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<v Speaker 1>It started with rain, and not the grand operatic sort

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<v Speaker 1>of deluge from classic novels, but the quietly thorough drizzle

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<v Speaker 1>of early spring, seeping patiently through the day, tickling window

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<v Speaker 1>ledges and swelling the river. It was a Thursday, the

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<v Speaker 1>kind you don't just remember, but registering, mussel and fok,

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<v Speaker 1>a day designed for libraries. I'd been coming here most

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<v Speaker 1>afternoons since my so called early retirement, a phrase I

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<v Speaker 1>could barely say without smirking or wincing, depending on the weather.

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<v Speaker 1>Sometimes it felt like a reward, sometimes like a sentence.

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<v Speaker 1>Time to fill unshape. In a town that moves slower

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<v Speaker 1>outside the school calendar, the library was a red bricks

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<v Speaker 1>bowl by the water. It expanded of regenerations and sections

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<v Speaker 1>that never quite matched. My favorite spot on afternoons like

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<v Speaker 1>these was the Periodical's room, sunken chamber tucked behind the

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<v Speaker 1>reference desk, all low ceilings and lamps that hummed lazily

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<v Speaker 1>over batted arm chairs. It always smelled faintly of wet

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<v Speaker 1>coats and old newsprint. I had settled in my usual

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<v Speaker 1>coroner across wood book sprawled across the urm of a

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<v Speaker 1>feder wingback when my eyes landed on the grand for

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<v Speaker 1>the clock lie woman by the far wall, intricate baroque,

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<v Speaker 1>leaning ever so slightly, its carved flourishes reaching for the

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<v Speaker 1>cracked ceiling as if seeking favor. I'd seen it every visit,

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<v Speaker 1>but I'd never really watched it until that day. Something

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<v Speaker 1>about it to pendulum steady or cut through the room's hush.

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<v Speaker 1>It should have been two thirty seven p m. My

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<v Speaker 1>wristworts said as much as did the flickering wall clock

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<v Speaker 1>ab of the catalog compute as a cheap piece of

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<v Speaker 1>plastic with a drooping minute hand. But the Grandfather clockery

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<v Speaker 1>two twenty three, his polished brass face was luminous in

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<v Speaker 1>the pale light. The difference pressed on me at first,

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<v Speaker 1>just a bit of trivia, hardly worth mentioning. Still, A

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<v Speaker 1>double checked my phone two thirty seven, with the usual

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<v Speaker 1>cluster of little icons in a reminder to pick up

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<v Speaker 1>calf food. I looked around. The periodical's room wasn't empty.

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<v Speaker 1>An older men, mister Daily, always buried in local headlines,

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<v Speaker 1>flipped a newspaper with mild authority. A pair of college

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<v Speaker 1>students puzzled over an atlas, and in the middle, near

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<v Speaker 1>the window, a young man in a blue sweater sat

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<v Speaker 1>with an unread magazine and a mug of tea, eyes

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<v Speaker 1>often strained to the Grandfather clock, the auto thing. When

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<v Speaker 1>the clock chimed one of those melodies slightly wrong old

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<v Speaker 1>Westminster sequences, the young man stood gathering his things as

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<v Speaker 1>though on key. No one seemed surprised. He left his

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<v Speaker 1>chair and coat perfectly arranged, as if another self would

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<v Speaker 1>simply trade places. In a few minutes. On impulse, I arose,

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<v Speaker 1>crossing to the desk. Missus Krmier, the head librarian, was

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<v Speaker 1>re arranging the book return. Her hair perfectly silver. Her

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<v Speaker 1>glasses are a beaded chain. I have never managed idle

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<v Speaker 1>chatting with her. She was the rare sword whose gays

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<v Speaker 1>held both perennial memory and bright practical impatience. Missus Cormier,

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<v Speaker 1>I began trying to sound half amuse. Has the Grandfather

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<v Speaker 1>clock always been as far off? She didn't even look

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<v Speaker 1>up well that clock. Her face creased with the beginning

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<v Speaker 1>of a smile. Always been odd. Dear older than the

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<v Speaker 1>libraryes are probably older than this wing. We try resetting it,

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<v Speaker 1>but it always drifts drift. I asked, as if i'd

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<v Speaker 1>call her in some gentle exaggeration. We've had people and

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<v Speaker 1>clockmaker's hobbyists the whole parade set it right, and in

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<v Speaker 1>a few weeks it's off again. Sometimes it jumps forward

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<v Speaker 1>over night, she shrugged. It's part of the building's rhythm.

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<v Speaker 1>I supposed I should have been satisfied, another quirk of

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<v Speaker 1>old institutions. And yet as I returned to my seat,

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<v Speaker 1>the crosswood seemed curiously flat. I watched as a patron

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<v Speaker 1>who looked to be packing up to leave and stair

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<v Speaker 1>drafted back to his chair, glancing at the ground for

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<v Speaker 1>the clock before flipping to his mark section. A sense

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<v Speaker 1>of locy choreography wove the room together, barily perceptible. I

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<v Speaker 1>scribbled the time discrepancy in the corner of my cross

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<v Speaker 1>wood brook, half marking my own curiosity. When I looked

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<v Speaker 1>up because a movement in the window caught my eye,

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<v Speaker 1>I realized the young man of the mug was still seated,

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<v Speaker 1>exactly as before. For a moment I actually doubted he'd

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<v Speaker 1>ever left. The rain intensified, rattling across the glass. I

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<v Speaker 1>settled in feeding questions bloom quietly like mushrooms. After midnight.

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<v Speaker 1>I didn't know which clock governed the room or white mattered.

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<v Speaker 1>But from that moment I washed hunt time began to

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<v Speaker 1>feel stranger by the hour. The library, in its way,

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<v Speaker 1>gave a tel for over to oddity. I had long

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<v Speaker 1>thought so, even before the day with the grandfather clock.

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<v Speaker 1>It was built in rumor and and brick, by committee

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<v Speaker 1>and catastrophe. The oldest wing had been at church, gutted

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<v Speaker 1>by the fire of eleven a date everyone recite it,

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<v Speaker 1>though my great uncle swore the blaze was in spring

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<v Speaker 1>of the next year. They were built along the river side,

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<v Speaker 1>salvaging walls and pews, then and extrooms and corridors for

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<v Speaker 1>each generation's need. A b urban reading room for town matrons,

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<v Speaker 1>a tero chav wall with geniogies, children's rooms full of

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<v Speaker 1>animal murals, and my haven, the periodical's room, sunken and peculiar.

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<v Speaker 1>Stepping from room to room, you learned to navigate a

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<v Speaker 1>topography of creaking floorboards and mismatched lamp sheets. The periodical's

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<v Speaker 1>room was specially eccentric, lined with encyclopedias. Nobody checked out

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<v Speaker 1>any more. Plump chao salvage from the oak's lodge. An

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<v Speaker 1>ancient umbrella stands never quite empty. A long one moll Harn,

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<v Speaker 1>a series of hand lettered plaques, cracked wooden slats painted

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<v Speaker 1>with peculiar twantyne zones, A rio of time a river

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<v Speaker 1>town meantime found his tin meat attached to a tiny clock,

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<v Speaker 1>almost all of which ticked at different paces or stood

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<v Speaker 1>permanently at ten past three. History built sideways, mister Daley

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<v Speaker 1>always said, especially in river towns. He told me this

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<v Speaker 1>one rainy afternoon, as he unfolded his broad sheet in

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<v Speaker 1>the periodical's room, always in the same patch of yellow lamplight.

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<v Speaker 1>He never or fail to comment on headlines. They bury

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<v Speaker 1>things here, then dig up only what its neighborly. My

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<v Speaker 1>own habitat over months edged toward ritual I derived near

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<v Speaker 1>one in the afternoon, walk the outer stacks, reading spines

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<v Speaker 1>as one might read local gravesunds, then settle into the

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<v Speaker 1>periodical's room. The cross Widower was my small act of

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<v Speaker 1>faith for a puzzle a day, followed by non fiction

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<v Speaker 1>or history, sometimes volunteering with for shelving, sometimes swapping gossip

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<v Speaker 1>about the city's warbliss buses. The periodical's room belonged to

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<v Speaker 1>a steady caste, Missus Cormier, always at her post answered

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<v Speaker 1>reference questions with one eye on the clock. Not the Grandfather,

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<v Speaker 1>mind you. The digital on her desk, raphael A precise

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<v Speaker 1>teen harvested books from the quiet study next each afternoon,

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<v Speaker 1>stacking them by subject, alphabet, and color. A system no

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<v Speaker 1>card catalog recognized. Students from the college drifted through in clusters,

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<v Speaker 1>haunted by looming deadlines, high on coffee, in low on quiet.

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<v Speaker 1>The Grandfather clock, though tallest, was almost easy to ignore

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<v Speaker 1>until you tried not to. Its face was a labyrinth

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<v Speaker 1>Roman numerals, shot through with minute hand carved lily petals,

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<v Speaker 1>the kind that flared in town gardens every July. It

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<v Speaker 1>takes so softly you'd have to kneel beside it to

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<v Speaker 1>hear its heartbeat. Its pendulum slightly clouded with age, swan

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<v Speaker 1>with authority. It didn't match the decor or the decade.

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<v Speaker 1>Some one, at some point had screwed a brass plaqued

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<v Speaker 1>below it, gifted to Riverside Library ere known. I sat

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<v Speaker 1>opposite the thing for days before noticing the way people

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<v Speaker 1>moved in its orbit. Some drifted over near the hour,

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<v Speaker 1>as if to check their bearings. Others, buried in their

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<v Speaker 1>routines seemed to register the clock's time without a visible glance,

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<v Speaker 1>gathering coats or treating out magazines around the half hour mark.

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<v Speaker 1>Raphael the sharp eyed, in turn, once paused as he

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<v Speaker 1>reached for a volume, absent mindedly setting a stack down

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<v Speaker 1>beside the clock before resuming his work. I remarked on it,

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<v Speaker 1>joking that the clock was magnetic. He looked blank, then smiled,

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<v Speaker 1>like someone trying to recall a half remember dream. Another day,

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<v Speaker 1>as the rain slackened and sunlight burn through the southern windows,

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<v Speaker 1>I noticed one detail I'd missed before. The wall beneath

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<v Speaker 1>the plaques always seemed to hold a faint shill, as

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<v Speaker 1>if he did air bent to the clock's needs. One Thursday,

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<v Speaker 1>at five minutes passed three according to the gold room

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<v Speaker 1>wall clock, I saw a ragged handful of regulars gather

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<v Speaker 1>near the Grandfather, exchanging nods with the sort of seriousness

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<v Speaker 1>reserved for real occasions. It wasn't the librarian led program,

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<v Speaker 1>nor some scheduled event, and yet everyone lingered until the

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<v Speaker 1>clocks solemnly mark three zero. Almost on cue. Chairs were shifted,

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<v Speaker 1>reading pile swapped, whole tables reorganized, some left drifting away.

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<v Speaker 1>Others found these seats as if the chimes shuffled their rhythms,

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<v Speaker 1>no announcement, no bell, but the grandfather's. I looked at

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<v Speaker 1>my watch, then the wall clock, then the grandfather. Nor

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<v Speaker 1>to agree, not even within the same ten minutes span.

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<v Speaker 1>And yet in this room the wall pivoted on the

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<v Speaker 1>old clock's pendulum, and it felt less like herror than invitation.

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<v Speaker 1>That night, as I left, Rafael glanced up from his

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<v Speaker 1>stack of battered biographies. Good night Evelyn, periodical's closing routine.

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<v Speaker 1>A quarter passed, Just so you know, quarter past what,

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<v Speaker 1>I asked, half joking, gesturing at the wall of orphan clocks.

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<v Speaker 1>He grinned, but the answer was obvious, Quarter past, Grandfather.

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<v Speaker 1>I went home less certain of time's work than when

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<v Speaker 1>I arrived, but I slept more soundly for it. It

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<v Speaker 1>didn't take long for curiosity to demand immorses stomatic approach.

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<v Speaker 1>On a slate gray Wednesday, with bustle muted by drizzle,

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<v Speaker 1>I arrived at the periodical's room clutching a solution, my

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<v Speaker 1>trusty digital travel clock, a black plastic square with an

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<v Speaker 1>eager backut face. I said it on the end table

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<v Speaker 1>beside the grandfather, boots barely dried from puddles every half hour,

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<v Speaker 1>I checked the old clock, the digital, my wristwatch, and

168
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<v Speaker 1>my phone. I charted this bread in my crosswood book

169
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<v Speaker 1>page margins pulsham of messy numerals and arrows. The Grandfather

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<v Speaker 1>consistently lagged, at first by twelve minutes, then at the

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<v Speaker 1>next interval only seven. I caught it skipping ahead by

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<v Speaker 1>three minutes, in the time it took to finish two

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<v Speaker 1>pages of the local news. At first, I suspected mechanical instability,

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<v Speaker 1>warped gears, loose weights, moody springs, but the pattern was

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<v Speaker 1>often ways I couldn't account for by engineering. Sometimes the

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<v Speaker 1>Grandfather's hand surged forward a burst, then drifted back, as

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<v Speaker 1>though chasing or teasing the digital's relentless march. Other times

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<v Speaker 1>the old clock scene content to drift in its own

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<v Speaker 1>mild orbit. That afternoon, something else snagged my eye. The

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<v Speaker 1>book group, mostly old skuld teachers and local gene allergies,

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<v Speaker 1>had claimed the window table. Passing around the stack of

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<v Speaker 1>yellow clippings. They were deep in debate about the Great

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<v Speaker 1>Flood of nineteen sixty six, each insisting on different dates

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<v Speaker 1>and details. No, No, The Levey broke the weekend before

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<v Speaker 1>Easter one insisted that would have made it April seventeenth

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<v Speaker 1>clear as day. Another membrane, says Griggs always precise corrected,

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<v Speaker 1>it was a Wednesday. Surely Easter was late that year.

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<v Speaker 1>I craned over the table and on impulse checked one

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<v Speaker 1>of the old newspapers they were referencing. The mast had

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<v Speaker 1>read April seventeenth, nineteen sixty six, Wednesday. My head spun

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<v Speaker 1>a little because I was certain, absolutely certain, that April seventeenth,

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<v Speaker 1>nineteen sixty six was a Sunday. This I knew from

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<v Speaker 1>my father's old church bulletins, which she never threw out.

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<v Speaker 1>Maybe these are old, miss Prince, I said aloud, not

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<v Speaker 1>sure whether I was speaking to myself or to the

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<v Speaker 1>women still lost in dates and debate. Missus Cormier, shoving

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<v Speaker 1>an armful of atlases near by, overheard and called out

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<v Speaker 1>her cheerful shout down the aisle as a fielding a

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<v Speaker 1>question she'd gotten every week for a decade. Our arcaves

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<v Speaker 1>were generous with Miss Prince, she said, smiling aes twinkling.

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<v Speaker 1>Something in her tone made me th think it wasn't

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<v Speaker 1>just about errors. It was about archives being quirky, alive,

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<v Speaker 1>prone to their own logic. I put the newspaper aside,

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<v Speaker 1>but a knew wich settled in. Was the grand father

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<v Speaker 1>Cock's time contagious? Did the periodical's room warp small histories?

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<v Speaker 1>Everyone seemed to treat the Grandfather's hours news with thee

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<v Speaker 1>more than a matter of punctuality. The way mister Daley

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<v Speaker 1>would rise and leave with the clock'spell, or the book

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<v Speaker 1>group would reference dates that didn't exist to none of

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<v Speaker 1>it felt entirely accidental. By closing, I had a new

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<v Speaker 1>entry in my crossword book, Why do dates get weird?

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<v Speaker 1>In here? Underneath a cruise sketch of the Grandfather Clock,

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<v Speaker 1>more shadow than brass, Its hands pointed to no obvious

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<v Speaker 1>hour That evening at home, I come through a photo

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<v Speaker 1>of last year's Easter sunrise service April seventeenth had indeed

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<v Speaker 1>been a Sunday, not a Wednesday. The contradiction, grany and refutable,

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00:10:45.480 --> 00:10:48.399
<v Speaker 1>unmoored something in me. What was this room's relationship to

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<v Speaker 1>the rest of the world. Why did its errors cling

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00:10:50.879 --> 00:10:54.519
<v Speaker 1>so persistently? The next morning, I arrived early, determined to

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<v Speaker 1>map the gap between the Grandfather and the Reel. My

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00:10:57.120 --> 00:10:59.799
<v Speaker 1>plan was methodical, visit at three different times, check evy

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<v Speaker 1>of its leable clock and jock cross comparisons. I started

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<v Speaker 1>at nine, too, digital in hand. The periodical's grandfather welcomed

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<v Speaker 1>me with eight forty seven. At noon, the interval had trunk.

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<v Speaker 1>The clock now read eleven fifty eight. I watched Miss

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<v Speaker 1>Escormier set up the day's book, displayed humming along with

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<v Speaker 1>the radio. Her timing mashed the ground for the clock,

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00:11:17.720 --> 00:11:21.279
<v Speaker 1>not her phone. Twenty minutes later, Rafael swept in arms

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<v Speaker 1>full of Rotun's calling at cheery morning that match neither

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00:11:23.720 --> 00:11:26.399
<v Speaker 1>my watch nor the grand father's reading. I wandered into

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<v Speaker 1>the reference room. No time crooks there. The computer clock,

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<v Speaker 1>the staff area wall clock, my phone, perfect agreement. The

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00:11:33.120 --> 00:11:37.279
<v Speaker 1>oddity belonged stubbornly to the periodical's room. After lunch, the

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00:11:37.320 --> 00:11:41.240
<v Speaker 1>rain abated sun shot through the high windows. I sat

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<v Speaker 1>with a tabloid and waired, watching regulars drift in each hour.

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<v Speaker 1>The grandfather's hand seemed to hesitate, sometimes rushing to catch up.

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<v Speaker 1>There was no visible recalibration, no staff winding the movement,

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00:11:51.399 --> 00:11:54.279
<v Speaker 1>no patrons fussing with keys. It acted as if it

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00:11:54.320 --> 00:11:56.559
<v Speaker 1>were being subtly directed by something in the room, or

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<v Speaker 1>by the room itself. More peculiar. Still, a few people

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00:11:59.679 --> 00:12:01.440
<v Speaker 1>in the peer per articles were and followed the ground

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<v Speaker 1>for the clock's lead with a trust I could not explain.

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<v Speaker 1>At half past two, students gathered their bags, glanced at

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<v Speaker 1>each other, and headed together to the vending machine. When

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00:12:09.600 --> 00:12:11.679
<v Speaker 1>I checked the wall, clock said two forty three, a

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00:12:11.759 --> 00:12:15.240
<v Speaker 1>grandfather two thirty sharp. The pattern repeated itself out by

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00:12:15.320 --> 00:12:18.320
<v Speaker 1>our generler than routine, resistant to any device I could brain.

248
00:12:18.919 --> 00:12:22.320
<v Speaker 1>It wasn't just time that drifted, either. Conversation had its

249
00:12:22.360 --> 00:12:25.720
<v Speaker 1>own shape, bending toward half forgotten anniversaries and local events that,

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00:12:25.840 --> 00:12:28.200
<v Speaker 1>when quietly fact checked, refused to align with the world

251
00:12:28.240 --> 00:12:31.519
<v Speaker 1>outside to grand for this sphere. Mister Daily, trading trivia

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<v Speaker 1>with me, recounted the ground breaking for the River Sides

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<v Speaker 1>Civic Center's September nineteen fifty two. Too hot for laborers,

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00:12:36.799 --> 00:12:40.039
<v Speaker 1>so they opened the foundation at sunset. I remembered it otherwise,

255
00:12:40.039 --> 00:12:42.080
<v Speaker 1>growing up at seen the town parade for its opening

256
00:12:42.120 --> 00:12:45.639
<v Speaker 1>in nineteen fifty eight. Daily was adamant, even producing a

257
00:12:45.679 --> 00:12:50.120
<v Speaker 1>battered flyer Riverside Civic Center inaugural ceremony September fourteen, nineteen

258
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<v Speaker 1>fifty two. My friend Ruth, a former city clerk, once

259
00:12:53.840 --> 00:12:56.440
<v Speaker 1>told me memory is a weather pattern, don't expect it

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00:12:56.480 --> 00:12:59.799
<v Speaker 1>to obey maps. That afternoon, the sense of double reality

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00:12:59.799 --> 00:13:02.200
<v Speaker 1>grew sur potent that I did what I'd never done before.

262
00:13:02.240 --> 00:13:04.480
<v Speaker 1>I borrowed one of the yellow paged magazines from the

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00:13:04.519 --> 00:13:06.960
<v Speaker 1>periodical's room and found its reference copy in the reference

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00:13:07.000 --> 00:13:09.919
<v Speaker 1>room next door. The issue should have been identical October

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00:13:10.039 --> 00:13:13.120
<v Speaker 1>nineteen eighty four, but the Periodical's rooms edition bore a

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00:13:13.120 --> 00:13:15.879
<v Speaker 1>mass out of October thirty two, nineteen eighty four, and

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00:13:15.919 --> 00:13:18.200
<v Speaker 1>its editors led a referenced events I was sure happened

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00:13:18.200 --> 00:13:21.879
<v Speaker 1>the following year. The reference room copy followed the standard calendar,

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00:13:21.960 --> 00:13:25.279
<v Speaker 1>plain as day. Raphaeled every resourceful in turn shrugged off

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00:13:25.279 --> 00:13:29.120
<v Speaker 1>my questions. Old cataloging errors, he pronounced a little too quickly.

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00:13:29.679 --> 00:13:32.480
<v Speaker 1>This room's always had strange stuff. I figure some pages

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00:13:32.639 --> 00:13:35.679
<v Speaker 1>just slip out of order. When I pressed, he offered

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00:13:35.679 --> 00:13:38.360
<v Speaker 1>me a lot, both apologetic and slightly amused, as though

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00:13:38.360 --> 00:13:40.360
<v Speaker 1>I'd stumbled into a game that did not require more

275
00:13:40.399 --> 00:13:43.759
<v Speaker 1>than a passing attention. I pressed, missus Kormiir, who replied,

276
00:13:43.759 --> 00:13:45.879
<v Speaker 1>there in the right place, Evelyn, if you checked the

277
00:13:45.879 --> 00:13:49.559
<v Speaker 1>original card files she handed me when it typed yellowing

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00:13:50.159 --> 00:13:53.559
<v Speaker 1>the catalog number and description confirmed the thirty two day October.

279
00:13:54.039 --> 00:13:56.960
<v Speaker 1>But when I backtracked comparing to the larger library records

280
00:13:57.120 --> 00:13:59.440
<v Speaker 1>past in prison, the same magazine and the main shelf

281
00:13:59.480 --> 00:14:03.240
<v Speaker 1>war the correct date. Again, each reference pointed slyly to itself.

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<v Speaker 1>Late that week, a visiting post of the name of

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00:14:05.759 --> 00:14:08.600
<v Speaker 1>Brian cheerful and deeply caffeinated, and mentioned over his loptop

284
00:14:08.720 --> 00:14:10.480
<v Speaker 1>I heard a weey bit of focalore at the college.

285
00:14:10.480 --> 00:14:12.840
<v Speaker 1>Students say the clock room remembers too much. Some say

286
00:14:12.879 --> 00:14:15.120
<v Speaker 1>it's the only place on campus with finals week last

287
00:14:15.159 --> 00:14:18.080
<v Speaker 1>three days. He laughed half a joke and half a dare,

288
00:14:18.120 --> 00:14:20.000
<v Speaker 1>and scold a dudal of a melting pocket watch on

289
00:14:20.039 --> 00:14:22.960
<v Speaker 1>his folder. By the time the leaf rain of Thursday arrived,

290
00:14:23.039 --> 00:14:25.159
<v Speaker 1>I was less sure about what constituted an error or

291
00:14:25.200 --> 00:14:28.639
<v Speaker 1>ac work. The library wasn't shy about its own contradictions.

292
00:14:28.759 --> 00:14:31.279
<v Speaker 1>In some peculiar way, it wore them as proof of concept.

293
00:14:31.960 --> 00:14:34.039
<v Speaker 1>At dinner with a friend that evening, I struggled to

294
00:14:34.080 --> 00:14:38.000
<v Speaker 1>explain not ghosts, not lost time, but a local misalignment,

295
00:14:38.000 --> 00:14:40.679
<v Speaker 1>a space that seemed to erode consensus as easily as furniture.

296
00:14:41.360 --> 00:14:43.799
<v Speaker 1>Not even bored and threatened to disrupt my new obsession.

297
00:14:44.360 --> 00:14:47.159
<v Speaker 1>I lay awake, rehearsing questions at ask next time. Why

298
00:14:47.200 --> 00:14:49.919
<v Speaker 1>did people defer so generally to the old clock? Was

299
00:14:49.960 --> 00:14:52.840
<v Speaker 1>it habit or something deeper? If there was an answer,

300
00:14:53.000 --> 00:14:55.159
<v Speaker 1>it was not hidden in a gear or forgotten winding key.

301
00:14:55.759 --> 00:14:59.279
<v Speaker 1>My curiosity no longer fit neat categories. Time bends, and

302
00:14:59.360 --> 00:15:02.320
<v Speaker 1>so do people. I resolved to keep coming back with

303
00:15:02.399 --> 00:15:05.000
<v Speaker 1>new questions every day. The river ran high. If you

304
00:15:05.039 --> 00:15:07.240
<v Speaker 1>want to know how place things start with its stories

305
00:15:07.240 --> 00:15:10.320
<v Speaker 1>and see which ones change. I arrived early, stealed for

306
00:15:10.399 --> 00:15:14.080
<v Speaker 1>detective work. I carry my crosswood book, digital clock, a

307
00:15:14.120 --> 00:15:17.039
<v Speaker 1>battered note book, and a folder of dates. My aim

308
00:15:17.120 --> 00:15:18.919
<v Speaker 1>was to prod to interview the room, to ask its

309
00:15:18.919 --> 00:15:22.200
<v Speaker 1>odd corners and its regulars to offer up explanations. I

310
00:15:22.240 --> 00:15:25.080
<v Speaker 1>started with mister Daley at his usual table. He was

311
00:15:25.120 --> 00:15:28.000
<v Speaker 1>sorting a bundle of all mapp reproductions and local news cuttings,

312
00:15:28.039 --> 00:15:30.399
<v Speaker 1>reviewing what he called the proof of the Civic sended debate.

313
00:15:31.039 --> 00:15:33.039
<v Speaker 1>I let him rattle off the project's time line, and

314
00:15:33.120 --> 00:15:35.879
<v Speaker 1>when I suggested he could be recalling another event, he laughed,

315
00:15:35.879 --> 00:15:38.559
<v Speaker 1>If the clock's off so sedate, That's how history works.

316
00:15:38.559 --> 00:15:42.360
<v Speaker 1>Sometimes I smiled, but the joke slipped in sideways. When

317
00:15:42.360 --> 00:15:44.960
<v Speaker 1>I pressed about the ground for the clock itself, he squinted,

318
00:15:45.039 --> 00:15:48.279
<v Speaker 1>peering over his glasses. Always been off in one way

319
00:15:48.360 --> 00:15:50.399
<v Speaker 1>or another. I remember as a boy, folks complained it

320
00:15:50.480 --> 00:15:52.519
<v Speaker 1>ran fast when the river train still ran. My mother

321
00:15:52.559 --> 00:15:54.919
<v Speaker 1>said it would get days sometimes. Dear Uncle Richard tried

322
00:15:54.919 --> 00:15:57.720
<v Speaker 1>to fix it one summer, nearly drove himself mad. His

323
00:15:57.879 --> 00:16:00.600
<v Speaker 1>voice softened. You never know if a place keeps time

324
00:16:00.720 --> 00:16:04.240
<v Speaker 1>or just memories, Misses Griggs. The book group veteran remembered

325
00:16:04.240 --> 00:16:07.120
<v Speaker 1>it differently. I swear, dear, when I was a student

326
00:16:07.159 --> 00:16:09.360
<v Speaker 1>here at the clock would chimed three times at random hours.

327
00:16:09.440 --> 00:16:12.000
<v Speaker 1>Sometimes it was right, sometimes not. My father used to

328
00:16:12.000 --> 00:16:13.919
<v Speaker 1>say the clock only ked what the river was doing.

329
00:16:14.480 --> 00:16:17.279
<v Speaker 1>She wrinkled her brow. It never made sense to me,

330
00:16:17.519 --> 00:16:20.679
<v Speaker 1>but you get used to it. Several elderly patrons claimed

331
00:16:20.679 --> 00:16:23.039
<v Speaker 1>the clock arrived some time after the high water. Others

332
00:16:23.080 --> 00:16:25.480
<v Speaker 1>said it was always there, came with the building. The

333
00:16:25.519 --> 00:16:28.200
<v Speaker 1>tales diverged. Some referenced an old clock shot by the

334
00:16:28.200 --> 00:16:32.200
<v Speaker 1>Fairy Landing. Although a donation commemorating Charlie Black's retirement, the

335
00:16:32.279 --> 00:16:35.639
<v Speaker 1>consensus was partial. Fragmentary. The one thing they agreed on

336
00:16:35.759 --> 00:16:38.360
<v Speaker 1>the clock had always been peculiar, and the periodical's room

337
00:16:38.399 --> 00:16:41.559
<v Speaker 1>more peculiar for sheltering it. Each memory it recounted in

338
00:16:41.600 --> 00:16:44.200
<v Speaker 1>the lamplight made me more suspicious that the room's version

339
00:16:44.200 --> 00:16:46.360
<v Speaker 1>of time wasn't just about minutes and hours are tugged

340
00:16:46.399 --> 00:16:48.840
<v Speaker 1>at the order of events. The more the ground for

341
00:16:48.879 --> 00:16:51.360
<v Speaker 1>the clock missed its place, the less regular the room felt.

342
00:16:52.000 --> 00:16:55.159
<v Speaker 1>Patron swat stories of anniversaries missed are misaligned, of birthly

343
00:16:55.240 --> 00:16:58.159
<v Speaker 1>celebrated early or late, because the rooms calend fit no other.

344
00:16:58.840 --> 00:17:01.120
<v Speaker 1>I leafed through old or hid stories recorded on tape

345
00:17:01.159 --> 00:17:04.279
<v Speaker 1>compiled by ernest librarian's past, where interviews gave dates for

346
00:17:04.319 --> 00:17:06.680
<v Speaker 1>parades and pageants that disagreed with every other record I

347
00:17:06.680 --> 00:17:10.119
<v Speaker 1>could produce. Mid afternoon, I returned to Miss s Krmier,

348
00:17:10.319 --> 00:17:13.319
<v Speaker 1>my arms full of clippings and notes. You ever wonder

349
00:17:13.319 --> 00:17:16.759
<v Speaker 1>why the clock fights being set right, I asked. She

350
00:17:16.839 --> 00:17:19.480
<v Speaker 1>looked over her glasses, then cracked a smallness of smiles.

351
00:17:20.160 --> 00:17:22.680
<v Speaker 1>Because time here works by its own rules. Most libraries

352
00:17:22.759 --> 00:17:25.440
<v Speaker 1>run on policy, she said, dusting a stray pile of

353
00:17:25.440 --> 00:17:30.559
<v Speaker 1>return books. Ours runs on well, local consensus. Maybe I

354
00:17:30.640 --> 00:17:34.799
<v Speaker 1>press further, restless, but even the documents get wrong dates events.

355
00:17:35.480 --> 00:17:38.240
<v Speaker 1>She shrugged again. You don't expect a river to fall

356
00:17:38.279 --> 00:17:41.720
<v Speaker 1>backward to you, but sometimes here tries, she laughed, her

357
00:17:41.759 --> 00:17:45.480
<v Speaker 1>gracious sound full of acceptance rather than explanation. I caught

358
00:17:45.480 --> 00:17:48.039
<v Speaker 1>myself later glancing at the ground for the clock before

359
00:17:48.079 --> 00:17:50.119
<v Speaker 1>checking my own watch, as if seeking permission to belong

360
00:17:50.160 --> 00:17:52.839
<v Speaker 1>to the building's rhythm. In that moment, I wondered when

361
00:17:52.880 --> 00:17:56.000
<v Speaker 1>had I started doing that? Where did the habit come from,

362
00:17:56.119 --> 00:17:58.039
<v Speaker 1>and what did it mean to adopt a room's definition

363
00:17:58.079 --> 00:18:00.359
<v Speaker 1>of real It was no longer a question of why

364
00:18:00.359 --> 00:18:03.400
<v Speaker 1>the clock wouldn't keep time. The more pressing mystery was

365
00:18:03.680 --> 00:18:05.720
<v Speaker 1>in what sense did the room itself keep time? And

366
00:18:05.759 --> 00:18:08.240
<v Speaker 1>what did it mean for those inside? There comes a

367
00:18:08.279 --> 00:18:10.880
<v Speaker 1>point with any curiosity when you accept the mystery is

368
00:18:10.920 --> 00:18:14.160
<v Speaker 1>larger than its mechanics. Too Rainy Sada. Days later, I

369
00:18:14.200 --> 00:18:17.279
<v Speaker 1>committed myself to project a log of library milestones mapped

370
00:18:17.319 --> 00:18:20.759
<v Speaker 1>meticulously against the ground for the clock's wild hours. I

371
00:18:20.839 --> 00:18:25.839
<v Speaker 1>checked old newspapers dug through microfilm, compared visitor registers, sign

372
00:18:25.880 --> 00:18:29.400
<v Speaker 1>in sheets, and stacks of town meeting flyers. Patterns snuck

373
00:18:29.480 --> 00:18:33.279
<v Speaker 1>up on me. Major local milestones, Reuben cuttings, disastrous fires,

374
00:18:33.480 --> 00:18:36.079
<v Speaker 1>multi generational pageants, full seen to cluster in years when

375
00:18:36.079 --> 00:18:37.839
<v Speaker 1>the grun for the clock was most out of sync.

376
00:18:38.559 --> 00:18:40.839
<v Speaker 1>In the margins of one batted ledger, a note in

377
00:18:40.880 --> 00:18:44.440
<v Speaker 1>pencil read cock restoration stalled May June nineteen seventy four,

378
00:18:44.440 --> 00:18:48.359
<v Speaker 1>Periodical's room off limits that same span. The Riverside Carnival,

379
00:18:48.480 --> 00:18:50.319
<v Speaker 1>which had always known to be held in July, was

380
00:18:50.359 --> 00:18:52.480
<v Speaker 1>commemorated in one year by a parade in early May.

381
00:18:53.119 --> 00:18:55.319
<v Speaker 1>Fliers for a protest over the loss of faery service

382
00:18:55.359 --> 00:18:57.759
<v Speaker 1>gave two dates a week apart, depending on which record

383
00:18:57.880 --> 00:19:00.880
<v Speaker 1>you trusted. Oral history is diverse orage Further, one long

384
00:19:00.920 --> 00:19:03.920
<v Speaker 1>time librarian, now retired and living upstate, insisted that the

385
00:19:03.960 --> 00:19:06.000
<v Speaker 1>old reading room burned to tinder in eighty nine, but

386
00:19:06.039 --> 00:19:08.319
<v Speaker 1>a troph of late eighties a newsman proved page after

387
00:19:08.400 --> 00:19:12.000
<v Speaker 1>page that no fire was ever reported, and yet oddly,

388
00:19:12.119 --> 00:19:14.599
<v Speaker 1>the periodical's room floor had been replaced in ninety with

389
00:19:14.640 --> 00:19:16.960
<v Speaker 1>a plaque near the grand Father clock, reading in grateful

390
00:19:17.000 --> 00:19:20.240
<v Speaker 1>memory of the reading room's return. Small physical details, too,

391
00:19:20.400 --> 00:19:23.599
<v Speaker 1>did not line up. I found a visitor's plaque, old

392
00:19:23.599 --> 00:19:25.920
<v Speaker 1>and nearly hidden in the clock shadow listing regulars I

393
00:19:25.920 --> 00:19:28.279
<v Speaker 1>had never met, not even during my year's teaching in town.

394
00:19:28.920 --> 00:19:31.359
<v Speaker 1>Some appeared in photos from the late seventies, smiling in

395
00:19:31.359 --> 00:19:33.480
<v Speaker 1>front of Christmas displays I could find no account of

396
00:19:33.480 --> 00:19:36.720
<v Speaker 1>in library event calendars. I traced Ledge's reference in the

397
00:19:36.759 --> 00:19:39.559
<v Speaker 1>donor of the clock, only to discover citations pointing toward

398
00:19:39.640 --> 00:19:42.519
<v Speaker 1>Merit's curiosities. An antique shop on a crumbling Emerald Green

399
00:19:42.559 --> 00:19:45.599
<v Speaker 1>Street named the City Directory had no record of each

400
00:19:45.680 --> 00:19:47.880
<v Speaker 1>further search to solve. Neatly, the shop flickered out of

401
00:19:47.880 --> 00:19:50.880
<v Speaker 1>newspaper listings. After nineteen twenty nine, s addressed winding up

402
00:19:50.880 --> 00:19:53.440
<v Speaker 1>three blocks from anywhere at mid sense, until it was

403
00:19:53.480 --> 00:19:55.880
<v Speaker 1>as if it had never been real. More than once

404
00:19:55.960 --> 00:19:58.559
<v Speaker 1>someone suggested that Merit must be a family name, but

405
00:19:58.599 --> 00:20:00.880
<v Speaker 1>no one could recall meeting anyone by that name in town.

406
00:20:01.400 --> 00:20:03.119
<v Speaker 1>It became clear that there was no center to the

407
00:20:03.160 --> 00:20:06.279
<v Speaker 1>puzzlonia shell contoured by stories that flinched from being fixed.

408
00:20:06.880 --> 00:20:09.400
<v Speaker 1>The grand Father Clock wasn't merely malfunctioning. It was the

409
00:20:09.440 --> 00:20:13.039
<v Speaker 1>library's peculiar cornerstone, rooting the periodical's room. In the ongoing

410
00:20:13.200 --> 00:20:17.160
<v Speaker 1>restless act of remembering reality here bent itself quietly persistently

411
00:20:17.200 --> 00:20:20.160
<v Speaker 1>to its chimes. When I walked the room, my steps

412
00:20:20.160 --> 00:20:22.599
<v Speaker 1>began to echo faintly against the muted carpet, as if

413
00:20:22.599 --> 00:20:24.240
<v Speaker 1>all the moments that might have been and might still

414
00:20:24.240 --> 00:20:26.960
<v Speaker 1>be pressed in from the periphery. I found myself less

415
00:20:26.960 --> 00:20:29.680
<v Speaker 1>interested in reconciling the archive and more curious about how

416
00:20:29.720 --> 00:20:31.799
<v Speaker 1>the room changed every time the clock struck an hour

417
00:20:32.519 --> 00:20:36.000
<v Speaker 1>outside the river, too, seemed as changeable as history, always present,

418
00:20:36.200 --> 00:20:39.519
<v Speaker 1>always different, washing memory downstream and returning pieces when you

419
00:20:39.640 --> 00:20:43.279
<v Speaker 1>least expected. Most afternoons, I would close my notebook just

420
00:20:43.319 --> 00:20:45.680
<v Speaker 1>as the Grandfather sounded its improbable hour and look up

421
00:20:45.680 --> 00:20:48.039
<v Speaker 1>to see others, old friends, new faces, doing the same.

422
00:20:48.640 --> 00:20:51.960
<v Speaker 1>Some things, it seemed, were meant to be experienced, not solved.

423
00:20:52.559 --> 00:20:55.000
<v Speaker 1>I found myself moving with a peculiar lightness through the

424
00:20:55.039 --> 00:20:58.240
<v Speaker 1>following days. I still came to the library, still pinched

425
00:20:58.240 --> 00:21:01.079
<v Speaker 1>my crossword pencil to life, still swept through the room's routines.

426
00:21:01.119 --> 00:21:04.640
<v Speaker 1>But something had shifted. Not resignation, if anything, a keener

427
00:21:04.680 --> 00:21:07.119
<v Speaker 1>sense of opportunity, a permission to dig deeper. Even if

428
00:21:07.160 --> 00:21:09.359
<v Speaker 1>I now understood the rohness in the periodical's room was

429
00:21:09.400 --> 00:21:12.599
<v Speaker 1>a scaffolding, not a problem to be solved my charts

430
00:21:12.599 --> 00:21:16.599
<v Speaker 1>of clock discrepancies, maps of alternative anniversaries, interviews would regulars.

431
00:21:16.599 --> 00:21:18.640
<v Speaker 1>These were no longer just attempts to write an error.

432
00:21:19.200 --> 00:21:21.319
<v Speaker 1>They become gateways, pushing on the question of what a

433
00:21:21.319 --> 00:21:24.839
<v Speaker 1>place remembers, why and by whose consent. I thought of

434
00:21:24.920 --> 00:21:27.960
<v Speaker 1>Ruth's words memory as a weather pattern. If that was true,

435
00:21:28.000 --> 00:21:29.799
<v Speaker 1>then the ground for the clock was the barometer, the

436
00:21:29.839 --> 00:21:32.680
<v Speaker 1>anemometer at the very cloud. But if the clock's at

437
00:21:32.720 --> 00:21:35.720
<v Speaker 1>the wind, what's at the clock? A week after my

438
00:21:35.799 --> 00:21:38.480
<v Speaker 1>tour through conflicting archives, I made my decision. I would

439
00:21:38.480 --> 00:21:40.279
<v Speaker 1>search for the heart of the anomaly, not at the

440
00:21:40.279 --> 00:21:43.160
<v Speaker 1>sight of the clock's contradictions, but in its origins. A

441
00:21:43.279 --> 00:21:47.480
<v Speaker 1>librarian's index card only offered gifted by Merit's curiosities. You

442
00:21:47.599 --> 00:21:50.440
<v Speaker 1>are known. That was the finger pointing out of the margins.

443
00:21:50.440 --> 00:21:52.400
<v Speaker 1>If anything at all could corn of the mystery would

444
00:21:52.440 --> 00:21:55.200
<v Speaker 1>be this missing shop Merits and the people who remembered

445
00:21:55.240 --> 00:21:58.279
<v Speaker 1>its existence or insisted it never had one. The library

446
00:21:58.319 --> 00:22:00.519
<v Speaker 1>was a good tannhop for such rumors, but I needed

447
00:22:00.519 --> 00:22:03.279
<v Speaker 1>a different vantage. So I set out for Main Street,

448
00:22:03.440 --> 00:22:06.039
<v Speaker 1>collar up against the breeze nobe, but tucked in my sleeve,

449
00:22:06.720 --> 00:22:09.960
<v Speaker 1>I began at Matlock's Hardware, Knowing the owner, Judy remembered

450
00:22:10.000 --> 00:22:12.880
<v Speaker 1>every store from back to her childhood. Her shop was

451
00:22:12.920 --> 00:22:15.279
<v Speaker 1>as old as the periodical's room itself, a walk in

452
00:22:15.319 --> 00:22:19.079
<v Speaker 1>closet of shelling dust and linseed oil. Judy, did you

453
00:22:19.119 --> 00:22:22.240
<v Speaker 1>ever know a place called Merrit's Curiosities? I asked for

454
00:22:22.319 --> 00:22:26.319
<v Speaker 1>his pitch casual an antique shop. She frowned, wrinkling her

455
00:22:26.359 --> 00:22:28.000
<v Speaker 1>brow as though reaching for her name on the tip

456
00:22:28.000 --> 00:22:31.400
<v Speaker 1>of her tongue. Now Merrit, Merrit, she said, spinning a

457
00:22:31.480 --> 00:22:34.440
<v Speaker 1>ring on her finger. That ring any bells? That wasn't

458
00:22:34.440 --> 00:22:36.519
<v Speaker 1>the old clock shop by the Fairy, was it? Or

459
00:22:36.640 --> 00:22:40.519
<v Speaker 1>was that charmers? She paused, No, Chalmers was clocks and

460
00:22:40.599 --> 00:22:44.599
<v Speaker 1>keys across from mc gowan's bickery. Her gaze drifted. But Merritt,

461
00:22:44.680 --> 00:22:46.960
<v Speaker 1>someone tried to open an antique store. I think just

462
00:22:47.000 --> 00:22:49.240
<v Speaker 1>before the end of the trolley Lions didn't last. I

463
00:22:49.279 --> 00:22:51.599
<v Speaker 1>remember strange hours. You'd see clocks in the window, but

464
00:22:51.680 --> 00:22:54.480
<v Speaker 1>never the same one twice. Any idea what happened to it?

465
00:22:55.200 --> 00:22:58.799
<v Speaker 1>I pressed? She shrouded, touching the counter as if for surants.

466
00:22:59.440 --> 00:23:01.799
<v Speaker 1>Places come and go, Darling, Some of them don't even

467
00:23:01.799 --> 00:23:04.839
<v Speaker 1>have the decency to leave behind their taxes. She grinned,

468
00:23:05.480 --> 00:23:07.599
<v Speaker 1>But now you mention it. My father once bought a

469
00:23:07.680 --> 00:23:09.640
<v Speaker 1>kitchen clock from some one along River Street. That was

470
00:23:09.720 --> 00:23:12.640
<v Speaker 1>years before Merrit's, though, or after I thanked her and

471
00:23:12.680 --> 00:23:16.039
<v Speaker 1>maid a note of the address River Street, after the trolleys,

472
00:23:16.720 --> 00:23:20.880
<v Speaker 1>or before already. The story bent. At Gracie's Stationary, the

473
00:23:20.920 --> 00:23:23.359
<v Speaker 1>oldest shop closer to the old ferry landing, the narrative

474
00:23:23.359 --> 00:23:26.799
<v Speaker 1>shifted again. The proprietor, Louis insisted Merits had been up

475
00:23:26.839 --> 00:23:28.680
<v Speaker 1>past the school, not by the river, and that is

476
00:23:28.799 --> 00:23:31.319
<v Speaker 1>unt used to drop off ornaments and trinkets for store credit.

477
00:23:31.880 --> 00:23:34.359
<v Speaker 1>I remember seeing add a Merit time repaired, time bought,

478
00:23:34.359 --> 00:23:37.240
<v Speaker 1>time forgotten. Funny old slogan. Never knew what it meant.

479
00:23:37.279 --> 00:23:40.000
<v Speaker 1>Then one went to the window, just stayed dark. Snap

480
00:23:40.000 --> 00:23:42.279
<v Speaker 1>Shots of the shop appeared and disappeared in town memory.

481
00:23:42.319 --> 00:23:45.279
<v Speaker 1>So did its location. Uneven at hours. It was on

482
00:23:45.319 --> 00:23:47.759
<v Speaker 1>the river front, Whip near the bakery, or nowhere at all.

483
00:23:48.400 --> 00:23:50.240
<v Speaker 1>Some said it had closed with a big snow of

484
00:23:50.279 --> 00:23:52.680
<v Speaker 1>forty one, others that it stuck around until the molesiphoned

485
00:23:52.680 --> 00:23:55.559
<v Speaker 1>away foot traffic. In the seventies, a few recalled the

486
00:23:55.599 --> 00:23:57.880
<v Speaker 1>owner is a woman with an accent. Others remembered old

487
00:23:57.920 --> 00:24:00.799
<v Speaker 1>mister Merritt, a quiet man, always dusting pocket watches, though

488
00:24:00.799 --> 00:24:03.440
<v Speaker 1>he dressed like he was from another century. One old

489
00:24:03.440 --> 00:24:05.839
<v Speaker 1>timer at the bus stop described the shops windows fogged

490
00:24:05.880 --> 00:24:09.119
<v Speaker 1>with condensation, clocks taking at different speeds, like you could

491
00:24:09.119 --> 00:24:12.799
<v Speaker 1>hear seconds overlapping. I collected these fragments, scroubling arrows in

492
00:24:12.880 --> 00:24:15.799
<v Speaker 1>question marks, into my book. What struck me most was

493
00:24:15.839 --> 00:24:18.599
<v Speaker 1>not the illusiteness of detailed memory is always muddy, especially

494
00:24:18.599 --> 00:24:21.119
<v Speaker 1>for minor businesses. By the way, each account seemed genuinely

495
00:24:21.119 --> 00:24:24.759
<v Speaker 1>confident in itself while under mining or gently correcting the rest.

496
00:24:25.480 --> 00:24:28.119
<v Speaker 1>On a hunch, I visited the city arkavat City Hall,

497
00:24:28.160 --> 00:24:30.640
<v Speaker 1>a blockie over bright building that always felt five degrees

498
00:24:30.680 --> 00:24:33.839
<v Speaker 1>colder than the outside air, and looking for business licenses

499
00:24:33.839 --> 00:24:36.839
<v Speaker 1>from Merit's Curiosities. I explained to the woman behind the desk,

500
00:24:36.920 --> 00:24:39.799
<v Speaker 1>who wore large pink glasses and seemed unimpressed by my mission.

501
00:24:40.279 --> 00:24:43.160
<v Speaker 1>She scrolled the macrofiche. Here is a Merit seat and

502
00:24:43.160 --> 00:24:46.799
<v Speaker 1>feed in twenty three, but nothing for curiosities. I spelled

503
00:24:46.799 --> 00:24:49.640
<v Speaker 1>out the name, even tried variations. There is a clock

504
00:24:49.640 --> 00:24:52.839
<v Speaker 1>repair listing, but that's under Chalmers. No Chalmer sorry operated

505
00:24:52.839 --> 00:24:55.960
<v Speaker 1>out of River Street between thirty four and fifty She paused,

506
00:24:56.640 --> 00:24:58.440
<v Speaker 1>But if her talking about the building with the carriage

507
00:24:58.519 --> 00:25:01.319
<v Speaker 1>lamp that was demolished in fifty eight. She spun the

508
00:25:01.400 --> 00:25:03.880
<v Speaker 1>viewer back and forth, growing more irritable as I offered

509
00:25:03.960 --> 00:25:06.279
<v Speaker 1>up clues. Are you sure you are not thinking of

510
00:25:06.319 --> 00:25:10.440
<v Speaker 1>Palmer's collectibles? Another search, different day, this time an older

511
00:25:10.440 --> 00:25:12.759
<v Speaker 1>man of volunteer hood. Spend decades with the rotary port

512
00:25:12.799 --> 00:25:15.839
<v Speaker 1>over plat maps with me. No, no Merits was never

513
00:25:15.880 --> 00:25:17.799
<v Speaker 1>on the river, must have been up near the freight yards.

514
00:25:18.400 --> 00:25:20.799
<v Speaker 1>He slid a finger along a crumbling map, nodding as

515
00:25:20.799 --> 00:25:23.920
<v Speaker 1>if confirming an internal compass. I saw it happening in

516
00:25:23.960 --> 00:25:26.119
<v Speaker 1>real time, place in date flicker bent by the teller's

517
00:25:26.200 --> 00:25:29.440
<v Speaker 1>or an orientation, just as the periodical's rooms clock bent routine.

518
00:25:29.839 --> 00:25:33.039
<v Speaker 1>I sat outside afterward, beneath budding trees, logbook and hand,

519
00:25:33.160 --> 00:25:36.799
<v Speaker 1>page off a page of addresses, dates, and adjectives. None

520
00:25:36.839 --> 00:25:40.680
<v Speaker 1>of it lined up. Checking public records, property transfers, and

521
00:25:40.759 --> 00:25:43.680
<v Speaker 1>city directories yielded nothing. Mirrors was a ghost, a suggestion,

522
00:25:43.839 --> 00:25:46.480
<v Speaker 1>perhaps even a memory borrow from some one else's story?

523
00:25:47.000 --> 00:25:49.519
<v Speaker 1>I walked along what remained of River Street, an avenue

524
00:25:49.559 --> 00:25:53.279
<v Speaker 1>now overgrown with porkwheat and historical plaques. I tried to

525
00:25:53.279 --> 00:25:56.400
<v Speaker 1>imagine the lost shops, the stalls on windows dusted with sunlight.

526
00:25:56.519 --> 00:25:58.640
<v Speaker 1>Here at a feint overlapping ticks described by the bus

527
00:25:58.680 --> 00:26:01.279
<v Speaker 1>stop veteran. How I could whole business vanish out of

528
00:26:01.279 --> 00:26:03.680
<v Speaker 1>collective for record, yet leave behind a clock that nudged

529
00:26:03.680 --> 00:26:06.880
<v Speaker 1>an entire building's experience of time. I stared at the water,

530
00:26:07.160 --> 00:26:09.440
<v Speaker 1>river high from spring rain, and fought the frustration of

531
00:26:09.480 --> 00:26:13.279
<v Speaker 1>circular answers. Discovery wasn't progressed so much as deepening. The

532
00:26:13.319 --> 00:26:15.240
<v Speaker 1>clock was not just in effect, but a symptom of

533
00:26:15.279 --> 00:26:18.839
<v Speaker 1>things this town resolved to remember or forget. In shifting consensus,

534
00:26:19.480 --> 00:26:22.240
<v Speaker 1>I dug for fresh ground. If a shop could vanish

535
00:26:22.240 --> 00:26:24.240
<v Speaker 1>and leave only a clock in its wake, maybe the

536
00:26:24.279 --> 00:26:26.960
<v Speaker 1>trail would run deeper embasements and atta's places, memory docks

537
00:26:26.960 --> 00:26:29.920
<v Speaker 1>into Foresif keeping one damp morning, I slipped into the

538
00:26:29.920 --> 00:26:33.359
<v Speaker 1>library sub basement boxes down there marked do not we

539
00:26:33.640 --> 00:26:35.680
<v Speaker 1>held them sworded rim in s a tan capsule by

540
00:26:35.720 --> 00:26:39.039
<v Speaker 1>accident rather than by design, I began poking through brutal

541
00:26:39.079 --> 00:26:42.759
<v Speaker 1>cardboard among the town minutes, Pta news utters and yellowed

542
00:26:42.799 --> 00:26:45.160
<v Speaker 1>wore bonds appeals. I found a packet of letters tied

543
00:26:45.160 --> 00:26:48.519
<v Speaker 1>in blue yarn. They were correspondents between librarians dating back

544
00:26:48.559 --> 00:26:51.279
<v Speaker 1>to the late nineteen thirties and early forties. One envelope,

545
00:26:51.319 --> 00:26:54.359
<v Speaker 1>addressed to missel Amory then had Librarian, was signed h

546
00:26:54.440 --> 00:26:58.880
<v Speaker 1>Croft Collector slash clock Keeper, Merrit's Curiosities, my skin tingled

547
00:26:59.519 --> 00:27:02.599
<v Speaker 1>deerhm is su Amory. The item is prepared for installation

548
00:27:02.680 --> 00:27:06.359
<v Speaker 1>per your request. Please note face works, pendulum more replaced

549
00:27:06.359 --> 00:27:10.240
<v Speaker 1>from different sources. You'll find station face, furry work scare,

550
00:27:10.359 --> 00:27:12.559
<v Speaker 1>and the pendulum is of course from the blind Station

551
00:27:12.599 --> 00:27:15.680
<v Speaker 1>clock loss in Last Seasons. Gale set your memory by

552
00:27:15.680 --> 00:27:17.519
<v Speaker 1>it if you wish its time will keep, but only

553
00:27:17.559 --> 00:27:21.519
<v Speaker 1>the right sort. Suggest not onnding too tight. Some clocks

554
00:27:21.519 --> 00:27:24.039
<v Speaker 1>tell not the time, but the memory of time. The

555
00:27:24.039 --> 00:27:26.799
<v Speaker 1>words resonated with the Storyages had been brushing up against

556
00:27:26.799 --> 00:27:28.839
<v Speaker 1>the idea that the very components of the clock had

557
00:27:28.839 --> 00:27:32.240
<v Speaker 1>come from mechanisms already emode from their original chronology. Though

558
00:27:32.319 --> 00:27:35.200
<v Speaker 1>station face and firyworks referred a guest to clock's lost

559
00:27:35.200 --> 00:27:40.599
<v Speaker 1>a disaster, floods, storms, or diseuse. Though blind Station clockopoetic flourish, perhaps,

560
00:27:40.759 --> 00:27:43.200
<v Speaker 1>but possibly a little reference a clock once prominent that

561
00:27:43.279 --> 00:27:46.240
<v Speaker 1>no longer saw daily use of track normal hours. A

562
00:27:46.240 --> 00:27:48.920
<v Speaker 1>few new pieces of the puzzle fell in place. If

563
00:27:48.920 --> 00:27:51.240
<v Speaker 1>the clock was itself a composition of rescue or remember

564
00:27:51.279 --> 00:27:53.440
<v Speaker 1>time pieces, maybe the validity I'd felt in the room

565
00:27:53.559 --> 00:27:56.119
<v Speaker 1>was not a malfunction but quality. The clock aggregated histories

566
00:27:56.160 --> 00:27:58.720
<v Speaker 1>the way a library cox books, with all their contradictions,

567
00:27:58.839 --> 00:28:02.599
<v Speaker 1>marginalia and local. It wasn't just a participant in memory.

568
00:28:02.640 --> 00:28:05.079
<v Speaker 1>It was an artifact designed to absorb and manifest it.

569
00:28:05.720 --> 00:28:09.039
<v Speaker 1>The letter is hinted a tacit understanding between donors and librarians.

570
00:28:09.079 --> 00:28:11.519
<v Speaker 1>Install the clock, but expect its behavior to mirror a

571
00:28:11.519 --> 00:28:14.279
<v Speaker 1>different sort of keeping. I was still mulling this when

572
00:28:14.359 --> 00:28:16.559
<v Speaker 1>a few days later I struck up a conversation with

573
00:28:16.640 --> 00:28:19.839
<v Speaker 1>doctor Malick, of visiting researcher in Fukor and Community Memory,

574
00:28:19.880 --> 00:28:22.519
<v Speaker 1>who stopped by to gage interest in an oral history project.

575
00:28:23.240 --> 00:28:25.680
<v Speaker 1>Our chat ranged from library as community half to the

576
00:28:25.680 --> 00:28:29.400
<v Speaker 1>psychology of household relics. I mentioned the ground for the clock,

577
00:28:29.720 --> 00:28:34.039
<v Speaker 1>hoping for amusement or simple anthropological curiosity. She didn't disappoint.

578
00:28:34.200 --> 00:28:36.279
<v Speaker 1>You know, there's an old belief from the Carpathian towns.

579
00:28:36.279 --> 00:28:39.440
<v Speaker 1>The timekeeper may lose minutes, but at Nevoulis's memory, some clocks,

580
00:28:39.440 --> 00:28:42.920
<v Speaker 1>she shrub synchronize more with sentiment than Solnine. In village archives,

581
00:28:43.000 --> 00:28:45.720
<v Speaker 1>the clocks left after disaster become tangled with the stories

582
00:28:45.720 --> 00:28:48.279
<v Speaker 1>of what the place survived. A physical conference across roads

583
00:28:48.319 --> 00:28:50.920
<v Speaker 1>of what did and didn't happen. She pulled out her phone,

584
00:28:51.000 --> 00:28:54.680
<v Speaker 1>scrolling through notes. Smeral archivists say their collections where the

585
00:28:54.720 --> 00:28:57.599
<v Speaker 1>local time, documents and recollections controlled not just by paper

586
00:28:57.640 --> 00:28:59.920
<v Speaker 1>and card, but by the environment and the ordinary oodities

587
00:29:00.079 --> 00:29:02.000
<v Speaker 1>structure a day like a bell tower that rings not

588
00:29:02.119 --> 00:29:04.319
<v Speaker 1>on the hour, but when enough of gathered expecting it.

589
00:29:04.920 --> 00:29:07.039
<v Speaker 1>Her formulation echoed my own INChO of theory at the

590
00:29:07.039 --> 00:29:09.440
<v Speaker 1>ground for the clock, by virtue of its assembling out

591
00:29:09.440 --> 00:29:11.440
<v Speaker 1>of memory lead imparts, had become a kind of meta

592
00:29:11.480 --> 00:29:14.160
<v Speaker 1>time piece for the library, pulling narratives nearer that Fitts,

593
00:29:14.160 --> 00:29:17.119
<v Speaker 1>shifting rhythm, casting outdoor of writing those that didn't a ligne.

594
00:29:17.519 --> 00:29:19.559
<v Speaker 1>We sat in a corner of the periodical's room for

595
00:29:19.599 --> 00:29:22.839
<v Speaker 1>a while, sipping tea as the afternoon drifted. I showed

596
00:29:22.839 --> 00:29:26.519
<v Speaker 1>her my log of events and clock discrepancies, She laughed, delighted.

597
00:29:27.200 --> 00:29:30.920
<v Speaker 1>Have you considered the cognitive signs angle, I confess my ignorance.

598
00:29:31.640 --> 00:29:34.200
<v Speaker 1>I just know what I see people unconsciously bending to

599
00:29:34.240 --> 00:29:37.160
<v Speaker 1>the old clock documents in this room, mistating themselves if

600
00:29:37.160 --> 00:29:40.000
<v Speaker 1>you check them ties, she muse. There's a theory of

601
00:29:40.039 --> 00:29:43.400
<v Speaker 1>mnemonica tructor's objects that pass the past, focusing recollections into

602
00:29:43.440 --> 00:29:46.519
<v Speaker 1>local consensus the way a magnetic field oriensign violence. May

603
00:29:46.519 --> 00:29:48.359
<v Speaker 1>be your grun for the clock is just a particularly

604
00:29:48.400 --> 00:29:50.240
<v Speaker 1>powerful tract to one with a past two messy to

605
00:29:50.319 --> 00:29:53.440
<v Speaker 1>let facts a line, so instead, memory paws up Bill's

606
00:29:53.480 --> 00:29:56.319
<v Speaker 1>alternative time lines, even does a little writing on the fly.

607
00:29:56.960 --> 00:29:59.160
<v Speaker 1>Are you saying the library itself becomes a vessel for

608
00:29:59.200 --> 00:30:03.119
<v Speaker 1>all the stories people argue about, I asked, Maybe not

609
00:30:03.200 --> 00:30:05.359
<v Speaker 1>a utely, but you'd expect a building like this with

610
00:30:05.440 --> 00:30:07.880
<v Speaker 1>a stitch together past and habit of repairs to central

611
00:30:07.880 --> 00:30:10.720
<v Speaker 1>as not true time but lived time, a permissive anomaly,

612
00:30:10.839 --> 00:30:12.839
<v Speaker 1>so to speak, the sort other places iron out, but

613
00:30:12.920 --> 00:30:15.240
<v Speaker 1>which a community like your's tolerates because it's useful for

614
00:30:15.240 --> 00:30:17.720
<v Speaker 1>the local fabric. Her words gave me a new point

615
00:30:17.720 --> 00:30:21.279
<v Speaker 1>of attack and a strange comfort as well. After she left,

616
00:30:21.359 --> 00:30:24.119
<v Speaker 1>I lingered at the library, piecing together my own hypothesis,

617
00:30:24.160 --> 00:30:26.200
<v Speaker 1>not as a physicist or a historian would, but as

618
00:30:26.200 --> 00:30:28.200
<v Speaker 1>a neighbor, some one for whom facts and stories were

619
00:30:28.200 --> 00:30:30.920
<v Speaker 1>separated only by the shifting of a clock's hand. It

620
00:30:31.000 --> 00:30:33.000
<v Speaker 1>came to me quietly that what I was seeing was

621
00:30:33.039 --> 00:30:35.440
<v Speaker 1>not a disruption, but an act of curation, a memory

622
00:30:35.480 --> 00:30:39.400
<v Speaker 1>engine disguised as a time piece, operating through unconsciously rehearsed choreography.

623
00:30:40.000 --> 00:30:42.960
<v Speaker 1>The periodical's room was a confluence point every hour, every time,

624
00:30:43.079 --> 00:30:46.000
<v Speaker 1>quietly gathering thirds of alternate memories, smoothing the rough edge

625
00:30:46.039 --> 00:30:48.680
<v Speaker 1>of communal disagreement, even if it left the records stuttering

626
00:30:48.720 --> 00:30:50.920
<v Speaker 1>and the clocks out of sinc I put this to

627
00:30:50.960 --> 00:30:53.839
<v Speaker 1>missus Kormier that same afternoon, as she stock palv returned

628
00:30:53.880 --> 00:30:56.240
<v Speaker 1>books on a cart. Do you think the grand Father

629
00:30:56.240 --> 00:30:58.799
<v Speaker 1>clock might be less about time more about memory's argument

630
00:30:58.839 --> 00:31:02.640
<v Speaker 1>with itself? She considered. Do you remember the town's water

631
00:31:02.720 --> 00:31:05.480
<v Speaker 1>parade the first centennial? Well, the year is always wrong

632
00:31:05.480 --> 00:31:07.880
<v Speaker 1>in the papers, but you notice people still bring boats

633
00:31:08.079 --> 00:31:12.279
<v Speaker 1>decorate even now. A smile was secretive. Maybe this is

634
00:31:12.319 --> 00:31:15.119
<v Speaker 1>the only place where reality shows its footnotes library time,

635
00:31:15.200 --> 00:31:18.400
<v Speaker 1>people time. I shared my findings at a volunteer presentation

636
00:31:18.480 --> 00:31:21.000
<v Speaker 1>we always had tea and home baked muffins, an audience

637
00:31:21.000 --> 00:31:24.039
<v Speaker 1>of regulars mixed with city staff and students. I offered

638
00:31:24.079 --> 00:31:25.960
<v Speaker 1>my data and my conclusion. The ground for the clock

639
00:31:26.000 --> 00:31:28.839
<v Speaker 1>seemed to aggregate not just local histories, but the uncertainties,

640
00:31:28.880 --> 00:31:31.799
<v Speaker 1>the mutually exclusive stories, and the shifting emotional weather that

641
00:31:31.880 --> 00:31:35.160
<v Speaker 1>defined our town. Some scoffed, ye're making a metaphor out

642
00:31:35.200 --> 00:31:38.920
<v Speaker 1>of a malfunction. Others like Ruth grinned, you mean to

643
00:31:38.920 --> 00:31:41.680
<v Speaker 1>say it's a living archive suits our crowd. A few

644
00:31:41.799 --> 00:31:45.759
<v Speaker 1>quietly not it almost relieved. Yes, Yes, This explained why

645
00:31:45.759 --> 00:31:49.599
<v Speaker 1>April seventeen, nineteen sixty six was sometimes a Sunday, sometimes

646
00:31:49.640 --> 00:31:52.400
<v Speaker 1>a Wednesday. Five o'clock times set the day's tone for

647
00:31:52.440 --> 00:31:56.160
<v Speaker 1>those in the room, why disagreements argued over decades felt

648
00:31:56.240 --> 00:31:58.599
<v Speaker 1>less like dead ends, and more alike tributaries were routed

649
00:31:58.599 --> 00:32:01.319
<v Speaker 1>by necessity. Student in the back of local Home on

650
00:32:01.440 --> 00:32:03.720
<v Speaker 1>break said, I always thought the clock room was special.

651
00:32:03.799 --> 00:32:05.559
<v Speaker 1>Never knew you why, just that it was easier to

652
00:32:05.599 --> 00:32:08.640
<v Speaker 1>work in here, even if you lost track of the hour. Afterward,

653
00:32:08.680 --> 00:32:11.240
<v Speaker 1>Bryan the postruct pulled me aside fresh coffee in hand.

654
00:32:11.839 --> 00:32:13.559
<v Speaker 1>Even if we could set all the cocks to agree,

655
00:32:13.599 --> 00:32:16.920
<v Speaker 1>what would we lose, he asked, maybe our best arguments.

656
00:32:16.960 --> 00:32:19.319
<v Speaker 1>The library would just become another place to check the time,

657
00:32:19.559 --> 00:32:21.759
<v Speaker 1>not a place to live it. I was left for

658
00:32:21.839 --> 00:32:24.200
<v Speaker 1>the surfeit of understanding a kind that doesn't close the

659
00:32:24.240 --> 00:32:25.960
<v Speaker 1>door so much as gently placed a door stop so

660
00:32:26.039 --> 00:32:28.960
<v Speaker 1>others can keep coming through. Still there remained a marvel.

661
00:32:28.960 --> 00:32:30.880
<v Speaker 1>I could not account for it. No two witnesses would

662
00:32:30.880 --> 00:32:33.039
<v Speaker 1>agree exactly about when the ground for the clock had

663
00:32:33.039 --> 00:32:35.720
<v Speaker 1>first arrived, or what years, Sir, the mastons fully took place.

664
00:32:36.319 --> 00:32:39.119
<v Speaker 1>Even after years in town. Having taught some patron's children,

665
00:32:39.160 --> 00:32:41.440
<v Speaker 1>I would meet an old regularist war i'd never seen,

666
00:32:41.720 --> 00:32:44.079
<v Speaker 1>who showed me who's been clippings dated by the clock's hand,

667
00:32:44.279 --> 00:32:47.960
<v Speaker 1>not the sun's arc. With that, my search relaxed. I

668
00:32:48.000 --> 00:32:50.119
<v Speaker 1>no longer tried to set the records straight, only to

669
00:32:50.160 --> 00:32:53.960
<v Speaker 1>record its shifts and seasons. I participated fully, gladly in

670
00:32:53.960 --> 00:32:57.319
<v Speaker 1>the negotiation. In those weeks I found myself altered too.

671
00:32:57.920 --> 00:32:59.720
<v Speaker 1>I ceased to fight the temptation to glance at the

672
00:32:59.720 --> 00:33:02.119
<v Speaker 1>ground for the clock before departing, or to align my

673
00:33:02.160 --> 00:33:04.960
<v Speaker 1>departure with its suggestive chimes, even when my phone showed

674
00:33:05.000 --> 00:33:07.960
<v Speaker 1>a different hour. In my pocket, my crossword books, once

675
00:33:07.960 --> 00:33:10.559
<v Speaker 1>stirring with corrections, became pebbled with notes about al turn

676
00:33:10.599 --> 00:33:13.519
<v Speaker 1>at Monday's lived time, a river, parade year, and clock

677
00:33:13.519 --> 00:33:17.599
<v Speaker 1>as wayfinder. Curiosity, I learned, is a species of belonging

678
00:33:18.200 --> 00:33:19.880
<v Speaker 1>to ask whose clocks we listened? To us to ask

679
00:33:19.920 --> 00:33:23.400
<v Speaker 1>which histories we permit ourselves to inhabit. The periodical's room

680
00:33:23.440 --> 00:33:25.720
<v Speaker 1>had coached me in this, as gently as an alumnus

681
00:33:25.759 --> 00:33:29.559
<v Speaker 1>reminding a teacher which chalbos whose one afternoon the Grandfather

682
00:33:29.640 --> 00:33:32.319
<v Speaker 1>clock was up by a preposterous margin twenty five minutes off,

683
00:33:32.319 --> 00:33:35.279
<v Speaker 1>though no one commented missus comers set out a tree

684
00:33:35.279 --> 00:33:38.599
<v Speaker 1>of weak cold scones, Raphael hommed while shelving biographies, and

685
00:33:38.640 --> 00:33:41.599
<v Speaker 1>a storm beat softly against the high window. The room

686
00:33:41.640 --> 00:33:43.960
<v Speaker 1>for that hour felt both older and younger than I'd

687
00:33:43.960 --> 00:33:46.240
<v Speaker 1>ever known, its regular as fixed and eternal as figures

688
00:33:46.240 --> 00:33:49.680
<v Speaker 1>on a carousel. My notebook closed itself gently in my palm.

689
00:33:50.160 --> 00:33:52.359
<v Speaker 1>The clock chine not quite in harmony with any other

690
00:33:52.440 --> 00:33:55.279
<v Speaker 1>time piece in the building. Its melody was recognizable, a

691
00:33:55.319 --> 00:33:58.640
<v Speaker 1>little flawed, perfectly itself. I glanced around at the rooms,

692
00:33:58.640 --> 00:34:02.200
<v Speaker 1>occupant's reading, dozing, scribbling notes, half smiling into the lamp's

693
00:34:02.200 --> 00:34:05.200
<v Speaker 1>honey glow. No one seemed rushed, not by clocks nor

694
00:34:05.200 --> 00:34:08.280
<v Speaker 1>but questions. I found myself wondering not what time it

695
00:34:08.440 --> 00:34:10.599
<v Speaker 1>was exactly, but what time meant in this room and

696
00:34:10.639 --> 00:34:13.000
<v Speaker 1>where else in the world. So quietly and collectively agreed

697
00:34:13.000 --> 00:34:14.880
<v Speaker 1>to keep itself just a bit and predictable, to let

698
00:34:14.920 --> 00:34:18.719
<v Speaker 1>its archive hold both argument and answer, while other invisible clocks,

699
00:34:18.800 --> 00:34:20.960
<v Speaker 1>I wondered, might shape the rhythms of our stories and

700
00:34:21.000 --> 00:34:23.119
<v Speaker 1>our histories. Taking up these stations and seen in the

701
00:34:23.159 --> 00:34:26.039
<v Speaker 1>folds of a thousand towns, how many stories do we

702
00:34:26.079 --> 00:34:30.360
<v Speaker 1>inhabit without ever checking which clock sets the time? And

703
00:34:30.440 --> 00:34:32.960
<v Speaker 1>that is the end. Thank you for listening, and I

704
00:34:32.960 --> 00:34:34.039
<v Speaker 1>will see you in the next one.
