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<v Speaker 1>M m m.

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<v Speaker 2>Hello everybody, Welcome to it almost came home. It's it's

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<v Speaker 2>not quite coming home. You are listening to this presumably

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<v Speaker 2>on Friday. We are recording this literally minutes after the

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<v Speaker 2>final whistle of the England Argentina game, where we've not

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<v Speaker 2>really spoken about the World Cup very much. But like that,

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<v Speaker 2>that intro here today could have gone to very different

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<v Speaker 2>ways as it happens. Here we go once again. It's

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<v Speaker 2>not it's not quite coming home, but quite here we are.

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<v Speaker 2>We are that's not metal obviously. This is an addition

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<v Speaker 2>of hype Blast. This is our weekly news show where

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<v Speaker 2>we let you know everything that's been going on in

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<v Speaker 2>the world of heavy music. We've got a little bit

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<v Speaker 2>of news today and the releases, and then primarily we

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<v Speaker 2>are going to be talking all things bringing the Horizon

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<v Speaker 2>count your blessings. Repented with the twentieth anniversary celebrations, which

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<v Speaker 2>included both the re recording of the album that came

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<v Speaker 2>out last week and also the big twentieth anniversary shows

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<v Speaker 2>that went down in conspiracy with Outbreak Festival, which which

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<v Speaker 2>Sam and I both attended. So let us, I don't know,

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<v Speaker 2>lift the defeat off of our shoulders, right now and

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<v Speaker 2>roll into some heavy music here on that's not metal.

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<v Speaker 2>First up, a little bit of news. Mastered On. First

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<v Speaker 2>of all, have announced the details of their album. It's

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<v Speaker 2>called Marrow Deep, not Poisonous Weapons, as I kind of

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<v Speaker 2>think everyone thought it was going to be called because

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<v Speaker 2>of the tall announcement. There is a song on the

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<v Speaker 2>album called Poisonous Weapons, so I guess they've just decided

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<v Speaker 2>to slap that one on the tour title. It's not

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<v Speaker 2>the song that they have now release can We had

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<v Speaker 2>the previous single Your Ghost Again and they've now also

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<v Speaker 2>put out another one which is called Snakes for Dinner

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<v Speaker 2>Yum yum yum. And it also features a second in

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<v Speaker 2>their career guest appearance from Josh Homy of Queens of

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<v Speaker 2>the Stone Age appearing on it. But several things of

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<v Speaker 2>interest going on with this Mastered On week. I suppose

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<v Speaker 2>of news and interest. Obviously album coming out, Yeah, yeah, yeah,

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<v Speaker 2>or want to hear that that is August the twenty eighth,

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<v Speaker 2>the album is going to be coming out. It also

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<v Speaker 2>confirms I suppose we have like a full band picture

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<v Speaker 2>here for the first time ever, Mastodon are officially a

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<v Speaker 2>five piece with the guitarist Nick Johnston, who has been

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<v Speaker 2>you know, playing with them live since the departure of

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<v Speaker 2>Brent Hines last year. But also they have officially integrated

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<v Speaker 2>the keyboardist how Nogia, so they are like officially a

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<v Speaker 2>full on prog rock five piece by the sounds of

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<v Speaker 2>you know, the moog solos and the keyboard sales and

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<v Speaker 2>shit that we go on in both of these singles.

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<v Speaker 1>It's mad.

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<v Speaker 2>Obviously we know that. You know, Brent, even before his

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<v Speaker 2>really sad passing last year, was not in the band,

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<v Speaker 2>but getting the a band picture with a five piece

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<v Speaker 2>master on five piece Mason.

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<v Speaker 1>It's a weird, like that thing that the pr shot

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<v Speaker 1>that's coming, like the news. I was like, that's going

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<v Speaker 1>to take some getting used to again, even Breton not

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<v Speaker 1>being there, because Brent visually one of the most kind

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<v Speaker 1>of like striking metal musicians ever. But like that, and

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<v Speaker 1>now that there's two other guys in there and it

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<v Speaker 1>is this mass on five piece like it is, it

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<v Speaker 1>is a weird thing obviously because I saw it live

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<v Speaker 1>before when they were just sort of live members. But

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<v Speaker 1>now that they are a vision of like I mean,

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<v Speaker 1>that's great because I mean there was a really good

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<v Speaker 1>chemistry live between the five of them, and it felt

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<v Speaker 1>like they were really vibe and playing together. So this

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<v Speaker 1>this still was like a cool, itterational mass on, but

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<v Speaker 1>it is just an odd thing to see.

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<v Speaker 2>Yeah, and I wonder if if there's any degree of

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<v Speaker 2>you know, people worried about it missing Brent or something, which,

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<v Speaker 2>to be clear, I think it may well, do you know,

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<v Speaker 2>even it's.

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<v Speaker 1>Gone, He's such a vital part of their sound.

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<v Speaker 2>Even if Mathodon continue to be great, as I also

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<v Speaker 2>kind of think they will be doing, it won't be

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<v Speaker 2>the same, right, That is just undeniable. But if you're

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<v Speaker 2>going to, you know, if you lose a component like that,

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<v Speaker 2>one way of you know, filling in some sound in

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<v Speaker 2>the mix maybe is just to go bring in a

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<v Speaker 2>full time keyboardist, right and just completely go mad with

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<v Speaker 2>that stuff. There's also in the mix of the album

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<v Speaker 2>as a whole list of guests. So obviously mentioned Josh

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<v Speaker 2>Trump from Queens of Stone Age on the new track

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<v Speaker 2>that's come out, but there is also a wild list

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<v Speaker 2>of folks who are going to be appearing on this album,

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<v Speaker 2>both Nate Newton and Ben Koller from Converge and on

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<v Speaker 2>different songs. I might add, it's not that they've just

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<v Speaker 2>got Converge in there, but apparently there's two different songs

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<v Speaker 2>with two different members of Converged on them. Lamb of

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<v Speaker 2>God's Randy Blythe is also on one of these songs

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<v Speaker 2>Clutches Neil Fallon or another returning obviously mastered on guests

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<v Speaker 2>from you know, the Golden Era kaji Is Joda Plantier

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<v Speaker 2>in there as well, and only fucking Geezer Butler from

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<v Speaker 2>Black Sabbath. So is that the most re list of

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<v Speaker 2>guests ever assembled on a heavy album, not including things

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<v Speaker 2>like Probot or whatever, which are like literally themed around

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<v Speaker 2>having different guests, And that is a wild bunch of

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<v Speaker 2>folks on there.

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<v Speaker 1>Yeah, And the thing is that they all feel right

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<v Speaker 1>for mass On again, it's kind of brilliant of how

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<v Speaker 1>why reaching mass One Sandal where like they're very different bands,

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<v Speaker 1>but they all kind of like feel like they can

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<v Speaker 1>gel so nicely. Like obviously the Converge ones are the

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<v Speaker 1>ones that kind of like speak to me. Neil Fallon

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<v Speaker 1>coming back for another one is you know, one of

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<v Speaker 1>the all time greatest guest spots ever, like in metal

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<v Speaker 1>in any genre way, you want to say that blood

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<v Speaker 1>kind of one is unbelievable can't wait to hear what

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<v Speaker 1>he's going to do again with Massively. It's I think

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<v Speaker 1>it's a real kind of like exciting thing to add

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<v Speaker 1>to this album.

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<v Speaker 2>It seems like almost almost a family gathering to me,

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<v Speaker 2>and I wonder if you know, I can't want to

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<v Speaker 2>sort of read too deeply into this already, but we

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<v Speaker 2>obviously we know that this is going to be another

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<v Speaker 2>you know, fairly longline at this stage, but particularly another

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<v Speaker 2>weighty album from matterdon Thematically, and that's been you know,

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<v Speaker 2>obviously a big topic conversation just this week as well,

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<v Speaker 2>because after we recorded last week show yeah yeah, they

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<v Speaker 2>mastered on put out. You may well have seen it

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<v Speaker 2>quite lengthy sort of you know, to camera interview type

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<v Speaker 2>piece with the three remaining you know, key members talking

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<v Speaker 2>about essentially, you know, the ups and downs of their

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<v Speaker 2>relationship with Brent and how that all came to an

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<v Speaker 2>end and where they are now with it, you know,

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<v Speaker 2>kind of approaching a year later. And I thought that

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<v Speaker 2>was you know, certainly a brave and how kind of

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<v Speaker 2>unvarnished it was feature they put out there. I think

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<v Speaker 2>that there I could imagine people watching that and almost

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<v Speaker 2>being affronted, I suppose by the sort of level of

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<v Speaker 2>openness they were with which they spoke about, you know,

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<v Speaker 2>Brent and his time in that band and how it

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<v Speaker 2>came to an end and all of that. I think

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<v Speaker 2>to a degree, it's like, what what can you do?

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<v Speaker 2>You know, you can't rewrite the history like they all

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<v Speaker 2>say in it. They all wanted it to have a

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<v Speaker 2>different ending, you know, and unfortunately everybody was was deprived

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<v Speaker 2>of that. But and we're going back to the album

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<v Speaker 2>and the guests. When you've got characters like Neil Fallon

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<v Speaker 2>and Josh Homie who have you been on mastered albums before?

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<v Speaker 2>And everyone involved in there is there's no newer faces there, right,

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<v Speaker 2>It's either people who have kind of come up alongside

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<v Speaker 2>mastered on so like you know, Kajira or even converged

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<v Speaker 2>to a degree, or obviously in Geezer, Butler like you know,

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<v Speaker 2>one of the initial inspirations all of this. Yeah, it

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<v Speaker 2>almost feels like, you know, it's like the the end

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<v Speaker 2>of a saga where you see all the people, the

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<v Speaker 2>faces that you've known coming together. I think there's definitely

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<v Speaker 2>some sort of you know, there's history to this list

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<v Speaker 2>of folks on there. And I do just want to

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<v Speaker 2>also point out, just for anyone who might not have

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<v Speaker 2>seen it, that the album cover for it, which is

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<v Speaker 2>classic you know, Paul Romano mastered on style artwork, but

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<v Speaker 2>you know, littered with details, as there always is with

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<v Speaker 2>with with his artworks for Masterdon. But if you look

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<v Speaker 2>at the faces, if you look around sort of towards

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<v Speaker 2>the right hand side of the mastered on logo, a

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<v Speaker 2>little bit past where the end is, and there's a

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<v Speaker 2>little row of faces, you can quite clearly see Brent

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<v Speaker 2>Hines in that.

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<v Speaker 1>Yeah, the tattoo is very like this give well on

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<v Speaker 1>that one. But like I miss idea initially, and then

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<v Speaker 1>when I saw some of the thing as you posted

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<v Speaker 1>that the Zooner version, was like, oh yeah, cool that

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<v Speaker 1>that feels very on brand of having this like thematically

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<v Speaker 1>kind of like dense, visually interesting arranged mass on album mark.

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<v Speaker 2>Yeah, that's absolutely unmistakable in there. But yeah, August of

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<v Speaker 2>twenty eighth we'll be hearing the full extent of this,

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<v Speaker 2>you know, particularly significant weighty master on record. Let's keep

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<v Speaker 2>on the Joff homykick, I suppose for a moment, because

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<v Speaker 2>Queens of the Stone Age have released a single. It

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<v Speaker 2>is their first piece of new music in three years,

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<v Speaker 2>which doesn't feel that long since the last Queens of

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<v Speaker 2>Sooner album. I love that album quite a bit. But

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<v Speaker 2>first new piece of music in three years, not part

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<v Speaker 2>of a new record as of yet.

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<v Speaker 1>Weird.

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<v Speaker 2>This is strange single this it's called easy Street. And

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<v Speaker 2>the way that I suppose you have to make sense

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<v Speaker 2>of this is if you heard this just out of

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<v Speaker 2>context new Queens of Stone as track, you go, what

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<v Speaker 2>the fuck has happened? What they doing? If you have

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<v Speaker 2>not been, like, you know, following kind of close to

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<v Speaker 2>the ground what Queens have been doing. Obviously, they put

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<v Speaker 2>out the new record in twenty three and they tore

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<v Speaker 2>that and everything. But past sort of like eighteen months

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<v Speaker 2>or so, they've been doing this very bizarre kind of

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<v Speaker 2>like old school. I don't want to say stripped back

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<v Speaker 2>because it's kind of not like there's so many components

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<v Speaker 2>involve what they've been doing. But they're doing a more

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<v Speaker 2>sort of acoustic style Queen's set up, which they've sort

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<v Speaker 2>of labeled as the Catacombs type setup because it started

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<v Speaker 2>with them playing a set in the Paris Catacombs. But

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<v Speaker 2>then they were like, actually, you know, touring on big

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<v Speaker 2>stages and stuff like that. And my understanding is that

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<v Speaker 2>this is a song that kind of you know, germinated

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<v Speaker 2>and appeared on stage as part of this whole run,

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<v Speaker 2>and now we've got a studio, you know, version of it.

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<v Speaker 2>I don't know if this means that we will have

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<v Speaker 2>a like full on, almost converged blood Moon style, right,

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<v Speaker 2>you know, like Queen's stone Age, a Catacombs type album.

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<v Speaker 2>I would be very curious if that was to happen.

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<v Speaker 2>I would just say, if you just hear this single

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<v Speaker 2>on its own and go, what the fuck is happened

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<v Speaker 2>Queens of stone Age, maybe don't read too much into it, right,

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<v Speaker 2>I don't think this is a long term direction that

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<v Speaker 2>we were going on here.

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<v Speaker 1>Well. I mean, even if this was part of an album,

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<v Speaker 1>I just took this as kind of like it might

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<v Speaker 1>just be a weird deviation on the album. Queenstonage had

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<v Speaker 1>been known to kind of like do this. I'm not

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<v Speaker 1>a fan of this single massively. It's kind of doing

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<v Speaker 1>like a sort of Springsteen Americana thing, but like haunted

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<v Speaker 1>and weird and kind of like offbeat in a way

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<v Speaker 1>that to me that would make sense as a Quins

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<v Speaker 1>stage approach to it. I'm just not sure it entirely

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<v Speaker 1>works for me, but like as a one off, if

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<v Speaker 1>it's part of this sort of thing, fair enough, you know,

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<v Speaker 1>take a swing on something like this, But it's not

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<v Speaker 1>something I'm entirely into when I was kind of giving

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<v Speaker 1>up to really be into new Queens of the Stone

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<v Speaker 1>Age music.

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<v Speaker 2>Yeah, I mean I'm not really you know, especially taken

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<v Speaker 2>with a single either. But it also even sounds out

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<v Speaker 2>of character to me from what I had seen of

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<v Speaker 2>the Katacomb stuff because if you watch, for example, very

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<v Speaker 2>recently they put out a KXP session with like twenty

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<v Speaker 2>musicians in that little studio that they do those things right,

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<v Speaker 2>because there's loads of you and the cat Whom style.

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<v Speaker 2>When we say they're acoustic, it's weird, like it's not

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<v Speaker 2>just are we're stripping about the songs and we're playing

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<v Speaker 2>them an acoustic guitar like there are there's so much

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<v Speaker 2>shit in there, and it's almost like the I say,

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<v Speaker 2>the kind of haunted vaudeville side of Queens Real going

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<v Speaker 2>out of control, And this single doesn't actually have as

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<v Speaker 2>much to me, Like if you've listened to this right

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<v Speaker 2>after watching that that session I just described, they feel

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<v Speaker 2>quite different. So even if we were to get a

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<v Speaker 2>record this this doesn't to me actually sound like what

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<v Speaker 2>I have seen of the show they've been doing, and

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<v Speaker 2>it does feel like a strained sort of outlier. Yeah,

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<v Speaker 2>I mean, we don't know. If there is a record,

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<v Speaker 2>it might just be this weird standalone song. We get

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<v Speaker 2>nothing more from it, in which case maybe people won't

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<v Speaker 2>think about it, you know, for too long after this point.

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<v Speaker 2>But even if we were to get a record, doesn't

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<v Speaker 2>sound like what they have been doing. It's very very strange.

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<v Speaker 2>I would be curious about if we got more material

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<v Speaker 2>in this vein. I think you just maybe have to,

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<v Speaker 2>you know, you set their expectations appropriately and be like, okay,

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<v Speaker 2>we're going on a side tangent here, we're going on

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<v Speaker 2>a detour rather than like, you know, the main line

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<v Speaker 2>Queen's records, so to speak. But there you go. What

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<v Speaker 2>we are certainly mainlining is new Nickelback, whoever announced that

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<v Speaker 2>they have got a new album called Everything under the Sun,

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<v Speaker 2>which is going to be coming out in October. And

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<v Speaker 2>there's a song called Rattle the Cage was the last

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<v Speaker 2>Nickelback album, the one that we reviewed that had San

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<v Speaker 2>Quentin on it.

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<v Speaker 1>Yeah, I think this is just carrying on the film,

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<v Speaker 1>like Nickelback albums, opening with like a bit of a

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<v Speaker 1>banger and then probably the rest it's gonna be a

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<v Speaker 1>bit shit because that's what like Sam Quentin was on

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<v Speaker 1>that on that album, was like, oh this, you know,

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<v Speaker 1>with the panic chords and that big let the record show.

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<v Speaker 1>I did it all for rock and roll chorus. That's rocking.

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<v Speaker 1>And I think this first track on this one with

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<v Speaker 1>John five guessing on it like fine, Like I think

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<v Speaker 1>it's again, it's kind of just a Nickelback hard rock

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<v Speaker 1>kind of riffy banger. And then the other song they

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<v Speaker 1>released is a bit rubbish, so I was like, yeah,

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<v Speaker 1>look back business as usual.

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<v Speaker 2>Yeah, yeah, that's San Quentin song, and it was. It

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<v Speaker 2>was the thirty song on that record. The other one

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<v Speaker 2>was the skinny little mixing it was and they were

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<v Speaker 2>two of the catchiest Nickelback songs ever and they were

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<v Speaker 2>so fucking stupid.

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<v Speaker 1>This one.

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<v Speaker 2>I don't necessarily feel like we're quite in that territory

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<v Speaker 2>just yet, but there you go. New Nickelback coming out

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<v Speaker 2>in October, and then also on the new album announcement

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<v Speaker 2>front September, the twenty fifth Noctool, which is Serena Cherry

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<v Speaker 2>coming up to formally being a star Bard. I suppose

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<v Speaker 2>they're in there sort of last months as a band

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<v Speaker 2>right now, aren't they. But the second Noctual album, which

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<v Speaker 2>is her black metal elden Ring Slash Skyrim themed.

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<v Speaker 1>About saying elden Ring has supplanted Skyrim as the fancy

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<v Speaker 1>RPG game that all the black metals are all about

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<v Speaker 1>now and I support it. There you go.

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<v Speaker 2>But the second album from that project is going to

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<v Speaker 2>be coming out on September the twenty fish. You're self

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<v Speaker 2>releasing it as well, so good for her looking forward

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<v Speaker 2>to that. Napalm Death have made history by becoming the

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<v Speaker 2>first grindcore band, maybe the first of more extreme metal band.

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<v Speaker 1>I don't know.

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<v Speaker 2>I don't go through the archives, but certainly they've been

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<v Speaker 2>labeled as the first ground core band to play a

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<v Speaker 2>NPR Tiny Desk concert, Which is a sentence that sounds

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<v Speaker 2>like it's been going around the sort of social media

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<v Speaker 2>for years as a meme, right, like the idea of

301
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<v Speaker 2>what would be the most absurd one to happen, and

302
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<v Speaker 2>the name like the average kind of extreme metal name

303
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<v Speaker 2>that first comes into your mind. Who are like a

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<v Speaker 2>flagship of like you know music noise, Napalm Death come

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<v Speaker 2>to mind, which I suppose is why NPR have like

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<v Speaker 2>made the effort being like if we are going to

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<v Speaker 2>get a full and extreme band because they had that

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00:14:07.360 --> 00:14:10.279
<v Speaker 2>turnstile doing it last year. Who I think they made

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<v Speaker 2>history as doing the first NPR tiny desk stage dive

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<v Speaker 2>of that kind of thing, but going full on extreme

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<v Speaker 2>music having Napalm Death as your first one is like

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<v Speaker 2>the I don't know, It's just there's perfection to it,

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<v Speaker 2>isn't it.

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<v Speaker 1>It feels right. I've no chance to watch the whole

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<v Speaker 1>video yet, but Napalm de Tied Death Concert is just

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00:14:25.440 --> 00:14:27.919
<v Speaker 1>such a funny collection of words, but it kind of

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<v Speaker 1>just feels like, yeah, it should be Napalm Deaf. It

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<v Speaker 1>should be a band who have been that pivotal to

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<v Speaker 1>the development of like extreme noisy, harsh grind core, all

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<v Speaker 1>that sort of stuff, and not just grind core, but

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<v Speaker 1>just again like extreme noise music. It should be a

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<v Speaker 1>band like that who I've been at the forefront of

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<v Speaker 1>it for so long getting their flowers goes off, being

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<v Speaker 1>the Troilblazers. They are again to do the first tiny

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<v Speaker 1>Desk concert.

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<v Speaker 2>Yeah, I have watched it and a few points. First

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<v Speaker 2>of all, the mixing on it, I imagine must have

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<v Speaker 2>been extremely difficult to do because it's Napalm Death. They're

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<v Speaker 2>not fucking changing what they they're doing, right, They're not

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<v Speaker 2>doing the Catacombs stripped down accus thing. They're playing like

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<v Speaker 2>Napalm Death, right, But they are in like a small

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<v Speaker 2>office setting, so they can't like just turn it up

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<v Speaker 2>to garbled noise, you know, and that genuary. The mixing

334
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<v Speaker 2>job of making it like sound like Napalm Death but

335
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<v Speaker 2>at almost quieter volume somehow is like I imagine it

336
00:15:21.039 --> 00:15:23.360
<v Speaker 2>must have been a serious tightrope to walk, so fair

337
00:15:23.440 --> 00:15:27.720
<v Speaker 2>play there. And the thing is seeing Barney using a

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<v Speaker 2>microphone that is cemented onto a mic stand is weird

339
00:15:32.240 --> 00:15:34.480
<v Speaker 2>as fuck because you can see him like gearing up

340
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<v Speaker 2>to do his run. I've never seen him, yeah, I've

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00:15:37.440 --> 00:15:39.480
<v Speaker 2>never seen him use a stationary micro before. And you

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<v Speaker 2>can see him kind of in the spotty standing on

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<v Speaker 2>sort of antsy, you know, running around like in a

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<v Speaker 2>tiny little like a like a tiny animal in a cage, right,

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<v Speaker 2>but then having to come back to this like actual

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<v Speaker 2>microhone stand each time. I imagine it would be a

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<v Speaker 2>very surreal experience. For him, but you know they kill

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<v Speaker 2>it because of course they do, and yes they do

349
00:15:55.799 --> 00:15:57.960
<v Speaker 2>death yeah, and yes they do end the set on

350
00:15:58.080 --> 00:16:01.639
<v Speaker 2>you suffer. So there you go. A few more Neurosis

351
00:16:01.759 --> 00:16:04.799
<v Speaker 2>shows have been added up to this point since their

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<v Speaker 2>new album and come back and everything. The only show

353
00:16:06.679 --> 00:16:10.480
<v Speaker 2>that we had confirmed was their performance at Fire in

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<v Speaker 2>the Mountains festival, which is happening sort of roughly round

355
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<v Speaker 2>about now, wish sort of middle of this month. I

356
00:16:15.399 --> 00:16:17.360
<v Speaker 2>think it might be this weekend. I'm not sure, but

357
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<v Speaker 2>the first shows after that festival have been announced, and

358
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<v Speaker 2>it's only three shows right now, all in America, but

359
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<v Speaker 2>it is two nights at the San Francisco Filmore on

360
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<v Speaker 2>October sixteenth and seventeenth, which I imagine would be just incredible.

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<v Speaker 2>And speaking of on September the fifth, so a little

362
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<v Speaker 2>bit before those shows, they have been invited to, I

363
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<v Speaker 2>guess be the sort of special guest to Acid Bath

364
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<v Speaker 2>show in North Carolina, which already had the openers of

365
00:16:47.120 --> 00:16:49.320
<v Speaker 2>Ky Leser and the Melvins. So yes, just to confirm

366
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<v Speaker 2>in running order, that is Acid Bath, Neurosis, Melvin's Kylezer

367
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<v Speaker 2>on a show everyone in North Carolina, fucking a. You

368
00:16:57.039 --> 00:16:58.840
<v Speaker 2>have to get to that good lord.

369
00:17:00.159 --> 00:17:03.279
<v Speaker 1>Acid Bath show again. These acids have continued to look

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<v Speaker 1>ridiculous every time they pop up, and you're gonna get

371
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<v Speaker 1>like playing the stage system, like there's what an acid

372
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<v Speaker 1>Bath and on all that sort of shit, and now

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<v Speaker 1>you're going to go like acid Bath and Neurosis to

374
00:17:13.640 --> 00:17:17.160
<v Speaker 1>comebacks that seem like impossible a couple of years ago,

375
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<v Speaker 1>and then they are like there they are showing stage together,

376
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<v Speaker 1>fucking unbelievable. Like if you're in North Carolina and you're

377
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<v Speaker 1>not going to that, what are you doing? Yeah?

378
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<v Speaker 2>I mean even the fact that acid Bath are the

379
00:17:27.160 --> 00:17:29.640
<v Speaker 2>bigger logo headlining over Neurosis, Like if you show that

380
00:17:29.720 --> 00:17:32.880
<v Speaker 2>to someone five years ago, it would have been like, what,

381
00:17:33.319 --> 00:17:35.559
<v Speaker 2>how the fuck has that happened? And it does make

382
00:17:35.640 --> 00:17:38.440
<v Speaker 2>sense because acid Bath, I think, in terms of tickets

383
00:17:38.519 --> 00:17:41.920
<v Speaker 2>right now, and I probably streaming numbers would assume as well,

384
00:17:42.519 --> 00:17:45.160
<v Speaker 2>the bigger draw because of everything that we've you know,

385
00:17:45.279 --> 00:17:48.559
<v Speaker 2>discussed at length with acid Bath, this particular show is

386
00:17:48.559 --> 00:17:50.920
<v Speaker 2>obviously acid Bath. I mean famously acid Bath have been

387
00:17:51.000 --> 00:17:53.759
<v Speaker 2>kind of hand curating and hand picking their support for

388
00:17:53.799 --> 00:17:55.759
<v Speaker 2>all their shows, and they've obviously gone, well, this show,

389
00:17:56.039 --> 00:18:00.640
<v Speaker 2>why don't we just invite Neurosis because you're available. Yeah,

390
00:18:00.680 --> 00:18:02.400
<v Speaker 2>I bet that these guys have some kind of history,

391
00:18:02.440 --> 00:18:05.160
<v Speaker 2>you know, existing in the scene together. So I think

392
00:18:05.200 --> 00:18:07.319
<v Speaker 2>it is a special one off show. But Lead Neurosis

393
00:18:07.400 --> 00:18:10.599
<v Speaker 2>is main support Acid Bar fucking crazy. Here he is

394
00:18:10.680 --> 00:18:13.279
<v Speaker 2>hopen that you know, they are of course still in

395
00:18:13.359 --> 00:18:15.440
<v Speaker 2>twenty twenty six right now, but here is hoping we

396
00:18:15.519 --> 00:18:18.519
<v Speaker 2>have moren euro of the shows announced by next year,

397
00:18:18.599 --> 00:18:20.400
<v Speaker 2>we could have something on this side of the pond

398
00:18:20.519 --> 00:18:22.559
<v Speaker 2>to look forward to and celebrate. We do right now

399
00:18:22.599 --> 00:18:24.160
<v Speaker 2>at the very six we have an Unpeople tour. I

400
00:18:24.160 --> 00:18:26.160
<v Speaker 2>don't know if that's necessarily a stand in for Neurosis,

401
00:18:26.240 --> 00:18:27.759
<v Speaker 2>but I'm sure a lot of people will be excited

402
00:18:27.799 --> 00:18:30.960
<v Speaker 2>for an other People UK and Ireland headlines tour happening

403
00:18:31.000 --> 00:18:34.240
<v Speaker 2>in January of twenty twenty seven. Is about nine or

404
00:18:34.279 --> 00:18:36.839
<v Speaker 2>ten dates here or up and down the country and

405
00:18:37.000 --> 00:18:39.359
<v Speaker 2>again over to Ireland as well. So good for them

406
00:18:39.359 --> 00:18:41.920
<v Speaker 2>playing the Electric Ballroom in London, which I imagine is them,

407
00:18:41.960 --> 00:18:44.119
<v Speaker 2>you know, sort of climbing up the venue ladder a

408
00:18:44.200 --> 00:18:47.920
<v Speaker 2>little bit after their album comes out. And unfortunately some

409
00:18:48.039 --> 00:18:51.359
<v Speaker 2>sad news this week coming from the Nocturnus camp, the

410
00:18:51.480 --> 00:18:53.640
<v Speaker 2>general the death metal world I think has been a

411
00:18:53.680 --> 00:18:56.319
<v Speaker 2>little bit in mourning for the past couple of days

412
00:18:56.319 --> 00:19:02.240
<v Speaker 2>because one of those ediosyncratic early days cult legends has

413
00:19:02.319 --> 00:19:05.720
<v Speaker 2>left us in Mike Browning, who was I think perhaps

414
00:19:05.759 --> 00:19:09.680
<v Speaker 2>the original drummer of Morbid Angel. He performed on you know,

415
00:19:10.119 --> 00:19:14.200
<v Speaker 2>some of their most legendary, you know, genre defining early

416
00:19:14.359 --> 00:19:19.440
<v Speaker 2>demo material. This includes the Abominations of Desolation sort of

417
00:19:19.599 --> 00:19:21.839
<v Speaker 2>mini sort of demo album they did that was meant

418
00:19:21.839 --> 00:19:23.720
<v Speaker 2>to come out before it was of Madness, and there

419
00:19:23.720 --> 00:19:25.440
<v Speaker 2>are many people out there for whom that is their

420
00:19:25.559 --> 00:19:28.000
<v Speaker 2>you know, Morbid Angel record that they will talk about

421
00:19:28.240 --> 00:19:30.119
<v Speaker 2>a choice, even though it's not officially a studio album.

422
00:19:30.480 --> 00:19:34.039
<v Speaker 2>And then, after his departure from Morbid Angel, formed the

423
00:19:34.839 --> 00:19:39.000
<v Speaker 2>very very weird death metal band Nocturnus, who right there

424
00:19:39.039 --> 00:19:41.880
<v Speaker 2>again at the sort of late eighties dawn of the nineties,

425
00:19:42.000 --> 00:19:44.079
<v Speaker 2>were one of the very first death metal bands to

426
00:19:44.440 --> 00:19:49.200
<v Speaker 2>include synthesizers and keyboards as a major frontal element, full

427
00:19:49.279 --> 00:19:52.400
<v Speaker 2>on sci fi themes and stuff like that, very ahead

428
00:19:52.440 --> 00:19:54.279
<v Speaker 2>of the curve when we're talking about you know, sort

429
00:19:54.319 --> 00:19:56.799
<v Speaker 2>of spacey, proggy, cosmic death metal and some of the

430
00:19:56.799 --> 00:19:58.880
<v Speaker 2>stuff that's all the rage today. It's no surprise that

431
00:19:58.880 --> 00:20:01.559
<v Speaker 2>you've seen people from bandside Blood and Cantation and so

432
00:20:01.720 --> 00:20:04.599
<v Speaker 2>on posting major tributes to Mike Browning because he's truly

433
00:20:04.640 --> 00:20:07.279
<v Speaker 2>one of the pioneers. Unfortunately escapes my mind who I

434
00:20:07.319 --> 00:20:09.359
<v Speaker 2>saw this run, but one of the several tributes that

435
00:20:09.440 --> 00:20:11.160
<v Speaker 2>have you come across my timeline in the past couple

436
00:20:11.160 --> 00:20:13.759
<v Speaker 2>of days, I saw someone saying that Mike Browning was

437
00:20:13.799 --> 00:20:16.279
<v Speaker 2>one of the people who first imagined that death metal

438
00:20:16.359 --> 00:20:19.599
<v Speaker 2>could be something more than just what we naturally assume

439
00:20:20.000 --> 00:20:22.519
<v Speaker 2>death metal to be. And in again that kind of

440
00:20:22.720 --> 00:20:26.079
<v Speaker 2>sticking truth that underground path one of the real outsider

441
00:20:26.200 --> 00:20:29.319
<v Speaker 2>sort of visionaries of the death metal scene, to absolutely

442
00:20:29.519 --> 00:20:32.079
<v Speaker 2>a major duffin of the cap to mister Mike Browning

443
00:20:32.319 --> 00:20:35.519
<v Speaker 2>from morb An Angel and nocturn Us. Let us move

444
00:20:35.599 --> 00:20:38.680
<v Speaker 2>on to I suppose the meat of this show. We

445
00:20:38.880 --> 00:20:41.759
<v Speaker 2>have the release roundup. First of all, I will quickly

446
00:20:41.799 --> 00:20:45.000
<v Speaker 2>say that over on the Patreon Rare Occasion actually as

447
00:20:45.039 --> 00:20:46.799
<v Speaker 2>it's going out on Friday, you have two shows to

448
00:20:46.799 --> 00:20:48.799
<v Speaker 2>listen to you right now, because also on Friday, as

449
00:20:48.839 --> 00:20:50.599
<v Speaker 2>this goes out, there should also be over on the

450
00:20:50.599 --> 00:20:53.640
<v Speaker 2>Patreon the final part of our corn special going live

451
00:20:53.759 --> 00:20:55.880
<v Speaker 2>on the same day if you hop over there. All

452
00:20:55.920 --> 00:20:59.200
<v Speaker 2>right now there will be part four of the Corn

453
00:20:59.319 --> 00:21:00.920
<v Speaker 2>Band special that have we been doing for the last

454
00:21:01.160 --> 00:21:03.599
<v Speaker 2>three months or so, wrapping it all up with this

455
00:21:03.759 --> 00:21:06.119
<v Speaker 2>final part bringing us up to the present day. We

456
00:21:06.240 --> 00:21:08.960
<v Speaker 2>have looked over all things Corn right from the beginning

457
00:21:09.440 --> 00:21:13.359
<v Speaker 2>ending now on their legacy, we have the unenviable task

458
00:21:13.480 --> 00:21:16.359
<v Speaker 2>of ranking all like fourteen of their records at the

459
00:21:16.480 --> 00:21:18.839
<v Speaker 2>end of this to do as well. But that is

460
00:21:18.920 --> 00:21:21.039
<v Speaker 2>over there right now at patron dot com slash That's

461
00:21:21.079 --> 00:21:23.359
<v Speaker 2>not Mattter, which is also the best way to support

462
00:21:23.599 --> 00:21:26.240
<v Speaker 2>this podcast, so thank you everybody getting their teeth into that.

463
00:21:26.920 --> 00:21:30.160
<v Speaker 2>Releases for this week in July. First up, there's actually

464
00:21:30.160 --> 00:21:32.359
<v Speaker 2>one from from last week, but it was a surprise release,

465
00:21:32.400 --> 00:21:34.680
<v Speaker 2>so I just throw it out now. Final Resting Place,

466
00:21:35.160 --> 00:21:38.079
<v Speaker 2>who are the sort of full on, sloppy, toilet brittle

467
00:21:38.079 --> 00:21:40.599
<v Speaker 2>death metal band who have primarily become beloved not in

468
00:21:40.640 --> 00:21:42.400
<v Speaker 2>the death metal world, but actually in the hardcore world.

469
00:21:42.799 --> 00:21:45.319
<v Speaker 2>They surprise released an album of there is called Third

470
00:21:45.400 --> 00:21:48.359
<v Speaker 2>World Tribunal. And because given what I've just sort of

471
00:21:48.400 --> 00:21:50.319
<v Speaker 2>described there, it was of no surprise to me that

472
00:21:50.359 --> 00:21:52.319
<v Speaker 2>the first thing I heard about this was from Your

473
00:21:52.480 --> 00:21:55.119
<v Speaker 2>End Sam being like a surprise Final Resting Place album.

474
00:21:55.759 --> 00:21:58.000
<v Speaker 1>Yeah, No, I was gonna, oh, I was just going

475
00:21:58.000 --> 00:22:00.359
<v Speaker 1>for new releases and it kind of I was like, oh, oh, yeah,

476
00:22:00.480 --> 00:22:03.759
<v Speaker 1>I'm down for some like hardcore leaning Brital death metal

477
00:22:03.839 --> 00:22:06.400
<v Speaker 1>with an insane snare tone. And that's kind of what

478
00:22:06.519 --> 00:22:07.720
<v Speaker 1>I got. Like good stuff.

479
00:22:08.200 --> 00:22:09.880
<v Speaker 2>Yeah, I didn't realize until I think it was last

480
00:22:09.880 --> 00:22:11.839
<v Speaker 2>week when we were doing the Devil Master album announcement

481
00:22:11.880 --> 00:22:15.240
<v Speaker 2>that a member of Devilmaster plays in Final Resting Plays.

482
00:22:15.240 --> 00:22:17.720
<v Speaker 2>I think they'd like share sha Actually yeah, I think

483
00:22:17.920 --> 00:22:19.400
<v Speaker 2>they share like a bassist or or something like that.

484
00:22:19.480 --> 00:22:21.720
<v Speaker 2>But there is someone else in both of those flands.

485
00:22:21.720 --> 00:22:23.880
<v Speaker 2>But there you go, there's a connection. Let's get into properly.

486
00:22:23.960 --> 00:22:26.839
<v Speaker 2>The releases that are coming out today this Friday, the seventeenth,

487
00:22:27.079 --> 00:22:29.640
<v Speaker 2>the most long awaited of them and certainly a record

488
00:22:29.640 --> 00:22:31.079
<v Speaker 2>that we will be getting our teeth into come the

489
00:22:31.200 --> 00:22:34.200
<v Speaker 2>next review show, which should be next week, really is

490
00:22:34.519 --> 00:22:39.440
<v Speaker 2>Loathes long awaited next album, A Stranger to You, their

491
00:22:39.480 --> 00:22:42.759
<v Speaker 2>first album in six years, one of the most just

492
00:22:43.079 --> 00:22:46.440
<v Speaker 2>all eyes on them metal core bands of the last

493
00:22:46.880 --> 00:22:49.920
<v Speaker 2>decade or so, really and definitely the most long awaited

494
00:22:49.960 --> 00:22:51.839
<v Speaker 2>album that they have put out to date, so it's

495
00:22:51.920 --> 00:22:53.680
<v Speaker 2>time to time to get into it and see what

496
00:22:53.680 --> 00:22:55.640
<v Speaker 2>will make of it and make your mind up. We

497
00:22:55.839 --> 00:22:57.799
<v Speaker 2>also have from that well, I suppose the metal core

498
00:22:57.839 --> 00:23:00.960
<v Speaker 2>world is the genre that is dominated today's releases, mostly

499
00:23:01.000 --> 00:23:04.160
<v Speaker 2>because we also have a band that we don't really like,

500
00:23:04.319 --> 00:23:06.279
<v Speaker 2>but one of the biggest bands in that genre over

501
00:23:06.319 --> 00:23:10.079
<v Speaker 2>the modern day upon a time. Yeah, Motionless in White

502
00:23:10.160 --> 00:23:12.880
<v Speaker 2>is referring to their new album Decade. We covered a

503
00:23:12.880 --> 00:23:14.680
<v Speaker 2>couple of singles from it, there you Go, that's out

504
00:23:15.119 --> 00:23:18.240
<v Speaker 2>and also an up and comer band and a record

505
00:23:18.359 --> 00:23:20.000
<v Speaker 2>that has had you know, certain amount of type put

506
00:23:20.039 --> 00:23:22.200
<v Speaker 2>on it. Boundaries as the name of this band and

507
00:23:22.279 --> 00:23:27.279
<v Speaker 2>their album Yearning the Unbeautiful After Sam, I don't know

508
00:23:27.319 --> 00:23:28.920
<v Speaker 2>if we're going to talk about this one or not. Again,

509
00:23:28.920 --> 00:23:30.519
<v Speaker 2>we've got quite a lot of medical albums to be

510
00:23:30.759 --> 00:23:32.680
<v Speaker 2>talking about right now in hardcore albums as well. But

511
00:23:33.119 --> 00:23:35.200
<v Speaker 2>whereas what's your you know again ahead of hearing the

512
00:23:35.240 --> 00:23:37.400
<v Speaker 2>album right now, what is your sort of general stance

513
00:23:37.440 --> 00:23:37.920
<v Speaker 2>on Boundaries?

514
00:23:38.720 --> 00:23:40.680
<v Speaker 1>I really like I think have been their debut album

515
00:23:41.000 --> 00:23:42.079
<v Speaker 1>that was from a couple of years a guy I

516
00:23:42.079 --> 00:23:45.400
<v Speaker 1>remember really liking, and then this album definitely feels like

517
00:23:45.519 --> 00:23:48.880
<v Speaker 1>there play it something slightly bigger on like that sounds

518
00:23:48.880 --> 00:23:52.559
<v Speaker 1>a bigger label now, And after that controversial single where

519
00:23:52.559 --> 00:23:55.000
<v Speaker 1>they had to release a new version of a different mix, Yeah,

520
00:23:55.000 --> 00:23:57.640
<v Speaker 1>it feels like there's obviously a lot of eyes on

521
00:23:57.720 --> 00:24:00.519
<v Speaker 1>boundaries where they're they're on those metical band to come

522
00:24:00.640 --> 00:24:03.039
<v Speaker 1>from the metallic hardcore side of things, who are now

523
00:24:03.799 --> 00:24:06.240
<v Speaker 1>really crossing over into the kind of more octane core

524
00:24:06.319 --> 00:24:08.680
<v Speaker 1>commercial metal course sort of thing. And this feel was

525
00:24:08.680 --> 00:24:10.720
<v Speaker 1>like an how almost like bridge the gaps from the two.

526
00:24:10.839 --> 00:24:12.519
<v Speaker 1>I'm curious as to how it's going to play out.

527
00:24:13.400 --> 00:24:17.839
<v Speaker 2>Yes, then in the kind of the proggy side of

528
00:24:18.440 --> 00:24:20.319
<v Speaker 2>that's world, I suppose we have the return of Protest

529
00:24:20.359 --> 00:24:23.160
<v Speaker 2>the Hero with their album Within. Then we have got

530
00:24:23.279 --> 00:24:27.119
<v Speaker 2>a self titled album career defining I'm sure from as

531
00:24:27.200 --> 00:24:30.000
<v Speaker 2>it is, those useless pop punk merchants.

532
00:24:30.039 --> 00:24:30.799
<v Speaker 1>But there you go.

533
00:24:31.920 --> 00:24:34.359
<v Speaker 2>In I know, a better side of the punk world.

534
00:24:34.680 --> 00:24:37.799
<v Speaker 2>The Mendingers have got their new album Everything I Ever

535
00:24:37.920 --> 00:24:40.680
<v Speaker 2>Saw obviously always cause for celebration around these parts. The

536
00:24:40.680 --> 00:24:43.480
<v Speaker 2>new Mensingers album. We're talking about that of course, post

537
00:24:43.559 --> 00:24:47.240
<v Speaker 2>hardcore visionaries, you know, early pioneers of that world, Quicksand

538
00:24:47.559 --> 00:24:50.440
<v Speaker 2>have got their new album Bring on the Psychics. I

539
00:24:50.440 --> 00:24:52.720
<v Speaker 2>don't know if we will have room to review this one,

540
00:24:52.759 --> 00:24:54.359
<v Speaker 2>but where have you generally sort of stood on like

541
00:24:54.440 --> 00:24:57.759
<v Speaker 2>latter day recent Quick Sland. I suppose I've not ever.

542
00:24:57.720 --> 00:25:01.559
<v Speaker 1>Been massing into this latter day stuff. It's still solid enough,

543
00:25:01.640 --> 00:25:03.759
<v Speaker 1>but like their nineties output is why I kind of

544
00:25:03.880 --> 00:25:06.519
<v Speaker 1>like really live with quicksand maybe I'll kind of revisit

545
00:25:06.599 --> 00:25:09.079
<v Speaker 1>some of those latter albums and see if my opinion change.

546
00:25:09.119 --> 00:25:10.599
<v Speaker 1>But they never grabbed me as much as when I

547
00:25:10.680 --> 00:25:13.319
<v Speaker 1>discovered Quick Sad and really got into those nineties records.

548
00:25:13.680 --> 00:25:15.359
<v Speaker 2>Yeah, fair enough, but there you go. Of course, legends

549
00:25:15.400 --> 00:25:18.559
<v Speaker 2>in that world, then more in the death metal side

550
00:25:18.720 --> 00:25:21.160
<v Speaker 2>of the hardcore world. I suppose that you know, bridging

551
00:25:21.200 --> 00:25:24.720
<v Speaker 2>those two worlds. Fuming Mouth with the Ringing Bell who

552
00:25:24.759 --> 00:25:27.160
<v Speaker 2>also a reminder for this record of recruited J Weinberger,

553
00:25:27.240 --> 00:25:30.759
<v Speaker 2>formerly of course on the drums. Then we have a

554
00:25:30.799 --> 00:25:33.519
<v Speaker 2>sort of collab album between a band called fed Ash

555
00:25:33.599 --> 00:25:38.240
<v Speaker 2>and also Hers aka the Hers Collective Great Grindcore Power.

556
00:25:38.319 --> 00:25:39.799
<v Speaker 2>That's type band who we've spoken about before. They've got

557
00:25:39.799 --> 00:25:43.000
<v Speaker 2>a colab record together called I Am Body Horror. Then,

558
00:25:43.079 --> 00:25:45.000
<v Speaker 2>as we venture fully into the death metal underground, we

559
00:25:45.079 --> 00:25:47.640
<v Speaker 2>have Left to Die, which is a band consisting of

560
00:25:47.799 --> 00:25:51.240
<v Speaker 2>like several people who were once in the band Death.

561
00:25:51.319 --> 00:25:53.920
<v Speaker 2>It's one of those several like Death tribute bands that's

562
00:25:53.920 --> 00:25:56.079
<v Speaker 2>been going around. But here they seem to have like

563
00:25:56.160 --> 00:25:59.000
<v Speaker 2>actually recorded in a studio form. I think, like really

564
00:25:59.160 --> 00:26:02.559
<v Speaker 2>early years Death demos, like Mantas era songs and stuff

565
00:26:02.599 --> 00:26:04.400
<v Speaker 2>like that, but I know, giving them a new spit

566
00:26:04.480 --> 00:26:06.160
<v Speaker 2>of Polish. If you want to hear that, then that

567
00:26:06.240 --> 00:26:11.079
<v Speaker 2>record is called Initium Mortis Australian tech Death longer in

568
00:26:11.119 --> 00:26:13.559
<v Speaker 2>about At this point, Psycroptic have got the Pulse of

569
00:26:13.559 --> 00:26:16.200
<v Speaker 2>Annihilation back in the UK, I've got a more homegrown

570
00:26:16.359 --> 00:26:21.359
<v Speaker 2>thrash metal band. We've got Imperium with Exodus Unknown, Flemish

571
00:26:21.559 --> 00:26:25.160
<v Speaker 2>experimental gothy black metal band Emptiness got a couple of

572
00:26:25.160 --> 00:26:27.799
<v Speaker 2>really good records at band Emptiness Nowhere Speaks is the

573
00:26:27.839 --> 00:26:29.680
<v Speaker 2>name with their new one, and then a couple of EPs.

574
00:26:29.920 --> 00:26:33.599
<v Speaker 2>There's the prog band Haken with Inner Fever Dream and

575
00:26:33.960 --> 00:26:36.880
<v Speaker 2>the UK sort of you know industrial modern metal type

576
00:26:36.920 --> 00:26:39.880
<v Speaker 2>band Red Method with as in Life. So that is

577
00:26:39.960 --> 00:26:42.759
<v Speaker 2>what is out today. But we are really here mainly

578
00:26:42.839 --> 00:26:44.759
<v Speaker 2>for the rest of the episode to talk about all

579
00:26:45.000 --> 00:26:49.559
<v Speaker 2>things bringing it back twenty years to the anniversary that

580
00:26:49.640 --> 00:26:53.240
<v Speaker 2>we never saw coming in terms of having any sort

581
00:26:53.279 --> 00:26:56.319
<v Speaker 2>of celebration for it. But we've gone over all of that.

582
00:26:56.400 --> 00:26:57.920
<v Speaker 2>We've had a couple months of knowing about bringing the

583
00:26:57.960 --> 00:27:01.480
<v Speaker 2>horizons Count Your Blessings plans. We have done a album club,

584
00:27:01.559 --> 00:27:04.240
<v Speaker 2>you know, back on the original form of that record

585
00:27:04.279 --> 00:27:06.960
<v Speaker 2>and looking forward, you know, looking into that record appeal,

586
00:27:07.000 --> 00:27:10.039
<v Speaker 2>I suppose, and just acknowledging how surreal it is that

587
00:27:10.359 --> 00:27:12.960
<v Speaker 2>twenty years of Count Your Blessings, that record has gone

588
00:27:13.119 --> 00:27:16.839
<v Speaker 2>from a like quite maligned thing in many many circles

589
00:27:17.039 --> 00:27:21.720
<v Speaker 2>to now having this absolute gushing loving for it from

590
00:27:21.799 --> 00:27:24.079
<v Speaker 2>both band who seems to reject it at times in

591
00:27:24.079 --> 00:27:26.640
<v Speaker 2>their career and you know press, who I'm sure would

592
00:27:26.640 --> 00:27:29.079
<v Speaker 2>have lambasted it at some point, like everyone's just coming ah,

593
00:27:29.200 --> 00:27:32.799
<v Speaker 2>you know, time heels all wounds, We're gonna be okay,

594
00:27:33.400 --> 00:27:37.039
<v Speaker 2>got your blessings now. But they last week they put

595
00:27:37.079 --> 00:27:41.279
<v Speaker 2>out the re recorded titled The Repented Version of the album.

596
00:27:41.319 --> 00:27:43.759
<v Speaker 2>That album also features a new song you know, recall

597
00:27:43.839 --> 00:27:45.440
<v Speaker 2>it sort of in you know, more than bring Me

598
00:27:45.559 --> 00:27:48.039
<v Speaker 2>sort of style of at least trying to revive a

599
00:27:48.079 --> 00:27:50.400
<v Speaker 2>little bit of death cord to it and we had

600
00:27:50.640 --> 00:27:56.759
<v Speaker 2>last weekend, the against sponsored by Outbreak, full on no barrier.

601
00:27:56.880 --> 00:28:01.599
<v Speaker 2>As with Outbreak, you know, set up the Horizon shows

602
00:28:02.039 --> 00:28:05.319
<v Speaker 2>playing first of all the entirety of County of Blessings,

603
00:28:05.359 --> 00:28:07.960
<v Speaker 2>then as we'll get onto some other stuff as well,

604
00:28:08.799 --> 00:28:13.319
<v Speaker 2>and featuring a whole lineup of other bands coming along

605
00:28:13.359 --> 00:28:15.839
<v Speaker 2>with them. So we're gonna spend an hour or so

606
00:28:16.039 --> 00:28:18.720
<v Speaker 2>talking about just generally our feelings on all of that,

607
00:28:18.880 --> 00:28:22.000
<v Speaker 2>because we did go to those shows. You Sam, were

608
00:28:22.039 --> 00:28:24.519
<v Speaker 2>at the Friday There were two nights at the BC

609
00:28:24.640 --> 00:28:29.400
<v Speaker 2>Arena in London in Manchester. Yes it was the outside

610
00:28:29.480 --> 00:28:31.920
<v Speaker 2>car park bit obviously if you went to Outbreak proper,

611
00:28:31.960 --> 00:28:35.160
<v Speaker 2>that's where the mainstay was. You went to the Friday one.

612
00:28:35.279 --> 00:28:38.039
<v Speaker 2>I went the following day on the Saturday. We can

613
00:28:38.079 --> 00:28:40.279
<v Speaker 2>sort of feel in each other's you know, yeah whatever,

614
00:28:40.279 --> 00:28:41.799
<v Speaker 2>I think roughly the same things will have happened, but

615
00:28:41.799 --> 00:28:44.519
<v Speaker 2>you know, different different moments here and there standing out

616
00:28:44.599 --> 00:28:45.519
<v Speaker 2>or going one way or another.

617
00:28:46.160 --> 00:28:50.039
<v Speaker 1>But this turned out to be a.

618
00:28:51.759 --> 00:28:56.240
<v Speaker 2>A really warm, cracking occasion, I thought, like considering there

619
00:28:56.319 --> 00:28:59.160
<v Speaker 2>was a lot of particularly after Outbreak itself, and there

620
00:28:59.240 --> 00:29:00.680
<v Speaker 2>was some of the discourse around all, you know, the

621
00:29:00.759 --> 00:29:03.240
<v Speaker 2>kind of crowds and behavior and all this kind of stuff.

622
00:29:03.240 --> 00:29:04.599
<v Speaker 2>There was a lot of like, oh my god, wait

623
00:29:04.680 --> 00:29:06.200
<v Speaker 2>till two weeks time when they bring me fan to

624
00:29:06.319 --> 00:29:08.759
<v Speaker 2>Rave turned out to be just a.

625
00:29:09.279 --> 00:29:14.000
<v Speaker 1>Really like lovely quite special then Yeah, I mean I

626
00:29:14.039 --> 00:29:16.200
<v Speaker 1>think what I was said that front, there was a

627
00:29:16.400 --> 00:29:20.000
<v Speaker 1>lot of effort put into letting people know and we'll

628
00:29:20.000 --> 00:29:21.759
<v Speaker 1>get onto that with the sort of stuff of that

629
00:29:21.799 --> 00:29:23.599
<v Speaker 1>bring Me show as well. But like even before the

630
00:29:23.680 --> 00:29:26.720
<v Speaker 1>sort of the videos all that there was emphasis on

631
00:29:27.519 --> 00:29:30.440
<v Speaker 1>there is no barrier, guys, don't camp out of the front.

632
00:29:30.480 --> 00:29:32.640
<v Speaker 1>This is like you're not going to survive, like and

633
00:29:32.880 --> 00:29:34.759
<v Speaker 1>I think like they clearly were trying to sort of

634
00:29:35.079 --> 00:29:38.119
<v Speaker 1>be known beforehand to try and minimize risks. I'm sure

635
00:29:38.119 --> 00:29:40.279
<v Speaker 1>there were you know, bumps and knocks picked up for

636
00:29:40.319 --> 00:29:42.359
<v Speaker 1>maybe at the front and stage divers like as were,

637
00:29:42.440 --> 00:29:46.359
<v Speaker 1>but it didn't seem to be discourse causing nightmare scenario

638
00:29:46.559 --> 00:29:48.799
<v Speaker 1>that a lot of people were kind of like because

639
00:29:49.000 --> 00:29:50.480
<v Speaker 1>my being with the show was I was like, this

640
00:29:50.599 --> 00:29:53.480
<v Speaker 1>is going to be like a generational all timer like

641
00:29:53.640 --> 00:29:55.960
<v Speaker 1>one off, like two off sort of show, but like

642
00:29:56.039 --> 00:29:58.000
<v Speaker 1>you were fucking there for it, or it's going to

643
00:29:58.039 --> 00:30:01.599
<v Speaker 1>be a disaster of like well, we're not trying that again,

644
00:30:02.559 --> 00:30:04.960
<v Speaker 1>and I'm so glad that largely it seemed to be

645
00:30:05.039 --> 00:30:05.799
<v Speaker 1>the former.

646
00:30:06.000 --> 00:30:08.039
<v Speaker 2>Absolutely, I think, you know, considering like I said, some

647
00:30:08.079 --> 00:30:10.079
<v Speaker 2>of the stuff we're dicussing about main Outbreak turned out

648
00:30:10.079 --> 00:30:11.599
<v Speaker 2>to be better than that in terms of just sort

649
00:30:11.599 --> 00:30:15.200
<v Speaker 2>of running smooth like I suppose, and also just then

650
00:30:15.720 --> 00:30:17.559
<v Speaker 2>the vibes because you know, we're gonna go through all

651
00:30:17.559 --> 00:30:20.079
<v Speaker 2>the bands we saw, particularly by obviously Bring Me Set,

652
00:30:20.279 --> 00:30:23.480
<v Speaker 2>it had become really something to remember, like we will

653
00:30:23.480 --> 00:30:26.240
<v Speaker 2>all remember if you were there, but even just from

654
00:30:26.319 --> 00:30:29.079
<v Speaker 2>the beginning looking around and like some of the fucking

655
00:30:29.279 --> 00:30:33.680
<v Speaker 2>scene fits that were rocking around Manchester on on that weekend,

656
00:30:33.799 --> 00:30:37.119
<v Speaker 2>like we're hair spray like we haven't seen in in

657
00:30:37.400 --> 00:30:41.559
<v Speaker 2>some some years, Fucking Neon purple shirts with like skeleton

658
00:30:41.640 --> 00:30:44.599
<v Speaker 2>Monster hands over the titties, Like that's that's the full, uh,

659
00:30:45.240 --> 00:30:48.720
<v Speaker 2>you know, revival of style that not everybody, but certainly

660
00:30:49.000 --> 00:30:50.640
<v Speaker 2>some people are like, wow, I don't know if you've

661
00:30:50.680 --> 00:30:52.759
<v Speaker 2>dressed up for the occasion or if you were just always.

662
00:30:52.480 --> 00:30:55.640
<v Speaker 1>Singing that much. Yeah, Like I've not seen that much

663
00:30:55.680 --> 00:30:58.319
<v Speaker 1>Neon eggings. I think it's a mixture of like some

664
00:30:58.400 --> 00:31:00.559
<v Speaker 1>people throwing it back some people have about that phase,

665
00:31:00.599 --> 00:31:03.200
<v Speaker 1>and to be fair, it quiet has been happening, is

666
00:31:03.240 --> 00:31:06.319
<v Speaker 1>that that neon scene revival thing has been creeping into

667
00:31:06.759 --> 00:31:09.720
<v Speaker 1>newer generations. They are looking back at that kind of going, wow,

668
00:31:09.880 --> 00:31:11.759
<v Speaker 1>wasn't that a cool time. I'm gonna start dressing like

669
00:31:11.799 --> 00:31:13.960
<v Speaker 1>that now. And I'm just like, oh, bless you, Like

670
00:31:14.640 --> 00:31:17.319
<v Speaker 1>this is misguided, but bless you for thinking that this

671
00:31:18.119 --> 00:31:19.880
<v Speaker 1>fashion nightmare was actually cool.

672
00:31:20.759 --> 00:31:23.240
<v Speaker 2>Yeah, So I think we're sort of gonna fly a

673
00:31:23.279 --> 00:31:25.960
<v Speaker 2>little bit through you know, the other bands who played,

674
00:31:26.319 --> 00:31:28.279
<v Speaker 2>then we'll talk a little bit about the actual record record,

675
00:31:28.319 --> 00:31:30.960
<v Speaker 2>and then we'll talk about bringing these main set. So

676
00:31:31.119 --> 00:31:33.039
<v Speaker 2>it started off with the date we would describe, and

677
00:31:33.119 --> 00:31:35.440
<v Speaker 2>you know, from the whole the presentation of the poster

678
00:31:35.799 --> 00:31:39.319
<v Speaker 2>and everything, how right it felt in terms of, like,

679
00:31:39.599 --> 00:31:42.799
<v Speaker 2>you know, getting the mood of it right, in terms

680
00:31:42.880 --> 00:31:45.559
<v Speaker 2>of a genuine celebration of that you know, two thousand

681
00:31:45.559 --> 00:31:47.359
<v Speaker 2>and six type yeah moment. That's not to say that

682
00:31:47.400 --> 00:31:49.599
<v Speaker 2>every single band here is an oldie, because obviously quite

683
00:31:49.599 --> 00:31:51.920
<v Speaker 2>a few of them were newer bands, but just even

684
00:31:51.960 --> 00:31:53.240
<v Speaker 2>the way the poster, like we're saying we're sort of

685
00:31:53.240 --> 00:31:54.680
<v Speaker 2>throwing back and stuff, it felt like, you know, the

686
00:31:54.880 --> 00:31:57.119
<v Speaker 2>presentation of it was right, and that was certainly the

687
00:31:57.200 --> 00:31:59.440
<v Speaker 2>case with the very first band on being Still in Love,

688
00:32:00.279 --> 00:32:03.400
<v Speaker 2>which is a you know, a newer UK hardcore band.

689
00:32:03.440 --> 00:32:05.680
<v Speaker 2>They really said, David, I think last year, but the

690
00:32:05.839 --> 00:32:08.799
<v Speaker 2>band last year. Yeah, yeah, but that out band does

691
00:32:09.000 --> 00:32:12.519
<v Speaker 2>feature Curtis Ward, who was the other member of Being

692
00:32:12.519 --> 00:32:14.680
<v Speaker 2>the Horizon, Cirki count Your Blessings the other guitarists on

693
00:32:14.720 --> 00:32:16.440
<v Speaker 2>that record. So even just the fact that I know

694
00:32:16.519 --> 00:32:17.720
<v Speaker 2>that there have been shows in the past where they've

695
00:32:17.720 --> 00:32:19.000
<v Speaker 2>invited him off on stage and stuff like that that

696
00:32:19.079 --> 00:32:20.440
<v Speaker 2>didn't happen. But just the fact that he was there

697
00:32:20.480 --> 00:32:22.720
<v Speaker 2>present on the bill as part of the you know,

698
00:32:22.759 --> 00:32:24.920
<v Speaker 2>the day celebrating the record that he helped write. It

699
00:32:25.000 --> 00:32:26.559
<v Speaker 2>was just one of those immediate like yeah, this is

700
00:32:26.759 --> 00:32:27.960
<v Speaker 2>we're doing this the right way, you know.

701
00:32:28.599 --> 00:32:30.359
<v Speaker 1>Yeah, I mean, like you know, it's not just Curtsward,

702
00:32:30.400 --> 00:32:34.240
<v Speaker 1>that's members of like Dead Swans, Brutality will prevail, yeah,

703
00:32:34.440 --> 00:32:36.839
<v Speaker 1>last weitkness. Like if you like, if you were into

704
00:32:37.079 --> 00:32:40.559
<v Speaker 1>UK hardcore or the turn of the two twenty tens,

705
00:32:41.119 --> 00:32:43.319
<v Speaker 1>you'll have seen and liked being fans of the bands

706
00:32:43.359 --> 00:32:46.160
<v Speaker 1>that make up Still in Love and as a sound

707
00:32:46.200 --> 00:32:49.519
<v Speaker 1>they are just such a throwback to that particular thing.

708
00:32:49.960 --> 00:32:53.279
<v Speaker 1>I really like them because I like Brutality Will Provail

709
00:32:53.319 --> 00:32:57.319
<v Speaker 1>and Last Witness and Dead Swans, and they're doing that

710
00:32:57.400 --> 00:33:00.400
<v Speaker 1>sort of thing like and that they do really works.

711
00:33:00.720 --> 00:33:03.839
<v Speaker 1>And they've got like a real crunchy, heavy guitar tone

712
00:33:04.240 --> 00:33:08.799
<v Speaker 1>that raw kind of like impassioned not quite melodic hardcore,

713
00:33:09.000 --> 00:33:11.839
<v Speaker 1>but that's slightly less kind of like tough guy match.

714
00:33:11.880 --> 00:33:14.000
<v Speaker 1>I think that was sort of like the hardcore and

715
00:33:14.079 --> 00:33:15.759
<v Speaker 1>I think they just they just slam that out in

716
00:33:15.799 --> 00:33:18.559
<v Speaker 1>thirty minutes of these songs, and like, yeah, I thought,

717
00:33:18.680 --> 00:33:20.960
<v Speaker 1>like great sort starts stay of having something that is

718
00:33:21.640 --> 00:33:23.960
<v Speaker 1>new but of the era we're thrown back to. At

719
00:33:24.000 --> 00:33:25.759
<v Speaker 1>the same time, it was a good way to get

720
00:33:25.799 --> 00:33:26.240
<v Speaker 1>things going.

721
00:33:26.440 --> 00:33:29.480
<v Speaker 2>Yeah, you know, emotionally heart on sleeve, but also like

722
00:33:29.839 --> 00:33:32.839
<v Speaker 2>aggressive and like fast. I always say in the current era,

723
00:33:32.920 --> 00:33:35.000
<v Speaker 2>whenever I hear a band doing kind of fast hardcore

724
00:33:35.079 --> 00:33:37.200
<v Speaker 2>parts and even like throwing some blasts and stuff like that,

725
00:33:37.359 --> 00:33:40.559
<v Speaker 2>it always it makes me happy. And uh yeah good.

726
00:33:40.640 --> 00:33:45.039
<v Speaker 2>Seeing as was again a a very unique event of

727
00:33:45.200 --> 00:33:48.000
<v Speaker 2>like one of the biggest like mainstream metal bands in

728
00:33:48.039 --> 00:33:52.880
<v Speaker 2>the world taking over like a traditionally hardcore event, right,

729
00:33:53.599 --> 00:33:55.599
<v Speaker 2>this is a good omen of like, yeah, like the

730
00:33:56.160 --> 00:33:58.599
<v Speaker 2>straight away. The first band on the hardcore side of

731
00:33:58.680 --> 00:34:00.799
<v Speaker 2>that is Preys and still be correct.

732
00:34:01.200 --> 00:34:01.640
<v Speaker 1>Yeah. Yeah.

733
00:34:01.839 --> 00:34:03.039
<v Speaker 2>There was a part when they had like a you know,

734
00:34:03.079 --> 00:34:04.599
<v Speaker 2>a guest singer came out and she grabbed the mic

735
00:34:04.640 --> 00:34:05.920
<v Speaker 2>and did her first and it's like, yeah, this feels

736
00:34:05.920 --> 00:34:07.440
<v Speaker 2>like watching a hardcore show, right, even though I'm at

737
00:34:07.440 --> 00:34:09.320
<v Speaker 2>the big you know, sponsored Bringing with the Horizon day,

738
00:34:09.360 --> 00:34:11.920
<v Speaker 2>it felt it felt right after that was from the

739
00:34:11.920 --> 00:34:13.880
<v Speaker 2>main stage, because they did it. Turned out I thought

740
00:34:13.920 --> 00:34:15.039
<v Speaker 2>it was gonna just be like sort of an all

741
00:34:15.119 --> 00:34:17.320
<v Speaker 2>day or affair on the one stage starting at like

742
00:34:17.360 --> 00:34:19.559
<v Speaker 2>you know, one o'clock or something like that. It started

743
00:34:19.639 --> 00:34:21.800
<v Speaker 2>like four, and it did split between two stages, which

744
00:34:22.079 --> 00:34:26.400
<v Speaker 2>I didn't especially mind. You know, the day was shorter

745
00:34:26.480 --> 00:34:30.039
<v Speaker 2>and less hiring for one thing. Yeah, there was a

746
00:34:30.159 --> 00:34:33.599
<v Speaker 2>couple of clashes involved, which again I didn't especially mind

747
00:34:33.679 --> 00:34:35.280
<v Speaker 2>too much. And then the only band I didn't see

748
00:34:35.280 --> 00:34:37.599
<v Speaker 2>any of it was Harriet because they like basically entirely

749
00:34:37.679 --> 00:34:40.880
<v Speaker 2>overlapped with rother To MASSI I saw like a few

750
00:34:40.920 --> 00:34:43.480
<v Speaker 2>songs of Static Dress and then went over to see

751
00:34:43.480 --> 00:34:45.920
<v Speaker 2>the other band who were on during that. But there's

752
00:34:45.920 --> 00:34:47.920
<v Speaker 2>sort of two stage back and forth when outside main

753
00:34:47.960 --> 00:34:49.960
<v Speaker 2>stage opening band was a back called shoving Teeth, who

754
00:34:50.079 --> 00:34:52.639
<v Speaker 2>I did not know. Turns out that's a fairly reasonable

755
00:34:52.639 --> 00:34:56.079
<v Speaker 2>thing to happen because they've only got two songs currently released.

756
00:34:56.159 --> 00:34:57.760
<v Speaker 2>But obviously they did play a full set, so imagine

757
00:34:57.760 --> 00:34:59.519
<v Speaker 2>as a record on the way, and this was more Again,

758
00:34:59.559 --> 00:35:01.119
<v Speaker 2>if you watch Still in Love and he went like, yeah,

759
00:35:01.280 --> 00:35:02.800
<v Speaker 2>they were in a hardcow environment, this feels like watching

760
00:35:02.800 --> 00:35:06.039
<v Speaker 2>a hardcore show showing Teeth was more on the metal

761
00:35:06.079 --> 00:35:08.119
<v Speaker 2>core side of it. But I would still say while

762
00:35:08.280 --> 00:35:10.559
<v Speaker 2>I you know, I liked the music less than Still

763
00:35:10.559 --> 00:35:12.280
<v Speaker 2>in Love because it was kind of, you know, after

764
00:35:12.360 --> 00:35:15.840
<v Speaker 2>the burially heavier end of spirit Box style. You know,

765
00:35:16.719 --> 00:35:19.000
<v Speaker 2>it's a bit of slap base even, but sort of

766
00:35:19.039 --> 00:35:22.280
<v Speaker 2>like you know, gent ish modern metalcore. It was at

767
00:35:22.360 --> 00:35:28.039
<v Speaker 2>least on the more abrasive, you know, more teeth appropriately

768
00:35:28.280 --> 00:35:29.880
<v Speaker 2>sort of end of that. It wasn't like they had

769
00:35:29.960 --> 00:35:31.960
<v Speaker 2>just slapped you know, one of the metalcal bands we

770
00:35:32.000 --> 00:35:33.920
<v Speaker 2>hate on there. It was like, you know, a heavier,

771
00:35:34.039 --> 00:35:37.159
<v Speaker 2>kind of gnarlier modern metical band who still fit in

772
00:35:37.280 --> 00:35:38.920
<v Speaker 2>the flow of the event.

773
00:35:39.800 --> 00:35:41.320
<v Speaker 1>Yeah, I'd say so, I mean, like I think, because

774
00:35:41.320 --> 00:35:43.840
<v Speaker 1>it's actually it's like the project is kind of just

775
00:35:44.039 --> 00:35:45.760
<v Speaker 1>the vocalist. I think it's her sort of project.

776
00:35:45.880 --> 00:35:47.880
<v Speaker 2>Yeah, she is called showing teeth, but then she has

777
00:35:48.199 --> 00:35:48.920
<v Speaker 2>musicians and like.

778
00:35:49.280 --> 00:35:51.559
<v Speaker 1>In fairness she is like I was like, do you

779
00:35:51.639 --> 00:35:54.239
<v Speaker 1>know what, she's a good vocalist, she's got presents, she

780
00:35:54.480 --> 00:35:58.239
<v Speaker 1>is got that heavier vocal tone and musically like none

781
00:35:58.280 --> 00:36:01.400
<v Speaker 1>of the songs really made. But I was kind of like,

782
00:36:02.440 --> 00:36:06.280
<v Speaker 1>I'm with you. It wasn't totally wet synthetic like metalcore

783
00:36:06.440 --> 00:36:08.559
<v Speaker 1>that is like I find skin plong now. I was like,

784
00:36:09.119 --> 00:36:12.880
<v Speaker 1>this is you know, solid Jenny metalcore. There's potential there,

785
00:36:13.039 --> 00:36:15.159
<v Speaker 1>like maybe we've got now when you've kind of got

786
00:36:15.199 --> 00:36:17.280
<v Speaker 1>a bit more identity of your songs. But it was

787
00:36:17.360 --> 00:36:20.000
<v Speaker 1>it didn't like bother me like Eva. I was like,

788
00:36:20.039 --> 00:36:21.960
<v Speaker 1>you know what, fair enough of this is what your

789
00:36:22.079 --> 00:36:25.320
<v Speaker 1>sort of real modern commercial metal representation is. It could

790
00:36:25.320 --> 00:36:26.960
<v Speaker 1>have been a hell of a lot worse, certainly.

791
00:36:27.000 --> 00:36:31.159
<v Speaker 2>Yeah. Fine, Then was a car underwater? Who are a

792
00:36:31.320 --> 00:36:32.880
<v Speaker 2>new Avand I think they have a member of military

793
00:36:32.920 --> 00:36:35.320
<v Speaker 2>gun in there, which feels I know, I guess, you know,

794
00:36:35.480 --> 00:36:36.840
<v Speaker 2>do whatever you want, but it feels like a jump

795
00:36:36.880 --> 00:36:39.559
<v Speaker 2>away from military gun because this is much more full

796
00:36:39.679 --> 00:36:41.639
<v Speaker 2>on like you're wearing and I promised the world T

797
00:36:41.719 --> 00:36:43.920
<v Speaker 2>shirt right now, and it sort of seems to fit

798
00:36:44.000 --> 00:36:45.679
<v Speaker 2>in that kind of style of like this is so

799
00:36:46.079 --> 00:36:50.559
<v Speaker 2>full on MySpace style stuff, not even as heavy as

800
00:36:50.599 --> 00:36:52.039
<v Speaker 2>about it I promised to well, because it's much more

801
00:36:52.199 --> 00:36:55.440
<v Speaker 2>like genuine singing. They have like the two the classic

802
00:36:55.480 --> 00:36:56.920
<v Speaker 2>the two singers. You know, they've got a screamer and

803
00:36:56.960 --> 00:37:00.519
<v Speaker 2>a singer, but like full on, fucking high pitch vocal

804
00:37:00.960 --> 00:37:04.079
<v Speaker 2>two thousand and five MySpace emo, you know what I mean.

805
00:37:04.880 --> 00:37:06.679
<v Speaker 1>Yeah, even when i's a bit of like they used

806
00:37:06.800 --> 00:37:09.079
<v Speaker 1>points like that, is that kind of like that that

807
00:37:09.199 --> 00:37:13.480
<v Speaker 1>sort of melodic but slightly scrappy emo with a touch postagle.

808
00:37:13.639 --> 00:37:16.119
<v Speaker 1>I enjoyed it. I'm they're not my favorite of these

809
00:37:16.199 --> 00:37:18.760
<v Speaker 1>from like seeing revival bands, but at the same time,

810
00:37:19.280 --> 00:37:21.800
<v Speaker 1>I kind of am just kind of down to go

811
00:37:21.960 --> 00:37:23.719
<v Speaker 1>with this sort of thing. I think like they've got

812
00:37:23.800 --> 00:37:26.320
<v Speaker 1>some really well basically go really melodic and sort of

813
00:37:26.360 --> 00:37:28.000
<v Speaker 1>that they're they're some of the things that give them

814
00:37:28.039 --> 00:37:30.639
<v Speaker 1>a bit more n more from the other kind of

815
00:37:30.679 --> 00:37:33.679
<v Speaker 1>like my Space metal Coourse sort of revival stuff. But yeah,

816
00:37:33.679 --> 00:37:36.159
<v Speaker 1>I thought again, if you if you're you're female, there

817
00:37:36.199 --> 00:37:38.679
<v Speaker 1>around throwing back to two thousand and six, bringing along

818
00:37:38.760 --> 00:37:40.840
<v Speaker 1>one of the part of this whole revival movement that's

819
00:37:40.920 --> 00:37:43.039
<v Speaker 1>going on. It makes sense to have one of these.

820
00:37:43.079 --> 00:37:44.639
<v Speaker 1>And then we had I promise sort of outbreak car

821
00:37:44.719 --> 00:37:47.159
<v Speaker 1>under Water from a new one who again getting some attention.

822
00:37:47.679 --> 00:37:48.840
<v Speaker 1>They seem to fit the bill.

823
00:37:49.159 --> 00:37:51.079
<v Speaker 2>Yeah, I agree with that because I think this was

824
00:37:51.119 --> 00:37:53.880
<v Speaker 2>the band who maybe musically I enjoyed least of the

825
00:37:53.960 --> 00:37:54.920
<v Speaker 2>day because.

826
00:37:54.800 --> 00:37:58.719
<v Speaker 1>It shocked me because it's it's yeah pure, it.

827
00:37:58.760 --> 00:38:01.559
<v Speaker 2>Was too wet for me, you ironically, but I thought

828
00:38:01.559 --> 00:38:02.960
<v Speaker 2>the same thing in terms of, even though it's not

829
00:38:02.960 --> 00:38:06.280
<v Speaker 2>an older band, if we are, you know, this is

830
00:38:06.280 --> 00:38:08.719
<v Speaker 2>a love letter of two thousand and six, right the bill,

831
00:38:09.039 --> 00:38:12.039
<v Speaker 2>even though we're primarily we'll lead towards a heavier side

832
00:38:12.079 --> 00:38:13.599
<v Speaker 2>of what that was. And the whole scene thing. It

833
00:38:13.679 --> 00:38:17.280
<v Speaker 2>made sense that such a scene revival type band would play,

834
00:38:17.480 --> 00:38:20.199
<v Speaker 2>you know, this particular thing. So in a way, you know,

835
00:38:20.199 --> 00:38:21.519
<v Speaker 2>I watched a little bit their set and I was like,

836
00:38:21.559 --> 00:38:24.679
<v Speaker 2>you know, what, props to you keeping that you know

837
00:38:24.840 --> 00:38:28.880
<v Speaker 2>that side of the scene alive. Good for you. After that, again,

838
00:38:29.000 --> 00:38:32.599
<v Speaker 2>the clashes started to happen a little bit. Oh no,

839
00:38:32.760 --> 00:38:33.800
<v Speaker 2>it was dying Wish before.

840
00:38:33.679 --> 00:38:36.679
<v Speaker 1>That point, Harriet Dying Wision to Harriett were like right

841
00:38:37.440 --> 00:38:38.199
<v Speaker 1>at the same time.

842
00:38:38.679 --> 00:38:41.039
<v Speaker 2>Yeah, I mixed up, sorry with the running up, but anyway, yea,

843
00:38:41.039 --> 00:38:42.760
<v Speaker 2>So Harriet were playing on the Insoor stage. I didn't

844
00:38:42.760 --> 00:38:44.400
<v Speaker 2>see any of them. They are Harriet, so they'll be

845
00:38:44.400 --> 00:38:45.239
<v Speaker 2>around next week, you know.

846
00:38:45.920 --> 00:38:48.199
<v Speaker 1>Yeah, I'm sure that was my logic as well.

847
00:38:49.559 --> 00:38:51.039
<v Speaker 2>I'm sure that they put on a good set and

848
00:38:51.159 --> 00:38:52.800
<v Speaker 2>you know, prop to them, but that you know that

849
00:38:52.960 --> 00:38:56.119
<v Speaker 2>they're about Dying Wish. I had not actually seen Dying

850
00:38:56.119 --> 00:39:00.079
<v Speaker 2>Wish before because they kept touring with worst bands and

851
00:39:00.199 --> 00:39:01.760
<v Speaker 2>playing the bad festival bills.

852
00:39:03.079 --> 00:39:04.880
<v Speaker 1>They did play with Malevolent. She could have you could

853
00:39:04.880 --> 00:39:07.320
<v Speaker 1>have gone to Manchester Simil with Malevolence last year. Oh

854
00:39:07.400 --> 00:39:09.039
<v Speaker 1>that was on one that was during fucking Damnation though,

855
00:39:09.079 --> 00:39:10.280
<v Speaker 1>wasn't it of course?

856
00:39:10.360 --> 00:39:14.760
<v Speaker 2>Yeah, yeah, so no I couldn't. Actually, so this was

857
00:39:14.760 --> 00:39:16.599
<v Speaker 2>my first time actually seeing Dying Wish and they are

858
00:39:16.760 --> 00:39:19.039
<v Speaker 2>definitely one of my favorites of the last like you know,

859
00:39:19.159 --> 00:39:22.800
<v Speaker 2>five years whatever of newer metalcore bands. So happy to

860
00:39:22.840 --> 00:39:24.519
<v Speaker 2>see them. I know that you obviously are you know,

861
00:39:24.760 --> 00:39:26.920
<v Speaker 2>a bigger Mira of them as well, and I thought

862
00:39:26.920 --> 00:39:29.320
<v Speaker 2>they killed it in terms of coming out and being

863
00:39:29.599 --> 00:39:32.360
<v Speaker 2>you know, living up to maybe having a bit of

864
00:39:32.400 --> 00:39:34.480
<v Speaker 2>a reputation of being one of the nastier bands, even

865
00:39:34.480 --> 00:39:36.519
<v Speaker 2>though they had such a large proponent of melody in

866
00:39:36.599 --> 00:39:38.280
<v Speaker 2>there and that really came across well as well. But

867
00:39:38.480 --> 00:39:41.039
<v Speaker 2>you know, arriving on this Cat Your Blessings day and

868
00:39:41.519 --> 00:39:45.119
<v Speaker 2>Emma was fucking like just grinning with like razor sharp

869
00:39:45.199 --> 00:39:48.360
<v Speaker 2>teeth and high kicking everywhere, ripping into what are some

870
00:39:48.599 --> 00:39:51.960
<v Speaker 2>of the more scathing, you know, metalcore songs to be

871
00:39:52.039 --> 00:39:54.760
<v Speaker 2>released of Like I had had a great time seeing

872
00:39:54.800 --> 00:39:55.599
<v Speaker 2>Dying Wish for the first time.

873
00:39:56.079 --> 00:39:58.079
<v Speaker 1>Yeah, I mean they lead into the sort of the

874
00:39:58.239 --> 00:40:00.559
<v Speaker 1>nastier end of their sound obviously, like the new album

875
00:40:00.599 --> 00:40:03.199
<v Speaker 1>has some of their biggest choruses, but it's also got

876
00:40:03.280 --> 00:40:05.639
<v Speaker 1>some of their like dirtiest, meanest music. But even the

877
00:40:05.679 --> 00:40:07.559
<v Speaker 1>older stuff they did, I think they were like this

878
00:40:07.760 --> 00:40:10.239
<v Speaker 1>is we want people moshing. We are for the moshas

879
00:40:10.639 --> 00:40:13.199
<v Speaker 1>Like on the fraise, everyone's were like be dazzled, cowboy

880
00:40:13.239 --> 00:40:15.679
<v Speaker 1>boots or high kicking in them. I was like, fucking yes, girl,

881
00:40:15.800 --> 00:40:17.920
<v Speaker 1>Like I thought they were brilliant. This is my second

882
00:40:17.960 --> 00:40:21.519
<v Speaker 1>time seeing them, and I think they're just they're so confrontational,

883
00:40:21.559 --> 00:40:24.159
<v Speaker 1>like the rest of the band are constantly berating the

884
00:40:24.239 --> 00:40:28.719
<v Speaker 1>crowd to mosh harder. Emma's sort of like stalking that stage,

885
00:40:29.079 --> 00:40:32.000
<v Speaker 1>owning it and again just being so antagonistic. But then

886
00:40:32.039 --> 00:40:35.639
<v Speaker 1>when those choruses hit, they're so big, and I think

887
00:40:36.360 --> 00:40:38.159
<v Speaker 1>the around which is like the leads on the last

888
00:40:38.159 --> 00:40:42.320
<v Speaker 1>time that so that chorus is huge coming off the

889
00:40:42.360 --> 00:40:45.920
<v Speaker 1>back of just how like nasty and crushing the rest

890
00:40:45.960 --> 00:40:47.280
<v Speaker 1>of the song is. I mean, that's the sort of

891
00:40:47.559 --> 00:40:49.880
<v Speaker 1>that's the thing Dan, which is they are the melodic

892
00:40:49.920 --> 00:40:52.800
<v Speaker 1>bits are bigger and better because everything else is so

893
00:40:52.960 --> 00:40:56.039
<v Speaker 1>much more sort of hateful and nasty and that and

894
00:40:56.079 --> 00:40:57.519
<v Speaker 1>that's why the things can make to so well. I

895
00:40:57.559 --> 00:40:59.480
<v Speaker 1>think that they are of the sort of the modern

896
00:40:59.519 --> 00:41:02.320
<v Speaker 1>Elkle band. They are so clearly one of my favorites.

897
00:41:02.360 --> 00:41:04.559
<v Speaker 1>I thought they crushed it. They you know, came on

898
00:41:05.000 --> 00:41:07.159
<v Speaker 1>half an hour and just sort of bullied the crowd

899
00:41:07.199 --> 00:41:09.840
<v Speaker 1>into moshing harder than anyone else had so far this day,

900
00:41:10.320 --> 00:41:12.119
<v Speaker 1>and then just left and was like, yeah, job done.

901
00:41:12.760 --> 00:41:15.920
<v Speaker 2>Yeah, because they played was it Coward's Feed Coward Bleed?

902
00:41:15.960 --> 00:41:17.679
<v Speaker 2>Whether that song was called from the first album, and

903
00:41:17.800 --> 00:41:20.039
<v Speaker 2>I wish, I wish I had gotten to them around

904
00:41:20.079 --> 00:41:21.760
<v Speaker 2>the first album because like I want to hear like

905
00:41:21.920 --> 00:41:24.000
<v Speaker 2>Innate first, and you know, the title track and some

906
00:41:24.079 --> 00:41:27.960
<v Speaker 2>of the songs I like the same from that first album. This,

907
00:41:28.079 --> 00:41:30.199
<v Speaker 2>I wouldn't necessarily say that it was like my favorite

908
00:41:30.199 --> 00:41:32.360
<v Speaker 2>collection of Dying Whish songs apart from I would definitely

909
00:41:32.440 --> 00:41:35.440
<v Speaker 2>say the sort of standout singles from the latest record,

910
00:41:35.480 --> 00:41:40.840
<v Speaker 2>because we praised the kind of the the sort of darker, meaner, sludgier,

911
00:41:41.039 --> 00:41:43.480
<v Speaker 2>you know, doomia even side of what they're they were

912
00:41:43.519 --> 00:41:45.079
<v Speaker 2>able to turn themselves into in there, and I thought that,

913
00:41:45.159 --> 00:41:47.559
<v Speaker 2>you know, bringing that oppressive energy, and I also thought,

914
00:41:48.239 --> 00:41:50.360
<v Speaker 2>I said, it's my first time seeing them live. On

915
00:41:50.519 --> 00:41:53.440
<v Speaker 2>the singing choruses, Emma was like pitch perfect.

916
00:41:53.559 --> 00:41:55.800
<v Speaker 1>She's like really good, She's like really come along withy

917
00:41:55.800 --> 00:41:56.400
<v Speaker 1>as a vocalist.

918
00:41:56.960 --> 00:41:59.880
<v Speaker 2>Legitimately, the melodies and the delivery of them sounded like

919
00:42:00.000 --> 00:42:02.760
<v Speaker 2>almost exactly like the album, like she was not missing

920
00:42:02.760 --> 00:42:04.079
<v Speaker 2>a beat of it at all, and that is while

921
00:42:04.239 --> 00:42:06.239
<v Speaker 2>still you know, throwing herself into the more you know,

922
00:42:06.320 --> 00:42:10.199
<v Speaker 2>agro hardcore parts off the beat and stuff like that.

923
00:42:10.880 --> 00:42:12.760
<v Speaker 2>And you know, they came out and the first thing

924
00:42:12.800 --> 00:42:14.239
<v Speaker 2>anyone said was, I think with the basis was like,

925
00:42:14.280 --> 00:42:16.039
<v Speaker 2>this show so good, you get it twice on the

926
00:42:16.119 --> 00:42:17.639
<v Speaker 2>second day, and it was like, yeah, it's just they

927
00:42:17.800 --> 00:42:19.920
<v Speaker 2>they brought a really good energy to it. This is

928
00:42:19.960 --> 00:42:21.480
<v Speaker 2>where I was saying that, you know, the classes started

929
00:42:21.519 --> 00:42:23.400
<v Speaker 2>to go back and forth a little bit. So I

930
00:42:23.519 --> 00:42:26.079
<v Speaker 2>saw the first like three songs of Stating Dress because

931
00:42:26.079 --> 00:42:29.519
<v Speaker 2>obviously we spoke about Stating Dress at the main Outbreak

932
00:42:29.639 --> 00:42:31.239
<v Speaker 2>show when they did the secret set and tried to

933
00:42:31.320 --> 00:42:33.199
<v Speaker 2>convince everyone for a few seconds that they were title fight.

934
00:42:33.559 --> 00:42:37.239
<v Speaker 2>This was much more normal obviously. But you know, I'd

935
00:42:37.320 --> 00:42:40.679
<v Speaker 2>enjoyed their set Main Outbreak, and here they came out

936
00:42:40.719 --> 00:42:43.840
<v Speaker 2>and they opened with was It Questioning and Pharmacy Film,

937
00:42:44.119 --> 00:42:46.639
<v Speaker 2>which are two of the better songs from their you know,

938
00:42:46.800 --> 00:42:48.800
<v Speaker 2>very good new album. So I saw those and I

939
00:42:48.880 --> 00:42:51.320
<v Speaker 2>was like, cool, yes, good, And then I imagine I

940
00:42:51.400 --> 00:42:54.159
<v Speaker 2>did what you also did, which is went inside for

941
00:42:55.119 --> 00:42:59.480
<v Speaker 2>the best band on the bill. If we're being honest, yes, yeah,

942
00:43:00.280 --> 00:43:02.039
<v Speaker 2>Rolo Tamasi. And this isn't necessarily say that they put

943
00:43:02.079 --> 00:43:04.320
<v Speaker 2>on a better show anything. I'm just saying that I

944
00:43:04.400 --> 00:43:07.360
<v Speaker 2>think there's an argument that when you look at the scene,

945
00:43:07.800 --> 00:43:11.760
<v Speaker 2>that this show was maybe celebrating, right, So again the

946
00:43:12.320 --> 00:43:17.000
<v Speaker 2>crop of British hardcore and metallic hardcore medical bands who

947
00:43:17.320 --> 00:43:20.920
<v Speaker 2>appeared around the mid noughties with Bringing the Horizon and

948
00:43:21.280 --> 00:43:24.360
<v Speaker 2>Architects and you know, Devil's Soldier Soul and Roller to

949
00:43:24.440 --> 00:43:27.679
<v Speaker 2>Massy and even going through to Berry Tomorrow and While

950
00:43:27.719 --> 00:43:29.039
<v Speaker 2>She Sleeps In. Those bands start to appear in the

951
00:43:29.039 --> 00:43:30.880
<v Speaker 2>early twenty tens and that kind of thing. Yeah, I

952
00:43:30.920 --> 00:43:34.840
<v Speaker 2>think there's an argument that across those twenty years the

953
00:43:34.960 --> 00:43:37.679
<v Speaker 2>best band was Rollo to Massive.

954
00:43:37.400 --> 00:43:41.039
<v Speaker 1>MASSI I think when you look at what that band

955
00:43:41.119 --> 00:43:44.039
<v Speaker 1>had gone on to do the last two albums, how

956
00:43:44.320 --> 00:43:47.320
<v Speaker 1>just like unbelievably and that the way they've sort of

957
00:43:47.760 --> 00:43:51.159
<v Speaker 1>grown and defied genres and something like, they are just

958
00:43:51.280 --> 00:43:54.599
<v Speaker 1>one of the greatest of UK metal bands of the

959
00:43:54.639 --> 00:43:56.360
<v Speaker 1>of the twenty first century without a doubt.

960
00:43:56.840 --> 00:43:59.599
<v Speaker 2>Yeah, And so it really got see him on this bill.

961
00:44:00.079 --> 00:44:02.639
<v Speaker 2>There's a story that James related from the stage where

962
00:44:02.639 --> 00:44:06.639
<v Speaker 2>their first ever show was opening for Bring Me because

963
00:44:06.760 --> 00:44:09.480
<v Speaker 2>they're both originally from Sheffield and the sort of Sheffield area,

964
00:44:09.559 --> 00:44:12.639
<v Speaker 2>so their first ever show it makes you know, it's

965
00:44:12.639 --> 00:44:14.199
<v Speaker 2>so right again for the old head stuck going to

966
00:44:14.239 --> 00:44:16.199
<v Speaker 2>have them together there, even if you know, I think

967
00:44:16.199 --> 00:44:18.760
<v Speaker 2>they're obviously the band who the younger and new were

968
00:44:18.920 --> 00:44:21.199
<v Speaker 2>more kind of you know, radio rock cleaning. Bring Me

969
00:44:21.280 --> 00:44:24.440
<v Speaker 2>fans would have maybe the least connection an interest with

970
00:44:24.519 --> 00:44:27.320
<v Speaker 2>I think it was still right that they appear on

971
00:44:27.480 --> 00:44:29.760
<v Speaker 2>that bill. They also play here a little bit less

972
00:44:29.760 --> 00:44:31.679
<v Speaker 2>than they maybe used to, because I think Eva lives

973
00:44:31.719 --> 00:44:33.719
<v Speaker 2>in America, so there's you know, sort of flying back

974
00:44:33.719 --> 00:44:35.199
<v Speaker 2>and forth and stuff like that. And I think it's

975
00:44:35.199 --> 00:44:37.159
<v Speaker 2>been like sort of three four years, like basically since

976
00:44:37.199 --> 00:44:41.039
<v Speaker 2>the album you know tour they did for the latest record,

977
00:44:42.000 --> 00:44:45.679
<v Speaker 2>since Rollo you know appeared in the UK, and you're

978
00:44:45.679 --> 00:44:48.000
<v Speaker 2>gonna take that chance to go in and see them.

979
00:44:48.199 --> 00:44:51.360
<v Speaker 2>And we were talking a little bit about whether Rolo

980
00:44:51.440 --> 00:44:54.199
<v Speaker 2>would follow suit with Bring Me and go full on

981
00:44:54.320 --> 00:44:57.400
<v Speaker 2>retro with it and bring back the Nintendo core and

982
00:44:57.519 --> 00:45:01.800
<v Speaker 2>do the crazy, you know, wild early wacky mathcore stuff

983
00:45:01.840 --> 00:45:04.039
<v Speaker 2>of their early years and really throw it to two

984
00:45:04.039 --> 00:45:06.079
<v Speaker 2>thousand and six. They didn't do that. Maybe some people

985
00:45:06.119 --> 00:45:09.159
<v Speaker 2>were slightly disappointed by that, but what they did do

986
00:45:09.400 --> 00:45:12.559
<v Speaker 2>is essentially prove why they are, as we have just said,

987
00:45:12.840 --> 00:45:17.800
<v Speaker 2>arguably the still best band of yeah that crop, because

988
00:45:17.840 --> 00:45:20.079
<v Speaker 2>coming out and playing basically all songs from the last

989
00:45:20.079 --> 00:45:21.639
<v Speaker 2>two albums as well as that EP that they put

990
00:45:21.679 --> 00:45:26.320
<v Speaker 2>out that last year just for you know, fifty to

991
00:45:26.519 --> 00:45:28.199
<v Speaker 2>sixty minutes. It did depend on the fucking day. I

992
00:45:28.199 --> 00:45:29.719
<v Speaker 2>don't know if you want extra song compared.

993
00:45:29.440 --> 00:45:32.360
<v Speaker 1>To what we got. Why I cut out on the

994
00:45:32.440 --> 00:45:34.760
<v Speaker 1>last song actually to get a spot for bring Me

995
00:45:34.880 --> 00:45:37.000
<v Speaker 1>because it was like cutting fine and everyone was like

996
00:45:37.119 --> 00:45:37.880
<v Speaker 1>the crowd is shoes.

997
00:45:37.880 --> 00:45:38.960
<v Speaker 2>I had to find my mate, so I did so.

998
00:45:39.039 --> 00:45:42.199
<v Speaker 2>I probably saw you look at the set list, it

999
00:45:42.239 --> 00:45:44.639
<v Speaker 2>does look like we've got the same thing. But essentially,

1000
00:45:45.239 --> 00:45:48.320
<v Speaker 2>like I said, the last ten years of Rollo inside

1001
00:45:48.360 --> 00:45:52.159
<v Speaker 2>an hour, fucking treat Yes, brilliant, always, always.

1002
00:45:52.960 --> 00:45:56.400
<v Speaker 1>Unbelievable band like that. They they were slightly misfortunate of

1003
00:45:56.559 --> 00:45:59.119
<v Speaker 1>like I mean again, because they haven't translated to the

1004
00:45:59.199 --> 00:46:02.559
<v Speaker 1>younger fans. They are the cult band on the lineup.

1005
00:46:03.000 --> 00:46:05.280
<v Speaker 1>They did pull by far the smallest crowd on that day.

1006
00:46:05.800 --> 00:46:08.079
<v Speaker 2>It was really funny though, looking around and seeing a

1007
00:46:08.400 --> 00:46:11.079
<v Speaker 2>all the slightly older people on site, like everyone who's

1008
00:46:11.400 --> 00:46:15.760
<v Speaker 2>grown a beard appearing, but also all the people in

1009
00:46:15.800 --> 00:46:18.000
<v Speaker 2>the coolest shirts, Like if you looked around and anyone

1010
00:46:18.039 --> 00:46:19.480
<v Speaker 2>who was like who was wearing a black netull shirt

1011
00:46:19.519 --> 00:46:21.360
<v Speaker 2>or like a post rock shirt or something like that

1012
00:46:21.639 --> 00:46:23.559
<v Speaker 2>they were all the people who made the way to

1013
00:46:23.599 --> 00:46:27.000
<v Speaker 2>see I was like, ah, yes, the Damnation attendees that.

1014
00:46:27.079 --> 00:46:33.400
<v Speaker 1>The we're the people who have accumulated. Yeah, no, absolutely,

1015
00:46:34.559 --> 00:46:37.719
<v Speaker 1>And I was like I was like, you know what whatever,

1016
00:46:38.079 --> 00:46:41.599
<v Speaker 1>because they were fucking majestic, Like the sort of the

1017
00:46:41.679 --> 00:46:43.400
<v Speaker 1>screen behind them were like the images and the way

1018
00:46:43.440 --> 00:46:45.639
<v Speaker 1>it kind of silhouetted the band so at times when

1019
00:46:45.719 --> 00:46:48.039
<v Speaker 1>it was like just dancing as like a shadow across

1020
00:46:48.079 --> 00:46:53.039
<v Speaker 1>the stage looked amazing, sounded amazing. Aftermath, when they go

1021
00:46:53.119 --> 00:46:55.239
<v Speaker 1>full on dream pop is like that is one of

1022
00:46:55.280 --> 00:46:57.719
<v Speaker 1>my favorite my songs. I mean, he's just absolutely beautiful.

1023
00:46:58.320 --> 00:47:01.280
<v Speaker 1>But when they go heavy, just wind of like just

1024
00:47:01.360 --> 00:47:02.800
<v Speaker 1>how much they cross and even when they're doing somethings

1025
00:47:02.840 --> 00:47:04.679
<v Speaker 1>that have you know on some of those where they

1026
00:47:04.679 --> 00:47:06.880
<v Speaker 1>have somethings that had that almost like some more gent riffing.

1027
00:47:06.960 --> 00:47:10.000
<v Speaker 1>At times they just sound so much more explosive and

1028
00:47:10.079 --> 00:47:12.840
<v Speaker 1>exciting coming from a bad like relad to MASSI You're

1029
00:47:12.840 --> 00:47:14.559
<v Speaker 1>watching them on the stage and like when James and

1030
00:47:14.920 --> 00:47:16.639
<v Speaker 1>up but then he's like flying on the seas like

1031
00:47:16.719 --> 00:47:20.320
<v Speaker 1>they're just so exciting to watch. It was like a

1032
00:47:20.519 --> 00:47:24.239
<v Speaker 1>genuine kind of just like awe, inspiring, Like, yeah, we

1033
00:47:24.280 --> 00:47:26.639
<v Speaker 1>should get Dad to massive around more. But when we

1034
00:47:26.719 --> 00:47:29.440
<v Speaker 1>do get him, it is an absolute trait because they are,

1035
00:47:29.599 --> 00:47:30.679
<v Speaker 1>like I say, just majestic.

1036
00:47:31.320 --> 00:47:33.480
<v Speaker 2>Yeah, I mean I love just seeing you know, the

1037
00:47:33.559 --> 00:47:36.400
<v Speaker 2>two siblings, right Eva and James and James you're playing keyboard.

1038
00:47:36.400 --> 00:47:37.519
<v Speaker 2>But then there are the songs, but he'll come out

1039
00:47:37.519 --> 00:47:40.199
<v Speaker 2>to the front and still those are the moments where

1040
00:47:40.199 --> 00:47:42.519
<v Speaker 2>he's so good. Yeah, but I mean it's the same

1041
00:47:42.719 --> 00:47:45.719
<v Speaker 2>we were when we did the album Club on Hysterics.

1042
00:47:45.760 --> 00:47:48.119
<v Speaker 2>We were talking about like some of those early, really

1043
00:47:48.199 --> 00:47:50.519
<v Speaker 2>early videos of like Teenage World to MASSI that still

1044
00:47:50.639 --> 00:47:52.719
<v Speaker 2>kind of circle around the Internet, and it's this like

1045
00:47:52.880 --> 00:47:55.760
<v Speaker 2>assault of you know, particularly these two siblings on either

1046
00:47:55.840 --> 00:47:59.039
<v Speaker 2>side going fucking at it and then watching on stage

1047
00:47:59.280 --> 00:48:02.639
<v Speaker 2>those same two people, their older, wiser, right, but you know,

1048
00:48:02.880 --> 00:48:05.599
<v Speaker 2>the just the the innate connection that they have obviously

1049
00:48:05.639 --> 00:48:07.920
<v Speaker 2>as siblings, and seeing them still up there fucking crushing

1050
00:48:07.960 --> 00:48:10.480
<v Speaker 2>it together, like it's really it filled me with warmth,

1051
00:48:10.599 --> 00:48:12.760
<v Speaker 2>you know, like it's it's lovely and it's inspiring. There

1052
00:48:12.800 --> 00:48:14.920
<v Speaker 2>was even a brilliant bit where because on the Saturday

1053
00:48:15.639 --> 00:48:17.480
<v Speaker 2>it was a little bit painful to talk about it

1054
00:48:17.559 --> 00:48:20.400
<v Speaker 2>right now, but on the Saturday. It was right before

1055
00:48:20.440 --> 00:48:24.159
<v Speaker 2>the previous England game against I can't forget who it

1056
00:48:24.159 --> 00:48:26.440
<v Speaker 2>was now who we last played, but there you go.

1057
00:48:26.960 --> 00:48:29.000
<v Speaker 2>And at the very very end, Eva just went and

1058
00:48:29.119 --> 00:48:32.440
<v Speaker 2>come on England and James was wearing an England shirt.

1059
00:48:32.440 --> 00:48:33.480
<v Speaker 2>And I don't know if it's just a thing that

1060
00:48:33.519 --> 00:48:35.000
<v Speaker 2>either that was out of character fa or something, but

1061
00:48:35.000 --> 00:48:36.679
<v Speaker 2>there was this brilliant moment where James and her after

1062
00:48:36.719 --> 00:48:38.079
<v Speaker 2>said that sort of locked eyes and he just like

1063
00:48:38.239 --> 00:48:41.159
<v Speaker 2>laughed at it. Was like, I don't know, against sort

1064
00:48:41.159 --> 00:48:43.239
<v Speaker 2>of out of style moment, but it's just the spirit

1065
00:48:43.360 --> 00:48:45.079
<v Speaker 2>was real, really there for it. And I will say,

1066
00:48:45.400 --> 00:48:48.599
<v Speaker 2>obviously all the heavy stuff so fucking intense aftermath totally agreed.

1067
00:48:48.840 --> 00:48:50.440
<v Speaker 2>Like the biggest sing along of the day at least

1068
00:48:50.440 --> 00:48:53.159
<v Speaker 2>from my lungs was that but a flood of Light

1069
00:48:53.239 --> 00:48:57.119
<v Speaker 2>in the middle. I actually like it. It got me

1070
00:48:57.320 --> 00:48:59.840
<v Speaker 2>like it, like I started welling, you know, like it

1071
00:49:00.079 --> 00:49:02.840
<v Speaker 2>just the magical song, the beauty of that, the synth.

1072
00:49:02.920 --> 00:49:04.880
<v Speaker 2>I just thought on this day at least, particularly that

1073
00:49:05.039 --> 00:49:09.159
<v Speaker 2>song was just fucking stunning. And yeah, I mean the

1074
00:49:09.559 --> 00:49:13.480
<v Speaker 2>elder contingent maybe got a really you know, great valued

1075
00:49:13.559 --> 00:49:16.559
<v Speaker 2>Rotherati MASSI show, but really obviously this was all about

1076
00:49:16.599 --> 00:49:19.719
<v Speaker 2>one particular event. Before we talk about the bring the set,

1077
00:49:20.039 --> 00:49:21.880
<v Speaker 2>let us talk a little bit. Obviously, we're not gonna

1078
00:49:21.880 --> 00:49:24.519
<v Speaker 2>do a full extensive album review because it's it's songs

1079
00:49:24.519 --> 00:49:26.880
<v Speaker 2>that we mostly already know. You can go, as I

1080
00:49:26.920 --> 00:49:29.199
<v Speaker 2>said here our album Club that we just released a

1081
00:49:29.239 --> 00:49:33.280
<v Speaker 2>little while ago on the Patreon talking about the original

1082
00:49:33.400 --> 00:49:36.159
<v Speaker 2>Count Your Blessings album and its history and our relationship

1083
00:49:36.239 --> 00:49:39.760
<v Speaker 2>with it or whatever very abridge versions that both of

1084
00:49:39.880 --> 00:49:42.360
<v Speaker 2>us are to something Scent or another long time Count

1085
00:49:42.360 --> 00:49:45.840
<v Speaker 2>Your Blessings appreciators, right, and yes, there was something so

1086
00:49:46.000 --> 00:49:48.039
<v Speaker 2>magical about this day in terms of thinking about that,

1087
00:49:48.039 --> 00:49:49.840
<v Speaker 2>I don't know, like ten years ago, there have been

1088
00:49:49.920 --> 00:49:51.840
<v Speaker 2>points where I've like, you know, gone to bat for

1089
00:49:51.880 --> 00:49:53.559
<v Speaker 2>Count Your Blessings and people have looked at me like

1090
00:49:53.639 --> 00:49:56.000
<v Speaker 2>what the fuck are you talking about? You absolute like

1091
00:49:56.679 --> 00:50:00.760
<v Speaker 2>you you simple minded for and then be like, look

1092
00:50:00.840 --> 00:50:04.960
<v Speaker 2>hout far we've come. Everyone's everyone's caught up. That was

1093
00:50:05.000 --> 00:50:07.760
<v Speaker 2>a really like, you know, a special tone to the

1094
00:50:07.880 --> 00:50:10.920
<v Speaker 2>day as well. So we're both fans of the record,

1095
00:50:11.320 --> 00:50:14.280
<v Speaker 2>the re recorded Repented version, and we were spaking about

1096
00:50:14.280 --> 00:50:17.239
<v Speaker 2>how fucking just weird and surreal it is that bring

1097
00:50:17.360 --> 00:50:20.559
<v Speaker 2>me would go back to, you know, bring that record

1098
00:50:20.880 --> 00:50:25.679
<v Speaker 2>of all of them the most like sloppy, violent, tinged

1099
00:50:25.760 --> 00:50:30.599
<v Speaker 2>with youthful, at times certainly problematic naivety up to you know,

1100
00:50:31.280 --> 00:50:32.760
<v Speaker 2>the modern day and what the fuck does that even

1101
00:50:32.800 --> 00:50:35.199
<v Speaker 2>sound like? I suppose we can talk a little bit

1102
00:50:35.239 --> 00:50:38.559
<v Speaker 2>again about what what it sounds like. The the re

1103
00:50:38.719 --> 00:50:41.719
<v Speaker 2>recorded version, I would say, for the most part, is

1104
00:50:43.280 --> 00:50:47.960
<v Speaker 2>fairly tasteful in the sense that they haven't like meddled

1105
00:50:48.199 --> 00:50:50.480
<v Speaker 2>too much. We were wondering, for example, whether you know

1106
00:50:50.559 --> 00:50:52.000
<v Speaker 2>certain lyrics and stuff like that, and there is an

1107
00:50:52.079 --> 00:50:54.960
<v Speaker 2>argument maybe that certain things should be changed. They have

1108
00:50:55.159 --> 00:50:57.280
<v Speaker 2>gone down the route of like, you know, this is

1109
00:50:57.320 --> 00:50:59.920
<v Speaker 2>a reflection of who we were when we were ninety

1110
00:51:00.239 --> 00:51:03.320
<v Speaker 2>we don't want to know again, sort of tamper too

1111
00:51:03.400 --> 00:51:05.719
<v Speaker 2>heavily with you know, what that piece of art was

1112
00:51:05.800 --> 00:51:07.719
<v Speaker 2>at that time. Root of things, which again you can

1113
00:51:08.039 --> 00:51:11.599
<v Speaker 2>debate the merits of that either either way. But this

1114
00:51:11.760 --> 00:51:15.679
<v Speaker 2>rerecording I will not be going back to it over

1115
00:51:15.719 --> 00:51:17.679
<v Speaker 2>the original country blessings, I can say that much. I

1116
00:51:17.840 --> 00:51:21.960
<v Speaker 2>predicted that much straight away, because it's exceedingly rare that

1117
00:51:22.039 --> 00:51:24.239
<v Speaker 2>we feel that way, and that is particularly true when

1118
00:51:24.239 --> 00:51:27.960
<v Speaker 2>we are people maybe who value a more kind of

1119
00:51:28.119 --> 00:51:31.079
<v Speaker 2>raw live wire recording sound compared to there are several

1120
00:51:31.119 --> 00:51:33.039
<v Speaker 2>people out there who maybe want their records to be more,

1121
00:51:33.159 --> 00:51:36.039
<v Speaker 2>you know, up to the standards of kind of contemporary

1122
00:51:36.280 --> 00:51:39.760
<v Speaker 2>mechanical polish and stuff like that. So do I think

1123
00:51:39.800 --> 00:51:42.599
<v Speaker 2>this rerecording is better than the original count Your Blessings

1124
00:51:42.639 --> 00:51:44.679
<v Speaker 2>that I have loved for you know, many many years. No,

1125
00:51:44.840 --> 00:51:47.199
<v Speaker 2>I don't absolutely no chance, but I will say it

1126
00:51:47.440 --> 00:51:51.880
<v Speaker 2>is again. They haven't like, it's not a completely unrecognizable record.

1127
00:51:52.000 --> 00:51:54.480
<v Speaker 2>They have essentially just tweaked it to be like, Okay,

1128
00:51:54.559 --> 00:51:56.960
<v Speaker 2>if you are someone who does prefer these twenty twenty standards,

1129
00:51:57.719 --> 00:51:58.159
<v Speaker 2>there you go.

1130
00:51:59.039 --> 00:52:02.880
<v Speaker 1>Yeah. I my first listen was more negative than I

1131
00:52:02.880 --> 00:52:04.519
<v Speaker 1>and is she expected it to be because I was

1132
00:52:04.559 --> 00:52:07.239
<v Speaker 1>just I was like, oh no, I didn't like the

1133
00:52:07.320 --> 00:52:11.480
<v Speaker 1>sort of the more mechanized, compressed sound the bit on

1134
00:52:11.599 --> 00:52:14.119
<v Speaker 1>my first listen. And I wonder if you have had

1135
00:52:14.159 --> 00:52:17.280
<v Speaker 1>the same kind of like reaction or don't don't.

1136
00:52:17.079 --> 00:52:20.519
<v Speaker 2>Don't don't say it because I want to predict. Was

1137
00:52:20.559 --> 00:52:24.159
<v Speaker 2>it the double bass kind of last charge at the

1138
00:52:24.280 --> 00:52:25.360
<v Speaker 2>very end of Pray for Plagues?

1139
00:52:25.440 --> 00:52:31.159
<v Speaker 1>Yes, when we talk about drums like on my first

1140
00:52:31.199 --> 00:52:35.159
<v Speaker 1>and I was like, oh, no, you you when you

1141
00:52:35.280 --> 00:52:37.440
<v Speaker 1>put it throws back to when you pointed that out

1142
00:52:37.519 --> 00:52:38.880
<v Speaker 1>on the Harriot album.

1143
00:52:40.119 --> 00:52:42.519
<v Speaker 2>And I heard and I was like, I all right

1144
00:52:42.639 --> 00:52:46.239
<v Speaker 2>that We'll tell you. You know who who is creditors

1145
00:52:46.280 --> 00:52:48.360
<v Speaker 2>producing this record. It's the guy who does the Orbit

1146
00:52:48.400 --> 00:52:51.880
<v Speaker 2>Culture albums, and they have been arguably the number one

1147
00:52:51.920 --> 00:52:53.440
<v Speaker 2>offender of what I would be talking about. So it

1148
00:52:53.480 --> 00:52:57.360
<v Speaker 2>doesn't surprise me at all that that like overpowering, fucking

1149
00:52:57.400 --> 00:53:01.599
<v Speaker 2>attack helicopter double bass can sound pops up on this

1150
00:53:02.320 --> 00:53:04.920
<v Speaker 2>And again the very fight the last like you know,

1151
00:53:05.360 --> 00:53:07.639
<v Speaker 2>outro of Pray for Plagues was the moment where I

1152
00:53:07.719 --> 00:53:09.239
<v Speaker 2>did go oh a little bit and then you get

1153
00:53:10.920 --> 00:53:15.079
<v Speaker 2>which still seems to be so fucking loud, comes in

1154
00:53:15.280 --> 00:53:18.079
<v Speaker 2>at the end of that. But I while there are

1155
00:53:18.119 --> 00:53:20.599
<v Speaker 2>moments like that, I don't think it was awful. And

1156
00:53:20.639 --> 00:53:22.840
<v Speaker 2>it's to the point where if this record came out,

1157
00:53:22.920 --> 00:53:24.159
<v Speaker 2>you know, it was a brand new record and it

1158
00:53:24.239 --> 00:53:26.559
<v Speaker 2>was by let's say, like a Psycho frame or something

1159
00:53:26.679 --> 00:53:28.280
<v Speaker 2>like that, I think I'll be quite wowed by it

1160
00:53:28.320 --> 00:53:31.800
<v Speaker 2>because fundamentally is still there are you know, loads of

1161
00:53:31.880 --> 00:53:34.760
<v Speaker 2>riffs and moments and even though dare I say, songs

1162
00:53:35.239 --> 00:53:38.639
<v Speaker 2>on this that that I really really like, so and

1163
00:53:38.840 --> 00:53:41.519
<v Speaker 2>you know, while comparing these two records side by side,

1164
00:53:41.639 --> 00:53:43.079
<v Speaker 2>I do much for a further standard, the original one.

1165
00:53:43.119 --> 00:53:44.239
<v Speaker 2>That's the one that I will listen to, you know,

1166
00:53:44.679 --> 00:53:47.639
<v Speaker 2>from now on again. If someone presented me this record,

1167
00:53:47.679 --> 00:53:48.960
<v Speaker 2>he goes, here's a new death Cord band, I would

1168
00:53:48.960 --> 00:53:49.840
<v Speaker 2>be like, oh, fucking hey, this is one of the

1169
00:53:49.840 --> 00:53:51.320
<v Speaker 2>best ones I've heard in ages. So in that sense,

1170
00:53:51.519 --> 00:53:52.000
<v Speaker 2>still got.

1171
00:53:51.960 --> 00:53:54.519
<v Speaker 1>It that that's my things. Actually this says has something

1172
00:53:54.559 --> 00:53:58.480
<v Speaker 1>to me that there are songs on on count there

1173
00:53:58.559 --> 00:54:02.800
<v Speaker 1>is more than just pray for plays. Definitely that like

1174
00:54:03.599 --> 00:54:06.000
<v Speaker 1>like it's got it. The tracks are there and the

1175
00:54:06.079 --> 00:54:08.320
<v Speaker 1>things that kick drom is only really a problem for

1176
00:54:08.400 --> 00:54:11.880
<v Speaker 1>me on that final Prey for Plagues breakdown because it's

1177
00:54:11.960 --> 00:54:13.719
<v Speaker 1>so knocked up on and it's still the Elks record,

1178
00:54:13.719 --> 00:54:16.280
<v Speaker 1>but it feels a bit more kind of like less overwhelming.

1179
00:54:16.360 --> 00:54:19.239
<v Speaker 1>But I was like, these songs, these songs are there,

1180
00:54:19.280 --> 00:54:21.599
<v Speaker 1>And my thing with this is I'm like, I'm not

1181
00:54:21.639 --> 00:54:24.360
<v Speaker 1>gonna listen because I'm like, I want this Deaf Court

1182
00:54:24.519 --> 00:54:28.920
<v Speaker 1>to sound nasty and sort of bloody and and and

1183
00:54:29.599 --> 00:54:32.760
<v Speaker 1>be more can like raises sort of like the mech

1184
00:54:32.800 --> 00:54:34.119
<v Speaker 1>and I sound just doesn't do it for me as

1185
00:54:34.199 --> 00:54:37.679
<v Speaker 1>much anymore. But if this is what it takes to

1186
00:54:37.800 --> 00:54:42.239
<v Speaker 1>get people to recognize that actually calling your blessings isn't

1187
00:54:42.320 --> 00:54:48.239
<v Speaker 1>this horrid, laughable, amateurish like embarrassment of a record, I

1188
00:54:48.320 --> 00:54:50.199
<v Speaker 1>will see this re recording as a sort of necessary

1189
00:54:50.199 --> 00:54:52.119
<v Speaker 1>step to that. I don't think it's better. I don't

1190
00:54:52.119 --> 00:54:55.480
<v Speaker 1>think these songs benefit from a more modern production, but

1191
00:54:55.559 --> 00:54:57.519
<v Speaker 1>I do understand that some people are probably gonna be

1192
00:54:57.679 --> 00:55:00.960
<v Speaker 1>turned off by that original album's production, and if they

1193
00:55:01.000 --> 00:55:02.360
<v Speaker 1>have this one that is just a bit more look

1194
00:55:02.400 --> 00:55:04.239
<v Speaker 1>into what they're used to hearing now in their sort

1195
00:55:04.239 --> 00:55:08.119
<v Speaker 1>of death coren metalcore and can bring me fair enough.

1196
00:55:08.199 --> 00:55:10.159
<v Speaker 1>If that's what it's going to take, I will accept

1197
00:55:10.719 --> 00:55:14.119
<v Speaker 1>this recordings existence. It hasn't like erased the original. I

1198
00:55:14.199 --> 00:55:15.920
<v Speaker 1>still have my vinyl copy of the original that I

1199
00:55:15.960 --> 00:55:19.960
<v Speaker 1>will spin like. I will accept. The two can sort

1200
00:55:19.960 --> 00:55:21.679
<v Speaker 1>of said, I'm going to reach it. If I'm going

1201
00:55:21.760 --> 00:55:24.079
<v Speaker 1>to go for it, I'm reaching for the original. Particularly again,

1202
00:55:24.119 --> 00:55:25.920
<v Speaker 1>while I think like praised Blags, it just it does

1203
00:55:26.119 --> 00:55:28.400
<v Speaker 1>just sound better if it's got a sort of more

1204
00:55:28.480 --> 00:55:29.760
<v Speaker 1>like blood soaked tone.

1205
00:55:30.400 --> 00:55:33.800
<v Speaker 2>But those like sinewy League guitars, particularly those like spindly

1206
00:55:33.880 --> 00:55:35.719
<v Speaker 2>leagues that Le Malley are doing all over that record,

1207
00:55:36.159 --> 00:55:39.199
<v Speaker 2>the sweet picky and stuff. They're They're meant to sound

1208
00:55:39.280 --> 00:55:41.079
<v Speaker 2>that old way, you know, They're not meant to be

1209
00:55:41.280 --> 00:55:44.159
<v Speaker 2>part of this fucking, you know, blown out turbo charge thing.

1210
00:55:44.199 --> 00:55:47.119
<v Speaker 2>I think to a degree, I still think this is

1211
00:55:47.199 --> 00:55:49.639
<v Speaker 2>a I don't know, a slightly more bewildering product to exist,

1212
00:55:49.679 --> 00:55:51.679
<v Speaker 2>and I do think it's a necessary upgrade because part

1213
00:55:51.719 --> 00:55:54.199
<v Speaker 2>of me is like, do you guys like Naughty's Death

1214
00:55:54.239 --> 00:55:56.159
<v Speaker 2>Corps or not? Like everyone seems to want to throw

1215
00:55:56.239 --> 00:55:58.400
<v Speaker 2>back to that era and that aesthetic and stuff like that,

1216
00:55:58.519 --> 00:56:01.079
<v Speaker 2>but then they might not actually like how it sounds

1217
00:56:01.119 --> 00:56:03.280
<v Speaker 2>like it's a are you in? Or you are you not?

1218
00:56:03.360 --> 00:56:06.559
<v Speaker 2>You know, I know I'm in like that originally, you know.

1219
00:56:07.199 --> 00:56:08.280
<v Speaker 1>And Cat Blessings.

1220
00:56:08.320 --> 00:56:10.039
<v Speaker 2>I've never even bought the idea that the Calcabiss has

1221
00:56:10.119 --> 00:56:13.360
<v Speaker 2>bad production, Like it's these guys would never fucking handle

1222
00:56:13.400 --> 00:56:15.599
<v Speaker 2>a day with morbid visions, you know. I mean, like

1223
00:56:16.320 --> 00:56:19.280
<v Speaker 2>everything is perfectly clear on that record, like you are

1224
00:56:19.440 --> 00:56:22.280
<v Speaker 2>just weak, but you know, and it suits what it is,

1225
00:56:22.400 --> 00:56:24.920
<v Speaker 2>and it's imperfections are things that you know, mark it

1226
00:56:25.000 --> 00:56:26.719
<v Speaker 2>out as being from part of the time. And the

1227
00:56:27.079 --> 00:56:28.840
<v Speaker 2>spirit that it was it was made in. And again

1228
00:56:28.880 --> 00:56:30.360
<v Speaker 2>we go in at length on this on the album

1229
00:56:30.360 --> 00:56:31.840
<v Speaker 2>club that we did, and I do think it's a

1230
00:56:32.280 --> 00:56:35.719
<v Speaker 2>it's a violent kids and an abattoir record that they

1231
00:56:35.760 --> 00:56:38.320
<v Speaker 2>have now sort of sterilized what was once caked in gore.

1232
00:56:38.639 --> 00:56:40.519
<v Speaker 2>But like I said, if you were to present me

1233
00:56:40.599 --> 00:56:42.760
<v Speaker 2>this album and be like, do you think this is

1234
00:56:42.800 --> 00:56:46.119
<v Speaker 2>a good much better than Abreuge twenty twenty six death

1235
00:56:46.159 --> 00:56:50.360
<v Speaker 2>core album, it will agree that he heartily. Fuck yeah.

1236
00:56:51.000 --> 00:56:52.559
<v Speaker 2>I mean, even the idea of them getting back in

1237
00:56:52.639 --> 00:56:55.159
<v Speaker 2>the studio to do the will bit in off the

1238
00:56:55.199 --> 00:56:57.400
<v Speaker 2>hes A is like genuinely funny, the idea that they

1239
00:56:57.440 --> 00:56:59.679
<v Speaker 2>had to go back and track that again twenty years later.

1240
00:56:59.800 --> 00:57:02.440
<v Speaker 2>But I think, you know, in a way, it almost

1241
00:57:02.440 --> 00:57:06.280
<v Speaker 2>illustrates the difference between like modern death core revival stuff

1242
00:57:06.360 --> 00:57:08.239
<v Speaker 2>and the original stuff, because again you get these bands

1243
00:57:08.239 --> 00:57:09.519
<v Speaker 2>who come through and they want thing to be like

1244
00:57:09.559 --> 00:57:12.440
<v Speaker 2>these Northeast bands, But you know, it sounds more like

1245
00:57:12.599 --> 00:57:15.000
<v Speaker 2>this than it does the original you know, the real

1246
00:57:15.079 --> 00:57:17.639
<v Speaker 2>deal stuff, you know what I mean. So again I

1247
00:57:17.760 --> 00:57:22.199
<v Speaker 2>don't think that this enterprise of rerecording this record for me,

1248
00:57:22.519 --> 00:57:25.800
<v Speaker 2>you know, not necessary, but this would definitely carry into

1249
00:57:25.840 --> 00:57:28.599
<v Speaker 2>the show as well. Ollie sounds great on it, and

1250
00:57:28.679 --> 00:57:30.559
<v Speaker 2>we were talking about, you know, the idea of him

1251
00:57:30.719 --> 00:57:34.280
<v Speaker 2>as someone who hasn't specialized in these type vocals for

1252
00:57:34.320 --> 00:57:37.119
<v Speaker 2>a long long time, having to you know, relearn the

1253
00:57:37.159 --> 00:57:40.280
<v Speaker 2>process and all of that stuff. On the actual record,

1254
00:57:40.800 --> 00:57:43.639
<v Speaker 2>going back to the gut rules and the high screens

1255
00:57:43.639 --> 00:57:44.840
<v Speaker 2>and stuff like that. It doesn't exactly sound like it

1256
00:57:44.840 --> 00:57:47.719
<v Speaker 2>did in two thousand and six, obviously, but Ollie in

1257
00:57:47.840 --> 00:57:50.320
<v Speaker 2>his current form sounds really, really fucking good. And I

1258
00:57:50.320 --> 00:57:52.960
<v Speaker 2>will say, if there's one thing about this new record

1259
00:57:53.159 --> 00:57:54.960
<v Speaker 2>that does like if it had just been the initial

1260
00:57:55.079 --> 00:57:57.440
<v Speaker 2>you know, Count your Blessings re recorded, I'll go asel waste.

1261
00:57:57.440 --> 00:58:01.400
<v Speaker 2>I'm never gonna remember that even exists. Turns out there

1262
00:58:01.480 --> 00:58:03.360
<v Speaker 2>was a new song on the end of it. And

1263
00:58:03.440 --> 00:58:05.280
<v Speaker 2>when they initially announced their cantylessing thing, and it was

1264
00:58:05.280 --> 00:58:07.039
<v Speaker 2>like a blurred out final track. Some people were like, oh,

1265
00:58:07.079 --> 00:58:08.920
<v Speaker 2>you know, will it be like, for example, the cover

1266
00:58:09.000 --> 00:58:10.800
<v Speaker 2>of Eyelists, Yeah, they did around the time of the

1267
00:58:10.840 --> 00:58:13.079
<v Speaker 2>original things. Turns out they had hidden it and blurred

1268
00:58:13.119 --> 00:58:16.760
<v Speaker 2>out because it was a brand new song added onto this,

1269
00:58:17.239 --> 00:58:21.599
<v Speaker 2>a song that's called Dehumanized, and yes, essentially it is

1270
00:58:21.679 --> 00:58:25.519
<v Speaker 2>twenty twenty six bring Me the Horizon, as they sound

1271
00:58:25.599 --> 00:58:29.960
<v Speaker 2>on the re recorded version of Cant Your Blessings, writing

1272
00:58:30.000 --> 00:58:34.320
<v Speaker 2>a song in that style, which does make it the heaviest,

1273
00:58:34.760 --> 00:58:39.280
<v Speaker 2>most brutal Bring Me the Horizon song in fucking well

1274
00:58:39.360 --> 00:58:42.119
<v Speaker 2>over fifteen years, if not twenty, you know what I mean,

1275
00:58:42.199 --> 00:58:43.519
<v Speaker 2>Like when they've done you know, we spoke about some

1276
00:58:43.519 --> 00:58:44.880
<v Speaker 2>songs like Deer Diary or everyone it's like, oh, bring

1277
00:58:44.960 --> 00:58:49.320
<v Speaker 2>the heavy again. No, no, this is actually like them

1278
00:58:50.800 --> 00:58:54.320
<v Speaker 2>genuinely in some sense at least returning to, you know,

1279
00:58:54.519 --> 00:59:01.000
<v Speaker 2>being a legitimately brutal heavy band. And yeah, this comes

1280
00:59:01.039 --> 00:59:03.079
<v Speaker 2>with a certain element of trade off in terms of

1281
00:59:03.159 --> 00:59:04.920
<v Speaker 2>it is you know, recorded and produced in the style

1282
00:59:04.960 --> 00:59:06.280
<v Speaker 2>that the rest of the album is produced with what

1283
00:59:06.320 --> 00:59:08.960
<v Speaker 2>we've just kind of said about it, But I think

1284
00:59:09.039 --> 00:59:12.440
<v Speaker 2>this song is a bit of a fucking rager, and

1285
00:59:13.000 --> 00:59:16.119
<v Speaker 2>I you know, I gave it the cursory couple of listens.

1286
00:59:16.119 --> 00:59:17.559
<v Speaker 2>I watched the music there, which is fucking cool as

1287
00:59:17.559 --> 00:59:20.320
<v Speaker 2>fuck as well when it first came out, and I thought, oh, yeah, no,

1288
00:59:20.400 --> 00:59:23.639
<v Speaker 2>that that's pretty decent. And then obviously we've now seen

1289
00:59:23.679 --> 00:59:25.920
<v Speaker 2>it live and listened to the rerecorded record more and

1290
00:59:26.000 --> 00:59:28.960
<v Speaker 2>going back to this song. These might be big words.

1291
00:59:29.000 --> 00:59:30.400
<v Speaker 2>I don't know. I think this is my favorite bring

1292
00:59:30.519 --> 00:59:35.559
<v Speaker 2>me song in something like a decade like this, I

1293
00:59:35.719 --> 00:59:36.960
<v Speaker 2>think kind of fucking goes.

1294
00:59:37.599 --> 00:59:40.400
<v Speaker 1>I Seeing it live was what unlocked the song for me,

1295
00:59:40.440 --> 00:59:42.480
<v Speaker 1>because again, the production was what I was kind of

1296
00:59:42.559 --> 00:59:43.960
<v Speaker 1>quibbling with at first. I was like, I think the

1297
00:59:44.000 --> 00:59:45.760
<v Speaker 1>song is good, I don't have that production. I was

1298
00:59:45.800 --> 00:59:47.639
<v Speaker 1>just kinda like, I don't necessarily think this is an

1299
00:59:47.679 --> 00:59:49.559
<v Speaker 1>O six death core song. It definitely is kind of

1300
00:59:49.599 --> 00:59:53.000
<v Speaker 1>like bringing Frying back to a heavier sound, and there

1301
00:59:53.079 --> 00:59:54.960
<v Speaker 1>are moments of that kind of death core thing in there,

1302
00:59:55.000 --> 00:59:57.920
<v Speaker 1>but it also has moments on modern metalcore. But it

1303
00:59:58.039 --> 01:00:01.199
<v Speaker 1>is like by far heaviest and bringing heires have done.

1304
01:00:01.559 --> 01:00:04.480
<v Speaker 1>I would go eat like to sempl I would say

1305
01:00:04.480 --> 01:00:07.199
<v Speaker 1>it's heavier than a lot of what's offered, Like even.

1306
01:00:07.000 --> 01:00:10.079
<v Speaker 2>Though we're thinking at least like suicide season.

1307
01:00:09.880 --> 01:00:11.599
<v Speaker 1>Is suicide season. There as a hell where when you

1308
01:00:11.639 --> 01:00:14.639
<v Speaker 1>put alongside long songs allegated blood, I probably say it's

1309
01:00:14.639 --> 01:00:16.519
<v Speaker 1>like the most comparable kind of like in terms of

1310
01:00:16.719 --> 01:00:20.239
<v Speaker 1>like pure like bruising brutality, that that sort of the

1311
01:00:20.320 --> 01:00:21.960
<v Speaker 1>song we're throwing back to. In terms of like this

1312
01:00:22.239 --> 01:00:25.440
<v Speaker 1>but like this is like again that from the video

1313
01:00:25.480 --> 01:00:27.880
<v Speaker 1>helps Oli is Oli and everyone is covered in blood.

1314
01:00:28.400 --> 01:00:31.400
<v Speaker 1>I'm just down the music video like I think you

1315
01:00:31.440 --> 01:00:32.679
<v Speaker 1>know where he talked about the sort of the reason

1316
01:00:32.679 --> 01:00:35.360
<v Speaker 1>behind the songs, like right, you've actually you've got a

1317
01:00:35.440 --> 01:00:36.880
<v Speaker 1>message to the song like that you've kind of like

1318
01:00:37.320 --> 01:00:40.360
<v Speaker 1>conveyed and sort of like that, and there are rifted

1319
01:00:40.400 --> 01:00:44.960
<v Speaker 1>that final breakdown. It's fucking like unbelievable again like build.

1320
01:00:45.079 --> 01:00:47.559
<v Speaker 1>Like one of our criticisms of like the heavier bringing

1321
01:00:47.639 --> 01:00:49.760
<v Speaker 1>my songs of recent years is the breakdowns have always

1322
01:00:49.800 --> 01:00:52.960
<v Speaker 1>been limp, haven't they. It's been building to the the

1323
01:00:53.039 --> 01:00:55.039
<v Speaker 1>drop riff and it's always been that same kind of

1324
01:00:55.119 --> 01:00:57.119
<v Speaker 1>limp kind of bounce up and down drop but not

1325
01:00:57.199 --> 01:00:59.760
<v Speaker 1>actually kind of like throw your fist around breakdown. And

1326
01:00:59.800 --> 01:01:01.440
<v Speaker 1>at the end of this song where they build to

1327
01:01:01.599 --> 01:01:04.159
<v Speaker 1>that final sort of like fire breakdown, you've got the

1328
01:01:04.199 --> 01:01:06.480
<v Speaker 1>sort of the humans all these things that they sound

1329
01:01:07.159 --> 01:01:10.320
<v Speaker 1>big and powerful, and I was like, I was I'm

1330
01:01:10.320 --> 01:01:12.199
<v Speaker 1>not the production, but if the song has has got

1331
01:01:12.280 --> 01:01:14.199
<v Speaker 1>something to it, and then seeing it Love, I was

1332
01:01:14.280 --> 01:01:17.599
<v Speaker 1>kind of like after seeing that the canabalist, I was like, oh,

1333
01:01:17.679 --> 01:01:19.559
<v Speaker 1>you know, this song has earned its place this is

1334
01:01:20.239 --> 01:01:21.719
<v Speaker 1>a legitimate rager.

1335
01:01:22.840 --> 01:01:25.559
<v Speaker 2>Yeah, and I said it is very uh you know it,

1336
01:01:25.840 --> 01:01:28.559
<v Speaker 2>You're not going to get bring me writing a song

1337
01:01:29.360 --> 01:01:31.480
<v Speaker 2>exactly in the same way they did in two thousand

1338
01:01:31.480 --> 01:01:33.679
<v Speaker 2>and six. So if you're you know, if you if

1339
01:01:33.719 --> 01:01:36.480
<v Speaker 2>you put this record that this song slapped it onto

1340
01:01:36.519 --> 01:01:39.280
<v Speaker 2>the end of the original version of Countter Blessings, it

1341
01:01:39.360 --> 01:01:41.639
<v Speaker 2>would be a leap and it would stand out by

1342
01:01:41.679 --> 01:01:44.760
<v Speaker 2>a long fucking way. But in terms of I say,

1343
01:01:44.800 --> 01:01:47.199
<v Speaker 2>twenty twenty six bring Me, you know, indulging a bit

1344
01:01:47.280 --> 01:01:49.199
<v Speaker 2>that side, which I think it's so fucking fun and cool,

1345
01:01:49.320 --> 01:01:50.880
<v Speaker 2>they can just be like, you know what, why don't

1346
01:01:50.880 --> 01:01:52.199
<v Speaker 2>we just dial it back a little bit and again

1347
01:01:52.519 --> 01:01:54.639
<v Speaker 2>write a really fucking heavy song like like like we

1348
01:01:54.800 --> 01:01:57.719
<v Speaker 2>used to. And it is, you know, it's more than

1349
01:01:57.840 --> 01:01:59.840
<v Speaker 2>that final break thing you're talking about is really like

1350
01:02:00.559 --> 01:02:03.599
<v Speaker 2>that's that's definitely post Will Putney Death Corps, you know

1351
01:02:03.599 --> 01:02:04.840
<v Speaker 2>what I mean, Like it kind of sounds a little

1352
01:02:04.840 --> 01:02:06.599
<v Speaker 2>bit like her Viti's Murder Breakdown or something like that.

1353
01:02:06.679 --> 01:02:09.320
<v Speaker 2>The very thing end, which again, to be clear, one

1354
01:02:09.360 --> 01:02:11.079
<v Speaker 2>of the better ones in that style of the last

1355
01:02:11.119 --> 01:02:13.000
<v Speaker 2>however many years, like it is fucking I'm not I

1356
01:02:13.079 --> 01:02:13.760
<v Speaker 2>think it's one that I.

1357
01:02:13.760 --> 01:02:15.920
<v Speaker 1>Think it's one of the tops or recent breakdowns I

1358
01:02:15.920 --> 01:02:17.679
<v Speaker 1>can think of of like commercial.

1359
01:02:19.119 --> 01:02:21.119
<v Speaker 2>It's got that, you know, terminator production rather than kind

1360
01:02:21.119 --> 01:02:22.719
<v Speaker 2>of really basement death corp. But it's one of the

1361
01:02:22.840 --> 01:02:26.239
<v Speaker 2>best terminator death call songs that the twenty twenties are

1362
01:02:26.280 --> 01:02:29.519
<v Speaker 2>produced by a mile And I actually think the amount

1363
01:02:29.599 --> 01:02:31.320
<v Speaker 2>of songs in a way that like when we spoke

1364
01:02:31.360 --> 01:02:33.760
<v Speaker 2>about prayer plakes and we were like, this song actually

1365
01:02:33.840 --> 01:02:37.400
<v Speaker 2>has a really startling amount of iconic hooks right from

1366
01:02:37.760 --> 01:02:40.239
<v Speaker 2>the opening. You know, she starts her new diet, the

1367
01:02:40.320 --> 01:02:42.760
<v Speaker 2>sun goes down, and so does she capt your fucking blessings,

1368
01:02:42.760 --> 01:02:45.760
<v Speaker 2>you know, clap your hands, pray for plays part and

1369
01:02:46.119 --> 01:02:47.400
<v Speaker 2>you go through that song and it's actually like kind

1370
01:02:47.400 --> 01:02:50.079
<v Speaker 2>of a marathon of lots of individually iconic catchy parts.

1371
01:02:50.559 --> 01:02:52.880
<v Speaker 2>This song has got a lot of hooks right the

1372
01:02:53.360 --> 01:02:55.000
<v Speaker 2>beginning that the some of us are butchers, some of

1373
01:02:55.119 --> 01:02:56.719
<v Speaker 2>us are lambs. Send us to the avatar, let's find

1374
01:02:56.719 --> 01:02:58.639
<v Speaker 2>out who which one I am is like really like

1375
01:02:58.880 --> 01:03:04.239
<v Speaker 2>prime your oli delivery. There's obviously the main dehumanized kind

1376
01:03:04.239 --> 01:03:07.400
<v Speaker 2>of chorus part the fucking Texas chase of Asaka washcre

1377
01:03:07.480 --> 01:03:09.320
<v Speaker 2>Bit with the who will survive and what will be

1378
01:03:09.400 --> 01:03:12.679
<v Speaker 2>left of them is so fucking sick. And then even

1379
01:03:12.719 --> 01:03:14.199
<v Speaker 2>towards that found of breakdown, you've got like the kill

1380
01:03:14.239 --> 01:03:15.960
<v Speaker 2>each other skull with the earth like these parts. It

1381
01:03:16.519 --> 01:03:19.119
<v Speaker 2>like this actually shows the difference between bands who are

1382
01:03:20.159 --> 01:03:23.159
<v Speaker 2>as capable songwriters as Bring Me are compared to a

1383
01:03:23.239 --> 01:03:25.039
<v Speaker 2>lot of the you know, the less talented bands, right

1384
01:03:25.079 --> 01:03:27.880
<v Speaker 2>the fact that even on their fucking off day, right

1385
01:03:27.920 --> 01:03:29.800
<v Speaker 2>when this isn't really what they do anymore, they can

1386
01:03:29.880 --> 01:03:31.840
<v Speaker 2>turn up and be like, have that this is a

1387
01:03:32.119 --> 01:03:35.920
<v Speaker 2>fucking banger with many parts scattered over. It's like four

1388
01:03:35.920 --> 01:03:38.039
<v Speaker 2>minute run time or whatever that a crowd, as we

1389
01:03:38.159 --> 01:03:41.639
<v Speaker 2>have now witnessed, is gonna want to fucking shout back.

1390
01:03:41.719 --> 01:03:43.960
<v Speaker 2>I really admire what again Olie was saying about about

1391
01:03:44.000 --> 01:03:45.679
<v Speaker 2>the song as well, and the fact that I think

1392
01:03:45.760 --> 01:03:47.760
<v Speaker 2>this kind of also illustrates how far they've come. Where

1393
01:03:47.800 --> 01:03:49.400
<v Speaker 2>you look at Count your Blessings and it is these

1394
01:03:49.480 --> 01:03:54.280
<v Speaker 2>you know, very you know, teenage youthful kind of misogynistic

1395
01:03:54.679 --> 01:03:57.159
<v Speaker 2>breakup songs and stuff like that, and then twenty years

1396
01:03:57.239 --> 01:04:00.480
<v Speaker 2>later it's a song basically talking about, you know, the

1397
01:04:00.599 --> 01:04:05.880
<v Speaker 2>dehumanization of our contemporary society, specifically inspired by them being

1398
01:04:05.960 --> 01:04:08.239
<v Speaker 2>told that when they were playing a festival if they

1399
01:04:08.320 --> 01:04:11.119
<v Speaker 2>had Palestinian like insignias and flags on stage, that you know,

1400
01:04:11.159 --> 01:04:14.199
<v Speaker 2>it could carry serious consequences, and the response to that

1401
01:04:14.280 --> 01:04:15.800
<v Speaker 2>being like, well, we're gonna write a song about again,

1402
01:04:16.119 --> 01:04:21.000
<v Speaker 2>how again? Like desensitized to atrocities. We are all kind

1403
01:04:21.000 --> 01:04:23.719
<v Speaker 2>of becoming like I were told to put their career

1404
01:04:23.800 --> 01:04:25.840
<v Speaker 2>ahead of like standing up for something like that.

1405
01:04:26.119 --> 01:04:28.119
<v Speaker 1>I think like fair again, I think that is a

1406
01:04:28.239 --> 01:04:30.719
<v Speaker 1>real principal sort of thing for Bring Me to do.

1407
01:04:31.199 --> 01:04:32.840
<v Speaker 2>Yeah, I know, and it's one of the many things

1408
01:04:32.880 --> 01:04:34.519
<v Speaker 2>this weekend and this week that has made me feel

1409
01:04:34.599 --> 01:04:37.320
<v Speaker 2>like good about Bring Me, like genuine like yeah, fucking good,

1410
01:04:37.400 --> 01:04:39.800
<v Speaker 2>good on you. Cool. And then the video which the

1411
01:04:40.519 --> 01:04:43.719
<v Speaker 2>kill each other drop when they fucking shoot like the

1412
01:04:43.840 --> 01:04:47.559
<v Speaker 2>cattle bolt gun through the guy's head as it goes off,

1413
01:04:47.840 --> 01:04:50.480
<v Speaker 2>and it is you know, let's channel all of that

1414
01:04:50.639 --> 01:04:53.039
<v Speaker 2>feeling of disgust from what we were just talking about

1415
01:04:53.039 --> 01:04:55.920
<v Speaker 2>into like rubbing people's faces in it. Like yeah, it's

1416
01:04:55.960 --> 01:04:59.519
<v Speaker 2>not quite force gender reassignment, but it is like torture porn,

1417
01:04:59.559 --> 01:05:02.440
<v Speaker 2>death car and death metal. It looks like a hostel movie, right.

1418
01:05:02.599 --> 01:05:04.599
<v Speaker 2>That shit is is kind of back. You've got these

1419
01:05:04.639 --> 01:05:07.039
<v Speaker 2>big crowd shots that look like they're fucking like you know, duality,

1420
01:05:07.079 --> 01:05:09.440
<v Speaker 2>but inside an abatoar with everyone covered in blood. You

1421
01:05:09.519 --> 01:05:11.639
<v Speaker 2>know what I mean? It is like actually, you know,

1422
01:05:11.719 --> 01:05:17.440
<v Speaker 2>for a mainstream band standards confrontational, yeah, actually upsetting imagery.

1423
01:05:17.880 --> 01:05:21.239
<v Speaker 2>It's I think, you know, Yeah, if you compare it

1424
01:05:21.320 --> 01:05:23.599
<v Speaker 2>to the original O sets Count Your Blessing Songs, there

1425
01:05:23.719 --> 01:05:28.320
<v Speaker 2>is definitely a difference in in vibe, approach, many many things,

1426
01:05:28.719 --> 01:05:33.039
<v Speaker 2>but as a twenty twenty six you know, relevant to

1427
01:05:33.159 --> 01:05:35.719
<v Speaker 2>now Bring Me the Horizon heavier song, I think this

1428
01:05:35.880 --> 01:05:38.159
<v Speaker 2>is fucking like, not just oh that's a pretty good

1429
01:05:38.159 --> 01:05:39.440
<v Speaker 2>song added on to the end of a you know,

1430
01:05:39.519 --> 01:05:42.039
<v Speaker 2>a bonus edition of an album type thing, but genuinely

1431
01:05:42.320 --> 01:05:43.480
<v Speaker 2>a fucking cracker.

1432
01:05:43.960 --> 01:05:47.599
<v Speaker 1>It rules. Yeah, I hope this song is like even

1433
01:05:47.639 --> 01:05:49.440
<v Speaker 1>if this is you know it for like carry your

1434
01:05:49.480 --> 01:05:52.440
<v Speaker 1>blessed entirety, did you and I should be one that

1435
01:05:52.599 --> 01:05:54.800
<v Speaker 1>is now carried forward as kind Yeah? I want to

1436
01:05:54.800 --> 01:05:59.039
<v Speaker 1>say it a staple go fucking mental moment in the

1437
01:05:59.119 --> 01:06:00.159
<v Speaker 1>Bringing the Horizon set.

1438
01:06:00.599 --> 01:06:04.000
<v Speaker 2>Absolutely so we then got to witness you know, the

1439
01:06:04.400 --> 01:06:09.440
<v Speaker 2>show itself being carried forward and the whole vibe of

1440
01:06:09.679 --> 01:06:12.760
<v Speaker 2>sort of you know, strange, surreal celebration that this had.

1441
01:06:12.960 --> 01:06:16.960
<v Speaker 2>It was even like the show, like the PA the

1442
01:06:17.039 --> 01:06:20.679
<v Speaker 2>playlist before they came on, and it was alternating between

1443
01:06:20.920 --> 01:06:22.480
<v Speaker 2>they had like their you know, they're bringing the Horizon

1444
01:06:22.559 --> 01:06:25.880
<v Speaker 2>style instructional videos and shit that they have like their

1445
01:06:25.920 --> 01:06:29.800
<v Speaker 2>AI characters, you know, appearing. So there's the Eve character

1446
01:06:29.880 --> 01:06:31.239
<v Speaker 2>that you'll be familiar with if you went to see

1447
01:06:31.239 --> 01:06:32.960
<v Speaker 2>them on like a recent arena at all, for example,

1448
01:06:33.440 --> 01:06:35.199
<v Speaker 2>And when she turns up with a full on, fucking

1449
01:06:35.320 --> 01:06:36.880
<v Speaker 2>like stripey head scene.

1450
01:06:38.800 --> 01:06:41.039
<v Speaker 1>Was very digital camera to get the right angle. Yeah,

1451
01:06:41.760 --> 01:06:43.199
<v Speaker 1>I found that quite endearing.

1452
01:06:43.320 --> 01:06:46.400
<v Speaker 2>Absolutely, but that she was there to like instruct people

1453
01:06:46.920 --> 01:06:50.320
<v Speaker 2>a not to sue if they get injured in the

1454
01:06:50.360 --> 01:06:52.519
<v Speaker 2>front row. But then also you had this other character

1455
01:06:52.519 --> 01:06:54.079
<v Speaker 2>who appeared it was like this is how you hardcore dance.

1456
01:06:54.119 --> 01:06:56.440
<v Speaker 2>And I was like, this is so weird seeing a

1457
01:06:56.480 --> 01:06:59.280
<v Speaker 2>little like cartoon robot basically showing moves from the sick

1458
01:06:59.320 --> 01:07:04.199
<v Speaker 2>of it all step down on video that I guess

1459
01:07:04.239 --> 01:07:06.920
<v Speaker 2>you've got to get people again, you know, bring people

1460
01:07:06.920 --> 01:07:09.639
<v Speaker 2>into the culture a little bit. But those videos then

1461
01:07:09.679 --> 01:07:11.360
<v Speaker 2>when they were just playing songs before it and it

1462
01:07:11.480 --> 01:07:13.559
<v Speaker 2>was all like, you know, old school type songs, and

1463
01:07:13.639 --> 01:07:15.239
<v Speaker 2>there was one point when they played in two minut

1464
01:07:15.239 --> 01:07:17.599
<v Speaker 2>of Machine by Josh for a Cowboy, and I looked

1465
01:07:17.599 --> 01:07:18.760
<v Speaker 2>around and there were people in the middle of the

1466
01:07:18.760 --> 01:07:21.400
<v Speaker 2>crowd who did that the scream before it. I was like, yeah,

1467
01:07:21.440 --> 01:07:23.360
<v Speaker 2>this is so the vibe is right, you know what

1468
01:07:23.400 --> 01:07:26.440
<v Speaker 2>I mean? But Cat, your list is proper right, so

1469
01:07:26.639 --> 01:07:29.880
<v Speaker 2>obviously they the main set. They played the album front

1470
01:07:29.880 --> 01:07:34.440
<v Speaker 2>to back, which means opening with Pray for fucking Plagues, which.

1471
01:07:34.519 --> 01:07:36.639
<v Speaker 1>Before we even start pray for plagues, what do we

1472
01:07:36.760 --> 01:07:39.679
<v Speaker 1>get as the intro track? We get some from the

1473
01:07:39.800 --> 01:07:42.719
<v Speaker 1>Resident Evil movie The Red Queens and You're all going

1474
01:07:42.800 --> 01:07:44.920
<v Speaker 1>to die down here, which again it was quite fitting

1475
01:07:45.000 --> 01:07:47.000
<v Speaker 1>for like the Eve kind of character. But when I

1476
01:07:47.079 --> 01:07:49.199
<v Speaker 1>heard if I here a somethem the resid Evil movie,

1477
01:07:49.760 --> 01:07:53.000
<v Speaker 1>I am in. I'm so locked in and then you

1478
01:07:53.079 --> 01:07:57.360
<v Speaker 1>get d I was like, this is it. Oh my god,

1479
01:07:57.440 --> 01:07:58.639
<v Speaker 1>we're fucking going like.

1480
01:07:59.159 --> 01:08:01.519
<v Speaker 2>Pay for Plagues is like you did you get to like,

1481
01:08:01.519 --> 01:08:03.119
<v Speaker 2>for example of the Wembley Show when they played it

1482
01:08:03.199 --> 01:08:04.000
<v Speaker 2>like way back when.

1483
01:08:04.400 --> 01:08:07.000
<v Speaker 1>Yes, I thought that that was like that was the

1484
01:08:07.039 --> 01:08:09.480
<v Speaker 1>second Lass bringing the fire show. I'd been to since

1485
01:08:09.519 --> 01:08:12.000
<v Speaker 1>this or I've not seen them since twenty fifteen, I

1486
01:08:12.079 --> 01:08:14.440
<v Speaker 1>went to that well, and then so one time after

1487
01:08:14.559 --> 01:08:15.719
<v Speaker 1>was on the release of that Spirit, and I was

1488
01:08:15.800 --> 01:08:18.159
<v Speaker 1>kind of like, I think this is where we've got

1489
01:08:18.239 --> 01:08:19.960
<v Speaker 1>a part ways for a little bit, and I just

1490
01:08:20.079 --> 01:08:22.359
<v Speaker 1>not felt the urge to go back. But so I've

1491
01:08:22.359 --> 01:08:23.159
<v Speaker 1>seen Pray for Plagues.

1492
01:08:23.199 --> 01:08:25.399
<v Speaker 2>Yeah, yeah, well I was. I have seen Bringing All recently,

1493
01:08:25.439 --> 01:08:27.640
<v Speaker 2>but like whenever they would do it felt like they

1494
01:08:27.640 --> 01:08:31.520
<v Speaker 2>were very stray shows, like for example, that Wembley show

1495
01:08:31.640 --> 01:08:33.199
<v Speaker 2>or then you know the other famous one got the

1496
01:08:33.239 --> 01:08:34.880
<v Speaker 2>Malta weekend and they did where they just whipped out

1497
01:08:34.880 --> 01:08:36.920
<v Speaker 2>a bunch of all these like you had to really

1498
01:08:37.039 --> 01:08:38.920
<v Speaker 2>be lucky to be in the right moment at the

1499
01:08:38.960 --> 01:08:41.000
<v Speaker 2>right time to see Bring Me doing anything like this.

1500
01:08:41.680 --> 01:08:44.159
<v Speaker 2>So I'd never seen like, for example, I mean, actually

1501
01:08:44.239 --> 01:08:46.239
<v Speaker 2>any of the songs they played this time, apart from

1502
01:08:46.640 --> 01:08:48.840
<v Speaker 2>Diamond's Art Forever they did play on the last hour

1503
01:08:48.920 --> 01:08:49.560
<v Speaker 2>that I saw them on.

1504
01:08:49.640 --> 01:08:52.680
<v Speaker 1>But certainly, oh shit, so this is almost an entirely

1505
01:08:52.760 --> 01:08:53.399
<v Speaker 1>new set list.

1506
01:08:53.520 --> 01:08:55.720
<v Speaker 2>Like yeah, so I never got saw bring Me like

1507
01:08:55.880 --> 01:08:57.279
<v Speaker 2>way back in the day because I wasn't able to

1508
01:08:57.319 --> 01:08:58.680
<v Speaker 2>go to show its like back when you know, what

1509
01:08:58.800 --> 01:09:01.279
<v Speaker 2>we would say was prime bring Me, Yeah, was around

1510
01:09:01.279 --> 01:09:03.359
<v Speaker 2>so I didn't see any of you know this stuff certainly,

1511
01:09:04.000 --> 01:09:05.600
<v Speaker 2>but like Pray for Play's being a song I fucking

1512
01:09:05.640 --> 01:09:07.640
<v Speaker 2>love for ever and ever singing for the first time

1513
01:09:07.840 --> 01:09:09.680
<v Speaker 2>and all those I think that's about which we could

1514
01:09:09.720 --> 01:09:11.800
<v Speaker 2>predict would be great was the thing because everyone knows

1515
01:09:11.840 --> 01:09:13.399
<v Speaker 2>Pray for Plagues as a banger, Like it's the one

1516
01:09:13.399 --> 01:09:15.439
<v Speaker 2>that they would maybe every now and then play. Like

1517
01:09:15.520 --> 01:09:17.399
<v Speaker 2>I said, it has all those like really iconic parts.

1518
01:09:18.079 --> 01:09:19.960
<v Speaker 2>It was a great part when I don't know if

1519
01:09:20.000 --> 01:09:21.279
<v Speaker 2>someone throw it on stage or if they had it

1520
01:09:21.359 --> 01:09:23.680
<v Speaker 2>or whatever, but Olie was wearing a like England flag

1521
01:09:23.800 --> 01:09:27.479
<v Speaker 2>bucket hat with count your fucking blessings scrawled upon the

1522
01:09:27.720 --> 01:09:28.760
<v Speaker 2>throat of the hat, and I was like, this is

1523
01:09:28.840 --> 01:09:33.560
<v Speaker 2>the most like again six laddish thing for it in

1524
01:09:33.680 --> 01:09:35.399
<v Speaker 2>this environment. I almost think that he should have come

1525
01:09:35.439 --> 01:09:38.319
<v Speaker 2>out with like a scene style wig, like one.

1526
01:09:38.319 --> 01:09:41.359
<v Speaker 1>Point was wearing a scene wig in on the Friday

1527
01:09:41.399 --> 01:09:46.560
<v Speaker 1>show Fringe because he's rocking like the buzz cut at

1528
01:09:46.560 --> 01:09:49.720
<v Speaker 1>the moment. Yeah, but no, at some at one point

1529
01:09:49.720 --> 01:09:50.760
<v Speaker 1>in the set, and I don't know where he got

1530
01:09:50.760 --> 01:09:52.439
<v Speaker 1>it from, but he did have for at least one

1531
01:09:52.520 --> 01:09:54.640
<v Speaker 1>breakdown a floppy head emo.

1532
01:09:55.039 --> 01:09:57.399
<v Speaker 2>Okay, well maybe we got the bucket hat instead. But anyway,

1533
01:09:57.439 --> 01:10:00.359
<v Speaker 2>Pray Plagues, like I said, is the song that people

1534
01:10:00.520 --> 01:10:02.239
<v Speaker 2>know and we knew would be great. It was the

1535
01:10:02.399 --> 01:10:05.479
<v Speaker 2>remaining half hour of the record which we were wondering, like,

1536
01:10:05.880 --> 01:10:08.600
<v Speaker 2>how how much do people actually like this album? You know,

1537
01:10:08.680 --> 01:10:11.520
<v Speaker 2>like is it performative or do people know these songs?

1538
01:10:12.479 --> 01:10:15.000
<v Speaker 2>And you know, do people think these songs are even good?

1539
01:10:15.039 --> 01:10:17.600
<v Speaker 2>Because many people have said they aren't, but they're remaining

1540
01:10:17.600 --> 01:10:19.880
<v Speaker 2>half out of the record. I actually can't believe how

1541
01:10:20.279 --> 01:10:22.880
<v Speaker 2>Like obviously I was excited for this, but I almost

1542
01:10:22.880 --> 01:10:25.640
<v Speaker 2>didn't expect to feel as happy as I did, like

1543
01:10:25.880 --> 01:10:29.279
<v Speaker 2>I was, particularly during the count Your Blessing section of

1544
01:10:29.359 --> 01:10:35.119
<v Speaker 2>this show. I was grinning like a fucking madman and

1545
01:10:35.479 --> 01:10:40.039
<v Speaker 2>just having the time of my life, just throwing myself around,

1546
01:10:40.359 --> 01:10:44.199
<v Speaker 2>almost on my own with these you know again, full

1547
01:10:44.279 --> 01:10:49.039
<v Speaker 2>on grebe, violent, bloodthirsty death core songs, as one just

1548
01:10:49.119 --> 01:10:53.039
<v Speaker 2>ripped straight into the other, I was. I mean, it's

1549
01:10:53.319 --> 01:10:56.239
<v Speaker 2>basically the biggest, arguably the biggest death course show that's

1550
01:10:56.279 --> 01:10:57.800
<v Speaker 2>ever happened. I mean, it's up there with it. I

1551
01:10:57.840 --> 01:10:59.479
<v Speaker 2>don't know what's bigger out of this as all. For example,

1552
01:10:59.520 --> 01:11:02.079
<v Speaker 2>those Laurna shows that they did in arenas, but certainly

1553
01:11:02.159 --> 01:11:04.960
<v Speaker 2>like O six, like classic fucking grebestyle death courts. Right,

1554
01:11:05.119 --> 01:11:08.439
<v Speaker 2>this is almost a moment of like how fucking surreal

1555
01:11:08.520 --> 01:11:10.680
<v Speaker 2>and how far this music has come where it can

1556
01:11:10.760 --> 01:11:13.640
<v Speaker 2>be twenty years later celebrated like this. But I was

1557
01:11:13.720 --> 01:11:18.359
<v Speaker 2>having like the magic of the moment, the occasion, and

1558
01:11:18.479 --> 01:11:22.119
<v Speaker 2>then just the ferocity with which they attacked those you know,

1559
01:11:22.239 --> 01:11:24.399
<v Speaker 2>ten eleven. If he came to humanized Death Corps songs,

1560
01:11:24.840 --> 01:11:27.840
<v Speaker 2>was it fully like translated right into the core of me.

1561
01:11:29.000 --> 01:11:31.279
<v Speaker 1>I it was surreal to me when I was seeing

1562
01:11:31.319 --> 01:11:33.399
<v Speaker 1>some of these songs. And again, I've been, you know,

1563
01:11:33.800 --> 01:11:36.159
<v Speaker 1>to this outbreak site a bunch, I'm familiar with it.

1564
01:11:36.560 --> 01:11:38.560
<v Speaker 1>But then when we were getting moments and songs where

1565
01:11:38.560 --> 01:11:41.039
<v Speaker 1>the breakdowns were hitting, and suddenly fire was Ruther from

1566
01:11:41.039 --> 01:11:41.800
<v Speaker 1>the top of the outbreak.

1567
01:11:42.119 --> 01:11:45.079
<v Speaker 2>Yeah, we got not to watch his dick with Pyro

1568
01:11:45.239 --> 01:11:45.680
<v Speaker 2>What the world?

1569
01:11:45.880 --> 01:11:48.640
<v Speaker 1>Yeah, like, yeah, that's exactly like I mean the things

1570
01:11:48.640 --> 01:11:50.119
<v Speaker 1>when tells someone that's what it came on, and then

1571
01:11:50.159 --> 01:11:52.239
<v Speaker 1>you get that like that frantic intro, and I was like,

1572
01:11:52.680 --> 01:11:56.680
<v Speaker 1>I'm watching people fling themself, some people who like might

1573
01:11:56.720 --> 01:11:59.359
<v Speaker 1>have been two years old when this album came out

1574
01:12:00.880 --> 01:12:04.720
<v Speaker 1>flinging themselves off of the stage with such like reckless

1575
01:12:04.760 --> 01:12:09.239
<v Speaker 1>abandon as Piro is erupting from the top, as Ollie

1576
01:12:09.520 --> 01:12:12.439
<v Speaker 1>sounds the best I have seen him sound in a

1577
01:12:12.720 --> 01:12:15.760
<v Speaker 1>long fucking time, and I was like, how is this

1578
01:12:15.880 --> 01:12:18.880
<v Speaker 1>even happening? The end of the Steve Wander's eyes only,

1579
01:12:18.920 --> 01:12:21.399
<v Speaker 1>when you're getting those fucking sing along moments, everyone kind

1580
01:12:21.399 --> 01:12:25.359
<v Speaker 1>of arms in the air, belting out together in like unison,

1581
01:12:26.319 --> 01:12:29.079
<v Speaker 1>I was like, this shouldn't be happening, Like this is

1582
01:12:29.239 --> 01:12:32.640
<v Speaker 1>so weird, but it's happening, and it's not just happening

1583
01:12:32.840 --> 01:12:36.760
<v Speaker 1>as a novel thing. It's so embraced and celebrated and

1584
01:12:36.920 --> 01:12:39.920
<v Speaker 1>fucking brilliant all at once. I was like genuinely just

1585
01:12:40.840 --> 01:12:43.760
<v Speaker 1>tape blown away by the whole experience, and I felt

1586
01:12:43.840 --> 01:12:46.319
<v Speaker 1>so just sort of like giddy and happy with like

1587
01:12:46.439 --> 01:12:47.880
<v Speaker 1>getting to see this happen.

1588
01:12:48.359 --> 01:12:51.800
<v Speaker 2>Yeah, and watching this band right, we are watching Lee

1589
01:12:51.920 --> 01:12:57.039
<v Speaker 2>Mallia doing fucking tapping solos like all through the Sweet,

1590
01:12:57.119 --> 01:12:59.800
<v Speaker 2>picking his way through the set and just laying out

1591
01:13:00.079 --> 01:13:02.600
<v Speaker 2>like Black Dahlia Riff after at the Gates Rift, after

1592
01:13:02.640 --> 01:13:04.640
<v Speaker 2>Black Dahili Riff, after at the Gates Riff. We are

1593
01:13:04.680 --> 01:13:09.479
<v Speaker 2>watching Matt Nichol's double bass blasting for like a straight

1594
01:13:09.640 --> 01:13:12.680
<v Speaker 2>forty minutes, which has not happened in fucking twenty years.

1595
01:13:12.960 --> 01:13:15.520
<v Speaker 2>Basically like watching those guys who, for you know, a

1596
01:13:15.520 --> 01:13:17.079
<v Speaker 2>lot of the recent period have kind of more sat

1597
01:13:17.159 --> 01:13:19.920
<v Speaker 2>back into being like just the you know, relaxed rock

1598
01:13:20.039 --> 01:13:23.600
<v Speaker 2>dudes going all fucking out was like there were men

1599
01:13:23.720 --> 01:13:26.720
<v Speaker 2>possessed and just unleashing the beast. It was brilliant Ollie

1600
01:13:27.800 --> 01:13:30.199
<v Speaker 2>doing fucking because the whole outbreaks up, but he's doing

1601
01:13:30.319 --> 01:13:32.920
<v Speaker 2>mic grabs to people who are running parties getting down

1602
01:13:32.960 --> 01:13:34.920
<v Speaker 2>on that you know, kind of second tier stage platform,

1603
01:13:35.039 --> 01:13:37.720
<v Speaker 2>Like yeah, people just like flying by him. And again

1604
01:13:37.800 --> 01:13:42.000
<v Speaker 2>for a band who, as any really genuinely huge metal

1605
01:13:42.079 --> 01:13:44.239
<v Speaker 2>band does or rock band, has that sort of level

1606
01:13:44.399 --> 01:13:48.680
<v Speaker 2>of you know separation where you know they're they're up

1607
01:13:48.720 --> 01:13:50.680
<v Speaker 2>on the high stage, those little bits where Olie will

1608
01:13:50.720 --> 01:13:52.359
<v Speaker 2>jump down to the front traditionally and go up to

1609
01:13:52.399 --> 01:13:53.880
<v Speaker 2>the barrier, people are like, oh my god, I can't

1610
01:13:53.880 --> 01:13:56.680
<v Speaker 2>believe I'm touching you, like that kind of thing. Seeing

1611
01:13:56.880 --> 01:13:59.359
<v Speaker 2>people just like whizz over his head in the way

1612
01:13:59.439 --> 01:14:01.960
<v Speaker 2>that we did. Any manner of the hardcore singers who

1613
01:14:02.000 --> 01:14:03.520
<v Speaker 2>we saw at the main outbreak a couple of weeks

1614
01:14:03.560 --> 01:14:06.279
<v Speaker 2>ago and him again passing out the mic for people

1615
01:14:06.560 --> 01:14:08.920
<v Speaker 2>to fucking sing bits of like a lot like Vegas

1616
01:14:09.159 --> 01:14:12.039
<v Speaker 2>or whatever, or Stevie Wonder or Medusa, and people knowing

1617
01:14:12.119 --> 01:14:16.319
<v Speaker 2>the parts was fucking amazing. And what you were saying about,

1618
01:14:16.399 --> 01:14:18.680
<v Speaker 2>you know, oh, these have some like some great songs

1619
01:14:18.680 --> 01:14:22.000
<v Speaker 2>that have kind of be forgotten. Witnessing in action tell

1620
01:14:22.079 --> 01:14:25.159
<v Speaker 2>Us Leanne not to watch his dick is a awful

1621
01:14:25.239 --> 01:14:27.800
<v Speaker 2>title that has marred that song for twenty years, but

1622
01:14:27.960 --> 01:14:32.079
<v Speaker 2>it is a good fucking song, right, Stevie One Designs

1623
01:14:32.119 --> 01:14:32.960
<v Speaker 2>Only is a.

1624
01:14:33.039 --> 01:14:33.720
<v Speaker 1>Good fucking song.

1625
01:14:33.800 --> 01:14:35.199
<v Speaker 2>The one that really got me in the mid album

1626
01:14:35.319 --> 01:14:38.039
<v Speaker 2>range was a lot like Vegas because it's kind of

1627
01:14:38.079 --> 01:14:40.359
<v Speaker 2>a it's a really zippy song and it has that

1628
01:14:40.560 --> 01:14:42.840
<v Speaker 2>we did this feeler do our Graves like a more

1629
01:14:42.960 --> 01:14:45.760
<v Speaker 2>almost traditional bring with Horizon, like you know, chant along,

1630
01:14:46.039 --> 01:14:47.560
<v Speaker 2>kind of a hard chorus part, and I was like, oh,

1631
01:14:47.640 --> 01:14:50.239
<v Speaker 2>look like an actual chorus in one of these songs

1632
01:14:50.319 --> 01:14:52.199
<v Speaker 2>that people have been telling you for twenty years is

1633
01:14:52.279 --> 01:14:55.239
<v Speaker 2>a badly written, mushy pile of nothing, and I'm here

1634
01:14:55.279 --> 01:14:56.760
<v Speaker 2>seeing it right in front of me, and no, it's

1635
01:14:56.800 --> 01:14:59.319
<v Speaker 2>a banger. Actually, I'm sorry that's.

1636
01:14:59.199 --> 01:15:02.159
<v Speaker 1>It is having like again, Like like I always say,

1637
01:15:02.159 --> 01:15:03.800
<v Speaker 1>I would defend out the side out of this album

1638
01:15:03.880 --> 01:15:05.760
<v Speaker 1>as I think it has got like bangers. Like I said,

1639
01:15:05.760 --> 01:15:08.600
<v Speaker 1>the first four tracks in particular are like legit, but

1640
01:15:08.680 --> 01:15:10.720
<v Speaker 1>it carried across the whole Alm Liquor and Love Lost

1641
01:15:10.760 --> 01:15:13.039
<v Speaker 1>had again sing alongs I used to make up with

1642
01:15:13.119 --> 01:15:16.840
<v Speaker 1>Medusa had singalongs like it was so people did the

1643
01:15:16.920 --> 01:15:19.079
<v Speaker 1>fucking do do do? In off the heat? It was

1644
01:15:21.520 --> 01:15:23.439
<v Speaker 1>everyone and again, and it was to make sure people

1645
01:15:23.560 --> 01:15:26.840
<v Speaker 1>like again, a lot of people were dudes in their

1646
01:15:26.880 --> 01:15:29.000
<v Speaker 1>thirties who were kind of like I have been waiting

1647
01:15:29.800 --> 01:15:32.119
<v Speaker 1>twenty years or like how long, like even though they

1648
01:15:32.119 --> 01:15:34.039
<v Speaker 1>weren't there right and O six, but they've been, you know,

1649
01:15:34.479 --> 01:15:37.119
<v Speaker 1>a fan of Heavier Bring Me and I felt left cold,

1650
01:15:37.720 --> 01:15:39.760
<v Speaker 1>Like that's as I was in by the last decade

1651
01:15:39.800 --> 01:15:42.920
<v Speaker 1>of their work getting to just kind of like relive

1652
01:15:43.039 --> 01:15:46.680
<v Speaker 1>and like relish in these moments. It just felt celebratory.

1653
01:15:46.720 --> 01:15:49.000
<v Speaker 1>And again, I think the band. The thing that made

1654
01:15:49.039 --> 01:15:51.520
<v Speaker 1>it for me was the band weren't kind of like

1655
01:15:51.640 --> 01:15:53.359
<v Speaker 1>trying to act like they're above this and just kind

1656
01:15:53.359 --> 01:15:55.520
<v Speaker 1>of doing this as sort of like a throwaway nostalgia thing.

1657
01:15:56.039 --> 01:15:58.960
<v Speaker 1>They were so in they were having the time. They're like, Olie,

1658
01:15:59.039 --> 01:16:02.520
<v Speaker 1>I think it's like loving every second of getting piled

1659
01:16:02.560 --> 01:16:04.960
<v Speaker 1>on and piling on people. He's kind of happened in

1660
01:16:05.039 --> 01:16:07.720
<v Speaker 1>the final paus of the set, but there's like videos

1661
01:16:07.720 --> 01:16:09.239
<v Speaker 1>of his stage dive at the end of the set,

1662
01:16:09.520 --> 01:16:12.439
<v Speaker 1>and he is like launching himself so.

1663
01:16:12.600 --> 01:16:15.600
<v Speaker 2>Much that the second night there was I don't know

1664
01:16:15.600 --> 01:16:17.039
<v Speaker 2>if this happened. It might have happened the same way

1665
01:16:17.079 --> 01:16:18.399
<v Speaker 2>on the on the first night, but certainly at the

1666
01:16:18.479 --> 01:16:20.279
<v Speaker 2>end of Diamonds Ar't Forever, which they ended the whole

1667
01:16:20.319 --> 01:16:22.920
<v Speaker 2>whole set with, we got one of those like outbreak

1668
01:16:23.000 --> 01:16:26.680
<v Speaker 2>style stage wall invasions right on the second tier and

1669
01:16:28.159 --> 01:16:30.720
<v Speaker 2>Olie again, there's a video, but he did basically from

1670
01:16:30.800 --> 01:16:34.199
<v Speaker 2>the upper tire are like a running jump to leap

1671
01:16:34.319 --> 01:16:36.279
<v Speaker 2>on top of this wall of people at the very end,

1672
01:16:36.319 --> 01:16:38.800
<v Speaker 2>and it was It was so fucking cool. And Ollie

1673
01:16:39.359 --> 01:16:44.000
<v Speaker 2>vocally as well, genuinely fucking killed it to the point

1674
01:16:44.039 --> 01:16:46.800
<v Speaker 2>where you could probably say, considering, you know, going back

1675
01:16:46.800 --> 01:16:49.880
<v Speaker 2>twenty years or whatever, probably the best vocal form of

1676
01:16:49.920 --> 01:16:52.720
<v Speaker 2>his career in terms of just like being fully like

1677
01:16:53.000 --> 01:16:56.239
<v Speaker 2>fit and up for it, like a like a fucking athlete,

1678
01:16:56.279 --> 01:16:58.520
<v Speaker 2>you know, like he's put the work in to make sure,

1679
01:16:58.880 --> 01:17:02.399
<v Speaker 2>like obviously with the recording this album, visiting this whole

1680
01:17:02.399 --> 01:17:04.359
<v Speaker 2>album and doing it the right way, right and being like,

1681
01:17:04.479 --> 01:17:06.279
<v Speaker 2>I know, this is actually gonna be a genuinely a

1682
01:17:06.319 --> 01:17:08.800
<v Speaker 2>physical challenge because getting those noises out of you for

1683
01:17:08.960 --> 01:17:12.479
<v Speaker 2>ninety minutes or whatever is it's almost superhuman, right, It's

1684
01:17:12.520 --> 01:17:15.520
<v Speaker 2>a very difficult thing to do, and clearly having put

1685
01:17:15.560 --> 01:17:17.560
<v Speaker 2>in like the you know, months and months of fucking

1686
01:17:18.039 --> 01:17:20.800
<v Speaker 2>you know work to be up for that, and there

1687
01:17:20.960 --> 01:17:25.239
<v Speaker 2>wasn't a you know, a point during this where it

1688
01:17:25.479 --> 01:17:28.920
<v Speaker 2>was off the mark, like he was full. It was

1689
01:17:28.960 --> 01:17:30.920
<v Speaker 2>like watching fucking prime Eddie Hamida, you know what I mean.

1690
01:17:30.960 --> 01:17:34.119
<v Speaker 2>It's like, oh my god, Ollie Psykes is genuinely fucking

1691
01:17:34.239 --> 01:17:35.239
<v Speaker 2>killing this right now.

1692
01:17:36.000 --> 01:17:38.359
<v Speaker 1>That was my thing again even again do my do

1693
01:17:38.520 --> 01:17:41.039
<v Speaker 1>my so primaris have seen bringing the prison Ollie was

1694
01:17:41.119 --> 01:17:43.920
<v Speaker 1>always the kind of like the technically the weak thing

1695
01:17:44.000 --> 01:17:45.880
<v Speaker 1>that he was such a good front man and you

1696
01:17:45.920 --> 01:17:47.800
<v Speaker 1>would get everyone sort of sing along that him not

1697
01:17:47.880 --> 01:17:50.560
<v Speaker 1>being able to do the songs propoly was never a

1698
01:17:50.680 --> 01:17:52.199
<v Speaker 1>huge issue because it was kind of like a sort

1699
01:17:52.199 --> 01:17:54.439
<v Speaker 1>of unifying experience and he could do enough to get

1700
01:17:54.479 --> 01:17:57.439
<v Speaker 1>the songs cross this verson on was like, you have

1701
01:17:58.439 --> 01:18:00.520
<v Speaker 1>risen to the occasion. You've known that, like this has

1702
01:18:00.560 --> 01:18:02.279
<v Speaker 1>got to be done right, and you have You've put this,

1703
01:18:02.479 --> 01:18:04.920
<v Speaker 1>you put the work in, You've got something. You have

1704
01:18:05.000 --> 01:18:06.880
<v Speaker 1>rehearsed these songs and practice that you can do these

1705
01:18:07.000 --> 01:18:10.319
<v Speaker 1>vocals and not as it wasn't until basically the end

1706
01:18:10.359 --> 01:18:11.520
<v Speaker 1>of the set where you could kind of hear it

1707
01:18:11.640 --> 01:18:12.960
<v Speaker 1>was like he was a bit he was starting to

1708
01:18:12.960 --> 01:18:14.880
<v Speaker 1>get a little bit fucked because he just laid it

1709
01:18:14.920 --> 01:18:16.840
<v Speaker 1>all out on stage for the previous eighty minutes and

1710
01:18:17.279 --> 01:18:19.119
<v Speaker 1>in fact, if it's not until the end of the

1711
01:18:19.159 --> 01:18:21.760
<v Speaker 1>set where he has been going fucking the hardest he

1712
01:18:21.840 --> 01:18:24.159
<v Speaker 1>has gone and god knows how long that he starts

1713
01:18:24.199 --> 01:18:26.520
<v Speaker 1>to sound a little weary, I'm like, well, that to

1714
01:18:26.600 --> 01:18:28.960
<v Speaker 1>me is almost like a sign of just how good

1715
01:18:29.039 --> 01:18:32.239
<v Speaker 1>he's been. That he has poured everything into this performance.

1716
01:18:32.359 --> 01:18:35.159
<v Speaker 1>It was like, really something to put that, And I think,

1717
01:18:35.920 --> 01:18:38.359
<v Speaker 1>like just all the respects to him and and the

1718
01:18:38.399 --> 01:18:41.279
<v Speaker 1>band in general for just locking in and just giving

1719
01:18:41.439 --> 01:18:44.960
<v Speaker 1>this the actual treatment it deserves and not just all

1720
01:18:45.039 --> 01:18:47.680
<v Speaker 1>and again not just doing it as a novelty. Doing

1721
01:18:47.760 --> 01:18:50.760
<v Speaker 1>this is the most like professional way that still feels

1722
01:18:51.199 --> 01:18:54.520
<v Speaker 1>put together properly, but has the spirit and the energy

1723
01:18:54.880 --> 01:18:57.239
<v Speaker 1>of what a two thousand and six death course, yeah

1724
01:18:57.439 --> 01:18:59.479
<v Speaker 1>ding venue should be just on the biggest stage with

1725
01:18:59.560 --> 01:19:00.840
<v Speaker 1>fucking part I mean.

1726
01:19:00.920 --> 01:19:03.279
<v Speaker 2>And that was at one point where where OI just goes,

1727
01:19:03.439 --> 01:19:06.600
<v Speaker 2>I want this to be brutal with two zeros, and

1728
01:19:06.720 --> 01:19:08.439
<v Speaker 2>it was just like such a yes, Like if you

1729
01:19:08.520 --> 01:19:12.359
<v Speaker 2>were there during the you know, the the late Northeast

1730
01:19:12.359 --> 01:19:15.960
<v Speaker 2>early twenty tens era of like the online death core

1731
01:19:16.039 --> 01:19:17.960
<v Speaker 2>metal speak whatever it did, it felt like the whole

1732
01:19:17.960 --> 01:19:19.680
<v Speaker 2>occasion was like a love letter. It was almost like

1733
01:19:19.800 --> 01:19:21.439
<v Speaker 2>we made it. You know, It's like this, this is

1734
01:19:21.439 --> 01:19:24.079
<v Speaker 2>where we started. Here we are twenty years later, we're

1735
01:19:24.119 --> 01:19:26.760
<v Speaker 2>somehow through this strange series of events in this career

1736
01:19:26.840 --> 01:19:30.079
<v Speaker 2>up we've been on able to perform this music in

1737
01:19:30.199 --> 01:19:32.279
<v Speaker 2>a you know, in front of a crowd like this

1738
01:19:32.439 --> 01:19:34.600
<v Speaker 2>and in a setting like this. But it was such

1739
01:19:34.680 --> 01:19:38.359
<v Speaker 2>a love letter too, like that moment in time and

1740
01:19:38.439 --> 01:19:40.359
<v Speaker 2>even like you know, looking at the record and just

1741
01:19:40.479 --> 01:19:44.359
<v Speaker 2>the the fucking the stupidity part of you know, capul

1742
01:19:44.399 --> 01:19:46.960
<v Speaker 2>lessings and that era of death courts and the sloppiness

1743
01:19:47.039 --> 01:19:49.560
<v Speaker 2>and the fucking the you know, the youthful just fucking

1744
01:19:50.199 --> 01:19:53.640
<v Speaker 2>vigor of it, you know, of charging into a fucking

1745
01:19:53.720 --> 01:19:55.680
<v Speaker 2>wall and banging your head off a bit, right, like

1746
01:19:55.760 --> 01:20:00.279
<v Speaker 2>that useful stupidity was like again, even they are they're

1747
01:20:00.319 --> 01:20:03.640
<v Speaker 2>much you know, much more mature, more physically able, whatever

1748
01:20:03.720 --> 01:20:07.720
<v Speaker 2>type people. It did feel like a love letter to uh,

1749
01:20:08.079 --> 01:20:09.600
<v Speaker 2>that kind of spirit and even to the sense of

1750
01:20:09.760 --> 01:20:12.119
<v Speaker 2>like you know, being vaguely patriotic about it, being like,

1751
01:20:12.159 --> 01:20:13.600
<v Speaker 2>you know, obviously, like I said, the Saturday was the

1752
01:20:14.960 --> 01:20:17.720
<v Speaker 2>day of the England game right afterwards, and Olie being like,

1753
01:20:17.760 --> 01:20:20.279
<v Speaker 2>you know, we are bringing the horizon from Sheffield, England, right,

1754
01:20:20.319 --> 01:20:22.279
<v Speaker 2>It's like we are from essentially just down the road.

1755
01:20:22.319 --> 01:20:26.760
<v Speaker 2>We are this world conquering band. We are like the biggest,

1756
01:20:26.840 --> 01:20:29.640
<v Speaker 2>most influential metal bard of our generation. But we that

1757
01:20:29.760 --> 01:20:32.800
<v Speaker 2>the UK hardcore and metal core scene is what Birth

1758
01:20:32.880 --> 01:20:34.800
<v Speaker 2>does and this is what is you know, this is

1759
01:20:34.840 --> 01:20:37.159
<v Speaker 2>what we're kind of throwing it back to and really

1760
01:20:37.239 --> 01:20:39.920
<v Speaker 2>like you know, giving that love back to on these

1761
01:20:39.960 --> 01:20:43.279
<v Speaker 2>particular nights and celebrating again how far they've come, Like

1762
01:20:43.399 --> 01:20:45.520
<v Speaker 2>you know, Oli was talking about, you know, these three

1763
01:20:45.560 --> 01:20:47.000
<v Speaker 2>guys on this stage with me, like they have been

1764
01:20:47.039 --> 01:20:48.880
<v Speaker 2>a band together obviously, they've had other members come and go.

1765
01:20:49.199 --> 01:20:51.479
<v Speaker 2>But these four guys who are bringing the Roizen right

1766
01:20:51.520 --> 01:20:54.399
<v Speaker 2>now have been there since Fucking County Blessings era, and

1767
01:20:54.479 --> 01:20:56.560
<v Speaker 2>it's like they have kind of gone through thick and

1768
01:20:56.640 --> 01:20:58.880
<v Speaker 2>thin together and this was just such a great moment

1769
01:20:59.000 --> 01:21:01.119
<v Speaker 2>of like, you know, we are all still here. He

1770
01:21:01.239 --> 01:21:02.960
<v Speaker 2>was like, we're all still friends, we all still enjoy

1771
01:21:03.039 --> 01:21:06.359
<v Speaker 2>doing this together. Look how fucking far we've come. And

1772
01:21:06.439 --> 01:21:08.960
<v Speaker 2>there was just this really like wonderful for a record

1773
01:21:09.000 --> 01:21:11.439
<v Speaker 2>as nasty as Country of Blessings and it's like genuinely

1774
01:21:11.520 --> 01:21:13.439
<v Speaker 2>ugly in many places a cut of Blessings, there was

1775
01:21:13.479 --> 01:21:17.560
<v Speaker 2>a wonderfully wholesome, loving, we can all feel good about

1776
01:21:17.560 --> 01:21:21.319
<v Speaker 2>this together vibe that like percolated through this entire show.

1777
01:21:21.920 --> 01:21:24.239
<v Speaker 1>But there was a bit more Ollie. He got choked up.

1778
01:21:24.399 --> 01:21:25.359
<v Speaker 1>It was like, I was like, we was just trying

1779
01:21:25.359 --> 01:21:26.640
<v Speaker 1>to say this was my favorite shows and he kind

1780
01:21:26.640 --> 01:21:28.399
<v Speaker 1>of just got choked with I was like, it might

1781
01:21:28.479 --> 01:21:29.960
<v Speaker 1>be my favorite show ever, and he just kind of

1782
01:21:30.039 --> 01:21:31.640
<v Speaker 1>off off the coup, kind of just said that because

1783
01:21:31.640 --> 01:21:35.720
<v Speaker 1>he was just taken aback by the whole celebratory just

1784
01:21:35.800 --> 01:21:38.399
<v Speaker 1>kind of like loving nature of what all of what

1785
01:21:38.479 --> 01:21:41.520
<v Speaker 1>that and again what they've achieved looking back to when

1786
01:21:41.600 --> 01:21:43.960
<v Speaker 1>they were this is the certainly thing but the most

1787
01:21:44.239 --> 01:21:47.720
<v Speaker 1>ridiculed band, and it's now of like, look at us

1788
01:21:48.159 --> 01:21:52.840
<v Speaker 1>getting ten thousand people to fucking go but batshit with

1789
01:21:52.960 --> 01:21:55.359
<v Speaker 1>these songs that you said we were rubbish at the time.

1790
01:21:56.520 --> 01:21:58.920
<v Speaker 1>Fuck you all. We are like we've made it. We

1791
01:21:59.039 --> 01:22:01.039
<v Speaker 1>are doing that and I'm like, I mean, it's just

1792
01:22:01.159 --> 01:22:03.439
<v Speaker 1>so cool. And again it feels like because because they

1793
01:22:03.520 --> 01:22:05.359
<v Speaker 1>have now idiot that they can look back at this

1794
01:22:05.439 --> 01:22:08.399
<v Speaker 1>and there isn't you know, necessarily the risk and kind

1795
01:22:08.399 --> 01:22:10.479
<v Speaker 1>of frown back to here. But it wasn't done as

1796
01:22:10.520 --> 01:22:12.479
<v Speaker 1>a sort of like none of it felt like a

1797
01:22:12.520 --> 01:22:15.439
<v Speaker 1>sort of calculated or if we do the nostalgia thing

1798
01:22:15.479 --> 01:22:18.960
<v Speaker 1>now it's gonna sell, it's it's clean done because Eving

1799
01:22:19.079 --> 01:22:20.840
<v Speaker 1>just felt like we want to we want to look

1800
01:22:20.920 --> 01:22:24.399
<v Speaker 1>back at our origins, at our roots and kind of

1801
01:22:24.720 --> 01:22:27.199
<v Speaker 1>throw throw back to that time and have fun doing it.

1802
01:22:27.319 --> 01:22:29.800
<v Speaker 1>And that was it. It's just the fun for the band,

1803
01:22:29.880 --> 01:22:32.680
<v Speaker 1>for the audience. It was just a good time, fun event.

1804
01:22:33.119 --> 01:22:35.359
<v Speaker 2>Yeah, it's a hell of a fucking you know, bow

1805
01:22:35.560 --> 01:22:38.399
<v Speaker 2>for again, the micro drop for Cat your Blessings as

1806
01:22:38.399 --> 01:22:39.760
<v Speaker 2>a moment and a record, you know what I mean?

1807
01:22:39.880 --> 01:22:41.399
<v Speaker 2>Then we had to humanize right at the end of

1808
01:22:41.520 --> 01:22:43.399
<v Speaker 2>you know, the Canty Blessings kind of part of the set,

1809
01:22:43.880 --> 01:22:46.800
<v Speaker 2>and like I said, it immediately just fucking cemented itself

1810
01:22:46.880 --> 01:22:48.840
<v Speaker 2>like it was a banger. People were going off for it.

1811
01:22:48.960 --> 01:22:51.479
<v Speaker 2>It carried in, took certainly in the live environment. Obviously

1812
01:22:51.680 --> 01:22:53.840
<v Speaker 2>things like production, you know, change or whatever aren't as

1813
01:22:54.119 --> 01:22:58.119
<v Speaker 2>apparently it carried on so seamlessly from the songs before

1814
01:22:58.199 --> 01:23:01.439
<v Speaker 2>it and the multiple hooks. Again, the fucking the Texas

1815
01:23:01.520 --> 01:23:04.840
<v Speaker 2>and Maska drop I mentioned was particularly great in the

1816
01:23:04.920 --> 01:23:07.159
<v Speaker 2>live environment. And then it went off for a little bit,

1817
01:23:07.199 --> 01:23:08.920
<v Speaker 2>and then when they came back, we had an encore

1818
01:23:08.960 --> 01:23:13.800
<v Speaker 2>set of what was it like four songs that turned

1819
01:23:13.800 --> 01:23:17.319
<v Speaker 2>out to also be you know, some turning back the

1820
01:23:17.359 --> 01:23:20.119
<v Speaker 2>clock to a different time. I will say, obviously you

1821
01:23:20.239 --> 01:23:23.720
<v Speaker 2>were there the day before. I was we as is

1822
01:23:23.800 --> 01:23:26.079
<v Speaker 2>kind of unavoidable with a song of you know, a

1823
01:23:26.239 --> 01:23:29.560
<v Speaker 2>show of this, you know, prominence. I saw what songs

1824
01:23:29.680 --> 01:23:31.520
<v Speaker 2>you guys have got in the encore and for the

1825
01:23:31.600 --> 01:23:34.039
<v Speaker 2>remaining for the twenty four hours after that, I was like, oh,

1826
01:23:34.279 --> 01:23:36.239
<v Speaker 2>what will we get? Like will we get for example,

1827
01:23:36.319 --> 01:23:38.000
<v Speaker 2>like what met you know, Michael Groman's been doing where

1828
01:23:38.000 --> 01:23:39.560
<v Speaker 2>they've be dropping in different old songs every night and

1829
01:23:39.600 --> 01:23:40.960
<v Speaker 2>that kind of thing. I was like, Oh, come on,

1830
01:23:41.159 --> 01:23:44.119
<v Speaker 2>do do alligate of blood, you know, do fucking football

1831
01:23:44.119 --> 01:23:46.039
<v Speaker 2>season is over, which it fucking is now, isn't it,

1832
01:23:46.439 --> 01:23:48.479
<v Speaker 2>But you know, do like Blacklist or something like that.

1833
01:23:48.840 --> 01:23:50.520
<v Speaker 2>And then we ended up getting the exact same four

1834
01:23:50.600 --> 01:23:53.359
<v Speaker 2>songs that you've got, So that was just as the

1835
01:23:54.119 --> 01:23:56.399
<v Speaker 2>second helping that we got. I was like, ah, damn it.

1836
01:23:56.640 --> 01:23:58.840
<v Speaker 2>They got the initial like what it is, and we

1837
01:23:58.960 --> 01:24:02.600
<v Speaker 2>got the second round those. But in terms of those

1838
01:24:02.680 --> 01:24:09.159
<v Speaker 2>four songs that they picked, which all covered essentially bring

1839
01:24:09.359 --> 01:24:12.399
<v Speaker 2>every bringing release up to twenty ten.

1840
01:24:13.039 --> 01:24:16.119
<v Speaker 1>Yeah, for me, I was kind of wondering was this

1841
01:24:16.239 --> 01:24:18.119
<v Speaker 1>gonna Were they gonna do it probably and just don't

1842
01:24:18.159 --> 01:24:21.520
<v Speaker 1>do for or because they've been on tour doing their

1843
01:24:21.560 --> 01:24:23.359
<v Speaker 1>current sell us anyway, are they just gonna They're like,

1844
01:24:23.359 --> 01:24:26.159
<v Speaker 1>we've got these songs, let's do them. When they came

1845
01:24:26.239 --> 01:24:29.840
<v Speaker 1>out and they started playing the opening notes of Suicide Season,

1846
01:24:29.880 --> 01:24:31.600
<v Speaker 1>I was kind of like, they're not doing Suicide Season.

1847
01:24:32.039 --> 01:24:34.840
<v Speaker 1>They're not doing Suicide Season because I was like, there's

1848
01:24:34.880 --> 01:24:37.520
<v Speaker 1>no way they're doing the eight minute closer off of

1849
01:24:37.600 --> 01:24:41.520
<v Speaker 1>that album. And then we're like the what I was

1850
01:24:41.600 --> 01:24:45.359
<v Speaker 1>like belting it out, and I think it was such

1851
01:24:45.399 --> 01:24:47.359
<v Speaker 1>a great choice of a song to kind of like

1852
01:24:47.840 --> 01:24:50.840
<v Speaker 1>follow one from Discount Your Blessings thing because this this

1853
01:24:51.000 --> 01:24:53.159
<v Speaker 1>was one of the first songs. But everyone kind of went, oh,

1854
01:24:53.399 --> 01:24:57.439
<v Speaker 1>there is the growth in songwriting because obviously, yeah, Suicide

1855
01:24:57.439 --> 01:24:59.640
<v Speaker 1>That's an album is kind of like the first step

1856
01:24:59.720 --> 01:25:01.960
<v Speaker 1>of them, kind of like doing momatal stuff. It's still

1857
01:25:01.960 --> 01:25:05.079
<v Speaker 1>got you know, real knuckle dragging dumb shit on it season,

1858
01:25:05.119 --> 01:25:07.560
<v Speaker 1>which I love all those songs, but the title track

1859
01:25:07.760 --> 01:25:14.560
<v Speaker 1>is this like really emotional, stirring, like post metalcore song

1860
01:25:14.640 --> 01:25:16.520
<v Speaker 1>almost and kind of like again it's eight minutes, it's

1861
01:25:16.760 --> 01:25:19.319
<v Speaker 1>that there's lots of passages to it. It's one of

1862
01:25:19.359 --> 01:25:22.640
<v Speaker 1>my favorite bringing Rison songs. And I just wasn't like,

1863
01:25:22.840 --> 01:25:25.840
<v Speaker 1>there's maybe only one song and the entire catalog I

1864
01:25:25.880 --> 01:25:28.119
<v Speaker 1>would have rather than played than Suicide Season, which is

1865
01:25:28.199 --> 01:25:30.640
<v Speaker 1>Crucify Me, which I'm never ever gonna get again. Fine, whatever,

1866
01:25:31.000 --> 01:25:34.439
<v Speaker 1>I kind of got Suicide Season. I couldn't fucking believe it.

1867
01:25:34.560 --> 01:25:37.159
<v Speaker 1>I was like almost crying because I was just kind

1868
01:25:37.159 --> 01:25:38.920
<v Speaker 1>of like, this song is one of those when I

1869
01:25:38.960 --> 01:25:42.760
<v Speaker 1>throw back to like late teen me who felt like

1870
01:25:42.800 --> 01:25:45.039
<v Speaker 1>an outcast he was like, and I was like, I

1871
01:25:45.159 --> 01:25:48.359
<v Speaker 1>like my eyes and and this song was one that

1872
01:25:48.399 --> 01:25:52.039
<v Speaker 1>I really was connected with, and I was like, fucking hell,

1873
01:25:52.079 --> 01:25:54.920
<v Speaker 1>I'm I've just seen Count Your Blessings in full and

1874
01:25:55.000 --> 01:25:56.880
<v Speaker 1>now I'm seeing them play Suicide Season. And this is

1875
01:25:56.920 --> 01:25:59.239
<v Speaker 1>where I like emotions started to stir up in me.

1876
01:25:59.319 --> 01:26:01.239
<v Speaker 1>I was kind of like, weren't ready for it. It

1877
01:26:01.399 --> 01:26:04.720
<v Speaker 1>was a real power. And so you get to that

1878
01:26:04.800 --> 01:26:09.399
<v Speaker 1>final like if I Sarah good Bill, yeah, but I

1879
01:26:09.560 --> 01:26:12.119
<v Speaker 1>was like, oh my god, this is I can't believe it.

1880
01:26:12.520 --> 01:26:15.560
<v Speaker 2>So on the second night, towards the very very end

1881
01:26:15.560 --> 01:26:16.880
<v Speaker 2>of Sucide season, there was like one of those you

1882
01:26:16.920 --> 01:26:19.800
<v Speaker 2>know Stow show stoppages, nothing serious, but you know, like

1883
01:26:20.479 --> 01:26:22.319
<v Speaker 2>you know, someone injured in the crowd had to be

1884
01:26:22.399 --> 01:26:25.319
<v Speaker 2>moved out whatever. And then so there were only at

1885
01:26:25.319 --> 01:26:26.720
<v Speaker 2>the very end of Suicides was like, right, we're just

1886
01:26:26.760 --> 01:26:28.479
<v Speaker 2>gonna do this very last bit a cappella. So on

1887
01:26:28.560 --> 01:26:30.840
<v Speaker 2>the second night, the very very ending of Suicide season,

1888
01:26:31.079 --> 01:26:33.000
<v Speaker 2>he just did it on his own with the crowd,

1889
01:26:33.800 --> 01:26:35.640
<v Speaker 2>and that was like a really fucking.

1890
01:26:35.439 --> 01:26:37.479
<v Speaker 1>That's a cool way to do it though as well, Yeah,

1891
01:26:37.600 --> 01:26:41.039
<v Speaker 1>it works as that kind of like intimate moment exactly.

1892
01:26:41.159 --> 01:26:43.159
<v Speaker 2>So that's that's how that that went down, and Suicide

1893
01:26:43.159 --> 01:26:45.239
<v Speaker 2>season that's been played for the first time live since

1894
01:26:45.279 --> 01:26:46.119
<v Speaker 2>twenty eleven.

1895
01:26:46.800 --> 01:26:48.840
<v Speaker 1>Obviously I might have seen that the last time it

1896
01:26:48.840 --> 01:26:51.279
<v Speaker 1>had been played, like genuine if one of the last

1897
01:26:51.319 --> 01:26:53.279
<v Speaker 1>times when they played there like Brigs in twenty eleven.

1898
01:26:53.319 --> 01:26:56.199
<v Speaker 1>They probably didn't play much after that, So yeah, that's crazy.

1899
01:26:57.600 --> 01:26:59.840
<v Speaker 2>All County blessing songs, apart from the ones they would

1900
01:27:00.000 --> 01:27:02.600
<v Speaker 2>regularly play like break Plagues or whatever. Obviously there, you know,

1901
01:27:02.840 --> 01:27:05.800
<v Speaker 2>first time since two thousand and nine, two thousand and six,

1902
01:27:05.880 --> 01:27:08.840
<v Speaker 2>A couple of them like whatever. Then the next time

1903
01:27:08.880 --> 01:27:10.920
<v Speaker 2>of the on court we were joking, we were like,

1904
01:27:10.960 --> 01:27:13.560
<v Speaker 2>will they play raw? Right? Will they do? You know

1905
01:27:13.760 --> 01:27:16.840
<v Speaker 2>something daft from the even earlier than counter your Lessons?

1906
01:27:17.079 --> 01:27:18.560
<v Speaker 2>This is what the Edge of your Seat was made for,

1907
01:27:18.920 --> 01:27:21.479
<v Speaker 2>eph And yeah, they did play well. It's probably the

1908
01:27:21.479 --> 01:27:24.039
<v Speaker 2>best song from that EP. It's the opening song, isn't it.

1909
01:27:24.119 --> 01:27:28.600
<v Speaker 2>The they have made reflections. First time that song has

1910
01:27:28.600 --> 01:27:31.079
<v Speaker 2>been played since two thousand and eight, apparently, or at

1911
01:27:31.159 --> 01:27:32.960
<v Speaker 2>least in full according to EF, they've done it.

1912
01:27:32.960 --> 01:27:34.880
<v Speaker 1>In Medley's I know that they've done it. Yeah, when

1913
01:27:34.880 --> 01:27:37.039
<v Speaker 1>they've thrown out those kind of like throwback medleys that

1914
01:27:37.039 --> 01:27:38.439
<v Speaker 1>they've done it at the odd shows they've done like

1915
01:27:38.479 --> 01:27:40.319
<v Speaker 1>maybe like the breakdown part one or one of the

1916
01:27:40.359 --> 01:27:42.640
<v Speaker 1>breaks from the opening of.

1917
01:27:42.680 --> 01:27:48.039
<v Speaker 2>That song being just full on fucking scroung key panic chords. Yeah,

1918
01:27:49.119 --> 01:27:54.560
<v Speaker 2>like the most obnoxious, like abrasive hardcore in their catalog.

1919
01:27:54.640 --> 01:27:57.159
<v Speaker 2>And once again there's Pyro coming out of the fucking

1920
01:27:57.199 --> 01:27:59.920
<v Speaker 2>top of the stage during it while they're playing fucking

1921
01:28:00.159 --> 01:28:03.720
<v Speaker 2>are they have no reflection? Was so surreal, like what

1922
01:28:03.880 --> 01:28:06.800
<v Speaker 2>a bizarre timeline to award into.

1923
01:28:07.439 --> 01:28:09.880
<v Speaker 1>Couldn't believe that that that's probably the best that song

1924
01:28:09.920 --> 01:28:11.880
<v Speaker 1>has been played, because even on that EP, that song

1925
01:28:12.039 --> 01:28:14.399
<v Speaker 1>is like, again it's aw this songy like panicled harkle,

1926
01:28:14.439 --> 01:28:17.520
<v Speaker 1>but it is sloppy. The playing is all over the

1927
01:28:17.520 --> 01:28:20.399
<v Speaker 1>place on that EP. Like hearing it played live with

1928
01:28:20.479 --> 01:28:23.159
<v Speaker 1>that full force behind it and that the attack in

1929
01:28:23.199 --> 01:28:26.319
<v Speaker 1>those rifts, I was kind of like, again, what are

1930
01:28:26.359 --> 01:28:28.840
<v Speaker 1>we doing? How is this being played in a car

1931
01:28:29.000 --> 01:28:32.720
<v Speaker 1>park to ten thousand people with Piro and people are

1932
01:28:32.840 --> 01:28:34.359
<v Speaker 1>fucking like shouting along to it.

1933
01:28:34.720 --> 01:28:36.760
<v Speaker 2>Yeah. And then the last two songs of it, the

1934
01:28:36.840 --> 01:28:38.520
<v Speaker 2>final one, the one song that I had you know,

1935
01:28:38.560 --> 01:28:40.199
<v Speaker 2>seen played before because it is an older, they bring

1936
01:28:40.239 --> 01:28:43.199
<v Speaker 2>out from now and then diamonds aren't forever, which I

1937
01:28:43.359 --> 01:28:47.279
<v Speaker 2>saw one of the funniest just like little moments I've

1938
01:28:47.279 --> 01:28:49.560
<v Speaker 2>maybe ever seen it a show where you know, when

1939
01:28:49.600 --> 01:28:52.840
<v Speaker 2>you maybe if you're standing near a security guard at

1940
01:28:52.880 --> 01:28:54.840
<v Speaker 2>a show, and there are those little moments when the

1941
01:28:54.960 --> 01:28:57.119
<v Speaker 2>security guards as they talk to each other or jested

1942
01:28:57.119 --> 01:28:58.840
<v Speaker 2>to each other, show a little bit of humanity, right,

1943
01:28:58.880 --> 01:29:00.560
<v Speaker 2>and you see that the security to having like a

1944
01:29:00.600 --> 01:29:03.840
<v Speaker 2>little bit of fun when they started doing dimes up forever.

1945
01:29:04.079 --> 01:29:07.199
<v Speaker 2>The security guard like started doing you know, going to her,

1946
01:29:07.279 --> 01:29:08.840
<v Speaker 2>you know, her partner who was it was, it was

1947
01:29:08.840 --> 01:29:10.840
<v Speaker 2>out with it, doing that like we will never sleep

1948
01:29:10.920 --> 01:29:14.800
<v Speaker 2>kind of mouthing it part. And then notice that behind

1949
01:29:14.920 --> 01:29:17.399
<v Speaker 2>her in the actual crowd area, someone had gotten on

1950
01:29:17.479 --> 01:29:19.560
<v Speaker 2>top of someone's shoulders and had lit two of those

1951
01:29:19.600 --> 01:29:23.399
<v Speaker 2>like sort of red smoke grenade like flair type things, yeah,

1952
01:29:23.520 --> 01:29:25.279
<v Speaker 2>and was going off. So she was like looking the

1953
01:29:25.359 --> 01:29:28.520
<v Speaker 2>other way, mouthing we will never sleep because for the week,

1954
01:29:28.520 --> 01:29:30.279
<v Speaker 2>and then just turned around and did like a comedy

1955
01:29:30.359 --> 01:29:34.079
<v Speaker 2>double take at this person all these giant fucking smoking

1956
01:29:34.239 --> 01:29:37.119
<v Speaker 2>things and had to start frantically gesturing being like, oh

1957
01:29:37.159 --> 01:29:39.760
<v Speaker 2>my god, I get that guy. It was like such

1958
01:29:39.840 --> 01:29:42.319
<v Speaker 2>a tonal switch of a moment, brilliant that will live

1959
01:29:42.359 --> 01:29:44.760
<v Speaker 2>my memb for a long time, but before dimes up forever.

1960
01:29:45.560 --> 01:29:48.520
<v Speaker 2>A pnultimate song Blessed with a Curse, which once again,

1961
01:29:48.640 --> 01:29:51.199
<v Speaker 2>this is the first time I have seen a single

1962
01:29:51.319 --> 01:29:53.439
<v Speaker 2>song played from what I think is the best bringing

1963
01:29:53.479 --> 01:29:55.520
<v Speaker 2>the r as an album, which is there is a

1964
01:29:55.560 --> 01:29:57.439
<v Speaker 2>hell it's not my favorite song from it, but I

1965
01:29:57.520 --> 01:29:59.079
<v Speaker 2>do know that Blessed with the Curse is such a

1966
01:29:59.159 --> 01:30:01.199
<v Speaker 2>real fan favorite, and I think it's only like the

1967
01:30:01.359 --> 01:30:03.720
<v Speaker 2>second time they have played this song in like the

1968
01:30:03.800 --> 01:30:07.159
<v Speaker 2>current decade, right, and again it's a it's a switch

1969
01:30:07.199 --> 01:30:08.800
<v Speaker 2>certainly from you know, the cant of Blessing start stuff.

1970
01:30:08.800 --> 01:30:10.760
<v Speaker 2>Because we're serisis as well, we had delved into some

1971
01:30:10.840 --> 01:30:12.960
<v Speaker 2>really like you know more kind of like your emotional

1972
01:30:13.000 --> 01:30:15.920
<v Speaker 2>heart and sleep hardcore type bringing the Horizon material. But

1973
01:30:16.359 --> 01:30:18.239
<v Speaker 2>once again in terms of the loving too, I just

1974
01:30:18.279 --> 01:30:20.399
<v Speaker 2>suppose the early years of this band and how much

1975
01:30:20.479 --> 01:30:23.640
<v Speaker 2>that material means to people, you know, getting one particularly

1976
01:30:23.640 --> 01:30:24.720
<v Speaker 2>in the sort of inter but you know when you

1977
01:30:25.039 --> 01:30:28.039
<v Speaker 2>fucking when main outbreak happened, and you see the video

1978
01:30:28.079 --> 01:30:31.079
<v Speaker 2>that went around of like Largerspute for example, Yeah, and

1979
01:30:31.159 --> 01:30:33.039
<v Speaker 2>you've got people doing the you know, King Park and

1980
01:30:33.039 --> 01:30:34.479
<v Speaker 2>all that kind of shit, and you go, oh yeah,

1981
01:30:34.479 --> 01:30:36.720
<v Speaker 2>that's the sort of the emotive hardcore, you know, outbreak

1982
01:30:36.760 --> 01:30:37.399
<v Speaker 2>type experience.

1983
01:30:37.479 --> 01:30:38.159
<v Speaker 1>It was basically that.

1984
01:30:38.279 --> 01:30:40.560
<v Speaker 2>But we bring me playing Blessed with the Curse.

1985
01:30:40.600 --> 01:30:43.479
<v Speaker 1>You know what I mean? Again, if you ask anyone

1986
01:30:43.520 --> 01:30:47.159
<v Speaker 1>who knew me in twenty ten how much I loved

1987
01:30:47.279 --> 01:30:49.000
<v Speaker 1>this song and I was kind of like, this is it, man,

1988
01:30:49.079 --> 01:30:52.760
<v Speaker 1>like bringing the vice and their right us emotional middlecre

1989
01:30:52.840 --> 01:30:56.039
<v Speaker 1>ballads that are so deep and like speaking to me.

1990
01:30:56.600 --> 01:30:59.279
<v Speaker 1>And again I was like, fuck me, eighteen year old

1991
01:30:59.399 --> 01:31:02.640
<v Speaker 1>Sam is happening again. We're seeing Blessed for Curse. You

1992
01:31:02.680 --> 01:31:06.399
<v Speaker 1>can get your big cry out and again like that

1993
01:31:06.520 --> 01:31:07.880
<v Speaker 1>was it for the because again that this song is

1994
01:31:08.000 --> 01:31:10.720
<v Speaker 1>has built on those kind of big shout along hooks

1995
01:31:10.720 --> 01:31:12.159
<v Speaker 1>from the chorus, so it's got to take back everything

1996
01:31:12.199 --> 01:31:13.960
<v Speaker 1>I said for you, or like everything I touched turns

1997
01:31:14.000 --> 01:31:16.239
<v Speaker 1>to stone, and that were like the crowd on there

1998
01:31:17.079 --> 01:31:20.199
<v Speaker 1>screaming that, and Ollie again on top of them passing

1999
01:31:20.239 --> 01:31:22.439
<v Speaker 1>the my accout and just Eron laying all that. It

2000
01:31:22.600 --> 01:31:25.199
<v Speaker 1>felt huge and it was kind of like these songs

2001
01:31:25.239 --> 01:31:27.399
<v Speaker 1>are massive, and they are, but they are still heavy,

2002
01:31:27.399 --> 01:31:29.920
<v Speaker 1>they're emotive, and it was just a great thing to

2003
01:31:29.960 --> 01:31:31.960
<v Speaker 1>sort of see this come back out and capture that

2004
01:31:32.119 --> 01:31:35.479
<v Speaker 1>kind of like emotional heart and sleeve hardcore kind of

2005
01:31:35.560 --> 01:31:38.680
<v Speaker 1>like crowd band sort of moment, and Blessed for Us

2006
01:31:38.760 --> 01:31:39.800
<v Speaker 1>was like the perfle one to do that with.

2007
01:31:40.760 --> 01:31:44.520
<v Speaker 2>Yeah, it was a hell of a fucking moment, you know,

2008
01:31:44.680 --> 01:31:47.439
<v Speaker 2>Like I said, in terms of a band who, Yeah,

2009
01:31:47.479 --> 01:31:50.960
<v Speaker 2>we have both been on and off with in terms

2010
01:31:51.039 --> 01:31:54.640
<v Speaker 2>of showing our appreciation for But it's so nice when

2011
01:31:54.720 --> 01:31:56.439
<v Speaker 2>even if it is a bit of nostalgia, but if

2012
01:31:56.479 --> 01:31:59.319
<v Speaker 2>it's approached the right way and done with conviction, right,

2013
01:31:59.479 --> 01:32:04.880
<v Speaker 2>which this I think absolutely was. It's so nice when

2014
01:32:04.920 --> 01:32:07.760
<v Speaker 2>you get thrown a bone and you can reconnect with

2015
01:32:07.880 --> 01:32:11.840
<v Speaker 2>something and like seeing you know, bringing the horizon. Who

2016
01:32:11.880 --> 01:32:14.720
<v Speaker 2>are you know, the definitive metal band. Whether they're favorite

2017
01:32:14.800 --> 01:32:16.880
<v Speaker 2>or not, they are in terms of scale and influence,

2018
01:32:16.880 --> 01:32:21.039
<v Speaker 2>they are the definitive metal band of our generation essentially, right,

2019
01:32:21.079 --> 01:32:23.800
<v Speaker 2>you know, the kind of late millennial turn of the

2020
01:32:23.960 --> 01:32:27.159
<v Speaker 2>you know, twenty tens getting into heavy music type generation.

2021
01:32:27.279 --> 01:32:30.439
<v Speaker 2>They are like the band who were like the at

2022
01:32:30.479 --> 01:32:34.399
<v Speaker 2>the four of it all. Getting to see them reconnect

2023
01:32:34.520 --> 01:32:36.640
<v Speaker 2>with you know, the version of them basically that I

2024
01:32:36.880 --> 01:32:41.680
<v Speaker 2>first like was attracted to was was really really something

2025
01:32:41.760 --> 01:32:43.680
<v Speaker 2>and like you know again that the re recorded record

2026
01:32:44.520 --> 01:32:46.680
<v Speaker 2>we're saying that, you know, it's not bad by any

2027
01:32:46.760 --> 01:32:48.960
<v Speaker 2>many means, but it's not one that we're going to

2028
01:32:49.039 --> 01:32:52.119
<v Speaker 2>like reach for in the future. The show was actually

2029
01:32:52.199 --> 01:32:54.680
<v Speaker 2>better even than we like could have dreamed of it being.

2030
01:32:54.760 --> 01:32:54.840
<v Speaker 1>Right.

2031
01:32:54.880 --> 01:32:56.239
<v Speaker 2>You know, when you say Bring the Rison are doing

2032
01:32:56.279 --> 01:32:58.279
<v Speaker 2>Canty Blessings in full, it almost sounds like a bit

2033
01:32:58.319 --> 01:33:00.319
<v Speaker 2>of a joke or such a sort of or going

2034
01:33:00.359 --> 01:33:01.680
<v Speaker 2>to see it for the surrealness of it, But in

2035
01:33:01.800 --> 01:33:03.960
<v Speaker 2>terms of like actually putting on an incredible fucking night,

2036
01:33:04.560 --> 01:33:07.600
<v Speaker 2>it was like it delivered absolutely, like they made sure

2037
01:33:07.760 --> 01:33:09.920
<v Speaker 2>that it did. And we've even got a really fucking

2038
01:33:09.960 --> 01:33:12.039
<v Speaker 2>wicked new song to go with it as well. So

2039
01:33:12.560 --> 01:33:14.680
<v Speaker 2>you know, this band who we drift on and off with,

2040
01:33:15.079 --> 01:33:17.439
<v Speaker 2>getting this moment where we can go, we feel so

2041
01:33:17.640 --> 01:33:21.039
<v Speaker 2>fucking good, even if it's just for now, right, it

2042
01:33:21.239 --> 01:33:24.159
<v Speaker 2>was really like I I value that, I'll treasure that.

2043
01:33:25.079 --> 01:33:27.119
<v Speaker 1>That's exactly it for me. Again, it's been over a

2044
01:33:27.159 --> 01:33:29.239
<v Speaker 1>decade since I've seen Bringfis and they were once from

2045
01:33:29.239 --> 01:33:32.399
<v Speaker 1>a time my favorite band, and like again I've you know,

2046
01:33:32.960 --> 01:33:34.760
<v Speaker 1>slightly warmed back up to them again in recent years

2047
01:33:34.760 --> 01:33:37.960
<v Speaker 1>where again I've kind of like my stuffiness of oh

2048
01:33:38.039 --> 01:33:40.640
<v Speaker 1>he's not screaming anymore, like all that when like that

2049
01:33:40.800 --> 01:33:43.840
<v Speaker 1>Spirit and Ammo really pushed me away. And there have

2050
01:33:43.960 --> 01:33:45.279
<v Speaker 1>been moments on you know, the last couple that I

2051
01:33:45.359 --> 01:33:48.279
<v Speaker 1>found a bit terrible. Other moments I've been like, I

2052
01:33:48.359 --> 01:33:51.039
<v Speaker 1>like that some cool having this sort released for one

2053
01:33:51.359 --> 01:33:54.159
<v Speaker 1>one day or for one little period this year where

2054
01:33:54.159 --> 01:33:57.159
<v Speaker 1>they've gone this is for you. I've treasured it, I like,

2055
01:33:57.279 --> 01:33:58.920
<v Speaker 1>and part of me is like, is this you know,

2056
01:33:59.119 --> 01:34:02.560
<v Speaker 1>a sort of an a a tester for a heavier

2057
01:34:02.600 --> 01:34:05.239
<v Speaker 1>browth rise in the future. Who knows that? But even

2058
01:34:05.239 --> 01:34:08.079
<v Speaker 1>if it isn't just right now, I was like, I'm

2059
01:34:08.600 --> 01:34:10.079
<v Speaker 1>living this in the I'm living in the moment for

2060
01:34:10.159 --> 01:34:12.119
<v Speaker 1>this of like I want to see Cary of Blessings

2061
01:34:12.159 --> 01:34:14.199
<v Speaker 1>them fall, which is now that like maybe should never

2062
01:34:14.239 --> 01:34:16.279
<v Speaker 1>be played in full, but I never expected to be

2063
01:34:16.319 --> 01:34:18.079
<v Speaker 1>playing full and then an encore of some of my

2064
01:34:18.119 --> 01:34:22.960
<v Speaker 1>favorite brinth Rison songs. I have zero complaints, like I've

2065
01:34:23.479 --> 01:34:26.039
<v Speaker 1>all it's the most positive stuff I'm gonna say about

2066
01:34:26.039 --> 01:34:31.439
<v Speaker 1>brining Rison maybe ever Again, they were just absolutely unbelievable

2067
01:34:31.560 --> 01:34:34.359
<v Speaker 1>and the whole presentation of this from the album, I'm like,

2068
01:34:34.960 --> 01:34:36.960
<v Speaker 1>hats off to bring me. You have done an amazing

2069
01:34:37.039 --> 01:34:37.399
<v Speaker 1>job here.

2070
01:34:37.880 --> 01:34:40.119
<v Speaker 2>Yeah here. Like we said, nostalgia when it's done with

2071
01:34:40.359 --> 01:34:43.239
<v Speaker 2>conviction and approached properly and with a sense of purpose,

2072
01:34:44.319 --> 01:34:46.640
<v Speaker 2>can actually be really fucking cool and really valuable.

2073
01:34:46.720 --> 01:34:48.279
<v Speaker 1>So here there you go.

2074
01:34:48.399 --> 01:34:50.199
<v Speaker 2>That was our thoughts on bringing the Horizons a whole.

2075
01:34:50.239 --> 01:34:54.439
<v Speaker 2>Can't your blessing the twentieth anniversary celebrations. We will be

2076
01:34:54.720 --> 01:34:57.279
<v Speaker 2>back right now. As I said, if you hop over

2077
01:34:57.439 --> 01:34:59.720
<v Speaker 2>right as we are speaking to the Patreon then they're

2078
01:35:00.119 --> 01:35:04.359
<v Speaker 2>is the fourth and final part of our Corn Special,

2079
01:35:04.600 --> 01:35:07.800
<v Speaker 2>the big band Special that we have been deep into

2080
01:35:07.920 --> 01:35:10.680
<v Speaker 2>for the past couple of months. We will also be

2081
01:35:10.880 --> 01:35:13.840
<v Speaker 2>back next week. England may not have well won the

2082
01:35:13.840 --> 01:35:16.880
<v Speaker 2>World Cup, but the work continues on over here. Next

2083
01:35:16.880 --> 01:35:18.159
<v Speaker 2>week I think we'll be our review show and we

2084
01:35:18.239 --> 01:35:20.359
<v Speaker 2>are going to be talking about those records from example

2085
01:35:20.640 --> 01:35:23.359
<v Speaker 2>Loathe and the Mensingers and the excerpts and all the

2086
01:35:23.600 --> 01:35:25.399
<v Speaker 2>manner of bands who have release records in last couple

2087
01:35:25.399 --> 01:35:27.479
<v Speaker 2>of weeks and on ones as well, So you can

2088
01:35:27.560 --> 01:35:28.439
<v Speaker 2>rejoin us there for that.

2089
01:35:29.000 --> 01:35:29.279
<v Speaker 1>Bye.
