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<v Speaker 1>Oh better that are.

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<v Speaker 2>Mm hm.

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<v Speaker 3>Trigger warn This podcast may include explicit content that will

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<v Speaker 3>take you out of your comfort zone and make you

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<v Speaker 3>question reality. Listener's discretion is advised.

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<v Speaker 4>M Welcome to the Occult Rejects.

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<v Speaker 2>Tonight we got a returning guest, a fan favorite, somebody

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<v Speaker 2>that I've been asked actually to have on multiple times,

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<v Speaker 2>and even people on the show like, yo, you gotta

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<v Speaker 2>get that do. We got Ernie from Virginia's for Conspiracy Lovers.

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<v Speaker 2>But before we get to him and introduced the other

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<v Speaker 2>rejects with us.

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<v Speaker 4>Tonight we got Julia returning. What is up again? Julia?

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<v Speaker 4>How are you? It's great to see you back on it.

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<v Speaker 1>Thanks for having me, Nick. Yeah, I think we talked

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<v Speaker 1>about the Nights of the Golden Circle or something like

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<v Speaker 1>that last time. Really super interesting topic and I can't

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<v Speaker 1>wait to get into Shakespeare tonight. It's gonna be awesome.

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<v Speaker 1>Thanks for having me.

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<v Speaker 2>Oh of course, of course, I actually like this would

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<v Speaker 2>be great for you, I thought, and Ethan my man,

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<v Speaker 2>So what is going on?

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<v Speaker 4>How are you?

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<v Speaker 5>Nick?

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<v Speaker 3>Julia?

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<v Speaker 5>Great to see you as always, Thank you Nick for

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<v Speaker 5>putting everything together. Ernie, It's great to meet you. I'm

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<v Speaker 5>excited about this. A lot of conspiratorial threads connect to Shakespeare,

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<v Speaker 5>so it's a it's a great, great topic of discussion.

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<v Speaker 5>Ethan Ingo Smith. On all the social media, I can

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<v Speaker 5>be easily found, and I appreciate people reaching out and communicating.

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<v Speaker 5>And I have written a few books and write articles frequently.

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<v Speaker 5>I got a Taichi article coming out soon. I can

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<v Speaker 5>get it together in a little video to sharing some instruction.

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<v Speaker 5>So yeah, appreciate everybody.

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<v Speaker 4>Cool, nice, make it happen.

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<v Speaker 2>Yeah, before we introduced Ernie, it is probably more for

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<v Speaker 2>the people might catch this a lot because this episode

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<v Speaker 2>will drop on audio after the fact. But if you

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<v Speaker 2>happen to be in Arizona, well more. I guess I

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<v Speaker 2>kind of hope by Scottsdale or Phoenix, Arizona, Me and

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<v Speaker 2>Headless will be out there December fifth to the seventh.

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<v Speaker 2>We were blessed with three three tickets to go to

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<v Speaker 2>this Quest for Ancient Civilizations, so I figured, fuck it

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<v Speaker 2>when I go. It's a three day event over over

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<v Speaker 2>in Scottsdal, Arizona. Not saying to go check it out,

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<v Speaker 2>that you know to come to the event, but if

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<v Speaker 2>if you're in the area and you actually want to

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<v Speaker 2>meet up or anything. I'm sure we'll be around after

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<v Speaker 2>the factor, I mean, or if this stuff interests you,

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<v Speaker 2>definitely check it out. Maybe I'll include like the link

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<v Speaker 2>for it in the show after the fact. But yeah,

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<v Speaker 2>anybody in the area hit us up, those three days

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<v Speaker 2>will be around, come come out, get your fucking stone. Sure,

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<v Speaker 2>so yeah, uh, just put that out there now, Ernie, sir. Please,

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<v Speaker 2>for the people who have not had the pleasure of

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<v Speaker 2>hearing you before, well, first off, I would like to

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<v Speaker 2>remind that he has done a few shows already, go

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<v Speaker 2>check them out.

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<v Speaker 4>Definitely rabbit holes.

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<v Speaker 2>Actually, somebody we were making jokes earlier saying that with

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<v Speaker 2>Juliet him here, we should be talking about rabbit holes

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<v Speaker 2>and be holes. So yeah, so please Ernie, let everybody

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<v Speaker 2>know what your deal is in who you are.

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<v Speaker 3>So for the new people, yeah, so yeah, Ernie Lebreck,

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<v Speaker 3>I'm me and a buddy do Virginia's for conspiracy lovers

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<v Speaker 3>podcasts anywhere where podcasts are found. We got a YouTube page,

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<v Speaker 3>same name. I did finally change it to where everything's

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<v Speaker 3>all the same names, so you can you can actually

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<v Speaker 3>find us. But on Instagram, Facebook and uh and YouTube

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<v Speaker 3>I can. But uh, yeah, just a conspiracy nerd that

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<v Speaker 3>stumbled onto some of my own like kind of personal

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<v Speaker 3>research and decided to start doing a podcast that's kind

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<v Speaker 3>of a conspiracy Virginia based because the more I'm from

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<v Speaker 3>Virginia and the more and more I looked into it,

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<v Speaker 3>it's like all roads led back to to Virginia with

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<v Speaker 3>all this craps. So so that's that's where we're at.

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<v Speaker 3>We've been on hiatus for a couple of months because

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<v Speaker 3>I'm moving this studio out of this closet into the

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<v Speaker 3>into the garage. So but we'll be back and we've

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<v Speaker 3>got some We've got some bangers like in the hole.

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<v Speaker 3>So but yeah, check us out.

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<v Speaker 4>Yea, it makes that happen.

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<v Speaker 3>Now.

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<v Speaker 2>The first show, the last show that you did, was

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<v Speaker 2>yet the Nights of the Golden Circle, the Golden Horseshoe

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<v Speaker 2>or some shit like.

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<v Speaker 3>Maybe that we did the Golden Horseshoe, Yeah, Yeah, which

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<v Speaker 3>was the weird expedition trying to find a pass through

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<v Speaker 3>the Blue Ridge Mountains by Governor Alexander spots Would and

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<v Speaker 3>my whole life, we've all heard the story and it's

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<v Speaker 3>it's a nothing story that you hear. There's a little

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<v Speaker 3>sign in the Blue Ridge mountains, little little obelisk monument

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<v Speaker 3>to it. And then, of course, like anything in Virginia history,

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<v Speaker 3>the more you the more the deeper you get into it,

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<v Speaker 3>the more it seems weird. And it, in my personal opinion,

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<v Speaker 3>by the end of it, it looked like a a

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<v Speaker 3>Masonic like maybe the first Masonic ritual to take place,

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<v Speaker 3>like kind of officially it happened like seventeen fourteen, just

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<v Speaker 3>three years before like Masonry's public you know, like kind

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<v Speaker 3>of coming out party, and it's we talked about it. It

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<v Speaker 3>was just a ton of aristocrats on this expedition across

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<v Speaker 3>a mountain to supposedly find the pass through the mountains.

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<v Speaker 3>But they'd already found the pass, and like the the

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<v Speaker 3>guides that took them, uh, were the the rangers were

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<v Speaker 3>the ones who had already found the pass through the

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<v Speaker 3>Blue Ridge. And then they get over the Blue Ridge

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<v Speaker 3>and they named the Shenandoah River the Euphrates, and then

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<v Speaker 3>they crossed the Euphrates and have this big like party

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<v Speaker 3>and just all the different people on the expedition were

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<v Speaker 3>just super glowy Jacobites and Huguenots and Masons and first

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<v Speaker 3>kind of Virginia families and then there was this whole

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<v Speaker 3>presenting of these guys when they came back with these

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<v Speaker 3>golden horseshoe pins that had jewels in them, and different

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<v Speaker 3>jewels for for different guys. And the guy the only

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<v Speaker 3>real account that we have of it is and I

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<v Speaker 3>can't remember the guy's name now, but that guy was crazy, crazy,

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<v Speaker 3>interesting Huguenot from Ireland who ended up marrying a woman

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<v Speaker 3>named Mary Magdalen. And uh, yeah, it's go back and

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<v Speaker 3>listen to that one. It's it's weird, man, It's it's.

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<v Speaker 4>I remember, I remember. There was a lot to it,

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<v Speaker 4>Like I felt like there was like a lot of

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<v Speaker 4>different things.

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<v Speaker 3>Wait do you wait? Do you do you hear this nonsense?

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<v Speaker 3>I'm gonna awesome at you all right.

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<v Speaker 2>So I guess unless anybody's got it something asking or whatever,

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<v Speaker 2>yes day, maybe you can just start, all right.

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<v Speaker 4>If you don't mind me asking.

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<v Speaker 2>It was just like something you stumble the gros You're like, oh,

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<v Speaker 2>there's something here or yeah.

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<v Speaker 3>So I, like I've said before, my personal research is

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<v Speaker 3>based on Williamsburg. I was born and raised in good

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<v Speaker 3>old colonial Williamsburg in the shadow of campus of William

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<v Speaker 3>and Mary And about seven or eight years ago, I

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<v Speaker 3>kind of stumbled into I'd probably watched National Treasure or

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<v Speaker 3>The Da Vinci Code too recently, and happened to be

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<v Speaker 3>down buying a gift for somebody in Colonial Williamsburg and

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<v Speaker 3>noticed a the two oldest roads in the country, Jamestown

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<v Speaker 3>Road and Richmond Road, which kind of create the Historic Campus.

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<v Speaker 3>They come to a point like a triangle, and I

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<v Speaker 3>think that I saw that, and I was like, I

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<v Speaker 3>got to look at this on Google Earth. And then

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<v Speaker 3>that opened up a ton of stuff to the point

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<v Speaker 3>where I took my research to the director of the

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<v Speaker 3>Historic Campus and they were kind of blown away, and

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<v Speaker 3>I started, you know, digging into it, and it gets

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<v Speaker 3>weirder and weirder, and you eat thinking that I was

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<v Speaker 3>kind of too dumb to have figured this stuff out myself,

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<v Speaker 3>and so I just kept trying to prove myself wrong.

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<v Speaker 3>And the more I dug to prove myself wrong, the

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<v Speaker 3>more crap I found. And then I started to find

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<v Speaker 3>some things that were absolutely undeniable, Like I shared on

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<v Speaker 3>one of the episodes with you guys, the incode of

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<v Speaker 3>the Great Pyramid of Giza on that triangle of land

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<v Speaker 3>that also points directly to the Great Pyramid of Giza

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<v Speaker 3>and is the exact sit So there's all that. So

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<v Speaker 3>all my personal research does kind of I say it

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<v Speaker 3>revolves around Williamsburg and Virginia, but because of that, that

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<v Speaker 3>means it revolves around everything. The beginning of masonry in

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<v Speaker 3>this country Francis Bacon, and then from there it just

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<v Speaker 3>keeps going back and back and back and forward and

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<v Speaker 3>forward and forward. And so for this one, because I

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<v Speaker 3>lived in Williamsburg and my mom is a big Shakespeare

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<v Speaker 3>nerd herself, I've been getting dragged to Shakespeare plays a

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<v Speaker 3>year since I was nine years old. So I've seen

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<v Speaker 3>everything that the entire Shakespeare cannon in every format you

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<v Speaker 3>can think of. William and Mary has one of the

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<v Speaker 3>largest Shakespeare festivals in the country, the Virginia Shakespeare Festival

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<v Speaker 3>at William and Mary and put together in the Phi

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<v Speaker 3>Beta Kappa Hall. So I've seen everything from Taming of

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<v Speaker 3>the Shrew adapted to nineteen twenties like Cuban Cuban Beach

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<v Speaker 3>styled to you know, like traditional plays and everything in between.

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<v Speaker 3>And when I was nine, I couldn't say, you know,

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<v Speaker 3>I had no idea what they were saying, what was happening.

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<v Speaker 3>But the you know, the the older I got, I

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<v Speaker 3>kind of learned to speak the language of Shakespeare and

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<v Speaker 3>really kind of fell in love with the plays. And

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<v Speaker 3>so really one of the first things that got me

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<v Speaker 3>into kind of the conspiracy world was the Shakespeare authorship question.

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<v Speaker 3>And just to skip over all the because I've got

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<v Speaker 3>a lot of crap here, but we're in the conspiracy world,

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<v Speaker 3>so I don't believe that Shakespeare wrote Shakespeare, and we

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<v Speaker 3>can kind of skip all that. I'm part of the

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<v Speaker 3>camp that believes Francis Bacon is Shakespeare, and for me

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<v Speaker 3>a little differently, I'm not a total Baconian. I think

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<v Speaker 3>it was more Francis Bacon by committee. He had a

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<v Speaker 3>literary societ called the Society of the Helmet, who just

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<v Speaker 3>so happened to contain like all the members were all

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<v Speaker 3>the different people that people put forward as possible shapes

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<v Speaker 3>Shakespeare authors. So seventeenth Earl of Oxford, the Countess of Penbroke,

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<v Speaker 3>Sir Walter Raleigh, William Stratchey, who will play an important

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<v Speaker 3>role in this research. So all these guys that they've

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<v Speaker 3>put forward that could be the alternative to who wrote

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<v Speaker 3>the Shakespeare plays were part of Francis Bacon's literary society

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<v Speaker 3>called the Society the Helmet, named after their patron, muse Athena,

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<v Speaker 3>because she wore a helmet and was known to shake

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<v Speaker 3>her spear in her sphere of knowledge in the face

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<v Speaker 3>of the beast of ignorance. Right, and then just so

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<v Speaker 3>happens that a man obsessed with Francis Bacon, a Williamsburg

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<v Speaker 3>legend mentored to Thomas Jefferson, is the man who created, uh,

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<v Speaker 3>what I think is the best state flag in the Union.

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<v Speaker 3>It's the only flag with a booby on it. And

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<v Speaker 3>that's actually, uh, he was obsessed with Francis Bacon. His

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<v Speaker 3>name was George with Like I said, he was the

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<v Speaker 3>He was Thomas Jefferson's mentor. He was the reason that

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<v Speaker 3>Thomas Jefferson became obsessed with Francis Bacon his whole life.

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<v Speaker 3>And that is actually Atheno wearing her helmet and holding

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<v Speaker 3>her spear. That's kind of neither here nor there, But

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<v Speaker 3>I forgot that that was.

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<v Speaker 2>I just want to mention real quick, and I mentioned

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<v Speaker 2>this a lot of times. I'm just using an excuse

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<v Speaker 2>to mention it again. Uh, the woman's nipple hanging out

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<v Speaker 2>that uh, you know in the Knox formula crowley'sox formula.

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<v Speaker 2>At some point you you're supposed to be isis like

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<v Speaker 2>feeding breastfeeding horse, and you will like you'll make it

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<v Speaker 2>look like you're holding a baby and grabbing your nipple.

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<v Speaker 4>There was a relationship between the nip and the child.

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<v Speaker 2>When the child latches its mouth onto the nipple, the

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<v Speaker 2>mother's pineal gland will tell the child where it is

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<v Speaker 2>time season, you know where it is even on the planet,

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<v Speaker 2>what up and down all is? So, I mean there

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<v Speaker 2>is actually a very weird, interesting, uh panal gland to

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<v Speaker 2>penal glean conversation going on just from breast reading.

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<v Speaker 3>Wow times.

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<v Speaker 4>I wonder if that has anything to do with so

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<v Speaker 4>much cult size.

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<v Speaker 3>I mean, it's got to. Even if they didn't know

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<v Speaker 3>it that deeply, they knew that there was that connection

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<v Speaker 3>since the beginning of time there. So I said, I

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<v Speaker 3>wasn't going to get into that whole thing. But Shakespeare

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<v Speaker 3>didn't write Shakespeare. His name wasn't even Shakespeare's name was

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<v Speaker 3>shagspar And there's no evidence that he was literate or

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<v Speaker 3>you know, went to school past the fourth grade. The

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<v Speaker 3>only thing we have of him is his signature on

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<v Speaker 3>like seven different documents they're all legal documents and his

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<v Speaker 3>will because he was kind of a douchebag and cheating

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<v Speaker 3>people out of stuff a lot, and so he's always

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<v Speaker 3>getting drug into court. And all these signatures are spelled

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<v Speaker 3>differently and in different handwriting, so that probably points to

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<v Speaker 3>the fact that whoever the other lawyer was or the

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<v Speaker 3>judge was the one who signed his name to it.

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<v Speaker 3>So we don't even know that Shakespeare or the guy

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<v Speaker 3>that they attribute Shakespeare to even was literate. He didn't

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<v Speaker 3>own a book that we can tell in his will,

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<v Speaker 3>he doesn't leave any books papers. There's never been a

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<v Speaker 3>letter written to him or from him that anybody's ever found.

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<v Speaker 3>The guy wasn't Shakespeare. Bacon with Shakespeare. So that being said,

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<v Speaker 3>I got obsessed with this book here, which is this

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<v Speaker 3>gigantic tone that I paid a bunch of money for.

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<v Speaker 3>It's a facsimile of the first folio of Shakespeare, the

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<v Speaker 3>sixteen twenty three that was put together. It's exactly how

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<v Speaker 3>it came out in sixteen twenty three. It's just on

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<v Speaker 3>new paper and basically took a historic copy and from

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<v Speaker 3>one of the museums and photo copied every single page.

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<v Speaker 3>So it's exactly the way it came out the very

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<v Speaker 3>first folio. So I get into Shakespeare, I get into

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<v Speaker 3>the first folio and some of the weird things that

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<v Speaker 3>go on with that. Of course, that leads leads me

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<v Speaker 3>to Bacon. And then once you get into Bacon, you

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<v Speaker 3>obviously you end up down the road of Bacon created

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<v Speaker 3>masonry by way of Rosicrucianism. You find out that the

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<v Speaker 3>uh Masons actually claim Shakespeare and Francis Bacon as kind

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<v Speaker 3>of founding architects, if you will. And then when you

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<v Speaker 3>the further you get into masonry, you start to if

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<v Speaker 3>you dig back from Mason modern masonry, you eventually fall

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<v Speaker 3>back into the Stuart, the Stewart dynasty, and that leads

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<v Speaker 3>you back. If you follow the maternal side of that

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<v Speaker 3>family all the way back, it ins you. It brings

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<v Speaker 3>you all the way back to the Mayravngians of Dan

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<v Speaker 3>Brown fame. And really my my overall thesis of of

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<v Speaker 3>my research now is that America was beguy in as

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<v Speaker 3>in Virginia in particular, as a breakaway civilization for the

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<v Speaker 3>Stuart dynasty. I think it was facilitated and designed by

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<v Speaker 3>Francis Bacon, and then it has been managed and stewarded

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<v Speaker 3>by the Scottish rite of freemasonry, sort of a thinly

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<v Speaker 3>veiled alternative to the monarchy that they were. But they

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<v Speaker 3>could see the writing on the wall that their monarchy

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<v Speaker 3>there rain as monarchs in England, Scotland and Ireland, wasn't

279
00:18:04.279 --> 00:18:08.000
<v Speaker 3>gonna last long. The Stuart reign was only about one

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<v Speaker 3>hundred years, and I mean they were deposed several times,

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<v Speaker 3>kicked off the throne, brought back in, killed, They ran,

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<v Speaker 3>They ran the gamut and right at the very beginning

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<v Speaker 3>of that dynasty, Francis Bacon, working for King James the first,

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<v Speaker 3>the first Stuart monarch, right at the beginning of that,

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<v Speaker 3>they create the Virginia Company of London and start exploring

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00:18:42.839 --> 00:18:46.720
<v Speaker 3>the new world, Virginia in particular. And I think that

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00:18:46.880 --> 00:18:49.799
<v Speaker 3>was I really The more and more I get into

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00:18:49.799 --> 00:18:53.519
<v Speaker 3>this stuff, the more I think that America maybe still

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00:18:54.240 --> 00:18:58.640
<v Speaker 3>but definitely its beginnings were kind of a breakaway place

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<v Speaker 3>for the Stewart kind of ideal and this divine right

291
00:19:03.880 --> 00:19:10.079
<v Speaker 3>of kings MAYRAVINGI and bloodline idea, which I don't necessarily

292
00:19:10.119 --> 00:19:13.000
<v Speaker 3>believe that they have any special bloodline, but like any

293
00:19:13.039 --> 00:19:17.839
<v Speaker 3>other uh you know, monarchy kind of bloodline. I think

294
00:19:17.960 --> 00:19:23.960
<v Speaker 3>that this Christ's bloodline divine right of kings was a

295
00:19:24.000 --> 00:19:27.119
<v Speaker 3>story that they used, whether they believed it or not,

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<v Speaker 3>to kind of imbue their their dynasty with importance. And

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00:19:34.640 --> 00:19:36.240
<v Speaker 3>I think they saw the right and on the wall

298
00:19:36.400 --> 00:19:40.640
<v Speaker 3>and decided the New World was the place to keep

299
00:19:40.680 --> 00:19:45.960
<v Speaker 3>that power and that control structure going and and just

300
00:19:46.079 --> 00:19:49.160
<v Speaker 3>do it with a different with a different face on it.

301
00:19:49.200 --> 00:19:53.799
<v Speaker 3>And I think, right then is where you see America

302
00:19:53.799 --> 00:19:56.559
<v Speaker 3>come up and masonry come up at the same time,

303
00:19:56.680 --> 00:20:00.279
<v Speaker 3>and the monarchy drop off. But then you look at

304
00:20:00.319 --> 00:20:03.039
<v Speaker 3>Scottish right freemasonry and it is I'm about to show

305
00:20:03.079 --> 00:20:10.440
<v Speaker 3>you it's it. Scottish righte Freemasonry connects Kabbala, this book

306
00:20:10.519 --> 00:20:18.039
<v Speaker 3>right here, the sixteen eleven King James, Bible, and am

307
00:20:18.079 --> 00:20:25.039
<v Speaker 3>I missing something that's in Francis Bacon all together? So?

308
00:20:25.119 --> 00:20:30.039
<v Speaker 3>First off, this first Folio is structured like an initiatory

309
00:20:30.160 --> 00:20:34.359
<v Speaker 3>ladder and not like any of the kind of anthologies

310
00:20:34.359 --> 00:20:38.559
<v Speaker 3>of its time. The First Folio, I'm sorry, yeah, the

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00:20:38.559 --> 00:20:42.200
<v Speaker 3>First Folio first book in English history to divide dramatic

312
00:20:42.240 --> 00:20:51.240
<v Speaker 3>works into three distinct sections, comedies, histories and tragedies. But

313
00:20:51.400 --> 00:20:57.400
<v Speaker 3>it is identical logic to an initiatory system. In the

314
00:20:57.480 --> 00:21:03.119
<v Speaker 3>three steps there being purification, advancement, and mastery slash sacrifice

315
00:21:05.279 --> 00:21:08.880
<v Speaker 3>exactly like a degree system, but published nearly a century

316
00:21:08.880 --> 00:21:13.359
<v Speaker 3>before the Scottish writes thirty three or thirty three degree system.

317
00:21:13.880 --> 00:21:19.920
<v Speaker 3>So if Masonry borrowed from Shakespeare, how did Shakespeare already

318
00:21:20.000 --> 00:21:23.759
<v Speaker 3>arrange his canon? And really not Shakespeare because he didn't exist.

319
00:21:23.799 --> 00:21:26.359
<v Speaker 3>But the people who are who did arrange the first

320
00:21:26.359 --> 00:21:29.000
<v Speaker 3>folio of Shakespeare? How do they arrange it in a

321
00:21:29.079 --> 00:21:35.680
<v Speaker 3>multi stage initiation kind of system. So the sequence of

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00:21:35.799 --> 00:21:42.000
<v Speaker 3>the plays in the folio kind of mirror that ladder

323
00:21:42.200 --> 00:21:51.920
<v Speaker 3>of like esoteric order. You've got the Tempest, which is

324
00:21:52.000 --> 00:21:56.119
<v Speaker 3>an initiation. I've got a good friend, Robert Frederick. He

325
00:21:56.160 --> 00:21:59.519
<v Speaker 3>has a great podcast called The Hidden Life is Best.

326
00:21:59.599 --> 00:22:04.359
<v Speaker 3>He just became on a whim a Bacon scholar, and

327
00:22:04.400 --> 00:22:10.559
<v Speaker 3>now he digs into all the Shakespeare works and he

328
00:22:10.839 --> 00:22:14.160
<v Speaker 3>just picks them apart and each i mean two three

329
00:22:14.160 --> 00:22:17.880
<v Speaker 3>hour episodes, each one on a different play, and they're incredible.

330
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<v Speaker 3>And so actually what got me onto this particular track

331
00:22:23.759 --> 00:22:27.079
<v Speaker 3>was I was doing a podcast with him and uh,

332
00:22:27.119 --> 00:22:29.759
<v Speaker 3>he had just he did the Tempest on my suggestion

333
00:22:29.839 --> 00:22:32.319
<v Speaker 3>because he had done Romeo and Juliet. I think, as

334
00:22:32.359 --> 00:22:36.960
<v Speaker 3>you like it Macbeth, and he pulled all these Masonic

335
00:22:37.000 --> 00:22:39.279
<v Speaker 3>principles out of there and really showed how they were,

336
00:22:39.319 --> 00:22:44.240
<v Speaker 3>you know, almost undeniably written by a rose Crucian for

337
00:22:44.279 --> 00:22:48.279
<v Speaker 3>that specific purpose. And he was asking which one I

338
00:22:48.279 --> 00:22:50.240
<v Speaker 3>thought he should do next, and I was like, the tempest,

339
00:22:50.319 --> 00:22:52.480
<v Speaker 3>and the tempest is near and dear to my heart.

340
00:22:53.240 --> 00:22:58.519
<v Speaker 3>Because living in Virginia, not a ton of people know this,

341
00:22:58.720 --> 00:23:01.680
<v Speaker 3>but you know, sixteen seven they sent John Smith and

342
00:23:01.720 --> 00:23:05.680
<v Speaker 3>the whole crew over here, and that whole Pocahontas trip happened, right,

343
00:23:06.279 --> 00:23:09.720
<v Speaker 3>And but they kept dying, They kept getting mrked by

344
00:23:09.759 --> 00:23:13.960
<v Speaker 3>the natives and starving and eating each other. In sixteen

345
00:23:13.960 --> 00:23:16.400
<v Speaker 3>oh eight, they send another supply mission over. They eat

346
00:23:16.440 --> 00:23:19.359
<v Speaker 3>all that food, they're all dying out again. So then

347
00:23:19.440 --> 00:23:23.279
<v Speaker 3>Francis Bacon takes it upon himself and mounts a massive

348
00:23:23.319 --> 00:23:28.160
<v Speaker 3>supply mission, which is nine ships sent from sent from

349
00:23:28.200 --> 00:23:33.279
<v Speaker 3>Plymouth over like six hundred people. They hit a This

350
00:23:33.359 --> 00:23:37.839
<v Speaker 3>is in sixteen oh nine, they hit a hurricane right

351
00:23:37.880 --> 00:23:43.279
<v Speaker 3>around Bermuda, and everybody survives except for two small two

352
00:23:43.359 --> 00:23:50.319
<v Speaker 3>small ships. And that's a whole another route of research

353
00:23:50.359 --> 00:23:52.880
<v Speaker 3>that I'm doing as well, which was some pretty interesting stuff,

354
00:23:52.880 --> 00:23:56.160
<v Speaker 3>but it's a rabbit hole. So two ships disappear forever.

355
00:23:58.240 --> 00:24:02.440
<v Speaker 3>Six ships make it to the So yeah, six ships

356
00:24:02.480 --> 00:24:04.920
<v Speaker 3>make it right away to pretty much right away to

357
00:24:06.279 --> 00:24:10.799
<v Speaker 3>James Sound to resupply, and during the hurricane, the largest

358
00:24:10.799 --> 00:24:18.440
<v Speaker 3>of the ships crash lands on Bermuda. Purposely, they shipwreck

359
00:24:18.559 --> 00:24:23.440
<v Speaker 3>themselves to avoid the storm, and about one hundred people

360
00:24:24.599 --> 00:24:26.279
<v Speaker 3>on that I believe it was about one hundred people

361
00:24:27.119 --> 00:24:33.359
<v Speaker 3>were on that ship, and they disembarked live on Bermuda

362
00:24:33.480 --> 00:24:36.160
<v Speaker 3>for a full year. While they're on Bermuda, they take

363
00:24:36.160 --> 00:24:39.119
<v Speaker 3>apart the old ship, build two new ships, and by

364
00:24:39.160 --> 00:24:42.559
<v Speaker 3>sixteen to ten they set sail again and they make

365
00:24:42.599 --> 00:24:47.799
<v Speaker 3>it over to James Sound. And once they get to Jamestown,

366
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<v Speaker 3>one of the guys who was at Bermuda on the

367
00:24:50.799 --> 00:24:55.480
<v Speaker 3>crash landing, this guy named William Strakie. William Strakey just

368
00:24:55.519 --> 00:24:57.799
<v Speaker 3>happens to be one of those guys who was in

369
00:24:57.880 --> 00:25:04.160
<v Speaker 3>Francis Bacon's literary societ. He gets to Jamestown, he writes

370
00:25:04.359 --> 00:25:08.960
<v Speaker 3>a full report of everything that happens that happened for

371
00:25:09.000 --> 00:25:13.079
<v Speaker 3>the year on Bermuda, and he sends it to Francis

372
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<v Speaker 3>Bacon's new wife, and in sixteen eleven, William Shakespeare, or

373
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<v Speaker 3>under the name William Shakespeare, a play is published called

374
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<v Speaker 3>The Tempest, and it's all about a crash landing. I

375
00:25:29.279 --> 00:25:32.640
<v Speaker 3>mean there's even like six names that are used as

376
00:25:32.759 --> 00:25:35.759
<v Speaker 3>six characters in the play have names that are like,

377
00:25:36.440 --> 00:25:38.799
<v Speaker 3>if the guy's name was John, it would be Ron.

378
00:25:39.240 --> 00:25:42.680
<v Speaker 3>I mean they're that close. It's it's ridiculous. The play

379
00:25:42.720 --> 00:25:45.640
<v Speaker 3>The Tempest is about the crash landing on Bermuda that

380
00:25:45.720 --> 00:25:49.960
<v Speaker 3>was headed to Virginia. But it is one when you

381
00:25:50.000 --> 00:25:54.480
<v Speaker 3>break it down, it is an absolute first initiation into

382
00:25:54.559 --> 00:25:59.960
<v Speaker 3>a mystery. It's it's kind of the crappiest of Shakespeare's

383
00:26:00.440 --> 00:26:04.880
<v Speaker 3>I think. And so you have one of Bacon's buddies

384
00:26:04.960 --> 00:26:09.480
<v Speaker 3>writes the Report of what Happened in sixteen ten, and

385
00:26:09.519 --> 00:26:12.559
<v Speaker 3>in sixteen eleven, that is the last play that this

386
00:26:12.759 --> 00:26:16.799
<v Speaker 3>Shakespeare guy ever writes. Right. The weird thing is is

387
00:26:16.839 --> 00:26:21.000
<v Speaker 3>that it appears first ten years ten to fifteen years

388
00:26:21.079 --> 00:26:25.240
<v Speaker 3>later in the sixteen twenty three first folio of Shakespeare, right,

389
00:26:27.000 --> 00:26:31.119
<v Speaker 3>thirty six plays and the very last one that he wrote,

390
00:26:31.279 --> 00:26:34.519
<v Speaker 3>and arguably kind of the weirdest and kind of off.

391
00:26:35.000 --> 00:26:42.480
<v Speaker 3>It's like Shakespeare's Twin Peaks. It's it's very strange that

392
00:26:42.519 --> 00:26:48.519
<v Speaker 3>gets that gets it's first in the folio. So let's

393
00:26:48.519 --> 00:26:50.920
<v Speaker 3>see if I've lost me where I was going next,

394
00:26:50.960 --> 00:26:55.680
<v Speaker 3>but might not have. Okay, here we go, all right,

395
00:27:00.279 --> 00:27:06.079
<v Speaker 3>talk amongst yourselves. Okay, So sixteen twenty three, the first

396
00:27:06.079 --> 00:27:10.519
<v Speaker 3>folio goes out. Oh that's right. So while I'm talking

397
00:27:10.559 --> 00:27:15.960
<v Speaker 3>to Robert Frederick, this Bacon scholar, he's talking about the Tempest,

398
00:27:16.079 --> 00:27:18.839
<v Speaker 3>and he drops it on me that it's an initiation.

399
00:27:19.319 --> 00:27:23.559
<v Speaker 3>It's allegory. The entire Tempest, first play in the folio

400
00:27:23.640 --> 00:27:29.000
<v Speaker 3>of Shakespeare is an initiation allegory. And I start thinking

401
00:27:29.039 --> 00:27:33.799
<v Speaker 3>back to my own personal Shakespeare knowledge, and I know

402
00:27:33.880 --> 00:27:36.200
<v Speaker 3>that there's thirty six plays, and I go, well, dang,

403
00:27:36.880 --> 00:27:44.599
<v Speaker 3>if that's the first If that's the first degree of freemasonry,

404
00:27:44.720 --> 00:27:47.839
<v Speaker 3>the Tempest. There's thirty six plays in Shakespeare. And while

405
00:27:47.880 --> 00:27:51.119
<v Speaker 3>he's like talking, I'm literally pulling up other windows and

406
00:27:51.160 --> 00:27:54.960
<v Speaker 3>going through and looking, because I know that there's several

407
00:27:55.920 --> 00:28:00.680
<v Speaker 3>plays of Shakespeare's that are have two and one of

408
00:28:00.720 --> 00:28:04.119
<v Speaker 3>them has three parts. So as I can wonder if

409
00:28:04.160 --> 00:28:06.559
<v Speaker 3>I put the plays together that have more than one

410
00:28:06.599 --> 00:28:09.759
<v Speaker 3>part into one play, which is what they were. They

411
00:28:09.799 --> 00:28:12.720
<v Speaker 3>were just published separately because they were very long plays

412
00:28:12.759 --> 00:28:16.160
<v Speaker 3>and performed separately. If I match those down, what number

413
00:28:16.200 --> 00:28:18.960
<v Speaker 3>would I get? And of course I get thirty three plays.

414
00:28:19.720 --> 00:28:25.240
<v Speaker 3>So I spend the last two months picking through the

415
00:28:25.279 --> 00:28:29.720
<v Speaker 3>plays as best that I can and lining them up

416
00:28:29.880 --> 00:28:33.000
<v Speaker 3>in the order they are in this book to the

417
00:28:33.079 --> 00:28:39.160
<v Speaker 3>thirty three degrees of Scottish righte free masonry, which seems

418
00:28:39.200 --> 00:28:43.039
<v Speaker 3>off because Scottish righte masonry doesn't come around until the

419
00:28:43.079 --> 00:28:47.559
<v Speaker 3>seventeen hundreds, But if you actually look into the history,

420
00:28:48.160 --> 00:28:50.359
<v Speaker 3>depending on how far you take it back, I know,

421
00:28:50.480 --> 00:28:53.200
<v Speaker 3>for at least for me, that in Edinburgh there was

422
00:28:53.240 --> 00:28:59.920
<v Speaker 3>a lodge in well, let's see here. What's referred to

423
00:29:00.240 --> 00:29:03.400
<v Speaker 3>is proto Scottish rite free masonries, and the theory is

424
00:29:03.440 --> 00:29:08.000
<v Speaker 3>that it existed between fifteen hundred and sixteen hundred that early,

425
00:29:08.440 --> 00:29:12.119
<v Speaker 3>so just you know, just before the first Stuart King.

426
00:29:14.279 --> 00:29:18.039
<v Speaker 3>So a guy named William Shaw or there was something

427
00:29:18.079 --> 00:29:21.000
<v Speaker 3>that came out called the William Shaw Statutes between fifteen

428
00:29:21.079 --> 00:29:24.039
<v Speaker 3>ninety eight and fifteen ninety nine, and it established a

429
00:29:24.039 --> 00:29:26.839
<v Speaker 3>set of regulations for Scottish masons that look more like

430
00:29:26.920 --> 00:29:32.240
<v Speaker 3>mystical guild laws than operative rules. Shaw refers to masters

431
00:29:32.279 --> 00:29:34.759
<v Speaker 3>of the lodge and wardens in the same way that

432
00:29:34.799 --> 00:29:45.400
<v Speaker 3>they use master and warden in the operative speculative masonry lodges. Now,

433
00:29:46.000 --> 00:29:49.920
<v Speaker 3>there was an unusual wave of esoteric hermetic rosicrution activity

434
00:29:50.400 --> 00:29:53.640
<v Speaker 3>in Europe between fifteen eighty and sixteen twenty. Bruno D

435
00:29:53.839 --> 00:29:58.599
<v Speaker 3>Flood Bacon and the earliest known non operative or symbolic

436
00:29:58.640 --> 00:30:02.720
<v Speaker 3>masons appear in scott Land before sixteen hundred, and we

437
00:30:02.880 --> 00:30:06.400
<v Speaker 3>know that I think it was fifteen ninety eight King

438
00:30:06.519 --> 00:30:10.039
<v Speaker 3>James the First, who becomes the first Stuart King was

439
00:30:12.160 --> 00:30:18.440
<v Speaker 3>initiated into that Edinburgh Scottish lodge. So there is a

440
00:30:18.480 --> 00:30:22.960
<v Speaker 3>precedent that masonry was going on in at least Scotland

441
00:30:23.079 --> 00:30:26.440
<v Speaker 3>for sure, much earlier. And I believe that through the

442
00:30:26.440 --> 00:30:31.160
<v Speaker 3>Mayravnian line and these different monarchies with these this divine

443
00:30:31.240 --> 00:30:36.000
<v Speaker 3>right to rule kind of ethos, I believe that they

444
00:30:36.039 --> 00:30:40.680
<v Speaker 3>were practicing these kind of ancient mystery schools in one

445
00:30:40.720 --> 00:30:44.400
<v Speaker 3>way or another all the way back to the Mayorvngi

446
00:30:44.480 --> 00:30:49.119
<v Speaker 3>and probably much further depending on when it was adopted

447
00:30:49.119 --> 00:30:50.079
<v Speaker 3>from their kind of a.

448
00:30:50.119 --> 00:30:54.319
<v Speaker 1>Question really quick about that? Actually, yeah, because I know

449
00:30:54.519 --> 00:30:57.839
<v Speaker 1>that I know that the Mayorvngians play a part in

450
00:30:57.920 --> 00:31:01.880
<v Speaker 1>like the Shakespeare thing. But what is Francis Bacon supposed

451
00:31:01.920 --> 00:31:04.000
<v Speaker 1>to be from, like the mayor of Vingie and bloodline

452
00:31:04.079 --> 00:31:05.319
<v Speaker 1>or something is that.

453
00:31:05.880 --> 00:31:10.480
<v Speaker 3>It depends on how you look at that history, which

454
00:31:10.519 --> 00:31:19.079
<v Speaker 3>is super murky. H Francis Bacon was basically raised by

455
00:31:19.279 --> 00:31:28.880
<v Speaker 3>Queen Elizabeth, the first Queen Elizabeth was queen. So there's

456
00:31:28.920 --> 00:31:33.559
<v Speaker 3>also speculation that Francis Bacon was the illegitimate son of

457
00:31:34.680 --> 00:31:41.359
<v Speaker 3>Queen Elizabeth. So after Queen Elizabeth becomes the Queen in

458
00:31:41.519 --> 00:31:46.599
<v Speaker 3>the about six months before Francis Bacon is born to her,

459
00:31:46.759 --> 00:31:54.680
<v Speaker 3>Lord Keeper of the Seal, some people. It's on record

460
00:31:54.799 --> 00:31:58.279
<v Speaker 3>that some folks went to to see Queen Elizabeth at

461
00:31:58.279 --> 00:32:01.839
<v Speaker 3>court and then came back, and subsequently, a few weeks

462
00:32:01.880 --> 00:32:05.279
<v Speaker 3>after they came back to their fifdoms and whatever, they

463
00:32:05.319 --> 00:32:07.240
<v Speaker 3>got their tongues cut out, and they got hung and

464
00:32:07.240 --> 00:32:10.519
<v Speaker 3>they got their heads cut off because there's a rumor

465
00:32:11.720 --> 00:32:14.440
<v Speaker 3>that they were spreading around that I just went and

466
00:32:14.480 --> 00:32:17.160
<v Speaker 3>saw the queen and I don't think she's a virgin

467
00:32:17.200 --> 00:32:21.440
<v Speaker 3>queen anymore, because a bitch looks pregnant, right, And so

468
00:32:21.480 --> 00:32:25.480
<v Speaker 3>it's on record these people who you know, got mrked

469
00:32:25.519 --> 00:32:29.400
<v Speaker 3>because they were spreading this rumor about the infidelity of

470
00:32:29.440 --> 00:32:35.519
<v Speaker 3>the Queen. Well Francis Bacon is born to I can't

471
00:32:35.559 --> 00:32:38.279
<v Speaker 3>remember his dad's name, but he was the lord keeper

472
00:32:38.319 --> 00:32:43.799
<v Speaker 3>of the Seal four Queen Elizabeth like top advisor, and

473
00:32:43.960 --> 00:32:48.400
<v Speaker 3>immediately upon his birth he is moved into the court.

474
00:32:48.759 --> 00:32:54.720
<v Speaker 3>The baby he is educated by the Crown and then

475
00:32:55.400 --> 00:32:58.680
<v Speaker 3>put through either Cambridge or Oxford and then on to

476
00:32:58.799 --> 00:33:01.960
<v Speaker 3>Gray's Inn to learn law and then immediately becomes part

477
00:33:02.000 --> 00:33:05.119
<v Speaker 3>of the court and starts taking on advisory roles and

478
00:33:05.160 --> 00:33:09.039
<v Speaker 3>things like that with Queen Elizabeth. Now Queen Elizabeth's mom

479
00:33:09.160 --> 00:33:13.240
<v Speaker 3>was Anne Boleyn. Anne Boleyn was the chick that King

480
00:33:13.279 --> 00:33:19.279
<v Speaker 3>Henry the Eighth stopped Catholicism in England.

481
00:33:19.960 --> 00:33:20.160
<v Speaker 5>Four.

482
00:33:21.000 --> 00:33:24.279
<v Speaker 3>So King Henry the Eighth was married to Catherine of

483
00:33:27.359 --> 00:33:30.000
<v Speaker 3>it always sounds like a Lord of the Rings. It's Spain.

484
00:33:30.440 --> 00:33:37.680
<v Speaker 3>But Queen Catherine was King Henry the Eighth's wife. She

485
00:33:37.759 --> 00:33:40.920
<v Speaker 3>couldn't give him any kids, so he wanted a divorcer.

486
00:33:41.359 --> 00:33:44.079
<v Speaker 3>He went to the Pope and was like, Pope, can

487
00:33:44.119 --> 00:33:47.119
<v Speaker 3>I please get a divorce? And the Pope said no,

488
00:33:47.279 --> 00:33:49.279
<v Speaker 3>And that's where the big schism in the split in

489
00:33:49.720 --> 00:33:53.079
<v Speaker 3>England comes in. And so King Henry the eighth and

490
00:33:53.920 --> 00:33:58.240
<v Speaker 3>the Bishop of I guess Canterbury create this Anglican Church

491
00:33:58.279 --> 00:34:02.759
<v Speaker 3>of England thing. And the next chick is Anne Berlin,

492
00:34:03.359 --> 00:34:07.759
<v Speaker 3>and Berlin you follow her maternal blood line back, she

493
00:34:07.880 --> 00:34:13.320
<v Speaker 3>is Plantagenet, and the Plantagenet come from the maternal side

494
00:34:13.400 --> 00:34:18.159
<v Speaker 3>of the Mayrivingians, so it goes Marrivngian, and then on

495
00:34:18.199 --> 00:34:21.159
<v Speaker 3>the maternal side of the Maryvingian as they die out

496
00:34:21.320 --> 00:34:24.880
<v Speaker 3>the Carolinians. So you're talking about the Court of Charlemagne.

497
00:34:25.599 --> 00:34:30.440
<v Speaker 3>The maternal side of the Court of Charlemagne was comes

498
00:34:30.440 --> 00:34:32.679
<v Speaker 3>from the Mayor Ofvngians. And then the maternal side of

499
00:34:32.679 --> 00:34:36.679
<v Speaker 3>the Court of Charlemagne creates the Plantagenet line, and then

500
00:34:36.800 --> 00:34:40.679
<v Speaker 3>on up and then and it moves right into the

501
00:34:41.400 --> 00:34:44.639
<v Speaker 3>Bruces and the Stewarts and and then.

502
00:34:44.559 --> 00:34:48.719
<v Speaker 1>Obviously that's the Megan Markele thing, right because she's from

503
00:34:48.840 --> 00:34:53.079
<v Speaker 1>Robert the Bruce's line. So she's got like they were like, oh,

504
00:34:53.280 --> 00:34:55.519
<v Speaker 1>you know, he found this really nice black girl, and

505
00:34:55.559 --> 00:34:59.639
<v Speaker 1>he's going rogue. No he's not, Like, he's not going rogue.

506
00:35:00.119 --> 00:35:04.039
<v Speaker 3>Legitimately, Megan Markle has a stronger claim to the throne

507
00:35:05.079 --> 00:35:07.199
<v Speaker 3>if I mean the Stewarts. That's what I've said for

508
00:35:07.320 --> 00:35:11.800
<v Speaker 3>years Stuarts. Yeah, the Stewarts had a stronger claim to

509
00:35:11.840 --> 00:35:16.159
<v Speaker 3>the throne before Queen Elizabeth. So when he got the

510
00:35:16.199 --> 00:35:19.920
<v Speaker 3>divorce from Catherine Mary, Queen of Scott's, who was the

511
00:35:20.000 --> 00:35:22.960
<v Speaker 3>Queen of Scotland at the time, she had a better

512
00:35:23.239 --> 00:35:26.039
<v Speaker 3>claim to the throne than any of King Henry the

513
00:35:26.079 --> 00:35:31.199
<v Speaker 3>Eight's children, because all King Henry the Eight's children were

514
00:35:31.760 --> 00:35:35.360
<v Speaker 3>their mothers were not noble women. They were of no

515
00:35:35.719 --> 00:35:40.480
<v Speaker 3>like kind of monarch bloodline. But King Henry the Eight's brother,

516
00:35:40.519 --> 00:35:44.719
<v Speaker 3>if I'm not mistaken, or his sister, Mary, Queen of

517
00:35:44.719 --> 00:35:47.920
<v Speaker 3>Scott's is the daughter, he's like the uncle to Mary,

518
00:35:47.960 --> 00:35:50.159
<v Speaker 3>Queen of Scott's, So Mary Queen of Scott's had a

519
00:35:50.159 --> 00:35:53.599
<v Speaker 3>better claim to the throne. But of course they didn't

520
00:35:53.639 --> 00:35:56.079
<v Speaker 3>let that happen. First, they let Henry the Eight's sickly

521
00:35:56.159 --> 00:36:00.400
<v Speaker 3>little like young son. He dies, and then bloody Mary

522
00:36:00.719 --> 00:36:04.440
<v Speaker 3>becomes the queen and she doesn't end up with an

523
00:36:04.440 --> 00:36:09.400
<v Speaker 3>air and she dies, and then Queen Elizabeth she's like

524
00:36:09.480 --> 00:36:11.880
<v Speaker 3>last in line. Because I think Anne Boleyn was kind

525
00:36:11.920 --> 00:36:16.960
<v Speaker 3>of the viewed by the monarchy as the skeasiest of

526
00:36:17.000 --> 00:36:22.119
<v Speaker 3>all Henry's chicks, and so Elizabeth spent most of her

527
00:36:22.119 --> 00:36:26.880
<v Speaker 3>life in the Tower of London, like in prison, because

528
00:36:27.639 --> 00:36:30.000
<v Speaker 3>Bloody Mary was afraid they were going to depose her

529
00:36:30.119 --> 00:36:34.280
<v Speaker 3>and put Elizabeth in anyway, so Elizabeth doesn't have a

530
00:36:34.320 --> 00:36:36.960
<v Speaker 3>strong claim to the throne. It's her cousin over in Scotland.

531
00:36:37.519 --> 00:36:40.880
<v Speaker 3>And Queen Elizabeth when she gets on the throne, she's

532
00:36:40.880 --> 00:36:46.719
<v Speaker 3>so sketched out that Mary, Queen of Scott's is going

533
00:36:46.760 --> 00:36:49.840
<v Speaker 3>to take her out and take over the throne that

534
00:36:49.960 --> 00:36:54.639
<v Speaker 3>she finally has They come to an agreement and she's like, look,

535
00:36:55.639 --> 00:36:57.679
<v Speaker 3>if you don't try to kill me and take my

536
00:36:57.800 --> 00:37:01.920
<v Speaker 3>throne when I die, since I'm the virgin Queen, I'll

537
00:37:02.000 --> 00:37:07.599
<v Speaker 3>name your son James as my heir right. So they

538
00:37:07.599 --> 00:37:10.880
<v Speaker 3>make that agreement and then Queen Elizabeth has Mary, Queen

539
00:37:10.880 --> 00:37:14.840
<v Speaker 3>of Scott's head cut off anyway, But when Queen Elizabeth dies,

540
00:37:15.239 --> 00:37:18.039
<v Speaker 3>that is when King James the First becomes the King

541
00:37:18.320 --> 00:37:21.960
<v Speaker 3>of England and thus the first Stuart, and that brings

542
00:37:21.960 --> 00:37:25.559
<v Speaker 3>in the Bruces and the mayor Bengie implantation, and that

543
00:37:25.559 --> 00:37:28.519
<v Speaker 3>that whole line all comes together with the Stewarts. And

544
00:37:28.679 --> 00:37:31.039
<v Speaker 3>I forgot where I was real quick.

545
00:37:31.079 --> 00:37:32.920
<v Speaker 4>If you don't mind, then I'll want to look.

546
00:37:33.840 --> 00:37:35.800
<v Speaker 2>I can't remember even specific, so it might have been

547
00:37:35.800 --> 00:37:40.719
<v Speaker 2>Michael Meyer or Michael Mayer, and I can't remember the

548
00:37:40.760 --> 00:37:44.199
<v Speaker 2>other people. Well, there was I going back a year

549
00:37:44.239 --> 00:37:46.840
<v Speaker 2>and a half two years ago, there was some certain

550
00:37:46.880 --> 00:37:50.000
<v Speaker 2>alchemists or occultists that me and me and Lisa had

551
00:37:50.079 --> 00:37:57.199
<v Speaker 2>covered that were all somehow like showing up around King James,

552
00:37:57.719 --> 00:37:59.079
<v Speaker 2>which I had no idea.

553
00:37:59.079 --> 00:38:00.039
<v Speaker 4>I never really.

554
00:38:00.280 --> 00:38:02.519
<v Speaker 2>Didn't realize how much yeah was and I was like, oh,

555
00:38:02.559 --> 00:38:04.679
<v Speaker 2>there's way too many now to where it's coincidence.

556
00:38:05.800 --> 00:38:10.000
<v Speaker 3>So so you you definitely have him getting initiated into

557
00:38:10.119 --> 00:38:17.719
<v Speaker 3>the into the that very early lodge in Scotland, and

558
00:38:17.760 --> 00:38:20.119
<v Speaker 3>then he was surrounded by the same type of people

559
00:38:20.639 --> 00:38:24.960
<v Speaker 3>that Queen Elizabeth was. I mean she she's John Dee's chick.

560
00:38:25.039 --> 00:38:28.199
<v Speaker 3>I mean John d was her like personal kind of

561
00:38:28.280 --> 00:38:33.840
<v Speaker 3>spiritual advisor. And that is who most likely Francis Bacon

562
00:38:34.159 --> 00:38:38.119
<v Speaker 3>was tutored. You imagine your your mom is the queen,

563
00:38:38.239 --> 00:38:42.039
<v Speaker 3>but she's not claiming you as her son. And then

564
00:38:42.039 --> 00:38:45.679
<v Speaker 3>she's got this you know, the original Double seven, spying

565
00:38:46.000 --> 00:38:50.360
<v Speaker 3>and talking to angel demons to tell her how to

566
00:38:50.440 --> 00:38:54.159
<v Speaker 3>run the country. And then this little kid kicking around

567
00:38:54.199 --> 00:38:56.920
<v Speaker 3>the court is getting and there's only there's like no

568
00:38:57.280 --> 00:39:02.679
<v Speaker 3>letters or evidence that Francis Bacon had any contact or

569
00:39:02.719 --> 00:39:07.760
<v Speaker 3>anything with John D. But it's so completely obvious by

570
00:39:07.760 --> 00:39:11.360
<v Speaker 3>their interests and their their their education that he was

571
00:39:11.400 --> 00:39:15.599
<v Speaker 3>probably his biggest mentor there's one wood cutting that they

572
00:39:15.800 --> 00:39:20.079
<v Speaker 3>found and people use it for all kinds of like podcasts,

573
00:39:20.119 --> 00:39:23.559
<v Speaker 3>like thumbnails and whatnot. But it's it's an old wizard

574
00:39:23.800 --> 00:39:28.440
<v Speaker 3>looking wizard guy who is John D, holding like passing

575
00:39:28.519 --> 00:39:32.800
<v Speaker 3>a lantern to a younger man, and that they're pretty

576
00:39:32.800 --> 00:39:36.639
<v Speaker 3>sure that depicts John D. And Francis Bacon. I think

577
00:39:37.159 --> 00:39:39.639
<v Speaker 3>that it's official that the old guy is John D.

578
00:39:39.760 --> 00:39:41.280
<v Speaker 3>And they don't know who the other guy is that

579
00:39:41.320 --> 00:39:42.960
<v Speaker 3>he's passing the enlightenment onto.

580
00:39:43.039 --> 00:39:46.320
<v Speaker 1>But it's it's so what do you think about Like

581
00:39:47.119 --> 00:39:50.360
<v Speaker 1>I think Shakespeare could have been you hinted at this

582
00:39:50.559 --> 00:39:54.000
<v Speaker 1>like a court of people or a council of people

583
00:39:54.079 --> 00:39:57.639
<v Speaker 1>that in Francis Bacon was on there. But they say,

584
00:39:57.679 --> 00:40:02.119
<v Speaker 1>you know, oh, well Shakespeare wrote the Bible, King James Bible.

585
00:40:02.760 --> 00:40:04.320
<v Speaker 1>No that, but it would have been it would have

586
00:40:04.360 --> 00:40:07.000
<v Speaker 1>been somebody or all of the members of the court,

587
00:40:07.079 --> 00:40:08.559
<v Speaker 1>right or yeah.

588
00:40:08.559 --> 00:40:11.000
<v Speaker 3>So that's the funny thing about the King James Bible.

589
00:40:11.119 --> 00:40:13.960
<v Speaker 3>And and also remember too that sixteen eleven the Bible

590
00:40:14.000 --> 00:40:17.599
<v Speaker 3>comes out, and that's the same year that the very

591
00:40:17.679 --> 00:40:20.840
<v Speaker 3>last Shakespeare play comes out. So it's like off a

592
00:40:20.920 --> 00:40:25.920
<v Speaker 3>one project and onto the next project, and they'll that'll

593
00:40:25.960 --> 00:40:28.559
<v Speaker 3>play in when I actually finally get into the meat

594
00:40:28.639 --> 00:40:32.760
<v Speaker 3>of this stuff. It'll really play into this research the

595
00:40:33.079 --> 00:40:36.320
<v Speaker 3>Bible with Shakespeare. So it's kind of funny because, as

596
00:40:36.400 --> 00:40:43.280
<v Speaker 3>I understand it, people say a common myth is that

597
00:40:43.320 --> 00:40:47.559
<v Speaker 3>Shakespeare wrote the Bible. But they say that because he

598
00:40:48.239 --> 00:40:51.880
<v Speaker 3>met the Shakespeare guy, because he ran in the same circles,

599
00:40:52.280 --> 00:40:56.079
<v Speaker 3>may have been a part of the group that historically

600
00:40:56.119 --> 00:40:59.239
<v Speaker 3>we know that Francis Bacon was the head of that

601
00:40:59.280 --> 00:41:02.599
<v Speaker 3>wrote the King James Bible for King James. So like

602
00:41:03.000 --> 00:41:07.199
<v Speaker 3>Francis Bacon was officially what we know of, he was

603
00:41:07.360 --> 00:41:09.519
<v Speaker 3>the kind of head of the council that was putting

604
00:41:09.519 --> 00:41:14.960
<v Speaker 3>together the King James Bible. And so people assume Shakespeare

605
00:41:15.000 --> 00:41:16.760
<v Speaker 3>wrote the King James Bible because he was part of

606
00:41:16.760 --> 00:41:19.599
<v Speaker 3>that group. But then when you say that Francis Bacon

607
00:41:19.679 --> 00:41:23.000
<v Speaker 3>might probably wrote Shakespeare because he was part of that group,

608
00:41:23.559 --> 00:41:25.960
<v Speaker 3>people are like, no, come on this, you know, I

609
00:41:26.000 --> 00:41:30.639
<v Speaker 3>mean Straffordians. They're like, that can't be possible, even though

610
00:41:30.639 --> 00:41:34.880
<v Speaker 3>there's far more, you know, evidence that Francis Bacon may

611
00:41:35.239 --> 00:41:38.559
<v Speaker 3>have quite quite quite possibly have been the most brilliant

612
00:41:38.599 --> 00:41:40.360
<v Speaker 3>person to ever walk the face of the planet.

613
00:41:40.400 --> 00:41:43.760
<v Speaker 1>I mean, he absolutely, I'm starting to gather that just

614
00:41:43.920 --> 00:41:46.760
<v Speaker 1>based on, like, you know, doing some of my own

615
00:41:46.840 --> 00:41:49.800
<v Speaker 1>research about him, and he keeps popping up and shit,

616
00:41:49.920 --> 00:41:52.519
<v Speaker 1>and I'm like, who is this dude? He's like fucking

617
00:41:52.599 --> 00:41:57.159
<v Speaker 1>obscure kind of Yeah, he's everywhere in nowhere, you know

618
00:41:57.199 --> 00:41:57.639
<v Speaker 1>what I mean.

619
00:41:58.119 --> 00:42:02.519
<v Speaker 3>Yeah, he's I think I have a quote here somewhere.

620
00:42:04.239 --> 00:42:05.599
<v Speaker 3>I can't remember what it was, but it was a

621
00:42:05.599 --> 00:42:09.920
<v Speaker 3>really great Shakespeare and Bacon quote. But yeah, Francis Bacon

622
00:42:11.400 --> 00:42:16.119
<v Speaker 3>in his time. Somebody had said that Francis Bacon, by

623
00:42:16.159 --> 00:42:18.880
<v Speaker 3>the age of twelve, had already read everything in print.

624
00:42:19.599 --> 00:42:22.519
<v Speaker 3>He spoke like four or five languages by that age.

625
00:42:22.639 --> 00:42:26.159
<v Speaker 3>By fifteen, he was at either Oxford or Cambridge, I

626
00:42:26.159 --> 00:42:29.400
<v Speaker 3>can't remember which one, going to college. By sixteen he

627
00:42:29.480 --> 00:42:33.039
<v Speaker 3>quit because he was bored, and by like I'm sorry,

628
00:42:33.039 --> 00:42:35.880
<v Speaker 3>maybe fourteen he was there. By fifteen he quit, and

629
00:42:35.880 --> 00:42:39.039
<v Speaker 3>then by sixteen he was back teaching, so he was

630
00:42:39.079 --> 00:42:42.039
<v Speaker 3>teaching at one of those two prestigious schools when he

631
00:42:42.119 --> 00:42:47.360
<v Speaker 3>was barely just a teenager, you know, and then moves

632
00:42:47.400 --> 00:42:50.039
<v Speaker 3>on to Gray's Inn, becomes a great lawyer. And then

633
00:42:50.320 --> 00:42:52.840
<v Speaker 3>it is in the court not only that he was

634
00:42:52.880 --> 00:42:55.079
<v Speaker 3>doing the same things that John d was, and that

635
00:42:55.119 --> 00:43:00.239
<v Speaker 3>he was he had a big hand in Elizabeth kind

636
00:43:00.280 --> 00:43:04.519
<v Speaker 3>of spy network. He was writing tons of ciphers and

637
00:43:04.719 --> 00:43:07.599
<v Speaker 3>mathematics and cryptology and doing it. I mean, he created

638
00:43:07.639 --> 00:43:13.480
<v Speaker 3>the scientific method. He was he was absolutely brilliant. I mean,

639
00:43:13.519 --> 00:43:17.199
<v Speaker 3>there's definitely evidence that he was a polymath and he

640
00:43:17.199 --> 00:43:22.159
<v Speaker 3>could have written plays and done impossible math work. And

641
00:43:22.599 --> 00:43:26.840
<v Speaker 3>but did that person just say they were bored? I

642
00:43:26.880 --> 00:43:27.119
<v Speaker 3>don't know.

643
00:43:27.159 --> 00:43:29.280
<v Speaker 4>It's also before sixteen.

644
00:43:30.159 --> 00:43:36.079
<v Speaker 3>Oh okay, this threw me. I thought she was bored

645
00:43:36.119 --> 00:43:40.159
<v Speaker 3>with me. Oh no, no, no, Anyway, I should probably

646
00:43:40.199 --> 00:43:42.519
<v Speaker 3>get into the actual because I've been rambling for like

647
00:43:42.559 --> 00:43:45.760
<v Speaker 3>an hour and it's I haven't even gotten into it yet.

648
00:43:45.840 --> 00:43:47.719
<v Speaker 4>So alright, all right, all.

649
00:43:47.679 --> 00:43:51.400
<v Speaker 3>Right, all right, right, So the whole tempest thing got

650
00:43:51.400 --> 00:43:54.360
<v Speaker 3>me interested. I found the connection there with the thirty three,

651
00:43:55.039 --> 00:43:59.639
<v Speaker 3>the thirty three degrees of Freemasonry, and so I plotted

652
00:43:59.679 --> 00:44:01.639
<v Speaker 3>them all out and mapped them all out and I'm

653
00:44:01.679 --> 00:44:05.320
<v Speaker 3>just gonna go. What I found was they were exact.

654
00:44:05.519 --> 00:44:09.199
<v Speaker 3>Every single degree explains every single play, and every single

655
00:44:09.239 --> 00:44:13.719
<v Speaker 3>play has elements of every single one of its corresponding degrees.

656
00:44:13.800 --> 00:44:15.800
<v Speaker 3>And it's it's eerily so you.

657
00:44:15.800 --> 00:44:17.440
<v Speaker 2>Know, there's one thing I want to mention too, like

658
00:44:17.480 --> 00:44:20.039
<v Speaker 2>this times you know this, This is really interesting that

659
00:44:20.079 --> 00:44:22.719
<v Speaker 2>you're saying this. I would even wonder about some of

660
00:44:22.719 --> 00:44:26.719
<v Speaker 2>these in orders because could those be other books or something,

661
00:44:27.360 --> 00:44:29.920
<v Speaker 2>because there's been times of me and the first I

662
00:44:29.920 --> 00:44:32.719
<v Speaker 2>think luck is with him we had common I think

663
00:44:32.760 --> 00:44:34.079
<v Speaker 2>quats and a couple.

664
00:44:33.920 --> 00:44:36.880
<v Speaker 4>Of in orders. Oh yeah, yeah, he says, And they

665
00:44:36.920 --> 00:44:38.320
<v Speaker 4>will mention Shakespeare.

666
00:44:39.159 --> 00:44:42.800
<v Speaker 3>Yeah, and they claim him, they claim him as as

667
00:44:42.880 --> 00:44:45.400
<v Speaker 3>their own. I mean, he becomes part of that lore

668
00:44:45.519 --> 00:44:47.719
<v Speaker 3>like Hiram abif you know, I mean, I think we

669
00:44:47.760 --> 00:44:50.639
<v Speaker 3>all know that there wasn't actually a guy named Hiram Abiff,

670
00:44:52.440 --> 00:44:56.760
<v Speaker 3>but it it it explains some part of their of

671
00:44:56.800 --> 00:44:59.719
<v Speaker 3>their story. And it's kind of the same as that

672
00:44:59.760 --> 00:45:03.679
<v Speaker 3>Mary Bengian, you know, Christ's bloodline, like it imbues that

673
00:45:03.920 --> 00:45:10.039
<v Speaker 3>monarchy with importance and the more folks that they you know,

674
00:45:10.159 --> 00:45:17.440
<v Speaker 3>my buddy is Daniel Duke, who is the great great

675
00:45:17.480 --> 00:45:23.360
<v Speaker 3>grandson of the real Jesse James. And you know, I

676
00:45:23.400 --> 00:45:25.280
<v Speaker 3>asked him if he was getting any He's the guy

677
00:45:25.280 --> 00:45:28.320
<v Speaker 3>that wrote Jesse James and the Lost Templar Treasure, which

678
00:45:28.320 --> 00:45:30.719
<v Speaker 3>I know sounds crazy. That's why I bought the book,

679
00:45:31.199 --> 00:45:34.079
<v Speaker 3>but it's insane. Jesse James was part of the Knights

680
00:45:34.079 --> 00:45:37.880
<v Speaker 3>of the Golden Circle. He was a freemason, and his

681
00:45:39.000 --> 00:45:41.760
<v Speaker 3>maps that have been uncovered match up to all the

682
00:45:41.760 --> 00:45:45.440
<v Speaker 3>Templar symbol symbolism and whatnot. And I asked him, I

683
00:45:45.480 --> 00:45:47.239
<v Speaker 3>was like, are you worried, you know, you're you know,

684
00:45:48.679 --> 00:45:50.719
<v Speaker 3>exposing some of this stuff, and he was like, no, no,

685
00:45:51.119 --> 00:45:53.159
<v Speaker 3>He's like they they love me, man. They did a

686
00:45:53.159 --> 00:45:56.159
<v Speaker 3>blurb for the back of my book and whatnot. Because

687
00:45:58.679 --> 00:46:02.000
<v Speaker 3>these guys added to their it doesn't it doesn't hurt them,

688
00:46:02.199 --> 00:46:05.199
<v Speaker 3>and they can pick and choose and you know, kind

689
00:46:05.199 --> 00:46:08.760
<v Speaker 3>of explain to their their adepts who was real and

690
00:46:08.800 --> 00:46:11.880
<v Speaker 3>who wasn't, and who's who were using as allegory or

691
00:46:11.920 --> 00:46:20.719
<v Speaker 3>symbolism and anyway. So I map those thirty three degrees

692
00:46:20.760 --> 00:46:23.719
<v Speaker 3>to the thirty three plays that start off as thirty six,

693
00:46:23.760 --> 00:46:26.760
<v Speaker 3>but I combined the plays that have more than one

694
00:46:26.800 --> 00:46:33.599
<v Speaker 3>part and then that led me to mapping both the

695
00:46:33.679 --> 00:46:37.000
<v Speaker 3>degrees and the plays onto another thing that I'll get

696
00:46:37.079 --> 00:46:39.719
<v Speaker 3>to as I as I go through a few of

697
00:46:39.719 --> 00:46:43.320
<v Speaker 3>these plays, and then that led me to another piece

698
00:46:43.440 --> 00:46:46.440
<v Speaker 3>of esotericism that maps on to all of them. So

699
00:46:46.519 --> 00:46:50.440
<v Speaker 3>this is four kind of streams of data that all

700
00:46:51.480 --> 00:46:57.320
<v Speaker 3>all come together. And stream three and four are stream

701
00:46:57.400 --> 00:46:59.599
<v Speaker 3>three for sure, I don't think anybody, because I can't

702
00:46:59.639 --> 00:47:05.199
<v Speaker 3>find it anywhere. Nobody's ever mentioned what I'll show you,

703
00:47:06.000 --> 00:47:11.239
<v Speaker 3>which is like stream three. Now, obviously the Masons have

704
00:47:11.360 --> 00:47:15.440
<v Speaker 3>talked about Shakespeare being one of their guys. I've even

705
00:47:15.480 --> 00:47:20.920
<v Speaker 3>heard it said that Shakespeare wrote our Our Our, our bylaws.

706
00:47:21.000 --> 00:47:23.360
<v Speaker 3>I think a Mason has actually said that to me.

707
00:47:25.079 --> 00:47:28.599
<v Speaker 3>So that theory is out there. I My point with

708
00:47:28.679 --> 00:47:33.760
<v Speaker 3>this is to kind of show that the framework was

709
00:47:34.159 --> 00:47:38.559
<v Speaker 3>already there before. Yeah, there's all kinds of great uh

710
00:47:39.639 --> 00:47:45.239
<v Speaker 3>geometry in the the shakespeare first folio. But my point

711
00:47:45.320 --> 00:47:49.079
<v Speaker 3>is to kind of show that the the framework for

712
00:47:49.239 --> 00:47:57.559
<v Speaker 3>masonry was there in the Shakespearean plays before the Scottish

713
00:47:57.639 --> 00:48:00.440
<v Speaker 3>rite of freemasonry. And so that's the line of succession.

714
00:48:00.440 --> 00:48:01.960
<v Speaker 3>Because I think a lot of people could just look

715
00:48:01.960 --> 00:48:04.280
<v Speaker 3>at it and go, oh, yeah, the degrees match up

716
00:48:04.320 --> 00:48:09.239
<v Speaker 3>because obviously, you know, Scottish Rite came after Shakespeare, and

717
00:48:09.440 --> 00:48:11.360
<v Speaker 3>so they thought this was a cool book, and they

718
00:48:11.400 --> 00:48:13.400
<v Speaker 3>took the symbolism out of it, but I think they

719
00:48:13.480 --> 00:48:18.000
<v Speaker 3>recognized the symbolism that was already there anyway. So I'm

720
00:48:17.960 --> 00:48:22.880
<v Speaker 3>gonna go through the tempest real quick. First, quick summary

721
00:48:23.000 --> 00:48:27.400
<v Speaker 3>of the tempest. Prospero, the rightful Duke of Milan and

722
00:48:27.519 --> 00:48:30.559
<v Speaker 3>master of the magical Arts, use a sorcery to shipwreck

723
00:48:30.639 --> 00:48:35.599
<v Speaker 3>his usurping brother and others upon his island. Through careful

724
00:48:36.079 --> 00:48:40.360
<v Speaker 3>through carefully orchestrated illusions, he confronts betrayal, restores harmony, and

725
00:48:40.440 --> 00:48:45.639
<v Speaker 3>ultimately chooses forgiveness over vengeance. In masonry, the entered apprentice

726
00:48:45.639 --> 00:48:50.440
<v Speaker 3>that's the first degree, represents initiation, purification in the awakening

727
00:48:50.480 --> 00:48:54.079
<v Speaker 3>of latent potential. It symbolizes the beginning of the spiritual

728
00:48:54.159 --> 00:48:58.239
<v Speaker 3>journey and moving from chaos into ordered understanding and entering

729
00:48:58.480 --> 00:49:04.159
<v Speaker 3>the island of symbolic instruction. So in the play, Prospero

730
00:49:04.280 --> 00:49:09.199
<v Speaker 3>functions as the initiator. He guides all the others on

731
00:49:09.280 --> 00:49:13.519
<v Speaker 3>the on the island through ordeals, storms, illusions, tests the

732
00:49:13.639 --> 00:49:17.400
<v Speaker 3>character much like the candidate and freemasonry is guided through

733
00:49:17.400 --> 00:49:22.880
<v Speaker 3>symbolic storms. Ariel performs the role of spiritual messenger, while

734
00:49:22.960 --> 00:49:28.719
<v Speaker 3>Caliban embodies the unrefined natural man. The apprentice must overcome.

735
00:49:29.280 --> 00:49:34.480
<v Speaker 3>The entire island becomes an allegorical lodge of transformation. So

736
00:49:34.559 --> 00:49:36.559
<v Speaker 3>I read those two things together and go, okay, that's

737
00:49:36.920 --> 00:49:39.760
<v Speaker 3>one for one tempest to the first degree. Right. So

738
00:49:39.840 --> 00:49:44.760
<v Speaker 3>then I pull out my old trustee copy of Morals

739
00:49:44.760 --> 00:49:47.199
<v Speaker 3>and Dogma, and I'm like, well, let me just dig

740
00:49:47.239 --> 00:49:50.599
<v Speaker 3>through these and see what signs and symbols and things

741
00:49:50.639 --> 00:49:53.559
<v Speaker 3>like that from each degree might map onto the plays

742
00:49:53.559 --> 00:49:58.360
<v Speaker 3>as well. Right, So first degree, the entered apprenticed the

743
00:49:58.440 --> 00:50:01.199
<v Speaker 3>degree symbols. There are a twenty four inch gauge, which

744
00:50:01.239 --> 00:50:04.719
<v Speaker 3>is a measurement of time, the common gavel for breaking

745
00:50:04.760 --> 00:50:09.920
<v Speaker 3>away vices, the rough ashlar, which is just a rough stone,

746
00:50:11.280 --> 00:50:13.760
<v Speaker 3>and the light or the great light. So the way

747
00:50:13.800 --> 00:50:18.280
<v Speaker 3>that's mirrored in the tempest is Prospero's entire magical operation

748
00:50:18.519 --> 00:50:21.480
<v Speaker 3>is timed to the minute in the play, the hour

749
00:50:21.599 --> 00:50:25.440
<v Speaker 3>has now come as a quote, mirroring the twenty four

750
00:50:25.480 --> 00:50:29.119
<v Speaker 3>inch gauge as the symbol of time management. The shipwreck

751
00:50:29.199 --> 00:50:31.960
<v Speaker 3>Nobles or the rough ashlar is broken down by trials.

752
00:50:32.000 --> 00:50:36.599
<v Speaker 3>The Island experience chips away their vices just like the gavel,

753
00:50:36.800 --> 00:50:40.679
<v Speaker 3>and then the final reconciliation is the perfect Ashlar, the

754
00:50:40.760 --> 00:50:47.920
<v Speaker 3>raw characters refined. So as I'm going through that, I start,

755
00:50:48.239 --> 00:50:51.079
<v Speaker 3>I don't know if I can pick this up and

756
00:50:51.159 --> 00:50:55.719
<v Speaker 3>show you guys real quick another really strange. This book

757
00:50:55.880 --> 00:51:00.519
<v Speaker 3>is batshit crazy? Can you see that? Do you see?

758
00:51:00.599 --> 00:51:03.440
<v Speaker 3>This is the table of contents, right, do you see?

759
00:51:04.119 --> 00:51:06.760
<v Speaker 3>Just take a quick look at the numbers of the pages,

760
00:51:06.800 --> 00:51:09.639
<v Speaker 3>and what you'll notice is like the tempest starts at

761
00:51:09.679 --> 00:51:13.119
<v Speaker 3>page one, but then all the other page numbers are

762
00:51:13.159 --> 00:51:15.960
<v Speaker 3>out of order. You can be on page two hundred

763
00:51:15.960 --> 00:51:18.840
<v Speaker 3>and fifty, flip over two pages and you're on page

764
00:51:18.840 --> 00:51:22.360
<v Speaker 3>forty five and then and that's that's something that people

765
00:51:22.360 --> 00:51:25.159
<v Speaker 3>have brought up about this. I mean, here's page ninety three.

766
00:51:25.320 --> 00:51:33.159
<v Speaker 3>I go back a big chunk fifty way back here.

767
00:51:33.159 --> 00:51:36.880
<v Speaker 3>I'm back to fifty five. I mean, and I've always

768
00:51:36.960 --> 00:51:41.559
<v Speaker 3>thought that that meant something, But I'm not mathematically minded.

769
00:51:41.639 --> 00:51:45.119
<v Speaker 3>So whatever codes that you know, Petro Aminsen and the

770
00:51:45.119 --> 00:51:47.920
<v Speaker 3>Oak Island boys are figuring out, like I don't have

771
00:51:48.039 --> 00:51:53.920
<v Speaker 3>the wherewithal. But what I did notice was that the

772
00:51:54.079 --> 00:52:02.719
<v Speaker 3>very last, the very last play in the Shakespearean First

773
00:52:02.760 --> 00:52:07.639
<v Speaker 3>Folio starts on page three sixty nine, and it's only

774
00:52:07.679 --> 00:52:11.800
<v Speaker 3>about five or six pages long, right, So that puts

775
00:52:11.840 --> 00:52:14.840
<v Speaker 3>me around three hundred and seventy five. And so I

776
00:52:14.880 --> 00:52:17.559
<v Speaker 3>start looking around, like, what from sixteen to eleven, what

777
00:52:17.639 --> 00:52:21.599
<v Speaker 3>was Bacon involved in that might match to that? Well,

778
00:52:21.679 --> 00:52:24.519
<v Speaker 3>three sixty nine is like a perfect number. I can't

779
00:52:24.559 --> 00:52:27.320
<v Speaker 3>remember I went through all that, but I try to

780
00:52:27.360 --> 00:52:29.679
<v Speaker 3>stay away from the numerology as much as I can.

781
00:52:32.239 --> 00:52:35.960
<v Speaker 3>But I start looking around, and what I find is

782
00:52:36.039 --> 00:52:41.679
<v Speaker 3>that Proverbs in the Bible has exactly three hundred and

783
00:52:41.719 --> 00:52:47.960
<v Speaker 3>seventy five proverbs. So Solomon wrote proverbs. We all know

784
00:52:48.119 --> 00:52:53.280
<v Speaker 3>that Francis Bacon was obsessed with Solomon, the Masons are

785
00:52:53.320 --> 00:52:56.599
<v Speaker 3>obsessed with Solomon. And I'm like, maybe this is a match.

786
00:52:58.519 --> 00:53:02.320
<v Speaker 3>And since we have this whole table of random numbers,

787
00:53:03.800 --> 00:53:06.239
<v Speaker 3>almost this random number generator, I was like, there's no

788
00:53:06.400 --> 00:53:11.480
<v Speaker 3>way that these these numbers could match up to the

789
00:53:11.519 --> 00:53:16.199
<v Speaker 3>corresponding the play with the corresponding proverb. And so when

790
00:53:16.199 --> 00:53:19.599
<v Speaker 3>I say three hundred and seventy five proverbs, these proverbs

791
00:53:19.599 --> 00:53:23.320
<v Speaker 3>are things like, uh, let's see here a wise son

792
00:53:23.400 --> 00:53:25.800
<v Speaker 3>maketh a glad father, but a foolish son is the

793
00:53:25.840 --> 00:53:29.639
<v Speaker 3>heaviness of his mother. They're like two line little pieces

794
00:53:29.639 --> 00:53:33.119
<v Speaker 3>of wisdom that Solomon wrote down. And the crazy thing

795
00:53:33.280 --> 00:53:36.960
<v Speaker 3>is is that nobody in the history of the Bible

796
00:53:37.039 --> 00:53:41.280
<v Speaker 3>has ever took Everybody talks about how amazing advice this

797
00:53:41.480 --> 00:53:46.360
<v Speaker 3>solemnonic these proverbs are, but nobody wants has ever gone

798
00:53:46.440 --> 00:53:51.519
<v Speaker 3>and just pulled them out in order and just put one, two, three, four, five,

799
00:53:51.760 --> 00:53:54.559
<v Speaker 3>Nobody all the way down to three seventy five. So

800
00:53:54.599 --> 00:53:57.639
<v Speaker 3>I had to open the Bible and go through three

801
00:53:57.760 --> 00:54:00.960
<v Speaker 3>hundred and seventy five proverbs in order and write them

802
00:54:01.039 --> 00:54:07.039
<v Speaker 3>down right. And I'm glad I did because so and

803
00:54:07.039 --> 00:54:09.440
<v Speaker 3>what you'll see with the way these map in the

804
00:54:09.519 --> 00:54:14.159
<v Speaker 3>beginning degrees just like the degrees are in masonry. It's

805
00:54:14.199 --> 00:54:17.800
<v Speaker 3>a little light. The symbolism fits, but it might be

806
00:54:17.840 --> 00:54:21.760
<v Speaker 3>a little bit tangential and a little fluffy and not real.

807
00:54:21.840 --> 00:54:26.840
<v Speaker 3>There's not a whole lot of like weight on it.

808
00:54:27.199 --> 00:54:30.679
<v Speaker 3>And then as we get further and further and further in,

809
00:54:30.800 --> 00:54:35.000
<v Speaker 3>it becomes more exact and more perfectly matched up with everything,

810
00:54:35.559 --> 00:54:39.400
<v Speaker 3>to the point where the proverb that matches up with

811
00:54:40.519 --> 00:54:44.519
<v Speaker 3>Titus Andronicus. Titus Andronicus is a is a tragedy play

812
00:54:44.880 --> 00:54:48.920
<v Speaker 3>by Shakespeare, And at one point somebody cuts the tongues

813
00:54:49.000 --> 00:54:52.400
<v Speaker 3>out of his daughter, or the tongue out of it's

814
00:54:52.480 --> 00:54:55.960
<v Speaker 3>either two daughters, and anyway, somebody gets a tongue cut out.

815
00:54:56.320 --> 00:55:01.119
<v Speaker 3>And the proverb that matches up and and remember we're

816
00:55:01.119 --> 00:55:04.679
<v Speaker 3>not just going in order one through thirty three proverbs.

817
00:55:04.719 --> 00:55:09.159
<v Speaker 3>We're going from proverb one to proverb twenty to proverb

818
00:55:09.199 --> 00:55:11.639
<v Speaker 3>thirty eight to proverbs sixty one, and they match up

819
00:55:11.679 --> 00:55:14.360
<v Speaker 3>bank bang bang bang, And the proverb that matches up

820
00:55:14.400 --> 00:55:18.880
<v Speaker 3>with Titus Andronicus literally talks about cutting someone's tongue out.

821
00:55:20.639 --> 00:55:25.760
<v Speaker 3>So I beyond that. So I find this stuff, and

822
00:55:25.840 --> 00:55:29.119
<v Speaker 3>I map out all these dang proverbs, and then I

823
00:55:29.239 --> 00:55:32.800
<v Speaker 3>move on because obviously the number thirty three is popping

824
00:55:32.880 --> 00:55:34.679
<v Speaker 3>up over and over and over and over and over again.

825
00:55:35.079 --> 00:55:42.760
<v Speaker 3>And the other piece of this Bacon Shakespeare Mason kind

826
00:55:42.800 --> 00:55:47.639
<v Speaker 3>of salad is always kabbala. You always hear, you know,

827
00:55:47.960 --> 00:55:53.159
<v Speaker 3>the kabbala is basically a basis for masonry, and that

828
00:55:53.400 --> 00:55:57.440
<v Speaker 3>everything kind of distills in each degree kind of distills

829
00:55:57.480 --> 00:56:04.199
<v Speaker 3>back to a Kabbalistic principle and I've asked master masons.

830
00:56:04.719 --> 00:56:08.039
<v Speaker 3>I asked the the worshipful master of a lodge, like, hey,

831
00:56:08.039 --> 00:56:10.119
<v Speaker 3>what do you know about the Kabbala? This is a

832
00:56:10.159 --> 00:56:12.880
<v Speaker 3>thirty two degree, a thirty second degree Mason. He's like,

833
00:56:13.199 --> 00:56:16.199
<v Speaker 3>I've never even heard of it. Now I know the

834
00:56:16.199 --> 00:56:19.719
<v Speaker 3>guy pretty well, and if he was, you know, if

835
00:56:19.760 --> 00:56:23.599
<v Speaker 3>he was bullshitting me, I feel like i'd have known it.

836
00:56:23.679 --> 00:56:25.559
<v Speaker 3>But I've asked other people, and you can go online

837
00:56:25.599 --> 00:56:28.320
<v Speaker 3>to forums and stuff like that and you'll see you'll

838
00:56:28.320 --> 00:56:31.679
<v Speaker 3>see masons all day be like nothing to do with Kabbala, like,

839
00:56:32.400 --> 00:56:36.039
<v Speaker 3>but it's absolutely clear that it is. And if you

840
00:56:36.079 --> 00:56:39.920
<v Speaker 3>read Morals and Dogmen anything by Albert Pike, the Kapala

841
00:56:40.239 --> 00:56:47.320
<v Speaker 3>was Pikes. That was his preferred kind of esoteric kind

842
00:56:47.360 --> 00:56:52.239
<v Speaker 3>of framework. So it is in there, specifically in Scottish

843
00:56:52.280 --> 00:56:56.320
<v Speaker 3>rite free masonry. So I start looking around into the Kabbala.

844
00:56:56.960 --> 00:56:59.039
<v Speaker 2>Oh real quick, I just want to say, like, uh,

845
00:56:59.079 --> 00:57:02.000
<v Speaker 2>I know for a fact that well, I mean, that's

846
00:57:02.000 --> 00:57:04.519
<v Speaker 2>what they even admit it, but it maybe maybe it's

847
00:57:04.519 --> 00:57:08.760
<v Speaker 2>not true, but yeah, Astra Mogentum, even if you look

848
00:57:08.840 --> 00:57:13.920
<v Speaker 2>up their initiatives, I guess degree system they even show

849
00:57:14.000 --> 00:57:17.559
<v Speaker 2>you how like the degrees match the tree. Yeah, you know,

850
00:57:17.599 --> 00:57:18.880
<v Speaker 2>they kind of make it. Oh, they kind of like

851
00:57:19.800 --> 00:57:21.639
<v Speaker 2>you know, in explaining it.

852
00:57:21.679 --> 00:57:26.960
<v Speaker 3>Well, so does the what I found is? So does

853
00:57:27.039 --> 00:57:30.119
<v Speaker 3>it match with the degrees, the thirty three degrees of

854
00:57:30.119 --> 00:57:36.760
<v Speaker 3>freemasonry and the thirty three plays of William Shakespeare. So

855
00:57:36.840 --> 00:57:39.000
<v Speaker 3>I found this thing called the thirty two paths of

856
00:57:39.039 --> 00:57:46.480
<v Speaker 3>wisdom in Kabbala. It comes from the Book of Formation,

857
00:57:46.800 --> 00:57:49.800
<v Speaker 3>and it describes the thirty two paths of wisdom as

858
00:57:50.639 --> 00:57:53.920
<v Speaker 3>these are the ten sepharat, So one through ten is

859
00:57:53.960 --> 00:57:56.440
<v Speaker 3>the ten cepharat on the tree of life, and then

860
00:57:56.480 --> 00:57:59.400
<v Speaker 3>below that is the twenty two letters of the Hebrew alphabet.

861
00:58:01.039 --> 00:58:04.880
<v Speaker 3>And so that gives you thirty two paths. But Kabbala

862
00:58:05.000 --> 00:58:08.440
<v Speaker 3>always speaks of the thirty third path that cannot be named,

863
00:58:08.760 --> 00:58:14.599
<v Speaker 3>the path beyond form, corresponding to ketter or einsoft. It's

864
00:58:14.599 --> 00:58:19.199
<v Speaker 3>heavily emphasized in Lurianic Kabala, Hermetic kabala, which is of

865
00:58:19.280 --> 00:58:25.159
<v Speaker 3>Bacon's day, sixteenth and seventeenth, the seventeenth century Christian novelists,

866
00:58:25.239 --> 00:58:30.599
<v Speaker 3>and Rosa Cruscian manuscripts. So this particular kind of ladder

867
00:58:30.679 --> 00:58:36.480
<v Speaker 3>of thirty three pathways maps right onto the time and

868
00:58:36.599 --> 00:58:43.119
<v Speaker 3>place that Francis Bacon was was, you know, messing around

869
00:58:43.599 --> 00:58:47.000
<v Speaker 3>and working off of So I've gone through. I'm not

870
00:58:47.039 --> 00:58:49.119
<v Speaker 3>going to go through all thirty three plays, but I

871
00:58:49.199 --> 00:58:56.119
<v Speaker 3>do have some favorites. Trust me when I say that

872
00:58:56.119 --> 00:58:59.519
<v Speaker 3>they all match up pretty great. But I'm gonna jump.

873
00:58:59.519 --> 00:59:04.360
<v Speaker 3>So we went through the Tempest a little bit. Let's

874
00:59:04.360 --> 00:59:10.440
<v Speaker 3>do much Ado about Nothing. That's the sixth degree. Much

875
00:59:10.440 --> 00:59:13.559
<v Speaker 3>Ado in About Nothing is the sixth play. It is

876
00:59:13.800 --> 00:59:17.960
<v Speaker 3>the sixth degree of Scottish rape free Masonry is the

877
00:59:17.960 --> 00:59:23.000
<v Speaker 3>intimate secretary. The summary of the play, Beatrice and Benedict

878
00:59:23.079 --> 00:59:27.079
<v Speaker 3>engage in witty verbal combat, while Claudio and Hero navigate

879
00:59:27.119 --> 00:59:31.559
<v Speaker 3>betrayal and reconciliation. Love triumphs, but only after truth is

880
00:59:31.559 --> 00:59:36.320
<v Speaker 3>brought to light. In masonry, the degree centers on confidential service,

881
00:59:36.440 --> 00:59:41.519
<v Speaker 3>accurate witnessing, and faithful transmission of truth. So the sexton

882
00:59:41.639 --> 00:59:44.159
<v Speaker 3>in the play is a character in the play acts

883
00:59:44.199 --> 00:59:48.039
<v Speaker 3>as a recorder. So literally this is the intimate secretary

884
00:59:48.079 --> 00:59:51.360
<v Speaker 3>in the the sexton.

885
00:59:51.480 --> 00:59:54.000
<v Speaker 4>Yeah, like a astronomical device as.

886
00:59:53.840 --> 01:00:00.000
<v Speaker 3>Well, I believe. So, yeah, the no sextant, I think. Yeah,

887
01:00:00.280 --> 01:00:04.280
<v Speaker 3>so they have a secretary, and just so you know,

888
01:00:04.320 --> 01:00:07.639
<v Speaker 3>there's not a lot of secretary parts in other shakespeare

889
01:00:07.679 --> 01:00:11.159
<v Speaker 3>In plays, so that's interesting. He acts for as recorder

890
01:00:11.199 --> 01:00:16.239
<v Speaker 3>for dogbery. He embodies the secretary role literacy, truth keeping,

891
01:00:16.320 --> 01:00:19.880
<v Speaker 3>and the ability to discern fact from falsehood. The central

892
01:00:19.920 --> 01:00:24.519
<v Speaker 3>conflict heroes Slander dramatizes the dangers of false reports, a

893
01:00:24.559 --> 01:00:27.239
<v Speaker 3>core lesson of the degree. So right there, the core

894
01:00:27.320 --> 01:00:30.559
<v Speaker 3>lesson of the degree is mapped out right into the

895
01:00:32.079 --> 01:00:36.880
<v Speaker 3>right into the play there and then from morals and dogma.

896
01:00:37.119 --> 01:00:42.320
<v Speaker 3>The degree symbols two class hands, curtains, half drawn triangular

897
01:00:42.519 --> 01:00:46.000
<v Speaker 3>arrangement of secret letters red and white, which stand for

898
01:00:46.119 --> 01:00:50.360
<v Speaker 3>passion and purity. The way that mirrors in the play.

899
01:00:50.440 --> 01:00:54.079
<v Speaker 3>The entire plot revolves around broken trust rebuilding of confidence

900
01:00:54.119 --> 01:00:58.480
<v Speaker 3>between characters hero, Claudio, Benedict and Beatrice. Everything is overheard

901
01:00:58.519 --> 01:01:03.000
<v Speaker 3>behind curtains, hedges, partial concealments, perfect symbol of the half

902
01:01:03.079 --> 01:01:07.320
<v Speaker 3>drawn veil red and white. Obviously this is a All

903
01:01:07.400 --> 01:01:10.679
<v Speaker 3>his comedies are also love triangles. So red and white,

904
01:01:10.719 --> 01:01:17.119
<v Speaker 3>hero's innocence stained by false accusation red bam. And then

905
01:01:17.119 --> 01:01:27.360
<v Speaker 3>we go to six on the proverbs much ado. Yeah,

906
01:01:28.480 --> 01:01:32.880
<v Speaker 3>that is proverb one oh one or proverbs for eighteen

907
01:01:34.519 --> 01:01:37.559
<v Speaker 3>the wisdom of the prudent is to understand his way,

908
01:01:37.599 --> 01:01:41.280
<v Speaker 3>But the folly of the fool is deceit. Aligns with

909
01:01:41.320 --> 01:01:45.800
<v Speaker 3>the sixth degree, the intimate secretary. The degree stresses discernment,

910
01:01:46.320 --> 01:01:50.840
<v Speaker 3>accurate record, truth versus deception accurate record. You're talking about

911
01:01:51.480 --> 01:01:53.760
<v Speaker 3>that secretary there. The wisdom of the prudent is to

912
01:01:53.840 --> 01:01:59.320
<v Speaker 3>understand his way equals the secretary's duty. Folly is deceit.

913
01:01:59.519 --> 01:02:04.440
<v Speaker 3>That's the degrees warning, Don Pedro and Leonardo equal prudence

914
01:02:04.480 --> 01:02:09.920
<v Speaker 3>and understanding. Claudio is deceived, Benedict and Beatrice truth disguised

915
01:02:09.960 --> 01:02:15.400
<v Speaker 3>aes wit, and Don Don John Fali is deceit incarnate.

916
01:02:15.880 --> 01:02:19.400
<v Speaker 3>So the sixth degree is about the ability to tell

917
01:02:19.440 --> 01:02:22.360
<v Speaker 3>the truth from falhood and the entire plays in June,

918
01:02:23.440 --> 01:02:27.119
<v Speaker 3>and then you run over here to the Kabbalah, and

919
01:02:27.400 --> 01:02:33.599
<v Speaker 3>that particular play lines up with number six, the sixth pathway,

920
01:02:33.639 --> 01:02:37.599
<v Speaker 3>which is tiffaret, which means beauty or harmony or harmony

921
01:02:37.639 --> 01:02:44.719
<v Speaker 3>after conflict. So again tiffaret equals the heart. The heart

922
01:02:44.840 --> 01:02:51.840
<v Speaker 3>equals Benedict and Beatrice harmony restored through speech, misunderstanding and reconciliation.

923
01:02:52.000 --> 01:02:58.000
<v Speaker 3>So the other great thing about the Shakespeare plays mapping

924
01:02:58.119 --> 01:03:02.199
<v Speaker 3>onto the degrees of free masonry is that they go

925
01:03:03.559 --> 01:03:07.719
<v Speaker 3>the first I believe it's twelve plays. Let me make sure,

926
01:03:14.519 --> 01:03:17.719
<v Speaker 3>all right, I'll get to it. Oh, here we go.

927
01:03:17.960 --> 01:03:24.440
<v Speaker 3>The first fourteen plays in the in the Shakespeare folio

928
01:03:24.920 --> 01:03:31.079
<v Speaker 3>are the comedies, and they are all light love triangles, comedic.

929
01:03:32.800 --> 01:03:36.360
<v Speaker 3>Right at play number fifteen is where the histories and

930
01:03:36.440 --> 01:03:42.599
<v Speaker 3>tragedies start in freemasonry. The first fourteen degrees are the

931
01:03:42.639 --> 01:03:46.760
<v Speaker 3>ineffable degrees a little bit lighter. And then in the

932
01:03:46.800 --> 01:03:53.199
<v Speaker 3>fifteenth degree, that's right where the historical and religious degrees begin,

933
01:03:54.800 --> 01:03:58.400
<v Speaker 3>and so also where the histories and tragedies begin. In

934
01:03:58.519 --> 01:04:02.559
<v Speaker 3>the first folio, I'm gonna jump to where are my

935
01:04:02.719 --> 01:04:05.480
<v Speaker 3>stars at? Yeah, here we go. I'm mns jump to

936
01:04:05.559 --> 01:04:09.719
<v Speaker 3>the eighteenth degree. I find this one. This grouping of

937
01:04:09.800 --> 01:04:15.400
<v Speaker 3>these degrees and play is really interesting. So the play

938
01:04:15.440 --> 01:04:18.920
<v Speaker 3>that we're talking about is Henry the Fifth. We've jumped

939
01:04:18.920 --> 01:04:25.679
<v Speaker 3>to the the kind of nightly degrees, and we've jumped

940
01:04:25.719 --> 01:04:29.960
<v Speaker 3>to the histories. In the Shakespearean plays, the eighteenth degree

941
01:04:30.039 --> 01:04:32.159
<v Speaker 3>is the Night of the Rose Cross. The play is

942
01:04:32.199 --> 01:04:40.760
<v Speaker 3>Henry the Fifth. It's interesting that also not only does

943
01:04:41.840 --> 01:04:46.880
<v Speaker 3>is this where the kind of nightly degrees start, but

944
01:04:47.519 --> 01:04:51.440
<v Speaker 3>it's also interesting that the first place that like Rosecicrucianism

945
01:04:51.599 --> 01:04:54.840
<v Speaker 3>is mentioned within the degrees is the also the start

946
01:04:54.880 --> 01:04:59.079
<v Speaker 3>of the histories. Here, so Henry the Fifth follows King

947
01:04:59.079 --> 01:05:04.320
<v Speaker 3>Henry's transfermation from reckless prince to a responsible and inspiring monarch.

948
01:05:04.440 --> 01:05:07.159
<v Speaker 3>The play centers on his leadership during the war with France,

949
01:05:07.239 --> 01:05:11.639
<v Speaker 3>especially the Battle of agent Court. Themes include honor, duty, legitimacy,

950
01:05:11.679 --> 01:05:14.280
<v Speaker 3>and the burden of kingship, as well as the attempt

951
01:05:14.280 --> 01:05:18.679
<v Speaker 3>to reconcile former vices with present virtue. In masonry in

952
01:05:18.719 --> 01:05:21.880
<v Speaker 3>the eighteenth degree, the Knight of the rose Cross degree

953
01:05:22.000 --> 01:05:25.159
<v Speaker 3>used the teachings of Jesus of Nazareth to illustrate universal

954
01:05:25.199 --> 01:05:30.239
<v Speaker 3>principles of life and morality. It emphasizes virtue over vice,

955
01:05:30.360 --> 01:05:35.920
<v Speaker 3>tolerance over love, the reconciliation of opposites, the discovery of

956
01:05:36.000 --> 01:05:41.480
<v Speaker 3>the true word or logos within oneself. It's a degree

957
01:05:41.480 --> 01:05:45.039
<v Speaker 3>of inner transformation. In the play, Henry the Fifth can

958
01:05:45.079 --> 01:05:52.000
<v Speaker 3>be read as a monarch undergoing rose Cross transformation. As

959
01:05:52.000 --> 01:05:55.880
<v Speaker 3>far as reconciliation of opposites. Henry is both pious and ruthless.

960
01:05:56.280 --> 01:06:00.199
<v Speaker 3>He speaks eloquently of honor and unity. We few we

961
01:06:00.280 --> 01:06:04.480
<v Speaker 3>happy few remember that line, yet he threatens Halfer and

962
01:06:04.519 --> 01:06:08.119
<v Speaker 3>sanctions executions. He wrestles with attentions between mercy and necessity.

963
01:06:08.920 --> 01:06:13.199
<v Speaker 3>The true word within is represented by Henry's transformation from

964
01:06:13.239 --> 01:06:18.039
<v Speaker 3>Prince hal to King. Henry suggests a man has aligned

965
01:06:18.960 --> 01:06:22.440
<v Speaker 3>his outward actions with an inner sense of calling and kingship,

966
01:06:23.000 --> 01:06:27.440
<v Speaker 3>a discovery of his royal logos tolerance and union. By

967
01:06:27.440 --> 01:06:31.719
<v Speaker 3>seeking to unite England and France, symbolized through his marriage

968
01:06:31.760 --> 01:06:35.400
<v Speaker 3>to Catherine, Henry attempts to heal divisions and build a

969
01:06:35.400 --> 01:06:39.000
<v Speaker 3>broader unity and echo of the degrees called to transcend

970
01:06:39.039 --> 01:06:45.360
<v Speaker 3>sectarianism and embrace the higher reconcilitatory love. You jumped to

971
01:06:45.519 --> 01:06:50.679
<v Speaker 3>the signs and symbols of the eighteenth degree in freemasonry.

972
01:06:50.360 --> 01:06:50.519
<v Speaker 2>And.

973
01:06:53.119 --> 01:06:56.360
<v Speaker 3>Again this is really cool. So the eighteenth degree of

974
01:06:56.400 --> 01:06:59.599
<v Speaker 3>Freemasonry is the Knight of the rose Cross. The play

975
01:06:59.639 --> 01:07:02.519
<v Speaker 3>is King Henry the Fifth. Henry the Fifth was the

976
01:07:02.639 --> 01:07:07.599
<v Speaker 3>last king before the War of Roses, and his son

977
01:07:08.280 --> 01:07:11.480
<v Speaker 3>Presided was the King of England during the War of Roses.

978
01:07:11.920 --> 01:07:14.840
<v Speaker 3>So the degree symbols are the rose Cross, the Pelican

979
01:07:15.360 --> 01:07:19.679
<v Speaker 3>equal sacrifice, the eagle which the eagles vision, the lamb

980
01:07:19.679 --> 01:07:23.639
<v Speaker 3>in seven seals, and red and white, and the way

981
01:07:23.679 --> 01:07:26.840
<v Speaker 3>you find those. In the play, Henry repeatedly casts himself

982
01:07:26.840 --> 01:07:30.480
<v Speaker 3>as the sacrificial leader, bearing the sins of his army,

983
01:07:30.519 --> 01:07:34.320
<v Speaker 3>his transformation from how is a rose cross resurrection, and

984
01:07:34.440 --> 01:07:37.360
<v Speaker 3>Asian Court is framed as the red and white miracle.

985
01:07:38.440 --> 01:07:41.599
<v Speaker 3>And then that proverb. This is where the proverbs start

986
01:07:41.599 --> 01:07:44.440
<v Speaker 3>to get a little bit more on the nose, even

987
01:07:49.559 --> 01:07:56.320
<v Speaker 3>eighteen he this is again sixty nine page I'm sorry.

988
01:07:57.159 --> 01:08:02.079
<v Speaker 3>Play starts on page sixty nine. The proverb, the sixty

989
01:08:02.159 --> 01:08:07.400
<v Speaker 3>ninth proverb is he that diligently seeketh good, procureth favor.

990
01:08:07.480 --> 01:08:11.039
<v Speaker 3>But he that seeketh mischief, it shall come unto him,

991
01:08:11.239 --> 01:08:16.399
<v Speaker 3>alignment with Henry the fifth. Henry diligently seeks good on

992
01:08:16.479 --> 01:08:19.640
<v Speaker 3>her unity victory the French, and the French or the

993
01:08:19.680 --> 01:08:24.279
<v Speaker 3>traders seek mischief in return to destroy them. So it's

994
01:08:24.359 --> 01:08:27.239
<v Speaker 3>kind of it's almost a perfect alignment from virtue to

995
01:08:27.279 --> 01:08:33.640
<v Speaker 3>favor to mischief to defeat. And then that mapping onto

996
01:08:34.880 --> 01:08:40.479
<v Speaker 3>the Kabbala, even on the keystone too, for yeah, And

997
01:08:40.520 --> 01:08:45.520
<v Speaker 3>then in Kabbala eighteen the path there is represented by

998
01:08:45.520 --> 01:08:51.359
<v Speaker 3>the letter pe peh the mouth or speech. The great

999
01:08:51.359 --> 01:08:56.680
<v Speaker 3>thing about I love that in this play. Do you

1000
01:08:56.720 --> 01:09:00.479
<v Speaker 3>remember the it's in movies and things like that, the

1001
01:09:01.279 --> 01:09:05.680
<v Speaker 3>famous Shakespearean speech once More unto the Breach. It's like

1002
01:09:05.720 --> 01:09:10.800
<v Speaker 3>a famous like rallying like thing. The two most famous

1003
01:09:10.840 --> 01:09:17.800
<v Speaker 3>like monologue like speeches in Shakespearean plays are contained within

1004
01:09:18.079 --> 01:09:20.880
<v Speaker 3>Henry the Fifth this one play. So it's the once

1005
01:09:20.960 --> 01:09:25.279
<v Speaker 3>More into the Breach speech and then the Saint Crispin's

1006
01:09:25.399 --> 01:09:28.479
<v Speaker 3>Day speech. You look any of those up. They've been

1007
01:09:28.560 --> 01:09:32.159
<v Speaker 3>quoted a million times in a million movies about war

1008
01:09:33.000 --> 01:09:37.039
<v Speaker 3>and whatnot, and specifically the path in the Kabbalah on

1009
01:09:37.079 --> 01:09:42.720
<v Speaker 3>that thirty three rung ladder of this of this cabalistic

1010
01:09:42.800 --> 01:09:50.199
<v Speaker 3>system means mouth or speech, obviously, speeches, power of the word,

1011
01:09:50.279 --> 01:09:57.479
<v Speaker 3>and the logos thing. Nineteenth degree is the degree u.

1012
01:09:58.159 --> 01:10:02.159
<v Speaker 3>Nineteenth degree is the Grand Pontiff. The play that corresponds

1013
01:10:02.239 --> 01:10:06.079
<v Speaker 3>is Henry the Sixth Play. Summary Across the Henry the

1014
01:10:06.119 --> 01:10:10.239
<v Speaker 3>Sixth Trilogy England's fortunes Decline Abroad and at Home. Part

1015
01:10:10.319 --> 01:10:12.479
<v Speaker 3>one shows the loss of France and the rise of

1016
01:10:12.560 --> 01:10:15.920
<v Speaker 3>Joan of Arc and Talbot. Part two depicts the escalating

1017
01:10:16.479 --> 01:10:20.560
<v Speaker 3>factionalism and civil unrest. Part three plunges fully into the

1018
01:10:20.600 --> 01:10:24.000
<v Speaker 3>wars of the Roses, with brutal battles between Lancaster and

1019
01:10:24.119 --> 01:10:27.600
<v Speaker 3>York culminating in the Shattered Realm and the rise of

1020
01:10:27.680 --> 01:10:31.399
<v Speaker 3>Richard the Third. Themes include collapse of legitimate authority, the

1021
01:10:31.439 --> 01:10:35.560
<v Speaker 3>cost of war, the legacy of nobility, and heroism in masonry.

1022
01:10:36.680 --> 01:10:41.920
<v Speaker 3>The grand Pond of Degree stresses the continuity and influence

1023
01:10:42.039 --> 01:10:45.199
<v Speaker 3>of the past on the present future. The play is

1024
01:10:45.319 --> 01:10:54.239
<v Speaker 3>all things that result from past deeds, the struggle between

1025
01:10:54.279 --> 01:10:56.439
<v Speaker 3>light and darkness, good and evil, the idea that good

1026
01:10:56.560 --> 01:11:01.359
<v Speaker 3>ultimately triumphs. Mason's responsibility to uplift few future generations and

1027
01:11:01.439 --> 01:11:04.319
<v Speaker 3>to think beyond his own era. So in the play

1028
01:11:04.479 --> 01:11:08.039
<v Speaker 3>moral ambiguity and struggle, Henry the Six is personally devout

1029
01:11:08.039 --> 01:11:12.159
<v Speaker 3>and gentle, but politically weak, while figures like Margaret and

1030
01:11:12.239 --> 01:11:18.159
<v Speaker 3>York display ruthless ambition. The pass shaping the future, the

1031
01:11:18.199 --> 01:11:22.399
<v Speaker 3>wars betrayals misjudgments in Henry the Six plant the seeds,

1032
01:11:22.960 --> 01:11:27.720
<v Speaker 3>or for Richard the Third, who is the next play?

1033
01:11:27.880 --> 01:11:33.520
<v Speaker 3>In the next the next example. The entire are echoes

1034
01:11:33.560 --> 01:11:37.319
<v Speaker 3>of the nineteenth degree insistence that the past is never dead.

1035
01:11:37.840 --> 01:11:41.439
<v Speaker 3>It is the foundation of that will be built good

1036
01:11:41.520 --> 01:11:46.600
<v Speaker 3>or ill. Let's see here, you've got the this is

1037
01:11:46.680 --> 01:11:52.119
<v Speaker 3>cool in the nineteen degree symbols and signs that you've

1038
01:11:52.079 --> 01:11:55.479
<v Speaker 3>got a triple cross, the meter, the censor, and the

1039
01:11:55.479 --> 01:12:00.800
<v Speaker 3>crown of stars. The play revolves around corrupted spirit, authority,

1040
01:12:00.880 --> 01:12:06.199
<v Speaker 3>contested legitimacy, and priestly overtones. The triple cross tensions appear

1041
01:12:06.239 --> 01:12:08.479
<v Speaker 3>in the War of the Roses. There are three overlapping

1042
01:12:08.560 --> 01:12:13.239
<v Speaker 3>factions in that particular historic conflict. So you got those

1043
01:12:13.239 --> 01:12:16.760
<v Speaker 3>three crosses representing the three parties of the War of

1044
01:12:16.760 --> 01:12:21.239
<v Speaker 3>the Roses. And then Henry the six is the metered king.

1045
01:12:21.319 --> 01:12:27.279
<v Speaker 3>He's pious but ineffective real quick. That proverb righteousness keep

1046
01:12:27.319 --> 01:12:29.880
<v Speaker 3>his keepeth him that is upright in the way. But

1047
01:12:29.960 --> 01:12:37.039
<v Speaker 3>wickedness overthrow with the sinner. That one's pretty uh, self explanatory.

1048
01:12:38.119 --> 01:12:41.279
<v Speaker 3>The proverbs overthrow is literally the War of the Roses.

1049
01:12:42.399 --> 01:12:50.479
<v Speaker 3>Nineteen we've got resh, which means head or leadership, collapse

1050
01:12:50.520 --> 01:12:59.600
<v Speaker 3>of leadership, chaos of many heads. Here we go, uh.

1051
01:13:00.079 --> 01:13:02.439
<v Speaker 3>And again the more you go through these, the more

1052
01:13:02.479 --> 01:13:05.239
<v Speaker 3>on the nose they get. The twentieth degree is the

1053
01:13:05.279 --> 01:13:09.079
<v Speaker 3>master of the symbolic lodge play that corresponds as Richard.

1054
01:13:09.119 --> 01:13:13.760
<v Speaker 3>The third play summary Richard of Gloucester schemes, lies, murders

1055
01:13:13.800 --> 01:13:18.199
<v Speaker 3>his way to the throne. His manipulation of appearances, oaths,

1056
01:13:18.239 --> 01:13:21.640
<v Speaker 3>and loyalty creates a reign of terror that ultimately collapses,

1057
01:13:22.000 --> 01:13:26.159
<v Speaker 3>and he is defeated by Henry Tudor Henry the seventh.

1058
01:13:27.800 --> 01:13:32.680
<v Speaker 3>Ruthl's ambition conscience, legitimacy, and divine justice and masonry the

1059
01:13:32.760 --> 01:13:36.279
<v Speaker 3>degree focuses on the responsibilities is the master to embody

1060
01:13:36.279 --> 01:13:40.960
<v Speaker 3>and teach truth, justice, and tolerance, the central virtues of leadership,

1061
01:13:41.319 --> 01:13:47.239
<v Speaker 3>restoring masonry and symbolically any institution to its original purity.

1062
01:13:47.720 --> 01:13:54.119
<v Speaker 3>It's interesting because it ends with a tutor the end

1063
01:13:54.159 --> 01:13:57.640
<v Speaker 3>of this play, Henry the Seventh, the father of Henry

1064
01:13:57.680 --> 01:14:04.760
<v Speaker 3>the Eighth, who ends up being Elizabeth's father, takes over.

1065
01:14:04.840 --> 01:14:09.239
<v Speaker 3>So this is where it drops from Richard the Third,

1066
01:14:09.560 --> 01:14:14.000
<v Speaker 3>and this is exactly where that Maravingian line kicks back in,

1067
01:14:15.399 --> 01:14:18.960
<v Speaker 3>and it's where Bacon at the end of this play,

1068
01:14:19.000 --> 01:14:24.079
<v Speaker 3>what's coming next is Bacon, Elizabeth and all that whatnot.

1069
01:14:24.680 --> 01:14:29.359
<v Speaker 3>You've got keys and golden circles that all tie into

1070
01:14:29.399 --> 01:14:33.800
<v Speaker 3>the play that those are the signs. The proverb the

1071
01:14:33.840 --> 01:14:37.720
<v Speaker 3>beginning strife is as when one leteth out water, therefore

1072
01:14:37.840 --> 01:14:42.800
<v Speaker 3>leave off contention before it be meddled with warns against tyranny, conflict,

1073
01:14:42.840 --> 01:14:45.439
<v Speaker 3>and moral decay, all the things that got Richard the

1074
01:14:45.520 --> 01:14:50.279
<v Speaker 3>Third deposed and the tutors in there. Play begins with

1075
01:14:50.319 --> 01:14:53.159
<v Speaker 3>strife unleashed by Richard. The war the roses let out

1076
01:14:53.199 --> 01:14:56.760
<v Speaker 3>the water that drowns the kingdom. Richard is the archetype

1077
01:14:56.800 --> 01:15:00.560
<v Speaker 3>of the degrees warning, unchecked strife, catastrophic collapse.

1078
01:15:02.600 --> 01:15:05.840
<v Speaker 4>Let's see huse strife a lot, loving the strife.

1079
01:15:06.079 --> 01:15:13.479
<v Speaker 3>Yeah, So that Hebrew letter is tav or the seal

1080
01:15:13.760 --> 01:15:21.680
<v Speaker 3>or completion. Henry the seventh. Let's see here. Henry the

1081
01:15:21.720 --> 01:15:26.159
<v Speaker 3>seventh was the son of uh Edward the third, who

1082
01:15:26.239 --> 01:15:31.039
<v Speaker 3>was a planta. His wife, Elizabeth of York, was a plantagenet.

1083
01:15:32.359 --> 01:15:35.520
<v Speaker 3>So that's where the true divine right, like I was saying,

1084
01:15:36.079 --> 01:15:42.159
<v Speaker 3>begins again. And I will skip on to the twenty

1085
01:15:44.000 --> 01:15:49.439
<v Speaker 3>twenty first degree. This one's kind of interesting. I'll just

1086
01:15:49.479 --> 01:15:52.359
<v Speaker 3>go through key things because I know this is a

1087
01:15:52.359 --> 01:15:57.600
<v Speaker 3>lot of me just reading. But so the twenty first

1088
01:15:57.600 --> 01:16:01.920
<v Speaker 3>degree is the Noah Kite or Prussian Night, and the

1089
01:16:02.000 --> 01:16:06.359
<v Speaker 3>play there is Henry the Eighth. So we're now on

1090
01:16:06.520 --> 01:16:10.119
<v Speaker 3>to Queen Elizabeth the First Dad Noah Kite is a

1091
01:16:10.159 --> 01:16:14.279
<v Speaker 3>non Jew who follows the seven noah Hyde laws. So

1092
01:16:14.399 --> 01:16:16.960
<v Speaker 3>it's a non Jew who follows the seven like kind

1093
01:16:16.960 --> 01:16:24.640
<v Speaker 3>of Jewish laws, and it's also embodied. Those seven laws

1094
01:16:24.680 --> 01:16:28.960
<v Speaker 3>are embodied in the lower Sufferer of the Kabbalistic Tree

1095
01:16:29.000 --> 01:16:34.039
<v Speaker 3>of Life. Let's see here. So Henry the Eighth portrays

1096
01:16:34.079 --> 01:16:37.199
<v Speaker 3>the political and personal intrigues of Henry's reign, especially as

1097
01:16:37.239 --> 01:16:45.199
<v Speaker 3>marriage to Amberleyn descendant of Edward the first Plantagenet, includes ambition,

1098
01:16:45.359 --> 01:16:50.680
<v Speaker 3>religious and political change, the personal costs of royal decisions.

1099
01:16:52.680 --> 01:16:58.000
<v Speaker 3>Let's see here, arrogance and humility, courtesy and dignity. What

1100
01:16:58.079 --> 01:17:04.279
<v Speaker 3>are we on number twenty one on? I mean, I

1101
01:17:04.279 --> 01:17:09.239
<v Speaker 3>can keep going through these things, but I love to

1102
01:17:09.279 --> 01:17:12.520
<v Speaker 3>find some of these proverbs that are incredible.

1103
01:17:15.039 --> 01:17:19.039
<v Speaker 5>I was wondering this, Ernie, this is amazing a series

1104
01:17:19.079 --> 01:17:24.199
<v Speaker 5>of correspondences. I was wondering, if you'll share the thirty

1105
01:17:24.199 --> 01:17:29.880
<v Speaker 5>three somewhere online, Maybe not the entirety, but just the correspondences,

1106
01:17:29.960 --> 01:17:31.159
<v Speaker 5>maybe just in bullet.

1107
01:17:31.000 --> 01:17:33.479
<v Speaker 3>Yeah, that was that was kind of my plan to

1108
01:17:33.520 --> 01:17:36.359
<v Speaker 3>get done before here and be able to like throw

1109
01:17:36.399 --> 01:17:37.760
<v Speaker 3>them up instead of me just.

1110
01:17:38.359 --> 01:17:40.920
<v Speaker 5>Not necessarily for us, but I just mean for you

1111
01:17:41.000 --> 01:17:44.000
<v Speaker 5>and the and other folks that might be interested in this,

1112
01:17:44.159 --> 01:17:48.039
<v Speaker 5>because you really nailed some interesting things.

1113
01:17:48.079 --> 01:17:51.560
<v Speaker 3>I think here, Yeah, and it's when I'm not rambling

1114
01:17:51.600 --> 01:17:54.479
<v Speaker 3>and you're looking at this and the work side by

1115
01:17:54.560 --> 01:17:58.159
<v Speaker 3>side by side by side, it's it's a little more

1116
01:17:58.159 --> 01:18:00.720
<v Speaker 3>incredible than my I say it.

1117
01:18:00.840 --> 01:18:05.479
<v Speaker 5>I see the incredibleness of it, because I'm sure other

1118
01:18:05.479 --> 01:18:08.920
<v Speaker 5>people do too. But one one thing that this all

1119
01:18:09.000 --> 01:18:12.239
<v Speaker 5>kinds of kind of weaves together, at least in my

1120
01:18:12.319 --> 01:18:18.359
<v Speaker 5>humble opinion. There's there's the masonry, there's the King James Bible,

1121
01:18:18.960 --> 01:18:23.399
<v Speaker 5>and there's the Shakespeare stories. As you're bringing together these

1122
01:18:24.199 --> 01:18:28.560
<v Speaker 5>and these are all, as you pointed out, foundational to

1123
01:18:28.760 --> 01:18:36.520
<v Speaker 5>our culture today. Shakespeare still is so influential to people's

1124
01:18:37.079 --> 01:18:41.560
<v Speaker 5>mind states. We don't even realize it. And and it

1125
01:18:41.760 --> 01:18:45.000
<v Speaker 5>all makes me think because of d and Bacon and

1126
01:18:45.079 --> 01:18:52.600
<v Speaker 5>there incredibleness and and all the weird hidden aspects that

1127
01:18:52.640 --> 01:18:56.199
<v Speaker 5>they encoded with everything and and put forth all these

1128
01:18:56.960 --> 01:19:01.199
<v Speaker 5>sometimes wonderful lessons really, but it makes it makes me

1129
01:19:01.399 --> 01:19:07.119
<v Speaker 5>think about in the Republic, there is an aspect of

1130
01:19:07.159 --> 01:19:12.760
<v Speaker 5>the dialogues where he there I forget who was talking,

1131
01:19:12.800 --> 01:19:16.760
<v Speaker 5>forgive me, but they're talking about the ideal nation or

1132
01:19:16.840 --> 01:19:20.880
<v Speaker 5>city state, and they are talking about how there would

1133
01:19:20.920 --> 01:19:24.479
<v Speaker 5>have to be a vanguard and so on, and there

1134
01:19:24.520 --> 01:19:29.079
<v Speaker 5>would have to be a mythos, there would have to

1135
01:19:29.079 --> 01:19:32.399
<v Speaker 5>be these stories, and there would have to be also

1136
01:19:33.039 --> 01:19:39.239
<v Speaker 5>this religion. And it's it's fascinating that all that the

1137
01:19:39.520 --> 01:19:44.159
<v Speaker 5>three streams, and maybe more even but the Masonry, Shakespeare,

1138
01:19:45.560 --> 01:19:49.239
<v Speaker 5>and King James Bible come together right at the same time,

1139
01:19:49.319 --> 01:19:53.920
<v Speaker 5>where there's this whole New world and it and in

1140
01:19:54.000 --> 01:19:56.920
<v Speaker 5>one sense, maybe it was just Virginia that they were

1141
01:19:56.920 --> 01:20:01.279
<v Speaker 5>trying to make this their little cities in a sense,

1142
01:20:01.600 --> 01:20:04.640
<v Speaker 5>as you alluded to in the beginning, and more broadly

1143
01:20:04.800 --> 01:20:08.880
<v Speaker 5>the colonies in the New World at large. But it

1144
01:20:08.960 --> 01:20:12.199
<v Speaker 5>just makes me think that they really were trying to

1145
01:20:12.279 --> 01:20:15.760
<v Speaker 5>do what was put forth in the Republic, and you're

1146
01:20:15.920 --> 01:20:18.680
<v Speaker 5>finding this stream that really hits on it.

1147
01:20:18.760 --> 01:20:22.479
<v Speaker 3>And then later echoed in Francis Bacon's short story The

1148
01:20:22.520 --> 01:20:25.960
<v Speaker 3>New Atlantis. I mean, I think that the New Atlantis

1149
01:20:25.960 --> 01:20:31.000
<v Speaker 3>has become almost old hat in conspiracy circles because it's

1150
01:20:31.079 --> 01:20:36.239
<v Speaker 3>just the same old points have been have been brought

1151
01:20:36.319 --> 01:20:39.880
<v Speaker 3>up for decades about the New Atlantis, But it really

1152
01:20:40.000 --> 01:20:44.720
<v Speaker 3>is what this country ended up being. And if you

1153
01:20:44.800 --> 01:20:49.399
<v Speaker 3>really look at this, it really truly reads like the

1154
01:20:49.439 --> 01:20:54.960
<v Speaker 3>Bacons or these Maravengians, this idea for this this re

1155
01:20:55.039 --> 01:20:58.960
<v Speaker 3>public because they kept trying it. I mean, the Marivengians

1156
01:20:59.039 --> 01:21:02.199
<v Speaker 3>start in one area and they move all over Europe.

1157
01:21:02.720 --> 01:21:05.880
<v Speaker 3>They move into Scotland, they move into you know, throughout

1158
01:21:05.920 --> 01:21:09.760
<v Speaker 3>the connected bloodlines. They move everywhere, and they change things

1159
01:21:09.800 --> 01:21:13.359
<v Speaker 3>a little bit, even down to Henry the Eighth splitting

1160
01:21:13.479 --> 01:21:17.880
<v Speaker 3>away from the Roman Catholic Empire, right, and then the

1161
01:21:19.199 --> 01:21:22.039
<v Speaker 3>Anglican Church ends up being the same kind of oppressive

1162
01:21:22.079 --> 01:21:26.560
<v Speaker 3>force that the Holy Roman Empire was in England to

1163
01:21:26.640 --> 01:21:29.760
<v Speaker 3>the Catholics who end up being in England. They oppressed

1164
01:21:29.800 --> 01:21:33.039
<v Speaker 3>them the same way the Catholics were oppressing these this

1165
01:21:33.039 --> 01:21:39.760
<v Speaker 3>this upstart kind of Protestant Protestantism. And then these Puritans

1166
01:21:39.760 --> 01:21:44.399
<v Speaker 3>and Calvinists come over to the New World, and so

1167
01:21:44.479 --> 01:21:47.560
<v Speaker 3>it feels like they're just jumping out of these places

1168
01:21:47.600 --> 01:21:54.039
<v Speaker 3>that are a little you know, once their their enlightenment

1169
01:21:54.119 --> 01:21:58.279
<v Speaker 3>ideals get like kind of exposed for not being in

1170
01:21:58.319 --> 01:22:01.800
<v Speaker 3>line with the church or or culture at the time.

1171
01:22:02.520 --> 01:22:05.479
<v Speaker 3>You know, it's like the it's like the Templars who

1172
01:22:05.520 --> 01:22:10.479
<v Speaker 3>who factor into this as well. Once they once, you know,

1173
01:22:11.479 --> 01:22:14.159
<v Speaker 3>they become too powerful and maybe their ideas are a

1174
01:22:14.199 --> 01:22:16.920
<v Speaker 3>little bit too enlightened. All of a sudden, the Pope

1175
01:22:16.920 --> 01:22:20.119
<v Speaker 3>and the French King want them gone, you know. And

1176
01:22:20.159 --> 01:22:24.359
<v Speaker 3>where do they go. They go to Scotland and hang

1177
01:22:24.439 --> 01:22:29.520
<v Speaker 3>out with the precursor to the Bruce Klan and help

1178
01:22:30.359 --> 01:22:35.239
<v Speaker 3>the Bruce Klan win the independence of Scotland from England,

1179
01:22:35.680 --> 01:22:41.279
<v Speaker 3>who at the time was Catholic. And they even Scotland

1180
01:22:41.319 --> 01:22:46.720
<v Speaker 3>at that time gets like excommunicator, bishops get excommunicated from

1181
01:22:46.760 --> 01:22:49.960
<v Speaker 3>the Catholic Church. So actually, when Henry the Eighth just

1182
01:22:49.960 --> 01:22:53.439
<v Speaker 3>a short time later splits from the Catholic Church, Scotland

1183
01:22:53.560 --> 01:22:56.880
<v Speaker 3>was like, we've been split for a while. But I

1184
01:22:56.880 --> 01:22:59.680
<v Speaker 3>don't need to go through it like any more questions,

1185
01:22:59.720 --> 01:23:03.119
<v Speaker 3>But like, this is kind.

1186
01:23:02.920 --> 01:23:06.159
<v Speaker 5>Of another question, and I would ask you to do

1187
01:23:06.279 --> 01:23:12.119
<v Speaker 5>one more because I I'm maybe a plain Jane of

1188
01:23:12.159 --> 01:23:16.880
<v Speaker 5>the Shakespearean world. I like Macbeth, and I also think.

1189
01:23:18.960 --> 01:23:21.840
<v Speaker 3>Oh, yeah, yeah, I'm still in the twenties here. Let

1190
01:23:21.880 --> 01:23:27.199
<v Speaker 3>me let me yeah.

1191
01:23:25.159 --> 01:23:27.880
<v Speaker 5>What is the number of Macbeth? And could you break

1192
01:23:27.880 --> 01:23:28.479
<v Speaker 5>that one down?

1193
01:23:29.199 --> 01:23:33.159
<v Speaker 3>Yeah? And Romeo and Julia it's a really good one too.

1194
01:23:34.279 --> 01:23:43.479
<v Speaker 3>Tim And of Athens Julius Caesar and Macbeth. Macbeth is

1195
01:23:43.520 --> 01:23:46.239
<v Speaker 3>twenty eight, so it's a twenty eighth degree Knight of

1196
01:23:46.279 --> 01:23:49.079
<v Speaker 3>the Sun or the Prince Adept. This is where they

1197
01:23:49.079 --> 01:23:51.840
<v Speaker 3>get really cool too, man, all right, So the play Summery.

1198
01:23:51.920 --> 01:23:56.000
<v Speaker 3>Spurred by a prophecy that his wife's and his wife's urging,

1199
01:23:56.520 --> 01:24:01.239
<v Speaker 3>Macbeth murders King Duncan and seizes the Scottish throne. Haunted

1200
01:24:01.239 --> 01:24:04.720
<v Speaker 3>by guilt and driven by paranoia, he commits further atrocities

1201
01:24:04.800 --> 01:24:09.920
<v Speaker 3>until he's overthrown and killed. Themes ambition, prophecy, moral corruption,

1202
01:24:10.079 --> 01:24:13.800
<v Speaker 3>and the overturning of natural order in masonry. The twenty

1203
01:24:13.800 --> 01:24:17.199
<v Speaker 3>eighth degree Night of the Sun or Prince Adept involves

1204
01:24:17.319 --> 01:24:21.880
<v Speaker 3>universalism and tolerance, deep esoteric and symbolic study of alchemy,

1205
01:24:21.960 --> 01:24:26.560
<v Speaker 3>kabbala and cosmology, the pursuit of inter illumination the sun

1206
01:24:26.680 --> 01:24:32.279
<v Speaker 3>within duties of reflection, work, prayer, hope, and teaching hidden truths.

1207
01:24:32.800 --> 01:24:36.119
<v Speaker 3>So the way that's represented in the play obviously the

1208
01:24:36.119 --> 01:24:40.439
<v Speaker 3>occult and esoteric themes, and that's the whole boil, boil,

1209
01:24:40.960 --> 01:24:48.239
<v Speaker 3>whatever and toil. You know, the witch scene, which is visions,

1210
01:24:48.279 --> 01:24:54.520
<v Speaker 3>prophetic apparitions, saturate Macbeth, making it Shakespeare's most overtly occult

1211
01:24:54.600 --> 01:24:58.880
<v Speaker 3>tragedy or other than a midsommer night's dream. I think

1212
01:24:58.880 --> 01:25:02.640
<v Speaker 3>it's the most overtly play that he has. This aligns

1213
01:25:02.680 --> 01:25:05.279
<v Speaker 3>with the twenty eighth degrees fascination with the unseen and

1214
01:25:05.319 --> 01:25:10.560
<v Speaker 3>the symbolic perverted quest for secret knowledge. Macbeth, like a

1215
01:25:10.600 --> 01:25:15.520
<v Speaker 3>twisted adep seeks advancement by violent shortcuts rather than genuine enlightenment,

1216
01:25:15.600 --> 01:25:18.720
<v Speaker 3>similar to those who in Masonic legends seek the master

1217
01:25:18.880 --> 01:25:23.079
<v Speaker 3>secrets through murder. The Highromabiff story. Also, the thing you'll

1218
01:25:23.119 --> 01:25:27.119
<v Speaker 3>notice too in this mapping is that again those those

1219
01:25:27.199 --> 01:25:30.680
<v Speaker 3>those first degrees, it's a a little less weight on them,

1220
01:25:31.000 --> 01:25:33.600
<v Speaker 3>They're a little less heavy. But you also notice in

1221
01:25:33.640 --> 01:25:38.199
<v Speaker 3>the first degrees that they are allegory for how you

1222
01:25:38.279 --> 01:25:40.600
<v Speaker 3>should be. And then when once you get to the

1223
01:25:40.640 --> 01:25:44.960
<v Speaker 3>tragedies that switch at the same time the degrees change,

1224
01:25:45.600 --> 01:25:50.680
<v Speaker 3>they all become tales of like warning. All the plays

1225
01:25:50.720 --> 01:25:54.199
<v Speaker 3>are don't do this, don't be like this, you know

1226
01:25:54.279 --> 01:26:00.079
<v Speaker 3>what I mean? So all the all the the the

1227
01:26:02.479 --> 01:26:06.399
<v Speaker 3>So the first fourteen degrees are the comedies. The first

1228
01:26:06.479 --> 01:26:10.199
<v Speaker 3>fourteen plays, I'm sorry, the first fourteen plays are the comedies,

1229
01:26:10.239 --> 01:26:13.640
<v Speaker 3>the first fourteen degrees are the ineffable degrees, and then

1230
01:26:13.680 --> 01:26:18.119
<v Speaker 3>it switches to the chivalric and religious degrees after that.

1231
01:26:18.399 --> 01:26:20.880
<v Speaker 3>And once you get to the chivalric and religious degrees,

1232
01:26:21.159 --> 01:26:25.560
<v Speaker 3>that's when you start getting these these cautionary All the

1233
01:26:25.600 --> 01:26:28.439
<v Speaker 3>plays are like cautionary. Don't be like Macbeth, don't be

1234
01:26:28.520 --> 01:26:32.760
<v Speaker 3>like Romeo and Juliet, don't be like Richard the Third

1235
01:26:32.880 --> 01:26:39.920
<v Speaker 3>and whatnot. But within the let me see, that's number

1236
01:26:39.960 --> 01:26:44.960
<v Speaker 3>twenty eight. So if we go to morals and dogma,

1237
01:26:45.239 --> 01:26:48.800
<v Speaker 3>the signs and symbols of the degree listed or the sun,

1238
01:26:48.880 --> 01:26:54.000
<v Speaker 3>the zodiac wheel, the seven rays, and esoteric hermetic signs,

1239
01:26:55.439 --> 01:26:59.680
<v Speaker 3>and Macbeth attempts to control fate itself, the sort of

1240
01:26:59.680 --> 01:27:03.439
<v Speaker 3>brush up against the zodiac, the wish, the witches in voke,

1241
01:27:03.479 --> 01:27:06.760
<v Speaker 3>hermetic and planetary forces, light versus darkness, which is the

1242
01:27:06.800 --> 01:27:11.800
<v Speaker 3>sun imagery, which matches to the the symbols in that

1243
01:27:11.920 --> 01:27:18.279
<v Speaker 3>degree and its central tension. That proverb, if I'm not mistaken,

1244
01:27:18.319 --> 01:27:24.520
<v Speaker 3>it's a good one too. Let's see here. Wealth gotten, yeah,

1245
01:27:24.560 --> 01:27:28.039
<v Speaker 3>this is perfect. Wealth gotten by vanity shall be diminished,

1246
01:27:28.079 --> 01:27:32.520
<v Speaker 3>but he that gathered by labor shall increase. He literally

1247
01:27:32.640 --> 01:27:38.560
<v Speaker 3>kills the king and takes over his kingdom. So vanity decline,

1248
01:27:38.640 --> 01:27:44.520
<v Speaker 3>true labor increase macbeest kingship equals vanity seized unlawfully. Macbeth

1249
01:27:44.560 --> 01:27:48.960
<v Speaker 3>gains a crown by vanity, murder, and prophecy. His reign

1250
01:27:49.000 --> 01:27:54.800
<v Speaker 3>diminishes instantly, just like the The proverb says, Malcolm and

1251
01:27:54.880 --> 01:28:01.640
<v Speaker 3>McDuff represent lawful labor, a flawless symbolic match the proverbs

1252
01:28:01.680 --> 01:28:04.119
<v Speaker 3>warning is myth Beck's whole arc.

1253
01:28:05.760 --> 01:28:09.640
<v Speaker 5>And then that correspondence is so.

1254
01:28:10.840 --> 01:28:15.640
<v Speaker 3>And it as I mean it, it gets ridiculous. Here

1255
01:28:15.640 --> 01:28:20.159
<v Speaker 3>we go. The path in the thirty three Pathways of

1256
01:28:20.239 --> 01:28:26.239
<v Speaker 3>the Kabbala is nun or none, which is death and continuity.

1257
01:28:27.279 --> 01:28:31.720
<v Speaker 3>Death pursues the wicked death, fate, cycles, darkness, sorcery. That's

1258
01:28:31.960 --> 01:28:37.159
<v Speaker 3>what's encompassed in that. Let's go back one because this

1259
01:28:37.199 --> 01:28:41.319
<v Speaker 3>one's really cool too, am I right?

1260
01:28:42.119 --> 01:28:43.439
<v Speaker 2>The one thing I do want to say, I just

1261
01:28:43.520 --> 01:28:45.119
<v Speaker 2>want to add like I don't so many how to answer,

1262
01:28:45.159 --> 01:28:48.199
<v Speaker 2>Like at the beginning of the show about rituals being

1263
01:28:48.239 --> 01:28:49.800
<v Speaker 2>like plays or anything, and I was like, yeah, I

1264
01:28:49.800 --> 01:28:50.880
<v Speaker 2>think you know kind of they are.

1265
01:28:50.960 --> 01:28:53.640
<v Speaker 4>From my experience, you can run them out like that.

1266
01:28:53.720 --> 01:28:59.239
<v Speaker 2>Yeah, but even from my experience with the Oto thinking

1267
01:28:59.239 --> 01:29:01.840
<v Speaker 2>about taking you know, some of the initiations, well, any

1268
01:29:01.880 --> 01:29:04.239
<v Speaker 2>of the ones I did, they were fucking long and

1269
01:29:04.319 --> 01:29:07.359
<v Speaker 2>drawn out, like yeah, well, I mean you could be

1270
01:29:07.520 --> 01:29:09.840
<v Speaker 2>answering and saying stuff to multiple people around you.

1271
01:29:09.920 --> 01:29:14.239
<v Speaker 3>It's just like, yeah, all the Masonic rites are Yeah,

1272
01:29:14.359 --> 01:29:16.279
<v Speaker 3>they all give you a context of like kind of

1273
01:29:16.319 --> 01:29:17.800
<v Speaker 3>like where you are and what's going on.

1274
01:29:17.960 --> 01:29:19.880
<v Speaker 4>You can figure it out from what people say.

1275
01:29:20.760 --> 01:29:25.800
<v Speaker 3>Yeah, yeah, it's I It's kind of been clear to

1276
01:29:25.840 --> 01:29:27.439
<v Speaker 3>me in the back of my head that this could

1277
01:29:27.520 --> 01:29:31.319
<v Speaker 3>be the case, but I never thought it would, you know,

1278
01:29:31.800 --> 01:29:37.479
<v Speaker 3>stack up the way the way that it did. This

1279
01:29:37.479 --> 01:29:43.960
<v Speaker 3>this one here, twenty four is uh. Titus Andronicus. This

1280
01:29:44.079 --> 01:29:46.520
<v Speaker 3>is the one that I was talking about with the

1281
01:29:46.560 --> 01:29:51.760
<v Speaker 3>tongue being cut out. Plot summary, Roman general Titus Andronicus

1282
01:29:51.800 --> 01:29:58.439
<v Speaker 3>returns victorious and sacrifices a Goth princess, sparking a revenge

1283
01:29:58.479 --> 01:30:01.880
<v Speaker 3>spiral between his family and Tamora, queen of the Goths.

1284
01:30:02.680 --> 01:30:05.960
<v Speaker 3>The play is famously violent and depicts mutilation, rape, and

1285
01:30:06.039 --> 01:30:10.840
<v Speaker 3>murder as revenge escalates without limit. The degree Prince of

1286
01:30:10.840 --> 01:30:15.800
<v Speaker 3>the Tabernacle Number twenty four focuses on divine omnipresence, the

1287
01:30:15.840 --> 01:30:19.880
<v Speaker 3>immortality of the soul, serving God, country and brethren, faith

1288
01:30:19.920 --> 01:30:24.119
<v Speaker 3>and divine justice and spiritual reward. Apparent absence of the

1289
01:30:24.119 --> 01:30:28.119
<v Speaker 3>divine justice. Characters shoot characters shoot arrows with pleas to

1290
01:30:28.159 --> 01:30:32.039
<v Speaker 3>the gods, but no visible divine intervention arrives revenge instead

1291
01:30:32.039 --> 01:30:40.199
<v Speaker 3>of faith. Let's see here the signs altar, which is

1292
01:30:40.479 --> 01:30:46.199
<v Speaker 3>crazy He sacrifices in the play. He sacrifices a Goth

1293
01:30:46.279 --> 01:30:51.119
<v Speaker 3>princess on an altar. The symbols of that particular degree

1294
01:30:51.159 --> 01:30:54.760
<v Speaker 3>in freemasonry. The very first one is an altar cherubim,

1295
01:30:55.000 --> 01:30:59.960
<v Speaker 3>flaming sword, veil of sanctuary. Titus is the grim priest

1296
01:31:00.079 --> 01:31:03.640
<v Speaker 3>of vengeance the killing of Lavinia. The they have this

1297
01:31:03.680 --> 01:31:09.680
<v Speaker 3>big feast of revenge. Alter sacrifices flaming sword symbolizing earth

1298
01:31:10.000 --> 01:31:19.000
<v Speaker 3>fits the brutality. See what that proverb is? Uh proverb

1299
01:31:20.840 --> 01:31:24.520
<v Speaker 3>is gonna be the mouth of the just, bring us

1300
01:31:24.560 --> 01:31:28.560
<v Speaker 3>forth wisdom, but the fraward tongue shall be cut out.

1301
01:31:29.720 --> 01:31:32.840
<v Speaker 3>The degree teaches the divine order exists even when unseen.

1302
01:31:33.960 --> 01:31:39.000
<v Speaker 3>The frawered tongue describes the Gos Saturnius Tamora and Aaron

1303
01:31:39.600 --> 01:31:45.920
<v Speaker 3>Rome's mouth of the Just. Mutilated tongues literally become symbols

1304
01:31:46.119 --> 01:31:50.119
<v Speaker 3>in Lavinia's mutilation, that's his daughter. They cut her, cut

1305
01:31:50.119 --> 01:31:54.319
<v Speaker 3>her tongue out. Proverbs imagery manifests literally in the play

1306
01:31:54.880 --> 01:32:02.560
<v Speaker 3>speech mutilation, justice, and divine silence. And then I'll do

1307
01:32:03.199 --> 01:32:10.840
<v Speaker 3>Romeo and Julia, because that one's pretty wild too. Fuck

1308
01:32:10.920 --> 01:32:14.640
<v Speaker 3>I'll find it real quick. But now you know what

1309
01:32:15.039 --> 01:32:18.079
<v Speaker 3>Antony and Cleopatra. That's the thirty second degree. So that

1310
01:32:18.239 --> 01:32:22.039
<v Speaker 3>is the highest degree in Scottish Rite freemasonry other than

1311
01:32:22.079 --> 01:32:24.920
<v Speaker 3>the thirty third degree, which you can only be invited to.

1312
01:32:25.079 --> 01:32:30.840
<v Speaker 3>It's an honorary degree. So thirty second degree Master of

1313
01:32:30.880 --> 01:32:37.000
<v Speaker 3>the Royal Secret. And that's Antony and Cleopatra. Play Summarymark Antony,

1314
01:32:37.399 --> 01:32:39.880
<v Speaker 3>one of the three rulers of Rome, is torn between

1315
01:32:39.920 --> 01:32:43.159
<v Speaker 3>his duty to Rome and his love for Cleopatra, Queen

1316
01:32:43.199 --> 01:32:48.479
<v Speaker 3>of Egypt. Political tensions with Octavius Caesar escalate into war.

1317
01:32:48.600 --> 01:32:52.319
<v Speaker 3>Antony and Cleopatra's choices lead to defeat and their suicides.

1318
01:32:52.840 --> 01:32:56.119
<v Speaker 3>The themes are love, duty, East versus West, public versus

1319
01:32:56.119 --> 01:33:04.680
<v Speaker 3>private identity, and the nature of greatness you've got in masonry,

1320
01:33:05.159 --> 01:33:10.000
<v Speaker 3>The Royal Secret of equilibrium, the balance of opposing forces, justice,

1321
01:33:10.359 --> 01:33:14.880
<v Speaker 3>versus mercy, reason verse passion, spirit versus matter, harmony between

1322
01:33:14.920 --> 01:33:20.760
<v Speaker 3>heavenly and earthly duties, understanding the true sovereignty is intermastery

1323
01:33:20.840 --> 01:33:25.279
<v Speaker 3>and not just external uh. Literally the East and the

1324
01:33:25.279 --> 01:33:30.039
<v Speaker 3>West as opposites Roman Egypt love and duty, Antony's downfall

1325
01:33:30.159 --> 01:33:34.239
<v Speaker 3>as a Roman who who chooses love over duty to

1326
01:33:34.279 --> 01:33:40.560
<v Speaker 3>his country, transfiguration and death. In the final scenes, Cleopatra

1327
01:33:40.720 --> 01:33:47.680
<v Speaker 3>reimagines Antony and herself in an almost mythic cosmic terms.

1328
01:33:48.279 --> 01:33:52.600
<v Speaker 3>Let's see, that's thirty two. So the sign the signs

1329
01:33:52.600 --> 01:33:59.399
<v Speaker 3>and symbols are really interesting. In this one. You've got

1330
01:34:00.159 --> 01:34:03.640
<v Speaker 3>a skull, a black dagger, a Teutonic cross. Oh wait, no,

1331
01:34:03.680 --> 01:34:06.239
<v Speaker 3>that's not I'm in the wrong one here. It is

1332
01:34:06.520 --> 01:34:10.640
<v Speaker 3>a double headed eagle, a globe, a crown, black and

1333
01:34:10.640 --> 01:34:16.159
<v Speaker 3>white reconciliation. Literally, Antony and Cleopatra are I just this

1334
01:34:16.359 --> 01:34:20.640
<v Speaker 3>just kind of hit me. The black and white reconciliation.

1335
01:34:20.800 --> 01:34:23.359
<v Speaker 3>You literally have a white Roman guy and you've got

1336
01:34:23.399 --> 01:34:29.960
<v Speaker 3>this this Egyptian princess. Antony and Cleopatra are literally two

1337
01:34:30.000 --> 01:34:33.920
<v Speaker 3>heads on one imperial body. And think about the very

1338
01:34:33.960 --> 01:34:37.560
<v Speaker 3>first symbol in this degree of freemasonry is a two

1339
01:34:37.600 --> 01:34:41.760
<v Speaker 3>headed eagle. Their fates turned on control of the globe.

1340
01:34:42.039 --> 01:34:45.520
<v Speaker 3>The double eagle, symbol of unity and duality, fits them

1341
01:34:45.560 --> 01:35:02.279
<v Speaker 3>both perfectly. Thirty two you uh proverb the rich rules

1342
01:35:02.359 --> 01:35:04.640
<v Speaker 3>over the poor, and the borrow is the servant to

1343
01:35:04.720 --> 01:35:05.680
<v Speaker 3>the lender of the degree.

1344
01:35:06.079 --> 01:35:06.319
<v Speaker 1>Uh.

1345
01:35:06.399 --> 01:35:10.960
<v Speaker 3>Antony borrows Caesar's political stability becomes servant to Rome. Cleopatra

1346
01:35:11.119 --> 01:35:15.920
<v Speaker 3>Borrow's Antony's power becomes servant to passion. Uh. Rome rules

1347
01:35:15.960 --> 01:35:16.319
<v Speaker 3>the poor.

1348
01:35:16.680 --> 01:35:16.880
<v Speaker 5>Uh.

1349
01:35:16.960 --> 01:35:20.960
<v Speaker 3>The proverb reflects psycho psychological, political, and karmic debts at

1350
01:35:21.000 --> 01:35:30.640
<v Speaker 3>the heart of the play. Yeah, and then here we go.

1351
01:35:30.760 --> 01:35:36.840
<v Speaker 3>The uh cough is the cabalistic path, holiness or back

1352
01:35:36.880 --> 01:35:40.920
<v Speaker 3>of the head. The unseen, unseen motives hidden passion, rule,

1353
01:35:41.000 --> 01:35:47.520
<v Speaker 3>destiny Othello's a really crazy one too, that that degree

1354
01:35:47.840 --> 01:35:56.239
<v Speaker 3>and play are all about judging. I'll just read it.

1355
01:35:56.520 --> 01:35:58.640
<v Speaker 3>I got it right. Here, do one more. I'll do

1356
01:35:58.680 --> 01:36:00.119
<v Speaker 3>one more and then I'll shut my eye.

1357
01:36:02.399 --> 01:36:02.520
<v Speaker 5>Uh.

1358
01:36:03.159 --> 01:36:03.960
<v Speaker 3>Let's see here.

1359
01:36:05.199 --> 01:36:05.399
<v Speaker 4>Yeah.

1360
01:36:05.479 --> 01:36:10.479
<v Speaker 3>Thirty first degree is the inspector inquisitor Athello. The plot

1361
01:36:10.520 --> 01:36:16.079
<v Speaker 3>summary Othello, a Morris general in Venetian service, secretly marries Desdemona.

1362
01:36:16.680 --> 01:36:22.399
<v Speaker 3>His insign Iago drives, driven by envy and malice, manipulates

1363
01:36:22.439 --> 01:36:27.279
<v Speaker 3>events to convince Othello that Desdemona is unfaithful. Consumed by jealousy,

1364
01:36:27.720 --> 01:36:36.000
<v Speaker 3>Othello kills Desdemona and then himself when the truth is revealed. Trust, jealousy, race, manipulation,

1365
01:36:36.119 --> 01:36:41.560
<v Speaker 3>and the tragedy of misjudgment. In Masonry, the inspector inquisitor.

1366
01:36:43.319 --> 01:36:47.079
<v Speaker 3>This degree concerns moral self judgment and inner tribunal of

1367
01:36:47.119 --> 01:36:52.920
<v Speaker 3>conscious conscience, the duty to investigate motives with fairness and impartiality.

1368
01:36:53.439 --> 01:36:56.319
<v Speaker 3>He marks his wife because some dude told him some

1369
01:36:56.399 --> 01:37:00.680
<v Speaker 3>rumors about her banging somebody else. The danger of prejudice,

1370
01:37:01.560 --> 01:37:04.640
<v Speaker 3>I mean literally, Othello is the only like, hey, here's

1371
01:37:04.640 --> 01:37:06.560
<v Speaker 3>a black guy and a white woman play. I mean

1372
01:37:06.560 --> 01:37:10.399
<v Speaker 3>that was unheard of for that time, but for then

1373
01:37:10.520 --> 01:37:15.319
<v Speaker 3>the the the Masonic degree to literally deal in in

1374
01:37:15.439 --> 01:37:19.560
<v Speaker 3>danger of prejudice, rash judgment, and Brian credulity, and the

1375
01:37:19.640 --> 01:37:26.119
<v Speaker 3>need to balance justice with mercy. That that one's pretty

1376
01:37:26.159 --> 01:37:30.000
<v Speaker 3>my mind blowing. The proverb is, uh, who's.

1377
01:37:29.800 --> 01:37:32.279
<v Speaker 1>So has even one of my favorite plays?

1378
01:37:32.640 --> 01:37:35.159
<v Speaker 3>It's great. I've seen that two or three times, and

1379
01:37:35.239 --> 01:37:40.399
<v Speaker 3>it's always one of the best. Whoso keepeth his mouth

1380
01:37:40.439 --> 01:37:43.680
<v Speaker 3>and his tongue keepeth his soul from troubles. The degree

1381
01:37:43.720 --> 01:37:47.840
<v Speaker 3>warns against deception and manipulation, and the control of speech

1382
01:37:48.600 --> 01:37:53.039
<v Speaker 3>is a core lesson of that degree matches perfectly with

1383
01:37:53.079 --> 01:37:59.199
<v Speaker 3>the proverb alignment with the play Iago the unkept tongue

1384
01:37:59.199 --> 01:38:03.000
<v Speaker 3>that causes room one. So literally within the proverb it

1385
01:38:04.359 --> 01:38:09.359
<v Speaker 3>talks about talking crap and screwing stuff up. Othello fails

1386
01:38:09.359 --> 01:38:13.359
<v Speaker 3>to guard his mind or his speech. Desdemona's innocence is

1387
01:38:13.399 --> 01:38:17.760
<v Speaker 3>destroyed by false words. The proverb literally predicts the tragedy.

1388
01:38:17.840 --> 01:38:25.560
<v Speaker 3>The tongue destroys the soul. And let's see here, Yeah, Othello,

1389
01:38:25.920 --> 01:38:34.159
<v Speaker 3>that is gonna be Zadi or the righteous one. And uh,

1390
01:38:35.560 --> 01:38:38.520
<v Speaker 3>the whole play is righteousness corrupted by deception.

1391
01:38:39.319 --> 01:38:39.720
<v Speaker 4>Uh.

1392
01:38:39.760 --> 01:38:44.600
<v Speaker 3>The inspector inquisitor. Also Othello becomes the inspector inquisitor of

1393
01:38:44.680 --> 01:38:49.159
<v Speaker 3>his wife, judge, jury, and executioner. So that one I

1394
01:38:49.880 --> 01:38:53.239
<v Speaker 3>forgot about that Othello lines up maybe more perfectly than

1395
01:38:53.279 --> 01:38:57.760
<v Speaker 3>any of them Macbeth, Hamlet, and it literally goes like

1396
01:38:57.800 --> 01:39:01.920
<v Speaker 3>that as you go down. And then also the thirty

1397
01:39:01.920 --> 01:39:05.800
<v Speaker 3>third degree, which is like this unknown degree you've got

1398
01:39:05.840 --> 01:39:10.680
<v Speaker 3>the very last play in the Shakespeare folio, Cymbeline, which

1399
01:39:10.760 --> 01:39:13.880
<v Speaker 3>is a play that a lot of people say, yeah,

1400
01:39:13.920 --> 01:39:16.680
<v Speaker 3>whoever wrote it, they all wrote all these, but maybe

1401
01:39:16.680 --> 01:39:20.840
<v Speaker 3>not this one. It seems Symboline seems like off from

1402
01:39:21.800 --> 01:39:25.399
<v Speaker 3>the rest of them. It's the thirty third degree. It's

1403
01:39:25.479 --> 01:39:30.279
<v Speaker 3>on page three sixty nine. There's a correlation between thirty

1404
01:39:30.279 --> 01:39:36.560
<v Speaker 3>three and three sixty nine. It's I'm sure there's I mean,

1405
01:39:37.399 --> 01:39:40.920
<v Speaker 3>this is just notes. This is more that I've typed out,

1406
01:39:41.039 --> 01:39:43.680
<v Speaker 3>and since I was in high school, for God's sakes,

1407
01:39:44.000 --> 01:39:47.039
<v Speaker 3>there's probably a book in this kind of mapping these

1408
01:39:47.039 --> 01:39:51.359
<v Speaker 3>things together. But there's there's tons more there. I'm pretty sure.

1409
01:39:53.239 --> 01:39:55.239
<v Speaker 1>I wonder if it has anything to do with like

1410
01:39:55.279 --> 01:39:56.520
<v Speaker 1>the Keys of Solomon.

1411
01:39:57.479 --> 01:40:03.359
<v Speaker 3>Well, Solomon wrote from Yeah, Solomon wrote Proverbs and most

1412
01:40:03.439 --> 01:40:08.199
<v Speaker 3>of you know, all a lot of Shakespeare's works deal

1413
01:40:08.319 --> 01:40:12.880
<v Speaker 3>with the Middle Ages. And I believe that's when, you know,

1414
01:40:13.079 --> 01:40:15.800
<v Speaker 3>templars are coming back and people are coming back from

1415
01:40:16.079 --> 01:40:18.520
<v Speaker 3>the Crusades in the Holy Land. I think that's really

1416
01:40:18.560 --> 01:40:25.800
<v Speaker 3>when Europe got saturated with actual texts from those Middle

1417
01:40:25.840 --> 01:40:32.479
<v Speaker 3>Eastern occult practices and whatnot. That's when all the grimoires

1418
01:40:32.520 --> 01:40:35.520
<v Speaker 3>show up. Now, they don't have anything older than the

1419
01:40:35.520 --> 01:40:39.760
<v Speaker 3>Middle Ages that is publicly known about, but all this

1420
01:40:40.119 --> 01:40:44.800
<v Speaker 3>esoteric wisdom from the East pops up in the Middle

1421
01:40:44.840 --> 01:40:49.279
<v Speaker 3>Ages and starts being practiced like in earnest and it

1422
01:40:49.399 --> 01:40:51.760
<v Speaker 3>just so happens that coincides with the end of the

1423
01:40:53.239 --> 01:41:02.119
<v Speaker 3>Crusades and the end of the Templars. So, yeah, questions anymore.

1424
01:41:02.119 --> 01:41:07.479
<v Speaker 5>Well, fascinating stuff. I just think those the miss ordered

1425
01:41:07.600 --> 01:41:14.680
<v Speaker 5>numbers are definitely interpret uh presenting something uh with with

1426
01:41:14.720 --> 01:41:17.119
<v Speaker 5>what I've seen. The hints as far as like they

1427
01:41:17.199 --> 01:41:24.039
<v Speaker 5>left behind in relation to geometry and numerology kind of

1428
01:41:24.039 --> 01:41:27.239
<v Speaker 5>are what led people to go, Wait, Shakespeare is not real,

1429
01:41:27.359 --> 01:41:28.039
<v Speaker 5>It was this guy.

1430
01:41:28.159 --> 01:41:29.000
<v Speaker 3>It was these.

1431
01:41:29.880 --> 01:41:32.800
<v Speaker 5>So I'm sure I would bet anyway that those page

1432
01:41:32.880 --> 01:41:37.319
<v Speaker 5>numbers are communicating something. And I wonder maybe if they're

1433
01:41:37.680 --> 01:41:41.439
<v Speaker 5>it's as simple as possibly with the Fibonacci sequence.

1434
01:41:43.199 --> 01:41:48.520
<v Speaker 3>It's not close. It's actually close like the.

1435
01:41:50.079 --> 01:41:50.319
<v Speaker 4>I was.

1436
01:41:50.520 --> 01:41:52.920
<v Speaker 3>I was thinking it off by like a number here

1437
01:41:53.039 --> 01:41:53.399
<v Speaker 3>or there.

1438
01:41:53.479 --> 01:41:58.039
<v Speaker 5>It's weird, okay, interesting. I was wondering, Yeah, if they

1439
01:41:58.079 --> 01:42:03.399
<v Speaker 5>were each kind of their own little cipher related to

1440
01:42:03.479 --> 01:42:05.680
<v Speaker 5>something too, that they come together.

1441
01:42:06.399 --> 01:42:11.560
<v Speaker 3>Well, And so I I have a theory. And again

1442
01:42:11.680 --> 01:42:15.920
<v Speaker 3>I'm not mathematically minded to take it all the way.

1443
01:42:15.960 --> 01:42:17.840
<v Speaker 3>And I'd like to find somebody who could work with me,

1444
01:42:20.079 --> 01:42:22.800
<v Speaker 3>and I haven't found where anybody's ever ever tried to

1445
01:42:22.800 --> 01:42:25.640
<v Speaker 3>do it. But in the book The New Atlantis by

1446
01:42:25.920 --> 01:42:30.920
<v Speaker 3>Francis Bacon, it's almost unreadable because the amount of numbers

1447
01:42:30.960 --> 01:42:34.520
<v Speaker 3>that are listed in it, like it's like all numbers.

1448
01:42:34.560 --> 01:42:37.159
<v Speaker 3>It's like there were eight men and they were on

1449
01:42:37.239 --> 01:42:39.439
<v Speaker 3>two boats, and they rowed out to us, and they

1450
01:42:39.479 --> 01:42:42.039
<v Speaker 3>stayed five hundred feet away, and they asked us how

1451
01:42:42.079 --> 01:42:44.199
<v Speaker 3>many were on the boat, and we told them fifty.

1452
01:42:44.319 --> 01:42:47.439
<v Speaker 3>And they put are sick in two rooms, and they

1453
01:42:47.439 --> 01:42:51.199
<v Speaker 3>put us in seventeen rooms. And I mean, the whole

1454
01:42:51.279 --> 01:42:53.199
<v Speaker 3>it's almost unreadable because of it.

1455
01:42:53.439 --> 01:42:57.119
<v Speaker 1>That's exactly how it is. It's like exhausting, and it's like,

1456
01:42:57.199 --> 01:42:59.600
<v Speaker 1>what the fuck is this supposed to mean?

1457
01:43:01.000 --> 01:43:04.319
<v Speaker 3>So I took I went through that book and I

1458
01:43:04.359 --> 01:43:10.359
<v Speaker 3>recorded every number in order and ran it through an

1459
01:43:10.439 --> 01:43:15.760
<v Speaker 3>AI program just to see if there was anything anything there.

1460
01:43:16.399 --> 01:43:19.319
<v Speaker 3>And I mean and I ran it through like three

1461
01:43:19.359 --> 01:43:23.640
<v Speaker 3>different AI programs, and they all each one said, yes,

1462
01:43:23.680 --> 01:43:27.920
<v Speaker 3>there's something here. The markers for a code are are here.

1463
01:43:27.960 --> 01:43:31.520
<v Speaker 3>And then when I plugged in, hey, what about like

1464
01:43:31.640 --> 01:43:35.399
<v Speaker 3>Baconian code? Because he had specific ciphers like the Baconian

1465
01:43:35.439 --> 01:43:41.800
<v Speaker 3>cipher that he he created himself. And then When I

1466
01:43:41.840 --> 01:43:44.840
<v Speaker 3>did that, all of them were like, well, yeah, you

1467
01:43:44.920 --> 01:43:46.840
<v Speaker 3>have to do this, and then they want to run

1468
01:43:46.880 --> 01:43:50.720
<v Speaker 3>all these It just goes beyond my capability. But there's

1469
01:43:50.800 --> 01:43:55.359
<v Speaker 3>something in that. There's no way, there's even like the

1470
01:43:55.640 --> 01:44:01.640
<v Speaker 3>in the first paragraph the words pace and deliverance. Now,

1471
01:44:01.680 --> 01:44:05.199
<v Speaker 3>this is a book about Christians who are lost at

1472
01:44:05.239 --> 01:44:07.920
<v Speaker 3>sea and just happened to bump into an island that

1473
01:44:07.960 --> 01:44:11.800
<v Speaker 3>nobody ever knew of that's filled with other Christians that

1474
01:44:11.880 --> 01:44:15.520
<v Speaker 3>save their lives. And the words patients and deliverance are

1475
01:44:15.600 --> 01:44:17.960
<v Speaker 3>used on like the first page and never used again

1476
01:44:18.039 --> 01:44:20.800
<v Speaker 3>in the rest of the book, which those are two like.

1477
01:44:20.880 --> 01:44:22.960
<v Speaker 3>I looked up the odds of that, and it's it's

1478
01:44:23.039 --> 01:44:26.960
<v Speaker 3>pretty astronomical, considering like the speech of the time. But

1479
01:44:27.279 --> 01:44:29.720
<v Speaker 3>the two ships, remember I told you that when they

1480
01:44:29.760 --> 01:44:37.680
<v Speaker 3>crash landed on Bermuda, they took apart the old ship

1481
01:44:37.680 --> 01:44:41.159
<v Speaker 3>and built two ships, and that they named those two

1482
01:44:41.159 --> 01:44:46.680
<v Speaker 3>ships the Patients and the Deliverance. And the new Atlantis

1483
01:44:46.720 --> 01:44:50.920
<v Speaker 3>came out in sixteen I believe it was sixteen twenty six,

1484
01:44:51.720 --> 01:44:56.960
<v Speaker 3>So you've got The Tempest being written in sixteen ten,

1485
01:44:57.159 --> 01:45:01.239
<v Speaker 3>the King James Bible in sixteen eleven, sixteen twenty three

1486
01:45:01.640 --> 01:45:06.399
<v Speaker 3>is the first folio, and then sixteen twenty six is

1487
01:45:06.479 --> 01:45:11.000
<v Speaker 3>I believe when Bacon dies and The New Atlantis is

1488
01:45:11.560 --> 01:45:18.399
<v Speaker 3>published posthumously. Posthumously, Yeah, so I think there's something something

1489
01:45:18.439 --> 01:45:21.439
<v Speaker 3>in there, and I think that that particular book connects

1490
01:45:21.680 --> 01:45:26.840
<v Speaker 3>as well. And one of those ships that disappeared just

1491
01:45:26.880 --> 01:45:29.439
<v Speaker 3>happened to have fifty people on it, which is the

1492
01:45:29.479 --> 01:45:32.479
<v Speaker 3>exact number of the people in the New Atlantis on

1493
01:45:32.600 --> 01:45:37.079
<v Speaker 3>the ship that were lost at sea. So it's interesting too.

1494
01:45:38.640 --> 01:45:41.680
<v Speaker 3>And if you look back, the captain of that particular

1495
01:45:41.680 --> 01:45:44.920
<v Speaker 3>ship that went missing Forever was a guy named Matthew Fitch.

1496
01:45:45.479 --> 01:45:47.960
<v Speaker 3>But if you look back, if you're nerd like me

1497
01:45:48.239 --> 01:45:55.840
<v Speaker 3>and you have the complete works of John Smith, Matthew

1498
01:45:55.920 --> 01:45:59.399
<v Speaker 3>Fitch was one of the original mariners who came over

1499
01:45:59.439 --> 01:46:02.800
<v Speaker 3>in sixteen and in July of sixteen oh seven he

1500
01:46:02.880 --> 01:46:05.520
<v Speaker 3>was killed by a Native. And then in sixteen oh

1501
01:46:05.640 --> 01:46:09.000
<v Speaker 3>nine he's all of a sudden the captain of the

1502
01:46:10.239 --> 01:46:13.960
<v Speaker 3>ship the catch in the supply mission that goes missing forever,

1503
01:46:14.760 --> 01:46:17.880
<v Speaker 3>that has fifty people on it. And then Bacon's New

1504
01:46:17.920 --> 01:46:21.880
<v Speaker 3>Atlantis comes out with a book about fifty people lost

1505
01:46:21.920 --> 01:46:25.199
<v Speaker 3>at sea on a ship and a dead guy was

1506
01:46:25.199 --> 01:46:28.880
<v Speaker 3>supposedly the captain of Yeah, it's weird, and they specifically

1507
01:46:28.960 --> 01:46:33.520
<v Speaker 3>say in the history that the captain of that particular

1508
01:46:33.560 --> 01:46:38.680
<v Speaker 3>ship that went missing the catch was the mariner Matthew Fitch,

1509
01:46:39.039 --> 01:46:43.520
<v Speaker 3>who was on the original sixteen oh seven mission. But

1510
01:46:43.680 --> 01:46:49.640
<v Speaker 3>right clearly in John Smith's works, he talks about going

1511
01:46:49.680 --> 01:46:53.600
<v Speaker 3>out on a hunting expedition in the woods around Jamestown

1512
01:46:53.800 --> 01:46:57.399
<v Speaker 3>and he gets Matthew Fitch gets mortally wounded by an

1513
01:46:57.640 --> 01:47:01.199
<v Speaker 3>arrow from a native. There's all kinds of weird crap

1514
01:47:01.239 --> 01:47:04.800
<v Speaker 3>in Virginia and Jamestown, Bacon and stuff like that, So

1515
01:47:05.399 --> 01:47:06.119
<v Speaker 3>go on forever.

1516
01:47:08.359 --> 01:47:10.159
<v Speaker 4>That's so, that's weird.

1517
01:47:13.720 --> 01:47:21.079
<v Speaker 2>It's sorts like wonders of why yes, didn't yeah like yeah,

1518
01:47:21.119 --> 01:47:25.920
<v Speaker 2>like like yeah, support of like was there any questions

1519
01:47:25.920 --> 01:47:29.000
<v Speaker 2>that you guys wanted to ask anything, or anything that

1520
01:47:29.039 --> 01:47:32.199
<v Speaker 2>you wanted to bring up? You know, I think that

1521
01:47:32.319 --> 01:47:34.680
<v Speaker 2>was pretty Uh, that was a lot of ship, dude.

1522
01:47:35.119 --> 01:47:38.880
<v Speaker 2>You really have to look at this Shakespeare's stuff, dude.

1523
01:47:38.640 --> 01:47:41.520
<v Speaker 3>I'm telling you, it's it's old hat. The bit. I

1524
01:47:41.520 --> 01:47:46.920
<v Speaker 3>feel like the the Bacon Shakespeare Mason thing is is

1525
01:47:47.239 --> 01:47:49.640
<v Speaker 3>almost been beat to death to where like even us

1526
01:47:49.720 --> 01:47:53.680
<v Speaker 3>conspiracy folks are like, oh, this again. But the more

1527
01:47:54.000 --> 01:47:58.560
<v Speaker 3>it all trickles back, I really do think Bacon and

1528
01:47:58.640 --> 01:48:01.880
<v Speaker 3>masonry is that connect tissue. As much as we want

1529
01:48:01.920 --> 01:48:04.039
<v Speaker 3>to look at like the Masons now, is these like

1530
01:48:04.159 --> 01:48:09.039
<v Speaker 3>fish fry community like leader guys. There is something There

1531
01:48:09.119 --> 01:48:13.640
<v Speaker 3>is a nugget in that that system that I really

1532
01:48:13.680 --> 01:48:20.159
<v Speaker 3>think is responsible for the stewardship of the kind of

1533
01:48:20.199 --> 01:48:26.159
<v Speaker 3>Bacon ideal and the new Atlantis.

1534
01:48:25.560 --> 01:48:31.640
<v Speaker 1>Plan in the bloodlines too. It's just so weird.

1535
01:48:32.239 --> 01:48:35.880
<v Speaker 3>I mean, you can't keep those bloodlines going and the

1536
01:48:35.920 --> 01:48:42.720
<v Speaker 3>knowledge of them, you know, known publicly, you have to

1537
01:48:42.760 --> 01:48:45.560
<v Speaker 3>do it within a system like this, and that's the

1538
01:48:45.600 --> 01:48:50.239
<v Speaker 3>perfect system for you know, the monarchy used to be

1539
01:48:50.279 --> 01:48:52.399
<v Speaker 3>one thing, but again that writing was on the wall.

1540
01:48:52.880 --> 01:48:54.039
<v Speaker 3>Monarchies were falling.

1541
01:48:57.239 --> 01:49:01.439
<v Speaker 4>Thank you, Thank you very much. Man.

1542
01:49:01.840 --> 01:49:04.600
<v Speaker 2>Yeah, yeah, that was a lot of stuff. You got

1543
01:49:04.640 --> 01:49:07.359
<v Speaker 2>me wonder about the OTO. But they have different number

1544
01:49:07.399 --> 01:49:08.079
<v Speaker 2>of degrees.

1545
01:49:09.479 --> 01:49:12.439
<v Speaker 3>But I mean, doesn't it I mean, wasn't the OTO

1546
01:49:12.920 --> 01:49:14.039
<v Speaker 3>I mean influence?

1547
01:49:15.039 --> 01:49:19.199
<v Speaker 2>Yeah, yeah, it was, it was. It was originally more degrees.

1548
01:49:19.279 --> 01:49:21.159
<v Speaker 2>And when Crowley took it over, he knocked out of

1549
01:49:21.720 --> 01:49:23.920
<v Speaker 2>them and also made a basic the Book of.

1550
01:49:23.920 --> 01:49:27.399
<v Speaker 3>The Look, and Crowley went to some of them.

1551
01:49:27.399 --> 01:49:31.920
<v Speaker 4>I do think what's going on in the initiations? Yeah,

1552
01:49:31.920 --> 01:49:32.920
<v Speaker 4>still follow.

1553
01:49:33.479 --> 01:49:37.039
<v Speaker 3>Yeah, oh yeah. And Crowley was a thirty third degree

1554
01:49:37.079 --> 01:49:40.960
<v Speaker 3>mason out of Mexico. He went down to Mexico and

1555
01:49:41.000 --> 01:49:44.439
<v Speaker 3>studied masonry. I mean he was pretty he was pretty

1556
01:49:44.439 --> 01:49:46.840
<v Speaker 3>into it, but I mean he he kind of did

1557
01:49:46.840 --> 01:49:49.279
<v Speaker 3>that with with everything. He kind of had this pattern

1558
01:49:49.359 --> 01:49:54.199
<v Speaker 3>of joining in order and then causing chaos and then

1559
01:49:54.239 --> 01:49:58.039
<v Speaker 3>being like peace, I'm out, like going starting over again

1560
01:49:58.079 --> 01:49:58.880
<v Speaker 3>with another one.

1561
01:50:01.119 --> 01:50:05.600
<v Speaker 2>But yeah, before we wrap it up, I let h

1562
01:50:05.800 --> 01:50:08.600
<v Speaker 2>let everybody plug their stuff again, Julia.

1563
01:50:08.680 --> 01:50:10.359
<v Speaker 4>I want to remind everybody, but they can find all

1564
01:50:10.359 --> 01:50:11.159
<v Speaker 4>your amazing stuff.

1565
01:50:12.399 --> 01:50:14.720
<v Speaker 1>Yeah, thanks so much for having me. This one was

1566
01:50:14.800 --> 01:50:18.880
<v Speaker 1>really interesting. I knew it would be cosmic Peach podcast

1567
01:50:18.920 --> 01:50:23.039
<v Speaker 1>wherever you listen to podcasts. I got some cool min

1568
01:50:23.079 --> 01:50:26.079
<v Speaker 1>Nindas Brothers stuff up right now that you can check out.

1569
01:50:27.119 --> 01:50:31.960
<v Speaker 1>But yeah, thanks for having me and loved the conversation.

1570
01:50:33.720 --> 01:50:34.239
<v Speaker 4>Yes, so did.

1571
01:50:34.279 --> 01:50:37.439
<v Speaker 2>I actually got stuck in so many thoughts. I was

1572
01:50:37.520 --> 01:50:40.039
<v Speaker 2>just like a fuck, but like it was all I

1573
01:50:40.600 --> 01:50:42.239
<v Speaker 2>I don't know. I didn't want to go up on tangents.

1574
01:50:42.640 --> 01:50:44.800
<v Speaker 3>That's what happens every time I'm at work listening to

1575
01:50:44.840 --> 01:50:47.960
<v Speaker 3>the occult rejacts. I was even like hearing you guys,

1576
01:50:48.000 --> 01:50:50.119
<v Speaker 3>and I'm like, oh dude, I gotta and then I

1577
01:50:50.199 --> 01:50:53.880
<v Speaker 3>find another path that I'm like dying down for like

1578
01:50:53.920 --> 01:50:54.680
<v Speaker 3>three days.

1579
01:50:55.159 --> 01:50:57.119
<v Speaker 2>He said something like about War of the Roses like

1580
01:50:57.159 --> 01:50:59.000
<v Speaker 2>thirty minutes ago, and I was like kept on like

1581
01:50:59.079 --> 01:51:04.640
<v Speaker 2>thinking about something. So yeah, Ethan in THEO, please let

1582
01:51:04.640 --> 01:51:07.319
<v Speaker 2>everybody know where they can find book.

1583
01:51:08.159 --> 01:51:11.760
<v Speaker 5>Yeah, Nick, Julia and you guys rock Ernie, thank you

1584
01:51:11.800 --> 01:51:15.800
<v Speaker 5>so much. That was really interesting. I never looked away.

1585
01:51:16.000 --> 01:51:20.199
<v Speaker 5>Great correspondence and lessons in that. I can't wait to

1586
01:51:20.359 --> 01:51:25.039
<v Speaker 5>look at it more, honestly, Ethan Indigo Smith online.

1587
01:51:25.239 --> 01:51:26.600
<v Speaker 3>I'm doing a.

1588
01:51:26.560 --> 01:51:31.760
<v Speaker 5>Podcast too with Headless and Ricardo on Sundays Monday Trialogues,

1589
01:51:32.239 --> 01:51:35.560
<v Speaker 5>and I have a bunch of books available and writing

1590
01:51:35.720 --> 01:51:39.439
<v Speaker 5>coming out frequently anyway, So and I appreciate everyone in

1591
01:51:39.479 --> 01:51:40.079
<v Speaker 5>the chat too.

1592
01:51:40.680 --> 01:51:47.039
<v Speaker 4>Thanks Nick, everyone, thank you, sir, thank you, and Ernie.

1593
01:51:47.239 --> 01:51:49.479
<v Speaker 4>Please let everybody know where they can find a stuff.

1594
01:51:49.840 --> 01:51:55.520
<v Speaker 3>Yep, Virginia is for conspiracy lovers, podcasts everywhere podcasts are

1595
01:51:55.680 --> 01:51:58.920
<v Speaker 3>and then we're over there on end. Oh. In YouTube,

1596
01:51:58.920 --> 01:52:00.439
<v Speaker 3>I think I forgot to say. We do have a

1597
01:52:00.960 --> 01:52:06.119
<v Speaker 3>YouTube page and a lot of a lot of my

1598
01:52:06.239 --> 01:52:11.079
<v Speaker 3>personal research is visual and so I throw up maps

1599
01:52:11.079 --> 01:52:13.880
<v Speaker 3>and diagrams and lay lines and and stuff like that.

1600
01:52:13.920 --> 01:52:16.000
<v Speaker 3>So it's worth going to. We've been we took about

1601
01:52:16.079 --> 01:52:18.000
<v Speaker 3>two months off, but we're about to start hitting it

1602
01:52:18.960 --> 01:52:23.399
<v Speaker 3>pretty hard again. So yeah, Virginia is for conspiracy lovers

1603
01:52:23.439 --> 01:52:25.880
<v Speaker 3>anywhere you can find weirdos like me.

1604
01:52:27.960 --> 01:52:29.399
<v Speaker 4>West. Thank you for coming on again.

1605
01:52:29.520 --> 01:52:32.399
<v Speaker 2>That us up as wild and even the people listen again,

1606
01:52:32.439 --> 01:52:34.760
<v Speaker 2>and I do say this a lot, uh the people.

1607
01:52:35.079 --> 01:52:37.640
<v Speaker 2>If you're catching the replay, check the chat, the people

1608
01:52:37.680 --> 01:52:38.920
<v Speaker 2>in the chat, a lot of a lot of stuff

1609
01:52:38.960 --> 01:52:41.079
<v Speaker 2>to a too. Got stuck on that too a couple

1610
01:52:41.079 --> 01:52:45.520
<v Speaker 2>of times. But uh again, Julia, I appreciate you coming on.

1611
01:52:45.800 --> 01:52:47.119
<v Speaker 2>It's always nice to have you here.

1612
01:52:47.279 --> 01:52:49.960
<v Speaker 4>For real. It's great to see you. And Ethan appreciate

1613
01:52:50.000 --> 01:52:50.359
<v Speaker 4>it as well.

1614
01:52:50.399 --> 01:52:51.760
<v Speaker 2>I owed both of you guys are on the same

1615
01:52:51.880 --> 01:52:54.319
<v Speaker 2>like time zone, so yeah, I appreciate you guys dealing

1616
01:52:54.399 --> 01:52:55.119
<v Speaker 2>with this as well.

1617
01:52:55.680 --> 01:52:58.520
<v Speaker 4>And Ernie for real, for real, it's always a pleasure

1618
01:52:58.560 --> 01:52:59.960
<v Speaker 4>to have you on. You always welcome on.

1619
01:53:00.039 --> 01:53:03.159
<v Speaker 2>Anytime you got a topic you can always Oh yeah, no,

1620
01:53:03.199 --> 01:53:04.199
<v Speaker 2>it's always some wild ship.

1621
01:53:04.279 --> 01:53:07.279
<v Speaker 3>I got another one coming, I think Thomas Jefferson was

1622
01:53:07.279 --> 01:53:10.800
<v Speaker 3>a murderer, so okay, all right, did you with that.

1623
01:53:10.920 --> 01:53:12.960
<v Speaker 3>I'm pretty sure he killed his mentor the guy that

1624
01:53:13.000 --> 01:53:18.920
<v Speaker 3>made the booby flag so that he could keep slavery

1625
01:53:19.000 --> 01:53:25.560
<v Speaker 3>in existence. That should be incendiary, al right.

1626
01:53:25.520 --> 01:53:26.199
<v Speaker 4>I look forward to that.

1627
01:53:26.760 --> 01:53:28.920
<v Speaker 2>Oh that's the end of this one, and again, thank

1628
01:53:28.920 --> 01:53:31.680
<v Speaker 2>you everybody in the chat. I appreciate that. And until

1629
01:53:31.680 --> 01:53:32.960
<v Speaker 2>the next one, everybody be.

1630
01:53:32.920 --> 01:53:34.479
<v Speaker 3>Well, thank you, bye bye.

1631
01:54:01.399 --> 01:54:03.560
<v Speaker 2>Lay very

1632
01:54:24.600 --> 01:54:25.199
<v Speaker 5>Other words,
