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Speaker 1: Come in.

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Speaker 2: Or welcome. I'm e g. Marshall.

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Speaker 3: Bang bang, you're dead, shouts a little child, and his

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playmate clutches at.

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Speaker 1: His heart and collapses to the ground.

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Speaker 3: Now, when children play this game, are they innocently imitating

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their elders? Or are they expressing some deep seated biological urge?

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Speaker 1: Are professional killers?

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Speaker 3: Basically children who have never outgrown the game? Is the

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taste for murder ingrained or acquired? Questions like these should

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never be answered quickly.

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Speaker 4: Lieutenant Kaufman, I was sent in here to see you.

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Speaker 1: Uh, how can I help?

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Speaker 4: A man named Tom Beckworth was murdered last night? That's right?

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Speaker 1: Do you have any information that would Yes.

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Speaker 4: I'm responsible for his death. What are you saying, mister Wilson,

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Roger Wilson, I caused his death.

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Speaker 1: Are you confessing to the crime.

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Speaker 2: I suppose that's the only way to put it.

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Speaker 1: How did you murder Tom beckw With?

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Speaker 4: I wished him dead? You wished him dead? Yes, Lieutenant,

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I wished him dead. I wished it with all my strength.

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Speaker 5: He was killed by two shots from a thirty eight

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caliber pistol. Now did you fire them? That's immaterial, mister

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Wilson too don't look well at all. I'll have an

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officer see you to your home.

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Speaker 2: I see well.

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Speaker 4: Let the records show that I did my duty as

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a citizen.

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Speaker 3: Our mystery drama, The Transformer was written especially for the

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Mystery Theater by Sam Dan and stars Howard da Silva.

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There are strange and mysterious transformations. Life changes from one shape,

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one form, yes, one existence to another.

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Speaker 1: What were we before? Were you always the same?

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Speaker 3: Have you always harbored the same hopes, ideas, ambitions? Suppose

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the person you were ten years ago should meet the

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person you are today.

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Speaker 2: Would it be a happy meeting?

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Speaker 1: Let us meet Roger Wilson.

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Speaker 3: Roger Wilson, forty two years of age, just beginning to

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lose hair and gain weight, Roger Wilson, who has already

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accepted the fact.

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Speaker 1: That while he will not set the world.

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Speaker 3: On fire, he will at least bask in a cheery,

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comfortable glow.

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Speaker 6: Roger, you were expecting I was expecting a night in

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shining armor.

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Speaker 2: Again.

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Speaker 4: Well, I thought I showed up fifteen years ago.

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Speaker 6: Why didn't you call from the airport in Chicago and

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tell me which flight should be on so I know

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what to do about dinner?

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Speaker 4: The only thing I have to do about dinner tonight

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is eat it, get your cut?

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Speaker 1: Which one the mink.

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Speaker 6: H Which clat are we supposed to impress tonight?

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Speaker 2: Tonight? Tonight is all fun.

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Speaker 6: We're never supposed to have fun at dinner. We're supposed

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to be in there selling away. I'll come on, It's

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not that bad, the nonsense I've had to hold still

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for these past fifteen years.

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Speaker 4: Well, Dolly, if you sold your soul, at least it

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wasn't for a mess of cottage. It's been first class.

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Speaker 2: All the way.

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Speaker 6: Whose ego do I have to flatter?

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Speaker 1: Tonight?

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Speaker 4: You're going to meet the greatest guy in all the world.

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Speaker 6: All right, all laugh at his jokes. After all, he's

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a client.

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Speaker 2: He's not a client.

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Speaker 6: He's not.

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Speaker 4: You'll be crazy about Chaptee Chappie Beryl Spencer Chapman Beryl. Well,

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you know, some people's parents have absolutely no sense of

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the fitness of things. They named his sister Sam anyhow,

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Everyone calls him Chappy.

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Speaker 6: But what good is Chappy able to do you? A business?

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Speaker 1: Wise?

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Speaker 4: Tolly, I don't even know what business he's in. Roger

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he told me he's in the transformer business. But we

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didn't go into it. We were just so happy to

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see each other.

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Speaker 1: It's going to be.

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Speaker 4: Twenty five years, a quarter of a century. Where did

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it go?

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Speaker 6: Don't ask me?

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Speaker 4: There we were two kids in Korea and suddenly it's

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all these years later.

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Speaker 1: Uh. I guess that's life.

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Speaker 6: And I guess this is going to be one of

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your nights for deep philosophical statements.

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Speaker 4: There I am in the passenger lounge at O'Hare Airport

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in Chicago. I'm looking at this guy, and he's looking

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at me, and suddenly I.

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Speaker 1: Yell out, Choppie. Just the exact same split second.

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Speaker 4: He hollars, Roger, how would you feel if you're at

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to somebody you knew twenty five years ago?

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Speaker 6: I can't think of anybody I knew twenty five years

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ago that i'd care to see today.

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Speaker 2: He hadn't changed a bit.

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Speaker 6: Well, where is this legendary Chappie?

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Speaker 1: Where If he was such.

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Speaker 6: A great buddy, why didn't you bring him home?

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Speaker 4: He has this business meeting at six point fifteen, that's

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why he came here.

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Speaker 6: If he has a meeting at a quarter after six,

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how can he have dinner with us?

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Speaker 2: What are you talking about?

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Speaker 6: A man comes all the way into New York for

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an evening meeting and it doesn't include dinner.

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Speaker 2: Well, what's so radical about that?

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Speaker 6: Well, you could never treat a client like that and get.

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Speaker 1: Away with it.

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Speaker 4: Oh, maybe he's the client anyhow, he's going to meet

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us in Luigi's at six forty five.

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Speaker 6: I mean, he came all the way to New York

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for a meeting that will hardly last a half hour.

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Speaker 2: He's a man of very your words.

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Speaker 7: Really, well, that should be quite refreshing.

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Speaker 6: You must be a very efficient businessman, Chappie. Why, well,

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I'm simply amazed at how quickly you're able to conclude

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a business meeting. When Roger gets involved in these things

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that can't go on for hours, even days?

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Speaker 1: Do they?

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Speaker 4: I can never get Dolly to understand there's so much

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to talk about.

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Speaker 6: How do you avoid all that talk? Chaffie?

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Speaker 1: Well, what's to talk about?

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Speaker 2: You know, the deal?

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Speaker 1: You go in and close it.

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Speaker 6: What kind of business are you in?

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Speaker 1: Transformer business?

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Speaker 6: Oh? Well, tell me all about it.

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Speaker 1: It's kind of technical.

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Speaker 6: Oh well, I was a science major at college. A

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transformer is an instrument used for changing voltage. You have

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a step down transformer, you have step up transformers.

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Speaker 4: Darling, I'm sure Chappy doesn't really want.

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Speaker 6: To talk shop all right, You're absolutely right. What a

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couple of old war buddies get together. I'm sure they

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can't wait to swap stories. I'll sit here quiet at

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a mouse and just let you boys.

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Speaker 4: Talk, Dolly, when you see, Chappy and I were.

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Speaker 2: Very close, very close, And one of the reasons.

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Speaker 4: We had along so well was because we could just

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sit there in that foxhole for hours and just say nothing.

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Speaker 6: How could you just sit there for hours and say nothing?

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Speaker 4: Well, sometimes by saying nothing, you say everything.

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Speaker 2: How about dessert?

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Speaker 4: Uh?

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Speaker 6: Nothing for me?

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Speaker 1: Cheesecake?

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Speaker 6: Well, good morning, we have bacon and eggs toest.

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Speaker 2: Why do they always make breakfast? You know, I only

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want to I.

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Speaker 6: Don't make it. I only say I do to maintain

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the franchise.

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Speaker 1: Well, how'd you like, Chappie?

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Speaker 6: I like strong, silent men.

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Speaker 4: But yeah, we would sit there in the mud in

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the snow, day after day, night after night.

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Speaker 2: We'd hardly speak a word.

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Speaker 6: And how did you communicate extrasensory perception?

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Speaker 4: We only had one aim to keep alive. I would

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look out for him and he wou look out for me.

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Speaker 6: Well, I can't imagine you not saying a word for days.

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Hont Edge.

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Speaker 2: You haven't answered my question.

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Speaker 6: Which question?

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Speaker 2: How'd you like Champions?

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Speaker 6: Has he left town?

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Speaker 4: No, he plans to stay for a week or two.

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Speaker 6: As a matter of fact, we're having lunch, quiet lunch,

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no doubt.

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Speaker 8: Now for your morning news headline, or must we? Gangster

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chief Tony Arman was murdered last night, the victim obviously

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of a gangland execution. The medical examiner places the time

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of debt at about six thirty pm. The killer fired

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two legal shots and disappeared as if intoin air. No

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one in the neighborhood third Avenue and sixty seventh straight

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heard or saw anything suspicious. Your next headline report in

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ten minutes.

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Speaker 6: Avenue and sixty seventh Street. Oh, we were just two

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blocks north of there, Luigi's.

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Speaker 4: You still haven't told me what you think about Chappie.

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Speaker 6: Oh, well, he doesn't seem to be your tight I

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mean you appear to have nothing in common when you're huddled.

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Speaker 2: In a fox hole.

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Speaker 4: You have everything in common because after the war you

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drift apart. But there's always a deep feeling of friendship.

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Speaker 6: He has fascinating eyes. Yeah, when he first came into

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the restaurant. They had sort of a glow, and then

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they changed and they seemed to grow softer.

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Speaker 4: As soon as she spoke about that look in his eyes,

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I got a sudden chilled down my spine. I knew

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that look. I remembered that look, that funny look that

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glowed in his eyes each time, each time, each time,

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it would be crouching there, freezing, peering desperately into the darkness. Yeah,

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you hear something, Yeah, yeah, Jappy.

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Speaker 1: Something's moving where I don't know.

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Speaker 2: Wait, I see him where that couple bushes at ten o'clock.

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Speaker 3: See, yeah, it must be five hundred yards, more like six.

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Speaker 4: Let'll be raising my side, so jappy, Yeah, he's his

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head is home.

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Speaker 1: Let him go, Let him go.

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Speaker 2: He's just some go forth.

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Speaker 1: They got goof offs on their side too. He got lost.

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Speaker 2: Let him go.

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Speaker 1: Watch this, saraj watch me squeeze it.

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Speaker 4: Time and the bobby that was crawling in the snow

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suddenly stiffened and became still.

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Speaker 2: It would remain still forever. I looked at Chappie. He

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was breathing very slowly through his.

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Speaker 4: Mouth, and there was that look, the look I can

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either explain or describe in his eyes.

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Speaker 1: Trager, I'm glad you made it.

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Speaker 2: Trade what it?

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Speaker 5: Remember the we used to talk about back there? Come home,

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marry a good looking dame, get a good deal.

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Speaker 1: Oh well, did you.

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Speaker 4: Make it too, Chappy?

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Speaker 5: Sure, everything except the dame.

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Speaker 4: But I'm still looking well marriage. He has his good points,

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has bad points. You know. I love Dolly, but there

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are times are like a killer. Yeah, I'm just kidding.

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Speaker 5: I worried about you, Roger. Why you saved my life?

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You saved mine too, make it even I worried you

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wouldn't make.

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Speaker 1: It when you got back home.

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Speaker 5: Why because you're soft? But now I feel better. I

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see her, I'll set you must have a great job.

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I thought it was a great job five years ago.

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Speaker 1: Something wrong with it now?

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Speaker 2: Yeah, it's the end of the line.

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Speaker 4: It's only one place I can go, and that's general

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sales manager. That sounds big. Oh sure, but you see, Chappy,

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it won't happen. Why not, You've got the stuff. I've

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also got a problem. His name is Tom beckwith Tom

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beckwith Thomas Eldon beckwith Jr.

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Speaker 2: Why is he a problem? But he's alive? Yeah we do.

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Speaker 4: You see, Chappie, he happens to be my age, and

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so I kind of stuck out on the siding with

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no way of getting switched out of the main line.

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I see, I won't start exactly. How's it transformer business?

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Speaker 2: Chappie?

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Speaker 1: Oh what time you got?

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Speaker 4: That's about a quarter after you know.

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Speaker 1: I just remembered I got to see you guys when

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he had the chatter. No, no, I'm not coming on.

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That's my party.

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Speaker 3: This is ready, just coffee.

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Speaker 6: What's on our schedule this evening?

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Speaker 4: H Chappie wants to take us to dinner.

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Speaker 6: Ah, another rest for evening?

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Speaker 2: Do you want to celebrate?

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Speaker 6: Celebrate what well?

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Speaker 2: He called me at the office late yesterday. No, he

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said he expected to make a killing.

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Speaker 6: A killing and transformer sounds fascinating.

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Speaker 2: Now you don't like Chappie, admit it.

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Speaker 6: I didn't it first, but he kind of grows on you.

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Speaker 8: Time for another morning headline.

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Speaker 6: Good news Harry himself.

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Speaker 8: The electronics company executive Thomas Eldon Beckwith Junior, was shot

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and killed late last night in the garden of his

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summer cottage at fashionable Lake, Surrey. Take police their eyes,

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mister Beckwith surprised a problem so farther.

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Speaker 4: I have no leads or clues.

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Speaker 8: Anyone with any information at all that could be useful, Well,

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that's to call a special number two two seven eight three.

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Oh wait, we shall have another headline report in ten minutes.

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Speaker 1: No doubt he will.

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Speaker 3: But it's hard to imagine another headline of any kind

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that would equal this one.

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Speaker 1: In impact on Roger Wilson.

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Speaker 3: Well, what do we have here? Is Chappie a professional killer?

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Or is it all coincidence? Don't downgrade coincidence? Better still,

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don't do anything. Just wait here for a few moments

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and I shall return with that too. There's a man

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named Thomas Elden Beckwith Junior, or we should say there

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was a man named Thomas elden Beckwith Junior. We never

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met mister beck Quis, and of course now we never will.

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The late mister Beckwith happened to stand in the way

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of Roger Wilson's promotion.

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Speaker 1: Roger casually mentioned.

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Speaker 3: This fact to his old army buddy, Chappie. Thomas Eldon

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Beckwith Junior was shot to death last night?

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Speaker 1: Are we dealing here with cause and effect?

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Speaker 6: Tommy Beckwith? I can't believe it, neither can I?

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Speaker 1: Who could that be?

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Speaker 2: I don't know?

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Speaker 6: You want me to answer.

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Speaker 4: No, No, I'll get it. Yes, mister Roger Wilson.

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Speaker 5: Yes, I'm a police officer, Lieutenant Kaufman of the Homicide Division, Homicide.

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Speaker 1: Yes, may I come in?

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Speaker 2: Oh? Oh sure with my wife, Missus Wilson. Tell you

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this is Lieutenant Kaufman.

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Speaker 6: Will you have a cup of coffee? Lin Tennant?

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Speaker 2: No, thank you.

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Speaker 4: We just heard about Tom Beckwith's death.

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Speaker 2: It was on the radio.

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Speaker 4: Oh, I suppose that's why you're here. Yes, Well, what

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do you want to ask me? Did mister Beckwott have

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any enemies that you know of? Well? I thought the

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radio said he was killed by a prowler.

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Speaker 5: Well he may have been, but the prowler would have

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robbed him. He was still wearing an expensive ring.

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Speaker 4: And a gold watch, and he had two hundred dollars

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in his pocket. Oh well, the problem might have been

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frightened by the killing and ran away without.

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Speaker 5: Yes, that's quite possible, mister Wilson. Anything's possible. That's why

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we are following every line of approach. Oh, well, what

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can I tell you? And you could answer my question?

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Speaker 1: Did he have any enemies? Tom? No?

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Speaker 4: No, why don't I say that? You see, I really

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didn't know Tom very well. He worked at him for

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over fifteen years. Oh, we know each other at the office.

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We didn't socialize too much, did we, Dolly? And No,

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I know very little about his personal life.

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Speaker 5: Well, had mister beck With been behaving in a way

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that might be considered unusual lately?

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Speaker 1: No?

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Speaker 2: Oh, I don't think so.

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Speaker 5: Well, do you know anyone who stands to benefit by

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his death?

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Speaker 6: No?

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Speaker 4: I couldn't say. Well, I understand you would mean.

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Speaker 5: Yes, some of the people I spoke to at your

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office tell me that you're next in line for his job.

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Speaker 1: Oh, well, that doesn't mean I kill him, does he No?

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Speaker 2: No, not at all.

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Speaker 4: But you just good accuse me? No, no, no, I

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made no accusation. What are you talking about, mister Wilson.

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We can travel down one of two ways. Now we

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can assume he was killed by a prowler. This then

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becomes a random murder, which has nothing to do with

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the personal life of mister Beckwood.

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Speaker 5: He was killed because of where he was, or we

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can say he was killed because he happened to be

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Thomas Eldon Beckwith Jr.

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Speaker 4: Now this means he was killed because of who he was.

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Speaker 1: Now do you follow me? Yes, I think so.

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Speaker 5: We're asking questions, exploring possibilities, no matter how far out

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they may seem, and I would like you to help,

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how well, just don't inhibit your thinking, let your mind travel.

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If you have any kind of suspicion, any kind of supposition,

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no matter how far fetched, don't be afraid to mention it.

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Speaker 1: All right now here, Please take this card.

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Speaker 2: It has my number on it.

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Speaker 4: And if anything occurs to you, Okay, alright, that's.

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Speaker 5: That's all for now. Well, thank you for your time.

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As to wild up missus Wilson, Oh, don't bother. I

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can let myself out.

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Speaker 6: Tom Beckwith who could have killed Tom Beckwith?

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Speaker 2: Lieutenant thinks I?

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Speaker 6: Oh, Roger, come on, and he doesn't think anything of

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the sort. Besides, how could you have done it? You

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were home with me all night.

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Speaker 1: That's your married life.

359
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Speaker 6: You have a built in alibi. Roger, it is a

360
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ghost you're shaking.

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Speaker 2: I'll be all right, Roger.

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Speaker 6: Death is always a tragedy. It's too bad about Tom Beckwith.

363
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But by no stretch of the imagination can you pretend

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you too were friends. It's one thing to be sorry,

365
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but how can you be so.

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Speaker 1: Cut up about it?

367
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Speaker 2: I'm not cut up.

368
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Speaker 6: Roger, tell me what's the matterably.

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Speaker 4: Could to tell her. I didn't even know what to

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tell myself. Cappy, was it possible? It was just a

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00:19:47,240 --> 00:19:52,039
vague suspicion. But now this, I don't.

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Speaker 2: Him what you're thinking.

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Speaker 4: So that, Lieutenant, let your mind travel, no matter how

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far fetched. All right, Lieutenant, do you want me to

375
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tell you a war buddy of mine is a professional killer?

376
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Just suppose, just suppose, for the sake of argument, that

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I went to your office right now and tried to

378
00:20:11,880 --> 00:20:19,880
explore this farfetched suspicion with you. How would you react, Lieutenant?

379
00:20:20,880 --> 00:20:25,119
I know who killed Tom beckwith Do you a man

380
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named Beryl Spencer Chapman?

381
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Speaker 1: I Gooslav and I have to write it all down.

382
00:20:29,920 --> 00:20:31,079
Speaker 2: He likes to kill.

383
00:20:32,079 --> 00:20:34,279
Speaker 4: I know that from when we were in Korea twenty

384
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five years ago.

385
00:20:36,000 --> 00:20:38,519
Speaker 1: He used to get a look in his eyes, a look.

386
00:20:39,160 --> 00:20:41,279
Speaker 4: Well you know this gangster who was gunned down the

387
00:20:41,319 --> 00:20:45,400
other night, Tony Arman. Yeah, a few minutes after Armand

388
00:20:45,519 --> 00:20:49,240
was shot, Chappy joined us at a nearby restaurant and

389
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he had this killer's look in his eyes.

390
00:20:52,000 --> 00:20:54,519
Speaker 1: Let me write this down, the killer's look.

391
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Speaker 4: The next day I mentioned I just happened to mention that. Yeah,

392
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then what that Tom beck was the one who was

393
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standing in the way of bright promotion to general sales manager.

394
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Speaker 1: I better write that down.

395
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Speaker 4: And last night Beckworth was shot to death.

396
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Speaker 1: Why did you mention it to Chappie?

397
00:21:11,359 --> 00:21:12,920
Speaker 4: Why? Yes? Why?

398
00:21:13,759 --> 00:21:19,039
Speaker 1: Well because because it because you hoped that Chappie would

399
00:21:19,079 --> 00:21:19,640
kill him.

400
00:21:19,759 --> 00:21:22,039
Speaker 4: No, no, no, that thought never entered my mind.

401
00:21:22,279 --> 00:21:25,960
Speaker 5: You suspected Chappier being a professional killer. Well, I you

402
00:21:26,319 --> 00:21:32,039
wanted Chappie to kill Beckwitz. No, subconsciously you wanted him

403
00:21:32,079 --> 00:21:33,200
to kill Beckwith.

404
00:21:33,400 --> 00:21:35,880
Speaker 1: You wanted him to kill Beckwith.

405
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Speaker 6: Where were you, Chaffy? And I've been sitting here for

406
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about ten minutes now waiting for you to come out

407
00:21:45,559 --> 00:21:49,720
of that trance. For trance, you have been sitting there,

408
00:21:49,759 --> 00:21:52,319
your eyes wide open, But I'm sure you must have

409
00:21:52,359 --> 00:21:55,599
been dreaming. Was he like that when you were in Korea? Chappy?

410
00:21:55,799 --> 00:21:57,519
Speaker 1: Oh, yeah, I'm sorry.

411
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Speaker 4: I guess I must have dozed off. I stared closely

412
00:22:03,559 --> 00:22:06,559
at Chappie. What I had come to think of as

413
00:22:06,559 --> 00:22:10,359
the killer look was nowhere evident in his eyes. Oh,

414
00:22:10,400 --> 00:22:13,799
maybe it never existed. Maybe it was all my imagination.

415
00:22:15,160 --> 00:22:17,640
All of us was being constructed from a fragment of

416
00:22:17,640 --> 00:22:20,119
a shrouded memory that was almost twenty five years old

417
00:22:20,119 --> 00:22:25,839
when we were nineteen year old kids. Chappy, the smiling, happy,

418
00:22:25,920 --> 00:22:30,880
quiet man a killer. No, I'm sure he isn't. Even

419
00:22:30,960 --> 00:22:34,920
Dolly likes him. Dolly has an instinct for people. If

420
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Chappy were evil, Dolly would automatically shy away from him.

421
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Speaker 1: Yes, not send himm.

422
00:22:52,079 --> 00:22:54,160
Speaker 4: You wanted to see me, missus Strouthers.

423
00:22:53,720 --> 00:22:56,400
Speaker 1: Heh yes, I want to see you. Roger. You know why.

424
00:22:57,079 --> 00:22:59,559
Speaker 4: Well, you're under the impression that I am going to

425
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offer you back with job, aren't you. Well, mister Struthers.

426
00:23:02,400 --> 00:23:04,319
Speaker 5: Everywhere I go around here I hear the same thing.

427
00:23:04,480 --> 00:23:07,079
Roger Wilson's going to be the next general sales manager.

428
00:23:07,200 --> 00:23:09,000
Speaker 4: Well, I did have reason to believe I was next

429
00:23:09,000 --> 00:23:09,960
in line? Line?

430
00:23:10,640 --> 00:23:12,440
Speaker 1: What line? What is this a bus station?

431
00:23:12,720 --> 00:23:14,599
Speaker 4: I've given this company twenty years, I know.

432
00:23:14,880 --> 00:23:16,039
Speaker 1: And you have been well paid for.

433
00:23:16,000 --> 00:23:18,960
Speaker 4: Its Now Beck with his dead yes, sir, Now why

434
00:23:18,960 --> 00:23:20,359
should I replace him with another Beck?

435
00:23:20,400 --> 00:23:23,720
Speaker 1: With? Sir, you're another Beck with you're the same style?

436
00:23:23,839 --> 00:23:25,720
Speaker 4: Oh no, sir, With all due respect, I think I'd

437
00:23:25,720 --> 00:23:27,359
be a better sales manager than Tombwoll.

438
00:23:27,680 --> 00:23:28,480
Speaker 1: You'll have to prove it.

439
00:23:28,920 --> 00:23:31,079
Speaker 4: Now, there's one account this company must.

440
00:23:30,839 --> 00:23:32,039
Speaker 1: Have, Webster.

441
00:23:32,279 --> 00:23:32,720
Speaker 2: Webster.

442
00:23:32,839 --> 00:23:36,119
Speaker 4: Webster right now buys twenty percent of all the components

443
00:23:36,160 --> 00:23:37,440
manufactured in this industry.

444
00:23:37,839 --> 00:23:41,440
Speaker 1: Now, Webster's growing every day. I want that account in

445
00:23:41,480 --> 00:23:44,079
this house. A sort beck with couldn't bring it in.

446
00:23:44,920 --> 00:23:45,519
Can you do.

447
00:23:45,599 --> 00:23:48,960
Speaker 4: Realize there's a deep personal situation that exists at Webster. Well,

448
00:23:49,039 --> 00:23:50,839
we make a better product, we can give him a

449
00:23:50,880 --> 00:23:53,640
better deal. Yeah, but Dollison, you want me to give

450
00:23:53,640 --> 00:23:54,880
you the sales manager's job.

451
00:23:55,359 --> 00:23:56,319
Speaker 2: You give me Webster.

452
00:24:03,920 --> 00:24:09,240
Speaker 6: Say what is this, darling? It's your victory celebration, candlelight,

453
00:24:09,480 --> 00:24:14,559
silver champagne, victory, your appointment to general sales manager calls

454
00:24:14,559 --> 00:24:16,039
for a very special dinner.

455
00:24:16,759 --> 00:24:17,240
Speaker 2: Who's that?

456
00:24:17,279 --> 00:24:17,720
Speaker 4: I wonder?

457
00:24:17,839 --> 00:24:20,960
Speaker 6: That's Chappy. Chappy, your best and closest friend. I thought

458
00:24:21,000 --> 00:24:22,119
you'd want him to be part of it.

459
00:24:22,440 --> 00:24:23,240
Speaker 1: Well, sure you.

460
00:24:23,200 --> 00:24:25,319
Speaker 6: Let him in. Give him a drink, I'll check the roast.

461
00:24:26,240 --> 00:24:30,880
Speaker 4: Chubby, come in, well, join me in a little libation

462
00:24:31,000 --> 00:24:33,240
here to the new job.

463
00:24:33,839 --> 00:24:35,680
Speaker 2: Well, well, what.

464
00:24:36,079 --> 00:24:37,480
Speaker 4: Are all about that new job?

465
00:24:38,599 --> 00:24:40,680
Speaker 1: You didn't get it? And there's a condition.

466
00:24:41,519 --> 00:24:42,279
Speaker 2: Yeah.

467
00:24:42,599 --> 00:24:44,720
Speaker 4: The top account in the industry is an outfit called

468
00:24:44,720 --> 00:24:47,640
Webster Manufacturing, and they don't buy from us unless I

469
00:24:47,640 --> 00:24:48,400
can bring them in.

470
00:24:48,680 --> 00:24:50,119
Speaker 1: Yeah.

471
00:24:50,200 --> 00:24:52,640
Speaker 4: Well I can see the old man's point. We should

472
00:24:52,640 --> 00:24:59,079
have that account and would except well it's something personal personal.

473
00:24:59,640 --> 00:25:00,799
Speaker 2: Yeah. Yeah.

474
00:25:00,799 --> 00:25:04,039
Speaker 4: We have a competitor and they have a salesman. We

475
00:25:04,079 --> 00:25:05,960
don't know how he does it, but he's got Webster

476
00:25:06,000 --> 00:25:09,440
all wrapped up. Yes, yeah, I spoke to Jim Webster himself.

477
00:25:11,160 --> 00:25:13,240
He as much as told me Roger. He said, I'd

478
00:25:13,240 --> 00:25:14,440
buy from your folks in the flash.

479
00:25:14,480 --> 00:25:15,640
Speaker 1: You got the product, you got the price.

480
00:25:15,720 --> 00:25:17,480
Speaker 2: But but what.

481
00:25:18,960 --> 00:25:21,480
Speaker 4: But as long as Jerry's alive, he said, I'm obligated.

482
00:25:22,880 --> 00:25:25,720
Speaker 1: Why is he obligated to Jerry? I don't know.

483
00:25:26,960 --> 00:25:30,480
Speaker 4: It doesn't matter as long as he feels that way. Yeah,

484
00:25:30,759 --> 00:25:34,640
so that's that sure. Well, maybe it's time I found

485
00:25:34,640 --> 00:25:35,160
another job.

486
00:25:35,200 --> 00:25:35,680
Speaker 2: Anyhow.

487
00:25:37,079 --> 00:25:38,279
Speaker 1: What's Jerry's last name?

488
00:25:39,359 --> 00:25:40,079
Speaker 2: What did you say?

489
00:25:40,720 --> 00:25:42,279
Speaker 1: I said, what's Jerry's last name?

490
00:25:43,039 --> 00:25:44,000
Speaker 2: Boy? Is that important?

491
00:25:44,640 --> 00:25:46,920
Speaker 1: Well? What is it? Why would you one to know

492
00:25:46,960 --> 00:25:50,519
his last name? I'm just curious? Okay, forget it.

493
00:25:50,880 --> 00:25:51,640
Speaker 2: How about a refill?

494
00:25:51,759 --> 00:25:52,000
Speaker 1: Sure?

495
00:25:54,519 --> 00:26:05,079
Speaker 5: The same is Trask? Jerry Trask? Jerry Trask? A name

496
00:26:05,359 --> 00:26:09,519
suddenly surfaces. Is mister Trask about to meet with a

497
00:26:09,599 --> 00:26:10,319
violent end?

498
00:26:11,160 --> 00:26:11,400
Speaker 2: Well?

499
00:26:12,119 --> 00:26:16,079
Speaker 3: Who among us can guarantee tomorrow. But this does not

500
00:26:16,119 --> 00:26:18,599
seem to be a happy time for those people who

501
00:26:18,599 --> 00:26:21,880
stand in the way of our friend. Roger Wilson is

502
00:26:21,920 --> 00:26:31,079
warbuddy chappy expressing professional curiosity. Indeed, is he even a professional? Well,

503
00:26:31,359 --> 00:26:34,960
we usually answer these questions and act three, which I

504
00:26:34,960 --> 00:26:49,880
shall bring you in just a few moments. A man

505
00:26:50,000 --> 00:26:53,559
named Jerome Jerry Trask is walking his dog very late

506
00:26:53,599 --> 00:26:56,039
one night along a quiet street in New York City.

507
00:26:56,839 --> 00:26:59,960
He approaches the corner someone is standing in the sh

508
00:27:00,039 --> 00:27:04,000
shadow of an apartment building. That someone cannot be discerned

509
00:27:04,000 --> 00:27:07,839
in the darkness, and that gleam is a shine that

510
00:27:07,960 --> 00:27:21,079
is reflected from a steel pistol barrel coffee.

511
00:27:21,799 --> 00:27:22,599
Speaker 2: No, this is fine.

512
00:27:22,960 --> 00:27:25,400
Speaker 6: Would you say let's turn this thing off so we

513
00:27:25,400 --> 00:27:26,680
can hear ourselves talk?

514
00:27:27,440 --> 00:27:30,480
Speaker 2: No, leave it on. Why I want to hear the

515
00:27:30,480 --> 00:27:31,200
morning headlines?

516
00:27:31,480 --> 00:27:34,440
Speaker 6: I can't imagine what fur They're always so depressing. There's

517
00:27:34,519 --> 00:27:40,119
always some murder, Roger, something wrong?

518
00:27:41,079 --> 00:27:45,279
Speaker 1: No, are you sure nothing's wrong?

519
00:27:46,160 --> 00:27:46,960
Speaker 2: Why do you insist?

520
00:27:47,559 --> 00:27:50,759
Speaker 6: It's just that you seem to be so nervous this morning.

521
00:27:51,200 --> 00:27:52,000
Speaker 2: I'm not nervous.

522
00:27:54,119 --> 00:27:57,480
Speaker 6: Did the chap he enjoyed dinner last night?

523
00:27:58,319 --> 00:28:01,559
Speaker 2: Sure, I mean I think so. Why do you ask?

524
00:28:02,079 --> 00:28:04,759
Speaker 6: Well, he left early? Why do you.

525
00:28:04,720 --> 00:28:06,920
Speaker 1: Suppose now are your morning news headline here?

526
00:28:06,920 --> 00:28:07,400
Speaker 4: He is again?

527
00:28:07,480 --> 00:28:09,119
Speaker 6: Doleful Dawn are sitting.

528
00:28:08,920 --> 00:28:11,640
Speaker 8: In for a wave of random murders? Is a matt

529
00:28:11,720 --> 00:28:15,720
killer loose in the streets early this morning? Another senseless shooting,

530
00:28:15,759 --> 00:28:20,599
Another tragic death just before dawn. Jerome Jay Trask, thirty seven,

531
00:28:20,960 --> 00:28:22,920
was shot to death as he was walking his dog

532
00:28:23,160 --> 00:28:26,519
along East End Avenue on seventy seventh Street. At this moment,

533
00:28:26,759 --> 00:28:29,559
police are unable to supply for the details. We shall

534
00:28:29,559 --> 00:28:31,880
return in ten minutes with your next headline report.

535
00:28:33,960 --> 00:28:36,279
Speaker 6: Well, another morning, another murder.

536
00:28:38,559 --> 00:28:38,839
Speaker 4: Roger.

537
00:28:42,559 --> 00:28:45,920
Speaker 6: You know lately you've been getting a funny look on

538
00:28:45,960 --> 00:28:46,480
your face.

539
00:28:47,400 --> 00:28:49,359
Speaker 2: What kind of funny look?

540
00:28:50,319 --> 00:28:54,359
Speaker 6: Just kind of funny and far away, as if as

541
00:28:54,400 --> 00:28:57,680
if you're not with us, you just kind of disappear.

542
00:28:58,839 --> 00:28:59,519
Speaker 2: What do you mean.

543
00:29:00,920 --> 00:29:03,200
Speaker 6: You sit there and you give the impression that you're

544
00:29:03,759 --> 00:29:06,920
off somewhere in another time or another place.

545
00:29:07,799 --> 00:29:11,119
Speaker 4: I just had some things to think about, some some

546
00:29:11,240 --> 00:29:16,920
very puzzling things like what like I'm not even sure I.

547
00:29:16,880 --> 00:29:21,880
Speaker 6: Know well you're a fountain of information. Did you call

548
00:29:21,920 --> 00:29:23,119
in get us a starting time?

549
00:29:24,000 --> 00:29:24,599
Speaker 2: Starting time?

550
00:29:25,440 --> 00:29:28,319
Speaker 6: At the club. We're playing golf this morning. You and

551
00:29:28,359 --> 00:29:32,680
I am chappie golf. Oh, Roger, we spoke about it

552
00:29:32,799 --> 00:29:35,400
last night. Now that has to be chappy. I'll get it.

553
00:29:35,839 --> 00:29:39,319
You pour him a cup of coffee, fellow Chappy, come

554
00:29:39,359 --> 00:29:42,960
on in. We probably won't tea off until after lunch.

555
00:29:43,039 --> 00:29:45,519
Roger forgot to get us a starting time. Was he

556
00:29:45,599 --> 00:29:59,279
this absent minded in the army? Sometimes absent minded in

557
00:29:59,319 --> 00:30:03,759
the army. Sometimes We were just talking about your chappie.

558
00:30:04,720 --> 00:30:07,200
I was hoping you had a good time last night.

559
00:30:07,440 --> 00:30:07,799
Speaker 2: I did.

560
00:30:08,599 --> 00:30:10,759
Speaker 6: It's just that you left so early.

561
00:30:10,960 --> 00:30:12,200
Speaker 2: Oh it was a business appartment.

562
00:30:13,119 --> 00:30:14,319
Speaker 6: Ten o'clock at night.

563
00:30:15,240 --> 00:30:21,480
Speaker 4: That's the transformer, business transformer. That word hit a chord,

564
00:30:22,039 --> 00:30:25,799
struck a nerve. The way he said transformer. It was

565
00:30:25,799 --> 00:30:28,000
the way I had said transformer years ago. In a

566
00:30:28,079 --> 00:30:32,440
foxhold in Korea. They were taking us in force, and

567
00:30:32,519 --> 00:30:40,640
we were throwing everything we had, old kit Jimmy, okay, okay,

568
00:30:40,640 --> 00:30:42,039
you're wasting the taxpayer's money.

569
00:30:42,319 --> 00:30:43,200
Speaker 1: There's nothing to hit.

570
00:30:43,119 --> 00:30:43,960
Speaker 2: Out there anymore.

571
00:30:44,599 --> 00:30:47,440
Speaker 1: They all went home. You got any water?

572
00:30:48,359 --> 00:30:51,640
Speaker 5: Yeah, it's so thirsty after a firefighter could just keep

573
00:30:51,680 --> 00:30:52,440
drinking for hours.

574
00:30:52,759 --> 00:30:55,559
Speaker 4: Oh, Gus, half a canteen. Honey, how many did you get?

575
00:30:55,640 --> 00:30:59,680
Roger Man? I just fired into the air and count.

576
00:30:59,559 --> 00:31:03,039
Speaker 5: Of fourteen fourteen definite. I saw him gonna it could

577
00:31:03,039 --> 00:31:05,680
have been more. You want to stand guard a while.

578
00:31:05,680 --> 00:31:06,680
I gotta clean my rifle.

579
00:31:07,319 --> 00:31:09,799
Speaker 1: Now, rifle should be cleaned every time. It's been fine?

580
00:31:10,160 --> 00:31:11,000
Speaker 2: All right? Go ahead.

581
00:31:11,079 --> 00:31:12,799
Speaker 1: When's the last time you cleaned yours? Raj?

582
00:31:13,240 --> 00:31:14,240
Speaker 2: Oh, let me see.

583
00:31:14,359 --> 00:31:16,599
Speaker 1: Just because nobody comes around for inspection, that doesn't.

584
00:31:16,359 --> 00:31:18,079
Speaker 2: Mean it don't worry about me, Chappy.

585
00:31:18,279 --> 00:31:22,480
Speaker 5: I gotta worry my buddy, aren't you What are you

586
00:31:22,559 --> 00:31:23,000
laughing at?

587
00:31:23,079 --> 00:31:26,279
Speaker 1: Oh? Nothing, Yeah, that's.

588
00:31:26,119 --> 00:31:28,759
Speaker 4: The way you handle that rifle your heads. Isn't just

589
00:31:28,799 --> 00:31:33,160
some standard government issue. It's it's why it's a mystical object.

590
00:31:33,240 --> 00:31:34,799
Speaker 1: Yeah, what's that?

591
00:31:35,519 --> 00:31:39,000
Speaker 4: Well, let's say it's a kind of cosmic transformer, a

592
00:31:39,079 --> 00:31:42,640
transformer because it well, it works like a way, it

593
00:31:42,680 --> 00:31:44,559
works like cataclysmic transformation.

594
00:31:45,400 --> 00:31:47,160
Speaker 1: Where do you get all them big words, Raj?

595
00:31:47,519 --> 00:31:49,160
Speaker 2: That's what you're learning from college?

596
00:31:49,720 --> 00:31:53,440
Speaker 4: Where was I? Oh? Yes, a rifle is a transformer.

597
00:31:53,960 --> 00:31:55,880
It transforms the living into the dead.

598
00:31:56,880 --> 00:31:59,400
Speaker 2: How do you like that? I like it?

599
00:32:00,079 --> 00:32:04,160
Speaker 1: Yeah? Like it pretty good? You know something, Roger? I

600
00:32:04,200 --> 00:32:06,599
may even go into the transformer business when I get home.

601
00:32:07,400 --> 00:32:08,480
Speaker 2: Transformer business.

602
00:32:08,559 --> 00:32:08,880
Speaker 1: Why not?

603
00:32:09,880 --> 00:32:11,480
Speaker 4: Well, for one thing, it's against the law.

604
00:32:11,519 --> 00:32:12,559
Speaker 1: They ain't going to bother me.

605
00:32:13,279 --> 00:32:13,599
Speaker 2: Why not?

606
00:32:13,759 --> 00:32:17,440
Speaker 5: In laws are passed by fat politicians. I already broke

607
00:32:17,480 --> 00:32:19,839
a bigger law, which one is like God's Lord, don't

608
00:32:19,880 --> 00:32:20,640
understand the Bible?

609
00:32:20,640 --> 00:32:23,079
Speaker 1: I shot not kill. So what are we doing out here?

610
00:32:23,200 --> 00:32:27,720
Speaker 5: This is different? It's always different. There's an explanation, explanations, Roger.

611
00:32:28,880 --> 00:32:30,759
I figured I'm in bed already, so go all the

612
00:32:30,759 --> 00:32:33,640
way all the way where here? I've been killing people

613
00:32:33,680 --> 00:32:35,400
for the government for less than two hundred a month.

614
00:32:35,559 --> 00:32:36,880
Speaker 2: That's not the way to look at it.

615
00:32:36,960 --> 00:32:42,319
Speaker 5: I know guys who pay better, a whole lot better. Yeah,

616
00:32:43,039 --> 00:32:46,359
transformer business. Do you want to go at it with

617
00:32:46,400 --> 00:32:47,240
me when we get home?

618
00:32:47,720 --> 00:32:47,799
Speaker 1: No?

619
00:32:48,160 --> 00:32:52,880
Speaker 6: Thanks, You see too happy? That's what I meant. He

620
00:32:53,000 --> 00:32:54,200
just disappears on us.

621
00:32:55,039 --> 00:32:57,400
Speaker 2: Well, what are you talking about?

622
00:32:57,640 --> 00:32:58,160
Speaker 1: You?

623
00:32:58,160 --> 00:32:59,720
Speaker 6: You were sitting there for over a minute with a

624
00:32:59,720 --> 00:33:01,839
black look in your eyes. Wasn't he chappy?

625
00:33:02,000 --> 00:33:04,079
Speaker 1: Anybody mind if I have another glass of orange juice?

626
00:33:04,200 --> 00:33:07,160
Speaker 6: Oh help yourself. Must be very thirsty this morning.

627
00:33:07,240 --> 00:33:18,559
Speaker 1: Yeah, I get that way sometimes, sir, A gentleman, to

628
00:33:18,559 --> 00:33:20,000
see you who is it.

629
00:33:20,079 --> 00:33:22,079
Speaker 6: He's a police detective, a lieutenant Aufman.

630
00:33:22,440 --> 00:33:28,920
Speaker 4: Oh sentiment. But I'm uh sorry to partining you at

631
00:33:28,960 --> 00:33:31,559
your office, mister Wilson. Sit, I'm the lieutenant.

632
00:33:31,680 --> 00:33:32,480
Speaker 1: Uh coupment.

633
00:33:33,000 --> 00:33:34,440
Speaker 2: That's right. What can I do for you?

634
00:33:35,559 --> 00:33:36,000
Speaker 1: I don't know?

635
00:33:38,279 --> 00:33:41,119
Speaker 5: Well then U uh, mister Wilson, let me speak frankly

636
00:33:41,160 --> 00:33:43,839
and off the record. Mister beck with a shot to

637
00:33:43,920 --> 00:33:47,880
death soon after, or mister Trask is murdered. Do you

638
00:33:47,920 --> 00:33:50,480
know who would be my prime suspect in both cases

639
00:33:50,519 --> 00:33:56,759
if he didn't have an ironclay alibi? You me, boy,

640
00:33:57,359 --> 00:34:00,119
mister Beck Watt stood in your path for promotion. But

641
00:34:00,200 --> 00:34:04,240
I haven't been promoted yet yet. Mister Trask was the

642
00:34:04,359 --> 00:34:06,000
most formidable competitor.

643
00:34:06,599 --> 00:34:08,639
Speaker 4: You admit I have an alibi, and I know I

644
00:34:08,679 --> 00:34:09,400
didn't do it.

645
00:34:09,519 --> 00:34:13,760
Speaker 5: Mister Wilson, last time I asked you to think to

646
00:34:13,920 --> 00:34:17,239
explore any angle, any glimmer, regardless of.

647
00:34:17,199 --> 00:34:18,760
Speaker 1: How crazy it might seem.

648
00:34:19,039 --> 00:34:21,840
Speaker 2: Well, nothing occurs to me.

649
00:34:23,360 --> 00:34:26,639
Speaker 4: Well, could you advance any theory why two men, both

650
00:34:26,679 --> 00:34:30,559
of whom were known to you, should be mysteriously murdered

651
00:34:30,599 --> 00:34:31,679
within the same week?

652
00:34:32,480 --> 00:34:37,559
Speaker 1: Could you could? I?

653
00:34:37,239 --> 00:34:37,599
Speaker 2: Could I.

654
00:34:39,280 --> 00:34:42,400
Speaker 4: Say I suspect my friend Chappie of being a professional killer.

655
00:34:43,920 --> 00:34:47,199
All I have to do is say that a lieutenant

656
00:34:47,239 --> 00:34:51,039
ble counter with why did I use him? But I

657
00:34:51,079 --> 00:34:54,039
didn't use him. I didn't know for a fact that

658
00:34:54,119 --> 00:34:55,199
Chappie is killer.

659
00:34:56,239 --> 00:34:57,079
Speaker 1: I still don't.

660
00:34:58,719 --> 00:35:03,320
Speaker 2: Told I he is he is, and I used him.

661
00:35:03,360 --> 00:35:04,079
I needs him.

662
00:35:04,480 --> 00:35:08,360
Speaker 4: The fact is I would have killed Beckwith for his job,

663
00:35:09,079 --> 00:35:11,679
and I would have killed Trask for the Webster account.

664
00:35:12,320 --> 00:35:16,880
I would have if I could, but I can't kill.

665
00:35:18,079 --> 00:35:21,960
So I used Chappie just as I depended on him

666
00:35:21,960 --> 00:35:26,119
to kill for me back in the war. No, Lieutenant,

667
00:35:26,280 --> 00:35:31,079
you're right, I'm your prime suspect, but the case has

668
00:35:31,159 --> 00:35:41,519
to be closed. Excuse me, lieutenant, Yes, Roger, what are

669
00:35:41,519 --> 00:35:45,880
you doing right now? I'm in the meeting mister Struthers.

670
00:35:46,239 --> 00:35:48,239
When you're finished, to go outside in the cart and

671
00:35:48,239 --> 00:35:49,800
see the new name that's being painted on what.

672
00:35:49,880 --> 00:35:53,840
Speaker 1: Used to be Beckwith store, mister Struthers. Webster called me personally.

673
00:35:54,079 --> 00:35:56,480
Speaker 5: He told me that we were getting his business thanks

674
00:35:56,559 --> 00:35:58,159
to your Advertising's very highly to.

675
00:35:58,199 --> 00:35:59,599
Speaker 2: You, sir. How to thank you?

676
00:36:00,000 --> 00:36:01,159
Speaker 1: I know you can pay me.

677
00:36:05,079 --> 00:36:10,679
Speaker 5: Well, mister Wilson. Hum does anything at all occur to you?

678
00:36:12,480 --> 00:36:13,800
Speaker 2: Uh?

679
00:36:13,840 --> 00:36:17,159
Speaker 4: No, Lieutenant, I'm sorry, I do I have the faintest

680
00:36:17,199 --> 00:36:19,280
idea why those two men could have been killed.

681
00:36:26,039 --> 00:36:29,760
Speaker 6: Hello, Dolly, Roger, are you at the airport?

682
00:36:30,360 --> 00:36:32,480
Speaker 2: Yes, I'm at the airport in Kansas City.

683
00:36:32,960 --> 00:36:34,559
Speaker 6: Roger. It's my birthday.

684
00:36:34,880 --> 00:36:37,199
Speaker 2: I know, but I had to close this deal.

685
00:36:37,360 --> 00:36:38,920
Speaker 6: You haven't been home in two weeks.

686
00:36:39,400 --> 00:36:40,199
Speaker 2: I can't help it.

687
00:36:40,920 --> 00:36:44,639
Speaker 1: All right, listen, I'm sorry. I'll be home tuesday.

688
00:36:44,719 --> 00:36:53,400
Speaker 4: Okay, Okay, Hello, Dolly are you? Oh?

689
00:36:53,480 --> 00:36:54,719
Speaker 6: What is it this time?

690
00:36:55,159 --> 00:36:55,760
Speaker 2: It's kind of.

691
00:36:55,719 --> 00:36:58,199
Speaker 4: Overcast here in Atlanta and I can't get out.

692
00:36:58,079 --> 00:37:02,840
Speaker 2: Tonight, Dolly.

693
00:37:03,199 --> 00:37:04,960
Speaker 6: All right, Roger, where are you now?

694
00:37:09,639 --> 00:37:09,960
Speaker 1: Roger?

695
00:37:10,679 --> 00:37:11,920
Speaker 2: Oh, hello, mister Struthers.

696
00:37:11,960 --> 00:37:13,599
Speaker 4: I'm glad I caught you for you left out. We

697
00:37:13,719 --> 00:37:16,760
have to get to the airport this minute. There's a

698
00:37:16,800 --> 00:37:19,480
bad problem in Denver. But tonight is my anniversary. Well

699
00:37:19,519 --> 00:37:22,159
of that, congratulations? Now do we have a file on? Sorry,

700
00:37:22,280 --> 00:37:23,480
my wife is waiting for me.

701
00:37:23,639 --> 00:37:24,079
Speaker 1: Call her up.

702
00:37:24,119 --> 00:37:27,119
Speaker 4: Tell her something much more important happened, Straws.

703
00:37:27,159 --> 00:37:28,480
Speaker 2: I can't say that to my wife.

704
00:37:28,559 --> 00:37:29,880
Speaker 1: You can if it's the truth.

705
00:37:30,400 --> 00:37:32,880
Speaker 4: Now is it more important to drink some champagne in

706
00:37:32,880 --> 00:37:35,199
a nightclub than to protect your job?

707
00:37:44,800 --> 00:37:53,840
Speaker 6: Oh, chappie, come in well, sit down, I have a

708
00:37:53,920 --> 00:37:58,440
drink sure, Roger's do you home from Denver at six?

709
00:38:00,239 --> 00:38:02,400
Speaker 1: Unless unless what?

710
00:38:04,119 --> 00:38:05,840
Speaker 6: Unless he calls it the last minute and says he

711
00:38:05,840 --> 00:38:09,760
has to go somewhere else. Chabby, I don't know what

712
00:38:09,760 --> 00:38:12,800
I'd have done without you to keep me company.

713
00:38:13,960 --> 00:38:14,280
Speaker 4: You know.

714
00:38:16,039 --> 00:38:20,559
Speaker 6: Roger has changed. Yeah, it's as if some demon has

715
00:38:20,599 --> 00:38:21,280
possessed him.

716
00:38:21,320 --> 00:38:22,840
Speaker 1: It's that job of his.

717
00:38:24,119 --> 00:38:28,199
Speaker 6: That's all he lives for. He certainly doesn't care about

718
00:38:28,239 --> 00:38:28,840
me anymore.

719
00:38:31,440 --> 00:38:31,639
Speaker 2: You know.

720
00:38:31,679 --> 00:38:35,119
Speaker 6: There are times times when.

721
00:38:36,840 --> 00:38:37,239
Speaker 2: When what.

722
00:38:38,920 --> 00:38:39,880
Speaker 6: I'd better not say it.

723
00:38:40,719 --> 00:38:45,000
Speaker 1: You can say anything to me, even to you. Go ahead.

724
00:38:47,199 --> 00:38:52,159
Speaker 6: There are times when I I would like to kill him.

725
00:38:53,239 --> 00:38:56,880
Speaker 2: Yeah, well here.

726
00:38:56,800 --> 00:39:01,599
Speaker 4: I am, Hello, Dolly, Hello Chappie.

727
00:39:01,679 --> 00:39:03,719
Speaker 6: I'm glad you could make it. Roger. You're sure you

728
00:39:03,719 --> 00:39:05,440
don't have anything more important to do.

729
00:39:05,760 --> 00:39:07,960
Speaker 1: Come on, honey, you have to understand it.

730
00:39:08,199 --> 00:39:10,760
Speaker 6: My job makes Let me not start that again. You boys,

731
00:39:10,760 --> 00:39:12,239
have a drink, I'll tell you about dinner.

732
00:39:13,360 --> 00:39:16,400
Speaker 4: Sure she can knock the job all right. But you

733
00:39:16,519 --> 00:39:20,440
notice she has no objection to all the money she's changed, Chappie.

734
00:39:21,039 --> 00:39:23,119
She's not the same sweet understanding kid. I'm married.

735
00:39:23,519 --> 00:39:25,039
Speaker 2: She gets me so murdered.

736
00:39:25,079 --> 00:39:28,039
Speaker 5: Wish Yeah, I forget it.

737
00:39:29,559 --> 00:39:33,960
Speaker 4: Sure, there were times I wish.

738
00:39:34,119 --> 00:39:35,199
Speaker 2: I wish I could kill her.

739
00:39:43,199 --> 00:39:45,440
Speaker 4: Thanks for driving me out to the airport, CHAMPI chure.

740
00:39:46,840 --> 00:39:49,800
I know it's an imposition, but when I get.

741
00:39:49,639 --> 00:39:51,840
Speaker 1: A cab at this hour of the night, it's okay, okay.

742
00:39:52,880 --> 00:39:55,159
Speaker 4: I couldn't ask Dolly to drive me. I mean I

743
00:39:56,039 --> 00:39:57,880
wouldn't that.

744
00:39:57,960 --> 00:39:59,400
Speaker 1: What's that noise in the engine?

745
00:40:00,440 --> 00:40:01,239
Speaker 2: I don't hear anything.

746
00:40:01,960 --> 00:40:03,159
Speaker 1: It sounds like something got loose.

747
00:40:03,360 --> 00:40:04,000
Speaker 2: Better have a look.

748
00:40:08,599 --> 00:40:10,639
Speaker 1: Uh you wanna hold the flash line?

749
00:40:11,159 --> 00:40:13,719
Speaker 4: Do you know what to do? I mean underneath that hood?

750
00:40:14,280 --> 00:40:16,760
It's all a mystery to me. Do you have any tools?

751
00:40:17,840 --> 00:40:19,719
Speaker 1: I need one to Roger. I carry it with me

752
00:40:19,760 --> 00:40:20,280
all the time.

753
00:40:21,639 --> 00:40:28,280
Speaker 5: What's it a transformer, Juppy, what are you gonna do?

754
00:40:29,519 --> 00:40:32,719
I'm gonna make a transformation, Chappy.

755
00:40:33,480 --> 00:40:34,639
Speaker 1: You can't have no raj.

756
00:40:36,039 --> 00:40:39,000
Speaker 5: I've been making transformation for the government, for personal clients,

757
00:40:39,000 --> 00:40:42,880
for friends, and now, for the first time in my life,

758
00:40:43,039 --> 00:40:44,000
I'm making one for me.

759
00:40:44,480 --> 00:40:46,079
Speaker 1: You.

760
00:40:46,079 --> 00:40:47,639
Speaker 2: You're not gonna kill me, Chappy.

761
00:40:47,840 --> 00:40:49,719
Speaker 1: Oh, I'm just gonna transform you.

762
00:40:50,920 --> 00:40:51,639
Speaker 2: Why?

763
00:40:52,239 --> 00:40:52,519
Speaker 3: Why?

764
00:40:53,800 --> 00:40:58,000
Speaker 1: Because Dolly asked me to. But Dolly doesn't know. He

765
00:40:58,119 --> 00:41:00,519
knows like you knew.

766
00:41:02,360 --> 00:41:07,400
Speaker 5: That's why you kept asking Tosurage, asking me to transform.

767
00:41:06,960 --> 00:41:10,440
Speaker 2: Those guys A whif why kill me?

768
00:41:10,639 --> 00:41:16,119
Speaker 5: Because she needs this transformation to make her happy, and

769
00:41:16,280 --> 00:41:19,760
so do I chaty, he won't hurt.

770
00:41:21,320 --> 00:41:36,920
Speaker 3: Oh, And that morning there was another headline, and Lieutenant

771
00:41:36,960 --> 00:41:38,719
Kaufman a homicide.

772
00:41:38,159 --> 00:41:39,599
Speaker 2: Was even more puzzled than ever.

773
00:41:40,559 --> 00:41:43,519
Speaker 3: His only comfort might be derived from the fact that

774
00:41:43,599 --> 00:41:47,760
sometimes bad things occur in a series of three and

775
00:41:47,880 --> 00:41:50,679
if he can't find the killer, at least there won't

776
00:41:50,719 --> 00:41:53,360
be any more of those particular killings.

777
00:41:53,800 --> 00:41:54,440
Speaker 2: I don't know.

778
00:41:55,119 --> 00:41:58,760
Speaker 3: It all depends on what Dolly's needs are. I'll be

779
00:41:58,800 --> 00:42:15,920
back shortly. The game of death it begins innocently enough

780
00:42:16,000 --> 00:42:20,960
in childhood and progresses into more and more serious variations

781
00:42:21,000 --> 00:42:24,400
as we grow older. Still it must remain a game,

782
00:42:25,440 --> 00:42:28,159
after all, if you look at it, it has rules,

783
00:42:28,800 --> 00:42:32,920
it has penalties, and when it's over, everyone goes home

784
00:42:32,960 --> 00:42:36,599
and becomes friends again. Isn't that the story of the world.

785
00:42:37,719 --> 00:42:42,840
Aren't so many of yesterday's enemies today's wisom friends. It's

786
00:42:42,880 --> 00:42:47,320
all a question of changing, of evolving, and it goes

787
00:42:47,360 --> 00:42:52,400
on all the time. Our cast included Howard Dasova, Terry Keene,

788
00:42:52,639 --> 00:42:54,800
Mendel Kramer, and Earl Hammond.

789
00:42:55,519 --> 00:42:56,079
Speaker 1: The entire