
00:58:46.440 --> 00:58:50.079
<v Speaker 5>So also there's the I think it's called Arich and

1091
00:58:50.559 --> 00:58:52.840
<v Speaker 5>Arich and pin or something like that, like the short

1092
00:58:52.880 --> 00:58:56.480
<v Speaker 5>face God, long faced God, uh, that they'll talk about

1093
00:58:56.480 --> 00:59:00.599
<v Speaker 5>in like Hebrew Cabala. So again it's you start to

1094
00:59:00.639 --> 00:59:04.360
<v Speaker 5>see how they portray it. It's very very very similar.

1095
00:59:04.360 --> 00:59:07.840
<v Speaker 5>Also when you'll start experiencing the things.

1096
00:59:11.360 --> 00:59:13.719
<v Speaker 4>Uh, you know one thing I do want to tow

1097
00:59:13.800 --> 00:59:15.719
<v Speaker 4>us in. Uh gen, I.

1098
00:59:15.719 --> 00:59:17.440
<v Speaker 3>See you brought up another image, so I'll jump over

1099
00:59:17.480 --> 00:59:21.679
<v Speaker 3>to that after this, uh for me, and I guess

1100
00:59:21.679 --> 00:59:24.320
<v Speaker 3>like why it clicked in my head to start paying

1101
00:59:24.360 --> 00:59:27.199
<v Speaker 3>attention to it. And again it's sent to sound cheesy

1102
00:59:27.360 --> 00:59:29.960
<v Speaker 3>or you know whatever it is, what it is, it's

1103
00:59:29.960 --> 00:59:32.920
<v Speaker 3>my experience. How it seemed to happen is that after

1104
00:59:32.960 --> 00:59:35.679
<v Speaker 3>I have these like magical experiences, you know, I think

1105
00:59:35.679 --> 00:59:38.960
<v Speaker 3>I crossed the abyss. When I open up my eyes,

1106
00:59:39.960 --> 00:59:43.760
<v Speaker 3>I will have like just this flutter of stuff go

1107
00:59:44.039 --> 00:59:46.960
<v Speaker 3>like come into me. That like it's just like somehow

1108
00:59:46.960 --> 00:59:49.320
<v Speaker 3>it's a knowing. It's not like a faith. It's hard

1109
00:59:49.400 --> 00:59:52.920
<v Speaker 3>to explain. And I've always felt like maybe that's you know,

1110
00:59:52.960 --> 00:59:56.039
<v Speaker 3>the knowledge that starts to come, you know, flutter into

1111
00:59:56.039 --> 00:59:57.679
<v Speaker 3>your head after after your experience.

1112
00:59:58.239 --> 00:59:59.320
<v Speaker 4>You know, I don't know how that is.

1113
00:59:59.320 --> 01:00:00.760
<v Speaker 3>I don't know if it's like you know, I've I've

1114
01:00:00.880 --> 01:00:03.000
<v Speaker 3>questioned like are you tapping into like you know, the

1115
01:00:03.119 --> 01:00:07.760
<v Speaker 3>ole or like every everything everything exists, you know, so

1116
01:00:07.800 --> 01:00:10.280
<v Speaker 3>you can just pick up ideas and maybe I don't know,

1117
01:00:10.280 --> 01:00:11.960
<v Speaker 3>want to open up my eyes some of it gets

1118
01:00:13.039 --> 01:00:16.960
<v Speaker 3>converted into thought in this reality and it comes back

1119
01:00:17.000 --> 01:00:19.599
<v Speaker 3>with me. But there is knowing of things that I

1120
01:00:19.599 --> 01:00:23.079
<v Speaker 3>didn't know prior for me at least, So I just

1121
01:00:23.079 --> 01:00:24.039
<v Speaker 3>want to throw that in there.

1122
01:00:26.000 --> 01:00:27.360
<v Speaker 2>I one hundred percent agree with that.

1123
01:00:27.519 --> 01:00:31.039
<v Speaker 6>Sorry, man, no, go on, just ready. Yeah, I feel

1124
01:00:31.079 --> 01:00:31.599
<v Speaker 6>the same.

1125
01:00:33.000 --> 01:00:34.880
<v Speaker 2>I mean, yeah, that's what it. That's really what it is.

1126
01:00:34.920 --> 01:00:37.199
<v Speaker 2>It's where the lightning happens. I think that that's a

1127
01:00:37.239 --> 01:00:40.639
<v Speaker 2>really interesting sort of way to call it or to

1128
01:00:40.840 --> 01:00:43.079
<v Speaker 2>articulate it. And I think that it's also a place

1129
01:00:43.079 --> 01:00:46.119
<v Speaker 2>of synthesis, like I think it's a it's it becomes

1130
01:00:46.159 --> 01:00:49.559
<v Speaker 2>accessible to the magician after he crosses the threshold and

1131
01:00:49.760 --> 01:00:53.440
<v Speaker 2>sort of figures out a regular, maybe not fixed way,

1132
01:00:53.480 --> 01:00:57.239
<v Speaker 2>but a kind of a hermoneutic to get back. So

1133
01:00:57.519 --> 01:01:00.400
<v Speaker 2>I agree with you, it's an incredibly important for us.

1134
01:01:00.760 --> 01:01:02.880
<v Speaker 2>And I think this is why Romic was smart to

1135
01:01:03.000 --> 01:01:05.320
<v Speaker 2>not actually place it on the tree and to say

1136
01:01:05.599 --> 01:01:08.880
<v Speaker 2>is the fifth density rather than to say, oh, it's

1137
01:01:08.880 --> 01:01:11.639
<v Speaker 2>this place that you go to, But maybe it's in

1138
01:01:11.800 --> 01:01:15.400
<v Speaker 2>all the different kinds of wisdoms or all the different

1139
01:01:15.480 --> 01:01:19.320
<v Speaker 2>kinds of splendors that you experience that are of God.

1140
01:01:19.440 --> 01:01:22.760
<v Speaker 2>Well that's his idea, right, So, and I think that's

1141
01:01:22.840 --> 01:01:25.960
<v Speaker 2>actually more true. I think it's more like there's a

1142
01:01:26.400 --> 01:01:28.599
<v Speaker 2>in Buddhism, we would say there's an emptiness behind the

1143
01:01:28.679 --> 01:01:31.199
<v Speaker 2>nature of all things. And as Lisa and I have

1144
01:01:31.800 --> 01:01:35.320
<v Speaker 2>often said together, it's emptiness is not nothingness, it's luminousness

1145
01:01:35.320 --> 01:01:40.280
<v Speaker 2>and masslessness. So it's like a higher consciousness beyond than

1146
01:01:40.760 --> 01:01:43.639
<v Speaker 2>like even our vessel or our husk is capable of

1147
01:01:43.760 --> 01:01:46.920
<v Speaker 2>at regular times. But it's also accessible. And so a

1148
01:01:46.960 --> 01:01:49.440
<v Speaker 2>lot of Buddhists will talk about like Rigpa, this diamond

1149
01:01:49.440 --> 01:01:52.079
<v Speaker 2>thunder mind, this kind of like clear expanse in space,

1150
01:01:52.239 --> 01:01:55.679
<v Speaker 2>like a brother soular from our lodge. He'll talk about

1151
01:01:55.719 --> 01:01:58.000
<v Speaker 2>how the death and red power are very similar, are

1152
01:01:58.000 --> 01:02:01.719
<v Speaker 2>the same, and I agree, so agree. So there's this

1153
01:02:02.039 --> 01:02:05.280
<v Speaker 2>icon that Nick brought up, thinking Nika is really it's

1154
01:02:05.280 --> 01:02:09.199
<v Speaker 2>a beautiful icon a. It's a deity called Havazra, so

1155
01:02:09.239 --> 01:02:14.159
<v Speaker 2>that even his name can actually be described as the

1156
01:02:14.239 --> 01:02:18.480
<v Speaker 2>diamond thunder breath. And his wife's name is actually ne Raima,

1157
01:02:18.960 --> 01:02:23.880
<v Speaker 2>which means she who is without fixed self. Now this

1158
01:02:23.920 --> 01:02:26.760
<v Speaker 2>is a different contract deity that Nick brought up, also

1159
01:02:26.800 --> 01:02:31.960
<v Speaker 2>a phenomenal tanka ga jud jin. But so this is Yamataka,

1160
01:02:32.239 --> 01:02:35.199
<v Speaker 2>the slayer of death, and actually if you look under

1161
01:02:35.199 --> 01:02:38.559
<v Speaker 2>his feet, he is standing on both Shiva, but we

1162
01:02:38.559 --> 01:02:41.000
<v Speaker 2>wouldn't call him Shiva. We'd call him by Rava. So

1163
01:02:41.119 --> 01:02:46.039
<v Speaker 2>the ferocious god of time and his wife and his wife,

1164
01:02:46.159 --> 01:02:50.320
<v Speaker 2>so the guy with the bullface very Moloch, but his

1165
01:02:50.400 --> 01:02:54.840
<v Speaker 2>wife is actually named Vadra, the Tully, the diamond thunder vampire.

1166
01:02:55.280 --> 01:02:58.840
<v Speaker 2>He has to raise her back into life. That's why

1167
01:02:58.880 --> 01:03:01.119
<v Speaker 2>I often say that this is where the lightning happens,

1168
01:03:01.519 --> 01:03:04.480
<v Speaker 2>because you have to conquer your fears. So, yes, there

1169
01:03:04.519 --> 01:03:07.199
<v Speaker 2>is an interaction with Benna. There's an interaction with Saturn,

1170
01:03:07.679 --> 01:03:11.519
<v Speaker 2>but you're moving away from that. You're very plutonic. Now,

1171
01:03:11.599 --> 01:03:13.199
<v Speaker 2>I don't know if Matt agrees with us, and Matt

1172
01:03:13.239 --> 01:03:15.880
<v Speaker 2>you can chime it in now, of course. But I

1173
01:03:16.039 --> 01:03:19.159
<v Speaker 2>like Pluto for Dove. I think it makes sense. But

1174
01:03:19.320 --> 01:03:22.239
<v Speaker 2>I also agree, and we've talked about this many times,

1175
01:03:22.320 --> 01:03:26.519
<v Speaker 2>is that though the dot Heather and Hope mok shift

1176
01:03:26.760 --> 01:03:29.440
<v Speaker 2>and can be understood in different ways depending on different

1177
01:03:29.519 --> 01:03:32.679
<v Speaker 2>kalpas or AONs. So it's good, it's very good to

1178
01:03:32.719 --> 01:03:35.159
<v Speaker 2>not have a fixed position. But I do like Pluto

1179
01:03:35.239 --> 01:03:38.800
<v Speaker 2>because this is kind of more of the Buddhist idea. Yeah,

1180
01:03:38.880 --> 01:03:40.039
<v Speaker 2>I just want to throw that in there.

1181
01:03:40.280 --> 01:03:43.039
<v Speaker 5>Again, we were talking about right not being fixed on

1182
01:03:43.280 --> 01:03:46.599
<v Speaker 5>the ideas, and the way I like to explain it is,

1183
01:03:46.719 --> 01:03:49.559
<v Speaker 5>whenever you relate something to a sphere, it's not about

1184
01:03:49.880 --> 01:03:52.400
<v Speaker 5>that thing being the sphere or the sphere being the thing,

1185
01:03:52.599 --> 01:03:57.079
<v Speaker 5>but rather that's a good example, like generally of that sphere.

1186
01:03:57.239 --> 01:03:59.960
<v Speaker 5>So let's say, let's use a mounding thing. If I'm

1187
01:04:00.039 --> 01:04:02.840
<v Speaker 5>talking about footballers, I'm not gonna talk about like a

1188
01:04:02.920 --> 01:04:05.639
<v Speaker 5>guy like Gordon Ramsay or whatever, I like a cook.

1189
01:04:05.679 --> 01:04:09.039
<v Speaker 5>I'm gonna talk about Cristiana Ronaldo, Pele or whatever, someone

1190
01:04:09.079 --> 01:04:11.480
<v Speaker 5>that is good as a footballer, which doesn't mean that

1191
01:04:11.519 --> 01:04:15.519
<v Speaker 5>the footballer isn't also something else, like he's a father,

1192
01:04:15.639 --> 01:04:17.920
<v Speaker 5>he's like the man, he's this, that that, that's one.

1193
01:04:18.280 --> 01:04:20.360
<v Speaker 5>So in the same way, I completely agree, not only

1194
01:04:20.400 --> 01:04:24.480
<v Speaker 5>I would say, not only even the three like the

1195
01:04:24.480 --> 01:04:28.039
<v Speaker 5>top ones, uh cater Hoffmand, you know, but any of them.

1196
01:04:28.239 --> 01:04:31.320
<v Speaker 5>So you could say even that. Again, whatever we relate

1197
01:04:31.360 --> 01:04:35.480
<v Speaker 5>things to Mars or story to get are not always there.

1198
01:04:35.519 --> 01:04:36.039
<v Speaker 6>Like the tree.

1199
01:04:37.239 --> 01:04:39.039
<v Speaker 5>I can share the screen in a bit, but like

1200
01:04:39.079 --> 01:04:41.960
<v Speaker 5>the tree, to my understanding, is always moving. And even

1201
01:04:42.000 --> 01:04:45.199
<v Speaker 5>that plays into that a bit, which, by the way,

1202
01:04:45.400 --> 01:04:49.719
<v Speaker 5>just remember there's this Egyptian concept of do what which

1203
01:04:50.079 --> 01:04:54.719
<v Speaker 5>Again you start to understand it's their underworld. It's like, oh, okay,

1204
01:04:54.920 --> 01:04:56.880
<v Speaker 5>so who came with the concept first, you know, but

1205
01:04:57.440 --> 01:05:00.440
<v Speaker 5>it's whatever, it's funny, uh. And you have this idea

1206
01:05:00.480 --> 01:05:04.360
<v Speaker 5>of every four AONs, okay, every four ages if we're

1207
01:05:04.400 --> 01:05:07.880
<v Speaker 5>talking about astrology in general, like this a lot is

1208
01:05:08.559 --> 01:05:12.079
<v Speaker 5>you build, you build another sphere. So again the tree

1209
01:05:12.599 --> 01:05:15.400
<v Speaker 5>when it was like I don't know, eight thousand years

1210
01:05:15.440 --> 01:05:18.519
<v Speaker 5>ago something like that, we had the ogdoad. So again

1211
01:05:18.559 --> 01:05:22.320
<v Speaker 5>the Egyptian they'd had the eight spheres three and then

1212
01:05:22.400 --> 01:05:24.239
<v Speaker 5>we had like the nine spheres three and now we

1213
01:05:24.280 --> 01:05:27.800
<v Speaker 5>have like a ten spheres three with a eleventh sphere

1214
01:05:27.800 --> 01:05:32.760
<v Speaker 5>not sphere. So so my understanding cosmologically, the tree keeps evolving,

1215
01:05:32.920 --> 01:05:37.000
<v Speaker 5>and that as from my perspective, and also the way

1216
01:05:37.000 --> 01:05:38.960
<v Speaker 5>I was initiated, and I see it makes sense.

1217
01:05:39.199 --> 01:05:40.239
<v Speaker 6>Is the next.

1218
01:05:40.039 --> 01:05:43.760
<v Speaker 5>Sphere being built, so again every four cycles, so you

1219
01:05:43.840 --> 01:05:47.400
<v Speaker 5>have fire age like we had. The last one was

1220
01:05:47.440 --> 01:05:54.320
<v Speaker 5>aries then fire sorry no earth, fire, water and air,

1221
01:05:54.400 --> 01:05:58.159
<v Speaker 5>so you have earth. The last one was Tarus, so fire, aries, water, spi,

1222
01:05:58.280 --> 01:06:01.280
<v Speaker 5>seas are now air Aquarius would be the end of

1223
01:06:01.400 --> 01:06:04.039
<v Speaker 5>the construction of the thing, and then you might see, okay,

1224
01:06:04.519 --> 01:06:07.000
<v Speaker 5>wait a second, is it now getting so popular like

1225
01:06:07.119 --> 01:06:10.119
<v Speaker 5>VR and like getting into the digital ground, like crypto

1226
01:06:10.199 --> 01:06:12.760
<v Speaker 5>and like everything digital. Again, this separate world that we

1227
01:06:12.800 --> 01:06:16.440
<v Speaker 5>are creating, it's like the end simulation. Let's say that

1228
01:06:16.480 --> 01:06:18.840
<v Speaker 5>we are entering and again another shire, like you keep

1229
01:06:18.960 --> 01:06:21.280
<v Speaker 5>entering and some one very speculative. But it's the way

1230
01:06:21.280 --> 01:06:25.079
<v Speaker 5>that I understand that as again, this thing that it's

1231
01:06:25.119 --> 01:06:27.119
<v Speaker 5>here but not here, like Wi Fi, you know, like

1232
01:06:27.199 --> 01:06:31.199
<v Speaker 5>you can interact with it, but you cannot really do anything.

1233
01:06:31.199 --> 01:06:33.599
<v Speaker 5>More like you can interact with it through some means,

1234
01:06:34.079 --> 01:06:36.079
<v Speaker 5>but it's not really here, like you cannot point to it.

1235
01:06:36.119 --> 01:06:37.639
<v Speaker 6>You cannot. You know, it's very.

1236
01:06:39.239 --> 01:06:42.840
<v Speaker 5>Abstract, it's very not here and so on, but it

1237
01:06:42.920 --> 01:06:46.119
<v Speaker 5>is here at the same time. So also I saw

1238
01:06:46.119 --> 01:06:50.079
<v Speaker 5>someone mentioning Tarot, and the way I used Tarrot with

1239
01:06:50.119 --> 01:06:52.960
<v Speaker 5>the kabala is I placed all the royal ship cards

1240
01:06:53.400 --> 01:06:56.719
<v Speaker 5>or royalty cards sorry in the in the off so

1241
01:06:56.760 --> 01:07:01.119
<v Speaker 5>any of like the king, Queen, the page and knights.

1242
01:07:01.679 --> 01:07:04.159
<v Speaker 5>So that's how I use them, and it seems to

1243
01:07:04.159 --> 01:07:07.360
<v Speaker 5>be very interesting because then you understand them. It's kind

1244
01:07:07.360 --> 01:07:10.519
<v Speaker 5>of like the personalities in the reading. So if you're

1245
01:07:10.559 --> 01:07:12.840
<v Speaker 5>doing some type of reading and then you know King

1246
01:07:12.880 --> 01:07:15.559
<v Speaker 5>of Ones comes or whatever, they understand. Okay, it's the

1247
01:07:15.599 --> 01:07:20.280
<v Speaker 5>personality of like the active thing, that the active, active

1248
01:07:20.320 --> 01:07:21.000
<v Speaker 5>masculine thing, the.

1249
01:07:21.000 --> 01:07:22.679
<v Speaker 6>Starter with the fire.

1250
01:07:22.800 --> 01:07:29.800
<v Speaker 5>So again in h Absolute, I think the firework right.

1251
01:07:31.079 --> 01:07:34.119
<v Speaker 5>So again you can start to play on all those ideas.

1252
01:07:35.800 --> 01:07:38.000
<v Speaker 2>That's great, Matt, I totally agree. I just want to

1253
01:07:38.000 --> 01:07:40.239
<v Speaker 2>point out, like even what you said about the absolute world,

1254
01:07:40.320 --> 01:07:42.760
<v Speaker 2>you can see at the if you're looking at the screen,

1255
01:07:42.800 --> 01:07:46.239
<v Speaker 2>it's on your the viewers, the witnesses right hand side,

1256
01:07:46.440 --> 01:07:49.920
<v Speaker 2>you see Street w Pauld and Lama Aka Mahakali. So

1257
01:07:49.960 --> 01:07:53.079
<v Speaker 2>we talked about Collie for Bana, but you can see

1258
01:07:53.119 --> 01:07:55.760
<v Speaker 2>her at the bottom there, and she's surrounded by smoke

1259
01:07:56.519 --> 01:08:00.599
<v Speaker 2>not fire, meaning and she's riding the donkey the ass

1260
01:08:00.599 --> 01:08:01.920
<v Speaker 2>at the end of the world, if you want to

1261
01:08:01.920 --> 01:08:04.639
<v Speaker 2>call it that. But it's interesting because that I've always

1262
01:08:04.719 --> 01:08:07.440
<v Speaker 2>thought that that fits very well with the Hebrew path

1263
01:08:08.039 --> 01:08:11.679
<v Speaker 2>between Binnah and Hokema, because the world is already destroyed

1264
01:08:12.239 --> 01:08:15.519
<v Speaker 2>as she rides between as she rides between time and

1265
01:08:15.559 --> 01:08:19.880
<v Speaker 2>the idea, between understanding and wisdom. I really think that

1266
01:08:21.199 --> 01:08:24.760
<v Speaker 2>it's destroyed. But then she also brings it back into formation.

1267
01:08:25.680 --> 01:08:28.319
<v Speaker 2>She's also destroying as she goes, So you're kind of

1268
01:08:28.399 --> 01:08:31.479
<v Speaker 2>losing that fire world and you're gaining like exactly what

1269
01:08:31.520 --> 01:08:34.520
<v Speaker 2>Matt said, you're gaining a ground because it's a burning ground.

1270
01:08:34.600 --> 01:08:38.159
<v Speaker 2>It's not totally there's still fire, there's still air, there's

1271
01:08:38.199 --> 01:08:42.159
<v Speaker 2>still earth, and what we were missing really is always water.

1272
01:08:43.399 --> 01:08:45.800
<v Speaker 2>At least in my opinion, I think that that is

1273
01:08:45.920 --> 01:08:49.000
<v Speaker 2>more true than not true. Is like we are not

1274
01:08:49.199 --> 01:08:53.760
<v Speaker 2>drawing maybe the proper portion from the right pillar as

1275
01:08:53.840 --> 01:08:56.880
<v Speaker 2>much as we can be that hasthetic kind of ideas

1276
01:08:56.920 --> 01:08:58.840
<v Speaker 2>of loving Kindnessey. I know Matt knows that I'm very

1277
01:08:58.880 --> 01:09:01.680
<v Speaker 2>fixated on this, but I think it's a really important note,

1278
01:09:01.760 --> 01:09:04.119
<v Speaker 2>especially if you're looking at Fortis iconography, that we do

1279
01:09:04.199 --> 01:09:07.279
<v Speaker 2>really place high emphasis on body cheetah. Whether that's exactly

1280
01:09:07.319 --> 01:09:09.880
<v Speaker 2>the same as loving kindness, I think it is, but

1281
01:09:10.439 --> 01:09:11.960
<v Speaker 2>maybe brother Soul would disagree.

1282
01:09:17.880 --> 01:09:18.079
<v Speaker 6>Yeah.

1283
01:09:18.119 --> 01:09:19.880
<v Speaker 5>Another way I like to see it as well, is

1284
01:09:19.920 --> 01:09:22.399
<v Speaker 5>like when you are going up the tree, which I

1285
01:09:22.399 --> 01:09:24.920
<v Speaker 5>don't recommend you for a beginning like going up the tree,

1286
01:09:24.920 --> 01:09:27.119
<v Speaker 5>I mean going with the kliffas, like breaking the klifas

1287
01:09:27.119 --> 01:09:30.000
<v Speaker 5>and swamp, and then you reach that then you start

1288
01:09:30.039 --> 01:09:33.079
<v Speaker 5>coming down the tree with the liking path and creating things,

1289
01:09:33.079 --> 01:09:36.159
<v Speaker 5>and then it becomes like this circle. Right, you start again,

1290
01:09:36.640 --> 01:09:40.720
<v Speaker 5>you directify yourself, create something, and then erect for yourself

1291
01:09:40.760 --> 01:09:42.279
<v Speaker 5>create something, and then it goes.

1292
01:09:42.079 --> 01:09:43.600
<v Speaker 6>On on and on infantly.

1293
01:09:44.720 --> 01:09:46.920
<v Speaker 5>So he plays this role of like being a portal.

1294
01:09:50.000 --> 01:09:52.600
<v Speaker 4>Oh for me, this is killer. Yeah, the my man.

1295
01:09:53.399 --> 01:09:59.000
<v Speaker 3>Sorry, yeah, I always love what he comes off.

1296
01:10:01.479 --> 01:10:02.920
<v Speaker 4>Something. I just want to ask. It's used to like.

1297
01:10:02.960 --> 01:10:05.239
<v Speaker 3>Little small things that I'm getting out of, Uh that

1298
01:10:05.279 --> 01:10:07.439
<v Speaker 3>I kind of got out of what Gareth Knight had

1299
01:10:07.479 --> 01:10:10.920
<v Speaker 3>said in here, you know, the thing with Janice, you know,

1300
01:10:10.920 --> 01:10:14.439
<v Speaker 3>And I always kind of like associated that with a

1301
01:10:15.399 --> 01:10:19.359
<v Speaker 3>really chokema because I do think it's like, well, you

1302
01:10:19.439 --> 01:10:20.560
<v Speaker 3>come and face to face with God.

1303
01:10:20.560 --> 01:10:22.119
<v Speaker 4>But I do think like you kind of alsothing can

1304
01:10:22.199 --> 01:10:24.039
<v Speaker 4>choose to go the other way. It's you know, almost

1305
01:10:24.079 --> 01:10:27.680
<v Speaker 4>like another hinge again in itself. Uh. But I could

1306
01:10:27.720 --> 01:10:28.560
<v Speaker 4>see that, you know, he.

1307
01:10:28.479 --> 01:10:31.920
<v Speaker 3>Attributed to Doth and I could see that too, because

1308
01:10:31.920 --> 01:10:34.399
<v Speaker 3>I guess at that point you would have experience of

1309
01:10:34.479 --> 01:10:37.439
<v Speaker 3>both sides. Like I guess, like if you if you guess,

1310
01:10:37.439 --> 01:10:39.479
<v Speaker 3>if you took on the Janice archetype, you've already been

1311
01:10:39.520 --> 01:10:42.079
<v Speaker 3>there in the back, or you were on your way

1312
01:10:42.279 --> 01:10:48.279
<v Speaker 3>practically there. So I did feel that was kind of interesting.

1313
01:10:48.399 --> 01:10:50.920
<v Speaker 3>And then something with his vices that hit me as

1314
01:10:50.920 --> 01:10:53.840
<v Speaker 3>I was reading it this time this time, you know,

1315
01:10:53.880 --> 01:11:00.479
<v Speaker 3>he said doubt, apathy, inurtire, cowardice, or pride. I always

1316
01:11:00.479 --> 01:11:04.520
<v Speaker 3>said for myself, whenever I have the magical experience, as

1317
01:11:04.560 --> 01:11:10.000
<v Speaker 3>soon as I start kind of like thinking, it's it ends,

1318
01:11:10.039 --> 01:11:12.600
<v Speaker 3>but like I'm realizing, most of my thoughts were always

1319
01:11:12.720 --> 01:11:14.279
<v Speaker 3>like where am I?

1320
01:11:14.319 --> 01:11:16.479
<v Speaker 4>And what am I?

1321
01:11:16.520 --> 01:11:20.159
<v Speaker 3>And that was that doubt because I don't know, you know,

1322
01:11:20.479 --> 01:11:23.159
<v Speaker 3>or one other time I was like, this doesn't look

1323
01:11:23.239 --> 01:11:25.039
<v Speaker 3>like it might be a good experience.

1324
01:11:26.079 --> 01:11:29.359
<v Speaker 4>Maybe I should not do this. Z that cowardice.

1325
01:11:29.960 --> 01:11:32.960
<v Speaker 3>I don't know, but it just hit me when I was,

1326
01:11:33.039 --> 01:11:35.319
<v Speaker 3>you know, reading that, because like that that kind of

1327
01:11:35.399 --> 01:11:39.920
<v Speaker 3>is my experience that would take me out of the abyss.

1328
01:11:40.800 --> 01:11:41.199
<v Speaker 4>I don't know.

1329
01:11:42.199 --> 01:11:46.159
<v Speaker 2>Discursive thinking, no, exactly what you said, Nick, discursive thinking

1330
01:11:47.399 --> 01:11:49.760
<v Speaker 2>is someone I saw how a tweet about this about

1331
01:11:49.760 --> 01:11:51.960
<v Speaker 2>discursive thinking as like the truth skits is like this,

1332
01:11:52.520 --> 01:11:55.920
<v Speaker 2>that's what makes reality is the schizophrenia. And I agree

1333
01:11:56.000 --> 01:11:58.800
<v Speaker 2>with that is like when we expand into thought and

1334
01:11:59.079 --> 01:12:03.199
<v Speaker 2>also like these outward klypothic consciousness that's not necessarily good

1335
01:12:03.239 --> 01:12:05.760
<v Speaker 2>or bad, but just like names that we put on vessels,

1336
01:12:06.199 --> 01:12:08.520
<v Speaker 2>so when we expand into that, we sort of break

1337
01:12:08.560 --> 01:12:12.520
<v Speaker 2>out of that like a place where we're able to

1338
01:12:12.640 --> 01:12:16.720
<v Speaker 2>access knowledge. I totally agree with that. So, yeah, I

1339
01:12:16.720 --> 01:12:19.039
<v Speaker 2>think that's really interesting because this is what this deity

1340
01:12:19.119 --> 01:12:22.119
<v Speaker 2>even represents. Like you can see there's Yama in the

1341
01:12:22.159 --> 01:12:25.119
<v Speaker 2>bottom left hand corner, he's the god of death. Then

1342
01:12:25.159 --> 01:12:28.079
<v Speaker 2>you have Mahakala, so you have the time king at

1343
01:12:28.119 --> 01:12:31.239
<v Speaker 2>the bottom center, and then you have Malancoli there, so

1344
01:12:31.640 --> 01:12:34.920
<v Speaker 2>he's higher than them. He's conquered them. He's conquered time,

1345
01:12:35.119 --> 01:12:39.479
<v Speaker 2>conquered death, his wife has resurrected, So it's you know,

1346
01:12:39.520 --> 01:12:42.319
<v Speaker 2>all the symbolism is really there, and like the generous thing, like, yeah,

1347
01:12:42.359 --> 01:12:46.199
<v Speaker 2>he has heads pervading all realities. In Buddhism, there's ten directions,

1348
01:12:46.720 --> 01:12:49.039
<v Speaker 2>so not all the deities have ten heads, but he

1349
01:12:49.079 --> 01:12:52.600
<v Speaker 2>does in particular because it is kind of a liberatory.

1350
01:12:53.119 --> 01:12:57.039
<v Speaker 2>It's a very liberatory sephra, And so I think Kenneth

1351
01:12:57.079 --> 01:13:00.000
<v Speaker 2>Grant's like sort of inclination that it is very power

1352
01:13:00.079 --> 01:13:01.520
<v Speaker 2>or full and sort of able to take you out

1353
01:13:01.560 --> 01:13:03.800
<v Speaker 2>of the cube, Yes, because you're able to sort of

1354
01:13:03.880 --> 01:13:06.319
<v Speaker 2>go outside the cube and then see what it is

1355
01:13:06.359 --> 01:13:11.439
<v Speaker 2>maybe but with a like stronger understanding that it's also

1356
01:13:11.600 --> 01:13:15.800
<v Speaker 2>conceptual and also in your mind. So it's like you

1357
01:13:15.880 --> 01:13:19.199
<v Speaker 2>kind of create it. You kind of like Vanessa saying

1358
01:13:19.199 --> 01:13:21.720
<v Speaker 2>the best, it's exactly that. It's like you see the

1359
01:13:21.760 --> 01:13:24.000
<v Speaker 2>common ground, but the como ground is really your mind,

1360
01:13:24.560 --> 01:13:27.880
<v Speaker 2>so you can decide how you interact and well also

1361
01:13:27.920 --> 01:13:28.800
<v Speaker 2>what arises there.

1362
01:13:32.760 --> 01:13:34.439
<v Speaker 4>Yeah, I like with Justin saying that too.

1363
01:13:34.960 --> 01:13:36.680
<v Speaker 3>Yes, Jen, now that that is what I believe the

1364
01:13:36.720 --> 01:13:38.760
<v Speaker 3>Book of Revelation does with John's vision too.

1365
01:13:40.199 --> 01:13:46.039
<v Speaker 4>Mm hmm. But uh man, do you have anything else

1366
01:13:46.319 --> 01:13:47.960
<v Speaker 4>you want to maybe add with doth.

1367
01:13:50.720 --> 01:13:54.479
<v Speaker 5>I think it's a sy misunderstoodent usually also, that's something

1368
01:13:54.560 --> 01:13:56.880
<v Speaker 5>to point out if you're like just I componly agree

1369
01:13:56.880 --> 01:13:57.079
<v Speaker 5>with you.

1370
01:13:57.119 --> 01:13:57.640
<v Speaker 6>Guys.

1371
01:13:58.319 --> 01:14:00.239
<v Speaker 5>Don't go just by the books, you know, like the

1372
01:14:00.279 --> 01:14:02.079
<v Speaker 5>book should be the the tech should be the foundation,

1373
01:14:02.399 --> 01:14:06.239
<v Speaker 5>like the or better. Yet you should have a master

1374
01:14:06.359 --> 01:14:09.399
<v Speaker 5>to like help you initiate. It's like the If you

1375
01:14:09.399 --> 01:14:11.920
<v Speaker 5>think about it, it's mathematical. If you have someone which

1376
01:14:11.960 --> 01:14:14.600
<v Speaker 5>comes from a lineage of people which were initiated in

1377
01:14:14.880 --> 01:14:17.520
<v Speaker 5>so and so on. And that's for real, you're just

1378
01:14:17.560 --> 01:14:20.319
<v Speaker 5>getting sped up. You know, you're you're not getting through

1379
01:14:20.399 --> 01:14:23.039
<v Speaker 5>the experiences, just yourself and trying to figure out what

1380
01:14:23.159 --> 01:14:25.960
<v Speaker 5>is and what isn't in swamp. So I'll say, especially

1381
01:14:26.000 --> 01:14:28.800
<v Speaker 5>with that, it's very important that you try and have

1382
01:14:28.840 --> 01:14:32.680
<v Speaker 5>the experiences through. You know, whatever it means is makes

1383
01:14:32.720 --> 01:14:37.720
<v Speaker 5>more sense to you. I'd say personally again comes with environment.

1384
01:14:37.800 --> 01:14:40.600
<v Speaker 5>So in Brazil it is legal is it can be

1385
01:14:40.840 --> 01:14:46.800
<v Speaker 5>easy to find like ritualistic aauaska and mushrooms usage. And

1386
01:14:46.840 --> 01:14:50.520
<v Speaker 5>to me, those were one of the experiences that helped

1387
01:14:50.520 --> 01:14:54.000
<v Speaker 5>me break a lot of khleifas just because it put

1388
01:14:54.079 --> 01:14:56.640
<v Speaker 5>me in this again here not here state. You know,

1389
01:14:56.760 --> 01:15:00.000
<v Speaker 5>I was because when you are using an intellogy like ayauaska,

1390
01:15:00.039 --> 01:15:03.079
<v Speaker 5>you're and I'm not advocating for it, don't use it

1391
01:15:03.119 --> 01:15:04.960
<v Speaker 5>if you don't know what it is. Don't you know,

1392
01:15:05.079 --> 01:15:07.239
<v Speaker 5>try it out. It's not a game. But the thing

1393
01:15:07.319 --> 01:15:11.399
<v Speaker 5>is you are still conscious, but you're still accessing this

1394
01:15:11.479 --> 01:15:13.720
<v Speaker 5>other place. You know, you're fully conscious of the thing

1395
01:15:13.760 --> 01:15:16.399
<v Speaker 5>and you can you know, interact with all these different

1396
01:15:17.600 --> 01:15:20.359
<v Speaker 5>ideas in your head and swam. So then it made

1397
01:15:20.359 --> 01:15:22.560
<v Speaker 5>me were as well, Okay, maybe there's.

1398
01:15:22.399 --> 01:15:23.760
<v Speaker 6>More to life than just material things.

1399
01:15:23.760 --> 01:15:27.039
<v Speaker 5>You know, maybe I can start, yeah, having a look

1400
01:15:27.079 --> 01:15:29.680
<v Speaker 5>at those things, you know more seriously, because I had

1401
01:15:29.720 --> 01:15:33.239
<v Speaker 5>some experiences refer but still was super skeptical I'll say

1402
01:15:33.239 --> 01:15:35.560
<v Speaker 5>getting into the top and again you would have to

1403
01:15:35.600 --> 01:15:39.159
<v Speaker 5>go through that to go into the top three series.

1404
01:15:38.880 --> 01:15:41.079
<v Speaker 6>Right, So it is very important that you know what

1405
01:15:41.119 --> 01:15:41.800
<v Speaker 6>you're doing.

1406
01:15:42.560 --> 01:15:44.840
<v Speaker 5>In a way that you also don't get down into

1407
01:15:44.840 --> 01:15:48.319
<v Speaker 5>the clotic three right, because it is the portal.

1408
01:15:49.199 --> 01:15:55.119
<v Speaker 6>So yeah, it's it's a very interesting sphere.

1409
01:15:55.199 --> 01:15:58.479
<v Speaker 5>And to me again, the way I use tarot is

1410
01:15:59.359 --> 01:16:02.359
<v Speaker 5>in a meditation way. It's like in a it helps

1411
01:16:02.359 --> 01:16:04.119
<v Speaker 5>my it helps guide my consciousness.

1412
01:16:04.159 --> 01:16:04.560
<v Speaker 6>So if you.

1413
01:16:04.600 --> 01:16:09.640
<v Speaker 5>Understand reality as this frame by frame thing, so it's

1414
01:16:09.680 --> 01:16:12.520
<v Speaker 5>like a movie, right, a movie. A video doesn't happen

1415
01:16:13.359 --> 01:16:17.239
<v Speaker 5>like in the best. The video is like a lot

1416
01:16:17.239 --> 01:16:19.399
<v Speaker 5>of images, like what you're seeing right now. It's a

1417
01:16:19.439 --> 01:16:21.920
<v Speaker 5>lot of images put in on top of each other.

1418
01:16:22.880 --> 01:16:25.479
<v Speaker 5>So when you understand that, you can understand the terror

1419
01:16:25.640 --> 01:16:27.760
<v Speaker 5>as the images that are going to pop up. So

1420
01:16:27.840 --> 01:16:30.479
<v Speaker 5>if right now you need let's say the Emperor, Okay,

1421
01:16:30.520 --> 01:16:33.000
<v Speaker 5>you bring up the Emperor, all the archetype, all everything

1422
01:16:33.039 --> 01:16:35.520
<v Speaker 5>that comes with it. Even if you want to relate

1423
01:16:35.520 --> 01:16:37.439
<v Speaker 5>it to Kababa, the path and so on, and you

1424
01:16:37.520 --> 01:16:40.359
<v Speaker 5>use it so in that way, when I'm relating the

1425
01:16:40.880 --> 01:16:45.600
<v Speaker 5>like I said that to all the royalty cards, then

1426
01:16:45.640 --> 01:16:47.560
<v Speaker 5>you can use them in a very interesting way because

1427
01:16:47.560 --> 01:16:50.760
<v Speaker 5>they are going to be like you're unconscious. So it's

1428
01:16:50.760 --> 01:16:54.239
<v Speaker 5>the deepest of the programming. It's like the program that

1429
01:16:54.279 --> 01:16:56.960
<v Speaker 5>you're not even aware it's running in the background.

1430
01:16:57.239 --> 01:16:57.439
<v Speaker 4>You know.

1431
01:16:57.479 --> 01:16:59.439
<v Speaker 5>The subconscious is the programs that are running in the

1432
01:16:59.479 --> 01:17:02.119
<v Speaker 5>background conscious, all the programs that you're running right now.

1433
01:17:02.520 --> 01:17:05.279
<v Speaker 5>The unconscious like all the deep, deep, deep programs like

1434
01:17:05.319 --> 01:17:08.640
<v Speaker 5>coming from if you want to go that way, past

1435
01:17:08.680 --> 01:17:10.880
<v Speaker 5>lives whatever it is, right, but all the deep stuff.

1436
01:17:11.399 --> 01:17:13.880
<v Speaker 5>So for you to go there, you need the correct keys,

1437
01:17:13.880 --> 01:17:17.399
<v Speaker 5>the correct archetypes, and it's going to be very interesting

1438
01:17:17.520 --> 01:17:19.720
<v Speaker 5>the more you start to play around, you know, if

1439
01:17:19.760 --> 01:17:23.680
<v Speaker 5>you want to use specific myths for that, like for example,

1440
01:17:23.720 --> 01:17:26.560
<v Speaker 5>the territory like using is the mythic one with the

1441
01:17:26.560 --> 01:17:29.199
<v Speaker 5>Greek stories, and you can look at the royalty cards

1442
01:17:29.199 --> 01:17:32.079
<v Speaker 5>and the story they're portraying there and play around with them,

1443
01:17:32.079 --> 01:17:34.840
<v Speaker 5>you know, change the stories, see how they would relate

1444
01:17:34.920 --> 01:17:38.880
<v Speaker 5>to your life. It's a very interesting practice.

1445
01:17:38.479 --> 01:17:38.760
<v Speaker 6>To do.

1446
01:17:40.960 --> 01:17:43.239
<v Speaker 2>Something you said, Matt was super interesting to me was

1447
01:17:43.279 --> 01:17:46.800
<v Speaker 2>that death is a place that you it's sort of

1448
01:17:46.840 --> 01:17:49.560
<v Speaker 2>the place you see when you're going up. And I agree,

1449
01:17:49.640 --> 01:17:52.399
<v Speaker 2>I totally agree with that. It is kind of like

1450
01:17:52.479 --> 01:17:55.319
<v Speaker 2>it sort of reveals itself to you the higher you

1451
01:17:55.359 --> 01:17:58.359
<v Speaker 2>go on the tree, I think. And so maybe that

1452
01:17:58.439 --> 01:18:01.000
<v Speaker 2>is also to go back to. Next said is maybe

1453
01:18:01.000 --> 01:18:03.680
<v Speaker 2>that's why it's also not as interesting for people to

1454
01:18:03.760 --> 01:18:07.720
<v Speaker 2>approach just intellectually, just through that path of study, simply

1455
01:18:07.800 --> 01:18:11.079
<v Speaker 2>because it doesn't immediately reveal itself. It's very in and out.

1456
01:18:11.119 --> 01:18:14.319
<v Speaker 2>It's very hidden. So but not because of its nature

1457
01:18:14.439 --> 01:18:18.439
<v Speaker 2>being esoteric, even just because of its empty nature.

1458
01:18:18.479 --> 01:18:23.119
<v Speaker 4>You could say, somebody did that.

1459
01:18:23.119 --> 01:18:26.159
<v Speaker 5>There was a nice comment here I wanted to address

1460
01:18:26.239 --> 01:18:32.039
<v Speaker 5>if it's possible for so someone commented, is it be fine?

1461
01:18:32.600 --> 01:18:35.640
<v Speaker 5>What the car and bah and allah going on here?

1462
01:18:35.960 --> 01:18:40.680
<v Speaker 5>So indeed, very interesting question, like what even the name means?

1463
01:18:40.760 --> 01:18:44.520
<v Speaker 5>Right about to go to Jewish mysticism, they'll say, you know,

1464
01:18:44.600 --> 01:18:49.039
<v Speaker 5>it's like was it revelation or whatever. It's like they're

1465
01:18:49.079 --> 01:18:51.359
<v Speaker 5>they're going to give you some idea, right, Okay, that's good,

1466
01:18:51.520 --> 01:18:53.279
<v Speaker 5>you can go with that, but it can break it

1467
01:18:53.319 --> 01:18:55.399
<v Speaker 5>down like this person beautifully did you can break it

1468
01:18:55.439 --> 01:18:56.079
<v Speaker 5>down the car.

1469
01:18:57.479 --> 01:19:00.039
<v Speaker 6>And the lah was up.

1470
01:19:01.720 --> 01:19:02.399
<v Speaker 4>Just real quick.

1471
01:19:02.720 --> 01:19:04.840
<v Speaker 3>The funny thing is is a person who commented that

1472
01:19:04.920 --> 01:19:06.840
<v Speaker 3>may not have even have like meant that literal.

1473
01:19:07.000 --> 01:19:10.000
<v Speaker 4>This guy says crazy shit all the time and normally talk.

1474
01:19:10.000 --> 01:19:11.119
<v Speaker 6>Yeah, it's good, it's good.

1475
01:19:11.199 --> 01:19:13.640
<v Speaker 4>So you might actually be answering your question. He really

1476
01:19:13.720 --> 01:19:15.680
<v Speaker 4>didn't actually mean, but go ahead.

1477
01:19:16.840 --> 01:19:20.800
<v Speaker 5>It is interesting thought to do, like breaking down the words. Right,

1478
01:19:20.920 --> 01:19:23.000
<v Speaker 5>So if you break down kabala in that way, ka

1479
01:19:23.600 --> 01:19:25.880
<v Speaker 5>and law in this case, he went, but I'm going

1480
01:19:25.920 --> 01:19:27.600
<v Speaker 5>to stop at the law, which is the word that

1481
01:19:27.640 --> 01:19:30.600
<v Speaker 5>is actually there, you can see how it was being

1482
01:19:30.760 --> 01:19:33.680
<v Speaker 5>used already in Egypt. Again you have the ka, which

1483
01:19:33.720 --> 01:19:37.760
<v Speaker 5>is they had the sole partitioned in nine parts. So

1484
01:19:37.800 --> 01:19:39.560
<v Speaker 5>the co was one of the parts, the Ba was

1485
01:19:39.600 --> 01:19:43.760
<v Speaker 5>another part. The cow would be like the physical body, okay,

1486
01:19:44.159 --> 01:19:47.640
<v Speaker 5>the bab would be the digital body, the astrobody. And

1487
01:19:47.640 --> 01:19:50.600
<v Speaker 5>then you can say the law is the elevation again

1488
01:19:50.640 --> 01:19:54.039
<v Speaker 5>the all alchemy or the L. You know the L

1489
01:19:54.239 --> 01:19:57.760
<v Speaker 5>the way you have the in the Jewish textans one,

1490
01:19:58.159 --> 01:20:00.640
<v Speaker 5>you have this elevation. So again it's the ele of

1491
01:20:01.279 --> 01:20:03.479
<v Speaker 5>both the bodies. So in this way you can see

1492
01:20:03.520 --> 01:20:06.520
<v Speaker 5>kabala as the technology of the body of the soul.

1493
01:20:07.039 --> 01:20:10.279
<v Speaker 5>So that's a very cabalistic thing to do, like breaking

1494
01:20:10.279 --> 01:20:14.439
<v Speaker 5>down words, you know, getting your name for example, breaking

1495
01:20:14.439 --> 01:20:16.640
<v Speaker 5>it down, changing stuff around. That's a very interesting thing

1496
01:20:16.640 --> 01:20:20.560
<v Speaker 5>to do. I wouldn't relate it necessarily with one of

1497
01:20:20.600 --> 01:20:22.239
<v Speaker 5>the spears we were talking about here, but it would

1498
01:20:22.279 --> 01:20:25.560
<v Speaker 5>be I guess it's a very hard thing to do.

1499
01:20:26.479 --> 01:20:29.319
<v Speaker 5>Maybe maybe that because you're seeing what's not there, So

1500
01:20:30.079 --> 01:20:33.039
<v Speaker 5>in a way it's a very it's a very bad practice,

1501
01:20:33.079 --> 01:20:35.960
<v Speaker 5>like you're going to not only what's being shown to you,

1502
01:20:36.520 --> 01:20:38.920
<v Speaker 5>like the name, the pure name, but what's hidden there,

1503
01:20:39.079 --> 01:20:41.640
<v Speaker 5>Like again, what's what you're not seeing from the shadow

1504
01:20:41.680 --> 01:20:44.640
<v Speaker 5>of its name. So that's a even if it was

1505
01:20:44.680 --> 01:20:47.439
<v Speaker 5>a comedy comment, it was a very interesting practice.

1506
01:20:48.439 --> 01:20:50.680
<v Speaker 3>Well, I even know like people that especially back at

1507
01:20:50.680 --> 01:20:52.640
<v Speaker 3>the day, and I've even you know, people that were

1508
01:20:52.640 --> 01:20:56.000
<v Speaker 3>associated with the Oto back in the day, they were

1509
01:20:56.039 --> 01:21:02.359
<v Speaker 3>into kabbala. Also you'd see times they were influenced by

1510
01:21:03.279 --> 01:21:06.680
<v Speaker 3>kind of Islamic stuff, and I always do wonder if

1511
01:21:06.680 --> 01:21:10.279
<v Speaker 3>they're you know, I don't know, I wonder about a

1512
01:21:10.319 --> 01:21:12.760
<v Speaker 3>lot of older alchemists or a lot of older alchemy

1513
01:21:12.840 --> 01:21:16.279
<v Speaker 3>actually kind of sprung up over in those areas to

1514
01:21:16.279 --> 01:21:19.520
<v Speaker 3>begin with, or at least I think in paper, you know,

1515
01:21:19.720 --> 01:21:23.600
<v Speaker 3>written written documents stuff, So I do you don't wonder about,

1516
01:21:23.920 --> 01:21:26.319
<v Speaker 3>you know, the whole like if that stuff even does

1517
01:21:26.479 --> 01:21:27.840
<v Speaker 3>kind of fit into Kabbala.

1518
01:21:28.199 --> 01:21:29.520
<v Speaker 4>People don't even realize.

1519
01:21:31.199 --> 01:21:33.399
<v Speaker 6>Yeah, go mungeon.

1520
01:21:33.479 --> 01:21:36.640
<v Speaker 2>Sorry no, sorry, I apologize, Matt, Please please answer. Yeah.

1521
01:21:36.640 --> 01:21:39.680
<v Speaker 5>I was just gonna say, personally, I see as everyone

1522
01:21:40.039 --> 01:21:42.359
<v Speaker 5>has their own part in the tree. So it's not like,

1523
01:21:42.439 --> 01:21:44.520
<v Speaker 5>you know, the the Jays are gonna say no, it's

1524
01:21:44.560 --> 01:21:47.439
<v Speaker 5>our thing. It's our things like k bros can be

1525
01:21:47.560 --> 01:21:50.359
<v Speaker 5>part your thing. But there's definitely other people talking about

1526
01:21:50.399 --> 01:21:52.239
<v Speaker 5>it as well in other ways, Like I was saying

1527
01:21:52.239 --> 01:21:56.319
<v Speaker 5>that the Ying Yang and one so sure, like the

1528
01:21:56.359 --> 01:21:58.520
<v Speaker 5>Sufi stuff. Also, there's a lot of stuff there, Like

1529
01:21:58.520 --> 01:22:00.880
<v Speaker 5>everyone was kind of talking about it. There's no way

1530
01:22:01.079 --> 01:22:02.840
<v Speaker 5>not to talk about it. If you understand it is

1531
01:22:02.880 --> 01:22:05.960
<v Speaker 5>the thing creating the simulator itself again, the technology of

1532
01:22:05.960 --> 01:22:09.159
<v Speaker 5>our own beings. There's no such way as not talking

1533
01:22:09.199 --> 01:22:14.159
<v Speaker 5>about it. You're always talking about you can I unsee.

1534
01:22:17.960 --> 01:22:21.319
<v Speaker 2>So what you said, Matt was so interesting about the

1535
01:22:21.479 --> 01:22:25.560
<v Speaker 2>sort of code dath connection. You could say, so the

1536
01:22:25.680 --> 01:22:27.640
<v Speaker 2>image that I the last one, I'm sorry, Nick, the

1537
01:22:28.079 --> 01:22:32.960
<v Speaker 2>one I just added. He is the image of what

1538
01:22:33.000 --> 01:22:36.119
<v Speaker 2>we would say, quote unquote hod, so that kind of

1539
01:22:36.199 --> 01:22:39.800
<v Speaker 2>like it's knowledge, but it's not quite in fullness because

1540
01:22:39.840 --> 01:22:43.520
<v Speaker 2>he's peaceful. But he actually is the also that one

1541
01:22:43.560 --> 01:22:46.159
<v Speaker 2>that has the ox's face or the bison's head. They're

1542
01:22:46.199 --> 01:22:49.640
<v Speaker 2>the same deity. He's just depicted in one way or

1543
01:22:49.680 --> 01:22:52.920
<v Speaker 2>the other because he's nondual. Can be peaceful, it can

1544
01:22:52.960 --> 01:22:57.239
<v Speaker 2>be wrathful. So and it is interesting his colors because

1545
01:22:57.279 --> 01:23:00.479
<v Speaker 2>his colors can also be said to be very hoodlike. So,

1546
01:23:01.840 --> 01:23:04.920
<v Speaker 2>you know, I just I just think it's it's interesting

1547
01:23:05.199 --> 01:23:08.279
<v Speaker 2>that that you make that connection, because I have too.

1548
01:23:08.760 --> 01:23:12.000
<v Speaker 2>And sometimes it's hard to even discern what the difference

1549
01:23:12.000 --> 01:23:15.439
<v Speaker 2>between like cold like thinking and like crew knowledge death

1550
01:23:15.520 --> 01:23:21.760
<v Speaker 2>thinking is because we're dualistic beings and we tend to

1551
01:23:21.760 --> 01:23:24.159
<v Speaker 2>be discursive and tend to think of things in that

1552
01:23:24.239 --> 01:23:28.439
<v Speaker 2>schizophrenic kind of world, and especially because we do all

1553
01:23:28.479 --> 01:23:31.800
<v Speaker 2>you social media now, and that makes us even you know,

1554
01:23:31.840 --> 01:23:33.840
<v Speaker 2>it fractalizes us even more.

1555
01:23:34.760 --> 01:23:34.880
<v Speaker 7>So.

1556
01:23:36.239 --> 01:23:39.800
<v Speaker 2>I think death is an interesting suffra going forward in

1557
01:23:39.840 --> 01:23:43.680
<v Speaker 2>the future because I think we have we're reforging it,

1558
01:23:43.800 --> 01:23:47.800
<v Speaker 2>or at least, you know, these technocratic forces are reforging

1559
01:23:47.880 --> 01:23:50.039
<v Speaker 2>it in a way, so we'll have to see how

1560
01:23:51.199 --> 01:23:53.079
<v Speaker 2>what we'll see be able us to see what happens

1561
01:23:53.199 --> 01:23:55.199
<v Speaker 2>in the future. But I also like that you said,

1562
01:23:55.239 --> 01:23:57.680
<v Speaker 2>Matt about the aonic idea, and I think, like Nick

1563
01:23:57.720 --> 01:24:00.920
<v Speaker 2>and I have talked about this many times before, like, yeah,

1564
01:24:01.079 --> 01:24:03.600
<v Speaker 2>there is an ionic idea, and it is shifting into

1565
01:24:03.640 --> 01:24:07.159
<v Speaker 2>that kind of fourth world air quality age of if

1566
01:24:07.159 --> 01:24:08.840
<v Speaker 2>you want to call it Age of Aquarius, I use

1567
01:24:08.840 --> 01:24:12.479
<v Speaker 2>a different framing, but you know, it's a it's interesting

1568
01:24:12.880 --> 01:24:15.479
<v Speaker 2>to think about Cabala in that context, like that we're

1569
01:24:15.520 --> 01:24:19.119
<v Speaker 2>doing this even right now, like in this exact moment,

1570
01:24:19.199 --> 01:24:21.520
<v Speaker 2>like people are listening to us. The three of us

1571
01:24:21.560 --> 01:24:25.319
<v Speaker 2>have a conversation about things that are quote unquote oh

1572
01:24:25.399 --> 01:24:29.399
<v Speaker 2>called evil, like you know, the Jays did it to

1573
01:24:29.680 --> 01:24:32.720
<v Speaker 2>mind control humanity, like all of those things. It's like

1574
01:24:33.000 --> 01:24:36.439
<v Speaker 2>we're it's like breaking the klipa almost even if people

1575
01:24:36.479 --> 01:24:38.960
<v Speaker 2>think it's bullshit, it's okay. But I just think it's

1576
01:24:39.000 --> 01:24:39.640
<v Speaker 2>really interesting.

1577
01:24:43.399 --> 01:24:45.760
<v Speaker 5>Indeed, and may I ask Jan, what's the color of

1578
01:24:45.760 --> 01:24:50.479
<v Speaker 5>your shirt right now? Is it by any gent it's black?

1579
01:24:50.680 --> 01:24:53.840
<v Speaker 5>It's black, of course if it was if it was white,

1580
01:24:53.840 --> 01:24:55.600
<v Speaker 5>it would be interesting because it would be the three

1581
01:24:56.039 --> 01:24:58.560
<v Speaker 5>the three things, you know, the black, the white, and

1582
01:24:58.600 --> 01:25:00.439
<v Speaker 5>the strips wearing white.

1583
01:25:00.479 --> 01:25:05.680
<v Speaker 2>I'm wearing white shorts, so they're kind of yeah, they're

1584
01:25:05.720 --> 01:25:07.479
<v Speaker 2>they're you know, Heather Gray.

1585
01:25:08.159 --> 01:25:11.039
<v Speaker 4>That nice. All right.

1586
01:25:13.680 --> 01:25:15.840
<v Speaker 3>Again, I really don't have much to say on this

1587
01:25:16.159 --> 01:25:19.119
<v Speaker 3>sphere unfortunately. I mean, I don't know if you guys

1588
01:25:19.159 --> 01:25:20.960
<v Speaker 3>have any more. We could just wrap it up there

1589
01:25:21.000 --> 01:25:23.399
<v Speaker 3>and actually keep it at a normal episode.

1590
01:25:23.119 --> 01:25:25.239
<v Speaker 4>Length, it's up to you.

1591
01:25:26.479 --> 01:25:28.960
<v Speaker 2>I'll add one more thing really quick. So the ca

1592
01:25:29.319 --> 01:25:32.000
<v Speaker 2>ah law I thought was really interesting from like a

1593
01:25:32.039 --> 01:25:35.640
<v Speaker 2>tonric aonic perspective, because you could say like kaw as

1594
01:25:35.680 --> 01:25:39.279
<v Speaker 2>in Collie or Colla as in time. You could say

1595
01:25:39.359 --> 01:25:43.399
<v Speaker 2>ba as in Birava, or the ferocious nature of things

1596
01:25:43.439 --> 01:25:46.720
<v Speaker 2>as they appear. And you could also say law as

1597
01:25:46.760 --> 01:25:50.239
<v Speaker 2>in Laalita, as in love is the cause of knowledge.

1598
01:25:50.560 --> 01:25:55.199
<v Speaker 2>So some really interesting I think correlations. Maybe maybe just

1599
01:25:55.319 --> 01:25:59.720
<v Speaker 2>interesting parallels syncretisms. Who knows. You have to discern for yourself.

1600
01:26:02.000 --> 01:26:08.520
<v Speaker 5>Yeah, yeah, very interesting. I'd say maybe about that. There's

1601
01:26:08.560 --> 01:26:12.239
<v Speaker 5>nothing exactly here more that I wanted to bring that least,

1602
01:26:12.359 --> 01:26:14.640
<v Speaker 5>nothing comes to mind. There was a nice comment here

1603
01:26:14.640 --> 01:26:19.720
<v Speaker 5>about William saying like magic quote unquote being bringing imagination

1604
01:26:19.800 --> 01:26:24.439
<v Speaker 5>into reality. Yeah, the way the way I understand the soul.

1605
01:26:24.520 --> 01:26:26.960
<v Speaker 5>So again when we talk, so I understand it as

1606
01:26:27.359 --> 01:26:30.760
<v Speaker 5>imagination itself. So like my example of reality being this

1607
01:26:30.880 --> 01:26:34.239
<v Speaker 5>frame by frame thing. So the soul is the one

1608
01:26:34.600 --> 01:26:36.680
<v Speaker 5>pulling the frame. It's like saying, Okay, what do I

1609
01:26:36.680 --> 01:26:40.079
<v Speaker 5>imagine right now? I'll imagine myself being rich whatever, Okay, boom,

1610
01:26:40.079 --> 01:26:44.000
<v Speaker 5>that's what happens. I imagine myself being sick. Okay, that's what's.

1611
01:26:43.840 --> 01:26:44.319
<v Speaker 6>Going to happen.

1612
01:26:44.640 --> 01:26:47.319
<v Speaker 5>And it feels like more and more with the years,

1613
01:26:47.399 --> 01:26:50.239
<v Speaker 5>things are going on faster. So the more like I

1614
01:26:50.239 --> 01:26:52.159
<v Speaker 5>don't know if it's personally because I know I'm doing

1615
01:26:52.199 --> 01:26:54.079
<v Speaker 5>all this practices or whatever, but I see also with

1616
01:26:54.159 --> 01:26:57.560
<v Speaker 5>other people close to me that don't necessary practice this

1617
01:26:57.640 --> 01:26:58.439
<v Speaker 5>kind of stuff.

1618
01:26:58.600 --> 01:26:59.840
<v Speaker 6>And that's what's happening.

1619
01:27:00.159 --> 01:27:04.720
<v Speaker 5>The more the clearer the imagination again shouldn't be a klefa,

1620
01:27:04.720 --> 01:27:07.359
<v Speaker 5>I should be pure with light. The clearer it is,

1621
01:27:07.439 --> 01:27:10.119
<v Speaker 5>the faster it comes, and the better it comes because

1622
01:27:10.479 --> 01:27:13.319
<v Speaker 5>it is really down like to me, my understanding kabala,

1623
01:27:13.720 --> 01:27:16.000
<v Speaker 5>it's like the understanding of your soul, the understanding of

1624
01:27:16.039 --> 01:27:20.760
<v Speaker 5>how can you interact with the simulator which is like

1625
01:27:20.800 --> 01:27:22.680
<v Speaker 5>your own body. Your own body is the thing you're

1626
01:27:22.720 --> 01:27:28.079
<v Speaker 5>simulating through it. You are simulating everything, you are experiencing life.

1627
01:27:28.800 --> 01:27:31.560
<v Speaker 5>So the American that's say how it works, you know

1628
01:27:31.640 --> 01:27:35.039
<v Speaker 5>the better. And I talked about this in Jin's episode

1629
01:27:35.079 --> 01:27:36.880
<v Speaker 5>as well. But I always try to bring it on

1630
01:27:37.439 --> 01:27:42.159
<v Speaker 5>because you know, maybe you may be feared, You may

1631
01:27:42.239 --> 01:27:44.479
<v Speaker 5>have fear even though of the code or whatever, or

1632
01:27:44.520 --> 01:27:46.439
<v Speaker 5>you may feel like, oh, it's too much to study

1633
01:27:46.520 --> 01:27:49.359
<v Speaker 5>whatever it is, right, but if you at least try

1634
01:27:49.600 --> 01:27:52.319
<v Speaker 5>to do something, whatever it is, but do it well,

1635
01:27:52.920 --> 01:27:55.760
<v Speaker 5>you're gonna be touching Kabbala or you know, higher spheres

1636
01:27:55.800 --> 01:27:57.720
<v Speaker 5>and one just you know, try your best to do

1637
01:27:58.000 --> 01:28:00.279
<v Speaker 5>one thing and that's it. You don't need to if

1638
01:28:00.319 --> 01:28:02.039
<v Speaker 5>you don't want to study, you know all the crazy

1639
01:28:02.039 --> 01:28:05.399
<v Speaker 5>occult things, go to you know, strange places and so

1640
01:28:05.479 --> 01:28:07.560
<v Speaker 5>on to meet some strange people. It doesn't matter. Just

1641
01:28:07.600 --> 01:28:10.000
<v Speaker 5>go and do one thing the best you can because

1642
01:28:10.000 --> 01:28:12.640
<v Speaker 5>you're gonna reach those levels. It doesn't matter. You know,

1643
01:28:12.720 --> 01:28:15.800
<v Speaker 5>eventually you're gonna figure out. You're gonna have to work. Also,

1644
01:28:15.920 --> 01:28:19.319
<v Speaker 5>this quote unquote or quote that you have to ask

1645
01:28:19.880 --> 01:28:22.920
<v Speaker 5>It is a quote to whom really like, maybe to you,

1646
01:28:22.960 --> 01:28:25.359
<v Speaker 5>but to people studying. It's not a code at all.

1647
01:28:25.760 --> 01:28:28.239
<v Speaker 5>It's very clear. Actually that's a practice to make it clear.

1648
01:28:28.680 --> 01:28:31.000
<v Speaker 5>But if you take anything to study in what I mean,

1649
01:28:31.039 --> 01:28:33.720
<v Speaker 5>anything literally, anything like it could be you know, playing

1650
01:28:33.760 --> 01:28:37.359
<v Speaker 5>a sport, you know, cooking whatever it is, working on something.

1651
01:28:37.680 --> 01:28:40.920
<v Speaker 5>But when you do it intentionally and in the present moment,

1652
01:28:41.640 --> 01:28:45.119
<v Speaker 5>you are there, you are you know, understanding how reality works.

1653
01:28:45.279 --> 01:28:48.159
<v Speaker 6>That's the main practice I'll say.

1654
01:28:49.960 --> 01:28:54.479
<v Speaker 2>Yeah, exactly, don't be intimidated by wisdom science. Embrace wisdom

1655
01:28:54.520 --> 01:28:57.680
<v Speaker 2>science because it's really important and it will deal call

1656
01:28:57.800 --> 01:29:02.079
<v Speaker 2>things right before your eyes. And also you're not going

1657
01:29:02.079 --> 01:29:05.399
<v Speaker 2>to understand it right away. That's okay, that's totally normal,

1658
01:29:06.840 --> 01:29:10.439
<v Speaker 2>but you should try because like Matt said, balls and everything,

1659
01:29:10.680 --> 01:29:13.319
<v Speaker 2>like Nick said, so you can't really see it's both

1660
01:29:13.319 --> 01:29:16.199
<v Speaker 2>it works both ways. It's in everything, and you can

1661
01:29:16.279 --> 01:29:19.720
<v Speaker 2>understand at least, so what we can sort of perceive

1662
01:29:19.800 --> 01:29:22.560
<v Speaker 2>on this level of consciousness, you can you can relate

1663
01:29:22.600 --> 01:29:25.760
<v Speaker 2>them all to the tree. And so it's a really

1664
01:29:25.840 --> 01:29:29.000
<v Speaker 2>useful tool. It's a really useful tool for many things,

1665
01:29:29.039 --> 01:29:31.199
<v Speaker 2>not just magic, but maybe magic's also in your mind.

1666
01:29:31.239 --> 01:29:34.319
<v Speaker 2>So maybe just even the act of thinking is in

1667
01:29:34.359 --> 01:29:35.479
<v Speaker 2>a way magical.

1668
01:29:36.960 --> 01:29:38.640
<v Speaker 5>Yeah, I mean, if you want to make money, you know,

1669
01:29:38.680 --> 01:29:40.640
<v Speaker 5>everyone uses kabalae. If you want to be famous, everyone

1670
01:29:40.720 --> 01:29:43.199
<v Speaker 5>uses kabata, and if you want to be healthy, it's

1671
01:29:43.239 --> 01:29:45.199
<v Speaker 5>whatever money you got to use it. Even if you

1672
01:29:45.199 --> 01:29:47.560
<v Speaker 5>don't understand what you're doing. You know, it's the same buttons.

1673
01:29:47.720 --> 01:29:50.319
<v Speaker 5>So either you use them without understanding, or you understand

1674
01:29:50.319 --> 01:29:54.039
<v Speaker 5>them and then you use it easier easily, you know,

1675
01:29:54.640 --> 01:29:57.560
<v Speaker 5>so you cannot and see it after you start seeing it.

1676
01:29:57.600 --> 01:30:02.399
<v Speaker 5>And if your system maybe doesn't relate everything in a way,

1677
01:30:02.439 --> 01:30:05.000
<v Speaker 5>also that shows maybe that you should adapt your system

1678
01:30:05.079 --> 01:30:07.119
<v Speaker 5>or you should enhance it. I would say that's one

1679
01:30:07.119 --> 01:30:09.199
<v Speaker 5>thing as well. Again, don't be fixed. You know, we

1680
01:30:09.199 --> 01:30:12.439
<v Speaker 5>we've been talking about this in this podcast a lot.

1681
01:30:12.640 --> 01:30:14.319
<v Speaker 6>Don't be fixing the ideas. Try it out.

1682
01:30:14.359 --> 01:30:17.800
<v Speaker 5>Even if you don't necessarily agree fatures, why don't you agree?

1683
01:30:17.840 --> 01:30:18.000
<v Speaker 4>You know?

1684
01:30:18.279 --> 01:30:20.439
<v Speaker 5>See do you really not agree? Or is it like

1685
01:30:20.479 --> 01:30:23.880
<v Speaker 5>a paradigm from before and break all those glipphas.

1686
01:30:27.199 --> 01:30:31.000
<v Speaker 2>It's a logic proof, Starry Nick, Oh, go go. It's

1687
01:30:31.039 --> 01:30:32.600
<v Speaker 2>a like proof because that's how you have to think

1688
01:30:32.600 --> 01:30:34.840
<v Speaker 2>of kabala. It's a logic proof. And like Matt said,

1689
01:30:34.880 --> 01:30:37.279
<v Speaker 2>like one of the most important things actually is that

1690
01:30:37.359 --> 01:30:39.439
<v Speaker 2>you should be able to test your logic, your kabbala

1691
01:30:39.520 --> 01:30:42.920
<v Speaker 2>stary logic against how to work with the tree and

1692
01:30:42.960 --> 01:30:46.720
<v Speaker 2>how other people understand it. So I think that's a

1693
01:30:46.800 --> 01:30:49.680
<v Speaker 2>really useful maybe the most useful too. I wish someone

1694
01:30:49.720 --> 01:30:51.520
<v Speaker 2>who I wish when I was twenty two. I know,

1695
01:30:51.600 --> 01:30:53.560
<v Speaker 2>mass twenty three. I'm going to use the magic number,

1696
01:30:53.640 --> 01:30:55.239
<v Speaker 2>but I wish when I was twenty two someone had

1697
01:30:55.279 --> 01:30:55.680
<v Speaker 2>told me that.

1698
01:30:56.279 --> 01:31:00.399
<v Speaker 3>So, yeah, like, well, William's even saying and you cannot

1699
01:31:00.399 --> 01:31:01.600
<v Speaker 3>speak without prophesizing.

1700
01:31:02.800 --> 01:31:04.960
<v Speaker 4>I think a lot of that's what politicians are doing.

1701
01:31:06.680 --> 01:31:08.760
<v Speaker 4>What they want. They just say shit to get us

1702
01:31:08.760 --> 01:31:10.760
<v Speaker 4>to do it or whatever. They use us.

1703
01:31:11.760 --> 01:31:13.199
<v Speaker 6>Yeah, most definitely.

1704
01:31:13.239 --> 01:31:15.720
<v Speaker 3>That's how Like they someone said, take like, you know,

1705
01:31:15.760 --> 01:31:18.119
<v Speaker 3>imagination or whatever in your thoughts and put it into

1706
01:31:18.279 --> 01:31:21.119
<v Speaker 3>you know, turn it into form. I think that's exactly

1707
01:31:21.119 --> 01:31:24.520
<v Speaker 3>what politicians use us to do. You know, their imagination

1708
01:31:24.600 --> 01:31:27.680
<v Speaker 3>comes out verbally, and then we react certain ways to

1709
01:31:27.720 --> 01:31:30.640
<v Speaker 3>give them the opportunity to do what they want or

1710
01:31:30.680 --> 01:31:36.039
<v Speaker 3>create what they want. I guess I think, unless you

1711
01:31:36.039 --> 01:31:38.760
<v Speaker 3>guys are good, I think we can wrap it up here.

1712
01:31:39.119 --> 01:31:43.359
<v Speaker 3>It's an hour and a half perfect. We purposely picked

1713
01:31:43.399 --> 01:31:45.000
<v Speaker 3>eight to eight today because of the number.

1714
01:31:45.199 --> 01:31:45.560
<v Speaker 4>I don't know.

1715
01:31:45.680 --> 01:31:47.039
<v Speaker 3>I don't know when the next one will be and what.

1716
01:31:47.119 --> 01:31:48.560
<v Speaker 3>Plus I have to make sure it works the mat

1717
01:31:48.560 --> 01:31:51.079
<v Speaker 3>as well. But I'm assuming with the next few weeks

1718
01:31:51.159 --> 01:31:53.319
<v Speaker 3>or some shit, we'll be able to do the next

1719
01:31:53.319 --> 01:31:55.119
<v Speaker 3>two spheres. Maybe we'll keep it like that, just do

1720
01:31:55.239 --> 01:31:56.880
<v Speaker 3>two spheres at a time, or we'll see what we

1721
01:31:57.000 --> 01:32:01.239
<v Speaker 3>see what happens. Thank you again, Matt, I really appreciate it.

1722
01:32:02.720 --> 01:32:05.600
<v Speaker 3>Before I wrap it up, do you want to mention

1723
01:32:05.680 --> 01:32:09.039
<v Speaker 3>tonight we are going live again with the Awakened podcast.

1724
01:32:09.359 --> 01:32:10.079
<v Speaker 4>Come check that out.

1725
01:32:10.159 --> 01:32:12.199
<v Speaker 3>There will be a bunch of the rejects with us

1726
01:32:12.199 --> 01:32:15.279
<v Speaker 3>tonight and then tomorrow got a real packed day for lives.

1727
01:32:17.039 --> 01:32:18.720
<v Speaker 3>Be interesting to see who still shows up on the

1728
01:32:18.800 --> 01:32:22.640
<v Speaker 3>last one in the morning. Fingers crossed. I've gotten the

1729
01:32:22.680 --> 01:32:24.640
<v Speaker 3>OK from this guy. I've already sent him the link.

1730
01:32:24.640 --> 01:32:27.439
<v Speaker 3>He knows I made it live and everything. Ashton Forbes

1731
01:32:27.479 --> 01:32:30.520
<v Speaker 3>supposed to be coming on the Occult Reject tomorrow eleven

1732
01:32:30.520 --> 01:32:32.920
<v Speaker 3>o'clock in the morning. We got that going on, and

1733
01:32:32.960 --> 01:32:36.479
<v Speaker 3>then we do have Thomas Sheridan, another another.

1734
01:32:36.239 --> 01:32:38.000
<v Speaker 4>Bang of a guest. We had him on one other time.

1735
01:32:38.079 --> 01:32:41.119
<v Speaker 3>Wilson, He's coming on and talk about druid mounds and

1736
01:32:41.159 --> 01:32:43.920
<v Speaker 3>then at night the occult rejects themselves will be covering

1737
01:32:43.960 --> 01:32:48.520
<v Speaker 3>hands symbolism, So definitely check that out. Uh but yeah,

1738
01:32:49.439 --> 01:32:51.479
<v Speaker 3>keep out Q and eye out for that live tomorrow morning.

1739
01:32:51.520 --> 01:32:54.119
<v Speaker 3>Should be impressive if he shows up, if things crossed,

1740
01:32:54.800 --> 01:32:57.079
<v Speaker 3>but uh yeah, Jin, please let everybody know where they

1741
01:32:57.079 --> 01:32:59.199
<v Speaker 3>can find all your amazing stuff and what you're doing tonight.

1742
01:32:59.560 --> 01:33:03.560
<v Speaker 2>Please thank you so much, Nick, I really appreciate it. Obviously,

1743
01:33:03.640 --> 01:33:07.199
<v Speaker 2>doing tak Kabala is perennial discussion. I can have it

1744
01:33:07.239 --> 01:33:11.039
<v Speaker 2>every day. And thank you obviously to brother Matt. And

1745
01:33:11.800 --> 01:33:15.960
<v Speaker 2>you know, Matt is incredible sort of. I don't want to.

1746
01:33:16.479 --> 01:33:18.399
<v Speaker 2>I don't want to categorize him or label him, but

1747
01:33:18.520 --> 01:33:21.680
<v Speaker 2>he he's a incredible magician in his own way and

1748
01:33:21.920 --> 01:33:24.840
<v Speaker 2>in his own right. So everybody should follow Matt. But

1749
01:33:24.920 --> 01:33:27.640
<v Speaker 2>if you're interested in following me and hearing it Matt

1750
01:33:27.680 --> 01:33:29.760
<v Speaker 2>and I in dialogue, you can do that at at

1751
01:33:29.800 --> 01:33:32.439
<v Speaker 2>Wikongrie Born to w uk O and g Reborn or

1752
01:33:32.479 --> 01:33:35.119
<v Speaker 2>at Threshold Saints, which is both the show account on

1753
01:33:35.760 --> 01:33:41.560
<v Speaker 2>ex Twitter and also IG. Matt's episode has dropped, Ashley's

1754
01:33:42.000 --> 01:33:45.319
<v Speaker 2>was just earlier this week. Thing change repeat and Toby

1755
01:33:45.399 --> 01:33:50.760
<v Speaker 2>Chupples dropping tomorrow the ninth, and then tonight, Yes we

1756
01:33:50.800 --> 01:33:56.119
<v Speaker 2>have Friday Night Gnostic Mass. I can't remember what I

1757
01:33:56.159 --> 01:33:58.600
<v Speaker 2>titled to eat Drink Nectar Meat. I think as a

1758
01:33:58.600 --> 01:34:02.000
<v Speaker 2>little play for un wrath full Offerings. Takes a light.

1759
01:34:02.159 --> 01:34:03.840
<v Speaker 4>Yeah, it was gonna say that almost kind of makes

1760
01:34:03.840 --> 01:34:04.800
<v Speaker 4>me think of it's a light.

1761
01:34:04.920 --> 01:34:08.560
<v Speaker 2>Yeah, I mean there's there's definitely an inter relationship. I

1762
01:34:08.640 --> 01:34:10.880
<v Speaker 2>mean that's what that's what I mean, that's what nectar

1763
01:34:11.079 --> 01:34:13.359
<v Speaker 2>is like, I mean, it's it's it's that stuff. So

1764
01:34:14.359 --> 01:34:17.159
<v Speaker 2>I mean there's a relationship. So yeah, it's just a

1765
01:34:17.159 --> 01:34:21.199
<v Speaker 2>wordplay on the Angley film. But I think it'll be fun.

1766
01:34:21.239 --> 01:34:24.119
<v Speaker 2>It's gonna be a free range. We're we're gonna continue etherpunk,

1767
01:34:24.199 --> 01:34:27.439
<v Speaker 2>but we're I wasn't quite ready with all the scheduling

1768
01:34:27.479 --> 01:34:31.000
<v Speaker 2>and all the bookings I have, so we're just gonna

1769
01:34:31.039 --> 01:34:35.800
<v Speaker 2>We're gonna hear Solar, Matt, Monty, Joseph, Mike and the

1770
01:34:35.840 --> 01:34:38.439
<v Speaker 2>Branch and they're just gonna go hard and I'm gonna

1771
01:34:38.560 --> 01:34:41.640
<v Speaker 2>moderate it the best I can, like I always do.

1772
01:34:41.840 --> 01:34:44.399
<v Speaker 2>And thank you guys so much, really really appreciate it.

1773
01:34:44.520 --> 01:34:46.560
<v Speaker 2>Thank you to the chat. I couldn't even keep up

1774
01:34:46.800 --> 01:34:48.479
<v Speaker 2>because I was trying to think of things and like

1775
01:34:48.600 --> 01:34:51.359
<v Speaker 2>listen and it was a lot going on. But thank

1776
01:34:51.359 --> 01:34:53.520
<v Speaker 2>you guys so much. Really appreciate it, Matt, and really

1777
01:34:53.520 --> 01:34:54.159
<v Speaker 2>appreciate Nick.

1778
01:34:54.199 --> 01:34:54.520
<v Speaker 4>Thank you.

1779
01:34:55.039 --> 01:34:57.800
<v Speaker 3>Oh yeah, no, of course, thank you. I always appreciate

1780
01:34:57.800 --> 01:34:58.520
<v Speaker 3>when you can make it on.

1781
01:34:58.600 --> 01:35:01.800
<v Speaker 4>With this man. And like I said, I could talk

1782
01:35:01.840 --> 01:35:03.000
<v Speaker 4>abala with you all day.

1783
01:35:03.199 --> 01:35:06.039
<v Speaker 3>So I mean then there's going to be you know

1784
01:35:06.039 --> 01:35:08.479
<v Speaker 3>how many more spheres we're gonna be talking about, so

1785
01:35:08.520 --> 01:35:12.399
<v Speaker 3>it should definitely be interesting and fun. Matt, please let

1786
01:35:12.479 --> 01:35:14.880
<v Speaker 3>everybody know well, first off, again, thank you so much

1787
01:35:14.920 --> 01:35:15.399
<v Speaker 3>for coming on.

1788
01:35:15.439 --> 01:35:15.640
<v Speaker 4>Man.

1789
01:35:16.039 --> 01:35:19.960
<v Speaker 3>You're definitely gonna bring really awesome part to this series.

1790
01:35:20.000 --> 01:35:23.600
<v Speaker 3>I appreciate you doing this. Can you please let everybody

1791
01:35:23.600 --> 01:35:25.760
<v Speaker 3>know where they can find all your stuff, and when

1792
01:35:25.760 --> 01:35:28.520
<v Speaker 3>you're done, please send me a links that I can

1793
01:35:28.520 --> 01:35:29.640
<v Speaker 3>share and put in the show notes.

1794
01:35:29.640 --> 01:35:30.399
<v Speaker 4>I forgot to add.

1795
01:35:30.239 --> 01:35:33.079
<v Speaker 6>Them, yes, for sure.

1796
01:35:33.159 --> 01:35:35.359
<v Speaker 5>So first of all, thank you obviously for calling up,

1797
01:35:35.439 --> 01:35:38.000
<v Speaker 5>and thanks Gin for the bridge. So it's a good

1798
01:35:38.039 --> 01:35:40.479
<v Speaker 5>time to talk about those things which I love the most,

1799
01:35:40.520 --> 01:35:43.319
<v Speaker 5>so i'd say right now, and yeah, I mean it

1800
01:35:43.399 --> 01:35:45.560
<v Speaker 5>was a great episode. I'm I'm glad you can do

1801
01:35:45.600 --> 01:35:48.159
<v Speaker 5>this more. I'm at Mora. You can find me on

1802
01:35:48.479 --> 01:35:52.720
<v Speaker 5>x Instagram, YouTube always at Matt Mora nineteen. I just

1803
01:35:52.760 --> 01:35:55.800
<v Speaker 5>sent a comment in the YouTube chat. You can always

1804
01:35:55.840 --> 01:35:59.119
<v Speaker 5>also go to my website. It's kabala dot com. That's

1805
01:35:59.279 --> 01:36:03.960
<v Speaker 5>kaa b a h l a h dot com.

1806
01:36:03.960 --> 01:36:07.199
<v Speaker 6>Sorry, key, k A A b A l a h

1807
01:36:07.319 --> 01:36:08.079
<v Speaker 6>dot com.

1808
01:36:08.399 --> 01:36:10.399
<v Speaker 5>Very simple. I send it in the chat as well.

1809
01:36:10.439 --> 01:36:12.560
<v Speaker 5>It's a lot of like small apps in there, things

1810
01:36:12.640 --> 01:36:15.720
<v Speaker 5>and that you can do. Most importantly, you know again,

1811
01:36:15.880 --> 01:36:17.479
<v Speaker 5>if you like this kind of content, make sure to

1812
01:36:17.479 --> 01:36:20.359
<v Speaker 5>follow us, see us, listeners to us. But also to

1813
01:36:20.439 --> 01:36:23.119
<v Speaker 5>do your own work. That's what you're here to do,

1814
01:36:23.199 --> 01:36:26.800
<v Speaker 5>you know, Yeah, your your own work. So yeah, thanks

1815
01:36:26.800 --> 01:36:30.560
<v Speaker 5>about everyone in the comments. You are great, very nice.

1816
01:36:30.560 --> 01:36:32.640
<v Speaker 5>It also couldn't keep up all the time here, but yeah,

1817
01:36:32.680 --> 01:36:35.800
<v Speaker 5>sell some good stuff and it doesn't happen without you

1818
01:36:35.800 --> 01:36:38.239
<v Speaker 5>guys in the chat, right, It's it's all a synthesis

1819
01:36:38.479 --> 01:36:38.960
<v Speaker 5>of everyone.

1820
01:36:39.720 --> 01:36:41.760
<v Speaker 6>So thanks a lot, Oh, thank you.

1821
01:36:41.840 --> 01:36:43.319
<v Speaker 3>And I think you know a really good way. And

1822
01:36:43.319 --> 01:36:45.439
<v Speaker 3>not to get cheesy with it, you know you said, uh,

1823
01:36:45.600 --> 01:36:47.760
<v Speaker 3>you got to do your own work. I really think

1824
01:36:47.800 --> 01:36:50.560
<v Speaker 3>to even end it with dot. When you do your

1825
01:36:50.560 --> 01:36:52.800
<v Speaker 3>own work, you have your own experience. Which in my opinion,

1826
01:36:52.840 --> 01:36:57.159
<v Speaker 3>is what gives you true knowledge. So exactly what he said,

1827
01:36:57.520 --> 01:37:00.479
<v Speaker 3>do your own work and have your own experience. Uh,

1828
01:37:00.760 --> 01:37:03.800
<v Speaker 3>thank you again. I really really appreciate it. Both of

1829
01:37:03.840 --> 01:37:05.760
<v Speaker 3>you is to uh, you know, do this series with

1830
01:37:05.840 --> 01:37:07.960
<v Speaker 3>me and everybody in the chat. I mean, that's what

1831
01:37:08.079 --> 01:37:09.720
<v Speaker 3>was off. There was a lot of great stuff in there.

1832
01:37:09.760 --> 01:37:12.319
<v Speaker 3>There were a lot of just wondering and thinking and

1833
01:37:12.359 --> 01:37:13.720
<v Speaker 3>comments and questions.

1834
01:37:14.079 --> 01:37:17.079
<v Speaker 4>It was awesome. I really appreciate it. I'm glad it's

1835
01:37:17.079 --> 01:37:20.560
<v Speaker 4>going as well. Uh yeah. And that is the That

1836
01:37:20.680 --> 01:37:23.560
<v Speaker 4>is the end of this one and until the next one, everybody.

1837
01:37:23.199 --> 01:37:32.920
<v Speaker 8>Be well, close your eyes, look into the darkness, find

1838
01:37:32.960 --> 01:37:33.960
<v Speaker 8>the blazing star.

1839
01:37:36.159 --> 01:37:43.399
<v Speaker 1>Focus on it would be called the eclipse. Don't feel

1840
01:37:45.319 --> 01:37:46.680
<v Speaker 1>like the show will begin.

1841
01:37:49.560 --> 01:37:50.159
<v Speaker 5>And go.

1842
01:37:52.199 --> 01:37:52.800
<v Speaker 1>You is.

1843
01:38:02.960 --> 01:38:04.439
<v Speaker 4>I don't let any
