1 00:00:00,800 --> 00:00:01,320 Speaker 1: W. M. 2 00:00:01,439 --> 00:00:03,720 Speaker 2: N h rips the novels. 3 00:00:17,359 --> 00:00:17,519 Speaker 1: One. 4 00:00:17,679 --> 00:00:20,760 Speaker 3: Let's drive out to the beach before the Sweet and 5 00:00:20,920 --> 00:00:23,679 Bitter and the bark is second. 6 00:00:23,320 --> 00:00:26,039 Speaker 4: On the beach. As we embark on our. 7 00:00:25,960 --> 00:00:29,160 Speaker 5: Descent, it seems our circle is complete. 8 00:00:29,559 --> 00:00:33,479 Speaker 6: The skies are certain gray. They surprised me with relief. 9 00:00:34,000 --> 00:00:36,240 Now worries wash away. 10 00:00:36,560 --> 00:00:37,960 Speaker 7: But can't you. 11 00:00:41,920 --> 00:00:54,200 Speaker 4: Just keep? That's a lesser? Can't fine? 12 00:00:57,320 --> 00:00:59,039 Speaker 6: How long till we rush? 13 00:00:59,359 --> 00:01:01,320 Speaker 1: Both should everywhere? 14 00:01:01,439 --> 00:01:05,159 Speaker 4: The type I saw dropped back and call I am 15 00:01:05,359 --> 00:01:06,280 ever by. 16 00:01:06,159 --> 00:01:07,760 Speaker 1: Your side, that's all right. 17 00:01:07,959 --> 00:01:11,640 Speaker 8: He's spinning around over sanitized. 18 00:01:10,920 --> 00:01:14,920 Speaker 1: And stops Nott's coming any day. So it's a right. 19 00:01:15,319 --> 00:01:23,519 Speaker 9: There's a shock, drup watch your just keep. 20 00:01:28,920 --> 00:01:29,719 Speaker 10: Thus pass. 21 00:01:33,239 --> 00:01:34,280 Speaker 4: The hair comes far. 22 00:01:35,439 --> 00:01:40,000 Speaker 11: It's coming from the guys rushing on my eyes. 23 00:01:40,680 --> 00:01:42,920 Speaker 1: But in another time you have. 24 00:01:43,120 --> 00:01:43,920 Speaker 10: Come far. 25 00:01:45,959 --> 00:01:51,719 Speaker 12: To describe tod K. We send it to the type 26 00:01:52,000 --> 00:01:59,840 miss contempt that Trump hunts to see. 27 00:02:00,319 --> 00:02:11,680 Speaker 11: We have a cost. 28 00:02:24,759 --> 00:02:28,960 Speaker 5: So here we are the journeys end All that ends, 29 00:02:29,000 --> 00:02:31,639 so pos we forgot why it began. 30 00:02:32,199 --> 00:02:36,360 Speaker 6: That doesn't matter, And THERENDO winners sold. 31 00:02:36,039 --> 00:02:38,280 Speaker 4: Me that and everything. 32 00:02:39,159 --> 00:02:41,479 Speaker 13: You some think that there has a God. 33 00:02:41,639 --> 00:02:45,759 Speaker 9: Has a bun swaying from. 34 00:02:44,639 --> 00:02:54,000 Speaker 10: God fast bless. 35 00:02:57,280 --> 00:02:58,719 Speaker 4: It comes fine. 36 00:03:00,879 --> 00:03:20,400 Speaker 10: Disguises, all shot disguise. 37 00:03:23,599 --> 00:03:24,639 Speaker 4: We are doll the. 38 00:03:24,719 --> 00:03:27,280 Speaker 10: Time con tie. 39 00:03:36,360 --> 00:03:39,919 Speaker 8: That ending was a surprise. Hey, welcome everybody. I love it. 40 00:03:40,039 --> 00:03:42,680 That is a bright future. That is Quincy Lord. If 41 00:03:42,719 --> 00:03:45,719 you are listening live on Saturday, we have entered our 42 00:03:46,000 --> 00:03:49,240 third hour New Marrow trace of Matt Connorton Unleashed and 43 00:03:49,280 --> 00:03:52,080 we are live from the studios of w m n 44 00:03:52,360 --> 00:03:56,039 H ninety five point three FM and Glorious Manchester, New Hampshire. 45 00:03:56,439 --> 00:04:02,199 And today is Saturday, January eighth, teen, twenty twenty five. 46 00:04:02,360 --> 00:04:04,400 And let me get that mic up for you there. 47 00:04:04,520 --> 00:04:06,199 Quincy Lord is here with us live in studio. 48 00:04:06,360 --> 00:04:08,919 Speaker 6: Good morning, Hello, Hello, how are you good? Welcome back. 49 00:04:09,080 --> 00:04:11,199 I saw you using a cheat sheet on the calendar 50 00:04:11,360 --> 00:04:11,680 just then. 51 00:04:12,599 --> 00:04:15,759 Speaker 8: Yeah, well when I look over there, yeah yeah, yeah, yeah, 52 00:04:15,840 --> 00:04:21,000 it's un until it becomes afternoon. I don't recall what 53 00:04:21,839 --> 00:04:23,720 day of the month it is, but you know by 54 00:04:23,759 --> 00:04:24,959 the afternoon I've woken up. 55 00:04:26,360 --> 00:04:27,360 Speaker 6: Same. We'll get there together. 56 00:04:27,519 --> 00:04:30,360 Speaker 8: Yeah, yeah, so welcome. When was the last time we 57 00:04:30,399 --> 00:04:32,519 had you. We haven't had you since you've been since 58 00:04:32,560 --> 00:04:33,120 we've been here. 59 00:04:33,240 --> 00:04:37,839 Speaker 6: Yeah, so I think we had put out with my 60 00:04:37,959 --> 00:04:41,600 band's Sunset Electric. We had put out an album last November, 61 00:04:41,800 --> 00:04:43,800 and it was just a little bit before that came 62 00:04:43,839 --> 00:04:45,399 out because we had a couple of singles for you 63 00:04:45,519 --> 00:04:48,279 to play. So yeah, it must have been early last November, 64 00:04:48,560 --> 00:04:51,040 maybe October, so over a year. 65 00:04:51,240 --> 00:04:54,839 Speaker 8: Yeah, yeah, long enough. And the band is still going, right. 66 00:04:55,160 --> 00:04:58,439 Speaker 6: The band's still going. We have a couple of shows 67 00:04:58,480 --> 00:05:00,360 coming up. I'm sure all glad about that as the 68 00:05:00,759 --> 00:05:03,839 day goes on. But we're having a good time. But 69 00:05:04,240 --> 00:05:06,720 I've had all these songs collecting for a while. On 70 00:05:06,759 --> 00:05:09,319 a side, put out this solo record that I'm here 71 00:05:09,399 --> 00:05:12,879 to talk about. Obviously that was the title track if 72 00:05:12,879 --> 00:05:14,360 we didn't say that A bright future. 73 00:05:14,680 --> 00:05:18,600 Speaker 8: Yeah, I listened to the whole album. You sent us 74 00:05:18,639 --> 00:05:21,160 the whole thing, and I love it. I love the 75 00:05:21,199 --> 00:05:22,160 whole thing. Is just great. 76 00:05:22,240 --> 00:05:23,920 Speaker 6: I appreciate that you said. 77 00:05:24,120 --> 00:05:25,759 Speaker 8: So this is a collection of songs that you've been 78 00:05:25,759 --> 00:05:27,040 accumulating for a while now. 79 00:05:27,839 --> 00:05:30,480 Speaker 6: Yeah, this is I've been telling myself I was doing 80 00:05:30,519 --> 00:05:33,879 a solo acoustic record for a while, because yeah, I've 81 00:05:33,879 --> 00:05:36,040 written a lot and there's a lot of songs that 82 00:05:36,079 --> 00:05:39,600 don't fit what the band does. So okay, but there's 83 00:05:39,639 --> 00:05:42,959 fifteen songs on this, which is obviously too many, about 84 00:05:43,040 --> 00:05:47,800 five too many? But basically there's a it's broken into 85 00:05:47,839 --> 00:05:50,920 three groups of five here, and there's a The last 86 00:05:51,000 --> 00:05:54,319 five songs, which are I just see as extra are 87 00:05:54,839 --> 00:05:57,920 acoustic versions of songs we've already put out the band 88 00:05:58,000 --> 00:06:01,240 did on the last record or one it's a single 89 00:06:01,240 --> 00:06:03,680 we've done since once a song I did with my 90 00:06:03,800 --> 00:06:07,959 old band in like twenty nineteen, but oh okay. And 91 00:06:08,040 --> 00:06:10,959 then there's five songs that are very old, some I 92 00:06:11,040 --> 00:06:13,319 wrote when I was a teenager, which is a lifetime ago. 93 00:06:14,279 --> 00:06:18,319 And so there's five very old songs, five new songs, 94 00:06:18,399 --> 00:06:21,759 and five songs that are re released acoustic versions. So 95 00:06:21,839 --> 00:06:23,279 I was like, let's just stick them all together and 96 00:06:23,319 --> 00:06:26,240 put them out there. So it's not the most cohesive unit, 97 00:06:26,360 --> 00:06:30,279 but I think it's a I enjoy it. I like 98 00:06:30,360 --> 00:06:32,000 to have that they came to life, and I can 99 00:06:32,079 --> 00:06:34,079 be like, okay, I don't have you have this one 100 00:06:34,160 --> 00:06:35,439 you know on the back of my mind, like I 101 00:06:35,560 --> 00:06:38,120 want to do something with that song someday, right right. 102 00:06:39,079 --> 00:06:41,600 Speaker 8: In terms of recording these who else is on these 103 00:06:41,839 --> 00:06:43,439 tracks with you? Or is it all you? Did? You 104 00:06:43,480 --> 00:06:44,519 do this all yourself? 105 00:06:44,680 --> 00:06:47,079 Speaker 6: I did all the recording, but I had a bunch 106 00:06:47,120 --> 00:06:50,959 of friends join me on this. The Sunset Electric tracks, 107 00:06:51,079 --> 00:06:53,759 the four of the tracks at the end, I had 108 00:06:53,920 --> 00:06:58,639 my bass player from the band, Dan Smiles or No 109 00:06:58,800 --> 00:07:02,160 on the bass guitar. My buddy Justin Fife helped with 110 00:07:02,199 --> 00:07:05,360 a bunch of these. Justin mckinnis also, they're both in 111 00:07:05,439 --> 00:07:08,560 a band with me. And then they had help from 112 00:07:08,800 --> 00:07:11,480 my friend Cassidy. That song we just played, she did 113 00:07:11,560 --> 00:07:14,600 some backup vocals on, and she's on two other songs 114 00:07:14,639 --> 00:07:17,959 on the album. I met her in this past year 115 00:07:18,040 --> 00:07:21,600 and yeah, just I heard her. We were at the 116 00:07:21,639 --> 00:07:23,600 same show and I heard her sing and I asked 117 00:07:23,600 --> 00:07:27,079 her to come feature on some songs and she didn't. 118 00:07:27,079 --> 00:07:30,000 I was very glad it ended up working out really well. 119 00:07:30,600 --> 00:07:33,199 Is she in a band or she isn't? She actually 120 00:07:33,199 --> 00:07:36,439 does music therapy, I believe. Yeah, Yeah, it's very cool. 121 00:07:37,839 --> 00:07:40,600 I'm a little jealous. It sounds like a fun thing 122 00:07:40,639 --> 00:07:45,720 to be doing. But yeah. And then my friend will 123 00:07:45,759 --> 00:07:49,160 Hart on one of the tracks that will probably play 124 00:07:49,519 --> 00:07:53,639 later steam Town played some harmonica for us. So anyways, 125 00:07:53,639 --> 00:07:55,560 I had a bunch of people on this and snow Cone, 126 00:07:55,720 --> 00:07:59,800 my partner did the al martwork. If for those who 127 00:07:59,800 --> 00:08:03,800 didnt see the picture. It's a kind of a newspaper 128 00:08:03,879 --> 00:08:07,079 front with the title of bright Future and reflection of 129 00:08:07,120 --> 00:08:10,800 an eye with an atomic explosion in the background. So yeah, 130 00:08:11,120 --> 00:08:13,240 if to set the cynical tone there. 131 00:08:13,439 --> 00:08:17,160 Speaker 8: Yeah, I really like the cover. I was curious about that. Yeah, Uh, 132 00:08:17,879 --> 00:08:20,839 that's that's really cool. How how is your approach different 133 00:08:20,879 --> 00:08:23,759 to recording these than than with the band. 134 00:08:24,720 --> 00:08:29,319 Speaker 6: Well, I set out with the intent to just keep 135 00:08:29,360 --> 00:08:31,800 it so simple and just have my voice and the guitar, 136 00:08:31,920 --> 00:08:35,159 and I didn't let myself do that. And yeah, there's 137 00:08:35,240 --> 00:08:37,799 one track which ended up just being vocals and guitar 138 00:08:37,799 --> 00:08:40,799 and arrests had a lot more. But you know, I 139 00:08:40,919 --> 00:08:44,120 mixed the band's record also when we recorded that ourselves, 140 00:08:44,200 --> 00:08:47,240 and I want to see how it would be to 141 00:08:48,240 --> 00:08:50,960 mix something without drums. So for me, the approach was 142 00:08:51,360 --> 00:08:53,559 thinking about the mix and that process of it, the 143 00:08:53,639 --> 00:08:56,440 post production of how's this going to be different? And 144 00:08:57,399 --> 00:08:59,519 I tried a bunch of different things on different songs, 145 00:08:59,600 --> 00:09:02,120 and uh, in the future, I'll look back and they'll 146 00:09:02,159 --> 00:09:04,000 be someone will be like, Okay, that really worked, and 147 00:09:04,039 --> 00:09:05,960 others will be like I should never have done that. 148 00:09:06,480 --> 00:09:11,799 Speaker 8: Right, Oh that's yeah, that's the inevitability of some of those. Yeah, yeah, exactly. 149 00:09:12,080 --> 00:09:15,200 But yeah, did you record these in a studio or 150 00:09:15,279 --> 00:09:16,000 did you do it at. 151 00:09:15,840 --> 00:09:19,080 Speaker 6: Home or the studio being my apartment? Yeah, okay, yeah, yeah, 152 00:09:19,399 --> 00:09:21,000 much to my neighbor's chagrin, I'm sure. 153 00:09:21,240 --> 00:09:25,159 Speaker 8: Yeah. Well, but you didn't have like a full drum 154 00:09:25,240 --> 00:09:25,679 set in there. 155 00:09:25,679 --> 00:09:27,480 Speaker 6: No, there wasn't that. Just a lot of takes in 156 00:09:27,559 --> 00:09:28,519 me being very loud. 157 00:09:29,159 --> 00:09:32,240 Speaker 8: Really h oh, that's funny. Uh you want to play Uh, 158 00:09:32,399 --> 00:09:35,679 I'm dying to hear you play live. Let me uh 159 00:09:36,320 --> 00:09:39,120 pull that. I'll pull that out. So, because we're already 160 00:09:39,120 --> 00:09:40,720 live on the air, we can't we can't do a 161 00:09:40,799 --> 00:09:44,440 proper soundtrack. But if you want to strum that guitar 162 00:09:44,519 --> 00:09:47,840 a little bit, got some say. 163 00:09:47,879 --> 00:09:50,360 Speaker 6: I know from history that people like hearing guitar be strums. 164 00:09:50,440 --> 00:09:56,399 Speaker 8: So yeah, well that sounds nice. Yeah, that sounds really 165 00:09:56,399 --> 00:09:57,200 good in the headphones. 166 00:09:57,320 --> 00:10:00,960 Speaker 6: Sounds great in my headphones. I'm not wearing any if 167 00:10:01,000 --> 00:10:04,519 you're not listening, not watching, I guess right. 168 00:10:04,519 --> 00:10:08,519 Speaker 8: Right, yes, the uh, well, radio is theater of the mine, 169 00:10:08,600 --> 00:10:11,679 so you could have actually just pretended to add headphones. 170 00:10:12,639 --> 00:10:15,039 Speaker 6: You want me to be full of deceit today? Is 171 00:10:15,120 --> 00:10:17,320 that what we're doing well. 172 00:10:17,320 --> 00:10:19,080 Speaker 8: It's early, you know. We can be more honest in 173 00:10:19,120 --> 00:10:19,679 the afternoon. 174 00:10:19,759 --> 00:10:21,879 Speaker 6: See, that's the thing, It's true. Some morning voice. We'll 175 00:10:21,919 --> 00:10:22,679 have some gravel here. 176 00:10:22,799 --> 00:10:24,720 Speaker 8: Well that could be a good thing. That can be 177 00:10:24,759 --> 00:10:27,720 a good thing. What are you going to play for us? 178 00:10:28,600 --> 00:10:32,000 Speaker 6: So this song is called Dive, and it's actually from 179 00:10:32,080 --> 00:10:35,159 this album and anything I've released. Probably the oldest song 180 00:10:35,320 --> 00:10:39,639 I have because I've wrote it as a very angsty teenager. 181 00:10:39,720 --> 00:10:42,279 I think it was probably sixteen or seventeen when I 182 00:10:42,360 --> 00:10:45,399 wrote this, But I always liked the song, and it's 183 00:10:45,480 --> 00:10:53,720 a kind of my experience with Catholicism and breaking away 184 00:10:53,799 --> 00:10:54,039 from that. 185 00:10:54,200 --> 00:10:57,120 Speaker 8: Oh interesting I was. I was raised Catholic, and I 186 00:10:57,200 --> 00:11:00,360 think a lot of people can I haven't even where'd 187 00:11:00,399 --> 00:11:01,360 you play it? Yeah, but I think a lot of 188 00:11:01,399 --> 00:11:02,519 people can probably relate. 189 00:11:04,360 --> 00:11:06,679 Speaker 6: You said a excuse me, you're gonna make it. 190 00:11:06,799 --> 00:11:09,360 Speaker 8: I'm not sick, but I was sick and like this 191 00:11:09,600 --> 00:11:11,639 cough just lingers forever. 192 00:11:11,960 --> 00:11:13,120 Speaker 6: Ah think it likes to do that. 193 00:11:13,399 --> 00:11:17,399 Speaker 8: Yes, but this is the first song you wrote. 194 00:11:17,879 --> 00:11:19,600 Speaker 6: Not the first song I wrote. No, Oh, okay, that's 195 00:11:19,639 --> 00:11:22,519 just of the songs I've released. It's probably the oldest. 196 00:11:22,559 --> 00:11:24,639 Oh I got you the songs I released back in 197 00:11:24,759 --> 00:11:28,799 like twenty seventeen. Oh okay, very very old. I have 198 00:11:29,200 --> 00:11:31,480 notebooks and notebooks full of songs, but this is the 199 00:11:31,679 --> 00:11:34,759 oldest one I'm probably recorded. So okay, okay, cool, you'll 200 00:11:34,840 --> 00:11:35,759 you'll hear the angst? 201 00:11:36,360 --> 00:11:38,279 Speaker 8: Yeah, yeah, all right, I'll look forward to this. So 202 00:11:38,600 --> 00:11:40,159 if you're just joining it, U Squizzy Lord is here 203 00:11:40,159 --> 00:11:42,120 with us live in studio, and he's gonna play what's 204 00:11:42,200 --> 00:11:43,360 what is the name of it? 205 00:11:43,639 --> 00:11:47,279 Speaker 6: Dive dive all right, whenever you're ready. 206 00:11:48,879 --> 00:11:54,960 Speaker 9: Ne mem man the tuck, I will find do wed 207 00:11:55,360 --> 00:11:56,279 to stun. 208 00:11:56,639 --> 00:11:58,440 Speaker 13: Fuck you, my Simpson. 209 00:11:58,720 --> 00:12:04,879 Speaker 9: Make me you one refute everything that I've done while 210 00:12:05,120 --> 00:12:10,120 you're drowning in your light. You wim a failed to 211 00:12:10,440 --> 00:12:15,480 mask your spy. You say that I shouldn't on my place. 212 00:12:17,360 --> 00:12:19,519 Scarce runs down my face. 213 00:12:20,480 --> 00:12:23,159 Speaker 4: How could you believe it's. 214 00:12:23,080 --> 00:12:29,080 Speaker 13: True that God send me to challenge you? Well that's 215 00:12:29,360 --> 00:12:35,000 what you say, high um, you say that, high am. 216 00:12:36,039 --> 00:12:41,279 Speaker 9: Build me up from ground the sky, break my wings, 217 00:12:41,399 --> 00:12:42,559 holl earn to fly? 218 00:12:43,759 --> 00:12:45,919 Speaker 13: Don't you half a one too? 219 00:12:46,159 --> 00:12:51,080 Speaker 9: Whe they built mountains Aho, no flies. 220 00:12:51,639 --> 00:12:59,399 Speaker 14: Just suit sata Let the wind say you when oh, 221 00:13:00,159 --> 00:13:07,200 dive tie through the blessings sad in since time the 222 00:13:07,480 --> 00:13:12,600 shadow in your mind call them friends, don't know? 223 00:13:18,240 --> 00:13:29,120 Speaker 15: Then to save ti, don't ask why on your neck 224 00:13:29,360 --> 00:13:36,159 with kilts and pain. Then left and the rain. Pray 225 00:13:36,360 --> 00:13:43,039 for and holy one, not the one on that is gone. 226 00:13:44,480 --> 00:13:50,000 As children learn to walk, It's seats some hearts. 227 00:13:50,120 --> 00:13:56,759 Speaker 13: You talk all the words, not to say the prayer. 228 00:13:57,000 --> 00:14:02,320 Speaker 9: I'll never pray, Save up bread and drink the wine. 229 00:14:03,679 --> 00:14:06,440 Speaker 13: Sits he memorize your lines. 230 00:14:06,879 --> 00:14:12,200 Speaker 7: No, I told you that I'm done, never meant to 231 00:14:12,480 --> 00:14:13,919 hurt anyone. 232 00:14:14,679 --> 00:14:19,879 Speaker 9: Build me up from crown to sky, break my wings 233 00:14:20,000 --> 00:14:20,639 on the earth. 234 00:14:21,039 --> 00:14:21,120 Speaker 12: Fly. 235 00:14:22,320 --> 00:14:25,039 Speaker 13: Don't you have one toy? 236 00:14:26,080 --> 00:14:31,639 Speaker 9: They built mountains Salhoun of this, just to time. 237 00:14:32,080 --> 00:14:39,120 Speaker 7: Time, Let the water take you in a tive. 238 00:14:39,600 --> 00:14:45,320 Speaker 2: Side, time for the blessing, send the sense and tell 239 00:14:45,639 --> 00:14:51,039 the shadow in your mind you can't accept his. 240 00:14:52,799 --> 00:14:56,679 Speaker 1: Hurt to you. 241 00:14:57,159 --> 00:15:01,720 Speaker 13: Just save time. Time who outside? 242 00:15:19,480 --> 00:15:23,159 Speaker 8: I love it? I love it, Quincy Raymond Is, I'm sorry, 243 00:15:23,240 --> 00:15:27,399 Quincy Lauren dear slipped. There is here with us live 244 00:15:27,440 --> 00:15:30,600 in studio. You know why that happened because I tagged 245 00:15:30,639 --> 00:15:32,840 you on Facebook with the picture I just shared out. 246 00:15:33,080 --> 00:15:35,480 But now, what a great song I had a feeling 247 00:15:35,559 --> 00:15:41,600 I would find that relatable and enjoy that does, uh, 248 00:15:42,519 --> 00:15:46,720 just out of curiosity obviously. So with that song, you 249 00:15:47,279 --> 00:15:49,480 so you were raised, I assume in a Catholic family, 250 00:15:50,080 --> 00:15:52,399 how do they does anyone in your family have they 251 00:15:52,440 --> 00:15:54,440 ever said anything about Have they heard that song and 252 00:15:54,480 --> 00:15:55,240 said anything about it? 253 00:15:55,360 --> 00:15:57,759 Speaker 6: Or yeah, well what I used to hear from because 254 00:15:57,879 --> 00:15:59,879 as a nanngsty teenager I did sing that up in 255 00:16:00,039 --> 00:16:05,279 my bedroom and my father would hear me going dove 256 00:16:05,480 --> 00:16:07,440 Die have dive, and he'd be like, are you saying 257 00:16:07,519 --> 00:16:09,960 die die die? Like, oh, what is that song? You 258 00:16:10,120 --> 00:16:15,000 kept singing? Yeah, the comments I've had from my family 259 00:16:15,159 --> 00:16:18,240 since releasing it have mostly just been that ben that 260 00:16:18,320 --> 00:16:22,679 it sounds angsty and they aren't wrong, Okay. I haven't 261 00:16:23,320 --> 00:16:25,879 been confronted in any such way. I get along with 262 00:16:26,000 --> 00:16:28,960 my family. We're on good terms, so you know, gotta 263 00:16:29,279 --> 00:16:33,240 gotta poke the gotta poke the bear little at holidays 264 00:16:33,320 --> 00:16:34,519 and such, right, Right. 265 00:16:35,240 --> 00:16:38,919 Speaker 8: No one's threatened to have an official papal excommunication or anything. 266 00:16:39,639 --> 00:16:42,720 Speaker 6: Not quite yet. I can't can't say I'm too concerned 267 00:16:42,720 --> 00:16:46,080 about right, Yeah, yes, understood, but yeah, that one's uh, 268 00:16:47,600 --> 00:16:50,840 it was a lot, but it was a lifetime ago. Also, Yeah, 269 00:16:50,960 --> 00:16:53,679 you know everyone's experience is different there, but I was like, 270 00:16:54,000 --> 00:16:57,759 someone might relate to this and hopefully it's a good 271 00:16:57,799 --> 00:16:59,840 song for someone who's still in that. 272 00:17:00,440 --> 00:17:03,080 Speaker 8: Yeah. Yeah, no, it's very very catchy. I like that 273 00:17:03,200 --> 00:17:05,960 a lot. I like that a lot. Quincy Lord is 274 00:17:06,039 --> 00:17:07,960 here with us and we're talking about the new album. 275 00:17:08,440 --> 00:17:11,279 Oh so where does the You talked about the artwork, 276 00:17:11,319 --> 00:17:13,279 But what about the title itself, A Bright Future. 277 00:17:14,680 --> 00:17:17,759 Speaker 6: It's just the that's just I don't know where it 278 00:17:17,839 --> 00:17:19,720 came to me. I've just been working on lyrics for 279 00:17:20,240 --> 00:17:22,599 the song of Bright Future, which I don't believe ever 280 00:17:22,680 --> 00:17:25,400 says that, But at some point I was thinking about 281 00:17:25,640 --> 00:17:27,599 what the title should be and looking at the track 282 00:17:27,680 --> 00:17:29,960 list and the other names, like all, what would be 283 00:17:30,000 --> 00:17:33,680 a good title, and as that song was originally called 284 00:17:33,759 --> 00:17:36,960 Faster Faster, which is something I repeat a lot throughout 285 00:17:37,000 --> 00:17:40,160 the song, but it just had the right kind of 286 00:17:40,440 --> 00:17:42,799 cynicism to me. Once we found a picture, I had 287 00:17:42,839 --> 00:17:46,880 the idea for that, Yeah, that name to come out 288 00:17:48,000 --> 00:17:50,400 and that song itself, by the way, the title track, 289 00:17:50,799 --> 00:17:56,000 A Bright Future, I wrote that because my partner's fate. 290 00:17:56,119 --> 00:17:59,319 One of her favorite genres of types of song is 291 00:17:59,440 --> 00:18:02,200 really up eat songs. About the world ending. Yeah, so 292 00:18:02,359 --> 00:18:05,599 like we will become silhouettes by the Shins. It's into 293 00:18:05,599 --> 00:18:09,039 the World as we Know It by Rim obviously songs 294 00:18:09,119 --> 00:18:11,680 like that. And she was getting ready for work one 295 00:18:11,799 --> 00:18:14,880 day and I must have been a weekend because I 296 00:18:15,039 --> 00:18:18,079 was home and uh, I was just following her around 297 00:18:18,119 --> 00:18:28,319 one and just you know, making up words I heard 298 00:18:28,319 --> 00:18:29,839 and You're like, I actually kind of like that. Let 299 00:18:29,880 --> 00:18:32,279 me see if I can turn that into something. 300 00:18:32,519 --> 00:18:34,720 Speaker 8: Yeah, oh that's cool. 301 00:18:34,799 --> 00:18:36,920 Speaker 6: It's the goal was to write an upbeat song about 302 00:18:37,200 --> 00:18:39,440 you know, world ending the fallout. 303 00:18:39,839 --> 00:18:41,400 Speaker 8: Yeah, yeah, no, I like it. 304 00:18:41,599 --> 00:18:41,759 Speaker 10: Yeah. 305 00:18:41,759 --> 00:18:44,559 Speaker 8: I was trying to think of some more examples of Yeah, 306 00:18:44,559 --> 00:18:46,599 it seems like there are quite a few. Yeah, you 307 00:18:46,720 --> 00:18:48,960 mentioned the end of the world as we know at Rim. 308 00:18:49,720 --> 00:18:51,440 What else does oh? You know one that nobody ever 309 00:18:51,480 --> 00:18:52,039 thinks of is? 310 00:18:52,160 --> 00:18:52,279 Speaker 15: Uh? 311 00:18:52,400 --> 00:18:54,119 Speaker 8: Do you know the song Wake Me Up on Judgment 312 00:18:54,200 --> 00:18:55,200 Day by Steve Winwood? 313 00:18:55,759 --> 00:18:56,240 Speaker 6: I don't. 314 00:18:56,480 --> 00:18:58,519 Speaker 8: Yeah, no one remembers that one. 315 00:18:58,440 --> 00:19:01,200 Speaker 6: But you did except me. Steve When would would be 316 00:19:01,319 --> 00:19:04,039 very glad right now? Yes, yes, he's still alive, right, 317 00:19:04,119 --> 00:19:05,920 Steve When would? As far as I know, I think 318 00:19:05,920 --> 00:19:07,200 he still haven't talked to him in a while. 319 00:19:07,319 --> 00:19:12,880 Speaker 8: Yeah, are there are there other themes or is there 320 00:19:12,920 --> 00:19:16,640 a theme? I probably not to the album because you 321 00:19:16,759 --> 00:19:18,880 mentioned that, you know, they've they've kind of come from. 322 00:19:19,519 --> 00:19:22,759 Speaker 6: Absolute, absolute chaos. Yeah, it's all over the place. It's 323 00:19:22,960 --> 00:19:24,279 no rhyme or reason throughout. 324 00:19:24,839 --> 00:19:28,720 Speaker 8: But it is cohesive because, like I said, I listened 325 00:19:28,720 --> 00:19:30,720 to the whole thing and I and I listened to 326 00:19:30,759 --> 00:19:32,599 everything at once. I didn't, you know, It's not like 327 00:19:32,640 --> 00:19:34,640 I listened to some and then listen more later. So 328 00:19:34,759 --> 00:19:36,160 to me, it seemed really cohesive. 329 00:19:36,319 --> 00:19:38,279 Speaker 6: Well, despite when they were written, at the very least 330 00:19:38,319 --> 00:19:40,880 they were for the most part, they recorded or at 331 00:19:40,960 --> 00:19:43,839 least mixed at the same time. Yeah, a couple of 332 00:19:44,000 --> 00:19:47,359 songs that did start recording in like uh twenty eighteen, 333 00:19:47,400 --> 00:19:49,240 twenty nineteen, it was just like, I'm not redoing this. 334 00:19:49,319 --> 00:19:51,599 I'm just going to keep those files and yeah, I 335 00:19:51,920 --> 00:19:54,599 sound the same. I'm sure it's gonna be fine, right right, 336 00:19:55,200 --> 00:19:56,880 But uh no, it's not really theme. I mean, with 337 00:19:57,000 --> 00:19:57,640 a Bright Future. 338 00:19:57,680 --> 00:19:58,039 Speaker 10: It was just. 339 00:20:00,079 --> 00:20:02,200 Speaker 6: The reason that that was like the strongest feeling is 340 00:20:02,240 --> 00:20:05,559 why I guess I kept that as the title for 341 00:20:05,799 --> 00:20:09,000 the album. Just you know, there's a lot of anxieties. 342 00:20:09,119 --> 00:20:11,839 I think Monday is going to be an anxious day 343 00:20:11,920 --> 00:20:13,920 for a lot of people. If you have no idea 344 00:20:13,960 --> 00:20:16,039 what's going on in politics, you can figure it out. 345 00:20:16,119 --> 00:20:22,759 But yeah, which, well there is that. But just a 346 00:20:22,839 --> 00:20:26,480 lot of terrible things happening in the world at all times, 347 00:20:26,559 --> 00:20:32,359 and general consciousness of that is enough to weigh on someone, 348 00:20:32,440 --> 00:20:35,960 I think, and got to keep living life as in 349 00:20:36,039 --> 00:20:39,119 the world we are and you know, yes, yes, hope 350 00:20:39,160 --> 00:20:39,799 for the best. 351 00:20:42,160 --> 00:20:42,359 Speaker 13: Boy. 352 00:20:43,319 --> 00:20:47,799 Speaker 6: Yeah, sorry, I started your political wheel turning here. 353 00:20:48,279 --> 00:20:52,240 Speaker 8: Yeah, yeah, what you know, we used to do politics 354 00:20:52,319 --> 00:20:54,440 on the show, and then we took that element. 355 00:20:54,200 --> 00:20:55,680 Speaker 6: Out of the I didn't know you took it out 356 00:20:56,440 --> 00:20:57,880 well out of the WM. 357 00:20:57,559 --> 00:20:59,240 Speaker 8: And H version of the show. Now I only do 358 00:20:59,359 --> 00:20:59,920 that online. 359 00:21:00,559 --> 00:21:05,640 Speaker 6: But but but I am uh, you're gonna make it Matt. 360 00:21:05,680 --> 00:21:06,559 Matt needs a little drink. 361 00:21:06,599 --> 00:21:08,720 Speaker 8: I think that's what's causing my my cough is the 362 00:21:08,880 --> 00:21:15,480 uh sense of dread and doom I feel. But anyway, well, 363 00:21:15,519 --> 00:21:16,640 I do need a gulp of water. 364 00:21:17,640 --> 00:21:19,720 Speaker 6: That's right, We're gonna We're just gonna play a little 365 00:21:19,720 --> 00:21:20,200 waiting music. 366 00:21:20,279 --> 00:21:27,640 Speaker 8: Well, that's right. Oh, I like that. That's nice to 367 00:21:27,759 --> 00:21:30,799 help spring my stress level down too. It's very peppy. 368 00:21:32,799 --> 00:21:34,000 You can make a song about the end of the 369 00:21:34,039 --> 00:21:37,119 world out of that, sure could. But you can just 370 00:21:37,160 --> 00:21:40,440 make it about Monday, although it is Martin Luther King 371 00:21:40,519 --> 00:21:42,400 day to Monday. So that's positive. 372 00:21:42,759 --> 00:21:43,079 Speaker 6: There you go. 373 00:21:43,240 --> 00:21:46,000 Speaker 8: There's a It's weird though that these two things are 374 00:21:46,319 --> 00:21:47,480 converging on the same day. 375 00:21:47,519 --> 00:21:48,759 Speaker 6: Yeah, they don't seem to go together. 376 00:21:48,880 --> 00:21:53,359 Speaker 8: No, they really do not. They certainly do not. 377 00:21:53,759 --> 00:21:58,559 Speaker 6: Yeah, but uh now that's that's the least we can 378 00:21:58,599 --> 00:21:59,119 say about it. 379 00:21:59,359 --> 00:22:04,599 Speaker 8: Yeah, exactly now with the band, so with Sunset Electric, 380 00:22:05,279 --> 00:22:10,839 I know them, yes, yes, so are you While you 381 00:22:10,920 --> 00:22:14,519 were recording this album, did the band keep going or 382 00:22:14,559 --> 00:22:16,279 did you guys take a break while you were doing this? 383 00:22:16,480 --> 00:22:18,200 Speaker 6: I don't know the band kick guard. I did this 384 00:22:18,759 --> 00:22:22,599 very slowly over this past year. There was like weeks 385 00:22:22,680 --> 00:22:24,799 of focus and weeks I didn't touch it at all. 386 00:22:24,880 --> 00:22:27,079 And that's some of it. That was just writing songs. 387 00:22:27,160 --> 00:22:31,359 But no, we've been we've been playing. We have a 388 00:22:31,960 --> 00:22:33,519 couple of shows coming up. We're gonna be at a 389 00:22:34,000 --> 00:22:37,799 Huskies Pub and Wooster on the eighth and of February. 390 00:22:38,680 --> 00:22:43,200 And we're around. But we have been working on a 391 00:22:43,319 --> 00:22:46,119 new album also. We're in writing stages, but we're almost 392 00:22:46,200 --> 00:22:49,279 done writing the next record and excellent, which you know. 393 00:22:49,359 --> 00:22:51,519 Sometimes I would start a song intending it to be 394 00:22:51,599 --> 00:22:53,279 for my solo thing, and I was like, ah, nah, 395 00:22:53,519 --> 00:22:55,359 the band will like this one, and yeah, you know, 396 00:22:55,920 --> 00:22:58,680 just bringing songs into them and seeing what sticks and 397 00:22:58,799 --> 00:23:01,880 what they vibe would so yeah, but no, we've still 398 00:23:01,880 --> 00:23:05,079 been going. We have a great time playing and practicing, 399 00:23:05,240 --> 00:23:08,440 and yeah, it's a blast. I always look forward to 400 00:23:08,440 --> 00:23:11,599 playing with the band. I like playing the solo shows too, Obviously, 401 00:23:11,680 --> 00:23:14,559 it's a whole different experience. I can play soft stuff, 402 00:23:14,599 --> 00:23:17,480 I can get more lyrical, but the energy is great 403 00:23:17,519 --> 00:23:20,200 when the band's playing and people are clapping and singing 404 00:23:20,240 --> 00:23:23,319 along and we're full of antics and jumping around and 405 00:23:23,440 --> 00:23:25,480 messing with each other. It's it's always fun. 406 00:23:25,680 --> 00:23:28,240 Speaker 8: Yeah. Now with the solo shows, do you do like 407 00:23:28,359 --> 00:23:31,039 really long sets? You do like multi hour? 408 00:23:31,240 --> 00:23:31,440 Speaker 10: Yeah? 409 00:23:31,519 --> 00:23:33,160 Speaker 6: Usually? I mean I do a lot of breweries, and 410 00:23:33,240 --> 00:23:36,200 actually today I'm playing at a seven Saws Brewing and 411 00:23:36,279 --> 00:23:39,039 a Holden mass That's one of my favorite spots. But 412 00:23:39,519 --> 00:23:42,279 I'm playing there a very long time. Yeah, like how long, 413 00:23:42,519 --> 00:23:46,799 like before COVID, probably like twenty eighteen, I want to 414 00:23:46,839 --> 00:23:49,640 say I started, which might be around when they opened. 415 00:23:51,039 --> 00:23:52,640 I lived in Lemonster at the time, so it was 416 00:23:52,640 --> 00:23:54,960 a lot closer. Yeah, so it made sense that I 417 00:23:55,079 --> 00:23:58,000 found them and was going there. But uh, yeah, I've 418 00:23:58,000 --> 00:24:01,319 been going there. I was there every Sunday or as 419 00:24:01,359 --> 00:24:03,599 a duo with one of my bandmates for a good while. 420 00:24:03,640 --> 00:24:06,119 But anyways, I'll be there. But yeah, it's like a 421 00:24:06,200 --> 00:24:08,200 three hour set when I'm playing at a brewery, which 422 00:24:08,279 --> 00:24:10,920 you know, I like to play my originals do a lot, 423 00:24:10,960 --> 00:24:13,279 and people are very receptive to that. 424 00:24:13,519 --> 00:24:14,000 Speaker 8: Yeah. Good. 425 00:24:14,079 --> 00:24:16,960 Speaker 6: But I also, you know, play covers and make people happy. 426 00:24:17,160 --> 00:24:17,359 Speaker 8: Sure. 427 00:24:17,440 --> 00:24:19,400 Speaker 6: The best thing is when you play a cover a 428 00:24:19,480 --> 00:24:21,839 song you know, but that's not popular, and people come, 429 00:24:22,039 --> 00:24:25,000 I really like that's original of yours. Yeah, well you 430 00:24:25,160 --> 00:24:27,359 picked the one that wasn't mine. But I understand I 431 00:24:27,440 --> 00:24:27,920 love it too. 432 00:24:28,240 --> 00:24:31,279 Speaker 8: Yeah. Yeah, No, it's funny when that happens because yeah, 433 00:24:31,440 --> 00:24:33,119 you know, we've had a lot of guests over the 434 00:24:33,200 --> 00:24:35,599 years who you know, they'll they'll do covers, but they'll 435 00:24:35,640 --> 00:24:38,400 do something obscure and then people don't even know. 436 00:24:39,599 --> 00:24:41,240 Speaker 6: It's just associated with them forever. 437 00:24:41,599 --> 00:24:45,359 Speaker 8: Yeah. I was in a band where we years ago, 438 00:24:45,480 --> 00:24:46,839 long time ago. I was in a band called My 439 00:24:46,920 --> 00:24:49,119 Life Crisis, and we did a kiss cover. But we 440 00:24:49,240 --> 00:24:51,960 did a song called Hate, which is from their most 441 00:24:52,000 --> 00:24:54,880 obscure album that only the most diehard Kiss fans even 442 00:24:54,960 --> 00:24:57,839 know about, and it sounded so much like everything else, 443 00:24:58,000 --> 00:25:00,279 like all our originals that, yeah, nobody knew. 444 00:25:00,839 --> 00:25:02,160 Speaker 6: You know, what did you do in the band? 445 00:25:02,359 --> 00:25:03,200 Speaker 8: I was a bass player. 446 00:25:03,680 --> 00:25:04,279 Speaker 6: How'd you like it? 447 00:25:04,640 --> 00:25:06,799 Speaker 8: Do you still play? I haven't picked up a bass 448 00:25:06,839 --> 00:25:08,920 in a long time, Yeah, but I used to be. 449 00:25:09,440 --> 00:25:10,960 I was pretty active. At one point. I was in 450 00:25:11,039 --> 00:25:12,960 three different bands at once and we were all doing 451 00:25:12,960 --> 00:25:16,440 a lot of shows. But I never started a family 452 00:25:16,480 --> 00:25:18,640 because obviously you can't do that if you have kids, 453 00:25:19,000 --> 00:25:22,359 so I avoided that. But yeah, now I'm just too 454 00:25:22,400 --> 00:25:24,400 busy with other things, so I haven't. I haven't played 455 00:25:24,440 --> 00:25:26,680 in a long time, but sometimes I miss it and 456 00:25:26,680 --> 00:25:28,400 then I remember all the work that goes into it, 457 00:25:28,519 --> 00:25:30,200 and it's like, yeah, I don't miss it that much. 458 00:25:31,640 --> 00:25:33,319 Speaker 6: Labor of love, I think they'd say. 459 00:25:33,319 --> 00:25:36,240 Speaker 8: Yeah, absolutely. But the nice thing about what you're doing 460 00:25:36,279 --> 00:25:38,519 when you do it solo acoustic, of course, that opens 461 00:25:38,599 --> 00:25:41,359 up a lot of different places you can play, and like, like, 462 00:25:41,559 --> 00:25:44,119 you have no shortage of opportunity. I'm sure as far 463 00:25:44,160 --> 00:25:45,079 as where you play. 464 00:25:45,000 --> 00:25:48,119 Speaker 6: Yeah, you can one one person can fit in wherever 465 00:25:48,440 --> 00:25:51,119 exactlip side. If you haven't a bad day for your 466 00:25:51,200 --> 00:25:53,559 voice or you're just all over to play, you have 467 00:25:53,640 --> 00:25:55,440 no one to blame, like, oh no, the drummer was 468 00:25:55,519 --> 00:25:58,480 the drummer was hammered that day. You can't blame the 469 00:25:58,559 --> 00:26:00,640 drummer when it's just you, Like, no, that that was 470 00:26:00,759 --> 00:26:05,240 just me not being perfect. Sorry, guys, Yeah, yeah, it's 471 00:26:05,319 --> 00:26:06,240 been known to happen. 472 00:26:06,559 --> 00:26:09,000 Speaker 8: Yes, yes, if you're just joining us. 473 00:26:09,240 --> 00:26:12,640 Speaker 6: Casey, Lord, Casey, what what am I doing, Quincy, Lord, 474 00:26:12,799 --> 00:26:13,640 Matt's having a day. 475 00:26:13,799 --> 00:26:15,400 Speaker 8: I am. I'm thinking about Monday. 476 00:26:15,400 --> 00:26:16,880 Speaker 6: I'm gonna write it down for you next time. 477 00:26:17,119 --> 00:26:19,960 Speaker 8: Yeah, I think I'm thinking about Monday and I'm distracted. 478 00:26:20,640 --> 00:26:23,200 Nothing nothing too terrible, we at least not the first day. 479 00:26:23,279 --> 00:26:24,599 Nothing terrible will happen, I'm sure. 480 00:26:25,039 --> 00:26:27,559 Speaker 6: Well the next day, I think there's some terrible plans week. 481 00:26:27,640 --> 00:26:28,559 We should probably the. 482 00:26:28,599 --> 00:26:30,880 Speaker 8: Next day, yeah, well we'll we'll enjoy the holiday. The 483 00:26:30,960 --> 00:26:33,839 next day, well we'll be terrible. But uh, do you 484 00:26:33,920 --> 00:26:36,200 want to you want to play another live one for us? Yeah? 485 00:26:36,240 --> 00:26:36,519 Speaker 4: Why not? 486 00:26:36,680 --> 00:26:41,119 Speaker 8: Dying to hear another one? Let me uh get that 487 00:26:41,640 --> 00:26:44,240 other mic back up there. That guitar sounds nice. 488 00:26:48,279 --> 00:26:49,160 Speaker 6: Sure, I'm gonna play you. 489 00:26:49,279 --> 00:26:49,400 Speaker 3: Uh. 490 00:26:49,640 --> 00:26:51,680 Speaker 6: This was one of the songs I actually had released 491 00:26:51,720 --> 00:26:55,480 already with Sunset Electric, but I released as an acoustic 492 00:26:55,599 --> 00:26:57,200 version of this album because it's a lot of fun 493 00:26:57,279 --> 00:27:00,240 and uh, I don't think I'm pretty sure to play 494 00:27:00,240 --> 00:27:02,440 it last semes here it's called the Inn. Okay, Well, no, 495 00:27:02,519 --> 00:27:05,240 we've we played the recording last time. That's it, okay, 496 00:27:06,480 --> 00:27:08,000 but I want to play it, so we're going to 497 00:27:08,319 --> 00:27:11,799 awesome answer. I know it's a guess. It's about feeling lost, 498 00:27:11,920 --> 00:27:14,359 it's a it's run. 499 00:27:20,400 --> 00:27:29,000 Speaker 3: Oh my, oh my, you're sat from my sore eyes. 500 00:27:29,640 --> 00:27:33,359 Read your footprints from the dark. Come sit, bind up 501 00:27:33,400 --> 00:27:38,039 one's light you in a dark place. We've all given 502 00:27:38,240 --> 00:27:43,720 to desire with a blind leading the blind, and you're preaching. 503 00:27:43,480 --> 00:27:49,559 Speaker 7: To the barn, said tell me where the car, Where 504 00:27:49,559 --> 00:27:51,039 I can lay the bow? 505 00:27:52,039 --> 00:27:53,160 Speaker 1: Where can lay my. 506 00:27:55,640 --> 00:27:58,000 Speaker 13: Said shah, call. 507 00:27:58,039 --> 00:28:01,759 Speaker 4: To the bow? Where can lemma bo? 508 00:28:02,640 --> 00:28:06,880 Speaker 13: Wherelemma bone? Bone is my own night. 509 00:28:16,920 --> 00:28:17,359 Speaker 10: Loma? 510 00:28:17,960 --> 00:28:23,920 Speaker 7: Ohah see, you're not acusole through your ashes, through the wind, 511 00:28:25,079 --> 00:28:26,599 losing long control. 512 00:28:27,400 --> 00:28:33,400 Speaker 13: This back rang nights a signal, I'll tacon. You can 513 00:28:33,559 --> 00:28:38,559 say night, but you can't see bodusn't see nothing. Oh 514 00:28:39,599 --> 00:28:43,400 tell me where to go? Where I can let him 515 00:28:43,480 --> 00:28:44,160 a bottle? 516 00:28:44,960 --> 00:28:46,640 Speaker 4: Where can lem my bone? 517 00:28:48,400 --> 00:28:50,759 Speaker 6: I said, bo shall go. 518 00:28:51,000 --> 00:28:51,920 Speaker 1: To the roll? 519 00:28:52,960 --> 00:28:57,759 Speaker 13: Where can a lemma bounce? Where Lama boats. 520 00:29:00,759 --> 00:29:00,799 Speaker 5: That? 521 00:29:01,000 --> 00:29:01,880 Speaker 13: It cuts cold? 522 00:29:02,039 --> 00:29:09,400 Speaker 4: Half nice? Has her her? 523 00:29:11,480 --> 00:29:18,319 Speaker 13: You don't dropping the parts life. He's a truce, to 524 00:29:18,400 --> 00:29:18,920 be sure. 525 00:29:20,599 --> 00:29:21,240 Speaker 1: But I'm not. 526 00:29:22,920 --> 00:29:25,200 Speaker 4: Coming up, be le. 527 00:29:56,400 --> 00:29:57,079 Speaker 8: I do know. 528 00:29:58,680 --> 00:29:59,480 Speaker 13: I'm searching. 529 00:30:00,119 --> 00:30:00,680 Speaker 4: Go home. 530 00:30:01,400 --> 00:30:04,640 Speaker 13: It's pleased to go on my own, on my home. 531 00:30:06,759 --> 00:30:07,720 Speaker 6: What did gen meet? 532 00:30:07,799 --> 00:30:08,799 Speaker 1: To this road? 533 00:30:09,839 --> 00:30:19,079 Speaker 7: Where a Lamma bones? Why tell me where to go? 534 00:30:20,480 --> 00:30:30,279 Where Calma problems? Mysa puble shack all to the ball? 535 00:30:31,319 --> 00:30:35,680 Speaker 13: Waking Lama? Where my bone? 536 00:30:42,519 --> 00:30:42,720 Speaker 10: Well? 537 00:30:42,920 --> 00:30:48,759 Speaker 4: My work Lemma? 538 00:30:52,839 --> 00:30:55,960 Speaker 8: Oh that is cool. I really like that. Yeah, that 539 00:30:56,119 --> 00:30:59,000 sounded great. If you're just joining us, we have Quincy 540 00:30:59,079 --> 00:31:02,559 Lord here with us live in studio playing some tracks live, 541 00:31:02,640 --> 00:31:04,880 and of course we're featuring songs from his new album, 542 00:31:05,240 --> 00:31:09,559 A Bright Future and Refresh my Memory. Is it out 543 00:31:09,680 --> 00:31:10,680 now or is it coming out? 544 00:31:10,720 --> 00:31:11,279 Speaker 6: It is out now. 545 00:31:11,319 --> 00:31:15,400 Speaker 8: I just came out on January first. Felt appropriate? Yeah, excellent. 546 00:31:15,519 --> 00:31:17,880 So it's it's on all the streaming platforms. 547 00:31:17,960 --> 00:31:19,920 Speaker 6: It is on all the streaming platforms as far as 548 00:31:20,000 --> 00:31:22,400 I know. We had a little issue with Apple, but 549 00:31:22,480 --> 00:31:24,920 it's live there now too. So for those who were 550 00:31:25,160 --> 00:31:26,119 asking me about. 551 00:31:25,920 --> 00:31:29,279 Speaker 8: It, Oh, what was the problem with Apple? I'm always 552 00:31:29,319 --> 00:31:30,640 curious about this type of thing. 553 00:31:30,880 --> 00:31:33,400 Speaker 6: I have no idea. It was just from the distributors, 554 00:31:33,480 --> 00:31:36,960 just like, oh, delivery to iTunes and Apple failed, it said, 555 00:31:36,960 --> 00:31:39,559 And I emailed them like six times and they got 556 00:31:39,640 --> 00:31:42,200 back to me last night being like, oh it's fixed now, 557 00:31:42,240 --> 00:31:44,599 and like, well thanks, oh okay, good good. Only took 558 00:31:44,680 --> 00:31:46,319 him a couple of weeks. It could be worse. 559 00:31:46,839 --> 00:31:48,559 Speaker 8: Busy distro Kid is that who you used? 560 00:31:49,039 --> 00:31:51,640 Speaker 6: CD baby And I used to use distro Kid, but 561 00:31:52,319 --> 00:31:54,960 it was a didn't end up being worth it. 562 00:31:55,440 --> 00:31:57,680 Speaker 8: Yeah, I've heard that from from quite a few people. 563 00:31:57,720 --> 00:32:00,319 Speaker 6: Well, it depends if you're someone that uh I friends 564 00:32:00,359 --> 00:32:01,960 who just like you know, they'll have an idea and 565 00:32:01,960 --> 00:32:04,799 they'll just knock out some recording, especially if it's like 566 00:32:05,160 --> 00:32:07,920 house music or whatever. Yeah, just something like that where 567 00:32:07,960 --> 00:32:11,000 they're or a tecto or whatever and they'll just you know, 568 00:32:11,200 --> 00:32:13,279 upload a song at a time, and yeah, you know, 569 00:32:13,400 --> 00:32:15,759 having a subscription, which is how district it works, and 570 00:32:15,839 --> 00:32:18,319 you just upload all you want as opposed to per release, 571 00:32:18,640 --> 00:32:20,839 then it's worth it for those people. But yeah, the 572 00:32:20,960 --> 00:32:22,839 trouble is if you ever stop paying them to take 573 00:32:22,839 --> 00:32:24,440 your music down, or you have to give them fifty 574 00:32:24,480 --> 00:32:27,759 bucks per release, which is a lot of money. 575 00:32:27,920 --> 00:32:34,240 Speaker 8: Yeah yeah, wow, are you doing physical CDs as well? 576 00:32:34,359 --> 00:32:36,480 Speaker 6: Or I am? I think I have some with me. 577 00:32:36,759 --> 00:32:41,599 Speaker 8: Oh okay, cool. Yeah, that's it's interesting how that's changed 578 00:32:41,640 --> 00:32:43,920 over the years, because you know, when I first started 579 00:32:44,319 --> 00:32:47,319 interviewing bands and you know it, it was a long 580 00:32:47,400 --> 00:32:49,000 time ago. And just give you an idea of how 581 00:32:49,079 --> 00:32:51,680 long ago it was when I first started. This was 582 00:32:51,720 --> 00:32:55,960 before I was at WM andh like, guess wouldn't be 583 00:32:55,960 --> 00:32:59,279 even Oh I should have turned that mic down. There 584 00:32:59,359 --> 00:33:06,079 we go. So before I was at WM and h uh, 585 00:33:07,319 --> 00:33:10,200 instead of sending me emailing me files, before people were 586 00:33:10,240 --> 00:33:12,799 really comfortable with that, people would give me a CD 587 00:33:13,519 --> 00:33:17,200 and the move was very often and this was typical. 588 00:33:17,920 --> 00:33:20,720 Uh the CD wouldn't even be in a case. It 589 00:33:20,759 --> 00:33:23,160 would be on a CDR and they would write on 590 00:33:23,279 --> 00:33:25,440 it with sharpe what it was and they would hand 591 00:33:25,440 --> 00:33:28,079 it to me on their finger. You know, it's no 592 00:33:28,240 --> 00:33:32,880 case and you know, and then of course eventually people 593 00:33:32,960 --> 00:33:36,680 got comfortable with just emailing tracks using Dropbox and services 594 00:33:36,759 --> 00:33:40,680 like that, Google Drive and whatnot. And then so that stopped. 595 00:33:40,759 --> 00:33:43,720 But also a lot of a lot of people just stopped, 596 00:33:44,240 --> 00:33:47,240 you know, because there was this thought, well, everything's online 597 00:33:47,319 --> 00:33:50,519 now and with Spotify and everything, there's no reason to 598 00:33:50,559 --> 00:33:52,640 make CDs. And then and so it seems like for 599 00:33:52,720 --> 00:33:55,119 a while, most of the guests I had, you know, 600 00:33:55,160 --> 00:33:56,359 I would ask them, well, are you going to do 601 00:33:56,400 --> 00:33:58,400 a physical CD? And they'd look at me like I 602 00:33:58,559 --> 00:34:01,400 was nuts. And then now, over the past I don't know, 603 00:34:01,519 --> 00:34:04,720 five or six years, probably you know, everybody's doing CDs again, 604 00:34:04,839 --> 00:34:07,680 and some are even doing vinyl, which apparently is very expensive. 605 00:34:07,799 --> 00:34:10,960 Speaker 6: But there's definitely a vinyl resurgence for sure. 606 00:34:11,199 --> 00:34:14,079 Speaker 8: Yeah, yeah, well I think I think it was twenty 607 00:34:14,159 --> 00:34:18,719 twenty two was the first year that vinyl actually outsold CDs. 608 00:34:19,000 --> 00:34:22,199 Speaker 6: I did hear that? Yeah, Well, you know, the biggest 609 00:34:22,239 --> 00:34:24,159 issue here is anyone buying a new car. For the 610 00:34:24,239 --> 00:34:28,360 past five years, I'm guessing the vast majority don't have 611 00:34:28,519 --> 00:34:31,000 CD players In the time I bought a new car 612 00:34:31,280 --> 00:34:33,719 last year, I had to get rid of my old one, 613 00:34:33,800 --> 00:34:35,760 and I went from having you know, a six CD 614 00:34:35,960 --> 00:34:38,760 changer that I had all my favorites in, and you 615 00:34:38,840 --> 00:34:42,079 know that one of those books that just has full 616 00:34:42,119 --> 00:34:44,760 of little CDs. Oh yeah, you know, have a couple 617 00:34:44,880 --> 00:34:47,480 hundred CDs in there. And you know, if you're driving 618 00:34:47,519 --> 00:34:50,159 out in the boondogs and don't have service, you know, 619 00:34:50,719 --> 00:34:52,639 didn't have to worry about having songs on my phone. 620 00:34:52,679 --> 00:34:56,199 I could just you know, yes, And I like listening 621 00:34:56,239 --> 00:34:58,360 to records start to bottom. A lot of people, yep, 622 00:34:59,480 --> 00:35:02,559 don't like doing that, don't have the attention for it. 623 00:35:02,679 --> 00:35:05,320 But I like to commit and see what's going on. Yeah, 624 00:35:06,079 --> 00:35:08,800 but uh, you know, I've always liked doing CDs. It's 625 00:35:08,800 --> 00:35:11,280 good to just have like a little a little something. 626 00:35:11,719 --> 00:35:13,400 Speaker 8: Well that's the thing. You know, it's fun to listen 627 00:35:13,760 --> 00:35:15,960 or it's fun to look at liner notes and the 628 00:35:16,079 --> 00:35:18,840 artwork and everything that whole experience. I mean, that's you know, 629 00:35:18,920 --> 00:35:21,039 when I was a kid, I always loved you know, 630 00:35:21,079 --> 00:35:23,159 if I was really into an artist, I would actually 631 00:35:23,280 --> 00:35:26,519 read everything that was in there, like like who their 632 00:35:26,599 --> 00:35:29,039 manager was, you know, just everything. If I was really 633 00:35:29,079 --> 00:35:31,039 into somebody, you know, like. 634 00:35:31,079 --> 00:35:33,119 Speaker 6: Oh this guy played sex phone on that one song. 635 00:35:33,199 --> 00:35:34,039 That's very interesting. 636 00:35:34,119 --> 00:35:37,159 Speaker 8: Yeah, yeah, because I could get obsessed if I still can. 637 00:35:37,360 --> 00:35:39,639 But but it's cool that it you know that it 638 00:35:39,760 --> 00:35:40,639 never went away. 639 00:35:41,000 --> 00:35:41,639 Speaker 4: Even. 640 00:35:43,199 --> 00:35:46,159 Speaker 8: Even cassettes. I think it was about five or six 641 00:35:46,280 --> 00:35:48,679 years ago. I was on band camp dot com and 642 00:35:48,960 --> 00:35:52,199 just looking for new artists in the area and I 643 00:35:52,280 --> 00:35:55,840 found somebody who was making cassettes. And the first one 644 00:35:55,880 --> 00:35:57,199 that I found I thought it was a fluke and 645 00:35:57,280 --> 00:35:59,039 I was like, Oh, they're doing this kind of retro thing, 646 00:35:59,239 --> 00:36:01,199 you know, is it like an pop band from mean 647 00:36:01,280 --> 00:36:04,719 Steak College or something. And then I found more and 648 00:36:04,840 --> 00:36:08,440 I'm like, oh my god, it's crazy. 649 00:36:09,480 --> 00:36:13,880 Speaker 6: But yeah, it's definitely a retro hipster kind of thing. 650 00:36:13,880 --> 00:36:16,760 I mean, yeah, the only people I really usually see 651 00:36:16,880 --> 00:36:21,559 selling cassettes are like folk punk slash crustpunk bands and 652 00:36:22,559 --> 00:36:25,840 you know, very di y and indie people. I don't 653 00:36:25,880 --> 00:36:27,400 see many eight tracks anymore. 654 00:36:27,559 --> 00:36:28,960 Speaker 8: No eight tracks. 655 00:36:29,280 --> 00:36:32,559 Speaker 6: Yeah, my one my bandmate, and I'm in another band 656 00:36:32,679 --> 00:36:36,079 called Pants to band that's largely the same members but 657 00:36:36,599 --> 00:36:40,880 all in different rules as a Sunset, but our keyboardist, 658 00:36:41,039 --> 00:36:43,159 Justin mcinness is the singer in Pants. It's all his 659 00:36:43,320 --> 00:36:46,880 songs since Old Vibe. Anyways, he has the means to 660 00:36:46,960 --> 00:36:50,840 record eight track really and he's he's dead set on, 661 00:36:51,119 --> 00:36:55,199 you know, our next recording, just releasing a couple like that, 662 00:36:55,519 --> 00:36:58,440 just to say we could that's fun. I do remember 663 00:36:58,480 --> 00:37:01,079 seeing Cheap Trick like ten years ago and they had 664 00:37:01,199 --> 00:37:03,719 just as a gag, released an eight track of their 665 00:37:04,559 --> 00:37:07,320 new record at the time, just that they could say 666 00:37:07,360 --> 00:37:10,440 they have the number one eight track in the world. Yeah, which, yeah, 667 00:37:10,480 --> 00:37:12,119 I guess so also the only but yeah. 668 00:37:13,039 --> 00:37:15,320 Speaker 8: I was in a band called The Jakes. This was 669 00:37:15,360 --> 00:37:17,159 like twenty years ago, and we had a running joke 670 00:37:17,239 --> 00:37:18,519 in the band that we were going to release like 671 00:37:18,599 --> 00:37:20,599 a single, and of course. 672 00:37:20,679 --> 00:37:21,000 Speaker 10: If we did. 673 00:37:21,159 --> 00:37:23,239 Speaker 8: But if we did that today, you know, it would 674 00:37:23,280 --> 00:37:25,599 kind of be almost normal. People would be like, oh, 675 00:37:25,639 --> 00:37:27,679 that's cool retrothegue. 676 00:37:27,159 --> 00:37:28,639 Speaker 6: Yeah, and then be like, how do we use it 677 00:37:29,039 --> 00:37:31,360 right exactly? The tracks also have the dumb thing where 678 00:37:31,360 --> 00:37:33,440 they like flip over part way through and oh yeah, 679 00:37:33,519 --> 00:37:35,480 sometimes in the middle of a song if they plan 680 00:37:35,559 --> 00:37:37,840 it poorly, yeah, or the track list will be in 681 00:37:37,840 --> 00:37:40,719 a different order than like on a CD or vinyl, 682 00:37:41,480 --> 00:37:44,039 a different order of than name tended just so it fits, yeah, 683 00:37:44,440 --> 00:37:46,079 and like that's that's not okay. 684 00:37:46,119 --> 00:37:50,159 Speaker 8: Yeah, yeah, but yeah. It's interesting to see how the 685 00:37:50,239 --> 00:37:53,840 technologies change and how things some things never go away. 686 00:37:54,000 --> 00:37:56,000 You know, a lot of people have this impression that 687 00:37:56,199 --> 00:37:59,239 vinyl went away and then it came back, but it 688 00:37:59,360 --> 00:38:00,440 never actually went away. 689 00:38:00,519 --> 00:38:02,599 Speaker 6: I mean, even it got cheap, is what happened, and 690 00:38:02,719 --> 00:38:03,920 is not expensive again. 691 00:38:03,880 --> 00:38:07,599 Speaker 8: Yeah, exactly exactly. But even at its lowest EBB, you know, 692 00:38:07,679 --> 00:38:10,239 all the major labels were still releasing by you know, 693 00:38:10,519 --> 00:38:12,159 limited edition vinyl or whatnot. 694 00:38:12,199 --> 00:38:13,960 Speaker 6: But yeah, it was always like a cool thing that bands. 695 00:38:14,119 --> 00:38:19,000 It's just very expensive, so it's often inaccessible to smaller bands. 696 00:38:19,679 --> 00:38:23,519 Speaker 8: Yeah, and I'm convinced, Uh, there's no statistical data to 697 00:38:23,639 --> 00:38:27,519 prove this, but I'm sure that most people, probably the 698 00:38:27,639 --> 00:38:30,679 vast majority of people who buy vinyl, don't even have 699 00:38:30,760 --> 00:38:32,400 a record player, don't have anything to put it on. 700 00:38:32,559 --> 00:38:35,159 They just buy it because, you know, if you're really 701 00:38:35,199 --> 00:38:37,199 a fan. I'm talking about if you're buying like brand 702 00:38:37,239 --> 00:38:38,880 new vinyl, not if you're going I mean, if you're 703 00:38:38,880 --> 00:38:40,880 going to a record store and flipping through and buying 704 00:38:41,119 --> 00:38:43,719 use you know, old vinyl, obviously you have something to 705 00:38:43,719 --> 00:38:46,039 play it on, probably unless you're looking for something rare 706 00:38:46,440 --> 00:38:48,239 just to have it. But I think most people who 707 00:38:48,239 --> 00:38:49,960 buy new vinyl, they probably don't have anything to play 708 00:38:49,960 --> 00:38:52,000 it on. They just if they're a fan of an artist. 709 00:38:51,960 --> 00:38:54,079 Speaker 6: Right, it's just cool to have it. A lot of 710 00:38:54,079 --> 00:38:56,599 people hang them on the walls. Yeah, exactly, they do 711 00:38:56,719 --> 00:38:58,519 a lot of I don't know what to call it, 712 00:38:58,599 --> 00:39:00,400 but you know, instead of just a plain black record, 713 00:39:00,440 --> 00:39:02,280 it's like it will be like a cool splattered thing 714 00:39:02,559 --> 00:39:05,960 or have all different colors in there and whatever process 715 00:39:06,079 --> 00:39:08,199 they go through, but you know that to make it 716 00:39:08,320 --> 00:39:11,039 pretty to look at, Yeah, exactly. The only time I 717 00:39:11,119 --> 00:39:13,920 really buy a new one is some of the some 718 00:39:14,000 --> 00:39:17,840 of my favorite bands that are smaller, Uh, you know, 719 00:39:17,960 --> 00:39:19,519 I go and see them live and I like to 720 00:39:19,559 --> 00:39:21,280 support them and buy their merch So that's when I'll 721 00:39:21,280 --> 00:39:23,159 buy one, and I'll you know, i'll throw it on, 722 00:39:23,280 --> 00:39:25,480 but in reality, i'll play it once or twice or 723 00:39:25,679 --> 00:39:27,559 at home on a rainy day or something once in 724 00:39:27,599 --> 00:39:30,880 a while. But yeah, it's you know, it's there's not 725 00:39:31,000 --> 00:39:33,199 much reason for me to put on vinyl. You know, 726 00:39:33,239 --> 00:39:34,639 I have an apartment. I don't have a great like 727 00:39:35,440 --> 00:39:37,280 stats sound set up for it. It's not like I'm 728 00:39:37,360 --> 00:39:39,880 blasting it through my favorite speakers or anything. So it's 729 00:39:39,920 --> 00:39:43,920 like I see my worst speakers with the highest fidelity 730 00:39:45,039 --> 00:39:48,800 recording I could have, and um and see how that goes. 731 00:39:49,280 --> 00:39:52,280 Speaker 8: Yeah, we don't even have Jenny and I don't even 732 00:39:52,320 --> 00:39:55,039 have a CD player at home. We have one here, 733 00:39:56,159 --> 00:39:58,239 but I think the only one who ever uses it 734 00:39:58,679 --> 00:39:59,840 to the best of my knowledge. I don't know if 735 00:39:59,840 --> 00:40:01,719 you know Rob as a veto. He also show here 736 00:40:01,760 --> 00:40:03,519 called Granted State of Mind Fridays at six. 737 00:40:04,440 --> 00:40:06,960 Speaker 6: I don't. I haven't met him, but I've I've watched, 738 00:40:07,360 --> 00:40:09,000 I've had some friends go on a show before. 739 00:40:09,079 --> 00:40:11,679 Speaker 8: Okay, yeah, and he also owns Pembroke City Limits, which 740 00:40:11,719 --> 00:40:14,920 everybody yeah yeah, yeah, So Rob actually will bring in 741 00:40:15,079 --> 00:40:17,400 CDs and and he so I know this. I know 742 00:40:17,559 --> 00:40:20,400 it works, but I've never I've never used it. But 743 00:40:20,840 --> 00:40:22,760 but no, but people give us CDs and you know, 744 00:40:22,800 --> 00:40:26,119 and it's nice to have them and and whatnot. But yeah, 745 00:40:26,199 --> 00:40:28,920 but we have nothing at home to actually play them mine, 746 00:40:28,960 --> 00:40:33,079 but but it's but it's nice to have them. I 747 00:40:33,239 --> 00:40:35,519 was curious this occurred to me as you were playing 748 00:40:35,559 --> 00:40:38,039 that song that was called bones. 749 00:40:38,360 --> 00:40:40,880 Speaker 6: The inn oh, the end with two ends, at least 750 00:40:40,880 --> 00:40:42,239 two ends. You can use more if you want. 751 00:40:42,320 --> 00:40:43,079 Speaker 8: Where did I get bones? 752 00:40:43,159 --> 00:40:44,639 Speaker 6: I do say bones a lot in a song. 753 00:40:44,760 --> 00:40:47,880 Speaker 8: That's why. Okay, do you say the ends on the 754 00:40:47,960 --> 00:40:48,440 song at all? 755 00:40:48,880 --> 00:40:52,039 Speaker 6: I say the in a couple of times, but once 756 00:40:52,119 --> 00:40:54,079 it's with one end, once it's with two ends. 757 00:40:53,960 --> 00:40:55,039 Speaker 8: So right, so it's different. 758 00:40:55,119 --> 00:40:57,280 Speaker 6: There's a total three ends across the ends. 759 00:40:57,400 --> 00:40:58,159 Speaker 8: But I got you. 760 00:41:00,039 --> 00:41:00,119 Speaker 6: Now. 761 00:41:00,199 --> 00:41:02,679 Speaker 8: I was curious what goes into your decision when you 762 00:41:03,000 --> 00:41:06,280 when you write a song, whether it's something you should 763 00:41:06,360 --> 00:41:09,559 keep for yourself or something maybe to use for Sunset Electric, 764 00:41:09,719 --> 00:41:11,960 like you kind of have some criteria in your mind 765 00:41:12,039 --> 00:41:13,360 or is it just a vibe thing? 766 00:41:13,480 --> 00:41:17,760 Speaker 6: Yeah, I mean sometimes I largely that last bit. Sometimes 767 00:41:17,760 --> 00:41:20,039 I do go about writing a song and I haven't 768 00:41:20,920 --> 00:41:22,679 with the band in mind, and I'll write it and 769 00:41:22,840 --> 00:41:24,719 you know, the thing about what they're probably going to 770 00:41:24,760 --> 00:41:26,559 come up with for their parts or how they'll react. 771 00:41:26,639 --> 00:41:30,079 But yeah, what I've been doing. I'll backtrack a little. 772 00:41:30,159 --> 00:41:34,519 So on the record we put out last year, Graffiti Hearts, 773 00:41:36,159 --> 00:41:39,519 the majority of those songs I had written ahead of times, 774 00:41:39,599 --> 00:41:42,559 some like years prior, so a lot of that was 775 00:41:42,719 --> 00:41:45,360 me bringing completed songs to the band and then you know, 776 00:41:45,960 --> 00:41:48,239 making some small adjustments. But sometimes I was a bit 777 00:41:48,280 --> 00:41:50,960 of a jerk about this needs to stay like it is. 778 00:41:51,079 --> 00:41:54,719 And yeah, so since you know those that album was 779 00:41:54,760 --> 00:41:58,559 put out, everything I've done with the band, you know, 780 00:41:58,800 --> 00:42:04,440 I've tried to bring them the songs before they're you know, completed, 781 00:42:04,519 --> 00:42:06,280 you know, right, here's a verse, and of course here's 782 00:42:06,400 --> 00:42:08,960 you know how far I got on day one of writing, 783 00:42:09,039 --> 00:42:11,440 like with a spark, And then I'll bring it into 784 00:42:11,480 --> 00:42:13,239 practice and be like, what do you guys think of this? 785 00:42:13,320 --> 00:42:15,760 See if it sticks, see if they vibe with it, 786 00:42:15,960 --> 00:42:19,400 and if it doesn't, you know, that's all I need 787 00:42:19,480 --> 00:42:21,840 to know. And other times it's like a softer, gentler 788 00:42:21,960 --> 00:42:24,519 song and it's clearly not going to be the right 789 00:42:24,679 --> 00:42:27,760 vibe for them. So yeah, some mix of the two. 790 00:42:27,840 --> 00:42:29,760 But it's usually apparent when I start writing it if 791 00:42:29,840 --> 00:42:32,360 it will be something they'll like or not. 792 00:42:32,840 --> 00:42:37,960 Speaker 8: Yeah, now do you have I mean obviously so you 793 00:42:38,039 --> 00:42:39,480 went what is it fifteen. 794 00:42:39,159 --> 00:42:42,880 Speaker 6: Tracks on this? Yeah, a few too many, fifteen five 795 00:42:42,960 --> 00:42:44,840 or rereleased, so I'll call it like I see it 796 00:42:44,880 --> 00:42:47,199 as like a grouping of ten like the album and 797 00:42:47,239 --> 00:42:48,119 then extras. 798 00:42:48,519 --> 00:42:50,639 Speaker 8: Yeah, do you have even more that you recorded that 799 00:42:50,679 --> 00:42:52,559 you decided to leave out or maybe use on a 800 00:42:52,599 --> 00:42:53,239 future release? 801 00:42:54,400 --> 00:42:57,880 Speaker 6: I have many more that I have, you know, another 802 00:42:58,119 --> 00:43:02,079 twenty songs I considered that I were old songs that 803 00:43:02,199 --> 00:43:06,519 I considered putting on this, but we'll see, you know. 804 00:43:06,599 --> 00:43:11,159 There there's another problems with Catholicism song that I was like, ah, 805 00:43:11,719 --> 00:43:13,480 those would go well together. I'm like, maybe I'll spread 806 00:43:13,519 --> 00:43:17,880 it out and just make sure that notion stays, you 807 00:43:17,960 --> 00:43:19,559 know something, talk about it holidays. 808 00:43:20,280 --> 00:43:22,000 Speaker 8: Was it hard to kind of because you have so 809 00:43:22,079 --> 00:43:23,639 many songs? Was it hard to kind of pare it 810 00:43:23,760 --> 00:43:25,599 down and make those were those hard to stay? 811 00:43:26,039 --> 00:43:29,199 Speaker 6: So the it was less sad and more I wanted 812 00:43:29,239 --> 00:43:31,079 this to be a quick thing. Yeah, not end up 813 00:43:31,079 --> 00:43:33,960 being a quick thing because I couldn't. I kept being like, oh, well, 814 00:43:34,000 --> 00:43:36,320 this song I half wrote, you know, maybe I could 815 00:43:36,360 --> 00:43:37,880 just finish that and put it on, Like I'm not 816 00:43:37,920 --> 00:43:40,360 gonna the band. It doesn't fit the band. Maybe I'll 817 00:43:40,480 --> 00:43:44,079 just and then just you know, because I was doing 818 00:43:44,119 --> 00:43:46,039 it alone, there was no one to tell me no, yeah, 819 00:43:46,239 --> 00:43:50,159 or stop, or you have enough songs, or you don't 820 00:43:50,199 --> 00:43:54,119 need to record the sixteen layers on that song. I'm like, yeah, 821 00:43:54,159 --> 00:43:55,920 but I want to play the banjo. Who's going to 822 00:43:56,000 --> 00:43:58,480 stop me me? No? Right, I want to play the banjo. 823 00:43:58,559 --> 00:44:00,280 I want to play the mandolin. I'm gonna do them. 824 00:44:00,519 --> 00:44:03,559 Speaker 8: Yeah, yeah, so you play both. There's both banjo and mandolin. 825 00:44:03,639 --> 00:44:05,920 Speaker 6: That's all you not as well as Yeah, I played 826 00:44:06,000 --> 00:44:08,480 all of that on the album. I mean each is 827 00:44:08,559 --> 00:44:12,719 only on one song. Okay, I do play those. I 828 00:44:12,760 --> 00:44:17,519 mean I I think my cousin Josiah put it that 829 00:44:17,800 --> 00:44:22,280 I there's a genre he'd call it of a guitar 830 00:44:22,360 --> 00:44:25,280 players who pick up a banjo. Yeah, and then that's 831 00:44:25,400 --> 00:44:28,280 very much what I am. I'm not a I don't 832 00:44:28,320 --> 00:44:31,719 do the claw hammer the proper things. Mandolin. I'm probably 833 00:44:31,760 --> 00:44:35,320 closer to doing it properly because it's the same motions 834 00:44:35,320 --> 00:44:38,239 as far as the pick goes, different tuning and such. 835 00:44:38,360 --> 00:44:41,639 But I like to dabble. I'm definitely better at guitar 836 00:44:41,800 --> 00:44:44,639 than those. But I get to play guitar out and 837 00:44:45,440 --> 00:44:47,559 every now and then I'll get a get the notion 838 00:44:47,719 --> 00:44:49,719 to like, oh if I practiced mandolin, maybe I'll bring 839 00:44:49,760 --> 00:44:52,440 it to my show today and do some songs on mandolin. 840 00:44:52,639 --> 00:44:55,519 But I'm always like, I'll wait till I'm doing a 841 00:44:55,639 --> 00:44:58,920 duo thing at some point and mess around with it then. 842 00:44:58,960 --> 00:45:01,280 But I liked the excuse to play with different instruments 843 00:45:01,400 --> 00:45:02,039 and just you. 844 00:45:02,079 --> 00:45:05,159 Speaker 8: Know, I've never even picked up a mandolin, is it? 845 00:45:05,599 --> 00:45:06,800 Speaker 6: They're not heavy? You could do it. 846 00:45:07,079 --> 00:45:09,239 Speaker 8: I well, I hope, so I don't know the web 847 00:45:09,360 --> 00:45:11,400 in coffin, I might. I don't know, I might not 848 00:45:11,480 --> 00:45:12,039 have the strength. 849 00:45:13,519 --> 00:45:13,679 Speaker 7: Is it? 850 00:45:14,599 --> 00:45:16,920 Speaker 8: Is it drastically different in terms of I mean, I 851 00:45:17,039 --> 00:45:20,280 assume if you're a guitar player, you're ahead of the game, right, 852 00:45:20,800 --> 00:45:24,000 But is it like how challenging is it to pick 853 00:45:24,119 --> 00:45:25,800 up a not to pick up a mandolin? 854 00:45:25,840 --> 00:45:32,039 Speaker 6: But semantics, well, I think from going from guitar to mandolin, 855 00:45:32,119 --> 00:45:35,360 the easiest part is the fact that your strumming hand 856 00:45:35,480 --> 00:45:40,079 is yeah, very familiar. So yeah, it's getting used to 857 00:45:40,400 --> 00:45:43,400 tiny frets that you have to like it sence your 858 00:45:43,400 --> 00:45:46,840 fingers on, and also just retraining your brain because our 859 00:45:46,880 --> 00:45:51,360 guitar is tuned in force mostly and mandolin's violence whatever, 860 00:45:51,400 --> 00:45:55,280 they're all tuned in fists. Yeah, so you just had 861 00:45:55,320 --> 00:45:56,880 to be like, oh, yeah, the note not where I'm 862 00:45:57,079 --> 00:45:58,599 not where I think it's going to be, and just 863 00:45:59,000 --> 00:46:04,079 you know, learn shapes and patterns and your scales and yeah, interesting, 864 00:46:04,320 --> 00:46:07,159 and then you're fine, how many strings on a man 865 00:46:07,239 --> 00:46:10,679 to win eight West? It's four, but they're doubled like 866 00:46:10,719 --> 00:46:12,079 a twelve string guitar would be Oh. 867 00:46:11,960 --> 00:46:15,039 Speaker 8: I got ya, okay, okay, And what about the banjo 868 00:46:15,360 --> 00:46:20,079 I've heard. I've heard people say that banjo isn't as 869 00:46:20,199 --> 00:46:23,639 difficult to learn as one might think. But then again, 870 00:46:23,719 --> 00:46:26,360 all the people i've heard say that are really good 871 00:46:26,400 --> 00:46:27,599 at playing the banjo. 872 00:46:28,360 --> 00:46:28,440 Speaker 1: So. 873 00:46:30,639 --> 00:46:33,719 Speaker 6: Not being a proficient banjo player, I'll put it here. 874 00:46:33,800 --> 00:46:36,239 You can coming as a guitar player especially, you can 875 00:46:36,320 --> 00:46:39,199 come and you can make decent sounds on a banjo 876 00:46:39,360 --> 00:46:41,599 and you can play it and make noise. A lot 877 00:46:41,639 --> 00:46:45,039 of it's tuned. Sees me much like a guitar, except 878 00:46:45,079 --> 00:46:47,280 with a very high string on the wrong side, which 879 00:46:47,320 --> 00:46:50,079 you get used to. But if you're playing banjo like 880 00:46:50,159 --> 00:46:52,719 a banjo player would like a blue grass player or 881 00:46:52,840 --> 00:46:57,039 traditional player would, I think that requires a high level skill. 882 00:46:57,119 --> 00:46:59,639 I think, you know, bluegrass players are some of the 883 00:46:59,679 --> 00:47:02,400 most did musicians there are. I agree. Yeah, you just 884 00:47:02,480 --> 00:47:05,079 have a focus. You just shred on it. There's no 885 00:47:05,199 --> 00:47:07,159 drums to guide you all just have to lock in 886 00:47:07,280 --> 00:47:12,119 together and you know, yeah, they go crazy. So I 887 00:47:12,400 --> 00:47:15,159 think that's a high level, in my mind, is a 888 00:47:15,239 --> 00:47:17,599 high level of talent. I'm always impressed by good U 889 00:47:18,320 --> 00:47:24,880 banjo players. My friend Ross plays the banjo very well. Yeah, yeah, 890 00:47:24,880 --> 00:47:26,639 I'm always it's awa it's always it's always fun to 891 00:47:26,679 --> 00:47:27,320 see someone playing. 892 00:47:27,320 --> 00:47:30,880 Speaker 8: You're just like wow, there's like yeah, yeah, I'm always 893 00:47:30,920 --> 00:47:35,679 impressed by that. Yeah, absolutely, or even just being able 894 00:47:35,679 --> 00:47:39,039 to fingerpick, just you know, just generally. I mean because 895 00:47:39,079 --> 00:47:42,039 I you know, I'm a bass player and I play 896 00:47:42,079 --> 00:47:44,280 with a pick most of the time. Even when even 897 00:47:44,320 --> 00:47:44,920 playing bass, I. 898 00:47:44,920 --> 00:47:48,440 Speaker 6: Don't have to tell anyone that it's okay, I use it. 899 00:47:48,559 --> 00:47:52,000 Speaker 8: Everyone already knows. Paul McCartney does it. 900 00:47:52,079 --> 00:47:54,039 Speaker 6: So I used to pick on the bass too. I've 901 00:47:54,440 --> 00:47:57,840 played bass in the bands before and on this record, 902 00:47:57,880 --> 00:48:00,519 I've played a lot of bass obviously, but uh, yeah, 903 00:48:00,559 --> 00:48:01,880 I use a pick. It's easier. 904 00:48:02,159 --> 00:48:02,760 Speaker 8: Yeah. Yeah. 905 00:48:03,199 --> 00:48:05,159 Speaker 6: There was one track I actually I went to the 906 00:48:06,639 --> 00:48:09,639 and you know, use my fingers because it's I wanted 907 00:48:09,679 --> 00:48:11,159 it to be an upright bass, but I didn't have 908 00:48:11,199 --> 00:48:14,519 an upright bass. It was too impatient to ask someone 909 00:48:14,559 --> 00:48:17,159 else to play it or to go and borrow one 910 00:48:17,280 --> 00:48:19,400 and get used to it. I'm like, I'm just gonna 911 00:48:20,079 --> 00:48:22,599 roll my tone knobs back and use my fingers and 912 00:48:22,679 --> 00:48:23,360 it will be fine. 913 00:48:23,599 --> 00:48:25,760 Speaker 8: There you go. There. That's something I've never done either. 914 00:48:25,800 --> 00:48:26,960 I've never played an upright bass. 915 00:48:28,639 --> 00:48:30,199 Speaker 6: Bucket lists Matt bucket list. 916 00:48:30,280 --> 00:48:32,960 Speaker 8: No, no, it looks it just looks so awkward to me. 917 00:48:33,159 --> 00:48:35,519 Speaker 6: Yeah, that one's a little harder to pick up. Yeah. 918 00:48:35,679 --> 00:48:44,159 Speaker 8: Physically, yeah, it's heavy because it's big interesting. So you 919 00:48:45,039 --> 00:48:47,039 so all that. So you do all the guitar and 920 00:48:47,119 --> 00:48:48,760 the mandolin and the banjo on the album. 921 00:48:48,840 --> 00:48:53,519 Speaker 6: And for the most part, I did have a Justin Feife, 922 00:48:54,760 --> 00:49:00,239 who's my dear bandmate, he on the Sunset Electrics to 923 00:49:00,480 --> 00:49:02,639 have them come in and like do acoustic versions of 924 00:49:02,719 --> 00:49:05,159 his parts. Just I was like, you already know this, 925 00:49:05,360 --> 00:49:08,760 Like let's do the thing. Yeah, but yeah, I you know, 926 00:49:09,559 --> 00:49:15,639 I like being in my tower song and just recording 927 00:49:15,679 --> 00:49:17,320 all the little bits and I could use a little 928 00:49:17,360 --> 00:49:19,280 thing here. I record a lot more tracks than I 929 00:49:19,440 --> 00:49:22,000 use And maybe I did too much here. Maybe I 930 00:49:22,079 --> 00:49:24,039 need to calm down a little. 931 00:49:25,039 --> 00:49:27,639 Speaker 8: And is the only other vocalist Cassidy is she the 932 00:49:27,679 --> 00:49:28,159 only other one. 933 00:49:28,440 --> 00:49:34,880 Speaker 6: Justin Fife also also sang on that. I think it's 934 00:49:34,920 --> 00:49:36,960 just the two of them. Oh no, Justin McInnis also 935 00:49:37,079 --> 00:49:39,000 did a few vocals. I had a lot on the 936 00:49:39,079 --> 00:49:40,920 back of the album and on band camp. It's very 937 00:49:40,920 --> 00:49:44,440 specific about who did what on what song, but a 938 00:49:44,519 --> 00:49:45,559 lot of songs are just me. 939 00:49:48,480 --> 00:49:51,519 Speaker 8: All these songs on the album, are these all songs 940 00:49:51,559 --> 00:49:53,639 that you play live actively. 941 00:49:53,320 --> 00:49:59,360 Speaker 6: Or just about There's there's one song that I haven't 942 00:49:59,440 --> 00:50:02,079 done live i've yet, which is called so It Goes, 943 00:50:02,159 --> 00:50:04,480 and it's you know I wrote. 944 00:50:04,280 --> 00:50:07,119 Speaker 8: Is this one on Oh Turn It Back Up? Yeah? 945 00:50:07,239 --> 00:50:10,480 Speaker 6: Absolutely, just just because it's I wrote the song originally 946 00:50:10,519 --> 00:50:12,159 intending it to be for the band because I just 947 00:50:12,199 --> 00:50:14,559 had this fun like it was like a bass or 948 00:50:14,559 --> 00:50:15,119 if I had like. 949 00:50:23,360 --> 00:50:23,599 Speaker 10: Like that. 950 00:50:27,039 --> 00:50:28,559 Speaker 6: Whatever, and I was like, oh, that's like a cool 951 00:50:28,559 --> 00:50:30,880 groo we sing. I was like, and I was like 952 00:50:31,079 --> 00:50:33,119 messing around on the drums and I was like, all right, 953 00:50:33,599 --> 00:50:36,239 this could be a cool thing. But uh, I just 954 00:50:36,320 --> 00:50:38,559 never had that next part that would make sense with 955 00:50:38,679 --> 00:50:40,760 the band. And I picked it up one day and 956 00:50:40,960 --> 00:50:45,960 you know, just start singing the next section and but anyways, 957 00:50:46,000 --> 00:50:48,719 it's just I guess I just need to practice it. 958 00:50:48,880 --> 00:50:51,000 Like it's a little bit of a throwaway song, but 959 00:50:51,159 --> 00:50:53,159 I like listening to recording. It makes me happy. 960 00:50:53,280 --> 00:50:58,320 Speaker 8: But yeah, yeah, I try to came. 961 00:51:00,800 --> 00:51:03,239 Speaker 6: And like it has this whole like kind of melancholy 962 00:51:03,400 --> 00:51:05,199 feel to it as it goes, and you know, yeah, 963 00:51:05,280 --> 00:51:07,559 it's one of my many songs about you know, mental 964 00:51:07,639 --> 00:51:10,559 health and you know, just being a mess in general. 965 00:51:10,719 --> 00:51:15,360 But but that's the only one I haven't really done live, 966 00:51:15,400 --> 00:51:18,159 which I could probably practice and get there, but I've 967 00:51:18,199 --> 00:51:20,800 just never had the like, this isn't the one I 968 00:51:20,880 --> 00:51:22,639 want to show off really necessarily. 969 00:51:22,920 --> 00:51:27,599 Speaker 8: Yeah, yeah, like I like it for me, but right, no, 970 00:51:27,679 --> 00:51:29,719 I like that is a I do like that riff. 971 00:51:29,760 --> 00:51:33,400 It's got a nice groof to it. Yeah, Well, time 972 00:51:33,440 --> 00:51:35,840 goes quickly. We are already approaching the top of the hour, 973 00:51:35,920 --> 00:51:37,239 so I want to make sure we get one more 974 00:51:37,239 --> 00:51:40,440 studio track, I'm sure, but before we do that, So 975 00:51:41,000 --> 00:51:42,760 what do people need to know about? Where to keep 976 00:51:42,840 --> 00:51:44,920 up with everything that you're doing? And the band too, 977 00:51:45,000 --> 00:51:46,159 Soundset Electric. 978 00:51:46,119 --> 00:51:50,559 Speaker 6: Yeah sure, So all all my social media's under Quincy 979 00:51:50,639 --> 00:51:55,159 Lord Music. Quincy Lord Music. Quincy Lord was my name, 980 00:51:55,199 --> 00:51:59,920 in case you missed that. Yeah, Sunset Electric Band is 981 00:52:00,000 --> 00:52:02,719 where you can find all the band stuff. I post 982 00:52:02,840 --> 00:52:06,840 most on Facebook because I resent social media in general 983 00:52:06,920 --> 00:52:11,519 and can't commit to too many of them, and that's 984 00:52:11,519 --> 00:52:13,599 the one that lets me make events. But you can 985 00:52:13,719 --> 00:52:16,760 follow us there. I'm going to be at you were 986 00:52:16,800 --> 00:52:20,719 talking to Eleanor earlier. Oh yes, yes, yes, yes, So 987 00:52:20,800 --> 00:52:23,320 I'm going to be playing at Terminus on Tuesday for 988 00:52:23,400 --> 00:52:25,400 their whole shin dig that's going on. 989 00:52:25,960 --> 00:52:27,400 Speaker 8: Yeah, Jenny and I will be there for that. 990 00:52:27,760 --> 00:52:29,880 Speaker 6: All awesome. I look forward to it. So I'll be 991 00:52:29,920 --> 00:52:33,199 playing a lot of the album live and more awake 992 00:52:33,519 --> 00:52:39,599 than so that will be a good time. Next week, 993 00:52:39,719 --> 00:52:41,199 is it now? In two weeks we're going to be 994 00:52:41,239 --> 00:52:45,760 on WMFO with Top Tufts Radio with the band on 995 00:52:45,880 --> 00:52:48,039 the Town with Mikey d Yeah, yeah, excellent. Yeah. We 996 00:52:48,239 --> 00:52:51,360 went on there in like twenty eighteen or nineteen or something, 997 00:52:51,400 --> 00:52:53,440 so it's been a good while and Joel just made 998 00:52:53,519 --> 00:52:55,239 us sound so good. We had these out of tune 999 00:52:55,280 --> 00:52:58,679 drums and he just he made it all sound great. Yeah, 1000 00:52:58,800 --> 00:53:02,599 Tuesday at Terminus, Today's seven Saws and Holding and the band. 1001 00:53:02,719 --> 00:53:05,559 Next band show is going to be February eighth at 1002 00:53:05,760 --> 00:53:07,960 Husky's Pub, our favorite spot in Worcester. 1003 00:53:08,320 --> 00:53:12,559 Speaker 8: Okay, okay, very cool, very cool, And we'll we'll end 1004 00:53:12,639 --> 00:53:13,559 with steam Town. 1005 00:53:13,599 --> 00:53:15,800 Speaker 6: I guess that's who should we do? We have time 1006 00:53:15,840 --> 00:53:17,039 for me to say a quick thing about it or 1007 00:53:17,320 --> 00:53:19,639 oh yeah, go ahead, yeah, absolutely so, just I'll be 1008 00:53:19,760 --> 00:53:22,239 quick a quick story with Steamtown. This is one of 1009 00:53:22,280 --> 00:53:24,920 the old songs E wrote A long time ago. Once 1010 00:53:25,000 --> 00:53:27,400 upon a time, it was me and I was driving 1011 00:53:27,480 --> 00:53:29,280 up and down each I kind of ran away and 1012 00:53:29,480 --> 00:53:31,159 was driving up and down the East Coast with a 1013 00:53:31,199 --> 00:53:34,480 couple of friends, sleeping in my nineteen ninety six Pontiac 1014 00:53:34,639 --> 00:53:38,639 rand Am And anyways, it was written as a letter 1015 00:53:39,000 --> 00:53:40,800 for me at the time to this girl I cared 1016 00:53:40,800 --> 00:53:46,360 about because I was I kind of ran away and 1017 00:53:48,000 --> 00:53:49,639 I was like, hey, I miss you. I wish you 1018 00:53:50,039 --> 00:53:52,920 wanted to come with us. She didn't, and like, you know, 1019 00:53:53,159 --> 00:53:55,159 just knowing it was kind of saying like I miss 1020 00:53:55,199 --> 00:53:56,559 you and I wish you were here, but also I'm 1021 00:53:56,559 --> 00:53:58,000 going to go do what I want. So it's kind 1022 00:53:58,039 --> 00:53:59,800 of me being a jerk with it. It seems a 1023 00:53:59,800 --> 00:54:03,119 little sweet. And in the beginning the song says, dear Simba, 1024 00:54:03,280 --> 00:54:06,840 because it's a it was written as a letter to her. Okay, okay, 1025 00:54:07,320 --> 00:54:10,400 a very long time ago. Sima's a dear friend who's 1026 00:54:10,480 --> 00:54:12,039 eleanor might have mentioned she helps out. 1027 00:54:12,039 --> 00:54:14,800 Speaker 8: I'm gonna say that name came up earlier. Yeah, yeah, yeah, interesting, 1028 00:54:15,360 --> 00:54:16,199 such a small world. 1029 00:54:16,280 --> 00:54:18,920 Speaker 6: Yeah, Simba's how they wrote me into going and playing Tuesday. 1030 00:54:20,039 --> 00:54:23,840 Speaker 8: Gotcha, I gotcha, all right? Very cool, very cool. Well, 1031 00:54:23,880 --> 00:54:26,159 thank you so much, Quincy Lord, this has been wonderful. 1032 00:54:26,280 --> 00:54:28,400 Thank you for having me absolutely, and if you are 1033 00:54:28,480 --> 00:54:30,480 listening live on Saturday, if you miss any part of 1034 00:54:30,519 --> 00:54:32,239 today's show and will be up in just a little 1035 00:54:32,239 --> 00:54:35,199 bit at WM and hradio dot orgon at my website 1036 00:54:35,559 --> 00:54:39,400 Matt Connerton dot com. And don't forget Jencoffee dot com 1037 00:54:39,480 --> 00:54:41,320 if you want to keep up with everything Jenny's been doing. 1038 00:54:41,840 --> 00:54:44,800 She just got back from New York and the United 1039 00:54:44,840 --> 00:54:48,159 Healthcare protests there and so proud of her. She's doing great, 1040 00:54:48,199 --> 00:54:52,320 great things. And Jenny absolutely, and don't forget the open 1041 00:54:52,360 --> 00:54:56,880 house at New Hampshire Underground at Terminus Underground and Quincy 1042 00:54:56,960 --> 00:55:01,159 Lord will be there and Jesse what the hell was 1043 00:55:01,199 --> 00:55:01,719 his last name? 1044 00:55:01,760 --> 00:55:01,800 Speaker 6: Was? 1045 00:55:01,880 --> 00:55:04,280 Speaker 8: Somebody I don't know. I can't remember now. Eleanor said 1046 00:55:04,280 --> 00:55:06,280 a name of someone I'm not familiar with, but who's 1047 00:55:06,280 --> 00:55:09,840 also going to be performing there, Jesse something I can't 1048 00:55:09,880 --> 00:55:14,280 remember anyway, but check out New Hyptire Underground dot org 1049 00:55:14,920 --> 00:55:16,800 for more information on that. And thank you again to 1050 00:55:16,840 --> 00:55:18,960 Eleanor and Andre for coming in earlier, and of course 1051 00:55:19,000 --> 00:55:22,719 thank you to Nancy Manet and Quincy Lord. Thank you 1052 00:55:22,800 --> 00:55:23,800 again and we will thank you. 1053 00:55:23,960 --> 00:55:24,719 Speaker 6: We will leave you with this. 1054 00:55:24,880 --> 00:55:27,559 Speaker 8: This is called Steamtown from the new album A Bright Future. 1055 00:55:50,960 --> 00:55:51,599 Speaker 10: You have to. 1056 00:55:51,920 --> 00:55:58,000 Speaker 1: Undercent we need to get away. I just can't stand 1057 00:55:58,159 --> 00:55:59,000 that kind. 1058 00:55:58,840 --> 00:56:04,400 Speaker 9: Of bluffy blue tat dick they had to on beset. 1059 00:56:05,239 --> 00:56:07,360 Speaker 6: It wasn't meant to happen this way. 1060 00:56:08,840 --> 00:56:10,840 Speaker 4: No, we weren't going to leave. 1061 00:56:11,199 --> 00:56:15,800 Speaker 9: There's nothing you could say, and lace. 1062 00:56:15,840 --> 00:56:20,800 Speaker 4: Seemed tell me. Learned to catch right the first time 1063 00:56:20,960 --> 00:56:21,360 we'd have. 1064 00:56:21,559 --> 00:56:24,880 Speaker 1: Snag salt faces in our lives. 1065 00:56:25,719 --> 00:56:28,639 Speaker 4: They let us fall asleep with. 1066 00:56:28,800 --> 00:56:34,199 Speaker 16: The ranking broken jars tream, the bout glassy left. 1067 00:56:34,599 --> 00:56:46,119 Speaker 1: We go Forritanna come, not ses that I left, but. 1068 00:56:46,320 --> 00:56:51,360 Speaker 6: It was you couldn't come, know you one born went. 1069 00:56:51,159 --> 00:56:55,480 Speaker 5: The last suit corn all the sun When they're trying 1070 00:56:55,559 --> 00:57:00,840 to take me anywhere on the side shop, God, you 1071 00:57:01,039 --> 00:57:04,280 know I really don't on life. 1072 00:57:04,480 --> 00:57:10,719 Speaker 16: On the long runna fame time we learn to catch 1073 00:57:10,800 --> 00:57:16,039 a ride away from all the faces and the places 1074 00:57:16,199 --> 00:57:17,239 we despise. 1075 00:57:18,119 --> 00:57:22,960 Speaker 1: The tracks wear on our creating. We have story at nights, 1076 00:57:23,719 --> 00:57:25,679 but we can only follow on. 1077 00:57:26,480 --> 00:58:03,960 Speaker 4: So we go let cat same town. We learned to 1078 00:58:04,199 --> 00:58:07,000 catch run the first. 1079 00:58:06,840 --> 00:58:11,800 Speaker 16: Time we fell smiles on faces and our lives we 1080 00:58:12,280 --> 00:58:17,400 by le ballantly with our lanterns lit by the stars, 1081 00:58:17,920 --> 00:58:22,840 to dream about a ladder left, a girlfriends and a cause. 1082 00:58:27,920 --> 00:58:36,760 Speaker 4: We learned to cash or eye sales came in. 1083 00:58:38,480 --> 00:58:42,960 Speaker 1: The song I count if we ever met to get 1084 00:58:43,599 --> 00:58:45,039 going to want. 1085 00:58:44,920 --> 00:58:46,960 Speaker 4: You know that. 1086 00:59:28,400 --> 00:59:29,840 Speaker 6: No fire. 1087 00:59:31,079 --> 00:59:35,199 Speaker 4: Let a liar. Won't you run away. 1088 00:59:36,679 --> 00:59:36,960 Speaker 1: For me? 1089 00:59:39,000 --> 00:59:44,639 Speaker 4: Lollius thoughts come out of my hair. Let him with you. 1090 00:59:44,920 --> 00:59:54,559 Speaker 10: There transfers a specimens you men to me