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<v Speaker 1>Baby, I'm a gamester too. It takes a little tangle.

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<v Speaker 2>You don't mess with me.

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<v Speaker 1>Mess with me. Baby a gangster too, Baby, You're a game.

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<v Speaker 2>Statoo for good warnings.

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<v Speaker 3>This podcast is designed to take you outside of your

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<v Speaker 3>comfort zone and make you question reality. Listening discretion is

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<v Speaker 3>a vibe the Fellas.

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<v Speaker 4>This ain't my first time at the rodeos.

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<v Speaker 5>Welcome to the Occult Rejects.

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<v Speaker 6>Tonight we got a returning guest, a fan favorite, somebody

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<v Speaker 6>that I've been asked actually to have on multiple times,

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<v Speaker 6>and even people on the show were like, yo, you

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<v Speaker 6>gotta get.

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<v Speaker 5>That doing anything.

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<v Speaker 6>We got Ernie from Virginia's for Conspiracy Lovers. But before

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<v Speaker 6>we get to him and introduced the other rejects with us.

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<v Speaker 5>Tonight, we got Julia returning. What is up again, Julia?

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<v Speaker 3>How are you?

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<v Speaker 6>Is great to see you back on it.

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<v Speaker 4>Thanks for having me, Nick.

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<v Speaker 7>Yeah, I think we talked about the Knights of the

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<v Speaker 7>Golden Circle or something like that last time. Really super

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<v Speaker 7>interesting topic and I can't wait to get into Shakespeare tonight.

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<v Speaker 4>It's gonna be awesome. Thanks for having me.

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<v Speaker 6>Oh, of course, of course. I actually this would be

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<v Speaker 6>great for you, I thought and Ethan, my man, So

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<v Speaker 6>what is going on?

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<v Speaker 5>How are you?

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<v Speaker 1>Nick?

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<v Speaker 2>Julia?

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<v Speaker 1>Great to see you as always, Thank you Nick for

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<v Speaker 1>putting everything together. Ernie, it's great to meet you. I'm

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<v Speaker 1>excited about this. A lot of conspiratorial threads connect to Shakespeare,

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<v Speaker 1>so it's a great, great topic of discussion. Ethan go Smith.

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<v Speaker 1>On all the social media, I can be easily found,

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<v Speaker 1>and I appreciate people reaching out and communicating. And I

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<v Speaker 1>have written a few books and write articles frequently. I

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<v Speaker 1>got a Tischi article coming out soon if I can

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<v Speaker 1>get it together in a little video to sharing some instruction.

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<v Speaker 1>So yeah, appreciate everybody.

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<v Speaker 5>Cool, nice, make it happen.

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<v Speaker 6>Yeah, before we introduced Ernie, it's probably more for the

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<v Speaker 6>people might catch this a lot because this episode will

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<v Speaker 6>drop on audio after the fact. But if you happen

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<v Speaker 6>to be in Arizona but more, I guess I kind

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<v Speaker 6>of hope by Scottsdale or Phoenix, Arizona, me and Headless

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<v Speaker 6>will be out there. December fifth to the seventh. We

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<v Speaker 6>were blessed with three three tickets to go to this

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<v Speaker 6>quest for Ancient Civilizations, so I figured, fuck it when

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<v Speaker 6>I go. It's a three day event. Over over in Scottsdal, Arizona.

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<v Speaker 6>Not saying to go check it out, that you know,

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<v Speaker 6>to come to the event, but if you're in the

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<v Speaker 6>area and you actually want to meet up or anything,

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<v Speaker 6>I'm sure we'll be around after the factor, I mean,

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<v Speaker 6>or if this stuff interests you only check it out,

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<v Speaker 6>maybe I'll include like the link for it in the

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<v Speaker 6>show after the fact.

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<v Speaker 5>But yeah, anybody in the area.

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<v Speaker 6>Hit us up, those three days, will be around, come

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<v Speaker 6>come out, get your fucking stone.

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<v Speaker 5>Sure.

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<v Speaker 6>So yeah, uh, just put that out there now, Ernie, sir,

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<v Speaker 6>Please the people who have not had the pleasure of

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<v Speaker 6>hearing you before. Well, first off, I would like to

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<v Speaker 6>remind that he has done a few shows already, go

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<v Speaker 6>check them out. Definitely rabbit holes. Actually, somebody we were

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<v Speaker 6>making jokes earlier saying that with Julie and him here

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<v Speaker 6>we should be talking about rabbit holes and be holes.

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<v Speaker 6>So yeah, so please Ernie, let everybody know what your

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<v Speaker 6>deal is and who you are.

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<v Speaker 2>So for the new people, Yeah, so yeah, Ernie leb Breck,

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<v Speaker 2>I'm me and a buddy do Virginia's for conspiracy lovers

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<v Speaker 2>podcasts anywhere where podcasts are found. We got a YouTube

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<v Speaker 2>page same name I did finally change it to where

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<v Speaker 2>everything all the same names, so you can you can

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<v Speaker 2>actually find us but on Instagram, Facebook and uh and

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<v Speaker 2>YouTube I can. But uh, yeah, just a conspiracy nerd

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<v Speaker 2>that stumbled onto some of my own like kind of

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<v Speaker 2>personal research and decided to start doing a podcast that's

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<v Speaker 2>kind of conspiracy Virginia based because the more I'm from

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<v Speaker 2>Virginia and the more and more I looked into it,

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<v Speaker 2>it's like all roads led back to to Virginia with

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<v Speaker 2>all this craps. So so that's that's where we're at.

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<v Speaker 2>We've been on hiatus for a couple of months because

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<v Speaker 2>I'm moving this studio out of this closet into the

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<v Speaker 2>into the garage. So but we'll be back and we've

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<v Speaker 2>got some We've got some bangers, like in the hole.

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<v Speaker 2>So but yeah, check us out.

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<v Speaker 5>It makes that happen. Now.

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<v Speaker 6>The first show, the last show that you did was

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<v Speaker 6>yet the Nights of Golden Circle, the Golden Horseshoe or

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<v Speaker 6>some shit like.

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<v Speaker 2>Maybe that we did the Golden Horseshoe, Yeah, yeah, which

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<v Speaker 2>was the weird expedition trying to find a pass through

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<v Speaker 2>the Blue Ridge Mountains by Governor Alexander Spots would and

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<v Speaker 2>my whole life. We've all heard the story, and it's

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<v Speaker 2>it's a nothing story that you hear. There's a little

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<v Speaker 2>sign in the Blue Ridge Mountains, little little obelisk monument

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<v Speaker 2>to it. And then, of course, like anything in Virginia history,

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<v Speaker 2>the more you the more the deeper you get into it,

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<v Speaker 2>the more it seems weird. And it, in my personal opinion,

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<v Speaker 2>by the end of it, it looked like a a

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<v Speaker 2>Masonic like maybe the first Masonic ritual to take place,

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<v Speaker 2>like kind of officially it happened like seventeen fourteen, just

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<v Speaker 2>three years before like Masonry's public you know, like kind

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<v Speaker 2>of coming out party, and it's we talked about it. It

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<v Speaker 2>was just a ton of aristocrats on this expedition across

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<v Speaker 2>a mountain to supposedly find the pass through the mountains.

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<v Speaker 2>But they'd already found the pass, and like the the

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<v Speaker 2>guides that took them, uh, were the the rangers were

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<v Speaker 2>the ones who had already found the pass through the

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<v Speaker 2>Blue Ridge. And then they get over the Blue Ridge

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<v Speaker 2>and they named the Shenandoah River the Euphrates, and then

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<v Speaker 2>they crossed the Euphrates and have this big party and

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<v Speaker 2>just all the different people on the expedition were just

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<v Speaker 2>super glowy Jacobites and Huguenots and Masons and first kind

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<v Speaker 2>of Virginia families. And then there was this whole presenting

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<v Speaker 2>of these guys when they came back with these golden

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<v Speaker 2>horseshoe that had jewels in them and different jewels for

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<v Speaker 2>for different guys. And the guy the only real account

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<v Speaker 2>that we have of it is and I can't remember

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<v Speaker 2>the guy's name now, but that guy was crazy, crazy,

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<v Speaker 2>interesting Huguenot from Ireland who ended up marrying a woman

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<v Speaker 2>named Mary Magdalen. And uh, yeah, it's go back and

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<v Speaker 2>listen to that one. It's it's weird, man, It's it's.

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<v Speaker 5>I remember, I remember.

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<v Speaker 6>There was a lot to it, Like I felt like

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<v Speaker 6>there was like a lot of different things.

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<v Speaker 2>Wait do you wait? Do you do you hear this nonsense?

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<v Speaker 5>I'm gonna awesome at you.

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<v Speaker 6>All right, So I guess unless anybody's got it something

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<v Speaker 6>asking or whatever, yes, y, maybe you can just start

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<v Speaker 6>all right, if you don't mind me asking. It was

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<v Speaker 6>just like something you stumble the grocer and you're like, oh,

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<v Speaker 6>there's something.

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<v Speaker 2>Here or yeah. So I, like I've said before, my

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<v Speaker 2>personal research is based on Williamsburg. I was born and

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<v Speaker 2>raised in good old Colonial Williamsburg in the shadow of

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<v Speaker 2>Campus of William and Mary and about seven or eight

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<v Speaker 2>years ago I kind of stumbled into I'd probably watched

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<v Speaker 2>National Treasure or The Da Vinci Code too recently, and

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<v Speaker 2>happened to be down buying a gift for somebody in

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<v Speaker 2>Colonial Williamsburg and noticed a the two oldest roads in

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<v Speaker 2>the country, Jamestown Road and Richmond Road, which kind of

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<v Speaker 2>create the Historic Campus. They come to a point like

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<v Speaker 2>a triangle, and I think that I saw that and

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<v Speaker 2>I was like, I got to look at this on

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<v Speaker 2>Google Earth. And then that opened up a ton of

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<v Speaker 2>stuff to the point where I took my research to

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<v Speaker 2>the director of the Historic Campus and they were kind

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<v Speaker 2>of blown away, and I, you know, digging into it,

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<v Speaker 2>and it gets weirder and weirder, and you eat thinking

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<v Speaker 2>that I was kind of too dumb to have figured

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<v Speaker 2>this stuff out myself, and so I just kept trying

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<v Speaker 2>to prove myself wrong. And the more I dug to

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<v Speaker 2>prove myself wrong, the more crap I found. And then

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<v Speaker 2>I started to find some things that were absolutely undeniable,

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<v Speaker 2>Like I shared it on one of the episodes with

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<v Speaker 2>you guys the incode of the Great Pyramid of Giza

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<v Speaker 2>on that triangle of land that also points directly to

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<v Speaker 2>the Great Pyramid of Giza and is the exact sit

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<v Speaker 2>So there's all that. So all my personal research does

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<v Speaker 2>kind of I say it revolves around Williamsburg and Virginia,

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<v Speaker 2>but because of that, that means it revolves around everything.

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<v Speaker 2>The beginning of masonry in this country Francis Bacon, and

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<v Speaker 2>then from there it just keeps going back and back

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<v Speaker 2>and back and forward and forward and forward. And so

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<v Speaker 2>for this one, because I lived in Williamsburg and my

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<v Speaker 2>mom is a big Shakespeare nerd herself, I've been getting

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<v Speaker 2>dragged to to Shakespeare plays a year since I was

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<v Speaker 2>nine years old. So I've seen everything that the entire

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<v Speaker 2>Shakespeare cannon in every format you could think of. William

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<v Speaker 2>and Mary has one of the largest Shakespeare festivals in

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<v Speaker 2>the country, the Virginia Shakespeare Festival at William and Mary

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<v Speaker 2>and put put together in the Phi Beta Kappa Hall.

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<v Speaker 2>So I've seen everything from Taming of the Shrew adapted

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<v Speaker 2>to nineteen twenties like Cuban Cuban beach style, to you know,

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<v Speaker 2>like traditional plays and everything in between. And when I

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<v Speaker 2>was nine, I couldn't stay you know, I had no

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<v Speaker 2>idea what they were saying was happening. But the you know,

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<v Speaker 2>the the older I got, I kind of learned to

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<v Speaker 2>speak the language of Shakespeare and really kind of fell

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<v Speaker 2>in love with the plays. And so really one of

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<v Speaker 2>the first things that got me into kind of the

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<v Speaker 2>conspiracy world was the Shakespeare authorship question. And just to

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<v Speaker 2>skip over all the because I've got a lot of

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<v Speaker 2>crap here, but we're in the conspiracy world, so I

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<v Speaker 2>don't believe that Shakespeare wrote Shakespeare, and we can kind

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<v Speaker 2>of skip all that. I'm part of the camp that

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<v Speaker 2>believes Francis Bacon is Shakespeare, and for me a little differently,

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<v Speaker 2>I'm not a total Baconian. I think it was more

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<v Speaker 2>Francis Bacon by committee. He had a literary society called

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<v Speaker 2>the Society of the Helmet, who just so happened to contain,

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<v Speaker 2>like all the members were all the different people that

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<v Speaker 2>people put forward as possible shapes Shakespeare authors. So seventeenth

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<v Speaker 2>Earl of Oxford, the Countess of Pembroke, Sir Walter Raleigh,

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<v Speaker 2>William Stratchey, who will play an important role in this research.

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<v Speaker 2>So all these guys that they've put forward that could

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<v Speaker 2>be the alternative to who wrote the Shakespeare plays were

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<v Speaker 2>part of Francis Bacon's literary society, called the Society the Helmet,

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<v Speaker 2>named after their patron, muse Athena, because she wore a

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<v Speaker 2>helmet and was known to shake her spear in the

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<v Speaker 2>her sphere of knowledge in the face of the beast

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<v Speaker 2>of ignorance. Right. Uh, And then just so happens that

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<v Speaker 2>a man obsessed with Francis Bacon, a Williamsburg legend mentor

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<v Speaker 2>to Thomas Jefferson, is the man who created, uh, what

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<v Speaker 2>I think is the best state flag in the Union.

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<v Speaker 2>It's the only flag with a booby on it. And

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<v Speaker 2>that's actually he was obsessed with Francis Bacon. His name

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<v Speaker 2>was George With Like I said, he was the He

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<v Speaker 2>was Thomas Jefferson's mentor. He was the reason that Thomas

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<v Speaker 2>Jefferson became obsessed with Francis Bacon his whole life. And

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<v Speaker 2>that is actually Atheno wearing her helmet and holding her sphere.

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<v Speaker 2>That's kind of neither here nor there, but I forgot

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<v Speaker 2>that that was behind.

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<v Speaker 6>I just want to mention real quick, and I mentioned

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<v Speaker 6>this a lot of times. I'm just using an excuse

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<v Speaker 6>to mention it again. The woman's nipple hanging out that

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<v Speaker 6>uh you know in the Knox formula Crowley's Knox formula.

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<v Speaker 6>At some point you you're supposed to be isis like

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<v Speaker 6>a feeding breastfeeding horse, and you will like you'll make

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<v Speaker 6>it look like you're holding a baby and grabbing your nipple.

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<v Speaker 5>There was a relationship between the nipple and the child.

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<v Speaker 6>When the child latches its mouth onto the nipple, the

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<v Speaker 6>mother's pinal game will tell the child where it is

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<v Speaker 6>time season, you know where it is even on the planet,

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<v Speaker 6>what up and down all is? So I mean there

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<v Speaker 6>is actually a very weird, interesting, uh panal gland to

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<v Speaker 6>pinal glean conversation going on just from breast reading.

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<v Speaker 5>Wow times, I wonder if that has anything to do

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<v Speaker 5>with so much cult size.

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<v Speaker 2>I mean, it's got to. Even if they didn't know

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<v Speaker 2>it that deeply, they knew that there was that connection

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<v Speaker 2>since the beginning of time there. So I said, I

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<v Speaker 2>wasn't going to get into that whole thing. But Shakespeare

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<v Speaker 2>didn't write Shakespeare. His name wasn't even Shakespeare's name was

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<v Speaker 2>shagspar And there's no evidence that he was literate or

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<v Speaker 2>you know, went to school past the fourth grade. The

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<v Speaker 2>only thing we have of him is his signature on

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<v Speaker 2>like seven different documents. They're all legal documents and his

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<v Speaker 2>will because he was kind of a douchebag and cheating

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<v Speaker 2>people out of stuff a lot, and so he's always

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<v Speaker 2>getting drug into court. And all these signatures are spelled

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<v Speaker 2>differently and in different handwriting. So that probably points to

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<v Speaker 2>the fact that whoever the other lawyer was or the

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<v Speaker 2>judge was the one who signed his name to it.

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<v Speaker 2>So we don't even know that Shakespeare or the guy

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<v Speaker 2>that they attribute Shakespeare to even was literate. He didn't

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<v Speaker 2>own a book that we can tell in his will.

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<v Speaker 2>He doesn't leave any books papers. There's never been a

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<v Speaker 2>letter written to him or from him that anybody's ever found.

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<v Speaker 2>The guy wasn't Shakespeare. Bacon with Shakespeare. So that being said,

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<v Speaker 2>I got obsessed with this book here, which is this

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<v Speaker 2>gigantic tone that I paid a bunch of money for.

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<v Speaker 2>It's a facts simile of the first folio of Shakespeare,

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<v Speaker 2>the sixteen twenty three that was put together. It's exactly

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<v Speaker 2>how it came out in sixteen twenty three. It's just

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<v Speaker 2>on new paper and basically took a history work copy

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<v Speaker 2>and from one of the museums and photo copied every

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<v Speaker 2>single page. So it's exactly the way it came out

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<v Speaker 2>the very first folio. So I get into Shakespeare, I

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<v Speaker 2>get into the first folio and some of the weird

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<v Speaker 2>things that that go on with that. Of course, that

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<v Speaker 2>leads leads me to to to Bacon. And then once

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<v Speaker 2>you get into Bacon, you obviously you end up down

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<v Speaker 2>the road of Bacon created Masonry by way of Rosicrucianism.

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<v Speaker 2>You find out that that the Masons actually claim Shakespeare

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<v Speaker 2>and Francis Bacon as kind of founding architects, if you will.

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<v Speaker 2>And then when you the further you get into masonry,

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<v Speaker 2>you start to if you dig back from masonry modern

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<v Speaker 2>day masonry, you eventually fall back into the Stewart, the

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<v Speaker 2>Stewart dynasty, and that leads you back if you follow

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<v Speaker 2>the maternal side of that family all the way back,

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<v Speaker 2>it INDs you, it brings you all the way back

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<v Speaker 2>to the Mayravngians of Dan Brown fame. And really my

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<v Speaker 2>my overall thesis of of my research now is that

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<v Speaker 2>America was Beguy in as and Virginia in particular as

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<v Speaker 2>a breakaway civilization for the Stuart dynasty. I think it

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<v Speaker 2>was facilitated and designed by Francis Bacon, and then it

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<v Speaker 2>has been managed and stewarded by the Scottish rite of Freemasonry,

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<v Speaker 2>sort of a thinly veiled alternative to the monarchy that

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<v Speaker 2>they were. But they could see the writing on the

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<v Speaker 2>wall that their monarchy, their reign as monarchs in England,

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<v Speaker 2>Scotland and Ireland, wasn't gonna last long. There it reign

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<v Speaker 2>was only about one hundred years, and I mean they

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<v Speaker 2>were deposed several times, kicked off the throne, brought back in, killed,

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<v Speaker 2>They ran, They ran the gamut and right at the

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<v Speaker 2>very beginning of that dynasty, Francis Bacon, working for King

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<v Speaker 2>James the first, the first Stuart monarch, right at the

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<v Speaker 2>beginning of that, they create the Virginia Company of London

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<v Speaker 2>and start exploring the new world, Virginia in particular. And

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<v Speaker 2>I think that was I really the more and more

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<v Speaker 2>I get into this stuff, the more I think that

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<v Speaker 2>America maybe still but definitely its beginnings were kind of

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<v Speaker 2>a breakaway place for the Stuart kind of ideal in

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<v Speaker 2>this divine right of kings Mayravngi and bloodline idea, which

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<v Speaker 2>I don't necessarily believe that they have any special blood line,

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<v Speaker 2>but like any other uh you know, monarchy kind of bloodline.

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<v Speaker 2>I think that this uh Christ's bloodline divine right of

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<v Speaker 2>kings was a story that they used, whether they believed

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<v Speaker 2>it or not, to kind of imbue their their dynasty

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<v Speaker 2>with importance. And I think they saw the right and

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<v Speaker 2>on the wall and decided the New World was the

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<v Speaker 2>place to keep that power and that control structure going

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<v Speaker 2>and uh and just do it with a different with

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<v Speaker 2>a different face on it. And I think, right then

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<v Speaker 2>is where you see America come up and Masonry come

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<v Speaker 2>up at the same time, and and the monarchy drop off.

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<v Speaker 2>But then you look at the Scottish right freemasonry and

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<v Speaker 2>it is I'm about to show you it's it. Scottish

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<v Speaker 2>right freemasonry connects Kabbala, this book right here, the sixteen

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<v Speaker 2>eleven King James Bible, and am I missing something that's

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<v Speaker 2>in Francis Bacon all together? So first off, this first

314
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<v Speaker 2>folio is structured like an initiatory ladder and not like

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<v Speaker 2>any of the kind of anthologies of its time. The

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<v Speaker 2>first folio, I'm sorry, Yeah, the First Folio, first book

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00:20:33.640 --> 00:20:37.839
<v Speaker 2>in English history to divide dramatic works into three distinct

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<v Speaker 2>sections comedies, histories and tragedies. But it is identical logic

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<v Speaker 2>to an initiatory system, in the three steps there being purification, advancement,

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<v Speaker 2>and mastery slash sacrifice, exactly like a degree system, but

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<v Speaker 2>published nearly a century before the Scottish writes thirty three

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<v Speaker 2>or thirty three degree system. So if Masonry borrowed from Shakespeare,

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<v Speaker 2>how did Shakespeare already arrange his canon? And really not

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<v Speaker 2>Shakespeare because he didn't exist. But the people who are

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<v Speaker 2>who did arrange the first folio of Shakespeare? How do

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<v Speaker 2>they arrange it in a multi stage initiation kind of system.

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<v Speaker 2>So the sequence of the plays in the folio kind

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<v Speaker 2>of mirror that ladder of like esoteric.

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<v Speaker 7>Order.

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<v Speaker 2>You've got the Tempest, which is an initiation. I've got

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<v Speaker 2>a good friend, Robert Frederick. He has a great podcast

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<v Speaker 2>called The Hidden Life is Best. He just became on

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<v Speaker 2>a whim, a Bacon scholar, and now he digs into

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<v Speaker 2>all the Shakespeare works and he just picked them apart

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<v Speaker 2>and each i mean two three hour episodes, each one

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<v Speaker 2>on a different play, and they're incredible. And so actually,

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<v Speaker 2>what got me onto this particular track was I was

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<v Speaker 2>doing a podcast with him, and uh, he had just

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<v Speaker 2>he did the Tempest on my suggestion, because he had

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<v Speaker 2>done Romeo and Juliet. I think, as you like it, Macbeth.

341
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<v Speaker 2>And he pulled all these Masonic principles out of there

342
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<v Speaker 2>and really showed how they were, you know, almost undeniably

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<v Speaker 2>written by a rose Crucian for that specific purpose. And

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<v Speaker 2>he was asking which one I thought he should do next,

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<v Speaker 2>and I was like, the Tempest, and the Tempest is

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<v Speaker 2>near and dear to my heart. Because living in Virginia,

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<v Speaker 2>not a ton of people know this, but you know,

348
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<v Speaker 2>sixteen oh seven they sent John Smith and the whole

349
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<v Speaker 2>crew over here, and that whole Pocahontas trip happened, right,

350
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<v Speaker 2>And but they kept dying, They kept getting mrked by

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<v Speaker 2>the natives and starving and eating each other. In sixteen

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<v Speaker 2>oh eight, they send another supply mission over. They eat

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<v Speaker 2>all that food, they're all dying out again. So then

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<v Speaker 2>Francis Bacon takes it upon himself and mounts a massive

355
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<v Speaker 2>supply mission, which is nine ships sent from sent from

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<v Speaker 2>Plymouth over like six hundred people. They hit a This

357
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<v Speaker 2>is in sixteen oh nine, they hit a hurricane right

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<v Speaker 2>around Bermuda, and everybody survives except for two small two

359
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<v Speaker 2>small ships. And that's a whole another route of research

360
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<v Speaker 2>that I'm doing as well, which was some pretty interesting stuff.

361
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<v Speaker 2>But it's a rabbit hole. So two ships disappear forever.

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<v Speaker 2>Six ships make it to the Yeah, six ships make

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<v Speaker 2>it right away to pretty much right away to James

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<v Speaker 2>Sound to resupply, and during the hurricane, the largest of

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<v Speaker 2>the ships crash lands on Bermuda. Purposely, they shipwrecked themselves

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<v Speaker 2>to avoid the storm, and about one hundred people on

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<v Speaker 2>that I believe it was about one hundred people were

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<v Speaker 2>on that ship, and they disembarked live on Bermuda for

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<v Speaker 2>a full year. While they're on Bermuda, they take apart

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<v Speaker 2>the old ship, build two new ships, and by sixteen

371
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<v Speaker 2>ten they set sail again and they make it over

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<v Speaker 2>to Jamestown. And once they get to Jamestown, one of

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<v Speaker 2>the guys who was at Bermuda on the crash landing,

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<v Speaker 2>this guy named William Strakeye. William Strakey just happens to

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<v Speaker 2>be one of those guys who was in Francis Bacon's

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<v Speaker 2>Literary Society. He gets to Jamestown. He writes a full

377
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<v Speaker 2>report of everything that happens or that happened for the

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<v Speaker 2>year on Bermuda, and he sends it to Francis Bacon's

379
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<v Speaker 2>new wife. And in sixteen eleven, William Shakespeare, or under

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<v Speaker 2>the name William Shakespeare, a play is published called The Tempest,

381
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<v Speaker 2>and it's all about a crash landing. I mean there's

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<v Speaker 2>even like six names that are used as six characters

383
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<v Speaker 2>in the play have names that are like, if the

384
00:25:29.920 --> 00:25:32.680
<v Speaker 2>guy's name was John, it would be Ron. I mean,

385
00:25:32.720 --> 00:25:36.440
<v Speaker 2>they're that close. It's it's ridiculous. The play The Tempest

386
00:25:36.559 --> 00:25:39.400
<v Speaker 2>is about the crash landing on Bermuda that was headed

387
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<v Speaker 2>to Virginia. But it is one when you break it down,

388
00:25:44.000 --> 00:25:49.599
<v Speaker 2>it is an absolute first initiation into a mystery. It's

389
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<v Speaker 2>it's kind of the crappiest of Shakespeare's plays, I think.

390
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<v Speaker 2>And so you have one of Bacon's buddies writes the

391
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<v Speaker 2>report of what happened in sixteen ten, and in sixteen eleven,

392
00:26:04.160 --> 00:26:07.839
<v Speaker 2>that is the last play that this Shakespeare guy ever writes. Right.

393
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<v Speaker 2>The weird thing is is that it appears first ten

394
00:26:12.640 --> 00:26:16.319
<v Speaker 2>years ten to fifteen years later, in the sixteen twenty three,

395
00:26:16.759 --> 00:26:22.200
<v Speaker 2>first folio of Shakespeare, right, thirty six plays and the

396
00:26:22.359 --> 00:26:25.720
<v Speaker 2>very last one that he wrote, and arguably kind of

397
00:26:25.720 --> 00:26:31.839
<v Speaker 2>the weirdest and kind of off. It's like Shakespeare's Twin Peaks.

398
00:26:32.039 --> 00:26:39.000
<v Speaker 2>It's it's it's very strange that gets that gets it's

399
00:26:39.039 --> 00:26:42.480
<v Speaker 2>first in the folio. So let's see if I've lost

400
00:26:42.559 --> 00:26:47.200
<v Speaker 2>me where I was going next, but might not have. Okay,

401
00:26:47.240 --> 00:26:57.000
<v Speaker 2>here we go, all right, talk amongst yourselves. Okay, So

402
00:26:58.079 --> 00:27:02.279
<v Speaker 2>sixteen twenty three, the first folio goes out. Oh that's right.

403
00:27:02.640 --> 00:27:05.920
<v Speaker 2>So while I'm talking to Robert Frederick, this Bacon scholar,

404
00:27:07.799 --> 00:27:10.519
<v Speaker 2>he's talking about the Tempest, and he drops it on

405
00:27:10.559 --> 00:27:14.720
<v Speaker 2>me that it's an initiation. It's allegory. The entire Tempest,

406
00:27:15.240 --> 00:27:20.240
<v Speaker 2>first play in the folio of Shakespeare is an initiation allegory.

407
00:27:21.240 --> 00:27:26.680
<v Speaker 2>And I start thinking back to my own personal Shakespeare knowledge,

408
00:27:26.680 --> 00:27:29.440
<v Speaker 2>and I know that there's thirty six plays, and I go, well, dang,

409
00:27:30.119 --> 00:27:37.799
<v Speaker 2>if that's the first if that's the first degree of freemasonry,

410
00:27:37.920 --> 00:27:41.079
<v Speaker 2>the Tempest. There's thirty six plays in Shakespeare. And while

411
00:27:41.119 --> 00:27:44.359
<v Speaker 2>he's like talking, I'm literally pulling up other windows and

412
00:27:44.400 --> 00:27:48.200
<v Speaker 2>going through and looking because I know that there's several

413
00:27:49.160 --> 00:27:53.920
<v Speaker 2>plays of Shakespeare's that are have two and one of

414
00:27:53.960 --> 00:27:56.480
<v Speaker 2>them has three parts. So I was like a wonder

415
00:27:57.200 --> 00:27:59.400
<v Speaker 2>if I put the the plays together that have more

416
00:27:59.440 --> 00:28:02.359
<v Speaker 2>than one part into one play, which is what they were.

417
00:28:02.839 --> 00:28:05.559
<v Speaker 2>They were just published separately because they were very long

418
00:28:05.599 --> 00:28:09.079
<v Speaker 2>plays and performed separately. If I mash those down, what

419
00:28:09.160 --> 00:28:11.200
<v Speaker 2>number would I get? And of course I get thirty

420
00:28:11.240 --> 00:28:17.799
<v Speaker 2>three plays. So I spend the last two months picking

421
00:28:17.839 --> 00:28:22.440
<v Speaker 2>through the plays as best that I can and lining

422
00:28:22.480 --> 00:28:24.960
<v Speaker 2>them up in the order they are in this book

423
00:28:25.680 --> 00:28:30.920
<v Speaker 2>to the thirty three degrees of Scottish right Freemasonry, which

424
00:28:32.000 --> 00:28:36.200
<v Speaker 2>seems off because Scottish righte masonry doesn't come around until

425
00:28:36.200 --> 00:28:40.799
<v Speaker 2>the seventeen hundreds, but if you actually look into the history,

426
00:28:41.400 --> 00:28:43.599
<v Speaker 2>depending on how far you take it back, I know,

427
00:28:43.720 --> 00:28:46.440
<v Speaker 2>for at least for me, that in Edinburgh there was

428
00:28:46.480 --> 00:28:53.279
<v Speaker 2>a lodge in well, let's see here what's referred to

429
00:28:53.359 --> 00:28:56.880
<v Speaker 2>as proto Scottish right freemasonries, and the theory is that it

430
00:28:57.000 --> 00:29:01.759
<v Speaker 2>existed between fifteen hundred and sixteen hundred that early, so

431
00:29:02.160 --> 00:29:07.599
<v Speaker 2>just you know, just before the first Stuart King, so

432
00:29:08.400 --> 00:29:11.400
<v Speaker 2>a guy named William Shaw or there was something that

433
00:29:11.400 --> 00:29:14.559
<v Speaker 2>came out called the William Shaw Statutes between fifteen ninety

434
00:29:14.599 --> 00:29:17.480
<v Speaker 2>eight and fifteen ninety nine, and it established a set

435
00:29:17.480 --> 00:29:20.599
<v Speaker 2>of regulations for Scottish Masons that look more like mystical

436
00:29:20.599 --> 00:29:25.559
<v Speaker 2>guild laws than operative rules. Shaw refers to masters of

437
00:29:25.599 --> 00:29:28.200
<v Speaker 2>the lodge and wardens in the same way that they

438
00:29:28.319 --> 00:29:38.640
<v Speaker 2>use master and warden in the operative speculative masonry lodges. Now,

439
00:29:39.240 --> 00:29:43.160
<v Speaker 2>there was an unusual wave of esoteric hermetic rosicrution activity

440
00:29:43.640 --> 00:29:46.880
<v Speaker 2>in Europe between fifteen eighty and sixteen twenty. Bruno D

441
00:29:47.079 --> 00:29:51.839
<v Speaker 2>Flood Bacon and the earliest known non operative or symbolic

442
00:29:51.880 --> 00:29:56.240
<v Speaker 2>Masons appear in Scotland before sixteen hundred, and we know

443
00:29:56.319 --> 00:29:59.920
<v Speaker 2>that I think it was fifteen ninety eight. King James

444
00:30:00.119 --> 00:30:06.079
<v Speaker 2>the First, who becomes the first Stuart King, was initiated

445
00:30:06.160 --> 00:30:12.160
<v Speaker 2>into that Edinburgh Scottish Lodge. So there is a precedent

446
00:30:12.240 --> 00:30:16.720
<v Speaker 2>that masonry was going on in at least Scotland for sure,

447
00:30:17.359 --> 00:30:20.680
<v Speaker 2>much earlier. And I believe that through the Mayorvnngian line

448
00:30:20.680 --> 00:30:26.160
<v Speaker 2>and these different monarchies with these this divine right to

449
00:30:26.400 --> 00:30:30.279
<v Speaker 2>rule kind of ethos, I believe that they were practicing

450
00:30:30.359 --> 00:30:34.319
<v Speaker 2>these kind of ancient mystery schools in one way or

451
00:30:34.359 --> 00:30:38.200
<v Speaker 2>another all the way back to the MAYORVNGI and and

452
00:30:38.200 --> 00:30:42.359
<v Speaker 2>and probably much further depending on when it was adopted

453
00:30:42.359 --> 00:30:43.279
<v Speaker 2>from their kind of.

454
00:30:43.359 --> 00:30:44.920
<v Speaker 4>Question really quick about that?

455
00:30:45.079 --> 00:30:49.359
<v Speaker 7>Actually, yeah, because I know that I know that the

456
00:30:49.400 --> 00:30:52.240
<v Speaker 7>Mayor of Engians play a part in like the Shakespeare thing.

457
00:30:52.279 --> 00:30:55.920
<v Speaker 7>But is Francis Bacon supposed to be from like the

458
00:30:56.000 --> 00:30:57.839
<v Speaker 7>Mayor Ofvingian bloodline or something?

459
00:30:57.960 --> 00:30:58.319
<v Speaker 4>Is that?

460
00:30:59.119 --> 00:31:03.720
<v Speaker 2>It depends on how you look at that history, which

461
00:31:03.759 --> 00:31:12.319
<v Speaker 2>is super murky. H Francis Bacon was basically raised by

462
00:31:12.519 --> 00:31:22.119
<v Speaker 2>Queen Elizabeth, the first Queen Elizabeth was queen. So there's

463
00:31:22.160 --> 00:31:26.799
<v Speaker 2>also speculation that Francis Bacon was the illegitimate son of

464
00:31:27.920 --> 00:31:34.599
<v Speaker 2>Queen Elizabeth. So after Queen Elizabeth becomes the queen in

465
00:31:34.759 --> 00:31:39.119
<v Speaker 2>the about six months before Francis Bacon is born to

466
00:31:39.640 --> 00:31:47.400
<v Speaker 2>her Lord Keeper of the Seal, some people, it's on

467
00:31:47.599 --> 00:31:51.359
<v Speaker 2>record that some folks went to to see Queen Elizabeth

468
00:31:51.359 --> 00:31:54.839
<v Speaker 2>at court and then came back, and subsequently a few

469
00:31:54.839 --> 00:31:57.920
<v Speaker 2>weeks after they came back to their fifdoms and whatever,

470
00:31:58.400 --> 00:32:00.359
<v Speaker 2>they got their tongues cut out, and they got hung

471
00:32:00.400 --> 00:32:03.240
<v Speaker 2>and they got their heads cut off. Because there's a

472
00:32:03.319 --> 00:32:07.559
<v Speaker 2>rumor that they were spreading around that I just went

473
00:32:07.599 --> 00:32:10.000
<v Speaker 2>and saw the Queen, and I don't think she's a

474
00:32:10.079 --> 00:32:13.279
<v Speaker 2>virgin queen anymore because a bit she looks pregnant, right,

475
00:32:13.920 --> 00:32:17.160
<v Speaker 2>And so it's on record. These people who you know,

476
00:32:17.240 --> 00:32:21.519
<v Speaker 2>got got merked because they were spreading this rumor about

477
00:32:21.640 --> 00:32:25.359
<v Speaker 2>the infidelity of the Queen. Well, Francis Bacon is born

478
00:32:25.799 --> 00:32:30.839
<v Speaker 2>to I can't remember his dad's name, but he was

479
00:32:30.880 --> 00:32:34.559
<v Speaker 2>the lord keeper of the Seal four Queen Elizabeth like

480
00:32:34.640 --> 00:32:39.839
<v Speaker 2>top advisor, and immediately upon his birth he is moved

481
00:32:39.920 --> 00:32:46.279
<v Speaker 2>into the court. The baby he is educated by the

482
00:32:46.319 --> 00:32:51.400
<v Speaker 2>Crown and then put through either Cambridge or Oxford and

483
00:32:51.440 --> 00:32:53.920
<v Speaker 2>then on to Gray's Inn to learn law, and then

484
00:32:54.000 --> 00:32:57.119
<v Speaker 2>immediately becomes part of the court and starts taking on

485
00:32:57.200 --> 00:33:01.079
<v Speaker 2>advisory roles and things like that with Queen Elizabeth. Now,

486
00:33:01.160 --> 00:33:05.000
<v Speaker 2>Queen Elizabeth's mom was Anne Boleyn. Anne Berlin was the

487
00:33:05.119 --> 00:33:13.400
<v Speaker 2>chick that King Henry the eighth stopped Catholicism in England. Four.

488
00:33:14.240 --> 00:33:17.519
<v Speaker 2>So King Henry the Eighth was married to Catherine of

489
00:33:20.599 --> 00:33:23.240
<v Speaker 2>it always sounds like a Lord of the Rings. It's Spain,

490
00:33:23.640 --> 00:33:29.440
<v Speaker 2>but Queen Catherine was King Henry the Eighth's wife. Um,

491
00:33:30.799 --> 00:33:34.200
<v Speaker 2>she couldn't give him any kids, so he wanted a divorcer.

492
00:33:34.599 --> 00:33:37.319
<v Speaker 2>He went to the Pope and was like, Pope, can

493
00:33:37.359 --> 00:33:40.319
<v Speaker 2>I please get a divorce? And the Pope said no,

494
00:33:40.519 --> 00:33:42.519
<v Speaker 2>And that's where the big schism in the split in

495
00:33:42.960 --> 00:33:46.960
<v Speaker 2>England comes in. And so King Henry the Eighth and

496
00:33:47.160 --> 00:33:51.480
<v Speaker 2>the Bishop of I guess Canterbury create this Anglican Church

497
00:33:51.519 --> 00:33:56.000
<v Speaker 2>of England thing. And the next chick is Anne Berlin,

498
00:33:56.599 --> 00:34:00.960
<v Speaker 2>and Berlin you follow her return blood line back she

499
00:34:01.119 --> 00:34:06.559
<v Speaker 2>is Plantagenet, and the Plantagenet come from the maternal side

500
00:34:06.599 --> 00:34:11.400
<v Speaker 2>of the Mayrivingians, so it goes Marrivngian, and then on

501
00:34:11.440 --> 00:34:14.400
<v Speaker 2>the maternal side of the Maryvingian as they die out

502
00:34:14.559 --> 00:34:18.119
<v Speaker 2>the Carolinians. So you're talking about the court of Charlemagne.

503
00:34:18.840 --> 00:34:23.639
<v Speaker 2>The maternal side of the Court of Charlemagne was comes

504
00:34:23.679 --> 00:34:25.719
<v Speaker 2>from the Mayor of Engians. And then the maternal side

505
00:34:25.800 --> 00:34:29.719
<v Speaker 2>of the Court of Charlemagne creates the Plantagenet line, and

506
00:34:29.760 --> 00:34:33.800
<v Speaker 2>then on up and then and it moves right into

507
00:34:33.880 --> 00:34:37.880
<v Speaker 2>the the Bruces and the Stewarts, and and then.

508
00:34:38.559 --> 00:34:42.440
<v Speaker 7>That's the Megan Markel thing, right because she's from Robert

509
00:34:42.440 --> 00:34:46.320
<v Speaker 7>the Bruce's line, so she's got like they were like, oh,

510
00:34:46.519 --> 00:34:48.760
<v Speaker 7>you know, he found this really nice black girl, and

511
00:34:48.800 --> 00:34:50.000
<v Speaker 7>he's going rogue.

512
00:34:50.199 --> 00:34:53.199
<v Speaker 4>No, he's not, like, he's not going rogue like.

513
00:34:53.440 --> 00:34:57.920
<v Speaker 2>Jitimately, Meghan Markle has a stronger claim to the throne

514
00:34:58.320 --> 00:34:59.400
<v Speaker 2>if you I mean the Stewarts.

515
00:34:59.400 --> 00:35:01.840
<v Speaker 7>That's what I've sa said for years.

516
00:35:02.400 --> 00:35:05.159
<v Speaker 2>Stuarts. Yeah, the Stewarts had a stronger claim to the

517
00:35:05.239 --> 00:35:09.840
<v Speaker 2>throne before Queen Elizabeth. So when he got the divorce

518
00:35:09.880 --> 00:35:13.440
<v Speaker 2>from Catherine Mary, Queen of Scott's, who was the Queen

519
00:35:13.480 --> 00:35:16.760
<v Speaker 2>of Scotland at the time, she had a better claim

520
00:35:16.800 --> 00:35:20.800
<v Speaker 2>to the throne than any of King Henry the Eight's children,

521
00:35:21.239 --> 00:35:25.679
<v Speaker 2>because all King Henry the Eight's children were their mothers

522
00:35:25.719 --> 00:35:29.480
<v Speaker 2>were not noble women. They were of no like kind

523
00:35:29.519 --> 00:35:33.920
<v Speaker 2>of monarch bloodline. But King Henry the Eight's brother, if

524
00:35:33.920 --> 00:35:38.320
<v Speaker 2>I'm not mistaken, or his sister, Mary, Queen of Scott's

525
00:35:38.440 --> 00:35:41.400
<v Speaker 2>is the daughter. He's like the uncle to Mary, Queen

526
00:35:41.400 --> 00:35:43.639
<v Speaker 2>of Scott's, So Mary, Queen of Scott's had a better

527
00:35:43.760 --> 00:35:47.000
<v Speaker 2>claim to the throne. But of course they didn't let

528
00:35:47.039 --> 00:35:49.679
<v Speaker 2>that happen. First, they let Henry the Eight's sickly little

529
00:35:49.760 --> 00:35:54.360
<v Speaker 2>like young son he dies, and then bloody Mary becomes

530
00:35:54.400 --> 00:35:57.880
<v Speaker 2>the queen and she doesn't end up with an air

531
00:35:58.960 --> 00:36:03.000
<v Speaker 2>and she dies, and then Queen Elizabeth, she's like last

532
00:36:03.039 --> 00:36:05.239
<v Speaker 2>in line because I think Anne Boleyn was kind of

533
00:36:05.280 --> 00:36:10.440
<v Speaker 2>the viewed by the monarchy as the skeasiest of all

534
00:36:10.719 --> 00:36:15.599
<v Speaker 2>Henry's chicks, and so Elizabeth spent most of her life

535
00:36:15.599 --> 00:36:21.239
<v Speaker 2>in the Tower of London, like in prison, because Bloody

536
00:36:21.239 --> 00:36:23.440
<v Speaker 2>Mary was afraid they were going to depose her and

537
00:36:23.480 --> 00:36:27.840
<v Speaker 2>put Elizabeth in anyway, so Elizabeth doesn't have a strong

538
00:36:27.880 --> 00:36:30.199
<v Speaker 2>claim to the throne. It's her cousin over in Scotland.

539
00:36:30.760 --> 00:36:34.079
<v Speaker 2>And Queen Elizabeth when she gets on the throne, she's

540
00:36:34.119 --> 00:36:39.960
<v Speaker 2>so sketched out that Mary, Queen of Scott's is going

541
00:36:40.000 --> 00:36:43.079
<v Speaker 2>to take her out and take over the throne that

542
00:36:43.199 --> 00:36:47.880
<v Speaker 2>she finally has. They come to an agreement and she's like, look,

543
00:36:48.880 --> 00:36:50.920
<v Speaker 2>if you don't try to kill me and take my

544
00:36:51.039 --> 00:36:55.159
<v Speaker 2>throne when I die, since I'm the virgin Queen, I'll

545
00:36:55.239 --> 00:37:00.840
<v Speaker 2>name your son James as my heir right. So they

546
00:37:00.840 --> 00:37:04.119
<v Speaker 2>make that agreement and then Queen Elizabeth has Mary, Queen

547
00:37:04.119 --> 00:37:08.079
<v Speaker 2>of Scott's head cut off anyway, but when Queen Elizabeth dies,

548
00:37:08.480 --> 00:37:11.239
<v Speaker 2>that is when King James the First becomes the King

549
00:37:11.519 --> 00:37:15.159
<v Speaker 2>of England, and thus the first Stuart, and that brings

550
00:37:15.199 --> 00:37:18.800
<v Speaker 2>in the Bruces and the Mayor Bengie implantation, and that

551
00:37:18.800 --> 00:37:21.760
<v Speaker 2>that whole line all comes together with the Stewarts. And

552
00:37:21.920 --> 00:37:22.840
<v Speaker 2>I forgot.

553
00:37:22.480 --> 00:37:24.960
<v Speaker 5>Where I was real quick. If you don't mind, then

554
00:37:25.000 --> 00:37:26.159
<v Speaker 5>I'll want to look.

555
00:37:26.559 --> 00:37:29.039
<v Speaker 6>I can't remember even specific, so it might have been

556
00:37:29.039 --> 00:37:33.960
<v Speaker 6>Michael Meyer or Michael Mayer, and I can't remember the

557
00:37:34.000 --> 00:37:37.440
<v Speaker 6>other people, but there was I going back a year

558
00:37:37.440 --> 00:37:40.119
<v Speaker 6>and a half two years ago, there was some certain

559
00:37:40.119 --> 00:37:43.239
<v Speaker 6>alchemists or occultists that me and me and Lisa had

560
00:37:43.280 --> 00:37:50.440
<v Speaker 6>covered that were all somehow like showing up around King James,

561
00:37:50.960 --> 00:37:54.119
<v Speaker 6>which I had no idea. I never really didn't realize

562
00:37:54.159 --> 00:37:56.000
<v Speaker 6>how yeah it was, and I was like, oh, there's

563
00:37:56.039 --> 00:37:57.920
<v Speaker 6>way too many now to where it's coincidence.

564
00:37:59.000 --> 00:38:03.239
<v Speaker 2>So so you you definitely have him getting initiated into

565
00:38:03.360 --> 00:38:10.960
<v Speaker 2>the into the that very early lodge in Scotland, and

566
00:38:11.000 --> 00:38:13.360
<v Speaker 2>then he was surrounded by the same type of people

567
00:38:13.880 --> 00:38:18.199
<v Speaker 2>that Queen Elizabeth was. I mean, she she's John Dee's chick.

568
00:38:18.280 --> 00:38:21.440
<v Speaker 2>I mean John d was her like personal kind of

569
00:38:21.519 --> 00:38:27.079
<v Speaker 2>spiritual advisor. And that is who most likely Francis Bacon

570
00:38:27.400 --> 00:38:31.360
<v Speaker 2>was tutored. You imagine your your mom is the queen,

571
00:38:31.480 --> 00:38:35.239
<v Speaker 2>but she's not claiming you as her son. And then

572
00:38:35.280 --> 00:38:38.920
<v Speaker 2>she's got this, you know, the original Double seven, spying

573
00:38:39.239 --> 00:38:43.599
<v Speaker 2>and talking to angel demons to tell her how to

574
00:38:43.679 --> 00:38:47.400
<v Speaker 2>run the country. And then this little kid kicking around

575
00:38:47.400 --> 00:38:50.159
<v Speaker 2>the court is getting and there's only there's like no

576
00:38:50.519 --> 00:38:55.920
<v Speaker 2>letters or evidence that Francis Bacon had any contact or

577
00:38:55.960 --> 00:39:00.960
<v Speaker 2>anything with John D. But it's so completely obvious by

578
00:39:01.000 --> 00:39:04.599
<v Speaker 2>their interests and their their their education that he was

579
00:39:04.639 --> 00:39:08.880
<v Speaker 2>probably his biggest mentor there's one wood cutting that they

580
00:39:09.039 --> 00:39:12.320
<v Speaker 2>found and people use it for all kinds of like

581
00:39:12.480 --> 00:39:16.239
<v Speaker 2>podcasts like thumbnails and whatnot, but it's it's an old

582
00:39:16.320 --> 00:39:21.079
<v Speaker 2>wizard looking wizard guy who is John D holding uh

583
00:39:21.119 --> 00:39:24.519
<v Speaker 2>like passing a lantern to a younger man, and that

584
00:39:25.480 --> 00:39:29.440
<v Speaker 2>they're pretty sure that depicts John D. And and Francis Bacon.

585
00:39:29.480 --> 00:39:32.400
<v Speaker 2>I think that it's official that the old guy is

586
00:39:32.519 --> 00:39:34.199
<v Speaker 2>John D. And they don't know who the other guy

587
00:39:34.280 --> 00:39:36.199
<v Speaker 2>is that he's passing the enlightenment onto.

588
00:39:36.280 --> 00:39:39.559
<v Speaker 7>But it's it's so what do you think about, Like

589
00:39:40.360 --> 00:39:43.559
<v Speaker 7>I think Shakespeare could have been you hinted at this

590
00:39:43.760 --> 00:39:47.239
<v Speaker 7>like a court of people or a council of people

591
00:39:47.320 --> 00:39:50.840
<v Speaker 7>that in Francis Bacon was on there, but they say,

592
00:39:50.920 --> 00:39:55.360
<v Speaker 7>you know, oh, well Shakespeare wrote the Bible King James Bible.

593
00:39:56.000 --> 00:39:57.559
<v Speaker 7>No that, but it would have been it would have

594
00:39:57.599 --> 00:39:59.920
<v Speaker 7>been somebody or all of the members of the cour

595
00:40:00.320 --> 00:40:01.760
<v Speaker 7>right or yeah.

596
00:40:01.800 --> 00:40:04.239
<v Speaker 2>So that's the funny thing about the King James Bible.

597
00:40:04.360 --> 00:40:07.760
<v Speaker 2>And also remember too that sixteen eleven the Bible comes out,

598
00:40:08.159 --> 00:40:11.679
<v Speaker 2>and that's the same year that the very last Shakespeare

599
00:40:11.719 --> 00:40:14.960
<v Speaker 2>play comes out. So it's like off a one project

600
00:40:15.199 --> 00:40:20.119
<v Speaker 2>and onto the next project. And that'll play in when

601
00:40:20.159 --> 00:40:23.000
<v Speaker 2>I actually finally get into the meat of this stuff.

602
00:40:23.719 --> 00:40:27.679
<v Speaker 2>It'll really play into this research the Bible with Shakespeare.

603
00:40:27.960 --> 00:40:30.599
<v Speaker 2>So it's kind of funny because, as I understand it,

604
00:40:32.079 --> 00:40:37.800
<v Speaker 2>people say a common myth is that Shakespeare wrote the Bible.

605
00:40:39.079 --> 00:40:42.960
<v Speaker 2>But they say that because he met the Shakespeare guy,

606
00:40:42.960 --> 00:40:46.079
<v Speaker 2>because he ran in the same circles, may have been

607
00:40:46.119 --> 00:40:49.880
<v Speaker 2>a part of the group that historically we know that

608
00:40:50.000 --> 00:40:53.239
<v Speaker 2>Francis Bacon was the head of that wrote the King

609
00:40:53.320 --> 00:40:57.519
<v Speaker 2>James Bible for King James. So like Francis Bacon was

610
00:40:57.679 --> 00:41:01.039
<v Speaker 2>officially what we know of, he was the kind of

611
00:41:01.119 --> 00:41:03.320
<v Speaker 2>head of the council that was putting together the King

612
00:41:03.400 --> 00:41:08.639
<v Speaker 2>James Bible. And so people assume Shakespeare wrote The King

613
00:41:08.679 --> 00:41:11.079
<v Speaker 2>James Bible because he was part of that group. But

614
00:41:11.119 --> 00:41:14.119
<v Speaker 2>then when you say that Francis Bacon might probably wrote

615
00:41:14.119 --> 00:41:17.440
<v Speaker 2>Shakespeare because he was part of that group, people are like, no,

616
00:41:17.599 --> 00:41:21.639
<v Speaker 2>come on, it's you know, I mean Straffordians. They're like,

617
00:41:21.679 --> 00:41:26.079
<v Speaker 2>that can't be possible, even though there's far more, you know,

618
00:41:26.159 --> 00:41:30.360
<v Speaker 2>evidence that Francis Bacon may have quite quite quite possibly

619
00:41:30.400 --> 00:41:32.719
<v Speaker 2>have been the most brilliant person to ever walk the

620
00:41:32.800 --> 00:41:33.599
<v Speaker 2>face of the planet.

621
00:41:33.639 --> 00:41:37.000
<v Speaker 7>I mean, he absolutely, I'm starting to gather that just

622
00:41:37.159 --> 00:41:40.000
<v Speaker 7>based on, like, you know, doing some of my own

623
00:41:40.079 --> 00:41:43.039
<v Speaker 7>research about him, and he keeps popping up and shit,

624
00:41:43.159 --> 00:41:45.039
<v Speaker 7>and I'm like, who is this dude?

625
00:41:45.079 --> 00:41:46.880
<v Speaker 4>He's like fucking obscure.

626
00:41:46.519 --> 00:41:50.559
<v Speaker 7>Kind of Yeah, he's everywhere in nowhere, you know what

627
00:41:50.559 --> 00:41:50.880
<v Speaker 7>I mean.

628
00:41:51.360 --> 00:41:55.760
<v Speaker 2>Yeah, he's I think I have a quote here somewhere.

629
00:41:57.440 --> 00:41:58.840
<v Speaker 2>I can't remember what it was, but it was a

630
00:41:58.840 --> 00:42:03.159
<v Speaker 2>really great Shakespeare and Bacon quote. But yeah, Francis Bacon

631
00:42:04.639 --> 00:42:09.360
<v Speaker 2>in his time, somebody had said that Francis Bacon, by

632
00:42:09.400 --> 00:42:12.119
<v Speaker 2>the age of twelve, had already read everything in print.

633
00:42:12.840 --> 00:42:15.760
<v Speaker 2>He spoke like four or five languages by that age.

634
00:42:15.880 --> 00:42:19.360
<v Speaker 2>By fifteen, he was at either Oxford or Cambridge. I

635
00:42:19.400 --> 00:42:22.559
<v Speaker 2>can't remember which one going to college. By sixteen he

636
00:42:22.719 --> 00:42:26.239
<v Speaker 2>quit because he was bored, and by like, I'm sorry,

637
00:42:26.239 --> 00:42:29.039
<v Speaker 2>maybe fourteen he was there. By fifteen he quit, and

638
00:42:29.119 --> 00:42:32.280
<v Speaker 2>then by sixteen he was back teaching. So he was

639
00:42:32.320 --> 00:42:35.280
<v Speaker 2>teaching at one of those two prestigious schools when he

640
00:42:35.320 --> 00:42:40.599
<v Speaker 2>was barely just a teenager, you know, and then moves

641
00:42:40.639 --> 00:42:43.400
<v Speaker 2>on to Gray's Inn, becomes a great lawyer. And then

642
00:42:43.519 --> 00:42:46.079
<v Speaker 2>it is in the court not only that he was

643
00:42:46.119 --> 00:42:48.280
<v Speaker 2>doing the same things that John d was and that

644
00:42:48.360 --> 00:42:53.440
<v Speaker 2>he was he had a big hand in Elizabeth's kind

645
00:42:53.440 --> 00:42:57.760
<v Speaker 2>of spy network. He was writing tons of ciphers and

646
00:42:57.920 --> 00:43:00.840
<v Speaker 2>mathematics and cryptology and doing it. I mean, he created

647
00:43:00.840 --> 00:43:06.719
<v Speaker 2>the scientific method. He was he was absolutely brilliant. I mean,

648
00:43:06.760 --> 00:43:10.320
<v Speaker 2>there's definitely evidence that he was a poly math and

649
00:43:10.360 --> 00:43:15.159
<v Speaker 2>he could have written plays and done impossible math work.

650
00:43:15.280 --> 00:43:18.239
<v Speaker 2>And but did that person just say they were bored.

651
00:43:20.039 --> 00:43:22.519
<v Speaker 5>I don't know. It's also before sixteen.

652
00:43:23.400 --> 00:43:29.320
<v Speaker 2>Oh okay, this threw me. I thought she was bored

653
00:43:29.360 --> 00:43:33.400
<v Speaker 2>with me. Oh no, no, no, anyway, I should probably

654
00:43:33.440 --> 00:43:35.760
<v Speaker 2>get into the actual because I've been rambling for like

655
00:43:35.800 --> 00:43:38.719
<v Speaker 2>an hour and it's I haven't even gotten into it.

656
00:43:38.800 --> 00:43:40.239
<v Speaker 5>Yet all right, let's go.

657
00:43:40.360 --> 00:43:43.760
<v Speaker 2>All right, all right, all right, right, so the whole

658
00:43:43.760 --> 00:43:46.480
<v Speaker 2>tempest thing got me interested. I found the connection there

659
00:43:46.760 --> 00:43:51.840
<v Speaker 2>with the thirty three, the thirty three degrees of Freemasonry,

660
00:43:51.920 --> 00:43:54.079
<v Speaker 2>and so I plotted them all out and mapped them

661
00:43:54.079 --> 00:43:57.599
<v Speaker 2>all out, and I'm just gonna go. What I found

662
00:43:57.639 --> 00:44:01.719
<v Speaker 2>was they were exact. Every single degree explains every single play,

663
00:44:01.800 --> 00:44:04.639
<v Speaker 2>and every single play has elements of every single one

664
00:44:04.679 --> 00:44:08.400
<v Speaker 2>of its corresponding degrees. And it's it's eerily so.

665
00:44:08.920 --> 00:44:10.480
<v Speaker 6>You know, there's one thing I want to mention too,

666
00:44:10.599 --> 00:44:13.199
<v Speaker 6>like this times you know this, this is really interesting

667
00:44:13.199 --> 00:44:15.840
<v Speaker 6>that he's saying this. I would even wonder about some

668
00:44:15.880 --> 00:44:19.920
<v Speaker 6>of these orders because could those be other books or something,

669
00:44:20.559 --> 00:44:23.159
<v Speaker 6>because there's been times of me and the first I

670
00:44:23.159 --> 00:44:25.960
<v Speaker 6>think luck is with him. We had covered I think

671
00:44:26.000 --> 00:44:29.360
<v Speaker 6>quats and a couple of orders. Oh yeah, yeah, he said.

672
00:44:29.599 --> 00:44:31.519
<v Speaker 6>And they will mention Shakespeare.

673
00:44:32.400 --> 00:44:36.039
<v Speaker 2>Yeah, and they claim him, they claim him as as

674
00:44:36.119 --> 00:44:38.719
<v Speaker 2>their own. I mean, he becomes part of that lored

675
00:44:38.760 --> 00:44:40.960
<v Speaker 2>like Hiram Abif, you know, I mean, I think we

676
00:44:41.000 --> 00:44:43.880
<v Speaker 2>all know that there wasn't actually a guy named Hiram Abif,

677
00:44:45.679 --> 00:44:50.000
<v Speaker 2>but it it it explains some part of their of

678
00:44:50.039 --> 00:44:53.719
<v Speaker 2>their story and it's kind of the same as that Maravngian,

679
00:44:54.000 --> 00:44:57.840
<v Speaker 2>you know, Christ's bloodline, like it imbues that monarchy with

680
00:44:57.960 --> 00:45:03.239
<v Speaker 2>importance and and the more folks that they you know,

681
00:45:03.400 --> 00:45:10.679
<v Speaker 2>my buddy is Daniel Duke, who is the great great

682
00:45:10.679 --> 00:45:16.599
<v Speaker 2>grandson of the real Jesse James. And you know, I

683
00:45:16.639 --> 00:45:18.519
<v Speaker 2>asked him if he was getting any He's the guy

684
00:45:18.519 --> 00:45:21.519
<v Speaker 2>that wrote Jesse James and the Lost Templar Treasure, which

685
00:45:21.559 --> 00:45:23.800
<v Speaker 2>I know sounds crazy. That's why I bought the book,

686
00:45:24.440 --> 00:45:27.320
<v Speaker 2>but it's insane. Jesse James was part of the Knights

687
00:45:27.320 --> 00:45:31.119
<v Speaker 2>of the Golden Circle. He was a freemason, and his

688
00:45:32.239 --> 00:45:35.000
<v Speaker 2>maps that have been uncovered match up to all the

689
00:45:35.000 --> 00:45:38.679
<v Speaker 2>Templar symbol symbolism and whatnot. And I asked him, I

690
00:45:38.719 --> 00:45:40.480
<v Speaker 2>was like, are you worried, you know, you're you know,

691
00:45:41.920 --> 00:45:43.960
<v Speaker 2>exposing some of this stuff, and he was like, no, no,

692
00:45:44.360 --> 00:45:46.400
<v Speaker 2>he's like they they love me, man. They did a

693
00:45:46.400 --> 00:45:49.360
<v Speaker 2>blurb for the back of my book and whatnot. Because

694
00:45:51.920 --> 00:45:54.440
<v Speaker 2>these guys added to their brand, it doesn't it doesn't

695
00:45:54.480 --> 00:45:58.079
<v Speaker 2>hurt them, and they can pick and choose and you know,

696
00:45:58.239 --> 00:46:01.559
<v Speaker 2>kind of explain to their they ad upts who was

697
00:46:01.599 --> 00:46:04.360
<v Speaker 2>real and who wasn't and who's who were using as

698
00:46:04.400 --> 00:46:13.199
<v Speaker 2>allegory or symbolism and anyway. So I map those thirty

699
00:46:13.239 --> 00:46:16.239
<v Speaker 2>three degrees to the thirty three plays that start off

700
00:46:16.280 --> 00:46:19.360
<v Speaker 2>as thirty six, but I combined the plays that have

701
00:46:19.480 --> 00:46:23.599
<v Speaker 2>more than one part, and then that led me to

702
00:46:25.719 --> 00:46:29.159
<v Speaker 2>mapping both the degrees and the plays onto another thing

703
00:46:29.719 --> 00:46:32.039
<v Speaker 2>that I'll get to as I as I go through

704
00:46:32.519 --> 00:46:35.239
<v Speaker 2>a few of these plays, and then that led me

705
00:46:35.320 --> 00:46:39.280
<v Speaker 2>to another piece of esotericism that maps on to all

706
00:46:39.320 --> 00:46:42.599
<v Speaker 2>of them. So this is four kind of streams of

707
00:46:42.719 --> 00:46:47.400
<v Speaker 2>data that all all come together. And stream three and

708
00:46:47.599 --> 00:46:52.280
<v Speaker 2>four are stream three for sure. I don't think anybody

709
00:46:52.280 --> 00:46:57.480
<v Speaker 2>because I can't find it anywhere. Nobody's ever mentioned what

710
00:46:57.760 --> 00:47:03.760
<v Speaker 2>I'll show you, which is like stream three. Now, obviously

711
00:47:03.800 --> 00:47:07.079
<v Speaker 2>the Masons have talked about Shakespeare being one of their guys.

712
00:47:08.280 --> 00:47:11.880
<v Speaker 2>I've even heard it said that Shakespeare wrote our Our,

713
00:47:12.159 --> 00:47:16.119
<v Speaker 2>Our our bylaws. I think a Mason has actually said

714
00:47:16.119 --> 00:47:20.559
<v Speaker 2>that to me. So that theory is out there. I

715
00:47:21.039 --> 00:47:23.199
<v Speaker 2>My point with this is to kind of show that

716
00:47:23.800 --> 00:47:31.000
<v Speaker 2>the framework was already there before. Yeah, there's all kinds

717
00:47:31.000 --> 00:47:35.719
<v Speaker 2>of great uh geometry in the the Shakespeare first folio.

718
00:47:37.760 --> 00:47:41.360
<v Speaker 2>But my point is to kind of show that the

719
00:47:41.360 --> 00:47:48.159
<v Speaker 2>the framework for Masonry was there in the Shakespearean plays

720
00:47:48.199 --> 00:47:52.800
<v Speaker 2>before the Scottish Right of Freemasonry, and so that's the

721
00:47:52.840 --> 00:47:54.599
<v Speaker 2>line of succession, because I think a lot of people

722
00:47:54.639 --> 00:47:56.679
<v Speaker 2>could just look at it and go, oh, yeah, the

723
00:47:56.719 --> 00:48:00.159
<v Speaker 2>degrees match up, because obviously, you know, Scottish Right came

724
00:48:00.199 --> 00:48:04.079
<v Speaker 2>after Shakespeare, and so they thought this was a cool

725
00:48:04.119 --> 00:48:06.079
<v Speaker 2>book and they took the symbolism out of it, but

726
00:48:06.119 --> 00:48:10.800
<v Speaker 2>I think they recognized the symbolism that was already there anyway.

727
00:48:11.039 --> 00:48:14.199
<v Speaker 2>So I'm gonna go through the Tempest real quick. First,

728
00:48:15.360 --> 00:48:19.960
<v Speaker 2>quick summary of the tempest. Prospero, the rightful Duke of

729
00:48:20.039 --> 00:48:23.119
<v Speaker 2>Milan and master of the magical Arts, use a sorcery

730
00:48:23.159 --> 00:48:27.039
<v Speaker 2>to shipwreck his usurping brother and others upon his island.

731
00:48:28.119 --> 00:48:33.480
<v Speaker 2>Through careful through carefully orchestrated illusions, he confronts betrayal, restores harmony,

732
00:48:33.519 --> 00:48:38.280
<v Speaker 2>and ultimately chooses forgiveness over vengeance. In masonry, the entered

733
00:48:38.280 --> 00:48:43.039
<v Speaker 2>apprentice that's the first degree, represents initiation, purification, in the

734
00:48:43.079 --> 00:48:46.880
<v Speaker 2>awakening of latent potential. It symbolizes the beginning of the

735
00:48:46.880 --> 00:48:50.920
<v Speaker 2>spiritual journey and moving from chaos into ordered understanding and

736
00:48:51.119 --> 00:48:56.599
<v Speaker 2>entering the island of symbolic instruction. So in the play,

737
00:48:56.800 --> 00:49:02.000
<v Speaker 2>Prospero functions as the initiator. He guides all the others

738
00:49:02.239 --> 00:49:06.679
<v Speaker 2>on the on the island through ordeals, storms, illusions, tests

739
00:49:06.679 --> 00:49:10.440
<v Speaker 2>the character much like the candidate and Freemasonry is guided

740
00:49:10.480 --> 00:49:15.440
<v Speaker 2>through symbolic storms. Ariel performs the role of spiritual messenger,

741
00:49:15.880 --> 00:49:21.960
<v Speaker 2>while Caliban embodies the unrefined natural man. The apprentice must overcome.

742
00:49:22.519 --> 00:49:27.719
<v Speaker 2>The entire island becomes an allegorical lodge of transformation. So

743
00:49:27.760 --> 00:49:30.039
<v Speaker 2>I read those two things together and go, okay, that's

744
00:49:30.159 --> 00:49:33.000
<v Speaker 2>one for one tempest to the first degree. Right. So

745
00:49:33.079 --> 00:49:37.480
<v Speaker 2>then I pull out my old trustee um copy of

746
00:49:37.559 --> 00:49:40.159
<v Speaker 2>morals and Dogma, and I'm like, well, let me just

747
00:49:40.199 --> 00:49:43.519
<v Speaker 2>dig through these and see what signs and symbols and

748
00:49:43.559 --> 00:49:46.400
<v Speaker 2>things like that from each degree might map onto the

749
00:49:46.440 --> 00:49:51.159
<v Speaker 2>plays as well. Right, So first degree, the entered apprenticed

750
00:49:51.519 --> 00:49:54.239
<v Speaker 2>the degree symbols. There are a twenty four inch gauge,

751
00:49:54.239 --> 00:49:57.440
<v Speaker 2>which is a measurement of time, the common gavel for

752
00:49:57.559 --> 00:50:03.159
<v Speaker 2>breaking away vices, rough ashlar, which is just a rough stone,

753
00:50:04.519 --> 00:50:07.000
<v Speaker 2>and the light or the great light. So the way

754
00:50:07.039 --> 00:50:11.519
<v Speaker 2>that's mirrored in the tempest is Prospero's entire magical operation

755
00:50:11.719 --> 00:50:14.719
<v Speaker 2>is timed to the minute. In the play, the hour

756
00:50:14.800 --> 00:50:18.679
<v Speaker 2>has now come as a quote, mirroring the twenty four

757
00:50:18.719 --> 00:50:22.880
<v Speaker 2>inch gage as the symbol of time management. The shipwreck Nobles,

758
00:50:22.960 --> 00:50:25.360
<v Speaker 2>or the rough Ashlar is broken down by trials. The

759
00:50:25.360 --> 00:50:29.599
<v Speaker 2>island experience chips away their vices, just like the gabble,

760
00:50:30.039 --> 00:50:33.800
<v Speaker 2>and then the final reconcile. Reconciliation is the perfect Ashlar,

761
00:50:33.880 --> 00:50:38.000
<v Speaker 2>the raw characters refined. So as I'm going through that,

762
00:50:40.039 --> 00:50:43.400
<v Speaker 2>I start, I don't know if I can pick this

763
00:50:43.599 --> 00:50:47.280
<v Speaker 2>up and show you guys real quick another really strange

764
00:50:47.719 --> 00:50:52.039
<v Speaker 2>this This book is batshit crazy. Can you see that?

765
00:50:53.199 --> 00:50:55.559
<v Speaker 2>Do you see? This is the table of contents, right,

766
00:50:56.159 --> 00:50:58.760
<v Speaker 2>do you see? Just take a quick look at the

767
00:50:58.880 --> 00:51:01.400
<v Speaker 2>numbers of the pages, and what you'll notice is like

768
00:51:01.800 --> 00:51:05.119
<v Speaker 2>the tempest starts at page one, but then all the

769
00:51:05.239 --> 00:51:07.880
<v Speaker 2>other page numbers are out of order. You can be

770
00:51:08.079 --> 00:51:11.280
<v Speaker 2>on page two hundred and fifty, flip over two pages

771
00:51:11.320 --> 00:51:14.320
<v Speaker 2>and you're on page forty five and then and that's

772
00:51:14.599 --> 00:51:17.119
<v Speaker 2>that's something that people have brought up about this. I mean,

773
00:51:17.159 --> 00:51:19.920
<v Speaker 2>here's page ninety three. I go back a big chunk

774
00:51:25.360 --> 00:51:28.480
<v Speaker 2>fifty way back here I'm back to fifty five. I mean,

775
00:51:29.320 --> 00:51:33.480
<v Speaker 2>and I've always thought that that meant something, but I'm

776
00:51:33.480 --> 00:51:37.480
<v Speaker 2>not mathematically minded, So whatever codes that you know, Petro

777
00:51:37.559 --> 00:51:40.320
<v Speaker 2>Aminsen and the Oak Island Boys are figuring out, like,

778
00:51:40.400 --> 00:51:44.639
<v Speaker 2>I don't have the wherewithal. But what I did notice

779
00:51:45.440 --> 00:51:53.360
<v Speaker 2>was that the very last, the very last play in

780
00:51:53.440 --> 00:51:59.239
<v Speaker 2>the Shakespearean First Folio starts on page three sixty nine,

781
00:52:00.360 --> 00:52:02.599
<v Speaker 2>and it's only about five or six pages long, right,

782
00:52:04.559 --> 00:52:06.800
<v Speaker 2>So that puts me around three hundred and seventy five.

783
00:52:07.639 --> 00:52:10.639
<v Speaker 2>And so I start looking around, like, what from sixteen eleven,

784
00:52:10.639 --> 00:52:14.840
<v Speaker 2>what was Bacon involved in that might match to that? Well,

785
00:52:14.920 --> 00:52:17.760
<v Speaker 2>three sixty nine is like a perfect number. I can't

786
00:52:17.800 --> 00:52:20.559
<v Speaker 2>remember I went through all that, but I try to

787
00:52:20.599 --> 00:52:22.920
<v Speaker 2>stay away from the numerology as much as I can.

788
00:52:25.440 --> 00:52:29.199
<v Speaker 2>But I start looking around, and what I find is

789
00:52:29.239 --> 00:52:34.920
<v Speaker 2>that Proverbs in the Bible has exactly three hundred and

790
00:52:34.960 --> 00:52:41.199
<v Speaker 2>seventy five proverbs. So Solomon wrote Proverbs. We all know

791
00:52:41.360 --> 00:52:46.519
<v Speaker 2>that Francis Bacon was obsessed with Solomon. The Masons are

792
00:52:46.559 --> 00:52:49.840
<v Speaker 2>obsessed with Solomon. And I'm like, maybe this is a match.

793
00:52:51.719 --> 00:52:55.559
<v Speaker 2>And since we have this whole table of random numbers,

794
00:52:57.039 --> 00:52:59.480
<v Speaker 2>almost this random number generator. I was like, there's no

795
00:52:59.599 --> 00:53:04.719
<v Speaker 2>way that these these numbers could match up to the

796
00:53:04.719 --> 00:53:09.400
<v Speaker 2>corresponding the play with the corresponding proverb. And so when

797
00:53:09.440 --> 00:53:12.840
<v Speaker 2>I say three hundred and seventy five proverbs, these proverbs

798
00:53:12.840 --> 00:53:16.559
<v Speaker 2>are things like, uh, let's see here, A wise son

799
00:53:16.639 --> 00:53:19.039
<v Speaker 2>maketh a glad father, but a foolish son is the

800
00:53:19.079 --> 00:53:22.840
<v Speaker 2>heaviness of his mother. They're like two line little pieces

801
00:53:22.880 --> 00:53:26.360
<v Speaker 2>of wisdom that Solomon wrote down. And the crazy thing

802
00:53:26.519 --> 00:53:30.199
<v Speaker 2>is is that nobody in the history of the Bible

803
00:53:30.280 --> 00:53:34.519
<v Speaker 2>has ever took Everybody talks about how amazing advice this

804
00:53:34.719 --> 00:53:39.519
<v Speaker 2>solemnonic these proverbs are, but nobody wants has ever gone

805
00:53:39.639 --> 00:53:44.760
<v Speaker 2>and just pulled them out in order and just put one, two, three, four, five,

806
00:53:45.000 --> 00:53:47.800
<v Speaker 2>Nobody all the way down to three seventy five. So

807
00:53:47.840 --> 00:53:50.880
<v Speaker 2>I had to open the Bible and go through three

808
00:53:51.000 --> 00:53:54.239
<v Speaker 2>hundred and seventy five proverbs in order and write them

809
00:53:54.239 --> 00:54:00.280
<v Speaker 2>down right. And I'm glad I did because so And

810
00:54:00.280 --> 00:54:02.639
<v Speaker 2>what you'll see with the way these map in the

811
00:54:02.760 --> 00:54:07.400
<v Speaker 2>beginning degrees, just like the degrees are in masonry. It's

812
00:54:07.440 --> 00:54:11.039
<v Speaker 2>a little light. The symbolism fits, but it might be

813
00:54:11.079 --> 00:54:15.000
<v Speaker 2>a little bit tangential and a little fluffy and not real.

814
00:54:15.079 --> 00:54:20.079
<v Speaker 2>There's not a whole lot of like weight on it.

815
00:54:20.400 --> 00:54:23.920
<v Speaker 2>And then as we get further and further and further in,

816
00:54:24.039 --> 00:54:28.239
<v Speaker 2>it becomes more exact and more perfectly matched up with everything,

817
00:54:28.800 --> 00:54:32.639
<v Speaker 2>to the point where the proverb that matches up with

818
00:54:33.760 --> 00:54:37.760
<v Speaker 2>Titus Andronicus. Titus Andronicus is a is a tragedy play

819
00:54:38.119 --> 00:54:42.159
<v Speaker 2>by Shakespeare, and at one point somebody cuts the tongues

820
00:54:42.239 --> 00:54:45.639
<v Speaker 2>out of his daughter or the tongue out of it's

821
00:54:45.679 --> 00:54:49.159
<v Speaker 2>either two daughters, and anyway, somebody gets a tongue cut out,

822
00:54:49.559 --> 00:54:54.480
<v Speaker 2>and the proverb that matches up. And remember we're not

823
00:54:54.559 --> 00:54:58.159
<v Speaker 2>just going in order one through thirty three proverbs. We're

824
00:54:58.159 --> 00:55:02.719
<v Speaker 2>going from proverb one to proverb twenty to proverb thirty

825
00:55:02.760 --> 00:55:05.159
<v Speaker 2>eight to proverb sixty one, and they match up bank

826
00:55:05.239 --> 00:55:07.719
<v Speaker 2>bang bang bang, And the proverb that matches up with

827
00:55:07.719 --> 00:55:14.000
<v Speaker 2>Titus Andronicus literally talks about cutting someone's tongue out. So

828
00:55:14.760 --> 00:55:19.159
<v Speaker 2>I beyond that, So I find this stuff, and I

829
00:55:19.400 --> 00:55:22.679
<v Speaker 2>map out all these dang proverbs, and then I move

830
00:55:22.760 --> 00:55:26.199
<v Speaker 2>on because obviously the number thirty three is popping up

831
00:55:26.239 --> 00:55:27.920
<v Speaker 2>over and over and over and over and over again.

832
00:55:28.320 --> 00:55:36.000
<v Speaker 2>And the other piece of this Bacon Shakespeare. Mason kind

833
00:55:36.039 --> 00:55:40.840
<v Speaker 2>of salad is always Kabbala. You always hear, you know,

834
00:55:41.199 --> 00:55:46.440
<v Speaker 2>the Kabbala is basically a basis for masonry, and that

835
00:55:46.639 --> 00:55:50.679
<v Speaker 2>everything kind of distills in each degree kind of distills

836
00:55:50.719 --> 00:55:57.440
<v Speaker 2>back to a Kabbalistic principle. And I've asked master masons.

837
00:55:57.960 --> 00:56:01.280
<v Speaker 2>I asked the the worshipful man master of a lodge, like, hey,

838
00:56:01.280 --> 00:56:03.360
<v Speaker 2>what do you know about the Kabbala? This is a

839
00:56:03.400 --> 00:56:06.119
<v Speaker 2>thirty two degree, a thirty second degree mason. He's like,

840
00:56:06.440 --> 00:56:09.440
<v Speaker 2>I've never even heard of it. Now, I know the

841
00:56:09.440 --> 00:56:12.960
<v Speaker 2>guy pretty well, and if he was, you know, if

842
00:56:13.000 --> 00:56:16.840
<v Speaker 2>he was bullshitting me, I feel like I'd have known it.

843
00:56:16.880 --> 00:56:18.760
<v Speaker 2>But I've asked other people, and you can go online

844
00:56:18.840 --> 00:56:21.559
<v Speaker 2>to forums and stuff like that, and you'll see you'll

845
00:56:21.559 --> 00:56:24.920
<v Speaker 2>see Mason's all day be like nothing to do with Kabbala, like,

846
00:56:25.639 --> 00:56:29.280
<v Speaker 2>but it's absolutely clear that it is. And if you

847
00:56:29.320 --> 00:56:33.159
<v Speaker 2>read Morals and Dogmen anything by Albert Pike, the Kabbala

848
00:56:33.480 --> 00:56:40.599
<v Speaker 2>was Pikes. That was his preferred kind of esoteric kind

849
00:56:40.599 --> 00:56:45.480
<v Speaker 2>of framework. So it is in there specifically in Scottish

850
00:56:45.519 --> 00:56:49.559
<v Speaker 2>rite free masonry. So I start looking around into the Kabbala.

851
00:56:50.199 --> 00:56:52.280
<v Speaker 6>Oh real quick, I just want to say, like, uh,

852
00:56:52.280 --> 00:56:55.239
<v Speaker 6>I know for a fact that well, I mean, that's

853
00:56:55.239 --> 00:56:58.159
<v Speaker 6>what they even admitted, but it maybe maybe it's not true.

854
00:56:58.199 --> 00:57:02.679
<v Speaker 6>But yeah, Astra Mogentum. Even if you look up their

855
00:57:02.960 --> 00:57:07.719
<v Speaker 6>initiatives aguesst degree system, they even show you how like

856
00:57:07.760 --> 00:57:11.119
<v Speaker 6>the degrees match the tree. Yeah, you know, they kind

857
00:57:11.159 --> 00:57:13.199
<v Speaker 6>of make it. Oh, they kind of like, you know,

858
00:57:13.280 --> 00:57:15.800
<v Speaker 6>in explaining it.

859
00:57:14.920 --> 00:57:20.199
<v Speaker 2>Well, so does the what I found is, so does

860
00:57:20.280 --> 00:57:23.320
<v Speaker 2>it match with the degrees the thirty three degrees of

861
00:57:23.360 --> 00:57:30.000
<v Speaker 2>Freemasonry and the thirty three plays of William Shakespeare. So

862
00:57:30.079 --> 00:57:32.239
<v Speaker 2>I found this thing called the thirty two paths of

863
00:57:32.280 --> 00:57:39.679
<v Speaker 2>wisdom in Kabbala, it comes from the Book of Formation,

864
00:57:40.039 --> 00:57:43.039
<v Speaker 2>and it describes the thirty two paths of wisdom as

865
00:57:43.880 --> 00:57:47.159
<v Speaker 2>these are the ten cepharat, So one through ten is

866
00:57:47.199 --> 00:57:49.639
<v Speaker 2>the ten cepharat on the tree of life, and then

867
00:57:49.719 --> 00:57:52.639
<v Speaker 2>below that is the twenty two letters of the Hebrew alphabet.

868
00:57:54.280 --> 00:57:58.119
<v Speaker 2>And so that gives you thirty two paths. But Kabbala

869
00:57:58.199 --> 00:58:01.679
<v Speaker 2>always speaks of the thirty third path that cannot be named,

870
00:58:02.000 --> 00:58:07.800
<v Speaker 2>the path beyond form, corresponding to ketter or einsoft It's

871
00:58:07.840 --> 00:58:12.400
<v Speaker 2>heavily emphasized in Lurianic Kabala Hermetic kabbala, which is of

872
00:58:12.480 --> 00:58:18.400
<v Speaker 2>Bacon's day, sixteenth and seventeenth, the seventeenth century Christian novelists

873
00:58:18.480 --> 00:58:23.840
<v Speaker 2>and Rosa Cruscian manuscripts. So this particular kind of ladder

874
00:58:23.920 --> 00:58:29.719
<v Speaker 2>of thirty three pathways maps right onto the time and

875
00:58:29.840 --> 00:58:35.559
<v Speaker 2>place that that Francis Bacon was was was, you know,

876
00:58:35.679 --> 00:58:39.960
<v Speaker 2>messing around and working off of So I've gone through.

877
00:58:40.000 --> 00:58:42.199
<v Speaker 2>I'm not gonna go through all thirty three plays, but

878
00:58:42.280 --> 00:58:49.239
<v Speaker 2>I do have some favorites. Trust me when I say

879
00:58:49.239 --> 00:58:52.760
<v Speaker 2>that they all match up pretty great. But I'm gonna jump.

880
00:58:52.760 --> 00:58:57.559
<v Speaker 2>So we went through the tempest a little bit. Let's

881
00:58:57.599 --> 00:59:03.679
<v Speaker 2>do much Ado about Nothing. That's the sixth degree. Much

882
00:59:03.679 --> 00:59:06.800
<v Speaker 2>Ado in About Nothing is the sixth play. It is

883
00:59:07.039 --> 00:59:11.199
<v Speaker 2>the sixth degree of Scottish rape free Masonry is the

884
00:59:11.199 --> 00:59:16.239
<v Speaker 2>intimate Secretary. The summary of the play, Beatrice and Benedict

885
00:59:16.320 --> 00:59:20.320
<v Speaker 2>engage in witty verbal combat, while Claudio and Hero navigate

886
00:59:20.320 --> 00:59:24.800
<v Speaker 2>betrayal and reconciliation. Love triumphs, but only after truth is

887
00:59:24.800 --> 00:59:29.559
<v Speaker 2>brought to light. In Masonry, the degree centers on confidential service,

888
00:59:29.679 --> 00:59:34.760
<v Speaker 2>accurate witnessing, and faithful transmission of truth. So the sexton

889
00:59:34.880 --> 00:59:37.400
<v Speaker 2>in the play is a character in the play acts

890
00:59:37.440 --> 00:59:41.280
<v Speaker 2>as a recorder. So literally this is the intimate secretary

891
00:59:41.280 --> 00:59:44.599
<v Speaker 2>in the the sexton.

892
00:59:44.679 --> 00:59:47.239
<v Speaker 5>Yeah, like a astronomical device as.

893
00:59:47.079 --> 00:59:53.360
<v Speaker 2>Well, I believe. So yeah, the no sextant, I think. Yeah,

894
00:59:53.480 --> 00:59:57.199
<v Speaker 2>so they have a secretary is a and just so

895
00:59:57.320 --> 00:59:59.639
<v Speaker 2>you know, there's not a lot of secretary parts in

896
00:59:59.800 --> 01:00:03.119
<v Speaker 2>a or Shakespeare in play, so it's interesting. He acts

897
01:00:03.159 --> 01:00:08.800
<v Speaker 2>for as recorder for Dogbury. He embodies the secretary role, literacy,

898
01:00:08.840 --> 01:00:12.039
<v Speaker 2>truth keeping, and the ability to discern fact from falsehood,

899
01:00:12.599 --> 01:00:17.599
<v Speaker 2>the central conflict heroes. Slander dramatizes the dangers of false reports,

900
01:00:17.639 --> 01:00:20.239
<v Speaker 2>a core lesson of the degree. So right there, the

901
01:00:20.280 --> 01:00:23.559
<v Speaker 2>core lesson of the degree is mapped out right into

902
01:00:23.599 --> 01:00:29.440
<v Speaker 2>the right into the play there and then from morals

903
01:00:29.440 --> 01:00:34.079
<v Speaker 2>and dogma. The degree symbols two class hands, curtains, half

904
01:00:34.159 --> 01:00:38.800
<v Speaker 2>drawn triangular arrangement of secret letters red and white, which

905
01:00:38.840 --> 01:00:43.119
<v Speaker 2>stand for passion and purity. The way that mirrors in

906
01:00:43.159 --> 01:00:46.639
<v Speaker 2>the play. The entire plot revolves around broken trust rebuilding

907
01:00:46.679 --> 01:00:51.079
<v Speaker 2>of confidence between characters hero Claudio, Benedict and Beatrice. Everything

908
01:00:51.159 --> 01:00:55.880
<v Speaker 2>is overheard behind curtains, hedges, partial concealments, perfect symbol of

909
01:00:55.920 --> 01:00:59.719
<v Speaker 2>the half drawn veil red and White. Obviously this is

910
01:00:59.760 --> 01:01:03.519
<v Speaker 2>a All his comedies are also love triangles. So Red

911
01:01:03.559 --> 01:01:09.800
<v Speaker 2>and White, hero's innocence stained by false accusation. Red Bam.

912
01:01:10.079 --> 01:01:20.559
<v Speaker 2>And then we go to six on the proverbs much Ado, Yeah,

913
01:01:21.719 --> 01:01:26.079
<v Speaker 2>that is proverb one oh one or proverbs for eighteen.

914
01:01:27.760 --> 01:01:30.760
<v Speaker 2>The wisdom of the prudent is to understand his way,

915
01:01:30.840 --> 01:01:34.519
<v Speaker 2>but the folly of the fool is Deceit aligns with

916
01:01:34.559 --> 01:01:39.039
<v Speaker 2>the sixth degree, the intimate secretary. The degree stresses discernment

917
01:01:39.559 --> 01:01:44.079
<v Speaker 2>accurate record, truth versus deception accurate record. You're talking about

918
01:01:44.679 --> 01:01:47.559
<v Speaker 2>that secretary there. The wisdom of the prudence to understand

919
01:01:47.599 --> 01:01:53.039
<v Speaker 2>his way equals the secretary's duty. Folly is deceit. That's

920
01:01:53.079 --> 01:01:58.480
<v Speaker 2>the degrees warning, Don Pedro and Leonardo equal prudence and understanding.

921
01:01:58.599 --> 01:02:03.559
<v Speaker 2>Claudio is deceived, Benedict and Beatrice truth disguised as wit,

922
01:02:03.719 --> 01:02:09.400
<v Speaker 2>and Don Don John folly is deceit incarnate. So the

923
01:02:09.400 --> 01:02:13.000
<v Speaker 2>sixth degree is about the ability to tell the truth

924
01:02:13.000 --> 01:02:16.880
<v Speaker 2>from falhood and the entire plays in June, and then

925
01:02:16.920 --> 01:02:21.599
<v Speaker 2>you run over here to the Kabbalah, and that particular

926
01:02:23.360 --> 01:02:27.079
<v Speaker 2>play lines up with number six, the sixth pathway, which

927
01:02:27.119 --> 01:02:31.880
<v Speaker 2>is tiffaret, which means beauty or harmony or harmony after conflict.

928
01:02:33.639 --> 01:02:39.039
<v Speaker 2>So again Tiffarett equals the heart. The heart equals Benedict

929
01:02:39.159 --> 01:02:46.320
<v Speaker 2>and Beatrice harmony restored through speech, misunderstanding, and reconciliation. So

930
01:02:46.360 --> 01:02:51.719
<v Speaker 2>the other great thing about the Shakespeare plays mapping onto

931
01:02:52.039 --> 01:02:57.320
<v Speaker 2>the degrees of freemasonry is that they go the first

932
01:02:57.920 --> 01:03:08.039
<v Speaker 2>I believe it's twelve plays. Let me make sure, all right,

933
01:03:08.079 --> 01:03:11.599
<v Speaker 2>I'll get to it. Oh, here we go. The first

934
01:03:11.639 --> 01:03:19.199
<v Speaker 2>fourteen plays in the in the Shakespeare folio are the comedies,

935
01:03:19.599 --> 01:03:26.599
<v Speaker 2>and they are all light love triangles, comedic. Right at

936
01:03:26.760 --> 01:03:30.639
<v Speaker 2>play number fifteen is where the histories and tragedies start

937
01:03:33.000 --> 01:03:36.920
<v Speaker 2>in freemasonry. The first fourteen degrees are the ineffable degrees,

938
01:03:37.480 --> 01:03:40.920
<v Speaker 2>a little bit lighter. And then in the fifteenth degree,

939
01:03:41.239 --> 01:03:48.119
<v Speaker 2>that's right where the historical and religious degrees begin, and

940
01:03:48.199 --> 01:03:51.840
<v Speaker 2>so also where the histories and tragedies begin in the

941
01:03:51.880 --> 01:03:56.719
<v Speaker 2>first folio. So I'm gonna jump to where my stars at. Yeah,

942
01:03:56.760 --> 01:04:00.119
<v Speaker 2>here we go. I'm ms jump to the eighteenth degree.

943
01:04:00.199 --> 01:04:03.760
<v Speaker 2>I find this one. This grouping of these degrees and

944
01:04:03.840 --> 01:04:09.159
<v Speaker 2>play is really interesting. So the play that we're talking

945
01:04:09.199 --> 01:04:15.440
<v Speaker 2>about is Henry the Fifth. We've jumped to the the

946
01:04:15.519 --> 01:04:19.760
<v Speaker 2>kind of nightly degrees, and we've jumped to the histories.

947
01:04:20.440 --> 01:04:23.719
<v Speaker 2>In the Shakespearean plays, the eighteenth degree is the Knight

948
01:04:23.800 --> 01:04:26.199
<v Speaker 2>of the rose Cross. The play is Henry the Fifth.

949
01:04:28.320 --> 01:04:35.719
<v Speaker 2>It's interesting that also not only does is this where

950
01:04:35.800 --> 01:04:41.760
<v Speaker 2>the kind of nightly degrees start, but it's also interesting

951
01:04:41.800 --> 01:04:45.320
<v Speaker 2>that the first place that like rose Acicrucianism is mentioned

952
01:04:45.360 --> 01:04:48.320
<v Speaker 2>within the degrees is the also the start of the

953
01:04:49.159 --> 01:04:53.400
<v Speaker 2>histories here. So Henry the Fifth follows King Henry's transformation

954
01:04:53.519 --> 01:04:57.719
<v Speaker 2>from reckless prince to a responsible and inspiring monarch. The

955
01:04:57.760 --> 01:05:00.400
<v Speaker 2>play centers on his leadership during the war with France,

956
01:05:00.480 --> 01:05:04.880
<v Speaker 2>especially the Battle of agent Court. Themes include honor, duty, legitimacy,

957
01:05:04.920 --> 01:05:07.519
<v Speaker 2>and the burden of kingship, as well as the attempt

958
01:05:07.519 --> 01:05:11.920
<v Speaker 2>to reconcile former vices with present virtue in masonry. In

959
01:05:11.960 --> 01:05:15.119
<v Speaker 2>the eighteenth degree, The Knight of the rose Cross degree

960
01:05:15.239 --> 01:05:18.400
<v Speaker 2>used the teachings of Jesus of Nazareth to illustrate universal

961
01:05:18.440 --> 01:05:23.480
<v Speaker 2>principles of life and morality. It emphasizes virtue over vice,

962
01:05:23.559 --> 01:05:29.159
<v Speaker 2>tolerance over love, the reconciliation of opposites, the discovery of

963
01:05:29.239 --> 01:05:34.719
<v Speaker 2>the true word or logos within oneself. It's a degree

964
01:05:34.719 --> 01:05:38.280
<v Speaker 2>of inner transformation. In the play, Henry the Fifth can

965
01:05:38.320 --> 01:05:45.199
<v Speaker 2>be read as a monarch undergoing rose Cross transformation. As

966
01:05:45.239 --> 01:05:49.119
<v Speaker 2>far as reconciliation of opposites, Henry is both pious and ruthless.

967
01:05:49.519 --> 01:05:53.880
<v Speaker 2>He speaks eloquently of honor and unity. Few we happy.

968
01:05:53.920 --> 01:05:58.880
<v Speaker 2>Few remember that line. Yet he threatens halfer and sanctions executions.

969
01:05:58.920 --> 01:06:02.559
<v Speaker 2>He wrestles with attentions between mercy and necessity. The true

970
01:06:02.559 --> 01:06:07.039
<v Speaker 2>word within is represented by Henry's transformation from Prince Howe

971
01:06:07.119 --> 01:06:12.920
<v Speaker 2>to King. Henry suggests a man has aligned his outward

972
01:06:12.920 --> 01:06:16.280
<v Speaker 2>actions with an inner sense of calling and kingship, a

973
01:06:16.360 --> 01:06:21.079
<v Speaker 2>discovery of his royal logos tolerance and union. By seeking

974
01:06:21.119 --> 01:06:25.760
<v Speaker 2>to unite England and France, symbolized through his marriage to Catherine,

975
01:06:26.280 --> 01:06:29.519
<v Speaker 2>Henry attempts to heal divisions and build a broader unity

976
01:06:30.079 --> 01:06:33.199
<v Speaker 2>and echo of the degrees called to transcend sectarianism and

977
01:06:33.199 --> 01:06:39.599
<v Speaker 2>embrace a higher reconcilitatory love. You jumped to the signs

978
01:06:39.639 --> 01:06:43.920
<v Speaker 2>and symbols of the eighteenth degree in freemasonry.

979
01:06:43.599 --> 01:06:43.760
<v Speaker 1>And.

980
01:06:46.360 --> 01:06:49.599
<v Speaker 2>Again this is really cool. So the eighteenth degree of

981
01:06:49.639 --> 01:06:52.840
<v Speaker 2>Freemasonry is the Knight of the rose Cross. The play

982
01:06:52.880 --> 01:06:55.760
<v Speaker 2>is King Henry the Fifth. Henry the Fifth was the

983
01:06:55.880 --> 01:07:00.800
<v Speaker 2>last king before the War of Roses, and his son

984
01:07:01.519 --> 01:07:04.719
<v Speaker 2>Presided was the king of England during the War of Roses.

985
01:07:05.159 --> 01:07:08.079
<v Speaker 2>So the degree symbols are the rose cross, the Pelican

986
01:07:08.599 --> 01:07:12.920
<v Speaker 2>equal sacrifice, the eagle which the eagles vision, the lamb

987
01:07:12.920 --> 01:07:16.880
<v Speaker 2>in seven seals, and red and white and the way

988
01:07:16.920 --> 01:07:20.079
<v Speaker 2>you find those. In the play, Henry repeatedly cast himself

989
01:07:20.079 --> 01:07:23.679
<v Speaker 2>as the sacrificial leader bearing the sins of his army.

990
01:07:23.760 --> 01:07:27.559
<v Speaker 2>His transformation from how is a rose cross resurrection and

991
01:07:27.679 --> 01:07:30.639
<v Speaker 2>Asian court is framed as the red and white miracle.

992
01:07:31.679 --> 01:07:34.800
<v Speaker 2>And then that proverb. This is where the proverbs start

993
01:07:34.840 --> 01:07:37.679
<v Speaker 2>to get a little bit more on the nose, even

994
01:07:42.800 --> 01:07:49.559
<v Speaker 2>eighteen he this is again sixty nine page I'm sorry.

995
01:07:50.400 --> 01:07:55.280
<v Speaker 2>Play starts on page sixty nine. The proverb, the sixty

996
01:07:55.400 --> 01:08:00.599
<v Speaker 2>ninth proverb is he that diligently seeketh good, procure favor,

997
01:08:00.719 --> 01:08:04.280
<v Speaker 2>but he that seeketh mischief it shall come unto him,

998
01:08:04.480 --> 01:08:09.639
<v Speaker 2>alignment with Henry the Fifth. Henry diligently seeks good on

999
01:08:09.719 --> 01:08:12.880
<v Speaker 2>her unity victory the French, and the French or the

1000
01:08:12.920 --> 01:08:17.479
<v Speaker 2>traders seek mischief in return to destroy them. So it's

1001
01:08:17.600 --> 01:08:20.840
<v Speaker 2>kind of it's almost a perfect alignment from virtue, to favor,

1002
01:08:20.880 --> 01:08:29.319
<v Speaker 2>to mischief, to defeat, and then that mapping onto the Kabbala.

1003
01:08:29.119 --> 01:08:31.079
<v Speaker 5>Even on the keystone too from Merito.

1004
01:08:31.800 --> 01:08:38.000
<v Speaker 2>Yeah, and then in Kabbala eighteen the path there is

1005
01:08:38.079 --> 01:08:41.640
<v Speaker 2>represented by the letter pet p e h. The mouth

1006
01:08:41.800 --> 01:08:47.640
<v Speaker 2>or speech the great thing about I love that in

1007
01:08:47.680 --> 01:08:52.039
<v Speaker 2>this play. Do you remember the It's in movies and

1008
01:08:52.079 --> 01:08:57.159
<v Speaker 2>things like that, the famous Shakespearean speech once More onto

1009
01:08:57.199 --> 01:09:01.439
<v Speaker 2>the Breach. It's like a famous like rap like thing.

1010
01:09:02.520 --> 01:09:07.520
<v Speaker 2>The two most famous like monologue like speeches in Shakespearean

1011
01:09:09.239 --> 01:09:12.960
<v Speaker 2>plays are contained within Henry the Fifth this one play.

1012
01:09:13.319 --> 01:09:17.399
<v Speaker 2>So it's the once More into the Breach speech and

1013
01:09:17.439 --> 01:09:20.920
<v Speaker 2>then the Saint Crispin's Day speech. You look any of

1014
01:09:20.920 --> 01:09:23.359
<v Speaker 2>those up. They've been quoted a million times in a

1015
01:09:23.439 --> 01:09:29.199
<v Speaker 2>million movies about war and whatnot, and specifically the path

1016
01:09:29.279 --> 01:09:32.800
<v Speaker 2>in the Kabbalah on that thirty three rung ladder of

1017
01:09:32.840 --> 01:09:42.479
<v Speaker 2>this of this cabalistic system means mouth or speech obviously, speeches,

1018
01:09:42.720 --> 01:09:47.159
<v Speaker 2>power of the word, and the logos thing. Nineteenth degree

1019
01:09:48.199 --> 01:09:53.279
<v Speaker 2>is the degree U. Nineteenth degree is the Grand Pontiff.

1020
01:09:54.159 --> 01:09:57.720
<v Speaker 2>The play that corresponds is Henry the Sixth play summary

1021
01:09:57.800 --> 01:10:02.039
<v Speaker 2>across the Henry the Sixth trilogy, England's fortunes decline abroad

1022
01:10:02.079 --> 01:10:05.119
<v Speaker 2>and at home. Part one shows the loss of France

1023
01:10:05.159 --> 01:10:07.720
<v Speaker 2>and the rise of Joan of Arc and Talbot. Part

1024
01:10:07.760 --> 01:10:12.439
<v Speaker 2>two depicts the escalating factionalism and civil unrest. Part three

1025
01:10:12.479 --> 01:10:15.680
<v Speaker 2>plunges fully into the Wars of the Roses, with brutal

1026
01:10:15.720 --> 01:10:20.239
<v Speaker 2>battles between Lancaster and York culminating in the Shattered Realm

1027
01:10:20.279 --> 01:10:23.359
<v Speaker 2>and the rise of Richard the third. Themes include collapse

1028
01:10:23.359 --> 01:10:26.039
<v Speaker 2>of legitimate authority, the cost of war, the legacy of

1029
01:10:26.079 --> 01:10:31.479
<v Speaker 2>nobility and heroism in masonry. The grand Pond of Degree

1030
01:10:31.520 --> 01:10:37.159
<v Speaker 2>stresses the continuity and influence of the past on the

1031
01:10:37.159 --> 01:10:44.600
<v Speaker 2>present future. The play is all things that result from

1032
01:10:44.720 --> 01:10:48.840
<v Speaker 2>past deeds, the struggle between light and darkness, good and evil,

1033
01:10:48.880 --> 01:10:53.039
<v Speaker 2>the idea that good ultimately triumphs. Mason's responsibility to uplift

1034
01:10:53.119 --> 01:10:57.000
<v Speaker 2>future generations and to think beyond his own era. So

1035
01:10:57.039 --> 01:10:59.960
<v Speaker 2>in the play moral ambiguity and struggle. Henry the City

1036
01:11:00.279 --> 01:11:04.560
<v Speaker 2>is personally devout and gentle but politically weak, while figures

1037
01:11:04.640 --> 01:11:10.760
<v Speaker 2>like Margaret and York display ruthless ambition. The pass shaping

1038
01:11:10.800 --> 01:11:14.359
<v Speaker 2>the future the wars betrayals misjudgments in Henry, the six

1039
01:11:14.800 --> 01:11:19.199
<v Speaker 2>plant the seeds, or for Richard the third, who is

1040
01:11:20.159 --> 01:11:25.399
<v Speaker 2>the next play in the next the next example. The

1041
01:11:25.600 --> 01:11:29.399
<v Speaker 2>entire are echoes of the nineteenth degree insistence that the

1042
01:11:29.439 --> 01:11:32.800
<v Speaker 2>past is never dead. It is the foundation of that

1043
01:11:32.880 --> 01:11:38.920
<v Speaker 2>will be built good or ill. Let's see here, you've

1044
01:11:38.920 --> 01:11:44.520
<v Speaker 2>got the this is cool in the nineteen degree symbols

1045
01:11:44.520 --> 01:11:47.279
<v Speaker 2>and signs that you got a triple cross, the meter,

1046
01:11:47.760 --> 01:11:52.079
<v Speaker 2>the censor, and the crown of stars. The play revolves

1047
01:11:52.079 --> 01:11:57.199
<v Speaker 2>around corrupted spiritual authority, contested legitimacy, and priestly overtones. The

1048
01:11:57.279 --> 01:12:00.600
<v Speaker 2>triple cross tensions appear in the War the Roses. There

1049
01:12:00.640 --> 01:12:06.000
<v Speaker 2>are three overlapping factions in that particular historic conflict. So

1050
01:12:06.039 --> 01:12:09.279
<v Speaker 2>you got those three crosses representing the three parties of

1051
01:12:09.319 --> 01:12:13.279
<v Speaker 2>the War of the Roses. And then Henry the six

1052
01:12:13.520 --> 01:12:18.239
<v Speaker 2>is the metered king. He's pious but ineffective, real quick.

1053
01:12:18.319 --> 01:12:22.560
<v Speaker 2>That proverb righteousness keep his keepeth him that is upright

1054
01:12:22.600 --> 01:12:27.239
<v Speaker 2>in the way. But wickedness overthrow with the sinner. That

1055
01:12:27.319 --> 01:12:33.520
<v Speaker 2>one's pretty self explanatory. The proverbs overthrow is literally the

1056
01:12:33.520 --> 01:12:37.920
<v Speaker 2>War of the Roses. Nineteen We've got resh, which means

1057
01:12:38.000 --> 01:12:50.600
<v Speaker 2>head or leadership, collapse of leadership, chaos of many heads.

1058
01:12:51.680 --> 01:12:55.279
<v Speaker 2>Here we go, and again the more you go through these,

1059
01:12:55.319 --> 01:12:57.680
<v Speaker 2>the more on the nose they get. The twentieth degree

1060
01:12:58.239 --> 01:13:01.840
<v Speaker 2>is the master of the symbolic law. Play that corresponds

1061
01:13:01.840 --> 01:13:06.479
<v Speaker 2>as Richard the Third play summary, Richard of Gloucester schemes, lies,

1062
01:13:06.600 --> 01:13:11.439
<v Speaker 2>murders his way to the throne. His manipulation of appearances, oaths,

1063
01:13:11.479 --> 01:13:14.880
<v Speaker 2>and loyalty creates a reign of terror that ultimately collapses

1064
01:13:15.239 --> 01:13:19.359
<v Speaker 2>and he is defeated by Henry Tudor Henry the Seventh.

1065
01:13:21.039 --> 01:13:25.920
<v Speaker 2>Ruthless ambition, conscience, legitimacy, and divine justice and Masonry. The

1066
01:13:25.960 --> 01:13:29.520
<v Speaker 2>degree focuses on the responsibilities as the master to embody

1067
01:13:29.520 --> 01:13:34.159
<v Speaker 2>and teach truth, justice, and tolerance, the central virtues of leadership,

1068
01:13:34.560 --> 01:13:40.479
<v Speaker 2>restoring Masonry and symbolically any institution to its original purity.

1069
01:13:40.960 --> 01:13:47.319
<v Speaker 2>It's interesting because it ends with a tutor. The end

1070
01:13:47.399 --> 01:13:50.880
<v Speaker 2>of this play, Henry the Seventh, the father of Henry

1071
01:13:50.920 --> 01:13:58.000
<v Speaker 2>the Eighth, who ends up being Elizabeth's father, takes over.

1072
01:13:58.079 --> 01:14:02.439
<v Speaker 2>So this is where it drops from Richard the Third

1073
01:14:02.800 --> 01:14:07.199
<v Speaker 2>and this is exactly where that Maravingian line kicks back in,

1074
01:14:08.640 --> 01:14:12.199
<v Speaker 2>and it's where Bacon at the end of this play.

1075
01:14:12.199 --> 01:14:17.319
<v Speaker 2>What's coming next is bacon, Elizabeth and all that whatnot.

1076
01:14:17.920 --> 01:14:22.600
<v Speaker 2>You've got keys and golden circles that all tie into

1077
01:14:22.640 --> 01:14:27.039
<v Speaker 2>the play. That those are the signs. The proverb the

1078
01:14:27.079 --> 01:14:30.960
<v Speaker 2>beginning strife is as when one leteth out water. Therefore

1079
01:14:31.079 --> 01:14:36.039
<v Speaker 2>leave off contention before it be meddled with warns against tyranny, conflict,

1080
01:14:36.039 --> 01:14:38.680
<v Speaker 2>and moral decay, all the things that got Richard the

1081
01:14:38.760 --> 01:14:43.520
<v Speaker 2>third deposed and the tutors in there. Play begins with

1082
01:14:43.520 --> 01:14:46.399
<v Speaker 2>strife unleashed by Richard. The war the roses let out

1083
01:14:46.439 --> 01:14:50.000
<v Speaker 2>the water that drowns the kingdom. Richard is the archetype

1084
01:14:50.039 --> 01:14:53.800
<v Speaker 2>of the degrees warning, unchecked strife, catastrophic collapse.

1085
01:14:55.840 --> 01:14:59.039
<v Speaker 5>Let's see huge strife, a lot loving strife.

1086
01:14:59.319 --> 01:15:06.720
<v Speaker 2>Yeah, so that Hebrew letter is tav or the seal

1087
01:15:06.960 --> 01:15:14.920
<v Speaker 2>or completion. Henry the seventh, Let's see here. Henry the

1088
01:15:14.960 --> 01:15:19.520
<v Speaker 2>seventh was the son of Edward the third, who was

1089
01:15:19.520 --> 01:15:24.279
<v Speaker 2>a Planta. His wife, Elizabeth of York, was a Plantagenet.

1090
01:15:25.600 --> 01:15:28.760
<v Speaker 2>So that's where the true divine right, like I was saying,

1091
01:15:29.319 --> 01:15:35.399
<v Speaker 2>begins again. And I will skip on to the twenty

1092
01:15:37.239 --> 01:15:42.680
<v Speaker 2>twenty first degree. This one's kind of interesting. I'll just

1093
01:15:42.680 --> 01:15:45.600
<v Speaker 2>go through key things because I know this is a

1094
01:15:45.600 --> 01:15:50.840
<v Speaker 2>lot of me just reading. But so the twenty first

1095
01:15:50.840 --> 01:15:55.159
<v Speaker 2>degree is the Noah Kite or Prussian Knight, and the

1096
01:15:55.239 --> 01:15:59.600
<v Speaker 2>play there is Henry the Eighth. So we're now on

1097
01:15:59.760 --> 01:16:03.600
<v Speaker 2>Toqueen Elizabeth the first Dad. Noah Kite is a non

1098
01:16:03.720 --> 01:16:07.800
<v Speaker 2>Jew who follows the seven noah Hyde laws. So it's

1099
01:16:07.800 --> 01:16:10.239
<v Speaker 2>a non Jew who follows the seven like kind of

1100
01:16:10.319 --> 01:16:18.039
<v Speaker 2>Jewish laws, and it's also embodied. Those seven laws are

1101
01:16:18.079 --> 01:16:24.560
<v Speaker 2>embodied in the lower Sufferer of the Kabbalistic Tree of Life.

1102
01:16:25.159 --> 01:16:27.920
<v Speaker 2>Let's see here. So Henry the Eighth portrays the political

1103
01:16:27.920 --> 01:16:30.920
<v Speaker 2>and personal intrigues of Henry's reign, especially as marriage to

1104
01:16:30.960 --> 01:16:39.079
<v Speaker 2>Amberleyn descendant of Edward the first Plantagenet, includes ambition, religious

1105
01:16:39.119 --> 01:16:46.119
<v Speaker 2>and political change, the personal costs of royal decisions let's

1106
01:16:46.119 --> 01:16:51.399
<v Speaker 2>see here, arrogance and humility, courtesy and dignity. What are

1107
01:16:51.479 --> 01:16:57.960
<v Speaker 2>we on number twenty one? I mean, I can keep

1108
01:16:58.000 --> 01:17:02.960
<v Speaker 2>going through these things, but I love to find some

1109
01:17:03.039 --> 01:17:05.760
<v Speaker 2>of these proverbs that are incredible.

1110
01:17:08.239 --> 01:17:12.279
<v Speaker 1>I was wondering this, Ernie, this is amazing a series

1111
01:17:12.319 --> 01:17:17.359
<v Speaker 1>of correspondences. I was wondering if you'll share the thirty

1112
01:17:17.439 --> 01:17:22.000
<v Speaker 1>three somewhere online, Maybe not the entirety, but just the

1113
01:17:22.039 --> 01:17:24.319
<v Speaker 1>correspondences maybe just in bullet.

1114
01:17:24.239 --> 01:17:26.720
<v Speaker 2>Yeah, that was that was kind of my plan to

1115
01:17:26.760 --> 01:17:29.600
<v Speaker 2>get done before here and be able to like throw

1116
01:17:29.640 --> 01:17:30.680
<v Speaker 2>them up instead of me.

1117
01:17:30.800 --> 01:17:33.800
<v Speaker 1>Just not necessarily for us, but I just mean for

1118
01:17:33.920 --> 01:17:36.880
<v Speaker 1>you and the and other folks that might be interested

1119
01:17:36.960 --> 01:17:41.399
<v Speaker 1>in this, because you really nailed some interesting things. I

1120
01:17:41.439 --> 01:17:41.920
<v Speaker 1>think here.

1121
01:17:42.159 --> 01:17:45.479
<v Speaker 2>Yeah, And it's when I'm not rambling and you're looking

1122
01:17:45.520 --> 01:17:48.479
<v Speaker 2>at this and the work side by side by side

1123
01:17:48.520 --> 01:17:52.319
<v Speaker 2>by side, it's it's a little more incredible than my

1124
01:17:53.279 --> 01:17:58.239
<v Speaker 2>I say, I see the incredibleness of it, because I'm

1125
01:17:58.319 --> 01:17:59.399
<v Speaker 2>sure other people do too.

1126
01:17:59.479 --> 01:18:03.079
<v Speaker 1>But one one thing that this all kinds of kind

1127
01:18:03.159 --> 01:18:08.880
<v Speaker 1>of weaves together, at least in my humble opinion. There's

1128
01:18:09.000 --> 01:18:13.039
<v Speaker 1>there's the masonry, there's the King James Bible, and there's

1129
01:18:13.119 --> 01:18:18.319
<v Speaker 1>the Shakespeare stories. As you're bringing together these and these

1130
01:18:18.359 --> 01:18:23.359
<v Speaker 1>are all, as you pointed out, foundational to our culture today.

1131
01:18:24.640 --> 01:18:31.159
<v Speaker 1>Shakespeare still is so influential to people's mind states. We

1132
01:18:31.199 --> 01:18:35.720
<v Speaker 1>don't even realize it. And and it all makes me

1133
01:18:35.840 --> 01:18:41.399
<v Speaker 1>think because of d and Bacon and their incredibleness and

1134
01:18:41.399 --> 01:18:46.880
<v Speaker 1>and all the weird hidden aspects that they encoded with

1135
01:18:47.000 --> 01:18:52.119
<v Speaker 1>everything and and put forth, all these sometimes wonderful lessons really,

1136
01:18:52.840 --> 01:18:57.560
<v Speaker 1>but it makes it makes me think about in the Republic,

1137
01:18:58.479 --> 01:19:03.760
<v Speaker 1>there is an aspect of of the dialogues where he

1138
01:19:04.520 --> 01:19:07.119
<v Speaker 1>there I forget who was talking, forgive me, but they're

1139
01:19:07.119 --> 01:19:12.479
<v Speaker 1>talking about the ideal nation or city state, and they

1140
01:19:12.560 --> 01:19:14.640
<v Speaker 1>are talking about how there would have to be a

1141
01:19:14.760 --> 01:19:18.800
<v Speaker 1>vanguard and so on, and there would have to be

1142
01:19:20.760 --> 01:19:24.119
<v Speaker 1>a mythos, there would have to be these stories, and

1143
01:19:24.159 --> 01:19:30.279
<v Speaker 1>there would have to be also this religion, and it's

1144
01:19:30.439 --> 01:19:34.720
<v Speaker 1>it's fascinating that all that the three streams, and maybe

1145
01:19:34.720 --> 01:19:40.159
<v Speaker 1>more even but the Masonry, Shakespeare, and King James Bible

1146
01:19:40.319 --> 01:19:43.359
<v Speaker 1>come together right at the same time where there's this

1147
01:19:43.479 --> 01:19:48.279
<v Speaker 1>whole new world and it and in one sense, maybe

1148
01:19:48.279 --> 01:19:51.720
<v Speaker 1>it was just Virginia that they were trying to make

1149
01:19:51.840 --> 01:19:55.279
<v Speaker 1>this their little city state in a sense, as you

1150
01:19:55.359 --> 01:19:59.560
<v Speaker 1>alluded to in the beginning, and more broadly the colonies

1151
01:19:59.600 --> 01:20:02.560
<v Speaker 1>and the new world at large. But it just makes

1152
01:20:02.560 --> 01:20:06.760
<v Speaker 1>me think that they really were trying to do what

1153
01:20:06.840 --> 01:20:09.840
<v Speaker 1>was put forth in the Republic, and you're finding this

1154
01:20:10.000 --> 01:20:11.920
<v Speaker 1>stream that really hits on it.

1155
01:20:11.960 --> 01:20:15.720
<v Speaker 2>And then later echoed in Francis Bacon's short story The

1156
01:20:15.760 --> 01:20:18.560
<v Speaker 2>New Atlantis. I mean, I think that that the New

1157
01:20:18.600 --> 01:20:24.039
<v Speaker 2>Atlantis has become almost old hat in conspiracy circles because

1158
01:20:24.039 --> 01:20:29.159
<v Speaker 2>it's just the same old points have been have been

1159
01:20:29.199 --> 01:20:32.640
<v Speaker 2>brought up for decades about the New Atlantis. But it

1160
01:20:32.720 --> 01:20:37.840
<v Speaker 2>really is what this country ended up being. And if

1161
01:20:37.880 --> 01:20:42.000
<v Speaker 2>you really look at this, it really truly reads like

1162
01:20:42.520 --> 01:20:47.560
<v Speaker 2>the Bacons or these Maravengians, this idea for this this

1163
01:20:47.680 --> 01:20:50.439
<v Speaker 2>re public because they kept trying it. I mean, the

1164
01:20:51.399 --> 01:20:55.479
<v Speaker 2>Mayravngians start in one area and they move all over Europe,

1165
01:20:55.960 --> 01:20:59.119
<v Speaker 2>they move into Scotland, they move into you know, throughout

1166
01:20:59.800 --> 01:21:03.000
<v Speaker 2>the connected bloodlines. They move everywhere, and they change things

1167
01:21:03.000 --> 01:21:06.600
<v Speaker 2>a little bit, even down to Henry the Eighth splitting

1168
01:21:06.720 --> 01:21:11.279
<v Speaker 2>away from the Roman Catholic Empire, right, and then that

1169
01:21:11.720 --> 01:21:14.720
<v Speaker 2>the Anglican Church ends up being the same kind of

1170
01:21:14.760 --> 01:21:18.800
<v Speaker 2>oppressive force that the Holy Roman Empire was in England

1171
01:21:19.680 --> 01:21:22.119
<v Speaker 2>to the Catholics who end up being in in England.

1172
01:21:22.399 --> 01:21:25.520
<v Speaker 2>They oppressed them the same way the Catholics were oppressing

1173
01:21:25.560 --> 01:21:30.840
<v Speaker 2>these this this upstart kind of Protestant Protestantism. And then

1174
01:21:32.199 --> 01:21:35.520
<v Speaker 2>these Puritans and Calvinists come over to the New World,

1175
01:21:36.319 --> 01:21:39.960
<v Speaker 2>and so it feels like they're just jumping out of

1176
01:21:40.000 --> 01:21:46.239
<v Speaker 2>these places that are a little you know, once their

1177
01:21:46.359 --> 01:21:50.960
<v Speaker 2>their enlightenment ideals get like kind of exposed for not

1178
01:21:51.079 --> 01:21:54.399
<v Speaker 2>being in line with the church or or or culture

1179
01:21:54.439 --> 01:21:57.479
<v Speaker 2>at the time. You know, it's like the it's like

1180
01:21:57.520 --> 01:22:01.840
<v Speaker 2>the templars who who factor into this as well. Once

1181
01:22:01.920 --> 01:22:06.439
<v Speaker 2>they once you know, they become too powerful and maybe

1182
01:22:06.479 --> 01:22:08.720
<v Speaker 2>their ideas are a little bit too enlightened. All of

1183
01:22:08.760 --> 01:22:12.600
<v Speaker 2>a sudden, the Pope and the French king want them gone.

1184
01:22:13.039 --> 01:22:16.760
<v Speaker 2>You know, where do they go. They go to Scotland

1185
01:22:17.159 --> 01:22:21.560
<v Speaker 2>and hang out with the precursor to the Bruce Klan

1186
01:22:22.319 --> 01:22:27.680
<v Speaker 2>and help the Bruce Klan win the independence of Scotland

1187
01:22:27.760 --> 01:22:33.319
<v Speaker 2>from England, who at the time was Catholic. And they

1188
01:22:33.359 --> 01:22:39.000
<v Speaker 2>even Scotland at that time gets like excommunicator. Bishops get

1189
01:22:39.000 --> 01:22:42.720
<v Speaker 2>excommunicated from the Catholic Church. So actually, when Henry the

1190
01:22:42.720 --> 01:22:45.560
<v Speaker 2>Eighth just a short time later split from the Catholic Church,

1191
01:22:46.199 --> 01:22:49.119
<v Speaker 2>Scotland was like, well, we've been split for a while,

1192
01:22:49.720 --> 01:22:52.119
<v Speaker 2>but I don't need to go through it like any

1193
01:22:52.119 --> 01:22:52.960
<v Speaker 2>more questions.

1194
01:22:53.000 --> 01:22:58.359
<v Speaker 8>But like, this is kind of another question, and I

1195
01:22:58.399 --> 01:23:00.279
<v Speaker 8>would ask you to do one more.

1196
01:23:00.119 --> 01:23:05.720
<v Speaker 1>Or because I I'm maybe a plain Jane of the

1197
01:23:05.760 --> 01:23:09.880
<v Speaker 1>Shakespearean world. I like Macbeth, and I also.

1198
01:23:09.640 --> 01:23:14.840
<v Speaker 2>Think, oh, yeah, yeah, I'm still in the twenties here.

1199
01:23:14.920 --> 01:23:20.319
<v Speaker 2>Let me let me yeah, what is the number of Macbeth?

1200
01:23:20.399 --> 01:23:21.720
<v Speaker 1>And could you break that one down?

1201
01:23:22.439 --> 01:23:26.399
<v Speaker 2>Yeah? And Romeo and Julia it's a really good one too,

1202
01:23:27.520 --> 01:23:36.560
<v Speaker 2>Tim and no Athens, Julius Caesar and let Macbeth. Macbeth

1203
01:23:36.640 --> 01:23:39.279
<v Speaker 2>is twenty eight. So it's a twenty eighth degree Knight

1204
01:23:39.399 --> 01:23:42.159
<v Speaker 2>of the Sun or the Prince Adept. This is where

1205
01:23:42.199 --> 01:23:44.399
<v Speaker 2>they get really cool too. Man, all right, so the

1206
01:23:44.399 --> 01:23:48.239
<v Speaker 2>play Summery. Spurred by a prophecy that his wife's and

1207
01:23:48.319 --> 01:23:52.760
<v Speaker 2>his wife's urging, Macbeth murders King Duncan and seizes the

1208
01:23:52.760 --> 01:23:56.359
<v Speaker 2>Scottish throne. Haunted by guilt and driven by paranoia, he

1209
01:23:56.399 --> 01:24:02.159
<v Speaker 2>commits further atrocities until he's overthrown and killed. Themes ambition, prophecy,

1210
01:24:02.399 --> 01:24:06.520
<v Speaker 2>moral corruption, and the overturning of natural order in masonry.

1211
01:24:06.640 --> 01:24:08.760
<v Speaker 2>The twenty eighth degree Night of the Sun or Prince

1212
01:24:08.800 --> 01:24:15.119
<v Speaker 2>adapt involves universalism, intolerance, deep esoteric and symbolic study of alchemy,

1213
01:24:15.199 --> 01:24:19.800
<v Speaker 2>kabbala and cosmology, the pursuit of inter illumination the sun

1214
01:24:19.880 --> 01:24:25.520
<v Speaker 2>within duties of reflection, work, prayer, hope, and teaching hidden truths.

1215
01:24:26.039 --> 01:24:29.359
<v Speaker 2>So the way that's represented in the play obviously the

1216
01:24:29.359 --> 01:24:33.640
<v Speaker 2>occult and esoteric themes, and that's the whole boil, boil,

1217
01:24:34.199 --> 01:24:41.479
<v Speaker 2>whatever and toil. You know, the witch scene, which is visions,

1218
01:24:41.479 --> 01:24:47.760
<v Speaker 2>prophetic apparitions saturate Macbeth, making it Shakespeare's most overtly occult

1219
01:24:47.840 --> 01:24:52.079
<v Speaker 2>tragedy or other than a midsommer Night's Dream. I think

1220
01:24:52.119 --> 01:24:55.359
<v Speaker 2>it's the most overtly occult play that he has. This

1221
01:24:55.479 --> 01:24:58.399
<v Speaker 2>aligns with the twenty eighth degrees, fascination with the unseen

1222
01:24:58.439 --> 01:25:03.079
<v Speaker 2>and the symbolic reverted quest for secret knowledge. Macbeth, like

1223
01:25:03.720 --> 01:25:07.279
<v Speaker 2>a twisted adept, seeks advancement by violent shortcuts rather than

1224
01:25:07.720 --> 01:25:11.439
<v Speaker 2>genuine enlightenment, similar to those who in Masonic legends seek

1225
01:25:11.479 --> 01:25:15.920
<v Speaker 2>the master secrets through murder. The Highromabyff story. Also, the

1226
01:25:15.960 --> 01:25:19.560
<v Speaker 2>thing you'll notice too in this mapping is that again

1227
01:25:19.680 --> 01:25:23.319
<v Speaker 2>those those those first degrees, it's a little less weight

1228
01:25:23.479 --> 01:25:26.359
<v Speaker 2>on them. They're a little less heavy. But you also

1229
01:25:26.479 --> 01:25:31.039
<v Speaker 2>notice in the first degrees that they are allegory for

1230
01:25:31.119 --> 01:25:33.520
<v Speaker 2>how you should be. And then when once you get

1231
01:25:33.560 --> 01:25:37.199
<v Speaker 2>to the tragedies, that switch. At the same time the

1232
01:25:37.239 --> 01:25:43.359
<v Speaker 2>degrees change. They all become tales of like warning all

1233
01:25:43.399 --> 01:25:46.479
<v Speaker 2>the plays are don't do this, don't be like this,

1234
01:25:47.279 --> 01:25:50.239
<v Speaker 2>you know what I mean? So all the all the

1235
01:25:50.239 --> 01:25:59.279
<v Speaker 2>the the So the first fourteen degrees are the comedies.

1236
01:25:59.319 --> 01:26:02.760
<v Speaker 2>The first fourteen plays, I'm sorry, the first fourteen plays

1237
01:26:02.760 --> 01:26:06.079
<v Speaker 2>are the comedies. The first fourteen degrees are the ineffable degrees,

1238
01:26:06.600 --> 01:26:10.760
<v Speaker 2>and then it switches to the chivalric and religious degrees

1239
01:26:10.800 --> 01:26:13.119
<v Speaker 2>after that. And once you get to the chivalric and

1240
01:26:13.159 --> 01:26:18.319
<v Speaker 2>religious degrees, that's when you start getting these these cautionary

1241
01:26:18.560 --> 01:26:21.199
<v Speaker 2>All the plays are like cautionary. Don't be like Macbeth,

1242
01:26:21.319 --> 01:26:25.560
<v Speaker 2>don't be like Romeo and Juliet, don't be like Richard

1243
01:26:25.600 --> 01:26:32.479
<v Speaker 2>the Third and whatnot. But within the let me see,

1244
01:26:32.560 --> 01:26:37.479
<v Speaker 2>that's number twenty eight. So if we go to morals

1245
01:26:37.479 --> 01:26:41.520
<v Speaker 2>and dogma, the signs and symbols of the degree listed

1246
01:26:41.600 --> 01:26:44.960
<v Speaker 2>or the Sun, the zodiac wheel, the seven rays, and

1247
01:26:45.239 --> 01:26:51.239
<v Speaker 2>esoteric hermetic signs, and Macbeth attempts to control fate itself,

1248
01:26:52.640 --> 01:26:55.880
<v Speaker 2>sort of brushing up against the zodiac. The wis the

1249
01:26:55.920 --> 01:26:59.720
<v Speaker 2>witches invoke hermetic and planetary forces light versus darkness, which

1250
01:26:59.760 --> 01:27:04.920
<v Speaker 2>is the sun imagery which matches to the symbols in

1251
01:27:04.960 --> 01:27:10.760
<v Speaker 2>that degree and its central tension that proverb. If I'm

1252
01:27:10.800 --> 01:27:15.520
<v Speaker 2>not mistaken, it's a good one too. Let's see here.

1253
01:27:16.600 --> 01:27:20.199
<v Speaker 2>Wealth gotten, yeah, this is perfect. Wealth gotten by vanity

1254
01:27:20.239 --> 01:27:24.159
<v Speaker 2>shall be diminished, but he that gathered by labor shall increase.

1255
01:27:24.960 --> 01:27:29.199
<v Speaker 2>He literally kills the king and takes over his kingdom.

1256
01:27:29.720 --> 01:27:35.479
<v Speaker 2>So vanity decline, true labor increase. Macbeth's kingship equals vanity

1257
01:27:35.560 --> 01:27:40.479
<v Speaker 2>seized unlawfully. Macbeth gains a crown by vanity, murder and prophecy.

1258
01:27:41.720 --> 01:27:47.960
<v Speaker 2>His reign diminishes instantly, just like the proverb says. Malcolm

1259
01:27:48.000 --> 01:27:54.279
<v Speaker 2>and McDuff represent lawful labor, a flawless symbolic match the

1260
01:27:54.319 --> 01:27:59.239
<v Speaker 2>proverbs warning is mith Beck's whole arc, and.

1261
01:27:59.199 --> 01:28:02.880
<v Speaker 1>Then using that correspondence is so.

1262
01:28:04.079 --> 01:28:08.880
<v Speaker 2>And it as I mean it, it gets ridiculous. Here

1263
01:28:08.880 --> 01:28:13.399
<v Speaker 2>we go. The path in the thirty three Pathways of

1264
01:28:13.479 --> 01:28:19.479
<v Speaker 2>the Kabbala is nun or none, which is death and continuity.

1265
01:28:20.520 --> 01:28:24.920
<v Speaker 2>Death pursues, the wicked death, fate cycles, darkness, sorcery. That's

1266
01:28:25.199 --> 01:28:30.359
<v Speaker 2>what's encompassed in that. Let's go back one because this

1267
01:28:30.439 --> 01:28:34.560
<v Speaker 2>one's really cool too, am I right?

1268
01:28:35.359 --> 01:28:36.720
<v Speaker 6>The one thing I do want to say, I just

1269
01:28:36.760 --> 01:28:38.359
<v Speaker 6>want to add like I don't sobody how to answer

1270
01:28:38.399 --> 01:28:41.399
<v Speaker 6>like at the beginning of the show about rituals being

1271
01:28:41.479 --> 01:28:43.000
<v Speaker 6>like plays or anything, and I was like, yeah, I

1272
01:28:43.039 --> 01:28:44.079
<v Speaker 6>think you know kind of they are.

1273
01:28:44.159 --> 01:28:46.000
<v Speaker 5>From my experience, you.

1274
01:28:45.840 --> 01:28:47.520
<v Speaker 2>Can run them out like that. Yeah.

1275
01:28:47.960 --> 01:28:52.760
<v Speaker 6>But even from my experience with the OTO, thinking about

1276
01:28:52.840 --> 01:28:55.520
<v Speaker 6>taking some of the initiations, well, any of the ones

1277
01:28:55.560 --> 01:28:59.239
<v Speaker 6>I did, they were fucking long and drawn out, like yeah, well,

1278
01:28:59.319 --> 01:29:01.960
<v Speaker 6>I mean you could be answering and saying stuff to

1279
01:29:02.000 --> 01:29:03.079
<v Speaker 6>multiple people around you.

1280
01:29:03.159 --> 01:29:08.000
<v Speaker 2>It's just like, yeah, all the Masonic rites, Yeah.

1281
01:29:07.600 --> 01:29:09.520
<v Speaker 6>They all give you a context of like kind of

1282
01:29:09.560 --> 01:29:11.439
<v Speaker 6>like where you are and what's going on. You can

1283
01:29:11.439 --> 01:29:13.319
<v Speaker 6>figure it out from what people say.

1284
01:29:14.000 --> 01:29:19.039
<v Speaker 2>Yeah, yeah, it's I It's kind of been clear to

1285
01:29:19.079 --> 01:29:20.680
<v Speaker 2>me in the back of my head that this could

1286
01:29:20.760 --> 01:29:24.560
<v Speaker 2>be the case, but I never thought it would, you know,

1287
01:29:25.039 --> 01:29:30.720
<v Speaker 2>stack up the way the way that it did. This

1288
01:29:30.720 --> 01:29:37.359
<v Speaker 2>this one here, twenty four is Titus Andronicus. This is

1289
01:29:37.399 --> 01:29:40.159
<v Speaker 2>the one that I was talking about with the tongue

1290
01:29:40.479 --> 01:29:45.439
<v Speaker 2>being cut out. Plot summary. Roman general Titus Andronicus returns

1291
01:29:45.520 --> 01:29:52.199
<v Speaker 2>victorious and sacrifices a Goth princess, sparking a revenge spiral

1292
01:29:52.279 --> 01:29:56.000
<v Speaker 2>between his family and Tamora, queen of the Goths. The

1293
01:29:56.079 --> 01:29:59.640
<v Speaker 2>play is famously violent and depicts mutilation, rape and murder

1294
01:29:59.680 --> 01:30:04.199
<v Speaker 2>as revenge escalates without limit. The degree Prince of the

1295
01:30:04.239 --> 01:30:09.840
<v Speaker 2>Tabernacle number twenty four focuses on divine omnipresence, the immortality

1296
01:30:09.880 --> 01:30:13.199
<v Speaker 2>of the soul, serving God, country and brethren, faith and

1297
01:30:13.279 --> 01:30:18.279
<v Speaker 2>divine justice and spiritual reward. Apparent absence of the divine justice.

1298
01:30:18.399 --> 01:30:21.920
<v Speaker 2>Characters shoot, characters shoot arrows with pleas to the gods,

1299
01:30:21.920 --> 01:30:25.760
<v Speaker 2>but no visible divine intervention arrives revenge instead of faith.

1300
01:30:27.560 --> 01:30:34.800
<v Speaker 2>Let's see here the signs altar, which is crazy. He

1301
01:30:35.239 --> 01:30:40.239
<v Speaker 2>sacrifices in the play. He sacrifices a Goth princess on

1302
01:30:40.319 --> 01:30:45.239
<v Speaker 2>an altar. The symbols of that particular degree in freemasonry.

1303
01:30:45.239 --> 01:30:49.119
<v Speaker 2>The very first one is an altar cherubim, flaming sword,

1304
01:30:49.640 --> 01:30:54.000
<v Speaker 2>veil of sanctuary. Titus is the grim priest of vengeance,

1305
01:30:54.079 --> 01:30:58.199
<v Speaker 2>the killing of Lavinia. They have this big feast of revenge.

1306
01:30:58.319 --> 01:31:06.399
<v Speaker 2>Alter sacrifices, flaming sword symbolizing earth fits the brutality. See

1307
01:31:06.439 --> 01:31:16.600
<v Speaker 2>what that proverb ish proverb is gonna be the mouth

1308
01:31:16.640 --> 01:31:20.039
<v Speaker 2>of the just, bring us forth wisdom, But the fraward

1309
01:31:20.239 --> 01:31:24.359
<v Speaker 2>tongue shall be cut out. The degree teaches the divine

1310
01:31:24.479 --> 01:31:28.880
<v Speaker 2>order exist even when unseen. The frawered tongue describes the

1311
01:31:28.920 --> 01:31:34.399
<v Speaker 2>gos Saturnius, Tamora and Aaron Rome's mouth of the just.

1312
01:31:35.560 --> 01:31:42.439
<v Speaker 2>Mutilated tongues literally become symbols in Lavinia's mutilation. That's his daughter.

1313
01:31:42.479 --> 01:31:46.600
<v Speaker 2>They cut her, cut her tongue out. Proverbs imagery manifests

1314
01:31:46.600 --> 01:31:52.399
<v Speaker 2>literally in the play speech mutilation, justice, and divine silence.

1315
01:31:54.720 --> 01:31:59.199
<v Speaker 2>And then I'll do Romeo and Juliet because that one's

1316
01:31:59.319 --> 01:32:06.640
<v Speaker 2>pretty wild. Two fuck, I'll find it real quick. But

1317
01:32:07.119 --> 01:32:10.239
<v Speaker 2>now you know what Antony and Cleopatra. That's the thirty

1318
01:32:10.239 --> 01:32:13.720
<v Speaker 2>second degree. So that is the highest degree in Scottish

1319
01:32:13.800 --> 01:32:16.640
<v Speaker 2>Rite freemasonry other than the thirty third degree, which you

1320
01:32:16.680 --> 01:32:21.520
<v Speaker 2>can only be invited to. It's an honorary degree. So

1321
01:32:22.479 --> 01:32:25.479
<v Speaker 2>thirty second degree Master of the Royal secret And that's

1322
01:32:25.920 --> 01:32:31.039
<v Speaker 2>that's Antony and Cleopatra. Play Summarymark Antony, one of the

1323
01:32:31.079 --> 01:32:33.720
<v Speaker 2>three rulers of Rome, is torn between his duty to

1324
01:32:33.800 --> 01:32:38.640
<v Speaker 2>Rome and his love for Cleopatra, Queen of Egypt. Political

1325
01:32:38.720 --> 01:32:43.039
<v Speaker 2>tensions with Octavius Caesar escalate into war. Antony and Cleopatra's

1326
01:32:43.159 --> 01:32:47.560
<v Speaker 2>choices lead to defeat and their suicides. The themes are love, duty,

1327
01:32:47.640 --> 01:32:50.880
<v Speaker 2>East versus West, public versus private, identity, and the nature

1328
01:32:50.880 --> 01:33:00.840
<v Speaker 2>of greatness. You've got in masonry, the royal secret of equilibrium,

1329
01:33:00.920 --> 01:33:05.319
<v Speaker 2>the balance of opposing forces, justice versus mercy, reason verse passion,

1330
01:33:05.720 --> 01:33:10.319
<v Speaker 2>spirit versus matter, harmony between heavenly and earthly duties, understanding

1331
01:33:10.359 --> 01:33:17.119
<v Speaker 2>the true sovereignty is innermastery and not just external. Uh literally,

1332
01:33:17.960 --> 01:33:21.159
<v Speaker 2>the East and the West as opposites Roman Egypt, love

1333
01:33:21.159 --> 01:33:26.199
<v Speaker 2>and duty. Antony's downfall is a Roman who who chooses

1334
01:33:26.279 --> 01:33:32.319
<v Speaker 2>love over duty to his country, transfiguration and death. In

1335
01:33:32.399 --> 01:33:36.039
<v Speaker 2>the final scenes, Cleopatra reimagines Antony and herself in an

1336
01:33:36.079 --> 01:33:44.600
<v Speaker 2>almost mythic cosmic terms. Let's see, that's thirty two. So

1337
01:33:44.680 --> 01:33:47.479
<v Speaker 2>the sign the signs and symbols are really interesting in

1338
01:33:47.520 --> 01:33:55.199
<v Speaker 2>this one. You've got a skull, a black dagger, a

1339
01:33:55.239 --> 01:33:57.800
<v Speaker 2>Teutonic cross. Oh wait, no, that's not I'm in the

1340
01:33:57.800 --> 01:34:00.960
<v Speaker 2>wrong one. Uh here it is a bubble headed eagle,

1341
01:34:01.279 --> 01:34:06.399
<v Speaker 2>a globe, a crown, black and white reconciliation. Literally, Antony

1342
01:34:06.399 --> 01:34:10.359
<v Speaker 2>and Cleopatra are I just this just kind of hit me.

1343
01:34:10.880 --> 01:34:15.359
<v Speaker 2>The black and white reconciliation. You literally have a white

1344
01:34:15.479 --> 01:34:21.640
<v Speaker 2>Roman guy and you've got this this Egyptian princess. Antony

1345
01:34:21.680 --> 01:34:24.960
<v Speaker 2>and Cleopatra are literally two heads on one imperial body.

1346
01:34:25.239 --> 01:34:29.520
<v Speaker 2>And think about the very first symbol in this degree

1347
01:34:29.520 --> 01:34:33.199
<v Speaker 2>of freemasonry is a two headed eagle. Their fates turned

1348
01:34:33.840 --> 01:34:36.520
<v Speaker 2>on control of the globe. The double eagle, symbol of

1349
01:34:36.640 --> 01:34:53.039
<v Speaker 2>unity and duality, fits them both perfectly. Thirty two, you've

1350
01:34:53.239 --> 01:34:56.520
<v Speaker 2>got proverb the rich rule over the poor, and the

1351
01:34:56.560 --> 01:34:58.840
<v Speaker 2>bar is the servant to the lender of the degree.

1352
01:34:59.600 --> 01:35:04.159
<v Speaker 2>Antony borrows Caesar's political stability becomes servant to Rome. Cleopatra

1353
01:35:04.359 --> 01:35:09.159
<v Speaker 2>borrow's Antony's power becomes servant to passion. H Rome rules

1354
01:35:09.159 --> 01:35:13.439
<v Speaker 2>the poor. The proverb reflects ps psychological, political, and karmic

1355
01:35:13.560 --> 01:35:23.399
<v Speaker 2>debts at the heart of the play. Yeah, and then

1356
01:35:23.439 --> 01:35:28.520
<v Speaker 2>here we go. The uh cough is the cabalistic path,

1357
01:35:28.920 --> 01:35:33.119
<v Speaker 2>holiness or back of the head, the unseen, unseen motives,

1358
01:35:33.159 --> 01:35:38.439
<v Speaker 2>hidden passion, rule, destiny Othello's a really crazy one too,

1359
01:35:38.560 --> 01:35:48.880
<v Speaker 2>that that degree and play are all about judging. I'll

1360
01:35:48.920 --> 01:35:51.399
<v Speaker 2>just read it. I got it right. Here, do one,

1361
01:35:51.560 --> 01:35:53.399
<v Speaker 2>I'll do one more, and then I'll shut my eye.

1362
01:35:55.600 --> 01:35:59.880
<v Speaker 2>Uh let's see here. Yeah, thirty first degree is the

1363
01:36:00.039 --> 01:36:06.119
<v Speaker 2>inspector inquisitor Athello, the plot summary. Othello, a Morris general

1364
01:36:06.159 --> 01:36:12.680
<v Speaker 2>in Venetian service, secretly marries Desdemona. His ensign Iago drives,

1365
01:36:13.039 --> 01:36:17.199
<v Speaker 2>driven by envy and malice, manipulates events to convince Othello

1366
01:36:17.319 --> 01:36:23.159
<v Speaker 2>that Desdemona is unfaithful. Consumed by jealousy, Othello kills Desdemona

1367
01:36:24.199 --> 01:36:29.199
<v Speaker 2>and then himself when the truth is revealed. Trust, jealousy, race, manipulation,

1368
01:36:29.359 --> 01:36:34.760
<v Speaker 2>and the tragedy of misjudgment. In Masonry, the inspector inquisitor.

1369
01:36:36.560 --> 01:36:40.319
<v Speaker 2>This degree concerns moral self judgment and inner tribunal of

1370
01:36:40.359 --> 01:36:46.159
<v Speaker 2>conscious conscience, the duty to investigate motives with fairness and impartiality.

1371
01:36:46.680 --> 01:36:49.520
<v Speaker 2>He marks his wife because some dude told him some

1372
01:36:49.640 --> 01:36:53.920
<v Speaker 2>rumors about her banging somebody else. The danger of prejudice,

1373
01:36:54.800 --> 01:36:57.880
<v Speaker 2>I mean literally, Othello is the only like, hey, here's

1374
01:36:57.880 --> 01:36:59.720
<v Speaker 2>a black guy and a white woman play. I mean

1375
01:36:59.760 --> 01:37:03.640
<v Speaker 2>that is unheard of for that time, but for then

1376
01:37:03.760 --> 01:37:08.560
<v Speaker 2>the the the Masonic degree to literally deal in in

1377
01:37:08.680 --> 01:37:12.800
<v Speaker 2>danger of prejudice, rash judgment, and Brian credulity, and the

1378
01:37:12.880 --> 01:37:19.359
<v Speaker 2>need to balance justice with mercy. That that one's pretty

1379
01:37:19.399 --> 01:37:22.119
<v Speaker 2>my mind blowing. The proverb is uh.

1380
01:37:22.720 --> 01:37:25.520
<v Speaker 4>Who's so has been one of my favorite plays.

1381
01:37:25.880 --> 01:37:28.399
<v Speaker 2>It's great I've seen that two or three times, and

1382
01:37:28.439 --> 01:37:33.640
<v Speaker 2>it's always one of the best. Whoso keepeth his mouth

1383
01:37:33.680 --> 01:37:36.920
<v Speaker 2>and his tongue keepeth his soul from troubles. The degree

1384
01:37:36.960 --> 01:37:41.079
<v Speaker 2>warns against deception and manipulation, and the control of speech

1385
01:37:41.840 --> 01:37:46.279
<v Speaker 2>is a core lesson of that degree matches perfectly with

1386
01:37:46.319 --> 01:37:52.359
<v Speaker 2>the proverb alignment with the play Iago the unkept tongue

1387
01:37:52.439 --> 01:37:57.920
<v Speaker 2>that causes ruin. So literally, within the proverb it talks

1388
01:37:57.920 --> 01:38:02.680
<v Speaker 2>about talking crap and screwing stuff up. Othello fails to

1389
01:38:02.760 --> 01:38:07.119
<v Speaker 2>guard his mind or his speech. Desdemona's innocence is destroyed

1390
01:38:07.159 --> 01:38:11.159
<v Speaker 2>by false words. The proverb literally predicts the tragedy. The

1391
01:38:11.199 --> 01:38:18.800
<v Speaker 2>tongue destroys the soul. And let's see here, Yeah, Othello,

1392
01:38:19.119 --> 01:38:27.359
<v Speaker 2>that is gonna be Zadi or the righteous one. And uh,

1393
01:38:28.800 --> 01:38:31.760
<v Speaker 2>the whole play is righteousness corrupted by deception.

1394
01:38:32.560 --> 01:38:32.920
<v Speaker 5>Uh.

1395
01:38:33.000 --> 01:38:37.840
<v Speaker 2>The inspector inquisitor. Also Othello becomes the inspector inquisitor of

1396
01:38:37.920 --> 01:38:42.399
<v Speaker 2>his wife, judge, jury, and executioner. So that one I

1397
01:38:43.119 --> 01:38:46.479
<v Speaker 2>forgot about that Othello lines up maybe more perfectly than

1398
01:38:46.520 --> 01:38:50.960
<v Speaker 2>any of them Macbeth Hamlet, and it literally goes like

1399
01:38:51.039 --> 01:38:55.159
<v Speaker 2>that as you go down. And then also the thirty

1400
01:38:55.159 --> 01:38:59.000
<v Speaker 2>third degree, which is like this unknown degree. You've got

1401
01:38:59.079 --> 01:39:03.920
<v Speaker 2>the very last play in the Shakespeare folio, Cymbeline, which

1402
01:39:04.000 --> 01:39:07.119
<v Speaker 2>is a play that a lot of people say, yeah,

1403
01:39:07.159 --> 01:39:09.880
<v Speaker 2>whoever wrote it, they all wrote all these, but maybe

1404
01:39:09.920 --> 01:39:14.079
<v Speaker 2>not this one. It seems Simboline seems like off from

1405
01:39:14.800 --> 01:39:18.279
<v Speaker 2>from the rest of them. It's the thirty third degree.

1406
01:39:18.439 --> 01:39:23.159
<v Speaker 2>It's on page three sixty nine. There's a correlation between

1407
01:39:23.199 --> 01:39:29.079
<v Speaker 2>thirty three and three sixty nine. It's I'm sure there's

1408
01:39:29.439 --> 01:39:33.159
<v Speaker 2>I mean, this is just notes. This is more that

1409
01:39:33.239 --> 01:39:35.960
<v Speaker 2>I've typed out, and since I was in high school,

1410
01:39:35.960 --> 01:39:39.439
<v Speaker 2>for God's sakes, there's probably a book in this kind

1411
01:39:39.479 --> 01:39:43.800
<v Speaker 2>of mapping these things together. But there's there's tons more there.

1412
01:39:43.840 --> 01:39:44.600
<v Speaker 2>I'm pretty sure.

1413
01:39:46.479 --> 01:39:48.439
<v Speaker 7>I wonder if it has anything to do with like

1414
01:39:48.520 --> 01:39:49.760
<v Speaker 7>the Keys of Solomon.

1415
01:39:50.720 --> 01:39:56.640
<v Speaker 2>Well, Solomon wrote problem, Yeah, Solomon wrote proverbs and most

1416
01:39:56.680 --> 01:40:01.439
<v Speaker 2>of you know, all a lot of Shakespeare's works deal

1417
01:40:01.520 --> 01:40:06.119
<v Speaker 2>with the Middle Ages, and I believe that's when you know,

1418
01:40:06.319 --> 01:40:09.039
<v Speaker 2>templars are coming back and people are coming back from

1419
01:40:09.279 --> 01:40:11.760
<v Speaker 2>the crusades in the Holy Land. I think that's really

1420
01:40:11.800 --> 01:40:19.039
<v Speaker 2>when Europe got saturated with actual texts from those Middle

1421
01:40:19.079 --> 01:40:25.680
<v Speaker 2>Eastern occult practices and whatnot. That's when all the grimoires

1422
01:40:25.760 --> 01:40:28.760
<v Speaker 2>show up. Now, they don't have anything older than the

1423
01:40:28.760 --> 01:40:33.000
<v Speaker 2>Middle Ages that is publicly known about, but all this

1424
01:40:33.359 --> 01:40:38.039
<v Speaker 2>esoteric wisdom from the East pops up in the Middle

1425
01:40:38.079 --> 01:40:42.479
<v Speaker 2>Ages and starts being practiced like in earnest and it

1426
01:40:42.640 --> 01:40:45.000
<v Speaker 2>just so happens that coincides with the end of the

1427
01:40:46.439 --> 01:40:53.199
<v Speaker 2>Crusades and the end of the Templars. So yeah, any

1428
01:40:53.279 --> 01:40:55.399
<v Speaker 2>questions anymore.

1429
01:40:55.359 --> 01:41:00.720
<v Speaker 1>Well, fascinating stuff. I just think those the miss ordered

1430
01:41:00.840 --> 01:41:07.920
<v Speaker 1>numbers are definitely interpret uh, presenting something uh with with

1431
01:41:07.960 --> 01:41:10.359
<v Speaker 1>what I've seen. The hints as far as like they

1432
01:41:10.439 --> 01:41:17.279
<v Speaker 1>left behind in relation to geometry and numerology kind of

1433
01:41:17.279 --> 01:41:20.479
<v Speaker 1>are what led people to go, Wait, Shakespeare is not real,

1434
01:41:20.560 --> 01:41:21.279
<v Speaker 1>it was this guy.

1435
01:41:21.399 --> 01:41:22.239
<v Speaker 2>It was these.

1436
01:41:23.079 --> 01:41:26.039
<v Speaker 1>So I'm sure I would bet anyway that those page

1437
01:41:26.119 --> 01:41:30.520
<v Speaker 1>numbers are communicating something. And I wonder maybe if they're

1438
01:41:30.920 --> 01:41:34.680
<v Speaker 1>it's as simple as possibly with the Fibonacci sequence.

1439
01:41:36.439 --> 01:41:43.600
<v Speaker 2>It's not close. It's actually close like the I was.

1440
01:41:43.760 --> 01:41:46.159
<v Speaker 2>I was thinking it off by like a number here

1441
01:41:46.279 --> 01:41:46.640
<v Speaker 2>or there.

1442
01:41:46.720 --> 01:41:51.279
<v Speaker 8>It's weird, okay, interesting. I was wondering, Yeah, if they

1443
01:41:51.319 --> 01:41:56.640
<v Speaker 8>were each kind of their own little cipher related to

1444
01:41:56.720 --> 01:41:59.239
<v Speaker 8>something too, that they come together.

1445
01:41:59.439 --> 01:42:04.800
<v Speaker 2>Uh, so I have I have a theory, and again

1446
01:42:04.880 --> 01:42:09.159
<v Speaker 2>I'm not mathematically minded to take it all the way,

1447
01:42:09.199 --> 01:42:11.079
<v Speaker 2>and I'd like to find somebody who could work with me.

1448
01:42:13.319 --> 01:42:16.000
<v Speaker 2>And I haven't found where anybody's ever ever tried to

1449
01:42:16.039 --> 01:42:18.920
<v Speaker 2>do it. But in the book The New Atlantis by

1450
01:42:19.159 --> 01:42:24.159
<v Speaker 2>Francis Bacon, it's almost unreadable because the amount of numbers

1451
01:42:24.199 --> 01:42:27.760
<v Speaker 2>that are listed in it, like it's like all numbers.

1452
01:42:27.800 --> 01:42:30.399
<v Speaker 2>It's like there were eight men and they were on

1453
01:42:30.479 --> 01:42:32.680
<v Speaker 2>two boats, and they rowed out to us, and they

1454
01:42:32.720 --> 01:42:35.279
<v Speaker 2>stayed five hundred feet away, and they asked us how

1455
01:42:35.319 --> 01:42:37.439
<v Speaker 2>many were on the boat, and we told them fifty.

1456
01:42:37.560 --> 01:42:40.640
<v Speaker 2>And they put are sick in two rooms, and they

1457
01:42:40.680 --> 01:42:44.439
<v Speaker 2>put us in seventeen rooms. And I mean, the whole

1458
01:42:44.520 --> 01:42:46.439
<v Speaker 2>it's almost unreadable because of it.

1459
01:42:46.640 --> 01:42:48.039
<v Speaker 4>That's exactly how it is.

1460
01:42:48.119 --> 01:42:51.479
<v Speaker 7>It's like exhausting, and it's like, what the fuck is

1461
01:42:51.520 --> 01:42:52.840
<v Speaker 7>this supposed to mean?

1462
01:42:54.239 --> 01:42:57.560
<v Speaker 2>So I took I went through that book and I

1463
01:42:57.600 --> 01:43:03.640
<v Speaker 2>recorded every number in order and ran it through an

1464
01:43:03.640 --> 01:43:09.000
<v Speaker 2>AI program just to see if there was anything anything there.

1465
01:43:09.640 --> 01:43:12.560
<v Speaker 2>And I mean and I ran it through like three

1466
01:43:12.600 --> 01:43:16.880
<v Speaker 2>different AI programs and they all each one said yes,

1467
01:43:16.880 --> 01:43:21.159
<v Speaker 2>there's something here. The markers for a code are are here?

1468
01:43:21.199 --> 01:43:24.760
<v Speaker 2>And then when I plugged in, hey, what about like

1469
01:43:24.880 --> 01:43:28.640
<v Speaker 2>Baconian code because he had specific ciphers like the Baconian

1470
01:43:28.680 --> 01:43:35.039
<v Speaker 2>cipher that he he created himself. And then when I

1471
01:43:35.079 --> 01:43:38.079
<v Speaker 2>did that, all of them were like, well, yeah, you

1472
01:43:38.159 --> 01:43:40.079
<v Speaker 2>have to do this, and then they want to run

1473
01:43:40.119 --> 01:43:43.960
<v Speaker 2>all these It just goes beyond my capability. But there's

1474
01:43:44.039 --> 01:43:48.600
<v Speaker 2>something in that. There's no way there's even like the

1475
01:43:48.840 --> 01:43:54.880
<v Speaker 2>in the first paragraph the words patience and deliverance. Now,

1476
01:43:54.920 --> 01:43:58.439
<v Speaker 2>this is a book about Christians who are lost at

1477
01:43:58.479 --> 01:44:00.960
<v Speaker 2>sea and just happened to bump been to an island

1478
01:44:01.039 --> 01:44:04.920
<v Speaker 2>that nobody ever knew of that's filled with other Christians

1479
01:44:04.960 --> 01:44:08.600
<v Speaker 2>that save their lives, and the words patients and deliverance

1480
01:44:08.640 --> 01:44:10.920
<v Speaker 2>are used on like the first page and never used

1481
01:44:10.960 --> 01:44:13.399
<v Speaker 2>again in the rest of the book. Which those are

1482
01:44:13.399 --> 01:44:15.640
<v Speaker 2>two like I looked up the odds of that, and

1483
01:44:15.680 --> 01:44:19.159
<v Speaker 2>it's it's pretty astronomical considering like the speech of the time.

1484
01:44:20.119 --> 01:44:22.840
<v Speaker 2>But the two ships, Remember I told you that when

1485
01:44:22.840 --> 01:44:30.640
<v Speaker 2>they crash landed on Bermuda, they took apart the old

1486
01:44:30.640 --> 01:44:34.159
<v Speaker 2>ship and built two ships, and that they named those

1487
01:44:34.159 --> 01:44:39.279
<v Speaker 2>two ships the Patients and the Deliverance and the New

1488
01:44:39.319 --> 01:44:43.479
<v Speaker 2>Atlantis came out in sixteen I believe it was sixteen

1489
01:44:43.520 --> 01:44:48.640
<v Speaker 2>twenty six, So you've got The Tempest being written in

1490
01:44:49.359 --> 01:44:53.720
<v Speaker 2>sixteen ten, the King James Bible in sixteen eleven, sixteen

1491
01:44:53.800 --> 01:44:58.680
<v Speaker 2>twenty three is the first folio, and then sixteen twenty

1492
01:44:58.720 --> 01:45:04.239
<v Speaker 2>six isl when Bacon dies and The New Atlantis is

1493
01:45:04.800 --> 01:45:11.600
<v Speaker 2>published posthumously. Posthumously. Yeah, so I think there's something something

1494
01:45:11.680 --> 01:45:14.680
<v Speaker 2>in there, and I think that that particular book connects

1495
01:45:14.920 --> 01:45:20.079
<v Speaker 2>as well. And one of those ships that disappeared just

1496
01:45:20.119 --> 01:45:22.640
<v Speaker 2>happened to have fifty people on it, which is the

1497
01:45:22.720 --> 01:45:25.720
<v Speaker 2>exact number of the people in the New Atlantis on

1498
01:45:25.840 --> 01:45:30.239
<v Speaker 2>the ship that were lost at sea. So it's interesting too.

1499
01:45:31.880 --> 01:45:34.920
<v Speaker 2>And if you look back, the captain of that particular

1500
01:45:34.920 --> 01:45:38.159
<v Speaker 2>ship that went missing forever was a guy named Matthew Fitch.

1501
01:45:38.680 --> 01:45:41.000
<v Speaker 2>But if you look back, if you're a nerd like

1502
01:45:41.119 --> 01:45:44.439
<v Speaker 2>me and you have the complete works of John Smith,

1503
01:45:48.680 --> 01:45:52.439
<v Speaker 2>Matthew Fitch was one of the original mariners who came

1504
01:45:52.479 --> 01:45:55.479
<v Speaker 2>over in sixteen oh seven, and in July of sixteen

1505
01:45:55.479 --> 01:45:58.039
<v Speaker 2>oh seven he was killed by a Native. And then

1506
01:45:58.079 --> 01:46:00.319
<v Speaker 2>in sixteen oh nine he's all of a sudden, the

1507
01:46:00.319 --> 01:46:05.960
<v Speaker 2>captain of the ship the catch in the supply mission

1508
01:46:05.960 --> 01:46:09.439
<v Speaker 2>that goes missing forever that has fifty people on it,

1509
01:46:09.680 --> 01:46:12.920
<v Speaker 2>and then Bacon's New Atlantis comes out with a book

1510
01:46:13.199 --> 01:46:17.359
<v Speaker 2>about fifty people lost at sea on a ship and

1511
01:46:17.439 --> 01:46:20.840
<v Speaker 2>a dead guy was supposedly the captain of Yeah, it's weird,

1512
01:46:20.920 --> 01:46:25.720
<v Speaker 2>And they specifically say in the history that the captain

1513
01:46:25.840 --> 01:46:29.399
<v Speaker 2>of that particular ship that went missing the catch was

1514
01:46:29.760 --> 01:46:35.199
<v Speaker 2>the mariner Matthew Fitch, who was on the original sixteen

1515
01:46:35.239 --> 01:46:41.920
<v Speaker 2>oh seven mission, but right clearly in John Smith's works,

1516
01:46:41.920 --> 01:46:45.159
<v Speaker 2>he talks about going out on a hunting expedition in

1517
01:46:45.199 --> 01:46:49.279
<v Speaker 2>the woods around Jamestown and he gets Matthew Fitch gets

1518
01:46:49.319 --> 01:46:53.399
<v Speaker 2>mortally wounded by an arrow from a native. There's all

1519
01:46:53.520 --> 01:46:57.000
<v Speaker 2>kinds of weird crap in Virginia and Jamestown, Bacon and

1520
01:46:57.039 --> 01:46:59.359
<v Speaker 2>stuff like that. So go on forever.

1521
01:47:01.600 --> 01:47:03.640
<v Speaker 5>That's so, that's weird.

1522
01:47:06.960 --> 01:47:14.319
<v Speaker 6>It's also like wonders of why yes, didn't yeah like yeah,

1523
01:47:14.359 --> 01:47:19.159
<v Speaker 6>like like yeah, support of like was there any questions

1524
01:47:19.159 --> 01:47:22.239
<v Speaker 6>that you guys wanted to ask anything, or anything that

1525
01:47:22.279 --> 01:47:25.439
<v Speaker 6>you wanted to bring up? You know, I think that

1526
01:47:25.520 --> 01:47:28.399
<v Speaker 6>was pretty Uh, that's a lot of ship dude. You

1527
01:47:28.479 --> 01:47:31.159
<v Speaker 6>really have to look at this Shakespeare's stuff.

1528
01:47:31.640 --> 01:47:34.479
<v Speaker 2>Dude. I'm telling you it's it's old hat. The bit.

1529
01:47:34.640 --> 01:47:39.720
<v Speaker 2>I feel like the the Bacon Shakespeare Mason thing is

1530
01:47:40.039 --> 01:47:42.600
<v Speaker 2>is almost been beat to death to where like even

1531
01:47:42.760 --> 01:47:46.720
<v Speaker 2>us conspiracy folks are like, oh this again. But the

1532
01:47:46.720 --> 01:47:51.600
<v Speaker 2>more it all trickles back, I really do think Bacon

1533
01:47:51.680 --> 01:47:54.880
<v Speaker 2>and masonry is that connective tissue. As much as we

1534
01:47:54.960 --> 01:47:57.119
<v Speaker 2>want to look at like the Masons now as these

1535
01:47:57.199 --> 01:48:01.920
<v Speaker 2>like fish Fry community like Leader guys, there is something.

1536
01:48:02.079 --> 01:48:06.399
<v Speaker 2>There is a nugget in that that system that I

1537
01:48:06.479 --> 01:48:11.960
<v Speaker 2>really think is responsible for the stewardship of of the

1538
01:48:12.439 --> 01:48:19.359
<v Speaker 2>the kind of Bacon ideal and the new Atlantis plan.

1539
01:48:20.720 --> 01:48:24.840
<v Speaker 4>In the bloodlines too. It's just so weird.

1540
01:48:25.479 --> 01:48:28.880
<v Speaker 2>I mean, you can't keep those bloodlines going and and

1541
01:48:28.960 --> 01:48:35.760
<v Speaker 2>the knowledge of them, you know, known publicly. You have

1542
01:48:35.840 --> 01:48:38.319
<v Speaker 2>to do it within a system like this, and that's

1543
01:48:38.680 --> 01:48:43.279
<v Speaker 2>the perfect system for for you know, the monarchy used

1544
01:48:43.279 --> 01:48:45.239
<v Speaker 2>to be one thing, but again that writing was on

1545
01:48:45.279 --> 01:48:47.239
<v Speaker 2>the wall. Monarchies were falling.

1546
01:48:50.479 --> 01:48:56.079
<v Speaker 5>Thank you, Thank you very much. Man. Yeah, yeah, that

1547
01:48:56.159 --> 01:48:56.960
<v Speaker 5>was a lot of stuff.

1548
01:48:57.520 --> 01:48:59.600
<v Speaker 6>You got me wonder about the OTO, but they have

1549
01:48:59.680 --> 01:49:01.319
<v Speaker 6>different the number of degrees.

1550
01:49:02.720 --> 01:49:05.680
<v Speaker 2>But I mean, doesn't it I mean, wasn't the OTO.

1551
01:49:06.159 --> 01:49:07.640
<v Speaker 2>I mean influences.

1552
01:49:08.279 --> 01:49:09.199
<v Speaker 5>Yeah, yeah, it was.

1553
01:49:09.479 --> 01:49:13.279
<v Speaker 6>It was. It was originally more degrees and when Crowley

1554
01:49:13.279 --> 01:49:16.239
<v Speaker 6>took it over, he knocked out of them and also

1555
01:49:16.239 --> 01:49:17.319
<v Speaker 6>made a basic the Book.

1556
01:49:17.079 --> 01:49:19.800
<v Speaker 2>Of the Law. And Crowley went to some of the

1557
01:49:20.159 --> 01:49:20.600
<v Speaker 2>some of them.

1558
01:49:20.640 --> 01:49:24.439
<v Speaker 5>I do think what's going on in the initiations?

1559
01:49:24.920 --> 01:49:29.199
<v Speaker 2>Yeah, still follow Yeah, oh yeah. And Crowley was a

1560
01:49:29.319 --> 01:49:33.479
<v Speaker 2>thirty third degree mason out of Mexico. He went down

1561
01:49:33.520 --> 01:49:36.840
<v Speaker 2>to Mexico and studied masonry. I mean he was pretty

1562
01:49:37.000 --> 01:49:39.479
<v Speaker 2>he was pretty into it, but I mean he he

1563
01:49:39.600 --> 01:49:41.720
<v Speaker 2>kind of did that with with everything. He kind of

1564
01:49:41.760 --> 01:49:46.520
<v Speaker 2>had this pattern of joining in order and then causing

1565
01:49:46.600 --> 01:49:50.000
<v Speaker 2>chaos and then being like peace, I'm out, like going

1566
01:49:50.399 --> 01:49:52.119
<v Speaker 2>starting over again with another one.

1567
01:49:54.359 --> 01:49:58.680
<v Speaker 6>But yeah, right before we wrap it up, a let

1568
01:49:58.920 --> 01:50:01.960
<v Speaker 6>a let it my look their stuff again, Julia, I

1569
01:50:02.079 --> 01:50:03.720
<v Speaker 6>want to remind everybody, but they can find all your

1570
01:50:03.720 --> 01:50:04.399
<v Speaker 6>amazing stuff.

1571
01:50:05.640 --> 01:50:07.960
<v Speaker 7>Yeah, thanks so much for having me. This one was

1572
01:50:08.000 --> 01:50:12.119
<v Speaker 7>really interesting. I knew it would be Cosmic Peach podcast.

1573
01:50:12.159 --> 01:50:16.279
<v Speaker 7>Wherever you listen to podcasts. I got some cool min

1574
01:50:16.319 --> 01:50:19.319
<v Speaker 7>Nindas Brothers stuff up right now that you can check out.

1575
01:50:20.359 --> 01:50:25.199
<v Speaker 7>But yeah, thanks for having me and loved the conversation.

1576
01:50:26.960 --> 01:50:30.119
<v Speaker 6>Yes, so did I actually got stuck in so many thoughts.

1577
01:50:30.479 --> 01:50:33.039
<v Speaker 6>I was just like a fuck, but like it was

1578
01:50:33.079 --> 01:50:34.720
<v Speaker 6>all I I don't know. I didn't want to go

1579
01:50:34.760 --> 01:50:35.479
<v Speaker 6>up on tangents.

1580
01:50:35.880 --> 01:50:38.039
<v Speaker 2>That's what happens every time I'm at work listening to

1581
01:50:38.079 --> 01:50:41.199
<v Speaker 2>the occult rejacts. I was even like hearing you guys,

1582
01:50:41.199 --> 01:50:43.359
<v Speaker 2>and I'm like, oh, dude, I gotta and then I

1583
01:50:43.439 --> 01:50:47.079
<v Speaker 2>find another path that I'm like dying down for like

1584
01:50:47.159 --> 01:50:47.880
<v Speaker 2>three days.

1585
01:50:48.399 --> 01:50:50.359
<v Speaker 6>He said something like about War of the Roses like

1586
01:50:50.399 --> 01:50:52.239
<v Speaker 6>thirty minutes ago, and I was like kept on like

1587
01:50:52.279 --> 01:50:57.880
<v Speaker 6>thinking about something. So yeah, Ethan Indigo, Please, sir, let

1588
01:50:57.880 --> 01:51:00.279
<v Speaker 6>everybody know where they can find amazing.

1589
01:51:01.359 --> 01:51:05.000
<v Speaker 1>Yeah, Nick, Julia and you guys rock. Ernie, thank you

1590
01:51:05.039 --> 01:51:09.039
<v Speaker 1>so much. That was really interesting. I never looked away.

1591
01:51:09.239 --> 01:51:13.439
<v Speaker 1>Great correspondence and lessons in that. I can't wait to

1592
01:51:13.600 --> 01:51:18.319
<v Speaker 1>look at it more, honestly, Ethan Indigo Smith Online.

1593
01:51:18.479 --> 01:51:19.840
<v Speaker 2>I'm doing a.

1594
01:51:19.800 --> 01:51:25.000
<v Speaker 1>Podcast too with Headless and Ricardo on Sundays Monday Trialogues.

1595
01:51:25.479 --> 01:51:28.800
<v Speaker 1>And I have a bunch of books available and writing

1596
01:51:28.920 --> 01:51:32.680
<v Speaker 1>coming out frequently anyway, So and I appreciate everyone in

1597
01:51:32.720 --> 01:51:33.319
<v Speaker 1>the chat too.

1598
01:51:33.920 --> 01:51:40.279
<v Speaker 6>Thanks Nick, everyone, thank you, sir, thank you, and Ernie.

1599
01:51:40.479 --> 01:51:42.479
<v Speaker 6>Please let everybody know where the can find leaders.

1600
01:51:43.079 --> 01:51:48.760
<v Speaker 2>Yep, Virginia is for conspiracy lovers, podcasts everywhere podcasts are,

1601
01:51:48.920 --> 01:51:52.159
<v Speaker 2>and then we're over there on d oh in YouTube,

1602
01:51:52.159 --> 01:51:54.000
<v Speaker 2>I think I forgot to say. We do have a

1603
01:51:54.199 --> 01:51:59.359
<v Speaker 2>YouTube page and a lot of a lot of my

1604
01:51:59.479 --> 01:52:04.319
<v Speaker 2>personal research is visual and so I throw up maps

1605
01:52:04.319 --> 01:52:07.239
<v Speaker 2>and diagrams and lay lines and stuff like that. So

1606
01:52:07.279 --> 01:52:09.520
<v Speaker 2>it's worth going to we've been we took about two

1607
01:52:09.560 --> 01:52:12.479
<v Speaker 2>months off, but we're about to start hitting it pretty

1608
01:52:12.479 --> 01:52:17.119
<v Speaker 2>hard again. So yeah, Virginia is for conspiracy lovers anywhere

1609
01:52:17.319 --> 01:52:19.079
<v Speaker 2>you can find weirdos like me.

1610
01:52:21.199 --> 01:52:23.880
<v Speaker 5>Well, so thank you for coming on again. That stuff

1611
01:52:23.880 --> 01:52:25.359
<v Speaker 5>as wild and even the people listen.

1612
01:52:25.399 --> 01:52:28.000
<v Speaker 6>Again, I do say this a lot, uh the people

1613
01:52:28.319 --> 01:52:30.880
<v Speaker 6>if you're catching the replay, check the chat, the people

1614
01:52:30.920 --> 01:52:32.159
<v Speaker 6>in the chat. A lot of a lot of stuff

1615
01:52:32.159 --> 01:52:35.119
<v Speaker 6>to too. Got stuck on that too a couple of times.

1616
01:52:35.760 --> 01:52:39.199
<v Speaker 6>But uh again, Julia, I appreciate you coming on. It's

1617
01:52:39.199 --> 01:52:41.520
<v Speaker 6>always nice to have you here for real. It's great

1618
01:52:41.520 --> 01:52:43.880
<v Speaker 6>to see you. And Ethan appreciate it as well. I oh,

1619
01:52:44.039 --> 01:52:46.000
<v Speaker 6>both you guys are on the same like time zone,

1620
01:52:46.000 --> 01:52:48.359
<v Speaker 6>so yeah, I appreciate you guys dealing with this as well.

1621
01:52:48.920 --> 01:52:51.760
<v Speaker 6>And Ernie for real, for real, It's always a pleasure

1622
01:52:51.800 --> 01:52:52.319
<v Speaker 6>to have you on.

1623
01:52:52.399 --> 01:52:53.239
<v Speaker 5>You always welcome on.

1624
01:52:53.279 --> 01:52:56.239
<v Speaker 6>Anytime you got a topic, you can always hell yeah,

1625
01:52:56.239 --> 01:52:57.439
<v Speaker 6>you know, it's always some wild ship.

1626
01:52:57.520 --> 01:53:01.119
<v Speaker 2>I got another one coming. I think Thomasson was a murderer,

1627
01:53:01.199 --> 01:53:04.600
<v Speaker 2>so okay, all right, did you with that. I'm pretty

1628
01:53:04.600 --> 01:53:06.520
<v Speaker 2>sure he killed his mentor the guy that made the

1629
01:53:06.520 --> 01:53:13.039
<v Speaker 2>booby flag so that he could keep slavery in existence.

1630
01:53:14.159 --> 01:53:18.479
<v Speaker 2>That should be incendiary, al.

1631
01:53:18.479 --> 01:53:19.399
<v Speaker 5>Right, I look forward to that.

1632
01:53:20.000 --> 01:53:22.119
<v Speaker 6>Oh that's the end of this one, and again, thank

1633
01:53:22.159 --> 01:53:24.520
<v Speaker 6>you everybody in the chat. I appreciate that. And uh,

1634
01:53:24.640 --> 01:53:26.199
<v Speaker 6>until the next one, everybody be.

1635
01:53:26.159 --> 01:53:27.720
<v Speaker 2>Well, thank you, Bye bye

1636
01:54:13.399 --> 01:54:21.479
<v Speaker 1>Ent stamps steps