WEBVTT

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<v Speaker 1>Transcribe Kathy and Elliott Lewis on stage. Kathy Lewis Elliott Lewis,

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<v Speaker 1>two of the most distinguished names in radio, opening tonight

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<v Speaker 1>in their own theater, starring in a repertory of stories

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<v Speaker 1>of their own. And you're choosing radio's foremost players and

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<v Speaker 1>radio's foremost plays. Drama, comedy, adventure, mystery, melodrama.

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<v Speaker 2>Ladies and gentlemen.

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<v Speaker 1>Mister Elliott Lewis.

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<v Speaker 3>Good, evening, may I present my wife, Kathy Good Evening.

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<v Speaker 3>Tonight is our opening night, and tonight is the first

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<v Speaker 3>day of the new year. So we're going to do

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<v Speaker 3>a comedy for you to start our new series.

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<v Speaker 4>Something like a spray of confetti to go with the season.

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<v Speaker 4>A story about a young man and his wife in

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<v Speaker 4>nineteen fifty three.

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<v Speaker 5>Nice people, not rich, not poor, happy with each other,

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<v Speaker 5>you know. Nice.

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<v Speaker 3>So tonight we present String bow Tie by Morton Fine

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<v Speaker 3>and David Friedkin. My name in the play is Gerson Hapsmith.

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<v Speaker 5>And I'm Laurie Hapsmith, and.

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<v Speaker 6>We're married and we live in New York.

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<v Speaker 3>The opening scene has to do with Laurie. She's got

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<v Speaker 3>a seat on the Seventh Avenue subway. It's New Year's Eve, afternoon,

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<v Speaker 3>and she's on our way home from work. At the moment,

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<v Speaker 3>she's upset because the seated man next door is working

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<v Speaker 3>the crossword puzzle and doesn't know the three letter word

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<v Speaker 3>for the web footed diving bird of the Arctic Sea.

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<v Speaker 6>Laurie knows awk.

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<v Speaker 5>M sixteen down. It's uk auk now extinct. It's very

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<v Speaker 5>cold in the Arctic. Here's the paper.

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<v Speaker 6>You work it out, yes.

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<v Speaker 5>Thank you.

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<v Speaker 6>By that's Laurie.

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<v Speaker 3>Easy to get along with, even on a subway where

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<v Speaker 3>people are pretty tough to get along with. To make

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<v Speaker 3>a point out of it, Laurie in a way she knows,

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<v Speaker 3>makes herself smaller so that very large woman will have

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<v Speaker 3>ample room on the seat.

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<v Speaker 5>You crowded, dear No, not at all. Do you have

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<v Speaker 5>a pencil? Oh sure, sure, Dearie.

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<v Speaker 7>Wait, I'll find it somewhere. I got it, hears done

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<v Speaker 7>place at my face? Oh here, thank you. I like

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<v Speaker 7>to wear Crossford puzzles on her way home.

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<v Speaker 5>Oh thanks, they're extinct now, Dearie.

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<v Speaker 4>Yes, I know swy which one honey across or down upstair?

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<v Speaker 4>On the advertisement where see the one between the termite

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<v Speaker 4>service and the cheese crack is saw wee Oh.

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<v Speaker 5>You mean the picture of the man in a string

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<v Speaker 5>bow tie sitting at.

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<v Speaker 7>The piano schezzo a man's cologne to quicken the pulse

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<v Speaker 7>of women.

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<v Speaker 5>Oh you know.

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<v Speaker 7>Something, why I understand perfectly the emotions of those four

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<v Speaker 7>women seated at his feet.

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<v Speaker 5>Oh look at that man, dearie. Uh huh.

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<v Speaker 7>Let me know when we get the Times Square. Yesterday

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<v Speaker 7>I ended up in Bronx Park just staring at him.

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<v Speaker 7>That fella's a real beauty.

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<v Speaker 5>Do you really think so? Huh? Just me?

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<v Speaker 7>We all over town, ladies standing around staring, admiring. Oh no,

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<v Speaker 7>wonder the way he sits there at the piano, hands

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<v Speaker 7>poised over. Who knows what strange melody, the grace of

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<v Speaker 7>that fellow.

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<v Speaker 5>The passion is my husband.

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<v Speaker 7>Down to his fingertips, smoldering written all over him.

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<v Speaker 5>He's my husband. Ah honest. What's his name? Gerson?

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<v Speaker 2>Gerson?

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<v Speaker 5>Gerson? What? Gerson? Halfsmith? Dearie, what let me ask you something? No?

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<v Speaker 5>So we honey, this is Times Square? Who needs it?

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<v Speaker 7>I've got a little shoping to do in Bronx Park. Gerson,

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<v Speaker 7>I'm home, Gerson?

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<v Speaker 5>What are you doing?

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<v Speaker 3>I was trying to ride a slogan for the agency

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<v Speaker 3>what account lempkey water biscuit account. It's gonna be tough.

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<v Speaker 3>What rhymes with lemp key? Mh give me here, Laurie him.

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<v Speaker 5>I want to tell you something lover her. It happened

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<v Speaker 5>again today on the subway.

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<v Speaker 6>Did I have a big house mobbed?

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<v Speaker 5>Then there was a woman who sat next to.

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<v Speaker 6>Me, blonde brunette both.

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<v Speaker 5>Oh honey, you're the heartbeat of the subway circuit. You

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<v Speaker 5>know what that woman said about your picture? Zoue.

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<v Speaker 6>You don't know the half of it.

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<v Speaker 5>Tell me the half of it.

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<v Speaker 3>Mister Honeywell at the agency called me in and said

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<v Speaker 3>they formed a fan club in Bronx Park.

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<v Speaker 5>Do me a favor, Gerson, Sure, kiss me anytime.

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<v Speaker 4>Oh five million quickening posts in New York.

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<v Speaker 5>Gerson, you're my man?

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<v Speaker 6>Yeah, baby, Baby? You jealous?

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<v Speaker 5>Why should I be jealous? Just to be missus Hapsmith

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<v Speaker 5>is all I ever wanted?

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<v Speaker 3>Crazy the way it happened four years ago and the

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<v Speaker 3>model didn't show up, Mister Honeywell tapped me for the job,

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<v Speaker 3>pulled me away.

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<v Speaker 6>From my typewriter, thrust a string bow tie.

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<v Speaker 5>In my hand and said this is it, Hapsmith.

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<v Speaker 6>No, No, he didn't.

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<v Speaker 3>He just told me to climb into the bow tie

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<v Speaker 3>and run upstairs and sit in front of the piano.

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<v Speaker 6>Four years ago, and they just released it. Now.

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<v Speaker 3>My pictures in every bus and subway in New York.

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<v Speaker 3>You know what mister Honeywell said to me today.

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<v Speaker 5>He asked you for the bow tie.

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<v Speaker 3>No, he said, this is it, Hapsmith. We've just landed

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<v Speaker 3>the nine star meat account. I want you to pose

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<v Speaker 3>for it in mutton chop whiskers.

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<v Speaker 4>Oh no, you won't, not my gerson, Not in mutton shop.

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<v Speaker 6>That's what I told mister Honeywell.

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<v Speaker 3>A place in an advertizing agency for me is in

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<v Speaker 3>the back of a typewriter making up slogans.

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<v Speaker 5>That's telling mister Honeywell.

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<v Speaker 3>Come on, let's get dressed baby. New Year's Eves, Manhattan.

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<v Speaker 3>You wear the off the shoulder.

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<v Speaker 5>You wear something for me too? What the string bow tie?

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<v Speaker 6>You kidding?

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<v Speaker 5>I wanna show you. Ah, you kidding to all of

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<v Speaker 5>New York. The man in this string bow tie is mom.

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<v Speaker 6>No listen, baby, I get The.

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<v Speaker 5>Woman behind the man who quickens the pulses is me.

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<v Speaker 5>You just run along something of that bow Tigers.

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<v Speaker 3>I don't even know how to tie it, mister Honeywell,

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<v Speaker 3>tied it for me.

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<v Speaker 5>Anything, honeywell can do for you? I can do, mister.

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<v Speaker 3>Honeywell they do you really want me to?

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<v Speaker 8>Please?

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<v Speaker 6>Baby? You don't have to say please to me.

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<v Speaker 8>Erson, Just go get the bow tie.

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<v Speaker 6>Yeah, there's the stat Come on.

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<v Speaker 8>Oh, I don't know why supposed to go out.

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<v Speaker 5>On New Year's Eve. Everything is so wonderful, even a

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<v Speaker 5>crowded subway.

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<v Speaker 3>I want to tell you something. But here we are

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<v Speaker 3>twelve feet.

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<v Speaker 6>On the ground.

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<v Speaker 5>Figures, there's two of us.

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<v Speaker 3>No, I mean here we are you and I rushing around.

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<v Speaker 6>In a subway and a crowd.

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<v Speaker 5>Of people not crowded down the other end of the car.

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<v Speaker 4>Gerson, Why did you have to pick a seat right

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<v Speaker 4>under your pickles?

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<v Speaker 6>Let me finish with you.

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<v Speaker 3>Sorry, crowd of people and I feel like we're alone, Laurie,

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<v Speaker 3>hurtling through space alone me?

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<v Speaker 5>Please? Could I just squeeze in here? Foot?

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<v Speaker 6>Well here, I'll get up.

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<v Speaker 7>Oh no, you don't, you just sit there. I squeezed

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<v Speaker 7>in between you. You mind scooching over a little, madam.

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<v Speaker 5>There we are.

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<v Speaker 6>I'm over here, Laurie.

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<v Speaker 7>Mister yeah, you're skirts though, aren't you? When you got

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<v Speaker 7>on I told my girlfriend Janis there's skirts of the

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<v Speaker 7>man in the string boat tied. And Janni said to me,

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<v Speaker 7>she said, every time you get on the subway's touch dreaming?

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<v Speaker 5>Really, Jennis, it's him, wave to.

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<v Speaker 2>Jenny's Yes, all right, Hi Janice, young.

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<v Speaker 7>Lady, listen, madam, you've had him since twenty third Street.

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<v Speaker 5>Don't be ahog. I'm going to feel silly saying it,

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<v Speaker 5>but I'm going to say it. This man is mine

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<v Speaker 5>ha haha. Put your money where your mouth is, Madam.

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<v Speaker 5>Ask him, hey, skeats him? Are you hurt?

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<v Speaker 6>She's my wife?

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<v Speaker 5>Well if she is your wife, pray.

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<v Speaker 7>Tell who are those four girls on the advertisement who

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<v Speaker 7>are scattered beneath your piano?

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<v Speaker 3>Well they're models, that's all, just girls.

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<v Speaker 5>So that's all. Are you honest, young lady? Yes, madam,

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<v Speaker 5>beat it blow Go tell Janice. She wants you. Look Madam.

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<v Speaker 7>You might be married to him and all, but I'd

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<v Speaker 7>like to explain the facts of life to you. The

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<v Speaker 7>minute he got up in that advertisement, he belonged to humanity,

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<v Speaker 7>female type.

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<v Speaker 4>Can I fix your bot tye skets h Yes ahead.

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<v Speaker 5>Yes, where we get off, GIRs. The lady just want

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<v Speaker 5>to belong to humanity. Gerson and they're waiting for you

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<v Speaker 5>up there.

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<v Speaker 4>Let's hurry before the door slams in your face. Gersey

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<v Speaker 4>mm hmm, you do a stunning wolf.

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<v Speaker 6>Four or four is my favorite temple.

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<v Speaker 4>I'm having a lovely time too, oh, just dancing like

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<v Speaker 4>this beautiful cafe champagne.

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<v Speaker 5>You feel a champagne?

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<v Speaker 6>Me too?

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<v Speaker 5>Me too.

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<v Speaker 3>Let's go back to the table and have some more champagne.

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<v Speaker 6>I love that song.

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<v Speaker 5>What song song?

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<v Speaker 3>The orchestra is just playing Tennessee wolves.

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<v Speaker 6>Let it be our song. Here's our table. What are

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<v Speaker 6>you singing? I song that's not the Tennessee walls. Baby.

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<v Speaker 6>Our song goes like this.

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<v Speaker 8>Oh oh, oh, oh, oh Mychael.

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<v Speaker 2>Pardon me, friend, yes, what is it? You're the boy

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<v Speaker 2>that posed for that pity few man.

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<v Speaker 5>Give you a shirt?

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<v Speaker 2>No, wait, don't bother with the pencil, friend, Just the question,

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<v Speaker 2>are you am? I what the buster who sits at

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<v Speaker 2>the piano? See? I only asked because you weren't a

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<v Speaker 2>bow tie like him. You got a face like him.

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<v Speaker 2>The only difference is you only got one dame and

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<v Speaker 2>no piano.

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<v Speaker 3>Come here, I'll tell you, yeah, I happened.

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<v Speaker 6>To be that chap.

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<v Speaker 2>Well, I'll tell you what chap I happen to be.

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<v Speaker 2>Just put your hand in my pocket and feel that's

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<v Speaker 2>right now. Now I'll take your hand out. What did

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<v Speaker 2>you feel?

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<v Speaker 3>A Smith Wesson thirty eight snob No Series nineteen twenty seven. Hey, Laurie,

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<v Speaker 3>you know what was in his pocket? A Smith West.

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<v Speaker 2>Let's leave, I said, sit down, you're him? How must do?

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<v Speaker 6>Sure?

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<v Speaker 2>That's all I want to know.

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<v Speaker 5>I'll put you you talk to me like that again,

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<v Speaker 5>and I'll scream.

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<v Speaker 2>Well before you do, lady, I want to tell you something.

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<v Speaker 2>You you know the Hudson Tunnel.

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<v Speaker 6>Sure, we take from them all the time, and we

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<v Speaker 6>go to Jersey.

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<v Speaker 2>Yeah, Well, you know that concrete pedestal that the policeman

219
00:11:34.720 --> 00:11:37.039
<v Speaker 2>stands on. It's just before you hit the jery Zy sign.

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<v Speaker 6>Know it very well? You remember, Laura.

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<v Speaker 5>It's my favorite mine too.

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<v Speaker 2>That particular concrete pedestal is composed of five ingredients, sand cement,

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<v Speaker 2>and three of my favorite boys. Just because they wouldn't

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<v Speaker 2>pay any attention to me. So would you please?

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<v Speaker 5>Would you pay attention to me? We're all ears.

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<v Speaker 6>Up both to you.

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<v Speaker 2>Now, let's go celebrate New Year's Eve, shall we?

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<v Speaker 1>My way, you're listening to Kathy and Elliott Lewis on

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<v Speaker 1>stage tonight's play The String bow.

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<v Speaker 3>Tie Laurie, Yes, dear, is he still laving?

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<v Speaker 5>Yes, dear?

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<v Speaker 2>Keep walking?

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<v Speaker 4>Come on, look look mister, why are you doing this

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00:12:51.320 --> 00:12:52.879
<v Speaker 4>to us? You want our money?

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<v Speaker 2>What sheep walking?

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<v Speaker 5>But who are you? Why are you picking on us?

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<v Speaker 2>Nineteen fifty three is going to be a nice yeah,

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<v Speaker 2>so do yourselves a favor. Live through it, all right,

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<v Speaker 2>I'm back.

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<v Speaker 6>All of us.

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<v Speaker 2>Come on, let's go, all right, Thomas take us home.

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<v Speaker 3>Mister, Yeah, it's on account of this string bow tie.

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<v Speaker 2>Huh, it's not a kind of that, hey, buster me. Yeah,

244
00:13:24.879 --> 00:13:27.639
<v Speaker 2>how come that when you stuck your hand in my pocket?

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<v Speaker 2>You knew right away without looking at the gun was

246
00:13:29.960 --> 00:13:33.639
<v Speaker 2>a Smitt and Wesson ninety eighth Snubnose series nineteen twenty seven.

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<v Speaker 3>By work in an advertising agency. I wrote a slogan

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<v Speaker 3>for it for Catalog. Oh yeah, how to go use

249
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<v Speaker 3>a Smith Wesson and be sure?

250
00:13:42.080 --> 00:13:44.960
<v Speaker 2>Oh you know, you just happened to be the fellow

251
00:13:45.000 --> 00:13:47.039
<v Speaker 2>who made me switch from a cold forty five.

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<v Speaker 4>I hate to louse up your testimonial, but I'd like

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<v Speaker 4>to point a few things.

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<v Speaker 6>Out to you.

255
00:13:52.799 --> 00:13:53.679
<v Speaker 2>You're a titler.

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<v Speaker 5>This is a very serious offense.

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00:13:57.720 --> 00:14:00.320
<v Speaker 4>Kidnapping us out of a nightclub, taking us to a

258
00:14:00.399 --> 00:14:03.080
<v Speaker 4>place or place is unknown, and for such a flimsy

259
00:14:03.120 --> 00:14:05.919
<v Speaker 4>reason because my husband is on a subway card.

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00:14:07.080 --> 00:14:09.440
<v Speaker 2>I hate him? Me?

261
00:14:10.600 --> 00:14:11.600
<v Speaker 6>What did I ever do to you?

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00:14:11.759 --> 00:14:15.600
<v Speaker 3>You'll see, look, sir, I just happen to be a

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<v Speaker 3>fellow named Gerson.

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00:14:16.519 --> 00:14:19.080
<v Speaker 2>HAPs that just happened to be a fellow named William

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00:14:19.159 --> 00:14:20.639
<v Speaker 2>Bailey who hates you.

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<v Speaker 5>Where are you taking us? You'll see, Gerson? What say something?

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00:14:30.240 --> 00:14:32.960
<v Speaker 4>Make mister Bailey realize that he's not dealing with a

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<v Speaker 4>cardboard personality. Make him know what's in store for him

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<v Speaker 4>if he doesn't let us off right away.

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<v Speaker 2>Yeah, make me do that.

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<v Speaker 6>Go on, mister Bailey.

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<v Speaker 4>Yeah, this is madness, that's all you're gonna say.

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<v Speaker 5>Gerson, Gerson, you're my man?

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<v Speaker 6>Yeah yeah, mister Bailey.

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<v Speaker 2>Yeah.

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<v Speaker 3>You don't think you're gonna get away with this, do you?

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00:15:01.320 --> 00:15:03.200
<v Speaker 3>What's the big idea of holding a gun on us

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<v Speaker 3>and marching us out of a nightclub, making us walk

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00:15:05.519 --> 00:15:08.039
<v Speaker 3>down the street, making us get into a long black

280
00:15:08.080 --> 00:15:10.159
<v Speaker 3>car and driving us away?

281
00:15:10.519 --> 00:15:14.039
<v Speaker 6>What's the big idea that? Huh?

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<v Speaker 3>This is civilization we got going for us here, Fellow

283
00:15:17.679 --> 00:15:20.919
<v Speaker 3>there's no place in it for the primitive, the predatory emotion.

284
00:15:22.799 --> 00:15:26.919
<v Speaker 3>You say you hate me, I don't hate you. My

285
00:15:27.000 --> 00:15:30.120
<v Speaker 3>wife doesn't hate you, although the seed is there.

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00:15:31.440 --> 00:15:33.320
<v Speaker 6>You think the world's against you, don't you.

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00:15:34.399 --> 00:15:36.960
<v Speaker 3>Well, somewhere down the line, you've been tricked, mister Bailey,

288
00:15:37.519 --> 00:15:43.360
<v Speaker 3>bill disillusioned. Oh now, lord, just because I paused for

289
00:15:43.399 --> 00:15:46.200
<v Speaker 3>an ad. Hey, I know what. I'll take off the

290
00:15:46.240 --> 00:15:46.960
<v Speaker 3>string bow.

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00:15:46.840 --> 00:15:49.759
<v Speaker 2>Tie and hunch that tie and I will break your

292
00:15:49.919 --> 00:15:52.840
<v Speaker 2>arm here, here and here.

293
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<v Speaker 3>Listen you, you hulum, renegade, matter factor.

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00:15:59.039 --> 00:16:03.000
<v Speaker 4>You listen to me, You houtlum. You leave my husband alone.

295
00:16:03.039 --> 00:16:05.039
<v Speaker 4>It isn't his fault. He's wearing that string bow tie.

296
00:16:05.039 --> 00:16:07.679
<v Speaker 4>I made him put it on. Anything that's going to

297
00:16:07.720 --> 00:16:09.320
<v Speaker 4>happen should happen to me, not him.

298
00:16:10.080 --> 00:16:16.240
<v Speaker 2>Maybe maybe what a dame in a Hudson tunnel? Hmmm, dame,

299
00:16:16.360 --> 00:16:19.840
<v Speaker 2>that'll pose quite a problem for a concrete mixer. Wonder

300
00:16:19.840 --> 00:16:39.840
<v Speaker 2>if he knows the recipe? Just flow people come on inside?

301
00:16:43.519 --> 00:16:46.039
<v Speaker 5>Oh my, uh huh?

302
00:16:46.120 --> 00:16:47.399
<v Speaker 6>You like it? Eh?

303
00:16:47.639 --> 00:16:51.600
<v Speaker 4>Oh well, you must be the greatest Hutlam of them

304
00:16:51.639 --> 00:16:53.879
<v Speaker 4>all to be able to afford this, mister Bailey.

305
00:16:55.240 --> 00:16:59.399
<v Speaker 5>Na in such beautiful tastes, such excusistic. You ought to

306
00:16:59.399 --> 00:17:00.840
<v Speaker 5>be proud of this place.

307
00:17:01.240 --> 00:17:03.799
<v Speaker 2>Yes I am, I am, and I can tell you this, lady,

308
00:17:03.919 --> 00:17:06.680
<v Speaker 2>there is never going to be another place like it.

309
00:17:07.519 --> 00:17:15.039
<v Speaker 5>Uh the decorator, Yeah, Hudson song, the one in the middle. Y.

310
00:17:16.119 --> 00:17:20.880
<v Speaker 2>Uh, Carolyn, it's me, it's me. Come on out here.

311
00:17:21.000 --> 00:17:22.480
<v Speaker 2>I got something for you.

312
00:17:25.640 --> 00:17:34.720
<v Speaker 5>Oh, Billy, you brought him? Hi me, You're cute him.

313
00:17:34.880 --> 00:17:38.319
<v Speaker 5>He's cute, Carolyn, He's cute.

314
00:17:39.079 --> 00:17:39.640
<v Speaker 2>You like him?

315
00:17:39.640 --> 00:17:42.880
<v Speaker 5>Man, tell him to walk around?

316
00:17:44.079 --> 00:17:45.680
<v Speaker 2>Walk? Walk?

317
00:17:46.119 --> 00:17:46.640
<v Speaker 6>What do you mean?

318
00:17:46.839 --> 00:17:49.960
<v Speaker 2>Listen you, My wife wants you to walk, So do it.

319
00:17:50.039 --> 00:17:50.880
<v Speaker 6>I don't understand.

320
00:17:50.960 --> 00:17:52.839
<v Speaker 2>Stick his head right in the light socket. So I'll

321
00:17:52.880 --> 00:17:53.359
<v Speaker 2>help me out.

322
00:17:53.480 --> 00:17:55.960
<v Speaker 4>Wait wait, wait, wait, wait a minute, I'll explain it

323
00:17:56.039 --> 00:17:56.839
<v Speaker 4>to him.

324
00:17:57.359 --> 00:18:02.119
<v Speaker 5>Gerson. Honey, the man's got it done. He's pointing at it. You.

325
00:18:02.279 --> 00:18:03.599
<v Speaker 5>He wants you to walk.

326
00:18:04.839 --> 00:18:08.400
<v Speaker 4>You know how that bit goes first this foot and

327
00:18:08.480 --> 00:18:11.559
<v Speaker 4>then that foot, and then before you know.

328
00:18:11.759 --> 00:18:17.359
<v Speaker 2>Okay, okay, yeah, all right, that's enough, come back.

329
00:18:22.160 --> 00:18:23.920
<v Speaker 5>Well cute.

330
00:18:25.559 --> 00:18:27.839
<v Speaker 2>You know why I brought him here, Carolyn.

331
00:18:27.640 --> 00:18:30.599
<v Speaker 5>Because you love me, Billy, Billy loves me.

332
00:18:31.599 --> 00:18:33.720
<v Speaker 2>I brought him here so that you can see in

333
00:18:33.759 --> 00:18:36.400
<v Speaker 2>a flash, this guy that you have been moping over

334
00:18:36.599 --> 00:18:38.920
<v Speaker 2>since you saw that advertisement in the subway.

335
00:18:39.440 --> 00:18:43.759
<v Speaker 5>Billy's good to me. What's your thank you?

336
00:18:43.839 --> 00:18:44.279
<v Speaker 6>Gerson?

337
00:18:44.799 --> 00:18:48.440
<v Speaker 5>You see, Billy, I told you you guessed his name

338
00:18:48.519 --> 00:18:50.680
<v Speaker 5>was Gerson. He's cute.

339
00:18:51.640 --> 00:18:56.880
<v Speaker 2>Shee, Carolyn, Carolyn, I'm talking to you.

340
00:18:57.960 --> 00:18:59.279
<v Speaker 5>Yeah.

341
00:18:59.480 --> 00:19:02.319
<v Speaker 2>I want proof to you, Carolyn, that this Geyson who

342
00:19:02.359 --> 00:19:05.519
<v Speaker 2>sits in front of a piano on the skiteo cologne ed,

343
00:19:05.559 --> 00:19:08.279
<v Speaker 2>he is a Geyson like any other Geyson. He's just

344
00:19:08.319 --> 00:19:11.640
<v Speaker 2>a guy. See, he is not somebody who every morning,

345
00:19:11.720 --> 00:19:14.640
<v Speaker 2>noon and night you say to me, why you ain't

346
00:19:14.680 --> 00:19:15.440
<v Speaker 2>you like him?

347
00:19:15.480 --> 00:19:15.799
<v Speaker 6>Billy?

348
00:19:16.319 --> 00:19:18.359
<v Speaker 5>Well look at him, you ain't.

349
00:19:18.799 --> 00:19:21.480
<v Speaker 2>M I can see that the only way to have

350
00:19:21.559 --> 00:19:23.839
<v Speaker 2>peace and quiet around here is to do what we

351
00:19:24.000 --> 00:19:33.440
<v Speaker 2>come here to do. So get the bottle, Carolyn. You

352
00:19:33.519 --> 00:19:35.119
<v Speaker 2>ever seen a bottle of this stuff, Gyson?

353
00:19:35.200 --> 00:19:35.359
<v Speaker 6>Poor?

354
00:19:35.480 --> 00:19:38.119
<v Speaker 3>Yeah, sure, that's Scarzo, the men's cologne that me and

355
00:19:38.200 --> 00:19:40.200
<v Speaker 3>my bow tie and the piano is supposed to quicken

356
00:19:40.240 --> 00:19:40.799
<v Speaker 3>pusses with.

357
00:19:41.319 --> 00:19:42.319
<v Speaker 6>It's the large economy.

358
00:19:45.039 --> 00:19:48.200
<v Speaker 4>Have some now, look, mister Bailey, Gerson just dabs that

359
00:19:48.240 --> 00:19:49.319
<v Speaker 4>stuff behind his ears.

360
00:19:49.319 --> 00:19:50.079
<v Speaker 5>He doesn't drink it.

361
00:19:50.160 --> 00:19:52.559
<v Speaker 3>All right, mister you got us up here and throw

362
00:19:52.559 --> 00:19:54.119
<v Speaker 3>a bottle of cologne in my face?

363
00:19:54.160 --> 00:19:55.279
<v Speaker 6>Now what do you want me to do?

364
00:19:55.440 --> 00:19:56.279
<v Speaker 2>See that piano?

365
00:19:57.000 --> 00:19:57.279
<v Speaker 6>Sure?

366
00:19:58.160 --> 00:19:58.720
<v Speaker 2>Play?

367
00:19:59.119 --> 00:19:59.960
<v Speaker 6>Sure, then we can go.

368
00:20:00.759 --> 00:20:04.880
<v Speaker 2>He can't play, she can and can't even play, so goodbye.

369
00:20:05.720 --> 00:20:07.119
<v Speaker 6>Who says I can't play?

370
00:20:07.400 --> 00:20:08.160
<v Speaker 8>Hey play?

371
00:20:08.680 --> 00:20:13.480
<v Speaker 2>Sure? But that's good, that's fine, great. I'm glad that

372
00:20:13.519 --> 00:20:16.720
<v Speaker 2>you can so we can clear this up. Listen, Grayson,

373
00:20:17.440 --> 00:20:20.079
<v Speaker 2>you got the bow tie. You stink of skite, so

374
00:20:20.519 --> 00:20:23.200
<v Speaker 2>and now you're going to play. There is just one thing.

375
00:20:24.279 --> 00:20:29.599
<v Speaker 2>You'll quicken my wife's pulse and you are dead. So

376
00:20:29.720 --> 00:20:37.599
<v Speaker 2>go play.

377
00:20:39.480 --> 00:20:44.359
<v Speaker 5>Oh my, you like this, go go?

378
00:20:46.400 --> 00:20:49.160
<v Speaker 2>Please Note the vein of my wife's throat. There is

379
00:20:49.240 --> 00:20:54.000
<v Speaker 2>a tribe there that wasn't there before. It's been seventeen

380
00:20:54.160 --> 00:20:56.640
<v Speaker 2>years since I have seen that tribe.

381
00:20:56.720 --> 00:21:04.559
<v Speaker 5>Why no, no, just take it easy, mister Bailey Greeny Carolyn, Carolyn,

382
00:21:05.640 --> 00:21:06.759
<v Speaker 5>He is good, isn't he?

383
00:21:06.799 --> 00:21:08.000
<v Speaker 2>Kron good?

384
00:21:09.359 --> 00:21:10.000
<v Speaker 5>Look at him?

385
00:21:10.039 --> 00:21:13.039
<v Speaker 4>The way he sits there, The way he sits there,

386
00:21:13.519 --> 00:21:20.559
<v Speaker 4>fingers poised over. Who knows what strange melody? Strange melody

387
00:21:21.160 --> 00:21:25.559
<v Speaker 4>the talents that Gerson has tell me, tell me all

388
00:21:25.960 --> 00:21:26.839
<v Speaker 4>sorts of thing.

389
00:21:27.160 --> 00:21:30.039
<v Speaker 2>Tell your husband to tlin around, because I hate to

390
00:21:30.039 --> 00:21:31.200
<v Speaker 2>give it the folks in the back.

391
00:21:31.319 --> 00:21:32.039
<v Speaker 5>Just one second more.

392
00:21:32.000 --> 00:21:36.359
<v Speaker 4>Mister Billy, Carolyn honey, Yeah, he does all sorts of things.

393
00:21:36.400 --> 00:21:38.680
<v Speaker 4>You think his piano playing is good?

394
00:21:38.960 --> 00:21:43.720
<v Speaker 5>I do? I do you want to hear him whistle? Oh?

395
00:21:43.839 --> 00:21:52.799
<v Speaker 3>My, guy said, yes, ma'am, whistle whistle?

396
00:21:52.839 --> 00:21:52.960
<v Speaker 2>What?

397
00:21:53.799 --> 00:21:56.359
<v Speaker 5>I don't know anything? Our song? Gerson?

398
00:21:56.519 --> 00:22:03.240
<v Speaker 6>Oh? Yes, well all right, Oh my.

399
00:22:04.359 --> 00:22:04.960
<v Speaker 7>You like that?

400
00:22:05.599 --> 00:22:08.720
<v Speaker 5>The Tennessee wats is my favorite? That does it? You

401
00:22:08.759 --> 00:22:09.279
<v Speaker 5>can have him?

402
00:22:09.359 --> 00:22:09.599
<v Speaker 2>Huh?

403
00:22:09.680 --> 00:22:13.640
<v Speaker 4>Don't you see? He's not for me anymore? Those two

404
00:22:13.880 --> 00:22:17.920
<v Speaker 4>made for each other. Listen to me, mister bailey Ville.

405
00:22:18.839 --> 00:22:20.400
<v Speaker 4>Why should I try to fight it?

406
00:22:20.519 --> 00:22:20.920
<v Speaker 8>Or you?

407
00:22:21.240 --> 00:22:22.319
<v Speaker 2>Why don't I just kill him?

408
00:22:22.319 --> 00:22:24.400
<v Speaker 5>That's a good idea, don't you see?

409
00:22:24.440 --> 00:22:26.359
<v Speaker 4>It's the only way get him out of our lives

410
00:22:26.400 --> 00:22:30.640
<v Speaker 4>once and for all. This this man, this monster, this

411
00:22:30.839 --> 00:22:31.680
<v Speaker 4>wrecker of home.

412
00:22:31.799 --> 00:22:35.880
<v Speaker 5>Laurie, be quiet, you wrecker of home? I said, be quiet?

413
00:22:36.160 --> 00:22:38.200
<v Speaker 2>What kind of a way is that for a lady

414
00:22:38.240 --> 00:22:39.440
<v Speaker 2>to talk to her husband?

415
00:22:39.519 --> 00:22:39.839
<v Speaker 6>Yeah?

416
00:22:39.960 --> 00:22:42.400
<v Speaker 4>This man gets his face displayed in the subway. And

417
00:22:42.440 --> 00:22:44.960
<v Speaker 4>what happens after eight years? He's not mine anymore. He

418
00:22:45.000 --> 00:22:47.240
<v Speaker 4>belongs to the world. Who needs it?

419
00:22:47.359 --> 00:22:49.200
<v Speaker 2>Hey, lady, that is your husband?

420
00:22:49.359 --> 00:22:53.680
<v Speaker 4>Yeah, killed and after eighteen years your life what is it?

421
00:22:53.880 --> 00:22:55.559
<v Speaker 5>Shambles? Get rid of.

422
00:22:55.559 --> 00:22:56.160
<v Speaker 2>Him, lady?

423
00:22:56.240 --> 00:22:56.640
<v Speaker 5>Do it not?

424
00:22:56.920 --> 00:22:58.400
<v Speaker 2>Lady, he's your husband.

425
00:22:58.440 --> 00:23:00.680
<v Speaker 5>You'll be doing a good deed bit, and there's.

426
00:23:00.400 --> 00:23:02.400
<v Speaker 2>No way to talk about your husband.

427
00:23:02.400 --> 00:23:02.599
<v Speaker 5>Now.

428
00:23:02.640 --> 00:23:05.160
<v Speaker 2>Look, I'm older than you, and I know you. You

429
00:23:05.400 --> 00:23:07.440
<v Speaker 2>hide a fellow when you talk about him like that.

430
00:23:07.720 --> 00:23:09.079
<v Speaker 6>Yeah, poor boy.

431
00:23:09.519 --> 00:23:12.799
<v Speaker 2>Yeah, you're married to him, So be married to him

432
00:23:12.960 --> 00:23:17.680
<v Speaker 2>through thick and thin. Yeah, it's the only way we know,

433
00:23:18.079 --> 00:23:23.039
<v Speaker 2>Carolyn and I. Yeah, come here and sit by me, Carolyn,

434
00:23:25.039 --> 00:23:26.599
<v Speaker 2>now here by my feet?

435
00:23:27.799 --> 00:23:30.000
<v Speaker 5>Where was I through thick and thin?

436
00:23:30.400 --> 00:23:34.400
<v Speaker 2>Yeah, through thick and thin? Yeah, the years comedy, years ago,

437
00:23:34.920 --> 00:23:37.680
<v Speaker 2>but it is always a pleasant thing to have by

438
00:23:37.720 --> 00:23:39.720
<v Speaker 2>your side. One's helped me.

439
00:23:40.519 --> 00:23:43.680
<v Speaker 4>Dear Billy, move over, honey, I want to sit by

440
00:23:43.680 --> 00:23:44.319
<v Speaker 4>his feet too.

441
00:23:45.559 --> 00:23:48.759
<v Speaker 2>As one sails his ship to the great sea of life,

442
00:23:49.480 --> 00:23:51.279
<v Speaker 2>knocked about by the storm.

443
00:23:51.000 --> 00:23:52.519
<v Speaker 6>And his stripe, Let me sit down too.

444
00:23:53.680 --> 00:23:59.680
<v Speaker 5>Pardon you, I buy the storm and the strife.

445
00:24:00.079 --> 00:24:02.960
<v Speaker 2>Uh yeah, knocked about by those things. One one has

446
00:24:03.000 --> 00:24:06.640
<v Speaker 2>a friend, One reaches calm waters.

447
00:24:07.079 --> 00:24:13.680
<v Speaker 5>Billy, Yeah, I feel so sentimental, me too. Play something

448
00:24:13.720 --> 00:24:19.799
<v Speaker 5>for us, Billy on the piano. Oh well, all right,

449
00:24:29.319 --> 00:24:32.559
<v Speaker 5>he's been taking lessons for almost a month now. Since

450
00:24:32.559 --> 00:24:41.720
<v Speaker 5>you're at the adjacent m h come on, let's steal away.

451
00:24:41.839 --> 00:24:51.279
<v Speaker 3>So you, uh, mister Bailey, Yeah, by now have a

452
00:24:51.279 --> 00:24:51.960
<v Speaker 3>happy new year.

453
00:24:53.119 --> 00:24:57.680
<v Speaker 2>Yeah you too. Remember what I told you, lady, I'll remember.

454
00:24:59.519 --> 00:25:01.640
<v Speaker 6>Who he's satisfying.

455
00:25:02.240 --> 00:25:04.480
<v Speaker 5>Very I saved your life.

456
00:25:04.519 --> 00:25:07.359
<v Speaker 3>It almost got me killed, you and your ideas. I

457
00:25:07.400 --> 00:25:09.440
<v Speaker 3>didn't want to wear this stringbow tie.

458
00:25:09.759 --> 00:25:12.519
<v Speaker 5>Yes, ring for the elevator.

459
00:25:12.519 --> 00:25:17.720
<v Speaker 3>Dear, Well, come on, Laurie, let's go out into the

460
00:25:17.720 --> 00:25:19.599
<v Speaker 3>world and have us a happy new year.

461
00:25:34.240 --> 00:25:35.359
<v Speaker 5>Can you make room for me?

462
00:25:35.440 --> 00:25:35.799
<v Speaker 8>Dearie?

463
00:25:36.160 --> 00:25:40.839
<v Speaker 5>Oh? Sure, say? Don't I know you? Oh?

464
00:25:40.920 --> 00:25:43.359
<v Speaker 4>Of course we talked the other day. I borrowed a

465
00:25:43.400 --> 00:25:45.319
<v Speaker 4>pencil from you to do a crossword puzzle.

466
00:25:45.599 --> 00:25:47.000
<v Speaker 5>I know you.

467
00:25:46.160 --> 00:25:48.880
<v Speaker 7>You're the girl who's married to that man in the

468
00:25:48.880 --> 00:25:52.160
<v Speaker 7>string bow tie. That's right, And whatever happened to him?

469
00:25:52.519 --> 00:25:54.559
<v Speaker 7>What do you mean he's not up there in the

470
00:25:54.599 --> 00:25:58.039
<v Speaker 7>ad anymore? Now there's another gent the man standing by

471
00:25:58.039 --> 00:26:01.160
<v Speaker 7>a fireplace with those four hounds his feet. Is that

472
00:26:01.240 --> 00:26:03.440
<v Speaker 7>man in that ad there in mutton chop whiskers?

473
00:26:04.119 --> 00:26:07.160
<v Speaker 5>Oh zowey, you like him as well as the.

474
00:26:07.079 --> 00:26:09.960
<v Speaker 7>Man in the string bow t Oh better better look

475
00:26:09.960 --> 00:26:12.720
<v Speaker 7>at those whiskers, Dear How would you like to run

476
00:26:12.799 --> 00:26:13.880
<v Speaker 7>your hands through them?

477
00:26:14.319 --> 00:26:20.079
<v Speaker 5>I have huh he's my husband. Him to you, what

478
00:26:20.079 --> 00:26:23.279
<v Speaker 5>did you do with the other one? Get rid of him?

479
00:26:23.559 --> 00:26:24.160
<v Speaker 5>New year?

480
00:26:25.279 --> 00:26:29.240
<v Speaker 7>Oh, dearie, let me ask you something about the new one.

481
00:26:29.480 --> 00:26:32.160
<v Speaker 7>In the Mutton Chop, Whiskers.

482
00:26:31.279 --> 00:26:47.519
<v Speaker 1>Sow Wee, The String bow Tie, starring Kathy and Elliott

483
00:26:47.599 --> 00:26:50.799
<v Speaker 1>Lewis now once again Mister and Missus Lewis.

484
00:26:58.160 --> 00:27:00.599
<v Speaker 4>We'd like to thank our good friends Shell Leonard and

485
00:27:00.599 --> 00:27:03.039
<v Speaker 4>Mary Jane Croft, who came down tonight to help us

486
00:27:03.039 --> 00:27:05.440
<v Speaker 4>start the new year and our new series by playing

487
00:27:05.480 --> 00:27:06.480
<v Speaker 4>mister and Missus Bill.

488
00:27:06.319 --> 00:27:09.559
<v Speaker 3>Bailey, Yes, and Martha Wentworth, the Lady on the Subway,

489
00:27:10.160 --> 00:27:13.720
<v Speaker 3>Vivi Janis who helped fix my tie, and Byron Kane

490
00:27:13.799 --> 00:27:19.400
<v Speaker 3>who couldn't spell awk. Now next week, Kathy, Well.

491
00:27:19.240 --> 00:27:21.200
<v Speaker 4>Just before we went into rehearsal today we got a

492
00:27:21.240 --> 00:27:24.119
<v Speaker 4>copy of next week's play, The Drunken Sailor. It was

493
00:27:24.160 --> 00:27:26.640
<v Speaker 4>written for us by a very fine new radio writer,

494
00:27:26.799 --> 00:27:27.640
<v Speaker 4>Richard Chandley.

495
00:27:27.920 --> 00:27:31.200
<v Speaker 5>It's a spy story, exciting and well you'll see.

496
00:27:31.359 --> 00:27:31.599
<v Speaker 6>Yeah.

497
00:27:31.640 --> 00:27:34.119
<v Speaker 3>And a week after that, a comedy about a nice

498
00:27:34.160 --> 00:27:37.279
<v Speaker 3>girl and the bum written for us by Richard Powell.

499
00:27:37.559 --> 00:27:41.240
<v Speaker 5>Thank you all for listening. A very happy New Year, good.

500
00:27:41.200 --> 00:27:42.079
<v Speaker 6>Night, good night.

501
00:27:56.839 --> 00:27:59.480
<v Speaker 1>The String bow Tie was written by Morton Fine and

502
00:27:59.559 --> 00:28:04.039
<v Speaker 1>David Free. The theme for Kathy and Elliott Lewis on Stage.

503
00:28:03.720 --> 00:28:04.880
<v Speaker 6>Was written by Ray Noble.

504
00:28:05.440 --> 00:28:08.359
<v Speaker 1>Music for the program was composed by Fred Steiner and

505
00:28:08.400 --> 00:28:12.599
<v Speaker 1>conducted by lud Gluskin. Kathy and Elliott Lewis on Stage

506
00:28:12.640 --> 00:28:17.039
<v Speaker 1>is transcribed and directed by mister Lewis. George Wall speaking

507
00:28:23.559 --> 00:28:27.079
<v Speaker 1>and remember John lond As yours truly. Johnny Dollair brings

508
00:28:27.119 --> 00:28:30.680
<v Speaker 1>you colorful mystery Friday nights on the CBS Radio Network.
