1 00:00:01,520 --> 00:00:07,559 Speaker 1: You're listening to w m NHLP, Manchester's radio broadcasting at 2 00:00:07,639 --> 00:00:12,160 ninety five point three FM from the top of one 3 00:00:12,199 --> 00:00:16,640 thousand Elm Street. Our studios are located at one nineteen 4 00:00:16,719 --> 00:00:22,359 Canal Street and licensed to Manchester Public Television Service in Manchester, 5 00:00:22,960 --> 00:00:24,839 New Hampshire, USA. 6 00:00:28,280 --> 00:00:29,359 Speaker 2: It's nine o'clock. 7 00:00:31,679 --> 00:00:34,320 Speaker 3: WMNH rip the dobles. 8 00:00:49,200 --> 00:00:51,399 Speaker 4: I'm on my way now. Why would out wait? 9 00:00:51,600 --> 00:00:51,759 Speaker 3: Now? 10 00:00:52,039 --> 00:00:55,200 Speaker 4: Wait now? I'm on my way now? Why would out wait? 11 00:00:55,439 --> 00:00:55,799 Speaker 3: Now? 12 00:00:55,880 --> 00:00:56,200 Speaker 5: Wait? 13 00:00:56,359 --> 00:00:56,719 Speaker 6: Now? 14 00:00:56,759 --> 00:00:59,000 Speaker 4: I'm on my way now? Why would out wait? 15 00:00:59,240 --> 00:00:59,640 Speaker 3: Now? 16 00:01:00,640 --> 00:01:01,320 Speaker 7: Hold my way? 17 00:01:03,399 --> 00:01:06,159 Speaker 8: We like kings, like eat a sports touchdown. We'll getting 18 00:01:06,159 --> 00:01:08,239 when I'm on that bill. How don't give a shot? 19 00:01:08,239 --> 00:01:09,640 Speaker 4: What'sh'all? Because I'm working on. 20 00:01:09,680 --> 00:01:11,840 Speaker 8: Mine and I need a good deal. Tell me what's real? 21 00:01:12,000 --> 00:01:14,079 I need a bail twenty nine trying to get all 22 00:01:14,159 --> 00:01:16,560 of my bills and trying to destroy me like Capitol pill. 23 00:01:16,640 --> 00:01:17,560 I'm coming right back and. 24 00:01:17,560 --> 00:01:20,079 Speaker 4: I'm numbing the thrill, but ain't captain. They making this 25 00:01:20,159 --> 00:01:23,840 fell the impact woo woo woo. 26 00:01:24,120 --> 00:01:26,200 Speaker 8: Then the quick dash. Soon there's the money call Let 27 00:01:26,239 --> 00:01:28,239 me right back, do it all. When my heart can't 28 00:01:28,239 --> 00:01:30,400 fight that funny find me with a bomb that decide 29 00:01:30,480 --> 00:01:32,480 rat got I'm telling me it's wrong that I'm like that. 30 00:01:32,760 --> 00:01:34,879 Hi Jack, the MICA's with the fight pack, hunt a 31 00:01:34,959 --> 00:01:37,239 mic and and no i'ma terror holy fighting with a 32 00:01:37,359 --> 00:01:39,680 man in the mirror when the aero step back's a 33 00:01:39,680 --> 00:01:41,920 good pack. If we're talking about impact, we did that. 34 00:01:42,239 --> 00:01:45,120 Oh no, heads to the front door. I know it's 35 00:01:45,159 --> 00:01:45,560 gonna come. 36 00:01:45,640 --> 00:01:47,719 Speaker 4: So got one by the end and the one more. 37 00:01:48,000 --> 00:01:49,680 I swear for my end. I'm gonna take yos. 38 00:01:49,799 --> 00:01:52,200 Speaker 8: We're gonna do with the jeesus its case, soosky souls, 39 00:01:52,280 --> 00:01:54,400 let me be kicking heavy KOs. Wake up in the 40 00:01:54,400 --> 00:01:56,439 morning with a day go trying to tour the States 41 00:01:56,439 --> 00:01:58,040 to win a big go, say souls. 42 00:01:58,200 --> 00:01:59,879 Speaker 4: I just want to make both for the hole in 43 00:02:00,079 --> 00:02:00,599 his head like. 44 00:02:00,519 --> 00:02:03,040 Speaker 8: A big go nay lo and wait for the safe coat. 45 00:02:03,159 --> 00:02:04,000 Speaker 4: Praise go kin. 46 00:02:04,040 --> 00:02:06,319 Speaker 8: Don't want to stay pope. These things is talking. But 47 00:02:06,359 --> 00:02:08,560 I see the opposite. I think I'm taking it next, 48 00:02:09,159 --> 00:02:10,000 losing that hope. 49 00:02:10,000 --> 00:02:10,840 Speaker 4: We nowhere that goal. 50 00:02:10,960 --> 00:02:13,280 Speaker 8: But I got this as on my chest. Push me, 51 00:02:13,319 --> 00:02:17,280 don't break down. Why I don't break down? Probably like 52 00:02:17,319 --> 00:02:20,400 eight miles. I'm on my weight now. 53 00:02:20,639 --> 00:02:22,800 Speaker 4: I'm on my way now. Why would I wait? 54 00:02:23,039 --> 00:02:23,319 Speaker 9: Now? 55 00:02:24,000 --> 00:02:26,599 Speaker 4: Now I'm on my way now, why would I wait? 56 00:02:26,840 --> 00:02:30,400 Speaker 10: Now I'm on my way now, why would I wait? 57 00:02:30,680 --> 00:02:31,919 Speaker 3: Now? 58 00:02:32,039 --> 00:02:34,520 Speaker 7: I want my way? 59 00:02:34,919 --> 00:02:36,639 Speaker 3: When hold on? 60 00:02:36,719 --> 00:02:40,199 Speaker 11: Wait loco wabbii and fuck up pay biggest man than me, 61 00:02:40,280 --> 00:02:44,400 I make okay, pending when I pull it in the pain. 62 00:02:43,360 --> 00:02:46,039 Speaker 12: Kind of ramber bit with the the biggest biture, don't 63 00:02:46,080 --> 00:02:49,319 fucker gud they try to figure me up? Tell me 64 00:02:49,360 --> 00:02:51,439 did you hear me when I say I come from 65 00:02:51,439 --> 00:02:53,719 that error left your marriage pop off with the stooper 66 00:02:53,759 --> 00:02:55,960 toot on and the terrism covering the duths. We pretend 67 00:02:56,000 --> 00:02:58,080 we no roy, I'm cussing the boot and they drop through? 68 00:02:58,120 --> 00:02:59,919 What area your gentrification with patient? 69 00:03:00,120 --> 00:03:00,280 Speaker 3: Wait? 70 00:03:00,319 --> 00:03:01,879 Speaker 12: In fact the way you're picking and so the in 71 00:03:02,000 --> 00:03:04,280 case they fighting for a placement on corners and rags 72 00:03:04,280 --> 00:03:05,199 while others are plaguant. 73 00:03:05,199 --> 00:03:06,000 Speaker 3: So up the word trap. 74 00:03:06,879 --> 00:03:10,120 Speaker 12: Wait now that was my trailer like eight miles. I 75 00:03:10,159 --> 00:03:12,719 know the play round came from numboos and so by 76 00:03:12,960 --> 00:03:16,199 pound currency. Come in and currently keep a good company 77 00:03:16,319 --> 00:03:18,919 being your somebody. All of my bandiness stoppers like children 78 00:03:19,000 --> 00:03:21,400 rim raised, but no man's like the general these rappers 79 00:03:21,439 --> 00:03:24,719 so so oh pick them apart while hitting them draws 80 00:03:24,879 --> 00:03:26,520 might be your wife and it might be your mob. 81 00:03:26,560 --> 00:03:27,439 Speaker 3: No discrimination. 82 00:03:27,560 --> 00:03:30,479 Speaker 12: I'm glazing them off because they just talking like they 83 00:03:30,520 --> 00:03:31,520 see their black Cadillac. 84 00:03:32,280 --> 00:03:32,960 Speaker 3: You look like a. 85 00:03:33,000 --> 00:03:34,199 Speaker 11: Government come from the money. 86 00:03:34,199 --> 00:03:36,560 Speaker 12: It's rotures and sofas. Employees don't where you had to 87 00:03:36,639 --> 00:03:38,520 go get it. The packs in the digital and said 88 00:03:38,560 --> 00:03:41,080 I'm giving you VEX them a criminal packed up, get 89 00:03:41,120 --> 00:03:42,680 packed in the clock. If you dumped in the lake 90 00:03:42,719 --> 00:03:45,599 and you domb were okay, pounded, the flavor would break down. 91 00:03:45,800 --> 00:03:47,840 That was like the state, like a break pound. Just 92 00:03:47,879 --> 00:03:50,280 say the stage up in eight towns. They said, I'm 93 00:03:50,439 --> 00:03:53,199 my weight now, I'm on my way now. 94 00:03:53,439 --> 00:03:57,000 Speaker 10: Why would I wait now? Now I'm on my way now? 95 00:03:57,240 --> 00:04:01,199 Why would I wear now? Now I'm away now? Well 96 00:04:01,199 --> 00:04:02,280 would I wait now? 97 00:04:02,560 --> 00:04:04,599 Speaker 7: Wait now? I don't my way now? 98 00:04:05,199 --> 00:04:10,560 Speaker 3: No way? No. When w m n H ripped the 99 00:04:10,719 --> 00:04:19,519 novels side, you. 100 00:04:19,560 --> 00:04:22,839 Speaker 2: Are listening to w m n H thirty five point three. 101 00:04:26,199 --> 00:04:31,680 Speaker 10: Command God, don't get Supreme Leada, Maxwell Cobby. 102 00:05:06,040 --> 00:05:08,079 Speaker 2: Good morning, everybody, Welcome, here we go. It is that 103 00:05:08,199 --> 00:05:11,839 time again. Matt Connorton unleashed and we are live from 104 00:05:11,920 --> 00:05:15,920 the studios of wm NH ninety five point three FM 105 00:05:16,279 --> 00:05:19,920 in glorious Manchester, New Hampshire at our Canal Street location. 106 00:05:20,319 --> 00:05:24,879 Welcome everybody. Today is Saturday, August ten, twenty twenty four. 107 00:05:25,480 --> 00:05:27,160 We just heard by the Way, the new Hope the 108 00:05:27,279 --> 00:05:31,879 Rap single on My Way, week nine of our ten 109 00:05:31,959 --> 00:05:34,319 weeks of new singles from Hope the Rapper. I can't 110 00:05:34,319 --> 00:05:36,600 believe next week will be the last one week ten, 111 00:05:37,000 --> 00:05:39,079 but we love Hope the Rapper. That is great stuff 112 00:05:39,079 --> 00:05:40,560 and we'll play that again later in the show too. 113 00:05:40,560 --> 00:05:42,680 If you miss it, we'll try to hit that every hour. 114 00:05:43,000 --> 00:05:44,600 But I'm not alone, my friends. 115 00:05:55,759 --> 00:05:57,399 Speaker 9: Good morning sunshine. 116 00:05:57,639 --> 00:06:01,879 Speaker 2: Yes, Jenny is here at the news tables of book. Yes, Yes, 117 00:06:02,120 --> 00:06:05,600 we have a very busy show today. We've got Club 118 00:06:05,680 --> 00:06:08,040 Paradise coming up in just a few minutes, skyping in 119 00:06:08,519 --> 00:06:09,759 from across the Pond. 120 00:06:09,959 --> 00:06:10,839 Speaker 12: And I love them. 121 00:06:11,040 --> 00:06:13,600 Speaker 2: I love their sound. And actually before they call, we 122 00:06:13,639 --> 00:06:15,879 are gonna play or before they skype, I should say 123 00:06:16,120 --> 00:06:19,639 we are gonna play their brand new single, their newest single. 124 00:06:19,759 --> 00:06:21,879 And then but we've got a few songs of theirs 125 00:06:21,920 --> 00:06:24,759 we're gonna play today. Really really love them, so you're 126 00:06:24,800 --> 00:06:30,399 gonna love yes, and we have lots We've got Grizzly, uh, 127 00:06:31,160 --> 00:06:35,000 Grizzy Grizzy Hendrix. I almost said, Grizzly, call you out 128 00:06:35,079 --> 00:06:37,720 on that later, Grizzy Hendrix. I don't know why that's 129 00:06:37,720 --> 00:06:38,560 difficult for me to say. 130 00:06:38,759 --> 00:06:39,439 Speaker 9: Ten times past. 131 00:06:39,560 --> 00:06:42,720 Speaker 2: He'll be here in the cannot He'll be here in 132 00:06:42,800 --> 00:06:45,920 the third hour today and we've got some interesting things 133 00:06:45,920 --> 00:06:47,279 to get into it in the second hour as well. 134 00:06:47,279 --> 00:06:50,839 But welcome everybody. This is Matt Connorton unleashed, of course, 135 00:06:51,240 --> 00:06:57,839 and we should mention too before I forget, because this 136 00:06:58,079 --> 00:07:00,600 is uh. I'm excited about this, got a big events. 137 00:07:00,639 --> 00:07:03,560 So we are one week away. Yeah, and it's been 138 00:07:03,560 --> 00:07:06,839 a while since I've done something like this. So next Saturday, 139 00:07:07,920 --> 00:07:12,920 Next Saturday, August seventeenth, there's an event at these Sister 140 00:07:13,000 --> 00:07:18,600 Witch Sister Witch Company, and they were on with us 141 00:07:18,639 --> 00:07:20,319 a couple of months ago and we're gonna be doing 142 00:07:20,360 --> 00:07:22,720 more with them in the future. But they've got an 143 00:07:22,759 --> 00:07:25,279 event coming up at the Sister Witch Company. It's in Hooks. 144 00:07:25,319 --> 00:07:28,079 It it's at eleven ninety three Hooks at Road. It's 145 00:07:28,160 --> 00:07:33,399 a gritting class healing circle and they have hypnotherapy. Guess 146 00:07:33,439 --> 00:07:34,639 who the hypnotherapist is? 147 00:07:34,839 --> 00:07:38,360 Speaker 9: Who me? Why? 148 00:07:38,720 --> 00:07:38,759 Speaker 12: What? 149 00:07:39,360 --> 00:07:39,560 Speaker 3: Why? 150 00:07:40,120 --> 00:07:42,759 Speaker 2: Because they asked me to do it? What and I'm excited. 151 00:07:43,040 --> 00:07:46,800 What so that will be next Saturday. Now, the event 152 00:07:46,879 --> 00:07:49,279 starts at noon. I obviously will not be there at 153 00:07:49,360 --> 00:07:52,560 noon because of this radio show, so but you can 154 00:07:52,600 --> 00:07:54,600 show up there at noon. They'll have lots of great stuff. 155 00:07:54,959 --> 00:07:59,120 My official arrival time is two pm, because it's usually, 156 00:07:59,439 --> 00:08:01,279 you know, almost one o'clock by the time we get 157 00:08:01,439 --> 00:08:03,639 the show uploaded and everything. So I told them I 158 00:08:03,680 --> 00:08:05,399 can be there by two. I'll try to get there 159 00:08:05,399 --> 00:08:07,600 a little bit earlier, but but please, you know, show 160 00:08:07,680 --> 00:08:09,720 up early, don't wait for me. Like I said, it 161 00:08:09,839 --> 00:08:13,639 starts from at noon and it goes till five pm Saturday, 162 00:08:13,680 --> 00:08:16,800 August seventeenth, the Sister Witch Company. But I will be 163 00:08:16,839 --> 00:08:19,839 there doing hypnotherapy, so really looking forward to that. 164 00:08:19,920 --> 00:08:23,519 Speaker 13: Maybe some group any kind of hypnotherapy, particular hypni like 165 00:08:23,600 --> 00:08:24,360 a you're gonna sqush. 166 00:08:24,639 --> 00:08:25,079 Speaker 3: What do you do? 167 00:08:26,079 --> 00:08:26,639 Speaker 4: I do a lot? 168 00:08:26,759 --> 00:08:28,800 Speaker 2: Well, I do a lot of stop smoking sessions. That's 169 00:08:28,839 --> 00:08:33,120 the number one thing that I do. Well, you know, 170 00:08:33,279 --> 00:08:36,000 now as to mention it, the fine folks at the 171 00:08:36,159 --> 00:08:38,360 Sister Witch Company have expressed an interest in that. 172 00:08:39,200 --> 00:08:43,879 Speaker 9: I bet that might be interesting stories from both Yes. 173 00:08:43,879 --> 00:08:47,360 Speaker 2: Yes, so that will all be one week from today, 174 00:08:47,759 --> 00:08:49,679 Please come see us, and the event is free to 175 00:08:49,679 --> 00:08:51,639 get in. Obviously, if you want to do you know, 176 00:08:51,960 --> 00:08:54,320 a session with me or with any of the other 177 00:08:54,399 --> 00:08:56,240 fine people there, you know, that costs money, but. 178 00:08:56,240 --> 00:08:59,480 Speaker 9: It's free to get in and calm look around, Gibb. 179 00:08:59,519 --> 00:09:02,000 Speaker 2: It's yeah, it's a really cool place. You haven't been 180 00:09:02,039 --> 00:09:04,679 there yet, I know, and I'm dying to go. Yes, 181 00:09:04,720 --> 00:09:06,639 I want to check it out. Yeah, very very cool. 182 00:09:06,720 --> 00:09:09,120 So looking forward to that. So that will be one 183 00:09:09,200 --> 00:09:09,919 week from. 184 00:09:10,080 --> 00:09:12,360 Speaker 9: Thinking the show and that in the same day. 185 00:09:12,799 --> 00:09:14,440 Speaker 2: That might be. That might be too, that might be 186 00:09:14,519 --> 00:09:15,000 a bit much. 187 00:09:15,080 --> 00:09:16,840 Speaker 9: Yeah, yeah, my alarm will go off. 188 00:09:17,080 --> 00:09:20,120 Speaker 2: Yeah, sit down, sit down. I'm gonna be tired. 189 00:09:20,200 --> 00:09:20,919 Speaker 9: That's what sounds like. 190 00:09:21,200 --> 00:09:22,360 Speaker 4: Oh yeah, you're gonna be tired. 191 00:09:22,440 --> 00:09:24,679 Speaker 9: Yeah yeah, especially because you have show Friday night too, 192 00:09:24,960 --> 00:09:27,480 right right, Yeah, yeah, you're gonna do a twenty four 193 00:09:27,519 --> 00:09:28,600 hour run. It'll be cute. 194 00:09:29,399 --> 00:09:33,639 Speaker 2: Yes, My Friday night into Saturday morning is very busy 195 00:09:33,679 --> 00:09:36,039 because of course Friday nights, I'm here for Retrospect Radio 196 00:09:36,399 --> 00:09:39,799 with Polly c and last night. Not to brag, but 197 00:09:39,919 --> 00:09:42,519 I did win the nine at nine. Name that nine 198 00:09:42,559 --> 00:09:42,919 at nine. 199 00:09:43,120 --> 00:09:47,480 Speaker 4: I was the first to guess, Oh you were the first. 200 00:09:47,559 --> 00:09:49,320 Speaker 2: Well that's not the nine at nine. That's the other thing, 201 00:09:49,399 --> 00:09:49,960 the contest. 202 00:09:50,080 --> 00:09:52,600 Speaker 9: You got the night, Yes, and then the contest I 203 00:09:52,759 --> 00:09:53,960 was the first to guess correctly. 204 00:09:54,159 --> 00:09:54,320 Speaker 4: Yeah. 205 00:09:54,480 --> 00:09:57,120 Speaker 2: Check out if you don't. If you're not currently a listener, 206 00:09:57,159 --> 00:09:58,559 you should check it out. It's a lot of fun. 207 00:09:58,600 --> 00:10:01,519 Retrospect Radio with Polly see Friday nights from a to 208 00:10:01,600 --> 00:10:04,960 eleven pm, and there is a replay or two during 209 00:10:05,000 --> 00:10:08,559 the week. Uh, check local listings. As Paul likes to say, well, if. 210 00:10:08,480 --> 00:10:10,080 Speaker 9: You want to have some fun, you can actually go 211 00:10:10,200 --> 00:10:11,919 back and listen to last night's show. 212 00:10:12,159 --> 00:10:15,519 Speaker 13: Yes, and here's the kick. All of the songs have 213 00:10:15,639 --> 00:10:18,159 something in common. You got to guess what the theme is. 214 00:10:18,720 --> 00:10:20,480 So if you weren't listening last night, you. 215 00:10:20,480 --> 00:10:21,600 Speaker 9: Can go check it out today. 216 00:10:22,080 --> 00:10:23,679 Speaker 13: Listen to the show and see if you can figure 217 00:10:23,679 --> 00:10:25,200 out what the theme is before the end of the 218 00:10:25,240 --> 00:10:26,799 show when he tells you what it actually is. 219 00:10:27,039 --> 00:10:27,200 Speaker 5: Right. 220 00:10:27,360 --> 00:10:30,240 Speaker 13: Oh, by the way, I did call oh did you Yes? 221 00:10:30,960 --> 00:10:33,559 But it went to a machine that said you're somebody's 222 00:10:33,639 --> 00:10:34,519 not available? 223 00:10:34,879 --> 00:10:35,159 Speaker 7: Weird? 224 00:10:35,360 --> 00:10:36,799 Speaker 9: It rang like five times. 225 00:10:37,399 --> 00:10:39,159 Speaker 2: Ah, you've been defeated by technology. 226 00:10:39,240 --> 00:10:41,759 Speaker 7: I was technology got me. 227 00:10:42,399 --> 00:10:44,799 Speaker 2: Let's see. Oh we can say hello. Everybody in the 228 00:10:45,039 --> 00:10:47,639 Facebook Live. Yeah, we're gonna we're gonna play that track. 229 00:10:48,039 --> 00:10:52,080 Let's see. Oh uh, Tom Sira Kusa if I'm saying 230 00:10:52,120 --> 00:10:54,039 his last name correctly from of course, day to Attend 231 00:10:54,279 --> 00:10:56,919 by the way, I'm wearing my day to Attend shirt. 232 00:10:57,120 --> 00:10:59,600 Yes you are, Yes, you are camera, you can see. 233 00:10:59,399 --> 00:11:02,720 Speaker 9: It on Actually I wore mine so week after we 234 00:11:02,799 --> 00:11:03,159 got them. 235 00:11:03,320 --> 00:11:06,399 Speaker 2: Yes, yes, love the shirt. Love the band. Oh and 236 00:11:06,480 --> 00:11:09,600 Day to Attend is in official band account. Is in 237 00:11:09,639 --> 00:11:11,200 the EDHI room as well. It says nice shirt. 238 00:11:11,279 --> 00:11:11,679 Speaker 14: Yes. Yes. 239 00:11:12,200 --> 00:11:15,559 Speaker 2: Also, our friend Bruce from Legion of Solid says good 240 00:11:15,600 --> 00:11:19,080 morning friends, good morning, Bruce, good morning. And Carol's the 241 00:11:19,080 --> 00:11:22,279 Warwitz also joins us and says good morning, good morning, 242 00:11:22,399 --> 00:11:26,519 as well as b Pinard. Welcome everybody, Welcome, and all right, 243 00:11:26,799 --> 00:11:29,799 let's do this. We're going to play a track from 244 00:11:30,279 --> 00:11:33,799 our new friends Paradise. Yeah, yeah, I really like. 245 00:11:33,840 --> 00:11:36,279 Speaker 9: That from Across the Pond, and then we're going to 246 00:11:36,320 --> 00:11:36,799 bring them to you. 247 00:11:38,200 --> 00:11:41,480 Speaker 2: Let's play years. I believe this is the newest single, 248 00:11:42,320 --> 00:11:44,080 and they sent us two tracks to play, so we'll 249 00:11:44,080 --> 00:11:45,840 play one now and then we'll get them on Skype 250 00:11:45,840 --> 00:11:46,960 and then we'll play the other at the end of 251 00:11:47,000 --> 00:11:49,360 our conversation. But we're actually going to play a couple 252 00:11:49,879 --> 00:11:51,679 They don't know this, but we're actually going to play 253 00:11:51,759 --> 00:11:54,120 two more of their songs at some point during the show, 254 00:11:54,559 --> 00:11:56,879 because I was listening to them before we got on air, 255 00:11:57,240 --> 00:11:58,639 and I love these guys. 256 00:12:00,200 --> 00:12:00,559 Speaker 9: Totally. 257 00:12:00,799 --> 00:12:03,279 Speaker 2: Yes, but so we're gonna talk with them in just 258 00:12:03,320 --> 00:12:05,159 a couple of minutes. But check this out. The band 259 00:12:05,240 --> 00:12:07,759 is Club Paradise and this is called Years. 260 00:12:28,279 --> 00:12:34,320 Speaker 7: Un dress. Nothing burns like a cigarette. My mind needs 261 00:12:34,519 --> 00:12:42,039 a little time to decompress all of the questions as 262 00:12:42,200 --> 00:12:48,279 around me. Am I fearing being just a good honey. 263 00:12:48,360 --> 00:13:01,480 Speaker 15: You swear off fine most of the time us he 264 00:13:01,600 --> 00:13:05,320 can see my mom the bone as he. 265 00:13:05,480 --> 00:13:07,159 Speaker 3: Wants, I haven't did. 266 00:13:07,159 --> 00:13:27,960 Speaker 6: So long, and it gives mass because I was yells catline, 267 00:13:28,159 --> 00:13:32,679 cattle line or less, she nothing special, love of holy 268 00:13:32,840 --> 00:13:38,320 mon brother the first time, I'm fine come of falling 269 00:13:38,559 --> 00:13:49,879 overalli fi lines. Now suppose it is the bone. 270 00:13:50,320 --> 00:13:51,159 Speaker 3: As he wants. 271 00:13:51,480 --> 00:13:56,840 Speaker 7: By having the abom in it gets my d. 272 00:14:02,200 --> 00:14:15,279 Speaker 6: The case with all I was having any backstays down. 273 00:14:15,159 --> 00:14:20,879 Speaker 7: And murray bowls and range as I would say. The 274 00:14:21,000 --> 00:14:25,320 scene the chap by, So where was the getty mincers? 275 00:14:26,000 --> 00:14:28,879 You know the casts that's around. 276 00:14:28,600 --> 00:14:29,720 Speaker 6: Bird Barry made. 277 00:14:29,720 --> 00:14:31,080 Speaker 7: It's not out of the crash. 278 00:14:31,200 --> 00:14:38,240 Speaker 6: Time in a struggle gives hard to your point, so kind. 279 00:14:38,120 --> 00:14:53,080 Speaker 7: Of be survido calls. I said, I haven't did some. 280 00:14:54,840 --> 00:14:57,720 Speaker 6: Any yoursel. 281 00:15:27,919 --> 00:15:29,960 Speaker 2: I love that. I love that. That is so catchy. 282 00:15:30,200 --> 00:15:33,240 The track is called Years, the band is Club Paradise, 283 00:15:33,320 --> 00:15:35,360 and I think we have them via Skype. Can you 284 00:15:35,399 --> 00:15:35,919 guys hear me? 285 00:15:36,720 --> 00:15:37,679 Speaker 14: Yes, that's what we can. 286 00:15:37,840 --> 00:15:39,639 Speaker 2: Oh, you sound great, wonderful, wonderful. 287 00:15:39,679 --> 00:15:40,120 Speaker 4: Who do we have? 288 00:15:40,399 --> 00:15:41,240 Speaker 2: Who do we have with us? 289 00:15:43,240 --> 00:15:46,440 Speaker 5: We've got I'm Ryan, I sing and play guitar. 290 00:15:47,080 --> 00:15:49,440 Speaker 2: Welcome, Yeah, I'm Nathan. 291 00:15:49,600 --> 00:15:51,919 Speaker 16: I'm sorry Ryan, I am I play drums. 292 00:15:52,080 --> 00:15:57,039 Speaker 14: Okay, I'm Jackson and I play guitar, all right. 293 00:15:57,360 --> 00:15:59,799 Speaker 2: All right? And are we missing anybody? 294 00:16:01,279 --> 00:16:01,480 Speaker 3: Yeah? 295 00:16:01,559 --> 00:16:04,919 Speaker 5: We've also got Harry who he plays bass. But that's 296 00:16:04,960 --> 00:16:06,039 okay because he plays bass. 297 00:16:06,639 --> 00:16:09,519 Speaker 2: I know those damn bass players. I'll tell you the 298 00:16:09,600 --> 00:16:12,200 hell with them now. I'm a little bit of an 299 00:16:12,240 --> 00:16:16,200 inside joke. I'm a bass player myself, but that's all right, 300 00:16:16,639 --> 00:16:18,279 that's all right. No, I'm glad the three of you 301 00:16:18,360 --> 00:16:21,120 are here. And guys, I love your sound. I gotta 302 00:16:21,120 --> 00:16:22,120 say that right up front. 303 00:16:23,120 --> 00:16:23,159 Speaker 12: You. 304 00:16:23,559 --> 00:16:26,360 Speaker 2: Yeah, we actually, so you sent us two tracks to play, 305 00:16:26,679 --> 00:16:28,320 and we're gonna play the other one at the end 306 00:16:28,360 --> 00:16:30,759 of our conversation, but later in the show too, we'll 307 00:16:30,799 --> 00:16:33,240 probably play a couple more that I found that I 308 00:16:33,399 --> 00:16:36,159 really really like that I found online. So you guys 309 00:16:36,159 --> 00:16:37,240 are awesome. Where are you from? 310 00:16:38,240 --> 00:16:41,399 Speaker 5: Oh, thank you so much. We are from North Shields, 311 00:16:41,399 --> 00:16:44,919 which is just a little town outside of Newcastle upon 312 00:16:45,000 --> 00:16:47,320 Tyne in the northeast of the UK Okay. 313 00:16:48,080 --> 00:16:51,679 Speaker 2: And are there a lot of bands there right now 314 00:16:51,799 --> 00:16:55,440 that that kind of sound like you, guys, because you know, 315 00:16:55,519 --> 00:16:58,399 we we have usually if we have somebody from across 316 00:16:58,519 --> 00:17:00,960 the pond, as we say here in the United States. 317 00:17:01,000 --> 00:17:02,720 I don't know if you say that there about us, but. 318 00:17:04,880 --> 00:17:05,279 Speaker 7: They don't. 319 00:17:05,359 --> 00:17:07,839 Speaker 2: They don't sound quite like you guys. I mean you 320 00:17:08,119 --> 00:17:11,519 have such an accessible you know, like if I were 321 00:17:11,599 --> 00:17:14,000 hearing your music and had no idea that you were 322 00:17:14,079 --> 00:17:15,920 not an American band, I would assume that you were 323 00:17:15,920 --> 00:17:19,839 an American band because you have a sound that's very 324 00:17:19,880 --> 00:17:23,079 accessible in terms of American radio. Are there are there 325 00:17:23,119 --> 00:17:25,119 other bands there that sound like you or do you 326 00:17:25,160 --> 00:17:26,880 guys kind of stand out in that sense. 327 00:17:30,359 --> 00:17:33,359 Speaker 14: In the sense of sounding like an American radio band. 328 00:17:33,440 --> 00:17:34,799 Perhaps not, but. 329 00:17:36,680 --> 00:17:39,880 Speaker 17: That's also that's just a massive compliment. We take that 330 00:17:40,720 --> 00:17:45,079 so like we listen to a lot of American radio stuff. 331 00:17:45,160 --> 00:17:47,640 That's actually kind of something we say as well, like, oh, 332 00:17:47,720 --> 00:17:50,039 this sounds like it could be on us radio when 333 00:17:50,079 --> 00:17:50,640 we're making it. 334 00:17:51,720 --> 00:17:53,519 Speaker 14: So we love we love that compliment. Not a lot 335 00:17:53,559 --> 00:17:55,240 of people from. 336 00:17:55,119 --> 00:17:59,319 Speaker 17: Around here sound like us specifically, I would say, yeah, 337 00:18:00,039 --> 00:18:02,359 but there is a big music scene happening right now. 338 00:18:03,400 --> 00:18:04,000 Speaker 3: What is it like? 339 00:18:06,119 --> 00:18:08,519 Speaker 2: What is it like where you guys are, specifically in 340 00:18:08,680 --> 00:18:10,640 terms of are there a lot of places to play 341 00:18:10,759 --> 00:18:12,200 live or you able to get out and do a 342 00:18:12,279 --> 00:18:12,880 lot of shows? 343 00:18:12,960 --> 00:18:13,559 Speaker 14: What's what? 344 00:18:13,720 --> 00:18:15,359 Speaker 2: What is the scene like there where you are? 345 00:18:18,079 --> 00:18:20,039 Speaker 16: And yeah, it's been it's obviously. 346 00:18:20,519 --> 00:18:23,960 Speaker 18: I think it's probably similar to yourselves where post COVID 347 00:18:24,279 --> 00:18:29,119 everyone's still there's still some teving issues and everyone's trying 348 00:18:29,160 --> 00:18:31,079 to get back back to how it was before. But 349 00:18:31,720 --> 00:18:35,079 we find a lot of joy in and around where 350 00:18:35,160 --> 00:18:38,279 we're from, Newcastle, North Shields. We found we found a 351 00:18:38,319 --> 00:18:40,599 lot of joy over the over the water and the 352 00:18:40,759 --> 00:18:43,240 likes of Sunderland and Millersbllt, which are other small city 353 00:18:43,319 --> 00:18:46,480 small towns. But it seems like everyone's trying to support 354 00:18:46,519 --> 00:18:46,880 each other. 355 00:18:47,079 --> 00:18:48,160 Speaker 16: We we travel. 356 00:18:48,559 --> 00:18:52,400 Speaker 18: Outside of the Northeast when we can. As Jackson said, 357 00:18:52,400 --> 00:18:55,119 there's a big, big music scene. It seems like it's 358 00:18:55,160 --> 00:18:56,240 starting to bubble up again. 359 00:18:57,440 --> 00:18:58,839 Speaker 2: Yeah, that's good. 360 00:19:00,480 --> 00:19:02,279 Speaker 5: A bit of a funny one after COVID though, because 361 00:19:02,279 --> 00:19:04,480 you had like this massive bottomneck of gigs that needed 362 00:19:04,519 --> 00:19:08,319 to happen, that were postponeding things. But I think now 363 00:19:08,440 --> 00:19:09,880 you start to see a lot of venues close, a 364 00:19:09,920 --> 00:19:12,279 lot of the smaller venues. So while in Newcastle and 365 00:19:12,519 --> 00:19:14,200 and sort of Shields where we're from and all that 366 00:19:14,240 --> 00:19:15,759 sort of place, they have a lot of really good 367 00:19:15,799 --> 00:19:18,359 bands and a lot of good talent, it's kind of 368 00:19:18,440 --> 00:19:20,759 hard to go out and see people that you want 369 00:19:20,799 --> 00:19:22,039 to go and see as much now because some of 370 00:19:22,079 --> 00:19:24,240 those smaller venues, the ones that we would all you know, 371 00:19:24,359 --> 00:19:27,240 take hold of, they're all starting or have closed recently, 372 00:19:27,319 --> 00:19:30,319 especially in Teaside, which is just the borough south of us, 373 00:19:30,680 --> 00:19:32,359 and we've lost a lot of venues there, and recently 374 00:19:32,400 --> 00:19:34,279 in Newcastle we've lost two or three here too, So 375 00:19:34,720 --> 00:19:37,880 it's getting tricky. But all that does, I think it's 376 00:19:37,960 --> 00:19:39,880 kind of fuels the fire for the existing venues for 377 00:19:40,000 --> 00:19:41,960 us to get in there and and sort of you know, 378 00:19:42,079 --> 00:19:44,480 everybody to gather around in a close that environment and 379 00:19:44,599 --> 00:19:45,839 really listen to each other as well. 380 00:19:46,680 --> 00:19:49,440 Speaker 2: What is what is causing that these venues to close? 381 00:19:49,559 --> 00:19:49,920 Speaker 14: Do you know? 382 00:19:50,200 --> 00:19:50,359 Speaker 8: Is it? 383 00:19:50,559 --> 00:19:52,559 Speaker 2: Is it the economics of it? I know here in 384 00:19:52,599 --> 00:19:56,599 the United States, the you know, there's a lot of inflation, 385 00:19:57,319 --> 00:19:59,480 but I think we're probably faring better than a lot 386 00:19:59,519 --> 00:20:03,119 of places. Is that it is everything just too expensive? 387 00:20:03,279 --> 00:20:04,559 Or is there something else going on? 388 00:20:06,319 --> 00:20:09,720 Speaker 5: Yeah, I think inflation is definitely one big thing. I 389 00:20:09,799 --> 00:20:11,920 think people aren't sure if they can commit the money 390 00:20:11,960 --> 00:20:14,880 to a ticket so far in advance, so advanced sales 391 00:20:14,960 --> 00:20:17,200 is a huge part of that local scene for us, 392 00:20:17,559 --> 00:20:19,680 and you really don't really find out how many tickets 393 00:20:19,720 --> 00:20:21,799 you've got until maybe's the day before, but even the 394 00:20:21,880 --> 00:20:24,599 night of. We did a show earlier in the air 395 00:20:24,640 --> 00:20:27,920 where we sold like, I don't know, twenty thirty tickets 396 00:20:28,079 --> 00:20:29,640 the week running up to the gig, and then on 397 00:20:29,720 --> 00:20:32,279 the night the venue was full and sold out. So 398 00:20:32,559 --> 00:20:35,200 this instability that we have with ticket purchases and advance 399 00:20:35,599 --> 00:20:38,440 that's causing a lot of upset with promoters and venues. 400 00:20:38,480 --> 00:20:40,880 So the commitment is like the starting to lose the 401 00:20:40,920 --> 00:20:42,680 commitment of people who want to put those shows on, 402 00:20:44,000 --> 00:20:46,559 and it's just just change as well. That's just it's 403 00:20:46,599 --> 00:20:48,599 a natural change that I think people need to sort 404 00:20:48,599 --> 00:20:50,839 of adapt to and react with. 405 00:20:51,240 --> 00:20:56,079 Speaker 2: Yeah, that's interesting about the tickets because we had someone 406 00:20:56,240 --> 00:20:59,559 here from the Jenny what are they called? Is that 407 00:20:59,640 --> 00:21:01,960 the New I'm sure Music Collective or New England Music 408 00:21:02,000 --> 00:21:03,279 Collective John Macarthurpy. 409 00:21:03,359 --> 00:21:03,519 Speaker 9: Yeah. 410 00:21:03,640 --> 00:21:07,279 Speaker 2: Yeah, he's a promoter from the area and he was here. 411 00:21:07,759 --> 00:21:10,519 We had an extensive conversation with him about this, and 412 00:21:10,599 --> 00:21:13,960 he was talking about how when he puts events, when 413 00:21:14,039 --> 00:21:17,559 his company puts events online, very often people wait till 414 00:21:17,599 --> 00:21:19,400 the last minute to buy tickets and that's been the 415 00:21:19,480 --> 00:21:22,960 trend post COVID, and the problem that that causes is 416 00:21:23,039 --> 00:21:25,519 and he was kind of pleading with people, please, you know, 417 00:21:25,640 --> 00:21:27,680 don't wait till the last minute, because what ends up 418 00:21:27,680 --> 00:21:30,559 happening is, you know, an event will sell out and 419 00:21:31,240 --> 00:21:32,960 he'll be going, you know, we could have done this 420 00:21:33,079 --> 00:21:35,799 in a larger venue, but we didn't know that all 421 00:21:35,839 --> 00:21:38,000 these people were going to show up, because people have 422 00:21:38,039 --> 00:21:41,240 gotten into that habit of waiting until you know, the 423 00:21:41,319 --> 00:21:44,440 day of before they make that commitment, and it causes 424 00:21:45,119 --> 00:21:47,319 a bit of a bottleneck. But I think part of 425 00:21:47,359 --> 00:21:49,839 that too is I don't know if it's if it 426 00:21:50,000 --> 00:21:53,240 has to do with inflation, people being more careful about 427 00:21:53,240 --> 00:21:54,880 how they spend their money, that may be part of it. 428 00:21:54,960 --> 00:21:57,160 But also to I think just the Internet has made 429 00:21:57,200 --> 00:22:00,000 it so. You know, you guys, you guys look pretty 430 00:22:00,119 --> 00:22:02,359 young from what I saw online. I'm old enough to 431 00:22:02,400 --> 00:22:04,640 remember when we didn't even have an internet. So if 432 00:22:04,680 --> 00:22:07,160 you had to buy tickets, you know, you call up 433 00:22:07,640 --> 00:22:10,480 you know, ticket Master, or you go to the I 434 00:22:10,599 --> 00:22:11,039 slept on. 435 00:22:11,079 --> 00:22:15,119 Speaker 9: The sidewalk outside of tickets in order to get tickets. 436 00:22:15,200 --> 00:22:19,200 Speaker 2: Yeah, but back then, but back in the day, pre internet, 437 00:22:19,279 --> 00:22:21,160 it was the inverse, right, if you wanted to go 438 00:22:21,240 --> 00:22:24,480 to a show, you had to get the tickets early 439 00:22:24,720 --> 00:22:28,039 or you risk missing out. Whereas now, because you can, 440 00:22:28,319 --> 00:22:30,880 you know, just buy tickets online or you know, or 441 00:22:31,039 --> 00:22:33,200 risk just showing up, you can afford to wait till 442 00:22:33,200 --> 00:22:35,240 the last minute. And I think that's where that problem 443 00:22:35,319 --> 00:22:35,759 comes from. 444 00:22:37,160 --> 00:22:40,119 Speaker 5: Definitely, we we have that memory. We used to go 445 00:22:40,200 --> 00:22:42,880 to venues, We used to queue outside and wait and 446 00:22:42,920 --> 00:22:45,440 buy the tickets. Yeah, when we were like in high school, 447 00:22:45,480 --> 00:22:48,240 that was good fun. Yeah, yeah, And it's so cool 448 00:22:48,279 --> 00:22:51,200 here by the way, once in like a week in October, 449 00:22:51,200 --> 00:22:53,359 back in like twenty ten, we still outside this venue 450 00:22:53,559 --> 00:22:56,359 and we just shivered. We have to wear school uniforms 451 00:22:56,359 --> 00:22:58,920 in the UK and we don't wear coats because it's 452 00:22:58,960 --> 00:23:02,680 not cool to wear a coat from Newcastle, so we 453 00:23:02,799 --> 00:23:05,640 were all just shivering outside waiting to buy tickets. Were 454 00:23:06,000 --> 00:23:08,799 that that was such good fun. But I totally agree 455 00:23:08,839 --> 00:23:11,519 the Internet changes that landscape one hundred percent. And we've 456 00:23:11,559 --> 00:23:15,160 seen a lot of local festivals collapse due to lack 457 00:23:15,200 --> 00:23:19,240 of advanced sales. And people obviously think that there's just 458 00:23:19,279 --> 00:23:21,559 an ease of like accessibility to be able to get 459 00:23:21,559 --> 00:23:23,000 your ticket whenever you want to be like, oh, just 460 00:23:23,119 --> 00:23:25,039 I'll get that closer at the time. That's not a problem. 461 00:23:25,480 --> 00:23:27,240 But there's so much money that has to be put 462 00:23:27,319 --> 00:23:29,559 up to front these shows, the festivals, whatever it is 463 00:23:29,599 --> 00:23:34,240 that you go into that logistically financially, the deadlines can't 464 00:23:34,279 --> 00:23:36,920 be met, the sort of bar stuff things like that 465 00:23:37,000 --> 00:23:39,440 can't be put in place to make sure that you 466 00:23:39,480 --> 00:23:40,440 can go ahead without. 467 00:23:40,240 --> 00:23:43,880 Speaker 2: That right exactly, And people don't know that, you know, 468 00:23:44,240 --> 00:23:46,839 your average consumer has no idea about any of this, 469 00:23:47,079 --> 00:23:50,119 and you know, and there's no reason that we should 470 00:23:50,119 --> 00:23:51,920 expect them to know. But one of the things that 471 00:23:51,960 --> 00:23:53,599 we try to do with this show is really educate 472 00:23:53,640 --> 00:23:57,039 people about that about how the music industry works, because yeah, 473 00:23:57,119 --> 00:24:00,200 if you know, it's all supply and demand ultimately, and 474 00:24:00,319 --> 00:24:04,039 if if somebody doesn't know, if a promoter or whomever 475 00:24:04,200 --> 00:24:07,640 doesn't know that the demand is there to be met 476 00:24:07,960 --> 00:24:10,559 until the very last minute, then what ends up happening is, yeah, 477 00:24:10,559 --> 00:24:12,039 they don't there's not enough money coming in, and they 478 00:24:12,119 --> 00:24:14,759 end up having to cancel. You said, you said you've 479 00:24:14,799 --> 00:24:17,079 seen that a lot there festivals having to be canceled 480 00:24:17,319 --> 00:24:17,920 for that reason. 481 00:24:19,960 --> 00:24:22,680 Speaker 17: Yeah, Yeah, there was a It was a festival we 482 00:24:22,759 --> 00:24:27,599 were scheduled to play inside of Newcastle and it was 483 00:24:27,720 --> 00:24:30,640 like a big field and uh, we had promoted it, 484 00:24:30,839 --> 00:24:33,480 et cetera, and then you know, six weeks before the show, 485 00:24:33,759 --> 00:24:36,759 it just gets pulled because ticket sales probably weren't good enough. 486 00:24:38,279 --> 00:24:41,599 And we see a lot I think it's it's sort 487 00:24:41,599 --> 00:24:43,440 of like a luxury to be able to wait to 488 00:24:43,480 --> 00:24:50,039 buy your ticket. People don't necessarily feel like the onus 489 00:24:50,160 --> 00:24:54,559 is on them, like there's no burden or responsibility to 490 00:24:54,759 --> 00:24:59,279 like buy these tickets because there isn't really but they 491 00:24:59,319 --> 00:25:02,839 don't also know, like if a promoter sees fifteen tickets 492 00:25:02,880 --> 00:25:06,200 have been sold, then they'll just go, oh, this show 493 00:25:06,720 --> 00:25:11,160 isn't worth putting on, even though fifty people have just said, oh, 494 00:25:11,200 --> 00:25:13,920 we'll just buy the week of like we'll say, you know, 495 00:25:14,000 --> 00:25:16,880 we'll just keep money and if something else, you know, 496 00:25:16,960 --> 00:25:20,319 I think as well, Yeah, there's so much choice as well, 497 00:25:20,559 --> 00:25:23,119 Like it might be a case of like, oh my 498 00:25:23,240 --> 00:25:26,640 other plans have fallen through, so now go to this show, right. Yeah, 499 00:25:26,839 --> 00:25:29,599 so the commitment as well, like people don't want to 500 00:25:29,640 --> 00:25:30,720 commit too early. 501 00:25:31,880 --> 00:25:32,920 Speaker 14: I think that maybe is. 502 00:25:33,640 --> 00:25:37,240 Speaker 17: Because of post COVID, Like you weren't going out anywhere, 503 00:25:37,440 --> 00:25:40,119 so people have learned to live without going out, right, 504 00:25:40,920 --> 00:25:45,000 So maybe people are you know, they've gotten comfortable not 505 00:25:45,160 --> 00:25:45,759 going out. 506 00:25:45,640 --> 00:25:49,400 Speaker 14: And realizing they don't have to. So maybe that's part 507 00:25:49,440 --> 00:25:49,960 of it as well. 508 00:25:50,480 --> 00:25:54,759 Speaker 2: You know, yeah, that makes sense, that makes sense. What uh, 509 00:25:55,480 --> 00:25:58,640 what's the vibe like in terms of working with other bands? 510 00:25:58,680 --> 00:26:01,440 You know here in the United States, it's I find 511 00:26:01,720 --> 00:26:06,359 that in the music scene most there's a lot of 512 00:26:06,400 --> 00:26:09,160 positivity and people kind of work together and whatnot. I mean, 513 00:26:09,200 --> 00:26:13,079 it's competitive obviously, but it's not like saying stand up comedy. 514 00:26:13,160 --> 00:26:16,079 I listen to some podcasts hosted by stand up comedians 515 00:26:16,400 --> 00:26:18,839 in the United States, and everything sounds like it's very 516 00:26:18,920 --> 00:26:22,240 cutthroat and nobody really helps anybody. But with musicians, people 517 00:26:22,319 --> 00:26:24,119 tend to try to kind of work together. Is it 518 00:26:24,319 --> 00:26:27,359 like that there or is it? I mean, how competitive 519 00:26:27,440 --> 00:26:29,160 is it in the scene where you are, where you 520 00:26:29,200 --> 00:26:30,039 guys are operating. 521 00:26:31,599 --> 00:26:34,400 Speaker 5: I think it used to be way more cut throat 522 00:26:34,440 --> 00:26:37,039 than it is now. So we've we've been playing as 523 00:26:37,039 --> 00:26:39,680 a band honestly around twelve or thirteen years or so, 524 00:26:39,839 --> 00:26:42,640 the four of us, the same four guys, So we've 525 00:26:42,680 --> 00:26:46,759 seen a big change locally, and I think at first 526 00:26:46,880 --> 00:26:49,920 it was very much nobody talked to each other. Everybody 527 00:26:49,960 --> 00:26:51,119 went to play the show and you were going to 528 00:26:51,160 --> 00:26:52,599 put on the best so that everybody was going to 529 00:26:52,640 --> 00:26:56,599 see that night. And I feel like for the first 530 00:26:56,640 --> 00:26:58,839 three or four years that was definitely the case. We 531 00:26:58,960 --> 00:27:00,960 then didn't really gig for well while we were still 532 00:27:00,960 --> 00:27:02,359 figuring out what we wanted to do, and then when 533 00:27:02,359 --> 00:27:04,599 we came back to it, there was this complete shift 534 00:27:04,880 --> 00:27:07,880 and and sort of demeanor and that everybody was now friends. 535 00:27:07,920 --> 00:27:09,960 Everyone was wanting to put on the best night collectively, 536 00:27:11,200 --> 00:27:15,880 and I hope that we've kind of we've definitely adjusted 537 00:27:15,920 --> 00:27:18,000 to that since since all that big change, and I 538 00:27:18,119 --> 00:27:20,200 hope that our shows people will also come to that 539 00:27:20,279 --> 00:27:23,359 and feel that and that we are trying to play 540 00:27:23,400 --> 00:27:26,000 with ours who we love and we think everybody else 541 00:27:26,000 --> 00:27:28,680 will love if it's our show or actively, we'll we'll 542 00:27:28,759 --> 00:27:30,799 take slots to play with other bands that offer us 543 00:27:30,839 --> 00:27:34,200 them if if again they love us, and we all 544 00:27:34,240 --> 00:27:36,160 think it's the right move for the for the bill 545 00:27:36,359 --> 00:27:38,640 in full, and it's a much more collaborative effort now 546 00:27:38,720 --> 00:27:39,319 for live shows. 547 00:27:39,319 --> 00:27:41,240 Speaker 16: I think, Yeah, it's nice to be nice. 548 00:27:41,640 --> 00:27:46,599 Speaker 2: Yeah, exactly exactly. And what's we talked about it? We 549 00:27:46,759 --> 00:27:51,920 touched on it radio. What's the radio situation there for 550 00:27:52,039 --> 00:27:53,799 a band like you guys, like, are you on the 551 00:27:53,920 --> 00:27:56,599 radio in your area or how does that work there? 552 00:27:59,000 --> 00:28:00,759 Speaker 16: We're on the radio and around the area. 553 00:28:00,880 --> 00:28:04,839 Speaker 18: Yeah, we had we had to play on Radio X, 554 00:28:04,880 --> 00:28:07,680 which is quite a big, a big radio stationing around 555 00:28:07,720 --> 00:28:09,960 the UK. That's that's a rarity that we would get 556 00:28:10,000 --> 00:28:11,640 something like that, and you've got to jump through quite 557 00:28:11,640 --> 00:28:12,880 a lot of hoops and it's a bit of a look. 558 00:28:12,960 --> 00:28:17,680 But in terms of the locality in the very local area. Yeah, 559 00:28:17,720 --> 00:28:21,279 we're we're on radio stations. People are very supportive. We've 560 00:28:21,279 --> 00:28:25,880 got BBC introducing Yeah up here, who who have always 561 00:28:25,880 --> 00:28:26,079 been a. 562 00:28:26,079 --> 00:28:28,119 Speaker 16: Big supporter of us and do a lot for the 563 00:28:28,200 --> 00:28:28,839 local scene. 564 00:28:29,200 --> 00:28:31,119 Speaker 5: You find that with that as well, you get these 565 00:28:31,160 --> 00:28:33,559 little random radio shows that you've never heard of. So 566 00:28:33,759 --> 00:28:36,599 there's one up in the Highlands of Scotland and every 567 00:28:36,680 --> 00:28:38,599 time we play, every time we release a song, they 568 00:28:38,720 --> 00:28:42,960 play us like without fail. And then there's a there's 569 00:28:43,000 --> 00:28:45,920 two or three like that. There's a Welsh speaking one 570 00:28:45,920 --> 00:28:47,920 which also plays us all the time, which is really 571 00:28:47,960 --> 00:28:51,880 cool locally though. BBC in Row is a really cool thing, 572 00:28:51,920 --> 00:28:54,279 but it's kind of being cut back a lot. So 573 00:28:54,880 --> 00:28:57,440 the most local radio show we have for the BBC now, 574 00:28:57,480 --> 00:28:59,880 which used to be in Newcastle, is in Teesside, which 575 00:28:59,880 --> 00:29:01,960 is Middlesbrough's is kind of like an hour out of 576 00:29:02,000 --> 00:29:03,839 the way, so now it's a regional show rather than 577 00:29:03,880 --> 00:29:07,799 a local show. Yeah, which is all fine. It's just 578 00:29:07,960 --> 00:29:10,039 you can see where these changes are happening in the 579 00:29:10,079 --> 00:29:11,680 starting to take place. But we do get we get 580 00:29:11,680 --> 00:29:13,599 the support off the radio and we're really thankful and 581 00:29:13,680 --> 00:29:16,359 we love those teams and they're always really really fun 582 00:29:16,400 --> 00:29:17,039 to work with too. 583 00:29:17,599 --> 00:29:18,599 Speaker 2: Yeah, that's good. 584 00:29:18,720 --> 00:29:18,759 Speaker 10: No. 585 00:29:19,039 --> 00:29:21,119 Speaker 2: I was particularly curious because, like I said, you guys 586 00:29:21,160 --> 00:29:25,400 have such an accessible sound and these these songs. You know, 587 00:29:25,559 --> 00:29:27,359 at the end of the conversation, we're gonna play Chasing 588 00:29:27,440 --> 00:29:29,799 the Summer, another great track, and I have to tell 589 00:29:29,839 --> 00:29:33,079 you later in the show because I mentioned if you're curious, Yeah, 590 00:29:33,480 --> 00:29:35,640 we're we're also gonna play later. We're gonna play Another 591 00:29:35,720 --> 00:29:39,920 Life and no, I'm sorry, that's the Uh wait. 592 00:29:39,880 --> 00:29:40,839 Speaker 3: Is that the song? 593 00:29:42,240 --> 00:29:44,799 Speaker 5: That is a name of a song? Y? 594 00:29:44,960 --> 00:29:47,599 Speaker 2: Yeah, there was another one. There was another one too. 595 00:29:47,759 --> 00:29:49,680 I'll have to find it. I'll have to find it 596 00:29:49,799 --> 00:29:52,920 to play it. Oh, Neighborhood that was the other one. 597 00:29:53,000 --> 00:29:54,960 Speaker 5: Oh oh yeah, yeah, they came out together. That was 598 00:29:55,000 --> 00:29:56,240 a double A side that we did. 599 00:29:56,440 --> 00:29:59,160 Speaker 2: Oh okay, yeah, I really like those. I really like those. 600 00:29:59,200 --> 00:30:03,160 You guys are such a great sound. Tell me a 601 00:30:03,200 --> 00:30:06,400 little bit about influences. What are you what do you guys? 602 00:30:06,920 --> 00:30:08,559 What do you listen to? What did you grow up 603 00:30:08,599 --> 00:30:09,640 listening to that kind of thing? 604 00:30:12,319 --> 00:30:16,759 Speaker 17: I grew up listening to like emo rock and like 605 00:30:17,000 --> 00:30:19,599 all that sort of stuff. And then I think when 606 00:30:19,680 --> 00:30:23,200 we so we all pretty much went to high school 607 00:30:23,200 --> 00:30:26,359 together bon Nathan. He was in separate high school, but 608 00:30:27,079 --> 00:30:31,079 they Ryan and Nathan lived very very close, so we've 609 00:30:31,119 --> 00:30:33,480 all known each other growing up. And I think when 610 00:30:33,480 --> 00:30:36,880 we hit like thirteen fourteen, we were listening to indie 611 00:30:36,960 --> 00:30:39,200 rock all that sort of stuff. 612 00:30:39,839 --> 00:30:41,359 Speaker 14: I was still listening to emo stuff. 613 00:30:41,720 --> 00:30:42,119 Speaker 2: Yeah, but. 614 00:30:43,680 --> 00:30:44,480 Speaker 14: Maybe like. 615 00:30:46,160 --> 00:30:51,119 Speaker 17: In the past four years three years, we've been really 616 00:30:51,240 --> 00:30:56,279 into country music as a collective, like like their modern 617 00:30:56,519 --> 00:31:02,079 country music artists like so much. And that's kind of 618 00:31:02,279 --> 00:31:05,960 like now, especially with years, you can kind of hear 619 00:31:06,039 --> 00:31:08,079 that influence. We're not trying to do it on purpose, 620 00:31:08,119 --> 00:31:10,079 it's just sort of coming out naturally now. 621 00:31:12,240 --> 00:31:15,079 Speaker 14: So I think country music is kind of an influence now. 622 00:31:15,240 --> 00:31:19,720 Speaker 17: I've also maybe like synth wavy stuff that was that 623 00:31:19,880 --> 00:31:24,119 was a big part of our sound when we like 624 00:31:24,359 --> 00:31:27,200 launched as Club Paradise, like that was sort of a 625 00:31:27,279 --> 00:31:28,880 direction we wanted to head in as well. 626 00:31:29,519 --> 00:31:32,119 Speaker 16: Yeah, I think the the one band that sort of 627 00:31:32,160 --> 00:31:37,039 springs to mind simply what Wise is the Midnight from 628 00:31:37,079 --> 00:31:40,039 the US, who we we actually went to see in 629 00:31:40,200 --> 00:31:45,240 Newcastle a couple of weeks ago together. Yeah, so that 630 00:31:45,400 --> 00:31:48,519 was that was great. But if he's on overly familiar 631 00:31:48,559 --> 00:31:50,000 with their with their sound. 632 00:31:51,759 --> 00:31:54,640 Speaker 18: I would we well, we would all recommend that band definitely, 633 00:31:54,720 --> 00:31:56,519 and I think we take a lot of influence from 634 00:31:56,839 --> 00:31:57,759 from what those guys do. 635 00:31:58,440 --> 00:32:01,079 Speaker 2: I'll have to check them out. Yeah, I was reading 636 00:32:01,200 --> 00:32:03,839 in your bio about, you know, sort of the country 637 00:32:03,960 --> 00:32:07,720 rock influence, and it surprised me a little bit. Are 638 00:32:07,839 --> 00:32:11,960 there are there artists in your area or are there 639 00:32:12,200 --> 00:32:16,200 UK artists who who kind of are working in that genre, 640 00:32:16,440 --> 00:32:18,079 or when you listen to that, are you listening to 641 00:32:18,160 --> 00:32:22,880 American artists? Because because I don't know offhand, I mean, 642 00:32:22,880 --> 00:32:24,119 I'm really curious about this. 643 00:32:24,440 --> 00:32:25,960 Speaker 16: I don't think I don't think there's any. 644 00:32:28,720 --> 00:32:32,079 Speaker 17: Interesting to get local like folk music, which takes roots 645 00:32:32,079 --> 00:32:37,319 from country stuff. But we the like the country music 646 00:32:37,440 --> 00:32:41,400 we are currently just there. It's like Keith Urban, Aaronkinsey, 647 00:32:41,519 --> 00:32:46,359 Morgan Wallen is a massive one. People like Nate Smith 648 00:32:46,440 --> 00:32:50,640 as well. I'm just thinking Dereks Bentley as well. We 649 00:32:50,759 --> 00:32:52,119 love by. 650 00:32:54,200 --> 00:32:57,720 Speaker 14: Luke Bryan, Uh Doughty. 651 00:33:01,000 --> 00:33:03,559 Speaker 17: But even like like Scotty McCreary as well. We we 652 00:33:03,720 --> 00:33:09,200 all love Scotty McCreary. It's yeah, yeah, we we. I 653 00:33:09,240 --> 00:33:12,079 mean this is stuff that we genuinely like. Say we're 654 00:33:12,160 --> 00:33:14,160 on a road trip like we just went to some 655 00:33:15,240 --> 00:33:17,440 amusement park in the UK. It was like a two 656 00:33:17,480 --> 00:33:21,160 hour drive. All we would listen to was country music 657 00:33:21,319 --> 00:33:23,359 on the way there and on the way back Kid 658 00:33:24,519 --> 00:33:25,000 It's fair. 659 00:33:25,039 --> 00:33:25,400 Speaker 14: We love it. 660 00:33:25,559 --> 00:33:27,799 Speaker 5: It started as like I think between the four of us, 661 00:33:27,880 --> 00:33:30,279 it started as a bit of a guilty pleasure. I remember, like, 662 00:33:30,559 --> 00:33:33,480 Jackson has cousins in Canada and their wedding song when 663 00:33:33,519 --> 00:33:37,799 he went to their wedding in Canada was Florida George Holy. 664 00:33:37,759 --> 00:33:39,839 Speaker 14: Yeah Holy by Florida Georgia Line. 665 00:33:40,319 --> 00:33:42,400 Speaker 5: And then It's I think we kind of listened to 666 00:33:42,440 --> 00:33:44,720 that song together. After Jackson came back, we were like, WHOA, 667 00:33:44,880 --> 00:33:47,039 something's going on here, and we were like a teenagers 668 00:33:47,039 --> 00:33:48,839 at the time that being came this like really big 669 00:33:48,880 --> 00:33:51,039 guilty pleasure for us all to talk about. And then 670 00:33:51,079 --> 00:33:53,839 over time it's been like, actually, no, this is just amazing. 671 00:33:53,920 --> 00:33:56,240 But because it's so kind of alien to the UK 672 00:33:56,599 --> 00:33:59,519 and that it doesn't exist here, we didn't really. 673 00:33:59,400 --> 00:33:59,839 Speaker 14: Talk about it. 674 00:34:00,599 --> 00:34:02,920 Speaker 5: And now over time, like now on the radio, Morgan 675 00:34:02,960 --> 00:34:05,480 Mullin's on the radio here, those new tunes worth Post 676 00:34:05,559 --> 00:34:07,599 Malone that he's been doing, those are getting some tensions. 677 00:34:07,599 --> 00:34:10,000 So I feel like Country's growing sea to see happens 678 00:34:10,000 --> 00:34:12,400 over here now. And we've got Absolute Country, which is 679 00:34:12,480 --> 00:34:14,400 the radio station that is never off in my car, 680 00:34:15,559 --> 00:34:18,119 and that's got all the shows from Nashville coming live 681 00:34:18,199 --> 00:34:21,159 to us. So it's growing here and I'm really really 682 00:34:21,239 --> 00:34:23,719 glad and I feel really passionate about that. It's a 683 00:34:23,760 --> 00:34:27,800 really really cool thing. Yeah, so yeah, it's all American stuff. 684 00:34:28,519 --> 00:34:31,920 Speaker 18: We've still got some routes in this sort of UK 685 00:34:32,119 --> 00:34:34,320 indie scene, but there's not a we We grew up 686 00:34:34,360 --> 00:34:39,320 on Four's Bombay, Bicycle Club, wild that sort of thing, 687 00:34:39,360 --> 00:34:42,440 and a lot of those bands have called it a day. 688 00:34:42,599 --> 00:34:44,840 Speaker 16: You've still got some of them, nothing about and Were. 689 00:34:44,840 --> 00:34:46,480 Speaker 18: You still listen to a lot about The Monkey's Kings 690 00:34:46,519 --> 00:34:49,519 of Leon and we're still love those bands and putting out. 691 00:34:49,599 --> 00:34:53,320 So it was a bit of a dynamic, shifting dynamic 692 00:34:53,400 --> 00:34:55,119 when all the countries. So I think we'll try and 693 00:34:55,159 --> 00:34:57,159 blend it subconsciously in what we do. 694 00:34:57,360 --> 00:34:59,679 Speaker 5: There's a flavor of that. I think there's a flavor 695 00:34:59,760 --> 00:35:02,199 death of those bands with the country stuff with the 696 00:35:02,239 --> 00:35:03,679 Midnight so you kind of get that synth element. But 697 00:35:03,719 --> 00:35:05,480 then I also feel like there's a really nice element 698 00:35:05,559 --> 00:35:07,320 of like Brian Adams in some of the things that 699 00:35:07,400 --> 00:35:09,599 we do, like in Chasing the Summer, it just gives 700 00:35:09,679 --> 00:35:11,920 us atmosphere that used to get a lot of stuff, 701 00:35:13,360 --> 00:35:16,760 maybe even like a Don Henley type of vibe type 702 00:35:16,760 --> 00:35:20,599 of thing. So I feel like as a as like 703 00:35:20,719 --> 00:35:23,400 a big melting pot of all those things that come 704 00:35:23,480 --> 00:35:25,039 together is what we we created. 705 00:35:25,079 --> 00:35:26,760 Speaker 18: It's a shot were in the foot a little bit. 706 00:35:26,840 --> 00:35:31,519 And because as we've just rattled off about fifty different things, 707 00:35:32,440 --> 00:35:36,000 sometimes sometimes UK radio stations, certainly the bigger ones. 708 00:35:36,079 --> 00:35:39,119 Speaker 16: One, I think a certain sound and if you're Indy, 709 00:35:39,519 --> 00:35:41,000 you need to be Indy, you know what I mean? 710 00:35:41,079 --> 00:35:42,519 Speaker 14: And we we don't. 711 00:35:43,079 --> 00:35:45,480 Speaker 18: We don't fit into a certain genre and its conscious 712 00:35:45,639 --> 00:35:48,719 other bands do, and it's it's it's. 713 00:35:48,599 --> 00:35:51,800 Speaker 16: Been difficult to to pitch where we should be. 714 00:35:52,480 --> 00:35:54,840 Speaker 18: But so that's why it's so kind of yourselves say 715 00:35:54,920 --> 00:35:57,719 how accessible it is, and we yeah, yeah, well I 716 00:35:57,719 --> 00:35:59,480 don't think we have that in the forefront of our mind. 717 00:35:59,519 --> 00:36:01,039 Speaker 16: But when you think of the choruses and. 718 00:36:01,159 --> 00:36:04,320 Speaker 5: We'll keep how the someone's we're always told that we're 719 00:36:04,320 --> 00:36:06,320 not rock enough for rock and we're not popping the foot. 720 00:36:07,079 --> 00:36:11,719 So it's kind of like, okay, that's fine, but here's 721 00:36:11,760 --> 00:36:14,159 the music anyways, right right, Yeah. 722 00:36:14,000 --> 00:36:16,920 Speaker 2: And I can hear the Brian Adams, uh and and 723 00:36:17,079 --> 00:36:20,840 Don Henley. I can hear those influences in there. Yeah, 724 00:36:20,920 --> 00:36:24,719 the country stuff is interesting that that influence because we 725 00:36:26,159 --> 00:36:28,480 and and again I'm old enough to remember when it 726 00:36:28,599 --> 00:36:30,719 wasn't this way, but modern country and I'm not a 727 00:36:30,760 --> 00:36:33,039 big country fan, but occasionally I'll hear something I like, 728 00:36:33,119 --> 00:36:36,760 and I'm always very aware of these artists. I try 729 00:36:36,800 --> 00:36:39,920 to keep up with all of it. But but modern 730 00:36:40,039 --> 00:36:44,360 country now sounds a lot like you can hear the 731 00:36:44,960 --> 00:36:50,679 influences of eighties rock in modern country and and the production. 732 00:36:50,920 --> 00:36:53,239 I always say this again, it's not it's not my 733 00:36:53,679 --> 00:36:56,079 my first go to on my list of sort of 734 00:36:56,199 --> 00:36:58,119 genres and sub genres of what I listened to, But 735 00:36:58,159 --> 00:36:59,559 I listen to a lot of different kinds of stuff. 736 00:36:59,599 --> 00:37:03,320 But I have to say Nashville, which you know is 737 00:37:03,760 --> 00:37:07,199 the kind of the epicenter of country music in the 738 00:37:07,320 --> 00:37:11,039 United States, Nashville's got it down as far as production. 739 00:37:12,000 --> 00:37:15,320 Like I'm very picky about how drums sound, for example, 740 00:37:15,920 --> 00:37:19,320 and you listen to any modern country and the drums 741 00:37:19,639 --> 00:37:22,920 sound exactly the way they should sound. In my opinion. 742 00:37:23,000 --> 00:37:26,360 You know, everything and the way things are mixed, and 743 00:37:27,159 --> 00:37:31,639 even the guitars are are louder than they used to be. 744 00:37:31,719 --> 00:37:33,960 In country music, you can really hear the rock. You know, 745 00:37:34,039 --> 00:37:36,400 there's there's kind of been this melding that I think 746 00:37:36,519 --> 00:37:39,679 is really interesting, and I kind of suspect that had 747 00:37:39,719 --> 00:37:42,039 that not I guess it's chicken or the egg, right, 748 00:37:42,360 --> 00:37:46,400 you know, is that happening because that helps country to 749 00:37:46,480 --> 00:37:51,559 be more accessible to the mainstream or or is it 750 00:37:51,719 --> 00:37:55,519 a reaction to country becoming more accessible on its own? 751 00:37:55,599 --> 00:37:59,239 But you know, we saw that happen, you know. I 752 00:37:59,320 --> 00:38:01,639 can remember, you know, back in the nineties when Garth 753 00:38:01,679 --> 00:38:03,719 Brooks got really big. That was sort of the first 754 00:38:03,800 --> 00:38:07,000 real wave of country music becoming sort of mainstream. But 755 00:38:08,159 --> 00:38:10,400 now it's like it's really you hear a lot of 756 00:38:10,519 --> 00:38:12,719 rock influences in modern country music. 757 00:38:14,920 --> 00:38:18,280 Speaker 17: Yeah, absolutely, when you touch it about like drums and 758 00:38:18,320 --> 00:38:23,679 guitars as well. That's something that I'm like particularly interested in, 759 00:38:23,800 --> 00:38:26,000 stuff like the recording process. 760 00:38:26,440 --> 00:38:27,039 Speaker 14: So these. 761 00:38:28,519 --> 00:38:31,760 Speaker 17: Last few songs that we've put out were pretty much 762 00:38:31,800 --> 00:38:37,920 recorded independently, and I'm massive on guitar tones, and I like, 763 00:38:38,360 --> 00:38:41,920 I look up what people are using and I remember 764 00:38:42,880 --> 00:38:45,079 a unique project I did. It's so long ago a way, 765 00:38:45,159 --> 00:38:49,280 I was just essentially researching Blackbird Studios, which is in Nashville, 766 00:38:50,280 --> 00:38:52,280 and I was just like reading about Studio A and 767 00:38:52,360 --> 00:38:54,840 Studio B, and like what the drums will sound like 768 00:38:54,920 --> 00:38:58,480 in each room, and and then like they have like 769 00:38:58,519 --> 00:39:01,239 a client list and then like a record list, and 770 00:39:01,360 --> 00:39:02,960 you know, you listen to some of the people that 771 00:39:03,440 --> 00:39:05,480 have recorded in the like Kings of William was the 772 00:39:05,519 --> 00:39:08,320 big one for me, which is why I got into them. 773 00:39:08,360 --> 00:39:13,039 But like, I think Hayes has recorded their Rascal Flats 774 00:39:13,079 --> 00:39:15,480 as well. We love the Rascal Flats. I think they 775 00:39:15,599 --> 00:39:19,760 definitely hit the pop and the rock pop sort of thing. 776 00:39:19,880 --> 00:39:22,239 And I know what you mean, like it it you 777 00:39:22,360 --> 00:39:28,480 listen to like stuff from the nineties that Cole Swindon, 778 00:39:28,559 --> 00:39:31,440 he did a What's What's what song? 779 00:39:31,480 --> 00:39:32,800 Speaker 14: Did he just do? 780 00:39:33,239 --> 00:39:33,360 Speaker 2: Uh? 781 00:39:34,039 --> 00:39:35,280 Speaker 14: She had me heads Carolina? 782 00:39:35,599 --> 00:39:37,679 Speaker 2: Oh yeah yeah. 783 00:39:37,800 --> 00:39:40,840 Speaker 17: So obviously you listen to the original of that and 784 00:39:40,920 --> 00:39:44,800 the instrumental, like the parts are the same, but they 785 00:39:44,920 --> 00:39:48,280 recorded so differently and so like it's so everything's like 786 00:39:48,519 --> 00:39:53,559 hyper and now like everything's so big compared to maybe 787 00:39:53,639 --> 00:39:56,880 more understated of the original. So I get and I 788 00:39:57,000 --> 00:40:00,599 understand what you mean, things are changing, like they are 789 00:40:00,639 --> 00:40:01,760 getting just bigger. 790 00:40:01,559 --> 00:40:02,760 Speaker 3: And more. 791 00:40:04,159 --> 00:40:07,639 Speaker 17: Like you said eighties eighties rock influenced, where everything was 792 00:40:07,719 --> 00:40:12,039 just big and massive, and maybe I think you might 793 00:40:12,159 --> 00:40:16,840 start like we see it over here. A lot of 794 00:40:16,880 --> 00:40:19,960 the music coming out, Like in the UK, drums are 795 00:40:20,000 --> 00:40:23,480 really quiet and understated. There's a lot of like snare 796 00:40:23,559 --> 00:40:27,559 drums with towels on, you know, like everything's going to 797 00:40:27,599 --> 00:40:31,960 be quite more mute. I think maybe the trend and 798 00:40:32,039 --> 00:40:33,920 the UK at least is going to go back from 799 00:40:34,440 --> 00:40:39,559 big eighties stuff to more natural sounding I'm using air quotes, 800 00:40:39,599 --> 00:40:42,920 but natural sound and drums. But with the air with 801 00:40:43,280 --> 00:40:46,519 US radio rock, it's just full throttle now right, But 802 00:40:46,639 --> 00:40:47,000 we love that. 803 00:40:48,480 --> 00:40:50,639 Speaker 5: I think it's funny. We were in the studio a 804 00:40:50,679 --> 00:40:52,760 couple of weeks ago doing some new stuff and we 805 00:40:52,960 --> 00:40:56,400 just pulled up country rock drums said like, this is 806 00:40:56,440 --> 00:40:58,039 the reference, this is the sound we want, and we're 807 00:40:58,039 --> 00:40:59,639 going to set the drum kit up to sound exactly 808 00:40:59,719 --> 00:41:05,000 like this. Yeah, it's good fun. I think there's also 809 00:41:05,119 --> 00:41:07,119 I think you're right, like there's an element that couldn't 810 00:41:07,119 --> 00:41:09,760 you want to be more accessible and more mainstream in general. 811 00:41:09,920 --> 00:41:11,719 But I also think that part of the reason it 812 00:41:11,840 --> 00:41:13,440 sounds that way is there's a lot of sampling going 813 00:41:13,480 --> 00:41:15,599 on now, and that's a good speed thing. So we've 814 00:41:15,639 --> 00:41:17,840 had friends who've gone to Nashville to do writing sessions 815 00:41:17,880 --> 00:41:20,039 and writing camps, and they talk about how fast it 816 00:41:20,159 --> 00:41:22,280 is in Nashville that already sits around in a circle 817 00:41:22,280 --> 00:41:23,880 and throws a lyric out and the next lerik that 818 00:41:23,960 --> 00:41:25,800 comes out is the one that's going to follow that one. 819 00:41:26,119 --> 00:41:28,039 So it's not debated, it just goes on and on 820 00:41:28,119 --> 00:41:31,000 and on. That sounds so alien to us, It sounds crazy, 821 00:41:31,440 --> 00:41:34,280 But I think that maybe's the tone of the drums 822 00:41:34,360 --> 00:41:36,599 and all these different sampled instruments and the access you 823 00:41:36,679 --> 00:41:39,280 have to do in things digitally now, that speed that 824 00:41:39,440 --> 00:41:42,320 they've created in these writing camps might sort of blend 825 00:41:42,360 --> 00:41:43,760 with that pace that you can get from the sound 826 00:41:43,760 --> 00:41:45,719 of the drums if they do sort of sample the 827 00:41:45,800 --> 00:41:47,400 kits and recreate them that way too. 828 00:41:47,960 --> 00:41:51,119 Speaker 2: Yeah, that makes sense. Yeah, Nashville. You know, we've we've 829 00:41:51,159 --> 00:41:53,559 had guests on the show, we've spent some time in Nashville, 830 00:41:53,719 --> 00:41:56,639 and uh, either you know, either just short trips to 831 00:41:56,840 --> 00:41:59,840 just write and record, or or people who've lived there 832 00:42:00,039 --> 00:42:02,960 for a while and yeah, they do things like you 833 00:42:03,039 --> 00:42:06,280 know they have, Yeah, the these writing sessions that like 834 00:42:06,360 --> 00:42:11,119 you described, are very fast and and and these songwriting circles. 835 00:42:11,199 --> 00:42:13,360 You know, they all they'll sit in a circle, or 836 00:42:13,400 --> 00:42:15,760 they'll do this live, you know, where they'll they'll be 837 00:42:15,840 --> 00:42:18,199 in a in a club and they're they're writing songs 838 00:42:18,280 --> 00:42:20,360 live in front of a crowd. You know, almost like 839 00:42:20,440 --> 00:42:22,920 what a stand up comedian does when they go to 840 00:42:23,199 --> 00:42:25,360 say an open mic, and they they're just kind of 841 00:42:25,440 --> 00:42:26,679 workshopping new material. 842 00:42:26,760 --> 00:42:26,880 Speaker 3: You know. 843 00:42:26,960 --> 00:42:28,840 Speaker 2: It's really interesting because I don't know if anywhere else 844 00:42:28,880 --> 00:42:31,800 where they they approach it that way. And how nerve 845 00:42:31,920 --> 00:42:34,039 racking that must be. I'm a musician myself, but I 846 00:42:34,119 --> 00:42:36,719 can't imagine like being in front of a crowd of 847 00:42:36,800 --> 00:42:40,199 people with other musicians and writing something on the spot, 848 00:42:40,639 --> 00:42:42,480 and you know, you're in front of people, so it 849 00:42:42,559 --> 00:42:45,360 better be good. But uh yeah, I mean that's like 850 00:42:45,480 --> 00:42:48,000 the Nashville is like, you know, that's like boot camp 851 00:42:48,079 --> 00:42:48,800 for musicians. 852 00:42:48,920 --> 00:42:49,079 Speaker 12: You know. 853 00:42:50,920 --> 00:42:52,400 Speaker 5: Yeah, you would not catch me doing that. 854 00:42:55,239 --> 00:42:58,079 Speaker 2: And uh so, now where do you guys record? Because 855 00:42:58,280 --> 00:42:59,920 this all sounds like it was done in a million 856 00:43:00,039 --> 00:43:03,239 dollar recording studio, but as as we know it, again, 857 00:43:03,320 --> 00:43:05,039 we live in a time where it's you know, you've 858 00:43:05,079 --> 00:43:06,760 got a lot of different options in terms of how 859 00:43:06,840 --> 00:43:07,320 you record. 860 00:43:09,840 --> 00:43:12,840 Speaker 14: Yeah, so we we tend to so. 861 00:43:14,719 --> 00:43:18,000 Speaker 17: Since maybe since twenty twenty, we've we've kind of recorded 862 00:43:18,519 --> 00:43:20,400 at least guitars and vocals, just. 863 00:43:22,039 --> 00:43:24,920 Speaker 14: No real amps. It's all simulated stuff. 864 00:43:25,920 --> 00:43:29,840 Speaker 17: So it's bedroom like half, maybe sixty percent of the 865 00:43:29,880 --> 00:43:32,519 song is bedroom stuff. The only thing that we tracked 866 00:43:32,559 --> 00:43:39,440 live now is drums, like in a in a studio space, 867 00:43:39,599 --> 00:43:44,199 just because we can't anywhere else. But and it saves money, Like, 868 00:43:45,000 --> 00:43:47,360 we have the ability to do it at home, so 869 00:43:47,440 --> 00:43:51,760 why don't we We've had we've had fifteen years of 870 00:43:51,840 --> 00:43:54,119 experience as a band. We kind of know what we're 871 00:43:54,159 --> 00:43:57,559 after at this point. And now technology is caught up 872 00:43:57,599 --> 00:43:59,159 to where we can just do it at home. And 873 00:43:59,719 --> 00:44:03,760 you know, some people might hear that the guitars aren't real. 874 00:44:03,920 --> 00:44:08,000 Some people might not, Oh, but I mean I spent 875 00:44:08,679 --> 00:44:15,760 them live. When when it comes to like tracking guitars 876 00:44:15,800 --> 00:44:17,840 and stuff, we just do it at home. But drums, 877 00:44:18,039 --> 00:44:22,280 drums were always in the local studios we've we've actually 878 00:44:22,320 --> 00:44:26,159 been through a few of them in the Northeast at 879 00:44:26,159 --> 00:44:29,639 the moment, just trying to find where we work best. 880 00:44:31,320 --> 00:44:34,920 Speaker 5: Yeah, it's nice to change it up as well though, because, yeah, 881 00:44:35,039 --> 00:44:38,960 Jackson's pretty modest in that jack for Neighborhood and Another Life. 882 00:44:39,079 --> 00:44:44,480 Jackson produced all of that, and Yeah, to say that 883 00:44:44,559 --> 00:44:46,440 we did all of that at home other than the 884 00:44:46,519 --> 00:44:50,199 drums and it's come out sounding like that is insane. 885 00:44:50,239 --> 00:44:51,800 We had some help with the marstering at the end 886 00:44:51,840 --> 00:44:54,800 and things like that, but yeah, really the full body 887 00:44:54,840 --> 00:44:57,119 of that work came out from Jacksonston at home with 888 00:44:57,199 --> 00:45:00,800 headphones on, just mixing at home and really just digging 889 00:45:00,880 --> 00:45:04,559 into that. It's really really fun to go into different 890 00:45:04,599 --> 00:45:06,559 studios and work with different people and to see how 891 00:45:06,880 --> 00:45:09,280 what they say about drim kits and also to just 892 00:45:09,360 --> 00:45:11,239 see how when we showed them the song as a 893 00:45:11,320 --> 00:45:13,599 reference what we're doing, they're kind of like, okay, cool, 894 00:45:13,719 --> 00:45:15,760 what about this and we just learn. I think that's 895 00:45:15,880 --> 00:45:18,039 that's one thing that we always do, no matter where 896 00:45:18,039 --> 00:45:19,800 we record, if it's at home or whatever it is, 897 00:45:20,280 --> 00:45:22,599 song by song, we try and do something different, and 898 00:45:22,719 --> 00:45:25,000 we're always trying to research and learn about the best 899 00:45:25,000 --> 00:45:27,360 way to bring the elements of that song out that 900 00:45:27,440 --> 00:45:28,519 make it stand on its own. 901 00:45:28,840 --> 00:45:31,440 Speaker 2: Yeah. Yeah, it's amazing what you can do now. In fact, 902 00:45:31,800 --> 00:45:34,559 the shirt that I'm wearing for those watching online day 903 00:45:34,639 --> 00:45:36,679 to attend. We had these guys on a couple of 904 00:45:36,679 --> 00:45:40,079 weeks ago, and U and I said something similar to 905 00:45:40,199 --> 00:45:42,599 them because their stuff sounds so good. It sounds like 906 00:45:42,639 --> 00:45:44,519 it was done in a million dollar recording studio. And 907 00:45:44,920 --> 00:45:46,519 Ed the guitar player is telling me, yeah, I don't 908 00:45:46,519 --> 00:45:49,280 even plug into an amp. I just you know, I mean, 909 00:45:49,559 --> 00:45:52,480 you know, you plug into a model or whatever term, 910 00:45:52,840 --> 00:45:56,000 and it's just it's it's incredible what you can do now. 911 00:45:56,039 --> 00:45:58,559 It really is a it's an amazing time to be alive, 912 00:45:58,760 --> 00:46:03,239 especially if you're a musician. So you guys, yeah, except 913 00:46:03,239 --> 00:46:09,239 for the money, well yeah, true, that never seems to change. 914 00:46:09,719 --> 00:46:12,480 What the time period, right, Yeah, that that's true. It's 915 00:46:12,519 --> 00:46:14,920 always been a problem unless you're you know, unless you're famous. 916 00:46:14,960 --> 00:46:17,119 But you know, if your tailor swift, then you then 917 00:46:17,159 --> 00:46:20,199 you get all the money. But uh, by the way, 918 00:46:20,960 --> 00:46:23,280 did you guys say what have you said? Fifteen years? 919 00:46:23,360 --> 00:46:24,159 You guys have been together. 920 00:46:25,559 --> 00:46:30,920 Speaker 18: Yeah, we've not been paradise for that long, but yeah, 921 00:46:31,039 --> 00:46:34,360 we've we've it's been the same for four guys. 922 00:46:35,280 --> 00:46:38,639 Speaker 16: As Jackson said earlier, I mean me and Ryan grew up. 923 00:46:38,599 --> 00:46:42,840 Speaker 18: In the same street, and Jackson and Harry grew up 924 00:46:43,039 --> 00:46:44,760 a couple of doors down from each other. They all 925 00:46:44,800 --> 00:46:46,920 went to school with each other, and naturally I sort 926 00:46:46,960 --> 00:46:50,719 of gravitated towards them when went with early teens. 927 00:46:50,840 --> 00:46:52,239 Speaker 5: So yeah, it's. 928 00:46:54,840 --> 00:46:58,199 Speaker 2: Yeah, yeah, Oh that's incredible. Yeah, most fans don't last 929 00:46:58,280 --> 00:47:00,679 that long. That's amazing. How do you how do you guys? 930 00:47:02,079 --> 00:47:04,039 How do you how do you keep it together? I mean, 931 00:47:04,599 --> 00:47:07,199 because do you ever do any of you do side 932 00:47:07,280 --> 00:47:09,719 projects or anything? A are you just fully committed to 933 00:47:09,760 --> 00:47:10,239 this band? 934 00:47:11,719 --> 00:47:11,840 Speaker 18: Oh? 935 00:47:11,920 --> 00:47:15,519 Speaker 14: We we all have side stuff now, but we didn't 936 00:47:15,599 --> 00:47:16,480 for the longest time. 937 00:47:16,639 --> 00:47:18,920 Speaker 2: Really, yeah, it was. 938 00:47:20,440 --> 00:47:24,679 Speaker 17: I think Ryan, I mean, I'll speak for Ryan for now, 939 00:47:24,760 --> 00:47:28,159 but yeah, he plays bass in his partner's band, and 940 00:47:28,360 --> 00:47:31,639 Nathan also drums for that band. I've been in a 941 00:47:32,119 --> 00:47:37,119 like a goth pop band over the years, and we 942 00:47:37,599 --> 00:47:41,000 we we have split up time that way, but to 943 00:47:41,119 --> 00:47:44,480 stay together for that long as we haven't, it's never 944 00:47:44,519 --> 00:47:45,960 really never thought about it. 945 00:47:46,239 --> 00:47:48,559 Speaker 5: You're forgetting the most important one. We do a Paramoure 946 00:47:48,639 --> 00:47:50,320 tribute band together, so not only. 947 00:47:51,039 --> 00:47:54,440 Speaker 17: Yeah, yeah, that's where the money comes from. 948 00:47:54,800 --> 00:47:58,400 Speaker 5: Yeah, yeah, that's how we record. So we do Clip 949 00:47:58,440 --> 00:48:01,119 Paradise all together and it's an and then the Paramore 950 00:48:01,199 --> 00:48:05,400 tribute band Ain't It Fun Is also Clip Paradise plus Robin, 951 00:48:05,440 --> 00:48:09,159 who sings in my partner's band playing, So it's like 952 00:48:09,239 --> 00:48:11,079 it's just one big group of friends and we just 953 00:48:11,159 --> 00:48:13,119 play loads of different bands and we just see what 954 00:48:13,199 --> 00:48:13,559 we can do. 955 00:48:13,920 --> 00:48:14,679 Speaker 14: It keeps it easy. 956 00:48:14,760 --> 00:48:18,000 Speaker 18: If it's the same like seven people and it's different bands, 957 00:48:19,800 --> 00:48:21,360 you're on each other's schedules that way. 958 00:48:21,719 --> 00:48:24,719 Speaker 2: But it's so you guys do a Paramore a tribute band? 959 00:48:25,239 --> 00:48:26,800 Oh yeah, that's so cool. 960 00:48:27,719 --> 00:48:29,280 Speaker 3: Do you do that? Do you do some? 961 00:48:32,000 --> 00:48:34,480 Speaker 2: Sorry? I I have to know because my two favorite 962 00:48:34,480 --> 00:48:36,280 Paramore songs Misery Business? 963 00:48:36,320 --> 00:48:37,800 Speaker 14: Do you do that one? Of course? 964 00:48:38,159 --> 00:48:39,199 Speaker 2: And do you do Ain't It Fun? 965 00:48:39,840 --> 00:48:40,199 Speaker 10: Of course? 966 00:48:40,400 --> 00:48:42,519 Speaker 14: That's that's the name of the band in It fun? 967 00:48:42,719 --> 00:48:47,599 Speaker 2: No kidding? Oh awesome? Awesome? Yeah? I uh yeah, that's 968 00:48:48,039 --> 00:48:48,719 Ain't it fun is? 969 00:48:48,840 --> 00:48:48,880 Speaker 14: Is? 970 00:48:48,920 --> 00:48:51,280 Speaker 2: Probably actually well, Misery Business was the first song where 971 00:48:51,320 --> 00:48:53,639 I was like, oh, I really like this band. I 972 00:48:53,719 --> 00:48:55,920 think that might have been their first hit single, at 973 00:48:56,000 --> 00:48:58,760 least in America. But then Ain't It Fun is? Ain't 974 00:48:58,800 --> 00:49:01,000 It Fun? Is so like it's impossible to hear it 975 00:49:01,079 --> 00:49:04,079 and not sing along, you know. 976 00:49:04,360 --> 00:49:06,920 Speaker 5: Yeah, it's good fun. It's good fun, and it keeps 977 00:49:06,920 --> 00:49:08,320 you on your toes when you have to think about 978 00:49:08,320 --> 00:49:10,679 all the different songs they need to play. So we've 979 00:49:10,719 --> 00:49:14,519 all collectively got numerous setlists in our heads all the time, 980 00:49:14,559 --> 00:49:16,360 and we just ruck up different gigs and thing what 981 00:49:16,719 --> 00:49:17,760 shows it today. 982 00:49:20,039 --> 00:49:20,679 Speaker 16: Specifics? 983 00:49:21,039 --> 00:49:26,559 Speaker 2: Yeah, no, that's fantastic. Well listen, guys, the time goes quickly. 984 00:49:26,639 --> 00:49:28,599 We are approaching the top of the hour. It's been 985 00:49:28,719 --> 00:49:32,320 wonderful talking with the three of you, Ryan, Nathan and 986 00:49:32,679 --> 00:49:35,360 Jackson from Club Paradise, And like I said in the moment, 987 00:49:35,400 --> 00:49:38,480 we're gonna play Chasing the Summer another great track by 988 00:49:38,519 --> 00:49:40,440 the way, which is the newest single? Is yours the 989 00:49:40,559 --> 00:49:43,039 new one? Or is it Chasing the Summer? Yours? 990 00:49:43,320 --> 00:49:43,480 Speaker 18: Yeah? 991 00:49:43,599 --> 00:49:46,039 Speaker 5: Yeah, yes, is the latest one. Chasing the Summer was 992 00:49:46,039 --> 00:49:48,199 out in June. We've got we're doing a single every 993 00:49:48,239 --> 00:49:52,280 month October, So at the end of this month we'll 994 00:49:52,320 --> 00:49:54,039 have a track out called what If These Days. At 995 00:49:54,039 --> 00:49:56,280 the end of September we'll have another track out which 996 00:49:56,280 --> 00:49:58,360 I'm not gonna name yet, and then we've got an 997 00:49:58,400 --> 00:50:02,320 October EP coming out called Life on TV. And that'll 998 00:50:02,360 --> 00:50:04,880 be a collection of six songs, including the singles. 999 00:50:04,840 --> 00:50:07,440 Speaker 2: Oh very cool, very cool. Yeah, feel free to send 1000 00:50:07,480 --> 00:50:09,880 those two as they're released. We would love to do. 1001 00:50:10,199 --> 00:50:12,079 You know, we like to do world radio premieres here, 1002 00:50:12,159 --> 00:50:14,519 so if we can kind of be your oh, your 1003 00:50:14,840 --> 00:50:17,840 conduit in that way on American radio, we'll we'll do 1004 00:50:17,880 --> 00:50:20,159 a world radio premiere for each new single as it 1005 00:50:20,199 --> 00:50:20,960 comes out. That'd be great. 1006 00:50:21,079 --> 00:50:22,880 Speaker 5: Let's do that, definitely, that'd be so fun. 1007 00:50:23,039 --> 00:50:26,679 Speaker 2: Absolutely, absolutely. And the other thing too, what should people know? 1008 00:50:26,920 --> 00:50:29,280 What should our listeners know about where to go online 1009 00:50:29,320 --> 00:50:31,119 to keep up with everything that you guys are doing 1010 00:50:31,480 --> 00:50:33,679 in terms of music and shows. If we have any 1011 00:50:33,719 --> 00:50:35,159 listeners and I don't know if you plan to get 1012 00:50:35,159 --> 00:50:37,639 to America at any point, but but if you know, 1013 00:50:37,719 --> 00:50:40,320 we do have listeners because of again God bless the Internet, 1014 00:50:40,360 --> 00:50:43,599 we have listeners over there to online. But what should 1015 00:50:43,599 --> 00:50:45,880 people know about keeping up with everything that you guys 1016 00:50:45,920 --> 00:50:46,239 are doing. 1017 00:50:47,280 --> 00:50:50,159 Speaker 5: All of the handles are at this is club paradise. 1018 00:50:50,400 --> 00:50:54,800 We probably update Instagram the most, and then I'll handle 1019 00:50:54,880 --> 00:50:59,079 on Twitter X sorry is a club paradise with two 1020 00:50:59,199 --> 00:50:59,920 underscores at. 1021 00:50:59,840 --> 00:51:02,760 Speaker 2: The I still call it Twitter, by the way, because 1022 00:51:04,239 --> 00:51:06,760 much changing. Yeah, you call it X and people don't 1023 00:51:06,800 --> 00:51:09,639 know what you mean necessarily, whereas everybody knows what Twitter is. 1024 00:51:10,480 --> 00:51:14,079 Definitely definitely much much easier. Guys, thank you again so much. 1025 00:51:14,079 --> 00:51:17,039 We're gonna hit this track, Chasing the Summer. But h 1026 00:51:17,119 --> 00:51:19,199 I appreciate us speaking with the three of you. We'll 1027 00:51:19,239 --> 00:51:21,119 do it again in the future, of course. And uh 1028 00:51:21,400 --> 00:51:24,039 and I look forward to playing the new singles too 1029 00:51:24,079 --> 00:51:27,280 as they're released on the show. So uh, guys, thank you, 1030 00:51:27,559 --> 00:51:29,480 thank you again, really appreciate it. Thank you so much 1031 00:51:29,480 --> 00:51:32,199 for having you got it, You got it all right. 1032 00:51:32,239 --> 00:51:37,239 Thanks guys, take care all right. That is a club paradise, 1033 00:51:37,280 --> 00:51:38,480 and we're gonna play this track. 1034 00:51:39,000 --> 00:51:39,119 Speaker 3: Uh. 1035 00:51:39,280 --> 00:51:40,840 Speaker 2: This is called Chasing the Summer. 1036 00:51:41,239 --> 00:51:42,559 Speaker 7: Chasing the sum. 1037 00:51:47,400 --> 00:52:03,000 Speaker 6: Yes on the tax take a corner balls, really chasing 1038 00:52:03,199 --> 00:52:04,239 the Summer. 1039 00:52:05,840 --> 00:52:12,280 Speaker 7: To me, you run the streets round. 1040 00:52:13,400 --> 00:52:19,480 Speaker 6: To don't want to go home? 1041 00:52:20,280 --> 00:52:24,760 Speaker 19: Felt like a change of Mozille step. She is, oh 1042 00:52:25,159 --> 00:52:32,960 sowar else but summers the night she was, Oh summer else, 1043 00:52:33,639 --> 00:52:34,840 I was summers to. 1044 00:52:35,239 --> 00:52:39,760 Speaker 7: Night, chasing the summer. 1045 00:52:43,239 --> 00:52:49,920 Speaker 6: Mind and my has to stay summer over your job 1046 00:52:50,079 --> 00:52:54,639 from me, paintbills on the ground and green and my 1047 00:52:55,000 --> 00:53:00,760 back like a corner, really chasing in the summer. 1048 00:53:07,599 --> 00:53:11,119 Speaker 7: I never felt so lonely. No, I was just calling 1049 00:53:11,719 --> 00:53:16,559 was I was feeling like I knew who I could be. 1050 00:53:16,760 --> 00:53:21,159 But it's not what you want from me. Okay, oh shit, 1051 00:53:21,639 --> 00:53:25,239 I could see myself. I could see myself there night. 1052 00:53:27,840 --> 00:53:31,320 Speaker 19: Tell me the dream of somewhere else, dreams of summer 1053 00:53:31,440 --> 00:53:32,599 us too vain. 1054 00:53:34,920 --> 00:53:41,559 Speaker 7: She said, the summer could be mind and my hands 1055 00:53:41,639 --> 00:53:47,719 to say, its not forever you look time from me pain. 1056 00:53:49,079 --> 00:53:54,199 Speaker 6: I a on the ground, ran the mob like a 1057 00:53:54,360 --> 00:53:56,320 car being. 1058 00:53:56,360 --> 00:53:58,039 Speaker 7: Chasing in the summer. 1059 00:53:59,599 --> 00:54:10,960 Speaker 6: Seas I know about myself from fright. Everyone else wishould 1060 00:54:11,000 --> 00:54:18,320 put the bad and wasting, relying souse wasted, reminding. 1061 00:54:22,960 --> 00:54:29,880 Speaker 7: She seems soler kick the death from my heels because 1062 00:54:29,960 --> 00:54:35,360 it's not forever we love jobs, will be. 1063 00:54:35,480 --> 00:54:40,280 Speaker 6: Paying bills out the long ground, scrand and my bows 1064 00:54:40,920 --> 00:54:48,280 so so I to call her all the deal chasing summer, sub. 1065 00:54:51,440 --> 00:55:00,199 Speaker 7: Cha saying son co Cha saying summer. 1066 00:55:09,440 --> 00:55:14,039 Speaker 6: Ship chance, summer. 1067 00:55:37,599 --> 00:55:39,760 Speaker 4: I'm on my way now, Why would I wait? 1068 00:55:40,000 --> 00:55:40,159 Speaker 3: Now? 1069 00:55:40,440 --> 00:55:40,679 Speaker 5: Wait? 1070 00:55:40,960 --> 00:55:43,559 Speaker 4: Now I'm on my way now? Why would I wait? 1071 00:55:43,840 --> 00:55:43,960 Speaker 17: Now? 1072 00:55:44,320 --> 00:55:44,559 Speaker 5: Wait? 1073 00:55:44,800 --> 00:55:47,400 Speaker 4: Now I'm on my way now? Why would I wait? 1074 00:55:47,639 --> 00:55:47,800 Speaker 13: Now? 1075 00:55:48,559 --> 00:55:48,719 Speaker 5: Now? 1076 00:55:49,360 --> 00:55:50,119 Speaker 7: My way now? 1077 00:55:51,840 --> 00:55:52,079 Speaker 3: Way? 1078 00:55:52,199 --> 00:55:54,800 Speaker 8: Like things like sports is touchdown look get when I'm 1079 00:55:54,840 --> 00:55:57,599 on that field, I don't give a what's because I'm 1080 00:55:57,599 --> 00:55:59,639 working on minding it. Need a good deal, Tell me 1081 00:55:59,760 --> 00:56:02,119 what's real. I need a bell twenty nine trying to 1082 00:56:02,159 --> 00:56:04,000 get all of my bills and trying to destroy me 1083 00:56:04,119 --> 00:56:04,960 like capitol pill. 1084 00:56:05,000 --> 00:56:06,960 Speaker 4: I'm coming right back and I'm nothing to throw. But 1085 00:56:07,119 --> 00:56:11,400 against ain't captain. They making this bell for the impact. 1086 00:56:11,599 --> 00:56:12,239 Speaker 9: Woo woo woo. 1087 00:56:12,519 --> 00:56:14,599 Speaker 8: Get the quick dash soon there's the money call. Let 1088 00:56:14,639 --> 00:56:16,639 me right back, do it all when my heart can't 1089 00:56:16,639 --> 00:56:18,800 fight that puny by me with a barm that decide 1090 00:56:18,880 --> 00:56:20,639 rat got I'm telling me he's wrong that I'm like 1091 00:56:20,719 --> 00:56:22,840 that hip jack the MICUs with the fight pack. 1092 00:56:23,000 --> 00:56:23,840 Speaker 4: Hunt a mic and a no. 1093 00:56:23,960 --> 00:56:26,000 Speaker 8: I wanma ter him holy fighting with a man in 1094 00:56:26,079 --> 00:56:28,519 the mirror when the aero step back's a good pack. 1095 00:56:28,719 --> 00:56:31,000 If we're talking about impact, we did that. Oh no, 1096 00:56:31,360 --> 00:56:33,960 heads to the front door. I know such it's gonna come. 1097 00:56:34,039 --> 00:56:36,119 So got one by the end and the one more. 1098 00:56:36,400 --> 00:56:37,280 Speaker 4: I swear for my end. 1099 00:56:37,280 --> 00:56:38,079 Speaker 7: I'm gonna take yos. 1100 00:56:38,199 --> 00:56:40,920 Speaker 8: We're gonna with the Cheeseuga's kiss Kay sous letta be 1101 00:56:40,960 --> 00:56:43,280 kicking heavy kiss. Wake up in the morning with a 1102 00:56:43,360 --> 00:56:45,159 day go trying to tour the states to win a 1103 00:56:45,199 --> 00:56:47,599 big goat, say souls, I just want to make both 1104 00:56:47,760 --> 00:56:49,360 put a hole in his head like a bag, go 1105 00:56:49,719 --> 00:56:51,960 lay low and wait for the safe goat plays go. 1106 00:56:52,320 --> 00:56:54,559 I don't want to stay pope these toge this talking, 1107 00:56:54,639 --> 00:56:56,920 but I see the options. I think I'm taking it next, 1108 00:56:57,559 --> 00:56:59,239 losing that hope. Well nowhere that goal. 1109 00:56:59,360 --> 00:57:00,760 Speaker 4: But I got this as on my chest. 1110 00:57:01,320 --> 00:57:04,519 Speaker 8: Push me, don't break down, but I don't break down, 1111 00:57:05,159 --> 00:57:06,519 cribbing like eight miles. 1112 00:57:07,039 --> 00:57:07,840 Speaker 4: I'm on my weight. 1113 00:57:08,079 --> 00:57:11,639 Speaker 10: Now I'm on my way now. Why would I wait now? 1114 00:57:12,400 --> 00:57:15,440 Now I'm on my way now? Why would I wait now? 1115 00:57:16,159 --> 00:57:18,800 Now I'm on my way now? Why would I wait? 1116 00:57:19,079 --> 00:57:21,199 Speaker 3: Now I'm on my way? 1117 00:57:23,320 --> 00:57:28,639 Speaker 11: When holder wait log Wabi play biggest man than may 1118 00:57:28,679 --> 00:57:28,920 I make? 1119 00:57:28,960 --> 00:57:29,199 Speaker 14: Okay? 1120 00:57:29,760 --> 00:57:32,000 Speaker 12: Depending when I pull up in the pain kind of 1121 00:57:32,039 --> 00:57:35,840 remember bag with the biggest picture the fucker gud They try. 1122 00:57:35,800 --> 00:57:36,320 Speaker 4: To figure me up. 1123 00:57:36,639 --> 00:57:39,320 Speaker 12: Tell me, did you hear me when I say I 1124 00:57:39,440 --> 00:57:41,639 come from the error left your marriage pop off with 1125 00:57:41,719 --> 00:57:43,559 the stupid tot down. In the terrace were Cup and 1126 00:57:43,599 --> 00:57:45,440 the Teiths. We pretend we know her them because in 1127 00:57:45,480 --> 00:57:47,760 the boot and they drove through word area. Your gentrification 1128 00:57:47,920 --> 00:57:49,960 was patiently waiting back that we are picking and so 1129 00:57:50,119 --> 00:57:52,159 the in case they fighting for a placement on corners 1130 00:57:52,199 --> 00:57:54,360 outrageou where others have plaguing so up to word trap. 1131 00:57:55,280 --> 00:57:58,159 Wait now that was my trailer like eight mile will 1132 00:57:58,239 --> 00:58:00,719 l I know not play round from them foods and 1133 00:58:00,800 --> 00:58:04,239 a bay currency come in and currently keep a good 1134 00:58:04,239 --> 00:58:07,000 company being your somebody all of my beddiness stuff's like 1135 00:58:07,079 --> 00:58:09,440 children and raised but no man's like in general. These 1136 00:58:09,519 --> 00:58:12,760 rappers are so will pick them up while hitting them 1137 00:58:12,840 --> 00:58:14,920 draws might be your wife, it might be your mom. 1138 00:58:14,960 --> 00:58:15,840 Speaker 3: No discrimination. 1139 00:58:15,960 --> 00:58:18,880 Speaker 12: I'm basing them off because they just talking like they 1140 00:58:18,920 --> 00:58:19,920 see their black cadalac. 1141 00:58:20,679 --> 00:58:21,800 Speaker 11: You look like a government. 1142 00:58:21,880 --> 00:58:22,559 Speaker 16: Come from the money. 1143 00:58:22,599 --> 00:58:24,039 Speaker 12: It's rotures and sofas employees. 1144 00:58:24,079 --> 00:58:25,440 Speaker 4: Don't where you had to go get it. 1145 00:58:25,559 --> 00:58:27,440 Speaker 12: The packs in the digital and said I'm giving you 1146 00:58:27,559 --> 00:58:30,159 VEX them a criminal packed up, get packed in the clock. 1147 00:58:30,199 --> 00:58:32,639 If you dumped in the lake and you thumb were okay, pounded, 1148 00:58:32,679 --> 00:58:34,920 the flavor would break down. I was like the state 1149 00:58:35,039 --> 00:58:37,079 like a break pound. Just say the stage up in 1150 00:58:37,159 --> 00:58:39,800 eighth Towns. They said, I'm my weight now. 1151 00:58:40,480 --> 00:58:43,039 Speaker 4: I'm on my way now. Why would I wait now? 1152 00:58:43,840 --> 00:58:46,440 Speaker 10: Now I'm on my way now Why would I wait 1153 00:58:46,679 --> 00:58:49,239 now Now I'm on my way now? 1154 00:58:49,440 --> 00:58:52,199 Speaker 4: Why would I weigh now now I'm. 1155 00:58:52,079 --> 00:58:52,880 Speaker 7: On my way. 1156 00:58:54,760 --> 00:58:54,960 Speaker 17: Way. 1157 00:58:58,159 --> 00:59:00,360 Speaker 4: In times of crisis, you need a law firm that 1158 00:59:00,480 --> 00:59:03,519 stands by your side. With over forty years of experience, 1159 00:59:03,639 --> 00:59:07,320 Craigan Getsulis is dedicated to fighting for your rights. 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