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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's Adventure with a Falcon.

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But first I do want to encourage you, if you

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are enjoying the podcast, to follow us using your favorite

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podcast software. And today's program is brought you by the

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financial support of our listeners. You can support the show

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on a one time basis at support do Great Detectives

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dot net. You can also become one of our ongoing

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Patreon supporters for his little last two dollars per month

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by going to Patreon dot Great Detectives dot net. Well,

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in terms of an original air date, today's episode is

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a bit of an odd ball. We can't determine when

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exactly it aired, other than it aired during George Petrie's

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time as the Falcon, but we have some episodes that

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were certain aired in nineteen fifty four, so we're playing

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this in between the nineteen fifty three and nineteen fifty

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four episodes. And the fan title is the Case of

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the Disguised Murderer.

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Speaker 2: There's one thing your land working as a private detector

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is three poles. They have a dind this thing.

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Speaker 3: Okay, it's in fight.

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Speaker 2: I'll give you Alan Crane. He's a young man hiding

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in the underbrush. I mean he was Jersey Ti days

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for an hour. He stands there nationally. Remember when he

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hears a pride or if he makes his presnant us

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that's your choice.

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Speaker 3: Because it step down Lade the diver. I wish you

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wouldn't ask that way. Didn't you wouldn't you stop acting

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like a child.

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Speaker 2: I'm sorry.

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Speaker 3: Sometimes I wonder if they have a stone a man

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like you?

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Speaker 2: You like crazy about you?

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Speaker 3: Listen to I want to tell to you about that.

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Let's we talk about your husband. Now, what do you

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think I asked you the motley last year? That couldn't

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have the w of it. A realist, I didn't take

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a tat Alan. Listen, I think I saund the sound

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around us? Have you a san demnco the man of

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was the thirty? Yeah that's the boy. Then thank got

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the twenty six thousand dollars last week first done at.

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Speaker 2: Bea which I got to do with us may.

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Speaker 3: Do everything and instead of wouldn't pay off bank got excited,

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made a couple of threats. Now if anything would have

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happened to mister DeMarco. Can you see the position that

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would play Franking?

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Speaker 2: But what's going to happen to Marco?

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Speaker 3: I they can do, might even have a fatal accident.

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I don't callow you, and there's nothing very difficult about it.

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But if I've got to put it in words of them,

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so they'll ride. If the night that was murdered, Frank

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would be the number one suspect, and after the cops

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got through with them.

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Speaker 2: That would leave us for we rated. You don't know

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what you're saying.

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Speaker 3: Oh, it's the only way you'd never have to wear again.

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Now the marker got an apartment at the Chelsea out

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they'll do with a man night, and so will lose

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on the wilby Ton thirty or Police Day.

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Speaker 2: I won't do it you cleanly, love me, No I do.

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You don't do what I asked.

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Speaker 3: You're never singing again. And look up your mind, honey,

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gonna let a little nurse down in your worms before

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the eighteen nineteen.

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Speaker 2: Yeah, I just you right.

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Speaker 3: Don't stand there with your mouth. I'n't go ahead knock.

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Speaker 2: It's no use, toys. I can't do it.

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Speaker 3: Yes, everything's going to like talk work so fast.

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Speaker 2: I'm proud of you.

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Speaker 3: The way you talked to the dust cook, so cut

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like a real man. That's sun must stance and I

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could will be sure and remember you. I'm scared. Oh listen,

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this fine, this silly fish gonna let it. I'll work

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it down the drone. I've gotta drop on yourself, not

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on the door, I say, right, I'll do it. Spoils right, good,

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say turn out like a man? Yes?

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Speaker 2: How among the minchao?

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Speaker 3: I look, my Ashlan, what are you doing here? I

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told you.

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Speaker 4: Write a minute?

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Speaker 2: Yeah?

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Speaker 3: Not riding my shoe is?

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Speaker 2: Yeah? Missus?

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Speaker 3: Oh yes, I wonder if I can have a two

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words for this? Okay, come in, thanks, tell.

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Speaker 2: Me a.

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Speaker 3: Sure? Sure, all right? You tell about I understand you

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are my husband's a minute the Franks times you're around

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the collectors working your time. Don't come to concluding, mister Tomnco,

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I thought, no more love the friends and you had so,

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I thought you're not being interested in husbands. Pull a

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fast one on him. What do you mean there's mister

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cram here? I can it tell you something to go solve?

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Oh that's a problem I didn't get all right on

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show it Tom huh, Well, what are your wording for?

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Put him with a gun.

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Speaker 2: What do you think you're.

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Speaker 3: Mh Demacca DeMarco.

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Speaker 5: Yeah, these are children, my children, persons journey.

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Speaker 3: I'll put yourself together a chance, and I didn't go

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this sad. I have your last things up the last

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minute that the prince. Okay, not tear up the buttons

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and thanks coach, because I want the police to found

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the clips in the Marco's head. Now put it off.

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I can almost I do everything around here, okay, I

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open his hands. No, come on, he said, all right,

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the pot, that's the way and around I'll make a

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man of you.

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Speaker 5: Yes, at the moment, will return to the adventures of

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the Falcon.

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Speaker 2: But first and not where missus Waring's little boy. And

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Michael got himself involved. About three hours after the murder

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of San Demco, my door buzzer sounded off, and when

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I answered it, there stood trouble with a capital to Hello, Mike,

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Well of it isn't Frank Marshall that awful, Come in, thank.

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Speaker 4: You.

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Speaker 2: He will never drink sny the bottle of Bredon to

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lists in the bar of yourself a little brig It easy, Michael,

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you don't know how I needed that. I got a

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small idea. I've been listening to the radio. Then you

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know I'm hot. Well, you got the thermometer, hold and

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jew Jean Portfoyo. I gotta try state alarm out. I

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didn't care, Sanda man, he were sent a big bet

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to you. I don't know a racket. Letting a man get.

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Speaker 3: Away without get ruin your business. I does mean a thing.

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Speaker 2: It does when they find your gun next to his

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body and a button off your coat in his hand.

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Not about the bill boy.

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Speaker 6: What boy?

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Speaker 2: Said Michelsea Arms, who identified you from one of the

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pictures of the man who ask him for DeMarco's room number.

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I'll tell you to frame. How did you come here?

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They can nail me for ivoring a fugitive and that

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means my license.

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Speaker 3: Okay, Mike, sorry I brought it.

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Speaker 2: He said, this is a frame. I swear it. If

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you're lying to me, I'll give you my word. Wouldn't

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I be a captain let anybody see me going into

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the Marco's room. That's what I was thinking. Sounded like

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the killer went out of his way to be started.

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And while I might buy that button they found in

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the Marco's hand when he added to the other things

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like the ground. It's too much. And you believe me,

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you're saying you Archie, thanks.

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Speaker 3: Call, I won't forget to give it. He got me

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an idea.

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Speaker 2: Who might be behind this routine? Nope, not obviously had

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to be somebody who was attached for you. Now, who

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do you know about your size?

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Speaker 3: Oh? One hundred guys? Name one?

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Speaker 2: Wow, dude Burns. They're gonna find him. He's out on

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the coach. That's the big help the news proger nomination.

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I'll tell you a million guys. I'm still waiting for

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number two. Well, Alan Crane, they see a guy.

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Speaker 3: You used to work for me.

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Speaker 2: Did you find him?

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Speaker 3: Yes, you didn't have nerve enough of the business. Well then,

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miss Crane sounds like a likely suster. Now you're out

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of your mind.

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Speaker 2: Alan's yellow.

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Speaker 3: He never have enough guts to fuller day like this.

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Speaker 2: You never heard the story of the worm. The turn

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there's is Alan Crane lives at the Kenyon. Okay, set

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tight to your hair for me. With a little luck,

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it will be real soon. All right, Fuster, I was

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talking Li, you're talking to me Friday and the sad

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you wanted to say, Alan Crane, oh.

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Speaker 3: The fellow order, Well it was Alan. I wanted to see.

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Speaker 2: Any idea I can find him at you a Mike

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Waring privately that I tried you out with Alex. I

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want to talk to him about what the personal matter?

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Speaker 4: Quo?

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Speaker 2: You know? I told you all. You have to know

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that where I asked you something I answered you. I

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suppose you answer me, Benny ideas where I can locate him?

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Speaker 3: Now, But let me give you a little trip. Don't

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say too hard. No, you might find something you're not

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looking for.

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Speaker 2: What's that? It's me Walder, open up, Hi, that's doing.

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I ran into Harold Plant he said you wanted to see.

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But even up to these past two days nothing.

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Speaker 3: Why was Mike Flaring asking you about you?

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Speaker 2: Who?

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Speaker 3: Mike Waring is a private ticket? I call a fark

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and don't ask me?

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Speaker 2: Am I going to ask? It's the thing Mike Marshall's wife.

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Now better not if you want to say a month

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king of swear, I'm telling you the truth. Yeah, I

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get you to think of it. I saw a couple

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of times last week at the worm Broom with God's Montaine.

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Speaker 3: Who God's Montaine? I went to Carl the Latest and

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Frank here.

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Speaker 2: You're lying, okay, I'll tell you the car I mean

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about Joyce in this Montaigne. Why would I want to

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do that, because you know why? You just tell me

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patron Is.

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Speaker 3: But if she's going with this mon on you, I'm

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gonna get a fight answer.

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Speaker 2: I have to tell you the party. You're still freaking

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up day Let me alarm she's been using you for

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any dirty work, calling me Walter.

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Speaker 3: I'm old enough to take care of myself and missus

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Marshall tool.

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Speaker 2: Hello, Joyce, Alan, what are you doing here?

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Speaker 3: I heard a sup that was smart with a cap

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hanging around up. I couldn't help myself. I got worried.

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Speaker 2: I'm gonna worry about people.

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Speaker 3: Don't understand it.

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Speaker 2: I killed a man up. I'll get it to you.

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Speaker 3: June up right, blame me. I didn't mean it like that.

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You know there's nothing in the world that wouldn't do

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for you money to stop talking so much.

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Speaker 4: So it's just something I've got to ask you.

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Speaker 3: What do you know a man named Montane Montage Charles Montagne?

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Speaker 5: Now are you sure?

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Speaker 3: What is this a third degree? I just said that

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you've been seeing places with him. Well, that tells you

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that as a liar that comes to.

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Speaker 2: An awfully good solis to my brother Walvice who plays

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each other too? Here the wor rumber room.

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Speaker 3: Are you going to take that sneak's word against mine?

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Because he's seen you several times? Well maybe he has?

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Why you mbling?

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Speaker 4: School?

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Speaker 3: Here's your head? What should any woman's with blood in

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his ain seeing a man like you?

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Speaker 4: You were only you?

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Speaker 3: What are you going to do about it? You're a murderer, Alan.

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Speaker 2: Don't say that. That's what's your idea? Is a deep

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a zion if I went at a boy.

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Speaker 3: And you'll get out of here before I really lose

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my temper?

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Speaker 4: Got it?

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Speaker 3: Asking Alan Craney?

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Speaker 6: There?

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Speaker 4: Who wants to know?

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Speaker 3: Oh, hello, Sargeant, there's a little off your beat? Or

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hire you Mike? You know the rest of the boys? Sure?

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Speaker 2: Hi?

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Speaker 4: Hi?

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Speaker 2: Did what goes on here?

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Speaker 3: What would be your guest?

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Speaker 2: Look, Corbett, you don't have to be a brain to

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figure out what plays when you find half a homicide

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vision here he's crane.

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Speaker 3: I took him down in the morgue about five minutes ago.

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Speaker 2: What happened? What didn't Someone got store and took the

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old blunt instrument to him. Would have seen his face

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take your word for it, said as well, all right,

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how's you guys?

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Speaker 3: How about getting back to work?

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Speaker 2: What'd you want with Crane?

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Speaker 3: Anyway?

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Speaker 2: I just wanted to talk to him there about what

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various things like why he was afraid of Frank Marshall,

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Sargeant Marshall, I had no part in this deal.

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Speaker 3: How would you know? Because I know the man for years.

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Speaker 2: Well, he's changed. He's killed Crazy Mike, he killed Sam

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DeMarco and Alan Crane. Oh he should he the Marco

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wels on a beat? What about Crane while he was

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playing with missus? Marshall? Who says?

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Speaker 4: I do?

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Speaker 2: Frank kept the diary and.

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Speaker 3: Then you can spare a week for some light reading.

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Speaker 2: I'll let you get it. I'll tell you you're barking

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up the wrong tree. I can prove that Marshall had

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nothing to do with it, and I'd like to see

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you all right. What time did Crane dies? About a

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half an hour ago, give or take a couple of minutes. Okay,

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Marshall's at my place. What I keep your shirt and

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I can prove it the frame through your colling my

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apartment if Marshall killed clean a half hour ago. He

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wouldn't be at my place. He'd taken at least an

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hour and a quarter to get there from here.

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Speaker 3: And you think I'd told you what I think of the.

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Speaker 2: Frame, But I don't care what your from. Marshall couldn't

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have done this. Wow, there's no answer. Well there goes

279
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the ball game. Yes, we're jokes, Marshall Aunt. You know

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one of those cops, not exactly my name is Mike Wearing.

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Speaker 3: Oh you're the one they called a falcon frank Off and.

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Speaker 2: Spoke of him. Can I come in? Who? Dad? Thanks?

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Speaker 3: Hey, Alfie Anderson.

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Speaker 2: Set for a little information. You know, Frank's in a

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bad fact. The police thinks that he kills sand To Marco,

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you don't have to tell me.

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Speaker 3: They always room Frank. That's crazy temper tis a got him.

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Speaker 2: In the trouble. You want to be careful when you

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make sapments like that. Lady, that's the kind of thing

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you can put a roper on your husband's neck. Oh

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did I say something Wrongkangel. Let's stop trying to kid

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each other. As I told you that Alan Crane was dead.

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Speaker 3: Is that a fact?

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Speaker 5: So we killed him?

295
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Speaker 2: Well, naturally, that's not safe. When a man's head face

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bashed in with a ball back, Who did it?

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Speaker 4: Say?

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Speaker 2: Why should it? Oh?

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Speaker 3: I spose I might have had a good agreement over businesses.

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Speaker 2: You sure it wasn't over you.

301
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Speaker 3: Really, mister Warren, that's the funniest thing I've heard.

302
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Speaker 2: He is, but praps, I think you were in love

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with Crane.

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Speaker 3: Well then I look all broken up over his death.

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Speaker 2: Yeah, I can see I made a mistake, a bad one.

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Speaker 3: And now if you don't mind, would you please go.

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I've had a very advesting day and you've done nothing

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to improve it. And I told you you'd be wasting

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your time at that. Marshall dang Mike.

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Speaker 2: When I lay my hands on her, No, no more

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than you do. Now, Rank Marshall didn't kill Sam to

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Marco and Alan Krane.

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Speaker 3: Now with Marshall Denner, think why didn't get himself up?

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Speaker 2: Because he knew you'd never believe him just in charging

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you proceeding in a wrong fear out. Now, I suppose

316
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Joyce Marshall wanted to get rid of her husband.

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Speaker 3: Didn't Why didn't she shoot him and be done with it?

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Speaker 2: Because she would have been the most obvious suspect. She

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would have grabbed her five minutes after to kill him.

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Oh it was much safer. The frame frank into the chair.

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You just think she and Crane killed the Marco right, Well,

322
00:17:13,839 --> 00:17:17,079
then Riddle knew this after they get off through Why

323
00:17:17,279 --> 00:17:20,119
did she kill her boyfriend? The thing's crazy enough about

324
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the grass, he's going to knock them off later the

325
00:17:21,559 --> 00:17:23,839
Wait a minute, maybe Alan Crane was just a stooge.

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Of course there was another man in the background. You

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00:17:26,400 --> 00:17:29,119
mean they were using Crane as a pet. Yeah, well,

328
00:17:29,759 --> 00:17:31,200
how are we going to find out who the third

329
00:17:31,279 --> 00:17:31,640
part of you?

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00:17:32,519 --> 00:17:34,759
Speaker 3: Well, there's two ways to do thatself, didn't I answer?

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00:17:34,799 --> 00:17:53,039
Speaker 2: Serb the easy one? Hit her up and ask her. Okay, Mike,

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is where we get off?

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Speaker 3: Okay, you can go back to the headquarters lowest, I

334
00:17:57,519 --> 00:18:01,839
won't be needing the car for a round. Hello, al Mike,

335
00:18:01,960 --> 00:18:05,359
meet off as the Bert Bert not so as you're

336
00:18:05,359 --> 00:18:06,920
going off to he like a relief?

337
00:18:07,359 --> 00:18:07,880
Speaker 2: What relief?

338
00:18:08,480 --> 00:18:10,079
Speaker 3: You know you're not supposed to go off your tour

339
00:18:10,160 --> 00:18:12,160
until you replay with our satis cases in the back.

340
00:18:12,200 --> 00:18:13,559
So he told you that too much?

341
00:18:13,640 --> 00:18:15,599
Speaker 2: Why what you wan? He tied about sixteen minutes ago

342
00:18:15,720 --> 00:18:18,960
you're bothering a energy co You say, Frank Marshall's in there.

343
00:18:19,559 --> 00:18:21,440
You didn't stop him when he had to say conduct

344
00:18:21,480 --> 00:18:23,720
first time with the commissioner with a pony. How should

345
00:18:23,720 --> 00:18:25,559
I know that? Why did you check with your preacher?

346
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Speaker 3: Mark Carpet. We're wasting time. I'll talk to you later.

347
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Speaker 2: Bert for your keys.

348
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Speaker 4: You think maybe this lady, Yeah, no, you didn't.

349
00:18:42,640 --> 00:18:49,079
Speaker 2: One of the other rooms. That's about the living room

350
00:18:49,119 --> 00:18:53,480
if I remember, okay, and I'll give you the word,

351
00:18:53,680 --> 00:18:59,960
open the door and the thing. Now, all right, Marshall,

352
00:19:00,039 --> 00:19:03,920
get him up, wouldn't you know it? Nobody there, I

353
00:19:04,039 --> 00:19:04,920
mean missus Marshall.

354
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Speaker 3: And she don't count, he said, let me bye. I

355
00:19:08,759 --> 00:19:09,680
better call a corner.

356
00:19:26,000 --> 00:19:28,960
Speaker 5: In a moment, we'll return to the adventures of the Falcon.

357
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But first, Ah, back to the adventures of the Falcon.

358
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Speaker 2: And so death came for Joyce Marshall, Wow, Satin Corvitt

359
00:20:00,160 --> 00:20:02,640
with the telephone. I went on a safari through the apartment.

360
00:20:03,240 --> 00:20:04,359
It didn't take long.

361
00:20:04,759 --> 00:20:05,759
Speaker 3: I had to make out Mike.

362
00:20:06,680 --> 00:20:07,440
Speaker 2: No one on the house.

363
00:20:08,160 --> 00:20:09,599
Speaker 3: Well, it was the back entrance of his place.

364
00:20:09,680 --> 00:20:12,079
Speaker 2: What it is that's the kitchen. Well, then that explains

365
00:20:12,119 --> 00:20:14,400
how much I got done, I guess, so I can

366
00:20:14,440 --> 00:20:17,759
find out about her with strangles. That's a switch. Yeah,

367
00:20:18,200 --> 00:20:20,079
I'll say one thing for your friend, Mike. He's a

368
00:20:20,160 --> 00:20:22,480
versatile boy, and he killed the Marco would have done?

369
00:20:22,559 --> 00:20:24,960
Speaker 3: I still say it is all right, all right, I'll even.

370
00:20:24,839 --> 00:20:29,000
Speaker 2: Grant her that supposed Joyce here and Alan Crane murdered

371
00:20:29,039 --> 00:20:32,240
the Marco. That didn't Marshall a better motives? He found

372
00:20:32,240 --> 00:20:33,799
out what his wife and a boy friend were up to,

373
00:20:33,920 --> 00:20:37,559
so he kills them both. Where does Charles Montaigne fitting

374
00:20:37,839 --> 00:20:41,640
Charles Montaigne? Who's he? I found these letters from him,

375
00:20:41,720 --> 00:20:45,759
the Joyce and his entity. Ooh, hot stuff, hotter and hot. Okay,

376
00:20:46,400 --> 00:20:49,720
I'll arrange to him. Picked up the questioning, But why

377
00:20:49,759 --> 00:20:50,880
don't you come clean? Mike?

378
00:20:51,319 --> 00:20:51,799
Speaker 4: What do you mean?

379
00:20:52,359 --> 00:20:54,359
Speaker 3: I got an idea? You know where I can find

380
00:20:54,440 --> 00:20:55,200
Frank Marshall?

381
00:20:56,079 --> 00:20:58,400
Speaker 2: Who do I do? All right?

382
00:20:58,480 --> 00:20:59,759
Speaker 3: Charge, get me a home?

383
00:20:59,799 --> 00:21:13,559
Speaker 2: Bok? How much harder we gone? That's that's right? Another,

384
00:21:14,079 --> 00:21:16,119
But you said you wanted to kill it? How do

385
00:21:16,200 --> 00:21:17,799
I know everything in a rib? You'll have to take

386
00:21:17,839 --> 00:21:20,440
my word for it. That makes you think we'll find

387
00:21:20,519 --> 00:21:24,680
my Carty here? It's the only logical place from behind us. Yeah,

388
00:21:25,920 --> 00:21:32,039
I look for apartment for so oh see y y yeah,

389
00:21:33,759 --> 00:21:36,680
but let me take it there. We'll go ahead, but

390
00:21:36,839 --> 00:21:38,960
I warn you if your friends start back to you

391
00:21:39,119 --> 00:21:43,000
cut and prepared that you waller.

392
00:21:43,920 --> 00:21:49,039
Speaker 3: Yeah, I'll take him in. Did you get you're not waller?

393
00:21:49,200 --> 00:21:51,400
Speaker 2: No, you've got a gun.

394
00:21:51,799 --> 00:21:52,599
Speaker 4: I'm worn your mark.

395
00:21:54,000 --> 00:21:54,799
Speaker 3: Okay, friend, you.

396
00:21:54,839 --> 00:21:55,279
Speaker 1: Out for it?

397
00:21:55,759 --> 00:21:56,039
Speaker 4: Huh?

398
00:21:58,200 --> 00:21:58,960
Speaker 3: You all right? Mike?

399
00:21:59,079 --> 00:22:03,599
Speaker 2: I think let's take a look at that friend, Marshall. Marshall,

400
00:22:04,440 --> 00:22:07,599
you're wasteing your clime, Sergeant. I can see that.

401
00:22:07,880 --> 00:22:09,519
Speaker 3: No, No, I mean for another reason.

402
00:22:10,279 --> 00:22:13,920
Speaker 2: He's not Frank Marshall. If you hold that phony mustache,

403
00:22:14,720 --> 00:22:28,440
you'll see he's Alan Crane. I have another copt.

404
00:22:28,480 --> 00:22:31,599
Speaker 3: No thanks, I got to be at home that the

405
00:22:31,680 --> 00:22:32,279
pair I guy.

406
00:22:32,359 --> 00:22:34,440
Speaker 2: I wish you would have into something for me. Okay,

407
00:22:34,960 --> 00:22:37,799
you'll expect to find Crane in that apartment instead of

408
00:22:37,839 --> 00:22:41,839
Frank Marshall. Naturally it was Crane's brother's apartment. And then

409
00:22:41,880 --> 00:22:43,960
you said you know where to find Frank Marshall. I

410
00:22:44,160 --> 00:22:47,599
meant the mark. Well, I asked Marshall who could double

411
00:22:47,680 --> 00:22:50,440
for him. He named Crane. Well, while I went around

412
00:22:50,519 --> 00:22:52,240
looking for him, Marshall must have gone right to his

413
00:22:52,279 --> 00:22:54,319
apartment and the two of them had it us. No,

414
00:22:54,480 --> 00:22:56,799
that's like you. Yeah, especially when you told me the

415
00:22:56,880 --> 00:22:59,799
Crane's face had been battered in. I thought it might

416
00:22:59,799 --> 00:23:01,519
have been done for a purpose to keep the police

417
00:23:01,559 --> 00:23:04,160
looking for a man who was already dead. That left

418
00:23:04,240 --> 00:23:07,640
Crane in the clear. And then there was that cop

419
00:23:07,759 --> 00:23:10,400
you had staked in front of Marshall's home, he claimed

420
00:23:10,440 --> 00:23:11,400
before Marshall.

421
00:23:11,160 --> 00:23:11,960
Speaker 3: Go in but not out.

422
00:23:12,039 --> 00:23:14,880
Speaker 2: Yeah, naturally you were at the back way. Now you

423
00:23:15,000 --> 00:23:16,799
tell me why a man who's wanted by the police

424
00:23:16,839 --> 00:23:19,640
take the chance on flashing a phony pass when he

425
00:23:19,680 --> 00:23:22,119
could have avoided trouble by going in the backway. So

426
00:23:22,359 --> 00:23:24,359
he wanted us to think that Marshall was still alive.

427
00:23:24,480 --> 00:23:27,359
And then Crane was the one who killed Joyce. Marshall

428
00:23:27,400 --> 00:23:29,559
to them, yep, must have found out that he was

429
00:23:29,680 --> 00:23:32,039
using him for a fall. Guy goes to share, you

430
00:23:32,759 --> 00:23:35,680
never can count on the word that turn. Yeah, that

431
00:23:35,880 --> 00:23:38,559
happen reminds me I don't want to get killed. I

432
00:23:38,680 --> 00:23:41,720
better be at home when a woman's waiting still in

433
00:23:41,759 --> 00:23:45,839
my love call it now were coincidentally, Mike, you ever

434
00:23:45,920 --> 00:23:49,279
give any sap to stumbling down? What do you mean?

435
00:23:49,480 --> 00:23:52,720
You know? You know get married, gehrmit knight to a

436
00:23:52,880 --> 00:23:56,920
loving wife. Oh that's not for me. Ran from what

437
00:23:57,039 --> 00:24:01,160
I saw tonight, That marriage stuff is murdered night Godon.

438
00:24:19,799 --> 00:24:23,200
Speaker 1: Welcome back. On the positive side, Mike was right and

439
00:24:23,319 --> 00:24:28,920
his friend was innocent. But what we do get overall

440
00:24:29,279 --> 00:24:32,079
is just a typical tale of a man twisted by

441
00:24:32,240 --> 00:24:38,200
a fan fatwe with wearing servings just to survey the damage. Now,

442
00:24:38,279 --> 00:24:39,519
I do want to go ahead and let you know

443
00:24:39,680 --> 00:24:43,200
that we are actually running out of episodes of the

444
00:24:43,319 --> 00:24:47,160
Adventures of the Falcon. We have three episodes left from

445
00:24:47,359 --> 00:24:51,680
nineteen fifty four and we will be playing those and

446
00:24:51,880 --> 00:24:56,400
in four weeks we'll be bringing you Danger with Granger,

447
00:24:57,119 --> 00:25:01,000
So be sure and plan on listening to that now.

448
00:25:01,079 --> 00:25:05,079
In terms of listener comments and feedback, we had a

449
00:25:05,240 --> 00:25:11,240
couple of comments on the audio quality. Betsy said maybe

450
00:25:11,319 --> 00:25:14,359
she could have gotten through the episode with better headphones.

451
00:25:16,279 --> 00:25:19,160
Dehlia said it was a bit difficult to hear, but

452
00:25:19,319 --> 00:25:21,960
I got through it. I love the Falcon. Well, thanks

453
00:25:22,000 --> 00:25:25,880
so much, and I'm sorry that we don't have better

454
00:25:26,920 --> 00:25:30,880
quality episodes for this era of the program and appreciate

455
00:25:31,000 --> 00:25:35,279
your patience. Dahlia also writes, I think my devices are

456
00:25:35,319 --> 00:25:39,759
communicating with each other. Well, I turned on my tablet

457
00:25:39,839 --> 00:25:42,759
to watch a little something while doing dishes, and the

458
00:25:42,920 --> 00:25:48,000
first suggested for me movie on Prime is Devil's Cargo,

459
00:25:48,599 --> 00:25:52,279
a Falcon movie. I had no idea that would not

460
00:25:52,559 --> 00:25:56,920
surprise me. These devices can be quite sneaky, although of

461
00:25:57,000 --> 00:26:01,240
course it's always possible that something else in your watch

462
00:26:01,559 --> 00:26:07,440
history or history on Amazon made them suggest that particular film.

463
00:26:07,799 --> 00:26:10,519
But thanks so much, Deelia, and then Rick just writes

464
00:26:10,680 --> 00:26:13,720
best podcast ever. Well, thank you so much, Rick, and

465
00:26:13,839 --> 00:26:17,119
that will do it for today. If you are enjoying

466
00:26:17,200 --> 00:26:22,319
the podcast, please follow us using your favorite podcast software,

467
00:26:22,680 --> 00:26:25,400
and be sure to rate and review the podcast wherever

468
00:26:25,519 --> 00:26:29,559
you download it from. We will be back next Monday

469
00:26:29,640 --> 00:26:32,880
with another adventure with the Falcon, but join us back

470
00:26:33,000 --> 00:26:38,759
here tomorrow for the conclusion of the Willoughby murder case, where.

471
00:26:39,240 --> 00:26:40,160
Speaker 2: You see sageant.

472
00:26:40,720 --> 00:26:43,519
Speaker 7: In this case, we are dealing with a very prominent

473
00:26:43,680 --> 00:26:47,599
man and we must prove sufficient motive if we are

474
00:26:47,680 --> 00:26:49,160
to even fasten arrest.

475
00:26:49,279 --> 00:26:52,039
Speaker 6: But how in the world are you going to do that, Inspector.

476
00:26:52,680 --> 00:26:54,799
You can't prove a motive when you haven't got a

477
00:26:54,920 --> 00:26:58,880
single piece of writing, not a solitary witness. No, if

478
00:26:58,920 --> 00:27:02,759
it was money that's easy or a woman that's easier.

479
00:27:02,480 --> 00:27:06,319
Speaker 3: A woman or Reggie. Sir Reginald did say something about

480
00:27:06,400 --> 00:27:09,759
both cousins being in love with the same woman, Jerald's wife.

481
00:27:10,880 --> 00:27:12,000
That hardly fits the case.

482
00:27:12,039 --> 00:27:14,119
Speaker 7: As far as the murder of the colonel is concerned,

483
00:27:14,279 --> 00:27:17,559
that it may who can tell there? If you please

484
00:27:18,000 --> 00:27:22,880
peculiar situation. I am convinced that Gerald killed his uncle,

485
00:27:23,559 --> 00:27:27,359
then kill Simmons. Yet, if you should ask me for

486
00:27:27,400 --> 00:27:31,440
a motive, I can only give a suggestion. If you

487
00:27:31,599 --> 00:27:36,319
say Gerald has alibi, he was in Chicago when first

488
00:27:36,480 --> 00:27:40,640
murder was committed, and on playing flying to San Francisco

489
00:27:40,839 --> 00:27:44,720
when second murder was committed, I can only say it

490
00:27:44,880 --> 00:27:48,200
is for purpose of proving that said Gerald has motive

491
00:27:48,599 --> 00:27:51,880
that we are here. It is to break said alibi

492
00:27:52,400 --> 00:27:53,720
that we must bend on.

493
00:27:53,960 --> 00:27:56,039
Speaker 1: I hope you'll be with us then in the meantime.

494
00:27:56,200 --> 00:27:59,960
Send your comments to Box thirteen at Great Detectives dot com,

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00:28:00,839 --> 00:28:04,160
follow us on Twitter at Radio Detectives, and check us

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00:28:04,200 --> 00:28:10,359
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.

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This is your host, Adam Graham signing off