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<v Speaker 1>This is an Unspoiled Network podcast. This is spoil Me

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<v Speaker 1>covering the Butcher's Masquerade chapters sixty seven through seventy two.

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<v Speaker 1>In these chapters, our plan is being put into action,

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<v Speaker 1>and as with all plans, things immediately go wrong and

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<v Speaker 1>we have to adjust to a degree. We can do

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<v Speaker 1>that to another degree. Only so much can really go

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<v Speaker 1>wrong before it's just a rap. Welcome to spoil Me.

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<v Speaker 1>Welcome to the show everyone. I am Natasha. Thank you

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<v Speaker 1>very much to Jackie for commissioning this episode. Jackie, if

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<v Speaker 1>you're listening, appreciate you very very much. So yeah, this

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<v Speaker 1>section I was saying at the beginning of my last recording,

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<v Speaker 1>which was for Falling Free, one of the books in

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<v Speaker 1>the Vorcosagain saga. But it's a weird thing that happens

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<v Speaker 1>sometimes would spoil me where I will be covering a

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<v Speaker 1>few properties that all have the same like plot beat

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<v Speaker 1>happening at the same time, and it's just a coincidence.

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<v Speaker 1>But it's always wild when more than one book I'm

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<v Speaker 1>covering has an evil twins suddenly show up, or more

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<v Speaker 1>than one book I have that I'm covering is like

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<v Speaker 1>we're about to have an extremely important fraught dinner party

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<v Speaker 1>or something, you know, and right now, what is going

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<v Speaker 1>on in Falling Free is also extremely far reaching plan

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<v Speaker 1>that many people's lives are depending on, but which which

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<v Speaker 1>relies a lot on factors outside of their control which

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<v Speaker 1>are immediately going wrong, and some things that are within

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<v Speaker 1>their control going wrong because folks are unreliable. It is

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<v Speaker 1>so stressful. It really is, like I enjoy reading it

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<v Speaker 1>to a degree because like instantly I'm like, Okay, well,

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<v Speaker 1>obviously that went really fucking wrong, But like, how are

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<v Speaker 1>we going to get out of it? Is there going

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<v Speaker 1>to be a way that our friends find, you know,

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<v Speaker 1>to move past this? And I have to assume likely

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<v Speaker 1>there is, because our means have plot armor. And that's fine,

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<v Speaker 1>that's not a criticism, but it's just the way that

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<v Speaker 1>it works. But I know that likely even if our people,

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<v Speaker 1>like our mains, don't die, that they are going to

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<v Speaker 1>be forced to sacrifice something, and you know, maybe one

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<v Speaker 1>of our side characters might die and I don't want

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<v Speaker 1>that either, And yeah, it's just the whole thing to

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<v Speaker 1>you guys. Look, I've said this before. It's coming as

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<v Speaker 1>no surprise to anybody. Being a control freak as I am,

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<v Speaker 1>comes from a place that is like having grown up

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<v Speaker 1>with parents that were certainly doing their best. I don't

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<v Speaker 1>think all parents do do their best, I'll say that,

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<v Speaker 1>but I believe mine were trying their best. But they

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<v Speaker 1>were not equipped to be parents, really not really, and

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<v Speaker 1>and I knew it, you know, it was like just

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<v Speaker 1>growing up. I was very aware of the fact that

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<v Speaker 1>like they didn't really know what was going on, and

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<v Speaker 1>so I had frequent recurring nightmares that I was in

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<v Speaker 1>the back seat of the car and they were having

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<v Speaker 1>an argument my parents and had forgotten to drive. There

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<v Speaker 1>was nobody actually with their hands on the steering wheel,

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<v Speaker 1>and I had to climb up to the front from

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<v Speaker 1>the back seat in order to grab the wheel because

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<v Speaker 1>they were not paying attention. It is the most obvious

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<v Speaker 1>metaphor on planet Earth. And it is remarkable that I

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<v Speaker 1>was having the stream when I was like seven years old,

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<v Speaker 1>but there it is. I my whole life have had

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<v Speaker 1>this feeling of unease that people are not on it,

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<v Speaker 1>that there is like a black hole beneath me with

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<v Speaker 1>no safety net, and if I don't manage things myself

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<v Speaker 1>and it goes wrong, it's going really fucking wrong. So

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<v Speaker 1>this sort of storyline where you have got to like

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<v Speaker 1>trust the folks around you to do their job. Is

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<v Speaker 1>extremely It gives me a type of anxiety that is

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<v Speaker 1>very specific and personal that is irrational, I recognize and

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<v Speaker 1>is out of proportion to the fact that this is fiction.

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<v Speaker 1>But I still have it. And you know, I understand

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<v Speaker 1>that mostly when you are relying on people in a

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<v Speaker 1>life or death situation, folks do take shit seriously and

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<v Speaker 1>do do their best. But then you have shit that

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<v Speaker 1>happens like Samantha, like wanting her own little mission but

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<v Speaker 1>not doing any of the work involved in making sure

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<v Speaker 1>that mission actually can be carried out. She wants to

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<v Speaker 1>be involved, but she doesn't want to do the homework.

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<v Speaker 1>And that is the kind of thing that not only

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<v Speaker 1>do I feel like this weird sense in my gut

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<v Speaker 1>of like, of course, of course you couldn't rely on her,

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<v Speaker 1>because you just can't rely on people. They just you know,

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<v Speaker 1>there's also a kind of like a part of me

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<v Speaker 1>that is very unreasonable that is going, Yeah, Carl, you

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<v Speaker 1>decided to rely on Samantha. I am so sorry, bro,

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<v Speaker 1>but you really just have yourself to blame for that. Like,

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<v Speaker 1>I don't really understand what you were thinking in giving

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<v Speaker 1>her such an important job, you had to know. Oh,

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<v Speaker 1>It's it's not like Samantha never does anything right. It's

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<v Speaker 1>more that when she does stuff right, it's incidental to

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<v Speaker 1>her doing what she wanted in the first place. Things

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<v Speaker 1>end up going right despite the fact that she decided

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<v Speaker 1>to not follow the plan, you know. And this here

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<v Speaker 1>is like I like her, And that's something that's really

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<v Speaker 1>saying something in terms of what I must feel towards

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<v Speaker 1>because like normally, there is no quicker deal breaker for

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<v Speaker 1>me as a reader or a viewer than a character

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<v Speaker 1>being this particular kind of neglectful and unreliable. I will

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<v Speaker 1>really lose my patience quickly. As many folks have seen

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<v Speaker 1>when I was back in the day covering Harry Potter.

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<v Speaker 1>Hagrid is so many people's like favorite character or one

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<v Speaker 1>of their tops, and I really cannot take him because

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<v Speaker 1>he fucks up so relentlessly all the time, and I

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<v Speaker 1>just can't take it. It's like it just bothered me in

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<v Speaker 1>a way that it was just very much like you're

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<v Speaker 1>supposed to be one of the fucking grown ups, and

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<v Speaker 1>what good are you? You know. So the fact that

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<v Speaker 1>I actually still like Samantha despite the fact that she

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<v Speaker 1>keeps doing this sort of thing. I just think that

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<v Speaker 1>that really goes to show that I do like her,

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<v Speaker 1>that this is like, you know what I'm saying, Like,

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<v Speaker 1>but uh, I also feel so saddened at the fact

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<v Speaker 1>that it doesn't seem she understands the importance of any

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<v Speaker 1>of this. It's bizarre how she can simultaneously be so

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<v Speaker 1>instrumental in their plans because she knows certain things and

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<v Speaker 1>has certain information, she can participate in the planning of

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<v Speaker 1>things in like on a level. But then once it's

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<v Speaker 1>time for the execution of the thing, it's like their

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<v Speaker 1>lives are depending on this, and she just doesn't seem

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<v Speaker 1>to like understand that or keep it in mind or

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<v Speaker 1>maybe grasp that they just get like to they just

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<v Speaker 1>get killed because she, being a god, doesn't really have

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<v Speaker 1>that perspective. I don't know. But anyway, sorry, Michael says,

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<v Speaker 1>what besides, every moment we have seen her has given

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<v Speaker 1>you cause to doubt her reliability. Rob says, the Samantha

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<v Speaker 1>of unintended consequences. Yeah, it's you know, she's very entertaining,

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<v Speaker 1>but when it's time, like if she is being given

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<v Speaker 1>something that is really clutch to do, that's on you

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<v Speaker 1>give her something that is sort of mayhem, give her

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<v Speaker 1>something to do that is distraction, that is her getting

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<v Speaker 1>to like act up and letting her off the leash,

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<v Speaker 1>so to speak. That's where she excels, is just going

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<v Speaker 1>bonkers but doing something that requires the type of precision

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<v Speaker 1>they are asking for here, it's asking for trouble. And granted,

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<v Speaker 1>there's literally nobody else who could really have pulled this off,

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<v Speaker 1>because the whole thing that she's doing is, you know,

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<v Speaker 1>in these little tunnels that she's the only one that

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<v Speaker 1>could fit through. So I don't think they had another

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<v Speaker 1>option if they wanted to carry the plan out this

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<v Speaker 1>specific way. But then you have to figure something else out,

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<v Speaker 1>like you know, I don't know what to tell you.

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<v Speaker 1>So anyway, everything is going very very wrong by the

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<v Speaker 1>end of this section, and it's this odd combination for

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<v Speaker 1>me in my guts of like excitement because I am

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<v Speaker 1>first of all aware that there are likely some other

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<v Speaker 1>contingencies that I'm not aware of because we don't actually

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<v Speaker 1>get to like it's not like the way that the

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<v Speaker 1>story is being told is front loading. Are the readers

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<v Speaker 1>with information about what the plan is. We are being

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<v Speaker 1>given hints of what the plan is, as we go along,

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<v Speaker 1>dropped into like the beginnings of each chapter as a

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<v Speaker 1>replacement kind of for like sometimes not always, for the

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<v Speaker 1>entries in the cookbook. So we're being shown basically what

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<v Speaker 1>all was intended, right before we get the moment where

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<v Speaker 1>it all goes wrong. And because we don't have all

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<v Speaker 1>the information, a part of me is willing to sort

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<v Speaker 1>of like sit back and trust that there were contingencies

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<v Speaker 1>they came up with that would figure that we could

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<v Speaker 1>figure this out, or there are other plans that like

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<v Speaker 1>we dropped, but aspects of it can be incorporated. But like, honestly,

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<v Speaker 1>I really don't know any of that. It's just me

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<v Speaker 1>having a kind of faith and the way that they

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<v Speaker 1>have to communicate just via writing. Coming up with these

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<v Speaker 1>sorts of intricate plans is difficult enough when the people

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<v Speaker 1>are sitting in the same room around a table talking freely,

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<v Speaker 1>never mind the fact that they have to write on

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<v Speaker 1>this board or whatever it is in a bathroom, wait

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<v Speaker 1>for the other to eventually be able to make it

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<v Speaker 1>up that they have to pee and go in there

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<v Speaker 1>read it. Answer how slow the process must be to

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<v Speaker 1>put anything together. It has to be fucking agony. You know.

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<v Speaker 1>So anyway, all that said, this whole thing is just

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<v Speaker 1>really like balancing on a knife's edge, and it's one

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<v Speaker 1>thing if a certain bit goes wrong, but it's that's

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<v Speaker 1>not what we're seeing, you know what I'm saying. There's

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<v Speaker 1>a What I keep thinking about, of course, is what

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<v Speaker 1>do you call it? Ocean's eleven where we don't get

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<v Speaker 1>to see the plan, We don't hear what the whole

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<v Speaker 1>thing is. It appears everything is going very very wrong,

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<v Speaker 1>and then all of a sudden, the camera sort of

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<v Speaker 1>pulls back and we get to see, actually, the things

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<v Speaker 1>that looked like they were going wrong were part of

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<v Speaker 1>the plan all along. And it's fine. That is not

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<v Speaker 1>what's going on here. That's not, at least if it is,

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<v Speaker 1>I am being very effectively snowed as a viewer reader. Sorry,

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<v Speaker 1>it is possible. I suppose that you know, this is

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<v Speaker 1>all part of the that we're acting as if the

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<v Speaker 1>things that aren't going according to plan are problems, and

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<v Speaker 1>it's really exactly what we wanted, you know, like the

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<v Speaker 1>kind of villain that gets arrested on purpose because jail

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<v Speaker 1>is exactly where you wanted to be. Okay, possible, possible.

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<v Speaker 1>I don't think so, though I really don't believe that's

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<v Speaker 1>what's going on, and if it is, I'm not going

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<v Speaker 1>to be mad about it. Just for the record, I'm

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<v Speaker 1>not saying that that is there's no way to pull

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<v Speaker 1>it off, But I think that kind of plan would

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<v Speaker 1>rely too much on the acting abilities of the people involved,

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<v Speaker 1>and I just don't see us like even attempting it.

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<v Speaker 1>I we'll see the number of things that go wrong.

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<v Speaker 1>That's the part that gives me anxiety, one or two

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<v Speaker 1>things where we have to like think on our feet

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<v Speaker 1>and adjust. Inevitable. Right, that's not what we're getting. We're

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<v Speaker 1>getting huge sections of the infrastructure of this plan falling apart,

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<v Speaker 1>and I don't know how you fucking adapt when it's

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<v Speaker 1>you know, the Initially what Carl had said was like

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<v Speaker 1>new plan, we don't attack at all, we don't do anything,

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<v Speaker 1>we just party. And yet once everybody's in there, it

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<v Speaker 1>does not seem to me at least that that's what's happening.

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<v Speaker 1>So I don't know what's what. Mah, I don't know.

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<v Speaker 1>I don't know. So starting with chapter sixty seven, Vra

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<v Speaker 1>had just spotted Carl and was like coming at him

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<v Speaker 1>through this uh, this big ballroom to speak to him,

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<v Speaker 1>and I really like Carl is so unafraid of her,

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00:16:08.399 --> 00:16:11.360
<v Speaker 1>and like, granted, right now you should be. You're not

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<v Speaker 1>even in the same place. She can't do anything to you,

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<v Speaker 1>you know, I understand this, But he's just really taunting

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<v Speaker 1>her in a way that I deeply appreciate. I really

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<v Speaker 1>wonder if I would be handling things like this, you know.

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<v Speaker 1>I don't know, because there's a part of me that

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<v Speaker 1>feels like I would be too afraid in a real way.

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00:16:35.919 --> 00:16:38.240
<v Speaker 1>But another part of me feels like maybe if I

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<v Speaker 1>were in this situation and I had gone through everything

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<v Speaker 1>that Carl has gone through, there would be a sort

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<v Speaker 1>of fatalism in me that would you know. And also

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<v Speaker 1>always keeping in mind that a big part of the

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00:16:52.679 --> 00:16:57.639
<v Speaker 1>way this game works is performance. And if I'm aware

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00:16:57.759 --> 00:17:00.360
<v Speaker 1>that there's a camera on me and that behave in

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00:17:00.399 --> 00:17:03.360
<v Speaker 1>a certain way is going to get views and potentially

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00:17:03.399 --> 00:17:06.839
<v Speaker 1>then sponsors, maybe I would be like this. Maybe I

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00:17:06.839 --> 00:17:13.680
<v Speaker 1>would fucking go for it. I don't know. So she says,

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<v Speaker 1>I have a present for you, Carl, It's coming soon.

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00:17:17.640 --> 00:17:23.920
<v Speaker 1>And the as this conversation is going on, we have

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00:17:24.000 --> 00:17:26.759
<v Speaker 1>this thing with Brittany in the background, and it turns

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00:17:26.799 --> 00:17:29.359
<v Speaker 1>out that her jacket, which I was like, what is

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00:17:29.400 --> 00:17:34.920
<v Speaker 1>this made out of? It is assembled of these slate butterflies,

234
00:17:35.400 --> 00:17:39.559
<v Speaker 1>which are the little beanie babies essentially that can be

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00:17:39.599 --> 00:17:44.160
<v Speaker 1>brought to life, and she uses one to disable the

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00:17:44.279 --> 00:17:49.920
<v Speaker 1>alarm that goes off when an attack is made, like

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00:17:50.200 --> 00:17:55.599
<v Speaker 1>the safety thing the warning light, the lights glow slowly

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00:17:55.640 --> 00:17:58.759
<v Speaker 1>paled and the powered light faded away. A moment later,

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<v Speaker 1>the common rarity some creature returned to a stuffed animal.

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<v Speaker 1>I held my breath as it fell, hit the top

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00:18:04.559 --> 00:18:07.839
<v Speaker 1>of the ELF's spear and landed in Britney's outstretched hand.

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00:18:08.119 --> 00:18:10.279
<v Speaker 1>The guard looked up as Brittany pulled the stuffed animal

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00:18:10.319 --> 00:18:14.720
<v Speaker 1>behind her back. He returned to his position. These things

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00:18:14.759 --> 00:18:17.960
<v Speaker 1>don't count as a spell, they don't count as aggression,

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00:18:18.599 --> 00:18:22.720
<v Speaker 1>and so they function here so they can turn this

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00:18:22.880 --> 00:18:29.799
<v Speaker 1>fucking alarm off. And later on he sees I think

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00:18:30.039 --> 00:18:35.240
<v Speaker 1>raw herself looking up and observing that the light is out,

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00:18:35.720 --> 00:18:41.920
<v Speaker 1>and is like, ah shit. So we find out a

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00:18:41.960 --> 00:18:46.480
<v Speaker 1>little bit later that the whole thing that we had

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00:18:46.519 --> 00:18:54.119
<v Speaker 1>suspected about the bunch of mantis babies being born that

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00:18:54.240 --> 00:18:57.519
<v Speaker 1>is indeed happening. That is what's going on, it has

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00:18:57.680 --> 00:19:03.119
<v Speaker 1>been done. I knew that this was likely, but I

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00:19:03.359 --> 00:19:08.759
<v Speaker 1>still somehow like maintained this hope that it wasn't, even

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00:19:08.839 --> 00:19:12.880
<v Speaker 1>though were I in VRA's position, this is precisely what

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00:19:12.920 --> 00:19:16.519
<v Speaker 1>the fuck I would do, no question, you know what

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00:19:16.519 --> 00:19:19.799
<v Speaker 1>I'm saying. But I was like, I don't know, maybe

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00:19:19.839 --> 00:19:24.680
<v Speaker 1>maybe VRA's very dumb. Maybe no, no such luck. But

258
00:19:24.720 --> 00:19:30.240
<v Speaker 1>we'll get there in a moment. So let's see. Uh.

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00:19:31.039 --> 00:19:33.960
<v Speaker 1>I swear to you this, Carl, before this night is done,

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00:19:34.200 --> 00:19:38.960
<v Speaker 1>I will have your decapitated head on my back and

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00:19:39.759 --> 00:19:49.000
<v Speaker 1>takes off. So now, lucymr You guys, what's going on

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00:19:49.160 --> 00:19:55.759
<v Speaker 1>with lucymr? Is? It's still confusing. I think we're you know,

263
00:19:55.920 --> 00:20:00.480
<v Speaker 1>we haven't been given all the information yet. It's so

264
00:20:00.599 --> 00:20:10.160
<v Speaker 1>sad and overall is satisfying to me in terms of

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00:20:11.000 --> 00:20:16.920
<v Speaker 1>not only the weirdness of the mystery going on with her,

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00:20:17.240 --> 00:20:25.160
<v Speaker 1>but ultimately with Florin, because I was extremely concerned about him,

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00:20:25.680 --> 00:20:29.680
<v Speaker 1>you know, and I wasn't mad. I understood why he

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00:20:29.720 --> 00:20:32.920
<v Speaker 1>felt how he felt. There was nothing in me that

269
00:20:32.960 --> 00:20:38.200
<v Speaker 1>could really blame him, but that doesn't mean that he's

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00:20:38.200 --> 00:20:41.759
<v Speaker 1>not going to completely fuck our plan right up. You know,

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00:20:42.319 --> 00:20:47.039
<v Speaker 1>it was just this sense of inevitability that it was

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00:20:47.279 --> 00:20:50.079
<v Speaker 1>all going to go left in this like very particular way,

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00:20:50.720 --> 00:20:56.079
<v Speaker 1>and I didn't want to see it. I didn't want

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00:20:56.960 --> 00:21:04.799
<v Speaker 1>the plot beat of a hot headed person is goaded

275
00:21:04.920 --> 00:21:10.000
<v Speaker 1>into taking action that is unwise because they can't control

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00:21:10.240 --> 00:21:14.599
<v Speaker 1>their feelings of rage and desire for revenge. It is

277
00:21:14.680 --> 00:21:20.359
<v Speaker 1>a well trod trope, and for a reason, because this

278
00:21:20.480 --> 00:21:23.559
<v Speaker 1>is honestly a reality in the world, like, this is

279
00:21:23.960 --> 00:21:29.640
<v Speaker 1>what happens. But it's not fun to watch because you

280
00:21:29.920 --> 00:21:34.119
<v Speaker 1>know they are about to ruin everything for everyone. And

281
00:21:35.559 --> 00:21:38.920
<v Speaker 1>I just wasn't looking forward to it. I'll say that

282
00:21:40.480 --> 00:21:43.119
<v Speaker 1>and then we don't get it. And it was a

283
00:21:43.279 --> 00:21:48.519
<v Speaker 1>real relief. I mean, I just didn't expect it to

284
00:21:48.599 --> 00:21:50.799
<v Speaker 1>go the way that it goes, and for Flora to

285
00:21:50.880 --> 00:21:55.720
<v Speaker 1>have the presence of mind to stop and look and

286
00:21:55.960 --> 00:22:00.359
<v Speaker 1>hear and think. You know, I expected him to do

287
00:22:00.400 --> 00:22:08.319
<v Speaker 1>something stupid, to be almost to a degree motivated by

288
00:22:09.039 --> 00:22:12.200
<v Speaker 1>resentment of Carl trying to tell him what to do,

289
00:22:12.319 --> 00:22:17.240
<v Speaker 1>even where it would be like, not only am I

290
00:22:17.319 --> 00:22:19.559
<v Speaker 1>doing this because I have the right to do it

291
00:22:19.599 --> 00:22:21.920
<v Speaker 1>because of what happened to a person I care about,

292
00:22:22.599 --> 00:22:25.960
<v Speaker 1>but I am irritated that you are trying to assert

293
00:22:26.000 --> 00:22:30.319
<v Speaker 1>control over me. I'll show you, And so he does this,

294
00:22:30.440 --> 00:22:32.839
<v Speaker 1>you know what I mean. I was very worried that

295
00:22:32.880 --> 00:22:35.079
<v Speaker 1>it was going to be ego driven in that way,

296
00:22:36.279 --> 00:22:44.400
<v Speaker 1>and instead Florin has a similar reaction to her as Carl.

297
00:22:44.720 --> 00:22:50.640
<v Speaker 1>When Carl first spots her here, It's interesting the Lajah

298
00:22:50.680 --> 00:22:53.039
<v Speaker 1>Bless was here in her beautiful woman form, but she

299
00:22:53.079 --> 00:22:56.680
<v Speaker 1>stood against the wall, chewing on her fingernail, eyes darting

300
00:22:56.759 --> 00:22:59.039
<v Speaker 1>back and forth like she didn't know where she was.

301
00:22:59.799 --> 00:23:03.799
<v Speaker 1>In that moment, I saw her for what she was,

302
00:23:04.599 --> 00:23:12.440
<v Speaker 1>a kid in an adult's body. And when Florin looks

303
00:23:12.480 --> 00:23:16.200
<v Speaker 1>at her at for the first instant of him seeing her,

304
00:23:18.000 --> 00:23:21.440
<v Speaker 1>of course he's just like, let me at her, and

305
00:23:21.920 --> 00:23:25.119
<v Speaker 1>it takes very little time for him to stop and

306
00:23:25.160 --> 00:23:29.799
<v Speaker 1>be like wait and to see what Carl also saw.

307
00:23:31.519 --> 00:23:37.960
<v Speaker 1>I just love this, It's so it just it. I

308
00:23:38.039 --> 00:23:40.200
<v Speaker 1>think the reason that this is speaking to me so

309
00:23:40.359 --> 00:23:43.400
<v Speaker 1>much is that it's addressing the very thing that I

310
00:23:43.480 --> 00:23:45.759
<v Speaker 1>was talking about the beginning of the episode with not

311
00:23:45.799 --> 00:23:50.039
<v Speaker 1>feeling like I can rely on people. Florin is displaying

312
00:23:50.559 --> 00:24:01.000
<v Speaker 1>a maturity and a control that is not what I

313
00:24:01.440 --> 00:24:06.519
<v Speaker 1>expect out of people most of the time. Frankly, it

314
00:24:06.839 --> 00:24:11.119
<v Speaker 1>feels unlikely, and so a big part of me just

315
00:24:11.160 --> 00:24:15.000
<v Speaker 1>doesn't really try to depend on it because it seems

316
00:24:15.039 --> 00:24:20.720
<v Speaker 1>like it's extremely optimistic to expect this. And he came through.

317
00:24:22.200 --> 00:24:25.720
<v Speaker 1>You know what I'm saying, He fucking does the self

318
00:24:25.759 --> 00:24:30.000
<v Speaker 1>control grown up thing. I just didn't think he would.

319
00:24:30.079 --> 00:24:34.200
<v Speaker 1>And it's so comforting to have a moment of being like, oh,

320
00:24:34.240 --> 00:24:38.960
<v Speaker 1>somebody on Carl's team has fucking self control and can

321
00:24:39.000 --> 00:24:43.680
<v Speaker 1>be relied on in a way that I just took

322
00:24:43.759 --> 00:24:48.519
<v Speaker 1>for granted wasn't possible or gonna happen. And it's nice.

323
00:24:49.000 --> 00:24:54.799
<v Speaker 1>It's just really it's a nice surprise. I love that. However,

324
00:24:56.519 --> 00:25:01.799
<v Speaker 1>we've got Katscha, on the other hand, busted out, like

325
00:25:01.920 --> 00:25:07.480
<v Speaker 1>about to really start some shit today when she knows better,

326
00:25:07.880 --> 00:25:11.839
<v Speaker 1>and like, I won't say that Katya undid the way

327
00:25:11.880 --> 00:25:14.759
<v Speaker 1>that I was feeling, you know about Florin, where I

328
00:25:14.839 --> 00:25:18.559
<v Speaker 1>was so gratified. That's not what I mean when I

329
00:25:18.640 --> 00:25:25.079
<v Speaker 1>say this. It's just more so that the direction this

330
00:25:26.680 --> 00:25:31.160
<v Speaker 1>lack of control is coming from is so unexpected and

331
00:25:31.519 --> 00:25:34.319
<v Speaker 1>in some ways sort of underscores the whole vibe of

332
00:25:34.440 --> 00:25:37.079
<v Speaker 1>like you just don't have control over anything, and if

333
00:25:37.079 --> 00:25:40.319
<v Speaker 1>you think you do, it's an illusion. And the whole

334
00:25:40.319 --> 00:25:48.319
<v Speaker 1>thing with her and Eva is so ugh. Eva has

335
00:25:48.519 --> 00:25:54.880
<v Speaker 1>over fifty player skulls over her head and four Hunter

336
00:25:55.000 --> 00:26:03.359
<v Speaker 1>Killer marks. That ratio is frankly unhidden. That's insane, Like,

337
00:26:05.359 --> 00:26:12.599
<v Speaker 1>I just the fucked up nature of your priorities is

338
00:26:12.720 --> 00:26:20.359
<v Speaker 1>so explicitly displayed in that ratio. It's out of control.

339
00:26:21.319 --> 00:26:24.359
<v Speaker 1>It's remarkable that somebody else hasn't killed Eva by now,

340
00:26:24.759 --> 00:26:28.720
<v Speaker 1>like that people haven't teamed up against her. I understand

341
00:26:28.839 --> 00:26:34.799
<v Speaker 1>Katcha's particular beef, you know, I get it obviously, but

342
00:26:35.640 --> 00:26:39.279
<v Speaker 1>I would think that other people would have really clocked

343
00:26:39.319 --> 00:26:42.359
<v Speaker 1>how like how much of a threat she is on

344
00:26:42.440 --> 00:26:48.359
<v Speaker 1>a variety of levels, and decided, Okay, this is untenable.

345
00:26:48.480 --> 00:26:51.440
<v Speaker 1>She's out here sabotaging shit, like, let's deal with her.

346
00:26:52.079 --> 00:26:55.279
<v Speaker 1>And maybe they have. Maybe they have, and that's why

347
00:26:55.319 --> 00:26:57.960
<v Speaker 1>she's got so many Player Killer skulls. Partially is that

348
00:26:58.759 --> 00:27:01.799
<v Speaker 1>it's she know they tried to come at her and

349
00:27:01.839 --> 00:27:09.240
<v Speaker 1>they missed. But Kotscha is like, really, I was thinking

350
00:27:09.279 --> 00:27:11.359
<v Speaker 1>that she was going to be more prepared for singing

351
00:27:11.400 --> 00:27:18.359
<v Speaker 1>Eva than she is. It's I think a result of

352
00:27:18.480 --> 00:27:21.960
<v Speaker 1>Kotscha sabotaging by taking all of those potions that were

353
00:27:22.039 --> 00:27:25.400
<v Speaker 1>left for people in the locker room. It's just like

354
00:27:25.559 --> 00:27:30.279
<v Speaker 1>kotcha being like even that you had to even ruin

355
00:27:30.519 --> 00:27:34.480
<v Speaker 1>that you couldn't just leave that the fuck alone? Why

356
00:27:34.519 --> 00:27:37.880
<v Speaker 1>are you like this? And that's literally what she says,

357
00:27:39.319 --> 00:27:42.160
<v Speaker 1>is just like, why are you like this? These are

358
00:27:42.240 --> 00:27:48.799
<v Speaker 1>your people too, and Eva is the most I love

359
00:27:48.839 --> 00:27:55.000
<v Speaker 1>the energy that she's written with because it's deeply infuriating, obviously,

360
00:27:56.000 --> 00:28:02.839
<v Speaker 1>but it's also extremely recognizable. I am lucky in that

361
00:28:03.599 --> 00:28:05.880
<v Speaker 1>I don't think I've ever met anybody in person that

362
00:28:05.920 --> 00:28:09.039
<v Speaker 1>I've had a fight with that was like this, but

363
00:28:09.119 --> 00:28:14.440
<v Speaker 1>I have absolutely encountered this type of person online. And

364
00:28:14.519 --> 00:28:16.640
<v Speaker 1>I don't even mean like strangers. I mean there have

365
00:28:16.680 --> 00:28:20.920
<v Speaker 1>been people that I knew purely online that devolved to

366
00:28:21.079 --> 00:28:23.519
<v Speaker 1>this quite quickly, and I was like, oh, you're that

367
00:28:23.720 --> 00:28:28.400
<v Speaker 1>kind of person. But the what I mean by this

368
00:28:28.599 --> 00:28:34.799
<v Speaker 1>is she immediately goes for the lowest blow, most petty,

369
00:28:35.519 --> 00:28:43.079
<v Speaker 1>most hurtful week spot in a very like childish kind

370
00:28:43.119 --> 00:28:48.640
<v Speaker 1>of way that it's almost it's not even that like

371
00:28:49.079 --> 00:28:53.319
<v Speaker 1>she necessarily hits you where it hurts, and it gets

372
00:28:53.400 --> 00:28:57.400
<v Speaker 1>you because she hit you in that weak spot. It's

373
00:28:57.680 --> 00:29:02.680
<v Speaker 1>for me more of the fact that she hits you

374
00:29:04.240 --> 00:29:07.319
<v Speaker 1>where they like in a place where that's not even

375
00:29:07.359 --> 00:29:11.359
<v Speaker 1>where what the argument's about. This isn't relevant, even that

376
00:29:11.480 --> 00:29:14.119
<v Speaker 1>I am talking to you about a big picture thing

377
00:29:14.519 --> 00:29:18.680
<v Speaker 1>and you're just trying to like confuse the issue by

378
00:29:18.920 --> 00:29:22.599
<v Speaker 1>bringing up other shit that's irrelevant? Do you give what

379
00:29:22.640 --> 00:29:27.599
<v Speaker 1>I'm saying? And that part is what I really keep

380
00:29:27.599 --> 00:29:31.640
<v Speaker 1>getting stuck on, is just the idea that, like when

381
00:29:31.920 --> 00:29:36.400
<v Speaker 1>because people like this, it's so difficult to deal with them,

382
00:29:36.519 --> 00:29:41.480
<v Speaker 1>because if you are like me, for example, it's a

383
00:29:42.480 --> 00:29:46.799
<v Speaker 1>there's a sense to it of like I am trying

384
00:29:46.880 --> 00:29:49.440
<v Speaker 1>to reason with you. I am trying to come at

385
00:29:49.480 --> 00:29:53.599
<v Speaker 1>you with a logic that obviously you have no fucking

386
00:29:53.759 --> 00:30:00.160
<v Speaker 1>interest in because you keep deflecting. And how do you

387
00:30:00.319 --> 00:30:04.359
<v Speaker 1>like argue with somebody that is handling it like this?

388
00:30:05.039 --> 00:30:09.319
<v Speaker 1>How do you get through to them if what it

389
00:30:09.400 --> 00:30:12.400
<v Speaker 1>seems like they actually want is to just sit back

390
00:30:12.480 --> 00:30:17.359
<v Speaker 1>and insult you like a fifth grader on the playground.

391
00:30:18.440 --> 00:30:23.160
<v Speaker 1>If they are this unwilling to even engage with the

392
00:30:23.559 --> 00:30:29.599
<v Speaker 1>actual concerns that you're bringing up, then the futility of

393
00:30:29.640 --> 00:30:35.279
<v Speaker 1>it becomes apparent really quickly, and is so disheartening and

394
00:30:35.359 --> 00:30:40.079
<v Speaker 1>discouraging and ultimately just saddening. You know what I'm saying.

395
00:30:40.200 --> 00:30:45.359
<v Speaker 1>It just it sucks, man. I just really this is

396
00:30:45.400 --> 00:30:50.759
<v Speaker 1>a person that I there are some people that I

397
00:30:50.799 --> 00:30:57.559
<v Speaker 1>think really show you they make the world worse, and

398
00:30:57.680 --> 00:31:02.599
<v Speaker 1>they are trying to make the world worse, and they

399
00:31:02.680 --> 00:31:09.720
<v Speaker 1>have no interest whatsoever in improving. They don't care about

400
00:31:09.720 --> 00:31:15.799
<v Speaker 1>the state of the world. It's about themselves and the

401
00:31:15.839 --> 00:31:19.599
<v Speaker 1>world is better without them. When you behave like this,

402
00:31:20.240 --> 00:31:23.880
<v Speaker 1>I think this is just like proof that you don't

403
00:31:23.960 --> 00:31:28.160
<v Speaker 1>deserve to live. If you have decided to make your

404
00:31:28.279 --> 00:31:35.759
<v Speaker 1>whole deal about ruining the lives of other people and

405
00:31:36.160 --> 00:31:40.480
<v Speaker 1>taking their lives as well, which is you know, like

406
00:31:40.640 --> 00:31:47.039
<v Speaker 1>fifty player skulls, are you fucking kidding? Then I think

407
00:31:47.079 --> 00:31:51.519
<v Speaker 1>you forfeited your right to live. And that's just that

408
00:31:51.880 --> 00:31:54.200
<v Speaker 1>on that I don't really know how else to say it.

409
00:31:57.400 --> 00:32:02.160
<v Speaker 1>So yeah, like just the way that she insults Kotya.

410
00:32:02.279 --> 00:32:05.839
<v Speaker 1>I just want to be clear, I am not saying

411
00:32:06.000 --> 00:32:11.240
<v Speaker 1>that this has no effect on Kotya. It's just more

412
00:32:11.319 --> 00:32:16.720
<v Speaker 1>that the effect that it has I think is very secondary.

413
00:32:17.799 --> 00:32:25.200
<v Speaker 1>I think that it's really like Katya has built I

414
00:32:25.240 --> 00:32:30.519
<v Speaker 1>think probably some immunity to it at this point, and

415
00:32:30.799 --> 00:32:34.000
<v Speaker 1>that she's having a reaction the way I am describing

416
00:32:34.480 --> 00:32:38.359
<v Speaker 1>where she's like I am trying to like reason with

417
00:32:38.400 --> 00:32:43.119
<v Speaker 1>you and understand, and you're still doing the same boring

418
00:32:43.240 --> 00:32:47.000
<v Speaker 1>shit where you insult me like this, really that's it.

419
00:32:47.160 --> 00:32:49.160
<v Speaker 1>This is what you're coming at me with, Like are

420
00:32:49.200 --> 00:32:55.400
<v Speaker 1>you fucking serious? And I just can't imagine, in this

421
00:32:55.480 --> 00:32:58.119
<v Speaker 1>situation with so many people trying to work together to

422
00:32:58.160 --> 00:33:04.160
<v Speaker 1>make something happening, this much of a cunt. Like that's

423
00:33:04.240 --> 00:33:06.960
<v Speaker 1>just really what it comes down to for me is truly,

424
00:33:08.720 --> 00:33:13.119
<v Speaker 1>how are you this much of a fucking cunt? I

425
00:33:13.160 --> 00:33:16.920
<v Speaker 1>don't where is this coming from. Something's broken in you,

426
00:33:17.240 --> 00:33:24.319
<v Speaker 1>something's wrong with you? And eh anyway, So yeah, this

427
00:33:24.359 --> 00:33:26.640
<v Speaker 1>is why Fannar couldn't stand you with your ugly brown hair,

428
00:33:26.680 --> 00:33:29.720
<v Speaker 1>piggy nose, constant whining. What kind of mother could you

429
00:33:29.759 --> 00:33:33.279
<v Speaker 1>have possibly been? Like really, this is what you do.

430
00:33:33.440 --> 00:33:35.200
<v Speaker 1>This is the kind of thing like it's just so

431
00:33:35.440 --> 00:33:41.319
<v Speaker 1>fucking pathetic, it's so it's it's not even insulting anymore.

432
00:33:41.359 --> 00:33:44.519
<v Speaker 1>It's like when somebody, you know, I'm trying to reason

433
00:33:44.559 --> 00:33:47.799
<v Speaker 1>with them about how they're bigoted against immigrants and they

434
00:33:47.799 --> 00:33:56.079
<v Speaker 1>call me fat. That's that's it, that's it, Okay, like

435
00:33:56.519 --> 00:34:04.200
<v Speaker 1>I would Okay, sure, that's very very relevant. Cool. So

436
00:34:05.720 --> 00:34:09.119
<v Speaker 1>I love donut being like, oh yeah, I was thinking

437
00:34:09.119 --> 00:34:11.039
<v Speaker 1>about you today and it reminded me that I need

438
00:34:11.039 --> 00:34:17.920
<v Speaker 1>my litter box changed. And I am really curious where

439
00:34:17.920 --> 00:34:20.880
<v Speaker 1>this is going. I just Eva is somebody that I have,

440
00:34:21.360 --> 00:34:25.639
<v Speaker 1>honestly like, on a certain level, actively tried not to

441
00:34:25.679 --> 00:34:28.840
<v Speaker 1>think about, which I don't really. I guess it's just

442
00:34:28.880 --> 00:34:31.320
<v Speaker 1>like she was not present. There was only so much

443
00:34:31.320 --> 00:34:33.639
<v Speaker 1>we could do, you know, like what else am I

444
00:34:33.679 --> 00:34:36.280
<v Speaker 1>going to do? And now that she's in my face again,

445
00:34:37.400 --> 00:34:39.639
<v Speaker 1>a big part of me is like, we need to

446
00:34:39.639 --> 00:34:41.159
<v Speaker 1>do we need to do this, We need to handle

447
00:34:41.159 --> 00:34:43.840
<v Speaker 1>this bitch. Somebody do something like you know, what I'm

448
00:34:43.840 --> 00:34:47.559
<v Speaker 1>saying in a way that I'm kind of feeling is

449
00:34:47.599 --> 00:34:52.039
<v Speaker 1>probably not correct, But that's just how mad she made me,

450
00:34:52.239 --> 00:34:55.039
<v Speaker 1>is that she and that's her goal too, I think,

451
00:34:55.239 --> 00:34:58.159
<v Speaker 1>is like she wants to just make you mad so

452
00:34:58.239 --> 00:35:08.920
<v Speaker 1>that she's trolling you, you know. Anyway, this she asked,

453
00:35:09.840 --> 00:35:14.079
<v Speaker 1>how's it looking back there? And she is talking about

454
00:35:14.119 --> 00:35:16.800
<v Speaker 1>the layout of the stage, the lighting and everything, and

455
00:35:16.840 --> 00:35:20.880
<v Speaker 1>how it's not what she was expecting that the place

456
00:35:20.920 --> 00:35:25.199
<v Speaker 1>looks beautiful, but they do not have the facilities on

457
00:35:25.519 --> 00:35:29.800
<v Speaker 1>par with the esthetic, which I fully understand what she means.

458
00:35:29.880 --> 00:35:32.800
<v Speaker 1>And this whole vibe is like her irritation with this

459
00:35:32.960 --> 00:35:36.639
<v Speaker 1>I get. It's so it's so funny to me in

460
00:35:36.719 --> 00:35:39.320
<v Speaker 1>this section how much I relate to Donut you guys.

461
00:35:39.880 --> 00:35:44.719
<v Speaker 1>I mean, let's set aside the very obvious comparisons with

462
00:35:44.800 --> 00:35:48.000
<v Speaker 1>both of us being performers and her being too much

463
00:35:48.159 --> 00:35:50.719
<v Speaker 1>and me always being too much and being a little

464
00:35:50.760 --> 00:35:53.159
<v Speaker 1>bit too ambitious for what I can actually do. Like

465
00:35:54.199 --> 00:35:59.159
<v Speaker 1>all of that aside, I just felt like there was

466
00:35:59.199 --> 00:36:04.639
<v Speaker 1>a kinship between us in this section that was stronger

467
00:36:04.679 --> 00:36:07.000
<v Speaker 1>than it has been in any of the other books

468
00:36:07.039 --> 00:36:12.039
<v Speaker 1>so far. I knew this was going to be immature hour,

469
00:36:12.119 --> 00:36:13.800
<v Speaker 1>but once you see it up close, you don't fully

470
00:36:13.840 --> 00:36:16.559
<v Speaker 1>appreciate the level of an aptitude required to make something

471
00:36:16.599 --> 00:36:19.960
<v Speaker 1>look this nice yet be so functionally inefficient at the

472
00:36:20.039 --> 00:36:25.239
<v Speaker 1>same time, which is a put like, I feel like

473
00:36:25.280 --> 00:36:29.599
<v Speaker 1>I have had this exact complaint verbatim about things in

474
00:36:29.599 --> 00:36:33.320
<v Speaker 1>my life. I just one thousand percent know where she's

475
00:36:33.320 --> 00:36:35.920
<v Speaker 1>coming from on this and this type the very particular

476
00:36:36.039 --> 00:36:39.559
<v Speaker 1>type of frustration that comes with it as well, because

477
00:36:39.599 --> 00:36:42.719
<v Speaker 1>there's this sense of like you had it in your hand,

478
00:36:42.880 --> 00:36:47.159
<v Speaker 1>you had it, you could have done something here. Why

479
00:36:47.360 --> 00:36:50.559
<v Speaker 1>did you do this? Why is this the way the

480
00:36:50.639 --> 00:36:53.079
<v Speaker 1>direction you decided to go with it all? You know

481
00:36:53.119 --> 00:37:00.800
<v Speaker 1>what I'm saying anyway, So Florin I needed to say focused,

482
00:37:00.840 --> 00:37:04.280
<v Speaker 1>I can't be babysitting your ass, and Florence says, I'm good,

483
00:37:04.320 --> 00:37:07.079
<v Speaker 1>get off my back, and Carl says, okay, I'm gonna

484
00:37:07.079 --> 00:37:12.440
<v Speaker 1>trust you, and he says good out loud, and this

485
00:37:12.559 --> 00:37:16.760
<v Speaker 1>is when he says, something's off with her anyway. She

486
00:37:16.800 --> 00:37:19.480
<v Speaker 1>ain't acting right. I know that with that bitch don't

487
00:37:19.519 --> 00:37:24.719
<v Speaker 1>mean much, but something ain't right. And eventually he investigates

488
00:37:24.760 --> 00:37:29.519
<v Speaker 1>and we will get there. When we get there, Prepotente

489
00:37:29.920 --> 00:37:32.559
<v Speaker 1>comes up and he says, I need to join your party,

490
00:37:32.599 --> 00:37:37.599
<v Speaker 1>and Carl straight up says, no, talk to Katya. She

491
00:37:37.679 --> 00:37:39.800
<v Speaker 1>might be willing, but your level seventy and you'll end

492
00:37:39.840 --> 00:37:41.960
<v Speaker 1>up the party leader of whatever party you join, and

493
00:37:42.000 --> 00:37:45.719
<v Speaker 1>most established parties won't like that. Better yet, find some

494
00:37:45.760 --> 00:37:49.639
<v Speaker 1>of those displaced EVA crawlers would It would only be

495
00:37:49.760 --> 00:37:52.400
<v Speaker 1>for the remainder of this floor. It's so we travel

496
00:37:52.480 --> 00:37:54.599
<v Speaker 1>together to the start of the next I've been collecting

497
00:37:54.679 --> 00:37:57.920
<v Speaker 1>clues and after speaking with Katchia, she informed me about donuts,

498
00:37:57.960 --> 00:38:01.639
<v Speaker 1>magical hammer, and stick and they get interrupted here and

499
00:38:01.719 --> 00:38:04.840
<v Speaker 1>I was so annoyed because I think that he knows

500
00:38:04.840 --> 00:38:10.039
<v Speaker 1>something that he hasn't figured out. And Carl says, we're

501
00:38:10.039 --> 00:38:12.559
<v Speaker 1>bookmarking this. We need to get through the party first,

502
00:38:13.119 --> 00:38:16.119
<v Speaker 1>and honestly, I get where he's coming from, but this

503
00:38:16.199 --> 00:38:21.840
<v Speaker 1>feels like information that is important enough that it should

504
00:38:21.920 --> 00:38:28.039
<v Speaker 1>be found out first. It feels like this is relevant

505
00:38:28.079 --> 00:38:33.480
<v Speaker 1>to probably your plan for tonight, even potentially, And it's

506
00:38:33.559 --> 00:38:36.360
<v Speaker 1>because Carl is just behaving like these are two separate issues,

507
00:38:36.599 --> 00:38:41.199
<v Speaker 1>you know what I'm saying, where if we handle this

508
00:38:43.599 --> 00:38:46.239
<v Speaker 1>the party first, then we can deal with the other thing.

509
00:38:46.280 --> 00:38:48.679
<v Speaker 1>And I'm really feeling like, no, probably this is like

510
00:38:48.719 --> 00:38:53.559
<v Speaker 1>related to whatever. I just think Carl's is this decision

511
00:38:53.599 --> 00:38:58.079
<v Speaker 1>to set this aside as a mistake, and I am

512
00:38:58.199 --> 00:39:00.840
<v Speaker 1>worried about it biting him in a later and I

513
00:39:00.840 --> 00:39:07.159
<v Speaker 1>guess we'll just have to see. So we get one

514
00:39:07.199 --> 00:39:11.719
<v Speaker 1>of the Theobald coming up and making the announcements about

515
00:39:12.000 --> 00:39:16.559
<v Speaker 1>how food is available trade in the hunter hands, YadA, YadA, YadA,

516
00:39:17.400 --> 00:39:23.679
<v Speaker 1>and then we have this like bit here where fucking

517
00:39:24.760 --> 00:39:29.719
<v Speaker 1>All of a sudden, Signet walks in and Zeb is like,

518
00:39:29.840 --> 00:39:34.079
<v Speaker 1>I fucking told you not to do this. Out of context,

519
00:39:34.199 --> 00:39:38.199
<v Speaker 1>Carl is like what are you talking about? And Zeb

520
00:39:38.440 --> 00:39:40.639
<v Speaker 1>is like, you know what I'm fucking talking about. Carl's like,

521
00:39:40.719 --> 00:39:45.159
<v Speaker 1>I no, I really genuinely don't what are you talking about?

522
00:39:46.000 --> 00:39:53.320
<v Speaker 1>And finally he looks up, sees Signet and is like, oh, fuck, okay,

523
00:39:53.360 --> 00:39:56.880
<v Speaker 1>I understand this is not me. This was the AI.

524
00:39:57.320 --> 00:39:59.800
<v Speaker 1>He had one of the NPCs go invite her. This

525
00:40:00.159 --> 00:40:06.519
<v Speaker 1>has nothing to do with me. I love it. I

526
00:40:06.599 --> 00:40:09.320
<v Speaker 1>love it. I love it. I love it. The AI

527
00:40:09.760 --> 00:40:16.159
<v Speaker 1>is diabolical. This AI is like the producers on a

528
00:40:16.239 --> 00:40:19.800
<v Speaker 1>reality TV show just throwing gasoline on the fire and

529
00:40:19.880 --> 00:40:23.079
<v Speaker 1>letting the cameras roll this. This AI is here for

530
00:40:23.159 --> 00:40:30.360
<v Speaker 1>the lulls, Like fully just wants to watch the world

531
00:40:30.440 --> 00:40:35.039
<v Speaker 1>burn kind of energy, you know what I'm saying. I

532
00:40:35.159 --> 00:40:39.800
<v Speaker 1>just cannot like it's so good. I never expected it

533
00:40:40.440 --> 00:40:44.159
<v Speaker 1>because I just thought there had to be some kind

534
00:40:44.199 --> 00:40:48.159
<v Speaker 1>of fail safe built into the AI, Like I figured

535
00:40:48.199 --> 00:40:52.519
<v Speaker 1>there had to be some way. No, the AI does

536
00:40:52.559 --> 00:40:59.199
<v Speaker 1>what it wants. Evidently it has completely gone. They keep

537
00:40:59.239 --> 00:41:03.239
<v Speaker 1>saying gone. Prime I'm saying feral, which I think is

538
00:41:03.280 --> 00:41:05.679
<v Speaker 1>like they're in some ways kind of the same thing

539
00:41:07.840 --> 00:41:13.280
<v Speaker 1>this level though, of just flouting the rules and expectations.

540
00:41:14.800 --> 00:41:19.360
<v Speaker 1>Something about this feels like, probably according to the estimations

541
00:41:19.400 --> 00:41:21.920
<v Speaker 1>of a lot of the people involved, many other things

542
00:41:21.960 --> 00:41:24.519
<v Speaker 1>the AI has done previously have been a bigger deal,

543
00:41:25.000 --> 00:41:26.760
<v Speaker 1>but for some reason, this for me feels like the

544
00:41:26.760 --> 00:41:30.639
<v Speaker 1>biggest deal. This feels like a very particular type of

545
00:41:30.679 --> 00:41:32.880
<v Speaker 1>like go fuck yourselves, I do what I want that

546
00:41:33.039 --> 00:41:38.920
<v Speaker 1>we haven't seen before, and it just seems like we've

547
00:41:38.920 --> 00:41:41.800
<v Speaker 1>crossed the line now and things are really beginning to

548
00:41:41.840 --> 00:41:45.480
<v Speaker 1>pop off. I am thrilled. I can't wait to see

549
00:41:45.480 --> 00:41:54.920
<v Speaker 1>what this is. So anyway, Imani is like, she can't

550
00:41:54.920 --> 00:41:56.679
<v Speaker 1>help us if she's in the room with us, so

551
00:41:56.719 --> 00:41:58.519
<v Speaker 1>apparently you know, they had her as part of a

552
00:41:58.559 --> 00:42:04.079
<v Speaker 1>plan and that is not happening now. And Carl says,

553
00:42:04.079 --> 00:42:05.760
<v Speaker 1>I was worried this was gonna happen the second the

554
00:42:05.800 --> 00:42:08.800
<v Speaker 1>Queen told me a pedo forms the guest list herself.

555
00:42:09.960 --> 00:42:12.840
<v Speaker 1>I didn't even think of that because, like I even

556
00:42:13.000 --> 00:42:16.719
<v Speaker 1>said at the time, she says, the pedo forms again,

557
00:42:16.800 --> 00:42:18.800
<v Speaker 1>like we know that's not how it works, but sure whatever,

558
00:42:19.199 --> 00:42:24.400
<v Speaker 1>Like I fucking addressed that thing and it still didn't

559
00:42:24.519 --> 00:42:30.360
<v Speaker 1>enter my mind. And he's just like, so the whole

560
00:42:30.400 --> 00:42:33.199
<v Speaker 1>thing is to test image in by bringing in one

561
00:42:33.239 --> 00:42:38.679
<v Speaker 1>of her biggest enemies and uh, Signet. Meanwhile, he's like

562
00:42:39.239 --> 00:42:42.199
<v Speaker 1>pointing out to her, those are the people over there

563
00:42:42.280 --> 00:42:47.039
<v Speaker 1>that are controlling everything, and you know, Zev is just

564
00:42:47.360 --> 00:42:49.519
<v Speaker 1>in the sidelines, still just being like, Carl, what are

565
00:42:49.519 --> 00:42:54.039
<v Speaker 1>you doing? But like, honestly, Signet, being here, the cat's

566
00:42:54.079 --> 00:42:56.800
<v Speaker 1>out of the bag to a point, like, not in

567
00:42:56.840 --> 00:42:59.760
<v Speaker 1>this way really, but I feel like it's just a

568
00:43:00.000 --> 00:43:05.159
<v Speaker 1>step away. If Carl doesn't completely tell her what's going

569
00:43:05.199 --> 00:43:07.880
<v Speaker 1>on here, I feel like the AI is poised to

570
00:43:08.079 --> 00:43:11.760
<v Speaker 1>do it on his behalf for the for the Lulls

571
00:43:11.800 --> 00:43:19.280
<v Speaker 1>once again. So then we have the whole thing with

572
00:43:19.960 --> 00:43:26.400
<v Speaker 1>Carl going to trade in his hunter hands for a prize,

573
00:43:26.519 --> 00:43:30.079
<v Speaker 1>and the prizes in general are kind of eh. They're

574
00:43:30.119 --> 00:43:33.320
<v Speaker 1>not as weak sauce as like a chuck e cheese,

575
00:43:33.880 --> 00:43:36.679
<v Speaker 1>but they are definitely the sort of thing where it's like,

576
00:43:37.280 --> 00:43:39.159
<v Speaker 1>but we could make that, but we could, but we

577
00:43:39.239 --> 00:43:41.760
<v Speaker 1>already haven't a lot of that, or that thing isn't

578
00:43:41.760 --> 00:43:44.599
<v Speaker 1>even that difficult to find, or you know, blank like

579
00:43:44.960 --> 00:43:49.599
<v Speaker 1>fill in the blanks. It's just nothing is really particularly

580
00:43:49.719 --> 00:43:56.880
<v Speaker 1>excited exciting. Sorry, and he the person behind the counter here,

581
00:43:57.119 --> 00:44:01.480
<v Speaker 1>reminder is Chaco, who tells carl All to please tell

582
00:44:01.599 --> 00:44:05.000
<v Speaker 1>Mordecai what happened. I regret it every day. But if

583
00:44:05.039 --> 00:44:07.559
<v Speaker 1>we hadn't done it, we'd all be dead, including him

584
00:44:07.599 --> 00:44:10.440
<v Speaker 1>and his brother. That's all there is to say about it.

585
00:44:10.840 --> 00:44:13.599
<v Speaker 1>They do that if you survive long enough in this place,

586
00:44:13.599 --> 00:44:15.760
<v Speaker 1>they'll eventually make you turn on your own party. It

587
00:44:15.800 --> 00:44:19.320
<v Speaker 1>happens every time. You'll regret making it as far as

588
00:44:19.320 --> 00:44:21.960
<v Speaker 1>you have, no matter who is helping you, no matter

589
00:44:22.000 --> 00:44:24.679
<v Speaker 1>how close you are, we're all alone in the end,

590
00:44:24.840 --> 00:44:28.199
<v Speaker 1>alone and broken with the choices we've had to make.

591
00:44:28.760 --> 00:44:33.199
<v Speaker 1>He jerked as if shocked. It's not as if shocked.

592
00:44:33.800 --> 00:44:37.000
<v Speaker 1>I fully believe that he was actually physically shocked, that

593
00:44:37.079 --> 00:44:40.159
<v Speaker 1>this is the punishment for speaking out of turn this way,

594
00:44:40.199 --> 00:44:46.679
<v Speaker 1>that he is not supposed to do this. So anyway,

595
00:44:46.840 --> 00:44:49.239
<v Speaker 1>he's like, you have sixty six hunter hands, and it

596
00:44:49.320 --> 00:44:53.159
<v Speaker 1>is just like God, damn okay, And it turns out

597
00:44:53.239 --> 00:44:55.719
<v Speaker 1>that like and I don't. I'm sure this has been

598
00:44:55.800 --> 00:44:58.679
<v Speaker 1>mentioned before, but I couldn't remember it until it was

599
00:44:58.679 --> 00:45:03.000
<v Speaker 1>specifically said out loud, there is no way to give

600
00:45:03.280 --> 00:45:07.440
<v Speaker 1>other hunters or other crawlers the hunter hands. You have

601
00:45:07.639 --> 00:45:12.079
<v Speaker 1>to like, get one really good prize. The hands you've

602
00:45:12.159 --> 00:45:16.719
<v Speaker 1>got are the hands you've got, and even getting more

603
00:45:16.840 --> 00:45:20.760
<v Speaker 1>hands tonight wouldn't really work unless you found a space

604
00:45:20.800 --> 00:45:23.119
<v Speaker 1>where you could actually open the boxes and get them

605
00:45:23.159 --> 00:45:28.199
<v Speaker 1>out and then are like you weren't You aren't able

606
00:45:28.239 --> 00:45:31.920
<v Speaker 1>to leave the party and come back in. So there's really,

607
00:45:32.559 --> 00:45:35.920
<v Speaker 1>if we're looking at the rules straight on, no way

608
00:45:36.360 --> 00:45:39.159
<v Speaker 1>for Carl to get this thing that is at the

609
00:45:39.280 --> 00:45:43.000
<v Speaker 1>end of the table that is much much more. It's

610
00:45:43.119 --> 00:45:47.519
<v Speaker 1>evidently a whole thing with the way that this spell

611
00:45:47.599 --> 00:45:50.760
<v Speaker 1>works and the party works is that Imagen has to

612
00:45:50.880 --> 00:45:55.000
<v Speaker 1>offer us one of her most valuable possessions. And so

613
00:45:55.320 --> 00:45:59.880
<v Speaker 1>there is this particular crystal. I think it is that

614
00:46:01.320 --> 00:46:03.920
<v Speaker 1>when Mordecai hears it sitting there, it's just like, oh shit,

615
00:46:04.039 --> 00:46:06.599
<v Speaker 1>get that. But it's one hundred hands and Carl does

616
00:46:06.639 --> 00:46:09.800
<v Speaker 1>not have that. So now we have to find a

617
00:46:09.840 --> 00:46:12.320
<v Speaker 1>way for Carl to gain the system somehow, and I

618
00:46:12.360 --> 00:46:13.719
<v Speaker 1>do not know how he's going to do it, but

619
00:46:13.800 --> 00:46:18.000
<v Speaker 1>I have no doubt he is this we're figuring it

620
00:46:18.039 --> 00:46:25.079
<v Speaker 1>out you know. So then we get the beginnings of

621
00:46:25.199 --> 00:46:29.440
<v Speaker 1>the talent show with the pets, and these people are

622
00:46:29.480 --> 00:46:39.679
<v Speaker 1>coming out here with the least you guys. Look, I

623
00:46:39.719 --> 00:46:48.719
<v Speaker 1>am not a person that likes cruelty, right, I don't

624
00:46:49.039 --> 00:46:58.119
<v Speaker 1>like making people feel bad. But I have a very

625
00:46:58.199 --> 00:47:03.519
<v Speaker 1>high standard for something, and I will lose sight of

626
00:47:03.559 --> 00:47:08.760
<v Speaker 1>the fact that what I hold as a standard is

627
00:47:08.840 --> 00:47:12.840
<v Speaker 1>just my standard, that is not the fucking universal expectation.

628
00:47:14.199 --> 00:47:17.159
<v Speaker 1>Other people have their own standards, and they have higher

629
00:47:17.199 --> 00:47:20.239
<v Speaker 1>ones than I do for other things, and lower ones

630
00:47:20.239 --> 00:47:23.039
<v Speaker 1>for things that I consider important. That's the way it

631
00:47:23.079 --> 00:47:28.199
<v Speaker 1>works in life. We all have our different priorities. But

632
00:47:29.119 --> 00:47:32.760
<v Speaker 1>when it comes to aesthetic and performance and that sort

633
00:47:32.760 --> 00:47:38.440
<v Speaker 1>of thing in the right arena, I have a standard

634
00:47:39.440 --> 00:47:44.199
<v Speaker 1>that when people don't meet it, I can get mean

635
00:47:44.599 --> 00:47:47.320
<v Speaker 1>in a cruel way that is like really not nice.

636
00:47:47.320 --> 00:47:50.360
<v Speaker 1>And I know that about myself. Where I will see

637
00:47:50.519 --> 00:47:55.079
<v Speaker 1>somebody has posted something that they made, Like there's groups

638
00:47:55.119 --> 00:47:59.519
<v Speaker 1>I'm in on Facebook for like resin crafts, stuff like

639
00:47:59.559 --> 00:48:03.119
<v Speaker 1>that clay, and people will post stuff that I would

640
00:48:03.199 --> 00:48:05.840
<v Speaker 1>never admit to having made in my life. You could

641
00:48:05.880 --> 00:48:08.639
<v Speaker 1>not water board it out of me that I made

642
00:48:08.639 --> 00:48:13.199
<v Speaker 1>that thing. It is a disaster. It's obviously mixed wrong.

643
00:48:13.599 --> 00:48:17.159
<v Speaker 1>The colors are off, it's like cracked at the edges,

644
00:48:17.239 --> 00:48:20.360
<v Speaker 1>it's full of bubbles. The color like it just there

645
00:48:20.360 --> 00:48:22.280
<v Speaker 1>are there. I see it all the time with people

646
00:48:22.320 --> 00:48:25.360
<v Speaker 1>posting very proudly things that it just I would be

647
00:48:25.440 --> 00:48:31.119
<v Speaker 1>ashamed of, literally, and so donuts whole reaction here to

648
00:48:31.239 --> 00:48:35.119
<v Speaker 1>like the complete lack of preparation that these people have

649
00:48:35.280 --> 00:48:38.800
<v Speaker 1>made for this competition, and how she's just like, oh,

650
00:48:39.239 --> 00:48:43.679
<v Speaker 1>this is gonna be like candy from a baby, no problem.

651
00:48:44.000 --> 00:48:47.840
<v Speaker 1>I have had this reaction to things before, and it's

652
00:48:47.880 --> 00:48:52.400
<v Speaker 1>like it's not kind, but let's be very fucking for real.

653
00:48:53.800 --> 00:48:56.960
<v Speaker 1>Some people just don't try because it's just not as

654
00:48:57.000 --> 00:49:00.480
<v Speaker 1>important to them, and that's okay, but it's it's just

655
00:49:00.559 --> 00:49:03.400
<v Speaker 1>difficult for me to understand why you enter at all

656
00:49:03.599 --> 00:49:06.440
<v Speaker 1>into a competition when you just seem to be unwilling

657
00:49:06.480 --> 00:49:09.679
<v Speaker 1>to put forth any effort, Like what's why are you bothering?

658
00:49:10.159 --> 00:49:15.480
<v Speaker 1>You know? Why? Why did you do it? So? Anyway,

659
00:49:16.599 --> 00:49:20.920
<v Speaker 1>this whole performance, there's you know, him just telling the

660
00:49:21.039 --> 00:49:26.400
<v Speaker 1>story about his hawk and what it does and YadA YadA.

661
00:49:27.599 --> 00:49:30.679
<v Speaker 1>And as this guy is doing this, we have Mordecai

662
00:49:30.719 --> 00:49:34.559
<v Speaker 1>and Carl going back and forth on all of these

663
00:49:34.599 --> 00:49:37.840
<v Speaker 1>different items, what they do, whether it's like worth it

664
00:49:37.960 --> 00:49:42.760
<v Speaker 1>or not. And he asks Mordecai wants to know if

665
00:49:42.760 --> 00:49:45.719
<v Speaker 1>there's any sheet music like your escape spell. You have

666
00:49:45.760 --> 00:49:48.760
<v Speaker 1>a bard, Yeah, Doughnut sings. How would she can she

667
00:49:48.800 --> 00:49:53.400
<v Speaker 1>hold a pitch? Ugh? I said, she's getting better. She

668
00:49:53.480 --> 00:49:57.039
<v Speaker 1>has a vocal coach in our safe room. That one,

669
00:49:57.079 --> 00:49:59.039
<v Speaker 1>he said, pointing at a sheet of music ten hands,

670
00:49:59.119 --> 00:50:03.480
<v Speaker 1>a song of Skedan, which is great, not quite as

671
00:50:03.519 --> 00:50:05.239
<v Speaker 1>good as Wings of the Pixie, which is what he's

672
00:50:05.280 --> 00:50:07.320
<v Speaker 1>talking about. But she wouldn't be able to sing that

673
00:50:07.320 --> 00:50:13.880
<v Speaker 1>one for a while anyway. And there's a mention here

674
00:50:13.960 --> 00:50:17.360
<v Speaker 1>about how the spell music works. And I didn't know

675
00:50:17.440 --> 00:50:22.760
<v Speaker 1>this sheet music could be used more than once. It

676
00:50:22.840 --> 00:50:24.960
<v Speaker 1>allowed of Bard to sing a song they normally couldn't.

677
00:50:25.039 --> 00:50:26.920
<v Speaker 1>The system helped them perform if they had the music

678
00:50:26.920 --> 00:50:28.760
<v Speaker 1>in front of them, making it easier to pull off.

679
00:50:28.760 --> 00:50:31.320
<v Speaker 1>But it still wasn't a sure thing. If the music

680
00:50:31.400 --> 00:50:34.840
<v Speaker 1>was performed well and in key, it cast if not,

681
00:50:35.079 --> 00:50:38.119
<v Speaker 1>the page tour just a little bit too many tears,

682
00:50:38.119 --> 00:50:40.400
<v Speaker 1>and it was ruined if you managed to sing it

683
00:50:40.400 --> 00:50:43.440
<v Speaker 1>perfectly all the way through, with perfect pitch. The song

684
00:50:43.559 --> 00:50:46.559
<v Speaker 1>was added to your Bard spell book called Your Repertoire.

685
00:50:47.000 --> 00:50:49.119
<v Speaker 1>The sheet music didn't go away in that case either,

686
00:50:49.159 --> 00:50:51.960
<v Speaker 1>so you could save it for duets or to sell later.

687
00:50:53.079 --> 00:50:55.199
<v Speaker 1>The song Doughnut was going to sing this evening was

688
00:50:55.280 --> 00:50:57.039
<v Speaker 1>easy for her because it was a song she'd been

689
00:50:57.039 --> 00:50:59.920
<v Speaker 1>hearing her entire life. There was a bit of mystery,

690
00:51:00.280 --> 00:51:02.039
<v Speaker 1>a chicken in the egg thing, but I had too

691
00:51:02.119 --> 00:51:05.079
<v Speaker 1>much to deal with to wonder on it for wonder

692
00:51:05.119 --> 00:51:10.760
<v Speaker 1>on it for long. So that being how the sheet

693
00:51:10.800 --> 00:51:16.559
<v Speaker 1>music works, I found that really interesting. And let's see

694
00:51:16.559 --> 00:51:20.480
<v Speaker 1>who bought that seventh floor upgrade and floor pole position.

695
00:51:21.519 --> 00:51:24.719
<v Speaker 1>And the next was called eighth Floor Book of Lore.

696
00:51:25.039 --> 00:51:28.639
<v Speaker 1>Random starting location, full title will reveal itself upon purchase.

697
00:51:28.679 --> 00:51:30.880
<v Speaker 1>There was a sign under boat that said limited to

698
00:51:31.079 --> 00:51:35.719
<v Speaker 1>one each who bought that seventh floor upgrade. The goat

699
00:51:36.039 --> 00:51:38.360
<v Speaker 1>he had thirty three hands. He was my first customer

700
00:51:38.800 --> 00:51:41.400
<v Speaker 1>bought that skill up grade in a case of man epotions.

701
00:51:41.440 --> 00:51:43.320
<v Speaker 1>He didn't even ask about it, just walked up, pointed

702
00:51:43.360 --> 00:51:49.519
<v Speaker 1>at it and took it. And the memorial crystal is

703
00:51:49.559 --> 00:51:55.559
<v Speaker 1>the thing that is one hundred hands. Soul crystals are

704
00:51:55.960 --> 00:51:58.800
<v Speaker 1>mined from Scolopendra's layer. They're created when certain types of

705
00:51:58.800 --> 00:52:02.159
<v Speaker 1>people die. Crystals are similar, but they're created by fallen

706
00:52:02.280 --> 00:52:06.920
<v Speaker 1>gods and demigods. They're filled with information, usually god tear

707
00:52:07.039 --> 00:52:10.360
<v Speaker 1>level spells and knowledge. One can get the information out

708
00:52:10.360 --> 00:52:12.440
<v Speaker 1>of them by charging it up. You charge them up

709
00:52:12.440 --> 00:52:15.320
<v Speaker 1>by installing it on a weapon or your armor, or

710
00:52:15.360 --> 00:52:17.800
<v Speaker 1>just wearing it like jewelry and killing stuff. There's lots

711
00:52:17.840 --> 00:52:25.119
<v Speaker 1>of storylines about these things, and it was discovered during

712
00:52:25.280 --> 00:52:28.239
<v Speaker 1>a mining expedition by the High Elves. The Queen normally

713
00:52:28.280 --> 00:52:33.320
<v Speaker 1>wears it around her neck. It's part of the whole

714
00:52:33.360 --> 00:52:35.840
<v Speaker 1>butcher spell. They have to offer their most valuable item

715
00:52:35.880 --> 00:52:39.079
<v Speaker 1>as a prize. And this is when he tries to

716
00:52:39.119 --> 00:52:41.480
<v Speaker 1>find a way through the fine print, and it just

717
00:52:41.519 --> 00:52:44.119
<v Speaker 1>doesn't seem like there is one for getting more hands.

718
00:52:44.880 --> 00:52:47.480
<v Speaker 1>I'll take the shrink wand the eighth floor lore book,

719
00:52:47.559 --> 00:52:50.280
<v Speaker 1>that music sheet of skidadl, the case of twenty four

720
00:52:50.280 --> 00:52:55.639
<v Speaker 1>featherfall potions, and a case of healing potions. So we'll

721
00:52:55.639 --> 00:52:57.559
<v Speaker 1>see how this works. You know, like it seems like

722
00:52:57.599 --> 00:52:59.920
<v Speaker 1>he's spent all his hands, but I feel like that

723
00:53:00.159 --> 00:53:03.280
<v Speaker 1>fucking crystal, we're still getting it. I don't know how,

724
00:53:03.800 --> 00:53:16.119
<v Speaker 1>but something So this is when we get Donuts' first

725
00:53:16.320 --> 00:53:19.599
<v Speaker 1>appearance on stage with Mango, because there's like the talent

726
00:53:19.639 --> 00:53:23.119
<v Speaker 1>show thing, and Carl had said, keep it low key.

727
00:53:23.480 --> 00:53:25.199
<v Speaker 1>We don't want to tip our hand. Your talent show

728
00:53:25.239 --> 00:53:29.880
<v Speaker 1>production is going to be a little you know, extra, yeah, extra,

729
00:53:30.480 --> 00:53:36.119
<v Speaker 1>but low key. Well this is indeed low key compared

730
00:53:36.119 --> 00:53:39.519
<v Speaker 1>to what she has planned later according to her, which

731
00:53:40.000 --> 00:53:44.480
<v Speaker 1>I have zero doubt is true. And this is the thing,

732
00:53:44.599 --> 00:53:47.199
<v Speaker 1>when you are dealing with somebody who is truly, genuinely

733
00:53:47.280 --> 00:53:52.239
<v Speaker 1>actually extra, your frame of reference for what that means

734
00:53:52.400 --> 00:53:56.159
<v Speaker 1>doesn't mean anything to them because they are thinking already

735
00:53:56.239 --> 00:54:00.840
<v Speaker 1>so far beyond what you could even consider that it

736
00:54:00.920 --> 00:54:03.960
<v Speaker 1>is impossible that you have the same standard at all

737
00:54:04.000 --> 00:54:08.159
<v Speaker 1>about what Loki even means. You aren't operating with the

738
00:54:08.159 --> 00:54:12.159
<v Speaker 1>same playbook, dude, So your idea of Loki in hers

739
00:54:12.599 --> 00:54:15.199
<v Speaker 1>bear no resemblance to one another. And you should know

740
00:54:15.239 --> 00:54:17.679
<v Speaker 1>that by now. Honestly, Carl, like this is on you.

741
00:54:17.679 --> 00:54:20.440
<v Speaker 1>You should be very aware of this at this point.

742
00:54:20.880 --> 00:54:25.559
<v Speaker 1>There is no excuse, in my opinion, this was you

743
00:54:25.559 --> 00:54:29.599
<v Speaker 1>should have seen this a mile away. And frankly, the

744
00:54:29.639 --> 00:54:32.199
<v Speaker 1>tipping her hand that her thing is going to be

745
00:54:32.280 --> 00:54:35.400
<v Speaker 1>high produced, I don't even think is a problem. I

746
00:54:35.880 --> 00:54:39.599
<v Speaker 1>don't see why you're worried about that, because, if anything,

747
00:54:39.880 --> 00:54:42.800
<v Speaker 1>she should stay as much in character as she can.

748
00:54:43.960 --> 00:54:46.559
<v Speaker 1>Her thing later is going to be a huge deal,

749
00:54:47.679 --> 00:54:50.000
<v Speaker 1>then why wouldn't she be doing a big thing for

750
00:54:50.039 --> 00:54:54.239
<v Speaker 1>this as well? Then I think suddenly doing a big

751
00:54:54.239 --> 00:54:56.519
<v Speaker 1>deal for something after being low key on this, I

752
00:54:56.559 --> 00:55:01.639
<v Speaker 1>think that's more suspicious. Personally, I feel like this is

753
00:55:01.679 --> 00:55:05.599
<v Speaker 1>the better way to move. And I don't really get

754
00:55:05.679 --> 00:55:09.800
<v Speaker 1>Carl's thoughts on this, but you know, this is like

755
00:55:10.679 --> 00:55:14.320
<v Speaker 1>I'm just I'm thinking of the number of things out

756
00:55:14.360 --> 00:55:21.760
<v Speaker 1>there that I could I'm so sorry. I'm just remembering, like,

757
00:55:22.000 --> 00:55:25.000
<v Speaker 1>you know, a decade back when I first moved down here,

758
00:55:25.760 --> 00:55:28.679
<v Speaker 1>I got a job at a bank, and I got

759
00:55:28.679 --> 00:55:33.199
<v Speaker 1>that job. It was like a couple months before Halloween,

760
00:55:33.199 --> 00:55:36.519
<v Speaker 1>and they were having a pumpkin carving contest and it

761
00:55:36.599 --> 00:55:40.760
<v Speaker 1>was like called pumpkin carving, but technically it wasn't carving,

762
00:55:40.800 --> 00:55:43.119
<v Speaker 1>Like people brought in pumpkins that they had painted and

763
00:55:43.159 --> 00:55:45.800
<v Speaker 1>stuff like that, and it didn't have to be real pumpkins.

764
00:55:45.840 --> 00:55:49.840
<v Speaker 1>You could use you know, the artificial like whatever. And

765
00:55:50.679 --> 00:55:59.119
<v Speaker 1>I built this incredible castle out of artificial foam pumpkins.

766
00:55:59.519 --> 00:56:04.719
<v Speaker 1>And I made like fill green windows and towers, and

767
00:56:04.800 --> 00:56:07.320
<v Speaker 1>it had like actual like glass panes in it because

768
00:56:07.320 --> 00:56:10.679
<v Speaker 1>I had jars that I like spray painted with stencils

769
00:56:10.719 --> 00:56:14.039
<v Speaker 1>over them that I peeled off and I filled it

770
00:56:14.119 --> 00:56:18.480
<v Speaker 1>with string lights so it glowed. And when I tell you, guys,

771
00:56:18.519 --> 00:56:21.800
<v Speaker 1>this thing was beautiful. It was really beautiful. It was

772
00:56:21.960 --> 00:56:26.840
<v Speaker 1>so fucking far beyond what anybody had thought, like, And

773
00:56:26.880 --> 00:56:29.079
<v Speaker 1>when I tried to explain what I was planning to

774
00:56:29.199 --> 00:56:32.239
<v Speaker 1>my husband, he was just like how, because you know,

775
00:56:32.320 --> 00:56:34.880
<v Speaker 1>I started off with a bunch of fucking foam pumpkins

776
00:56:35.039 --> 00:56:38.079
<v Speaker 1>and a bunch of glass jars and that was all

777
00:56:38.119 --> 00:56:39.360
<v Speaker 1>I had on the table. And I was like, so

778
00:56:39.400 --> 00:56:40.960
<v Speaker 1>this is what I'm gonna do, and he's looking at

779
00:56:40.960 --> 00:56:45.000
<v Speaker 1>me like if you say so, but I just that

780
00:56:45.159 --> 00:56:48.480
<v Speaker 1>sounds like it's not gonna work. And then once it

781
00:56:48.559 --> 00:56:51.119
<v Speaker 1>was all put together, he was like, holy shit. I

782
00:56:51.159 --> 00:56:54.880
<v Speaker 1>was like, I tried to tell you, and I brought

783
00:56:54.960 --> 00:56:58.360
<v Speaker 1>it in and everybody was just sort of like, why

784
00:56:58.360 --> 00:57:02.639
<v Speaker 1>don't I just take my pumpkin? What's the point? And

785
00:57:02.679 --> 00:57:06.280
<v Speaker 1>then I got fired, So my entry had to be

786
00:57:06.400 --> 00:57:10.039
<v Speaker 1>removed from the competition because I got fired. And I

787
00:57:10.079 --> 00:57:12.000
<v Speaker 1>remember one of the girls that I was like, I

788
00:57:12.039 --> 00:57:14.880
<v Speaker 1>still like texted for a second after I was fired,

789
00:57:15.360 --> 00:57:18.320
<v Speaker 1>was sort of like no offense, but I wound up

790
00:57:18.320 --> 00:57:23.000
<v Speaker 1>winning purely because you got fired, And I was like, well,

791
00:57:24.400 --> 00:57:28.280
<v Speaker 1>but yeah, anyway, the idea of like, yeah, I'm gonna

792
00:57:28.320 --> 00:57:32.480
<v Speaker 1>just like build a literal castle, this is like if

793
00:57:32.519 --> 00:57:34.679
<v Speaker 1>you told me to go low key, I would still

794
00:57:34.760 --> 00:57:38.559
<v Speaker 1>have gone harder than anybody there, because putting an effort

795
00:57:38.599 --> 00:57:41.480
<v Speaker 1>looked like that to me. So dialing it back from

796
00:57:41.599 --> 00:57:45.840
<v Speaker 1>there would still be considerably bigger than what everybody else

797
00:57:45.880 --> 00:57:47.880
<v Speaker 1>had decided to do. And that's not to say that

798
00:57:47.920 --> 00:57:50.360
<v Speaker 1>there were some entries that were really good, but they

799
00:57:50.519 --> 00:57:57.039
<v Speaker 1>just you know what I'm saying. So anyway, this whole

800
00:57:57.119 --> 00:58:03.199
<v Speaker 1>thing with her, I I'm so delighted. And Akanda is

801
00:58:03.239 --> 00:58:10.519
<v Speaker 1>playing Nicki Minaj, which is like perfect, perfect and mango.

802
00:58:11.039 --> 00:58:14.079
<v Speaker 1>She has taught him a bunch of tricks, you guys.

803
00:58:15.280 --> 00:58:18.119
<v Speaker 1>She's also managed to amplify his roar so that it's

804
00:58:18.159 --> 00:58:23.239
<v Speaker 1>like more impressive. She says earthquake, and he jumps and

805
00:58:23.320 --> 00:58:28.400
<v Speaker 1>lands on the stage and piratetechnics go off, and there's

806
00:58:28.440 --> 00:58:32.519
<v Speaker 1>a whole like the ladies love him. Sorry, ladies, He's

807
00:58:32.800 --> 00:58:36.519
<v Speaker 1>taken and the other girl Dinos come out with like

808
00:58:36.639 --> 00:58:39.679
<v Speaker 1>paper hearts that they're holding with his name, like, I

809
00:58:39.760 --> 00:58:42.039
<v Speaker 1>am so sorry, but this is the best thing that's

810
00:58:42.039 --> 00:58:45.320
<v Speaker 1>ever happened in this series so far. And I haven't

811
00:58:45.400 --> 00:58:48.360
<v Speaker 1>even gotten her performance yet, so we'll see about that.

812
00:58:49.000 --> 00:58:51.119
<v Speaker 1>But that's part of it, like a plan, and this

813
00:58:51.280 --> 00:58:54.000
<v Speaker 1>is just purely what it is, and that is part

814
00:58:54.039 --> 00:58:55.840
<v Speaker 1>of what I love about it, is that this is

815
00:58:56.000 --> 00:58:58.920
<v Speaker 1>just for the sake of winning the pet contest. This

816
00:58:59.039 --> 00:59:02.440
<v Speaker 1>is like, ultimately, there's no other ulterior emotives here. She

817
00:59:02.599 --> 00:59:08.679
<v Speaker 1>just absolutely slayed for the sake of it, because that's

818
00:59:08.719 --> 00:59:11.920
<v Speaker 1>what she does, because she is, you know, I fucking

819
00:59:12.039 --> 00:59:15.000
<v Speaker 1>get it, girly, and I respect it and I salute it.

820
00:59:15.079 --> 00:59:23.960
<v Speaker 1>Good for you. Oh my god. The Velociraptor actually moon

821
00:59:24.039 --> 00:59:28.400
<v Speaker 1>walks at the end, and then they both have their

822
00:59:28.599 --> 00:59:35.760
<v Speaker 1>heads bopping to the music in time like just no notes, perfect,

823
00:59:35.840 --> 00:59:43.239
<v Speaker 1>absolutely perfect. Anyway, the blob guy was shaking, and I'm

824
00:59:43.280 --> 00:59:46.800
<v Speaker 1>really sure that's a good thing. That was low Kei, Carl.

825
00:59:46.840 --> 00:59:48.920
<v Speaker 1>They told me I couldn't do my magic missile entrance.

826
00:59:48.920 --> 00:59:51.480
<v Speaker 1>We had planned. This was nothing compared to my Kesha act.

827
00:59:51.559 --> 00:59:54.559
<v Speaker 1>Miss Beatrice and I performed in Cleveland, which I am

828
00:59:54.599 --> 00:59:59.880
<v Speaker 1>desperately curious about that You sat an occasion. Let judges

829
00:59:59.840 --> 01:00:02.360
<v Speaker 1>look for your butthole. Your cat shows not at the

830
01:00:02.360 --> 01:00:05.119
<v Speaker 1>bar afterward. Honestly, Carl, it's like you know nothing about

831
01:00:05.119 --> 01:00:14.800
<v Speaker 1>my life, which probably probably true. So I'm sorry. How

832
01:00:14.800 --> 01:00:18.239
<v Speaker 1>did you train Mango to moon walk? Oh? It was nothing.

833
01:00:18.280 --> 01:00:22.239
<v Speaker 1>Wait to see our real dance number later. I can't wait.

834
01:00:24.199 --> 01:00:28.840
<v Speaker 1>So this is when he checks in with Bomo and

835
01:00:28.840 --> 01:00:33.719
<v Speaker 1>the Sledge, and at first things seem to be doing

836
01:00:33.800 --> 01:00:37.760
<v Speaker 1>all right, but it's not long until Sledge is informing

837
01:00:37.840 --> 01:00:41.159
<v Speaker 1>him about the mantises and how there are a lot

838
01:00:41.239 --> 01:00:44.760
<v Speaker 1>of them, and Carl is just like, oh, what the fuck?

839
01:00:44.800 --> 01:00:51.199
<v Speaker 1>And he asks Samantha how many babies can she actually have?

840
01:00:52.840 --> 01:00:57.400
<v Speaker 1>And I love Samantha's response, She'll have as many babies

841
01:00:57.400 --> 01:00:59.639
<v Speaker 1>as she wants. Her baby Sprinkler will shoot them out

842
01:00:59.679 --> 01:01:02.599
<v Speaker 1>until the very end of time if she wants, which

843
01:01:02.679 --> 01:01:14.000
<v Speaker 1>is uh. It's evocative and informative, and els like those

844
01:01:14.039 --> 01:01:17.159
<v Speaker 1>are her children and she's burthing them here. Remember that

845
01:01:17.239 --> 01:01:19.239
<v Speaker 1>dude who blew up when Dewata was born. I was

846
01:01:19.280 --> 01:01:21.639
<v Speaker 1>talking to that Hunter guy, and you know Vro's people

847
01:01:21.639 --> 01:01:23.840
<v Speaker 1>tricked his brother into going into that temple and being

848
01:01:23.920 --> 01:01:27.159
<v Speaker 1>used as the birthing vessel for Dawata. They plan murdered

849
01:01:27.199 --> 01:01:30.599
<v Speaker 1>another hunter just to cure Vrov of venereal disease. Rob

850
01:01:30.679 --> 01:01:33.199
<v Speaker 1>messaged him and said he'd be safe if he went

851
01:01:33.239 --> 01:01:35.480
<v Speaker 1>in there, and they somehow tricked him into submitting to

852
01:01:35.519 --> 01:01:39.000
<v Speaker 1>the ritual. The brother is pissed about it. And now

853
01:01:39.079 --> 01:01:41.480
<v Speaker 1>the Circey bug ladies is having an actual flesh and

854
01:01:41.519 --> 01:01:43.760
<v Speaker 1>blood babies and just sending them out into the world.

855
01:01:44.079 --> 01:01:46.119
<v Speaker 1>What's gonna happen when the floor collapses? Are they just

856
01:01:46.199 --> 01:01:50.840
<v Speaker 1>going to go away? They're her kids. So yeah, it

857
01:01:50.880 --> 01:01:53.480
<v Speaker 1>didn't occur to me that they're like actual babies because

858
01:01:53.480 --> 01:01:56.000
<v Speaker 1>the god is part of the game, so I thought

859
01:01:56.000 --> 01:01:57.760
<v Speaker 1>it was going to be kind of not really real,

860
01:01:57.840 --> 01:02:01.159
<v Speaker 1>but it seems like it is. And the fact that

861
01:02:01.199 --> 01:02:04.079
<v Speaker 1>there is somebody that Vross screwed over, I think probably

862
01:02:04.480 --> 01:02:07.559
<v Speaker 1>Carl could potentially take advantage of but I don't know how.

863
01:02:07.920 --> 01:02:09.800
<v Speaker 1>Maybe it's saying he could take advantage of it as

864
01:02:09.880 --> 01:02:12.239
<v Speaker 1>like over speaking a little bit, And really what I

865
01:02:12.280 --> 01:02:15.079
<v Speaker 1>mean is that perhaps the brother who's angry, who I'm

866
01:02:15.119 --> 01:02:20.440
<v Speaker 1>assuming isn't in the game, Maybe that brother is able

867
01:02:20.480 --> 01:02:23.719
<v Speaker 1>to give Carl some kind of help. I don't know.

868
01:02:27.559 --> 01:02:33.119
<v Speaker 1>So let's see, I'm going to chapter seventy one. I

869
01:02:33.159 --> 01:02:37.159
<v Speaker 1>am so over time, and I am like two chapters

870
01:02:37.159 --> 01:02:40.679
<v Speaker 1>behind here, guys, Ugh, I'm sorry. I kind of talked

871
01:02:40.679 --> 01:02:45.199
<v Speaker 1>about a lot of this though already, where we're dealing

872
01:02:45.239 --> 01:02:49.920
<v Speaker 1>with Lucia Mahr and the revelation that something weird is

873
01:02:50.000 --> 01:02:54.639
<v Speaker 1>going on, and Floren talks to Carl. I don't understand

874
01:02:54.639 --> 01:02:57.159
<v Speaker 1>it all. There are multiple people in there, real people,

875
01:02:57.480 --> 01:03:00.639
<v Speaker 1>mostly kids. The girl I was talking looking to is

876
01:03:00.719 --> 01:03:03.559
<v Speaker 1>named Jill. She's ten years old and she's Dutch. I

877
01:03:03.559 --> 01:03:05.320
<v Speaker 1>thought she was trying to pull something, but she's telling

878
01:03:05.360 --> 01:03:08.199
<v Speaker 1>the truth. She knew the Prime Minister of the Netherlands.

879
01:03:08.199 --> 01:03:11.480
<v Speaker 1>That is no street kid from Ecuador running an op

880
01:03:13.119 --> 01:03:16.000
<v Speaker 1>something to do with a dog and a guy named Alexandro.

881
01:03:16.119 --> 01:03:19.079
<v Speaker 1>But there are kids in there in her head, multiple kids.

882
01:03:19.440 --> 01:03:23.280
<v Speaker 1>We have to get that dog, not her. The dog.

883
01:03:23.679 --> 01:03:26.559
<v Speaker 1>It can still control her from afar, but only in

884
01:03:26.639 --> 01:03:31.960
<v Speaker 1>short bursts. Once we get it, it's gone. And Carl

885
01:03:32.079 --> 01:03:35.559
<v Speaker 1>says to Zev, you guys said there were no children crawlers,

886
01:03:35.599 --> 01:03:38.480
<v Speaker 1>And like I was asking this in the discord, I

887
01:03:38.519 --> 01:03:41.280
<v Speaker 1>think it's Droll who said something like, keep in mind

888
01:03:41.320 --> 01:03:45.840
<v Speaker 1>that Luciamar is only thirteen. And I said, wait then,

889
01:03:45.880 --> 01:03:49.400
<v Speaker 1>what Constant is a kid to them? And I don't

890
01:03:49.400 --> 01:03:52.079
<v Speaker 1>remember what the response was, but it was sort of inconclusive.

891
01:03:52.599 --> 01:03:55.920
<v Speaker 1>So I'm surprised that this question hasn't been asked earlier,

892
01:03:56.840 --> 01:03:58.960
<v Speaker 1>because to me, thirteen counts as a kid. But like

893
01:03:59.239 --> 01:04:05.239
<v Speaker 1>you know, and Zev says, it's complicated, Carl. You don't

894
01:04:05.239 --> 01:04:07.440
<v Speaker 1>have to be involved in everything. We're not going to

895
01:04:07.480 --> 01:04:14.039
<v Speaker 1>discuss it, especially not now. Heads up, and this is

896
01:04:14.079 --> 01:04:21.239
<v Speaker 1>when Ferdinand appears on Carl's shoulder. So chapter seventy two

897
01:04:21.280 --> 01:04:27.440
<v Speaker 1>begins with the analysis of the map from Louis, and

898
01:04:29.639 --> 01:04:35.960
<v Speaker 1>there's the revelation about the tunnels that Ferdinand uses, which

899
01:04:36.880 --> 01:04:41.199
<v Speaker 1>evidently nobody is aware of or because they look down

900
01:04:41.199 --> 01:04:42.960
<v Speaker 1>on him so much, they just don't pay attention to

901
01:04:43.000 --> 01:04:46.519
<v Speaker 1>anything he does. And Ferdinand seems unaware that he's looked

902
01:04:46.559 --> 01:04:52.960
<v Speaker 1>down on like this. And the way that they decide

903
01:04:52.960 --> 01:04:57.440
<v Speaker 1>to play it is Donut has to really lay it on,

904
01:04:57.679 --> 01:05:01.159
<v Speaker 1>thick with him and flatter him him and use her

905
01:05:01.280 --> 01:05:08.920
<v Speaker 1>charisma to manipulate him. And there is some worry from

906
01:05:09.000 --> 01:05:11.599
<v Speaker 1>Carl that whether or this is even going to work.

907
01:05:12.480 --> 01:05:16.880
<v Speaker 1>But her charisma is at something insane like one sixty

908
01:05:17.039 --> 01:05:22.920
<v Speaker 1>or one eighty, and it's essentially he is putty in

909
01:05:22.960 --> 01:05:28.599
<v Speaker 1>her hands. There's just of course it's working. Let's see,

910
01:05:28.599 --> 01:05:31.400
<v Speaker 1>he's level one hundred. Province Boss listed as a minion.

911
01:05:31.920 --> 01:05:34.440
<v Speaker 1>Stats are one hundred down the line except dexterity, which

912
01:05:34.440 --> 01:05:36.719
<v Speaker 1>is one twenty five in charisma, which is seventy five,

913
01:05:37.039 --> 01:05:39.360
<v Speaker 1>which I think is very funny that his charisma, after

914
01:05:39.400 --> 01:05:41.760
<v Speaker 1>everything being at least one hundred, his charisma is lower

915
01:05:42.000 --> 01:05:44.880
<v Speaker 1>because everybody is just sort of like, no, I don't

916
01:05:44.920 --> 01:05:52.000
<v Speaker 1>like him, and Donut really like. At first, it's like

917
01:05:52.039 --> 01:05:54.440
<v Speaker 1>I don't think I can do this, and Carl says, yeah,

918
01:05:54.480 --> 01:05:58.079
<v Speaker 1>you can, and if you don't, he's going to try

919
01:05:58.079 --> 01:05:59.719
<v Speaker 1>and kill Mango, So you've got to do it. At

920
01:05:59.800 --> 01:06:04.760
<v Speaker 1>least for manco Oh Donuts charisma of two seventy six.

921
01:06:05.280 --> 01:06:08.800
<v Speaker 1>I was so low. I was underscoring her by one

922
01:06:08.880 --> 01:06:11.920
<v Speaker 1>hundred almost. I am so sorry, Donut, please forgive me.

923
01:06:12.880 --> 01:06:15.440
<v Speaker 1>Plus the bonus from the seas the Day toothpaste was

924
01:06:15.480 --> 01:06:24.119
<v Speaker 1>well over three hundred. Bonkers fucking insane. So as this

925
01:06:24.199 --> 01:06:27.400
<v Speaker 1>is all happening, they're meant to be like distracting Ferdinand

926
01:06:27.800 --> 01:06:33.559
<v Speaker 1>so that Samantha can use his tunnel. But unfortunately, he

927
01:06:33.960 --> 01:06:36.000
<v Speaker 1>decides that he is going to go back to his

928
01:06:36.280 --> 01:06:38.440
<v Speaker 1>room and I don't even remember what it is, but

929
01:06:38.480 --> 01:06:41.320
<v Speaker 1>he's like gonna use the tunnels. And they are so

930
01:06:41.440 --> 01:06:43.480
<v Speaker 1>worried that Samantha's gonna get caught in there, and he

931
01:06:43.519 --> 01:06:46.159
<v Speaker 1>doesn't even notice her. He just rolls right by her.

932
01:06:48.639 --> 01:06:53.280
<v Speaker 1>And let's see, Uh, I tricked him good. I'm in

933
01:06:53.320 --> 01:06:56.000
<v Speaker 1>the tunnel. Now where do I go? Carl? Where do

934
01:06:56.079 --> 01:07:00.800
<v Speaker 1>you go? You were supposed to memorize the map, Samantha?

935
01:07:00.880 --> 01:07:02.679
<v Speaker 1>Did you see that thing? How was I supposed to

936
01:07:02.760 --> 01:07:08.559
<v Speaker 1>memorize that? You memorized the map? And IMMANI turned and

937
01:07:08.559 --> 01:07:14.079
<v Speaker 1>gave me an I fucking told you. Look, this is

938
01:07:14.119 --> 01:07:19.039
<v Speaker 1>when Louis is like this. We're trying to like deal

939
01:07:19.079 --> 01:07:22.800
<v Speaker 1>with the Twister, their changelings and the mantises fighting in

940
01:07:22.840 --> 01:07:26.000
<v Speaker 1>the air and the change things are turning into Mantus's

941
01:07:26.039 --> 01:07:35.079
<v Speaker 1>and it is getting very confusing. And let's say, sorry,

942
01:07:36.119 --> 01:07:38.719
<v Speaker 1>I am okay. This is sledge Bonnie is okay, Bear

943
01:07:38.760 --> 01:07:43.079
<v Speaker 1>Cubs okay, Prudence is okay. I took a deep breath.

944
01:07:43.119 --> 01:07:45.559
<v Speaker 1>We'd never agreed to save Prudence in the bear cubs.

945
01:07:45.599 --> 01:07:47.480
<v Speaker 1>They were supposed to stay in the safe room until

946
01:07:47.519 --> 01:07:51.119
<v Speaker 1>the collapse, where they'd simply disappear. Taking care of Bonnie

947
01:07:51.199 --> 01:07:54.760
<v Speaker 1>the Gnome was difficult enough, and like, I get it,

948
01:07:54.800 --> 01:07:58.480
<v Speaker 1>but I also, you know, telling an MPC to like

949
01:07:58.519 --> 01:08:03.519
<v Speaker 1>ignore other NPCs tricky tough. I would feel weird about it.

950
01:08:03.559 --> 01:08:07.920
<v Speaker 1>I get it. The airship has been taken. It's covered

951
01:08:07.960 --> 01:08:11.679
<v Speaker 1>with bugs and is just spinning in the air. On

952
01:08:11.840 --> 01:08:15.679
<v Speaker 1>roof of castle, very flat, no entrance, changing change links

953
01:08:15.719 --> 01:08:18.439
<v Speaker 1>flying to the tower. Elves are shooting, Changelings are flying

954
01:08:18.479 --> 01:08:21.840
<v Speaker 1>fighting mantis is and turning into mantis is, confusing change

955
01:08:21.880 --> 01:08:24.159
<v Speaker 1>link dead on the roof. Two turrets still have shooting

956
01:08:24.199 --> 01:08:29.680
<v Speaker 1>elves running. I have controller. I can crash twister into

957
01:08:29.720 --> 01:08:33.319
<v Speaker 1>other turrets and Louis is like, don't crash the twister,

958
01:08:34.199 --> 01:08:36.560
<v Speaker 1>and Carl is like, I'm really sorry, Bud, but we

959
01:08:36.720 --> 01:08:43.800
<v Speaker 1>have to do this. And this is when he looks

960
01:08:43.880 --> 01:08:49.760
<v Speaker 1>up and he sees some people. They're trying to get

961
01:08:49.880 --> 01:08:57.159
<v Speaker 1>Lucia to break the seal. I'm trying to find the bit.

962
01:08:57.600 --> 01:09:00.640
<v Speaker 1>Lucia was amicably chatting with her fellow as if they

963
01:09:00.640 --> 01:09:02.880
<v Speaker 1>were all best friends, waving her to kill a bottle

964
01:09:02.920 --> 01:09:06.199
<v Speaker 1>about offering drinks to everyone. I watched just several hunters,

965
01:09:06.239 --> 01:09:10.000
<v Speaker 1>including Vrazaba and multiple Charconians, moved in, creating an additional

966
01:09:10.000 --> 01:09:13.840
<v Speaker 1>semicircle around the group. At the prize counter, Chaco backed

967
01:09:13.920 --> 01:09:16.520
<v Speaker 1>himself up all the way against the wall like a bartender.

968
01:09:16.560 --> 01:09:18.800
<v Speaker 1>In one of my Louis Lamar books, Ready for the

969
01:09:18.840 --> 01:09:26.680
<v Speaker 1>Inevitable Shootout and Donut says. They are saying, I get

970
01:09:26.720 --> 01:09:29.600
<v Speaker 1>to go on last. Isn't that great? I'm the headliner.

971
01:09:29.680 --> 01:09:35.199
<v Speaker 1>In the meantime the singer song, Have Britney play her guitar,

972
01:09:35.359 --> 01:09:39.840
<v Speaker 1>have Tina dance. Don't do the velocirapper velociraptor hop. It's

973
01:09:39.880 --> 01:09:43.920
<v Speaker 1>too dangerous. I'm very curious what that is and why

974
01:09:45.399 --> 01:09:48.000
<v Speaker 1>how am I going to bring the razzle dazzle without

975
01:09:48.039 --> 01:09:55.640
<v Speaker 1>the grand finale. We survive, that's the finale. Donut sh Carl,

976
01:09:58.880 --> 01:10:07.039
<v Speaker 1>You lack vision, That's all I'm saying. And let's see,

977
01:10:07.279 --> 01:10:09.960
<v Speaker 1>I'm trying to make sure I cover everything before I wrap, because,

978
01:10:10.000 --> 01:10:12.840
<v Speaker 1>like you know, obviously I am really short on time.

979
01:10:12.880 --> 01:10:19.720
<v Speaker 1>Here he ran right past and didn't even see me.

980
01:10:19.760 --> 01:10:22.520
<v Speaker 1>This is Samantha about Ferdinand because he comes rushing back

981
01:10:22.560 --> 01:10:26.640
<v Speaker 1>to make sure he sees donuts act use the potion ball.

982
01:10:26.640 --> 01:10:28.159
<v Speaker 1>That's why we gave it to you. Drop it right

983
01:10:28.199 --> 01:10:29.960
<v Speaker 1>into the middle of the room. They'll be asleep for

984
01:10:30.000 --> 01:10:33.359
<v Speaker 1>thirty minutes, Samantha, I didn't bring it. I gave it

985
01:10:33.399 --> 01:10:35.920
<v Speaker 1>to Clayton. It made me clink when I rolled. I

986
01:10:35.920 --> 01:10:38.520
<v Speaker 1>wouldn't be able to sneak away. And quite frankly, it

987
01:10:38.600 --> 01:10:41.359
<v Speaker 1>was very rude for you to shove that up there

988
01:10:41.359 --> 01:10:46.880
<v Speaker 1>in the first place. And he's like, you've got to

989
01:10:46.920 --> 01:10:52.039
<v Speaker 1>go get it, and she says, not watch this, and

990
01:10:52.079 --> 01:10:55.560
<v Speaker 1>then Yelle's not fair. You told me I could do this.

991
01:10:55.680 --> 01:11:01.039
<v Speaker 1>The guards are already dead, Ferdinand, A voice snap the Queen.

992
01:11:01.439 --> 01:11:03.600
<v Speaker 1>She just appeared right in the middle of the room

993
01:11:03.640 --> 01:11:08.520
<v Speaker 1>with no warning warning. This room is now sealed. Nobody

994
01:11:08.560 --> 01:11:11.039
<v Speaker 1>will be allowed to enter or leave until the conclusion

995
01:11:11.039 --> 01:11:14.640
<v Speaker 1>of the party. You are protected from outside influence or spells.

996
01:11:15.479 --> 01:11:18.640
<v Speaker 1>I am very curious whether this seal applies to the tunnel,

997
01:11:19.319 --> 01:11:23.479
<v Speaker 1>like if people aren't aware it's there, is there is

998
01:11:23.600 --> 01:11:26.199
<v Speaker 1>does the magic is it sort of comprehensive regardless of

999
01:11:26.199 --> 01:11:29.720
<v Speaker 1>whether you direct it towards certain areas, or does the

1000
01:11:29.800 --> 01:11:34.319
<v Speaker 1>tunnel need to be targeted with magic, because otherwise it's

1001
01:11:34.359 --> 01:11:37.039
<v Speaker 1>not you know what I'm saying like, I'll be curious

1002
01:11:37.079 --> 01:11:40.199
<v Speaker 1>to see how that all works, but well I have

1003
01:11:40.239 --> 01:11:43.000
<v Speaker 1>to see all right, kids, I have got to wrap

1004
01:11:43.039 --> 01:11:47.199
<v Speaker 1>them so overtime both my recordings today. Apologies, appreciate you

1005
01:11:47.359 --> 01:11:49.720
<v Speaker 1>all so much, Thank you for hanging out with me,

1006
01:11:50.199 --> 01:11:53.159
<v Speaker 1>and thank you Jackie again for commissioning this one. Until

1007
01:11:53.199 --> 01:12:25.960
<v Speaker 1>next time to the loom. Motherfuckers that was an unspoiled

1008
01:12:26.039 --> 01:12:26.399
<v Speaker 1>network
