WEBVTT

1
00:00:00.480 --> 00:00:04.040
<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp The

2
00:00:04.080 --> 00:00:10.279
<v Speaker 1>House Whisper on demand on the iHeart Radio app. Hey,

3
00:00:10.279 --> 00:00:12.839
<v Speaker 1>do you know this very program is also the House

4
00:00:12.839 --> 00:00:18.280
<v Speaker 1>Whisper podcast that you can listen to anytime, anywhere on demand.

5
00:00:18.600 --> 00:00:23.280
<v Speaker 1>Hundreds of episodes, all searchable by topic. It is literally

6
00:00:23.480 --> 00:00:28.879
<v Speaker 1>a home improvement reference library just for you. Today's show,

7
00:00:29.120 --> 00:00:33.920
<v Speaker 1>this Concrete broadcast with my very special in studio guest

8
00:00:34.039 --> 00:00:37.880
<v Speaker 1>Chris Carson, is going to belong and live for a

9
00:00:38.079 --> 00:00:41.320
<v Speaker 1>long long time on the House Whisper podcast. So if

10
00:00:41.359 --> 00:00:44.640
<v Speaker 1>you've missed any portion of today's show, about an hour

11
00:00:44.719 --> 00:00:46.920
<v Speaker 1>after we go off the air of the live broadcast,

12
00:00:47.079 --> 00:00:49.920
<v Speaker 1>it has already been converted into podcast form and it

13
00:00:50.000 --> 00:00:52.799
<v Speaker 1>is there waiting for you. Chris is going to tell

14
00:00:52.840 --> 00:00:55.479
<v Speaker 1>all his friends, oh, go check out the podcast I

15
00:00:55.560 --> 00:00:59.520
<v Speaker 1>was on with the House Whisper, my friend Dean's show,

16
00:01:00.200 --> 00:01:02.600
<v Speaker 1>and they'll all go back and they'll listen to him,

17
00:01:02.640 --> 00:01:04.239
<v Speaker 1>and then they're going to call him and ras him

18
00:01:04.439 --> 00:01:07.439
<v Speaker 1>do what everything that they do. And if you're thinking, hey,

19
00:01:07.439 --> 00:01:09.799
<v Speaker 1>that's all great, what we really need is Dean and

20
00:01:09.840 --> 00:01:14.159
<v Speaker 1>Tina standing in our house addressing that thing that we

21
00:01:14.239 --> 00:01:16.560
<v Speaker 1>have never been able to figure out. Well, you can

22
00:01:16.599 --> 00:01:18.280
<v Speaker 1>do that too. You can book an in home design

23
00:01:18.400 --> 00:01:21.439
<v Speaker 1>consult with me and the tea you just go to

24
00:01:21.640 --> 00:01:27.959
<v Speaker 1>house whisperer dot design. Okay, Chris, back into this conversation

25
00:01:28.200 --> 00:01:30.879
<v Speaker 1>about we were talking about crack control, I want to

26
00:01:30.920 --> 00:01:34.280
<v Speaker 1>switch over. I'm kind of we're ping pong and back

27
00:01:34.319 --> 00:01:38.319
<v Speaker 1>and forth when it comes to when it comes to

28
00:01:38.400 --> 00:01:43.239
<v Speaker 1>homes and an actual slab on grade house foundations. Most

29
00:01:43.280 --> 00:01:45.599
<v Speaker 1>of our listeners are not planning on building a new

30
00:01:45.599 --> 00:01:49.560
<v Speaker 1>house right now, but there are I would also say

31
00:01:49.560 --> 00:01:52.920
<v Speaker 1>that most of our listeners are not aware that since

32
00:01:53.040 --> 00:01:56.560
<v Speaker 1>the nineteen eighties, there are two very distinct kinds of

33
00:01:57.200 --> 00:02:02.439
<v Speaker 1>slabs out there that their home may be sitting on.

34
00:02:03.040 --> 00:02:06.319
<v Speaker 1>And if they're thinking about a remodel, if they're thinking

35
00:02:06.400 --> 00:02:08.759
<v Speaker 1>about a room edition, or if they're thinking about something

36
00:02:08.800 --> 00:02:13.639
<v Speaker 1>as simple as well, we're changing the configuration of the

37
00:02:13.680 --> 00:02:15.879
<v Speaker 1>bathroom and I'm thinking about putting the toilet on the

38
00:02:15.879 --> 00:02:18.639
<v Speaker 1>other side, and that's going to involve, you know, saw

39
00:02:18.680 --> 00:02:22.319
<v Speaker 1>cutting some concrete and moving a drain. There's something very

40
00:02:22.360 --> 00:02:25.479
<v Speaker 1>important for them to understand, and that is that the

41
00:02:25.520 --> 00:02:29.039
<v Speaker 1>way you deal with a traditional rebar slab versus a

42
00:02:29.080 --> 00:02:34.080
<v Speaker 1>post tension slab very very different, and it's important that

43
00:02:34.159 --> 00:02:36.439
<v Speaker 1>we know what the difference is. So why don't you,

44
00:02:36.680 --> 00:02:39.000
<v Speaker 1>first of all, I mean, I think everybody understands rebar,

45
00:02:39.199 --> 00:02:41.759
<v Speaker 1>you know, it's the traditional thing. Talk to me about

46
00:02:41.879 --> 00:02:44.879
<v Speaker 1>post tension slabs. Why are they so great?

47
00:02:45.520 --> 00:02:45.800
<v Speaker 2>Uh?

48
00:02:45.800 --> 00:02:48.080
<v Speaker 1>And also what is their vulnerability?

49
00:02:48.960 --> 00:02:55.120
<v Speaker 3>Post tension is a way advanced reinforcing method that we

50
00:02:55.240 --> 00:03:01.120
<v Speaker 3>have now the good the post tension and it's a

51
00:03:01.159 --> 00:03:07.159
<v Speaker 3>cable wrapped in a heavy plastic sleeve and this cable

52
00:03:07.319 --> 00:03:11.360
<v Speaker 3>runs through it and it is attached to each you know,

53
00:03:11.599 --> 00:03:13.840
<v Speaker 3>each end of the form. If it's a square, it

54
00:03:13.879 --> 00:03:17.800
<v Speaker 3>goes both ways. And after you pour, you come and

55
00:03:17.960 --> 00:03:23.199
<v Speaker 3>hydraulically tension that cable up to a certain percent. It's

56
00:03:23.240 --> 00:03:26.159
<v Speaker 3>fresh concrete, so you won't go to its max PSI.

57
00:03:26.520 --> 00:03:30.039
<v Speaker 3>But what it's doing it's pulling. You know, this cable

58
00:03:30.199 --> 00:03:35.240
<v Speaker 3>is stretching and stretching, pulling this concrete together, eliminating the

59
00:03:35.280 --> 00:03:38.719
<v Speaker 3>possibility of separation and cracks. And then after it comes

60
00:03:38.759 --> 00:03:42.719
<v Speaker 3>up to so many days of the PSI getting to

61
00:03:42.759 --> 00:03:44.639
<v Speaker 3>where it needs to be, then they come in and

62
00:03:44.680 --> 00:03:50.800
<v Speaker 3>do the last post tension tightening. And that's mostly on

63
00:03:50.840 --> 00:03:54.000
<v Speaker 3>the newer homes I've been starting to do it on

64
00:03:54.080 --> 00:03:57.919
<v Speaker 3>the sports courts, in the town basketball courts, tennis courts,

65
00:03:58.800 --> 00:04:00.840
<v Speaker 3>there is a minimum of six inches thick on a

66
00:04:00.879 --> 00:04:07.919
<v Speaker 3>post tension slab. Huge, huge gainers in the respect that

67
00:04:08.000 --> 00:04:10.680
<v Speaker 3>you don't need all these control joints that we've been talking.

68
00:04:10.400 --> 00:04:15.719
<v Speaker 1>About, because that that concrete has been pushed together on

69
00:04:15.759 --> 00:04:19.759
<v Speaker 1>itself so tight hydraulically, just that it is just solid

70
00:04:19.800 --> 00:04:21.720
<v Speaker 1>and so like on a sport or like a basketball court,

71
00:04:21.720 --> 00:04:23.439
<v Speaker 1>you don't want to but I'm dribbling, I don't want

72
00:04:23.480 --> 00:04:25.680
<v Speaker 1>a bunch of crack control joints under me because it's

73
00:04:25.680 --> 00:04:27.519
<v Speaker 1>just you know, I just want it nice and smooth.

74
00:04:27.560 --> 00:04:31.439
<v Speaker 1>But that's a big slab. To have no crack control.

75
00:04:31.160 --> 00:04:33.680
<v Speaker 3>Joints, well, they usually put one down the middle of

76
00:04:33.720 --> 00:04:37.000
<v Speaker 3>a tennis quarter basketball court, surety one in the middle,

77
00:04:37.680 --> 00:04:40.600
<v Speaker 3>But there's no way you can put score marks ten

78
00:04:40.639 --> 00:04:41.600
<v Speaker 3>foot on center.

79
00:04:41.839 --> 00:04:44.399
<v Speaker 1>It just it just messes up the point of the

80
00:04:44.480 --> 00:04:48.959
<v Speaker 1>thing signed the layout. Okay, So so in case you're

81
00:04:49.120 --> 00:04:53.240
<v Speaker 1>still kind of wondering, so instead of this uh these

82
00:04:53.439 --> 00:04:59.199
<v Speaker 1>rigid uh bits of rebar half inch diameter rebar being

83
00:05:00.120 --> 00:05:03.199
<v Speaker 1>tied together in grids all over the house before the

84
00:05:03.279 --> 00:05:06.639
<v Speaker 1>slab is poured, a post tension slab has these cables

85
00:05:06.680 --> 00:05:10.519
<v Speaker 1>strung through it. Uh and uh, and those cables stretch

86
00:05:10.560 --> 00:05:13.079
<v Speaker 1>out and and drill through the sides of the forms.

87
00:05:13.120 --> 00:05:17.000
<v Speaker 1>They hang out with Oh sorry, I did not mean

88
00:05:17.079 --> 00:05:19.560
<v Speaker 1>to bunch the more you know, buttons, But now I

89
00:05:19.600 --> 00:05:22.600
<v Speaker 1>know more. Yeah, now you know more? Right andrew yep.

90
00:05:22.680 --> 00:05:26.120
<v Speaker 1>So they hang out of the edge of the of

91
00:05:26.160 --> 00:05:29.879
<v Speaker 1>the forms, and then we pour. And then as that

92
00:05:30.000 --> 00:05:34.279
<v Speaker 1>concrete is setting up, then we put hydraulic equipment on

93
00:05:34.360 --> 00:05:36.800
<v Speaker 1>the outside and grab those cables. Essentially, but think of

94
00:05:36.839 --> 00:05:40.639
<v Speaker 1>it this way. Instead of rigid steel in your slab,

95
00:05:40.720 --> 00:05:45.399
<v Speaker 1>we we we're gonna run guitar strings through your slab. Okay,

96
00:05:45.839 --> 00:05:50.079
<v Speaker 1>steal guitar cable strings and uh. And after the concrete

97
00:05:50.120 --> 00:05:54.120
<v Speaker 1>is placed, we're gonna crank those knobs and we're gonna

98
00:05:54.199 --> 00:05:57.800
<v Speaker 1>tighten those guitar strings. We're gonna tune the guitar until

99
00:05:57.839 --> 00:05:58.759
<v Speaker 1>they are tight.

100
00:05:59.439 --> 00:05:59.639
<v Speaker 3>Uh.

101
00:05:59.680 --> 00:06:04.600
<v Speaker 1>And under tension post post poor post meaning not a

102
00:06:04.639 --> 00:06:07.079
<v Speaker 1>post sticking up in the sky, but after the poor

103
00:06:07.160 --> 00:06:11.759
<v Speaker 1>meaning post tension. We put tension on the concrete after

104
00:06:12.360 --> 00:06:16.040
<v Speaker 1>the poor And so a traditional rebar slab has no

105
00:06:16.160 --> 00:06:18.639
<v Speaker 1>tension on it. It's just the bar is in there, and

106
00:06:18.680 --> 00:06:22.360
<v Speaker 1>it's helping to reinforce the brittleness of the concrete. But

107
00:06:22.480 --> 00:06:26.879
<v Speaker 1>this extra pressure and tension really helps the cement hold

108
00:06:26.920 --> 00:06:27.639
<v Speaker 1>itself together.

109
00:06:27.759 --> 00:06:32.199
<v Speaker 3>Totally totally different than rebar. Rebar. It's a myth people

110
00:06:32.240 --> 00:06:33.800
<v Speaker 3>think I'm going to put a bunch of rebar in

111
00:06:33.800 --> 00:06:36.920
<v Speaker 3>this lab to keep it from cracking. Rebar does not

112
00:06:37.040 --> 00:06:40.519
<v Speaker 3>keep concrete from cracking. It's going to crack. It's not

113
00:06:40.600 --> 00:06:44.160
<v Speaker 3>a post tension. It's not something that's hydraulically, you know,

114
00:06:44.240 --> 00:06:46.839
<v Speaker 3>brought up to a PSI. It's like, you know, concrete

115
00:06:46.879 --> 00:06:49.360
<v Speaker 3>with post tension, it's like a vice. You know, you

116
00:06:49.439 --> 00:06:51.480
<v Speaker 3>put the concrete and a vice and you tighten it.

117
00:06:51.759 --> 00:06:52.800
<v Speaker 3>That's the way it is forever.

118
00:06:52.959 --> 00:06:56.839
<v Speaker 1>So now post tension, it's realistic to say we're keeping

119
00:06:56.839 --> 00:07:02.160
<v Speaker 1>the concrete from cracking exactly truly, but post tension when

120
00:07:02.199 --> 00:07:05.680
<v Speaker 1>it comes to future work, has an achilles heel. We

121
00:07:05.720 --> 00:07:08.279
<v Speaker 1>need to talk about that literally, an achilles heel. I

122
00:07:08.279 --> 00:07:12.319
<v Speaker 1>think that's actually a really good metaphor for it. We're

123
00:07:12.360 --> 00:07:14.240
<v Speaker 1>going to discuss. So go nowhere. We're going to talk

124
00:07:14.240 --> 00:07:15.759
<v Speaker 1>about this on the other side of the break. If

125
00:07:15.800 --> 00:07:18.079
<v Speaker 1>you don't know, here's the critical thing. If you don't

126
00:07:18.120 --> 00:07:20.519
<v Speaker 1>know whether you've got a post tens slab or not,

127
00:07:20.759 --> 00:07:25.519
<v Speaker 1>you got to find out before anybody touches that concrete.

128
00:07:25.600 --> 00:07:28.079
<v Speaker 1>So hang with me. Yeah, did I tease you enough?

129
00:07:28.279 --> 00:07:28.560
<v Speaker 3>Good?

130
00:07:29.040 --> 00:07:29.560
<v Speaker 1>Hang tight.

131
00:07:30.800 --> 00:07:34.079
<v Speaker 2>You're listening to Home with Dean Sharp on demand from

132
00:07:34.199 --> 00:07:35.959
<v Speaker 2>KFI AM six forty.

133
00:07:37.399 --> 00:07:40.079
<v Speaker 1>At your service. Thanks for joining us on the program.

134
00:07:40.120 --> 00:07:44.439
<v Speaker 1>We are talking all things concrete today with my special

135
00:07:44.480 --> 00:07:49.439
<v Speaker 1>in studio guest Chris Carson, and so we were talking

136
00:07:49.480 --> 00:07:55.480
<v Speaker 1>about before the break to a traditional slab slab on

137
00:07:55.600 --> 00:07:59.040
<v Speaker 1>grade for a house is done with rebar, a reinforcement

138
00:07:59.160 --> 00:08:02.279
<v Speaker 1>bar tied with I think everybody knows what rebar looks like.

139
00:08:02.399 --> 00:08:05.000
<v Speaker 1>And if you've ever seen a pore before it happens,

140
00:08:05.000 --> 00:08:08.480
<v Speaker 1>you see it's all tied together in a grid of

141
00:08:08.519 --> 00:08:12.240
<v Speaker 1>some sort and people wonder how close and what kind

142
00:08:12.319 --> 00:08:15.240
<v Speaker 1>And there's no universal answer to that, all right, It

143
00:08:15.360 --> 00:08:19.199
<v Speaker 1>really it's an engineering thing. The size of the rebar

144
00:08:19.319 --> 00:08:21.439
<v Speaker 1>I can tell you. Typically the size of a rebar

145
00:08:21.560 --> 00:08:23.959
<v Speaker 1>for a residential slab on great house is usually what

146
00:08:24.000 --> 00:08:27.439
<v Speaker 1>we call number four rebar, which is a half inch rebar,

147
00:08:28.040 --> 00:08:30.600
<v Speaker 1>and it's usually tied somewhere in the area of eighteen

148
00:08:30.639 --> 00:08:33.360
<v Speaker 1>to twenty four inches on center, you know, eighteen to

149
00:08:33.399 --> 00:08:35.840
<v Speaker 1>twenty four inch squares, and Chris is nodding his head,

150
00:08:35.879 --> 00:08:38.840
<v Speaker 1>so I know I'm telling you the right thing, and

151
00:08:38.519 --> 00:08:41.799
<v Speaker 1>that's you know. And plus then there are extra bits

152
00:08:41.840 --> 00:08:44.279
<v Speaker 1>of rebar at the bottom of the bottom of footings

153
00:08:44.360 --> 00:08:47.799
<v Speaker 1>and the top of footings, and what we call grade beams,

154
00:08:47.840 --> 00:08:51.399
<v Speaker 1>and there's just and pads for structural posts, and on

155
00:08:51.440 --> 00:08:56.200
<v Speaker 1>and on it goes. The other kind of slab that

156
00:08:56.360 --> 00:09:00.799
<v Speaker 1>has been more and more utilized started off on kind

157
00:09:00.799 --> 00:09:03.480
<v Speaker 1>of exclusively on the high end, and then more developers

158
00:09:03.480 --> 00:09:06.960
<v Speaker 1>started using it later on, starting in the eighties, would

159
00:09:07.000 --> 00:09:10.000
<v Speaker 1>be a post tension slab, which before the break we

160
00:09:10.000 --> 00:09:14.559
<v Speaker 1>were saying uses cables that are tightened after the fact.

161
00:09:14.720 --> 00:09:18.360
<v Speaker 1>Those A post tension slab, because of the nature of

162
00:09:18.399 --> 00:09:22.320
<v Speaker 1>its structure, doesn't need as much stuff in it. In

163
00:09:22.360 --> 00:09:26.159
<v Speaker 1>other words, you don't find post tension slabs at eighteen

164
00:09:26.240 --> 00:09:30.000
<v Speaker 1>inches making eighteen inches square grids with these cables. Most

165
00:09:30.039 --> 00:09:33.919
<v Speaker 1>of the time. It's three to four foot apart from

166
00:09:33.919 --> 00:09:37.080
<v Speaker 1>each other in general. That's but my experience. You can

167
00:09:37.120 --> 00:09:39.759
<v Speaker 1>correct me if I'm wrong about that, Chris, But it's

168
00:09:39.759 --> 00:09:43.080
<v Speaker 1>about three to four feet on center. But right before

169
00:09:43.120 --> 00:09:45.679
<v Speaker 1>the break. You know, I teased you a little bit

170
00:09:45.720 --> 00:09:49.159
<v Speaker 1>and said, a post tension slab for all of its

171
00:09:49.240 --> 00:09:53.039
<v Speaker 1>immense benefits. I mean we're talking essentially a crack proof

172
00:09:53.200 --> 00:09:58.440
<v Speaker 1>slab without any control joints in it. It has an

173
00:09:58.440 --> 00:10:01.440
<v Speaker 1>achilles heel, and the achille heel is very simply this.

174
00:10:03.360 --> 00:10:06.440
<v Speaker 1>You can work. You can remodel and work around a

175
00:10:06.480 --> 00:10:11.279
<v Speaker 1>post tension slab butt unlike a traditional slab, where I

176
00:10:11.320 --> 00:10:15.000
<v Speaker 1>can just go in with a concrete saw and make

177
00:10:15.080 --> 00:10:18.000
<v Speaker 1>cuts and cut through rebar if I need to. Because

178
00:10:18.240 --> 00:10:20.639
<v Speaker 1>if I cut open a pad of a concrete and

179
00:10:20.720 --> 00:10:23.039
<v Speaker 1>I've cut out a section of rebar, then I can

180
00:10:23.080 --> 00:10:25.720
<v Speaker 1>turn around and dowl in to the side of that

181
00:10:26.159 --> 00:10:30.720
<v Speaker 1>old cut with some epoxy, some new rebar, and remake

182
00:10:30.759 --> 00:10:34.279
<v Speaker 1>the pad and retie it in. But if we cut

183
00:10:34.440 --> 00:10:38.519
<v Speaker 1>a post tension cable, one of these high tension cable

184
00:10:38.559 --> 00:10:43.480
<v Speaker 1>that's running across, it not only affects that cut right there,

185
00:10:43.639 --> 00:10:47.440
<v Speaker 1>but it affects the structural stability of the slab along

186
00:10:47.519 --> 00:10:50.480
<v Speaker 1>the entire length of that cable. Not only it could

187
00:10:50.519 --> 00:10:55.559
<v Speaker 1>be a dangerous thing as well, but most importantly, ultimately,

188
00:10:56.320 --> 00:11:00.639
<v Speaker 1>putting the danger side across, you can you can mess

189
00:11:00.720 --> 00:11:03.200
<v Speaker 1>up an entire section of your slab.

190
00:11:03.639 --> 00:11:07.519
<v Speaker 3>You can. I'd say the danger part that you were

191
00:11:07.559 --> 00:11:11.320
<v Speaker 3>mentioning would be the more concerning problem if you lost

192
00:11:11.320 --> 00:11:14.440
<v Speaker 3>a cable. You have so many cables in there. Without

193
00:11:14.440 --> 00:11:17.679
<v Speaker 3>one cable, you're going to be okay, this slab is

194
00:11:17.720 --> 00:11:20.840
<v Speaker 3>not going to fail. But it's a very dangerous thing

195
00:11:21.080 --> 00:11:23.240
<v Speaker 3>to not know you have a post tension slab and

196
00:11:23.279 --> 00:11:27.559
<v Speaker 3>to cut into it. I'm sure people have been hurt. Seriously.

197
00:11:27.759 --> 00:11:31.519
<v Speaker 3>It explodes because of all the tension in the cable.

198
00:11:31.519 --> 00:11:34.799
<v Speaker 3>When you cut it, it basically explodes. And you're only

199
00:11:34.840 --> 00:11:37.000
<v Speaker 3>talking a cable that's in a six inch piece of

200
00:11:37.039 --> 00:11:41.080
<v Speaker 3>concrete and it's not it's not something that you want

201
00:11:41.120 --> 00:11:45.039
<v Speaker 3>to get involved with. To prevent that. We x ray

202
00:11:45.120 --> 00:11:49.600
<v Speaker 3>slabs and lay it all out on the top of

203
00:11:49.639 --> 00:11:52.080
<v Speaker 3>the slab before you know, you have to get in

204
00:11:52.120 --> 00:11:55.480
<v Speaker 3>to do maybe a plumbing repair or an electrical problem,

205
00:11:55.960 --> 00:11:58.159
<v Speaker 3>So you need to be aware. A lot of times

206
00:11:58.200 --> 00:12:01.799
<v Speaker 3>they'll have a stamp in the girl that we'll say

207
00:12:01.879 --> 00:12:05.440
<v Speaker 3>post tension foundation. I don't always see them there, but

208
00:12:05.519 --> 00:12:08.799
<v Speaker 3>that's what they used to do. But there might be

209
00:12:08.919 --> 00:12:12.159
<v Speaker 3>signs on the side of the stem walls, the sides

210
00:12:12.159 --> 00:12:14.799
<v Speaker 3>of the walls of the foundation that show the cups

211
00:12:15.279 --> 00:12:19.000
<v Speaker 3>and how they're mounded, unless they're stuccoed over. But it's

212
00:12:19.000 --> 00:12:21.519
<v Speaker 3>good to know if you have post tension slab or not,

213
00:12:21.559 --> 00:12:23.000
<v Speaker 3>and you've got a problem with your house, you need

214
00:12:23.039 --> 00:12:24.639
<v Speaker 3>to dig into it. You better know what you.

215
00:12:24.679 --> 00:12:28.320
<v Speaker 1>Got exactly now. Again not to say there's really there

216
00:12:28.320 --> 00:12:30.360
<v Speaker 1>aren't any limits to what you can do with a

217
00:12:30.399 --> 00:12:33.080
<v Speaker 1>post tension slab versus the standard slab as far as

218
00:12:33.320 --> 00:12:36.720
<v Speaker 1>making alterations and so on. It really just comes down

219
00:12:36.759 --> 00:12:38.679
<v Speaker 1>to this, You've got to know where the cables are

220
00:12:39.000 --> 00:12:42.200
<v Speaker 1>and you don't cut them right. Apart from that, we

221
00:12:42.279 --> 00:12:44.279
<v Speaker 1>can go in and do In fact, we can expose

222
00:12:44.320 --> 00:12:47.000
<v Speaker 1>a cable, a section of cable. We can cut around

223
00:12:47.039 --> 00:12:49.559
<v Speaker 1>it very carefully. We can expose a section of cable.

224
00:12:49.840 --> 00:12:51.279
<v Speaker 1>We can get in there and do all sorts of

225
00:12:51.279 --> 00:12:55.600
<v Speaker 1>stuff and put it all back, and there are processes

226
00:12:55.600 --> 00:12:59.240
<v Speaker 1>for all that. But we don't cut the cables because

227
00:12:59.399 --> 00:13:02.440
<v Speaker 1>that can be problematic on a number of levels. So

228
00:13:03.240 --> 00:13:05.799
<v Speaker 1>know what you've got, And if you're just sitting there,

229
00:13:06.440 --> 00:13:08.639
<v Speaker 1>you know, not doing any work on your house, No,

230
00:13:08.679 --> 00:13:10.480
<v Speaker 1>you don't have to go find out what you got tomorrow,

231
00:13:10.519 --> 00:13:12.559
<v Speaker 1>because it doesn't matter right, and the house of the house,

232
00:13:13.000 --> 00:13:15.360
<v Speaker 1>you're just gonna know that you've got a house that's

233
00:13:15.360 --> 00:13:18.360
<v Speaker 1>never had any uplift and no cracks in the slab

234
00:13:18.440 --> 00:13:20.840
<v Speaker 1>and so on. And if it's a house after built

235
00:13:20.879 --> 00:13:23.120
<v Speaker 1>after the eighties, there's a good chance that it might

236
00:13:23.159 --> 00:13:27.879
<v Speaker 1>be a post tension house there. But any work in

237
00:13:27.919 --> 00:13:32.480
<v Speaker 1>which anybody is talking about doing anything with that concrete slab,

238
00:13:32.879 --> 00:13:34.639
<v Speaker 1>you've got to know ahead of time. And it's it's

239
00:13:34.639 --> 00:13:36.960
<v Speaker 1>only you know, you know, a few dollars I mean

240
00:13:37.080 --> 00:13:40.360
<v Speaker 1>talking about a few hundred dollars to have a location

241
00:13:40.559 --> 00:13:43.399
<v Speaker 1>service come out. And these guys specialize in this. The

242
00:13:43.480 --> 00:13:47.799
<v Speaker 1>same guys that find, you know, broken water lines under

243
00:13:47.840 --> 00:13:50.159
<v Speaker 1>your home and so on, can come out and X

244
00:13:50.279 --> 00:13:52.960
<v Speaker 1>ray and scan your slab and literally, like Chris said,

245
00:13:53.240 --> 00:13:56.559
<v Speaker 1>put down tape marking like here it is. You know,

246
00:13:56.639 --> 00:13:58.639
<v Speaker 1>if the bear slab, they can paint it for you,

247
00:13:58.679 --> 00:14:01.000
<v Speaker 1>but they can roll tape around to cross and show

248
00:14:01.039 --> 00:14:04.039
<v Speaker 1>you right here here, you know, within an inch or two,

249
00:14:04.120 --> 00:14:06.840
<v Speaker 1>here is where this cable is, and here's where that

250
00:14:06.919 --> 00:14:10.440
<v Speaker 1>cable is. And then you just make sure that everybody

251
00:14:10.519 --> 00:14:14.080
<v Speaker 1>avoids them, you know, so that so that we don't

252
00:14:14.200 --> 00:14:18.240
<v Speaker 1>end up with something disastrous on our hands, all right, Chris,

253
00:14:18.679 --> 00:14:22.000
<v Speaker 1>So I want to keep rolling here. I've got just

254
00:14:22.120 --> 00:14:26.679
<v Speaker 1>enough time to tease the next segment blameing the structural

255
00:14:26.679 --> 00:14:30.639
<v Speaker 1>slab aside. I want to get back into the esthetic stuff.

256
00:14:30.799 --> 00:14:33.720
<v Speaker 1>And we've talked about cracks, and we've talked about the

257
00:14:34.200 --> 00:14:38.000
<v Speaker 1>proper way. We've talked about the ideal, the situation for

258
00:14:38.240 --> 00:14:41.759
<v Speaker 1>pouring and all of that, and maybe we can touch

259
00:14:41.759 --> 00:14:44.279
<v Speaker 1>a little bit more on that some other weather conditions

260
00:14:44.320 --> 00:14:48.360
<v Speaker 1>that are problematic. But I want to talk about finishes,

261
00:14:48.879 --> 00:14:52.840
<v Speaker 1>your favorite finishes and your least favorite finishes. Now, why

262
00:14:52.879 --> 00:14:56.600
<v Speaker 1>should that matter to me? I'm a designer and I'm

263
00:14:56.679 --> 00:14:59.080
<v Speaker 1>just going to give my clients the finish they want.

264
00:14:59.279 --> 00:15:04.200
<v Speaker 1>But the fact the matter is some finishes perform better

265
00:15:04.240 --> 00:15:08.279
<v Speaker 1>than others in the long term. Some finishes promise a

266
00:15:08.399 --> 00:15:13.080
<v Speaker 1>lot and in my opinion, end up delivering far less

267
00:15:13.320 --> 00:15:16.879
<v Speaker 1>than what they promise. So I want everybody to hear

268
00:15:16.960 --> 00:15:21.799
<v Speaker 1>from you, from your vast experience, the kind of concrete

269
00:15:21.840 --> 00:15:26.879
<v Speaker 1>finishes that you like the most, sand finish, broom finish,

270
00:15:26.919 --> 00:15:31.440
<v Speaker 1>stamped concrete, exposed aggregate. What are these things, how do

271
00:15:31.559 --> 00:15:34.799
<v Speaker 1>they work? And in your experience, which are the ones

272
00:15:34.840 --> 00:15:37.799
<v Speaker 1>that really hold up to everything they promise and what

273
00:15:37.919 --> 00:15:40.559
<v Speaker 1>falls short. We will talk about that right on the

274
00:15:40.600 --> 00:15:41.600
<v Speaker 1>other side of the news.

275
00:15:42.759 --> 00:15:46.080
<v Speaker 2>You're listening to Home with Dean Sharp on demand from

276
00:15:46.200 --> 00:15:49.679
<v Speaker 2>KFI Am six forty.

277
00:15:49.759 --> 00:15:53.120
<v Speaker 1>You are home. I hope you feel home. That's my goal.

278
00:15:53.480 --> 00:15:58.159
<v Speaker 1>Your Home with Dean Sharp, the House Whisperer. We spend

279
00:15:58.440 --> 00:16:03.080
<v Speaker 1>every minute of this program every weekend on Saturday mornings

280
00:16:03.080 --> 00:16:05.879
<v Speaker 1>from six to eight and Sundays from nine to noon

281
00:16:06.480 --> 00:16:10.000
<v Speaker 1>talking about your home. It's design. We talk about it

282
00:16:10.039 --> 00:16:12.679
<v Speaker 1>all the way from its architecture down to the nitty

283
00:16:12.720 --> 00:16:18.799
<v Speaker 1>gritty of home repair, home construction, inside, outside, the whole thing.

284
00:16:19.279 --> 00:16:22.360
<v Speaker 1>It's all about your house and your home and taking

285
00:16:22.440 --> 00:16:26.919
<v Speaker 1>your ordinary house and turning it into hopefully an extraordinary home.

286
00:16:27.320 --> 00:16:30.600
<v Speaker 1>One of the most basic and fundamental elements, whether it's

287
00:16:30.679 --> 00:16:35.360
<v Speaker 1>in the slab itself or in the outside decorative flatwork,

288
00:16:35.919 --> 00:16:38.960
<v Speaker 1>is concrete. Concrete is just simply one of the most

289
00:16:38.960 --> 00:16:41.879
<v Speaker 1>important things that we do on planet Earth, and one

290
00:16:41.879 --> 00:16:45.440
<v Speaker 1>of the biggest things that we do. It's been a

291
00:16:45.440 --> 00:16:48.600
<v Speaker 1>great show so far. We're turning the corner around eleven

292
00:16:48.759 --> 00:16:51.519
<v Speaker 1>thirty here and I have in studio with me my

293
00:16:51.759 --> 00:16:59.000
<v Speaker 1>very special guest, Chris Carson. Fantastic Concrete and masonry contractor.

294
00:16:59.480 --> 00:17:02.720
<v Speaker 1>And we've been talking all things concrete, So Chris, now

295
00:17:02.799 --> 00:17:05.200
<v Speaker 1>let's get back out into the decorative side of things.

296
00:17:05.599 --> 00:17:09.319
<v Speaker 1>As I said before the break, from a design perspective,

297
00:17:09.319 --> 00:17:12.319
<v Speaker 1>we have a lot of options for finishes of concrete,

298
00:17:13.039 --> 00:17:19.119
<v Speaker 1>and as a designer, there are so many options that

299
00:17:19.200 --> 00:17:24.799
<v Speaker 1>it might be tempting if I wasn't anchored in the

300
00:17:24.839 --> 00:17:28.680
<v Speaker 1>builder side of me, to just say yes to anything

301
00:17:28.720 --> 00:17:32.599
<v Speaker 1>that a client is looking for. But there are finishes

302
00:17:32.640 --> 00:17:35.200
<v Speaker 1>that I've encountered over the years that I like definitely

303
00:17:35.240 --> 00:17:38.480
<v Speaker 1>better and worse when it comes to concrete. And I'm

304
00:17:38.519 --> 00:17:41.640
<v Speaker 1>interested from your perspective if there are finishes that you

305
00:17:41.880 --> 00:17:45.599
<v Speaker 1>like for better or worse. And it's not that Chris's

306
00:17:45.640 --> 00:17:48.880
<v Speaker 1>taste or my taste should determine your taste, but you

307
00:17:48.920 --> 00:17:52.759
<v Speaker 1>should listen to some experts who have some serious experience

308
00:17:52.799 --> 00:17:57.400
<v Speaker 1>with it in terms of maybe that finish is not

309
00:17:58.079 --> 00:18:02.200
<v Speaker 1>going to follow through with everything that it's promising. So

310
00:18:02.319 --> 00:18:04.559
<v Speaker 1>I would love to hear from you, what, by the way,

311
00:18:04.559 --> 00:18:08.599
<v Speaker 1>what so, what is your favorite concrete finish? I think

312
00:18:08.599 --> 00:18:12.119
<v Speaker 1>most people have seen all of them, whether they realize

313
00:18:12.160 --> 00:18:15.880
<v Speaker 1>it or not. Probably not, but most people have encountered

314
00:18:15.920 --> 00:18:18.680
<v Speaker 1>all the finishes. They just may not know what it

315
00:18:18.720 --> 00:18:21.359
<v Speaker 1>is that they're looking at. But what's your favorite finish for?

316
00:18:21.960 --> 00:18:25.839
<v Speaker 3>Right? We have so many options now. The thing that

317
00:18:25.880 --> 00:18:29.039
<v Speaker 3>you need to look at it also is the longevity

318
00:18:28.680 --> 00:18:31.960
<v Speaker 3>of the looks, whether or not it's going to fade,

319
00:18:33.519 --> 00:18:35.359
<v Speaker 3>and what's going to happen in the future with this

320
00:18:35.440 --> 00:18:39.200
<v Speaker 3>type of finish you've created. There's finishes now, an exposed

321
00:18:39.240 --> 00:18:43.319
<v Speaker 3>agg again and finish, a sand finish that those involve

322
00:18:43.319 --> 00:18:45.759
<v Speaker 3>a chemical that we put on and wash off the

323
00:18:45.799 --> 00:18:49.200
<v Speaker 3>next morning and expose Maybe a sand finish would be

324
00:18:49.240 --> 00:18:54.119
<v Speaker 3>exposing the very top layer of the concrete into a

325
00:18:54.400 --> 00:18:57.200
<v Speaker 3>porous sand finish, and then you can go deeper into

326
00:18:57.200 --> 00:19:00.359
<v Speaker 3>that into the aggregant. That is a look very popular

327
00:19:00.480 --> 00:19:06.799
<v Speaker 3>is the stamp. Stamp colored finishes. Those to me and

328
00:19:06.920 --> 00:19:09.519
<v Speaker 3>after doing this all those years, I come back and

329
00:19:09.559 --> 00:19:13.720
<v Speaker 3>look at them underneath the patio cover. They look beautiful.

330
00:19:13.759 --> 00:19:16.599
<v Speaker 3>With the colors put out in the sun. They're faded.

331
00:19:16.759 --> 00:19:19.759
<v Speaker 3>People want to know what can I do? This looks terrible.

332
00:19:19.799 --> 00:19:22.880
<v Speaker 3>It's all watched out For that reason alone, right there,

333
00:19:23.000 --> 00:19:27.400
<v Speaker 3>I would tend to stay away from the stamp and

334
00:19:27.440 --> 00:19:30.480
<v Speaker 3>the coloring. Sometimes it works on a house, or sometimes

335
00:19:30.480 --> 00:19:32.759
<v Speaker 3>you have it and you have to match it. But

336
00:19:33.240 --> 00:19:36.799
<v Speaker 3>to come back and put a sealer on it and recolor,

337
00:19:37.000 --> 00:19:38.960
<v Speaker 3>you're going to be married to that and it's going

338
00:19:39.039 --> 00:19:43.880
<v Speaker 3>to be a constant thing, moving furniture, pressure watching, ceiling coloring.

339
00:19:44.319 --> 00:19:47.359
<v Speaker 3>Where a sand finish and other types of finishes don't

340
00:19:47.400 --> 00:19:49.759
<v Speaker 3>require anything you come back in ten years. They look

341
00:19:49.920 --> 00:19:52.720
<v Speaker 3>just like that, you know, other than your just standard

342
00:19:52.720 --> 00:19:55.319
<v Speaker 3>broom finishes. But people want options with their house. They

343
00:19:55.359 --> 00:19:57.519
<v Speaker 3>want something that looks good. They want to put in

344
00:19:57.559 --> 00:20:00.920
<v Speaker 3>a new backyard, a new back patio, definitely put in

345
00:20:01.000 --> 00:20:04.000
<v Speaker 3>a kicked up finish. There's so many alternatives, but you

346
00:20:04.039 --> 00:20:05.960
<v Speaker 3>want something that you aren't going to come back in

347
00:20:06.000 --> 00:20:09.119
<v Speaker 3>five or eight years and go goud. It's all getting

348
00:20:10.400 --> 00:20:13.200
<v Speaker 3>bleached out, but it looks great under the cover. Right,

349
00:20:13.680 --> 00:20:15.880
<v Speaker 3>I didn't finished, is my answer to your question.

350
00:20:15.920 --> 00:20:17.759
<v Speaker 1>All right, so I knew you were gonna rag on

351
00:20:17.839 --> 00:20:24.000
<v Speaker 1>stamped concrete because here is the thing I think my

352
00:20:24.160 --> 00:20:29.480
<v Speaker 1>experience has been in working with most homeowners that I

353
00:20:29.519 --> 00:20:33.079
<v Speaker 1>think right now, most of our listeners would prior to

354
00:20:33.119 --> 00:20:37.599
<v Speaker 1>this conversation, at this moment right here, would assume that

355
00:20:37.880 --> 00:20:43.920
<v Speaker 1>a stamped concrete finishes the pinnacle of concrete finishes, and

356
00:20:44.000 --> 00:20:49.799
<v Speaker 1>what y'all are not aware of is within the industry itself,

357
00:20:50.960 --> 00:20:53.319
<v Speaker 1>it is the finish that makes most of us roll

358
00:20:53.359 --> 00:20:56.400
<v Speaker 1>our eyes the most because of everything that Chris just

359
00:20:56.440 --> 00:20:59.400
<v Speaker 1>talked about. Well, so let me talk from a design perspective.

360
00:21:00.000 --> 00:21:05.400
<v Speaker 1>From a design perspective, stamped concrete is usually not my

361
00:21:05.519 --> 00:21:07.960
<v Speaker 1>first go to, never my first go to at all,

362
00:21:08.720 --> 00:21:11.599
<v Speaker 1>for a couple of reasons. One, it is an attempt

363
00:21:11.799 --> 00:21:17.680
<v Speaker 1>to emulate another material, and as a designer, I would

364
00:21:17.799 --> 00:21:21.880
<v Speaker 1>rather just use the other material. In other words, a

365
00:21:21.920 --> 00:21:25.680
<v Speaker 1>stamped concrete is trying to look like a cobble, or

366
00:21:25.759 --> 00:21:29.119
<v Speaker 1>it's trying to look like a flagstone, or it's trying

367
00:21:29.160 --> 00:21:32.359
<v Speaker 1>to look like some kind of a natural stone finish.

368
00:21:32.480 --> 00:21:35.599
<v Speaker 1>So we have the stamps, and we have the mats,

369
00:21:35.640 --> 00:21:37.960
<v Speaker 1>and we press in and we emboss the top of

370
00:21:38.000 --> 00:21:41.119
<v Speaker 1>the concrete, and then if we really want to go

371
00:21:41.200 --> 00:21:45.039
<v Speaker 1>to the nth degree, there are powders and color additives

372
00:21:45.039 --> 00:21:48.519
<v Speaker 1>that are put on the surface that affect the surface

373
00:21:48.559 --> 00:21:51.599
<v Speaker 1>color to try and get that stony two or three

374
00:21:51.720 --> 00:21:55.440
<v Speaker 1>tone finish, and believe me, it can be done beautifully.

375
00:21:55.640 --> 00:21:59.319
<v Speaker 1>I've seen Chris's stuff look beautiful. But the point is

376
00:22:00.519 --> 00:22:05.519
<v Speaker 1>every one of those additional elements can react differently to time,

377
00:22:06.079 --> 00:22:11.240
<v Speaker 1>to UV, light from the sun, uneven, fading and blotching

378
00:22:11.319 --> 00:22:13.319
<v Speaker 1>and all, I mean, just all sorts of stuff. So

379
00:22:13.599 --> 00:22:17.880
<v Speaker 1>it really the big secret is within the industry, it's

380
00:22:18.000 --> 00:22:21.440
<v Speaker 1>the least desired finish within the industry.

381
00:22:21.720 --> 00:22:25.960
<v Speaker 3>And now also with pavers, they seem to be quite

382
00:22:26.000 --> 00:22:30.960
<v Speaker 3>popular for many reasons. Just talking about the color with pavers,

383
00:22:31.039 --> 00:22:35.319
<v Speaker 3>it's so dense. Pavers don't have the qualities of concrete.

384
00:22:35.559 --> 00:22:39.759
<v Speaker 3>They don't fade as much in pavers. The colors, You're

385
00:22:39.759 --> 00:22:42.759
<v Speaker 3>going to get a lot more time out of your

386
00:22:42.759 --> 00:22:45.880
<v Speaker 3>pavers with the color almost no problem. I haven't seen

387
00:22:45.960 --> 00:22:50.319
<v Speaker 3>pavers completely fail with their colors make a stamp concrete.

388
00:22:50.519 --> 00:22:53.000
<v Speaker 3>And also the pavers another benefit. Hey, if you've got

389
00:22:53.000 --> 00:22:56.559
<v Speaker 3>a tree root that grows underneath your driveway sad lab

390
00:22:56.599 --> 00:22:58.839
<v Speaker 3>and it's all lifted, you pull the papers up, you

391
00:22:58.839 --> 00:23:01.240
<v Speaker 3>put them back down, you take the roots out. You

392
00:23:01.279 --> 00:23:04.720
<v Speaker 3>never know anything that happens pavers. You know what, within

393
00:23:04.759 --> 00:23:06.599
<v Speaker 3>the last ten fifteen years, you're starting to see a

394
00:23:06.640 --> 00:23:09.240
<v Speaker 3>lot more people doing pavers. They've been around for a while,

395
00:23:09.640 --> 00:23:11.880
<v Speaker 3>but now they're starting to make more sense. With trees,

396
00:23:11.920 --> 00:23:14.599
<v Speaker 3>which you're in getting bigger trees are our number one

397
00:23:14.680 --> 00:23:17.480
<v Speaker 3>caused tree roots probably most concrete crackings.

398
00:23:17.720 --> 00:23:20.119
<v Speaker 1>So absolutely a no brainer. If you're thinking about a

399
00:23:20.240 --> 00:23:24.920
<v Speaker 1>concrete driveway that is supposed to emulate cobble, then just

400
00:23:25.000 --> 00:23:28.000
<v Speaker 1>do it in pavers. Because you talk about papers been

401
00:23:28.000 --> 00:23:30.359
<v Speaker 1>around for a long time. Pavers are as old as

402
00:23:30.440 --> 00:23:35.119
<v Speaker 1>paving gets because essentially a modern day concrete paver is

403
00:23:35.720 --> 00:23:39.960
<v Speaker 1>the modern version of cobblestone. I mean, and what are

404
00:23:39.960 --> 00:23:44.079
<v Speaker 1>the advantages? As Chris said, these are individual units. Now

405
00:23:44.079 --> 00:23:46.880
<v Speaker 1>we're back to that definition of masonry. These are individual

406
00:23:46.960 --> 00:23:49.400
<v Speaker 1>units that are going into a driveway or a patio,

407
00:23:49.920 --> 00:23:53.519
<v Speaker 1>and if anything ever needed to be dealt with underneath,

408
00:23:53.519 --> 00:23:57.400
<v Speaker 1>we can literally unzip those units, set them aside, get underneath,

409
00:23:57.480 --> 00:23:59.880
<v Speaker 1>do whatever needs to be done, cut that tree root,

410
00:24:00.160 --> 00:24:03.759
<v Speaker 1>move that sewer line, and then literally put them back

411
00:24:03.880 --> 00:24:09.079
<v Speaker 1>into place again. And there's no cracking in a paver

412
00:24:09.160 --> 00:24:12.920
<v Speaker 1>or driveway because as the settling or whatever minute things happen,

413
00:24:13.000 --> 00:24:16.920
<v Speaker 1>they just it's absorbed in all of those joints. And

414
00:24:17.039 --> 00:24:20.559
<v Speaker 1>so that's another reason why stamped concrete is just not

415
00:24:20.720 --> 00:24:24.839
<v Speaker 1>necessary on this level. So it may come as a

416
00:24:24.880 --> 00:24:26.880
<v Speaker 1>shock to everybody to find out that we're not big

417
00:24:26.920 --> 00:24:31.160
<v Speaker 1>fans of stamp concrete. But hopefully it's it's an educational

418
00:24:31.200 --> 00:24:35.960
<v Speaker 1>one because down the line the problems with fading and

419
00:24:36.000 --> 00:24:39.640
<v Speaker 1>modeling and all of the above. Now you said you

420
00:24:39.759 --> 00:24:42.599
<v Speaker 1>like a sand finish, I love a sand finish. I

421
00:24:42.640 --> 00:24:46.359
<v Speaker 1>also love exposed aggregate. I want to explain that process

422
00:24:46.440 --> 00:24:50.079
<v Speaker 1>a little bit clearer for everybody so that they understand that.

423
00:24:50.160 --> 00:24:51.720
<v Speaker 1>I think we're just going to have enough time to

424
00:24:51.799 --> 00:24:54.799
<v Speaker 1>do that before we are out today. So hold tight

425
00:24:54.920 --> 00:24:58.640
<v Speaker 1>if you want to hear how and why these are

426
00:24:58.759 --> 00:25:03.240
<v Speaker 1>far more reliable and I think more beautiful finishes. Number one,

427
00:25:03.279 --> 00:25:06.119
<v Speaker 1>you already know that I've showed my hand because I

428
00:25:06.160 --> 00:25:10.000
<v Speaker 1>think if we use concrete, let's just not hide it.

429
00:25:10.119 --> 00:25:13.160
<v Speaker 1>Let's use concrete, and let's use concrete in its most

430
00:25:13.240 --> 00:25:17.559
<v Speaker 1>beautiful forms. Otherwise, if we want a flagstone driveway, let's

431
00:25:17.559 --> 00:25:20.680
<v Speaker 1>buy some flagstone right and just make a flagstone driveway.

432
00:25:20.720 --> 00:25:24.119
<v Speaker 1>It'll hold up much better than a stamped version of

433
00:25:24.240 --> 00:25:28.160
<v Speaker 1>flagstone long term. But if we're the other advantage of

434
00:25:28.200 --> 00:25:33.759
<v Speaker 1>a beautifully finished concrete driveway is they're not that expensive

435
00:25:33.759 --> 00:25:37.160
<v Speaker 1>to achieve. No, I mean we're talking of sand or

436
00:25:37.160 --> 00:25:41.160
<v Speaker 1>an aggregate exposed aggregate finish. It's just a couple extra steps.

437
00:25:41.519 --> 00:25:44.400
<v Speaker 1>We're going to be done that day at the same time. Yeah, so, yeah,

438
00:25:44.559 --> 00:25:47.519
<v Speaker 1>you have some chemic goals. You have some release or

439
00:25:47.839 --> 00:25:51.960
<v Speaker 1>whatever it's going to be to retard that concrete so

440
00:25:52.000 --> 00:25:54.319
<v Speaker 1>we can wash it to get the effect that we want,

441
00:25:54.680 --> 00:25:58.839
<v Speaker 1>but not that much effort to make concrete look different.

442
00:25:58.880 --> 00:26:01.400
<v Speaker 1>It's all going to be done, you Port seven. It's

443
00:26:01.440 --> 00:26:03.119
<v Speaker 1>all gonna be done at twelve one o'clock. I don't

444
00:26:03.160 --> 00:26:05.039
<v Speaker 1>care what what we're gonna do. You're gonna have You're

445
00:26:05.079 --> 00:26:06.759
<v Speaker 1>gonna have your concrete at the end of the day,

446
00:26:06.799 --> 00:26:09.000
<v Speaker 1>and we're gonna be out of your hair all right.

447
00:26:09.039 --> 00:26:12.079
<v Speaker 1>When we come back, we're gonna explain how that particular

448
00:26:12.240 --> 00:26:16.200
<v Speaker 1>set of finishes work. Uh uh, and we're gonna wrap

449
00:26:16.200 --> 00:26:16.480
<v Speaker 1>it up.

450
00:26:17.160 --> 00:26:20.480
<v Speaker 2>You're listening to Home with Dean Sharp on demand from

451
00:26:20.559 --> 00:26:22.079
<v Speaker 2>KFI A M six forty.

452
00:26:25.200 --> 00:26:27.599
<v Speaker 1>Here we are final segment of the show. But don't

453
00:26:27.599 --> 00:26:30.400
<v Speaker 1>go anywhere because I am taking this content all the

454
00:26:30.440 --> 00:26:35.599
<v Speaker 1>way to the very end because there's so much, you know,

455
00:26:35.640 --> 00:26:38.200
<v Speaker 1>and we have just scratched the surface on the subject

456
00:26:38.319 --> 00:26:41.960
<v Speaker 1>of concrete today. We didn't even get into masonry per se.

457
00:26:42.480 --> 00:26:44.920
<v Speaker 1>Uh and we're gonna have to come back Chris and

458
00:26:44.960 --> 00:26:47.160
<v Speaker 1>do that another day with me. Is that okay with you?

459
00:26:47.359 --> 00:26:50.200
<v Speaker 1>All Right? Everybody's loving you on the show. We're getting

460
00:26:50.400 --> 00:26:53.200
<v Speaker 1>we're getting calls and emails and it's just been great.

461
00:26:53.599 --> 00:26:56.920
<v Speaker 1>So uh, we kind of spent the last segment pooh

462
00:26:56.920 --> 00:27:00.720
<v Speaker 1>poohing stamped concrete. Uh you know, not that it doesn't

463
00:27:00.759 --> 00:27:03.799
<v Speaker 1>have its place in a certain place, but you and

464
00:27:03.839 --> 00:27:08.559
<v Speaker 1>I both would you know, as builders and as a designers,

465
00:27:08.640 --> 00:27:11.440
<v Speaker 1>we would rather go in different directions with concrete. I'd

466
00:27:11.480 --> 00:27:14.519
<v Speaker 1>rather let concrete be concrete and let it be amazing.

467
00:27:14.720 --> 00:27:16.720
<v Speaker 3>It's kind of like back when we used to foe

468
00:27:16.839 --> 00:27:19.480
<v Speaker 3>our walls in our living room, right, Yeah, that was

469
00:27:19.519 --> 00:27:21.839
<v Speaker 3>in That was huge. Yeah. I used to do it too.

470
00:27:21.880 --> 00:27:23.839
<v Speaker 3>I mean, I mean how many years ago was that?

471
00:27:23.920 --> 00:27:27.160
<v Speaker 3>Fifteen twenty years? It stated, Maybe it's kind of like

472
00:27:27.200 --> 00:27:28.359
<v Speaker 3>stamp concrete in a way.

473
00:27:28.519 --> 00:27:33.720
<v Speaker 1>Yeah. I think I just think materials if I think

474
00:27:33.759 --> 00:27:37.000
<v Speaker 1>you can take a material and from a design perspective,

475
00:27:37.960 --> 00:27:41.920
<v Speaker 1>take it as many places as it can go itself,

476
00:27:42.559 --> 00:27:46.200
<v Speaker 1>and you discover all new realms to it instead of

477
00:27:46.880 --> 00:27:50.000
<v Speaker 1>just the assumption, well concrete is just gray and boring.

478
00:27:50.119 --> 00:27:52.079
<v Speaker 1>But hey, guess what we learned to do. We learned

479
00:27:52.079 --> 00:27:53.759
<v Speaker 1>to stamp it and turn it in and make it

480
00:27:53.799 --> 00:27:59.000
<v Speaker 1>look like something yeah yeah, but not right. And so anyway,

481
00:27:59.519 --> 00:28:02.160
<v Speaker 1>on the side object of this, there are a series

482
00:28:02.200 --> 00:28:05.039
<v Speaker 1>of finishes that you and I both love. A sand finish,

483
00:28:05.359 --> 00:28:09.240
<v Speaker 1>an exposed aggregate finish, and a process called seeding. And

484
00:28:09.279 --> 00:28:11.160
<v Speaker 1>I'm just gonna set it up here and then you

485
00:28:11.279 --> 00:28:13.599
<v Speaker 1>can get in and correct me or make the specifics.

486
00:28:13.640 --> 00:28:17.799
<v Speaker 1>But essentially what we're talking about is both a sand

487
00:28:17.880 --> 00:28:24.960
<v Speaker 1>finish and exposed aggregate finish and seeding is we are.

488
00:28:25.000 --> 00:28:28.400
<v Speaker 1>What we're doing is we're pouring a regular poor floating

489
00:28:28.400 --> 00:28:30.240
<v Speaker 1>a regular poor It looks, you know, at the end

490
00:28:30.279 --> 00:28:31.880
<v Speaker 1>of the day, it pretty much looks like we've just

491
00:28:32.440 --> 00:28:37.960
<v Speaker 1>left behind a flat, old, you know, boring, normal concrete job.

492
00:28:38.599 --> 00:28:41.200
<v Speaker 1>But right at the end because of something we've put

493
00:28:41.279 --> 00:28:47.720
<v Speaker 1>into the concrete, either the size of specialized aggregate stones

494
00:28:48.400 --> 00:28:53.279
<v Speaker 1>or a sand in bedmont in the top or seeding.

495
00:28:53.279 --> 00:28:56.640
<v Speaker 1>What you're gonna explain a second. We spray a chemical

496
00:28:57.400 --> 00:29:02.440
<v Speaker 1>over the top of that curing concre and it comes

497
00:29:02.440 --> 00:29:04.160
<v Speaker 1>in many names, and there are a lot of different

498
00:29:04.160 --> 00:29:07.079
<v Speaker 1>ones out there, but we just spray kind of Hudson

499
00:29:07.119 --> 00:29:10.319
<v Speaker 1>spray or out of chemical over walk away, walk away.

500
00:29:11.119 --> 00:29:14.960
<v Speaker 1>Usually come back unless weather conditions are making us do otherwise.

501
00:29:15.039 --> 00:29:18.680
<v Speaker 1>Usually come back the next morning and pressure wash that

502
00:29:18.720 --> 00:29:21.839
<v Speaker 1>material off. And what that chemical does in one way

503
00:29:21.920 --> 00:29:25.480
<v Speaker 1>or another, it's a retardant in terms of it keeps

504
00:29:25.559 --> 00:29:30.680
<v Speaker 1>that top little layer of the cement from curing. Okay, well,

505
00:29:30.720 --> 00:29:33.720
<v Speaker 1>everything else is curing and hardening up, that one is

506
00:29:33.759 --> 00:29:37.839
<v Speaker 1>staying vulnerable. And under the pressure of a pressure washer,

507
00:29:38.359 --> 00:29:42.960
<v Speaker 1>we blast away that very top layer of concrete and

508
00:29:43.079 --> 00:29:47.839
<v Speaker 1>expose the hidden treasure underneath, which is this embedded finish

509
00:29:47.880 --> 00:29:51.119
<v Speaker 1>of either sand, which is a beautiful smooth finish, or

510
00:29:51.519 --> 00:29:54.839
<v Speaker 1>the aggregate like the pea gravel aggregate that's in the

511
00:29:54.880 --> 00:29:58.960
<v Speaker 1>mix of the concrete itself, or what you've seeded into

512
00:29:59.039 --> 00:30:02.000
<v Speaker 1>the concrete the day before, which takes it to a

513
00:30:02.000 --> 00:30:04.279
<v Speaker 1>whole different level. And talk about what seeding is.

514
00:30:04.880 --> 00:30:07.599
<v Speaker 3>Yeah, we can keep going with this thing. Seating is

515
00:30:07.920 --> 00:30:12.000
<v Speaker 3>a process where there's material shops now that just sell

516
00:30:12.039 --> 00:30:17.759
<v Speaker 3>different types of rock or granite or glass or pearl

517
00:30:18.119 --> 00:30:22.000
<v Speaker 3>or abalone shells. We take this stuff and we actually,

518
00:30:22.119 --> 00:30:24.960
<v Speaker 3>like bird seed, we spread it onto the concrete at

519
00:30:24.960 --> 00:30:28.200
<v Speaker 3>the right time after it's in our finishing process. Effort

520
00:30:28.279 --> 00:30:30.720
<v Speaker 3>starts to get a little bit tight, and we just

521
00:30:30.799 --> 00:30:33.920
<v Speaker 3>throw this on like bird seed, all through the whole top,

522
00:30:33.960 --> 00:30:38.000
<v Speaker 3>almost solid, and then we floated in, get that cement

523
00:30:38.200 --> 00:30:42.519
<v Speaker 3>over it and get it attached to the aggregant that

524
00:30:43.000 --> 00:30:46.079
<v Speaker 3>we've installed, so it's going to here, and then we

525
00:30:46.119 --> 00:30:50.160
<v Speaker 3>apply a chemical and the next morning we wash it

526
00:30:50.440 --> 00:30:54.319
<v Speaker 3>and it's all all the aggregant is left, but the

527
00:30:54.440 --> 00:30:55.720
<v Speaker 3>cement is washed out.

528
00:30:55.880 --> 00:30:59.240
<v Speaker 1>Now, if you live in eastern Ventura County, and I'm

529
00:30:59.319 --> 00:31:01.519
<v Speaker 1>going to describe this sort of makes sense to everybody.

530
00:31:02.279 --> 00:31:04.440
<v Speaker 1>If you live in southern California, you know that years ago,

531
00:31:05.000 --> 00:31:07.839
<v Speaker 1>I was twenty eighteen, I want to say, was the

532
00:31:07.880 --> 00:31:11.559
<v Speaker 1>Borderline mass shooting at the Borderline Club out here in

533
00:31:11.599 --> 00:31:18.720
<v Speaker 1>Thousand Oaks. Afterwards, our local park in Naho Creek North

534
00:31:20.319 --> 00:31:24.480
<v Speaker 1>commissioned a memorial for all of those who were lost

535
00:31:24.599 --> 00:31:29.200
<v Speaker 1>who lost their lives in the Borderline shooting. Chris is

536
00:31:29.240 --> 00:31:32.519
<v Speaker 1>the one who actually put that memorial together, designed and

537
00:31:32.559 --> 00:31:37.400
<v Speaker 1>put that memorial together. There are large granite boulders, one

538
00:31:37.680 --> 00:31:40.680
<v Speaker 1>for each of the individuals who lost their lives at

539
00:31:40.799 --> 00:31:43.960
<v Speaker 1>the Borderline, and then out in the field there are

540
00:31:44.000 --> 00:31:47.559
<v Speaker 1>pavers of people who have signed the backs, and you know,

541
00:31:47.640 --> 00:31:50.680
<v Speaker 1>it's a very very intimate, very very meaningful thing in

542
00:31:50.720 --> 00:31:53.759
<v Speaker 1>between the pavers and the boulders. The boulders are skirted

543
00:31:53.839 --> 00:31:59.759
<v Speaker 1>with cement with concrete, and Chris didn't want just another

544
00:32:00.559 --> 00:32:03.160
<v Speaker 1>color element entering into it. He wanted something to blend.

545
00:32:03.200 --> 00:32:06.039
<v Speaker 1>And so we have these large like you know, granite

546
00:32:06.119 --> 00:32:10.960
<v Speaker 1>like you know, river boulders, and so Chris seeded that

547
00:32:11.200 --> 00:32:16.839
<v Speaker 1>band of cement with granite flex down it went, poured

548
00:32:16.880 --> 00:32:22.119
<v Speaker 1>the concrete, put on the chemical release agent. Left next

549
00:32:22.200 --> 00:32:27.640
<v Speaker 1>morning pressure washed it off, and now those granite boulders

550
00:32:27.759 --> 00:32:32.319
<v Speaker 1>are surrounded by these aprons of looks like more granite,

551
00:32:32.480 --> 00:32:35.720
<v Speaker 1>more granite. It's like a seamless match between the granite

552
00:32:35.799 --> 00:32:38.279
<v Speaker 1>boulder and the granite concrete until we get to the

553
00:32:38.319 --> 00:32:43.920
<v Speaker 1>actual dedication pavers. It is beautiful, it is gorgeous, and

554
00:32:44.079 --> 00:32:47.559
<v Speaker 1>it's concrete. Yeah, and it's the kind of stuff that

555
00:32:47.720 --> 00:32:49.920
<v Speaker 1>can be done with concrete these days. I think it's

556
00:32:49.920 --> 00:32:52.920
<v Speaker 1>just a stunning example of exactly So that's a good

557
00:32:52.920 --> 00:32:56.720
<v Speaker 1>example of seating. Right. So you're pouring out the concrete

558
00:32:56.759 --> 00:33:00.200
<v Speaker 1>per us, and right as you're starting to float in

559
00:33:00.279 --> 00:33:02.279
<v Speaker 1>the finish, when it's time to you know, and then

560
00:33:02.319 --> 00:33:05.599
<v Speaker 1>you're gonna be sprinkling like Bert, you know, just casting

561
00:33:05.599 --> 00:33:09.880
<v Speaker 1>out all of this stuff. And it's not superficial. You're

562
00:33:09.920 --> 00:33:13.519
<v Speaker 1>embedding it down. You're kind of trowling it down in

563
00:33:13.680 --> 00:33:17.440
<v Speaker 1>for floating is what we call. But we're embedding it

564
00:33:17.480 --> 00:33:20.799
<v Speaker 1>in the concrete. And then that chemical release agent is

565
00:33:20.839 --> 00:33:23.559
<v Speaker 1>going to allow us the next morning to re expose it.

566
00:33:23.880 --> 00:33:27.480
<v Speaker 1>And it doesn't come off and it doesn't wear. It's granted, yes,

567
00:33:27.559 --> 00:33:29.640
<v Speaker 1>that's not gonna color fade over time. That's not a

568
00:33:29.720 --> 00:33:34.160
<v Speaker 1>die or a powder or anything. It's more stone on

569
00:33:34.279 --> 00:33:36.799
<v Speaker 1>the cement. And that's just the tip of the iceberg.

570
00:33:36.880 --> 00:33:39.319
<v Speaker 1>And by the way, that was just an absolutely beautiful job.

571
00:33:39.400 --> 00:33:40.240
<v Speaker 3>Chris, thank you.

572
00:33:41.440 --> 00:33:44.920
<v Speaker 1>All right, everybody, here we are at the end of

573
00:33:44.960 --> 00:33:47.359
<v Speaker 1>another three hours. Man, does it blow by?

574
00:33:47.920 --> 00:33:48.160
<v Speaker 3>Yes?

575
00:33:48.799 --> 00:33:51.400
<v Speaker 1>I will have Chris back on, and yes, the next

576
00:33:51.440 --> 00:33:53.880
<v Speaker 1>time I have him on, and we'll do it. Not

577
00:33:54.000 --> 00:33:57.279
<v Speaker 1>long from now. We'll be talking specifically about masonry. We're

578
00:33:57.279 --> 00:34:00.559
<v Speaker 1>gonna talk about brickwork and all of that kind of stuff. Okay,

579
00:34:00.759 --> 00:34:04.559
<v Speaker 1>just all of that fun stuff as well. But here

580
00:34:04.559 --> 00:34:07.599
<v Speaker 1>we are at the end of another program. I only

581
00:34:07.640 --> 00:34:11.119
<v Speaker 1>have just a brief wish for you today, not a

582
00:34:11.159 --> 00:34:14.079
<v Speaker 1>long closing thought because I wanted all of our material

583
00:34:14.199 --> 00:34:17.039
<v Speaker 1>to get out so that we made it through. It's

584
00:34:17.199 --> 00:34:21.519
<v Speaker 1>very simply this. You know, we talked about letting a

585
00:34:21.519 --> 00:34:26.679
<v Speaker 1>material be what it is. There is something honest about

586
00:34:26.800 --> 00:34:31.000
<v Speaker 1>really good design in that sense. Yeah, I love playing

587
00:34:31.079 --> 00:34:34.159
<v Speaker 1>tricks on people. I will fake something when we need

588
00:34:34.199 --> 00:34:37.280
<v Speaker 1>to fake it. And my general rule is the further

589
00:34:37.480 --> 00:34:43.079
<v Speaker 1>something is away from your critical perspective, the more you're

590
00:34:43.079 --> 00:34:45.599
<v Speaker 1>allowed to fake it, because nobody can get right up

591
00:34:45.639 --> 00:34:49.440
<v Speaker 1>close to it and discover that it's not real. But

592
00:34:49.519 --> 00:34:52.559
<v Speaker 1>that's not how life works. That's not how people work.

593
00:34:52.760 --> 00:34:55.679
<v Speaker 1>You know, we live right next to each other, and

594
00:34:56.800 --> 00:35:00.960
<v Speaker 1>for our closest friendships and our biggest relations ships and

595
00:35:01.039 --> 00:35:04.039
<v Speaker 1>the ones that we depend upon, like the concrete under

596
00:35:04.679 --> 00:35:07.400
<v Speaker 1>our homes that hold our lives up. You know, what

597
00:35:07.840 --> 00:35:11.400
<v Speaker 1>it needs to be real and real does not mean boring.

598
00:35:12.199 --> 00:35:15.360
<v Speaker 1>But the best thing that we can do, you and

599
00:35:15.400 --> 00:35:19.760
<v Speaker 1>I in our lives is to find the most beautiful

600
00:35:19.880 --> 00:35:23.599
<v Speaker 1>form of us that we can find the most beautiful

601
00:35:23.760 --> 00:35:26.440
<v Speaker 1>versions of us. And you know, instead of trying to

602
00:35:26.519 --> 00:35:30.360
<v Speaker 1>fake it, make the most out of what you are.

603
00:35:31.000 --> 00:35:33.639
<v Speaker 1>I like making the most out of concrete and leaving

604
00:35:33.719 --> 00:35:36.000
<v Speaker 1>it concrete, and I want you to make the most

605
00:35:36.039 --> 00:35:38.599
<v Speaker 1>out of what you are and you will shine in

606
00:35:38.679 --> 00:35:42.599
<v Speaker 1>the exact same way, in your own, unique and beautiful way.

607
00:35:43.039 --> 00:35:47.280
<v Speaker 1>And I think that resolution is the beginning of you

608
00:35:47.599 --> 00:35:52.679
<v Speaker 1>building yourself a beautiful life. Everybody, Enjoy the rest of

609
00:35:52.719 --> 00:35:56.119
<v Speaker 1>this Sunday, Enjoy the week ahead, and we'll be here

610
00:35:57.119 --> 00:35:59.679
<v Speaker 1>next weekend. And guess what's coming up next weekend. We'll

611
00:35:59.719 --> 00:36:03.039
<v Speaker 1>be talking about the best of the International Builders Show,

612
00:36:03.079 --> 00:36:06.000
<v Speaker 1>which is taking place this week in Las Vegas, Nevada.

613
00:36:06.400 --> 00:36:10.480
<v Speaker 1>Huge show, so much to talk about. Both shows next weekend.

614
00:36:10.559 --> 00:36:14.480
<v Speaker 1>Dedicated to all the little nuggets that I find along

615
00:36:14.519 --> 00:36:16.199
<v Speaker 1>the way. You're not going to want to miss it

616
00:36:16.239 --> 00:36:19.239
<v Speaker 1>in Until then, enjoy the day. We'll see you next week.

617
00:36:22.199 --> 00:36:25.639
<v Speaker 1>This has been Home with Dean Sharp, the House Whisper.

618
00:36:25.760 --> 00:36:28.679
<v Speaker 1>Tune into the live broadcast on KFI AM six forty

619
00:36:28.760 --> 00:36:31.920
<v Speaker 1>every Saturday morning from six to eight Pacific time, and

620
00:36:31.960 --> 00:36:35.239
<v Speaker 1>every Sunday morning from nine to noon Pacific time, or

621
00:36:35.480 --> 00:36:38.719
<v Speaker 1>anytime on demand on the iHeartRadio app.
