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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What what's gonna happen?

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<v Speaker 3>What? What's up? Everybody? We got another Headless's Magical mail

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<v Speaker 3>bag with my co host Nick Nick. How's it going.

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<v Speaker 2>It's doing very well. I had a decent, decent discussion

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<v Speaker 2>with somebody if you got an hour ago. So that

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<v Speaker 2>went well, it did.

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<v Speaker 3>I really liked him.

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<v Speaker 2>What was his name again, soul Luckman, Luckman.

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<v Speaker 3>That's right, that was interesting. I didn't even write his

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<v Speaker 3>name down. I'm writing all this other stuff down from him,

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<v Speaker 3>but I didn't.

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<v Speaker 2>I did see you. I did see you, definitely going

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<v Speaker 2>in with the with the notepad.

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<v Speaker 3>Yeah, man, he's odd to something tho. I'm telling you what,

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<v Speaker 3>Oh for sure. But tonight, let's start off with the glyphs.

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<v Speaker 3>You want to hit your s.

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<v Speaker 2>Oh you know crap first? Oh yes, sorry, I gotta

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<v Speaker 2>all right, It's ok.

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<v Speaker 3>I'll demneka this right here. Everybody knows this symbol. But

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<v Speaker 3>what does it mean?

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<v Speaker 4>Benford's law.

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<v Speaker 3>Benford's Law, I think, is one of these sort of

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<v Speaker 3>neo magical sigils because it does some really interesting stuff.

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<v Speaker 3>So it's also known as newcom Bedford's law. It's the

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<v Speaker 3>law of anomalist numbers or first digit law. It's an

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<v Speaker 3>observation that many real life sets of numerical data, the

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<v Speaker 3>leading digit is likely to be small. In sets that

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<v Speaker 3>obey the law, the number one appears as the leading

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<v Speaker 3>significant digit about thirty percent of the time. That's that

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<v Speaker 3>first ball right there. Well, nine appears as the leading

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<v Speaker 3>significant digit less than five percent of the time. So

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<v Speaker 3>this law is saying that you can predict what numbers

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<v Speaker 3>are going to be coming up in what regularity. So

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<v Speaker 3>the FBI and IRS use Benford's law, but they won't

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<v Speaker 3>admit to it because they can't admit this in court.

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<v Speaker 3>But they use Benford's law to see if you've been making,

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<v Speaker 3>you know, fraudulent tax returns, because all you have to

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<v Speaker 3>do is plug in the number. We think numbers are random,

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<v Speaker 3>but they go by this order. So when you're trying

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<v Speaker 3>to make numbers random, you're actually making it very easy

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<v Speaker 3>to find out that you're not following Benford's law. So

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<v Speaker 3>they're able to determine using numerology whether or not a

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<v Speaker 3>number is natural or unnatural. Somebody made it. I think

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<v Speaker 3>that's pretty incredible. But this is this is my symbol

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<v Speaker 3>Benford's law. So yeah, you've got the one and then

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<v Speaker 3>it just significantly drops off. This is the likelihood that

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<v Speaker 3>the order of the number is going to appear like this.

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<v Speaker 2>I've never heard of that.

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<v Speaker 3>Ye yeah, dude. It's crazy how much stuff is like

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<v Speaker 3>hidden within the recesses of like what do you call it,

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<v Speaker 3>the uh, you know, statistical mathematical anomalies, just sort of

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<v Speaker 3>hanging out in the background. And it's like, wait a second,

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<v Speaker 3>you can do that little pieces of code. What you

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<v Speaker 3>got for tonight?

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<v Speaker 2>Uh? There we go? Oh yeah, yes, yes, I was

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<v Speaker 2>actually how do you see that last word? I was

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<v Speaker 2>actually gonna ask you day? Yeah, oh, I have like

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<v Speaker 2>day it's like a myth or something like that, whatever,

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<v Speaker 2>And I was like, I've never seen that part, but yeah,

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<v Speaker 2>uh the seal or the truth of God also it

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<v Speaker 2>can be cooled. I wanted to kind of go like,

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<v Speaker 2>from what I got out of it, I'm sure there's

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<v Speaker 2>probably different ideas of different sources, but trying to get

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<v Speaker 2>idea where it comes from or where it's been seen.

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<v Speaker 2>There was a thirteenth and fourteenth century text which I

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<v Speaker 2>do think was actually something we covered or mentioned on

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<v Speaker 2>the Occult Rejects in our Grimoires. Liber geranis or the

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<v Speaker 2>sworn book of an Russ. That is like the first

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<v Speaker 2>time the full the first full recipe for the Sizilm day,

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<v Speaker 2>the two concentric circles, a pentagram, and the nested hectograms,

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<v Speaker 2>hetgons and heptograms, and the seventy two letter Oh God,

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<v Speaker 2>I'm having this shem Ha mafourche ring and the seven

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<v Speaker 2>archangels are placed on the inner heptagon. So that's like

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<v Speaker 2>the first time all that seems to be seen. Then

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<v Speaker 2>later in the sixteenth century, doctor John Dee and medium

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<v Speaker 2>Edward Kelly they kind of reused that, and that is

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<v Speaker 2>where it's why we were talking about somebody before they

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<v Speaker 2>have a tablet made out of beeswax like this. This

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<v Speaker 2>is where they started to put this onto beeswax tablets,

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<v Speaker 2>and they started using this when they were like, you know,

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<v Speaker 2>messing around. And then the seventeenth and eighteenth century anton

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<v Speaker 2>Htius Kircher did use that in some of his stuff,

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<v Speaker 2>and the nineteenth and twentieth century you will see the

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<v Speaker 2>Golden dorn in Alista Crowley reusing it again some little

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<v Speaker 2>ideas about it from the you know Id's idea from

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<v Speaker 2>fifteen eighty two The outer ring is supposed to be

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<v Speaker 2>the seventy two Latin letters again function you know for

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<v Speaker 2>that it creates the perimeter fence around the whole thing.

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<v Speaker 2>The pentagram. It's centered on a Greek tao, flanked by

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<v Speaker 2>divine names. The hectagon sides carry the seven planetary archangels,

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<v Speaker 2>the second and third heptagons, the fourteen trip oh God

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<v Speaker 2>tripetite divine names, the heptogram, the seven pointed star that

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<v Speaker 2>has more divine triads l on an omega, and the

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<v Speaker 2>central pentagram that has like Hebrew stuff in it. How

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<v Speaker 2>did he use it? Consecration used it a tablet casts

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<v Speaker 2>from virgin beeswax on a Wednesday. He engraved with a

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<v Speaker 2>brass stylus while reciting Psalm eight. We're talking about last night.

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<v Speaker 2>We were talking about Dight coming up a lot with

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<v Speaker 2>Back to the Future gun right here the plate, Yeah,

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<v Speaker 2>the placement, the four small seals under each table or leg,

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<v Speaker 2>the nine inch master seal under the crystal or obsidian shoestone.

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<v Speaker 2>This created a five point energy grid mirroring the pentagram

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<v Speaker 2>inside the glyph. The function in a section. It was

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<v Speaker 2>to a shield. Every illusion of full city is bared

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<v Speaker 2>notes D's diary. It's supposed to be kind of like

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<v Speaker 2>a lens believe to focus the angelic voices, so Kelly

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<v Speaker 2>could scribe coherent speech. And it was like some sort

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<v Speaker 2>of a key kind of where certain names are traced

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<v Speaker 2>with the wand to unlock specific planetary intelligences. And when

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<v Speaker 2>not used, de wrapped the seals in red silk and

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<v Speaker 2>sprinkled them with high supporter and that does. That's interesting

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<v Speaker 2>because proley Uh in one of his like kind of

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<v Speaker 2>banishing rituals or something like that, or like a cleansing thing,

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<v Speaker 2>he does mention, heyup and he actually pulls like straight

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<v Speaker 2>out of the Bible. So when it gets mentioned, so

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<v Speaker 2>I'm wondering if, like if John, if this guy they

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<v Speaker 2>were doing it too. I'm wondering if that's where where

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<v Speaker 2>they're getting the use of that.

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<v Speaker 3>There's so many different recipes in the Bible for all

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<v Speaker 3>of these magical herbs and stuff that, you know, I

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<v Speaker 3>think a lot of Christians don't realize that's it's used

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<v Speaker 3>for magic as well.

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<v Speaker 2>So oh yeah, yeah, yeah, there was even a yeah again,

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<v Speaker 2>like I mentioned the grim Moore, it's even in the

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<v Speaker 2>Key of Solomon. There's an adapted form out of it

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<v Speaker 2>in there too, But yeah, I think I think that's

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<v Speaker 2>probably enough. Really pretty much covered everything that I thought was.

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<v Speaker 3>Yeah, it's a crazy intricate seal, and I think they

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<v Speaker 3>really love that heptogram. It just looks so much different

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<v Speaker 3>for them. So you see them using all the time.

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<v Speaker 2>Yeah, there's something open that for sure, the way they

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<v Speaker 2>like the rocket. But yeah, I always I have mentioned

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<v Speaker 2>on the show before about certain things getting done on

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<v Speaker 2>bees wax, and yeah, this is one of them.

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<v Speaker 3>So was it funny that the bees wax was well,

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<v Speaker 3>actually it was just I'm not sure the kind of wax,

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<v Speaker 3>but that's what they cast the first records, thet oh crap.

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<v Speaker 3>I actually had a re recording of Alistair Crowley reading

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<v Speaker 3>one of the spells that was recorded on a wax record.

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<v Speaker 2>Oh shit, wow, his.

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<v Speaker 3>Voice is all high pitched.

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<v Speaker 2>Oh yeah yeah. When I did hear one of his recordings,

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<v Speaker 2>I was like, yo, that's his voice. Yeah right, I wow.

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<v Speaker 3>Okay, And the guy couldn't draw to save his life.

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<v Speaker 3>Terrible artists.

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<v Speaker 5>Yeah, yeah, a beast.

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<v Speaker 3>Well you know, I'm sure what he did was he

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<v Speaker 3>annoyed the spirits and becoming Yeah that's.

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<v Speaker 2>What it was. They're like, yo, we'll just show up

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<v Speaker 2>to you. Shut the fuck up.

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<v Speaker 3>Right, who's messing around with balloons out here? Man? What's

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<v Speaker 3>that annoying.

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<v Speaker 2>Helium? Yeah?

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<v Speaker 3>All right? So first one's from Hippoholic. It says headless

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<v Speaker 3>fellow Wisconsin Air, my dude, Bruce City. So I don't

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<v Speaker 3>know if this is the right way to do this,

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<v Speaker 3>but I'm going to go for it anyway. I'm curious

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<v Speaker 3>to know do you have any knowledge of the Libra

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<v Speaker 3>sign being added to the tarot? Not at the time

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<v Speaker 3>of its conception, but after I was reading The Secret

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<v Speaker 3>Teachings of All Ages Stanley Manly p. Hall Readers, Edition

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<v Speaker 3>thirty ninth printing two thousand and four twenty four. In

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<v Speaker 3>the print of the book, I have on page one

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<v Speaker 3>point fifty, paragraph three its as follows. Those who hold

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<v Speaker 3>the opinion that before its revision by the Greeks, the

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<v Speaker 3>zodiac consisted of only ten signs adduce evidence to show

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<v Speaker 3>that Libra was inserted into the zodiac by dividing the

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<v Speaker 3>constellation of Virgo and Scorpio at that time one sign

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<v Speaker 3>into two parts, thus establishing the balance at the point

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<v Speaker 3>of equilibrium between the ascending northern and descending Southern signs.

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<v Speaker 3>See The Resecretions, Their Rights and Mysteries by Hargrave Jennings.

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<v Speaker 3>On this subject, Isaac Meyer states we that the zodiacal

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<v Speaker 3>constellations were the first ten and represented an immense androgenic

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<v Speaker 3>man or deity. Subsequently, this has changed, resulting in Scorpio

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<v Speaker 3>and Virgo making eleven. After this, from Scorpio Libra the

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<v Speaker 3>balance was taken, making the present twelve Kabala, So that's

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<v Speaker 3>new to me. I tried to find the book mentioned

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<v Speaker 3>above online and I think I may have it here.

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<v Speaker 3>I'm just curious to know if you can get into

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<v Speaker 3>this a bit and maybe have already and can direct

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<v Speaker 3>me to the right information or where to find it,

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<v Speaker 3>or to shoot the shit on the topic. This concept

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<v Speaker 3>isn't impossible to believe with all we know about July,

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<v Speaker 3>August and leap years now. Additionally, with what I have

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<v Speaker 3>been trying to comprehend through archaic site, I wonder if

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<v Speaker 3>this was the timeline that was possibly starting to be manipulated.

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<v Speaker 3>Not sure if it's a theory or a fact thoughts.

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<v Speaker 2>I have never heard of that, but it is interesting

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<v Speaker 2>and it would be interested in hearing it.

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<v Speaker 3>Well. It's a different concept like instead of the twelve months,

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<v Speaker 3>you would I guess lengthen out the date the dates

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<v Speaker 3>of all the different months, and then you would have

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<v Speaker 3>those ten zodiac signs in the sky.

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<v Speaker 2>I mean, the whole situation with the months and then

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<v Speaker 2>numbers even matching doesn't match, right, So I mean at

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<v Speaker 2>that point, who knows what the hell's on?

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<v Speaker 3>I don't know now, I mean it sounds flausible because

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<v Speaker 3>Virgo and Scorpios are so different that it would make

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<v Speaker 3>sense why you would need a balance between the virgin

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<v Speaker 3>and the beast, you know.

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<v Speaker 2>Yeah, well, I mean even even scool, well Scorpios tend

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<v Speaker 2>to be I just feel it. Well, I think sexuality

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<v Speaker 2>is kind of normally associated with Scorpio in general, so

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<v Speaker 2>I can see how them being very polar opposites.

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<v Speaker 3>Bingo, yeah, bingo, yeah. I think I think there's a

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<v Speaker 3>real possibility in there, at least from that perspective. I

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<v Speaker 3>do know for a fact that the the Greeks had

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<v Speaker 3>a different number of constellations than we do today. And

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<v Speaker 3>I don't know who's the council on the constellations, but

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<v Speaker 3>it's it's changed into something different since then. Maybe it

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<v Speaker 3>was the Romans that did that, not sure, but yeah,

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<v Speaker 3>and now they're talking about a thirteenth sign, which would

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<v Speaker 3>be this. Uh yeah, what's that guy called again?

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<v Speaker 2>Oh it's a snake type thing, right? Uh yeah, so man,

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<v Speaker 2>I can't yeah yeah, sorry, yeah. I don't think I

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<v Speaker 2>ever really knew how to say it. I just always

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<v Speaker 2>read it right.

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<v Speaker 3>So let me see. Here we got Philip Marks, who says, hey, hg,

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<v Speaker 3>I'm phil or Stappy Dog. There we go. Oh okay,

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<v Speaker 3>it took the dives. Snappy Dog.

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<v Speaker 2>Yeah, that's awesome.

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<v Speaker 3>Been watching your shows for a couple of years.

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<v Speaker 2>Yeah, I I'll joy you and the other.

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<v Speaker 3>Folks in the tor universe. Here's what I experienced. I'm

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<v Speaker 3>in the near north side of Chicago Burbs and five

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<v Speaker 3>minutes from the city line. Several times weekly airplanes are

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<v Speaker 3>backed up over Lake Michigan in lines ten to fifty

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<v Speaker 3>miles deep, flying in westward to land at O'Hare. The

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<v Speaker 3>flight path is about four to six miles south of

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<v Speaker 3>me perpendicular. When I'm out and about, I always look

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<v Speaker 3>at the flight pass, just something I do. Probably about

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<v Speaker 3>June twenty ten or twenty eleven, I'm mowing the front

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<v Speaker 3>lawn on a Friday evening at about seven pm. As

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<v Speaker 3>I'm mowing, I see a small black object due south

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<v Speaker 3>of me, probably at about three to five miles away,

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<v Speaker 3>not sure how high, but lower than the planes, maybe

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<v Speaker 3>eight hundred feet high. But strange to see an object

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<v Speaker 3>just sitting there. I finished the front lawn about minutes later,

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<v Speaker 3>and still see this black object. I call my neighbor

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<v Speaker 3>over from across the street, and my wife at the

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<v Speaker 3>time comes out and we're all looking at this thing.

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<v Speaker 3>I get back, I get the binoculars and it just

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<v Speaker 3>magnifies it like bigger black object with some type of

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<v Speaker 3>dark movement on the back end. My ex was saying

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00:15:20.759 --> 00:15:23.720
<v Speaker 3>that there was some kind of exhaust coming out of it. Anyways,

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<v Speaker 3>we're all talking and time goes by, getting dark, and

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<v Speaker 3>the object is still there, maybe about sixty to ninety

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<v Speaker 3>minutes total. We go in and Friday Family Night takes over.

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<v Speaker 3>The next morning, I get up, turn on the coffee maker,

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<v Speaker 3>and let our dogs out of the kitchen patio door

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<v Speaker 3>to the backyard, and hell, there it is just shy

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<v Speaker 3>of forty feet from my patio door and ten to

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<v Speaker 3>twelve feet high, two feet directly above my neighbor's hedges

255
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<v Speaker 3>is a black kite. The kite was about three feet

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<v Speaker 3>wide three to four feet long, and behind it was

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<v Speaker 3>like this ribbon that was off about a foot long.

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<v Speaker 3>The ribbon was circular and rigid, like a ribbon dancers

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00:16:06.279 --> 00:16:10.240
<v Speaker 3>or gymnasts hues. The ribbon just kept going around and around.

260
00:16:10.320 --> 00:16:14.039
<v Speaker 3>I could see no motor strings, any type of structural components.

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<v Speaker 3>This was completely silent. I remember muttering what the fuck.

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<v Speaker 3>My oldest daughter was in the family room watching TV.

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<v Speaker 3>I yelled for her to go to the patio door

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<v Speaker 3>in that room, and I told her to look past

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<v Speaker 3>the pool above our fence, and she said, big deal,

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00:16:28.240 --> 00:16:31.399
<v Speaker 3>it's a kite. Now I know, I'm just seeing things.

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<v Speaker 3>I ran to the foyer and told my ex to

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<v Speaker 3>open the shades and look her to the backyard, but

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00:16:35.720 --> 00:16:38.679
<v Speaker 3>she was in the washroom. By the time I ran

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<v Speaker 3>back to the kitchen patio door, the kite was gone.

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<v Speaker 3>I left for maybe like fifteen seconds, and it was gone.

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<v Speaker 3>Probably a good thing, because I was thinking I'll grab

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<v Speaker 3>one of the kid's toys in the backyard and knock

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<v Speaker 3>the kite down. I asked my daughter, who was on

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<v Speaker 3>the patio at this point, what happened to the kite.

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<v Speaker 3>She pointed and said it went over the neighbor's home

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<v Speaker 3>and over three trees in their front yard. The neighbor's

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00:17:01.120 --> 00:17:03.879
<v Speaker 3>roofline is about twenty five feet and their linden trees

279
00:17:03.919 --> 00:17:08.200
<v Speaker 3>were about fifty to sixty feet. I ran out out

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<v Speaker 3>front of my shorts and stood in the middle of

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00:17:10.240 --> 00:17:13.680
<v Speaker 3>the street looking around nothing. I kind of explained that

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00:17:13.839 --> 00:17:17.079
<v Speaker 3>some object was approximately four miles away and maybe eight

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00:17:17.160 --> 00:17:23.279
<v Speaker 3>hundred to one kilometer high could wind up in my backyard.

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<v Speaker 3>If I could see this object, so could about one

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<v Speaker 3>fourth of a million other people. My fan was the

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00:17:30.400 --> 00:17:32.799
<v Speaker 3>last to get the smartphones, and we only had a

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00:17:32.799 --> 00:17:35.400
<v Speaker 3>PC computer hooked up in the TV and the family

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00:17:35.480 --> 00:17:38.119
<v Speaker 3>room for videos and stuff like that, meaning we did

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00:17:38.119 --> 00:17:41.279
<v Speaker 3>not have devices that would listen to us. This kite

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00:17:41.319 --> 00:17:43.799
<v Speaker 3>found me the next morning and was waiting for me.

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00:17:44.319 --> 00:17:47.160
<v Speaker 3>I mean, it's like whoever was controlling the kite knew

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00:17:47.160 --> 00:17:48.880
<v Speaker 3>that I would be letting out the dogs at a

293
00:17:48.880 --> 00:17:52.559
<v Speaker 3>certain time. I risked my neighbors seeing it floating above

294
00:17:52.599 --> 00:17:55.880
<v Speaker 3>the hedges. I know that in some underground base there's

295
00:17:55.960 --> 00:17:58.680
<v Speaker 3>a poster of me in shorts, hair disheveled, who is

296
00:17:58.720 --> 00:18:01.440
<v Speaker 3>mouthing what the fuck? Won't uh my knees are being

297
00:18:01.480 --> 00:18:05.880
<v Speaker 3>taken out by three large dark dogs charging into the backyard. Cheers, man,

298
00:18:07.720 --> 00:18:09.319
<v Speaker 3>that was an excellent story.

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<v Speaker 2>Yeah, actually, yo, that is fucking and it's.

300
00:18:17.200 --> 00:18:22.079
<v Speaker 3>So weird because so many I've heard so many stories

301
00:18:22.200 --> 00:18:27.079
<v Speaker 3>about these flying humanoid creatures around O'Hara Airport. And he's

302
00:18:27.119 --> 00:18:31.839
<v Speaker 3>talking about this weird flying creature type thing that was

303
00:18:31.960 --> 00:18:32.759
<v Speaker 3>just hovering in.

304
00:18:32.680 --> 00:18:35.920
<v Speaker 4>His backyard that I mean, it's creepy.

305
00:18:36.000 --> 00:18:38.880
<v Speaker 3>It's not a it's not a humanoid, but come on, man,

306
00:18:39.000 --> 00:18:42.200
<v Speaker 3>it's kind of a kite and the tails twisty. I mean,

307
00:18:42.240 --> 00:18:42.960
<v Speaker 3>what's up with that.

308
00:18:43.319 --> 00:18:46.359
<v Speaker 2>It's weird, dude, you're remind me of I mean, it's

309
00:18:46.480 --> 00:18:48.880
<v Speaker 2>very different, but like a little bit of hell here

310
00:18:49.400 --> 00:18:52.440
<v Speaker 2>with like the balloons popping up. That is so weird

311
00:18:52.440 --> 00:18:55.000
<v Speaker 2>with the kit you know what it reminded me of.

312
00:18:55.079 --> 00:18:58.839
<v Speaker 2>And I don't think it's this. It it's something really weird,

313
00:18:59.079 --> 00:19:02.319
<v Speaker 2>and I do want about it to an extent because

314
00:19:02.319 --> 00:19:06.039
<v Speaker 2>I've seen a couple of videos on Instagram. One was

315
00:19:06.079 --> 00:19:09.039
<v Speaker 2>like some dude was like watching like a cart in

316
00:19:09.119 --> 00:19:12.000
<v Speaker 2>the parking lot kind of take off by itself and

317
00:19:12.039 --> 00:19:13.440
<v Speaker 2>he's like, oh, let's see where this is. Let's see

318
00:19:13.440 --> 00:19:16.119
<v Speaker 2>whose car this fucking runs into and it's like going

319
00:19:16.200 --> 00:19:19.400
<v Speaker 2>completely nowhere near this guy's car, and somehow this motherfuckers

320
00:19:19.440 --> 00:19:23.279
<v Speaker 2>just comes all the way back and hits his car.

321
00:19:24.319 --> 00:19:26.559
<v Speaker 2>Then I've seen another video where this guy was filming

322
00:19:26.559 --> 00:19:28.599
<v Speaker 2>something in the sky and you ever see like those.

323
00:19:29.440 --> 00:19:31.079
<v Speaker 2>It's like those tents that you can like, you know,

324
00:19:31.160 --> 00:19:33.240
<v Speaker 2>toss a car and maybe it's almost like a tarp.

325
00:19:33.319 --> 00:19:35.480
<v Speaker 2>It's like a pop up thing, but it's like really sturdy.

326
00:19:36.519 --> 00:19:39.200
<v Speaker 2>One of those was like in the sky and this

327
00:19:39.279 --> 00:19:42.640
<v Speaker 2>guy's like filming and it's like, you know, going all

328
00:19:42.680 --> 00:19:44.440
<v Speaker 2>the way like that, and what is the odds of

329
00:19:44.480 --> 00:19:48.079
<v Speaker 2>it literally coming and swooping back down and landing right

330
00:19:48.119 --> 00:19:51.839
<v Speaker 2>on him? And some people were saying, is it like

331
00:19:51.880 --> 00:19:54.240
<v Speaker 2>when you give shit attention it comes? Hey? I know

332
00:19:54.319 --> 00:19:59.599
<v Speaker 2>that sounds weird, but I have woundered about that. If

333
00:19:59.839 --> 00:20:04.319
<v Speaker 2>they there is some sort of relationship outside yourself with

334
00:20:04.359 --> 00:20:07.599
<v Speaker 2>something else, you know, people feel when you're looking at him.

335
00:20:07.279 --> 00:20:10.759
<v Speaker 3>I think there totally is. There's I think there's this phenomena.

336
00:20:10.880 --> 00:20:13.720
<v Speaker 3>We were talking about it with one of my other guests.

337
00:20:14.039 --> 00:20:17.039
<v Speaker 3>He was talking about how he felt like there was

338
00:20:17.200 --> 00:20:22.599
<v Speaker 3>a doppelganger of his grandmother in the house Citty where

339
00:20:22.640 --> 00:20:25.240
<v Speaker 3>he was. He just got up and walked away from it,

340
00:20:25.319 --> 00:20:27.319
<v Speaker 3>and then he turns around and he sees his grandmother

341
00:20:27.400 --> 00:20:30.559
<v Speaker 3>sitting there. And I think what there is is there's

342
00:20:30.599 --> 00:20:35.279
<v Speaker 3>an instantaneous sharing of memory that happens in a lot

343
00:20:35.279 --> 00:20:38.319
<v Speaker 3>of these scenarios, and so it'll just sort of appear

344
00:20:38.759 --> 00:20:42.079
<v Speaker 3>like this plasma. Right, That's what I think it is.

345
00:20:42.279 --> 00:20:45.920
<v Speaker 3>The sentient plasma will appear as something from your memory

346
00:20:45.960 --> 00:20:49.000
<v Speaker 3>because it's sort of like your plasma. It's plasma. It

347
00:20:49.039 --> 00:20:51.440
<v Speaker 3>can read your plasma fast as shit, and then that's

348
00:20:51.480 --> 00:20:53.160
<v Speaker 3>what it uses to take form.

349
00:20:54.440 --> 00:20:59.200
<v Speaker 2>Oh yeah, I like it. Yeah, there's something up with it.

350
00:20:59.480 --> 00:21:01.559
<v Speaker 2>I mean, like the whole again, we were talking about

351
00:21:01.599 --> 00:21:05.559
<v Speaker 2>that slid experiment. I even wonder if there's like something

352
00:21:05.599 --> 00:21:07.480
<v Speaker 2>there that like works as a base in your eyes,

353
00:21:07.559 --> 00:21:11.759
<v Speaker 2>working as the projection screen, I mean the projector you know,

354
00:21:11.880 --> 00:21:14.119
<v Speaker 2>like there's something I don't know, some sort of relationship.

355
00:21:15.279 --> 00:21:20.759
<v Speaker 3>Absolutely, I think we are half of every moment that happens. Yeah,

356
00:21:21.160 --> 00:21:25.319
<v Speaker 3>I mean that's fully half. Half of everything that happens

357
00:21:25.359 --> 00:21:29.599
<v Speaker 3>is us. That's really interesting. That's I mean, it's not

358
00:21:29.640 --> 00:21:32.880
<v Speaker 3>mostly the outside world, it's our perception of it. Yeah,

359
00:21:34.200 --> 00:21:37.680
<v Speaker 3>I sent you a video of this, This one old

360
00:21:37.759 --> 00:21:39.920
<v Speaker 3>video that I saw. I can't get it out of

361
00:21:39.920 --> 00:21:43.640
<v Speaker 3>my mind. Okay, could be fake, I don't know, but

362
00:21:44.119 --> 00:21:49.400
<v Speaker 3>there were so many different people who saw these witches

363
00:21:49.440 --> 00:21:53.160
<v Speaker 3>flying around. They even interview these cops that were supposedly

364
00:21:53.200 --> 00:21:56.480
<v Speaker 3>attacked by them.

365
00:21:56.599 --> 00:21:59.519
<v Speaker 2>I'm sending it to myself now hold on, yeah, this

366
00:21:59.559 --> 00:22:02.279
<v Speaker 2>looks since you say, right, this is so?

367
00:22:03.480 --> 00:22:06.160
<v Speaker 3>This event was. It was like, how could this be

368
00:22:06.279 --> 00:22:08.319
<v Speaker 3>on video? Nobody's even curious about it?

369
00:22:09.000 --> 00:22:14.000
<v Speaker 2>Yeah, hold on, all right, let me share the screen.

370
00:22:14.880 --> 00:22:15.319
<v Speaker 3>Thank you?

371
00:22:15.359 --> 00:22:21.519
<v Speaker 2>Stick yes, present screen?

372
00:22:24.440 --> 00:22:31.680
<v Speaker 3>Kay hmm, there we go.

373
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<v Speaker 2>Good.

374
00:22:32.839 --> 00:23:12.079
<v Speaker 1>Yeah, h Seriously, what is that thing?

375
00:23:12.400 --> 00:23:14.920
<v Speaker 2>Absolutely weird? Right? You see a trail coming off of it?

376
00:23:14.960 --> 00:23:15.759
<v Speaker 2>Every once in a while.

377
00:23:20.119 --> 00:23:22.559
<v Speaker 3>They called these things the brujas, which.

378
00:23:23.119 --> 00:23:24.799
<v Speaker 2>In a while it looks like a little it could

379
00:23:24.799 --> 00:23:26.240
<v Speaker 2>just be the quality, but every once in a while

380
00:23:26.240 --> 00:23:28.640
<v Speaker 2>looks like there's something like trails off of it too.

381
00:23:31.920 --> 00:23:35.279
<v Speaker 3>And so these characters, right as they're filming them, these

382
00:23:35.359 --> 00:23:38.400
<v Speaker 3>cops show up and it doesn't show this on film,

383
00:23:38.480 --> 00:23:41.240
<v Speaker 3>but these cops get attacked by these brew haas.

384
00:23:42.119 --> 00:23:43.799
<v Speaker 2>This is what we look like to the predators.

385
00:23:45.519 --> 00:23:55.759
<v Speaker 4>Basically, that's a cliff wall. I mean, that's flying a

386
00:23:55.839 --> 00:23:56.599
<v Speaker 4>long time.

387
00:23:59.440 --> 00:23:59.920
<v Speaker 2>I don't know.

388
00:24:02.079 --> 00:24:03.279
<v Speaker 4>What are those.

389
00:24:03.119 --> 00:24:06.039
<v Speaker 3>Things, but you know, this sort of gives the credence

390
00:24:06.079 --> 00:24:08.960
<v Speaker 3>to the flying humanoids cided over O'Hare Airport. It's like,

391
00:24:09.160 --> 00:24:11.720
<v Speaker 3>maybe there are flying humanoids. What the hell is that?

392
00:24:16.200 --> 00:24:17.839
<v Speaker 2>It was like looking at an old yo. Look at

393
00:24:17.839 --> 00:24:20.599
<v Speaker 2>that ship. Look, you know, it reminds me of like

394
00:24:20.599 --> 00:24:21.960
<v Speaker 2>looking at an old video game.

395
00:24:23.319 --> 00:24:23.880
<v Speaker 4>A little bit.

396
00:24:25.079 --> 00:24:26.720
<v Speaker 3>I don't know, what do you think? Is that faked?

397
00:24:26.799 --> 00:24:29.440
<v Speaker 2>Oh? I don't know. The interesting this part this I

398
00:24:29.519 --> 00:24:32.759
<v Speaker 2>think I've actually seen back in the day. This part,

399
00:24:33.319 --> 00:24:36.960
<v Speaker 2>this is interesting. Let me see it switch? When does

400
00:24:37.000 --> 00:24:37.519
<v Speaker 2>it switch?

401
00:24:39.480 --> 00:24:42.359
<v Speaker 3>Well, you got the high contrast with the sky and

402
00:24:42.400 --> 00:24:46.640
<v Speaker 3>then it uh I guess it auto focuses.

403
00:24:48.400 --> 00:24:58.799
<v Speaker 5>Yeah, yeah, that shit is bugged out, dude, I.

404
00:24:58.799 --> 00:24:59.839
<v Speaker 2>Don't know what do you think, Like.

405
00:25:01.559 --> 00:25:05.200
<v Speaker 3>There's a There was a personal rocket booster that they

406
00:25:05.279 --> 00:25:09.240
<v Speaker 3>had advertised in like the late nineteen sixties, and they

407
00:25:09.240 --> 00:25:11.880
<v Speaker 3>were saying it could be that. It's like, well, I

408
00:25:11.920 --> 00:25:16.319
<v Speaker 3>don't know, that doesn't look like a rocket booster. I'm sorry.

409
00:25:18.079 --> 00:25:23.960
<v Speaker 2>Ah, that was weird. It was like some uh, crouching

410
00:25:23.960 --> 00:25:25.599
<v Speaker 2>tiger hitting your dragon type ship.

411
00:25:28.799 --> 00:25:32.720
<v Speaker 3>Yeah, man, I think uh, I hope sightings pick up.

412
00:25:32.799 --> 00:25:35.839
<v Speaker 3>I mean I feel sorry for you, slat snappy dog.

413
00:25:35.920 --> 00:25:38.359
<v Speaker 3>I'm sure nobody wants to hear your stories of the

414
00:25:38.440 --> 00:25:39.960
<v Speaker 3>kite except for us. Yeah.

415
00:25:40.039 --> 00:25:42.359
<v Speaker 2>No, yeah, that is that is his. That story was

416
00:25:42.359 --> 00:25:44.160
<v Speaker 2>pretty weird to me. Man.

417
00:25:46.359 --> 00:25:49.119
<v Speaker 3>It has all the harm hallmarks of like an organic

418
00:25:49.440 --> 00:25:51.440
<v Speaker 3>I'm not sure if it's a government.

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<v Speaker 2>Thing or like something intelligent at least right intelligence.

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<v Speaker 3>That monster from the movie get Out? Was it get Out?

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00:25:59.240 --> 00:26:01.359
<v Speaker 3>I think it was get Out. It was the one

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<v Speaker 3>with the UFO that turned out to be like an

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<v Speaker 3>alien creature that was eating stuff.

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<v Speaker 2>Oh, maybe it was a get Out. I don't know.

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<v Speaker 2>I'm trying to think always the person who may get

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<v Speaker 2>Out made that movie.

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<v Speaker 3>I think, so, yeah, that's what it was. But yeah,

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<v Speaker 3>so about the tarot, wasn't wasn't the card? What but justice?

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<v Speaker 3>That's the libra right in the major arcana. And then

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<v Speaker 3>didn't Crowley switch that over in his tarot?

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00:26:39.519 --> 00:26:43.079
<v Speaker 2>Oh? Is that what? He didn't switch that for LUs,

432
00:26:43.160 --> 00:26:43.440
<v Speaker 2>did he?

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<v Speaker 3>No, he didn't switch it for lost. That was the

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00:26:46.519 --> 00:26:51.000
<v Speaker 3>strength card Strength. I don't know. I feel like there

435
00:26:51.039 --> 00:26:52.920
<v Speaker 3>was a change that he made to the card. I'm

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00:26:52.960 --> 00:26:56.720
<v Speaker 3>not sure what it was. It could have just been

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00:26:56.799 --> 00:26:59.599
<v Speaker 3>the Hebrew letter he did that a lot with his cards.

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00:27:00.400 --> 00:27:01.799
<v Speaker 2>Yeah. I think there was a few things that was

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00:27:01.839 --> 00:27:03.240
<v Speaker 2>actually different. Yeah.

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00:27:03.799 --> 00:27:09.279
<v Speaker 3>Oh adjustment, yes, yeah, so you've got the adjustment and

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00:27:09.279 --> 00:27:11.119
<v Speaker 3>then you've got the art card that has some of

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00:27:11.160 --> 00:27:12.880
<v Speaker 3>the adjustment in that one as well.

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00:27:14.599 --> 00:27:16.079
<v Speaker 2>Yeah, I think adjustment instead of.

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<v Speaker 3>Uh, he's right, Chindler's list. Look at that.

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00:27:21.559 --> 00:27:28.400
<v Speaker 2>What we'll be looking for we were now talking about.

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00:27:33.759 --> 00:27:34.359
<v Speaker 2>That's funny.

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00:27:36.720 --> 00:27:38.759
<v Speaker 3>Well, I think that's good for this week. I got

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00:27:38.799 --> 00:27:44.200
<v Speaker 3>a couple more pieces of mail for next week. Absolutely,

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<v Speaker 3>thank you for joining me. This has been another Headless

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<v Speaker 3>Giant Magical mail bag and we'll see you again next time.
