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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What What's going to happen?

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<v Speaker 3>What a.

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<v Speaker 4>Welcome to the Occult Rejects this episode, you got a

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<v Speaker 4>bunch of us here together to keep continuing uh this

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<v Speaker 4>planetary symbolism with Mario from Symbolic Studies. Today we'll be

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<v Speaker 4>touching on venus and rejects you got with us. Tonight

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<v Speaker 4>we got Ethan Indigo. What is up, my man? Let

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<v Speaker 4>everybody know what you do.

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<v Speaker 3>Great to be here. Oh yeah, I'm looking forward to this.

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<v Speaker 3>I know Mario is going to drop some bombs. I

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<v Speaker 3>like to write and observe. I have several books out

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<v Speaker 3>and about and one little article recently done on the

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<v Speaker 3>occult research into to website people check out.

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<v Speaker 2>Well, so I know this is gonna be great.

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<v Speaker 4>Thank you very much Ethan and his show ups around

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<v Speaker 4>bottom and definitely check out all that man all the

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<v Speaker 4>books that man's got. And then and then we got

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<v Speaker 4>we got it. We got a new reject joining us.

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<v Speaker 4>And now we got Frider Jin the Ninja. It's a

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<v Speaker 4>new one. Jen, please say hello and let everybody know

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<v Speaker 4>what you do is.

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<v Speaker 1>Sure. Thank you boss. I'm mister ninety three, okay, so

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<v Speaker 1>I'm Jin the Ninja. I have a show called Threshold Saints.

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<v Speaker 1>You can find me on x Twitter at wi Conory,

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<v Speaker 1>Born to Be, uk O n g and ig at

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<v Speaker 1>Threshold Saints, as well as the show account on x

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<v Speaker 1>Twitter And yeah, I've got lost of episodes coming up.

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<v Speaker 1>I don't even know which one I'm on, but you're

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<v Speaker 1>interesting spykild ontology. Yeah, that's my show.

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<v Speaker 5>Thank you, awesome, thank you very much. Freda Jen and

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<v Speaker 5>GJ TJ. Christ what's going on, sir? What's up?

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<v Speaker 6>What's up? Yeah, I've just been on the Christ Path.

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<v Speaker 7>My father was a carpenter and I've just looped into

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<v Speaker 7>a ton of carpentry.

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<v Speaker 6>So it's just part of that path. Uh.

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<v Speaker 2>I do at.

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<v Speaker 7>Contemporary Problems Underscore on whichever platform. I had to take

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<v Speaker 7>about two months off to do this Christ Path carpentry

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<v Speaker 7>and stuff, and uh I started a band, did a

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<v Speaker 7>lot of things in the in the real world kind

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<v Speaker 7>of thing. But I'm excited to get back on the

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<v Speaker 7>in the digital world and exchange information with others and

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<v Speaker 7>learn and listen.

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<v Speaker 4>Yeah, awesome, thank you very much. Don't you even do

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<v Speaker 4>like tile work or something too? Yeah, I mean, oh yeah,

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<v Speaker 4>it's along those lines.

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<v Speaker 5>Trying to fit in there.

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<v Speaker 6>I think the proper term is called the tile mason.

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<v Speaker 7>Oh yeah, nice, or a stone I'm also a stonecutter.

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<v Speaker 4>I guess I love it all right at his shin

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<v Speaker 4>and his links will be on the bottom as well.

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<v Speaker 5>And last but not least, the O G Robbie barks

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<v Speaker 5>what is going on? Man?

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<v Speaker 8>Hey everybody? Yeah, I'm excited to be here too. Mario,

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<v Speaker 8>You're always bringing the good stuff.

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<v Speaker 5>Man.

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<v Speaker 8>I am a Marx or Robbie Marx. I'm an artist

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<v Speaker 8>and illustrator as well as a writer. And yeah, if

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<v Speaker 8>you want to check out my stuff, I also have

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<v Speaker 8>my metamindcast podcast. You can check out all my stuff

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<v Speaker 8>at link tree at r M A r X and

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<v Speaker 8>then'll pull up everything.

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<v Speaker 5>For you listen.

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<v Speaker 4>Thank you very much, sir, and all of his links

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<v Speaker 4>will be in the bottom as well. And finally, to

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<v Speaker 4>the man of the hour, hour and a half, we

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<v Speaker 4>got Mario from Symbolic Studies.

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<v Speaker 5>Thank you very much for jumping on again. Mario, I

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<v Speaker 5>appreciate it. It is always always a pleasure. So please

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<v Speaker 5>for them.

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<v Speaker 4>Listeners who may not know who you are. And I've

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<v Speaker 4>gotten some new ones recently, so maybe they don't. Mario

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<v Speaker 4>please let everybody know what you deal with.

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<v Speaker 9>Yeah, for sure, So thanks for having me. This is

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<v Speaker 9>a solid crew as usual. My project is called Symbolic Studies.

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<v Speaker 9>People can find all my stuff at symbolic studies dot com.

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<v Speaker 9>And what I like to do is basically put out

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<v Speaker 9>content based around the signs during the sign itself. So

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<v Speaker 9>right now, I just did a presentation on the death

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<v Speaker 9>of the Pope in Taurus season, which is really interesting

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<v Speaker 9>and there's a lot to get to with that because

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<v Speaker 9>the card that corresponds with the pope they even call

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<v Speaker 9>it the Pope card is the higher Fan, which is

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<v Speaker 9>ruled by Taurus, right, And so I like to kind

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<v Speaker 9>of find what's going on in the world in that regard,

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<v Speaker 9>and sometimes I make presentations about all of that.

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<v Speaker 2>But I like really short form.

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<v Speaker 9>Content too, So if people have not checked out my stuff,

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<v Speaker 9>they definitely should look at my shorts or follow me

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<v Speaker 9>on Instagram or whatever.

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<v Speaker 4>If you didn't say anything about your shorts, Mario, I

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<v Speaker 4>was going to his shorts a fire. I always tell

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<v Speaker 4>all that I'm jealous of his shorts and like, for real,

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<v Speaker 4>for people who are interested in Taro and you want

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<v Speaker 4>a social media account that just Tarot and Noah the bullshit.

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<v Speaker 5>Go follow Mario. His stuff is great.

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<v Speaker 9>Appreciate it, dude. Yeah, that's kind of the backbone of

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<v Speaker 9>the project, to be honest. It really started with that.

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<v Speaker 9>Also my artwork and things like that too, But the

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<v Speaker 9>shorts really is kind of, I think, what I'm most

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<v Speaker 9>known for.

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<v Speaker 4>Yeah, they're great, but yeah, so we finally got to Venus.

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<v Speaker 4>So oh, let's hear it, Mariy, what do you got for.

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<v Speaker 2>Sure?

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<v Speaker 9>So I want to do an intro and then I

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<v Speaker 9>sent you some slides that you can share in just

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<v Speaker 9>a moment. But you know, it's perfect timing because Taurus

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<v Speaker 9>is ruled by Venus, and so there's two signs that

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<v Speaker 9>are ruled by Venus, and there's two planets in the

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<v Speaker 9>traditional system that kind of have double duty. One would

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<v Speaker 9>be Venus. It rules Taurus and Libra an earth sign

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<v Speaker 9>and then an air sign. And then the same thing

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<v Speaker 9>goes for Mercury. Right, it rules Gemini, which is an

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<v Speaker 9>air sign, and then also Virgo, which is an earth sign.

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<v Speaker 9>So the traditional things with Venus, right, the correspondences. It

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<v Speaker 9>is associated with copper Friday, very feminine, right, beauty, you know, love.

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<v Speaker 2>Things like that.

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<v Speaker 9>So Venus is a very like there's a sensuality to Venus,

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<v Speaker 9>and the divine feminine sort of aspect really really goes

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<v Speaker 9>extremely deep, extraordinarily deep. I did a podcast not too

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<v Speaker 9>long ago, and I spoke with a woman. Her name

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<v Speaker 9>is Ola Wolney. If people are interested in her work,

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<v Speaker 9>I'm pretty sure I've brought her up here before. But

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<v Speaker 9>she is like a Venus sort of expert, and she

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<v Speaker 9>really ties in a lot of sort of primordial, dark

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<v Speaker 9>feminine sort of information as it connects to Venus. She

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<v Speaker 9>really thinks that Venus actually is where a lot of

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<v Speaker 9>symbolism associated with the moon, where that came from. And

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<v Speaker 9>we have a lot of overlapping sort of ideas. I

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<v Speaker 9>think that she attributes a lot to Venus and I

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<v Speaker 9>attribute a lot to the North Star. And so at

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<v Speaker 9>some point we need to like publish a conversation like

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<v Speaker 9>just about that, because there's so much going on there.

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<v Speaker 9>It's like absolutely insane. Right, But let's just look at

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<v Speaker 9>the glyph of Venus actually, if you don't mind just

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<v Speaker 9>pulling up that first slide there and right, it's a

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<v Speaker 9>circle with a cross on top. To me, when I

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<v Speaker 9>think about this glyph, I just think about the feminine

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<v Speaker 9>being in a higher priority sort of position with that circle.

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<v Speaker 9>Oftentimes the heavens are associated with the circle or the sphere,

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<v Speaker 9>and oftentimes the earth is associated with the square or

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<v Speaker 9>the cross or the number four, and so to me,

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<v Speaker 9>this kind of matches that sort of dynamic. It's kind

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<v Speaker 9>of interesting. Actually, there are some groups that will use

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<v Speaker 9>an inverted Venus glyph to indicate Mars, which is sort

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<v Speaker 9>of the classic thing, right, mena from Mars, women are

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<v Speaker 9>from Venus. Actually I say classic, but my understanding is

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<v Speaker 9>that actually really kind of came around in like I think,

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<v Speaker 9>like the sixties or seventies or something like that.

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<v Speaker 2>We'll get into it.

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<v Speaker 9>But esoterically, you could say that men are from Mercury,

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<v Speaker 9>and all you have to do is just add horns

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<v Speaker 9>on top of the Venus glyph, and then you have Mercury.

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<v Speaker 9>So perhaps Mercury is the real partner or consort of Venus. Right,

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<v Speaker 9>That's something I like to think about. But one of

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<v Speaker 9>the fascinating things about this glyph, if you want to

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<v Speaker 9>go to the next slide there, is that it was

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<v Speaker 9>pointed out in a book that I have that Venus,

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<v Speaker 9>the glyph of Venus, is the only glyph that actually

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<v Speaker 9>sort of can be put into the Kabbalistic Tree of Life,

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<v Speaker 9>and all of the sepharothes basically match sort of the

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<v Speaker 9>outline or the line work of the Venus glyph. And

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<v Speaker 9>so the person that wrote that book, which is where

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<v Speaker 9>I got this from, was making the case that this is,

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<v Speaker 9>you know, of course, extremely significant for the glyph of Venus.

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<v Speaker 9>And what's really interesting about this, in my opinion, is

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<v Speaker 9>that the hidden Doth dot would be right there in

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<v Speaker 9>the middle of that circle, right that center in that circle.

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<v Speaker 9>And so that is the sepharoath that basically connects to

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<v Speaker 9>the Clipothic tree right or the tree of Death or

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<v Speaker 9>the night Side of Eden. And so in my research,

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<v Speaker 9>that hidden sepharoth, the eleventh one is associated also with

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<v Speaker 9>the North right. And so I'll just put it out there.

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<v Speaker 9>You guys know where I'm at with kind of polar

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<v Speaker 9>northern symbolism or whatever I'm really inclined to think now,

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<v Speaker 9>And I wasn't as confident saying this months or even

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<v Speaker 9>years ago, but literally, the symbolism of all the signs

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<v Speaker 9>of the zodiac, and I would say planetary symbolism literally

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<v Speaker 9>comes from the same place, and it's a northern polar

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<v Speaker 9>sort of dynamic in my opinion, right, And so this

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<v Speaker 9>has to do with the fact that everything is expressed

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<v Speaker 9>from a center and then returns back to that center.

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<v Speaker 2>So there is a world axis.

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<v Speaker 9>Northern polar correspondence with all of the planets, with all

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<v Speaker 9>of the signs, and I would even say by extension,

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<v Speaker 9>I'm really seeing that that might be the case with

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<v Speaker 9>all constellations. Basically, it's no different than a ripple in

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<v Speaker 9>a pond, right, you drop a pebble in a pond.

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<v Speaker 9>Everything emanates from the center and kind of goes outward.

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<v Speaker 9>I think that that is what we were dealing with

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<v Speaker 9>in primordial times, is a lot of symbolism was concentrated

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<v Speaker 9>in the northern sky. People had this reverence for it,

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<v Speaker 9>and then everything kind of expanded outward, and there is

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<v Speaker 9>this sort of symbolic migration away from the center, right.

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<v Speaker 9>And so I think that this is sort of an

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<v Speaker 9>interesting sort of detail here that the hidden sepharroath once

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<v Speaker 9>again corresponds with the north, which takes you to the

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<v Speaker 9>other side. Which is interesting too, because when we're dealing

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<v Speaker 9>with the feminine, you know, we're talking about like vessel

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<v Speaker 9>symbolism and the womb and everything else. And you can

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<v Speaker 9>make the case that the circle up top kind of

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<v Speaker 9>symbolically carries some of that symbolism. And so there's something

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<v Speaker 9>very precious sort of within that circle, right, this sepharroath

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<v Speaker 9>that's very transcendental and is along the lines of that

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<v Speaker 9>middle pillar. So if you go to the next lide,

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<v Speaker 9>you'll see that this is just a traditional tree of

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<v Speaker 9>life sort of set up right the three pillars, the

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<v Speaker 9>central pillar being the transcendental pillar. You can see the

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<v Speaker 9>hidden sepharroath right there. You can imagine just what I

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<v Speaker 9>just showed you right the venus glyph itself be right there.

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<v Speaker 9>And so we're talking about the feminine. We're talking about

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<v Speaker 9>a lot of symbolism that has to do with the

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<v Speaker 9>number five actually, and so if you go to the

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<v Speaker 9>next slide, we're dealing with the fifth card of the

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<v Speaker 9>major ocana, which is ruled by Taurus. And so this

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<v Speaker 9>is the hyerpin card or the Pope card. And I

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<v Speaker 9>just did a presentation about all of this, as I mentioned,

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<v Speaker 9>and basically the pope is right there in between the

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<v Speaker 9>two pillars, and so he represents that sort of central axis.

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<v Speaker 9>And what I said in the presentation too, is I'm

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<v Speaker 9>really seeing it now that he is. I think all

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<v Speaker 9>pilgrimage locations basically represent like a vertical axis pretty much

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<v Speaker 9>connecting Heaven and Earth together, and he is sort of

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<v Speaker 9>an embodiment of like a living, breathing sort of vertical

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<v Speaker 9>axis pretty much. And so of course the pope gets

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<v Speaker 9>replaced or the pope gets transition out as they pass

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<v Speaker 9>and everything else, and so this living embodiment of this

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<v Speaker 9>central axis, right, So I think that makes a lot

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<v Speaker 9>of sense because what he really represents is he's a bridge.

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<v Speaker 9>And so that's what Pontiffect's Maximus represents, is he's the

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<v Speaker 9>ultimate bridge builder, and so he's the bridge between Heaven

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<v Speaker 9>and Earth essentially, or the bridge even between you know,

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<v Speaker 9>the people and God, if you want to put it

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<v Speaker 9>that way. But he's always been associated with being the

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<v Speaker 9>keeper of the keys, right, and so even like the

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<v Speaker 9>official like emblem for the Pope is cross keys, a

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<v Speaker 9>golden key and a silver key, and this can represent

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<v Speaker 9>the golden gate and silver gate. There's a whole deep

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<v Speaker 9>dive weave that we can get into later about all

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<v Speaker 9>of that. I also think it's interesting one of the

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<v Speaker 9>things in the presentation that I broke down was the

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<v Speaker 9>papal cross, and how the papal cross it almost just

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<v Speaker 9>reminds me of the lines that break up the four

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<v Speaker 9>different levels of the trio life, right, the four different

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<v Speaker 9>worlds of the tree, and then you have that central

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<v Speaker 9>sort of axis breaking it as well. And so in

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<v Speaker 9>the presentation it makes way more sense. But he is

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<v Speaker 9>the keeper of the keys, and he is the guardian

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<v Speaker 9>of this gate. So when you have the two pillars,

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<v Speaker 9>there's an implied doorway or gateway there, and he's throned,

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<v Speaker 9>and to be throwned is way more feminine, you know,

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<v Speaker 9>in my opinion. So what I've been saying for a

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<v Speaker 9>while now is that I have a strong inclination to

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<v Speaker 9>think that thrown symbolism actually belongs more to the goddess

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<v Speaker 9>or to the feminine than the masculine, because it's more passive.

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<v Speaker 9>And so women are more passive in nature, They're more magnetic,

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<v Speaker 9>and so opportunities come to them, Suitors come to them,

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<v Speaker 9>you know, things come to them. They don't have to

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<v Speaker 9>go anywhere. It's more in man's nature to have to

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<v Speaker 9>go out and seek and sort of conquest and journey

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<v Speaker 9>and bring home the bacon. If you will and if

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<v Speaker 9>you want to, like a really simple sort of metaphor

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<v Speaker 9>for this is you just look at our sex organs.

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<v Speaker 9>You know, the phallus is projective an outward and it's

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<v Speaker 9>the original wand, if you will, And the wand really

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<v Speaker 9>is about energy being sent forth. And then even the

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<v Speaker 9>sperm cells of man they travel and they go into

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<v Speaker 9>foreign lands to inseminate the egg. On the other hand,

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<v Speaker 9>the woman is more receptive, and so she receives right,

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<v Speaker 9>and so the egg stays within her confines in order

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<v Speaker 9>for her to get pregnant. And so that's kind of

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<v Speaker 9>the basic difference traditionally between masculine projective symbolism feminine receptive symbolism.

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<v Speaker 9>So I see it that when a king or a hirophant,

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<v Speaker 9>or the emperor or a lord or something is sitting

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<v Speaker 9>on a throne, he's actually emulating the feminine. And this

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<v Speaker 9>makes sense here because he actually corresponds with venus. And

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<v Speaker 9>I even believe now my understanding is that and this

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<v Speaker 9>idea of sort of guarding a gateway actually belongs more

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<v Speaker 9>to the feminine as well. And so this is why

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<v Speaker 9>you see Lady Justice. It's a woman holding a sword

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<v Speaker 9>and then holding the scales right, And she too is

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<v Speaker 9>sitting in between two pillars in the tarot, right, the

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<v Speaker 9>justice card. And so woman is really sort of she's

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<v Speaker 9>more of a judge than anything else, more than man

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<v Speaker 9>at least, because she has to judge and gauge what

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<v Speaker 9>partners she wants to potentially connect with, or couple with

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<v Speaker 9>or have children with.

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<v Speaker 5>Right.

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<v Speaker 9>Men have a very different perspective on things, So men

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<v Speaker 9>can be attracted to many different types of women and

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<v Speaker 9>everything else.

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<v Speaker 2>But it's really the woman who is the.

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<v Speaker 9>Guardian of her gateway, which is the real gateway into

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<v Speaker 9>this reality, basically, right. And so there's a lot of

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<v Speaker 9>symbolism with that, with the true guardian of the gate

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<v Speaker 9>is actually feminine. And if you want to go to

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<v Speaker 9>the next slide, it's interesting that some of the earliest

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<v Speaker 9>Hirofint cards in existence show a female pope actually, right,

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<v Speaker 9>And so there's even a whole story. I don't know

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<v Speaker 9>all the details, but I've read about it before, but

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<v Speaker 9>I believe her name.

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<v Speaker 2>Is Pope Joan, Yeah, right, Do you know what any

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<v Speaker 2>thing about her? By chance? Any any details?

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<v Speaker 8>Yeah, she came to the throne and there was a

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00:16:22.279 --> 00:16:26.600
<v Speaker 8>lot of problems with her being a female, and then

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<v Speaker 8>there are some other stories about females that have come

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<v Speaker 8>and been enthrone that acted as though they were men

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00:16:35.759 --> 00:16:39.320
<v Speaker 8>and then you know, get found out, you know. But yeah,

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<v Speaker 8>there's it's been a while since, but yeah, I'm familiar

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<v Speaker 8>with Pope Jones for sure.

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<v Speaker 9>Right right, are you guys aware of the I don't

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00:16:46.919 --> 00:16:49.320
<v Speaker 9>know if it's still in use, but I have seen

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<v Speaker 9>photos of it. But the chair that supposedly the pope

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<v Speaker 9>has to sit in, or prospective pope has to sit in,

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<v Speaker 9>so that all everyone else in the conclave, I guess

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<v Speaker 9>can inspect his genitalia to make sure that he's actually

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<v Speaker 9>a male. It almost looks like it's like a wooden

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<v Speaker 9>chair that has an opening at the bottom, and you know,

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<v Speaker 9>people can google it or whatever. But determining the sex

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<v Speaker 9>of the pope, I don't know if that was more

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<v Speaker 9>of a thing after Pope Jon or whatever. But it's

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<v Speaker 9>also interesting that the movie Conclave is in part about

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<v Speaker 9>this spoiler alert, But so that's a whole entire thing.

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<v Speaker 9>So the fact that there were these female popes early

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<v Speaker 9>on in Tarot history, I think is really fascinating for sure,

327
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<v Speaker 9>and just speaks to it to me, this venus connection

328
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<v Speaker 9>and even too. What I'll say is that Taurus, my

329
00:17:43.759 --> 00:17:47.039
<v Speaker 9>understanding of it is that we're seeing a very sort

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<v Speaker 9>of masculine solar version of Taurus these days. When most

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<v Speaker 9>people illustrate Taurus or think of Taurus, they think of

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<v Speaker 9>a mighty bull, you know, almost ready to charge, or

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<v Speaker 9>looking very aggressive or angry or something along these lines.

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<v Speaker 9>And my understanding is that it actually used to be

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<v Speaker 9>more of the feminine cow early on. And what's kind

336
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<v Speaker 9>of happened is a lot of animals during their respective age,

337
00:18:16.440 --> 00:18:19.480
<v Speaker 9>they're looked at in one way during the age itself.

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<v Speaker 9>So the age of Taurus, the bowl, minunderstanding is that

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00:18:23.240 --> 00:18:26.240
<v Speaker 9>it was more so revered, put on a pedestal, more

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00:18:26.279 --> 00:18:29.799
<v Speaker 9>positive connotations, things like that. And then once the age

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00:18:29.799 --> 00:18:32.559
<v Speaker 9>of Taurus came and went and we were now in

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<v Speaker 9>the age of Aries, that same bowl is sort of

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00:18:36.240 --> 00:18:39.400
<v Speaker 9>sacrificial in nature. And so you have mythrist slaying the

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00:18:39.440 --> 00:18:43.480
<v Speaker 9>cosmic bowl as an example, right or there tends to

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00:18:43.519 --> 00:18:46.279
<v Speaker 9>be more like this demonic sort of thing associated with that,

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00:18:46.759 --> 00:18:49.279
<v Speaker 9>and so that aggression or that masculine sort of energy

347
00:18:50.039 --> 00:18:53.640
<v Speaker 9>tends to come out a bit more. And so anyway,

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<v Speaker 9>for what it's worth, I thought I would mention that well.

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<v Speaker 8>Also, I was going to say, as far as different

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<v Speaker 8>females that have been in throne, if you go back

351
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<v Speaker 8>into Babylon, some of the queens of Babylon were far

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<v Speaker 8>stronger than the kings, and they were more known for

353
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<v Speaker 8>building the edifices, the big pyramids. And then you get

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<v Speaker 8>into Kibbili, you know, and she was a queen that

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<v Speaker 8>was enthroned that basically rode on a cart pulled by lions,

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<v Speaker 8>and so.

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<v Speaker 3>Some of the oldest When you.

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<v Speaker 8>Get back into the more Mediterranean, more Asian like cultures,

359
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<v Speaker 8>you have a lot more divine, feminine propagators that are

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<v Speaker 8>over the male propagators.

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<v Speaker 9>Yeah, yeah, yeah, exactly, and it just makes all the

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<v Speaker 9>sense in the world. So yeah, I mean, even to

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<v Speaker 9>your point too, a lot of these early queens, and

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<v Speaker 9>actually a lot of queen symbolism and goddess symbolism a

365
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<v Speaker 9>lot of times is closely related to the lion, and

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<v Speaker 9>that the lion is either pulling their chariot or is

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<v Speaker 9>embedded into the throne itself or flanks the throne or

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00:20:02.119 --> 00:20:04.160
<v Speaker 9>something like that. And I just think it's really interesting

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<v Speaker 9>that Leo is right next to Virgo, and so Virgo

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<v Speaker 9>the queen of heaven, right, the stellar virgin, And so

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<v Speaker 9>there's this interesting relationship that I've noticed with that. It's

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<v Speaker 9>almost kind of like the feminine authority over the masculine.

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<v Speaker 9>You know, the lion being a solar line related to

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<v Speaker 9>the sun and things like that, and that's what you

375
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<v Speaker 9>actually see in the Strength guard. You see a woman

376
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<v Speaker 9>taming a lion, right, It's almost like mother and child.

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<v Speaker 9>So that's kind of what I see with the Strength

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<v Speaker 9>card is you're actually seeing a representation of two signs there,

379
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<v Speaker 9>Virgo and then Leo. But yeah, if you want to

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00:20:40.319 --> 00:20:43.960
<v Speaker 9>cruise to the next slide, it's just the Mercury glyph.

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<v Speaker 9>But just wanted to show you that all you have

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<v Speaker 9>to do is add horns to the Venus glyph and

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<v Speaker 9>then you have Mercury.

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<v Speaker 2>Very interesting.

385
00:20:51.720 --> 00:20:54.400
<v Speaker 9>And then also if you just remove the cross down below,

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<v Speaker 9>now you actually have the glyph for Taurus itself, right,

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<v Speaker 9>which is ruled by Venus.

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<v Speaker 2>So even the glyph itself.

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<v Speaker 9>Right, I mean the simple horns you know, on one hand, yeah,

390
00:21:06.680 --> 00:21:10.359
<v Speaker 9>you could say, and it is. It's both masculine and feminine.

391
00:21:10.359 --> 00:21:13.519
<v Speaker 9>It's both yang and yin you know horn you think

392
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<v Speaker 9>of horny, right, again the phallus or an erection or

393
00:21:16.680 --> 00:21:19.599
<v Speaker 9>something along these lines. And then you also have it

394
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<v Speaker 9>though it's a vessel, right, it's also a crescent moon.

395
00:21:23.759 --> 00:21:24.680
<v Speaker 2>Yeah, exactly right.

396
00:21:25.160 --> 00:21:28.720
<v Speaker 9>And there's so much lunar symbolism with Taurus as well.

397
00:21:28.759 --> 00:21:31.160
<v Speaker 9>That's interesting. The cow that jumped over the moon I

398
00:21:31.200 --> 00:21:33.640
<v Speaker 9>think of as an example, or I think of the

399
00:21:33.640 --> 00:21:37.480
<v Speaker 9>fact that people have had this sort of thing saying

400
00:21:37.519 --> 00:21:39.200
<v Speaker 9>that the moon is made out of cheese. Where do

401
00:21:39.240 --> 00:21:43.680
<v Speaker 9>you get cheese from milk? And so even too with

402
00:21:43.799 --> 00:21:47.119
<v Speaker 9>the cow symbolism. The cow has been referred to as

403
00:21:47.160 --> 00:21:50.039
<v Speaker 9>like the second mother of mankind in certain parts of

404
00:21:50.079 --> 00:21:52.799
<v Speaker 9>the world, like in India, and it's because you get

405
00:21:52.920 --> 00:21:55.759
<v Speaker 9>so much from the cow and it asks so little.

406
00:21:56.000 --> 00:21:58.599
<v Speaker 9>So it's really a giver, right, This animal gives and

407
00:21:58.640 --> 00:22:03.920
<v Speaker 9>gives and gives, and even just exactly even just milk itself.

408
00:22:03.920 --> 00:22:08.039
<v Speaker 9>From milk you get cheese and yogurt and ghee and all.

409
00:22:07.880 --> 00:22:08.680
<v Speaker 2>These other things.

410
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<v Speaker 9>But then also you know, the hide itself, if that's

411
00:22:13.160 --> 00:22:15.559
<v Speaker 9>how that country rolls or that those people, if that's

412
00:22:15.599 --> 00:22:18.559
<v Speaker 9>what they choose to do, and then obviously meat and

413
00:22:18.599 --> 00:22:21.960
<v Speaker 9>protein from there, and you know, then it helps on

414
00:22:22.000 --> 00:22:24.119
<v Speaker 9>the farm. And then there's uses for the dung and

415
00:22:24.160 --> 00:22:27.599
<v Speaker 9>everything else, and so on a physical level, it gives

416
00:22:27.640 --> 00:22:31.160
<v Speaker 9>and gives and gives. But this also kind of parallels

417
00:22:32.160 --> 00:22:35.759
<v Speaker 9>a spiritual dynamic as well, and that it actually there's

418
00:22:35.799 --> 00:22:37.920
<v Speaker 9>like a grace and there's a presence to the cow

419
00:22:38.000 --> 00:22:40.000
<v Speaker 9>and the bowl and everything else. So there's things to

420
00:22:40.079 --> 00:22:43.720
<v Speaker 9>learn even outside of just taking you know, from it.

421
00:22:45.480 --> 00:22:48.839
<v Speaker 9>But there's a huge, huge weave too with the V.

422
00:22:49.319 --> 00:22:51.039
<v Speaker 9>If you want to go to the next slide. Here

423
00:22:51.440 --> 00:22:54.200
<v Speaker 9>we're talking about venus, So we're talking about the V.

424
00:22:54.799 --> 00:22:58.720
<v Speaker 9>The V is a very powerful letter in so many ways.

425
00:22:59.319 --> 00:23:01.599
<v Speaker 9>One of the first things I think about is the

426
00:23:01.680 --> 00:23:07.160
<v Speaker 9>fact that the receptive elements their glyph is a downward triangle.

427
00:23:07.839 --> 00:23:11.160
<v Speaker 9>So water is just a downward triangle. Earth is a

428
00:23:11.200 --> 00:23:14.839
<v Speaker 9>downward triangle with a line through it. Air is an

429
00:23:14.880 --> 00:23:18.000
<v Speaker 9>upward triangle with a line, and then fire is an

430
00:23:18.079 --> 00:23:22.920
<v Speaker 9>upward triangle. So the receptive feminine downward triangle. Right, So

431
00:23:22.960 --> 00:23:24.519
<v Speaker 9>it even looks like a little vessel.

432
00:23:25.160 --> 00:23:25.359
<v Speaker 2>Right.

433
00:23:25.440 --> 00:23:27.279
<v Speaker 9>I even think of the yoni, or I think of

434
00:23:27.279 --> 00:23:29.079
<v Speaker 9>the vagina, starts with the V.

435
00:23:29.480 --> 00:23:33.839
<v Speaker 2>Right. Also, when you look at go ahead.

436
00:23:33.880 --> 00:23:35.640
<v Speaker 8>I was going to say, as well as aspects of

437
00:23:35.720 --> 00:23:37.480
<v Speaker 8>water it's as far as.

438
00:23:37.400 --> 00:23:43.480
<v Speaker 9>The wines exactly. Yeah, you totally got it. And so

439
00:23:43.720 --> 00:23:46.839
<v Speaker 9>even Vagina you have that V right there. But uh,

440
00:23:47.839 --> 00:23:52.160
<v Speaker 9>the Taurus constellation. When you look at Taurus again ruled

441
00:23:52.200 --> 00:23:56.519
<v Speaker 9>by Venus, you see this gigantic V. That is the

442
00:23:56.559 --> 00:23:59.519
<v Speaker 9>most prominent feature of the Taurus constellation. If anyone here

443
00:23:59.599 --> 00:24:03.640
<v Speaker 9>is a star gazer, and so you see a gigantic V.

444
00:24:03.720 --> 00:24:06.119
<v Speaker 9>And then you see a really large star and that's

445
00:24:06.160 --> 00:24:09.799
<v Speaker 9>one of its eyes, which is Aldebaran or al Debaron.

446
00:24:10.720 --> 00:24:14.759
<v Speaker 9>I also think it's interesting too that that specific star

447
00:24:15.359 --> 00:24:18.640
<v Speaker 9>has a lot of symbolism associated with like the Vrill

448
00:24:18.960 --> 00:24:23.440
<v Speaker 9>society and like the lore associated with the vril. And

449
00:24:23.519 --> 00:24:26.559
<v Speaker 9>here we're dealing with the V again, even with Vril,

450
00:24:27.039 --> 00:24:29.240
<v Speaker 9>which to me, when I think of Ril, I think

451
00:24:29.279 --> 00:24:33.240
<v Speaker 9>of another aspect of ether or spirit, which would be

452
00:24:33.279 --> 00:24:37.880
<v Speaker 9>the fifth element, which is also Roman numeral five, which

453
00:24:37.920 --> 00:24:40.000
<v Speaker 9>is a V as well. And we're dealing with the

454
00:24:40.000 --> 00:24:43.480
<v Speaker 9>fifth card of the major o'conna, so Roman numeral five

455
00:24:43.559 --> 00:24:46.000
<v Speaker 9>right there. So the V weave is super super strong,

456
00:24:46.880 --> 00:24:49.240
<v Speaker 9>very feminine in a lot of ways. And if we

457
00:24:49.279 --> 00:24:52.920
<v Speaker 9>go to the next slide, we'll see that if you

458
00:24:53.000 --> 00:24:56.720
<v Speaker 9>double it up, now you have a W right from

459
00:24:56.839 --> 00:25:05.920
<v Speaker 9>V to W and w we have words like water, womb, woman, right, which,

460
00:25:06.839 --> 00:25:09.279
<v Speaker 9>and so there's a lot of feminine words.

461
00:25:09.319 --> 00:25:12.640
<v Speaker 2>That associate with the W. And then if you just.

462
00:25:12.799 --> 00:25:16.599
<v Speaker 9>Flip that and this is getting really close, uh Robbie

463
00:25:16.640 --> 00:25:19.440
<v Speaker 9>with the water right, the zigzag of.

464
00:25:19.440 --> 00:25:23.680
<v Speaker 2>The water the exactly exactly.

465
00:25:23.759 --> 00:25:26.519
<v Speaker 9>Yeah, So you flip it like in the next slide,

466
00:25:26.839 --> 00:25:28.960
<v Speaker 9>and then now you have an M.

467
00:25:30.160 --> 00:25:31.680
<v Speaker 2>Yeah. So ma.

468
00:25:32.960 --> 00:25:36.799
<v Speaker 9>It's like universal amongst babies, you know, it's almost like instinctual,

469
00:25:36.839 --> 00:25:44.480
<v Speaker 9>I think. And so mom has two ms mother, matter, matrix.

470
00:25:44.720 --> 00:25:50.839
<v Speaker 9>These are like feminine words basically mem water, Yeah, yeah,

471
00:25:50.880 --> 00:25:52.480
<v Speaker 9>totally right there.

472
00:25:52.559 --> 00:25:55.720
<v Speaker 6>I'm pretty sure it's ma in Arabic means water.

473
00:25:56.559 --> 00:26:00.000
<v Speaker 9>Okay, there you go. It makes perfect sense, man, yeah, exactly.

474
00:26:00.519 --> 00:26:01.880
<v Speaker 8>There is so many of those.

475
00:26:02.400 --> 00:26:05.079
<v Speaker 3>Go ahead, Oh, I was just gonna back that all

476
00:26:05.160 --> 00:26:11.319
<v Speaker 3>up in so many dozens of different languages. MA is

477
00:26:11.519 --> 00:26:16.920
<v Speaker 3>the feminine mother expression term. And and in looking into it,

478
00:26:16.920 --> 00:26:19.319
<v Speaker 3>it might be something else, but that it also might

479
00:26:19.359 --> 00:26:24.759
<v Speaker 3>be that is the first annunciation that we make that

480
00:26:24.880 --> 00:26:28.119
<v Speaker 3>we're capable of and so all, and so it might

481
00:26:28.160 --> 00:26:32.079
<v Speaker 3>be that not that that's not amazing in and of itself,

482
00:26:32.359 --> 00:26:35.559
<v Speaker 3>but but you're you're right, it's very much reflective in

483
00:26:35.599 --> 00:26:38.480
<v Speaker 3>the may Trix, the Ma tricks, from which, as you do,

484
00:26:38.680 --> 00:26:40.319
<v Speaker 3>not the creation.

485
00:26:42.039 --> 00:26:43.079
<v Speaker 2>Yeah, yeah, exactly.

486
00:26:43.119 --> 00:26:45.200
<v Speaker 9>Well, one of the things that's been pointed out to

487
00:26:45.240 --> 00:26:49.000
<v Speaker 9>me is that when you say something that starts with

488
00:26:49.039 --> 00:26:53.759
<v Speaker 9>an m hmm, it's internal as well. Right, so there's

489
00:26:53.799 --> 00:26:57.079
<v Speaker 9>like a receptive feminine sort of quality with MM as well,

490
00:26:57.160 --> 00:27:00.519
<v Speaker 9>versus like dah for dad. Do you know, does anyone

491
00:27:00.519 --> 00:27:04.440
<v Speaker 9>here know if DA or Dad die is as? It

492
00:27:04.440 --> 00:27:07.640
<v Speaker 9>doesn't feel to me as universal as MA is.

493
00:27:07.440 --> 00:27:12.440
<v Speaker 3>It is related, I believe, but it's more Pa Pa. Okay,

494
00:27:12.440 --> 00:27:16.079
<v Speaker 3>there you go, right, as it's shifted into English, it's

495
00:27:16.079 --> 00:27:19.160
<v Speaker 3>a DA, but very similar of course, Papa Pa.

496
00:27:20.079 --> 00:27:20.519
<v Speaker 2>There you go.

497
00:27:20.680 --> 00:27:22.839
<v Speaker 9>That makes sense. Well there we I mean that's completely

498
00:27:22.880 --> 00:27:28.720
<v Speaker 9>related to even to the Pope and some etymological words

499
00:27:28.720 --> 00:27:31.200
<v Speaker 9>that kind of relate to Pope and and father and you.

500
00:27:31.160 --> 00:27:36.039
<v Speaker 3>Know, the very similar energetically to your idea of the

501
00:27:36.440 --> 00:27:41.079
<v Speaker 3>externalizing and the internalizing of those tonations too.

502
00:27:42.559 --> 00:27:45.319
<v Speaker 8>Well, oh no, not at all. But also when you

503
00:27:45.359 --> 00:27:49.240
<v Speaker 8>look at mother Kibbli, who's directly related to Aphrodity, who

504
00:27:49.400 --> 00:27:56.240
<v Speaker 8>is essentially Venus. Her consort was Addis and in the mountains,

505
00:27:56.319 --> 00:28:00.960
<v Speaker 8>they would call him pa or Papa or papa. So

506
00:28:01.920 --> 00:28:05.440
<v Speaker 8>and that goes back ten twelve thousand, you know BC.

507
00:28:06.400 --> 00:28:07.640
<v Speaker 2>Right, right, yeah, totally.

508
00:28:08.640 --> 00:28:13.839
<v Speaker 9>So we got here from the V right Venus. And

509
00:28:13.960 --> 00:28:18.079
<v Speaker 9>so let's look at the next slide. And to me,

510
00:28:18.519 --> 00:28:21.200
<v Speaker 9>this information is so mind blowing. It's still very novel

511
00:28:21.200 --> 00:28:23.759
<v Speaker 9>to me, even though I've seen it so many times now.

512
00:28:24.200 --> 00:28:27.880
<v Speaker 9>But Venus, over the course of eight years makes a

513
00:28:27.960 --> 00:28:31.759
<v Speaker 9>five pointed star from the perspective of Earth, and this

514
00:28:31.839 --> 00:28:34.400
<v Speaker 9>is what it looks like right here. And so there's

515
00:28:34.480 --> 00:28:38.319
<v Speaker 9>no other planet that has this sort of cycle or

516
00:28:38.359 --> 00:28:41.480
<v Speaker 9>makes this. This is referred to as the Venus rose

517
00:28:41.799 --> 00:28:44.920
<v Speaker 9>or the Venus pentagram, right, or the pentacle of Venus,

518
00:28:44.920 --> 00:28:49.160
<v Speaker 9>something along those lines. And so again this weave of

519
00:28:49.680 --> 00:28:55.440
<v Speaker 9>five Roman numeral five v higher fit five is completely

520
00:28:55.559 --> 00:28:59.440
<v Speaker 9>like multi layered and encoded. So I had to bring

521
00:28:59.480 --> 00:29:01.000
<v Speaker 9>it up. So you go to the next slide, the

522
00:29:01.039 --> 00:29:03.519
<v Speaker 9>next couple, you'll just see variations on the same thing,

523
00:29:04.079 --> 00:29:06.400
<v Speaker 9>basically showing you different ways in which you can kind

524
00:29:06.400 --> 00:29:09.759
<v Speaker 9>of illustrate this. So it's sometimes referred to as the

525
00:29:09.839 --> 00:29:13.759
<v Speaker 9>kiss of Venus as well. And so the number five

526
00:29:14.000 --> 00:29:17.480
<v Speaker 9>and the pentacle really really amazing stuff. I mean, the

527
00:29:17.519 --> 00:29:21.279
<v Speaker 9>mathematics and sacred geometry behind it is pretty mind blowing

528
00:29:21.319 --> 00:29:24.839
<v Speaker 9>as well. And if you go to the next slide,

529
00:29:24.920 --> 00:29:27.119
<v Speaker 9>you can maybe breeze past this one and then just

530
00:29:27.160 --> 00:29:29.920
<v Speaker 9>go to there you go the Ace of Pentacles, right.

531
00:29:29.960 --> 00:29:33.839
<v Speaker 9>So in the tarot, it's basically a tradition to have

532
00:29:33.960 --> 00:29:39.519
<v Speaker 9>the coin to be represented with this star right on

533
00:29:39.559 --> 00:29:43.079
<v Speaker 9>the coin itself. And so this really says quite a bit.

534
00:29:43.119 --> 00:29:45.599
<v Speaker 9>In the thought deck, these are called discs, which I

535
00:29:45.599 --> 00:29:49.640
<v Speaker 9>think is interesting too because there's almost now when I

536
00:29:49.680 --> 00:29:52.359
<v Speaker 9>see it or think about it, this disc it kind

537
00:29:52.359 --> 00:29:56.079
<v Speaker 9>of just reminds me of like Earth in some ways personally,

538
00:29:56.519 --> 00:29:58.960
<v Speaker 9>you know, maybe from like an ancient cosmological sort of

539
00:29:58.960 --> 00:30:03.799
<v Speaker 9>perspective or something that. But we put this glyph where

540
00:30:03.839 --> 00:30:08.640
<v Speaker 9>we put this icon on this coin, and in my opinion,

541
00:30:08.720 --> 00:30:11.240
<v Speaker 9>a lot of times when you are looking at a pentacle,

542
00:30:11.880 --> 00:30:14.759
<v Speaker 9>you are looking essentially at a reference, almost a direct

543
00:30:14.799 --> 00:30:18.680
<v Speaker 9>reference to Venus, right, And so because of this sort

544
00:30:18.720 --> 00:30:22.319
<v Speaker 9>of dynamic, and so it's also encoding the five elements.

545
00:30:22.400 --> 00:30:25.519
<v Speaker 9>As I mentioned earlier, we obviously as humans have five

546
00:30:25.519 --> 00:30:31.400
<v Speaker 9>main appendages. Five fingers. Oh, pretty interesting as well as

547
00:30:31.480 --> 00:30:35.160
<v Speaker 9>it relates to the number five and Venusian sorts of things.

548
00:30:35.960 --> 00:30:40.680
<v Speaker 9>The average menstrual cycle is like five days basically, and

549
00:30:40.759 --> 00:30:44.160
<v Speaker 9>so even like when we refer to like a period

550
00:30:44.240 --> 00:30:47.480
<v Speaker 9>of time, the period like has a reference to this,

551
00:30:47.599 --> 00:30:50.400
<v Speaker 9>and also has this kind of subtle reference to like

552
00:30:50.440 --> 00:30:52.599
<v Speaker 9>the number five as well. So I think that's kind

553
00:30:52.640 --> 00:30:55.640
<v Speaker 9>of like an amazing sort of set of like coincidences

554
00:30:55.960 --> 00:30:59.720
<v Speaker 9>or what have you, synchronicities. But the five point it's

555
00:30:59.720 --> 00:31:04.480
<v Speaker 9>stall are, it's the star. It's the quintessential star, right,

556
00:31:05.039 --> 00:31:08.839
<v Speaker 9>and so the quintessence too is related to this as well.

557
00:31:09.279 --> 00:31:11.839
<v Speaker 9>But it's the quintessential star. It's the star that we

558
00:31:11.920 --> 00:31:15.400
<v Speaker 9>all draw as children. And if you look at any

559
00:31:15.480 --> 00:31:18.240
<v Speaker 9>work of art for the most part, you know, not

560
00:31:18.359 --> 00:31:20.200
<v Speaker 9>all the time, but a lot of times, just the

561
00:31:20.279 --> 00:31:22.920
<v Speaker 9>average star in the piece. If there's going to be

562
00:31:23.000 --> 00:31:25.519
<v Speaker 9>like a blanket of stars, you know, it's not uncommon

563
00:31:25.559 --> 00:31:28.119
<v Speaker 9>for it to just be a five pointed star. So

564
00:31:28.400 --> 00:31:31.680
<v Speaker 9>decoding sort of the sacred geometry behind it, I think

565
00:31:31.720 --> 00:31:34.759
<v Speaker 9>makes sense. So if you want to go to the

566
00:31:34.799 --> 00:31:39.559
<v Speaker 9>next slide, we'll just see a pretty standard pentacle there,

567
00:31:40.039 --> 00:31:44.079
<v Speaker 9>and it's the proportions of where these lines intersect that's

568
00:31:44.160 --> 00:31:45.200
<v Speaker 9>really significant.

569
00:31:45.240 --> 00:31:47.720
<v Speaker 2>So if you go to the next slide, the pent

570
00:31:47.799 --> 00:31:49.319
<v Speaker 2>alpha mm hmm.

571
00:31:50.359 --> 00:31:54.960
<v Speaker 9>So this ratio right here is really really important and

572
00:31:55.079 --> 00:31:58.319
<v Speaker 9>relates to the golden ratio. And so if you go

573
00:31:58.319 --> 00:32:02.640
<v Speaker 9>to the next slide, there's these calipers that you can

574
00:32:02.680 --> 00:32:06.880
<v Speaker 9>buy that will retain and keep the golden ratio. And

575
00:32:06.960 --> 00:32:10.480
<v Speaker 9>so it's one point six one eight to one. And

576
00:32:10.519 --> 00:32:14.240
<v Speaker 9>so my understanding is even like our bones, you know,

577
00:32:14.279 --> 00:32:17.480
<v Speaker 9>they're able to unfurl and kind of curl up into

578
00:32:17.519 --> 00:32:21.720
<v Speaker 9>themselves because of this dynamic right here. And so if

579
00:32:21.759 --> 00:32:24.839
<v Speaker 9>you have calipers like that, it kind of encourages you

580
00:32:24.880 --> 00:32:27.359
<v Speaker 9>to start measuring all these things and start seeing where

581
00:32:27.359 --> 00:32:31.279
<v Speaker 9>this sort of like ratio actually exists. And so because

582
00:32:31.319 --> 00:32:33.759
<v Speaker 9>of this ratio, if you want to go to the

583
00:32:33.799 --> 00:32:37.680
<v Speaker 9>next slide, you'll see that it's related to the golden

584
00:32:37.720 --> 00:32:41.799
<v Speaker 9>spiral basically. And so from like the left square to

585
00:32:41.880 --> 00:32:45.759
<v Speaker 9>the right square the upper right square, that ratio is

586
00:32:45.839 --> 00:32:49.720
<v Speaker 9>retained right and so because of that, you can literally

587
00:32:49.759 --> 00:32:52.880
<v Speaker 9>have this perpetual spiral that just goes.

588
00:32:52.680 --> 00:32:54.640
<v Speaker 2>On and on and on and on and on, and

589
00:32:54.680 --> 00:32:56.720
<v Speaker 2>that ratio completely stays intact.

590
00:32:57.240 --> 00:33:01.440
<v Speaker 9>So this golden spiral ratio is act actually embedded into

591
00:33:02.039 --> 00:33:05.440
<v Speaker 9>the normal five pointed star that we're all sort of

592
00:33:05.440 --> 00:33:09.240
<v Speaker 9>familiar with, and because of that, the five pointed star

593
00:33:09.359 --> 00:33:12.000
<v Speaker 9>pentacle has all of these interesting properties too, Like if

594
00:33:12.039 --> 00:33:15.039
<v Speaker 9>you go to the next slide, you'll see that you

595
00:33:15.079 --> 00:33:18.480
<v Speaker 9>can basically line up these stars right and there's this

596
00:33:18.599 --> 00:33:22.200
<v Speaker 9>just perfect tapering sort of dynamic that again goes on

597
00:33:22.279 --> 00:33:25.720
<v Speaker 9>and on and on and on and so my opinion,

598
00:33:25.799 --> 00:33:30.559
<v Speaker 9>basically when you really start decoding everything, is that the

599
00:33:30.599 --> 00:33:34.680
<v Speaker 9>five pointed star, and by extension, like the number five itself,

600
00:33:35.359 --> 00:33:39.079
<v Speaker 9>it is also a bridge. Symbolically, it's a symbolic bridge,

601
00:33:39.119 --> 00:33:41.480
<v Speaker 9>which is why it matches so perfectly with the Hierfink

602
00:33:41.519 --> 00:33:44.880
<v Speaker 9>card the Pope card, because it's a bridge between the

603
00:33:44.920 --> 00:33:48.240
<v Speaker 9>material realm and the spiritual realm, in my opinion, and

604
00:33:48.279 --> 00:33:51.960
<v Speaker 9>that's basically sort of what it encodes, and that's why

605
00:33:52.279 --> 00:33:55.519
<v Speaker 9>the fifth element is also related to spirit. I see

606
00:33:55.519 --> 00:33:58.400
<v Speaker 9>it that this is all pretty much like it all

607
00:33:58.400 --> 00:34:03.319
<v Speaker 9>culminates together and speaks to the symbolism of Venus and

608
00:34:03.400 --> 00:34:08.519
<v Speaker 9>the Hyrophin card and the pentacle and everything else. It

609
00:34:08.599 --> 00:34:12.719
<v Speaker 9>exists between sort of these two spaces the same way

610
00:34:12.719 --> 00:34:17.079
<v Speaker 9>I would even say, perhaps that it exists between our

611
00:34:17.119 --> 00:34:19.400
<v Speaker 9>base ten sequence right in the middle right, So it's

612
00:34:19.400 --> 00:34:22.679
<v Speaker 9>almost like a symbolic bridge from the earlier numbers to

613
00:34:22.719 --> 00:34:25.000
<v Speaker 9>the later numbers. With that, so a lot of the

614
00:34:25.199 --> 00:34:28.920
<v Speaker 9>five cards in the tarot kind of represent like a

615
00:34:29.000 --> 00:34:32.960
<v Speaker 9>struggle or some sort of setback in some way. But

616
00:34:33.159 --> 00:34:35.239
<v Speaker 9>I see it more so as like actually a threshold

617
00:34:35.360 --> 00:34:38.000
<v Speaker 9>something you have to cross through right in order to

618
00:34:38.039 --> 00:34:40.639
<v Speaker 9>get sort of sort of to the next place or

619
00:34:40.719 --> 00:34:43.880
<v Speaker 9>the next plane or whatever you want to say. And

620
00:34:44.199 --> 00:34:47.039
<v Speaker 9>these sort of setbacks and struggles which a lot of

621
00:34:47.039 --> 00:34:50.400
<v Speaker 9>the five cards associate with, that's what makes us who

622
00:34:50.400 --> 00:34:53.880
<v Speaker 9>we are. It actually makes us completely stronger. And every

623
00:34:53.920 --> 00:34:58.519
<v Speaker 9>single berth or rebirth is like messy. It's not a clean, simple,

624
00:34:59.159 --> 00:35:03.440
<v Speaker 9>straightforward thing, in my opinion. And so there's this sort

625
00:35:03.440 --> 00:35:10.079
<v Speaker 9>of threshold gateway dynamic that's inherently related to the shape.

626
00:35:10.199 --> 00:35:11.360
<v Speaker 2>And if you want to go to.

627
00:35:13.039 --> 00:35:17.239
<v Speaker 3>I just I just thought that the one eight number,

628
00:35:17.280 --> 00:35:22.119
<v Speaker 3>of course, represents symbolically exactly what you just said, the

629
00:35:22.320 --> 00:35:27.119
<v Speaker 3>creative and the linking of the individual with the spiritual,

630
00:35:27.519 --> 00:35:32.000
<v Speaker 3>the one individual, there's nothingness and then there's the infinites

631
00:35:32.840 --> 00:35:37.320
<v Speaker 3>And also it's interesting to point out that there's another

632
00:35:38.159 --> 00:35:42.599
<v Speaker 3>number that kind of suggests something at least symbolically value

633
00:35:42.639 --> 00:35:45.320
<v Speaker 3>in there. If you add the thirty six to the

634
00:35:45.360 --> 00:35:50.559
<v Speaker 3>oneh eight you get one four, which is really powerful number.

635
00:35:51.400 --> 00:35:53.320
<v Speaker 3>So excuse me for interrupting, but I thought that you

636
00:35:53.400 --> 00:35:55.079
<v Speaker 3>were going yeah.

637
00:35:55.119 --> 00:35:57.320
<v Speaker 8>Also, I was going to say, when you go back,

638
00:35:58.119 --> 00:36:00.800
<v Speaker 8>they used to call it the druten foot, the druid foot,

639
00:36:00.880 --> 00:36:03.960
<v Speaker 8>the witch's foot, and then it was all It was

640
00:36:04.000 --> 00:36:08.239
<v Speaker 8>the earliest, uh like seal for the city of Jerusalem,

641
00:36:08.599 --> 00:36:11.039
<v Speaker 8>as far as they go back in the records. And

642
00:36:11.079 --> 00:36:15.679
<v Speaker 8>it was also the magical schedule that Solomon had on

643
00:36:15.760 --> 00:36:19.159
<v Speaker 8>his ring that he used to some of the various

644
00:36:20.039 --> 00:36:22.639
<v Speaker 8>gin and miscellaneous forces.

645
00:36:23.719 --> 00:36:26.119
<v Speaker 2>Gotcha, gotcha, yeah, yeah, no, for sure.

646
00:36:27.519 --> 00:36:29.719
<v Speaker 6>Have you guys ever heard the I've seen him on

647
00:36:29.760 --> 00:36:31.719
<v Speaker 6>like on reels of stuff where it's like, I don't

648
00:36:31.760 --> 00:36:32.400
<v Speaker 6>know how true it is.

649
00:36:32.400 --> 00:36:34.320
<v Speaker 7>I don't have a measuring tape this big, but it

650
00:36:34.400 --> 00:36:37.239
<v Speaker 7>says that, uh that you can fit one hundred and

651
00:36:37.280 --> 00:36:40.400
<v Speaker 7>eight moons in the into in the size of Earth,

652
00:36:40.440 --> 00:36:42.280
<v Speaker 7>and you can fit one hundred and eight earths into

653
00:36:42.320 --> 00:36:44.599
<v Speaker 7>the size of the sun and all these things.

654
00:36:44.599 --> 00:36:45.880
<v Speaker 6>So one and one o eight.

655
00:36:45.880 --> 00:36:47.880
<v Speaker 7>Is the degrees of a pentagram, and it is a

656
00:36:47.960 --> 00:36:52.119
<v Speaker 7>number used a lot even in baseball, not to throw cavetballs.

657
00:36:52.239 --> 00:36:56.480
<v Speaker 7>But in baseball, home plate is a pentagram, yep. And

658
00:36:57.119 --> 00:37:00.480
<v Speaker 7>every baseball, every baseball is made with a hundred and

659
00:37:00.519 --> 00:37:01.320
<v Speaker 7>eight stitches.

660
00:37:02.920 --> 00:37:05.960
<v Speaker 3>Yeah, that is that one hundred and eight. The moon's

661
00:37:06.039 --> 00:37:10.119
<v Speaker 3>in between the Earth and the moon, and no, no,

662
00:37:10.679 --> 00:37:14.079
<v Speaker 3>it's so it's you know that. And the one hundred

663
00:37:14.079 --> 00:37:16.360
<v Speaker 3>and eight suns in between the Earth and the Sun

664
00:37:17.079 --> 00:37:21.440
<v Speaker 3>is an approximation, but it because of the nature of

665
00:37:21.480 --> 00:37:25.599
<v Speaker 3>the orbit, of course, and it's not so it's not exact,

666
00:37:25.599 --> 00:37:29.679
<v Speaker 3>and it is never exact, but it is very close,

667
00:37:30.480 --> 00:37:33.519
<v Speaker 3>and it does hint that it's kind of has this

668
00:37:33.719 --> 00:37:38.679
<v Speaker 3>scientific creative force to it because you could almost find

669
00:37:39.679 --> 00:37:43.599
<v Speaker 3>I forget what they call it, but the the area

670
00:37:43.800 --> 00:37:47.000
<v Speaker 3>around a sun where there is potential life. You could

671
00:37:47.000 --> 00:37:50.679
<v Speaker 3>almost deduce it via this one hundred and eight mathematics

672
00:37:50.760 --> 00:37:52.880
<v Speaker 3>via any sun I forget what.

673
00:37:52.800 --> 00:37:56.280
<v Speaker 2>It's called, that this ring Goldilock zone.

674
00:37:56.159 --> 00:37:59.360
<v Speaker 3>Exactly exactly, so you could almost you could almost use

675
00:37:59.400 --> 00:38:03.400
<v Speaker 3>one one way to find the Goldilocks son with stars.

676
00:38:05.159 --> 00:38:05.599
<v Speaker 2>I love this.

677
00:38:06.320 --> 00:38:10.079
<v Speaker 1>Sorry, Maria good I just wanted to say that in Buddhism,

678
00:38:10.239 --> 00:38:13.119
<v Speaker 1>we use the one hundred and eight beads on our malas,

679
00:38:13.519 --> 00:38:15.960
<v Speaker 1>and it also represents the one hundred and eight affliction.

680
00:38:16.119 --> 00:38:19.559
<v Speaker 1>So there's one hundred and eight worldly desires. I guess

681
00:38:19.599 --> 00:38:21.840
<v Speaker 1>you could say that you have to overcome before you

682
00:38:22.000 --> 00:38:29.280
<v Speaker 1>can go higher. I guess, thank gotcha, Yeah I did.

683
00:38:29.360 --> 00:38:30.880
<v Speaker 2>One is also reminded me too.

684
00:38:31.119 --> 00:38:33.119
<v Speaker 5>Oh go ahead, Nick, I did want to just ad

685
00:38:33.159 --> 00:38:33.559
<v Speaker 5>real quick.

686
00:38:33.559 --> 00:38:34.880
<v Speaker 4>It was something that you had mentioned with like the

687
00:38:34.880 --> 00:38:38.920
<v Speaker 4>pentagram and Venus and all that, something that I think

688
00:38:39.199 --> 00:38:41.320
<v Speaker 4>just interested me because I was thinking about the kabbala.

689
00:38:42.119 --> 00:38:46.559
<v Speaker 4>The rose kabbalistically is an image for netsuck, which would

690
00:38:46.599 --> 00:38:49.679
<v Speaker 4>be Venus, and then there you go, and then the

691
00:38:50.559 --> 00:38:53.679
<v Speaker 4>fifth sphere, which would be good borrow of symbol for

692
00:38:53.760 --> 00:38:56.920
<v Speaker 4>that can be a five pedal rose, which then is

693
00:38:56.960 --> 00:38:59.360
<v Speaker 4>also universally used as a pentagram as well.

694
00:38:59.400 --> 00:39:02.519
<v Speaker 5>I've seen mm hmmm. So I mean you do kind

695
00:39:02.519 --> 00:39:04.639
<v Speaker 5>of see a tie. I think, I mean.

696
00:39:05.639 --> 00:39:10.320
<v Speaker 8>Well, the mind, Yeah, the mind calendar. You have five ages.

697
00:39:11.199 --> 00:39:14.679
<v Speaker 8>You look at the rosicrucion rose, there's five pedals. The

698
00:39:14.800 --> 00:39:19.159
<v Speaker 8>Lutheran rose has five pedals. You see this consistent pinta

699
00:39:19.920 --> 00:39:22.960
<v Speaker 8>appearing through all these different philosophies.

700
00:39:23.880 --> 00:39:26.119
<v Speaker 1>Yeah, well, it is also interesting to go off. What

701
00:39:26.239 --> 00:39:29.000
<v Speaker 1>Nick said is that that path twenty two on the

702
00:39:29.039 --> 00:39:33.639
<v Speaker 1>tree between Goevera and Tiffert that can also be represented

703
00:39:33.639 --> 00:39:37.280
<v Speaker 1>in a row. So it's like some people describe it

704
00:39:37.360 --> 00:39:40.800
<v Speaker 1>as like the axial joint is from like tiffer It

705
00:39:40.880 --> 00:39:44.480
<v Speaker 1>to Netsac, so there's like a path there as well,

706
00:39:44.480 --> 00:39:47.079
<v Speaker 1>but that's really where the light from Goeverra sort of

707
00:39:47.079 --> 00:39:51.280
<v Speaker 1>passes through. Now there's other models that will say straight

708
00:39:51.320 --> 00:39:54.079
<v Speaker 1>from Geverra to Netsc there's a relationship, and there might be,

709
00:39:54.960 --> 00:39:58.039
<v Speaker 1>just there's different obviously different kinds of cosmologies.

710
00:39:58.320 --> 00:40:00.719
<v Speaker 6>And then G is the twenty second letter.

711
00:40:01.199 --> 00:40:01.639
<v Speaker 1>That's right.

712
00:40:02.199 --> 00:40:05.280
<v Speaker 4>Oh nice, Yeah, that is another thing I do want

713
00:40:05.320 --> 00:40:06.840
<v Speaker 4>to mention too that you just said, Jenn with the

714
00:40:07.760 --> 00:40:11.719
<v Speaker 4>with net Suck and Goodbor, I mean a connection. I

715
00:40:11.800 --> 00:40:13.760
<v Speaker 4>would assume that there is, and I do think there is,

716
00:40:14.000 --> 00:40:16.159
<v Speaker 4>but take too long probably.

717
00:40:15.800 --> 00:40:16.480
<v Speaker 5>To get into that.

718
00:40:16.559 --> 00:40:18.400
<v Speaker 4>But just a simple way, just if you were to

719
00:40:18.400 --> 00:40:21.480
<v Speaker 4>look at how you make talismans up, I think, even

720
00:40:21.519 --> 00:40:25.239
<v Speaker 4>going back to Agrippa him be suggesting it that if

721
00:40:25.239 --> 00:40:27.800
<v Speaker 4>you're making a venus talisman, your flesh and color, the

722
00:40:27.960 --> 00:40:29.679
<v Speaker 4>mean color you're gonna use is green and your flashing

723
00:40:29.719 --> 00:40:31.480
<v Speaker 4>color is going to be red, which goes back to

724
00:40:31.519 --> 00:40:34.679
<v Speaker 4>Gobora and Mars again and Mars, if you make a talisman,

725
00:40:34.719 --> 00:40:36.360
<v Speaker 4>it's going to be red and the flesh and color

726
00:40:36.400 --> 00:40:39.960
<v Speaker 4>will be green because there is a relationship somewhere in

727
00:40:40.039 --> 00:40:41.800
<v Speaker 4>there between those two spheres.

728
00:40:41.719 --> 00:40:45.119
<v Speaker 1>Right, and remember that for when mind slugs come up,

729
00:40:45.159 --> 00:40:46.559
<v Speaker 1>because I didn't take it from you.

730
00:40:50.400 --> 00:40:51.920
<v Speaker 2>Uh wow, good stuff.

731
00:40:52.519 --> 00:40:54.920
<v Speaker 9>So I was just reading prepping for the show that

732
00:40:54.960 --> 00:40:59.840
<v Speaker 9>the mind calendar, as you mentioned Robbie, has this pentaquality

733
00:41:00.159 --> 00:41:02.840
<v Speaker 9>to it, and my understanding is that it directly comes

734
00:41:02.880 --> 00:41:07.960
<v Speaker 9>from Venus. Yeah, that's kind of how they gauged everything, apparently,

735
00:41:08.480 --> 00:41:09.760
<v Speaker 9>that specific aspect of it.

736
00:41:10.360 --> 00:41:12.480
<v Speaker 8>And then you start to get into the ideas of

737
00:41:12.519 --> 00:41:16.079
<v Speaker 8>the morning and the evening star and the sexuality versus

738
00:41:16.119 --> 00:41:21.400
<v Speaker 8>the war. This is probably one of the deeper subject

739
00:41:21.440 --> 00:41:24.559
<v Speaker 8>matters in regard to planet when you start looking at

740
00:41:24.639 --> 00:41:27.280
<v Speaker 8>the symbolism of the cosmology itself.

741
00:41:27.840 --> 00:41:32.000
<v Speaker 9>Yeah, no, I completely agree with you for sure. Other

742
00:41:32.000 --> 00:41:35.039
<v Speaker 9>thing I was going to mention too, is even with

743
00:41:35.280 --> 00:41:39.880
<v Speaker 9>the five pedaled rows, right, like the tudor rose is

744
00:41:39.960 --> 00:41:42.960
<v Speaker 9>another example or what it's kind of sometimes called, but

745
00:41:43.079 --> 00:41:45.519
<v Speaker 9>that's right in the middle of the rosy cross, right.

746
00:41:45.599 --> 00:41:49.159
<v Speaker 9>Sometimes it could be a different like sort of rose

747
00:41:49.239 --> 00:41:51.559
<v Speaker 9>or whatever, but oftentimes it's just a five pedaled rose

748
00:41:51.679 --> 00:41:54.320
<v Speaker 9>right in the middle. And to me that's interesting as well,

749
00:41:54.360 --> 00:41:56.599
<v Speaker 9>because when you're dealing with the cross, you're dealing with

750
00:41:56.679 --> 00:41:59.480
<v Speaker 9>four the four quadrants or for the four lines emanating

751
00:41:59.480 --> 00:42:02.079
<v Speaker 9>from the center, and so that center point where the

752
00:42:02.159 --> 00:42:04.639
<v Speaker 9>vertical axis and horizontal axis meet, that would be the

753
00:42:04.679 --> 00:42:05.719
<v Speaker 9>fifth point right there.

754
00:42:06.719 --> 00:42:09.960
<v Speaker 8>And you have the rose itself, which is the upper

755
00:42:10.079 --> 00:42:13.800
<v Speaker 8>sphere of the heavens, and then you have the like

756
00:42:13.880 --> 00:42:16.719
<v Speaker 8>the rosy cross, it's on the cross, which is that

757
00:42:16.840 --> 00:42:20.760
<v Speaker 8>lower cross. So it's giving you again the glyph of Venus.

758
00:42:21.199 --> 00:42:25.960
<v Speaker 9>Yeah, yeah, totally, no, exactly awesome. And then related to green,

759
00:42:26.039 --> 00:42:27.440
<v Speaker 9>I just have to bring this up too. So if

760
00:42:27.480 --> 00:42:31.599
<v Speaker 9>Taurus is fixed Earth, it's right in the middle of spring, right,

761
00:42:31.760 --> 00:42:34.880
<v Speaker 9>And I personally, I don't know if I've ever mentioned

762
00:42:34.880 --> 00:42:38.360
<v Speaker 9>it to you guys. I see like a pretty layered

763
00:42:38.440 --> 00:42:43.760
<v Speaker 9>weave between the number four, the Emperor card which corresponds

764
00:42:43.800 --> 00:42:46.800
<v Speaker 9>with aries, and the cross being related to the four,

765
00:42:47.239 --> 00:42:51.039
<v Speaker 9>and then also Christianity, and then I see with the

766
00:42:51.119 --> 00:42:53.800
<v Speaker 9>higher fint being related to the five, and then the

767
00:42:53.840 --> 00:42:58.719
<v Speaker 9>pentacle and then Venus as well, and I see that

768
00:42:58.760 --> 00:43:01.039
<v Speaker 9>as some in all a lot of ways actually being

769
00:43:01.039 --> 00:43:04.199
<v Speaker 9>related to Islam, which I think is kind of random seemingly,

770
00:43:04.639 --> 00:43:07.920
<v Speaker 9>but they pray five times a day, there's five of the.

771
00:43:10.760 --> 00:43:15.079
<v Speaker 8>Yeah, Islam is one hundred percent dedicated to Venus when

772
00:43:15.119 --> 00:43:17.480
<v Speaker 8>you when you get into it, it's right, and then

773
00:43:17.559 --> 00:43:21.960
<v Speaker 8>the Christians of the Sun, and then the Judaic philosophy

774
00:43:22.079 --> 00:43:25.480
<v Speaker 8>is to Saturn. You know, these are distinctions within each

775
00:43:25.559 --> 00:43:29.199
<v Speaker 8>of the philosophical you know, directions.

776
00:43:28.800 --> 00:43:34.400
<v Speaker 9>Because even the glyph and I know Islam traditionally like

777
00:43:34.519 --> 00:43:39.119
<v Speaker 9>doesn't have symbols and they're anti sort of like graphic

778
00:43:39.199 --> 00:43:43.320
<v Speaker 9>or anti symbolic in some ways visual visual iconography. But

779
00:43:43.480 --> 00:43:46.440
<v Speaker 9>if we're going to pick a symbol, right, exactly, if

780
00:43:46.440 --> 00:43:49.039
<v Speaker 9>we're going to pick a symbol that represents Islam, it

781
00:43:49.039 --> 00:43:52.480
<v Speaker 9>would be the five pointed star inside the crescent moon. Yeah, yeah,

782
00:43:52.599 --> 00:43:55.119
<v Speaker 9>for sure, for sure, yeah exactly. So it is and

783
00:43:55.320 --> 00:43:58.800
<v Speaker 9>it's green, which is why I was bringing it up. Yeah,

784
00:43:58.840 --> 00:44:02.360
<v Speaker 9>because you brought it up. But what I see actually, oh,

785
00:44:02.360 --> 00:44:03.079
<v Speaker 9>go ahead.

786
00:44:03.079 --> 00:44:06.280
<v Speaker 7>I'll just say it's representing like when Venus and the

787
00:44:06.320 --> 00:44:09.079
<v Speaker 7>moon are in the same sign, and so because that's

788
00:44:09.159 --> 00:44:11.079
<v Speaker 7>how that can happen when it's in the same sign

789
00:44:11.159 --> 00:44:14.159
<v Speaker 7>and it's in the right, crescent happens. I don't, I

790
00:44:14.199 --> 00:44:16.199
<v Speaker 7>don't keep track of it, but it does happen almost

791
00:44:16.239 --> 00:44:16.719
<v Speaker 7>every year.

792
00:44:17.159 --> 00:44:20.599
<v Speaker 8>Yeah, And it gets into this you know, esoteric link

793
00:44:20.679 --> 00:44:25.440
<v Speaker 8>between Venus and the moon that you constantly see coming

794
00:44:25.519 --> 00:44:28.320
<v Speaker 8>up as you go down this the pass of these

795
00:44:28.480 --> 00:44:29.400
<v Speaker 8>these subjects.

796
00:44:29.840 --> 00:44:34.960
<v Speaker 3>And I believe that the Venus is seen as a crescent, right,

797
00:44:35.039 --> 00:44:36.920
<v Speaker 3>So it might they might call it a crescent moon,

798
00:44:36.960 --> 00:44:39.599
<v Speaker 3>but yes, it might be just Venus.

799
00:44:39.639 --> 00:44:43.519
<v Speaker 8>And I guess all year round when you view Venus, uh,

800
00:44:44.159 --> 00:44:46.840
<v Speaker 8>it's always a crescent moon, just because of the nature

801
00:44:46.840 --> 00:44:48.599
<v Speaker 8>of how it sits in the heavens.

802
00:44:49.039 --> 00:44:50.199
<v Speaker 2>Right right, yeah, exactly.

803
00:44:51.440 --> 00:44:54.519
<v Speaker 9>So what I was going to say is regarding the

804
00:44:54.639 --> 00:44:58.079
<v Speaker 9>sort of third pillar here with Judaism, I'm going in

805
00:44:58.239 --> 00:45:01.400
<v Speaker 9>order in the tarot. So the fourth card Emperor ares

806
00:45:01.760 --> 00:45:05.880
<v Speaker 9>cross Christianity, fifth card Islam with everything we just discussed,

807
00:45:06.280 --> 00:45:09.239
<v Speaker 9>and then the sixth card is the lovers, and so

808
00:45:09.280 --> 00:45:12.119
<v Speaker 9>you're dealing with Gemini the twin pillars, just like in

809
00:45:12.119 --> 00:45:13.920
<v Speaker 9>front of Solomon's temple, just like in front of a

810
00:45:13.920 --> 00:45:19.000
<v Speaker 9>lot of synagogues, you know, and then that's ruled by mercury, right,

811
00:45:19.039 --> 00:45:20.960
<v Speaker 9>And so I see a mercurial sort of thing. There,

812
00:45:21.000 --> 00:45:23.679
<v Speaker 9>and because we're dealing with the sixth card, we're also

813
00:45:23.800 --> 00:45:26.880
<v Speaker 9>dealing with the six pointed star now, which is the

814
00:45:26.920 --> 00:45:29.519
<v Speaker 9>star of David. And so it makes me wonder if

815
00:45:29.519 --> 00:45:32.280
<v Speaker 9>there's this mega weave between the fourth, fifth, and sixth

816
00:45:32.320 --> 00:45:35.519
<v Speaker 9>card of the major econa and then Christianity, Islam, and

817
00:45:35.559 --> 00:45:36.320
<v Speaker 9>then Judaism.

818
00:45:36.400 --> 00:45:39.039
<v Speaker 7>So, for what it's worth, I have something to add

819
00:45:39.079 --> 00:45:41.880
<v Speaker 7>to that on numbers with the five and the six,

820
00:45:41.960 --> 00:45:44.480
<v Speaker 7>which I do think that the sixth adds to the

821
00:45:44.559 --> 00:45:45.320
<v Speaker 7>venus as well.

822
00:45:46.159 --> 00:45:46.360
<v Speaker 5>Well.

823
00:45:46.400 --> 00:45:49.039
<v Speaker 7>For one, you could say May sixth would be the

824
00:45:49.199 --> 00:45:51.440
<v Speaker 7>very middle of tourist season, so like if you were

825
00:45:51.480 --> 00:45:53.760
<v Speaker 7>to kind of just a fifteen degrees taurus, that's usually

826
00:45:53.760 --> 00:45:59.159
<v Speaker 7>around May sixth. And then the fifty sixth prime number

827
00:45:59.719 --> 00:46:03.079
<v Speaker 7>is two two hundred and sixty three. Venus stays in

828
00:46:03.119 --> 00:46:06.679
<v Speaker 7>the sky, is visible in the sky two hundred and sixty.

829
00:46:06.360 --> 00:46:07.559
<v Speaker 6>Three days out of the year.

830
00:46:08.159 --> 00:46:10.840
<v Speaker 7>Oh wow, yeah, so they and that has to the

831
00:46:10.880 --> 00:46:13.000
<v Speaker 7>number fifty six in the five to six. I learned

832
00:46:13.000 --> 00:46:15.960
<v Speaker 7>that because contemporary problems equals to sixty three. And then

833
00:46:15.960 --> 00:46:18.440
<v Speaker 7>I went down a rabbit hole learned all that. So

834
00:46:18.440 --> 00:46:20.039
<v Speaker 7>I'm connected to this as well, I guess.

835
00:46:20.159 --> 00:46:22.280
<v Speaker 2>Nice, Yeah, damn that's a good one, man.

836
00:46:22.480 --> 00:46:25.480
<v Speaker 6>Yeah, cool, all right.

837
00:46:26.280 --> 00:46:29.400
<v Speaker 1>If I oh, sorry, no, please, I just want to

838
00:46:29.440 --> 00:46:35.119
<v Speaker 1>complicate the sort of cabalistic association with the religions. So

839
00:46:35.599 --> 00:46:39.280
<v Speaker 1>for me, Islam has a very Gavautic quality because if

840
00:46:39.280 --> 00:46:42.599
<v Speaker 1>you read Sufi mysticism, it's all about the fire of annihilation.

841
00:46:43.119 --> 00:46:46.800
<v Speaker 1>That's why they even pray with their hands facing their face,

842
00:46:47.519 --> 00:46:49.800
<v Speaker 1>is because it's like they don't want to selve. It's

843
00:46:49.840 --> 00:46:53.320
<v Speaker 1>like self, it's like to burn away in the fire

844
00:46:53.360 --> 00:46:56.440
<v Speaker 1>of God. That's the whole idea. But I agree with

845
00:46:56.559 --> 00:47:01.199
<v Speaker 1>Robbie that there is definitely a relationship with Venus or nutsc.

846
00:47:01.320 --> 00:47:05.079
<v Speaker 1>I have also noticed this and obviously the kabba and

847
00:47:05.159 --> 00:47:11.079
<v Speaker 1>there's clearly some feminine essence there and the way that works.

848
00:47:11.119 --> 00:47:14.199
<v Speaker 1>And they also go counterclockwise around the kaba. Well right,

849
00:47:14.599 --> 00:47:19.800
<v Speaker 1>obviously sugar, I call it shukra, but Venus obviously rotates counterclockwise.

850
00:47:19.840 --> 00:47:24.480
<v Speaker 10>So so right right, yeah, you know the other thing

851
00:47:24.480 --> 00:47:26.760
<v Speaker 10>I'll just say, and I don't know, I mean, it

852
00:47:26.760 --> 00:47:30.480
<v Speaker 10>seems like it's pretty obscure, but.

853
00:47:30.519 --> 00:47:35.000
<v Speaker 2>I have seen some works of art from the Middle.

854
00:47:34.760 --> 00:47:39.480
<v Speaker 9>East and they're like Islamic origin story sort of like

855
00:47:39.719 --> 00:47:43.119
<v Speaker 9>paintings and it's a cow holding earth basically, which I

856
00:47:43.119 --> 00:47:45.880
<v Speaker 9>thought was really interesting as well. And then also too,

857
00:47:46.320 --> 00:47:51.119
<v Speaker 9>there's like a clear sort of like nomadic influence on

858
00:47:51.280 --> 00:47:55.079
<v Speaker 9>Islam as well, and nomads have a different relationship with

859
00:47:55.159 --> 00:47:56.679
<v Speaker 9>cattle as well.

860
00:47:56.519 --> 00:47:57.840
<v Speaker 2>Which I think is kind of interesting.

861
00:47:57.960 --> 00:48:00.159
<v Speaker 9>And so just all of these things combined, but it's

862
00:48:00.159 --> 00:48:02.840
<v Speaker 9>clearly a feminine sort of thing. Even the Kaba cube

863
00:48:02.880 --> 00:48:04.840
<v Speaker 9>is like the house of the Mother and they put

864
00:48:04.840 --> 00:48:07.079
<v Speaker 9>a veil on it. That's the kiss walk, and so

865
00:48:07.199 --> 00:48:09.599
<v Speaker 9>the the and then just the hijab and or the

866
00:48:09.599 --> 00:48:12.039
<v Speaker 9>burka and everything else too. It's just like it's very

867
00:48:12.079 --> 00:48:14.039
<v Speaker 9>clear that there's this feminine correspondence there.

868
00:48:14.400 --> 00:48:18.039
<v Speaker 8>Yeah, in the corner you have a physical silver representation

869
00:48:18.280 --> 00:48:22.639
<v Speaker 8>of a vagina that has the meteorites that are encased

870
00:48:22.679 --> 00:48:26.159
<v Speaker 8>in it that are representative of the mother goddess.

871
00:48:26.719 --> 00:48:30.559
<v Speaker 1>Well, it is interesting to consider the kabba, as I've said,

872
00:48:30.599 --> 00:48:35.239
<v Speaker 1>as a cube of rock, because in Islamic text they

873
00:48:35.280 --> 00:48:39.840
<v Speaker 1>definitely prefer the gin so dj I and not Mine,

874
00:48:40.119 --> 00:48:43.800
<v Speaker 1>the gin of the Sun, who is depicted as very

875
00:48:43.800 --> 00:48:47.559
<v Speaker 1>similar to the mythic god An, who is also in

876
00:48:47.599 --> 00:48:52.159
<v Speaker 1>the piranhas as Naram Simha, an avatar of Vishna who

877
00:48:52.239 --> 00:48:55.840
<v Speaker 1>is tifferatic. So Robberie was saying, like, get Christianity prefers

878
00:48:55.880 --> 00:48:58.639
<v Speaker 1>tifferate Well, I agree with that, but tiffer it's only

879
00:48:58.679 --> 00:49:02.440
<v Speaker 1>the six. It's only the superficial quality, the superficial sort

880
00:49:02.440 --> 00:49:06.519
<v Speaker 1>of illumination. Right, it's just the golden vessel. Right, there's

881
00:49:06.559 --> 00:49:12.400
<v Speaker 1>an idea in Pico that really Christianity very strongly prefers hesse.

882
00:49:12.719 --> 00:49:16.480
<v Speaker 1>Like Mario was saying, excuse me, and it's so Jupiter

883
00:49:16.519 --> 00:49:19.239
<v Speaker 1>because it's that four. It's that like the sprinkling of

884
00:49:19.320 --> 00:49:24.159
<v Speaker 1>the waters of Jupiter. It's the pacification of governor pacification

885
00:49:24.199 --> 00:49:29.599
<v Speaker 1>of Mars. So, but four is really especially in Christian

886
00:49:29.599 --> 00:49:33.480
<v Speaker 1>cabala but also in a kind of Jewish cabala as well. Yeah,

887
00:49:33.800 --> 00:49:37.400
<v Speaker 1>I said, is is ever expansive? You can just ever

888
00:49:37.480 --> 00:49:40.840
<v Speaker 1>draw from it. It's just it's unlimited, infinite in quality.

889
00:49:41.559 --> 00:49:44.960
<v Speaker 8>I think there was actually some contrast at a point

890
00:49:45.039 --> 00:49:49.480
<v Speaker 8>in time where it did transfer from Jupiter to the Sun.

891
00:49:51.519 --> 00:49:55.840
<v Speaker 8>You know, as far as the Christian philosophy.

892
00:49:56.320 --> 00:50:00.599
<v Speaker 1>Sure, because the four is really the because the suffer

893
00:50:00.599 --> 00:50:03.920
<v Speaker 1>of the Messianic religion. So it's like the Savior, like

894
00:50:04.000 --> 00:50:07.800
<v Speaker 1>the merciful Savior arises from the mass consciousness at the

895
00:50:08.000 --> 00:50:10.840
<v Speaker 1>ocean of Goeverra the ocean. You could also say of suffering.

896
00:50:11.199 --> 00:50:13.000
<v Speaker 1>That would be a very Buddhist way to describe it.

897
00:50:14.000 --> 00:50:18.320
<v Speaker 1>So like a savior arises and like has to obviously

898
00:50:18.679 --> 00:50:20.639
<v Speaker 1>it's different, like he has to climb through the tree.

899
00:50:20.719 --> 00:50:22.960
<v Speaker 1>But for them, and I think for a lot of

900
00:50:23.000 --> 00:50:26.679
<v Speaker 1>Christians that's sort of where they would say, Jesus arises.

901
00:50:29.719 --> 00:50:32.719
<v Speaker 9>Robbie just spitballing over here. But you know, what part

902
00:50:32.880 --> 00:50:39.280
<v Speaker 9>does heliocentrism have to play in that of the solar worship?

903
00:50:39.360 --> 00:50:42.079
<v Speaker 9>You know, and kind of this new correspondence, right.

904
00:50:42.639 --> 00:50:46.800
<v Speaker 8>It's it's interesting because Jupiter is God the Father when

905
00:50:46.800 --> 00:50:50.559
<v Speaker 8>you translate it, and like you slowly see this evolution,

906
00:50:51.400 --> 00:50:53.719
<v Speaker 8>and I think it has to do with the Titans

907
00:50:54.599 --> 00:50:58.199
<v Speaker 8>being put down and the transition from the Greek into

908
00:50:58.239 --> 00:51:02.480
<v Speaker 8>the Roman religion, and you start to get this highly

909
00:51:02.519 --> 00:51:09.760
<v Speaker 8>heliocentric model that they're like melding Helios with Mythrus with.

910
00:51:11.480 --> 00:51:12.400
<v Speaker 3>Who's the other one.

911
00:51:12.440 --> 00:51:16.239
<v Speaker 8>But if you go to Phrygia, there's these three thrones

912
00:51:16.280 --> 00:51:18.599
<v Speaker 8>that are side by side with kings on them, and

913
00:51:18.639 --> 00:51:22.119
<v Speaker 8>they're linking all these kings as so you're seeing an

914
00:51:22.159 --> 00:51:26.960
<v Speaker 8>amalgamation of the different philosophies coming together and kind of

915
00:51:27.000 --> 00:51:31.719
<v Speaker 8>bringing forth this new solar kind of cult, Son Victus,

916
00:51:32.000 --> 00:51:33.960
<v Speaker 8>you know totally.

917
00:51:34.360 --> 00:51:39.199
<v Speaker 3>I wonder how much the this reformation, if you will,

918
00:51:39.239 --> 00:51:45.239
<v Speaker 3>that we're talking about has to do with the maintenance

919
00:51:45.320 --> 00:51:52.599
<v Speaker 3>or influence of monotheism or enforcement over everything else and

920
00:51:53.280 --> 00:51:57.280
<v Speaker 3>what could be the superior the Sun And that's who

921
00:51:57.320 --> 00:51:59.920
<v Speaker 3>we're from and you have to worship us now, yeah, And.

922
00:52:00.119 --> 00:52:05.039
<v Speaker 8>It's trying to move within the Roman philosophy from that

923
00:52:05.719 --> 00:52:10.800
<v Speaker 8>mystical pantheism that everything you know, and condensing it down

924
00:52:11.159 --> 00:52:16.679
<v Speaker 8>into very much like in Petra, Mohammad's grandfather they said

925
00:52:16.840 --> 00:52:20.360
<v Speaker 8>he worshiped three hundred and sixty five idols and then

926
00:52:20.400 --> 00:52:23.760
<v Speaker 8>at you know, the point when they got conduced all

927
00:52:23.840 --> 00:52:28.039
<v Speaker 8>into Allah, and basically that's when you have the birth

928
00:52:28.039 --> 00:52:28.599
<v Speaker 8>of Islam.

929
00:52:29.079 --> 00:52:29.280
<v Speaker 3>You know.

930
00:52:30.000 --> 00:52:34.800
<v Speaker 8>It's that you see these reconditioned forms happening over and

931
00:52:34.840 --> 00:52:38.760
<v Speaker 8>over and over as gods and goddesses over ride and

932
00:52:38.920 --> 00:52:41.360
<v Speaker 8>move and you know, it's very fractal line.

933
00:52:42.239 --> 00:52:46.119
<v Speaker 3>Which reminds me of the whole celebration of the cow,

934
00:52:46.199 --> 00:52:51.400
<v Speaker 3>as you mark remarked, Mario, and now more into the

935
00:52:52.239 --> 00:52:58.679
<v Speaker 3>putting this aggressive character on it, and we always do

936
00:52:58.800 --> 00:53:02.000
<v Speaker 3>that with the god's prior. They're always demonized, they're the

937
00:53:02.039 --> 00:53:03.400
<v Speaker 3>new demons.

938
00:53:04.679 --> 00:53:09.880
<v Speaker 9>Yeah, exactly, no, no, we'll put for sure nice yeah,

939
00:53:10.000 --> 00:53:12.519
<v Speaker 9>if you wanna, if you want to go on over

940
00:53:12.559 --> 00:53:14.559
<v Speaker 9>to the next line. Kind of already covered that the

941
00:53:14.599 --> 00:53:17.920
<v Speaker 9>fifth element ether spirit. I just think it's interesting too.

942
00:53:18.000 --> 00:53:19.679
<v Speaker 9>So the pentagon very much related.

943
00:53:19.760 --> 00:53:19.920
<v Speaker 2>Right.

944
00:53:19.960 --> 00:53:21.880
<v Speaker 9>You can see clearly that you can put an inverted

945
00:53:22.039 --> 00:53:25.360
<v Speaker 9>pentagram or pentacle in there, and so this is the

946
00:53:25.400 --> 00:53:29.719
<v Speaker 9>platonic solid that associates with ether, right, the dodecahedron and

947
00:53:29.800 --> 00:53:31.119
<v Speaker 9>so made up of pentagons.

948
00:53:31.440 --> 00:53:33.960
<v Speaker 4>The pentagon is a symbol for a gabora again, which

949
00:53:34.000 --> 00:53:37.199
<v Speaker 4>is a Mars of the red sphere. So again that's

950
00:53:37.239 --> 00:53:39.480
<v Speaker 4>more Yeah.

951
00:53:38.840 --> 00:53:42.519
<v Speaker 8>Yeah, it's like the pentagon in DC. You know, five

952
00:53:42.599 --> 00:53:46.679
<v Speaker 8>pentagons within a pentagon, you know, it's it's Mars all

953
00:53:46.719 --> 00:53:48.039
<v Speaker 8>the way right there.

954
00:53:48.280 --> 00:53:49.000
<v Speaker 2>Right for sure.

955
00:53:49.719 --> 00:53:54.960
<v Speaker 9>So okay, this is the My understanding is that this

956
00:53:55.159 --> 00:54:00.000
<v Speaker 9>was this symbol to the entrance to the underworld slash

957
00:54:00.079 --> 00:54:04.159
<v Speaker 9>afterlife in ancient Egypt, the duot, and that this was

958
00:54:04.559 --> 00:54:08.559
<v Speaker 9>that threshold that you crossed through of all the stars,

959
00:54:08.599 --> 00:54:11.719
<v Speaker 9>of all the glyphs, of all sort of the imagery

960
00:54:11.760 --> 00:54:15.559
<v Speaker 9>or iconography, it's a five pointed star, right. I mean

961
00:54:15.599 --> 00:54:18.199
<v Speaker 9>that to me is like just amazing that that's exactly

962
00:54:18.239 --> 00:54:22.039
<v Speaker 9>what it is, given this bridge sort of dynamic that

963
00:54:22.079 --> 00:54:25.199
<v Speaker 9>I've been referring to. And then I know in freemasonry too,

964
00:54:25.199 --> 00:54:27.559
<v Speaker 9>the five pointed star is often referred to as like

965
00:54:27.599 --> 00:54:31.920
<v Speaker 9>the blazing star, and then there's a whole Luciferian connection

966
00:54:32.039 --> 00:54:34.280
<v Speaker 9>with that, it being a venus, being a symbol of

967
00:54:34.360 --> 00:54:37.880
<v Speaker 9>Lucifer and kind of this light bringer. There's a whole

968
00:54:37.920 --> 00:54:41.159
<v Speaker 9>light bringer aspect here. But my personal opinion is I

969
00:54:41.199 --> 00:54:43.360
<v Speaker 9>think as well though I know for sure. I mean,

970
00:54:43.400 --> 00:54:45.519
<v Speaker 9>at least I've read it in some lodge material that

971
00:54:45.599 --> 00:54:48.559
<v Speaker 9>the five point at star has indicated as well the

972
00:54:48.599 --> 00:54:52.880
<v Speaker 9>pole star, and so obviously with symbolism there's lots of correspondence.

973
00:54:53.039 --> 00:54:55.480
<v Speaker 4>Yeah, I think that's you know, I think it into

974
00:54:55.480 --> 00:54:57.639
<v Speaker 4>it too much, But like this whole like think with

975
00:54:57.719 --> 00:55:01.639
<v Speaker 4>the star and stuff in the Polestar. From my experience,

976
00:55:01.679 --> 00:55:04.559
<v Speaker 4>I do think in the blazing Star, like even with

977
00:55:04.599 --> 00:55:08.000
<v Speaker 4>the audio and stuff those Curlies talked about. Every time

978
00:55:08.039 --> 00:55:10.039
<v Speaker 4>I have that experience, it looks like a burning star

979
00:55:10.119 --> 00:55:12.320
<v Speaker 4>in the sky at first before it turns into an eclipse.

980
00:55:13.400 --> 00:55:15.239
<v Speaker 5>It's always a burning.

981
00:55:14.880 --> 00:55:16.599
<v Speaker 4>Star in the distance that looks like it's just this

982
00:55:16.760 --> 00:55:19.119
<v Speaker 4>white dot that's like burning, and then eventually, as it

983
00:55:19.119 --> 00:55:21.199
<v Speaker 4>gets bigger, it turns into an eclipse. And then the

984
00:55:21.239 --> 00:55:24.119
<v Speaker 4>whole weird thing is that when it starts to separate,

985
00:55:24.199 --> 00:55:26.920
<v Speaker 4>it looks like that crescent symbol that's on top of

986
00:55:27.039 --> 00:55:27.519
<v Speaker 4>Tot's head.

987
00:55:27.559 --> 00:55:29.119
<v Speaker 5>Constantly it's like the cheshire.

988
00:55:28.840 --> 00:55:31.920
<v Speaker 4>Cat like smiling at you right there, this big fucking grin,

989
00:55:32.440 --> 00:55:35.599
<v Speaker 4>glowing grin in front of your face, until it finally separates,

990
00:55:36.159 --> 00:55:38.760
<v Speaker 4>which then almost starts to look like that other thing

991
00:55:38.760 --> 00:55:41.400
<v Speaker 4>that you see on top of the other circle like

992
00:55:41.480 --> 00:55:44.079
<v Speaker 4>I do, like even see like the symbolism and going

993
00:55:44.119 --> 00:55:46.480
<v Speaker 4>again with like they what made me startle this was,

994
00:55:47.159 --> 00:55:52.760
<v Speaker 4>you know venus. Then you know lucifer is is associated no,

995
00:55:52.880 --> 00:55:56.760
<v Speaker 4>what is it getting confused with with with net sock?

996
00:55:57.239 --> 00:55:59.519
<v Speaker 4>What is a lucifer I think is associated with that,

997
00:55:59.599 --> 00:56:03.480
<v Speaker 4>with that h with that sphere. The sigil of lucifer

998
00:56:03.559 --> 00:56:05.960
<v Speaker 4>is very close to the way that light bounces off

999
00:56:06.000 --> 00:56:08.840
<v Speaker 4>of your lens in your eye too. You know you're

1000
00:56:08.840 --> 00:56:10.559
<v Speaker 4>talking about the bringer of light or this and that

1001
00:56:10.639 --> 00:56:13.400
<v Speaker 4>I mean, I think, uh, you know again talking about

1002
00:56:13.400 --> 00:56:16.199
<v Speaker 4>the divisions that I'm seeing. I do think something like

1003
00:56:16.239 --> 00:56:17.679
<v Speaker 4>that as all tight end together.

1004
00:56:18.320 --> 00:56:20.719
<v Speaker 8>And the way light refracts itself, you.

1005
00:56:20.639 --> 00:56:24.480
<v Speaker 4>Know, I mean, I do this, I think like that

1006
00:56:24.599 --> 00:56:26.559
<v Speaker 4>to sound corny in a way, but I think sometimes

1007
00:56:26.719 --> 00:56:29.559
<v Speaker 4>I wonder there's the whole idea of lucifer more of

1008
00:56:29.599 --> 00:56:31.719
<v Speaker 4>like divisions that I fall in love with my eyes

1009
00:56:32.280 --> 00:56:35.480
<v Speaker 4>that really I shouldn't be falling in love right and doing.

1010
00:56:35.400 --> 00:56:38.239
<v Speaker 8>A five pointed star. I mean, that is the symbol

1011
00:56:38.320 --> 00:56:44.320
<v Speaker 8>of the upright, man, Yeah, thats the symbol, the symbol

1012
00:56:44.320 --> 00:56:47.840
<v Speaker 8>of yourself echoing into the symbol of yourself like perpetually,

1013
00:56:48.320 --> 00:56:52.239
<v Speaker 8>you know, through all your organs and all your receiving

1014
00:56:52.320 --> 00:56:55.480
<v Speaker 8>devices to determine what reality is itself, you know.

1015
00:56:55.599 --> 00:56:56.360
<v Speaker 2>And there you go.

1016
00:56:56.440 --> 00:56:58.840
<v Speaker 9>Man, that's awesome, I mean. And then the next slide

1017
00:56:58.880 --> 00:57:00.960
<v Speaker 9>actually really speaks to what saying. But before we get

1018
00:57:00.960 --> 00:57:03.599
<v Speaker 9>there real quick, I was just gonna mention that the

1019
00:57:03.639 --> 00:57:07.599
<v Speaker 9>sigil of lucifers well has a V down below. There's

1020
00:57:07.599 --> 00:57:10.440
<v Speaker 9>a V for venus down below, right, and then also

1021
00:57:10.719 --> 00:57:12.480
<v Speaker 9>the overall shape of it is like a big V

1022
00:57:12.800 --> 00:57:19.679
<v Speaker 9>downward triangle sort of thing. Right, So there's all of that, yeh, right,

1023
00:57:19.800 --> 00:57:22.679
<v Speaker 9>So there you go. The thought version of the Hierpin

1024
00:57:22.760 --> 00:57:26.400
<v Speaker 9>card really says quite a bit, right. Even the throne

1025
00:57:27.039 --> 00:57:30.079
<v Speaker 9>of the Higher Fin here literally is the bull itself.

1026
00:57:31.679 --> 00:57:34.679
<v Speaker 9>And then you have these sort of nested five pointed

1027
00:57:34.719 --> 00:57:36.960
<v Speaker 9>stars kind of as you were saying, right, and then

1028
00:57:37.000 --> 00:57:39.800
<v Speaker 9>you got that white one of the child like on

1029
00:57:39.880 --> 00:57:43.400
<v Speaker 9>its chest or midsection, and then it's gown too. It's

1030
00:57:43.440 --> 00:57:46.719
<v Speaker 9>really almost like becoming part of the earth or something

1031
00:57:46.800 --> 00:57:47.400
<v Speaker 9>like that, right.

1032
00:57:48.039 --> 00:57:49.599
<v Speaker 2>And I think this is interesting.

1033
00:57:49.199 --> 00:57:52.039
<v Speaker 9>Too because Taurus is fixed Earth, and there's a lot

1034
00:57:52.039 --> 00:57:55.119
<v Speaker 9>of symbolism with the Higher Fin that relates to like

1035
00:57:55.239 --> 00:57:59.239
<v Speaker 9>retaining tradition, you know, and sort of like a preservation

1036
00:57:59.360 --> 00:58:01.880
<v Speaker 9>of something, and that's what the pope or a high

1037
00:58:01.920 --> 00:58:04.960
<v Speaker 9>priest or you know, something along those lines, a figure

1038
00:58:05.000 --> 00:58:08.320
<v Speaker 9>along those lines kind of represents, is maintaining this tradition

1039
00:58:08.639 --> 00:58:13.239
<v Speaker 9>or these insights esoteric secrets. That's another thing. This figure

1040
00:58:13.440 --> 00:58:16.559
<v Speaker 9>is really known for knowing things that other people don't know.

1041
00:58:16.760 --> 00:58:19.400
<v Speaker 9>He's again the keeper of the keys, the keeper of

1042
00:58:19.519 --> 00:58:24.320
<v Speaker 9>esoteric doctrines. And there's even some like more modern maybe

1043
00:58:24.440 --> 00:58:27.079
<v Speaker 9>actually this is more modern, I mean, as the Crowley

1044
00:58:27.119 --> 00:58:30.199
<v Speaker 9>deck is relative to like the whole history of the

1045
00:58:30.199 --> 00:58:34.880
<v Speaker 9>tarot is modern. But there's decks where the two followers

1046
00:58:35.039 --> 00:58:41.599
<v Speaker 9>underneath the pope. Sometimes you'll see them almost like grabbing

1047
00:58:41.599 --> 00:58:44.199
<v Speaker 9>a key. Sometimes you'll see one of the figures and

1048
00:58:44.239 --> 00:58:46.440
<v Speaker 9>he has a knife behind his back, almost like he's

1049
00:58:46.480 --> 00:58:48.800
<v Speaker 9>going to kill the pope or something like that. And

1050
00:58:48.880 --> 00:58:52.239
<v Speaker 9>so they've kind of encoded this whole thing that like

1051
00:58:52.679 --> 00:58:55.280
<v Speaker 9>he keeps secrets basically, And there's a whole thing with

1052
00:58:55.400 --> 00:58:58.280
<v Speaker 9>silence as well, I think with the pope, and what

1053
00:58:58.320 --> 00:59:01.039
<v Speaker 9>corresponds with the higher fint card or excuse me, with

1054
00:59:01.360 --> 00:59:05.559
<v Speaker 9>Taurus is the neck as well. And a lot of

1055
00:59:05.559 --> 00:59:09.000
<v Speaker 9>times the higher fin has like almost like a blue

1056
00:59:09.039 --> 00:59:11.920
<v Speaker 9>band around his neck or something along these lines. And

1057
00:59:12.000 --> 00:59:14.800
<v Speaker 9>so there's kind of a whole entire thing regarding language,

1058
00:59:14.800 --> 00:59:17.960
<v Speaker 9>I think with this figure, and that that might be

1059
00:59:18.639 --> 00:59:21.679
<v Speaker 9>in part a representation of some of the keys that

1060
00:59:21.719 --> 00:59:26.519
<v Speaker 9>he holds, is like secrets related to language and rituals

1061
00:59:26.559 --> 00:59:32.000
<v Speaker 9>and initiation and sort of things like that. So one

1062
00:59:32.000 --> 00:59:34.679
<v Speaker 9>of the things, though, I think is fascinating too is

1063
00:59:34.719 --> 00:59:38.639
<v Speaker 9>the fact that all of those stars are coming out

1064
00:59:38.679 --> 00:59:43.760
<v Speaker 9>of like the midsection there of that woman who is

1065
00:59:43.760 --> 00:59:47.960
<v Speaker 9>isis and basically a representation of Venus in my opinion,

1066
00:59:48.480 --> 00:59:52.360
<v Speaker 9>and she's holding a crescent right in one hand, kind

1067
00:59:52.360 --> 00:59:55.480
<v Speaker 9>of like the horns of a bull or the moon

1068
00:59:55.840 --> 00:59:58.840
<v Speaker 9>or the crescent that Venus makes or something along those lines.

1069
00:59:59.360 --> 01:00:02.039
<v Speaker 9>And then she's whole what looks like a sword. I

1070
01:00:02.199 --> 01:00:05.760
<v Speaker 9>actually think he may be encoding a subliminal nail. It's

1071
01:00:05.760 --> 01:00:08.719
<v Speaker 9>like a nail sword because the Hebrew letter that corresponds

1072
01:00:08.719 --> 01:00:12.159
<v Speaker 9>with his card is nail. And the way I see

1073
01:00:12.159 --> 01:00:13.639
<v Speaker 9>the nail, and actually you can go to the next

1074
01:00:13.639 --> 01:00:17.880
<v Speaker 9>slide because it's zoomed in a little bit above. Yeah,

1075
01:00:17.920 --> 01:00:21.880
<v Speaker 9>exactly what the nail represents is it binds, right, and

1076
01:00:21.920 --> 01:00:25.280
<v Speaker 9>so it's going to bind pieces of wood together. The

1077
01:00:25.320 --> 01:00:27.320
<v Speaker 9>way I see this, I see this as like a

1078
01:00:27.360 --> 01:00:31.000
<v Speaker 9>world axis sort of symbol, right, and so just like

1079
01:00:31.039 --> 01:00:34.760
<v Speaker 9>a straight vertical line, just like Roman numeral one or

1080
01:00:34.800 --> 01:00:37.800
<v Speaker 9>the letter I or the wand or something like that.

1081
01:00:38.360 --> 01:00:38.599
<v Speaker 2>You know.

1082
01:00:38.719 --> 01:00:41.199
<v Speaker 9>Just to say that, my opinion is there are realms

1083
01:00:41.199 --> 01:00:43.880
<v Speaker 9>above and below and they're all connected through their center

1084
01:00:44.039 --> 01:00:47.360
<v Speaker 9>through this vertical axis. And so the vertical axis has

1085
01:00:47.400 --> 01:00:49.880
<v Speaker 9>been viewed as well as a nail. The nail has

1086
01:00:49.960 --> 01:00:53.920
<v Speaker 9>encoded this axis that binds different realities together. So in

1087
01:00:53.920 --> 01:00:56.519
<v Speaker 9>a way, again it's almost not unlike the pillars in

1088
01:00:56.559 --> 01:01:01.239
<v Speaker 9>the cabbalistic tree binding these different worlds together, kind of

1089
01:01:01.280 --> 01:01:04.239
<v Speaker 9>like the papal cross as well, that central axis binding

1090
01:01:04.280 --> 01:01:07.840
<v Speaker 9>these three levels of reality sort of together. And to me,

1091
01:01:07.960 --> 01:01:12.679
<v Speaker 9>the kicker with this one is that the an alternative

1092
01:01:12.760 --> 01:01:15.639
<v Speaker 9>name for the pole star was the nail star. And

1093
01:01:15.719 --> 01:01:18.320
<v Speaker 9>so when you look in the northern sky, you know,

1094
01:01:18.480 --> 01:01:21.039
<v Speaker 9>all of the stars, the fixed stars go around this

1095
01:01:21.159 --> 01:01:23.559
<v Speaker 9>central star, so it's like a point of pivot in

1096
01:01:23.599 --> 01:01:26.599
<v Speaker 9>the in the heavens, and so the nail star to me,

1097
01:01:26.840 --> 01:01:29.519
<v Speaker 9>kind of relates to this concept basically.

1098
01:01:29.679 --> 01:01:31.159
<v Speaker 8>Been nailed in place.

1099
01:01:31.440 --> 01:01:34.880
<v Speaker 2>Nailed in place. Yeah, yeah, exactly right, yep, for sure.

1100
01:01:35.480 --> 01:01:37.159
<v Speaker 9>And then even just to break it down on like

1101
01:01:37.400 --> 01:01:41.280
<v Speaker 9>really simple basic symbolic terms, I see the key as

1102
01:01:41.320 --> 01:01:44.480
<v Speaker 9>well as basically being a world axis symbol. And so

1103
01:01:44.599 --> 01:01:47.840
<v Speaker 9>I used to say all the time that poles and holes,

1104
01:01:48.360 --> 01:01:51.039
<v Speaker 9>you know, so many symbols go back to this dynamic

1105
01:01:51.079 --> 01:01:54.800
<v Speaker 9>between poles and holes, which relates to like sexual symbolism. Well,

1106
01:01:54.960 --> 01:01:58.239
<v Speaker 9>keys and locks is the same thing basically, right, and

1107
01:01:58.320 --> 01:02:00.480
<v Speaker 9>so poles and holes, keys and locks, the nail is

1108
01:02:00.480 --> 01:02:02.840
<v Speaker 9>pretty much the same thing. The obelisk, you know, I

1109
01:02:02.840 --> 01:02:05.880
<v Speaker 9>think of the obelisk in Saint Peter's Square, which came

1110
01:02:05.920 --> 01:02:09.239
<v Speaker 9>from Egypt as well. When yeah, when you look at

1111
01:02:09.239 --> 01:02:11.440
<v Speaker 9>Saint Peter's Square from above, I don't have it here,

1112
01:02:11.480 --> 01:02:14.679
<v Speaker 9>but it makes a gigantic keyhole. It looks like a keyhole, right,

1113
01:02:15.239 --> 01:02:17.039
<v Speaker 9>And this is where the Pope will be in between

1114
01:02:17.079 --> 01:02:19.679
<v Speaker 9>his two pillars, addressing his people in front of this

1115
01:02:19.760 --> 01:02:22.679
<v Speaker 9>gigantic obelisk that's right in the middle of this keyhole

1116
01:02:22.679 --> 01:02:23.760
<v Speaker 9>that is Saint peter Square.

1117
01:02:24.159 --> 01:02:24.360
<v Speaker 5>Right.

1118
01:02:24.840 --> 01:02:30.679
<v Speaker 3>May I add in geometry terms, that or symbolic geometry,

1119
01:02:30.719 --> 01:02:36.559
<v Speaker 3>the line is the becoming of the point or as

1120
01:02:36.599 --> 01:02:39.920
<v Speaker 3>you alluded to, the nail symbology is the line of

1121
01:02:39.960 --> 01:02:43.159
<v Speaker 3>course and pull start the point. So those relationships are

1122
01:02:43.199 --> 01:02:49.159
<v Speaker 3>both masculine. And then the pentacle or as you referred

1123
01:02:49.159 --> 01:02:52.960
<v Speaker 3>to earlier with the taro, which is fascinating and being

1124
01:02:53.280 --> 01:02:56.519
<v Speaker 3>it being the plane. The plane and the volume are

1125
01:02:56.559 --> 01:03:01.679
<v Speaker 3>both feminine in geometry, and the volume kind of being

1126
01:03:01.719 --> 01:03:04.239
<v Speaker 3>the coming of the plane.

1127
01:03:04.519 --> 01:03:10.119
<v Speaker 8>And the cup the volume holding the Yeah, yeah, totally.

1128
01:03:10.199 --> 01:03:10.440
<v Speaker 5>Yeah.

1129
01:03:10.440 --> 01:03:12.480
<v Speaker 2>You know what I used in my presentation.

1130
01:03:13.280 --> 01:03:18.480
<v Speaker 9>I use the z axis as a symbol for this

1131
01:03:18.639 --> 01:03:21.840
<v Speaker 9>vertical axis for the world axis right, the X axis

1132
01:03:21.880 --> 01:03:24.400
<v Speaker 9>and y axis, and then the z axis right of

1133
01:03:24.480 --> 01:03:27.719
<v Speaker 9>verticality basically, I think is kind of another sort of

1134
01:03:27.760 --> 01:03:32.519
<v Speaker 9>metaphor here. But look this pentacle is these pentacles are

1135
01:03:32.559 --> 01:03:35.800
<v Speaker 9>coming from between her legs as well. Right, so I

1136
01:03:35.840 --> 01:03:39.119
<v Speaker 9>mean just Venusian symbolism.

1137
01:03:38.760 --> 01:03:41.840
<v Speaker 3>To be man, right human?

1138
01:03:42.199 --> 01:03:43.360
<v Speaker 2>Yeah exactly.

1139
01:03:44.039 --> 01:03:45.840
<v Speaker 9>So actually, speaking of if you want to go to

1140
01:03:45.880 --> 01:03:50.599
<v Speaker 9>the next lide, you know, when it comes to the

1141
01:03:50.639 --> 01:03:53.599
<v Speaker 9>womb or Uterus and the Filippian tubes, this whole system

1142
01:03:54.519 --> 01:03:59.400
<v Speaker 9>most people associated either with Aries and or Taurus, right,

1143
01:03:59.440 --> 01:04:02.039
<v Speaker 9>and you could see why very easily. You can see

1144
01:04:02.039 --> 01:04:03.920
<v Speaker 9>why Aries, and I think you can really see why

1145
01:04:04.039 --> 01:04:07.639
<v Speaker 9>with Taurus. And if you go to the next slide, actually,

1146
01:04:08.159 --> 01:04:14.719
<v Speaker 9>this is actually an X ray with liquid uh you know,

1147
01:04:14.920 --> 01:04:17.480
<v Speaker 9>whatever plunged up in there to get this X ray.

1148
01:04:17.960 --> 01:04:21.800
<v Speaker 9>And look at how much that really truly makes the

1149
01:04:21.880 --> 01:04:24.519
<v Speaker 9>silhouette of a bowl. I mean, it's like a dead

1150
01:04:24.599 --> 01:04:27.599
<v Speaker 9>ringer in my opinion. And then I've got another one

1151
01:04:27.599 --> 01:04:35.000
<v Speaker 9>too that you can see, yeah, right, And so if

1152
01:04:35.039 --> 01:04:37.280
<v Speaker 9>you go to the next slide, so this is just

1153
01:04:37.320 --> 01:04:40.880
<v Speaker 9>the righter weight version of the higher fin noticed the

1154
01:04:41.000 --> 01:04:47.840
<v Speaker 9>sort of uterus looking you know, illustrations or reliefs in

1155
01:04:48.079 --> 01:04:53.760
<v Speaker 9>those pillars there, Yeah right, So again the feminine quality. Really,

1156
01:04:54.320 --> 01:04:58.840
<v Speaker 9>it's all there if you want to yeah, yeah, yeah,

1157
01:04:58.880 --> 01:05:04.760
<v Speaker 9>exactly for sure. And then just to kind of emphasize

1158
01:05:05.079 --> 01:05:08.960
<v Speaker 9>the power of cow and bowl symbolism, this is literally

1159
01:05:09.000 --> 01:05:11.760
<v Speaker 9>when you really start reading Secret Teachings of All Ages

1160
01:05:11.800 --> 01:05:16.320
<v Speaker 9>by Manly P. Hall, I think they show like an

1161
01:05:16.320 --> 01:05:18.679
<v Speaker 9>image of him or someone else in the beginning, and

1162
01:05:18.719 --> 01:05:23.800
<v Speaker 9>then once you really start reading, like chapter one, you

1163
01:05:23.840 --> 01:05:27.400
<v Speaker 9>see this print here, you see this plate and it's

1164
01:05:27.400 --> 01:05:33.880
<v Speaker 9>called a Group of World Religions, and it shows you one, two, three, four, five,

1165
01:05:34.159 --> 01:05:38.159
<v Speaker 9>six at least six instances of the bowl or cow

1166
01:05:39.199 --> 01:05:42.440
<v Speaker 9>in sort of the origin story of like different world religions.

1167
01:05:42.480 --> 01:05:45.280
<v Speaker 9>So you have Taurus and the upper left, it's the

1168
01:05:45.320 --> 01:05:47.320
<v Speaker 9>beginning of sort of that arch right, and then you

1169
01:05:47.360 --> 01:05:49.440
<v Speaker 9>have the rest of the zodiac, and then you just

1170
01:05:49.480 --> 01:05:52.559
<v Speaker 9>work your way down and then there's several examples, and

1171
01:05:52.599 --> 01:05:55.599
<v Speaker 9>then in the bottom right you have mythrisk slaying that

1172
01:05:55.679 --> 01:06:00.719
<v Speaker 9>cosmic bowl. So he begins his like masterpiece work by

1173
01:06:00.840 --> 01:06:04.599
<v Speaker 9>talking about this, which I think obviously you know says

1174
01:06:04.679 --> 01:06:12.159
<v Speaker 9>quite a bit, so definitely worth looking at if you've

1175
01:06:12.159 --> 01:06:15.400
<v Speaker 9>never seen it. And then here you know, just the

1176
01:06:15.440 --> 01:06:17.519
<v Speaker 9>idea of like a heavenly bowl is something that's been

1177
01:06:17.559 --> 01:06:21.199
<v Speaker 9>echoed like several times, you know, across cultures.

1178
01:06:21.360 --> 01:06:22.880
<v Speaker 2>Right, and here you have this.

1179
01:06:22.840 --> 01:06:27.079
<v Speaker 9>Blue bowl stars along its belly, and to me, this

1180
01:06:27.159 --> 01:06:30.320
<v Speaker 9>particular illustration right, which is like clearly Egyptian. I think

1181
01:06:30.320 --> 01:06:33.039
<v Speaker 9>it's fascinating because of what I said earlier about the

1182
01:06:33.079 --> 01:06:37.400
<v Speaker 9>earth being related to the cross or the square, and

1183
01:06:37.440 --> 01:06:39.480
<v Speaker 9>so if you're treating the bowl kind of like the

1184
01:06:39.480 --> 01:06:45.079
<v Speaker 9>firmament basically, and these people are underneath, they're in between

1185
01:06:45.119 --> 01:06:47.400
<v Speaker 9>the four legs, it's almost like the four pillars of

1186
01:06:47.400 --> 01:06:49.719
<v Speaker 9>Earth or whatever, the four corners of Earth or something

1187
01:06:49.760 --> 01:06:50.480
<v Speaker 9>along those lines.

1188
01:06:50.519 --> 01:06:50.719
<v Speaker 5>Right.

1189
01:06:51.159 --> 01:06:55.760
<v Speaker 8>In Egypt, they had the APIs Bull, which was basically

1190
01:06:55.920 --> 01:07:02.480
<v Speaker 8>a body for the soul of Osiris to reside in

1191
01:07:03.239 --> 01:07:07.079
<v Speaker 8>before it was reborn, and there was all these qualifying

1192
01:07:07.199 --> 01:07:10.840
<v Speaker 8>factors of it was a black bull with a white cube,

1193
01:07:10.880 --> 01:07:13.400
<v Speaker 8>and like you know, there was all this mythology that

1194
01:07:13.519 --> 01:07:16.679
<v Speaker 8>breathed on your children they would be successful. But it

1195
01:07:16.800 --> 01:07:20.360
<v Speaker 8>was basically a sign to be slaughtered at a certain

1196
01:07:20.440 --> 01:07:25.559
<v Speaker 8>date and but but but it was also to carry

1197
01:07:26.400 --> 01:07:31.320
<v Speaker 8>the divinity during a certain time on the earth itself.

1198
01:07:31.519 --> 01:07:36.039
<v Speaker 3>You know, I believe that the bull in Egyptian terms

1199
01:07:36.159 --> 01:07:39.599
<v Speaker 3>was corresponded with nutt who as you just said, Robbie

1200
01:07:39.679 --> 01:07:43.320
<v Speaker 3>carried Rah across across the sky.

1201
01:07:43.920 --> 01:07:46.280
<v Speaker 9>Mm hmm, yeah, you could even see like I don't

1202
01:07:46.280 --> 01:07:48.000
<v Speaker 9>know if that's exactly what it's alluding to, but those

1203
01:07:48.000 --> 01:07:53.079
<v Speaker 9>two boats underneath the belly, right, yeah, you know, and

1204
01:07:53.119 --> 01:07:57.760
<v Speaker 9>then even the the crescent moon, Like there's so much

1205
01:07:57.960 --> 01:08:02.000
<v Speaker 9>arc ship boats and associated with like the moon in

1206
01:08:02.119 --> 01:08:06.400
<v Speaker 9>lunar symbolism, right, which is echoed in horns. So what

1207
01:08:06.440 --> 01:08:08.840
<v Speaker 9>I didn't say earlier when I showed the five pointed

1208
01:08:08.880 --> 01:08:11.960
<v Speaker 9>star of the Duot. I have a book called the

1209
01:08:12.000 --> 01:08:15.679
<v Speaker 9>Isis Thesis by this woman named Judy K. King, and

1210
01:08:15.760 --> 01:08:21.279
<v Speaker 9>basically what she puts forward is according to her hieroglyphic translations,

1211
01:08:21.800 --> 01:08:25.079
<v Speaker 9>she says that at least in one point in time,

1212
01:08:25.319 --> 01:08:28.720
<v Speaker 9>amongst a certain sect of Egyptians, that their understanding was

1213
01:08:28.720 --> 01:08:31.920
<v Speaker 9>that their soul a sense to the northern sky upon death,

1214
01:08:32.439 --> 01:08:34.840
<v Speaker 9>and they believe that they exited the horn of a

1215
01:08:34.880 --> 01:08:37.600
<v Speaker 9>great bull basically upon death in the northern sky.

1216
01:08:37.720 --> 01:08:37.920
<v Speaker 2>Right.

1217
01:08:38.399 --> 01:08:42.319
<v Speaker 9>That's really interesting as well, because if you look at

1218
01:08:42.319 --> 01:08:45.199
<v Speaker 9>like the Dendari zodiac, there's the thigh of the bull

1219
01:08:45.479 --> 01:08:49.319
<v Speaker 9>in the northern sky, which is basically major and so

1220
01:08:49.560 --> 01:08:52.520
<v Speaker 9>that's so there's northern bull stuff for sure, like that's

1221
01:08:52.520 --> 01:08:55.600
<v Speaker 9>what kind of almost can be a separate conversation or whatever.

1222
01:08:56.079 --> 01:08:58.399
<v Speaker 9>But the other thing that's really interesting about that is

1223
01:08:58.439 --> 01:09:01.600
<v Speaker 9>that we know, regardless of sort of your cosmology or

1224
01:09:01.640 --> 01:09:04.640
<v Speaker 9>what kind of earth you think we live on, I'm

1225
01:09:04.760 --> 01:09:08.359
<v Speaker 9>very convinced that there is a toroidal field around Earth, right,

1226
01:09:08.399 --> 01:09:11.039
<v Speaker 9>and that this is the magnetosphere, and that there's an

1227
01:09:11.079 --> 01:09:14.119
<v Speaker 9>opening at the north right, and this is why we

1228
01:09:14.239 --> 01:09:18.439
<v Speaker 9>have the northern lights pretty much, and this opening is

1229
01:09:18.479 --> 01:09:20.880
<v Speaker 9>what they're referring to. And to me, it's like no

1230
01:09:21.039 --> 01:09:25.239
<v Speaker 9>coincidence that we refer to it as a Taurus field.

1231
01:09:25.479 --> 01:09:28.079
<v Speaker 9>Of all the things, right, of all the labels, we

1232
01:09:28.159 --> 01:09:30.760
<v Speaker 9>refer to it as a Taurus field. So to me,

1233
01:09:30.960 --> 01:09:33.159
<v Speaker 9>when they're referring to the horn of a great bolt,

1234
01:09:33.199 --> 01:09:34.560
<v Speaker 9>they're talking about the torust field.

1235
01:09:34.600 --> 01:09:39.039
<v Speaker 3>In my opinion, yeah, I'm down with that.

1236
01:09:39.600 --> 01:09:41.399
<v Speaker 7>I always when it gets oh it is the Earth

1237
01:09:41.479 --> 01:09:43.319
<v Speaker 7>round or flat, I always say we're on a turtle

1238
01:09:43.439 --> 01:09:45.720
<v Speaker 7>and I get really into the turtle lore. But the

1239
01:09:45.760 --> 01:09:50.000
<v Speaker 7>tortoise is the Taurus. Yes, and sometimes the tortoise is

1240
01:09:50.000 --> 01:09:52.239
<v Speaker 7>connected to cancer, but at the same time it's also

1241
01:09:52.399 --> 01:09:54.640
<v Speaker 7>can be connected to the bowl a lot. But then

1242
01:09:54.640 --> 01:09:57.199
<v Speaker 7>the moon connects with that as well, because the moon

1243
01:09:57.239 --> 01:10:00.279
<v Speaker 7>also exalts in Taurists. So there's lots going on there.

1244
01:10:00.319 --> 01:10:01.479
<v Speaker 7>But yeah, I'm with you on.

1245
01:10:01.439 --> 01:10:01.960
<v Speaker 5>That for sure.

1246
01:10:01.960 --> 01:10:04.119
<v Speaker 2>Definitely, hell yeah, right on, Yeah, no, it makes a

1247
01:10:04.119 --> 01:10:04.760
<v Speaker 2>lot of sense to.

1248
01:10:04.720 --> 01:10:07.079
<v Speaker 8>Me, just kind of a wing nut thing in the

1249
01:10:07.079 --> 01:10:11.479
<v Speaker 8>whole mix of things. There's this conspiratorial idea that the

1250
01:10:11.520 --> 01:10:15.199
<v Speaker 8>swastika was a fire sign being related to the bull,

1251
01:10:15.720 --> 01:10:18.399
<v Speaker 8>whereas the peace son.

1252
01:10:18.920 --> 01:10:20.079
<v Speaker 1>Was a water sign.

1253
01:10:20.479 --> 01:10:24.800
<v Speaker 8>And there's kind of this whole thing that Aleister Crowley

1254
01:10:24.880 --> 01:10:28.239
<v Speaker 8>gave this to Winston Churchill, and I who's to say

1255
01:10:28.239 --> 01:10:31.560
<v Speaker 8>if it's even true, but it's just interesting, like wing

1256
01:10:31.640 --> 01:10:33.279
<v Speaker 8>nut theology that's out there, you.

1257
01:10:33.239 --> 01:10:38.880
<v Speaker 9>Know, totally, totally. Yeah. So if you go to the

1258
01:10:38.920 --> 01:10:41.760
<v Speaker 9>next lide, you're just going to see a simple depiction,

1259
01:10:41.920 --> 01:10:46.560
<v Speaker 9>a graphic depiction, not a real photo or anything, of Taurus.

1260
01:10:46.560 --> 01:10:48.359
<v Speaker 9>And so you really see that v that I was

1261
01:10:48.399 --> 01:10:53.359
<v Speaker 9>talking about earlier, right, and then it's worth talking about too.

1262
01:10:53.439 --> 01:10:57.840
<v Speaker 9>But within Taurus there's the Pleiades basically, and so it's

1263
01:10:57.840 --> 01:11:03.079
<v Speaker 9>the seven Sisters and and you know my opinion, essentially,

1264
01:11:03.560 --> 01:11:05.319
<v Speaker 9>I think you guys, you guys aren't going to be

1265
01:11:05.319 --> 01:11:08.720
<v Speaker 9>surprised with this one, but I maybe already mentioned it

1266
01:11:08.760 --> 01:11:12.000
<v Speaker 9>here at some point I probably did. But the idea

1267
01:11:12.039 --> 01:11:14.920
<v Speaker 9>that the original seven stars of Enlightenment belonged to Ursa

1268
01:11:15.000 --> 01:11:19.199
<v Speaker 9>Major in the north. People's idea of a stairway to

1269
01:11:19.279 --> 01:11:23.079
<v Speaker 9>heaven existed in the northern sky, and this was during

1270
01:11:23.520 --> 01:11:29.199
<v Speaker 9>primordial polar times pretty much. And so there's this concentration

1271
01:11:29.279 --> 01:11:32.720
<v Speaker 9>of symbolism in the northern sky, and at some point

1272
01:11:32.760 --> 01:11:36.399
<v Speaker 9>these symbols and the storylines and the mythology I think

1273
01:11:36.439 --> 01:11:39.880
<v Speaker 9>got exported largely to the path of the Sun when

1274
01:11:39.920 --> 01:11:44.159
<v Speaker 9>people became more solar, right and when people really latched

1275
01:11:44.199 --> 01:11:47.079
<v Speaker 9>onto helio centrism and considered the Sun to be the

1276
01:11:47.119 --> 01:11:51.000
<v Speaker 9>new center in the heavens basically. And so what happened

1277
01:11:51.119 --> 01:11:53.399
<v Speaker 9>was my understanding based on the authors that I like

1278
01:11:53.479 --> 01:11:56.640
<v Speaker 9>to read and everything else, and there's actually more people

1279
01:11:56.680 --> 01:11:59.840
<v Speaker 9>who've written about this than I previously imagined, but that

1280
01:12:00.159 --> 01:12:03.239
<v Speaker 9>the symbolism shifted to the Pleades, and that the seven

1281
01:12:03.279 --> 01:12:05.840
<v Speaker 9>stars of Versu Major a lot of its symbolism shifted

1282
01:12:05.880 --> 01:12:10.119
<v Speaker 9>to the Plades, and this basically from the Pliades or

1283
01:12:10.159 --> 01:12:15.479
<v Speaker 9>Taurus to Scorpio basically became the new axis to the afterlife,

1284
01:12:15.520 --> 01:12:18.359
<v Speaker 9>and when you look at how people talk about the pleades,

1285
01:12:19.000 --> 01:12:21.119
<v Speaker 9>I mean, it makes all the sense in the world

1286
01:12:21.159 --> 01:12:24.479
<v Speaker 9>that there's actually like an earlier sort of storyline. You know,

1287
01:12:24.520 --> 01:12:28.239
<v Speaker 9>my ancestors come from the pledes, We assent to the pledes.

1288
01:12:28.720 --> 01:12:31.079
<v Speaker 9>I think this is kind of a modern sort of

1289
01:12:31.640 --> 01:12:34.720
<v Speaker 9>I wouldn't say distortion. It is and it isn't, but

1290
01:12:35.119 --> 01:12:39.199
<v Speaker 9>it's definitely an echo of something that existed previously. And

1291
01:12:39.319 --> 01:12:42.920
<v Speaker 9>because people became more solar, they paid more attention to

1292
01:12:43.000 --> 01:12:44.800
<v Speaker 9>the path of the sun, they paid more attention to

1293
01:12:44.840 --> 01:12:47.720
<v Speaker 9>the ecliptic, so they had to find a new axis.

1294
01:12:48.319 --> 01:12:52.000
<v Speaker 9>So I think that maybe symbolically it's like people were

1295
01:12:52.000 --> 01:12:57.000
<v Speaker 9>more vertically inclined, were more vertically oriented rather and had

1296
01:12:57.199 --> 01:12:59.520
<v Speaker 9>a connection with the divine in the above and below,

1297
01:12:59.840 --> 01:13:02.680
<v Speaker 9>and then things became more horizontal, and this maybe was

1298
01:13:02.760 --> 01:13:06.760
<v Speaker 9>the actual real pull shift from polar to solar. Because

1299
01:13:06.800 --> 01:13:09.840
<v Speaker 9>to me, to think of this axis from Taurus to Scorpio,

1300
01:13:09.920 --> 01:13:12.960
<v Speaker 9>there's a lot of interesting things going on there, but

1301
01:13:13.239 --> 01:13:15.680
<v Speaker 9>it's not very it's not as holistic in my opinion,

1302
01:13:16.479 --> 01:13:19.920
<v Speaker 9>it doesn't really to me feel like the true center

1303
01:13:19.960 --> 01:13:22.760
<v Speaker 9>of things. I think in people sort of perception, it

1304
01:13:22.800 --> 01:13:25.479
<v Speaker 9>has become that over time. But I see that the

1305
01:13:25.520 --> 01:13:29.119
<v Speaker 9>northern sky has more of a true, unifying, holistic, eternal

1306
01:13:29.560 --> 01:13:31.439
<v Speaker 9>sort of quality to it, just in general.

1307
01:13:33.159 --> 01:13:37.159
<v Speaker 8>And so I have seen in a couple places that

1308
01:13:37.239 --> 01:13:44.680
<v Speaker 8>the symbol of the plates is substitution for the pole star. Yeah, yeah,

1309
01:13:44.760 --> 01:13:46.720
<v Speaker 8>you know as far as the seven and the seven.

1310
01:13:47.479 --> 01:13:50.000
<v Speaker 9>Here's even another wrinkle to all of this. And I

1311
01:13:50.039 --> 01:13:53.439
<v Speaker 9>did a whole presentation called the Pleadians, the Pleadians if

1312
01:13:53.439 --> 01:13:57.800
<v Speaker 9>people want to watch it, And basically, Alice is the

1313
01:13:57.840 --> 01:14:01.920
<v Speaker 9>father of the seven Sisters of the Right. And when

1314
01:14:01.960 --> 01:14:05.039
<v Speaker 9>they used to show Alice, he was holding the firmament

1315
01:14:05.119 --> 01:14:08.319
<v Speaker 9>way back in the day. Nowadays he's holding a world,

1316
01:14:08.399 --> 01:14:10.840
<v Speaker 9>he's holding a globe. Beforehand he was holding like the

1317
01:14:10.920 --> 01:14:13.319
<v Speaker 9>vault of heaven or the ceiling of heaven, basically, right

1318
01:14:13.880 --> 01:14:17.039
<v Speaker 9>and so, and you know they would show him in

1319
01:14:17.119 --> 01:14:20.319
<v Speaker 9>a northern sort of looking location and like a central location.

1320
01:14:21.119 --> 01:14:23.640
<v Speaker 9>So to me, the Seven Daughters is a reference to

1321
01:14:23.920 --> 01:14:27.039
<v Speaker 9>ursa major. If you look into the mythology of the

1322
01:14:27.119 --> 01:14:31.079
<v Speaker 9>seven Sisters, there's actually a missing sister, and they actually

1323
01:14:31.199 --> 01:14:33.000
<v Speaker 9>have a myth about the missing sister.

1324
01:14:33.119 --> 01:14:33.960
<v Speaker 2>I could be mistaken.

1325
01:14:34.000 --> 01:14:36.399
<v Speaker 9>I think her name is Elektra and that she's the

1326
01:14:36.479 --> 01:14:39.640
<v Speaker 9>missing sister, because when you really look at the Pleiades,

1327
01:14:39.960 --> 01:14:43.479
<v Speaker 9>there's actually only six main stars, and so they had

1328
01:14:43.520 --> 01:14:47.359
<v Speaker 9>to come up with mythology that sort of reconciled the

1329
01:14:47.399 --> 01:14:49.760
<v Speaker 9>difference between the seven stars of Ursa Major and then

1330
01:14:49.800 --> 01:14:52.439
<v Speaker 9>the six stars of the Pleiades, and they both look

1331
01:14:52.520 --> 01:14:55.600
<v Speaker 9>very similar to right, Ursa Major looks like a dipper vessel,

1332
01:14:55.640 --> 01:14:57.720
<v Speaker 9>and then the Pleiades kind of looks like a vessel

1333
01:14:57.720 --> 01:14:59.920
<v Speaker 9>too as well. So for that reason and more, I

1334
01:15:00.000 --> 01:15:02.640
<v Speaker 9>I think it made sense to create this new axis.

1335
01:15:03.399 --> 01:15:06.159
<v Speaker 9>And another thing with all of that is that when

1336
01:15:06.159 --> 01:15:10.399
<v Speaker 9>you're looking towards Taurus, you're not only looking at the Pleiades.

1337
01:15:11.359 --> 01:15:12.680
<v Speaker 2>You're looking towards Aldeboron.

1338
01:15:12.880 --> 01:15:14.960
<v Speaker 9>You're looking at al Debaron, which is the eye of

1339
01:15:15.000 --> 01:15:17.199
<v Speaker 9>the Bowl, which is one of the royal stars of astrology.

1340
01:15:17.800 --> 01:15:20.520
<v Speaker 9>And then you're also looking at the galactic anti center.

1341
01:15:21.039 --> 01:15:24.840
<v Speaker 9>When you're looking towards Scorpio, you're looking towards the galactic center,

1342
01:15:25.119 --> 01:15:27.760
<v Speaker 9>which I even feel like I need to I don't

1343
01:15:27.760 --> 01:15:29.640
<v Speaker 9>know if I need to qualify that. I don't know

1344
01:15:29.640 --> 01:15:33.000
<v Speaker 9>if that's necessarily the true center of things basically, but

1345
01:15:33.079 --> 01:15:36.399
<v Speaker 9>it's what's been said is the real center right towards

1346
01:15:36.520 --> 01:15:41.079
<v Speaker 9>Scorpio and terras in between like Taurus, excuse me, in

1347
01:15:41.079 --> 01:15:44.039
<v Speaker 9>between Scorpio and Sagittarius.

1348
01:15:44.520 --> 01:15:46.760
<v Speaker 2>And also a Fucus is right there as well.

1349
01:15:47.319 --> 01:15:51.399
<v Speaker 9>And so people in today's world have basically latched on

1350
01:15:51.560 --> 01:15:55.359
<v Speaker 9>the heaven heavenly gate symbolism with Scorpio and the Hellish

1351
01:15:55.359 --> 01:15:58.359
<v Speaker 9>gate symbolism with Taurus. So the cross keys of the

1352
01:15:58.399 --> 01:16:02.680
<v Speaker 9>higher fin the golden gate would be, yeah, the golden

1353
01:16:02.680 --> 01:16:05.000
<v Speaker 9>gate would be Scorpio, and then the silver gate would

1354
01:16:05.039 --> 01:16:07.239
<v Speaker 9>be Taurus, if I'm not mistaken, the gateway to heaven

1355
01:16:07.239 --> 01:16:09.920
<v Speaker 9>and the gateway to Hell. So just an interesting thing

1356
01:16:09.960 --> 01:16:14.720
<v Speaker 9>to consider with this polar to solar shift. But if

1357
01:16:14.760 --> 01:16:18.720
<v Speaker 9>you want to cruise to the next slide, actually so

1358
01:16:18.760 --> 01:16:20.319
<v Speaker 9>you can see the pleiad's right there kind of in

1359
01:16:20.359 --> 01:16:23.319
<v Speaker 9>the shoulder right there, right, and you only see it's

1360
01:16:23.319 --> 01:16:25.880
<v Speaker 9>that cluster of stars. How many stars are they showing

1361
01:16:25.960 --> 01:16:31.479
<v Speaker 9>right there? They're showing six, not seven. But if you

1362
01:16:31.479 --> 01:16:33.279
<v Speaker 9>go to the next slide too, you'll see sort of

1363
01:16:33.319 --> 01:16:41.399
<v Speaker 9>this new axis right, so generally from Taurus al de

1364
01:16:41.520 --> 01:16:44.840
<v Speaker 9>Baron towards Scorpio, which I don't think you can actually

1365
01:16:44.920 --> 01:16:48.520
<v Speaker 9>see here really, and then if you go to the

1366
01:16:48.600 --> 01:16:51.680
<v Speaker 9>next slide, this is where I have the information from

1367
01:16:51.680 --> 01:16:57.159
<v Speaker 9>my recent presentation, the Turus scorpio axis right, Taurus, Silvergate,

1368
01:16:57.239 --> 01:17:01.079
<v Speaker 9>Galactic Anta center, Hell, the Heaven excuse me, the royal

1369
01:17:01.159 --> 01:17:05.079
<v Speaker 9>star being Oldeboron, then the Golden Gate, Galactic Center, Heaven,

1370
01:17:05.119 --> 01:17:12.159
<v Speaker 9>and Tara's Yeah. So I think, actually this is kind

1371
01:17:12.159 --> 01:17:14.479
<v Speaker 9>of veering away a little bit from Venus stuff. But

1372
01:17:14.520 --> 01:17:16.319
<v Speaker 9>when you look at the death card, if you want

1373
01:17:16.359 --> 01:17:18.840
<v Speaker 9>to go to the next slide, I think this is

1374
01:17:18.880 --> 01:17:21.479
<v Speaker 9>actually what it's really referring to. It's referring to this

1375
01:17:21.600 --> 01:17:26.000
<v Speaker 9>new solar axis that people have aligned themselves with. Because

1376
01:17:26.039 --> 01:17:30.319
<v Speaker 9>you have literally the higher fint pope right there on

1377
01:17:30.359 --> 01:17:34.720
<v Speaker 9>the right hand side, very much indicative of Taurus. He's

1378
01:17:34.800 --> 01:17:39.760
<v Speaker 9>literally underneath two towers. He's always in between two pillars, right,

1379
01:17:40.399 --> 01:17:42.800
<v Speaker 9>and so they're aligning him with that central pillar or

1380
01:17:42.800 --> 01:17:46.479
<v Speaker 9>that sort of gateway the keeper of the keys. But

1381
01:17:46.800 --> 01:17:49.079
<v Speaker 9>I think in this artwork, what you're kind of seeing

1382
01:17:49.119 --> 01:17:51.479
<v Speaker 9>is that the true keeper of the keys is death

1383
01:17:51.560 --> 01:17:56.039
<v Speaker 9>himself or death death themselves. And by holding that poll,

1384
01:17:56.479 --> 01:17:59.239
<v Speaker 9>what I kind of see is that, well, not only

1385
01:17:59.359 --> 01:18:01.680
<v Speaker 9>is there a flat with this rose that we've been

1386
01:18:01.680 --> 01:18:05.439
<v Speaker 9>referring to, this five pointed rose that's inverted for the

1387
01:18:05.439 --> 01:18:09.720
<v Speaker 9>most part, the largest sort of silhouette of it is

1388
01:18:09.760 --> 01:18:13.319
<v Speaker 9>pointing downwards, right, So we're dealing with this gateway sort

1389
01:18:13.359 --> 01:18:16.920
<v Speaker 9>of dynamic. But he's holding a pole, a world axis symbol.

1390
01:18:17.640 --> 01:18:21.039
<v Speaker 9>One legged symbolism is world axis symbolism in my opinion,

1391
01:18:21.079 --> 01:18:22.640
<v Speaker 9>which is why you see the thigh of the bowl

1392
01:18:22.640 --> 01:18:26.159
<v Speaker 9>in the northern sky in the then Dera zodiac. And

1393
01:18:26.159 --> 01:18:28.680
<v Speaker 9>what I kind of see is that this pole almost

1394
01:18:28.720 --> 01:18:33.279
<v Speaker 9>subliminally continues the line downward, like through the leg of

1395
01:18:33.319 --> 01:18:35.920
<v Speaker 9>the death figure and then also through the leg of

1396
01:18:35.920 --> 01:18:38.600
<v Speaker 9>that horse right there. So from the very top of

1397
01:18:38.600 --> 01:18:41.359
<v Speaker 9>the canvas to the very bottom of the canvas there's

1398
01:18:41.439 --> 01:18:46.000
<v Speaker 9>almost this implied unbroken line that's basically saying that death

1399
01:18:46.039 --> 01:18:48.960
<v Speaker 9>is in charge here, this is his card basically, and

1400
01:18:49.000 --> 01:18:52.359
<v Speaker 9>that the pope is kind of like subordinate to the

1401
01:18:52.399 --> 01:18:55.800
<v Speaker 9>cycles and rhythms of death and everything else. So I

1402
01:18:55.800 --> 01:18:59.960
<v Speaker 9>think that this is really speaking to the scorpionic taurus

1403
01:19:00.079 --> 01:19:02.760
<v Speaker 9>sort of axis scorpio being related to death and rebirth

1404
01:19:02.840 --> 01:19:05.960
<v Speaker 9>and sex and everything else. And then everything Tourus relates

1405
01:19:06.000 --> 01:19:08.600
<v Speaker 9>to which we've been talking about, Well, you.

1406
01:19:08.600 --> 01:19:11.960
<v Speaker 7>Can even add or to help validate that it further

1407
01:19:12.079 --> 01:19:14.840
<v Speaker 7>is like with Libra ruled by Venus, it's there to

1408
01:19:15.079 --> 01:19:17.760
<v Speaker 7>be the gatekeeper to the underworld.

1409
01:19:18.079 --> 01:19:20.319
<v Speaker 2>Yes, the like I.

1410
01:19:20.319 --> 01:19:22.640
<v Speaker 7>Sometimes refer to it as like the customs agent, where

1411
01:19:22.640 --> 01:19:24.359
<v Speaker 7>it's like where you're going, you're going to the underworld,

1412
01:19:24.399 --> 01:19:26.439
<v Speaker 7>where you're going, do you have your stuff? Like are

1413
01:19:26.439 --> 01:19:28.279
<v Speaker 7>you going to the right place? Like making sure everyone

1414
01:19:28.319 --> 01:19:29.800
<v Speaker 7>when they do go there, that they are going to

1415
01:19:29.800 --> 01:19:32.239
<v Speaker 7>the right place that they are like yeah, set up

1416
01:19:32.279 --> 01:19:32.720
<v Speaker 7>for that.

1417
01:19:32.920 --> 01:19:37.720
<v Speaker 2>Yeah totally man, Yeah, yeah, you got it. So yeah.

1418
01:19:37.720 --> 01:19:40.079
<v Speaker 9>So I've never seen this so clearly in my opinion

1419
01:19:40.239 --> 01:19:44.960
<v Speaker 9>that it's a reference to the Taurus Scorpio polarity axis business.

1420
01:19:45.880 --> 01:19:47.680
<v Speaker 9>But to me, it seems pretty clear that this is

1421
01:19:47.720 --> 01:19:51.119
<v Speaker 9>definitely like the case, and that's what most people if

1422
01:19:51.119 --> 01:19:53.239
<v Speaker 9>you're going to start looking into things, I would say

1423
01:19:53.279 --> 01:19:55.840
<v Speaker 9>that most people who are like into astrology, this is

1424
01:19:55.880 --> 01:19:58.640
<v Speaker 9>probably the axis that they would point to if there

1425
01:19:58.720 --> 01:20:01.840
<v Speaker 9>was such a thing as like a Sti way or

1426
01:20:02.000 --> 01:20:04.479
<v Speaker 9>a ladder to Heaven or something along these lines, right,

1427
01:20:04.720 --> 01:20:08.720
<v Speaker 9>And even just how people treat these two constellations, and

1428
01:20:08.920 --> 01:20:13.920
<v Speaker 9>especially the pleats, how people treat that asterism like it

1429
01:20:14.000 --> 01:20:17.399
<v Speaker 9>implies all of this stuff in my opinion, but the

1430
01:20:17.439 --> 01:20:19.439
<v Speaker 9>last two slides are just plugs and then I'm all,

1431
01:20:19.560 --> 01:20:21.479
<v Speaker 9>I'm all wrapped up here. Of course we can continue

1432
01:20:21.560 --> 01:20:25.720
<v Speaker 9>chatting and everything else, but I just did just the

1433
01:20:25.760 --> 01:20:26.039
<v Speaker 9>other way.

1434
01:20:26.279 --> 01:20:27.560
<v Speaker 4>I wanted to look at some of the first second,

1435
01:20:28.960 --> 01:20:31.680
<v Speaker 4>don't the way something on that horse was just reminding

1436
01:20:31.720 --> 01:20:32.359
<v Speaker 4>me of thought?

1437
01:20:32.479 --> 01:20:34.479
<v Speaker 5>Was okay with the legs and ship?

1438
01:20:36.560 --> 01:20:37.880
<v Speaker 2>Yeah, no, you're all good man.

1439
01:20:38.479 --> 01:20:41.640
<v Speaker 8>Oh well, I did want to bring up in regard

1440
01:20:41.760 --> 01:20:46.359
<v Speaker 8>to Venus and and the whole death ruling overall, when

1441
01:20:46.399 --> 01:20:51.279
<v Speaker 8>you get into the mythology the rolling of the Golden

1442
01:20:51.319 --> 01:20:56.039
<v Speaker 8>Apple and then they picked Venus or Persephone as the

1443
01:20:56.079 --> 01:21:01.079
<v Speaker 8>most beautiful and then they marry her a vulcan basically

1444
01:21:01.159 --> 01:21:05.760
<v Speaker 8>so he can create the weapons for the gods in

1445
01:21:05.800 --> 01:21:09.439
<v Speaker 8>regard to the reigning down of terror and death. So

1446
01:21:10.159 --> 01:21:12.640
<v Speaker 8>there's maybe something there as well.

1447
01:21:13.159 --> 01:21:13.800
<v Speaker 2>Oh totally.

1448
01:21:14.680 --> 01:21:18.720
<v Speaker 9>One of my favorite death cards shows a nude woman

1449
01:21:18.760 --> 01:21:23.560
<v Speaker 9>as death basically, and she's holding a scythe. And there's

1450
01:21:23.600 --> 01:21:25.439
<v Speaker 9>another death card that I have where it's a pregnant

1451
01:21:25.479 --> 01:21:28.520
<v Speaker 9>woman holding a scythe as well, so I think it's

1452
01:21:28.600 --> 01:21:34.760
<v Speaker 9>it's very interesting. Was Vulcan known for being like not attractive, he.

1453
01:21:34.720 --> 01:21:39.199
<v Speaker 8>Was ready complexed. He was so ugly, all the goddesses

1454
01:21:39.279 --> 01:21:42.760
<v Speaker 8>ran away from him. And basically the deal was made

1455
01:21:43.319 --> 01:21:49.079
<v Speaker 8>that he would marry or Sephanie or Venus in exchange

1456
01:21:49.680 --> 01:21:52.880
<v Speaker 8>for he was a titan basically that had been locked

1457
01:21:52.920 --> 01:21:55.520
<v Speaker 8>away in the underworld, and they brought him back, that

1458
01:21:55.720 --> 01:21:59.880
<v Speaker 8>resurrected him up and gave him, you know, the most

1459
01:22:00.000 --> 01:22:04.840
<v Speaker 8>beautiful Venus for the sake of him, you know, giving

1460
01:22:04.880 --> 01:22:11.239
<v Speaker 8>the gods the various thunderbolt, the vajna and some of

1461
01:22:11.279 --> 01:22:14.760
<v Speaker 8>the other various various accouterments.

1462
01:22:14.800 --> 01:22:20.680
<v Speaker 9>Gotcha, gotcha? Okay? Right on, Well that's what I got.

1463
01:22:20.760 --> 01:22:22.960
<v Speaker 9>Like I said, the last two slides are just quick plugs.

1464
01:22:24.000 --> 01:22:27.720
<v Speaker 9>I did a show on just an audio only podcast

1465
01:22:27.760 --> 01:22:30.399
<v Speaker 9>on Taurus recently, and by the time this comes out,

1466
01:22:30.760 --> 01:22:33.359
<v Speaker 9>you know, it'll be freely available to everyone. But that

1467
01:22:33.479 --> 01:22:36.079
<v Speaker 9>woman that I was referring to earlier, Ola Wolney, she

1468
01:22:36.159 --> 01:22:40.439
<v Speaker 9>submitted a voicemail. It's really awesome. She's super interesting. She

1469
01:22:40.560 --> 01:22:43.359
<v Speaker 9>really thinks that Venus contains a lot of the secrets

1470
01:22:43.359 --> 01:22:45.600
<v Speaker 9>for like female alchemy and all sorts of other stuff,

1471
01:22:45.600 --> 01:22:47.159
<v Speaker 9>which I don't disagree.

1472
01:22:46.720 --> 01:22:50.560
<v Speaker 5>With that completely, right, right, and so, and.

1473
01:22:50.520 --> 01:22:54.199
<v Speaker 9>Then I did this presentation called Death and Taurus relating

1474
01:22:54.199 --> 01:22:57.920
<v Speaker 9>to pope symbolism in the Vatican and kind of getting

1475
01:22:57.920 --> 01:22:59.520
<v Speaker 9>into a lot of the stuff that I mentioned with

1476
01:22:59.560 --> 01:23:02.640
<v Speaker 9>the Abbe and the Keeper of the Keys and you.

1477
01:23:02.560 --> 01:23:09.800
<v Speaker 2>Know some other stuff. If people are interested, Yeah, yeah.

1478
01:23:08.359 --> 01:23:12.600
<v Speaker 7>I will say on a lot of my enlightenment journeys,

1479
01:23:12.960 --> 01:23:15.960
<v Speaker 7>there's some that I've like kind of calculated through just

1480
01:23:16.000 --> 01:23:19.239
<v Speaker 7>like using taking all this knowledge, whether like the astrology wheel,

1481
01:23:19.479 --> 01:23:21.359
<v Speaker 7>like I use the alphabet, all these things to like

1482
01:23:21.399 --> 01:23:24.199
<v Speaker 7>get to like understand this journey and like the loops

1483
01:23:24.199 --> 01:23:27.840
<v Speaker 7>and everything. And at one of the craziest ends of

1484
01:23:27.880 --> 01:23:29.920
<v Speaker 7>one of it, and it was these thru like just

1485
01:23:29.960 --> 01:23:32.199
<v Speaker 7>decoding the alphabet and being like, Okay, well now I

1486
01:23:32.199 --> 01:23:34.119
<v Speaker 7>need to go live this out so that if I

1487
01:23:34.159 --> 01:23:37.000
<v Speaker 7>am to teach about the alphabet, I've at least like

1488
01:23:37.000 --> 01:23:39.119
<v Speaker 7>like I've gone through this or whatever. And when I

1489
01:23:39.159 --> 01:23:41.840
<v Speaker 7>got to the end of it, that's all I could

1490
01:23:41.920 --> 01:23:44.079
<v Speaker 7>think is that like whatever.

1491
01:23:43.760 --> 01:23:45.880
<v Speaker 6>I met, whatever energy I came to.

1492
01:23:46.000 --> 01:23:47.800
<v Speaker 7>When I was like at the end of the Death,

1493
01:23:47.880 --> 01:23:51.199
<v Speaker 7>I could see like how complex, like just got to

1494
01:23:51.239 --> 01:23:53.199
<v Speaker 7>the end of my lesson, I felt like, hey, I

1495
01:23:53.319 --> 01:23:55.960
<v Speaker 7>just met Venus and it was keecked to the letter

1496
01:23:56.079 --> 01:23:58.560
<v Speaker 7>Z and everything and like and that wlod kind of

1497
01:23:58.560 --> 01:24:02.439
<v Speaker 7>thing and Z sorry Canadian, the Canadian came out there.

1498
01:24:02.479 --> 01:24:07.640
<v Speaker 7>But uh, in that, I think Venus has a lot

1499
01:24:07.680 --> 01:24:11.279
<v Speaker 7>to do with the phoenix. Those two words seem to

1500
01:24:11.520 --> 01:24:14.920
<v Speaker 7>seem to sound a lot alike as well. And in

1501
01:24:14.960 --> 01:24:18.479
<v Speaker 7>that too, it's like birds are very vocal. They're the

1502
01:24:18.600 --> 01:24:22.039
<v Speaker 7>singers of like this realm pretty much right, So that

1503
01:24:22.119 --> 01:24:23.960
<v Speaker 7>has to do again with like the taurus and the

1504
01:24:24.039 --> 01:24:27.560
<v Speaker 7>cerebellum and ruling like this part of that and they

1505
01:24:27.800 --> 01:24:29.880
<v Speaker 7>that you could even say that with libra because libra

1506
01:24:30.119 --> 01:24:34.439
<v Speaker 7>is an AirSign communicator. A libra is like the like

1507
01:24:34.520 --> 01:24:38.279
<v Speaker 7>one of the masters of understanding the social constructs.

1508
01:24:37.640 --> 01:24:38.840
<v Speaker 6>And like that whole kind of thing.

1509
01:24:39.560 --> 01:24:42.760
<v Speaker 7>So uh, I don't like to have tons on that,

1510
01:24:42.800 --> 01:24:44.319
<v Speaker 7>but like it has to do with like, yeah, the

1511
01:24:44.359 --> 01:24:46.960
<v Speaker 7>A to Z and the alphabet, like it's phoenix arizona,

1512
01:24:47.039 --> 01:24:49.359
<v Speaker 7>phoenix a Z. It's all hidden in it that it

1513
01:24:49.439 --> 01:24:51.039
<v Speaker 7>has to do with it all. And that's what I

1514
01:24:51.079 --> 01:24:54.640
<v Speaker 7>would have like liked to have brought more on. But nonetheless,

1515
01:24:54.720 --> 01:24:56.359
<v Speaker 7>at the end I met at the end of my

1516
01:24:56.439 --> 01:24:58.079
<v Speaker 7>journeys a lot of times I'm pretty sure it was

1517
01:24:58.199 --> 01:24:59.479
<v Speaker 7>Venus that I met or something.

1518
01:24:59.520 --> 01:25:02.079
<v Speaker 9>Oh dude, that's awesome. I'm so glad you brought that up.

1519
01:25:02.159 --> 01:25:06.720
<v Speaker 9>For a few different reasons. One, Alif the first letter

1520
01:25:06.760 --> 01:25:09.680
<v Speaker 9>in Hebrew is ox, right, and so we're dealing with

1521
01:25:09.720 --> 01:25:13.039
<v Speaker 9>the bull the cow. This is a castrated bull, and

1522
01:25:13.119 --> 01:25:15.640
<v Speaker 9>so there's a Venusian connection there.

1523
01:25:15.920 --> 01:25:17.439
<v Speaker 2>The other thing is that.

1524
01:25:18.920 --> 01:25:23.199
<v Speaker 9>The first and last cards of the major arcana encode

1525
01:25:23.199 --> 01:25:26.920
<v Speaker 9>bowl symbolism, because one the fool relates to aliph, the

1526
01:25:26.960 --> 01:25:29.399
<v Speaker 9>first card of the major arcana, and then the last

1527
01:25:29.439 --> 01:25:33.359
<v Speaker 9>card of the major arcana is Tao is related to Tao.

1528
01:25:33.359 --> 01:25:35.640
<v Speaker 9>The world card is related to Tao, which means cross,

1529
01:25:35.680 --> 01:25:40.800
<v Speaker 9>but Tao is in like Taurus, right, and so all

1530
01:25:40.880 --> 01:25:44.439
<v Speaker 9>crosses kind of symbolically relate to the Tao cross the

1531
01:25:44.520 --> 01:25:47.720
<v Speaker 9>anc is related and things like that. And then also

1532
01:25:47.840 --> 01:25:50.399
<v Speaker 9>that kind of just reminds me too of I can't

1533
01:25:50.439 --> 01:25:53.079
<v Speaker 9>remember how the mathematics work out, I'm sure, or maybe

1534
01:25:53.119 --> 01:25:53.840
<v Speaker 9>somebody here knows.

1535
01:25:53.840 --> 01:25:54.239
<v Speaker 2>I don't know.

1536
01:25:55.199 --> 01:25:58.640
<v Speaker 9>But pie, the way we use pie is actually like

1537
01:25:58.680 --> 01:26:01.880
<v Speaker 9>it could be shortened if we used tao instead of pie.

1538
01:26:02.399 --> 01:26:05.119
<v Speaker 9>And so there's even some people that promote the use

1539
01:26:05.159 --> 01:26:07.439
<v Speaker 9>of Tao over pie because you have to do an

1540
01:26:07.439 --> 01:26:10.880
<v Speaker 9>extra step when you're using pie mathematically, but Tao in

1541
01:26:10.920 --> 01:26:12.880
<v Speaker 9>and of itself, you don't have to do that extra step,

1542
01:26:13.359 --> 01:26:15.279
<v Speaker 9>and so don't ask me too much more beyond that,

1543
01:26:15.600 --> 01:26:17.720
<v Speaker 9>But I just think it's interesting that it's related to.

1544
01:26:17.800 --> 01:26:22.960
<v Speaker 7>The shortest fraction you can get to form something close

1545
01:26:23.000 --> 01:26:29.520
<v Speaker 7>to pie is twenty two divided by seven gets point

1546
01:26:29.640 --> 01:26:31.960
<v Speaker 7>three one four. So we have that twenty two again,

1547
01:26:32.000 --> 01:26:34.239
<v Speaker 7>which was v and everything.

1548
01:26:34.399 --> 01:26:36.600
<v Speaker 2>Right, Yeah, yeah, totally interesting.

1549
01:26:37.479 --> 01:26:39.680
<v Speaker 9>So anyways, this beginning and end, I even think of

1550
01:26:39.720 --> 01:26:43.159
<v Speaker 9>the literally the trust field as well, you know of

1551
01:26:43.279 --> 01:26:45.720
<v Speaker 9>just just kind of this cyclical sort of thing. And

1552
01:26:45.760 --> 01:26:48.520
<v Speaker 9>then you know, yeah, so what you said there, I

1553
01:26:49.159 --> 01:26:51.079
<v Speaker 9>totally can see where you're coming from and why you

1554
01:26:51.079 --> 01:26:53.079
<v Speaker 9>would think that or see that or shore that.

1555
01:26:54.520 --> 01:26:56.760
<v Speaker 4>One thing I did want to mention, you know, you

1556
01:26:56.800 --> 01:27:00.840
<v Speaker 4>talk about the phoenix and the you know, and thinking

1557
01:27:00.880 --> 01:27:06.600
<v Speaker 4>of Venus and Netsak, where Venus would be on the

1558
01:27:06.640 --> 01:27:07.680
<v Speaker 4>cabalistic ttory of life.

1559
01:27:08.560 --> 01:27:11.319
<v Speaker 5>The rainbow doesn't emanate from that over.

1560
01:27:11.199 --> 01:27:14.039
<v Speaker 4>To Hode, So I mean I could see like how

1561
01:27:14.079 --> 01:27:16.119
<v Speaker 4>you maybe like the phoenix, you know, how it has

1562
01:27:16.119 --> 01:27:16.880
<v Speaker 4>the rainbow close.

1563
01:27:16.920 --> 01:27:18.199
<v Speaker 5>I could I could see that.

1564
01:27:18.239 --> 01:27:21.159
<v Speaker 4>I've even questioned if the rising phoenix because it's rising

1565
01:27:21.199 --> 01:27:23.960
<v Speaker 4>from the ashes. This is how I look at It's

1566
01:27:24.000 --> 01:27:26.319
<v Speaker 4>basically the right pillar. How he was explaining male and

1567
01:27:26.319 --> 01:27:28.920
<v Speaker 4>female ones, receptive ones, projective. You have light that's getting

1568
01:27:28.960 --> 01:27:31.680
<v Speaker 4>sucked to a magnet. I've offend wondered if the rising

1569
01:27:31.720 --> 01:27:34.960
<v Speaker 4>phoenix is like the light coming from the left side

1570
01:27:35.000 --> 01:27:37.680
<v Speaker 4>going back to where it's going, you know, the dark,

1571
01:27:38.520 --> 01:27:42.439
<v Speaker 4>the blackness, the ashes light. Yeah, like yeah, it's kind

1572
01:27:42.439 --> 01:27:43.960
<v Speaker 4>of like kind of taking a U turn.

1573
01:27:45.439 --> 01:27:49.840
<v Speaker 3>I now will never look at M and W the

1574
01:27:49.920 --> 01:27:55.000
<v Speaker 3>same with the dual triangles. And I was going to add,

1575
01:27:55.399 --> 01:27:59.479
<v Speaker 3>I think that it's uh you could. I'm always looking

1576
01:27:59.479 --> 01:28:02.319
<v Speaker 3>at where they're two. There's four, right, and with the

1577
01:28:02.359 --> 01:28:06.199
<v Speaker 3>masculine and the feminine there is With with the masculine

1578
01:28:06.199 --> 01:28:10.439
<v Speaker 3>you have projective as as you pointed out, and also reflective,

1579
01:28:11.760 --> 01:28:16.279
<v Speaker 3>and with the feminine you have receptive and creative too.

1580
01:28:16.880 --> 01:28:17.039
<v Speaker 2>Right.

1581
01:28:17.079 --> 01:28:20.039
<v Speaker 3>They're they're like the matrix, like the ma that we

1582
01:28:20.560 --> 01:28:23.800
<v Speaker 3>and we celebrate. So just just an interesting and that

1583
01:28:23.880 --> 01:28:27.680
<v Speaker 3>kind of dual out dual triangles kind of correlates with.

1584
01:28:27.680 --> 01:28:29.680
<v Speaker 5>That as well.

1585
01:28:29.720 --> 01:28:31.880
<v Speaker 4>If you think about that's exactly how pictures have made

1586
01:28:32.319 --> 01:28:33.960
<v Speaker 4>or like at least now with the computers, you sucking

1587
01:28:34.039 --> 01:28:37.920
<v Speaker 4>light onto a magnum. Yeah, it's basically going from the

1588
01:28:37.960 --> 01:28:39.760
<v Speaker 4>right pillar to the left projective.

1589
01:28:40.119 --> 01:28:42.319
<v Speaker 8>One thing, one thing I was going to bring up.

1590
01:28:42.359 --> 01:28:45.920
<v Speaker 8>Are you familiar with the second Venus as the Greeks

1591
01:28:45.920 --> 01:28:52.880
<v Speaker 8>called her as far as Psyche. Yeah, so Venus her

1592
01:28:53.000 --> 01:28:59.079
<v Speaker 8>child Cupid basically got together with this earthly woman, Psyche,

1593
01:28:59.520 --> 01:29:01.520
<v Speaker 8>and they took her up on top of the mountain

1594
01:29:01.560 --> 01:29:04.840
<v Speaker 8>and put her up on top of the blackstone, basically

1595
01:29:04.880 --> 01:29:07.800
<v Speaker 8>in the wind, and she ended up having this kind

1596
01:29:07.800 --> 01:29:12.039
<v Speaker 8>of night journey. But there was an argument amongst the gods,

1597
01:29:12.560 --> 01:29:16.119
<v Speaker 8>and nonetheless they said it. They ended up saying it

1598
01:29:16.159 --> 01:29:20.439
<v Speaker 8>was okay for Cupid to be with a mortal and

1599
01:29:20.479 --> 01:29:23.119
<v Speaker 8>then as a result of that, their child that was

1600
01:29:23.159 --> 01:29:26.880
<v Speaker 8>born was pleasure is, which is where we get pleasure

1601
01:29:26.960 --> 01:29:27.439
<v Speaker 8>on earth.

1602
01:29:28.039 --> 01:29:33.359
<v Speaker 2>So uh oh good, I.

1603
01:29:33.279 --> 01:29:36.880
<v Speaker 8>Was gonna say, But Venus, she was super upset that

1604
01:29:37.439 --> 01:29:42.079
<v Speaker 8>people were calling Psyche the second Venus. You know, that

1605
01:29:42.239 --> 01:29:45.960
<v Speaker 8>was her main beef, her being you know, the most

1606
01:29:46.039 --> 01:29:47.279
<v Speaker 8>beautiful of the goddesses.

1607
01:29:49.960 --> 01:29:53.159
<v Speaker 9>So one of the things I was gonna add, Tija,

1608
01:29:53.319 --> 01:29:55.920
<v Speaker 9>I love that you brought up Libra being like the

1609
01:29:56.079 --> 01:29:58.960
<v Speaker 9>entrance to the underworld right and being ruled by venus.

1610
01:29:59.720 --> 01:30:05.720
<v Speaker 9>My kind of my opinion is that similar to mercury

1611
01:30:06.000 --> 01:30:09.960
<v Speaker 9>hermes going to the underworld or different sort of spheres

1612
01:30:09.960 --> 01:30:15.000
<v Speaker 9>of reality or whatever, I see it, that sexual symbolism

1613
01:30:15.680 --> 01:30:18.520
<v Speaker 9>when a man is having sex with a woman, he's

1614
01:30:18.560 --> 01:30:21.039
<v Speaker 9>going to the underworld. Basically that's part of the deep

1615
01:30:21.039 --> 01:30:23.880
<v Speaker 9>symbolism behind it, you know, in my opinion, right, And

1616
01:30:23.920 --> 01:30:27.079
<v Speaker 9>so even there's that dynamic as well, that the underworld

1617
01:30:27.119 --> 01:30:31.119
<v Speaker 9>symbolically can have this sort of feminine correspondence, and so

1618
01:30:31.239 --> 01:30:33.720
<v Speaker 9>even to the orgasm being referred to as like the

1619
01:30:33.760 --> 01:30:36.720
<v Speaker 9>little death or whatever, right, And so I think that

1620
01:30:36.760 --> 01:30:38.520
<v Speaker 9>there's like a lot to be said there. And then

1621
01:30:38.680 --> 01:30:41.399
<v Speaker 9>of course when you ejaculate, it's a similar sort of thing.

1622
01:30:41.479 --> 01:30:44.399
<v Speaker 9>It's just like energy going up the pole basically, you know,

1623
01:30:44.479 --> 01:30:46.880
<v Speaker 9>going up to the underworld or what have you. So

1624
01:30:47.319 --> 01:30:49.760
<v Speaker 9>I think that that's kind of related. And then the

1625
01:30:49.800 --> 01:30:51.640
<v Speaker 9>other thing I was going to say too, regarding the

1626
01:30:51.760 --> 01:30:54.159
<v Speaker 9>Tau connection with the last card of the major arcana

1627
01:30:55.680 --> 01:30:58.800
<v Speaker 9>the world or Universe card in the crole version of

1628
01:30:58.840 --> 01:31:03.439
<v Speaker 9>the Universe guard he most cards most decks do to

1629
01:31:03.439 --> 01:31:06.439
<v Speaker 9>pick like the tetromorphs, the four living creatures, right, the

1630
01:31:06.479 --> 01:31:09.800
<v Speaker 9>cardinal or excuse me the fixed signs, including Taurus the

1631
01:31:09.840 --> 01:31:13.880
<v Speaker 9>bull and in his deck. It's really interesting because they

1632
01:31:13.960 --> 01:31:17.199
<v Speaker 9>all are in the corners right, and then you have

1633
01:31:17.279 --> 01:31:19.439
<v Speaker 9>the bowl I think in the lower left or lower

1634
01:31:19.520 --> 01:31:23.600
<v Speaker 9>right corner, I can't remember. But the bulls eyes are

1635
01:31:23.640 --> 01:31:26.840
<v Speaker 9>the only eyes that are swirling. All of the other

1636
01:31:26.920 --> 01:31:28.640
<v Speaker 9>eyes for all the other creatures are just kind of

1637
01:31:28.680 --> 01:31:31.359
<v Speaker 9>normal for what they're supposed to look like, but the

1638
01:31:31.439 --> 01:31:35.239
<v Speaker 9>bulls eyes are actually swirling. And so there's even a

1639
01:31:35.239 --> 01:31:38.880
<v Speaker 9>whole deep dive bull's eye connection with Aldeboron being the

1640
01:31:38.920 --> 01:31:41.199
<v Speaker 9>eye of the bull, the eye of Buddha. It was

1641
01:31:41.239 --> 01:31:43.199
<v Speaker 9>once known as I think it used to be called

1642
01:31:43.199 --> 01:31:46.039
<v Speaker 9>the follower as well, and there's all sorts of things

1643
01:31:46.039 --> 01:31:51.720
<v Speaker 9>going on there. And then literally like target, like to

1644
01:31:51.800 --> 01:31:54.880
<v Speaker 9>have a target tour get it's a reference to the bull,

1645
01:31:55.119 --> 01:31:58.720
<v Speaker 9>right tor. And then even centaur is a reference to

1646
01:31:58.760 --> 01:32:02.039
<v Speaker 9>the bull as well, in that centaur basically means bull killer,

1647
01:32:02.680 --> 01:32:06.640
<v Speaker 9>and so arguably you can say that the centaur in

1648
01:32:06.800 --> 01:32:10.119
<v Speaker 9>astrology is aiming at the bowl. I think there's actually

1649
01:32:10.119 --> 01:32:13.319
<v Speaker 9>a few interpretations, but that's one of the interpretations. And

1650
01:32:13.359 --> 01:32:16.279
<v Speaker 9>this kind of makes sense as well because Sagittarius is

1651
01:32:16.359 --> 01:32:20.960
<v Speaker 9>right next to scorpio. So when the scorpion is rising,

1652
01:32:21.319 --> 01:32:24.079
<v Speaker 9>the bull is falling as well. So even like in

1653
01:32:24.119 --> 01:32:27.760
<v Speaker 9>the mythraic mysteries with the tarroctny, you have the little

1654
01:32:27.760 --> 01:32:32.279
<v Speaker 9>scorpion pinching the testicles of the bull, right, and so similarly,

1655
01:32:32.800 --> 01:32:36.000
<v Speaker 9>when the centaur is rising, the bull is also falling.

1656
01:32:36.640 --> 01:32:39.319
<v Speaker 9>And so to me this all comes into play funny

1657
01:32:39.399 --> 01:32:42.880
<v Speaker 9>enough with target, like the store target, and so you

1658
01:32:43.000 --> 01:32:45.279
<v Speaker 9>have target target get.

1659
01:32:45.119 --> 01:32:46.000
<v Speaker 2>The eye of the bull.

1660
01:32:46.199 --> 01:32:50.079
<v Speaker 9>The symbol is a bull's eye, it's a circumpunct. It's red.

1661
01:32:50.159 --> 01:32:52.800
<v Speaker 9>Al de Baron is also referred to as like a

1662
01:32:52.840 --> 01:32:55.159
<v Speaker 9>red planet or a red star. Basically, there's a lot

1663
01:32:55.199 --> 01:32:58.439
<v Speaker 9>of symbolism with Al Debaron related to Mars and things

1664
01:32:58.520 --> 01:33:02.600
<v Speaker 9>like that, right, and so their branding is red. They

1665
01:33:02.600 --> 01:33:06.199
<v Speaker 9>have a bull's eye logo, and then their mascot is

1666
01:33:06.239 --> 01:33:10.359
<v Speaker 9>a bull terrier of all dogs, of all breeds. It's

1667
01:33:10.399 --> 01:33:13.760
<v Speaker 9>a bull terrier. And then they put literally a bull's

1668
01:33:13.840 --> 01:33:17.319
<v Speaker 9>eye over the eye of one of its eyes, right

1669
01:33:17.439 --> 01:33:20.560
<v Speaker 9>to kind of whatever, just flesh out all of this stuff.

1670
01:33:20.640 --> 01:33:23.239
<v Speaker 9>So I did a video about it years ago, but

1671
01:33:23.279 --> 01:33:26.199
<v Speaker 9>it's kind of amazing that the target symbolism really it's

1672
01:33:26.239 --> 01:33:28.039
<v Speaker 9>related to Taurus and the bulls eye and all the

1673
01:33:28.079 --> 01:33:28.960
<v Speaker 9>things I just mentioned.

1674
01:33:30.119 --> 01:33:34.079
<v Speaker 3>That's fascinating. Your whole presentation was fantastic. And I read

1675
01:33:34.159 --> 01:33:41.079
<v Speaker 3>that it was the bullseye expression was from hunters engaging

1676
01:33:41.239 --> 01:33:43.760
<v Speaker 3>their prey in that manner that they got the target

1677
01:33:43.800 --> 01:33:46.000
<v Speaker 3>right in the head or I but I think it

1678
01:33:46.159 --> 01:33:50.159
<v Speaker 3>makes much more sense your idea that it's more stellar.

1679
01:33:50.840 --> 01:33:55.159
<v Speaker 3>So that's awesome point on a great presentation, man.

1680
01:33:55.319 --> 01:34:00.000
<v Speaker 9>Right on, Thanks dude, appreciate it.

1681
01:34:00.119 --> 01:34:03.640
<v Speaker 7>Last one last beautiful thing to say about Venus. Venus,

1682
01:34:03.800 --> 01:34:06.359
<v Speaker 7>when we enter tourist season, that's when we first get

1683
01:34:06.359 --> 01:34:11.000
<v Speaker 7>our first blooms and blossoms that happen. And when it starts,

1684
01:34:11.039 --> 01:34:14.079
<v Speaker 7>the grass starts to get greener, we start seeing flowers,

1685
01:34:14.079 --> 01:34:16.520
<v Speaker 7>we start seeing all that. It's it's a very very

1686
01:34:16.640 --> 01:34:21.239
<v Speaker 7>beautiful time of the year. Also in Libra season, that's

1687
01:34:21.279 --> 01:34:23.680
<v Speaker 7>when the leaves start to turn from green to gold

1688
01:34:23.920 --> 01:34:27.399
<v Speaker 7>and so on so forth, a very beautiful season, just

1689
01:34:27.439 --> 01:34:30.520
<v Speaker 7>reminding us how much Venus is here to teach us

1690
01:34:30.520 --> 01:34:33.359
<v Speaker 7>to appreciate the beauty, especially the beauty in the birth

1691
01:34:33.399 --> 01:34:34.439
<v Speaker 7>and the death as well.

1692
01:34:34.720 --> 01:34:37.359
<v Speaker 9>So definitely definitely right on.

1693
01:34:39.359 --> 01:34:42.520
<v Speaker 5>All right, Genny, ready, Uh, that's sure. I am already

1694
01:34:42.520 --> 01:34:44.279
<v Speaker 5>watch which one of these? Which one of these?

1695
01:34:44.319 --> 01:34:44.479
<v Speaker 3>Down?

1696
01:34:45.079 --> 01:34:47.000
<v Speaker 1>They're not in order, so we'll just I'll just all

1697
01:34:47.000 --> 01:34:50.319
<v Speaker 1>try and under ten minutes and to it. Mario kind

1698
01:34:50.319 --> 01:34:53.479
<v Speaker 1>of dead. Okay, So this is I thought it would

1699
01:34:53.520 --> 01:34:55.840
<v Speaker 1>take you. Since Mario's here and I don't often get

1700
01:34:55.880 --> 01:34:58.920
<v Speaker 1>the opportunity, thank you, I'll take the opportunity to like

1701
01:34:59.039 --> 01:35:03.079
<v Speaker 1>do some symbolic studies with Mario. So they obviously do

1702
01:35:03.119 --> 01:35:06.640
<v Speaker 1>a tontrac chronic mixture version with the little Vita Ca

1703
01:35:06.640 --> 01:35:09.039
<v Speaker 1>astrology thrown in, which I'm sure Maria's familiar with most

1704
01:35:09.079 --> 01:35:11.159
<v Speaker 1>of it. Stuff, No big deal, and I'll try and

1705
01:35:11.199 --> 01:35:16.119
<v Speaker 1>be concise. So the I think the one thing to

1706
01:35:16.159 --> 01:35:18.399
<v Speaker 1>think about is we go through all the pictures, is

1707
01:35:18.439 --> 01:35:22.159
<v Speaker 1>like the Venus or the goddess, we could say she

1708
01:35:22.239 --> 01:35:24.880
<v Speaker 1>has many expressions in Tantra. She can be expressed in

1709
01:35:25.000 --> 01:35:28.199
<v Speaker 1>every sephra, she can be expressed in every planet, and

1710
01:35:28.279 --> 01:35:31.159
<v Speaker 1>there are different densities or different personalities. Maybe you could

1711
01:35:31.199 --> 01:35:35.680
<v Speaker 1>say she even has at and so the deeper you get,

1712
01:35:36.640 --> 01:35:41.399
<v Speaker 1>her expression outwardly also changes, so that's really important. And

1713
01:35:41.399 --> 01:35:45.920
<v Speaker 1>then Tantra also preferences two numbers really, which is well

1714
01:35:45.960 --> 01:35:48.880
<v Speaker 1>three numbers, will say three numbers, So it's seven, ten

1715
01:35:49.000 --> 01:35:51.880
<v Speaker 1>and ten, which is obviously two numbers because it's one

1716
01:35:51.920 --> 01:35:55.640
<v Speaker 1>in zero e ceph for our negative space via negativa.

1717
01:35:55.920 --> 01:35:58.680
<v Speaker 1>So that even goes along with something that Mario is

1718
01:35:58.680 --> 01:36:01.199
<v Speaker 1>saying right at the beginning with Va. It's like there's

1719
01:36:01.239 --> 01:36:03.560
<v Speaker 1>a negative quality to it. And I'm not saying negative

1720
01:36:03.640 --> 01:36:08.680
<v Speaker 1>isn't bad, just a negative polarity, you could say. And

1721
01:36:08.760 --> 01:36:13.159
<v Speaker 1>so she Lakshmi is the sort of superficial density of

1722
01:36:13.159 --> 01:36:16.479
<v Speaker 1>the goddess. You could say, it's her as a frivolous maiden.

1723
01:36:17.159 --> 01:36:20.560
<v Speaker 1>And interestingly enough, she was originally married to Shiva in

1724
01:36:20.600 --> 01:36:24.600
<v Speaker 1>the earliest praanas, but then this got changed so she

1725
01:36:24.640 --> 01:36:27.159
<v Speaker 1>would be married to Vishnu, who is the greatest hero

1726
01:36:27.199 --> 01:36:30.560
<v Speaker 1>of the Mahavira, so he's the worldly hero, so he's

1727
01:36:30.680 --> 01:36:34.199
<v Speaker 1>the one who dies, reincarnates, comes into the world, and

1728
01:36:34.279 --> 01:36:38.039
<v Speaker 1>this is conducted by Venus. So it goes along with

1729
01:36:38.079 --> 01:36:40.600
<v Speaker 1>what both Rabi and Mario were really saying. It's like

1730
01:36:40.960 --> 01:36:42.800
<v Speaker 1>there is an element of life and death, and I

1731
01:36:42.840 --> 01:36:45.840
<v Speaker 1>will get back to that, but this is actually even

1732
01:36:45.840 --> 01:36:49.399
<v Speaker 1>though I'm saying it's the normative Hindu goddess and it is,

1733
01:36:49.960 --> 01:36:52.439
<v Speaker 1>this is actually a tontric image. Why is this the

1734
01:36:52.479 --> 01:36:57.880
<v Speaker 1>tontric imistint Because she's riding of Hahna. Her vehicle is

1735
01:36:58.079 --> 01:37:01.279
<v Speaker 1>named Ulu, who is the owl. This is only found

1736
01:37:01.319 --> 01:37:03.880
<v Speaker 1>in contric images of Lakshmi. So if you ever see

1737
01:37:03.880 --> 01:37:07.720
<v Speaker 1>this in the wild, you will know instantly, okay, that

1738
01:37:07.760 --> 01:37:10.880
<v Speaker 1>person is actually signaling to something else. Because you don't

1739
01:37:10.920 --> 01:37:13.920
<v Speaker 1>see this very often. It's very hard to find. And

1740
01:37:14.319 --> 01:37:17.239
<v Speaker 1>so because she's really fixed, so Mario brought up that

1741
01:37:17.279 --> 01:37:21.680
<v Speaker 1>really interesting point about being enthroned, So she's fixed in place,

1742
01:37:22.119 --> 01:37:25.479
<v Speaker 1>and usually in the non tontric images, she's actually looking

1743
01:37:25.560 --> 01:37:28.760
<v Speaker 1>down at her own reflection in the water, and she's

1744
01:37:28.840 --> 01:37:33.560
<v Speaker 1>transfixed by her reflection in the water. And so she's

1745
01:37:33.560 --> 01:37:36.960
<v Speaker 1>also non generative. So I thought that was another really

1746
01:37:36.960 --> 01:37:42.039
<v Speaker 1>interesting point, talking about polarities and receptivity and you know

1747
01:37:43.000 --> 01:37:46.479
<v Speaker 1>the polarity the different forces. So she's non generative. So

1748
01:37:46.520 --> 01:37:50.000
<v Speaker 1>she the only thing that she expends her power on

1749
01:37:50.439 --> 01:37:57.039
<v Speaker 1>is worldly things gems, gemstones, gold, silver, all that she

1750
01:37:57.079 --> 01:38:01.600
<v Speaker 1>grants wealth, but she's fickle. She's a maiden, so she

1751
01:38:01.640 --> 01:38:06.359
<v Speaker 1>doesn't grant wealth infinitely. She grants it in portion, which

1752
01:38:06.439 --> 01:38:09.720
<v Speaker 1>obviously also relates to the idea of net SoC because

1753
01:38:09.760 --> 01:38:14.960
<v Speaker 1>it grants fortune and life force in portion. So I

1754
01:38:14.960 --> 01:38:17.880
<v Speaker 1>think that's kind of an interesting idea. Okay, sorry, Nick,

1755
01:38:17.920 --> 01:38:19.000
<v Speaker 1>we can go to the next one.

1756
01:38:19.279 --> 01:38:22.000
<v Speaker 4>Have you ever, I'm assuming you understand a little bit

1757
01:38:22.039 --> 01:38:23.600
<v Speaker 4>of a new meat from the Book of the Look right,

1758
01:38:24.880 --> 01:38:27.319
<v Speaker 4>a little bit. I would like just this image. It

1759
01:38:27.319 --> 01:38:29.520
<v Speaker 4>makes me think a lot about her, the gems and

1760
01:38:29.520 --> 01:38:32.560
<v Speaker 4>the jewels and the sense and this and that she's

1761
01:38:32.560 --> 01:38:37.840
<v Speaker 4>supposed to have. Yeah, even though it's totally differently, you know,

1762
01:38:37.920 --> 01:38:40.159
<v Speaker 4>a pantheon and everything, it just made make me think

1763
01:38:40.159 --> 01:38:40.520
<v Speaker 4>about that.

1764
01:38:40.760 --> 01:38:43.439
<v Speaker 1>Well, there's a I think everyone on the panel agrees

1765
01:38:43.479 --> 01:38:46.960
<v Speaker 1>that there is a relationship. Maybe not one to one,

1766
01:38:47.039 --> 01:38:50.359
<v Speaker 1>but there's a relationship with all the pantheons. I think

1767
01:38:50.479 --> 01:38:52.199
<v Speaker 1>I think everybody would say yes to that. I mean,

1768
01:38:52.279 --> 01:38:52.800
<v Speaker 1>maybe not, but.

1769
01:38:54.520 --> 01:38:54.760
<v Speaker 5>Nice.

1770
01:38:57.119 --> 01:39:00.640
<v Speaker 1>So we're gonna go to the buffalo symbolism right away.

1771
01:39:00.800 --> 01:39:03.079
<v Speaker 1>So I know, you're seeing a lion and you're asking

1772
01:39:03.520 --> 01:39:06.760
<v Speaker 1>buffalo symbolism. Well, the demon that you're seeing, he actually

1773
01:39:06.840 --> 01:39:10.920
<v Speaker 1>is a buffalo. That's what his name is, ahish ma Asura,

1774
01:39:11.279 --> 01:39:17.000
<v Speaker 1>the buffalo demon. Literally, so this is Venus as Tondica

1775
01:39:17.239 --> 01:39:21.199
<v Speaker 1>or the fortress. Obviously that corresponds kind of one to

1776
01:39:21.279 --> 01:39:24.560
<v Speaker 1>one with nets A, at least in one understanding. So

1777
01:39:26.079 --> 01:39:29.319
<v Speaker 1>she rides into battle, so she's bringing to that goverratic

1778
01:39:29.439 --> 01:39:33.439
<v Speaker 1>quality Venus bring coming into the fortress, sort of racing

1779
01:39:33.479 --> 01:39:37.319
<v Speaker 1>into the battlefield to slay the demon. So there's something

1780
01:39:37.319 --> 01:39:40.159
<v Speaker 1>else so interesting about this is that alder Baran, the

1781
01:39:40.199 --> 01:39:44.720
<v Speaker 1>star that Mario and Robbie discussed in Tontra, that is

1782
01:39:44.760 --> 01:39:48.600
<v Speaker 1>a goddess called Rohini and she is the red bull goddess.

1783
01:39:48.960 --> 01:39:52.199
<v Speaker 1>So she's actually married to the moon. So that's kind

1784
01:39:52.199 --> 01:39:55.600
<v Speaker 1>of interesting as well. Okay, we can go the oh.

1785
01:39:55.640 --> 01:39:57.239
<v Speaker 1>So I just want to say this is this is

1786
01:39:57.520 --> 01:40:00.319
<v Speaker 1>she is the highest expression of Venus. You could say

1787
01:40:00.640 --> 01:40:04.680
<v Speaker 1>inenormative religion. So if you're just like a Hindu and

1788
01:40:04.760 --> 01:40:06.319
<v Speaker 1>you want to pray to the highest God of the

1789
01:40:06.359 --> 01:40:09.319
<v Speaker 1>highest God, because there is a hierarchy and there just

1790
01:40:09.359 --> 01:40:11.520
<v Speaker 1>as I said, there are different expressions of the goddess.

1791
01:40:11.920 --> 01:40:14.760
<v Speaker 1>Not all of them are equal, and it's really important

1792
01:40:14.760 --> 01:40:17.680
<v Speaker 1>to understand like why and where they are in the hierarchy.

1793
01:40:18.399 --> 01:40:21.800
<v Speaker 1>So she is definitely the zero if we're going to

1794
01:40:21.960 --> 01:40:25.680
<v Speaker 1>talk numbers, because she's not really contained in her own

1795
01:40:25.920 --> 01:40:28.840
<v Speaker 1>her will is not really contained within her She's a

1796
01:40:28.920 --> 01:40:32.680
<v Speaker 1>composite of all the deities, all the demons, all the

1797
01:40:33.560 --> 01:40:36.239
<v Speaker 1>she is Mohammaiah. Basically, she's just the like Nick was

1798
01:40:36.279 --> 01:40:39.199
<v Speaker 1>you and saying, like the it's luciferic expression of light,

1799
01:40:40.119 --> 01:40:45.640
<v Speaker 1>like just that explosive force. So okay, we can go right.

1800
01:40:45.960 --> 01:40:47.640
<v Speaker 9>Actually, I would love to add something real quick if

1801
01:40:47.640 --> 01:40:49.920
<v Speaker 9>you're on my mind. Very interesting stuff, dude. I love

1802
01:40:49.960 --> 01:40:51.920
<v Speaker 9>it when you present images and talk about them and

1803
01:40:51.960 --> 01:40:56.399
<v Speaker 9>everything I've read before. I think it's fascinating that you

1804
01:40:56.399 --> 01:40:59.119
<v Speaker 9>brought up the buffalo connection here. And I've looked into

1805
01:40:59.119 --> 01:41:02.319
<v Speaker 9>this figure lightly remember a while back, but I've read

1806
01:41:03.039 --> 01:41:05.640
<v Speaker 9>in some of my resources that there is a traditional

1807
01:41:06.000 --> 01:41:13.000
<v Speaker 9>sort of adversarial dynamic between the line and the bowl

1808
01:41:13.079 --> 01:41:16.560
<v Speaker 9>or buffalo, and that the line represents like this heat

1809
01:41:16.640 --> 01:41:19.800
<v Speaker 9>and this fire and dryness, and the buffalo and cower

1810
01:41:19.840 --> 01:41:23.039
<v Speaker 9>bowl can represent like a moist sort of quality, and

1811
01:41:23.039 --> 01:41:26.239
<v Speaker 9>that they've been used as like animals, to be sort

1812
01:41:26.319 --> 01:41:30.039
<v Speaker 9>of symbolically like contrasted and things like that. So just

1813
01:41:30.079 --> 01:41:31.680
<v Speaker 9>the fact that that's kind of echoed here, I think

1814
01:41:31.800 --> 01:41:35.399
<v Speaker 9>is interesting. And then just to kind of piggyback off

1815
01:41:35.399 --> 01:41:39.239
<v Speaker 9>of Nick's point with Knutt or Nui, I see it

1816
01:41:39.239 --> 01:41:41.239
<v Speaker 9>that if you look at the circumpunct as an example,

1817
01:41:41.920 --> 01:41:45.279
<v Speaker 9>Nui would be the circle itself, and then had it

1818
01:41:45.359 --> 01:41:47.680
<v Speaker 9>would be like the point itself in the middle. Right,

1819
01:41:47.760 --> 01:41:50.720
<v Speaker 9>kind of piggybacking too off of what Jinja said regarding

1820
01:41:50.720 --> 01:41:53.439
<v Speaker 9>everything she represents and all of that, the totality of

1821
01:41:53.479 --> 01:41:55.399
<v Speaker 9>all the things, so you know, in some ways you

1822
01:41:55.439 --> 01:41:58.279
<v Speaker 9>can look at it that the masculine exists sort of

1823
01:41:58.319 --> 01:41:59.439
<v Speaker 9>within her or what have you.

1824
01:42:00.119 --> 01:42:05.319
<v Speaker 1>Anyways, that definitely the no Mario. That was great because

1825
01:42:05.319 --> 01:42:08.760
<v Speaker 1>it definitely explains like a lot of what she is

1826
01:42:09.399 --> 01:42:12.760
<v Speaker 1>and who she is, and so we can go the

1827
01:42:12.760 --> 01:42:17.039
<v Speaker 1>next one's screening. So this is actually a tontric goddess,

1828
01:42:17.079 --> 01:42:19.279
<v Speaker 1>so I said it the first image. That's not a

1829
01:42:19.279 --> 01:42:21.760
<v Speaker 1>tontric goddess, but I use a tonic image. So this

1830
01:42:21.840 --> 01:42:25.479
<v Speaker 1>is the highest expression of the wealth goddess, so Lockshmi.

1831
01:42:25.640 --> 01:42:27.880
<v Speaker 1>But she gets an upgrade, so she gets to be

1832
01:42:27.960 --> 01:42:32.439
<v Speaker 1>called Kamalatmika. And if you hear a similarity with someone's name,

1833
01:42:32.760 --> 01:42:35.880
<v Speaker 1>that is because there's a direct one to one relationship.

1834
01:42:36.520 --> 01:42:40.079
<v Speaker 1>So Kamala Mika is the golden goddess. So this is

1835
01:42:40.520 --> 01:42:43.279
<v Speaker 1>also really interesting. And you can see she's sitting on

1836
01:42:43.319 --> 01:42:46.000
<v Speaker 1>a five pedal lotus in this image in particular. But

1837
01:42:47.319 --> 01:42:50.760
<v Speaker 1>tonic images tend to be a little idiosyncratic depending on

1838
01:42:51.000 --> 01:42:54.720
<v Speaker 1>region or artist or different things, but it should relate

1839
01:42:54.760 --> 01:42:57.359
<v Speaker 1>to the text. So this actually does relate to one

1840
01:42:57.399 --> 01:42:59.840
<v Speaker 1>of the Kamala Meka tontras where she sits on a five.

1841
01:43:00.640 --> 01:43:03.319
<v Speaker 1>That's very interesting and I'm going to actually get back

1842
01:43:03.319 --> 01:43:07.359
<v Speaker 1>to that also. But when she is expressive in the world,

1843
01:43:07.520 --> 01:43:10.600
<v Speaker 1>as you see, she's looking straight ahead. She's not looking

1844
01:43:11.760 --> 01:43:15.960
<v Speaker 1>above orblow, she's looking just straight because her power is

1845
01:43:16.000 --> 01:43:19.239
<v Speaker 1>to grant infinite boons, so boons that do not affect

1846
01:43:19.279 --> 01:43:22.159
<v Speaker 1>your karma. This is obviously from a contract perspective, so

1847
01:43:22.199 --> 01:43:25.520
<v Speaker 1>you can interpret it how you want, but she does

1848
01:43:25.560 --> 01:43:28.800
<v Speaker 1>not implicate karma. In fact, the she can grant liberation,

1849
01:43:29.359 --> 01:43:32.840
<v Speaker 1>but the goddess, when she's at her lower form at lauchmet,

1850
01:43:33.119 --> 01:43:37.920
<v Speaker 1>she actually uses your karma to grant boons from your

1851
01:43:37.960 --> 01:43:42.600
<v Speaker 1>future lives. So you're implicating your wealth karma or your

1852
01:43:42.680 --> 01:43:45.720
<v Speaker 1>love karma or anything when you even just pray, just

1853
01:43:45.760 --> 01:43:51.039
<v Speaker 1>regular normative prayers, So she doesn't. So that's another interesting

1854
01:43:51.439 --> 01:43:53.520
<v Speaker 1>kind of idea. When you're getting like a little higher

1855
01:43:53.560 --> 01:43:56.319
<v Speaker 1>in tontric thinking, like what they can do and who

1856
01:43:56.359 --> 01:44:00.439
<v Speaker 1>they are, and you can see her Vahana is the elephant. Well,

1857
01:44:00.439 --> 01:44:03.199
<v Speaker 1>the elephant's really interesting because you guys brought up the

1858
01:44:03.239 --> 01:44:07.079
<v Speaker 1>son or like the goddess has a son in Cupid,

1859
01:44:07.159 --> 01:44:10.399
<v Speaker 1>Well you could say that the elephants usually there are

1860
01:44:10.520 --> 01:44:13.880
<v Speaker 1>four to represent the four quadrants or the four crossroads.

1861
01:44:13.880 --> 01:44:18.319
<v Speaker 1>This is actually how it's even described. And her son Ganesh,

1862
01:44:18.920 --> 01:44:23.119
<v Speaker 1>although it's not necessarily this goddess's son, although they are

1863
01:44:23.159 --> 01:44:28.000
<v Speaker 1>all one in some ways. Yeah, you could you can

1864
01:44:28.039 --> 01:44:31.159
<v Speaker 1>also say that, so her son is Ganesha. Obviously they

1865
01:44:31.159 --> 01:44:34.840
<v Speaker 1>call him, we call him Ghanapatin Buddhsm. But so Ganessha

1866
01:44:34.880 --> 01:44:39.560
<v Speaker 1>who has an elephant's head. So he's the lord of obstacles.

1867
01:44:39.880 --> 01:44:41.840
<v Speaker 1>I know he gets assigned to other things like lord

1868
01:44:41.880 --> 01:44:43.960
<v Speaker 1>of wealth and all that stuff, but really he's just

1869
01:44:44.079 --> 01:44:47.560
<v Speaker 1>the lord of obstacles. That's like his really his primary function.

1870
01:44:48.439 --> 01:44:51.199
<v Speaker 1>So you can see, like how important. So she even

1871
01:44:51.319 --> 01:44:53.680
<v Speaker 1>lifts even though he's a higher god, like he is

1872
01:44:53.720 --> 01:44:57.159
<v Speaker 1>considered a Maha Deva, he's even higher than that. She

1873
01:44:57.239 --> 01:45:00.680
<v Speaker 1>can actually lift hit any obstacles that he play before

1874
01:45:00.680 --> 01:45:03.600
<v Speaker 1>you to. Well, there are ten directions in Tntra, so

1875
01:45:03.600 --> 01:45:06.600
<v Speaker 1>This is also really important because there's five above, five

1876
01:45:06.640 --> 01:45:12.439
<v Speaker 1>below and then up and down right. So anyways, sorry

1877
01:45:12.479 --> 01:45:15.520
<v Speaker 1>about this. So you they come together and she kind

1878
01:45:15.520 --> 01:45:18.439
<v Speaker 1>of lifts off. So that's what venus is. It's like

1879
01:45:18.520 --> 01:45:21.680
<v Speaker 1>really like it's very luciferic in chatre. It's just like

1880
01:45:22.560 --> 01:45:28.680
<v Speaker 1>you're like, sorry, we can go the next one, okay.

1881
01:45:28.680 --> 01:45:31.199
<v Speaker 1>So you can see I did choose it because she's

1882
01:45:31.199 --> 01:45:33.680
<v Speaker 1>wearing green and I thought that's interesting in green and gold.

1883
01:45:33.920 --> 01:45:36.279
<v Speaker 1>TJ brought that up. Nick brought that up, like that

1884
01:45:36.399 --> 01:45:40.560
<v Speaker 1>nets oc gold and green quality. So this is actually

1885
01:45:40.640 --> 01:45:44.439
<v Speaker 1>her real husband, who is Kubera. So Kuberra is a

1886
01:45:44.560 --> 01:45:48.199
<v Speaker 1>Yaksha king, meaning that he's a nature god, but he

1887
01:45:48.319 --> 01:45:50.439
<v Speaker 1>is actually the god of wealth. A lot of people

1888
01:45:50.479 --> 01:45:52.560
<v Speaker 1>have different ideas of like who the god of wealth

1889
01:45:52.600 --> 01:45:55.039
<v Speaker 1>is in Hinduism, this is the god of wealth, Kuberra.

1890
01:45:55.880 --> 01:45:59.199
<v Speaker 1>So he's married to latch Me. So he is considered

1891
01:45:59.239 --> 01:46:04.159
<v Speaker 1>to be the tryasurer of the celestial and the chathonic treasury.

1892
01:46:04.439 --> 01:46:08.920
<v Speaker 1>So he literally sits in the vault counting the coins

1893
01:46:09.479 --> 01:46:13.399
<v Speaker 1>and his wife Lakshmi spends them. That's kind of the

1894
01:46:13.439 --> 01:46:15.399
<v Speaker 1>idea when she's granting you a boon she's kind of

1895
01:46:15.439 --> 01:46:20.439
<v Speaker 1>spending the things from the karmic treasury. So that's what

1896
01:46:20.520 --> 01:46:23.199
<v Speaker 1>I'm saying. When you know, you pray for something and

1897
01:46:23.239 --> 01:46:25.920
<v Speaker 1>she grants it, well, it's just it's a future thing

1898
01:46:25.960 --> 01:46:28.640
<v Speaker 1>that actually you've already earned. It's something that you'll get

1899
01:46:28.640 --> 01:46:32.119
<v Speaker 1>in a future rebirth. But she's actually borrowing it from there,

1900
01:46:32.399 --> 01:46:34.960
<v Speaker 1>so you can exhaust it, you can exhaust it in

1901
01:46:34.960 --> 01:46:38.680
<v Speaker 1>one lifetime. So that's why she's considered fickle. So she

1902
01:46:38.760 --> 01:46:41.760
<v Speaker 1>also hates her husband. So that's also interesting because even

1903
01:46:41.760 --> 01:46:44.199
<v Speaker 1>though I picked one where he's considered like he looks

1904
01:46:44.199 --> 01:46:47.960
<v Speaker 1>more handsome, he's usually like a little pot belly dwarf,

1905
01:46:48.000 --> 01:46:52.439
<v Speaker 1>which is how all yakshas look. So you know, that's

1906
01:46:52.479 --> 01:46:54.119
<v Speaker 1>just the way it is. But you can see the

1907
01:46:54.199 --> 01:46:58.800
<v Speaker 1>greater Lachmi standing above them pouring the jewels down. So

1908
01:46:59.000 --> 01:47:02.479
<v Speaker 1>in this form, she's not using your karma. She's actually

1909
01:47:02.560 --> 01:47:06.439
<v Speaker 1>drawing from the higher heavens. Her husband, her true husband,

1910
01:47:06.479 --> 01:47:10.279
<v Speaker 1>which is Shiva. As I said, she got switched, but

1911
01:47:11.479 --> 01:47:13.840
<v Speaker 1>he's a worldly god, so in this he's also she's

1912
01:47:14.119 --> 01:47:17.720
<v Speaker 1>also married to a worldly god, but in her higher portion,

1913
01:47:17.880 --> 01:47:20.399
<v Speaker 1>she's really married to the highest god, who is Siva.

1914
01:47:20.479 --> 01:47:22.800
<v Speaker 1>Because he's really the one if you want to think

1915
01:47:22.840 --> 01:47:30.920
<v Speaker 1>of it like that. Okay, we can go the next one. Certain, Okay,

1916
01:47:30.960 --> 01:47:32.680
<v Speaker 1>So there we go, shoe crass. So this is the

1917
01:47:32.720 --> 01:47:35.920
<v Speaker 1>planetary deity of Venus. So this is like the outer

1918
01:47:36.159 --> 01:47:38.600
<v Speaker 1>of the outers, you could say, like if you're giving it,

1919
01:47:38.640 --> 01:47:40.920
<v Speaker 1>like what is net SoC Like, this is the Venus.

1920
01:47:40.960 --> 01:47:45.000
<v Speaker 1>This is like the planetary probably intelligence, you could say.

1921
01:47:45.680 --> 01:47:48.880
<v Speaker 1>And so he is sex, drugs and rock and roll.

1922
01:47:49.199 --> 01:47:51.720
<v Speaker 1>It's like, I mean, Marios talked about this as well

1923
01:47:51.760 --> 01:47:54.479
<v Speaker 1>in his amazing videos. So yeah, he's sex, drugs and

1924
01:47:54.560 --> 01:47:58.159
<v Speaker 1>rock and roll. He you know. He one really interesting

1925
01:47:58.199 --> 01:48:01.439
<v Speaker 1>story that correlates to something that all you discussed was

1926
01:48:01.560 --> 01:48:06.359
<v Speaker 1>the thing about eternal life. So originally Venus ran clockwise

1927
01:48:06.439 --> 01:48:09.359
<v Speaker 1>or turned clockwise, and so that's really Shukra. So the

1928
01:48:09.399 --> 01:48:13.439
<v Speaker 1>physical planet is Shukra. So when it's turning clockwise, he

1929
01:48:13.520 --> 01:48:18.479
<v Speaker 1>was able to grant humans immortality. But some of the

1930
01:48:18.520 --> 01:48:23.399
<v Speaker 1>other gods, not Shiva, Vishnu or the Goddess, the middle

1931
01:48:23.439 --> 01:48:27.760
<v Speaker 1>tier gods, you would say, they said, look, if you

1932
01:48:28.800 --> 01:48:31.960
<v Speaker 1>grant them immortality, what's going to happen is there will

1933
01:48:31.960 --> 01:48:34.039
<v Speaker 1>be no more gods born in heaven. Because that's one

1934
01:48:34.039 --> 01:48:36.640
<v Speaker 1>of the consequences of good karma right is to be

1935
01:48:36.760 --> 01:48:40.239
<v Speaker 1>born in a higher realm. So they basically said, you

1936
01:48:40.279 --> 01:48:41.960
<v Speaker 1>have to turn the other way. So then he took

1937
01:48:42.000 --> 01:48:45.439
<v Speaker 1>away that boon or that portion of life force, and

1938
01:48:45.479 --> 01:48:49.000
<v Speaker 1>then we have mortality. So this also goes along with

1939
01:48:49.039 --> 01:48:51.560
<v Speaker 1>the death card. Who is also riding a white horse,

1940
01:48:52.199 --> 01:48:54.680
<v Speaker 1>and the white horse is a really interesting mount because

1941
01:48:54.680 --> 01:48:58.159
<v Speaker 1>it is amount is specifically in Tantra that is only

1942
01:48:58.159 --> 01:49:05.840
<v Speaker 1>associated with kings, So very interesting, I think. And the oh,

1943
01:49:05.960 --> 01:49:07.800
<v Speaker 1>this was a note because I don't have a slide

1944
01:49:07.800 --> 01:49:10.000
<v Speaker 1>on it. But you guys were talking about the sun

1945
01:49:10.640 --> 01:49:14.439
<v Speaker 1>and like how we lived well, Mario and I have

1946
01:49:14.520 --> 01:49:20.159
<v Speaker 1>discussed it, like polar age, solar age, hyperborean age, who knows.

1947
01:49:20.520 --> 01:49:23.960
<v Speaker 1>But there is something interesting is that the Sun cult

1948
01:49:24.079 --> 01:49:25.960
<v Speaker 1>in India, so this is kind of the reverse of

1949
01:49:26.000 --> 01:49:30.239
<v Speaker 1>the West. Almost the Sun cult became absorbed into the

1950
01:49:30.279 --> 01:49:32.800
<v Speaker 1>Weish novel cults, so the Vishnu cult, so all of

1951
01:49:32.840 --> 01:49:36.079
<v Speaker 1>the vishnws, like all the different forms of Vishnu that

1952
01:49:36.319 --> 01:49:39.399
<v Speaker 1>most people worship, that's the most prevalent kind of Hinduism,

1953
01:49:39.439 --> 01:49:46.079
<v Speaker 1>like seventy percent them. So Suria got absorbed into them.

1954
01:49:46.119 --> 01:49:48.640
<v Speaker 1>So Surria is not no longer an independent deity, but

1955
01:49:48.800 --> 01:49:51.600
<v Speaker 1>he used to be a very very important deity, probably

1956
01:49:51.640 --> 01:49:55.479
<v Speaker 1>the one of the primary cult focal points, you could say,

1957
01:49:55.520 --> 01:49:58.239
<v Speaker 1>for about seven hundred years. So it is interesting that

1958
01:49:58.319 --> 01:50:00.319
<v Speaker 1>he got absorbed into this kind of what we could

1959
01:50:00.319 --> 01:50:04.119
<v Speaker 1>say is like a hesatic kind of messianic hero cult.

1960
01:50:05.239 --> 01:50:08.439
<v Speaker 1>Just interesting idea. Okay, Nick, we can go the next one,

1961
01:50:08.800 --> 01:50:15.600
<v Speaker 1>thank you. So again the luciferic thing. I had to

1962
01:50:15.680 --> 01:50:17.680
<v Speaker 1>choose this one because when Nick was saying it, I

1963
01:50:17.680 --> 01:50:20.359
<v Speaker 1>was like, Okay, that totally makes sense, because like, if

1964
01:50:20.399 --> 01:50:24.720
<v Speaker 1>she's empty, she's the zero the light passing through. What happens,

1965
01:50:25.039 --> 01:50:30.119
<v Speaker 1>It refracts into ten distinct spaces or wheels of time.

1966
01:50:30.199 --> 01:50:33.119
<v Speaker 1>So I have said, and I've done a series with

1967
01:50:33.199 --> 01:50:35.760
<v Speaker 1>Nick on this a long time ago, that this is

1968
01:50:35.800 --> 01:50:39.159
<v Speaker 1>actually the tontric version, at least one kind of contra

1969
01:50:39.640 --> 01:50:43.079
<v Speaker 1>of the cabalistic tree, because you can even map them

1970
01:50:44.800 --> 01:50:48.239
<v Speaker 1>in different paths if you understand. So the image itself

1971
01:50:48.319 --> 01:50:52.399
<v Speaker 1>is not complete. It's probably less complete than actual cobalistic

1972
01:50:52.439 --> 01:50:56.079
<v Speaker 1>tree in terms of how much you can glean from

1973
01:50:56.079 --> 01:51:00.520
<v Speaker 1>the outer layer. But if you are just like somewhatle

1974
01:51:00.600 --> 01:51:03.000
<v Speaker 1>you can actually figure it out. So it is kind

1975
01:51:03.039 --> 01:51:06.560
<v Speaker 1>of interesting because they're each numbered and then it's like

1976
01:51:06.680 --> 01:51:11.600
<v Speaker 1>her expression into her will. So when she's them, you

1977
01:51:11.640 --> 01:51:16.359
<v Speaker 1>could say, or them individually, she's fully expressed in her will.

1978
01:51:16.560 --> 01:51:19.920
<v Speaker 1>But when she's the zeros, there is nothing she doesn't have,

1979
01:51:20.079 --> 01:51:23.319
<v Speaker 1>like a core concept, except that the world is her.

1980
01:51:23.399 --> 01:51:27.119
<v Speaker 2>Also, do you know, I love this?

1981
01:51:27.920 --> 01:51:31.640
<v Speaker 9>Do you know if there's a correspondence between the images

1982
01:51:31.880 --> 01:51:33.760
<v Speaker 9>or scenes that sit opposite each other?

1983
01:51:35.079 --> 01:51:37.399
<v Speaker 1>Absolutely? So, do you want me to take you through it?

1984
01:51:37.439 --> 01:51:38.359
<v Speaker 1>I can do it really quick?

1985
01:51:39.279 --> 01:51:40.600
<v Speaker 2>Sure? Yeah.

1986
01:51:41.039 --> 01:51:44.479
<v Speaker 1>Okay, So the wheel always starts at the top, which

1987
01:51:44.520 --> 01:51:48.239
<v Speaker 1>is Collie, who's related to Saturn. Right, I'm just going

1988
01:51:48.319 --> 01:51:51.960
<v Speaker 1>to give you the tondric astrology like association because I

1989
01:51:52.000 --> 01:51:54.479
<v Speaker 1>think that will make sense to you. But one is

1990
01:51:54.479 --> 01:51:57.199
<v Speaker 1>not a prime number. So one is not the start,

1991
01:51:57.600 --> 01:52:00.279
<v Speaker 1>it's just the movement of the wheel. Right, it's the

1992
01:52:00.319 --> 01:52:03.239
<v Speaker 1>prime mover. It's not the prime cause I've talked to

1993
01:52:03.319 --> 01:52:05.960
<v Speaker 1>Nick about this million times. Psychologize. So then we have

1994
01:52:06.399 --> 01:52:11.239
<v Speaker 1>Tara at two. Tara is in fact the expressive force's

1995
01:52:12.079 --> 01:52:15.199
<v Speaker 1>she's related to Jupiter, so we were talking about like the

1996
01:52:15.239 --> 01:52:19.800
<v Speaker 1>expansiveness of Jupiter infinite in her capacity for mercy and

1997
01:52:19.840 --> 01:52:23.399
<v Speaker 1>loving kindness. The mother of the milk ocean. So we

1998
01:52:23.479 --> 01:52:26.680
<v Speaker 1>also talked about milk before, so that's also interesting. And

1999
01:52:26.760 --> 01:52:29.760
<v Speaker 1>so she nurses Siva. Actually that's one of her fun

2000
01:52:29.960 --> 01:52:32.319
<v Speaker 1>like that's the story that she comes into the world.

2001
01:52:33.000 --> 01:52:36.359
<v Speaker 1>She comes in and nurses Siva with her breast and

2002
01:52:36.399 --> 01:52:39.960
<v Speaker 1>with her milk because it cures the poisons that arose

2003
01:52:40.000 --> 01:52:47.239
<v Speaker 1>from the world ocean from the center. And so next

2004
01:52:47.560 --> 01:52:51.199
<v Speaker 1>is Tripera by Robbie. So she is the three. So

2005
01:52:51.560 --> 01:52:55.720
<v Speaker 1>she's related to mercury. And she expresses the word so

2006
01:52:56.079 --> 01:52:59.000
<v Speaker 1>like the actual name of the word, like the the,

2007
01:52:59.159 --> 01:53:02.560
<v Speaker 1>like the more, not necessarily the sound, but like the

2008
01:53:02.640 --> 01:53:06.000
<v Speaker 1>depiction maybe on paper, that is also her. So you

2009
01:53:06.000 --> 01:53:09.479
<v Speaker 1>can't think of it as like it's not masculine or

2010
01:53:09.960 --> 01:53:12.279
<v Speaker 1>you know, sometimes more masculine like toath. I was thinking

2011
01:53:12.319 --> 01:53:18.000
<v Speaker 1>because Nick is here obviously, but he gets associated with writing,

2012
01:53:18.039 --> 01:53:19.680
<v Speaker 1>and I think that that's true. I think that the

2013
01:53:20.359 --> 01:53:23.119
<v Speaker 1>male deity is the physical act of writing. But when

2014
01:53:23.119 --> 01:53:25.840
<v Speaker 1>we're talking about in a contrac view, they would consider

2015
01:53:25.880 --> 01:53:30.560
<v Speaker 1>the actual letter when it's in an expression to be feminine.

2016
01:53:31.239 --> 01:53:34.479
<v Speaker 1>Does that make sense? Okay, So that is what she is.

2017
01:53:34.520 --> 01:53:38.319
<v Speaker 1>So she's extremely important. Some Tontra's place Kalia is the

2018
01:53:38.359 --> 01:53:43.319
<v Speaker 1>most important. Buddhist tantra obviously places Tara as the most important,

2019
01:53:43.760 --> 01:53:46.960
<v Speaker 1>and shri Vija tantra, which is just as popular as

2020
01:53:47.119 --> 01:53:50.640
<v Speaker 1>Khali Kola, places Tripra sundry as the most important. So

2021
01:53:50.680 --> 01:53:53.479
<v Speaker 1>the word is the most important in some kinds of contra,

2022
01:53:53.640 --> 01:53:57.680
<v Speaker 1>so that's kind of interesting. Then you have Tripura by Ravi,

2023
01:53:57.960 --> 01:54:00.720
<v Speaker 1>who is associated with the knock Chatra or the hour

2024
01:54:00.800 --> 01:54:03.039
<v Speaker 1>of birth I think that is, or the Logna. Excuse me,

2025
01:54:03.039 --> 01:54:07.039
<v Speaker 1>she's associated with Logna. And then you have Chinnamastica, who's

2026
01:54:07.079 --> 01:54:10.720
<v Speaker 1>associated with Rahu. She's the only goddess who can clear

2027
01:54:10.800 --> 01:54:15.119
<v Speaker 1>Rahu fully from a birth chart. Then you have I'm

2028
01:54:15.159 --> 01:54:16.920
<v Speaker 1>not sure which one this one is, so we'll come

2029
01:54:16.920 --> 01:54:19.000
<v Speaker 1>back to that. But then you have Dumavati as the

2030
01:54:19.039 --> 01:54:22.199
<v Speaker 1>widow in the chariot, so she is related to Tattoo.

2031
01:54:22.319 --> 01:54:25.159
<v Speaker 1>She's the only goddess who can clear Kattuo fully from

2032
01:54:25.199 --> 01:54:29.000
<v Speaker 1>a chart. Then you have Bagalamuki who's wearing the gold.

2033
01:54:29.359 --> 01:54:33.560
<v Speaker 1>She's related to Mars. She actually has a very interesting power.

2034
01:54:34.119 --> 01:54:37.199
<v Speaker 1>It relates to the Hebrew Cabala actually quite well, it's

2035
01:54:37.199 --> 01:54:40.920
<v Speaker 1>like that stunning power, or it's like a she's holding

2036
01:54:40.920 --> 01:54:44.119
<v Speaker 1>a hammer and holding the demon's tongue, So it's kind

2037
01:54:44.119 --> 01:54:48.039
<v Speaker 1>of like the potential energy transforming into the kinetic energy.

2038
01:54:48.720 --> 01:54:51.800
<v Speaker 1>It's like the time before something takes action, Like I've

2039
01:54:52.000 --> 01:54:56.159
<v Speaker 1>likened it to the flintlock on a musket before. That's

2040
01:54:56.359 --> 01:54:58.680
<v Speaker 1>very much what it is. But it's also like the

2041
01:54:58.720 --> 01:55:03.239
<v Speaker 1>moment of perception, like if you're driving really fast, especially

2042
01:55:03.279 --> 01:55:05.960
<v Speaker 1>in the winter, and that there's trees around you, but

2043
01:55:06.239 --> 01:55:08.479
<v Speaker 1>the light kind of pierces through and you kind of

2044
01:55:08.520 --> 01:55:12.560
<v Speaker 1>get momentarily stunned. That's even how it's sort of described,

2045
01:55:12.920 --> 01:55:18.079
<v Speaker 1>so kind of interesting. With that, then you have I

2046
01:55:18.119 --> 01:55:20.159
<v Speaker 1>don't even know which one this one is. Which ones

2047
01:55:20.159 --> 01:55:23.960
<v Speaker 1>are we missing? Okay, well that's okay, I don't remember.

2048
01:55:24.000 --> 01:55:26.399
<v Speaker 1>But because they do, they look too much alike to me.

2049
01:55:27.039 --> 01:55:30.079
<v Speaker 1>But no, that's basically it. So you can relate them

2050
01:55:30.119 --> 01:55:35.239
<v Speaker 1>each in astrological timing using the Vedic chart. There's obviously

2051
01:55:36.479 --> 01:55:40.239
<v Speaker 1>ten mahavija, ten greater wisdoms, so they could be likened

2052
01:55:40.279 --> 01:55:43.239
<v Speaker 1>to stars. Is one thing I thought was interesting when

2053
01:55:43.319 --> 01:55:46.720
<v Speaker 1>Mario was speaking, because they're kind of greater than the planets.

2054
01:55:47.239 --> 01:55:52.600
<v Speaker 1>They hold more potential, you could say more there, but

2055
01:55:52.640 --> 01:55:55.119
<v Speaker 1>they're not stars at the same time, because the stars

2056
01:55:55.159 --> 01:55:58.800
<v Speaker 1>are actually accounted for in the vitas, they're given specific names,

2057
01:55:59.079 --> 01:56:01.319
<v Speaker 1>so you could even say that they are the negative

2058
01:56:01.439 --> 01:56:05.520
<v Speaker 1>space between the stars and the planets. That's one way

2059
01:56:05.640 --> 01:56:09.119
<v Speaker 1>that it has been described. So that's also kind of interesting.

2060
01:56:09.159 --> 01:56:11.560
<v Speaker 1>I think, okay, boss, we can go the next one.

2061
01:56:11.600 --> 01:56:19.720
<v Speaker 1>I'm sorry, Okay. So Mario was talking about, like, oh

2062
01:56:20.039 --> 01:56:23.439
<v Speaker 1>it's starting. Nick was talking about like that relationship with

2063
01:56:23.680 --> 01:56:27.239
<v Speaker 1>Geverra and Mars. So the monkey guy with the red flag,

2064
01:56:27.880 --> 01:56:30.479
<v Speaker 1>he has a direct relationship with Mars. He you could

2065
01:56:30.520 --> 01:56:34.760
<v Speaker 1>say he's like the the higher angelic expression of Mars

2066
01:56:34.800 --> 01:56:40.119
<v Speaker 1>in their system, so he's always worshiped on Tuesdays. Hanuman,

2067
01:56:41.000 --> 01:56:43.760
<v Speaker 1>that's the monkey King, not the same as the Chinese

2068
01:56:43.840 --> 01:56:46.960
<v Speaker 1>monkey kingf saying he's the paronic monkey king. And then

2069
01:56:47.039 --> 01:56:50.960
<v Speaker 1>the little blue guy beside her is really interesting because

2070
01:56:51.000 --> 01:56:54.720
<v Speaker 1>he kind of is the serious god of the Tondrack pantheon.

2071
01:56:55.319 --> 01:56:57.880
<v Speaker 1>He's the dog god. That's why you see a little

2072
01:56:57.880 --> 01:57:00.279
<v Speaker 1>dog even sitting beside him. But it's also her husband.

2073
01:57:01.239 --> 01:57:04.880
<v Speaker 1>It's also Shiva, but it's Shiva in a very specific form.

2074
01:57:05.000 --> 01:57:08.239
<v Speaker 1>Is Siva as smoke. So why am I saying that?

2075
01:57:08.279 --> 01:57:12.119
<v Speaker 1>Because he is non generative. He's an acetic on the

2076
01:57:12.159 --> 01:57:15.600
<v Speaker 1>carnal ground, so he can lead her to greater knowledge,

2077
01:57:15.720 --> 01:57:18.119
<v Speaker 1>but she in and of herself does not possess it.

2078
01:57:18.279 --> 01:57:21.319
<v Speaker 1>And this also corresponds to the chronic stories because he

2079
01:57:21.479 --> 01:57:25.359
<v Speaker 1>is he gives her the tontras, but when he is

2080
01:57:25.520 --> 01:57:28.600
<v Speaker 1>in the world or up at the carnoground either or

2081
01:57:29.319 --> 01:57:31.439
<v Speaker 1>but when he's a little boy, he can't. He doesn't

2082
01:57:31.479 --> 01:57:35.239
<v Speaker 1>say anything's there's a like a Siturnian quality and also

2083
01:57:35.399 --> 01:57:38.319
<v Speaker 1>like a Rahu I always liking it to Neptune. It's

2084
01:57:38.359 --> 01:57:40.279
<v Speaker 1>kind of like a little bit Neptunian, but he's not

2085
01:57:40.479 --> 01:57:43.760
<v Speaker 1>the he's kind of like the mysterious element of that

2086
01:57:44.479 --> 01:57:47.479
<v Speaker 1>more so than he's not like really related to Neptune.

2087
01:57:47.479 --> 01:57:50.920
<v Speaker 1>That's just a more conceptual understanding. But yeah, he's the

2088
01:57:51.000 --> 01:57:53.439
<v Speaker 1>dog god. He writes it. Usually it's a black dog,

2089
01:57:53.520 --> 01:57:57.479
<v Speaker 1>but sometimes it can be any pariah dog, so like

2090
01:57:57.560 --> 01:58:01.000
<v Speaker 1>any kind of like wild dog in the city. He's

2091
01:58:01.039 --> 01:58:05.199
<v Speaker 1>associated with like very outcased carnal ground, like you're living

2092
01:58:05.239 --> 01:58:08.000
<v Speaker 1>on a smash on it. But it's not necessarily transgressive.

2093
01:58:08.079 --> 01:58:13.319
<v Speaker 1>It's just totally acetic, meaning totally non generative. So that's

2094
01:58:13.359 --> 01:58:17.039
<v Speaker 1>one idea Okay, we can go the next one. Thank you, Nick,

2095
01:58:18.960 --> 01:58:19.399
<v Speaker 1>thank you.

2096
01:58:21.279 --> 01:58:21.640
<v Speaker 5>Okay.

2097
01:58:21.720 --> 01:58:25.000
<v Speaker 1>So this is Shiva as the householder. So you could

2098
01:58:25.079 --> 01:58:28.960
<v Speaker 1>say that when the goddess who is not not locks me.

2099
01:58:29.079 --> 01:58:31.279
<v Speaker 1>I know I was talking a lot about Lockshmi, but

2100
01:58:31.520 --> 01:58:34.640
<v Speaker 1>it's not. It is Pavarti. So this is when she

2101
01:58:34.800 --> 01:58:37.800
<v Speaker 1>is a householder and they're all together, so at their

2102
01:58:37.840 --> 01:58:41.039
<v Speaker 1>most coherent, you could even say. So it is interesting

2103
01:58:41.039 --> 01:58:44.640
<v Speaker 1>because I even I wrote down in the chat bowl

2104
01:58:45.319 --> 01:58:49.479
<v Speaker 1>and caw, well, he rides a bull. Shiva rides a bull,

2105
01:58:49.880 --> 01:58:53.760
<v Speaker 1>and she obviously can ride a lion, but there are

2106
01:58:53.840 --> 01:58:56.560
<v Speaker 1>some forms of her where she does also ride a bull,

2107
01:58:57.039 --> 01:59:00.600
<v Speaker 1>so very interesting. And his bull is obviously white. And

2108
01:59:00.800 --> 01:59:04.920
<v Speaker 1>you're talking about milk, well, his worship is done with milk.

2109
01:59:05.439 --> 01:59:07.760
<v Speaker 1>They use milk on that stone, so you can even

2110
01:59:07.840 --> 01:59:10.560
<v Speaker 1>see it. That's why I chose this particular image. It's

2111
01:59:10.640 --> 01:59:14.600
<v Speaker 1>it's the three lines with the red dot in between,

2112
01:59:15.239 --> 01:59:17.600
<v Speaker 1>and you pour. It's a black stone. It's usually made

2113
01:59:17.600 --> 01:59:20.960
<v Speaker 1>of black chloralite, and so you pour milk over it

2114
01:59:21.000 --> 01:59:24.960
<v Speaker 1>and the milk appears blue, so it gives it like

2115
01:59:25.000 --> 01:59:28.720
<v Speaker 1>a turquoise kind of that's the god color, right as

2116
01:59:28.760 --> 01:59:31.920
<v Speaker 1>the turquoise or it can be lapis lazulai. It depends

2117
01:59:32.199 --> 01:59:34.520
<v Speaker 1>in tntra. Sometimes they prefer lapis.

2118
01:59:35.119 --> 01:59:37.920
<v Speaker 3>And that's a lingum, correct, is that right?

2119
01:59:38.479 --> 01:59:41.840
<v Speaker 1>Yeah, it's a shiva lingam. So it's it can be

2120
01:59:41.960 --> 01:59:45.000
<v Speaker 1>said that he's at his most generative when he's a householder,

2121
01:59:45.279 --> 01:59:48.279
<v Speaker 1>but he's unhappy. That's how it's described. I'm not saying

2122
01:59:48.319 --> 01:59:51.800
<v Speaker 1>to take that literally, but he's described as unhappy as

2123
01:59:51.800 --> 01:59:52.520
<v Speaker 1>a householder.

2124
01:59:53.520 --> 01:59:56.159
<v Speaker 3>I was just going to point out the relationship between

2125
01:59:56.199 --> 02:00:00.239
<v Speaker 3>the lingam and the obelisk, both having the lem meant

2126
02:00:00.279 --> 02:00:04.399
<v Speaker 3>to the phallis line and the point when one viewed

2127
02:00:04.439 --> 02:00:05.000
<v Speaker 3>from above.

2128
02:00:07.439 --> 02:00:10.640
<v Speaker 1>No, that's a great point, Ethan. The thing is is

2129
02:00:10.680 --> 02:00:13.199
<v Speaker 1>that his sons. You see his son sitting there with

2130
02:00:13.279 --> 02:00:17.720
<v Speaker 1>the peacock behind him, his son actually holds something that

2131
02:00:17.760 --> 02:00:21.159
<v Speaker 1>could be described as obelisk like in structure. So it's

2132
02:00:21.159 --> 02:00:24.359
<v Speaker 1>his magic spear, which is a vell. So see that

2133
02:00:24.439 --> 02:00:27.159
<v Speaker 1>has a point. The lingam does not have a point.

2134
02:00:27.239 --> 02:00:30.720
<v Speaker 1>And because it's non generative, meaning he's not and that's

2135
02:00:30.760 --> 02:00:33.359
<v Speaker 1>why he's described as an acetic, because he's not interested

2136
02:00:33.439 --> 02:00:37.479
<v Speaker 1>in perpetuating creation. He's interested in his own mind. So

2137
02:00:37.600 --> 02:00:40.359
<v Speaker 1>that's why he actually goes off into the cardinal ground

2138
02:00:40.359 --> 02:00:45.319
<v Speaker 1>is sick explore. He's like a magician. Rights he's well yogi,

2139
02:00:45.359 --> 02:00:48.680
<v Speaker 1>he's a he's the chief yoga or he's chief Yogi.

2140
02:00:48.720 --> 02:00:49.199
<v Speaker 5>Excuse me.

2141
02:00:49.520 --> 02:00:52.479
<v Speaker 1>So he goes off into the cardinal ground to do yoga.

2142
02:00:52.560 --> 02:00:55.279
<v Speaker 1>That's basically how it's described. So that's where he develops

2143
02:00:55.319 --> 02:00:58.359
<v Speaker 1>tantra because it comes to him when he's surrounded by

2144
02:00:58.399 --> 02:01:03.520
<v Speaker 1>all the ghosts and demons. But his son back can

2145
02:01:03.600 --> 02:01:05.439
<v Speaker 1>be said to be obelisk like, and he is the

2146
02:01:05.439 --> 02:01:08.479
<v Speaker 1>god of logic and chess and all that stuff.

2147
02:01:08.520 --> 02:01:13.920
<v Speaker 9>So the detail of the milk changing color when poured

2148
02:01:13.960 --> 02:01:15.960
<v Speaker 9>on the shivl ingam that that's an amazing detail.

2149
02:01:15.960 --> 02:01:16.119
<v Speaker 3>Man.

2150
02:01:16.159 --> 02:01:17.319
<v Speaker 2>I've never heard of that before.

2151
02:01:17.840 --> 02:01:21.159
<v Speaker 9>And I saw that happen a number of times when

2152
02:01:21.159 --> 02:01:23.479
<v Speaker 9>I was in India, and you're totally right.

2153
02:01:23.560 --> 02:01:25.920
<v Speaker 2>I never made that connection. But that's really brilliant.

2154
02:01:27.079 --> 02:01:30.319
<v Speaker 1>Oh thanks many. I appreciate that. You know that just

2155
02:01:30.479 --> 02:01:32.479
<v Speaker 1>I think that is just because I've seen it so

2156
02:01:32.560 --> 02:01:35.640
<v Speaker 1>many times, U huh. And you know, I know the

2157
02:01:35.680 --> 02:01:38.359
<v Speaker 1>colors are obviously from Buddhism, so I understand like how

2158
02:01:38.399 --> 02:01:41.159
<v Speaker 1>to kind of interpret it. And I've read all the contras,

2159
02:01:41.359 --> 02:01:43.640
<v Speaker 1>not all the times but many contras. So I, you know,

2160
02:01:43.680 --> 02:01:48.760
<v Speaker 1>I have a understanding of the processes even though even

2161
02:01:48.800 --> 02:01:51.359
<v Speaker 1>in a normal pouja, right, because most people who go

2162
02:01:51.399 --> 02:01:53.119
<v Speaker 1>to a pooja, it's like, but most people go to

2163
02:01:53.159 --> 02:01:55.359
<v Speaker 1>a mass, they don't really understand what's happening.

2164
02:01:55.600 --> 02:01:56.039
<v Speaker 2>Mm hmm.

2165
02:01:56.319 --> 02:01:59.640
<v Speaker 1>It's only like, right, so all the processes, even the

2166
02:01:59.680 --> 02:02:02.760
<v Speaker 1>priests don't know is understand especially I'm talking about Indian.

2167
02:02:02.800 --> 02:02:04.840
<v Speaker 1>I'm not talking about anything Christian. I'm just talking about

2168
02:02:04.840 --> 02:02:07.600
<v Speaker 1>normative Hinduism. A lot of the priests don't even understand

2169
02:02:07.600 --> 02:02:10.520
<v Speaker 1>the processes. They might know the you know, the method

2170
02:02:10.560 --> 02:02:13.920
<v Speaker 1>of worship, the shastra, but they don't necessarily understand like

2171
02:02:13.960 --> 02:02:15.199
<v Speaker 1>the different things they're doing.

2172
02:02:15.560 --> 02:02:17.760
<v Speaker 2>Mm hmmm, right, yeah, I know exactly.

2173
02:02:19.760 --> 02:02:21.880
<v Speaker 1>And it is interesting that since you brought that up, Mario,

2174
02:02:21.960 --> 02:02:24.159
<v Speaker 1>he is considered to be the god of secret knowledge.

2175
02:02:24.680 --> 02:02:26.880
<v Speaker 2>So that is that's what I was trying to say.

2176
02:02:26.640 --> 02:02:29.319
<v Speaker 1>Of like tantra and yoga, that he is the god

2177
02:02:29.399 --> 02:02:31.520
<v Speaker 1>of secret knowledge, and he wears the cruscent moon like

2178
02:02:31.560 --> 02:02:35.159
<v Speaker 1>you guys were talking about the crust he wears's head.

2179
02:02:35.680 --> 02:02:39.159
<v Speaker 1>So there's actually a grouping of sixteen goddesses who also

2180
02:02:39.319 --> 02:02:41.640
<v Speaker 1>wear the cruscent moon above their head. So we're going

2181
02:02:41.720 --> 02:02:43.439
<v Speaker 1>to also end on that when we get to the

2182
02:02:43.520 --> 02:02:48.840
<v Speaker 1>last two. Is that the so those goddesses are called

2183
02:02:48.920 --> 02:02:51.760
<v Speaker 1>niche goddesses. They refer to the different phases of the moon.

2184
02:02:51.840 --> 02:02:56.520
<v Speaker 1>So there's sixteen like waxing and like whatever. It's that.

2185
02:02:56.640 --> 02:02:58.680
<v Speaker 1>That's kind of how they're arranged. It's like a waxing

2186
02:02:58.680 --> 02:03:02.920
<v Speaker 1>and waning cycle. So they are considered to be her daughters,

2187
02:03:03.680 --> 02:03:06.520
<v Speaker 1>so that is also interesting, and they're like each one

2188
02:03:06.600 --> 02:03:09.399
<v Speaker 1>is given like one or two nights and then they're

2189
02:03:09.479 --> 02:03:12.119
<v Speaker 1>given that worship, but they're worship through her. So remember

2190
02:03:12.159 --> 02:03:14.920
<v Speaker 1>I said that Tantra loves the number seven for her,

2191
02:03:15.000 --> 02:03:17.640
<v Speaker 1>but also the number ten, So you could say that

2192
02:03:18.079 --> 02:03:21.720
<v Speaker 1>this pairing when they're at four also corresponds to what

2193
02:03:21.840 --> 02:03:24.479
<v Speaker 1>Robbie was saying. There is like this expression. This is

2194
02:03:24.560 --> 02:03:30.239
<v Speaker 1>kind of like expansive. They're able to grant boons in

2195
02:03:30.319 --> 02:03:33.520
<v Speaker 1>the normative way. So for most people this is the

2196
02:03:33.560 --> 02:03:37.119
<v Speaker 1>image they'll have. This is a very normative image, except

2197
02:03:37.159 --> 02:03:40.279
<v Speaker 1>that it includes the son who's sitting on the bottom

2198
02:03:40.720 --> 02:03:44.239
<v Speaker 1>that is non normative. So I did choose something kind

2199
02:03:44.239 --> 02:03:47.680
<v Speaker 1>of Tantra, so not necessarily intentionally, but I just did

2200
02:03:47.720 --> 02:03:51.520
<v Speaker 1>think it was more interesting with the peacock king. Okay,

2201
02:03:51.600 --> 02:03:53.279
<v Speaker 1>we can go the next one. Sorry, Nick, thank you.

2202
02:03:56.399 --> 02:03:56.560
<v Speaker 5>Oh.

2203
02:03:56.600 --> 02:03:58.199
<v Speaker 1>I did want to say one thing about the other

2204
02:03:58.199 --> 02:04:00.840
<v Speaker 1>image is that he has a blue neck ring around

2205
02:04:00.840 --> 02:04:04.720
<v Speaker 1>his neck. So that is a really important sort of

2206
02:04:04.800 --> 02:04:08.279
<v Speaker 1>motif of Shiva's that it's called nili kantha. It refers

2207
02:04:08.319 --> 02:04:10.880
<v Speaker 1>to this blue green ring and it can also refer

2208
02:04:10.960 --> 02:04:14.920
<v Speaker 1>to a naga, so a snake. When he is wrapped

2209
02:04:14.920 --> 02:04:17.960
<v Speaker 1>around his neck. It prevents the poison, which is the

2210
02:04:18.479 --> 02:04:21.720
<v Speaker 1>sort of you could say the noxiousness of mercury or quicksilver.

2211
02:04:22.359 --> 02:04:25.720
<v Speaker 1>So only mercury is actually not as toxic. I'm not

2212
02:04:25.720 --> 02:04:27.479
<v Speaker 1>saying to anyone to use it, Please don't use it.

2213
02:04:27.520 --> 02:04:31.159
<v Speaker 1>I'm just saying as toxic as perhaps is in the

2214
02:04:31.199 --> 02:04:35.880
<v Speaker 1>popular consciousness. So, but there is a point where it

2215
02:04:35.920 --> 02:04:39.479
<v Speaker 1>can become very toxic if you over the over application

2216
02:04:39.560 --> 02:04:41.920
<v Speaker 1>of heat, and it takes a lot of heat to

2217
02:04:42.000 --> 02:04:46.960
<v Speaker 1>make it offset. So basically that's kind of the idea.

2218
02:04:47.079 --> 02:04:50.159
<v Speaker 1>It's like, then there's so much heat that the kind

2219
02:04:50.199 --> 02:04:55.399
<v Speaker 1>of noxious fumes of quicksilver sort of like overtake the

2220
02:04:55.439 --> 02:04:58.760
<v Speaker 1>heavens and then the gods fear for their collapse. So

2221
02:04:59.319 --> 02:05:02.239
<v Speaker 1>he swallows, and then that's why he has the blue

2222
02:05:02.479 --> 02:05:07.960
<v Speaker 1>ring around us. Okay, so this is the star. So basically,

2223
02:05:08.000 --> 02:05:09.560
<v Speaker 1>this is what I was thinking when you guys were

2224
02:05:09.560 --> 02:05:13.359
<v Speaker 1>doing all the tarot stuff, was this is the yontra.

2225
02:05:13.880 --> 02:05:18.520
<v Speaker 1>So this is the magic seal of this very important goddess.

2226
02:05:18.560 --> 02:05:21.600
<v Speaker 1>So I have named like four goddesses. I believe this

2227
02:05:21.680 --> 02:05:25.199
<v Speaker 1>is the highest expression of them, of the goddesses, of

2228
02:05:25.239 --> 02:05:28.279
<v Speaker 1>all the goddesses that I've described, but this is the

2229
02:05:28.359 --> 02:05:32.880
<v Speaker 1>highest expression because it's Yantra. It's formless. I mean, yes,

2230
02:05:32.920 --> 02:05:35.600
<v Speaker 1>obviously has a form, but it's on a copper sheet

2231
02:05:35.680 --> 02:05:38.920
<v Speaker 1>as well, and that's also very venus, very nat sock

2232
02:05:39.560 --> 02:05:43.399
<v Speaker 1>and the star obviously. So the five pointed thing, which

2233
02:05:43.439 --> 02:05:47.119
<v Speaker 1>was also interesting, and Nick brought that up definitely, Mario

2234
02:05:47.159 --> 02:05:51.399
<v Speaker 1>brought that up, Robbie talked about it, Ethan talked about it.

2235
02:05:51.399 --> 02:05:55.199
<v Speaker 1>It's the five purified elements in this formation, so not

2236
02:05:55.279 --> 02:05:58.840
<v Speaker 1>always his time is really important, right because it's also

2237
02:05:58.880 --> 02:06:03.000
<v Speaker 1>her husband. But you could say that it's the five

2238
02:06:03.039 --> 02:06:06.640
<v Speaker 1>purified elements, meaning that his chakra. But we're using a

2239
02:06:06.680 --> 02:06:11.840
<v Speaker 1>five point in system. It's all rectified in her and

2240
02:06:11.880 --> 02:06:15.079
<v Speaker 1>then it's expressed in sound. So that's kind of the

2241
02:06:15.159 --> 02:06:19.760
<v Speaker 1>highest expression of venus in contract thinking. It's sound.

2242
02:06:20.560 --> 02:06:23.159
<v Speaker 7>I had that like thought while just staring at it

2243
02:06:23.199 --> 02:06:25.199
<v Speaker 7>was like, just with the geometry and stuff, with the

2244
02:06:25.239 --> 02:06:27.640
<v Speaker 7>five into the six and with the five, it's like

2245
02:06:27.960 --> 02:06:28.720
<v Speaker 7>the five.

2246
02:06:28.520 --> 02:06:30.680
<v Speaker 6>Can go into the six more than the six can

2247
02:06:30.720 --> 02:06:31.199
<v Speaker 6>go into.

2248
02:06:31.000 --> 02:06:33.880
<v Speaker 7>The five, and the six is the structure that holds

2249
02:06:33.920 --> 02:06:38.079
<v Speaker 7>the energy the five to create the harmony. So I

2250
02:06:38.199 --> 02:06:41.439
<v Speaker 7>was just you just validated that for me. I don't

2251
02:06:41.439 --> 02:06:43.159
<v Speaker 7>know if I explained my thoughts well, but you really

2252
02:06:43.239 --> 02:06:44.159
<v Speaker 7>validated that for me.

2253
02:06:44.720 --> 02:06:47.159
<v Speaker 1>No, you absolutely did. That's so interesting you said that

2254
02:06:47.239 --> 02:06:50.680
<v Speaker 1>TJ because she is this goddess for Ahi, which we're

2255
02:06:50.680 --> 02:06:53.840
<v Speaker 1>gonna see image of her next. She's actually considered to

2256
02:06:53.840 --> 02:06:57.119
<v Speaker 1>be the father goddess of Tntra. Even though she's a goddess,

2257
02:06:57.720 --> 02:07:02.079
<v Speaker 1>she's the father goddess, So she's generative at one point,

2258
02:07:02.960 --> 02:07:05.399
<v Speaker 1>but not in the whole you could say, in the

2259
02:07:05.439 --> 02:07:08.760
<v Speaker 1>whole way, not in her whole story or Leela, but

2260
02:07:09.119 --> 02:07:12.279
<v Speaker 1>as the Verahi, she is generative, but it's a masculine

2261
02:07:12.319 --> 02:07:16.520
<v Speaker 1>generativeness even though she's female. So this is explained by

2262
02:07:16.560 --> 02:07:18.560
<v Speaker 1>the fact that she could be considered to be like

2263
02:07:18.840 --> 02:07:21.680
<v Speaker 1>a tree of night goddess, a klepalithic goddess because she

2264
02:07:21.840 --> 02:07:24.960
<v Speaker 1>is the goddess of the smush on her. So she

2265
02:07:25.239 --> 02:07:29.119
<v Speaker 1>rises through all the klipas or all the tree of death,

2266
02:07:29.159 --> 02:07:32.640
<v Speaker 1>and then she arises back. Just like I said, there's

2267
02:07:32.680 --> 02:07:36.439
<v Speaker 1>like a clockwise and a counterclockwise element to venus or

2268
02:07:36.479 --> 02:07:40.680
<v Speaker 1>Mamrio obviously said that too, but yeah, yeah, so she

2269
02:07:40.840 --> 02:07:44.079
<v Speaker 1>climbs up and so then she can climb the whole

2270
02:07:44.119 --> 02:07:46.760
<v Speaker 1>tree like she can climb all the way up. But

2271
02:07:46.960 --> 02:07:50.520
<v Speaker 1>it's because she's gone through this experience. So that's what

2272
02:07:50.600 --> 02:07:52.960
<v Speaker 1>makes her the most important, because she's learned to the

2273
02:07:53.800 --> 02:07:58.520
<v Speaker 1>saying is that she can liberate light in matter with sound,

2274
02:07:58.800 --> 02:08:02.439
<v Speaker 1>So that takes all four elements plus mind, which is

2275
02:08:02.479 --> 02:08:06.239
<v Speaker 1>really akasha the space. So what is a better way

2276
02:08:06.279 --> 02:08:09.000
<v Speaker 1>to trap four elements in space is with a word,

2277
02:08:09.680 --> 02:08:14.199
<v Speaker 1>but it's really sound, So yeah, okay, So that's pretty

2278
02:08:14.239 --> 02:08:17.920
<v Speaker 1>much the explanation. That's why it's also anti and iconic

2279
02:08:18.720 --> 02:08:24.319
<v Speaker 1>because it's there's no image. It's just that's how this

2280
02:08:24.399 --> 02:08:30.000
<v Speaker 1>is the true contric warshaw beyond image, no idol. But interestingly,

2281
02:08:30.640 --> 02:08:35.520
<v Speaker 1>always in the South, these are always installed underneath or

2282
02:08:35.560 --> 02:08:37.720
<v Speaker 1>on the ceiling. If you go to a Buddhist temple.

2283
02:08:37.760 --> 02:08:40.159
<v Speaker 1>These will be installed on the ceiling of the images

2284
02:08:40.680 --> 02:08:44.760
<v Speaker 1>because this is considered to be the true image. Cool, okay,

2285
02:08:44.840 --> 02:08:50.560
<v Speaker 1>we can do the last one, thinks man. So I

2286
02:08:50.600 --> 02:08:53.239
<v Speaker 1>did choose this one specifically because of what Nick said

2287
02:08:53.399 --> 02:08:58.640
<v Speaker 1>was about netsak Geverra, red and green having a relationship. Well,

2288
02:08:58.680 --> 02:09:02.399
<v Speaker 1>even it's interesting because even she's wearing the green undershirt,

2289
02:09:02.560 --> 02:09:05.399
<v Speaker 1>so it's like green as the foundation, but the outer

2290
02:09:05.560 --> 02:09:08.880
<v Speaker 1>sorry is red, so it's like the it's almost like

2291
02:09:09.000 --> 02:09:12.079
<v Speaker 1>the red is perceiving her, the red is looking at

2292
02:09:12.079 --> 02:09:14.960
<v Speaker 1>her and sort pouring over her. So I don't know,

2293
02:09:15.000 --> 02:09:17.359
<v Speaker 1>I thought that was interesting. But you can see like

2294
02:09:17.439 --> 02:09:21.000
<v Speaker 1>she's even standing on the star, because what is she?

2295
02:09:21.000 --> 02:09:25.840
<v Speaker 1>She's the greater expression of space, or at least of

2296
02:09:25.880 --> 02:09:28.760
<v Speaker 1>the way to put the four elements or five elements

2297
02:09:28.760 --> 02:09:33.760
<v Speaker 1>into space. So interestingly, to go along with Mario's point,

2298
02:09:33.760 --> 02:09:36.800
<v Speaker 1>I don't know, Mario feels complicated for you, but she is.

2299
02:09:36.880 --> 02:09:39.640
<v Speaker 1>Although I chose an image where she's depicted as throned,

2300
02:09:40.079 --> 02:09:43.359
<v Speaker 1>she I can actually also be dancing, so she can

2301
02:09:43.399 --> 02:09:47.399
<v Speaker 1>be both, So I think that's also interesting. But she's

2302
02:09:47.439 --> 02:09:49.399
<v Speaker 1>the most powerful if you're going to say, like what

2303
02:09:49.520 --> 02:09:52.760
<v Speaker 1>is the most powerful contrick we'll call it undoing air

2304
02:09:52.880 --> 02:09:56.720
<v Speaker 1>quotes archetype of Venus. This is the most powerful condrac

2305
02:09:56.800 --> 02:09:59.840
<v Speaker 1>archetype of Venus because she can be accessed in both

2306
02:09:59.880 --> 02:10:03.880
<v Speaker 1>no normative and non normative kinds of Hinduism, as well

2307
02:10:03.920 --> 02:10:09.199
<v Speaker 1>as the most important goddess in Buddhism, second only to Tara.

2308
02:10:10.039 --> 02:10:13.159
<v Speaker 1>So that's what I have. Thanks guys, Yeah, thank you.

2309
02:10:13.880 --> 02:10:14.560
<v Speaker 1>That was awesome.

2310
02:10:15.039 --> 02:10:19.680
<v Speaker 2>Yeah, that was fantastic. Thank you. That was was amazing.

2311
02:10:21.560 --> 02:10:29.720
<v Speaker 5>Apprecire h. Is there anything else anybody else? What did it?

2312
02:10:32.960 --> 02:10:35.039
<v Speaker 9>I don't think so. There are so many things, though, Jim,

2313
02:10:35.119 --> 02:10:37.159
<v Speaker 9>that you brought up that we could riff on for

2314
02:10:37.359 --> 02:10:39.880
<v Speaker 9>a really long time. And I'm such a visual person

2315
02:10:40.000 --> 02:10:44.279
<v Speaker 9>that you bringing these things to the table is super valuable.

2316
02:10:44.479 --> 02:10:46.439
<v Speaker 9>So I was taking screenshots and stuff.

2317
02:10:46.960 --> 02:10:47.159
<v Speaker 2>Yeah.

2318
02:10:49.279 --> 02:10:52.560
<v Speaker 3>Yeah, both those presentations were amazing. For a little levity.

2319
02:10:52.640 --> 02:10:56.600
<v Speaker 3>I thought that the god of seriousness in that Shiva

2320
02:10:56.720 --> 02:11:00.399
<v Speaker 3>form him to have that funny dog is a very funny.

2321
02:11:02.600 --> 02:11:04.680
<v Speaker 1>Yeah. No, it's really interesting that you bring that up,

2322
02:11:04.720 --> 02:11:08.560
<v Speaker 1>even because he's childlike, right, so he he has like

2323
02:11:08.600 --> 02:11:11.119
<v Speaker 1>an element of play. I know, I've heard Robbie say

2324
02:11:11.159 --> 02:11:12.760
<v Speaker 1>that word before. I say, yeah, that's what he is.

2325
02:11:12.800 --> 02:11:15.039
<v Speaker 1>He's like there's an element like I'm gonna lead you

2326
02:11:15.039 --> 02:11:16.920
<v Speaker 1>to the cardinal ground, but it's not going to be

2327
02:11:17.319 --> 02:11:20.800
<v Speaker 1>You're gonna see terrifying things, but I'm not necessarily terrifying

2328
02:11:20.880 --> 02:11:23.079
<v Speaker 1>in the way I'm presenting myself well.

2329
02:11:24.000 --> 02:11:28.720
<v Speaker 8>And interestingly, she was riding the tiger, but if you

2330
02:11:28.760 --> 02:11:32.159
<v Speaker 8>go back to Mother Kibbili, she rides the lion and

2331
02:11:32.359 --> 02:11:37.560
<v Speaker 8>Addis runs along with her with a dog at his feet,

2332
02:11:38.359 --> 02:11:41.680
<v Speaker 8>which I think very much relates to the full card

2333
02:11:41.760 --> 02:11:42.760
<v Speaker 8>running off the cliff.

2334
02:11:44.000 --> 02:11:46.760
<v Speaker 1>Oh yeah, he definitely is. I would even place him

2335
02:11:46.760 --> 02:11:51.600
<v Speaker 1>att Chuck mat personally. Yeah, so no, I agree with

2336
02:11:51.640 --> 02:11:53.920
<v Speaker 1>that one hundred percent. And with the full Card. That's

2337
02:11:54.159 --> 02:11:56.920
<v Speaker 1>because he he's like, he is very choked.

2338
02:11:56.960 --> 02:11:57.000
<v Speaker 3>Ma.

2339
02:11:57.479 --> 02:11:59.760
<v Speaker 1>He's like a manifestation of the smoke you could say,

2340
02:11:59.760 --> 02:12:03.399
<v Speaker 1>in the world. But he he can travel through the sufferer,

2341
02:12:03.479 --> 02:12:06.199
<v Speaker 1>but he can't really. He can do little things. It's

2342
02:12:06.239 --> 02:12:09.960
<v Speaker 1>like very there's a hode like mercurial like element to

2343
02:12:10.039 --> 02:12:13.359
<v Speaker 1>him where he can kind of like he can influence

2344
02:12:13.439 --> 02:12:18.439
<v Speaker 1>maybe things, but it's it's it's minor. It's not like, oh,

2345
02:12:18.479 --> 02:12:21.760
<v Speaker 1>I'm gonna like, you know, the great thing, like a

2346
02:12:21.840 --> 02:12:24.680
<v Speaker 1>childish state exactly.

2347
02:12:28.199 --> 02:12:30.720
<v Speaker 5>All right, nice, Thank you very much.

2348
02:12:31.359 --> 02:12:33.000
<v Speaker 4>There's actually a lot of eye stuff in there that

2349
02:12:33.039 --> 02:12:34.560
<v Speaker 4>I just didn't get into it that maybe i'll talk

2350
02:12:34.560 --> 02:12:37.359
<v Speaker 4>to you about one, Dach. I don't want to come

2351
02:12:37.439 --> 02:12:40.039
<v Speaker 4>on about it, but uh, thank you very much. I

2352
02:12:40.079 --> 02:12:41.760
<v Speaker 4>really appreciate those visuals.

2353
02:12:43.000 --> 02:12:44.720
<v Speaker 5>Thank you all for coming on.

2354
02:12:45.520 --> 02:12:46.920
<v Speaker 4>A little bit longer than I thought, but I mean

2355
02:12:46.920 --> 02:12:49.079
<v Speaker 4>it was all solid salt stuff, so I appreciate you

2356
02:12:49.159 --> 02:12:52.760
<v Speaker 4>all spending the time tonight to meet up again. We

2357
02:12:52.800 --> 02:12:55.159
<v Speaker 4>got Ethan Intogo. His notes are in the bottom, his

2358
02:12:55.239 --> 02:12:58.560
<v Speaker 4>links in the show notes. Frida Jinn as well. We've

2359
02:12:58.560 --> 02:13:02.800
<v Speaker 4>got teaching down there, Robbie Marks and Marios. All their

2360
02:13:02.920 --> 02:13:05.840
<v Speaker 4>links will be in the show notes. Thank you all again,

2361
02:13:06.159 --> 02:13:08.079
<v Speaker 4>this is a great show. Can't wait to do the

2362
02:13:08.119 --> 02:13:11.720
<v Speaker 4>next And until the next one, have everybody be well

2363
02:13:11.880 --> 02:13:12.079
<v Speaker 4>later
